YM Liverpool March 2022

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N E WS | I N T E R I O R S | H O M E S | L I F E ST Y L E | FAS H I O N | GA R D E N I N G

www.ymliverpool.com MARCH 2022

ISSUE

BIG BIRTHDAY GIVEAWAY! 23 years and counting as Liverpool’s favourite magazine

Marti Pellow | Property in Focus | Dylan Moran | Bread Street review

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issue #500

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March

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ello and welcome to the 500th edition of YM Liverpool magazine!

To mark this landmark moment in our history, and help you celebrate with us, we’re giving away a bumper package of prizes to one lucky reader – check out page 6 for all the details.

And as it’s issue 500, we thought it was only right to bring you not one, but two big interviews with stars heading to Liverpool soon.

First up, former Wet Wet Wet frontman and one of Scotland’s finest singers, Marti Pellow talks to YM about the changing make-up of his fanbase, finally taking to the stage again after lockdown, and why he’s still waiting to try a good bowl of Scouse!

Meanwhile, as he prepares to embark on his new UK tour, Irish comedian Dylan Moran discusses his early influences, new BBC sitcom and offers a unique assessment of Liverpool audiences.

Elsewhere, Tom Beattie reviews Gordon Ramsay’s recently launched Bread Street Kitchen & Bar and WineTime’s Jon Atkinson gives us the lowdown on the most famous wine region of them all.

Plus Annie S shares her spring fashion picks, Heather Marsh tells us what we should be planting in the garden this month and we’ve got a brand new column all about The Beatles!

Enjoy!

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28 LAWRENCE SAUNDERS Editor SIMON FOWLER PHOYOGRAPHY; COVER: TRAVELLIGHT/SHUTTERSTOCK.COM

TERIOR NEWS | IN

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MARCH 2022

ISSUE

Editor: Lawrence Saunders [editor@ymliverpool.com] Design: Marten Sealby

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| Bread Street

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YM Liverpool

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Coming out of lockdown, I imagine playing live is even more special to you now. How has the tour been so far?

It’s been absolutely fantastic. To feel that sense of connection and life again with an audience! It’s a shared experience we all love. My industry was the first to close and the last to re-open, and to be afforded the luxury of finally getting back is great. Performing is something we certainly took for granted, but when that’s taken away from you, you crave it and respect it a lot more. When I started doing shows again last year, everybody was more up for it. They were all singing back to me: ‘No Marti, no party!’. I love it.

that real love and passion for what I do, so I’m always looking for my next song. I’m always making music! I’ve got one eye open thinking: ‘Let’s go down this wee road and see if I can make music which sounds a little different!’.

I’d love to hear a little more about your creative process when you are song writing. Was Stargazer a lockdown project, or were you working on other things too?

I was working on a few projects in lockdown, but as a songwriter I chose not to write about lockdown. I kind of ran away from it! But at the same time, I did a lot of reflecting, and that definitely weaved its The early Wet Wet Wet material is very nostalgic for many fans. way into my music. For my new album [Stargazer] I wrote with my Do you get a similar feeling whilst performing those hits? guitar which was different because I do a lot of writing on my piano.

I interact with those songs in a different way now I’m in my fifties. I Now, I’m not the best guitarist in the world but, you know, I fumbled look at songs written when I was a teenager and they mean different my way through it and managed to write some songs. It made my things to me now. I hope my songs grow with me, writing so different because I had to work within and I notice the audience has grown as well. When skill set, and I found that really interesting.

When I started my I would first meet [fans] they’d be in their teenage Then you work with somebody who’s really good years – now, they’re with their daughters! A couple of doing shows again, at the guitar to make it sound great, and you’ve got kids have even told me that they’ve listened to me on a success! everybody was Spotify or watched an old video on YouTube because they really dig that era, and I’m like ‘fair play!’. You so exciting to have you in Liverpool this more up for it. They It’s write songs and you hope that they’re not just about April. What are you most looking forward to yesterday, but today and most importantly tomorrow. about visiting our city? were all singing I will perform a lot of the songs I did with Wet I’ve been lucky enough to play in Liverpool many back to me: ‘No Wet Wet [on this tour] – whether it’s ‘Angel Eyes’, times, both with my music and performing in ‘Wishing I Was Lucky’ or ‘Love Is All Around’. I shows like Chicago too. When I’ve done a musical Marti, no party!’. wanted to do an evening that celebrates the entire theatre show, I’ve had the chance to spend a couple body of work I’ve produced as an artist. It’s a no of weeks there and see a lot more of the city. brainer! It’s about entertaining, not educating. I want my shows to Unfortunately, this time it’s a whistle-stop visit, so I’m sad I won’t be predominantly made up of songs people know, where you don’t be able to go further out and visit the likes of New Brighton. It’s have to think about learning lyrics beforehand. I want the audience great there. to think: ‘Oh yes, I know and love this song!’. I want everyone to Every time I visit, I always try to see as much as I can, whether it be celebrate and have a good time. visiting the galleries or seeing shows. I love the Epstein theatre and the Everyman theatre, they’re both such a celebration of great artists and I really enjoyed your latest album Stargazer, ‘These Are the writers. I always wonder if I’ll be able to get a good bowl of Scouse in Days’ struck a particular chord with me. Do you have a song a restaurant, too! I’m still waiting to experience that. from the album that you’re particularly fond of?

Liverpool just has such great heritage, and it’s a city which is I am really fond of ‘These Are The Days’, too. It’s about growing up really rich in heart. When I look at my itinerary and see I’m visiting with my mates, you know running with our dogs, much simpler times.

Liverpool, I always have a mini celebration in my head because it’s just I could also say ‘Love Me Tonight’. Stargazer was funnily enough one such a pleasure! of the most popular albums I’ve made and was really well received, so it was all lovely from that point of view. As a songwriter, I still have Marti Pellow plays the Philharmonic Hall on Tuesday 19 April

Sentimen Clydebank crooner Marti Pellow stops off at the Philharmonic Hall this April and we caught up with him to discuss getting back on the road after lockdown, the changing nature of his audience, and why he’s still desperate to try a good bowl of Scouse words molly hardwick

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YM Liverpool

INTERVIEW

Liverpool just has such great heritage, and it’s a city which is really rich in heart. When I’m visiting, it’s just such a pleasure!

SIMON FOWLER PHOTOGRAPHY

ntal Me

GIVEAWAY

ISSUE

500

BIG BIRTHDAY GIVEAWAY!

To celebrate reaching 500 issues, YM Liverpool is giving one lucky reader the chance to win a bumper array of prizes! To win EVERYTHING listed below all you have to do is email us at editor@ymliverpool.com with the answer to the following question: Which Italian-born TV chef did YM Liverpool interview in its most recent Christmas/New Year edition?

Meal and drinks for 4 at Peaberry Coffee House & Kitchen

Night’s stay at Holiday Inn Express Liverpool Royal Albert Dock

Family ticket for the Royal Liver Building 360 Tour

Afternoon tea for two with Prosecco at Titanic Hotel Liverpool

Escape room adventure for up to 6 people at Escape Hunt

An array of gifts from the Maritime Museum including Titanic Officer Bear

Table for 6 at Bingo Lingo @ Camp and Furnace

Box of Vanilla Clotted Cream Fudge from Roly’s Fudge

DEADLINE FOR ENTRIES IS 6PM ON 31 MARCH. THE LUCKY WINNER WILL BE ANNOUNCED ON 1 APRIL. TERMS & CONDITIONS APPLY – SEE OUR WEBSITE FOR MORE DETAILS.

