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The Historical Review Issue

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“The World’s Oldest Humor Magazine” or
“The World’s Most Humorous Old Magazine”

Join us! Email chair@yalerecord.org

BEN SHAPIRO STUMPED BY GEORGIA O’KEEFFE PAINTING

ALIENS OFFENDED BY JK ROWLING’S NEWEST CHARACTER,

INSECURE TRIANGLE CAUGHT AT BAD ANGLE

Dear Republican Professor,

I know this class is at capacity, but I was wondering if it might be possible for me to sit in the corner and scroll twitter on my desktop.

Thank you for your attention, Student

“WELL, WELL, WELL,” SAYS THIRSTY BUCKET

Dear Student, It’s called X now. Denied.

Best, Republican Professor

DEMOCRACY MAJOR WORRIED ABOUT REAL WORLD APPLICABILITY

FASCISM MAJOR EXCITED ABOUT POSTGRAD PROSPECTS WALLACE AND GROMIT LOOKING FOR A THIRD

RFK MOVES VACCINES TO THE BOTTOM OF THE FOOD PYRAMID

YALE GUY RUINS ANAL SEX BY CALLING IT “YANAL YEX”

“WHY WON’T THEY LET ME INTO THE BEINECKE?” SAYS MAN WHO EATS RARE BOOKS AND MANUSCRIPTS

Dear Yale Facilities,

There is a strange floating orb in my dorm. It is pitch black and seems to suck in all the light from the room. This is not a problem at night as it makes it very easy to sleep, but getting up in the morning is nearly impossible.

Best, Concerned Student

Dear Concerned Student,

The orb has marked you for oblivion. Nuttin’ we can do.

Dear Wise Man,

I have a UTI and no money and an assassin trying to kill me. What should I do?

Yours, Cooper

Dear Cooper, Cooper? I hardly know her! Hah! Hope you deal with your things. Yours, Cooper

FOR SALE:

History dissertation, never read.

WANTED

Prof. Wilhelm Stifeldorph Doofelheimer III, for the historically inaccurate claims he made about his relations with my mother.

Obituary Correction

The Neanderthal did not, in fact, go extinct, but was found alive and well in your discussion section.

Did You Know?

History is a lie. It’s all made up, and I have the evidence to prove it. Were you there when any of it happened? Yeah, that’s right, you weren’t. So how do you know if it actually happened? Boom.

The government is run by a cabal of historians who fabricate the events of the past to pursue their ultimate aim: tenure. If you find my body, know I didn’t kill myself.

—A. Coelho

Who was John History? John History, pictured on the back cover of this very reputable magazine, claims to have invented history, but that couldn’t be farther from the truth. History was invented 8000 years ago by a guy named Ogrog after he told his buddy Gorkus that a tiger had eaten the village elder (Doofenschmirtz, 67). Ogrog was the first person to realize that something irreversibly bad had happened to someone else, and his subsequent depression led to what we now know as history (Doofenschmirtz, 69). Thanks, Ogrog!

This historic moment, no pun intended, was written down on ancient stone tablets collected by John History in the 18th century, tablets which he then unsuccessfully tried to pass off as his own, despite the obvious temporal incongruities and generally absurdity of it all (History, 101). Whether John History invented history or merely had the fortune — or misfortune — of being born with such an auspicious title, however, is not the question begging to be answered by this undeniably academic research paper. We are merely here to learn about the life of a man. A very, very pathetic man.

John History was born in the late 17th century in East London, so he didn’t exactly win the birthplace lottery. Even from a young age, and despite all evidence to the contrary, History constantly insisted that he had, in fact, invented history (Tiddlywhiskers, 12). History’s mother, Mary Jane Herstory, wrote in her diary, when John was just twelve, “Bloody ‘ell. This kid is a feckin’ donkey, innit. I tried to get him to read a book on the Egyptians, and he kept saying, ‘Mommy, mommy! That’s me name on the title, innit? I’m a right bloody historian!’” (Herstory, 101). As History grew older, his delusions deepened. After leveraging his aristocratic connections to get into Cambridge, History dedicated his college years to definitively proving that he had, in fact, invented history. His thesis paper, titled “You Can’t Spell ‘History’ Without ‘History’: The John History Story,” sent zero shockwaves through British academia but did numbers at underground comedy clubs (The History of Failures, 29).

One of John History’s most notable idiosyncrasies was that he rode around on an abnormally long horse, whom he eponymously named “The Long Horse of History,” more affectionately nicknamed Neighstory. Neighstory was a retired racehorse who won every race he ever entered, only because his string-cheese body spanned the length of a racetrack (Seabiscuit, 45). As such, the English Horse Gamblers Committee — one of the most powerful paramilitary groups in England at the time — banned Neighstory from competing after a 15-year win streak, on account that they “couldn’t cheat blokes outta dough anymore, innit” (Gamblombino, 33).

Both having been rejected by society, Neighstory and History dedicated themselves to creating something new, a so-called Horsestory. But all stories have rocky starts — especially Harry Potter Dramione (Draco x Hermione) fanfics on AO3 (Maya-O’pinon, 1). In the spirit of close friendship, Neighstory and History organized the first Man-Horse Love convention in Northwestern Europe (a few groups on the continent had beaten them to the punch) (Horsediddler, 9000). Even if they had been privy to the sexual undertones of such an event, nothing could have prepared them for what became one of the largest mass-casualty events in human history (Horsediddler, 10000).

