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作品、作曲及作詞家簡介
Programme Notes, Biographies of Composers & Lyricists
周子騫 Hin Chow Hin Chow is a Hong Kong based music composer and is a graduate of the School of Music, the Hong Kong Academy of Performing Arts, majoring in Composition and Electronic Music under the guidance of Dr. Florence Cheung Pui-shan. 周氏熱愛創作，近年受母校英皇書院邀請為學校 中樂團金禧音樂會和香港天籟敦煌樂團委約作曲。 去年獲選為垂誼樂社「作品徵集」的優勝者，受垂誼 樂社邀請以大館作靈感譜曲。今次音樂會為周氏 第一次嘗試創作流行曲。
HinStudio
李梓成 Nathaniel Lei Nathaniel Lei is now studying in the Faculty of Arts, the University of Hong Kong, where he majors in Music, minors in Chinese Language and Literature. Under the guidance of Professor Yeung Wai-kit, Lei is a regular winner of competitions held in Hong Kong and overseas. He is also an active music critic and promoter for various newspapers and magazines in Hong Kong and Beijing. Recently, Recentl Lei has collaborated with various organizations on talks, workshops, research and outreach programmes. He is the co-author of Art & Culture @ HK 2015, and the editorial board member of Chinese Music Without Bounds ‒ International Composers Summit Proceedings and Papers 2017. 現就讀於香港大學文學院，主修音樂。早年曾奪得多個演奏奬項， 多次接受香港電台專訪。近年亦涉足寫作，文章散見於《明報》、 《明報月刊》、 《art plus》、 《星島日報》、 《亞洲週刊》、 《am730》等 出版媒體，以及國際演藝評論家協會（香港分會）網站。
安非他命 Amphetamine Singer and Piano Feeling relieved as it will not be his fate. The only way to relieve pain is to escape from reality. 心安，不會是他的命運，為了止痛，只好逃避。
安非他命歌詞 Lyrics of Amphetamine 紙醉金迷 人生試 場 酒訴衷腸 卻將更斷腸 只配嗟愁 自己太善良 彷似蹉跎 生歲月長 太多誘惑 滿世上縱使仍故作鎮定自欺正常 太多困惑倍覺紊亂我竟然悄悄折墮長路上 不應該發生（誰願痛苦過日晨？） 不應該發 不應該強忍（還是痛苦地做人？） 一一都發生（還是勇敢去做人？） 一忍一再忍 太沒意思 惟逃避卻很輕易 膽虛 噬人意志 任誰亦知 常逃避太多的事 如毒 染成就恐怕是遲 是個心 轉身逃離且免問 凝住過心 又沒有些外物來泄恨 然而沒法像個人 太安非我命 迷惑令我心亂紊 不應該發生畢竟早發生（誰願痛苦過日晨？） 不應該強忍一早不再忍（還是痛苦地做人？） 一一都發生終於都發生（還是勇敢去做人？） 一一都發生終於都發 一忍一再忍始終一再忍 如毒 染成誰敢再願試 紙醉金迷 人生試 場 酒訴衷腸 卻將更斷腸 彷似嗟愁 自己太善良 彷似蹉跎 生歲月長
清明復活 Reborn Singer and Piano The old things have passed away; they became new. 清明節後是復活節。 紀念逝去的愛情，在愛的祭壇前，一根緣份的蠟燭熄滅後，就把下一根點燃，讓它們厚厚薄薄的連綿不斷。 將不堪回顧的往事 進墳墓，然後迎接復活，繼續走自己的人生路。 明年清明再來掃掃墓。
清明復活歌詞 Lyrics of Reborn 男：長廝守變長恨 各有生活怎去過問 如今空有遺憾 換著那誰跟你正在熱吻 前塵葬在墳墓 跟你是何接近 總是要分 女：愛不愛時三心兩意 情或深緣卻淺 最難事 再哀悼 也知放下也不易 墳墓中刻上你名字 男：孤單便相對 偏偏仍生 悶 如舊玩具 掉來換新款 何必我在每夜枕邊相伴 女：你很清楚兩心各有三觀 從來未有將愛交換 男/女：佳節 碎裂 訣別 波折 心結 皆化作雲煙 男：愛的祭壇燭光乍現 是滿天琉璃火更明艷 再點亮每根 厚薄也不斷 下個知己信在前面 女：記得舊時三心兩意 漸褪色匆匆往事 給追究亦已更是沒意思 男：愛的祭壇 燭光乍現 在暗暗裏綻放光線 留我心 此後亦將生暖意 葬心內 我知告別也不易 墳墓中的每段前事 女：晨曦 透迷霧 照遍方圓映我 步 在心間 墳墓 明年清明哀悼可會更高 來忘記在長路
張鷹 Mike Cheung
Mike Cheung, currently studying Composition and Electronic Music in The Hong Kong Academy for Performing Arts after his study in music production related programmes, and graduated in Digital Music and Media programme from Hong Kong Design Institute. Mike has participated in productions such as television, multimedia, stage performance and showcase, most recent release is the theme music for RTHK's "Audio Description TV Programme promotion campaign. Besides instrumentals and chamber works, electronic elements are often adopted to those compositions and tracks due to his huge interest in electronic music related subjects. Mike is also specialized in Vocal Synthesis technology, mainly using VOCALOID. In 2020, Mike had tried using a newly introduced Artificial intelligence Vocal Synthesis NEUTRINO, and produced one of the first songs to be released in Hong Kong using the technology. By introducing different elements in my composition, such as Popular culture, Ethnicity and Technology, Mike hopes to find a new approach to modern and contemporary music, and to present more diverse musical ideas to the general public. 