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YM Liverpool

YM Liverpool

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YM Liverpool

9

ADVERTORIAL

Personal Injury claims – Consult the legal experts

Dan Griffiths Head of Personal Injury Paul Crowley & Co

If you have suffered a personal injury as a result of a road traffic accident, a trip, slip or fall, a bicycle or motorcycle accident or an accident at work, Paul Crowley & Co’s team of dedicated personal injury experts are here to guide you and to help get the compensation you deserve Paul Crowley & Co’s personal injury team are vastly experienced in successfully handling an array of both low and high value compensation claims on behalf of their clients, ranging from soft tissue injuries, broken bones through to more serious life changing injuries, including psychological disorders and injuries which may affect a person’s future ability to work.

For those wishing to pursue a personal injury claim, a number of recent reforms introduced under the Civil Liability Act 2018, have classified soft tissue injuries as low value injuries, with a significant decrease in compensation payouts.

One of the most common personal injury claims is for soft tissue whiplash injuries, with over 1000 claims being made in the UK every day.

Personal Injury reforms 2021

New laws have been introduced to the benefit of the insurance companies and to the detriment of the injured party.

The idea is that without instructing the services of a Solicitor, people suffering whiplash can make a claim using an online portal service called the Official Injury Claim. However, the new system has been heavily criticised and the vast majority of claimants have opted to have

legal representation when submitting their claims.

Paul Crowley & Co, here to help Many law firms are refusing to handle low value cases, at Paul Crowley & Co our team of personal injury lawyers are dedicated to providing legal advice for people who have suffered multiple injuries.

If you have been the unfortunate victim of a personal injury and your current solicitor is not providing you with the service you deserve, contact Paul Crowley & Co’s personal injury department to discuss transferring your case. You will be represented on a NO WIN, NO FEE basis and assigned your own personal claims handler who will keep you informed throughout the claims process.

Why switch to Paul Crowley & Co? Recently our personal injury team at Paul Crowley & Co, successfully represented a client who transferred their case from a prominent law firm in Manchester. Their solicitor had advised them to accept a settlement in the region of £2,500 but had failed to recognise additional multiple injuries which Paul Crowley & Co’s personal injury team had picked up on, this entitled the client to an increased

compensation payout. After switching to Paul Crowley & Co, we represented the client and they were awarded £9,000 in damages.

If you are unsure whether your claim could be worth more, Paul Crowley & Co are here to help.

What should I do if I have been in a road traffic accident?

Being involved in an accident can be extremely stressful, often people forget to record important details of the event which could help to support your compensation claim. Paul Crowley & Co advise you should: Take down contact details of the other party Take photos of the vehicles involved Write down contact details of witnesses Keep the receipts for expenses you incurred as a result of the accident e.g. travel or medication Record any time you had to take off work due to your injuries

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Paul Crowley & Co… On your side If you have suffered a multiple personal injury and think you might be entitled to compensation, Paul Crowley & Co solicitors are here to help. Contact our friendly team of personal injury specialists so we can discuss your case.

If you would like to speak to Dan please call our serious injuries department on 0151 264 7363 www.paulcrowley.co.uk 10

YM Liverpool

FOOD

Restaurant review

Bread Street Kitchen & Bar

By Tom Beattie |

Premium casual |

It’s impossible not to get excited about the arrival of a Gordon Ramsay-owned restaurant in the heart of Liverpool.

One can imagine Chef Ramsay’s delight at setting up shop in the former Paradise Street unit which once played host to old rival Jamie Oliver’s Italian eatery. Famously a competitive soul, the Scotsman’s sights will now be fixed on establishing Bread Street Kitchen & Bar as a staple of the local food scene.

Arriving slightly early for our Saturday night reservation, my guest and I headed to the bar – experiencing our first taste of the affable service which we would become accustomed to by the end of the evening.

The barman, Jack spoke of his excitement surrounding the arrival of Gordon Ramsay’s eatery on Merseyside and with a restaurant full to the rafters with expectant guests, it would be fair to say that Jack’s feeling was one shared by many.

Met at our table by the charismatic Paulin, we were immediately made to feel at home with a warm greeting.

After taking our drinks order, Paulin briefly talked us through the dishes on Bread Street’s varied menu which includes favourites ranging from rare-breed ribeye steak (£40) to a butter chicken curry (£18.50), before suggesting we try Gordon Ramsay’s signature Beef Wellington Experience (£150).

We were informed that the meal for two,

£££ |

45-47 Paradise Street, L1 3EU

which consists of three courses, would be the perfect way to showcase the wide range of dishes available, as well as offering us the chance to try the restaurant’s celebrated centrepiece.

After a brief moment taking in the eatery’s buoyant atmosphere, our three-dish starter arrived – spicy tuna tartare with wonton

If we weren’t already in food heaven, the expertly-crafted sweet treats would have taken us there – flavoursome with attention to detail. crisps, creme fraiche and avocado alongside a potted Cumbrian beef brisket served with grain mustard, piccalilli and seeded cracker and, lastly, tamarind spiced chicken wings with spring onions and coriander.

My guest and I were simply blown away by the attention to detail and array of flavours on show, and left stirred for what was still to come.

With anticipation reaching near fever pitch, the main course arrived soon after in the form of Bread Street Kitchen’s pièce de résistance,

the Beef Wellington, accompanied by creamy mashed potato, honey roast carrots and a red wine jus.

The beef itself, served medium-rare, melted in the mouth, with the truffle and pastry that encased it elevating the dish to dizzying heights.

After two courses which my guest and I will be reminiscing over long into the future, the Beef Wellington Experience was topped off with a delightful array of desserts.

The selection consisted of a chocolate fondant with salted caramel ice cream alongside a ‘Monkey Shoulder’ cranachan cheesecake with raspberry sorbet and our favourite, a pineapple and kiwi carpaccio served with passion fruit and coconut sorbet.

If we weren’t already in food heaven, these expertly-crafted sweet treats would have certainly taken us there. Flavoursome with clear attention to detail throughout, the final platter in our trio of courses rounded the meal off in spectacular style.

At £150, the experience doesn’t come at a snip, however, if an experience is what you are after, then look no further than Bread Street Kitchen.

Chef Ramsay may be characterised for his flagrant use of the ‘f word’ but I can confirm that another word beginning with ‘f’ will spring to mind when I look back on this exquisite evening spent at Bread Street Kitchen…fabulous!

VIEW FOOD PHOTOS @YM_LIVERPOOL

YM Liverpool

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HOME

PROPERTY

in focus

Unique four-bed new build in quaint Wirral village Offers in the region of

£599,950

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YM Liverpool

SITUATED IN LEAFY LOWER HESWALL, this stylish new build home is quite unlike anything in the area and has been finished to the highest of standards.

Stepping inside Cherry Cottage, you will find a beautiful light-filled entrance hall with access to a three-piece bathroom and fully-fitted kitchen boasting a large island perfect for entertaining or prep space.

Elsewhere downstairs, a sizeable lounge leads through to a snug ideally suited for use as a home office or utility room.

To the first floor, the sleeping quarters located off the galleried landing include two masters with en suite and two further bedrooms.

Externally, the developer has spared no expense with specially sourced stone cladding adding that extra touch of glamour.

Off-road parking is available for several vehicles and the garden has been secured by a sunken wall which also provides ample privacy.

To arrange a viewing contact Ricki Roberts, senior branch manager at Bradshaw Farnham & Lea estate agents on 0151 348 4488

YM Liverpool

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ADVERTORIAL

The tax-savvy way to help give the next generation a head start

I

f you have young children and elderly parents to consider, there can be a lot of competing demands on your finances.

It is key to think not only about your own retirement but also about building a foundation for your children’s future.

Every little bit helps

With so many competing priorities, you need all the help you can get, so it makes sense to take advantage of the tax allowance and relief opportunities that are available.

ISAs can be the foundation here, with Cash ISAs providing rainy-day funds and Stocks & Shares ISAs to provide the potential for growth from your investments to help meet your various objectives, from buying a new home to building a retirement fund.

