JIB, Yale School of Drama 2011

January 22 to 28 ISEMAN THEATER

2 0 1 0 – 1 1 se a s o n

Musical Numbers “The Child Who Went Forth To Learn What Fear Was” Written by Michael McQuilken, based on the story of the same title

by the Brothers Grimm.

“I Sliced You Open While You Were Sleeping” Written by Michael McQuilken, based on The Wolf and the Seven Young

Kids by the Brothers Grimm.

“The Fisherman’s Wife (That Greedy Bitch)” Written by Chad Raines and Michael McQuilken, based on

The Fisherman and His Wife by the Brothers Grimm.

“Jib in the Studio”

Written and performed by Chad Raines.

“Untitled”

Written by Michael McQuilken, based on The Golden Key by the

Brothers Grimm.

The Band Sunder Ganglani Viola Michael McQuilken Drums Chad Raines Guitar/Keyboards Michael Vincent Skinner Bass

r e n r u T Jib One Night Only m image—without ea dr a e lik ly al tu ac is A fairy tale d incidents— an gs in th us lo ve ar m context. An ensemble of l Draft –Novalis, from Genera y. as nt fa al ic us m a for example,

no prince ow White. There’s t Cinderella or Sn no is ” b, stead “Ji or , er rn livered via DVD in Gabrielle Louise Tu e is a message de er Th . of k ea sp to arves teenage fan in her future, no dw a jeweled cask; a of ad ste in s rd co song a box of old re she should; and a of a magic mirror; ows way more than kn , on as re r in the e he bl by ica pl mpleted who, for some inex never met, and co e’s sh le op of pe th wi boration by the experience conceived in colla creation, inspired n er od m lly ta s en that seem is a fundam ts, and collisions end. Jib’s fairy tale cidences, inciden in co of rs k or tw ne a forest of the Brothe contemporary life— gh the primordial ou th en ev t, Ye lo gments. others still om coherent only in fra s of the city, the Br ao ch tic ne fre d by the loud, an Grimm is replaced art of this story. ic, which is the he large in Jib’s mus nt: Jib’s voice starts The first is appare .

Jib in r fo n te lis exists ds of music to ss. Another music There are two kin s ring out nonethele ng so r he t acter bu , ar re ch unsu n’t see; a small, and a little objects that we do m fro it em ds un onment. So et isn’t actually in the play’s envir w, though the fauc flo r te wa e th ar ual, felt ucet, and we he acters, is a contin turns on a water fa cape, like its char ds un so ’s echo Jib e, e bl t audi tbeat, but lik an there. Invisible bu its thumping hear w llo fo to try n, for its origi m’s fairy tale presence. We look at once. In Jib, Grim re he yw er ev m too mistake ems to come fro ous characters, we m in the woods, it se fa rs’ he ot Br e th to in music, and like n, and stumble in forest is recreated piece of informatio l cia cru a et pr er its and if her, misint artbeat sustains, one path for anot territory. But the he s ou er ng da ly ial nt follow it home. unexpected, pote of sounds, we can us or ch e th of t picked ou faint echo can be

amaturg

I, production dr

–SUNDER GANGLAN

january 22 to 28, 2011

Yale School of Drama James Bundy, Dean Victoria Nolan, Deputy Dean Presents

Jib

written and Directed by Michael McQuilken

FPO/COLOR

ARTISTIC TEAM Choreographers Scenic and Projection Designer Costume Designer Lighting Designer Sound Designer/Arranger/Foley Artist Composer Cinematographer Dramaturg Stage Manager

Christy Lee Jennifer Harrison Newman Matt Saunders Mark Nagle Yi Zhao Chad Raines Michael McQuilken Sarah Lasley Sunder Ganglani Catherine Costanzo

CAST in alphabetical order

Derek/Hoarder/Guard Turner London McKinnon/Barber/Orderly Ben Jib Angie Marris Tele/Janet/Bethany

matt biagini lucas dixon chris henry michael place blake segal sarah sokolovic jillian taylor emily trask adina verson

there will be one 10-minute intermission Season Media Sponsor

Musical Numbers “The Child Who Went Forth To Learn What Fear Was” Written by Michael McQuilken, based on the story of the same title

by the Brothers Grimm.

“I Sliced You Open While You Were Sleeping” Written by Michael McQuilken, based on The Wolf and the Seven Young

Kids by the Brothers Grimm.

“The Fisherman’s Wife (That Greedy Bitch)” Written by Chad Raines and Michael McQuilken, based on

The Fisherman and His Wife by the Brothers Grimm.

“Jib in the Studio”

Written and performed by Chad Raines.

“Untitled”

Written by Michael McQuilken, based on The Golden Key by the

Brothers Grimm.

The Band Sunder Ganglani Viola Michael McQuilken Drums Chad Raines Guitar/Keyboards Michael Vincent Skinner Bass

r e n r u T Jib One Night Only m image—without ea dr a e lik ly al tu ac is A fairy tale d incidents— an gs in th us lo ve ar m context. An ensemble of l Draft –Novalis, from Genera y. as nt fa al ic us m a for example,

no prince ow White. There’s t Cinderella or Sn no is ” b, stead “Ji or , er rn livered via DVD in Gabrielle Louise Tu e is a message de er Th . of k ea sp to arves teenage fan in her future, no dw a jeweled cask; a of ad ste in s rd co song a box of old re she should; and a of a magic mirror; ows way more than kn , on as re r in the e he bl by ica pl mpleted who, for some inex never met, and co e’s sh le op of pe th wi boration by the experience conceived in colla creation, inspired n er od m lly ta s en that seem is a fundam ts, and collisions end. Jib’s fairy tale cidences, inciden in co of rs k or tw ne a forest of the Brothe contemporary life— gh the primordial ou th en ev t, Ye lo gments. others still om coherent only in fra s of the city, the Br ao ch tic ne fre d by the loud, an Grimm is replaced art of this story. ic, which is the he large in Jib’s mus nt: Jib’s voice starts The first is appare .

Jib in r fo n te lis exists ds of music to ss. Another music There are two kin s ring out nonethele ng so r he t acter bu , ar re ch unsu n’t see; a small, and a little objects that we do m fro it em ds un onment. So et isn’t actually in the play’s envir w, though the fauc flo r te wa e th ar ual, felt ucet, and we he acters, is a contin turns on a water fa cape, like its char ds un so ’s echo Jib e, e bl t audi tbeat, but lik an there. Invisible bu its thumping hear w llo fo to try n, for its origi m’s fairy tale presence. We look at once. In Jib, Grim re he yw er ev m too mistake ems to come fro ous characters, we m in the woods, it se fa rs’ he ot Br e th to in music, and like n, and stumble in forest is recreated piece of informatio l cia cru a et pr er its and if her, misint artbeat sustains, one path for anot territory. But the he s ou er ng da ly ial nt follow it home. unexpected, pote of sounds, we can us or ch e th of t picked ou faint echo can be

amaturg

I, production dr

–SUNDER GANGLAN

track list

1. THE CHILD WHO WENT FORTH TO LEARN WHAT FEAR WAS rful Teach me how to be fea to go blue If you can. Teach my lips y to shake. bod my and es And my bon I want to be frightened g. of just about every thin ging there above me, And although you’re han this fire I’ve made.