張鷹，現於香港演藝學院修讀作曲及電子音樂，此前亦修讀音樂製作相關科系，香港知專設計學院數碼 音樂媒體畢業。經驗尚淺的求學年間曾為電台電視、多媒體、舞台、創藝展等製作提供音樂作品、最近一次 為香港電台《聽出好氣勢》宣傳提供主題音樂；除了純音樂和室內樂，亦喜愛研究電子相關音樂風格與 技術，對外創作亦不時加入電子元素；同時專門於電子歌聲合成，主要使用VOCALOID；2020年曾嘗試以 當時最新公開的人工智能技術歌聲合成引擎NEUTRINO創作，歌曲成為最早使用此技術於香港發表的 作品之一。 通過在作品中引入如流行文 民族性和科技等元素，希望找到更多現代音樂的演繹方法，並向廣大公 通過在作品中引入如流行文化、 展示多彩的音樂風格和理念。
yingc_music
不講不聞 SEE NO SPEAK NO HEAR NO Solo Live Electronics Concept of "SEE NO SPEAK NO HEAR NO" refers to "the three wise monkeys", a Japanese pictorial maxim which stands for see no evil, hear no evil, speak no evil (見ざる, 聞かざる, 言わざる) . It originally teaches people to be responsible to their mind, speech and action, similar to a phrase in Analects of Confucius "Look not at what is contrary to propriety; listen not to what is contrary to propriety; speak not what is contrary to propriety; make no movement which is contrary to propriety". Psychedelic trance is a genre having its origin from India in the mid-1960s. Associated with elements of cinematic music, this track aims to create the sense of listening to sounds from movies as being the audience. "SEE NO SPEAK NO HEAR NO" 概念出自日本三猿之說所引申的格言「不見、不聞、不言」 （見ざる、聞かざる、 言わざる）原意為教導人注意言行舉止，類似《論語》 「非禮勿視、非禮勿聽、非禮勿言、非禮勿動」之意。 作品運用發跡於印度的Psychedelic trance風格，配合電影配樂及聲效常見的元素，旨在營造猶如電影橋段 的情節聲效的感覺。
願明燈指引 May The Light Be With Us Solo Live Electronics Combining elements from Progressive house, Minimal electronic and Synth-pop, aiming at creating an uplifting feeling to the audiences. Dive into the atmosphere similar to those overseas electronic dance music festivals. May the light on our path be with us always. Hold on just a little while longer Everything will be alright − Rev. Cleophus Robinson Jr., 1980 作品結合 Progressive house，Minimal electronic和Synth-pop的元素，為現場營造華麗的氣氛，猶如置身 於外國的電子音樂節中。 於外國的電子音樂節 願指引我們方向的明燈常與我們同在。 「再堅持一下 一切都會好起來的」− 克洛夫斯-羅賓 , 1980
吳熙彤 Ng Hei Tung, Tammi
Ng Hei-tung, Tammi, is currently a Postgraduate Certificate in Laws student from the University of Hong Kong. Between 2016 and 2020, she completed her Bachelor of Laws and Master of Laws programmes at the University of Birmingham and the University of Hong Kong respectively. During her legal studies, Ng is active in Cantonese lyrics writing. She is one of the founding members of the local musical group Sap Yuet Yu as a lyricist to promote Cantopop in Hong Kong. Over the past few years, she has written lyrics for pop songs, advert songs, movie theme songs and musical pieces. In 2020, her lyrics were shortlisted by the Songwriters Association of Hong Kong for which the songs were played in a concert held by the Association. She was also the recipient of the Eric Pun Memorial Prize in Music 2020-21 offered by the University of Hong Kong.