Devika Kothari ’27 Chair

Avery Misner ’27 Online Managing Editor

Jaelyn Jackson ’28 Copy Editor

Harry Lowitz ’28 Supplementals Editor

Dash Beber-Turkel ’26 Old Owl

Emmet Houghton ’26 Old Owl

AJ Tapia-Wylie ’26

Adham Hussein ’26

Aidan Gibson ’26

Alejandro Rojas ’26

Alexa Druyanoff ’26

Alexis Ramirez-Hardy ’26

Alice Khomski ’26

Amanda Budejen ’26

Andie Gately ’26

Andrew Lake ’26

Anthony Kurz ’26

Ariel Kirman ’26

Bella Panico ’26

Brennan Columbia-Walsh ’26

Terence Harris ’27 Editor in Chief

Shivraj Singh ’28 Online Managing Editor

Gaya Buchta ’27 Art Director

Leo Rael ’28 Social Media Manager

Erita Chen ’26 Old Owl

Katya Agrawal ’27 Old Owl

Rohan Shivakumar ’27 Managing Editor

Emma Upson ’27 Lead Design Editor

Eric Song ’28 Webmaster

Amelia Herrmann ’26 Old Owl

Ainslee Garcia ’27 Old Owl

Caroline Utermann ’26

Elio Wentzel ’26

Emily Hettinger ’26

Grace Davis ’26

Helen Shanefield ’26

Jimmy Ruskell ’26

Linden Skalak ’26

Mia Cortés Castro ’26

Natasha Khazzam ’26

Oscar Heller ’26

Owen Curtin ’26

Paola Milbank ’26

Sam Kumar ’26

Sivan Almogy ’26

In the aftermath of the slaughter, History was changed forever. His mind having been reduced to a tattered rag of images and sounds — the rush of hooves, the cries of ecstasy, the horrible neighing — History admitted himself into an insane asylum, where he developed that iconic “John History” look we all know so well: powdered wig, red overcoat, bandelier full of candy cigarettes, vacant white eyes that had watched while three-thousand stallions smashed into a sea of jubilant perverts. Neighstory was forbidden from visiting him: it brought back bad memories.

History lived until he didn’t, croaking from consumption at the ripe-old age of 29, which was pretty alright for 18th-century England. But I’ve gotten ahead of myself. I began by asking who John History was, and so far, I have recounted what he did. Stupid, stupid, stupid! John History was not one of the greats. John History wasn’t even one of the goods. In fact, I would place him somewhere between the not-greats and the just okays, but that’s just the opinion of this ol’ historian. The moral of the story is this: When the going gets tough, the tough get going. Thank you for coming to my Ted Talk.

Bipul Soti ’27 Online Editor in Chief

Elizabeth Richards ’28 Managing Editor

Audrey Stankunas ’28 Design Editor

Zavian Valedón ’27 Staff Director

Sadie Lee ’26 Old Owl

Anna Lehman ’27 Old Owl

Staff:

Thomas Varghese ’26

Toby Salmon ’26

Tristan Hernandez ’26

William Wang ’26

Wolf Boone ’26

Zadie Winthrop ’26

Zoe Halaban ’26

Abigail Murphy ’27

Ami Gillon ’27

Anna Calkins ’27

Anna Feldman ’27

Anna Papakirk ’27

Audrey Jiang ’27

Avery Lenihan ’27

Sofia Morfin ’27 Old Owl

Braeden Cullen ’27

Ellen Windels ’27

Elora Sparnicht ’27

Gha Yuan Ng ’27

Ge Yu ’27

Gustavo Dominguez ’27

Jaylynn Cortes ’27

Juliette Propp ’27

Lucas Ranfranz ’27

Lucas Santos ’27

Max Watzky ’27

Nava Feder ’27

Samhita Kumar ’27

Sui Yu ’27

Squirrel Lanz ’28 Managing Editor

Austin Coelho ’28 Design Editor

Adam Hagens ’27 Publisher

Anna Siciliano ’28 Copy Editor

Gabi Cohen ’27 Supplementals Editor

Debbie Lilly ’26 Old Owl

Harper Murray-Nelson ‘27 Old Owl

Tom Commander ’27

Victoria Mnatsakanyan ’27

Vidhi Bhartiya ’27

Will Sussbauer ’27

Alex Geldzahler ’28

Alice Kasdan ’28

Anneliese Hammer ’28

Callum Legendre ’28

Ember McMullen ’28

Jayden Gonzalez ’28

Leandro Menchu-Sajche ’28

Logan Day-Richter ’28

Olivia Dartley ’28

Richard Wong ’28

Special thanks to: The Yale History Department — #4.00GPA! Front Cover: Hailley Siswanto, ‘27, who swears she’s not the father. Back Cover: Gaya Buchta, ‘27, who thought history was written by Victor, not John.

Contributors: None! Boo hoo pls write for us :(

Founded September 11, 1872 • Vol. CLII, No. 5, Published in New Haven, CT by The Yale Record, Inc. Box 204732, New Haven, CT 06520 • yalerecord.org • Subscriptions: $50/year

Oz Gitelson ’26 Old Owl

Daniel Wang ’27 Old Owl

Sofia Herbert ’28

Aaron Lee ’29

Abram Caccam ’29

An Phan ’29

Anna Parker ’29

Bryce Falkoff ’29

Christina Yu ’29

Eva Wonsowicz ’29

Grace Xu ’29

Graham Houghton ’29

Nico Belongie ’29

Siena Grouf ’29

Sierra Abbasi ’29

Yoo-Min Koh ’29

All contents copyright 2023 The Yale Record, Inc. The Yale Record is a magazine produced by Yale students; Yale University is not responsible for its contents. Any resemblance to characters and events portrayed herein, without satirical intent, is purely coincidental. The Record grudgingly acknowledges your right to correspond: Letters should be addressed to: Chair, The Yale Record, PO Box 204732, New Haven, CT 06520, or chair@yalerecord.org. Offer only valid at participating retailers while supplies last. The Yale Record would like to high-five the UOFC for its financial support.

Matt Sprintson ’28 Business Manager
Sean Lacalle ’28 Business Manager

HOW TO: BEAT INFANT MORTALITY ODDS

Step 1: Be Born in the Right Century

Preferably the 21st, or later. But if you’re unlucky and were born in 15th-century Europe, read on.

Step 2: Avoid Being the Fourth Son of a Medieval Peasant

Statistically, your odds are worse than a Yale applicant with a 3.6 GPA and no legacy. Not impossible, but you better start to pray. Speaking of…

Step 3: Baptize Early (Like Even Earlier Than That, and Maybe Twice)

Can never be too careful.

Step 4: Deliver Yourself

It’s statistically safer! Just walk right out, no disease-ridden hands of a midwife required.

Step 5: Refuse the Family Cow’s Milk

It’s udder nonsense (note: a sense of humor will not improve your survival chances). Instead, try a generous wet nurse with tenure.

Step 6: Cry Loudly

More cry = parents remember to feed you.

Step 7: Don’t Cry Too Loudly!

The Liber Infantium Malorum writes, “Whiny babies are possessed by the dark lord Belial, come to reclaim the earth as his own. If your baby is too loud, toss it away and get busy making more.”

Step 8: Don’t Get Too Attached to Siblings

One cough and they’re historical context.

Step 9: Close This Guide

If you’re reading this, congratulations! You already beat the odds. Now go die of something modern, like burnout or preventable disease. Good luck!