I’m comfortable here by It’s not happening. work You’re going to have to if Harder at this and rise . . .

I’m not sobbing by sun

g at my door?

KID: Who’s that knockin a friend. like He doesn’t sound

side my door? out spy I do And whom father did.

He looks nothing like my

my voice.

WLF: So I will change ce. voi ter sof a d nee I

I need a delicate voice.

lk.

So I will . . . Swallow cha

right. k loo ’t don I nd A eyes.

I need to play with your

. rize olo re-c nd A . Yes I will.

Yes I will. Yes I will r or so. hou an in k bac I’ll be

e is not working.

That ridiculous costum I know you’re not dead. that.

A ghost doesn’t move like these I see that you’ve sent all ing hid s lve wo Shadows and t. igh ton s web cob the Under ch more It looks like they’re all mu m the of I n tha me of red Sca t.

In the flickering ligh It’s not happening. work You’re going to have to if and this at Harder rise . . .

I’m not sobbing by sun I’m leaving.

2. I SLICED YOU OPEN WHILE PING YOU WERE SLEE ve you now.

DAD: I’m gonna lea .

I have to leave you now

ve you now but I will. lea to t wan t on’ D tight.

So keep the door locks

’t there might don you if use ’Ca

a kill.

Be a visitor looking for

. . . ll thri For a

so.

I’ll be back in an hour or

g at my door?

KID: Who’s that knockin nd! frie a like nds sou He

side my door?

And whom do I spy out

my father did. like bit e littl a He looks

...you whole.

WLF: Now I...will devour u whole. …yo our dev ill Yes I…w nce . . .no scie con Yes I . . .have no . . . l sou .or .

Remorse . . .just feed me.

Just greed . . .so feed .

underneath my tree, DAD: Who’s that snoring e?

With his belly full of lov

he sleeps . . . ile wh n ope I’ll slice him

Hold on child,

I hear you weeping . . .

Hold on child,

I hear you weeping . . .

Hold on child,

I hear you weeping . . .

3. THE FISHERMAN’S WIFE (THAT GREEDY BITCH) Man: Who’s this . . .

Struggling . . .

Wriggling . . .

There in my net?

Golden . . .

Glistening . . .

Choking . . .

There in my net?

. fsh: Why, I’m your . .

Every . . .

Wish come true!

you require, Tell me what ’tis you . . . to it And I’ll bring wfe: I want . . .

A washboard . . .

And I. . .

Want a . . .

New house!

No! No! That’s not Good enough

house!

I want a palace for my new

W! NO NOW! NOW! NOW!

fsh: So dream it t Then speak it jus g back from me Don’t hold anythin

4. UNTITLED

r coat and draw Home: Child, put on you the hood.

ce of We’re burning our last pie

od. wo fire

walk out into the Take the dogs and

g you And I’m gonna brin d. nee you What

rm overwfe: What’s with the sto caps? I’m ite wh se tho All ?

Head k sin Feeling my wishes

Back under water. This

ing Castle is crum-bulland I All ’round my bed d all my Think i just watche king Awal sts che e sur rea T you us circ Way with the

of my es bon the from de Ma

and n ldre Husband and chi

is er wat the t Now tha at, Up to my pettico I am beginning to

Wonder how likely it

Is that I’ll float with my

, Wrists bound with jewelry

ry, set cor of y Bod

Shining brass livery,

t...

From my face to my fee

fsh: Just dream it

Then speak it but thing back from me any d hol ’t don o, N g you, brin na And I’m gon d. nee you What

snow. the oven’s cold.

It won’t be long before Be brave.

I see you’re frightened.

So be frightened.

be hunting Who knows what might

. you tonight . .

Bring your rifle.

s up.

And keep your eye nt you can see me mo the ot sho And watching you. s eye the whites of the

shining underneath GIRL: Something was a tree.

thought my eyes were A golden key! I deceiving me . . .

is a key there must And where there be a lock.

iron box Sure enough I found this

In the snow.

And look, this key fits!

And if I turn it? waiting there What treasures might be Inside . . .

But if it’s empty?

What if it’s empty?

be one way to learn, There can only t I don’t want If I wanted to learn...bu

to learn.

. I don’t want to . . .

No, I want to . . .I don’t need to . . . .

Yes, I need to .

I’m afraid to… . . . to id I’m afra

posed to I don’t know what I’m sup do . . .

track list

1. THE CHILD WHO WENT FORTH TO LEARN WHAT FEAR WAS rful Teach me how to be fea to go blue If you can. Teach my lips y to shake. bod my and es And my bon I want to be frightened g. of just about every thin ging there above me, And although you’re han this fire I’ve made.

I’m comfortable here by It’s not happening. work You’re going to have to if Harder at this and rise . . .

I’m not sobbing by sun

g at my door?

KID: Who’s that knockin a friend. like He doesn’t sound

side my door? out spy I do And whom father did.

He looks nothing like my

my voice.

WLF: So I will change ce. voi ter sof a d nee I

I need a delicate voice.

lk.

So I will . . . Swallow cha

right. k loo ’t don I nd A eyes.

I need to play with your

. rize olo re-c nd A . Yes I will.

Yes I will. Yes I will r or so. hou an in k bac I’ll be

e is not working.

That ridiculous costum I know you’re not dead. that.

A ghost doesn’t move like these I see that you’ve sent all ing hid s lve wo Shadows and t. igh ton s web cob the Under ch more It looks like they’re all mu m the of I n tha me of red Sca t.

In the flickering ligh It’s not happening. work You’re going to have to if and this at Harder rise . . .

I’m not sobbing by sun I’m leaving.

2. I SLICED YOU OPEN WHILE PING YOU WERE SLEE ve you now.

DAD: I’m gonna lea .

I have to leave you now

ve you now but I will. lea to t wan t on’ D tight.

So keep the door locks

’t there might don you if use ’Ca

a kill.

Be a visitor looking for

. . . ll thri For a

so.

I’ll be back in an hour or

g at my door?

KID: Who’s that knockin nd! frie a like nds sou He

side my door?