吳熙彤現於香港大學修讀法學專業證書課程。在2016年至2020年間，吳氏於英國伯明 大學取得法律學士 學位，並在香港大學取得法學碩士學位。 在學期 吳氏活躍於 語填詞。 是「拾月語」的創辦成員之一，以填詞人身分致力在香港推廣 語歌曲。 在學期間， 在過去多年，吳氏曾為各類流行曲、廣告歌、電影主題曲及音樂劇作品填詞。在2020年，吳氏的填詞作品被 香港音樂創作人協會選中，作品其後在香港音樂創作人協會舉辦的音樂會中演出。吳氏也是2020/2021年度 香港大學音樂獎學金「Eric Pun Memorial Prize in Music」的得獎者。
Ng Hei Tung Tammi
童話幻覺 When love is just a fairy tale Singer, Dancer and Electronics You do not love him and you know it. Maybe you just do not want to be alone. Or maybe, maybe you doubt if you can find a better person. Or , or maybe he knows all about it indeed. Whilst none of you intends to end this loveless relationship, it may not be a bad idea to keep telling lies, make him smile and have a fairy-tale ending. 維持一段沒有「愛」的愛情，說 了就是自私。 因為怕孤寂，所以說「愛」。 因為怕找不到更好，所以自欺欺人。 因為怕找不到更 也許， 一切「他」都是知道的。 既然「他」沒有讓故事結束，何不繼續好好掩飾，以童話式情節發展下去？
童話幻覺歌詞 Lyrics of When love is just a fairy tale 當氣泡刺 化影如霧 把心意都看 你追我趕 彼此也許氣喘 説 怕認輸 為營造童話國美好不厭 是固執惹禍 是錯的如果 當愛情沒愛成習慣 裝笑臉慨嘆 恨你 ？不是 恨我 ？ 知 怕孤寂 才流露愛意 言沒休止 只想信一句「前面會更好」 但是無去路 沒法再 到 跟他怎麼共老 空虛倒數 迷迷糊糊像幻象 痛痛快快任歷史怎記載 怕淪為藝術品 看夠 夠 輕撫 生 還愛他？不是 是錯得明智 愛情沒愛成習慣 其實你也知 輕帶點嘆息 卻不放手 親 我不歇息 隨便來襲 只想再興奮些 去掩飾我傷患 營造童話國美好的片段
徐希臨 Heilam Tsui Growing up in Hong Kong, Heilam studied classical voice at Leeds Conservatoire (UK). She is now working full-time, but still exploring opportunities in music and theatre. Heilam is the graduate of the Applied Learning Course The Essentials of Theatre Arts held by the Hong Kong Academy for Performing Arts in 2015/17 , and she is now in her first year of 2020/21 Professional Physical Theatre Youth Training Programme run by Tang Shu-Wing Theatre Studio. Heilam had never thought about composing until the pandemic blocked her way towards performance. She started writing tracks, collaborated with art works drawn by illustrators from Hong Kong and Taiwan. She also became active in the doujin field as a singer, singe mixing engineer and singing coach. Previously joined groups: Zuni Icosahedron (HK), Soundpocket (HK), Singfest HK, Eternal (HK), National Youth Choir of Great Britain, Tallis Consort (UK), Leeds Minster Choral Scholar (UK), etc.
