New Music New Haven, Nov 19

NEWMUSIC NEWHAVEN hannah lash & christopher theofanidis 路 artistic directors

featuring music by

PAUL LANSKY and music by Yale graduate composers

Noverber 19, 2015 路 Thursday at 7:30 pm Morse Recital Hall

Robert Blocker, Dean

Hannah Lash & Christopher Theofanidis, Artistic Directors

Dylan Mattingly b. 1991

Seasickness and Being (in love) Sophia Mockler, violin Kyung Min Lee, violin Daniel Stone, viola Yoonha Yi, cello Erez Meyuhass, bass Evan Fojtik, flute Winona V. R. Van Alstyne, oboe Eric Braley, clarinet Matthew Gregoire, bassoon Sarah Boxmeyer, horn Aaron Plourde, trumpet Richard Liverano, trombone Se Um, percussion Maria Chlebus, percussion Jack Vees, electric bass guitar Lisa Moore, piano Benjamin Wallace, keyboard and celeste Benjamin Grow, conductor

Krists Auznieks b. 1992

Abide Sophia Mockler, violin Daniel Stone, viola Yoonha Yi, cello Erez Meyuhass, bass Evan Fojtik, flute Winona V. R. Van Alstyne, oboe Eric Braley, clarinet Aaron Plourde, trumpet Omar Dejesus, trombone Ji Yeon Kim, electric guitar Andrew W. Parker, piano Heejung Park, conductor

intermission Michael Gilbertson b. 1987

Low Hanging Fruit David Loke Kai-Yuan, violin Pall Kalmansson, cello Jesse McCandless, clarinet Joon Yoon, piano

Liliya Ugay b. 1990

Drawn in the Fog Ford Fourgurean, clarinet

Paul Lansky b. 1944

Comix Trips I. Leaping Lizards II. Holy Moly III. Good Grief IV. What Me Worry Joshua Newburger, viola Joshua DePoint, bass Meera Gudipati, flute Lydia Consilvio, oboe Kenta Akaogi, clarinet Hanul Park, bassoon Matthew Keown, percussion Yevgeny Yontov, piano

As a courtesy to the performers and audience, silence all electronic devices.

Please do not leave the hall during selections. Photography or recording of any kind is prohibited.

PROGRAM NOTES

biography Dylan Mattingly Called “visionary magic”, composer Dylan Mattingly’s work is fundamentally ecstatic, committed to the extremes of human emotion, drawing from influences such as Thomas Adès, Joni Mitchell, and the microtonal folk singing of Polynesian choirs.

Mattingly is the founding co-artistic director of Contemporaneous, and was previously the co-director of Formerly Known as Classical, a youth-run new music ensemble whose members play only music written in their lifetimes. Among the musicians who have performed Mattingly’s music are the Los Angeles Philharmonic, the Cabrillo Festival Orchestra, the Berkeley Symphony, Contemporaneous, the Del Sol String Quartet, and many others.

Mattingly holds a B.A. in Classical Greek and a B.M. in Music Composition from Bard College. He currently attends the Yale School of Music, where he studies with David Lang and is mentored as well in Berkeley by composer John Adams. program note

was broadcast on classical music radio worldwide. Auznieks has worked with Antico Moderno, Sandbox Percussion, David Kweksilber Big Band, Claron McFadden, Modelo62, Slagwerk Den Haag, Brendan Faegre Edge Ensemble, Orkest de Ereprijs, and the vocal groups Framest and Anima Solla. His chamber opera was featured in the Riga—European Capital of Culture 2014 festival and broadcast on national radio. His works have been performed at Beijing National Arts Centre, Shanghai City Theatre, and Amsterdam Muziekgebouw, and featured in Gaudeamus Muziekweek, Ereprijs YCM, Druskomanija, Riga A Capella Festival, New Music New Haven, and others. A scholarship recipient at the American Academy of Fontainebleau, France, Krists was also a composition fellow at the 2015 Bennington (Vermont) Chamber Music Conference. Currently he is working on his second opera, called NeoArctic, in collaboration with Danish multi-media company Hotel Pro Forma. The opera is scheduled to be performed in the Royal Danish Theatre in Copenhagen and the Mikhail Chekhov Riga Russian Theatre, Latvia, in the fall of 2016.