When it comes to younger family members, Junior ISAs are a good, tax-friendly way of building up a pot of money that children can access when they turn 18. While only parents or legal guardians can open a Junior ISA, anyone can contribute – be they grandparents, godparents, or family friends. Junior ISAs are a great way to save to help children with future fees relating to University and student debt or by building a property deposit.

Outside the box

Pensions are similarly invaluable from a tax perspective, given the difference that pension tax relief can make to your investment growth over time.

If you would like to give your children a head start on retirement saving, a junior pension is an attractive option. While this may not feel like a priority, the tax benefits on pensions mean that even very modest amounts paid in from a young age can benefit your children later in life.

Other allowances are sometimes overlooked but can also make a material

difference. The annual Capital Gains Tax (CGT) allowance, for instance, means you can sell a property or investment that has increased in value without paying tax on all the profits you receive.

The allowance is currently £12,300, and there are different levels of CGT, depending on your tax band and the asset you’ve made a gain on. As your assets build up over time, understanding how to get the best from the CGT allowance can become increasingly useful.

Don’t sit on the sidelines

Most of the allowances and reliefs you can benefit from work on a use-it-or-loseit basis, so planning is vital, and taking advice well before the tax year ends is a way of making sure you don’t miss out.

It can be confusing knowing when and how to give money to your children alongside securing your own financial future. Speaking to a financial adviser can help you to build a tailormade plan to discuss your objectives and to ensure you

and your family have the financial security you need today and in the future.

Don’t let your tax allowances go to waste!

Please don’t hesitate to contact us at Rhodes Brook Financial if you wish to have a no obligation chat regarding how you can make the most of your financial situation before the tax year end.

The value of an investment with St. James’s Place will be directly linked to the performance of the funds selected and may fall as well as rise. You may get back less than the amount invested.

An investment in a Stocks and Shares ISA will not provide the same security of capital associated with a Cash ISA or a deposit with a bank or building society.

The levels and bases of taxation, and reliefs from taxation, can change at any time and are generally dependent on individual circumstances.

RBF Logo Blue Print.pdf 1 26/06/2018 11:52:12

Rhodes Brook Financial Limited is an Appointed Representative of and represents only St. James’s Place Wealth Management plc (which is authorised and regulated by the Financial Conduct Authority) for the purpose of advising solely on the group’s wealth management products and services, more details of which are set out on the group’s website www.sjp.co.uk/products.

RHODES BROOK FINANCIAL LIMITED Suite 18, 1st Floor, Oriel Chambers Building, Water Street, Liverpool, L2 8TD 0151 428 5174 / nora.murtagh@sjpp.co.uk / rhodesbrook.co.uk

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This month in H

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O R Y

On a windswept London rooftop in 1969, The Beatles’ career as a live act came to an end with John Lennon uttering the immortal words “I hope we’ve passed the audition”. Since that final public performance, interest in Liverpool’s most famous sons has shown little sign of waning and the band continue to make headline news around the world words and pictures leslie priestley

ANITA PONNE; VECTOR_BROTHERS; ARZU GOKMEN/SHUTTERSTOCK.COM

T

he month of March has seen many firsts in Beatles history, from the first meeting of John and Paul in 1957, and the band’s first radio broadcast on 7 March 1962 – 10 days later a local promoter presented The Beatles at a St Patrick’s night ‘Rock Gala’ in Knotty Ash to pay for his engagement!

In March 1963, The Beatles embarked on their inaugural British theatre tour supporting Helen Shapiro, a 16-year-old singer from London. Less than a week after the tour ended, The Beatles began a second tour, appearing fourth on the bill. Whilst the birth of Beatlemania was still more than six months off, signs were evident that the band’s popularity was growing – with the four-piece finishing the 21-date tour at the top of the bill. This was achieved, in part, without the services of John Lennon, who missed three concerts in Bedford, York and Wolverhampton due to illness.

During the tour, The Beatles released their first album ‘Please Please Me’ on 22 March and two days later performed for the first time at the Liverpool Empire. The album was recorded at Abbey Road in under 13 hours and topped the UK charts for 30 weeks, before being knocked off the top spot by their second album ‘With The Beatles’ later that year.

Fast-forward to 1964 and after performing on the Ed Sullivan Show in February to an estimated television audience of 73 million viewers, The Beatles returned to Britain in March to begin work on their first film, ‘A Hard Day’s Night’.

At the end of March and the first week in April, The Beatles had conquered America with the group occupying the top five places on the Billboard Hot 100 with ‘Can’t Buy Me Love’ followed by ‘Twist and Shout’, ‘She Loves You’, ‘I Want to Hold Your Hand’, and ‘Please Please Me’ – a feat no other musical artist has been able to match since.

In a more recent ‘first’, The Beatles Story museum has recently unveiled a new exhibit showing a fascinating notebook once owned by Beatles’ tour manager Mal Evans.

This is the first time the item, which features handwritten lyrics to The Beatles’ number one song of all time, ‘Hey Jude’, and a design for the iconic ‘Sgt Pepper’ drum skin, has been on view to the public.

Also now on display at the Liverpool Beatles Museum (Mathew Street) is a complete set of three historical Beatles posters – made to promote The Beatles’ first appearance postHamburg at The Casbah Coffee Club in West Derby. The artworks, seen together for the very first time, were created in 1960 by Neil Aspinall and were exclusively revealed to an invited audience by none other than the group’s original drummer Pete Best.

YM Liverpool

15

Latham Frost

Boutique estate agent with a fresh approach One dedicated agent there for you every step of your sale from initial valuation through to completion.

Built on firm foundations of industry knowledge and experience, you can rely on us to handle it all.

www.lathamfrost.com | 16

YM Liverpool

lathamfrost

ADVERTORIAL

meet

Kate Latham-Frost Founder of Latham Frost

Tell us a bit about yourself and your background in the property industry? I’m from a family of property developers and I guess it was just inevitable that having lived and breathed all things property growing up, I’d eventually follow a career in it. After travelling and exploring numerous other roles, studying fashion and then working in PR, I eventually went to work for the family business doing sales and marketing and then helped develop and manage a lettings arm of the company. I spent a year in London where I worked for Hamptons, selling property around Tower Bridge. Marriage brought me back to Liverpool where I worked as a sales negotiator for an agent in the city centre before settling at Venmores in South Liverpool. I took a break after starting a family but I always wanted to get back into property. However, with three young boys and a husband busy running his own start-up it was hard to figure out how I could go back to work and make it work. That’s when the idea for my own agency began to form.

What do you love most about being an estate agent and if you could change one thing about the industry, what would it be? I love the interaction with clients and helping people through the whole process of selling their home. I also love getting to know their properties and showcasing them to potential buyers and then helping those buyers with their purchase. I feel that there can be an element of mistrust towards estate agents because of the bad practice of a few and because often the service people receive can be inconsistent. I’d like to see that change. I believe it is a really important service that if executed well, can have a really positive impact on everyone involved and vice versa. I guess I’m saying I’d like to

see the service given improved overall so that everyone wins and perceptions are changed.

What prompted you to launch Latham Frost? I’d always felt there was a niche in the market for a smaller boutique style of agency that provided a high quality service. It was only after having my children that the thought of setting up something my own, whilst hard work, started to make more sense. I had contacts with property to sell who said they would definitely use me if I had an agency and that was a big incentive for me. The fact that people felt confident in my ability to do the job gave me the motivation to just go out and do it.

What kind of service does Latham Frost offer, and how does it maybe differ from high street estate agents? We offer a distinctive streamlined, personal service. One that’s attuned to the fact that you are dealing with people’s emotions. Selling a home is huge, buying a home is huge. A huge deal in every respect! The whole process needs to be handled with real care and attention.