成長於香港，中學畢業後進攻英國利茲音樂學院，主修古典聲樂。2020年畢業回流後成為新晉社畜，同時 繼續在追尋表演藝術的路上奔 。不務正業，遊走於音樂和劇場之間，為 2015／17 年度香港演藝學院 應用學習課程由戲開始 • 劇藝縱橫〉畢業生，現正於鄧樹榮戲劇工作室修讀〈2020／21 專業形體戲劇青年 訓練課程〉一年級。 據本人表示，其志願實為表演，但在疫症封城 show做期間為免發霉而開始聲音創作；曾與港台兩地 畫師合作，為畫作配樂。同時在同人圈裡以其他的名義進行翻唱歌手、混音師、歌唱指導等活動。 曾合作／參與團 ：進念 • 二十面體（香港）、soundpocket 聲音掏腰包（香港）、聲蜚合唱節（香港）、 曾合作／參與團體 Eternal 翻唱社（香港）、英國國家青年合唱團、Tallis Consort（英國）、利茲大教堂合唱學者（英國） ...... 等等等等
https://linktr.ee/heilamt_music
告別回憶 Goodbye Singer and Piano Written during the lockdown in the UK in 2020, this is a song dedicated to an old friend who might not be able to meet anymore. None of us were wrong. Though sometimes I wish our cities were a bit gentler, so we could reunite without those absurd memories. 寫於一年前英國封城，困在家中最容易胡思亂想期間，因為懶得學編曲所以一直都係得 個版本。 某些關係的斷裂，有時候並不因為疏於問候，而是 個世界的荒 把兩個人 拉 遠。我們都沒有錯， 只是我們都無法裝作一往如昔地相約歡笑。 送給大概以後也無法再會、曾經是我世界中唯一的，一位 友。
告別回憶歌詞 Lyrics of Goodbye 想起當天相約在門前 為要鬥一番先上車 如今得我一個衝線
可否 開身邊的雜事 讓我倆可相見多次 回憶窗邊一片花海
心中糾紛總不可避免 緣份在等一 澱 卻無奈變遷
過去彩色可變做塵埃 明白我亦可被替代 縱使不應該
今天找不到失蹤勇氣 沒法跟那天的我比 重覆宣稱 堆砌多遍
焚燒憶記 再遇見先至算歡喜 重新出發 最後在遠方至醒起 如果可以 寄望痛楚學會深細味
「你會某秒想見我們 」 麻木自是 信著希冀 縱使已灰飛
今天笑臉如常 背對着你
何需牽掛 已別去剪影必葬下 曾多不捨 再望舊照片也瀟灑 再望舊 而此刻我背道遠走 路已經分岔 張張笑臉遺忘 貼上代價 手機聲響彷似問如何 但找不出溫馨詞彙 唯得廣告冰冷輾過 閉上眼似思想超負載 誰令我錯失了期待 誰令我錯 卻無從 改
何需牽掛 已別去剪影都葬下 曾多不捨 再望舊照片可瀟灑 而此刻我背道遠走 路縱使分岔 一張笑臉如常 笑說不差
Dreaming Home@Crossroad Physical Theatre and Music It is a piece with 3 stages of creation. The first layer included ambient music involving location recording and electronic sounds. Then we had actors who graduated together from The Essentials of Theatre Arts to improvise based on the music. We would like to invite you to complete the final stage of creation by watching. The piece was written during the time when the composer was studying abroad. It depicted the daydream of a girl who was waiting to cross the road, by using the pedestrian crossing sound of Hong Kong and the UK as the tread of the piece. "For a million times, when I heard the beep, I wished it was Hong Kong at the other side of the crossroad." 是次創作有三個階段。第一層為為結合實地錄音及電子聲效的氛圍音樂，第二層集合了一起從 〈由戲開始 • 劇藝縱橫〉畢業的演員們的聯想及即興創作。我們邀請觀 透過觀賞，在大家腦海中展開 獨一無二、屬於你自己的第三層創作。 作品寫於英國求學的時期，以香港和英國的紅綠燈聲音為全曲線索，揉合形體，記述了一個女生在等候 過馬路時發白日夢的旅程。 過馬路時 「曾經有無數次，我都希望聽到綠燈的
聲、抬頭望向馬路另一端時，就已經見到香港的風景。」
蘇傳安 So Chuen On
Majoring Composition and Electronic music in the Hong Kong Academy for Performing Arts (HKAPA), So participated in My Main Stage conducted by producer Chiu Tsang Hei and gained insight in electronic music. He has arranged, designed, and composed music for the anniversary drama of The Chung Chi College and the student works at the HKAPA. Coupled with above, So produced and arranged songs for kindergarten and helped children explore the world through music. 蘇傳安 (作曲家) 現於香港演藝學院就讀作曲與電子音樂系二年級, 曾參與由趙增熹監製主辦的 曾參 「大台主」課程而接觸電子音樂。曾為香港中文大學崇基學院戲劇社周年公演《我約了 放學見》 擔任作曲家及音響設計師，另外為香港演藝學院學生電影作品《一死》編寫配樂。在教育方面則協助 不同幼稚園製作/編製兒童曲目，幫助小朋友以音樂體驗世界。