And whom do I spy out

my father did. like bit e littl a He looks

...you whole.

WLF: Now I...will devour u whole. …yo our dev ill Yes I…w nce . . .no scie con Yes I . . .have no . . . l sou .or .

Remorse . . .just feed me.

Just greed . . .so feed .

underneath my tree, DAD: Who’s that snoring e?

With his belly full of lov

he sleeps . . . ile wh n ope I’ll slice him

Hold on child,

I hear you weeping . . .

Hold on child,

I hear you weeping . . .

Hold on child,

I hear you weeping . . .

3. THE FISHERMAN’S WIFE (THAT GREEDY BITCH) Man: Who’s this . . .

Struggling . . .

Wriggling . . .

There in my net?

Golden . . .

Glistening . . .

Choking . . .

There in my net?

. fsh: Why, I’m your . .

Every . . .

Wish come true!

you require, Tell me what ’tis you . . . to it And I’ll bring wfe: I want . . .

A washboard . . .

And I. . .

Want a . . .

New house!

No! No! That’s not Good enough

house!

I want a palace for my new

W! NO NOW! NOW! NOW!

fsh: So dream it t Then speak it jus g back from me Don’t hold anythin

4. UNTITLED

r coat and draw Home: Child, put on you the hood.

ce of We’re burning our last pie

od. wo fire

walk out into the Take the dogs and

g you And I’m gonna brin d. nee you What

rm overwfe: What’s with the sto caps? I’m ite wh se tho All ?

Head k sin Feeling my wishes

Back under water. This

ing Castle is crum-bulland I All ’round my bed d all my Think i just watche king Awal sts che e sur rea T you us circ Way with the

of my es bon the from de Ma

and n ldre Husband and chi

is er wat the t Now tha at, Up to my pettico I am beginning to

Wonder how likely it

Is that I’ll float with my

, Wrists bound with jewelry

ry, set cor of y Bod

Shining brass livery,

t...

From my face to my fee

fsh: Just dream it

Then speak it but thing back from me any d hol ’t don o, N g you, brin na And I’m gon d. nee you What

snow. the oven’s cold.

It won’t be long before Be brave.

I see you’re frightened.

So be frightened.

be hunting Who knows what might

. you tonight . .

Bring your rifle.

s up.

And keep your eye nt you can see me mo the ot sho And watching you. s eye the whites of the

shining underneath GIRL: Something was a tree.

thought my eyes were A golden key! I deceiving me . . .

is a key there must And where there be a lock.

iron box Sure enough I found this

In the snow.

And look, this key fits!

And if I turn it? waiting there What treasures might be Inside . . .

But if it’s empty?

What if it’s empty?

be one way to learn, There can only t I don’t want If I wanted to learn...bu

to learn.

. I don’t want to . . .

No, I want to . . .I don’t need to . . . .

Yes, I need to .

I’m afraid to… . . . to id I’m afra

posed to I don’t know what I’m sup do . . .

CAST

CAST

MATT BIAGINI (DEREK/HOARDER/GUARD) is a third-year MFA candidate at

and Shogo Ohta’s The Water Station performed at the HERE Arts Center. Michael holds a BA in theatre from the University of Washington in Seattle.

Yale School of Drama, where his credits include Learning Russian, The Droll, Macbeth, Miss Heimlich, and The Seagull. Yale Cabaret credits include Amerigo in Wonderland and Estrella Cruz: [The Junkyard Queen]. New York credits include Alceste in The Misanthrope (undergroundzero Festival at Performance Space 122; 2009 undergroundzero Audience Prize); Galileo (Urban Stages); Learning Russian (The Flea Theater); Telephone/Landscape (Target Margin); and Screwball (Manhattan Theatre Source); as well as developmental readings for MCC and Keen Company. Regional credits: I Will Go…I Will Go, The Witching Hour, The Fairy Garden (Williamstown Theatre Festival); The Lion in Winter (Barnstormers); Measure For Measure (Vassar/ Powerhouse); and the premiere of Jordan Harrison’s Kid-Simple (Brown University).

He received his BA in theatre arts from Brown University, where he was also the recipient of the Weston Fine Arts Award.

BLAKE SEGAL (BEN) is a third-year MFA candidate at Yale School of Drama, where his credits include Eurydice, Paradise Lost, The Seagull, The Droll, Macbeth, and A Midsummer Night’s Dream. Yale Cabaret credits include Bones in the Basket, Waking, and The Surrender Tree. Regional credits include Amadeus, The Winter’s Tale, Arcadia, An Incident (Chautauqua Theater Company); The Corn Is Green, Cold Hard Cash, Big Money, Wing It (Williamstown Theatre Festival/Fellowship Project); Carousel (Paper Mill Playhouse); and Don’t Hug Me (Heritage Theatre Festival). Blake is thrilled to reprise his role as Mozart in Chautauqua Theater Company’s Amadeus this May with the Virginia Symphony Orchestra. He received a BA from the University of Virginia in political and social thought and religious studies.

LUCAS DIXON (TURNER) is a second-year MFA candidate at Yale School of Drama,

SARAH SOKOLOVIC (JIB) is a third-year acting student at Yale School of Drama,

where his credits include the friendship of her thighs, Uncle Vanya, elijah, One Day it Came, and Thriftcrawl. His other stage credits include Debut, The Wedding Reception, Normal, 4.48 Psychosis (Yale Cabaret); House of Home, Western Country (Williamstown Theatre Festival); and Twelfth Night, Coriolanus, and King Lear (Utah Shakespearean Festival). He received his BFA from Otterbein College.

Drama. His recent credits include The Servant of Two Masters (Yale Rep); the things are against us, and Buffalo, Maine (Yale School of Drama); and productions at Williamstown Theatre Festival, Origin Theatre Company, Columbia University, and Carnegie Mellon University. He has also appeared on All My Children. He received his BFA in acting from Carnegie Mellon University.

where her credits include the friendship of her thighs, Othello, Paradise Lost, The French Play, Every Other Hamlet In The Universe, and Man in Love. Other credits include Waking, Skintight, Vaska Vaska Glöm, The Wedding Reception, The Rocky Horror Show (Yale Cabaret); Fly By Night (Yale Summer Cabaret); Danny and the Deep Blue Sea, Killer Joe, Bash (Bialystock and Bloom); A Month in the County, Translations (Milwaukee Rep); A…My Name Is Alice (Madison Repertory Theatre); Medea, Homebody/Kabul, Under Milk Wood (Chamber Theatre); The Merchant of Venice, Cymbeline (Milwaukee Shakespeare); The Taming of the Shrew and Cymbeline (Montana Shakespeare in The Park). She recently took part in a workshop reading of The Shaggs at Playwrights Horizons, and was a company member of the Yale Institute for Music Theatre last summer, where she performed in The Daughters. She is also the proud recipient of the Jerome L. Greene Scholarship.