10 FUN ACTIVITIES FOR

EPIC

HEROES AND THEIR PLATONIC MALE BEST FRIENDS

1. Have a friendly wrestling match while staring deeply into each other’s eyes.

2. Let him borrow your armor to avenge your honor in battle.

3. Go on a murderous rampage to avenge his honor when he is killed in said battle.

4. Lift weights at the gymnasion together so you can sneak surreptitious glances at his chiseled abs.

5. Practice kissing (you’re just trying to get good at it before you do it with a girl.)

6. Wait until he starts strumming his lyre, then casually suggest maybe reading some Sappho as a joke, maybe, but that would totally be dumb, right?

7. Objectify women together.

8. Sit right next to him at a tragedy, even though the theatron isn’t that crowded.

9. Practice having sex (you’re just trying to get good at it before the king awards you a captured Trojan princess).

10. Go thrifting!

Great depression blues

Accidentally threw it into the harbor with the tea

My candle wax burned out

My Raccoon, Jeremiah, ate it

Ran out of porridge, died of starvation

I got drafted into war and forgot Grandma gave me the plague

We ran out of firewood, froze to death

The butler forgot to give it to me

My daddy said homework if for peasants

—S. Abbasi

SUCH IS THE ART OF POWER

Next time you’re fidgety at a stoplight, survey the sea of turn signals. Roughly 90 flashes per minute, with manufacturing variations that cause them to drift in and out of sync. Beat Beat Beat. I drummed my finger on the car wheel to the red hazard lights reflecting off the parking lot rain pool. Beat Beat Beat. In alignment, my turn signals, my drumming, and my heartbeat. 90 per minute. All staring across the parking lot through a window below a blinking Subway sandwiches sign, a red “Open” beating outside the door.

My walkie-talkie crackled, “What the hell do I order?”

I grabbed the small radio sitting in the empty passenger seat, next to my empty scarlet wallet. “I don’t care. Would you get out of the bathroom, Tim? You’re going to blow this.”

“I’m not going to blow this,” Tim squawked back. Through the window, I saw Tim peek out of the Subway bathroom, his earpiece barely visible beneath his heavy, blue-streaked hair, and stare at the most radiant Blonde waiting for him by the register. “WHY IS YOUR HAIR SO WET, TIM?” I blurted out. He closed the door.

“I panicked. It looked bad.”

“WHAT THE HELL DID YOU DO?”

“the sink-”

“YOU WASHED YOUR HAIR IN THE SINK?”

“the sink was too square. I couldn’t get my head in.” I paused my wheel drumming and took my finger off the radio. Jesus Christ. I stared through the windows at the wooden door. Sobs crackled through the walkie-talkie. “This is my first time going on a date. I didn’t know what to do.”

“SO YOU PLUNGED YOUR HEAD IN A TOILET? Jesus Christ, you ostrich, apologize and say it was the rain. You’re lucky it’s raining.” He stepped out of the bathroom. “Hi, I’m Tim,” he stuttered, blue drops falling from his forehead. “Veronica,” she responded. I already knew. My buddy needed my help refereeing his first date with the love of my life. I sighed and flicked the little red heated seat button, a crimson pocket knife turning in my left palm. As he finished ordering, I grabbed the walkietalkie. “Did you seriously just order a wheat sandwich with steak and lettuce?” He turned and glared through the window toward the red hazarding lights. “Get a sauce,” I ordered. He continued to glare. “Mayonaise. Anything that makes you look human.”

“What’re you listening to?” she asked, politely hiding her frustration at his coldness. He blurted back, “G-Eazy.” I almost blew my cover to scream at him but bit down on my lip at the last second. Good catch, Tim. The first thing

women like during dates is to be reminded of the American intellectual juggernaut G-Eazy. God’s gift to women, rapper G-Eazy.

I became distracted as a red Jeep pulled into the parking lot. A man stepped out and walked into the Subway. Tall, blond, with deep-set eyes and a Vanderbilt University hoodie. I wasn’t allowed within 500 feet of him, but as long as he didn’t notice my car, I wasn’t moving. American historian Jon Meacham approached his daughter. “Veronica!” he bellowed, “It’s good to see you!” She returned with a round smile, “Dad! This is Tim.”

“Well, hello, Tim! Good to meet you.”

I stammered into my walkie-talkie, “Repeat every word I say. Every goddamn word,” I muttered, the butt of my pocket knife digging into my left palm. “Sir, I am a huge fan of yours.”

“Why thank you!,” Jon articulated, each syllable more powerful than the last, “What did you like the most?”

“The Art of Power and His Truth is Marching On were powerful, but American Lion will always be my favorite.” Tim smiled triumphantly, guiding his way through the ridges and troughs of each sentence, finding rhythm in repetition. “You know what,” Jon smiled, “Me too.”

“Why did you choose him?” He hesitated, “Out of all the men who have crafted America, few have made as many poor decisions as Andrew Jackson. However, behind his cruelty and myopia, he fundamentally changed what it meant to be an American: not to have an identity, but to be one.”

I sunk in my seat, remembering why I revered this great man. “Alright,” Jon said, “Y’all have a good dinner.” He slowly walked away from my table. Slowly and shyly, escaping my lips before I had a chance to think, “I love you.” SHIT. I looked down at my radio. My finger still pressed on the soft button. I looked up through the bluetinted window as Tim furrowed his brow. Before I had a chance, he turned to Veronica. “I love you.”

I threw the radio across the car, clapping my hands, forgetting I was idly twirling my pocket knife. Red flowed from the small gash, but my eyes were glued to the Subway window. “What?” Veronica said, “This is our first date. Wait, are you one of those sickos who only want to date me for my dad, American historian Jon Meacham? Damn it. You’re the sixth this month.” She gathered her things, including a ring pop she bought alongside her half-eaten sandwich. She opened it as she walked out into the parking lot. The blue rain had cleared to make way for an orange, crepuscular sky, the ring-pop was a bright red cherry. “Great. Just what I wanted,” she muttered. I grinned, slipping on a maroon fedora as my friend sulked out the door and into my passenger seat, moving the radio. “Now, it’s my turn.”

FAMOUS WORKS THAT WERE ACTUALLY WRITTEN BY LESBIANS

1. Moby Dick, Herman Melville: The whale is a metaphor for Melville’s lesbian desires.

2. The Odyssey, Homer: Sappho and Homer were Greek. Sappho was a lesbian. Therefore, Homer was a lesbian.

3. The Very Hungry Caterpillar, Eric Carle: The caterpillar was really hungry for other women.

4. The Epic of Gilgamesh, Sin-liqe-unninni: Being lesbian is epic. ‘Nough said.

5. Fundamentals of Physics I: Mechanics, Relativity, and Thermodynamics, Expanded Edition, R. Shankar: This one is obvious, really.