Seasickness and Being (in love) Seasickness and Being (in love) is launch music, spinning outward from life as a human to life as a star, an exploration of the ecstatic desolation of being alone while everywhere at once. biography Krists Auznieks Auznieks’s work I Exist As I Am, written for Latvian Radio Chamber Singers, was a Selected Work (under 30) at the International Rostrum of Composers in Finland and

program note Abide As you watch, the stone glides into your heart.

Unawares, for his part, the viewer glides wholly into the stone. From stone, the hard race of men draws matter to make it stiff. From there, the stone draws one soul out of many. What wonder that in viewing I become a stone, or that when viewed the stone makes itself soft?

— Lelio Guidiccioni

NEW MUSIC NEW HAVEN

biography Michael Gilbertson

biography Liliya Ugay

The works of Michael Gilbertson have been described as “elegant” and “particularly beautiful” by the New York Times, “vivid, tightly woven” and “delectably subtle” by the Baltimore Sun, and “genuinely moving” by the Washington Post. Gilbertson holds degrees from The Juilliard School and the Yale School of Music. Gilbertson’s works have been programmed by ensembles including the Minnesota Orchestra, Pittsburgh Symphony, Juilliard Orchestra, Washington National Opera, San Francisco Chamber Orchestra, Grand Rapids Symphony, Symphony in C, New England Philharmonic, Cheyenne Symphony, Yale Philharmonia, Aspen Contemporary Ensemble, and professional choirs including Musica Sacra, The Crossing, and The Esoterics.

Liliya Ugay is an award-winning composer and pianist. Among her competition prizes are the Edward Grieg International Composers Competition, National MTNA Young Artist Composition Competition, Pre-Art International Composition Competition (Switzerland), Crystal Camerton International Competition of Young Composers (Moscow Conservatory/ Union of Composers of Russia), 14th International Beethoven Piano Sonatas Competition, and many more. Her compositions range from traditional classical ensembles to musical theater and electronic music. Ugay’s works have been featured at many festivals including the 45th Darmstadt Summer Courses of New Music, June in Buffalo, Oslo International Grieg Festival, Boston New Music Initiative, and the 52nd Venice Biennale.

Gilbertson’s music has earned five Morton Gould Awards, a Charles Ives Scholarship from the American Academy of Arts and Letters, and a BMI Student Composer Award. Gilbertson’s music can be heard in the 2006 documentary Rehearsing a Dream, which was nominated for an Academy Award. program note Low Hanging Fruit Low Hanging Fruit, inspired by Genesis, attempts to capture the essence of temptation.

Originally from Uzbekistan, Liliya studied composition and piano at the Uspensky Special Music School before coming to the U.S. to study piano with Alexander Kobrin at Columbus State University as a Woodruff Scholarship recipient. Currently, she is a Master of Music degree candidate at Yale School of Music studying with Martin Bresnick, Christopher Theofanidis, and Aaron Jay Kernis. program note Drawn in the Fog Drawn in the Fog was inspired by the Soviet animation film Hedgehog in the Fog by Yuri Norstein. Whenever I watched it as a child and even as an adult I always would question myself: what if Hedgehog were not

PROGRAM NOTES

saved from the river by the secret someone, and how did Bear feel waiting and calling for the Hedgehog while the latter was wondering in the foggy forest? Through such thoughts I expressed my personal attitude to this masterpiece. The timbre of a clarinet has a particular importance in the original score of the Hedgehog in the Fog; therefore, it seemed appropriate to use the clarinet and electronics as the instrumentation for this idea. I used the sounds from the film as the only source for the electronics part of this composition. biography Paul Lanksy Paul Lansky is one of the pioneers of computer music but in recent years he has been turning his attention to instrumental music.

