THE PRISONER

U.S. PREMIERE

2018– 19

SEASO N

YALE REPERTORY THEATRE, the internationally celebrated professional theater in residence at Yale School of Drama, is dedicated to the production of new plays and daring interpretations of the classics that make immediate connections to contemporary audiences.

A champion of new work by early career and established playwrights, Yale Rep has produced well over 100 premieres, including two Pulitzer Prize winners and four other nominated finalists, since 1966. Seventeen Yale Rep productions have advanced to Broadway, garnering more than 40 Tony Award nominations and 11 Tony Awards including one for Outstanding Regional Theatre. Established in 2008, Yale’s Binger Center for New Theatre has distinguished itself as one of the nation’s most robust and innovative new play programs. To date, the Binger Center has supported the work of more than 50 commissioned artists and underwritten the world premieres and subsequent productions of 31 new American plays and musicals at Yale Rep and theaters across the country.

MISSION Yale School of Drama and Yale Repertory Theatre train and advance leaders to raise the standard of global professional practice in every theatrical discipline, pursuing excellence in art to promote wonder, empathy, and understanding in the world.

VALUES Artistry: We nurture imagination and court

inspiration through mastery of skills and techniques, to create fluent, authentic, original storytelling that illuminates the complexity of the human spirit and questions accepted wisdom.

Collaboration: We attend both to process and to

results, hearing the voices of colleagues and striving for a collective vision of our goals; we prize the contributions and accomplishments of the individual and of the team.

Discovery: We wrestle with the most compelling

issues of our time. Therefore, we foster curiosity, invention, bravery, and humor: we risk and learn from failure and vulnerability in order to build lifelong habits of innovation and revelation.

Inclusion: We commit to fair and ongoing practices

that enhance our relationships to theater makers, audiences, and society, finding strength in our diversity, and lowering barriers to participation in the field.

Professionalism: We dedicate our best selves

to both training and practice, holding ourselves accountable for a safe, sound, and respectful workplace, animated by good will.

James Udom and Eboni Flowers in Father Comes Home From the Wars, Parts 1, 2 & 3. Photo by Joan Marcus, 2018.

A NOTE FROM THE ARTISTIC DIRECTOR Welcome to the U.S. Premiere of The Prisoner at Yale Repertory Theatre!

The first play I saw on Broadway was A Midsummer Night’s Dream, in Peter Brook’s seminal 1971 production.

At the age of eleven, I couldn’t follow every nuance of Shakespeare’s text, but as T.S. Eliot said, “Genuine poetry can communicate before it is understood.” And so, the theatrical language of that production—including its white box set, vibrant performances, and circus atmosphere, complete with trapezes—is tattooed in my memory. This, though I had no idea, as I sat in the theater, that there was such a person as a director whose vision and joyful creativity were the engines of what I witnessed onstage.

In Midsummer and more than 70 other productions spanning seven decades in London, Paris, and New York, Peter has been such a person—a director investigating theater practice and cultures while consistently redefining the artform for generations of artists and theatergoers. He has also distinguished himself with work in opera and film, and his writings on the art of theatermaking are canonical in their own right: he is our greatest living director and theorist simultaneously, honored with awards around the world.

I am thrilled that Peter and his longtime collaborator, Marie-Hélène Estienne, are making their Yale Rep debuts with The Prisoner, a meditation on transgression, justice, and redemption raising questions profoundly relevant to our troubled histories and the times in which we live. This production debuted at Théâtre des Bouffes du Nord in Paris last spring and has since been performed at the Edinburgh International Festival and London’s National Theatre. Immediately following the run here at Yale, the company will present their work at Theatre for a New Audience in New York.

Thank you for joining us at this performance, whether you have been a regular attendee or you are making your first visit to Yale Rep. I hope you will return again in the New Year, when our season continues with Good Faith: Four Chats about Race and the New Haven Fire Department by Karen Hartman.

Inspired by the landmark Ricci v. DeStefano case tried before the U.S. Supreme Court, this new play will be directed by Tony Award winner Kenny Leon. As winter turns to spring, Carl Cofield will stage a new Afro-futurist production of Shakespeare’s Twelfth Night. And our season closes with playwright Tori Sampson and director Jesse Rasmussen making their Yale Rep debuts with Cadillac Crew, a story about four female activists at the height of the Civil Rights Movement.

As always, I look forward to hearing your thoughts about The Prisoner, or any of your experiences at Yale Rep. My email address is james.bundy@yale.edu.

Sincerely, James Bundy Artistic Director

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NOVEMBER 2–17, 2018 YALE REPERTORY THEATRE

James Bundy, Artistic Director Victoria Nolan, Managing Director

PRESENTS THE U.S. PREMIERE OF

Text and Stage Direction by

PETER BROOK and MARIE-HÉLÈNE ESTIENNE

Lighting PHILIPPE VIALATTE Set Elements DAVID VIOLI Costume Assistant ALICE FRANÇOIS Thanks to TARELL ALVIN McCRANEY and ALEX ZELDIN.

The Prisoner was commissioned and produced

by C.I.C.T./Théâtre des Bouffes du Nord; and co-commissioned and co-produced by the National Theatre, London; The Grotowsky Institute, Wrocław; Ruhrfestspiele, Recklinghausen; Yale Repertory Theatre; and Theatre for a New Audience, New York.

Production support is provided by Yale’s Binger Center for New Theatre.

Yale Repertory Theatre gratefully acknowledges Carol L. Sirot for generously funding the 2018-19 season.

Yale Rep is supported in part by the Connecticut Department of Economic and Community Development.

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CAST

in alphabetical order HIRAN ABEYSEKERA Mavuso HAYLEY CARMICHAEL Visitor, Guard HERVÉ GOFFINGS Ezekiel

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OMAR SILVA Man, Guard KALIEASWARI SRINIVASAN Nadia, Guard

YALE REP PRODUCTION TEAM Technical Director -7589 WILLIAM NEUMAN Stage Manager JAMES MOUNTCASTLE

The Prisoner is performed without an intermission.

The taking of photographs or the use of recording devices of any kind in the theater without the written permission of the management is prohibited.

forgetmenotfloristCT.com 5

A NOTE FROM PETER BROOK AND MARIE-HÉLÈNE ESTIENNE Somewhere in the world a man is sitting alone in front of a prison.