6. Das Kapital, Karl Marx: Because he/him lesbians can’t be part of the bourgeoi-she.

7. The 7 Habits of Highly Effective People, Stephen R. Covey: 7 is a holy number in the lesbian religion.

8. Fun Home, Alison Bechdel: This one is up for debate.

RELIGIONS THAT JUST DIDN’T TAKE OFF

1. Science

2. Schismism (too much infighting)

3. Sustainable consumption

4. The British

5. Cult of the Inconvenient Meeting Time

6. Reverse Baptists

7. Hey Jude-aism (baruch adonaaa na na nananana)

8. The Church of the Giant Flying Spaghetti Monster

9. Factual Journalism

10. The Democratic Experiment

WHAT MAKES MY EYES BLUE? AN EXAMINATION OF FUNDAMENTAL LIFE QUESTIONS USING GREEK LOGIC

Why are my eyes blue?

To start, I must state the facts I know:

• My eyes are blue.

• Whales are also blue (sometimes).

• The outsides of blueberries are blue, but the insides of them are not.

• Raspberries are not blue, but their flavor is blue.

• The sky is blue.

• The ocean is blue (most times).

I will now assess each fact in order to determine what makes my eyes blue.

1. My eyes are blue. Whales are also blue. Whales have flippers. I do not have flippers, nor do my eyes. Therefore, the fact that my eyes are blue cannot be because they are whales.

2. My eyes are blue. The outsides of blueberries are blue, but the insides of them are not. However, I cannot go inside my eyes to see if they are not blue. Thus, the question of whether or not my eyes are blueberries remains unclear.

3. My eyes are blue. Raspberries are not blue, but their flavor is blue. Is the pigment in my eyes derived from raspberry flavoring? I asked my roommate Anna to lick my eyes. She said they do not taste blue or raspberry. As such, my eyes are not made of blue raspberry.

4. My eyes are blue. The sky is blue, too. Perhaps my eyes are made of sky. The sky rains, and so do my eyes, sometimes. This is promising! However, the sky also lightnings and goes boom, and my eyes have yet to lightning or go boom.

5. My eyes are blue. The ocean is blue, most of the time. Especially if you look at it from the top of a mountain; it will look very blue then. If you look at my eyes from the top of a mountain, you probably would not be able to see them, but they would still be blue. Yet, sometimes the ocean looks green or gray up close. Aha! So too do my eyes! They sometimes look green or gray or maybe even a little purple, says my mom. Therefore, my eyes must be made of ocean.

I have concluded that my eyes are blue not because they are whales, blue raspberry flavoring, or sky, but because they are made of ocean. Whether my eyes are blue because they are blueberries remains inconclusive.

NEWLY DISCOVERED SOCRATIC DIALOGUE REVEALS SHOCKING RELATIONSHIP DRAMA

(Socrates’s living room, afternoon. Xanthippe, his wife, is weaving. Socrates paces the carpet, talking at her.)

SOCRATES: … And then I blew their minds, right? Because I said—are you ready for this? You’re not ready for this. I said: “In order to understand justice in the soul, we can use the analogy of justice in the city.”

XANTHIPPE: Hm.

SOCRATES: Brilliant, right?

XANTHIPPE: Mm.

SOCRATES: I’ll call it the Republic.

XANTHIPPE: Ah.

(SOCRATES pouts.)

XANTHIPPE: What?

SOCRATES: Xanthippe. We’ve talked about this.

XANTHIPPE: You certainly have. Incessantly.

SOCRATES: I mean we’ve talked about our conversations. And how—to be completely honest—I don’t feel you bring enough to them.

XANTHIPPE: Gee, I wonder wh—

SOCRATES: Don’t feel bad, darling. You simply need to learn the art of dialogue. You know how much I value dialogue. I’m all about asking questions and hearing different perspectives. Like when I’m talking with the boys: they’ll say something, and then I’ll cut in with an incisive inquiry that logically dismantles everything they thought they believed in, and then they’ll say, “Actually, I don’t know, Socrates.” And then I’ll ask them leading questions for a while, and they’ll say “Yes, Socrates,” or “That sounds right, Socrates,” or “I never thought about it that way, Socrates.” And everyone walks away understanding that although no one can ever really know anything, I somehow know more than everyone else. (Beat.)Anyway. Just something I think you could work on.

XANTHIPPE: Well, since you asked, I think—

SOCRATES: Anyway! As I was saying. I made this city-soul analogy, right? Very exciting stuff. And then naturally that led to further discussion about what would make the ideal city, and we started drawing up some plans, and—no, don’t interrupt, this is actually what I wanted to talk to you about before that little tangent, so if you could just listen for a second.

(XANTHIPPE opens her mouth, then closes it again.)

SOCRATES: So I was telling the boys, I think the ideal city would hold all women and children in common.

XANTHIPPE: Do you now? Hm.

SOCRATES: And I think it would hold yearly sex festivals where the wisest men get with as many beautiful girls as they want.

XANTHIPPE: How exactly is this a metaphor for the soul?

SOCRATES: And just to be clear—this would be a sacrifice for everyone.

XANTHIPPE: … Sure sounds like it.

SOCRATES: Do the women want to live this way? No, they want “commitment” or whatever. Do the philosopher-kings want to live this way? Of course not. I can tell you from experience that the wisest men don’t listen to the appetitive portion of the tripartite soul. We look at this matter from a purely evolutionary perspective. And evolutionarily, it’s extremely important that the hot young women we have sex with whenever we want have childbearing hips and… breastfeeding boobs… and—

XANTHIPPE: Socrates, we need to talk

SOCRATES: And as part of our conversation, I just wanted to propose that, for the good of the collective

XANTHIPPE: Socrates!

SOCRATES: Huh?

XANTHIPPE: I’m leaving.

SOCRATES: What does that mean?

XANTHIPPE: Don’t start.

SOCRATES: I’m being serious. I don’t know what you’re talking about. I don’t know anything except that I don’t know anything. But if you’re so wise, perhaps you can enlighten me as to the form of leaving.

XANTHIPPE: I’m going to divorce you and marry someone else.

SOCRATES: Ah— but that’s a particular. I’m interested in the form. You divorcing me and marrying someone else might share in the form of leaving, but it is not the form itself. That’s a common misconception, actually. Why, just the other day, I was telling Euthyphro—

XANTHIPPE: Goodbye, Socrates.

