Arthur Haas & Friends, Jan 30

Arthur Haas harpsichord with

Sang Joon Park, baroque flute Daniel S. Lee, baroque violin Martha McGaughey, viola de gamba

faculty artist series January 30, 2016 • Morse Recital Hall

Robert Blocker, Dean

Faculty Artist Series

Arthur Haas, harpsichord with

Sang Joon Park, baroque flute · Daniel S. Lee, baroque violin Martha McGaughey, viola da gamba Saturday, January 30, 2016 • 7:30 pm • Morse Recital Hall

George Frideric Handel 1685–1759

Trio Sonata in B minor, Op. 2, No. 1 I. Andante II. Allegro ma non troppo III. Largo IV. Allegro

Johann Sebastian Bach 1685–1750

Sonata in E minor for violin and continuo, BWV 1023 I. [Prelude] – Adagio ma non tanto II. Allemanda III. Gigue

Georg Philip Telemann 1681–1767

Suite in D major, TWV 43:D3, “Paris Quartet No. 1” I. Prélude II. Tendrement – Vite III. Gayement IV. Modérément V. Vite intermission

François Couperin 1668–1733

La Piémontoise, from Les Nations (1726) I. Sonade Gravement – Vivement – Air – 2e Air – Gravement et marqué – Légèrement II. Allemande III. Courante IV. Seconde Courante V. Sarabande VI. Rondeau VII. Gigue

Jean-Philippe Rameau 1683–1764

Pièce de Clavecin en Concert No. 5 in D minor (1742) I. La Forqueray II. La Cupis III. La Marais

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Please do not leave the hall during selections. Photography or recording of any kind is prohibited.

Artist Profiles

Glitter and Gold ¡ ensemble Shining a Light on Baroque Music From the canals of Venice and music salons in German courts to the bright candlelit halls of Versailles, the early music ensemble Glitter and Gold shines a new light on 17th- and 18th-century masterpieces of the Baroque era. Our aim, through great attention to detail and emphasizing historical performance practices, is to perform this music with flair, virtuosity, and passion in order to understand the composers’ intentions and make audiences love this music as much as we do. The four members of the ensemble, all with different backgrounds, studied in Europe and the U.S. and now perform and teach all over the world. Their love and respect for this music brought them together in this great exploration of music from Bach’s time and before.

Artist Profiles

Arthur Haas · harpsichord Arthur Haas is one of the most sought after performers and teachers of Baroque music in the United States today. He received the top prize in the Paris International Harpsichord Competition in 1975 and then stayed in France for a number of years as an active member of Europe’s growing early music scene.

While in Paris, he joined the Five Centuries Ensemble, a group acclaimed for its performances and recordings of Baroque and contemporary music. He is a member of the Aulos Ensemble, one of America’s premier period instrument ensembles whose recordings of Bach, Vivaldi, Telemann, and Rameau have won critical acclaim in the press, as well as Empire Viols and Aula Harmoniæ. Along with many solo and chamber concerts throughout North America, he recently toured in Korea and Peru, and in 2014 was featured in a concerto evening with the China National Symphony Orchestra in Beijing. He has recorded harpsichord music of Jean-Henry D’Anglebert, Forqueray, Purcell and his contemporaries, Elisabeth Jacquet de La Guerre, François Couperin, and most recently the three books of Pièces de Clavecin of Jean-Phippe Rameau. Annual summer workshop and festival appearances include the International Baroque Institute at Longy, and the Amherst Early Music Festival, where he served as artistic director of the Baroque Academy from 2002 to 2011. Mr. Haas is Professor of Harpsichord and Early Music at Stony Brook University and Visiting Professor of Harpsichord at the Yale School of Music.