Who is he? Why is he sitting there in front of a prison?

Is it a deliberate choice? Is it a punishment? As for those who are inside, what crime have they committed? And what do they think of that man, facing them, free? Is he mad? Is he a fanatic?

A criminal? What punishment for what crime? What sort of justice is this? Who decided it?

The man himself? Why is he allowed to stay there? These are questions for those who direct the prison, and for those who are locked up. Is the man looking for redemption? Has he visitors? Is he tempted to run away?

Through a series of workshops in various countries, we are going to attempt to penetrate the richness of all these themes.

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In 1969, the French journalist Marie-Hélène Estienne and British director Peter Brook met over coffee and sparked a decadeslong collaboration. At the time, Estienne was working as a theater critic for the Parisian weekly Le Nouvel Observateur and wanted to move from writing about theater to making it. Brook needed a casting director. Estienne cast his 1974 Timon of Athens, and they have been creating art together ever since. That production of Timon was also the first

by Brook in the Théâtre des Bouffes du Nord, a crumbling 19th-century music hall taken over by Brook’s company, the International Centre for Theatrical Creation. For over four decades they have worked with a core group of international artists to distill theatrical work based on wildly varied sources from neurological case studies to sacred verse. Their productions eschew established styles, methods, and traditions. Instead, their work reflects an iconoclastic curiosity about the value of life—drawing attention to the immediacy of the present moment.

As joint directors and authors, Estienne and Brook bring together their skills and artistic capacity in a way that defies typical job descriptions and specializations.

Estienne casts a project; Brook teaches the resulting ensemble exercises; Estienne finds costumes; Brook distills the work of actors; they both craft the script; the performance happens. And they start again. It is a fluid process informed by both artists’ histories.

Long before he arrived in Paris, Brook’s work melded his theatrical precision with unconventional approaches. His experiments with Shakespeare’s plays— including a nimble A Midsummers Night’s Dream (1970) at the Royal Shakespeare Company, in which circus skills animated the play’s fairy magic—used popular

forms to breathe new life into old plays. Even more influential is his 1968 book The Empty Space, a treatise that has become required reading for most Western-trained directors; in it, Brook advocates for a director making deliberate, active choices and eliminating the extraneous to allow the audience to hear the work’s voice in the moment of performance.

Since Brook and Estienne started working together, their productions have intensified this drive towards clarity. Their eleven-hour, 1985 staging of the Sanskrit epic, The Mahabharata, used minimal props and settings to stage the myth in an abandoned quarry. Estienne and Brook’s plays have a sparse simplicity, characterized by a quiet rhythm and a focus on storytelling that de-emphasizes scenic spectacle.

The impulse behind The Prisoner was described in Brook’s 1998 memoir, Threads of Time, in which he spins a tale of his travels in Afghanistan, prior

to the Soviet invasion of 1979. Brook met a Sufi sage there, who sent him to meet a pupil. The pupil sat outside of a prison, as a form of atonement. Brook forgot the crime committed, but not the man. The Prisoner pulls text from Threads of Time but tells its own story, patching the gaps of Brook’s memory.

Estienne, Brook, and the acting company have added characters, taboos, crimes, and punishments, stretching this one specific event into a broader exploration of infraction and responsibility. In this story real and unreal—experience, memoir, theater—are intertwined.

The Prisoner is an invitation to question, to be as curious as Estienne, Brook, and the cast. There is no hidden meaning the artists know that the audience does not. Each moment of narrative ambiguity, every knot in the thread of the plot, is an opportunity to weave the fabric of the performance alongside the artists.

—PATRICK YOUNG, DRAMATURG

Hiran Abeysekera and Kalieaswari Srinivasan. Photo by Simon Annand.

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CAST HIRAN ABEYSEKERA (Mavuso) was

HERVÉ GOFFINGS (Ezekiel) is a French

born in Sri Lanka in 1986. Hiran studied at the Nalanda Vidyalaya School, where he discovered Shakespeare and the greater English dramatic repertoire.

While there, he joined a theater group, The Play House Kotte, where he performed in Sinhala, his mother tongue. In 2007, he met acting teacher Willi Richards, who served as the first Artistic Director of RADA Business and led several theater venues in England and programs for the BBC. Their first collaboration was a trilingual version of Romeo and Juliet in Sri Lanka, which led to his enrollment at RADA, from which he graduated in 2011.

actor, singer, and dancer. Classically trained at the Royal Northern College of Music in Manchester, he went on to graduate with an M.A. in musical theatre (performance) at the Royal Conservatoire of Scotland. Born in Mali, he grew up in a white family living in Africa and then moved with them to France. The extraordinary tale of his adoption was made into a one-man show titled Hervé that was nominated for a Fringe First Award at the Edinburgh Fringe Festival in 2012. Highlights of his theater roles include Caliban in Shakespeare’s La Tempête, Horse in The Full Monty, and Poncho in Oscar Hammerstein’s musical Carmen Jones (performed with the London Philharmonic Orchestra). Hervé has extensive experience in choral singing, performing professionally with 100 Voices of Gospel and as a full-time singer in Le Chœur de l’Armée Française (French Army Choir).

HAYLEY CARMICHAEL (Visitor, Guard) is an actress and theatre director. She is co-founder of Told by an Idiot and has both devised and performed in many of their productions, including I’m a Fool to Want You, A Little Fantasy, Happy Birthday Mister Deka D, I Weep at My Piano, and Casanova.

As a theater actress, she played in Crave (Barbican Centre, 2018), Cymbeline (Royal Shakespeare Company/Kneehigh), The Dispute (RSC), Mr Puntilla and his Man Matti (Almeida Theatre), Bliss (Royal Court), Zumanity (Cirque du Soleil), Street of Crocodiles (National Theatre/Complicité), and Theatre of Blood (National Theatre/ Improbable). In 2009, she played in Fragments directed by Peter Brook and Marie-Hélène Estienne. Her cinematographic and television work includes Tale of Tales, directed by Matteo Garrone (2015); Kiss Me First, Chewing Gum (C4); and the BBC’s Our Zoo (2014) and The Witness for the Prosecution (2016).

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OMAR SILVA (Man, Guard) Omar Enrique Silva Martínez studied theater and acting at Centro Universitario de Teatro (CUT) in UNAM and is a member Tribu Teatro.