“IT’S

RAINING PANTHERS AND WOLVES”

—A. Parker

TECHKRONCH dIsRupt: THE UNGABUNGA TWINS

Is Wheel a Bubble?

m . s printson

Why are people acting like we’re not in trouble? The allobroges have ravaged our norThern fields and desTroyed equal proportions of our wheat and beef! noW, the markeTplace trade has increased from 1:1 beef:wheats to 5:5 beef:wheats! yeT, everyone and their child bride is talking about gronk’s “Wheel.”

“Wheel” is round block thaT moves down hill fasT, unlike cow. many hypothesize “Wheel” has life force in iT, but this is false. life things make noise and bleed. many confused about where gronk’s wife is. Turns out she sat on “Wheel” and was skidooshed off tree and into jackal nesT. youch!

many money-havers concerned thaT price of things is up, as price of all wheat is worTh many more beefs than we have, and price of beefs worTh many more wheats than we have. This is susTainable because we will groW more wheat eventually probably. you see, production of wheel is buying many rocks. rocksmakers is buying many beef, and beefmakers is buying many “wheels,” so how can price fall, when the three hold hands and dance around an imaginary burning wealth pile?

ungabunga recommends invesTing in “wheel.” gronk predicts he can make 8 “Wheels” before the end of the year. 8 “wheels” are worTh more than entire wheat and beef combined. some say this is impossible, but many believe “Wheel” will be very productive in the future. so, will eventually allow farmers to create more wheat to buy more wheel, and everyone will be well-fed, wheeled, and confused.

many asked whaT will happen when “Wheel” replaces class of carTcarriers. gronk doesn’t care. ungabunga recommends they find work pushing carTs for lower wages because iT’s easier. They might sTarve, but we will be able to produce more wheat, and keep more also. We get more wheat, they do the same level of work for less wheat. everyone is happy, excepT those who don’t have money. alThough Wheel has made more welfare, monied people ended up with a lot more of iT than before. i wish someone would sTudy this, but i am too busy smashing rock on head.

While the price of wheel has increased, aT least wheel has many uses. ungabunga does not recommend invesTing in wheel-wrapper companies. 95% will fail because they are mosTly run by high schoolers. ungabunga has provided useful descripTions below.

many confused about why people fund clearly bad ideas. Two sTories emerge. 1) venture capitalisTs seek to ride the irrational exuberance of the markeT by invesTing in a bundle of small ideas, as they are cheap and may turn into a unicorn (more than a billion wheats). don’t need to spend time thinking about if idea is good, if invesTing is relatively cheap and returns could be exponenTially high. 2) venture capitalisTs seek to maximize sharpe ratios by burning securities with high-variances. alThough criTics would argue they have extreme covariance with the markeT iTself, invesTors don’t care, and focus on maximizing returns, rather than conText-based risk, which is whaT hedge funds are for.

as crediT has dramaTically exceeded value, iT is not inconceivable thaT the markeT value of these assets will soon crash., We posTulaTe a bubble is forming by examining how expediently confidence is transformed into capital. ungabunga recommends you avoid these wheel-wrapper companies. When technology shocks create long-term uncerTainTy and fear, we musT remind ourselves thaT the human experience is measured in unquantifiable terms, irrespective of outpuT and productivity. as long as there are oTher people who can love, feel, eat, and breathe, humans will find a way to be happy, even if happiness never finds iTs way to them. in oTher wor- oh no ungabunga has been hiT in head by rock What Was i saying oh yes good Thing no other Technology Will ever cause This much Termoil again To us.

My love, I am surrounded by these walls of infernal soil day and night. The incessant chorus of gunfire and artillery fills our ears as fear fills our hearts. There is hardly a man here whose faith in his Lord hasn’t been shaken by the unholiness of this war. I sometimes wonder if I shall be called into the Kingdom of Heaven by a stray shell in the night, and I pray for those whose corpses litter the battlefield that we should all find ourselves there, if we must be called early. I can think nothing but of the beautiful shores of Scotland andthewarmthofyourembrace.Mylove,Ilongforyour touch, your kiss, the scent of the lilac perfume you spray on your hair. Here in the trenches, such welcome associations are nowhere to be found. There is only the constant smell of damp earth, scorched skin, and human feces — some loser officer shat himself when he heard my mate Jerry’s whistle.

Yet there is word among the men here that the Yanks will come to aid us soon, but I dread that they will lose their spirit once they see in a day what we have for a year. Still, hope is scarce in this hell, and I am parched for more of it.

Dearest Mary,

Yours, John

This war has gone on for us have expected, but even shed there are moments hardened by combat, all perhaps these officers who cower like dogs at the explosions when faced with the prospect

One of them even shit himself like a baby! Even with gravel in our noses, when tle, we all got to know the mere moments after. That lieutenant of the battalion can hardly recall the sound drowned in it that day.

I only ask that you see if those newfangled cameras you are able. With luck, the fool in the act when self. Perhaps the men and helmets and ask him for Ha!

for far longer than any of even through all this blood- moments for levity. We have been all of us — except for who remain protected, who explosions of fireworks prospect of battle.

himself last Saturday, iron on our tongues and when Jerry blew their whis- the smell of feces only That the culprit was the desk battalion only made it better. I sound of laughter, but we if you can send one of cameras to me the next time luck, perhaps we can catch he again defecates him- and I will don German the directions to London.

ThesePleaseMother,sendmoredrawerswiththenextshipment. onescanbeofcotton,aslastweekendthelinen tually,onesbecamesoiled,throughnofaultofmyown.Acifyoucould,pleasetakethecarriagedown andandpickmeup.IthinkI’llgobacktoOxford, exchangefromthere,takeaboatbacktoHarvard.This programcanhardlybecontinuedafterthe menhaveseenmeinsucha…compromisedposition.

THE RECORD QUIZ CORNER

WHICH KING ARE YOU?

1. Were you killed by the people you’ve been repressing for years, who felt wronged by rampant inequality?

A. Yes

B. No

C. No, I was killed by gay sadness

D. Nope, I was just shockingly unhealthy

2. Are you mentally ill?

A. Some anxiety from the whole beingkilled-by-an-unhappy-populace-thing

B. Abso-fucking-lutely

C. Definitely

D. Shockingly, probably not

3. Is there a very popular TV show about you?

A. No

B. I will stand with you between the heavens and the Earth. Do you love me?

C. I wish

D. I’ve got loads

4. Is there a very famous, very bad movie featuring an incredible cast about your life?

A. No

B. Definitely not, pop culture loves me

C. I feel like I’m getting a lot of hate….

D. I have a few, but it’s not like we were nominated for Razzies

5. Is there a musical about some aspect of your life?

A. Far away, long ago, things I almost remember….

B. You’ll be back, soon you’ll see. You’ll remember you belong to me. OCEANS RISE, EMPIRES FALLLLLLLLLLL

C. Nope

D. Divorced. Beheaded. Died. Divorced. Beheaded. Survived. WE’RE SIX!

THE MOON LANDING

Mostly D: You are King Henry VIII! You somehow didn’t die of anything other than being old and obese. Modern pop culture hates you because your wives are infinitely cooler than you and have a rock musical for themselves.