MICHAEL PLACE (McKINNON/BARBER/ORDERLY) is a second-year MFA

JILLIAN TAYLOR (ANGIE) is a second-year MFA candidate at Yale School of Drama,

candidate at Yale School of Drama, where his credits include Uncle Vanya, Miss Heimlich, the things are against us, and Thriftcrawl. He was a founding Co-Artistic Director of Washington Ensemble Theatre (2004–2009), where he directed The Mistakes Madeline Made and performed in ten productions including Finer Noble Gases, Swimming in the Shallows, Crumbs Are Also Bread, Never Swim Alone, Mr. Marmalade, and God’s Ear. Other credits include The Neverending Story, The Outsiders (Seattle Children’s Theatre); Romeo and Juliet, The Merchant of Venice, Much Ado About Nothing (Seattle Shakespeare Company); and Bud, Not Buddy (Book-It Repertory Theatre). He is also a company member of the Pacific Performance Project/East, where his credits include Myra’s War, Suite for Strangers, Next Tuesday,

where her credits include Miss Heimlich, the things are against us, and The Bottle Breakers. Other credits include The Other Shore, Radio Station, and Evil Dead: The Musical (Yale Cabaret); Lucia Mad, 28 Plays Later, The Cherry Poppin’ Play Festival (Alive Theatre, founding member; Long Beach, CA); That Beautiful Laugh, Hair, and Women of Troy at California State University, Long Beach, where she received her BA in performance and directing.

CHRIS HENRY (LONDON) is a second-year MFA candidate at Yale School of

EMILY TRASK (MARRIS) is a third-year MFA candidate at Yale School of Drama, where her credits include Eurydice, Macbeth, La Ronde, The Bedtrick, Jelly’s Last Jam, and State of Affairs. Her Yale Cabaret credits include The Maids, Orestes, Antibiosis:,

CAST

CAST

MATT BIAGINI (DEREK/HOARDER/GUARD) is a third-year MFA candidate at

and Shogo Ohta’s The Water Station performed at the HERE Arts Center. Michael holds a BA in theatre from the University of Washington in Seattle.

Yale School of Drama, where his credits include Learning Russian, The Droll, Macbeth, Miss Heimlich, and The Seagull. Yale Cabaret credits include Amerigo in Wonderland and Estrella Cruz: [The Junkyard Queen]. New York credits include Alceste in The Misanthrope (undergroundzero Festival at Performance Space 122; 2009 undergroundzero Audience Prize); Galileo (Urban Stages); Learning Russian (The Flea Theater); Telephone/Landscape (Target Margin); and Screwball (Manhattan Theatre Source); as well as developmental readings for MCC and Keen Company. Regional credits: I Will Go…I Will Go, The Witching Hour, The Fairy Garden (Williamstown Theatre Festival); The Lion in Winter (Barnstormers); Measure For Measure (Vassar/ Powerhouse); and the premiere of Jordan Harrison’s Kid-Simple (Brown University).

He received his BA in theatre arts from Brown University, where he was also the recipient of the Weston Fine Arts Award.

BLAKE SEGAL (BEN) is a third-year MFA candidate at Yale School of Drama, where his credits include Eurydice, Paradise Lost, The Seagull, The Droll, Macbeth, and A Midsummer Night’s Dream. Yale Cabaret credits include Bones in the Basket, Waking, and The Surrender Tree. Regional credits include Amadeus, The Winter’s Tale, Arcadia, An Incident (Chautauqua Theater Company); The Corn Is Green, Cold Hard Cash, Big Money, Wing It (Williamstown Theatre Festival/Fellowship Project); Carousel (Paper Mill Playhouse); and Don’t Hug Me (Heritage Theatre Festival). Blake is thrilled to reprise his role as Mozart in Chautauqua Theater Company’s Amadeus this May with the Virginia Symphony Orchestra. He received a BA from the University of Virginia in political and social thought and religious studies.

LUCAS DIXON (TURNER) is a second-year MFA candidate at Yale School of Drama,

SARAH SOKOLOVIC (JIB) is a third-year acting student at Yale School of Drama,

where his credits include the friendship of her thighs, Uncle Vanya, elijah, One Day it Came, and Thriftcrawl. His other stage credits include Debut, The Wedding Reception, Normal, 4.48 Psychosis (Yale Cabaret); House of Home, Western Country (Williamstown Theatre Festival); and Twelfth Night, Coriolanus, and King Lear (Utah Shakespearean Festival). He received his BFA from Otterbein College.

Drama. His recent credits include The Servant of Two Masters (Yale Rep); the things are against us, and Buffalo, Maine (Yale School of Drama); and productions at Williamstown Theatre Festival, Origin Theatre Company, Columbia University, and Carnegie Mellon University. He has also appeared on All My Children. He received his BFA in acting from Carnegie Mellon University.

where her credits include the friendship of her thighs, Othello, Paradise Lost, The French Play, Every Other Hamlet In The Universe, and Man in Love. Other credits include Waking, Skintight, Vaska Vaska Glöm, The Wedding Reception, The Rocky Horror Show (Yale Cabaret); Fly By Night (Yale Summer Cabaret); Danny and the Deep Blue Sea, Killer Joe, Bash (Bialystock and Bloom); A Month in the County, Translations (Milwaukee Rep); A…My Name Is Alice (Madison Repertory Theatre); Medea, Homebody/Kabul, Under Milk Wood (Chamber Theatre); The Merchant of Venice, Cymbeline (Milwaukee Shakespeare); The Taming of the Shrew and Cymbeline (Montana Shakespeare in The Park). She recently took part in a workshop reading of The Shaggs at Playwrights Horizons, and was a company member of the Yale Institute for Music Theatre last summer, where she performed in The Daughters. She is also the proud recipient of the Jerome L. Greene Scholarship.

MICHAEL PLACE (McKINNON/BARBER/ORDERLY) is a second-year MFA

JILLIAN TAYLOR (ANGIE) is a second-year MFA candidate at Yale School of Drama,

candidate at Yale School of Drama, where his credits include Uncle Vanya, Miss Heimlich, the things are against us, and Thriftcrawl. He was a founding Co-Artistic Director of Washington Ensemble Theatre (2004–2009), where he directed The Mistakes Madeline Made and performed in ten productions including Finer Noble Gases, Swimming in the Shallows, Crumbs Are Also Bread, Never Swim Alone, Mr. Marmalade, and God’s Ear. Other credits include The Neverending Story, The Outsiders (Seattle Children’s Theatre); Romeo and Juliet, The Merchant of Venice, Much Ado About Nothing (Seattle Shakespeare Company); and Bud, Not Buddy (Book-It Repertory Theatre). He is also a company member of the Pacific Performance Project/East, where his credits include Myra’s War, Suite for Strangers, Next Tuesday,

where her credits include Miss Heimlich, the things are against us, and The Bottle Breakers. Other credits include The Other Shore, Radio Station, and Evil Dead: The Musical (Yale Cabaret); Lucia Mad, 28 Plays Later, The Cherry Poppin’ Play Festival (Alive Theatre, founding member; Long Beach, CA); That Beautiful Laugh, Hair, and Women of Troy at California State University, Long Beach, where she received her BA in performance and directing.

