SUNDAY IN THE PARK WITH GEORGE, Yale School of Drama, 2012

D EC E M B E R 14 TO 20 UN I V E R SI T Y TH E AT RE 2012–13 SE A S O N

creating lasting impressions

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DECEMBER 14 TO 20, 2012

YALE SCHOOL OF DRAMA

JAMES BUNDY, DEAN

VICTORIA NOLAN, DEPUTY DEAN

PRESENTS

WITH

SUNDAY IN THE PARK GEORGE Music and Lyrics by STEPHEN SONDHEIM Book by JAMES LAPINE Directed by ETHAN HEARD CREATIVE TEAM

Musical Director, Conductor, Orchestrator Scenic Designer Costume Designer Lighting Designer Sound Designer Projection Designer Production Dramaturg Stage Manager

DANIEL SCHLOSBERG REID THOMPSON HUNTER KACZOROWSKI OLIVER WASON KERI KLICK NICHOLAS HUSSONG DANA TANNER-KENNEDY HANNAH SULLIVAN

CAST

Dot, Marie Louise, Waitress Boatman, Charles Redmond Yvonne, Naomi Eisen Louis, Lee Randolph Mr., Billy Webster Franz, Dennis Celeste 1, Photographer Celeste 2, Elaine Soldier, Alex Jules, Bob Greenburg Frieda, Betty George, George Mrs., Nurse, Harriet Pawling Old Lady, Blair Daniels

MONIQUE BERNADETTE BARBEE CATHERINE CHIOCCHI ROBERT GRANT ASHTON HEYL JEREMY LLOYD MATT McCOLLUM JACKSON MORAN MARIKO NAKASONE MARISSA NEITLING DAN O’BRIEN MAX ROLL SOPHIE von HASELBERG MITCHELL WINTER CARLY ZIEN CARMEN ZILLES

Sunday in the Park with George is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supported

by MTI, 421 West 54th Street, New York, NY MTIShows.com

THERE WILL BE ONE FIFTEEN-MINUTE INTERMISSION.

MUSICAL NUMBERS ACT ONE “Sunday in the Park with George”...............................................................Dot “No Life”.....................................................................................Jules, Yvonne “Color and Light”.......................................................................... Dot, George “Gossip”........................................................................................... Company “Day Off”.......................................................................................... Company “Everybody Loves Louis”............................................................................Dot “Finishing the Hat”............................................................................... George “We Do Not Belong Together”........................................................ Dot, George “Beautiful” ........................................................................... Old Lady, George “Sunday”.......................................................................................... Company ACT TWO “It’s Hot Up Here”.............................................................................. Company “Putting it Together”............................................................. George, Company “Children and Art”.................................................................................. Marie “Lesson #8”......................................................................................... George “Move On”.................................................................................... George, Dot “Sunday” (reprise)............................................................................ Company

ORCHESTRA Flute

GINEVRA PETRUCCI* ANOUVONG LIENSAVANH**

Clarinet Clarinet, Bass Clarinet, Alto Saxophone

GLEB KANASEVICH ASHLEY SMITH

Percussion

JONATHAN ALLEN

Keyboard 1

IAN MILLER

Keyboard 2

PAUL KEREKES

Violin

VICTOR FOURNELLE-BLAIN

Viola

COLIN BROOKES

Cello

CLARE MONFREDO

SETTING Act One takes place on a series of Sundays from 1884 to 1886 and alternates between a park on an island in the Seine just outside Paris and George’s studio.

Act Two takes place in 1984 at an American art museum and on the island. *Dec. 14, 17, 1 **Dec. 15, 19, 20

1880s

GEORGES SEURAT

(1859–1891), French painter known for his innovative pointillist style, the most famous example of which is his large canvas, Sunday Afternoon on the Isle of La Grande Jatte (1886).

“Tons more information available on Seurat, but then this show is not really about Seurat, per se.”

“This type of optical mixture stirs up luminosities more intense than those created by mixed pigments.”

La Grande Jatte was completed over the course of two years during which Seurat made dozens of Conté crayon (charcoal stick) drawings and painted studies of his subject.

—CAMILLE PISSARRO, IMPRESSIONIST PAINTER (1830–1903)

1880s PARIS:

massive architectural renovation thousands of acres of public parks created rising middle class Sunday leisure activities in the suburbs for Parisians fleeing the bustle of the city Industrial Revolution the beginning of the art market for private collectors Eiffel Tower completed 1889

—LAPINE’S PRODUCTION RESEARCH NOTES

La Grande Jatte met with intense criticism from the establishment:

“Strip his figures of the colored fleas that cover them, underneath you will find nothing, no thought, no soul; nothing…there are not enough sparks of fire, there is not enough life!”