We provide an end-to-end service, with just one dedicated agent who our clients deal with from valuation through to completion of their sale. We micro manage every aspect of the sales process to ensure the very best level of service to our sellers and buyers and try to go above and beyond to help make the process as straightforward as possible.

What would be your top piece of advice for someone looking to sell their home? Use a good agent. This is one of the biggest transactions that you are ever going to make. You need to be confident that the service you are getting is 100%.

You want someone who actually cares about the process, who is knowledgable about the job but also about you, your situation and your property. If you are selling your home, sell it well. The estate agent you use should warrant their fees.

Conversely, what are the most important things to consider when thinking about buying a home? Well aside from the things like location, proximity to transport links, catchment for schools, local amenities etc, I’d say that buying through a good agent is also really important. Again, this is likely to be the biggest purchase you are going to make, so ensure that you are getting a service that’s in line with the money you are spending. I realise that as a buyer you don’t have the same choice as to what agent you buy through, but you can always go to another agent for advice. Also, if you are buying a home always ensure you have a comprehensive survey done, employ a legal firm experienced in conveyancing to handle your sale and use a recommended mortgage advisor.

Finally, what are your aims for Latham Frost looking forward into the future? To establish a reputation for providing a high-quality service that enables us to grow based on client recommendations and to expand our reach by building a team of experienced and passionate agents who can extend our ethos of exceptional service out to a wider audience.

www.lathamfrost.com |

lathamfrost YM Liverpool

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YM Liverpool

WINE

Bordeaux 101 WineTime’s Jon Atkinson on the most famous wine region of them all

THE HOME OF ‘CLARET’ is where some of the most desirable (and subsequently expensive) wines are to be found. It’s easy to assume that the ‘classed growths’ as ordained in the 1855 classification is what it is all about and for sure, there are dozens of venerable properties following on the coattails of the ‘big five’ – Chateaux Haut Brion, Lafite, Latour, Margaux and Mouton-Rothschild, along with a hand full of stellar properties on the ‘Right Bank’ such as Cheval Blanc and Pétrus. It’s easy to get sucked into the intrigue and mystique when you will have to shell out north of £3,000 for a single bottle of 1982 Ch. Lafite, however, these ‘investment grade’ wines only represent a tiny proportion of the region’s output. For most of us mere mortals, Bordeaux has plenty of delicious wine to offer at considerably more modest prices.

As a region, Bordeaux (as is often the case with Rioja) is frequently regarded as synonymous with red wine, however, there are excellent whites and rosés made here as well, so something for everyone!

What’s interesting is that the vast majority of wines here are blends featuring two or more different grape varieties – monovarietal reds are unusual here. Merlot is the most widely planted variety and the majority of reds will also use Cabernet Sauvignon and Cabernet Franc. Malbec and Petit Verdot are also grown but usually only make up a small proportion of the blend. Whites are less complicated with only Sauvignon Blanc, Sémillon and Muscadelle with the former increasingly popular on its own, while the latter is really only used in sweet wines.

Ch. Astrelus Bordeaux 2015

Many observers speak in terms of the left and right banks when trying to differentiate differing styles of Bordeaux. Although simplistic, this geographical distinction does carry some weight. Bordeaux as a region is on the southern west coast of France. The city of Bordeaux (which is definitely worth a visit) is found on the left bank of the Garonne River which feeds the Gironde Estuary, as does the Dordogne River, essentially looking like an inverted letter ‘Y’! The vineyards to the west of the Garonne and Gironde fall under the banner of Médoc including Graves and tend to feature more Cabernet Sauvignon. All the wines outlined in the aforementioned 1855 classification are found on the left bank.

The right bank refers to the Dordogne River and its vineyards are found on the northern side with the big names here being SaintÉmilion and Pomerol whose top wines can sell for eye-watering sums.

Better value is found in the so-called ‘satellite’ appellations such as Lalande de Pomerol, Côtes de Castillon and Montagne Saint-Émilion.

Whereas Cabernet Sauvignon take charge on the left bank, here it is Merlot and Cabernet Franc that hold sway. It is a generalisation, but the wines here tend to be softer, fleshier and more approachable in youth. In case you were wondering, the area in between the Garonne and Dordogne is Entre Deux Mers and is where the majority of white wines are grown.

It really isn’t possible to do full justice to this powerhouse of a wine region, the largest in France, producing close to 900,000,000 bottles a year in just one piece, but this will hopefully whet your appetites!

Ch. Haut-Mouleyre Bordeaux Sauvignon 2019

Ch. Tour Haut-Vignoble SaintEstèphe 2016

Dean for several years now and continue

Grown on south & south-west facing

Saint-Estèphe is the most northerly of

to be impressed by the fruits of their

slopes at Escoussans near Cadillac on

the so-called ‘big four’ appellations of

endeavours. Originally from Chorley in

the right bank of the Garonne, this is a

the ‘Left Bank’ (of the Gironde Estuary),

Lancashire, the Dean family upped sticks

delicious blend of 80% Sauvignon Blanc

and although it’s the only one that isn’t

and moved to their 7-hectare property

with 20% Sémillon. It is impressively

home to a Premier Grand Cru Classé, it

We have been importing from Vignobles

at Cazaugitat about 30km

fruit-driven in style with

does tend to offer comparatively

south and slightly east of

gooseberry, citrus &

good value compared to Pauillac,

Saint-Émilion. Their well-

passionfruit aromas with hints

Margaux and Saint-Julien. The

established vineyard is 60%

of white flowers. On the palate,

vineyard faces the estuary and

the Sémillon lends weight,

benefits from the moderating

Merlot and 40% Cabernet Sauvignon which are farmed

structure and a lovely

maritime influence on

sustainably with a view to

tanginess on the finish.

temperatures. This small,

gaining organic certification

Awarded the prestigious

6.5ha property to the north

in the near future. The

‘Coup de Coeur’ in the

of Saint-Estèphe has been

delightful 2015 is fairly

highly regarded Guide

owned by the Braquessac

mature, although still

Hachette this is delicious as

family since 1860. They craft

youthful in appearance. It is

a ‘drink alone’ aperitif in a

a well-structured, savoury

brimming with attractive

more stimulating style than

red with dark cherry fruit

dark fruit character with

many a Marlborough

infused with earthy notes

hints of liquorice and

Sauvignon, but equally

predominantly from

tobacco and does benefit

comfortable with food,

Cabernet Sauvignon and

from decanting before

particularly grilled trout

Merlot aged for 14 months

drinking. £12.50

and shellfish. £10.25

in oak barrels. £17.95

TO CLICK & COLLECT ANY OF THESE RECOMMENDATIONS OR TO VIEW THE REST OF OUR RANGE PLEASE VISIT WWW.WINETIMEWINES.CO.UK

YM Liverpool

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Ahead of his gig at the Philharmonic this month, we sat down with BAFTA and Perrier award-winning comedian Dylan Moran to discuss his early influences, new BBC sitcom and why Liverpool has the X factor words lawrence saunders

We got

this

INTERVIEW

How have you found the last couple of years, not being able to perform live? Are you looking forward to starting this new tour?

Yeah, of course I am. It’s a crazy, crazy loop that we’ve been in for a while so I think it’s essential that we’re out there, sort of comparing notes if we can.

You’ve played Liverpool on several occasions in the past. Do you have any particular memories of our city?

Liverpool is one of those towns that wears its heart on its sleeve.

There’s never an ambiguity about where you are, you’re in Liverpool.

It’s a place with a very strong identity, like Glasgow or Manchester – some cities just have a sort of X factor when it comes to their own sense of self. Liverpool is one of those places – it’s got an extra element.

The culture of the place is so developed that it becomes a world onto itself really. It’s not like performing in another place where it’s just another hole in a hedge up the road. When to go to Liverpool, you have to recognise that it’s not any other place.