His work in theater includes El Coro, winner of the 24th International Festival of University Theater; the Theater Show of Mexico City; International Theater Day, Mexico; and the International Festival of Dramatic Art Colleges in Rabat, Morocco. Omar is a guitarist and composer for acoustic ensemble R.I.P. Rapunzel, whose albums include Broken Tales.

KALIEASWARI SRINIVASAN (Nadia, Guard) has worked with numerous theater groups in southern India and France.

Her credits include performances for Indianostrum Theatre at Théâtre du Soleil, Paris; Biryani, as part of the Perth Winter Arts Festival; other venues including Ranga Shankara, Prithvi Theatre, and various theater festivals. Her film work includes Dheepan, winner of the Palme d’Or at Cannes. Kalieaswari Srinivasan has also directed street plays in public spaces; and she has been a regular performer at Short and Sweet Theatre Festival in Chennai, where her work has included Statue, Never Give Up, and a series of monologues.

CREATIVE TEAM PETER BROOK (Text and Stage Direction) was born in London in 1925.

Throughout his career, he has distinguished himself in various genres: theater, opera, cinema, and writing. He has directed over 70 productions in London, Paris, and New York. His work with the Royal Shakespeare Company includes Love’s Labour’s Lost, Measure for Measure, Titus Andronicus, King Lear, Marat/Sade, US, A Midsummer Night’s Dream, and Antony and Cleopatra. In 1971, he founded with Micheline Rozan the International Centre for Theatre Research in Paris and, in 1974, opened its permanent base in the Théâtre des Bouffes du Nord. There, he directed Timon of Athens, The Iks, Ubu aux Bouffes, Conference of the Birds, L’Os, The Cherry Orchard, The Mahabharata, Woza Albert!, La Tempête, The Man Who, Qui est lá, Happy Days, Je suis un phénomène, Le Costume, The Tragedy of Hamlet, Far Away, La mort de Krishna, Ta mayn dans la mienne, The Grand Inquisitor, Tierno Bokar, Sizwe Banzi Is Dead, Fragments, Warum Warum, Love Is My Sin, 11 and 12, Une flûte enchantée, The

Suit, and The Valley of Astonishment, many of these in French and English. In opera, he directed La Bohème, Boris Godunov, The Olympians, Salomé, Le nozze di Figaro (Covent Garden); Faust, Eugene Onegin (The Metropolitan Opera); La tragédie de Carmen, Impressions of Pelleas (Bouffes du Nord); and Don Giovanni (Aix-en-Provence Festival). Peter Brook’s books include his autobiography, Threads of Time, as well as The Empty Space, The Shifting Point, There Are No Secrets, Evoking (and Forgetting) Shakespeare, and The Quality of Mercy.

His films include Moderato Cantabile, Lord of the Flies, Marat/Sade, Tell Me Lies, King Lear, Meetings with Remarkable Men, The Mahabharata, and The Tragedy of Hamlet.

MARIE-HÉLÈNE ESTIENNE (Text and Stage Direction) joined the C.I.C.T. in 1976—and since then has never left—from press secretary to Peter Brook’s assistant, she has worked on many shows including casting the pieces. In time, she became Peter Brook’s collaborator, adapting texts, writing alone or with him, and finally participating in the staging of the shows.

Their recent work includes The Suit, The Valley of Astonishment, and The Prisoner.

PHILIPPE VIALATTE (Lighting) started working at the Théâtre des Bouffes du Nord in 1985 as a light operator on The Mahabharata and assisted on the light design for Woza Albert! and La Tempête, all directed by Peter Brook. Since 1993, he has designed the lights for Peter Brook’s plays in the Théâtre des Bouffes du Nord, including The Man Who. Philippe Vialatte’s work also includes Qui est là, Je suis un phénomène, Le Costume, The Tragedy of Hamlet, Far Away, La mort de Krishna, La tragédie d’Hamlet, Ta mayn dans la mienne, Tierno Bokar, Le grand Inquisiteur, Sizwe Banzi est mort, Fragments, 11 and 12, and recently, A Magic Flute, The Suit, The Valley of Astonishment, and Battlefield. He travels with these plays on tour and redesigns and adapts the lights for each space.

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THEATRE DES BOUFFES DU NORD is the legendary Parisian venue which, since its earliest days, has hosted exceptional performances by actors and musicians from all over the world, the memories of which are witnessed in the walls’ patina.

Built in 1876, it re-opened in 1974 under the direction of Peter Brook and Micheline Rozan. In 2010, Olivier Mantei and Olivier Poubelle took over the management of the theatre and still carry on the tradition of a place of creation. The Théâtre des Bouffes du Nord produces a large number of its shows, supporting projects by new companies as well as renowned artists from the start and throughout the creation process. In addition to performing in Paris, over 250 performances are given on tour all over the world.

YALE REP PRODUCTION TEAM JAMES MOUNTCASTLE* (Stage Manager) has been the Production Stage Manager at Yale Rep since 2004, where his credits include An Enemy of the People; Scenes from Court Life, or the whipping boy and his prince; Arcadia; A Streetcar Named Desire; American Night: The Ballad of Juan José; Three Sisters; The Master Builder; Passion Play; Eurydice; and The Clean House.

Broadway credits include Damn Yankees, Jekyll & Hyde, Judgment at Nuremberg, The Boys from Syracuse, The Smell of the Kill, Life (x) 3, and Wonderful Town.

Mr. Mountcastle spent several Christmas seasons in New York City as stage manager for A Christmas Carol the musical at Madison Square Garden. Broadway national tours include City of Angels, Falsettos, My Fair Lady, and Damn Yankees starring Jerry Lewis (also in London’s West End).

In addition, Mr. Mountcastle has worked at The Kennedy Center, Baltimore Center Stage, Actors Theatre of Louisville, Brooklyn Academy of Music, and elsewhere.

