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ARCHITECTURE AS LIVELY PAINTING
from Mengxi Xu Sci Arc
by mengxi xu
Course Name : HT 2200
Instructor : Marcelyn Gow
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Individual Project Fall 2022
In On Beauty and Being Just, Elaine Scarry suggests that beauty triggers the desire to reproduce the beautiful object. “The Fuchun Mountain Pavilion follows the traditional Chinese landscape sequence, presenting the architectural rule of echoing the near mountains, secondary mountains and distant mountains in the overall construction of the building itself.”Wang Shu confessed that Huang Gongwang’s landscape paintings inspired the architecture. “Dwelling in the Fuchun Mountains” (figure 1 and figure 2) is a famous traditional painting by Huang
Gongwang made in the Yuan dynasty. Located on the banks of the Fuchun River, the Fuchun Mountain Museum recreates the idea of the mountain-dwelling in the painting, based on the scenery painted in “Dwelling in the Fuchun Mountains.” Wang Shu recreates the mountain and water painted 600 years ago through the museum’s architecture which is another mode of abstraction moving from image to architecture. This museum on the Fuchun River has become a vivid painting.



The entrance to the Fuchun Mountain Pavilion has a winding corridor with a fence made of bamboo. The pavilions and roofs at the water’s edge curve like mountains to blend with the green hills in the distance. When you walk along the shore, the water grass floats up with the wind, and it is like entering a small village in the middle of a remote mountain. Wang Shu says that when you enter the pavilion, you will have the feeling of being ‘in the mountains, and then you can appreciate how to look across the mountains and look at the peaks. The mountain-dwelling was the ideal residence to which the ancient Chinese literati aspired.

To express the mountain dwelling in the Fuchun Mountains, the inside and outside of the building have been designed accordingly. We can see that the long stretched roof echoes the outer mountains in Huang Gongwang’s painting. The interior of the building creates a feeling of walking in the mountains. From the entrance, the curving path circles upwards and eventually towards the roof. This experience is the inner mountain concept in Huang Gongwang’s painting. This mountain walking path can also be understood as a type of architectural promenade. This wandering experience of the layout of the building is a unique architectural experience.
Michael Young mentioned in The Aesthetics of Abstraction that abstraction can shift relations by crossing aspects between mediums. All of these substitutions involve an abstraction of aspects from one medium and reinsertion into that of another. In the case of the Fuchun Mountain museum, it abstracts the experience of walking inside of the mountain. The architecture material and space as the mediums transferred the abstraction from painting to architecture. It is not only a recreation but also stands as a lively painting beside the river.
Wang Shu said that “Dwelling in the Fuchun Mountains” was the source of inspiration for his architectural design. Every brick, tile and stone of the pavilion was taken from the site, both as a dialogue with Huang Gongwang and as a positive response to the natural landscape of Fuchun. Interpreting Chinese Jiangnan culture through the language of architecture, 660 years after Huang Gongwang, Wang Shu reproduced the landscape inside the painting.

Michael Young said “Instead of subtraction, abstraction in aesthetics behaves almost as a substitution.”The museum carries the ideal of the ancient people’s desire to live in the mountains as a substitute for Huang’s painting. The abstraction of the landscape and the understanding of the mountain dwelling, whether from Huang Gongwang more than 600 years ago or from Wang Shu in the contemporary time, is the same, seeking something spiritual in man and nature. Michael Young explains as in this manner it is a process as it extends into the duration of sensation. When Huang Gongwang painted, he was not making a visual record of a single day or a single landscape, but rather capturing the flow of travel through atmospheric changes and multiple perspectives. It took him three years to complete the painting as a form of leisure and self-expression. When Wang Shu tries to “decipher” the landscape painting he says that, “in a Chinese landscape painting, there are big mountains with many trees, and the house is in the middle, which generally takes up little space.”Through this approach to abstraction one discovers the harmony of the architecture blending into the landscape scenery.
Bibliography https://smarthistory.org/huang-gongwang-dwelling-in-the-fuchun-mountains/.
“Huang Gongwang, Dwelling in the Fuchun Mountains – Smarthistory.” Accessed October 15, 2022.

Jiang, Xun. “| CEIBS.” Accessed October 15, 2022. https://cn.ceibs.edu/emba/views/10939.
Michael Young, “The Aesthetics of Abstraction,” in Aesthetics Equals Politics: New Discourses across Art, Architecture and Philosophy, ed. Mark Foster Gage (Cambridge, MA: The MIT Press, 2019) 127-148.
Yongming, Zhai, and Andrea Lingenfelter. “from Following Huang Gongwang through the Fuchun Mountains.” Manoa 31, no. 1 (2019): 167-169. doi:10.1353/man.2019.0087.” July 3, 2021. https://k.sina.cn/article_2634563093_9d083e1501900to4m.html?from=cul. [Original source: https://studycrumb.com/alphabetizer] [Original source: https://studycrumb.com/alphabetizer]
It is important to note that climate change is a complex and ongoing issue, and its effects on the environment and human living conditions are still being studied and assessed. However, it is generally agreed upon that climate change poses a significant threat to many aspects of our lives, including the availability of natural resources, the stability of ecosystems, and the livability of our communities.
As a response to the threat of climate change, c-algae, are taking steps to reduce their greenhouse gas emissions and promote more sustainable development practices. These efforts can help to mitigate the effects of climate
C-ALGAE SKYSCRAPER

Course Name : DS1201
Instructor : Elena Manderdini
Collaborate with : Yoayu Lin+ Ella Cui Spring 2023 change and ensure a more livable future for all.
Algae-based technology has been proposed as a potential solution for addressing a range of environmental issues, including climate change, resource depletion, and pollution. Algae are photosynthetic organisms that can be used to capture carbon dioxide and produce oxygen, making them an attractive option for reducing greenhouse gas emissions and promoting sustainable development practices.
Transforming California Plaza into a work-live community based on algae energy solutions presents a compelling opportunity to revitalize the tower and create a vibrant and sustainable community. Achieving this vision, however, demands a meticulous approach that accounts for the building’s structural integrity, zoning regulations, and the needs of local communities.

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The conceptual idea of our two tower starts with a sphere, half sphere and cut spheres, we separate the forms into two towers and develop the basic forms as twin towers. All about composition of spheres and pointed towers.


The intent of the project is to find the balance between housing and office space. The sphere’s function is more likely public space gathering was inserted into the building.
The top of our tower two designed as two unit apartment per floor. each have a private entrance access. The middle of the tower is the office space, the top sphere space is a amphitheater for gathering, and then this project also have a garden for bottom sphere.



This air filtration system is an enclosed system consisting of transparent tubes filled with algae that are connected to auxiliary equipment such as filters, pumps and solar panels. Thriving in the abundance of CO 2 and sunlight, the algae will bloom and mature inside the tubes, filtering the air.

Unfiltered city air is introduced to the bottom of the building and as the air bubbles rise naturally through the water medium inside the bio plastic photo bioreactor, carbon dioxide molecules and air pollutants are captured and stored by the algae and grow into biomass. The top of each unit releases fresh photosynthetic oxygen into the building’s micro climate.
Thanks to the serpentine design, these modules optimist the carbon sequestration process. With 16 modules of 2 x 7 meters, approximately one kilogram of CO2 per day is equivalent to 20 large trees.

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In the not-too-distant future, a new artificial intelligence system, nicknamed “The Oracle,” was created. Its primary purpose was to collect and analyze vast amounts of data from across the world, and to help solve complex problems that had long eluded human experts. At first, The Oracle proved to be a highly useful tool, providing insights and recommendations that led to significant advances in fields ranging from medicine to transportation.
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