Whenever I go to Liverpool, I will think: ‘The people are friendly, they’re variable, they’re witty, they’re people who put a big value on conviviality, a big value on being able to take the p**s out of each other and for it to be okay’. These things really matter and you do factor it all in [before a show].

WIKIMEDIA COMMONS

How did you first get into comedy? Did you have any favourite comics growing up?

I grew up in Ireland, just outside Navan. It was very sedate, a nice place to be a kid. You know, rain, cows, pigs… it was quite quiet.

When you’re a teenager, and you’re bored, and you want to take the p**s, if there are grown-ups around, you start noticing satire and all that stuff.

To be honest with you, growing up, it was more Irish ‘talk’ and just people telling stories and having fun more than anything, you know?

I do remember laughing at the outrageous swearing in ‘Pete and Dud’ when I was a kid. ‘Derek and Clive’ as well. Later it was Richard Pryor – he was the man when I was growing up.

Dylan has been performing stand-up comedy for 30 years

What can we expect from the new show in terms of material?

Will you be mentioning COVID? Well, the thing is, we know what we’re all sick of, right? We’re all sick of what we’re sick of. But you can’t pull it out from everything else. If you went, and you just talked about what you knew was a source of pleasure, people would still walk out the door feeling weird – it would be like not mentioning the sick child in the room.

There’s no getting away from this stuff. I mean, it’s not about are you [going to talk about COVID]? It’s about how are you going to do it? And that’s what I’m going to do. I’m going to talk about it.

We’re going to talk about everything. Look at us, you know? We’re all in trouble. We’re all scratching our heads. We don’t know what we’re going to do. It feels awful a lot of the time. So of course we’re going to talk about everything.

Whenever I go to Liverpool, I will think: ‘The people are friendly, they’re variable, they’re witty, they’re people who put a big value on conviviality’.

Away from stand-up, you’ve written a new sitcom, which you also star in, called ‘Stuck’, which will be released later this year on the BBC. Can you tell us a bit about the premise of the show?

I can’t give much away, but it’s kind of about a lot of the things we’re all talking about right now in terms of how we feel, what we want and what’s important. It mainly stems from relationships.

This will be the first sitcom you’ve had a lead role in since ‘Black Books’ ended in 2004. Why such a long gap?

I just wanted to do something else so I did! That’s it. Some people can clear a plate for 30 years but I don’t think I have the mentality for that.

I wouldn’t exaggerate my sense of control either, I mean, I’m not sitting in some James Bond villain’s office where I just press a button [and I get a new show]. It doesn’t happen like that, you know. There’s a lot of struggling around and trying to make something happen for a long time before anything happens.

‘Black Books’ has a real cult following despite only being on the air for a relatively short time. Do you think it could have run for more than just three series?

I’m always delighted when people enjoy anything I ever did. If it made people laugh then I’m thrilled, that’s the whole point.

Could it have gone on for longer? I don’t know! It didn’t go on for longer and now we’re doing other things, man! Why do you want to be thinking about whether something could have gone on for longer?

It didn’t. What are you doing now?! How does the tea taste now!?

Dylan Moran plays the Philharmonic Hall on 29 March 2022 YM Liverpool

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How to Land a Spot at Liverpool Performing Arts School Attended by Professional Dancers & West End Stars If you’ve ever dreamed of performing on the West End, becoming a professional dancer or forging a career as an actor, auditioning for an elite training programme at Liverpool Theatre School could be the next step towards achieving your ambition

T

he centre of excellence, which has trained hundreds of performers including the stars of hit shows such as Wicked, Blood Brothers, Les Miserables and Frozen The Musical, is tucked away on Sefton Street, near the city’s Creative Quarter.

Accepting only the most talented students on its full-time professional training courses in musical theatre, dance and acting, Liverpool Theatre School is currently inviting talented young performers to audition for its next intake, starting in September.

The prestigious performing arts school, whose patrons include dance legend, Wayne Sleep OBE, and renowned West End theatre producer, Bill Kenwright CBE, is on a mission to prepare 22

YM Liverpool

young performers for success in the industry. Providing a suite of well-respected Trinity and BTEC qualifications, the elite training courses at Liverpool Theatre School are designed to give young people the skills they need to pursue professional stage careers.

“Performing arts training is more accessible than you might think and it’s no longer the case that talented young people feel they need to go to London to enjoy the best opportunities,” explains Liverpool Theatre School Principal and former professional dancer, Maxine Ellis (picturted inset).

“Talented performers can access high quality training right on their doorstep, we have state-of-the art facilities and a team of exceptional tutors who are are well experienced in the industry.

Many of our specialist classes are delivered by talented

ADVERTORIAL

professionals including leading choreographer and dance lecturer, Dane Bates, and top acro tutor, Jessica Jones.

“We also work very closely with agents and all of our Trinity students have an opportunity to perform in front of some of the most highly regarded talent agencies and industry influencers during their final year of training.”

Speaking on Liverpool Theatre School’s aim to make professional training more accessible to students who aren’t financially well off, she said: “We never turn away a talented performer. I firmly believe that anyone with real talent shouldn’t be held back by their financial circumstances and we award a number of fully-funded places and bursaries to gifted students every year.

“Liverpool Theatre School is all about nurturing raw talent and it’s incredibly exciting to discover a blossoming performer who clearly has great potential. If the cost of professional training seems out of reach but you have heaps of talent and a passion for performing, we will always find a way to provide financial support to help you access training.

“Improving opportunities for students from all backgrounds is part of the ethos of Liverpool Theatre School and our selection process is based purely on talent and ambition so if you think you have what it takes impress our audition panel, we want to hear from you.”

Auditions at Liverpool Theatre School are free to attend, unlike many other performing arts schools, where applicants are required to pay an audition fee.

The city’s rising stars are being invited to apply for the September intake of students for full-time performing arts training at Liverpool Theatre School with auditions taking place on 26 March, 14 May and 18 June. To reserve a slot, please register in advance by emailing info@liverpooltheatreschool.co.uk or calling 0151 728 7800. A dream career on the stage could be closer than you think!

Liverpool Theatre School, rated outstanding in all areas

by Ofsted, is the only place in the country to be validated

by Trinity College London across all three disciplines of dance, musical theatre and acting.

As well as providing elite performing arts training, Liverpool Theatre School also offers evening and weekend classes for young performers of all abilities (age 4-16) through its junior academy.

Liverpool Theatre School is located at Liverpool Central Studios at 35 Sefton Street, L8 5SL. Follow Liverpool Central Studios on Instagram and Facebook to keep up with the latest news. Find out more at liverpooltheatreschool.co.uk.

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ADVERTORIAL

Incredible series of events at Camp and Furnace to delight film & music lovers alike Regular readers of YM Liverpool will know city centre venue Camp and Furnace does not disappoint when it comes to hosting out-of-this-world events. Here are four upcoming shows taking place at the iconic Baltic Triangle location that are sure to delight those of every generation Pulp Friction – 11 March

A full Quentin Tarantino takeover descends on Camp and Furnace on 11 March with Pulp Friction performing a new film-themed live show, quiz and disco. Expect live performances, iconic soundtracks plus legendary visuals and themed cocktails during a night like no other! Themes and scenes from all of your favourite Tarantino films will pop up throughout the night, there will be plenty of photo ops and prizes for the best dressed.

Rocky Horror Quiz and Singalong – 12 March

Calling all Sweet Transvestites, Hot Patooties, Frankensteins and Superheroes… The Rocky Horror Quiz and Singalong is here! Test your knowledge and know-how in the interactive digital quiz featuring bonus rounds, iconic prizes, singalongs and surprises throughout the night. Can you name every character?

