Carol Jantsch tuba
& Michael Djupstrom, piano
faculty artist series October 13, 2014 • Morse Recital Hall
Robert Blocker, Dean
Faculty Artist Series
Carol Jantsch · tuba with
michael djupstrom • piano
Monday, October 13, 2014 • 7:30 pm • Morse Recital Hall
Ástor Piazzolla 1921–1992
Tango No. 3 arr. Jantsch
Claude Debussy 1862–1918
Prélude à l’après-midi d’un faune
David Lang b. 1957
press release (1992) intermission
Michael Daugherty b. 1954
Reflections on the Mississippi (2013) III. Prayer IV. Steamboat
Jan Koetsier 1911–2006
Concertino for tuba and orchestra, Op. 77 I. Allegro con brio II. Romanza e Scherzino III. Rondo bavarese
As a courtesy to the performers and audience, please silence all electronic devices. Please do not leave the hall during selections. Photography or recording of any kind is prohibited.
Artist Profiles
Carol Jantsch · tuba Praised by the Philadelphia Inquirer as having “a sound as clear and sure as it [is] luxurious,” tubist Carol Jantsch has been principal tuba of the Philadelphia Orchestra since 2006. She won the position while still a senior at the University of Michigan, becoming the first female tuba player in a major symphony orchestra. Raised in a musical family, Carol began piano lessons at age six and began studying euphonium at Interlochen Arts Camp at age nine. After switching to tuba, she attended the prestigious arts boarding high school Interlochen Arts Academy, graduating as salutatorian of her class. She continued her studies at the University of Michigan under the tutelage of Fritz Kaenzig. During this time, Carol won first place in four international solo tuba competitions and received laureates at several others. After winning her position with the Philadelphia Orchestra in February of 2006, she returned to Michigan to complete her Bachelor of Music degree, graduating summa cum laude. Carol has appeared as a soloist with the Columbus Symphony Orchestra, St. Petersburg Symphony Orchestra, Henry Mancini Institute Orchestra, and the United States Marine Band, among others. She has performed in Carnegie’s Zankel Hall with the Musical Olympus Festival, has
appeared on NPR’s radio series From The Top, and has been a featured artist at various brass festivals in Finland, Germany, Canada, and the United States. In 2009, Carol was honored with a Best of Philly award from Philadelphia Magazine. Carol has given master classes in Europe, Asia, and North America. She is on the faculty of the Curtis Institute of Music, Temple University Boyer College of Music, and Manhattan School of Music. In 2012, Carol joined the Yale School of Music faculty as Lecturer in Tuba. In 2009, Carol released her first solo recording, Cascades. The album, along with further information, is available on her website. » www.caroljantsch.com Michael Djupstrom · piano The work of composer and pianist Michael Djupstrom has been recognized through honors and awards from institutions such as the American Academy of Arts and Letters, Pew Center for Arts & Heritage, Chinese Fine Arts Society, the UK’s Delius Society, and the Académie musicale de Villecroze, among many others. His compositions have been presented across the United States, Europe, and Asia and have been released
Artist Profiles
on numerous commercial recordings. As a pianist, he has appeared at festivals and in cities throughout the world. Djupstrom was born in St. Paul, Minnesota (USA) in 1980 and studied music formally at the University of Michigan and the Curtis Institute of Music. Other training included fellowships at the Tanglewood Music Center, the Aspen Music Festival, and the Brevard Music Center, as well as studies in Paris with Betsy Jolas. He currently lives in Philadelphia, where he teaches at the Curtis Institute of Music.
the BMW Music-Theater Prize (Munich), a Kennedy Center/Friedheim Award, the Revson Fellowship with the New York Philharmonic, a Bessie Award, a Village Voice OBIE Award, and grants from the Guggenheim Foundation, the Foundation for Contemporary Performance Arts, the National Endowment for the Arts, the New York Foundation for the Arts, and the American Academy of Arts and Letters. His work is recorded on the Sony Classical, Teldec, BMG, Point, Chandos, Argo/Decca, Caprice, Koch, Albany, CRI and Cantaloupe labels.
David Lang · composer
Born in Los Angeles in 1957, David Lang holds degrees from Stanford University and the University of Iowa, and received the D.M.A. from the Yale School of Music in 1989. He has studied with Jacob Druckman, Hans Werner Henze, and Martin Bresnick. His music is published by Red Poppy (ASCAP) and is distributed worldwide by G. Schirmer, Inc. David Lang joined the Yale faculty in 2008.
The music of David Lang has been performed by major musical, dance, and theatrical organizations throughout the world, including the Santa Fe Opera, the New York Philharmonic, San Francisco Symphony, Cleveland Orchestra, Kronos Quartet, Nederlands Dans Theater, and the Royal Ballet, to name a few, and has been performed in the most renowned concert halls and festivals in the United States and Europe. Lang is well known as co-founder and co-artistic director of New York’s legendary music festival, Bang on a Can.In 2008, Lang was awarded the Pulitzer Prize in Music for The Little Match Girl Passion, commissioned by Carnegie Hall for Paul Hillier’s vocal ensemble, Theater of Voices. He has also has been honored with the Rome Prize,
Notes on the Program
press release by David Lang I wrote press release in 1991 for Evan Ziporyn. When you compose for one person, you can’t get all the colors that you’d have with an ensemble or orchestra, so you have to imagine some sort of interesting problem. I wanted to do something that was really rhythmic. The original idea behind this piece was that of a high melody alternating with a low bass line, so that you get a high pop and a low pop switching back and forth as fast as possible, and these two worlds coexist. I wanted the upper melody to be recognizable and the bottom bass line to be recognizable, to be a real bass line, a driving funk thing. In classical music, the bass is only there to support the melody, which is where the action is. But the bass line is the place where funk music really shines. Who has the best bass lines in the business? I am a big James Brown fan, and, I thought, if you want a bass line, you got to go to James. So I made the key changes sound like James Brown. Because of the way the bass clarinet works, I thought you’d have to press the keys down to make all the low notes, and you’d release the keys to make the high notes… press release. I was really proud of myself because I thought I had made this funny joke, and then of course Evan said, ‘’You know, a lot of those high notes you play with all your fingers down, and a lot of those low notes you play with all your fingers up.’’ But I didn’t think it was worth it to change the title.
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Robert Blocker, Dean