Colin Firth in a borderline incestuous relationship with your mother.

sorry more people don’t know about the impact of your incredible military campaigns and the actual policies of the Greek empire during your reign. Unfortunately, you will be best known for being gay and being played by

Mostly C: You are Alexander the Great! I’m honestly

But now, Jonathan Groff and Corey Mylchreest have made you an icon and a heartthrob. Plus, everyone feels bad knowing you definitely had bipolar disorder and porphyria.

Mostly B: You are King George III! Popular culture adores you, and no one really knows why, since pretty much everyone hated your existence while you were alive.

Mostly A (Not French): You are Tsar Nicolas II! You got shot by a firing squad during the Bolshevik Revolution, and you fail to make a decent impact on popular culture since your daughter is infinitely cooler than you are.

Mostly A (French): You are Louis XVI! You got beheaded during the French Revolution, and you fail to make a decent impact on popular culture since your wife is infinitely cooler than you are.

—A. Hammer

PUTTING THE STORY IN HIS HANDS: ALL HAIL BARTHOLOMEU III — COMING FALL

Dear Mrs. Miller,

What is history if not the ultimate freedom to think — to take stories of bloodshed and victory, of love and heartbreak, and glean from them the knowledge required to overcome similar trials in the present day? One can indeed gain independence and decision making skills, and ultimately a stronger sense of individuality, from advanced historical study. But given the current curriculum, such revelations prove impossible. Mrs. Miller, this is what I seek to change at Hayden Middle School: to construct a palace of historical free thought. No longer will I be shackled by textbooks and lectures, nor the inane lunch and study hall periods. I shall rise above — hopefully, with you by my side.

Now, Mrs. Miller, I know what you’re thinking. “Bartholomeu,” you type, “I told you that the next time you send me a strange email I’m getting your mother involved.” Fall not for these silly musings! I mean it. Please don’t get Momsicle involved. She’ll be really mad and try to make me do soccer again to take up my “copious amount of free time.” Instead, Mrs. Miller, let me lead my own history seminar. Worry not about logistics or my qualifications. Worry about my unquenchable thirst for knowledge; and for the state of my classmates, left to wither in the absence of my illuminating thoughts. My proposed syllabus is below.

Unit 1: The Formation of States (my favorite ones)

• With a special focus on Narnia, Middle Earth, and my house.

• Selected field trip: Come over to my house guys. Momscile will make cookies.

Unit 2: Trade … is a lie

• Why trade when you can just take? Mwahaha.

• Seriously though, I will be taking your lunch money.

Unit 3: Empire — strikes back

• I’m pretty sure Star Wars is an Allegory for World War II. God I’m such a genius.

• Selected Reading: 10 hours of Hayden Christensen Fan Edits.

Unit 4: Revolution

• The old ones are sooooo boring though. Bleh.

• Selected Fieldtrip: Overthrow United States Government (Date TBD – possibly sometime in January?)

** Extra credit Opportunity: Once the new government is established, give Momsicle a tax break.

Unit 5: Industrialization

• Child labour baby! Get to the cafetaria. Scrub those plates. Serve that taco. Work without pay!

• Selected Reading: First Step 2 Forever: My Story by Justin Bieber.

Unit 6: War

• War is just raw backwards. So we will make war against raw vegetables. No longer will Momsicle reign over my lunchbox so cruelly.

• Selected Reading: The Art of War by Sun Tzu.

• Final Project: Beat Roblox 100 PERCENT CAN’T COMPLETE Vegetable Farm EXTREME Simulator.

Let me know your thoughts on this ASAP Mrs. Miller!

XOXO, Your Barthy

THE EVOLUTION OF THE HAT

THE RECORD ASKS: WHY SHOULD WE STUDY HISTORY

RICHARD says, “So we can repeat our mistakes.”

SQUIRREL pontificates, “To annoy our friends with fun facts about the Great Molasses Flood of 1919. Did you know that-”

ROHAN interrupts, “Because 80 of ‘pasta’ is ‘past.’”

ANNA P. alludes, “So we can adapt it into a hip-hop musical and cast ourselves in the lead role even though we can’t sing.”

ELIZABETH pines, “Because Jack Kerouac was fine asf.”

SIERRA spirals, “Because it’s better to dwell on the past.”

MATT rants, “Whenever I go on a date my first question is always, ‘Who commanded Pompey’s left flank at the battle of Pharsalus?’ If she says anything other than ‘Domitius Ahenobarbus,’ I leave! As easy as that, I know not to waste my time with the mongrel.”

YOO-MIN reports, “It’s an easy major, apparently.”

—A. Siciliano
—S. Lanz

Why “Pompeii” by Bastille is a Cultural Milestone

Name: Johnny

Class: History 101

Topic: What is the cultural significance of Pompeii?

“Pompeii” had a major cultural impact on the world (source: my Aunt Lisa). I never really understood the song, but she says that it’s about a fake conversation between two people who died in a city called Pompeii, so I guess it’s meaningful. The lyrics talk about “grey clouds rolling,” which is probably a metaphor for depression or impending death or something. I would say they talk about more than just grey clouds, doom, and sadness, but the lyrics of the song just repeat a lot. I don’t understand why Aunt Lisa likes it. She was just really into that whole Bastille and Imagine Dragons era, I guess. This song was important for music because it also taught people about history. Pompeii was one of the events we talked about in class, so I remember that it killed a bunch of people, and you can see them now. It’s kinda strange that people pay money to look at dead strangers. I don’t really care though, since lowkey I like “Icarus” by Bastille waaaay more. In conclusion, lots of people liked the song “Pompeii,” and it had a big cultural impact, even though I don’t really know why, and I think this question would make more sense if we were talking about the Pompeii we learned about in class instead.

n the first month of the twenty-second year of the tenth century, I have been tasked by His Maj- esty’s regent to determine an appropriate word for the following Arabic numeral: 1000. This is a very daunting task indeed, but as the oldest non-senior advisor, I am determined to prove myself worthy of a promotion under the new reign. The king has re- cently looted a great many number of towns along the coastline, the number estimated to be equal to “a shit ton,” and would like a word to convey the quan- tity of spoils that he brought back, in units of heavi- ness, in his latest address to the peasants.