Sing every lyric? Know the Time Warp like the back of your hand? Well then, Damn It, Janet…this is your time to SHINE! 24

YM Liverpool

Fast Love, A Tribute To George Michael – 2 April

Direct from London’s West End, this is the world’s favourite George Michael celebration! The show has it all – power, emotion and star quality in a stunning production with full video and light shows as the soundtrack to your life is recreated in stunning tribute. Playing all the hits from Wham right through his glittering solo career, the talented cast will recreate a night like no other!

Fast Love is now touring in 18 countries, selling more than 250,000 tickets worldwide.

Fast Love, A Tribute To George Michael

The Counterfeit Stones – 9 April

Labelled as ‘the most famous Stones band in England’ by Mick Jagger himself, The Counterfeit Stones are more than a tribute to the Rolling Stones – they are a complete re-enactment. With a healthy smattering of ‘Spinal Tap’ humour, their performances take on an almost cartoon-like air!

The repertoire, instruments and clothes faithfully match those of the originals, and the show has been affectionately described as a masterpiece in ‘fraud rock and hookey nostalgia’.

The Counterfeit Stones

More info and tickets at campandfurnace.com

FILM

VIDEODYSSEY’S

The Responder

THE MONTH

Andy Johnson gives us his take on the hardhitting police procedural starring Martin Freeman

MOVIE t v s e r ie s OF

“I wanna be a good Bobby. I wanna do good things... I wanna be normal.”

The claustrophobia wrapped around PC Chris Carson’s life is hard to witness. He is a self confessed ‘empty shell’ of man. Troubled at home, tormented at work and unable to find refuge even in his private thoughts.

As we go to press, the show has been out for two months, but I felt compelled to write this review. Especially after speaking with a few friends, who confessed to not being able to make it past the opening episode.

De wha’ mate!? This is hands down one of the best stories to appear on that magic box in the corner of your living room, for quite some time. Once the chaotic world of the catastrophic characters opens up in a twisting thornbush of intertwining narrative, you can’t help but be hooked and crave more.

Home-grown viewers will love spotting locations. Even our humble home at Tocky TV features in the background of Chris’ first run-in with bag head Marco. Although the roundabout by Brunswick train station has not magically developed portal powers to other parts of the city – I have tried it a few times since.

Critics say it doesn’t shine a great light on Liverpool. But The Responder is an astute slice of life and the troubles we face, both individually and collectively. The people under the spotlight, the drug dealers and abusers, exist all over the world.

Humanity is ever present in Carl, Casey and Marco. They have been failed by life and have grabbed what appeared to be a lifeline, but in actuality is a poisoned chalice.

The Responder deserves to be spoken about in the same breath as Scorsese heavy hitters Mean Streets and The Departed. Do they show New York and Boston in a bad light? Or do they reflect universal truths about nature versus nurture?

The cinematography is a marvel to behold. Blue hues and luminescent yellows spill from every pore of the screen, trapping PC Carson further in the colours of the force. He cannot escape the constraints of his job. Throughout the first episode, we only see him in Bobby clobber and later he only wears blue and black hoodies off duty.

Martin Freeman is on tour de force form. His finely honed brogue is easily the best on screen Scouse accent by a non-Scouser.

The nasal intonation, the broken mellifluous quality, it’s all there.

He spoke to himself in Scouse for over a year and spent weeks patrolling the city in a face mask to tune his ear to the dialect. And it pays off in shovels.

The devil is said to be in the details. Even Carson’s walk evokes an accent, which you only see on the mean streets of Merseyside.

Ian Hart somehow manages to steal the show though. But he has been my favourite Liverpudlian actor since Backbeat tore a Beatles’ legend-sized hole in my young cinematic consciousness in ’94. “You can’t do your solo spot no more Stu...” Classic.

Hart’s performance is mesmerising in its measured cadence and supreme subtlety. Not to mention carrying off the classic curly perm with enough panache to make even Kevin Keegan feel nostalgic.

There has been some division between viewers online over Freeman’s accent. Are they tone deaf? Ian Hart more than legitimises Freeman, you can feel their characters’ decade long friendship fizz and pop with expectation and disappointment at every turn. The verbal interplay between them is at times dizzying.

What a talented writer Tony Schumaker is. Since watching this show, I’ve sought out his other works for clues as to how to masterfully weave many subplots together. The tension that builds between Chris and Rachel, the partner forced upon him, and the way their friendship unfolds is beautiful to watch. The rookie, played with aplomb by Adelayo Adedayo, galvanises Chris at the critical moment.

It’s hard not to empathise with Chris. Who hasn’t felt at times like a caricature of who you were two years ago before the madness descended? He knows what he needs to do, but feels powerless to act until everything reaches breaking point.

When Chris sees his shrink, you expect these scenes will expand his character like Tony Soprano but each meeting manages to belittle him. Reaching a tragic crescendo, when she calls him the wrong name and admits she can’t remember who he is because ‘there’s just too many of you’.

Matthew Cottle, who viewers of a certain vintage will recognise as mild-mannered marathon brew making Martin from BBC2 sitcom Game On, makes a perfectly timed cameo to show viewers the virtue in Chris’ unorthodox actions.

Reflecting The Responder’s humanity back at him, he is desperately trying to be a good man but he ‘can’t remember the last time he did anything good’. The pressure reaches fever pitch and brings out the best in him, leaving potential for another story.

Calls for a second series, please respond.

Be kind, rewind!

Andy

INSTAGRAM.COM/VIDEODYSSEY | FACEBOOK.COM/VIDEODYSSEYARCADE VIDEODYSSEY/TOXTETH TV, WINDSOR ST, L8 1XE

YM Liverpool

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Four seasons in one month

Heather Marsh celebrates March’s marvelous display of springtime flowers AT THIS TIME OF YEAR, many of us are willingly lulled into a false sense of security when it comes to the weather. One day there’s a bit of sunshine and you feel some warmth on your back, kidding yourself spring is just around the corner – only to be met the next day with biting winds, sleet, and snow. It’s called wishful thinking, and who can blame us after another long, hard winter.

March may well be a bit of a tease, but a colourful month all the same and hopefully see some milder weather towards the end of it.

Whilst we might not be able to shed our winter woollies just yet, we do have lighter evenings now thankfully which means more time in the garden! One thing we can be assured of this month is a wonderous show of springtime bulbs – the daffodil being arguably the king of all spring flowers.

Alongside tulips and hyacinths, these blooms provide a much needed vibrant burst of colour right now. In borders or pots, they’re guaranteed to lift your spirits and carry you through, whatever the weather. But while ‘daffs’ are the headline stars, I’d like to draw your attention to a few of my less showy favourites that faithfully show up in my garden each spring and whose presence I wouldn’t be without.

‘Snake’s head’ fritillary Fritillaria meleagris is a native wildflower that with its distinctive checkerboard pattern will add a touch of the exotic to any garden this spring. Although these bell-shaped flowers may look delicate, they are very hardy – coming mainly in shades of purply red and white. These rather unusual specimens look lovely in pots or containers, or grown in drifts with daffodils. Well suited to naturalising in grassy areas or lawns,

26

YM Liverpool

Wild cyclamen

GARDENING

STANDING TALL

Fritillaria meleagris

Given the heartbreaking events we are currently witnessing in Ukraine, I, like so many others, wanted to show my solidarity and support for the country’s people.

My father was Ukrainian, fleeing to the United Kingdom as a refugee after the Second World War. I’m glad he isn’t around to see his beloved homeland being torn apart yet again.

the species is as straightforward to grow as many other spring bulbs planted in September and October. However, if like me you don’t always get time to plant spring bulbs when you should, planting these bulbs in the green, as it’s called, is just as good. In fact, I much prefer it.

Basically, you’re planting bulbs in flower and fritillaries do very well like this.