CHRIS HENRY (LONDON) is a second-year MFA candidate at Yale School of

EMILY TRASK (MARRIS) is a third-year MFA candidate at Yale School of Drama, where her credits include Eurydice, Macbeth, La Ronde, The Bedtrick, Jelly’s Last Jam, and State of Affairs. Her Yale Cabaret credits include The Maids, Orestes, Antibiosis:,

CAST and Language of Angels. Regional: five seasons with the Utah Shakespeare Festival, including this past summer as Portia in The Merchant of Venice and Estella in Great Expectations, The Musical; four seasons with Milwaukee Repertory Theater; and numerous other productions with various theaters across the country. She also appeared in the award-winning short film The Violinist. Emily received her BA in literature and theatre from Grinnell College.

SARAH LASLEY (CINEMATOGRAPHER) is a filmmaker living in New York City. She teaches video art at Vassar College and Yale School of Art. Her projection design credits include Every Other Hamlet In The Universe, The Current War, and 99 Ways to F@%k a Swan (Yale School of Drama); Missed Connections and Babs the Dodo (Yale Cabaret). Her filmmaking credits include Gloria Mundi, EVE, and She She. Sarah received her MFA from Yale School of Art and her BFA from the University of Louisville in Kentucky.

ADINA VERSON (TELE/JANET/BETHANY) is a second-year MFA candidate at Yale School of Drama, where she has been seen in elijah, Vaska Vaska Glöm, Uncle Vanya, and Tall Skinny Cruel Cruel Boys. Her Yale Cabaret credits include Hedwig and the Angry Inch and The Rocky Horror Show. Other credits include productions with Yale Repertory Theatre, The Actors Company Theatre (TACT), Gene Frankel Theatre, La MaMa E.T.C., New York and Edinburgh Fringe Festivals, and River Repertory Theatre Company, where she was a Connecticut Critics Circle Award nominee for her portrayal of Yum-Yum in The Mikado. She is a graduate of the Chicago Academy for the Arts and received her BFA from The Boston Conservatory.

creative team CATHERINE COSTANZO (STAGE MANAGER) is a second-year MFA candidate at Yale School of Drama, where her credits include Phèdre, A Midsummer Night’s Dream, Good Goods, and The Bottle Breakers. She most recently served as assistant stage manager for Yale Rep’s A Delicate Balance and currently serves as an artistic associate for Yale Cabaret. Regional stage management credits include Northern Stage, Pennsylvania Shakespeare Festival, Pittsburgh Playwrights, Cape Fear Regional Theatre, Yale Summer Cabaret, and others. Catherine received her BA in English and theatre arts from the University of Pittsburgh.

SUNDER GANGLANI (DRAMATURG/VIOLA) is a second-year MFA candidate at Yale School of Drama, where his recent credits include the friendship of her thighs, Vaska Vaska Glöm, and Salome. Prior to attending Yale, Sunder was co-artistic director of the Foundry Theatre where he worked as a Duke/Mellon New Generations Fellow for over six years. His New York credits include Carl Hancock Rux’s Talk (The Public Theater), Kirk Lynn’s Major Bang (St. Ann’s Warehouse), and David Greenspan’s The Myopia, among many others. His work has earned numerous OBIE Awards, most recently for Ariana Reines’s Telephone at Cherry Lane Theatre, a work he commissioned, developed, and produced, based on Avital Ronell’s The Telephone Book. He holds a BS in anthropology from the University of Massachusetts, Amherst.

CHRISTY LEE (CHOREOGRAPHER) is dancer and choreographer based in Philadelphia. She is a company member of the Bessie Award-winning Headlong Dance Theater. She is also a founding member of MOXIE Dance Collective. As a dancer and choreographer, Christy has worked with Group Motion Dance Company, Nichole Canuso Dance Company, Sub Circle, Karen Bamonte Dance Works, and Arrow Dance Communication in Kyoto, Japan. She choreographed The Wedding Reception at Yale Cabaret, directed by Alex Mihail, as well as the court dances for last year’s Orlando, directed by Jen Wineman, at Yale School of Drama.

MICHAEL MCQUILKEN (PLAYWRIGHT/DIRECTOR/COMPOSER/DRUMS) is in his third year of studies at Yale School of Drama, where his directing and composing credits include Shakespeare’s Othello (adapted with Tanya Dean) and House of Cards

by Dipika Guha. For Yale Cabaret, he composed an original score for an ensemblecreated performance of Russian fairy tales entitled Bones in the Basket, directed by Devin Brain, and he scored and directed his new adaptation of Skin Tight by Gary Henderson. His original play with music and projections, A Day in Dig Nation (cowritten with Tommy Smith), has toured through Amsterdam, Prague, Boston, Seattle, Edinburgh, and New York. While at Yale, Michael also scored Eve, a new short film by Sarah Lasley, and he wrote and recorded a full-length album of original songs entitled Celebritist under the band name The Few Moments. Prior to attending Yale School of Drama, Michael co-founded the Seattle-based theatre company Collaborator, with which he conceived, scored, co-wrote, and co-directed the musical Extropia, and wrote and directed Paper Airplane. While in Seattle, Michael also worked as a street performer, music teacher, and builder of found-object musical instruments. In 2003, he wrote and performed an original score for the world premiere of Joan Holden’s Nickel and Dimed, directed by Bartlett Sher, for which he won a Garland Award for best composition following its run at The Mark Taper Forum in Los Angeles.

CAST and Language of Angels. Regional: five seasons with the Utah Shakespeare Festival, including this past summer as Portia in The Merchant of Venice and Estella in Great Expectations, The Musical; four seasons with Milwaukee Repertory Theater; and numerous other productions with various theaters across the country. She also appeared in the award-winning short film The Violinist. Emily received her BA in literature and theatre from Grinnell College.