This issue stumped and frustrated me. No amount of mead seemed to bring me any closer to sudden inspiration! I have studied the great works of the Clas- sical civilizations many times over, the scrolls of my Greek copies underlined and worn at the edges. (Yes, Greek, for Latin translations are for the unfit and dumb.) But how to replicate the elegance of the Greek khilias, or, for those de- generates, even the Latin milia?

I tested out many different words. Perhaps, following the convention of pre- vious large numbers, this number ought to be ten hundred nonetynone? Or, as a nod to the Greek and Latin past, hugenumber-ia? Would a repurposing of vernacular, a shitton, be in order? This seemed inarticulate. I read my original copies of Aristotle again to make myself feel superior, hoping for some stroke of genius, but to no avail. I had more mead. At some point, I awoke from my drunken slumber to find myself passed out on some random beach in East An- glia, drooling all over my fresh new breeches. As I came to, a revelation came over me: to pay homage to both the heavenly Father above, who must have enabled the king’s successes, as well as the sand upon which I had soiled my breeches. Thus, I combined “Thou” from the Lord’s prayer with “sand” from the beach to create a new term: thousand. At once I was filled with pride and joy, and basked in the glow of creation. I will seek an audience with the king imme- diately!

Bollocks! The king did not share my sentiments about the word thousand. Rather, he laughed aloud at me and then went back to his studies, saying that he thought ten-hundred nonetynone sounded better. The regents, however, re- assured me that he was still a seven-year-old youth who lacked the tastes and refinement becoming of the court, and expressed that he may still be persuaded. My hopes are not yet dashed!

For Your Consideration: Why I Should Be Assassinated

Dear CIA and FBI, It has become increasingly obvious that neither one of you despicable agencies have any intention of assassinating me, Eugene M. Henderson. While in some sense I am grateful to be alive at the ripe age of 70, I believe you are severely underrating my lifelong mission to undermine the interests of the United States. I have been among the most virulent protestors of the United States government. In 1963, I led the march on Garrison, Iowa, exposing the

the name Eugene M. Henderson should be remembered forever as a symbol of resistance. If you’re still not convinced, I have one more great action left in me. It is one that will be remembered for generations to come. In two days I will graffiti the twin towers in New York City, artistically showing the contradictions at the heart of the system, right at the very symbol of global imperialism. You will then have no choice but to kill me, and I will have infamy I so greatly deserve.

Sincerely,

September 10, 2001 —R. Shivakumar

HOW TO TREAT THE PLAGUE

Burn yourself at the stake

Sell your soul to the devil

Celibacy

Sex

Kiss a lucky rat

Please the King

Opium

Bedrotting

Live burial

Sacrifice the right number of virgins (sadly, the right number was never found)

Hole-in-the-head

Start a crusade

Shake a baby Staff

A FRIENDLY GUIDEBOOK ON THE BUSINESS OF WITCH-IDENTIFICATION

In this study, I will present the conclusions of my definitive examination on these creatures known as ‘witches’.

I have found several characteristics common throughout the annals of history. Please refer to this list if you seek to rid your village of devil-worshippers.

• They drown when tied to stones and tossed into the river.

• They burn when doused with oil and set on fire.

• They bleed when stoned.

• They can speak. Witches, in order to cast their curses and spells, have the rare ability to vocalize their intentions through words.

• They can walk. Occasionally, witches dismount from their broomsticks and step on the ground.

• They have long hair. Research shows that a primary characteristic of a witch is that their hair lusciously flows behind them as they ride their broomsticks.

• They can name herbs. Once, a woman brought up a red flower to me and said it was a ‘rose’. I stabbed her Immediately, and they made me mayor. Only a witch would possess such knowledge.

• They are seductive. Once, a rather good-looking woman approached me at a dance. I stabbed her, and since I was already mayor, all I got for it was a lousy t-shirt.

• They lie. When I questioned the witch I had stabbed, she claimed that she had ‘fallen in love’ with me. Very suspicious indeed.

In conclusion, witches are cunning creatures. I trust that with this handbook, however, all will be able to identify these fiends among us. I find this mnemonic rather helpful when identifying witches: if they talk, walk, love, or think, you must stab them in a blink.

Putting It Together Again: The Historical Truth of Humpty Dumpty

NEW HAVEN, CT—

Most people have probably heard of Humpty Dumpty through the classic nursery rhyme or the contemporary depictions of him as an egg with human features. For years, he was assumed to be a figure of myth, nothing more than a fiction created by parents of old to warn their children against sitting on walls and the inefficiency of horses in trying to put an egg back together. Yet recent evidence suggests that Humpty Dumpty was no myth, but a very real and very historically significant figure. And yes, very much an egg.

Historians have recovered a birth certificate dating back to 1781, recording the birth of a boy named Humpty J. Dumpty to two British aristocrats. The certificate describes the infant as “way too white,” “excessively round,” and “Dear Lord, that’s an eight pound chicken egg with limbs and a face, someone fetch a priest.” Historians believe the egg-like nature of this boy led his parents to cover up his existence through a series of well-timed fatal accidents for all outsiders involved in his birth, hence why we have not been aware of him until now. Yet young Dumpty proved to be undeserving of this embarrassment, despite how incredibly freaky it was to be in the same room as a gi-

ant humanoid egg. By the age of 12, Dumpty had invented the light bulb, made the first ever blue prints for the modern train, and built the first machine gun in recorded history. None of these inventions had seen the light of day until now, given that every time he tried to show anyone, they would say, “Oh my God, it’s a giant egg!” and run away screaming. Understandably, Dumpty was quite scrambled about this, and took up the hobby of sitting on walls to cope, as was the fashion at the time.

Records suggest that King George III did hear word of Dumpty’s plans for the first ever nuclear bomb, as indicated by a letter he wrote to his advisor, saying, “ooOOo

this Dumpty lad could help me colonize the world so much faster! Ta-ta!” Shortly after this letter was written, all evidence of Dumpty ceases entirely. Yet, our horse whisperers were able to talk to the modern British horses of the area, learning a tale passed down from horse generation to generation, of a really weird, just like incredibly strange looking kid, being pushed off a castle wall by a man with rainbow glasses and a weird headband holding a sign reading “peace or perish” in one hand and an acoustic guitar in the other. The horses did their best to save him, but to no avail. Eggs, humanoid or not, shatter into an annoying amount of pieces and get sticky stuff everywhere and

kind of smell bad, and hooves are not good for performing surgery. Alas, the greatest mind of a generation perished in a puddle of shell and yolk, erased from history by all who knew him. So next time you crack an egg, crack and extra one for young Humpty Dumpty, gone too soon. Or maybe don’t, since that’s, you know, how he died, and that whole thing about history repeating itself and all.