soon420
離生無路 Nyāma Dance and Music There is no way out to nyāma only if there is a way. The so-called truth is nothing more than a vehicle that leads you to nyāma. In this piece, electronic music and contemporary dance are used to portray and imitate the past experience of Buddha. Audiences are suggested to detect the amazing past of Buddha and ponder on their role in reality. 離生本無路，無路即有路。 道，只是為載體之一。 本曲希望能盡用電子音樂與現代舞蹈去描繪第一覺醒者在紅塵中的部份經歷，讓觀 去感受那份 原始與迷惘，思考人生定位。
血鑰 Le Clé Sanglante Erhu, Xiaoruan, Pipa and Yangqin This piece is inspired by Barbe Bleue (Bluebeard) written by Charles Perrault, implying human s limits of invading privacy. Although Barbe Bleue shared all his property, including his trust, with his newlywed, the lady opened all his distant rooms with the forbidden room included. The lady found and experienced a bloody secret of Barbe Bleue eventually. Is he a demon lover? On the other hand, does the experience of that lady not worth our sympathy notably? It was a pioneering and challenging instrumentation for the composer, he tried to combine the story materials and themes into the music, with a view to interpreting a classic Western story. The composer also hopes to express the dilemma modern lovers face. 本曲以法國詩人 夏爾·佩羅的《藍 子》作為藍本，寓意人與人之間對於私隱底線與界限的理解。 藍 子給予妻子無限的信任， 子給予妻子無限的信 甚至願意與 分享自己所有的財富。但儘管如此，妻子還是用他所給的 鑰匙開 一個又一個的密室，甚至毫不理會藍 子的警告用黃金鑰匙開 了禁忌的地下室，繼而目睹、 「經歷」 了殘酷的真相。 藍 子是一位恐怖情人 ？還是妻子其實根本不 得絲毫的同情？ 作曲家首次採用中國樂器法，並在不同主題之間的糾纏關係加入故事元素，演繹西方故事經典， 希望藉此表達現代愛情觀的種種矛盾。
裔
Zheng Yui Ka Bonnie ZHENG Yui Ka is currently studying Composition and Electronic Music at the Hong Kong Academy for Performing Arts, under the teaching of Ms LI Kar Yee. Her major works include Comes full circle for clarinet in Bb, violin, cello and percussion, Lucid Dream for suona in G, bass guan and two percussion, Rhapsody of Household Items for Percussion Trio and Eurydice for female solo and piano. 裔 現於香港演藝學院修讀音樂，師隨李嘉怡學習 作曲及電子音樂。 氏的主要作品分別為《周而復始》 （為小提琴、大提琴、單簧管和敲擊而作）、 《清醒夢》 （為G調 吶、低音管子和兩敲擊而作）、 《日用品狂想曲》 （為敲擊三重奏而作）及《尤麗迪絲》 （為獨奏女聲和鋼琴 而作）。
Zheng Yui Ka
吳卓恩 Ng Cheuk Yan Viola
Viola Ng is a final year oboe student at the Hong Kong Academy for Performing Arts. Viola enjoys reading and writing in her free time. 吳卓恩現於香港演藝學院修讀音樂，主修雙簧管。 閒時喜歡閱讀和寫作。