—J.K. HUYSMANS, CRITIC, 1887

“Pointillism is the method whereby the chromatic light beams reflected by tiny, juxtaposed dots of paint…are additively mixed by the eye and fused into one solid color.”

—MAITLAND GRAVES, COLOUR FUNDAMENTALS, 1952

Another name for this is CHROMOLUMINARISM.

1980s

STEPHEN SONDHEIM

The new economic and social conservatism undid many advances made by the 1960s counterculture.

The 1980s were marked by rampant materialism and consumerism, Cold War anxiety, inflation, and rising crime.

(b. 1930) studied first with Oscar Hammerstein, the musical theatre giant, and then with Milton Babbitt, minimalist composer. Sunday is a marriage of these two musical worlds. Also a hint of Debussy, a 19th-century French Impressionist composer.

“The art world expanded accordingly to accommodate the return of salable art: galleries groomed their ‘stables’ of artists like racehorses, while collectors jockeyed for the inside track on the next big thing, and the auction houses provided a perfect arena for conspicuous consumption.”

—DOUGLAS EKLUND, DEPARTMENT OF PHOTOGRAPHS, THE METROPOLITAN MUSEUM OF ART

Sondheim on the pointillist dramaturgy of the piece: “I found myself writing with more formal looseness than I had before, allowing songs to become fragmentary, like musical snatches of dialogue.”

—LOOK, I MADE A HAT

“Appropriation Art—term that refers to a tendency in contemporary art in which artists adopt imagery, ideas, or materials from pre-existing works of art or culture.”

—OXFORD ART ENCYCLOPEDIA

Explosion of artistic styles since the turn of the century; the 1980s were dominated by

conceptualism, neo-expressionism, appropriation art, new media art.

Also from Hat, “We [Sondheim and Lapine] commented on how much Seurat’s depiction of the island looked like a stage set. We discussed the curious fact that of all the fifty-some-odd people in the painting, no one of them is looking at another one, and speculated about the reasons for their avoidances. We realized that we were talking about a theater piece, possibly a musical.

James said, ‘What’s missing is the principle character.’ ‘Who?’ I asked. ‘The painter,’ he replied, and we knew we had a show.”

—DANA TANNER-KENNEDY, PRODUCTION DRAMATURG

CAST MONIQUE BERNADETTE BARBEE (DOT, MARIE) is a third-year MFA candidate

at Yale School of Drama, where she was seen as Jean in The Tall Girls and as Portia in Julius Caesar. Her Yale Cabaret credits include Elizabeth Vogler in Persona and Charlotte in The K of D. She is a graduate of Southern Oregon University, where she earned a BFA in acting.

CATHERINE CHIOCCHI (LOUISE, WAITRESS) is a sophomore at Yale College, where she is pursuing a double major in theater studies and political science.

ROBERT GRANT (BOATMAN, CHARLES REDMOND) is a third-year MFA candidate

at Yale School of Drama, where his credits include Cymbeline; Angels in America, Part Two: Perestroika; Arcadia; Julius Caesar; and Titus Andronicus. His other credits include Christie in Love, Rey Planta (Yale Cabaret); The Great Recession, The Footage, A Light Lunch (The Flea Theater); Hamlet, and Henry IV, Part 1 (Shakespeare Theatre of New Jersey). Robert received his BA in English from Princeton University.

ASHTON HEYL (YVONNE, NAOMI EISEN) is a second-year MFA candidate at Yale

School of Drama, where her credits include Iphigenia Among the Stars and Fen. She appeared Off-Broadway in Belles (Theatre Row). Her regional credits include After the Revolution, Golden Gate, and The Egg-Layers with the Fellowship Company (Williamstown Theatre Festival); 1776 and Twelfth Night (Texas Shakespeare Festival); A Midsummer Night’s Dream with the LIVE! Company (Shakespeare Theatre of New Jersey); and The Winter’s Tale (Yale Repertory Theatre, understudy). Ashton received her BFA from Carnegie Mellon University.