Artist Profiles

Sang Joon Park · baroque flute

Daniel S. Lee · baroque violin

Sang Joon Park was the third recipient of the prestigious Samuel Baron Prize awarded at Stony Brook University, where he received his Doctor of Musical Arts degree under Carol Wincenc. He has studied with distinguished flutists such as Wilbert Hazelzet, Sandra Miller, Janet See, Jed Wentz, Linda Chesis, Judith Mendenhall, and Thomas Nyfenger, and has participated in Amherst Early Music Festival, International Baroque Institute at Longy, Vancouver Early Music Programme, and Bunnik Traverso Workshop. He is the artistic director of Aula Harmoniæ, and performs regularly with several Baroque chamber groups, including Rossignol Amoureux, Flying Forms, Ensemble La Sylva, Newton Baroque, La Donna Musicale, Catacoustic Consort, Bacchanalia Baroque, Empire Viols, Bach Vespers at Holy Trinity, Concert Royal, and the Grand Tour Orchestra, with performances in Canada, the Netherlands, Peru, South Korea, Taiwan, and the United States. Mr. Park researches Spanish Baroque music at the Patrimonio Nacional Archivo y Biblioteca de Palacio Real de Madrid, Biblioteca Nacional de España, Real Conservatorio Superior de Música de Madrid, Biblioteca Histórica Municipal de Madrid, Biblioteca Musical Municipal de Madrid, Real Biblioteca del Monasterio San Lorenzo de El Escorial, and the Royal Library (Koninklijke Bibliotheek) in The Hague, Netherlands.

Daniel S. Lee ’06 mm, ’08 ad enjoys a varied career as a soloist, leader, chamber musician, and teacher. Praised for his “ravishing vehemence” and “soulful performance” (New York Times), he has performed as a soloist and concertmaster with Early Music New York, New York Baroque Incorporated, Quodlibet Ensemble, San Francisco Bach Choir, Trinity Baroque Orchestra, and Yale Schola Cantorum. He has founded and co-directs the Sebastians, a period ensemble lauded for its “well-thoughtout articulation and phrasing” (Early Music Review) and “elegant string playing” (Early Music Today). As a violino piccolo specialist, he frequently appears as a soloist in Bach’s first Brandenburg Concerto and Cantata 140, and has given the modern-day premiere of his own transcription of Johann Pfeiffer’s concerto. A graduate of the Yale School of Music, he is currently on the violin, viola, and chamber music faculty at Connecticut College and the University of Bridgeport.

Artist Profiles

Martha McGaughey · viola da gamba Martha McGaughey spent many formative years in Europe, where she studied both with Jordi Savall at the Schola Cantorum in Basel, and with Wieland Kuijken in Brussels.

While living in Paris she was a member of the Paris-based Five Centuries Ensemble, known for its performances of both early and contemporary music. She has performed with the Waverly Consort, Concert Royal, the Aulos Ensemble, and the New York Collegium. Ms. McGaughey collaborated with the British viol consort Phantasm in several concerts and a CD of the consort music of William Byrd. She is a founding member of the New York-based Empire Viols. She has also recorded for the Fonit Cetra and Erato labels and for EMI. Ms. McGaughey has taught at the Ecole Nationale de Musique in Angoulême (France), at the Eastman School of Music, and at Stanford University. Since 1986 she has been on the faculty at the Mannes College of Music in New York. She has twice been a Regents’ Lecturer at the University of California, San Diego, and teaches regularly at Amherst Early Music and at other summer workshops, including the Viola de Gamba Society of America’s Annual Conclave.

Upcoming Events

Wendy Sharp & Friends

Hannah Lash & Friends

january 31 Faculty Artist Series Morse Recital Hall | Sunday | 4 pm Wendy Sharp, violin • With Julie Kim, violin; Marka Gustavsson, viola; Mimi Hwang, cello; and Melvin Chen, piano Music by Haydn, Dohnányi, and Elgar Free admission

february 9 Faculty Artist Series Morse Recital Hall | Tuesday | 7:30 pm With student and alumni guest artists Featuring three new works by Lash, including Four Songs, Sonata for Violin and Piano, and Hero and Leander for wind quintet Free admission

Argus Quartet

Lunchtime Chamber Music

february 2 Fellowship Quartet in Residence Morse Recital Hall | Tuesday | 7:30 pm Bartók: String Quartet No. 4, and music by Andrew Norman, Christopher Theofanidis, and Thomas Kotcheff Free admission

february 10 YSM Student Ensembles Morse Recital Hall | Wednesday | 12:30 pm Music for a variety of chamber ensembles Wendy Sharp, director Free admission

Tribute to Jacob Druckman Peter Frankl & Friends february 6 Faculty Artist Series Morse Recital Hall | Saturday | 4 pm Celebrating Peter Frankl’s 80th birthday year with Dohnányi’s Sextet, plus music by Brahms, Schumann, and more Free admission

february 11 New Music New Haven Morse Recital Hall | Thursday | 7:30 pm A tribute to the late Jacob Druckman, a longtime member of the YSM composition faculty, with music by Druckman along with new works by YSM student composers Free admission

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Robert Blocker, Dean