尤麗迪絲 Eurydice Vocal, Dance, Oboe, Horn and Cello This piece is telling the famous Greek myth ‒ Orpheus and Eurydice . Inspired by the film ‒ Portrait of a Lady on Fire , the composer tells the story from Eurydice s perspective. The majority always blame Orpheus impatience, however, the message of this story not only about patience. Eurydice was regretless to Orpheus turning back because she knew that Orpheus was subconsciously reacting to lover s calling. She understood him because everything is inevitable. Hades was unwilling to let Eurydice back to earth, so Hades tricked them at the last moment. Female solo represents Eurydice's innermost feelings, instruments represent Eurydice's projection to the environment. 首作品講述一個耳熟能詳的希臘神話悲劇 ̶̶《俄耳甫斯和尤麗迪絲》。作曲家受電影《燃燒女子 的畫像》 發創作此曲，從尤麗迪絲角度出發描述整個故事。 人們總會責怪俄耳甫斯缺乏耐性，但故事的寓意遠不止關於耐性。尤麗迪絲不會責怪俄耳甫斯回頭望 了 一眼，因為那是下意識對愛人呼喚。 明白所有事都是無可避免的，因為冥王黑帝斯並不願意讓 返回人間，所以冥王在最後一刻略施小計，使俄耳甫斯聽見愛人的呼喚。女聲代表了尤麗迪絲的內心 返回人 想法，而樂器則是尤麗迪絲對外部世界的投射。
尤麗迪絲詩詞 Poem of Eurydice I gaze, I gaze Only darkness awaits Oh! Haunt me not thy shadow I wept solely for my earthly lover My dearest, Will your heart still be loving? Or will your heart be aching? Ahead and onwards, I always will wait Thou art my song, It always sounds Thou art my music, Echoing above But herkien! Herkien! Herkien, the hymnal of thy lyre! Herkien! The hymnal of thy lyre! Strike the strings in my heart! My heorte! Orpheus, Oh Orpheus Still in your rouge red chiton Covered in dust and dirt Your slender arms grew scrawny But grip so ever firmly
Orpheus, oh Orpheus! Leave me be in the dead end of life Detached from all the strivings Oh Orpheus! I yearn to lock my eyes to yours Just for one last time So Orpheus, My heart will always be loving But never aching As I will never regret the seasons I ve looked at myself in your dark brown eyes
楊倩桐 Yeung Sin Tung Jessie Jessie Yeung is currently pursuing a Bachelor degree of Art (Music) from Chinese University of Hong Kong， majoring in organ and minoring in guqin. She was previously studying at the Hong Kong Academy of Performing Arts and its Junior Music Programme. Graduating from Munsang College, she has been studying composition with Ms Ng Hau-yee Poly, Pol Dr Phoebus Lee, Ms Li Kar-yee, Prof. Wendy Lee and Mr Chiu Tsang-hei. Her piece "Probity" was selected in "Music from Heart 2021" concert organized by the Hong Kong Chinese Orchestra. She is now the double bassist of Hong Kong Youth Chinese Orchestra and the member of the woodball team at CUHK. She would like to express the simplicity and intrinsic qualities of music through performing and composing music, exerting herself to explore the essence and inwardness of music in this ginormous world of art.