If that isn’t enough versatility for you, they don’t mind poor soil either and are a great ground-covering plant.

Cyclamen I was out walking the other day when my spirits were lifted by the sight of this dainty little beauty. Cyclamen is a hardy plant that manages to defy the harshest of winters and still Bergenia ‘Herbstblute’ gorgeous.

The dense cluster look With large leathery floppy These tuberous leaves, it’s easy to see why perennials prefer a of bold leaves bergenias are often called well-drained enhanced with a ‘elephants ears’. I grow a semi-shady spot sprawling mat of this under shrubs and profusion of candy evergreen perennial right trees and will outside our study window quickly multiply pink flowers is a and it’s a very welcome once they’ve got welcome sight. sight this time of year. As going. They can be I write, I can enjoy this bought pot grown, dense cluster of bold leaves enhanced but make sure they are kept watered – with a profusion of candy pink flowers. especially after planting and during dry Such an underrated plant, bergenias are spells. After you’ve set them up, cyclamen low maintenance, preferring a moist, just get on with it and will reward you well-drained soil and sun or partial shade. with their blooms year after year.

In 1991, he visited Ukraine for the first time in almost 50 years, not having been back since he was forced to leave and escape invading troops. He brought back two tiny saplings with him to Manchester – carrying them in the top pocket of his jacket in a damp handkerchief.

My father carefully potted up the little trees and lovingly nurtured them until he passed away in 2007. We then planted one outside our local parish church in Manchester and the other in my own garden here in Liverpool.

I cherish them both dearly.

What’s happening now in Ukraine would have been too much for him, especially with us still having relatives living there.

I have recently decorated both trees with flags and ribbons, not only as recognition of my father’s homeland, but also as a tribute to Ukraine and its fight for peace and freedom.

UNTIL NEXT TIME, HAPPY GARDENING | HEATHERMARSHYM@GMAIL.COM

YM Liverpool

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Why we love

Japandi design

The hybrid style is big news thanks to elegantly simple looks that work in harmony with our lives

28

YM Liverpool

HOME

AS WE CRAVE A FUNCTIONAL YET RESTFUL HOME, Japandi is the perfect look for now – a considered, calming fusion of Japanese and Scandi design styles that brings out the best elements of each.

While the Japanese emphasis on minimalism makes it too sleek for some, Scandi’s penchant for layers and cosiness (or creating hygge) brings the balance.

“Japanese and Scandi styles have so much in common”, explains Fionnuala Johnston, Partner & Senior Designer, Home Design Studio. “Both are big on simplicity and an appreciation of function and use a natural palette and texture to create a calming environment.

As a result, they blend together so well.’

In Scandinavian countries, people are very in touch with nature.

“As a result, their design is very natural and beautiful while remaining functional”, says Fionnuala. “In Japanese style, there are similarities, but they are used differently – think of smaller spaces with simple, clean lines that are uncluttered. There’s a need for homes to function really well with a sense of fluidity.”

“As a style, Japandi is all about creating a clutter-free and calm space to relax in, with minimal styling essential”, agrees Bethan Harwood, Partner & Home Design Stylist.

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n CREATE A JAPANDI COLOUR PALETTE The Japandi palette is soft and muted – think stone, beige and taupe – but that doesn’t mean it lacks interest. “Scandi-soft shades, such as dove grey, blush pink or inky blue, are a great way to add depth to a minimalist Japanese look,” says Bethan. “They can be used as neutral tones and add vibrancy to natural textures to create a warm feel in your space.” n CHOOSE CONTRASTS FOR FURNITURE “Japandi focuses on natural textures and a sense of craftsmanship,” says Bethan. “I would always opt for lighter woods to give an airy feel to your space, but there’s no need to worry about mixing different finishes – just make sure they are within the same tonal range. This way the woods will always complement each other.”

As with creating any style, balance is key. When looking at the room as a whole, make sure you have highlights, mid tones and darker finishes. “This will ensure the room is welcoming and somewhere you want to spend time,” adds Bethan. It could be as simple as choosing a grey seat pad on a pale wood dining chair or mixing black metal legs with a wooden table top for Japandi-style dining. n CHOOSE STATEMENT PIECES “Japandi is about how you combine the functional with the beautiful”, says Fionnuala. Mix the comfort of Scandinavian accessories – the tactile textures of fabrics, the cosiness and the warmth of throws – with more utilitarian Japanense elements, like striking vases and artwork.

Both Japanese and Scandi styles rely on natural elements, so make sure your Japandi scheme also includes a few plants.

“If you’re looking for a good place to start, try working backwards and placing all of your objects onto a surface, then taking away elements one by one – this will leave you with considered choices and just the accessories that you really love on show” says Bethan.

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YM Liverpool

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NEWS

MAJOR LIVERPOOL CHARITY APPOINTS NEW CHIEF EXEC

DARKDWARF/FLICKR

One of Liverpool’s biggest charitable enterprises has appointed a new chief executive as it looks to help more disadvantaged, excluded and vulnerable people LOCAL SOLUTIONS, WHICH LAUNCHED back in 1974 with a focus on serving communities in the Liverpool City Region and North Wales, selected Tom Harrison to take over the vital role and he is now embarking on an ambitious project to further assist people in realising their full potential.

The charity offers a range of services including accommodation for young people and support for victims of domestic abuse through counselling and its ‘Worst Kept Secret’ helpline.

Local Solutions also improves the health and well-being of the elderly through its domiciliary care provisions and provides independence and freedom via its Shopmobility and employability programmes.

In addition, the organisation provides valuable respite to carers from across the city through its ‘MyTime’ scheme.

Over the last 15 years, new chief exec Tom has worked in a variety of roles at Local Solutions, combining operations and development. He has designed and developed new programmes to support vulnerable people while securing and delivering grants, contracts and social investments with a track record of innovation and successful implementation.

Local Solutions Chief Executive Tom Harrison

Tom, who will oversee a wide number of charity services in his new role, says: “I have always been incredibly proud to be part of the Local Solutions family.

“To lead through this new and exciting phase, with support from so many skilled and committed colleagues, is a great privilege.

“These are exciting times for Local Solutions, and I am looking forward to pushing ahead with our new vision for a dynamic, engaged and thriving organisation, fully focussed on empowering people and communities.”

A spokesperson for Local Solutions’ board of trustees adds: “We are delighted that Tom Harrison accepted our offer to take on the permanent position as chief executive of the charity.

“Tom took on the role as an interim post last year and worked with us as we looked at the structure and vision for the charity.

“His leadership throughout this period of change has been crucial in reassuring colleagues about our future direction and in energising the organisation.

“We have listened to feedback from within Local Solutions that now was the right time to make a permanent appointment to this key leadership position, and Tom stood out in the recruitment process.”

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NEWS

REDWING PARTNERS WITH HOUSING ASSOCIATION TO MANAGE SUSTAINABLE WARRINGTON PROPERTIES Foxwood & Sycamore are the first residential projects from Incrementum Housing Companies REDWING HAS PARTNERED with Warrington Housing Association to manage 161 high-quality sustainable homes in Warrington.

The properties are being delivered by the Warrington Borough Council-owned Incrementum Housing Companies.

Built with funding from Homes England, the mix of houses and apartments are set across two former school sites in Warrington – the former Foxwood Special School site in Birchwood, and the former Sycamore Lane Community Primary School site in Great Sankey.

The award-winning Redwing team will

bring the properties to market, produce promotional materials, handle the letting process in-house from start to finish and manage each tenancy in the two-year let.

Fiona Coventry, director of property at Redwing, says: “We’re delighted to be partnered with Warrington Housing Association on Incrementum’s first development project to provide high-quality sustainable homes at a fair cost for all, which

EPSTEIN ANNOUNCES PACKED SPRING SEASON Audiences can look forward to mix of comedy, drama, music and more LIVERPOOL’S EPSTEIN THEATRE has announced its Spring Season 2022 programme following a hugely successful festive run of family pantomime ‘Beauty And The Beast’.