JEREMY LLOYD (LOUIS, LEE RANDOLPH) is a super-senior at Yale College, where

his credits include Aldolpho in The Drowsy Chaperone, Frankie in A Lie of the Mind, and Homer in Floyd Collins. Jeremy spent last year touring the world with the Whiffenpoofs. He is also a composer whose original musical Love, Rose premiered at Yale last spring. His song cycle I Guess I Wish has been performed at Yale, Washington University in St. Louis, and in Liverpool, England. jeremylloydmusic.com

MATT McCOLLUM (MR., BILLY WEBSTER) is a second-year MFA candidate at Yale

School of Drama, where his credits include Vieux Carré and Fen. Other recent credits include The Yiddish King Lear (Yale Cabaret); God’s Fool (59E59, Edinburgh Fringe Festival); Trouble Tales for Boys and Girls, The Morpheus Quartet (Williamstown Theatre Festival); Three Sisters and The Winter’s Tale (Yale Repertory Theatre, understudy). Television and film credits include Judging Amy, Threshold, and Heart Says It All. Matt was born in Los Angeles, received his BA from Yale College, and is the proud recipient of the Rebecca West Scholarship.

JACKSON MORAN (FRANZ, DENNIS) is a third-year MFA candidate at Yale School

of Drama, where his credits include The Bachelors, All’s Well That Ends Well, Julius Caesar, Cymbeline, Twelfth Night or What You Will, and Angels in America, Part Two: Perestroika. He is currently an artistic associate at Yale Cabaret, where he recently

directed Cowboy Mouth by Sam Shepard and Patti Smith, and appeared in Out of the Blue and Dracula. Other credits include The Oedipus Cycle, The Constant Couple (Pearl Theatre Company); A Question of Impeachment (The Culture Project); A Lie of the Mind (The Actors Center); The Comedy of Errors, A Midsummer Night’s Dream, The Taming of the Shrew, The Grapes of Wrath, Noises Off, The Winter’s Tale, Henry V (Shakespeare Theatre of New Jersey); Mrs. Warren’s Profession (Boarshead Theater); and Mahida’s Extra Key to Heaven (Playwrights Theatre). He can also be seen in the film Path. Jackson is a graduate of Rutgers University and The Actors Center Conservatory.

MARIKO NAKASONE (CELESTE 1, PHOTOGRAPHER) is a second-year MFA

candidate at Yale School of Drama, where she appeared in Fox Play. At Yale Cabaret, she was seen in This. and Chamber Music. Regional credits include Our Town, The Clay Cart, Henry VIII, The Comedy of Errors, A Midsummer Night’s Dream, Don Quixote, The Music Man (The Oregon Shakespeare Festival); Arms and the Man, Macbeth, A Christmas Carol (The Guthrie Theater); The Diary of Anne Frank, Pericles (The Utah Shakespeare Festival); and Children of Eden (Edinburgh Fringe Festival).

Mariko can currently be seen in FOX’s DragonflyTV, which she’s been on for four seasons. She is a graduate of Boston University and attended the London Academy of Music and Dramatic Art.

MARISSA NEITLING (CELESTE 2, ELAINE) is a third-year MFA candidate at Yale

School of Drama, where her credits include Iphigenia Among the Stars, Fen, Julius Caesar, Rodeo, The Tall Girls, and Angels in America, Part Two: Perestroika. Other credits include Chamber Music, Dracula, Georgia in Trannequin! A New Musical (Yale Cabaret); Diana in A Chorus Line, Sister Mary Leo in Nunsense (Broadway Rose Theatre Company); Nancy in Oliver!, Alice in You Can’t Take It With You, Cinderella in Into the Woods (Lakewood Theatre Company); Sara in Stop Kiss, April in Company, and Florence in Waiting for Lefty (University of Oregon). Marissa graduated from the Robert D. Clark Honors College at the University of Oregon where she majored in mathematics and theatre arts.

DAN O’BRIEN (SOLDIER, ALEX) is a second-year MFA candidate at Yale School of

Drama, where he made his debut last spring in Martyna Majok’s Petty Harbour. Yale Cabaret credits include The Fatal Eggs adapted by Dustin Wills and Ilya Khodosh and reWilding by Martyna Majok. Other credits include The Hamlet Collective (Interborough Repertory Theatre); Jesus Christ Superstar, The Full Monty (Warner Stage Company); Rent (Thomaston Opera House); Hair, The Skin of Our Teeth, A Man for All Seasons, Love’s Labour’s Lost, The Arabian Nights (Connecticut Repertory Theatre); and A Midsummer Night’s Dream (University of Connecticut). Dan received his BA in theatre studies from the University of Connecticut.