WILLIAM NEUMAN (Technical Director) is a third-year M.F.A. candidate at Yale School of Drama. Previous Yale Rep credits include assistant technical director for Assassins and Kiss and associate production manager for An Enemy of the People and Field Guide. He is from College Station, Texas, by way of New York, where he was production manager for Working Man’s Clothes Productions. Other credits include assistant technical director of The Culture Project, technical director at Tada! Youth Theatre, and numerous freelance credits as lead carpenter for Tinc Productions and others at New World Stages, The Davenport Theatre, 3-Legged Dog, Theatre Row, and the Kaye Playhouse.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

THE PRISONER STAFF THEATRE DES BOUFFES DU NORD

YALE REPERTORY THEATRE

Head of Production Marko Rankov

Assistant Sound Designer and Engineer Noel Nichols

Production/Company Manager Adeline Vicart

Artistic

Production

Dramaturg Patrick Young

Associate Safety Advisors Latiana (LT) Gourzong Mike VanAartsen

Assistant Stage Manager Olivia Plath

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Associate Production Managers Samantha Else Martin Montaner V.

Assistant Technical Director Yaro Yarashevich

Assistant Properties Master Benjamin Jones Master Electrician Dominick Pinto

Administration House Manager William Gaines

YALE REPERTORY THEATRE STAFF Artistic Director James Bundy

Artistic Associate Kay Perdue Meadows

Managing Director Victoria Nolan

Artistic Coordinator Jocelyn Prince

Associate Artistic Director and Director of New Play Programs Jennifer Kiger

ARTISTIC Resident Artists

Playwright in Residence Tarell Alvin McCraney Resident Director Liz Diamond Resident Dramaturg Catherine Sheehy Set Design Advisor, Resident Set Designer Michael Yeargan Costume Design Advisor Ilona Somogyi

Resident Costume Designer Jess Goldstein Lighting Design Advisor Jennifer Tipton Resident Lighting Designer Stephen Strawbridge Sound Design Advisor David Budries Voice and Speech Advisor Walton Wilson Fight Advisor Rick Sordelet Stage Management Advisor Mary Hunter

Associate Artists

52nd Street Project Kama Ginkas Mark Lamos MTYZ Theatre/Moscow New Generations Theatre Bill Rauch Sarah Ruhl Henrietta Yanovskaya

Artistic Management

Production Stage Manager James Mountcastle Literary Manager Amy Boratko

Literary Associate Charles O’Malley Casting Tara Rubin, C.S.A. Laura Schutzel, C.S.A. Merri Sugarman, C.S.A. Kaitlin Shaw, C.S.A. Claire Burke, C.S.A. Peter Van Dam C.S.A. Felicia Rudolph, C.S.A. Xavier Rubiano Louis DiPaolo Senior Administrative Assistant to the Artistic Director and Associate Artistic Director Josie Brown Senior Administrative Assistant for the Directing, Dramaturgy and Dramatic Criticism, Playwriting, and Stage Management Departments Laurie Coppola Senior Administrative Assistant for the Design and Sound Design Departments Kate Begley Baker Senior Administrative Assistant for the Acting Department Ellen Lange Library Services Lindsay King

PRODUCTION Production Management

Director of Production Shaminda Amarakoon Production Manager Jonathan Reed Associate Head of Production and Student Labor Supervisor C. Nikki Mills (on leave) Interim Production Coordinator Rob Chikar Senior Administrative Assistant to the Production, Theater Safety and Occupational Health Departments Grace O’Brien

Scenery

Technical Directors Neil Mulligan Matt Welander (on leave) Interim Technical Director Andrew Young Electro Mechanical Laboratory Supervisor Alan Hendrickson

Costume Stock Manager Elizabeth Beale

Electrics

Lighting Supervisor Donald W. Titus Senior Head Electricians

Jennifer Carlson

Linda-Cristal Young

Shop Foreman Eric Sparks

Electrics Interns Kyra Tamiko Murzyn Ruo Qiao

Master Shop Carpenters Matt Gaffney Ryan Gardner Sharon Reinhart Libby Stone

Sound Supervisor Mike Backhaus

Painting

Scenic Charge Ru-Jun Wang Scenic Artists Lia Akkerhuis Nathan Jasunas Scenic Painting Intern Amelia Pizzoferrato

Properties

Properties Master Jennifer McClure Properties Craftsperson David P. Schrader Interim Properties Assistant Madeline Winward Properties Stock Manager Mark Dionne Properties Intern Hyejin Son

Costumes

Costume Shop Manager Tom McAlister Senior Drapers Harry Johnson Clarissa Wylie Youngberg Mary Zihal Interim Draper Nikki Fazzone Senior First Hands Deborah Bloch Patricia Van Horn Costume Project Coordinator Linda Kelley-Dodd Wig and Hair Design Denise O’Brien Company Hairdresser Barbara Bodine

Sound

Staff Sound Engineer Stephanie Smith Sound Interns Marisa Arellano Yitong Huang

Projections

Projection Supervisor Erich Bolton Head Projection Technician Mike Paddock

Stage Operations

Stage Carpenter Janet Cunningham

Wardrobe Supervisor Elizabeth Bolster Head Properties Runner Billy Ordynowicz FOH Mix Engineer Jacob Riley Light Board Programmer David Willmore

ADMINISTRATION General Management General Manager Kelvin Dinkins, Jr.

Associate Managing Directors Trent Anderson Caitlin Crombleholme Leandro A. Zaneti Assistant Managing Director Laurie Ortega-Murphy Senior Administrative Assistant to the Managing Director and General Manager Emalie Mayo

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Yale Repertory Theatre Staff

Management Assistants Estefani Castro Emma Perrin

Director, Yale Tessitura Consortium Janna J. Ellis

Subscriptions Coordinator Tracy Baldini

Company Manager Markie Gray

Business Office Analyst Stacie Wcislo

Assistant Company Managers Oakton Reynolds Yuhan Zhang

Business Office Specialists Preston Mock Teressa Reese

Audience Services Assistant Molly Leona

Development and Alumni Affairs

Senior Administrative Assistant to Business Office, Digital Technology, Operations, and Tessitura Shainn Reaves

Director of Development and Alumni Affairs Deborah S. Berman

Senior Associate Director of Institutional Giving Janice Muirhead Senior Associate Director of Operations for Development and Alumni Affairs Susan C. Clark Senior Associate Director of Annual Giving and Special Projects Joanna Romberg (on leave)

Associate Director of Development and Alumni Affairs Lisa D. Richardson Senior Administrative Assistant to Development and Marketing & Communications Jennifer E. Alzona Development Associate Jean Gresham Development Assistant Eliza Orleans