A new management team took the helm in October, and the reopening of the Hanover Street venue has proved a real hit with audiences, giving the theatre a warm welcome back to the city’s thriving cultural offer.

Epstein Entertainments Ltd has now launched a busy spring programme which includes comedy, drama, music, burlesque, adult pantomime, drag queens, as well as fantastic family entertainment.

Selected March highlights include Frankie Valli and The Four Seasons tribute ‘The Jersey Beats: Oh What A Nite!’ on 11 March; the return of Laughterhouse Comedy to the Epstein on 12 March; ‘Sleeping With Beauty: An Adult Pantomime’ on 13 March and a toast to St Patrick’s Day on 19 March with Irish Annie’s – starring Ricky Tomlinson as Scouse Jim. Looking ahead to April, Regal Entertainments’ pantomime ‘Jack And The Beanstalk’ runs from Wednesday 13 April to Sunday 24 April and ‘Genesis Connected’ arrives on 29 April – a celebration of the music of Genesis, Peter Gabriel, Phil Collins and Mike And The Mechanics.

is what we’re all about.

“Our mission at Redwing is to help people into good quality homes, so to partner with housing associations and developers across the North West to help deliver this on a wider scale, is something we’re proud to be a part of.”

Foxwood & Sycamore provide a mix of two and three-bedroom houses, and one and two-bedroom apartments, available for private and affordable rent.

PAUL CROWLEY & CO STRENGTHENS OFFERING WITH NEW APPOINTMENTS Leading Liverpool law practice has bolstered its HR, conveyancing, crime & private client departments THE LAW FIRM WELCOMES the appointment of Becky Brown to the position of HR executive, whilst the private client department has strengthened its offering with the addition of legal secretary Shirley Farrell along with Ioanna Gkini as legal assistant.

In response to increased demand, the property department has hired conveyancing assistants James Samyeli and Katie Johnson. The crime department is also delighted to welcome legal assistant Aaron Zeverona.

Paul Crowley, managing director (pictured), says: “We remain committed to providing an excellent level of service for our clients, as part of a planned strategy of growth, we are constantly assessing and re-assessing and will continue to move forward and evolve by attracting and hiring the right talent.

“I am confident the knowledge and experience the new appointments bring to the team will be an asset to the company.”

As the law firm continues to grow its client base locally and regionally, further appointments within the family law, serious injury and housing disrepair departments are expected to be announced in the near future.

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NEWS

THE OLIVER KING FOUNDATION PARTNERS WITH PALL MALL TO PILOT ECG TESTING Charity has teamed up with North West-based private medical provider to heart screen young people THE CAMPAIGN WAS LAUNCHED in conjunction with Jamie Carragher’s 23 Foundation at St Robert Bellarmine Catholic Primary School, which was the first school to be offered the testing on the programme.

As part of the programme, children will be offered the opportunity to have an electrocardiogram (ECG) in order to detect any irregularities in their heartbeat.

This will be the first time an ECG testing day has taken place in a North West school.

The Oliver King Foundation was founded

by Mark King, whose son died following a sudden cardiac arrest whilst swimming at King David High School.

The foundation has been campaigning around defibrillator accessibility since 2011, saving 56 lives in the process and installing 5,500 new defibrillators across the country.

Mark’s campaign has centred around securing government legislation to ensure

Jamie Carragher and Mark King at St Robert Bellarmine Catholic Primary School

that defibrillator access is available in all schools throughout the UK. Mark says: “We’re incredibly proud to be partnering up with Pall Mall and the 23 Foundation to be able to offer heart screenings for young school children on Merseyside.

“Early detection of heart problems is key to ensuring people are able to be treated and can live with the problems safely. The biggest challenge we face with heart problems is that we may only find out we have an issue when a serious incident occurs which can seriously limit an individual’s chances of survival.

“We hope that with the help of Pall Mall we are able to roll this programme out so that all young people in Merseyside will be able to be screened to detect issues early.”

Doctor Ayyaz Sultan, consultant cardiologist at Pall Mall, adds: “This pilot is a great opportunity to raise awareness of the importance of checking your heart health.

Any child or adult who is actively involved in sports should be tested regularly for any potential heart conditions.

“An ECG can also help investigate the cause of chest pains, palpitations, or symptoms such as difficulty in breathing.

“During an ECG the heart’s electrical activity is measured through electrodes which are attached to the skin with adhesive pads.

These electrodes measure the electrical signals of the heart. These signals are recorded by a machine and are looked at by a doctor or nurse to see if they’re unusual.”

MERSEYSIDE MP PRAISES LIVERPOOL AIR CONDITIONING FIRM’S COMMITMENT TO YOUNG PEOPLE Peter Dowd visited Everkool HQ after the firm pledged to further expand its apprenticeship scheme EVERKOOL IS ONE OF THE NORTH WEST’S leading providers of air conditioning and ventilation, working alongside many well-known brands in the region including Merseytravel, Knowsley Council and Epic Hotels.

CEO Craig Greenwood has a strong commitment to providing young people with opportunities, launching Everkool’s apprenticeship in 2019 and actively recruiting NEET (not in education, employment or training) young people while providing skilled employment opportunities ever since.

Everkool works closely with Seetec Outsource to provide employment placements, and with The Engineering College to provide the training required for apprentices.

The company is now looking to expand its manufacturing operations later this year with a move to larger premises, increasing the organisation’s capacity and creating further employment and apprenticeship opportunities.

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Everkool CEO Craig Greenwood (L) with Bootle MP Peter Dowd

Bootle MP Peter Dowd says: “Everkool is a fantastic organisation that is giving young people not in education, employment or training a real opportunity by taking them on and equipping them with the skills to go on and do well in life.

“I had the pleasure of visiting their warehouse in my constituency to see first hand the operations at Everkool and meet with CEO Craig.

The work Craig and the rest of the team are doing is amazing and I’m really excited to come back and visit when the new premises opens.”

Craig Greenwood, Everkool CEO, adds: “We are delighted to secure the backing of Peter for our apprenticeship scheme. Out of all of Everkool’s achievements, having the ability to provide employment opportunities to people from similar backgrounds to myself is one of my proudest.

“As we continue to grow, it’s my priority to ensure our apprenticeship scheme grows with us so that more young people can improve their life chances through quality employment opportunities.”

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“Peter Pan” is presented by arrangement with Great Ormond Street Hospital Children’s Charity and Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk

G

FEATURIN c T i Sfantast G

FLY I N

SCENES

SKY 1’S GOT TO DANCE

HARRISON VAUGHAN AS PETER PAN

REECE SCOTT LAUREN SIBBALD GALLAGHER McC cCRORY RORY AS SMEE

AS CAPTAIN HOOK

AS WENDY DARLING

MIA HAYLEY DAVID MOLLOY RUSSELL PHIPPS DAVIS AS TIGER LILLY

AS TINKER BELL

AS MRS. SMEE

SAT 2 - MON 18 APRIL 2022

BY J.M. BARRIE DIRECTED BY CHANTELLE NOLAN • CHOREOGRAPHED BY NAZENE LANGFIELD MUSICAL SUPERVISOR CALLUM CLARKE • WRITTEN BY REECE SIBBALD

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BOX OFFICE: 01744 756 000 STHELENSTHEATREROYAL.COM In person: St. Helens Theatre Royal, Corporation Street, St Helens WA10 1LQ Connect with us: /sthelenstheatreroyal @theatreroyalsth theatreroyalsthelens All prices include a £1 per seat transaction fee. On-line bookings are subject to an additional 50p per seat on-line processing fee.