SARAH LASLEY (CINEMATOGRAPHER) is a filmmaker living in New York City. She teaches video art at Vassar College and Yale School of Art. Her projection design credits include Every Other Hamlet In The Universe, The Current War, and 99 Ways to F@%k a Swan (Yale School of Drama); Missed Connections and Babs the Dodo (Yale Cabaret). Her filmmaking credits include Gloria Mundi, EVE, and She She. Sarah received her MFA from Yale School of Art and her BFA from the University of Louisville in Kentucky.

ADINA VERSON (TELE/JANET/BETHANY) is a second-year MFA candidate at Yale School of Drama, where she has been seen in elijah, Vaska Vaska Glöm, Uncle Vanya, and Tall Skinny Cruel Cruel Boys. Her Yale Cabaret credits include Hedwig and the Angry Inch and The Rocky Horror Show. Other credits include productions with Yale Repertory Theatre, The Actors Company Theatre (TACT), Gene Frankel Theatre, La MaMa E.T.C., New York and Edinburgh Fringe Festivals, and River Repertory Theatre Company, where she was a Connecticut Critics Circle Award nominee for her portrayal of Yum-Yum in The Mikado. She is a graduate of the Chicago Academy for the Arts and received her BFA from The Boston Conservatory.

creative team CATHERINE COSTANZO (STAGE MANAGER) is a second-year MFA candidate at Yale School of Drama, where her credits include Phèdre, A Midsummer Night’s Dream, Good Goods, and The Bottle Breakers. She most recently served as assistant stage manager for Yale Rep’s A Delicate Balance and currently serves as an artistic associate for Yale Cabaret. Regional stage management credits include Northern Stage, Pennsylvania Shakespeare Festival, Pittsburgh Playwrights, Cape Fear Regional Theatre, Yale Summer Cabaret, and others. Catherine received her BA in English and theatre arts from the University of Pittsburgh.

SUNDER GANGLANI (DRAMATURG/VIOLA) is a second-year MFA candidate at Yale School of Drama, where his recent credits include the friendship of her thighs, Vaska Vaska Glöm, and Salome. Prior to attending Yale, Sunder was co-artistic director of the Foundry Theatre where he worked as a Duke/Mellon New Generations Fellow for over six years. His New York credits include Carl Hancock Rux’s Talk (The Public Theater), Kirk Lynn’s Major Bang (St. Ann’s Warehouse), and David Greenspan’s The Myopia, among many others. His work has earned numerous OBIE Awards, most recently for Ariana Reines’s Telephone at Cherry Lane Theatre, a work he commissioned, developed, and produced, based on Avital Ronell’s The Telephone Book. He holds a BS in anthropology from the University of Massachusetts, Amherst.

CHRISTY LEE (CHOREOGRAPHER) is dancer and choreographer based in Philadelphia. She is a company member of the Bessie Award-winning Headlong Dance Theater. She is also a founding member of MOXIE Dance Collective. As a dancer and choreographer, Christy has worked with Group Motion Dance Company, Nichole Canuso Dance Company, Sub Circle, Karen Bamonte Dance Works, and Arrow Dance Communication in Kyoto, Japan. She choreographed The Wedding Reception at Yale Cabaret, directed by Alex Mihail, as well as the court dances for last year’s Orlando, directed by Jen Wineman, at Yale School of Drama.

MICHAEL MCQUILKEN (PLAYWRIGHT/DIRECTOR/COMPOSER/DRUMS) is in his third year of studies at Yale School of Drama, where his directing and composing credits include Shakespeare’s Othello (adapted with Tanya Dean) and House of Cards

by Dipika Guha. For Yale Cabaret, he composed an original score for an ensemblecreated performance of Russian fairy tales entitled Bones in the Basket, directed by Devin Brain, and he scored and directed his new adaptation of Skin Tight by Gary Henderson. His original play with music and projections, A Day in Dig Nation (cowritten with Tommy Smith), has toured through Amsterdam, Prague, Boston, Seattle, Edinburgh, and New York. While at Yale, Michael also scored Eve, a new short film by Sarah Lasley, and he wrote and recorded a full-length album of original songs entitled Celebritist under the band name The Few Moments. Prior to attending Yale School of Drama, Michael co-founded the Seattle-based theatre company Collaborator, with which he conceived, scored, co-wrote, and co-directed the musical Extropia, and wrote and directed Paper Airplane. While in Seattle, Michael also worked as a street performer, music teacher, and builder of found-object musical instruments. In 2003, he wrote and performed an original score for the world premiere of Joan Holden’s Nickel and Dimed, directed by Bartlett Sher, for which he won a Garland Award for best composition following its run at The Mark Taper Forum in Los Angeles.

CREATIVE TEAM

CREATIVE TEAM

MARK NAGLE (COSTUME DESIGNER) is a second-year MFA candidate at Yale

MICHAEL VINCENT SKINNER (BASS) is a third-year MFA candidate in sound design

School of Drama and is the recipient of the Donald and Zorka Oenslager Travel Fellowship. Some of his designs have included Far Away (Yale Cabaret, sets), Close Up Space (Chautauqua Theater Company), and String Fever (Yellow Taxi Productions).

He also was the in-house costume assistant at American Conservatory Theater in San Francisco for two seasons. He graduated from the University of New Hampshire with a BA in social work.

at Yale School of Drama. He has been playing bass for local bands and musicals in the Greater New Haven area since 1989 and was recently seen in Hedwig and the Angry Inch, The Rocky Horror Show (Yale Cabaret); and the rockperetta Zombie Vs. Vampire!. He is a member of the Beatles tribute band BECAUSE!. Musical direction credits include Jesus Christ Superstar, The Who’s Tommy, Evil Dead: The Musical, Pink Floyd’s The Wall, Cannibal! The Musical, and The Rocky Horror Show. Original music credits include Phèdre, the things are against us, Far Away, By Ill Be Cured, The University of Christmas, The Musicality Series, and the film The Seven Brothers of Waterbury.

JENNIFER HARRISON NEWMAN (CHOREOGRAPHER) is a third-year MFA candidate in theater management at Yale School of Drama. As a performer, her career has spanned national and international stages, film, and television working with choreographers and directors such as Garth Fagan, Donald Byrd, David Rousseve, Ronald K. Brown, Julie Taymor, Jerry Mitchell, and Casey Nicholaw, to name a few.

Most recent credits include Disney’s The Lion King on Broadway and ABC’s All My Children. Jennifer received her BA from the University of California, Los Angeles.