Finance and Human Resources Director of Finance and Human Resources Katherine D. Burgueño Business Manager Erin Ethier

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Business Operations Portfolio Analyst Ann Corris Business Office Assistant Ashlie Russell

Marketing, Communications, and Audience Services Director of Marketing Daniel Cress

Director of Communications Steven Padla Senior Associate Director of Marketing and Communications Caitlin Griffin Associate Director of Marketing and Communications Sam Linden

Box Office Assistants Mikaela Boone Morgan Cronin Gabrielle Colangelo Samantha Else Paige Hann Kenneth Murray Alexis Payne Amir Rezvani Elijah Weaver Ushers Jillian Albrecht Lorena Benitez Tracy Bennett Tasha Boyer Denyse Burke Sabrina Clevenger Kristina Cuello Helia Gagnon Renata Hanuskova Christiana Hart Hannah Herzog Taylor Hoffman Bonnie Moeller Emily Persico Jordan Pilant Tobiah Richkind Hannah Sachs Ryan Sutherland Monica Traniello Jocelyn Wexler Cody Whetstone Elizabeth Wiet Cate Worthington Larsson Youngberg Art and Design Paul Evan Jeffrey

Marketing and Communications Assistant Madeline Carey

Production Photographer Joan Marcus

Publications Manager Marguerite Elliott

Videographer David Kane

Director of Audience Services Laura Kirk

Operations

Assistant Director of Audience Services Shane Quinn

Director of Facility Operations Jennifer Gonsalves

Operations Associate Nadir Balan Arts and Graduate Studies Superintendents Jennifer Draughn Michael Halpern Team Leaders Andy Mastriano Sherry Stanley Facility Stewards Michael Humbert Marcia Riley Custodians Tylon Frost James Hansberry Rodney Heard Kathy Langston Patrick Martin Andy Martino Shanna Ramos Mark Roy

Digital Technology

Director of Digital Technology Chris Kilbourne Digital Technology Associate Andre Griffith Web and Email Services Associate Luis Serrano Database Application Consultants Bo Du George Sheehy Ben Silvert

Theater Safety and Occupational Health

Director of Theater Safety and Occupational Health Anna Glover

Customer Service and Safety Officers Kevin Delaney Ed Jooss John Marquez

Yale Repertory Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The Scenic, Costume, Lighting, and Sound Designers in LORT are represented by United Artists Local USA-829, IATSE.

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GENERAL INFORMATION

ACCESSIBILITY SERVICES

RESTROOMS

Yale Repertory Theatre offers all patrons the most comprehensive accessibility services program in Connecticut, including a season of open-captioned and audiodescribed performances, a free assistive FM listening system, large-print and Braille programs, wheelchair accessibility with an elevator entrance into the Yale Rep Theatre (located on the left side of the building), and accessible seating. For more information about the theater’s accessibility services, contact Laura Kirk, Director of Audience Services, at 203.432.1522 or laura.kirk@yale.edu.

Restrooms are located in the lower level of the building.

SEATING POLICY Everyone must have a ticket. Sorry, no children in arms or on laps. Patrons who arrive late or leave the theatre during the performance will be reseated at the discretion of house management. Those who become disruptive will be asked to leave the theater.

FIRE NOTICE Illuminated signs above each door indicate emergency exits. Please check for the nearest exit. In the event of an emergency, you will be notified by theatre personnel and assisted in the evacuation of the building.

YOUTH PROGRAMS As part of Yale Rep’s commitment to our community, we provide two significant youth programs. WILL POWER! offers specially-priced tickets and early schooltime matinees for high school students for select Yale Rep productions every season. Since our 2003–04 season, WILL POWER! has served more than 20,000 Connecticut students and educators. The Dwight/Edgewood Project brings middle school students to Yale School of Drama for a month-long, after-school playwriting program designed to strengthen their selfesteem and creative expression.

Yale Rep’s youth programs are supported in part by:

Bob and Priscilla Dannies; Mr. and Mrs. Kenneth Fellows; the Lucille Lortel Foundation; Dawn G. Miller; Arthur and Merle Nacht; NewAlliance Foundation; Sandra Shaner; Southern Connecticut Gas Company; United Illuminating Company; Esme Usdan.

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FOR THE PRISONER: AUDIO DESCRIPTION NOVEMBER 10 AT 2PM A live narration of the play’s action, sets, and costumes for patrons who are blind or low vision. Pre-show description begins at 1:45PM.

TOUCH TOUR NOVEMBER 10 AT 12:45PM Prior to a performance, patrons who are blind or low vision touch fabric samples, rehearsal props, and building materials in the theater to better understand what comprises the production design.

OPEN CAPTIONING NOVEMBER 17 AT 2PM A digital display of the play’s dialogue as it’s spoken.

Braille and Large Print programs are available at the concierge desk in the theater lobby.

c2 is pleased to be the official Open Captioning Provider of Yale Repertory Theatre.

COMMUNITY PARTNERS

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YALE SCHOOL OF DRAMA BOARD OF ADVISORS John B. Beinecke, Chair John Badham, Vice Chair Jeremy Smith, Vice Chair Nina Adams Amy Aquino Pun Bandhu Sonja Berggren Carmine Boccuzzi Lynne Bolton Clare Brinkley Sterling B. Brinkley, Jr. Kate Burton Lois Chiles

Patricia Clarkson Edgar M. Cullman III Scott Delman Michael Diamond Polly Draper Charles S. Dutton Sasha Emerson Heidi Ettinger Lily Fan Terry Fitzpatrick Marc Flanagan Marcus Dean Fuller Anita Pamintuan Fusco Donald Granger David Marshall Grant David Alan Grier

Cathy MacNeil Hollinger Sally Horchow Ellen Iseman David Johnson Rolin Jones Jane Kaczmarek Asaad Kelada Sarah Long Brian Mann Elizabeth Margid Drew McCoy David Milch Tom Moore Arthur Nacht Jennifer Harrison Newman

Lupita Nyong’o Carol Ostrow Amy Povich Liev Schreiber Tracy Chutorian Semler Tony Shalhoub Michael Sheehan Anna Deavere Smith Andrew Tisdale Edward Trach Esme Usdan Courtney B. Vance Donald Ware Henry Winkler Amanda Wallace Woods