jessiestyeung.wixsite.com/jessiestyeung
楊氏現於中文大學就讀文學士（音樂）課程，主修管風琴， 副修古琴。曾就讀香港演藝學院及青少年音樂課程，畢業於 民生書院，過去亦隨伍巧怡老師、李家泰博士、李嘉怡老師、 李允琪博士和趙增熹先生學習作曲。2021年， 入選 香港中樂團《心樂集》音樂會。現為香港青年中樂團的低音 大提琴手和中大木球隊成員。
楊氏希望透過演奏和作曲，表達音樂的純粹。藝術的世界很大，還在探索，尋求音樂蘊含的意義和本質。
Simon Emmanuel Born and raised in England, Simon Emmanuel is an aspiring music composer and producer. Writing in a range of styles including modern classical and electronic, influences on his work include various rousing film scores, immersive game soundtracks and entrancing solo works, such as those by Nobuo Uematsu, Hans Zimmer & Yann Tiersen, among others. His musical interests are in primarily cinematic and orchestral genres, erratically branching out into more disparate genres such as Mongolian folk rock (such as The Hu) and Icelandic ambient (like Olafur Arnalds) when they catch his eye. His current favoured musician is Prequell, a contemporary electro-orchestral composer. Self-taught on the piano, musical theory and orchestration beginning in 2009, he is now a student of Music Technology at Coventry University. His wish is to further increase his understanding of the principles of acoustics and sound on this course, as well as grow as an audio engineer, producer and mixer. Simon s compositions range from solo piano works to double bass & percussion fusions to full orchestral pieces to minimalist electronic soundscapes, examples of which can be found online at www.emmanuelnova.coventry.domains
束縛 In Chain Dance and Music Social Distance: 1.5m Between you and I: 1.5^n m Between myself, inimitably close Quiet world, Empty streets, Tick, Tock-Tick Tick-Tock, Tock-Tick-Tock Momentum originally existed in this world Disrupted by noise and cities Loudless distance, not in chain Time remains, Pulling out distance Within your true self
社交距離: 1.5米 我與你的距離: 1.5^n 米 我和自己的距離，無比的近 世界可以如此的靜 街道如此的空 滴 答、滴 滴答、答滴答 世界本來有其韻律 只是嘈音和城市干擾了 無聲的距離，不是束縛 是時間 離間了的距離 與自己的距離
TAOTAO
If Where is the love? is a reflective question that Black Eyed Peas posed to the world and Amani is Beyond s anthem to call for peace, then a big group hug and a massive dance party is what TAOTAO believes the world needs right now. It is also what drives her to become a singersongwriter: to continue the spirits of these legends with her creations. Thrilled by the energy of African American Music culture during her study at the Musicians Institute in LA, it is easy to find R&B, soul, funk and electronic elements in her music. TAOTAO wants to bring warmth and a chill vibe back to her home county and to other Asian audiences, who are often too busy and stressed by the pace of city life. Her original music On the Street , Ain t No 24/7 Happiness and it s okay not to be okay have received good public recognition and are recommended by the local media including Radio 903, LokWoodTao. Apart from her solo career, TAOTAO and her schoolmates formed the band Flat550 last year and together they would like to bring the LA vibes to Asia. After gaining her first success in the Ear Up Incubation program winning the 2021 Ear Up Audience Award and Grand Prize , TAOTAO is currently preparing for her debut album. 古今中外有不少樂壇傳奇人物以愛之名創作音樂：70年代英國John Lennon的Imagine，90年代香港 樂隊Beyond的Amani。集作曲、作詞和樂隊主音於一身的多元創作女歌手TAOTAO追隨著 些前輩的 步伐，以R&B加入電子元素的流行音樂連繫世界各地聽 ，為生活奔波的高壓城市人送上一絲暖意。 曾赴美國洛杉磯 Musicians Institute進修聲樂及音樂製作系，在非裔美國音樂文化薰陶下創作的曲風 多以 R&B、Soul、Funk為主。除了個人發展外，TAOTAO亦與在美國進修音樂時相識的好友組成Flat 550， 在亞洲分享受LA影響的節拍音樂。 曾接受903叱 樂壇、 樂 MILK Magazine 、樂活道等等的媒體訪問， 的原創音樂被DJ梁文禮所推薦。 同時在2021年的搶耳音樂節贏得兩個大獎分別是搶耳大 賞和搶耳觀 獎。 亦活躍於香港流行音樂界， 出席不同場合演出，曾為VIUTV《最後一屆 口罩小姐》決賽唱開幕主題曲，跟Jase@callstar和康子 等 歌手合唱，亦有當Demo和演唱會和音歌手的經驗。現正在籌備Debut Album的TAOTAO ，期望透過 的音樂希望能引起世界對發達社會經常遺下的弱勢社群，多一點關注和理解。