MAX ROLL (JULES, BOB GREENBURG) is a third-year MFA candidate at Yale School of Drama, where his credits include The Seagull, A Duck on a Bike, Antony and Cleopatra, Passing, and Angels in America, Part Two: Perestroika. His Yale Cabaret

CAST credits include Hong Kong Dinosaur, A Thought in Three Parts, Christie in Love, and Trannequin! A New Musical, which he co-composed. Max is the recipient of the Eldon Elder Fellowship and Jerome L. Greene Endowment Fund. He holds a BFA from Queens College.

SOPHIE von HASELBERG (FRIEDA, BETTY) is a second-year MFA candidate at Yale School of Drama, where her credits include Vieux Carré. Other credits include Ivanov (Columbia Stages), Our Town (Williamstown Theatre Festival), Chamber Music, and Fatal Eggs (Yale Cabaret). She is a graduate of Yale College.

MITCHELL WINTER (GEORGE, GEORGE) is a second-year MFA candidate at Yale

School of Drama, where his credits include The Bachelors. Originally from Australia, his theatre credits there include the national tour of Cameron MacKintosh’s Miss Saigon, Thoroughly Modern Millie (The Production Company), Boy Band (Ricochet Productions), Die Fledermaus (Australian Opera Studio), and Joseph and the Amazing Technicolor Dreamcoat (Really Useful Group). He is a graduate of the Western Australian Academy of Performing Arts (WAAPA).

CARLY ZIEN (MRS., NURSE, HARRIET PAWLING) is a second-year MFA candidate

at Yale School of Drama, where her credits include Iphigenia Among the Stars and Fox Play. Other credits include Carnival/Invisible (Yale Cabaret); Kaspar Hauser, Cato (The Flea Theater); and Charlotte’s Web (Theatreworks USA). She holds a BA from Yale College, where she appeared in many plays, including Angels in America, Our Town, and Miss Julie, as well as A Little Night Music, directed by Ethan Heard.

CARMEN ZILLES (OLD LADY, BLAIR DANIELS) is a third-year MFA candidate at

Yale School of Drama, where her credits include Caryl Churchill’s Fen, The Seagull, and King Lear. At Yale Cabaret she was seen in Wallace Shawn’s A Thought in Three Parts. Carmen made her Off-Broadway debut last summer at Atlantic Theater Company in Chimichangas and Zoloft.

ETHAN HEARD (DIRECTOR) is a third-year MFA candidate at Yale School of Drama, where he has directed Shakespeare’s Julius Caesar, Justin A. Taylor’s Rodeo, and

CREATIVE TEAM

Martha Jane Kaufman’s Eligible Receivers. He is Artistic Director of the 2012–13 Yale Cabaret season, where he previously directed The Future Gone Out of Business, Lovesong, Basement Hades, and Trannequin! A New Musical, which he co-wrote.

As Co-Founder of Umbrella Hat Productions, Ethan presented the inaugural Santa Fe Theatre Festival in 2009 and directed Proof and Iphigenia and Other Daughters.

Other directing includes The Gay Ivy (Dixon Place); Ardo Ardo and L’Orfeo (Yale Baroque Opera Project); Pullman, WA and in a word (Williamstown Workshop); In Bocca Alla Lupa (Grotto Theatre); and Episcus and Edendus (Lively Productions).

He has assisted directors Nicholas Martin, Mark Brokaw, Thomas Kail, Gilbert Blin, and Annette Jolles. As an undergraduate at Yale College, he won the Sledge Prize for

Performing Arts and toured the world with the Whiffenpoofs, singing more than 200 concerts in 25 countries. ethanheard.com

NICHOLAS HUSSONG (PROJECTION DESIGNER) is a second-year year MFA

candidate at Yale School of Drama, where he designed the projections for Julius Caesar. Before arriving at Yale, Nicholas served as artistic associate of design at Triad Stage, where his credits include The Illusion, The Glass Menagerie, Providence Gap, and The America Play. He is Associate Artistic Director of Yale Cabaret’s 45th anniversary season. Nicholas is originally from Indianapolis and holds a BS from Ball State University.