Thank you to the generous contributors to Yale School of Drama and Yale Repertory Theatre LEADERSHIP SOCIETY ($50,000 and above)

Nina Adams and Moreson Kaplan Anonymous (2) Dr. Richard Beacham John B. Beinecke Sonja Berggren and Patrick Seaver Lois Chiles and Richard Gilder Nicholas Ciriello The Horace W. Goldsmith Foundation Jerome L. Greene Foundation Lane Heard and Margaret Bauer William and Sarah Hyman David Johnson Jane Kaczmarek Rocco Landesman The Frederick Loewe Foundation Tom Moore

Alan Poul Robina Foundation The Shubert Foundation Jeremy Smith Stephen Timbers Time Warner Foundation Nesrin and AndrewTisdale Edward Trach Esme Usdan

GUARANTORS ($25,000–$49,999)

Burry Fredrik Foundation Connecticut Department of Economic and Community Development Anita Pamintuan Fusco and Dino Fusco Jennifer Lindstrom James Munson National Endowment for the Arts Robina Foundation in memory of Peter Karoff Tracy Chutorian Semler

BENEFACTORS ($10,000–$24,999)

Louis Alexander Americana Arts Foundation Bank of America Foundation Lynne and Roger Bolton Clare and SterlingBrinkley Jim Burrows Michael Diamond Educational Foundation of America Heidi Ettinger Lily Fan Quina Fonseca Donald Granger Ruth and Steve Hendel Hasbro, Inc. Cathy MacNeil Hollinger J.M. Kaplan Fund Mabel Burchard Fischer Grant Foundation Sarah Long Lucille Lortel Foundation Neil Mazzella

Arthur and Merle Nacht Lupita Nyong’o Liev Schreiber Ted and Mary Jo Shen Talia Shire Schwartzman Carol L. Sirot Trust for Mutual Understanding Donald Ware

PATRONS ($5,000–$9,999)

John Badham The Hilaria and Alec Baldwin Foundation Foster Bam Pun Bandhu Susan Berresford Carmine Boccuzzi and Bernard Lumpkin Brett Dalton Scott Delman Terry Fitzpatrick Barbara and Richard Franke Jane Head

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contributors to Yale School of Drama and Yale Repertory Theatre Sally Horchow Linda Gulder Huett Ellen Iseman Aja Naomi King Eugene Leitermann Charles E. Letts III Adrianne Lobel Irene Sophia Lucio Roz and Jerry Meyer Marissa Neitling NewAlliance Foundation Carol Ostrow Bryce Pinkham Pam and Jeff Rank Russ Rosensweig Michael and Riki Sheehan Philip J. Smith Sophie von Haselberg Mark Weaver

Stephen Coy Catherine and Elwood Davis Ramon Delgado Alexander Dodge Christopher Durang Terry Dwyer Glen R. Fasman Julie and Marcus Fuller Eric Gershman and Katie Liberman Marian Godfrey Rob Greenberg Jeremy O. Harris Patrick Herold Stephen J. Hoffman Donald Holder James Guerry Hood James Earl Jewell Ann Judd and Bennett PRODUCER’S CIRCLE Pudlin Elizabeth Katz and ($2,500–$4,999) Reed Hundt John Lee Beatty Helen Kauder and Mark Blankenship Barry Nalebuff Donald and Mary Brown Rik Kaye James Bundy and Jay B. Keene Anne Tofflemire Joan Channick and Ruth Roger Kenvin George Lindsay, Jr. Hein Schmitt William Ludel William Connor Emily Mann Michael S. David Brian Mann Jon Farley Robert Marx Marc Flanagan Meghan McMahon and Anthony Forman Fred Gorelick and Cheryl David Swensen George Morfogen MacLachlan Neil Mulligan Catherine Hazlehurst Chris Noth da Cruz Dw Phineas Perkins JANA Foundation Amy Povich Rolin Jones The Ethel & Abe Lapides Kathy and George Priest Lance Reddick Foundation Ben Ledbetter and Dr. Michael Rigsby and Prof. Richard Lalli Deborah Freedman Mark C. Rosenthal Jonathan S. Miller Victoria Nolan and Dana Sanders Alec and Aimee Scribner Clark Crolius Eugene Shewmaker Richard Ostreicher Thomas G. Masse and Benjamin Slotznick James M. Perlotto, MD Adam Stockhausen Shepard and Marlene Kenneth J. Stein United Illuminating & Stone Arlene Szczarba Southern Connecticut John Thomas III Gas Benjamin Thoron and DIRECTOR’S CIRCLE Patricia Saraniero Jennifer Tipton ($1,000–$2,499) Joan van Ark Victor and Laura Altshul Carol M. Waaser Deborah Applegate Steven Waxler and Bruce Tulgan Evan Yionoulis Amy Aquino and Steve Zuckerman Drew McCoy Paula Armbruster PARTNERS Alexander Bagnall ($500–$999) Jody Locker Berger Actors’ Equity James T. Brown Foundation Thomas Bruce Donna Alexander Kate Burton In memory of Anna Ben Cameron Altman Cosmo Catalano, Jr. Mr. and Mrs. B.N. Ashfield CEC Artslink Mary Ellen and Thomas Peggy Cowles Atkins

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Michael Baumgarten Deborah S. and Bruce M. Berman Ashley Bishop Jeff Bleckner Donald Brown Anne and Guido Calabresi Ian Calderon Joy Carlin Lawrence Casey Sarah Bartlo Chapin Myung Hee Cho Daniel Cooperman and Mariel Harris Bob and Priscilla Dannies Robert Dealy Polly Draper Bernard Engel Roberta Enoch and Steven Canner Peter Entin Susan and Fred Finkelstein Leiko Fuseya James Gardner Betty and Joshua Goldberg Robert W. Goldsby Anne Gregerson Eduardo Groisman Regina Guggenheim Lorence Gutterman William B. Halbert Doug Harvey Ann Hellerman David Howson Carolyn Hsu-Balcer Shane Hudson Mary and Arthur Hunt Peter Hunt Harvey Kliman and Sandra Stein David Kriebs Drew Kufta Mildred Kuner Robert Goldsby Melanie Ginter and John Lapides Suttirat Larlarb Maryanne Lavan and Larry Harris Kenneth Lewis The Loo Family Chi-Lung Lui Charles H. Long Linda Lorimer and Charles Ellis Nancy Maasbach Jenny Mannis and Henry Wishcamper John McAndrew Peter and Wendy McCabe Daniel Mufson Jim and Eileen Mydosh Regina and Thomas Neville William and Barbara Nordhaus Arthur Oliner F. Richard Pappas James Perakis