Recent works include Ricercare Plus for string quartet, written for the Brentano Quartet; With the Grain, a guitar concerto written for David Starobin; Shapeshifters for two pianos and orchestra (for Quattro Mani), Etudes and Parodies (for horn, violin, and piano), written William Purvis (winner of the 2005 International Horn Society Competition); and Threads, written for Sō Percussion. Lansky has recently been writing orchestral music and was composer in residence with the Alabama Symphony in the 2009–2010 season. His orchestral work Imaginary Islands, commissioned by the Alabama Symphony, was premiered in May 2010. A CD of his orchestral music was released on Bridge Records in 2012. Comix Trips is published by Carl Fischer LLC. For many years Lansky was on the faculty at Princeton University, where he is William Shubael Conant Professor of Music Emeritus.

program note Comix Trips Comix Trips was commissioned in 2008 by the ensemble Relâche and can best be described as a kind of divertimento. The title of each movement is derived from famous comics’ expressions over the past 85 years, and the character of each movement roughly reflects the sense of the utterance. See if you can match the sources: Peanuts, Captain Marvel, Alfred E. Newman, Little Orphan Annie.

NEW MUSIC NEW HAVEN

Artistic Directors Hannah Lash Christopher Theofanidis Manager Andrew W. Parker Assistant Manager Roberta Senatore Conducting Fellow Heejung Kim NMNH Assistant Andrew Robson Music Librarians Krists Auznieks Bora Kim Yefim Romanov Valerie Sly Hanna Yukho Stage Crew Eric Braley Maria Chlebus Lydia Consilvio Julia Ghica Nozomi Imamura Reese Farnel Matthew Keown John Kossler Richard Liverano NoĂŤl Wan

UPCOMING EVENTS Evanna Chiew, mezzo-soprano

New Duke

november 20 Artist Diploma Recital Morse Recital Hall | Friday | 4:30 pm Music by Ravel, Sibelius, Spohr, Delage, and Lieberson • With Yevgeny Yontov, piano; David Shifrin, clarinet; and others Free admission

december 4 Ellington Jazz Series Morse Recital Hall | Friday | 7:30 pm Brian Torff and New Duke bring the music of Duke Ellington alive in a contemporary way, combining Ellington’s music with the grooves of jazz, hip-hop, and rock Tickets start at $20 • Students $10

Melvin Chen, piano

Imani Winds

december 2 Horowitz Piano Series Morse Recital Hall | Wednesday | 7:30 pm Featuring Jason Freeman’s new piece Shadows for piano, laptop, and projections; music by Earle Brown and Jaroslaw Kapuscinski; and Schubert’s Sonata in G major, D. 894, Op. 78 Tickets start at $13, Students $7

december 8 Oneppo Chamber Music Series Morse Recital Hall | Tuesday | 7:30 pm Celebrating dance and variations, with selections by Rimsky-Korsakov, Piazzolla, Villa-Lobos, Paquito D’Rivera, and more Tickets start at $26 • Students $12

Vista: Chamber Music & Commentary

Lunchtime Chamber Music

december 3 YSM Student Ensembles Morse Recital Hall | Thursday | 12:30 pm Outstanding student chamber ensembles offer a personal take on music by Beethoven, Schubert, Mendelssohn, and Ligeti Wendy Sharp, director Free admission

december 9 YSM Student Ensembles Morse Recital Hall | Wednesday | 12:30 pm Music for a variety of chamber ensembles, performed by students in the School of Music Wendy Sharp, director Free admission

Concert Programs & Box Office: Krista Johnson, Donna Yoo Communications: Dana Astmann, Monica Ong Reed, Austin Kase Operations: Tara Deming, Chris Melillo Piano Curators: Brian Daley, William Harold Recording Studio: Eugene Kimball connect with us:

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If you do not intend to save your program, please recycle it in the baskets at the exit doors.

Robert Blocker, Dean