HUNTER KACZOROWSKI (COSTUME DESIGNER) is a second-year MFA candidate

at Yale School of Drama. He most recently designed costumes and puppets for Disney’s Beauty and the Beast, directed by Christine O’Grady at Barrington Stage Company. Other credits include Clutch Your Amplified Heart Tightly and Pretend, This. (Yale Cabaret); The Human Comedy, Children of Eden, directed by Tom Wojtunik (Astoria Performing Arts Center); The Who’s Tommy, directed by Tom Wojtunik; Like You Like It, directed by Igor Goldin (The Gallery Players, Innovative Theatre Award nominee); as well as Broadway Bares, HERE Arts Center, St. Ann’s Warehouse, Mint Theater, Dixon Place, The Joyce SoHo, Lee Strasberg Theatre and Film Institute, Vital Children’s Theatre, New York Neo-Futurists, Harlem School of the Arts, Shakespeare Theatre of New Jersey, Luna Stage, Diversionary Theatre, and Millbrook Playhouse.

BA, Sarah Lawrence College, 2007. huntersk.com

KERI KLICK (SOUND DESIGNER) is a third-year MFA candidate at Yale School

of Drama, where her credits include Petty Harbour, The Seagull, Uncle Vanya, Jib, and Twelfth Night or What You Will. At Yale Repertory Theatre she was the sound engineer and assistant sound designer for Three Sisters. Yale Cabaret credits include Trannequin! A New Musical and Rey Planta, among others. Keri was the sound designer and composer for The Dwight/Edgewood Project in 2011 and 2012.

Originally from Queens, New York, Keri is a graduate of SUNY Purchase, where she earned a BM in studio production and a BA in performing arts management.

Her undergraduate credits include Suor Angelica, Gianni Schicchi, Confession, and The Rocky Horror Purchase Show (P.A.C.). She recently started a non-profit organization called The Global Sound Project, which seeks to promote the study of ethnomusicology and to bridge cultural gaps through the sharing of everyday sounds. The Global Sound Project was the recipient of a 2011 Impact Award. theglobalsoundproject.org

DANIEL SCHLOSBERG (MUSICAL DIRECTOR, CONDUCTOR, ORCHESTRATOR)

is a second-year MFA candidate at Yale School of Music, where he has studied with Martin Bresnick, Aaron Jay Kernis, and Christopher Theofanidis. Last December, his piece My reflection ran away with my eyes was premiered by the Yale Philharmonia, and he is currently working on a project for the Yale Baroque Ensemble. At

CREATIVE TEAM Yale Cabaret, he wrote original music for Basement Hades last March. Previous music directing and conducting credits include Carousel, Passion, Dialogues of the Carmelites, and L’enfant et les sortilèges, all at Yale College while he was an undergraduate (BA, 2010). Daniel also performs regularly as a pianist. Upcoming concerts include Thomas Adès’s Living Toys with Ensemble Le Train Bleu and Schoenberg’s Pierrot Lunaire.

HANNAH SULLIVAN (STAGE MANAGER) is a second-year MFA candidate at Yale

School of Drama, where her credits include Petty Harbour, A Duck on a Bike, and Angels in America, Part Two: Perestroika. Her Yale Cabaret credits include Christie in Love, Street Scenes, and Chamber Music. Hannah has also worked with Shakespeare Festival St. Louis, HotCity Theatre, the New Harmony Project, Opera Theatre of St. Louis, The Muny, Arena Stage, and most recently Cirque du Soleil’s Las Vegas production of Zumanity, the Sensual Side of Cirque du Soleil. Hannah received her BS in stage management from the University of Evansville.

DANA TANNER-KENNEDY (PRODUCTION DRAMATURG) is a second-year MFA

candidate at Yale School of Drama, where her credits include Fen. She recently served as Dramaturg and Associate Artistic Director for the 2012 Summer Cabaret, and she is a Managing Editor of Theater magazine. Other dramaturgy credits include Urge For Going (The Public Theater); Tartuffe, Suddenly Last Summer, Dinner With Friends (Westport Country Playhouse); Psychos Never Dream (Kitchen Dog Theater, Dallas); Romeo and Juliet and Othello (Shakespeare Dallas). She spent five seasons in the education department at Dallas Theater Center, serving as Associate Director for two, and interned in the literary offices of Atlantic Theater Company and The Public Theater in New York.

REID THOMPSON (SCENIC DESIGNER) is a second-year MFA candidate at Yale

School of Drama. His scenic design credits include Dracula, This. (Yale Cabaret); Lulz (Yale College); Bekah Brunstetter’s Mine, Nikole Beckwith’s Everything Is Ours, and Zayd Dohrn’s Muckrakers (Chautauqua Theater Company). Before pursuing a career in design, Reid worked as a scenic artist at the Metropolitan Opera and Hudson Scenic Studios, among others. He holds a BFA in painting and drawing from the School of the Art Institute of Chicago, and has studied painting and drawing at the Slade School of Art in London and the Art Students League in New York City.