CHAD RAINES (SOUND DESIGNER/ARRANGER/FOLEY ARTIST/GUITARS/ KEYBOARDS) is a third-year MFA candidate at Yale School of Drama. His credits

YI ZHAO (LIGHTING DESIGNER) is a second-year MFA candidate at Yale School of Drama, where he designed lighting for Eurydice. Yale Cabaret credits include Othello, Underneath the Lintel, and Nijinsky’s Last Dance. Other credits include Connecticut College’s 2010 Senior Dance Show, John Moran’s touring dance operetta Saori’s Birthday! (US and Europe), and shows at PS122, Ontological-Hysteric Theater, the Chocolate Factory, and other venues in New York and Chicago. Yi grew up in Beijing and Paris and graduated from the University of Chicago.

include Battle of Black and Dogs (Yale Repertory Theatre); Orlando and Baal (Yale School of Drama). At Yale Summer Cabaret, he starred in Hedwig and the Angry Inch and The Who’s Tommy, and also participated in Muse and Fly By Night. Other works at Yale Cabaret include Nijinsky’s Last Dance, Language of Angels, and the electropopera Missed Connections. He produced the cable access television show Eccentrics Anonymous and writes and performs music with The Simple Pleasure.

MATT SAUNDERS (SCENIC AND PROJECTION DESIGNER) is a second-year MFA candidate at Yale School of Drama. He has designed over sixty shows for companies such as The Wilma Theater, Arden Theatre Company, Walnut Street Theatre, Pig Iron Theatre Company, the Bessie Award-winning Headlong Dance Theater, and the Tony Award-winning Children’s Theatre Company in Minneapolis. He is also the Associate Artistic Director of New Paradise Laboratories (NPL) and has been involved in all of NPL’s works as both a scenic designer and a performer, most notably in Batch at the Humana Festival of New American Plays. Matt’s design for NPL’s Fatebook in 2008, has been selected to represent American Set Design at the 2011 Prague Quadrennial.

Matt is the recipient of the 2007 F. Otto Haas Award for an Emerging Philadelphia Theatre Artist. He is also a Barrymore Award-winning performer. Matt is a graduate of Virginia Tech with a BA in theatre and visual art. He is also a graduate of the Scuola Internazionale dell’Attore Comico in Reggio Emilia, Italy, conducted by master teacher Antonio Fava. mattsaunders.net

Irish Pub & Restaurant 1166 Chapel Street New Haven, CT 06511 203.777.4367

CREATIVE TEAM

CREATIVE TEAM

MARK NAGLE (COSTUME DESIGNER) is a second-year MFA candidate at Yale

MICHAEL VINCENT SKINNER (BASS) is a third-year MFA candidate in sound design

School of Drama and is the recipient of the Donald and Zorka Oenslager Travel Fellowship. Some of his designs have included Far Away (Yale Cabaret, sets), Close Up Space (Chautauqua Theater Company), and String Fever (Yellow Taxi Productions).

He also was the in-house costume assistant at American Conservatory Theater in San Francisco for two seasons. He graduated from the University of New Hampshire with a BA in social work.

at Yale School of Drama. He has been playing bass for local bands and musicals in the Greater New Haven area since 1989 and was recently seen in Hedwig and the Angry Inch, The Rocky Horror Show (Yale Cabaret); and the rockperetta Zombie Vs. Vampire!. He is a member of the Beatles tribute band BECAUSE!. Musical direction credits include Jesus Christ Superstar, The Who’s Tommy, Evil Dead: The Musical, Pink Floyd’s The Wall, Cannibal! The Musical, and The Rocky Horror Show. Original music credits include Phèdre, the things are against us, Far Away, By Ill Be Cured, The University of Christmas, The Musicality Series, and the film The Seven Brothers of Waterbury.

JENNIFER HARRISON NEWMAN (CHOREOGRAPHER) is a third-year MFA candidate in theater management at Yale School of Drama. As a performer, her career has spanned national and international stages, film, and television working with choreographers and directors such as Garth Fagan, Donald Byrd, David Rousseve, Ronald K. Brown, Julie Taymor, Jerry Mitchell, and Casey Nicholaw, to name a few.

Most recent credits include Disney’s The Lion King on Broadway and ABC’s All My Children. Jennifer received her BA from the University of California, Los Angeles.

CHAD RAINES (SOUND DESIGNER/ARRANGER/FOLEY ARTIST/GUITARS/ KEYBOARDS) is a third-year MFA candidate at Yale School of Drama. His credits

YI ZHAO (LIGHTING DESIGNER) is a second-year MFA candidate at Yale School of Drama, where he designed lighting for Eurydice. Yale Cabaret credits include Othello, Underneath the Lintel, and Nijinsky’s Last Dance. Other credits include Connecticut College’s 2010 Senior Dance Show, John Moran’s touring dance operetta Saori’s Birthday! (US and Europe), and shows at PS122, Ontological-Hysteric Theater, the Chocolate Factory, and other venues in New York and Chicago. Yi grew up in Beijing and Paris and graduated from the University of Chicago.

include Battle of Black and Dogs (Yale Repertory Theatre); Orlando and Baal (Yale School of Drama). At Yale Summer Cabaret, he starred in Hedwig and the Angry Inch and The Who’s Tommy, and also participated in Muse and Fly By Night. Other works at Yale Cabaret include Nijinsky’s Last Dance, Language of Angels, and the electropopera Missed Connections. He produced the cable access television show Eccentrics Anonymous and writes and performs music with The Simple Pleasure.

MATT SAUNDERS (SCENIC AND PROJECTION DESIGNER) is a second-year MFA candidate at Yale School of Drama. He has designed over sixty shows for companies such as The Wilma Theater, Arden Theatre Company, Walnut Street Theatre, Pig Iron Theatre Company, the Bessie Award-winning Headlong Dance Theater, and the Tony Award-winning Children’s Theatre Company in Minneapolis. He is also the Associate Artistic Director of New Paradise Laboratories (NPL) and has been involved in all of NPL’s works as both a scenic designer and a performer, most notably in Batch at the Humana Festival of New American Plays. Matt’s design for NPL’s Fatebook in 2008, has been selected to represent American Set Design at the 2011 Prague Quadrennial.