Louise Perkins and Jeff Glans Point Harbor Fund of the Maine Community Foundation Stephen Pollock Faye and Asghar Rastegar Jon and Sarah Reed David and Barbara Reif Anne Renner Bill and Sharon Reynolds Melissa Rose Abby Roth and R. Lee Stump Helen Sacks Sandra Shaner Rachel Shuey Dr. and Mrs. Dennis D. Spencer James Steerman Nausica Stergiou Erich Stratmann Matthew Suttor Sarah Treem Emmy Tu John Turturro and Katherine Borowitz Sylvia Van Sinderen and James Sinclair Paul Walsh Carolyn Seely Wiener Steven Wolff Lila Wolff-Wilkinson Walton Wilson

INVESTORS ($250–$499)

Liz Alsina Shaminda Amarakoon Arnold Aronson James Bakkom Christopher Barreca Richard and Alice Baxter Susan Brady and Mark Loeffler Tom Broecker Claudia Brown Robert Buckholz Jonathan Busky Michael Cadden Lawrence Casey Barbara Jean and Nicholas Cimmino Lani Click Bill Connington Dean Lynn Cooley and Ted Killiam John W. Cunningham F. Mitchell Dana Laura Davis and David Soper Sue and Gus Davis Aziz Dehkan and Barbara Moss Dennis Dorn Michael Fain Fine Family Joel Fontaine David Freeman Stephen Godchaux Greer Goodman Naomi Grabel

Rob Greenberg Scott Hansen Douglas Harvey Barbara Hauptman Ethan Heard Jennifer Hershey David Henry Hwang Joanna and Lee A. Jacobus Pam Jordan Elizabeth Kaiden Bruce Katzman Barnet Kellman Lindsay King David Kriebs Frances Kumin Wing Lee Max Leventhal and Susan Booth Adam Man Marvin March Deborah McGraw David Muse Gayther Myers, Jr. David Nancarrow James Naughton Andrea Nellis George and Marjorie O’Brien Janet Oetinger Maulik Pancholy Lisa Rigsby Peterson Jeffrey Powell and Adalgisa Caccone Meghan Pressman Alec and Drika Purves Sarah Rafferty Steve Robman Howard Rogut Fernande E. Ross Jean and Ron Rozett Suzanne Sato Mary C. Stark Regina Starolis Jeremy Stein Stephen Strawbridge Bernard Sundstedt Richard B. Trousdell Wendy and Peter Wells Vera Wells Dana Westberg George C. White Marshall Williams Amanda Wallace Woods Arthur and Ann Yost Pat and John Zandy

Sandra and Kirk Baird Dylan Baker Robert Barr William and Donna Batsford Nancy and Richard Beals Todd Berling Edward Blunt Anders Bolang Josh Borenstein Marcus and Kellie Bosenberg Michael Boyle Shawn Boyle Leslie Brauman Amy Brewer and David Sacco James and Dorothy Bridgeman Linda Briggs and Joseph Kittredge Michael Broh Linda Broker Christopher Brown Julie Brown Warwick Brown Oscar Brownstein William Buck Stephen Bundy Richard Butler Susan Wheeler Byck Susan Cahan David Calica Kathryn A. Calnan Robert Campbell Juliana Canfield H. Lloyd Carbaugh Lisa Carling Raymond Carver Sami Joan Casler David Chambers Ricardo and Jenny Chavira Terri Chegwidden Hsiao-Ya Chen Myung Hee Cho King-Fai Chung Cynthia Clair Gary and Becky Cline Katherine D. Cline Aurélia and Ben Cohen Robert Cohen Judith Colton and Wayne Meeks Forrest Compton Aaron Copp Jennifer Corman Rachel and Matt Cornish FRIENDS Robert Cotnoir ($100–$249) Douglas and Roseline Anonymous Crowley Emika Abe Sean Cullen Christopher Akerlind Scott Cummings Michael Albano Phillip L. Cundiff Sr. Sarah Jean Albertson William Curran Narda Alcorn Rachel and Ian Alderman Donato Joseph D’Albis Brian Dambacher Dale Amlund Nigel W. Daw Nephelie Andonyadis Katherine Day Michael Annand Stephen and Judy August Peter De Breteville Mr. and Mrs. Paul DeCoster Robert Auletta Sheldon Deckelbaum Angelina Avallone

Elizabeth DeLuca Connie and Peter Dickinson Derek DiGregorio Melinda DiVicino Merle Dowling Megan and Leon Doyon Ms. JoAnne E. Droller, R.N. Jeanne Drury John Duran Kem and Phoebe Edwards Susan and Richard Ehrenkranz Fran Egler Robert Einienkel Dr. Marc Eisenberg Nancy Reeder El Bouhali Janann Eldredge Elizabeth English David Epstein Dustin Eshenroder Christine Estabrook Frank and Ellen Estes Femi Euba Connie Evans Jerry N. Evans Douglass Everhart John D. Ezell Ann Farris Richard and Barbara Feldman Mr. and Mrs. Kenneth Fellows Eugene Fidell and Linda Greenhouse Paul and Susan Birke Fiedler Andria Fiegel Madlyn and Richard Flavell Keith Fowler Walter M. Frankenberger III Donald Fried Richard Fuhrman David Gainey Barbara and Gerald Gaab Josh Galperin David and Joan Geetter Eugénie and Brad Gentry Lauren Ghaffari Robert Glen William Glenn Nina Glickson and Worth David Lindy Lee Gold Robert Goldsby Diane Goldsmith Steven Gore Charles Grammer Bigelow Green Elizabeth M. Green Elizabeth Greenspan and Walt Dolde Michael Gross Corin Gutteridge David Hale Amanda Haley Alexander Hammond Ann and Jerome R. Hanley Lawrence and Roberta Harris