OLIVER WASON (LIGHTING DESIGER) is a second-year MFA at Yale School of

Drama, where he designed Julius Caesar. Recent designs include This. and Christie in Love (Yale Cabaret). In New York his work has been seen at HERE Arts Center, the Incubator Arts Project, Paradise Factory, The CSV Center, La MaMa E.T.C., and the Cherry Pit, among others. Assistant design credits include productions with Playwrights Horizons, Second Stage Theatre, The Public Theater, Naked Angels, Clubbed Thumb, and Lincoln Center. Oliver received his BA from Hunter College. oliverwason.com

Irish Pub & Restaurant I I T Y W I M W Y B M A D

1166 Chapel Street New Haven, CT 06511 203.777.4367

STAFF FOR SUNDAY IN THE PARK WITH GEORGE ARTISTIC

First Assistant Director Second Assistant Director Assistant Musical Director Assistant Scenic Designer Assistant Costume Designer Assistant Lighting Designer Assistant Sound Designer/Engineer Assistant Projection Designer Assistant Stage Manager Rehearsal Accompanist

PRODUCTION

Associate Production Supervisor Technical Director Assistant Technical Directors Master Electrician Properties Master Projection Engineer Stage Carpenter Costume Shop Manager Associate Costume Shop Manager Senior Draper Drapers Senior First Hand Staff Carpenter Scenic Charge Senior Head Electrician Staff Sound Engineer Staff Projection Engineer Build Crew

Paint Crew Props Crew Lighting Crew

Sound Crew Projection Crew Run Crew

ADMINISTRATION

Associate Managing Director Assistant Managing Director Management Assistant House Manager

Eric Sirakian Henry Gottfried Ian Miller Jungah Han Grier Coleman Caitlin Smith Rapoport Joel Abbott Shawn Boyle Shannon L. Gaughf Alex Ratner Jonathan Pellow Alex Bergeron Andy Knauff, Jacqueline Deniz Young Christina Keryczynskyj Katherine Newman Nicholas Christiani Tommy Rose Tom McAlister Robin Hirsch Mary Zihal Harry Johnson, Clarissa Wylie Youngberg Deborah Bloch Ryan Gardner Keri Kriston Linda Young Paul Bozzi Christopher Russo Nicole Bromley, Matthew Groeneveld, Tom Harper, Nicholas Johnson, Sanghun Joung, Dade Veron, Karen Walcott Christopher Ash Chika Shimizu Emily Erdman, Steven Brush, Cole Lewis, Tommy Rose, Hannah Shafran, Anita Shastri, Dustin Wills Nicholas Johnson Paul Lieber Kaitlyn Anderson, Robert Chikar, Palmer Hefferan, Alyssa K. Howard, KJ Kim, Paul Lieber, Will Rucker, Anita Shastri, Jack Tamburri Jennifer Lagundino Melissa Zimmerman Louisa Balch Brittany Behrens

SPECIAL THANKS

Carol Armstrong, Robert Blocker, Martin Bresnick, Victoria Clark, Toni Dorfman, Daniel Egan, Paul Hawkshaw, Annette Jolles, Jaeeun Joo, Amy Justman, Aaron Kernis, Penelope Laurans, Megan Lougran, Ted Shen, Michael Starobin, Leen van Besien The producers wish to thank the TDF Costume Collection for its assistance in this production.

OPENING NIGHT

Sunday in the Park with George December 14 to 20, 2012 University Theatre, 222 York Street

YALE REPERTORY THEATRE world PrEMIErE

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a Play In lEttErs froM ElIzabEth bIshoP to robErt lowEll and back agaIn

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yalerep.org YALE scHOOL OF dRAmA

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by caryl churchIll dIrEctEd by Margot bordElon

jAnuARY 22 TO 26

drama.yale.edu

YALE REPERTORY THEATRE nO bOundARiEs: A sERiEs OF gLObAL PERFORmAncEs

super night shot gob squad

FEbRuARY 1 & 2

yalerep.org/noboundaries

For tickets or more information, call 203.432.1234

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Source: Q1 2012 Omniture; Jan. 2012 Comscore.