Matt is the recipient of the 2007 F. Otto Haas Award for an Emerging Philadelphia Theatre Artist. He is also a Barrymore Award-winning performer. Matt is a graduate of Virginia Tech with a BA in theatre and visual art. He is also a graduate of the Scuola Internazionale dell’Attore Comico in Reggio Emilia, Italy, conducted by master teacher Antonio Fava. mattsaunders.net

Irish Pub & Restaurant 1166 Chapel Street New Haven, CT 06511 203.777.4367

production staff FOR JIB Associate Managing Director

Suzanne R. Appel

Associate Production Supervisor

Steven A. Schmidt

Associate Marketing Director

Rachel Smith

Assistant Director

Mark Sonnenblick

Assistant Scenic Designer

Adam Rigg

Assistant Costume Designer

Martin T. Schnellinger

AUGUST WILSON’S

Assistant Lighting Designers

Paul Lieber, Jacqueline Young

Assistant Sound Designer/Engineer

Keri Klick

Assistant Stage Manager

Kristin Hodges

THE PIANO LESSON

Technical Director

Steven Albert

Assistant Technical Directors

Eric Cassanova, Shaina Graboyes

Master Electrician

Robert Shearin

Properties Master

Alex Bergeron

Projections Supervisor

Erich Bolton

Projection Engineer

Bona Lee

Stage Carpenter

Nicole Bromley

Costume Shop Manager

Tom McAlister

Associate Costume Shop Manager Robin Hirsch Senior Draper

Mary Zihal

Draper

Clarissa Wylie Youngberg

Senior First Hand

Deborah Bloch, Harry Johnson

Staff Carpenter

Ryan Gardner

Scenic Charge

April Nichole Chateauneuf

Scenic Artist

Julia C. Lee

Staff Sound Engineer

Paul Bozzi

Head Electrician

Jason Wells

Build Crew

Amy Jonas, Daniel Perez, Christopher Russo, Joe Stoltman,

Andrew V. Wallace Paint Crew

Jung Griffin, Allison Jackson, Po-Lin Li

Electrics Crew

Brian D. Dambacher, Delilah Dylan Dominguez, Benjamin Fainstein,

Jonathan Pellow, Kristen Robinson, Lindsey Turteltaub,

YALE REPERTORY THEATRE

DIRECTED BY LIESL TOMMY

JANUARY 28 TO FEBRUARY 19 yalerep.org

NO BOUNDARIES: A SERIES OF GLOBAL PERFORMANCES

THE METHOD GUN WRITTEN BY KIRK LYNN

DIRECTED BY SHAWN SIDES CREATED BY RUDE MECHS

Presented by World Performance Project at Yale and Yale Repertory Theatre

FEBRUARY 23 TO 26 yalerep.org/noboundaries

Brian MacInnis Smallwood, Hannah Shafran, Karen Walcott Sound Crew Kenneth Goodwin Projection Crew Brian MacInnis Smallwood Run Crew

Elizabeth Atkinson, WIlliam DeMeritt, April Nichole

Chateauneuf, Nikki Delhomme, Kristin Fiebig, Alexandru Mihail, Ana M. Milosevic, Meredith Ries Fight Director

Rick Sordelet

Vocal Coach

Vicki Shaghoian

Dialect Coach Beth McGuire Program Design

Maggie Elliott

Management Assistant

Caitie Hannon

House Manager

Jennifer Harrison Newman

Special Thanks: Kristen Connolly, Martyna Majok, Marissa McQuilken Kashino, Ann McCoy, Bruce McQuilken, Lu Ning, Shuggie Otis, Nicholas Pope, Da’Vine Joy Randolph, Catherine Schook, Janet Schook, Lee Schook, Mark Sonnenblick.

YALE REPERTORY THEATRE

WILLIAM SHAKESPEARE’S

ROMEO AND JULIET DIRECTED BY SHANA COOPER MARCH 11 TO APRIL 2 yalerep.org

For tickets or more information, call 203.432.1234

production staff FOR JIB Associate Managing Director

Suzanne R. Appel

Associate Production Supervisor

Steven A. Schmidt

Associate Marketing Director

Rachel Smith

Assistant Director

Mark Sonnenblick

Assistant Scenic Designer

Adam Rigg

Assistant Costume Designer

Martin T. Schnellinger

AUGUST WILSON’S

Assistant Lighting Designers

Paul Lieber, Jacqueline Young

Assistant Sound Designer/Engineer

Keri Klick

Assistant Stage Manager

Kristin Hodges

THE PIANO LESSON

Technical Director

Steven Albert

Assistant Technical Directors

Eric Cassanova, Shaina Graboyes

Master Electrician

Robert Shearin

Properties Master

Alex Bergeron

Projections Supervisor

Erich Bolton

Projection Engineer

Bona Lee

Stage Carpenter

Nicole Bromley

Costume Shop Manager

Tom McAlister

Associate Costume Shop Manager Robin Hirsch Senior Draper

Mary Zihal

Draper

Clarissa Wylie Youngberg

Senior First Hand

Deborah Bloch, Harry Johnson

Staff Carpenter

Ryan Gardner

Scenic Charge

April Nichole Chateauneuf

Scenic Artist

Julia C. Lee

Staff Sound Engineer

Paul Bozzi

Head Electrician

Jason Wells

Build Crew

Amy Jonas, Daniel Perez, Christopher Russo, Joe Stoltman,

Andrew V. Wallace Paint Crew

Jung Griffin, Allison Jackson, Po-Lin Li

Electrics Crew

Brian D. Dambacher, Delilah Dylan Dominguez, Benjamin Fainstein,

Jonathan Pellow, Kristen Robinson, Lindsey Turteltaub,

YALE REPERTORY THEATRE

DIRECTED BY LIESL TOMMY

JANUARY 28 TO FEBRUARY 19 yalerep.org

NO BOUNDARIES: A SERIES OF GLOBAL PERFORMANCES

THE METHOD GUN WRITTEN BY KIRK LYNN

DIRECTED BY SHAWN SIDES CREATED BY RUDE MECHS

Presented by World Performance Project at Yale and Yale Repertory Theatre

FEBRUARY 23 TO 26 yalerep.org/noboundaries

Brian MacInnis Smallwood, Hannah Shafran, Karen Walcott Sound Crew Kenneth Goodwin Projection Crew Brian MacInnis Smallwood Run Crew

Elizabeth Atkinson, WIlliam DeMeritt, April Nichole

Chateauneuf, Nikki Delhomme, Kristin Fiebig, Alexandru Mihail, Ana M. Milosevic, Meredith Ries Fight Director

Rick Sordelet

Vocal Coach

Vicki Shaghoian

Dialect Coach Beth McGuire Program Design

Maggie Elliott

Management Assistant

Caitie Hannon

House Manager

Jennifer Harrison Newman

Special Thanks: Kristen Connolly, Martyna Majok, Marissa McQuilken Kashino, Ann McCoy, Bruce McQuilken, Lu Ning, Shuggie Otis, Nicholas Pope, Da’Vine Joy Randolph, Catherine Schook, Janet Schook, Lee Schook, Mark Sonnenblick.

YALE REPERTORY THEATRE

WILLIAM SHAKESPEARE’S

ROMEO AND JULIET DIRECTED BY SHANA COOPER MARCH 11 TO APRIL 2 yalerep.org

For tickets or more information, call 203.432.1234

January 22 to 28 ISEMAN THEATER

2 0 1 0 – 1 1 se a s o n