Brian Hastert James Hazen Beth Heller Robert Heller Ann Hellerman Steve Hendrickson Molly Hennighausen Chris Henry Jeffrey Herrmann Joan and Dennis Hickey Roderick Hickey Christopher Higgins Gabrielle and Michael Hirschfeld Elizabeth Holloway Betsy Hoos Nicholas Hormann Kathleen Houle David Howson Evelyn Huffman Chuck Hughes Derek Hunt Peter H. Hunt John Huntington John W. Jacobsen Chris Jaehnig Ina and Robert Jaffee Eliot and Lois Jameson William Jelley Elizabeth Johnson Geoffrey Ashton Johnson Donald E. Jones, Jr. Jonathan Kalb Carol Kaplan Dr. and Mrs. Michael Kashgarian Dr. Jane Katcher Edward Kaye Patricia Keenan Asaad Kelada Roger Kenvin Carol Soucek King Susan Kirschner-Robinson and Shirley Kirschner William Kleb Dr. Lawrence Klein James Kleinmann Elise F. Knapp Joseph Kovalick Brenda and Justin Kreuzer Susan Kruger and Family Ann Kuhlman and Adel Allouche Tom Kupp Andrea Chi-Yen Kung Mitchell Kurtz William Kux Ojin Kwon Howard and Shirley Lamar Naomi Lamoreaux Marie Landry and Peter Aronson Michael Lassell James and Cynthia Lawler Martha Lidji Lazar Fred Lindauer Rita Lipson Bona Lee Wing Lee Irene Lewis Sam Linden Rita Lipson

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contributors to Yale School of Drama and Yale Repertory Theatre Arthur Lueking Everett Lunning Andy Lyons Janell MacArthur Lizbeth Mackay Wendy MacLeod Alan MacVey James Magruder Dr. Maricar Malinis Jocelyn Malkin, MD Geertruida Malten Peter Maradudin Frederick Marker Patrick Markle Jonathan Marks Kenneth Martin Nancy Marx Maria Mason and William Sybalsky Ben and Sally Mayer Margaret and Robert McCaw Matthew McCollum Patrick and Linda McCrelles Robert McDonald Thomas McGowan Robert McKinna and Trudy Swenson Patricia McMahon Susan McNamara Brian McManamon Charles McNulty Lynne Meadow James Meisner and Marilyn Lord Donald Michaelis Carol Mikesell Kathryn Milano Jonathan Miller Sandra Milles Lawrence Mirkin Frank Mitchell Jennifer Moeller Richard Mone George Moredock David and Betsy Morgan Richard Munday and Rosemary Jones Gather Myers Rachel Myers Rhoda F. Myers Mariko Nakasone Tina C. Navarro Kate Newman Jennifer Harrison Newman

Ruth Hunt Newman Gail Nickowitz Nancy Nishball Mark Novom Deb and Ron Nudel Adam O’Byrne Eileen O’Connor Dwight R. Odle Sara Ohly Edward and Frances O’Neill Alex Organ Sara Ormond Lori Ott Kendric T. Packer Joan Pape Michael Parrella Jeffrey Park Russell Parkman Dr. and Mrs. Michael Parry Dr. Gary Pasternack Alexandra Paxton Amanda Peiffer William Peters Dr. Ismene Petrakis Michael Posnick Gladys Powers Robert Provenza Jeffry Provost William Purves Carolyn Rochester Ramsey and William Ramsey Da’Vine Joy Randolph Theodore Robb Laila Robins Sheila Robbins Nathan Roberts Peter S. Roberts Lori Robishaw Priscilla Rockwell Joanna Romberg Constanza Romero Melina Root Stephen Rosenberg June Rosenblatt Joseph Ross Donald Rossler John Rothman Deborah Rovner Allan Rubenstein Dean and Maryanne Rupp Janet Ruppert Ortwin Rusch Raymond Rutan John Barry Ryan David Sacco Dr. Robert and Marcia Safirstein

Steven Saklad Robert Sandberg Donald Sanders Robert Sandine and Irene Kitzman Adam Saunders Peggy Sasso Joel Schechter Anne Schenck Kenneth Schlesinger Georg Schreiber Jennifer Schwartz Kimberly Scott Forrest E. Sears Paul Selfa Subrata K. Sen Morris Sheehan Paul R. Shortt Lorraine D. Siggins William Skipper William and Elizabeth Sledge Gilbert and Ruth Small E. Gray Smith, Jr. Helena L. Sokoloff Sarah Sokolovic Suzanne Solensky and Jay Rozgonyi Amanda Spooner Charles Steckler Louise Stein Neal Ann Stephens John Stevens Mark Stevens Howard Steinman Michael Strickland Jarek Strzemien Katherine Sugg William and Wilma Summers Mark Sullivan Thomas Sullivan Jane Suttell Tucker Sweitzer and Jerome Boryca Douglas Taylor Jean and Yeshvant Talati Kathleen Taylor Jane Savitt Tennen J. Terrazzano Aaron Tessler Muriel Test Kat Tharp Pat Thomas Eleanor Q. Tignor, P.h.D David F. Toser Albert Toth

David and Lisa Totman Russell L. Treyz Ellen Tsangaris Deborah Trout Suzanne Tucker Gregory and Marguerite Tumminio Leslie Urdang Carrie Van Hallgren Dr. Stein Vermund Eva Vizy Fred Voelpel Mark Anthony Wade Erik Walstad Barbara Wareck and Charles Perrow John Weikart Rosa Weissman Peter and Wendy Wells Charles Werner Kathleen Whitby Peter White Robert and Charlotte White Lisa A. Wilde Robert Wildman David Willson Annick Winokur and Peter Gilbert Alex Witchel Carl Wittenberg Andrew Wolf Gretchen Wright Anita Yavich Shoshana Zax Albert Zuckerman

EMPLOYER MATCHING GIFTS

Aetna Foundation Ameriprise Financial Chevron Corporation Covidien General Electric Corporation IBM Mobil Foundation, Inc. Pfizer Procter & Gamble The Prospect HillFoundation

IN KIND

Jane Kaczmarek Asaad Kelada Tracy Chutorian Semler Jeremy Smith

This list includes current pledges, gifts, and grants received from July 1, 2017, through October 15, 2018.

MAKE A GIFT! When you make a gift to Yale Rep’s Annual Fund, you support the creative work on our stage and our innovative outreach programs. For more information, or to make a donation, please call Susan Clark, 203.432.1559. You can also give online at yalerep.org/support.

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photograph by David Ottenstein

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