A. Lee

NEW

PROFILE: Meet the Caveman Revolutionizing the Paleolithic Fine Art Scene

A stick figure, a woolly mammoth, a group of stick figures chasing a wooly mammoth. And then suddenly… a banana duct-taped to the wall?

As celebrated cave painter Nean der Thaal ushers me into his subterranean gallery, he assures me with a bellow that the long spear by the door is for-use-onlion-only. I take up his torch and begin to examine the cavern walls. Immediately, I am struck by the contrast between the naturalistic depictions of the proto-human condition that brought him to fame and the avant-garde abstraction of his latest works in progress. From the porcelain urinal leaning against a boulder to the dynamic splatters of ochre and charcoal titled “Untitled #4: A Meditation on Modern Society,” it is clear that Der Thaal has entered a new era—and he just might

be the hottest thing since the invention of fire.

“Art different now,” I remark, banging my club against the ground in appreciation.

Der Thaal grunts modestly. “Me different now,” he explains. “Before, me see mastodon, me hunt mastodon, me draw mastodon on wall.” He whacks a nearby painting with his own club for emphasis. “Now, me see mastodon, me hunt mastodon, me contemplate the homo sapien tendency toward exploitation and subjugation of the ecological systems that facilitate our existence.”

“How make art different now?” I inquire, glancing furtively around at the corners of his cave where hungry bears might lurk in the darkness.

“Me have new process,” says Der Thaal. “Once, me think about thing, me make picture that look like thing. Now, me think about thing, me make picture that look

like nothing.”

I examine his walls again. There are indeed quite a few pictures that look like nothing. I gesture to a particularly cryptic offering—an orange rectangle overlaid by a slightly lighter orange rectangle with fuzzy edges. “What you think when make this one?”

Der Thaal hesitates for a moment, then beckons me closer: “Me tell you secret.” When I am near enough to smell the raw venison and acorns on his breath, he lowers his voice conspiratorially. “Sometimes, me think about nothing, me make picture that look like nothing, me say picture mean something afterwards.”

“Art then have no meaning?” I grunt.

Der Thaal is emphatic in his assertion to the contrary. “Me deep!” he insists, clobbering me over the head with his club. “Me profound! Me simply disillusioned with

superficial representational depictions that belie the complex and multifaceted nature of our subjective experience. Grrr… hooh hooh!” After a few hours spent unconscious on his studio floor, I come to and inquire about the artistic visionary’s next steps. As it turns out, Der Thaal’s am-

bitions extend beyond the pictorial to the invention of written language. “Art good,” Der Thaal says, “but need words for say how good art is.” While his future contributions remain to be seen, Nean der Thaal is clearly an artist whose spirit as well as his creations will endure for millennia to come.

Breaking: Sun Actually Existed in Middle Ages

CAMBRIDGE, MA—This week, leading historical scholars at Harvard University revealed a shocking discovery: according to the latest evidence, the sun did not cease to exist during the period colloquially known as the “Dark Ages.” Professor Katinka von Bamboozleberg, a specialist in

historiographical perceptions of luminescence in premodern cosmology, shared the story behind this incredible finding in a recent press statement.

“For a long time, we thought that the deposition of emperor Romulus Augustulus in 476 CE caused the sun to disappear from the sky, plunging the earth into an unmitigated and unremit-

ting pitch-black misery that would not fully dissipate until the Protestant Reformation,” Bamboozleberg explained.

“However, using sophisticated OSL dating technology, we were able to determine that a chamber pot recently excavated near London’s River Thames was last exposed to light in approximately 1200 CE—more than 700 years after we had assumed it to be possible.”

She was questioned on why her team required archaeological evidence to illuminate this seemingly obvious historical truth.

“You would think that artistic depictions of the sun during this period would have clued us in,” said Bamboozleberg, “but we always figured the artists were just deluding themselves with nostalgia—

kind of like how we still tell ourselves that Harvard is the best college in the U.S., even though that hasn’t been true since 1701.”

At press time, Bamboozleberg et al. had moved on to investigating why the world turned black and white following the advent of photography.

Der Thaal, Smithsonian Museum

Ask Old Owl!

Dear Old Owl,

I’m a history post-grad studying the long-term effects of Emperor Diocletian’s debasement of the Roman currency in regard to the decline of Greco-Romanic paganism and its impact on the establishment of a proto-capitalist European society, but I can’t decide on where to start. Thoughts?

Dear Owlet,

I see you have groped foolishly for the lowest-hanging fruit on the tree of classical research. If only I could show you a montage of all the sophomoric postgrads I have watched line up to beat this same dead horse. That montage would be long and devastating, even if I sped it up. Here’s hoping you have a backup—and that it’s not how Emperor Julian’s post-Constantian tax cancellations created the decentralized preconditions for a proto-feudal Christian Italy.

Dear Old Owl,

I keep slamming my head into my history textbook to get the facts faster, but now my brain feels fuzzy. Wub next?

Dear Owlet,

What are they teaching you in school these days? You read the textbook first and slam your head into it after. That locks the knowledge in. Slamming on its own locks the knowledge ou—oh, you’re not even reading this, are you? You’re just hitting my rolled up advice column against your skull. HEY, YOU! KNOCK IT OFF!

Dear Old Owl,

Why should we study history? Asking for a friend.

Dear Owlet,

It’s true, the past offers no “cheat sheet” for the present. Nor is the purpose of history to define “ourselves” in the world, nor to expose

Old Owl is the anthropomorphic mascot of the Yale Record, an alcoholic, nicotine-addicted nightbird that roams campus desperately scrounging for vestiges of the relevance he enjoyed in the magazine’s heyday. He now offers advice to you the students, free of charge. If you’d like to Ask Old Owl for advice about your weird life, email askoldowl@yalerecord.com.

the path-dependence of institutions that seem natural and necessary, nor anything else professors might tell you.

No, Owlet, the point of history is to be pedantic. To say to your critics, no, that didn’t happen like that—it happened like this. And the armor looked like this (point to a sketch you made). And it all happened in 1267, not 1269, you idiot. And if your Ph.D. dissertation is robust and eloquently defended, it’ll hurt even more when you throw it at them.

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