taotaobird
Ain t no 24/7 Happiness Singer and Electronics When I first had the inspiration to write the lyrics for Ain t no 24/7 Happiness , I was in a convenience store which is also why I included 24/7 in the title. I was in a bad mood. No restaurant seems to be an interesting option to me. At 9pm, I was supposed to have dinner but I was waiting for someone. There is a convenience store next to me and it seems to be a good choice. I bought myself a can of beer, a few pieces of cookies and stood inside for two hours. The staff was confused, but this space indeed cured my anxiety. We could never stay happy 24 hours a day 7 days a week, nor we have to be that happy all the time. 「沒有24/7的快樂」 首歌名的源由是因為我首次有靈感為 歌落筆寫詞時，正正身處在一間便利店。 當時心情不大好，9點鐘是該吃飯的時間，我卻在等人。等待的人好像不配有計劃，連走進 廳獨個兒 吃飯的興趣或勇氣也沒有。 身旁 間便利店似是一個好選擇。我站了兩小時，旁邊的店員也感到困惑。但它卻實實在在給了我一個 喘息空間，讓我以一罐 酒幾塊 乾，草草解決了自己的不安。 「其實都唔係 差姐，至少我可以食自己鍾意食 食物」它記錄了我的小領悟。 我們不會24小時都 麼快樂，我們亦不用24小時都 樣快樂。
Ain t no 24/7 Happiness Lyrics 歌詞 9點鐘的過客 遊蕩四處鬧市之間 I don t know what to do but 似是要吃 飯 轉身眼光擦過 營業24便利店燈火 酒配 乾 陪我看汽車經過
唯唯諾諾 願為愛化簡 遮遮掩掩 怎可忘我 轟轟烈烈 有什麼不可
迷迷惑惑 在混沌世間 紛紛擾擾 我我 指指點點 卻不太清楚
Can t say I understand you baby But I just cannot leave 相愛大概是一念狂熱 何以你相處 只靠文字
Can t say I understand you baby But I just cannot leave 相愛大概是一念狂熱 何以你相處 只靠文字 無需要扮平穩 故意語調正常 無需要去吝嗇 即管去歡暢 Because my effing ego is bigger than usual 情緒發洩過了就好 情緒發洩 如我與你也沒擔保 逃去要趁早 沒法去彌補 Cos karma is a beat & i m that beat
人本需要平行 萬物相剋也相生 誰開始主次之分? 明明地位是對等 我也怕你負荷太多 但實實在在我亦沒辦法 你並沒做錯 沒計算結果 善念沒有對跟錯 Can t say I understand you baby But I just cannot leave 相愛大概是一念狂熱 何以我依戀 冰冷文字
It s Okay not to be Okay Singer and Electronics It s Okay not to be Okay.... Every heart lives a fantasy world, a cartoon-like spiritual world. We were all once weird, angular. There was a time where we didn't need to filter our speech and expressions. Someone asked her child, "Do you remember how you chose us as your parents?" The child said, "I like your red hair, hai so I chose you as my mother." Whether we have the right to choose our parents, we will never know. But as for how we started to follow these social norms: Ghosts are scary, shit is dirty, girls should be gentle, boys should not cry, being slim is beautiful, speaking loud is rude... etc./ Do you remember? Who s to judge what is okay? It s Okay not to be Okay... 每個內心都存有一個充滿幻想， 如像卡通的精神世界。 千奇百怪、滿身棱角、奇形怪狀的我們，說話和表情都不用過濾。 記得有人問過 的小孩， 「你記得你是如何挑選父母 ？」 他說:「喜歡紅頭髮，所以就選了媽媽當媽媽。」 雖然父母是不是真的由我們挑選 ， 雖然父母是不是真 我們無從考究。 但至於我們是如何開始決定 鬼是可怕，屎是 ，女生要斯文，男生不可哭， 則美，大聲則無禮……等等 些社會常規你又記得 ? Who s to judge what is okay?
It s Okay not to be Okay Lyrics 歌詞 身邊太多麻煩人存在 (總是要圍在身邊) 太多太多挑剔與崩壞 (只有批評沒改變) 你可以站在你的道德高地 我也權利可以置之不理 享受成為一個壞女生 若不太滿意就請你麻煩滾 Cos I would rather go with my flow this is my life and my show I m not going where you wanna go 太多聲音說不出來 太多事情做不出來 可我就是 不吐不快 無法釋懷 有怪莫怪 我的風格 千奇百怪 我們可能合不來 It s okay not to be okay who s to judge what is okay 那個誰説我不夠可愛 然後他說要我變得更白 (皮膚要白) 有些人只需安靜 it s not your job to like me 省點力氣 儘管你已經 得只剩1公斤 長肉的臉會讓你一敗塗地 你要成功就必須聽我說 長輩的話就一點都沒錯 Cos I would rather go with my flow this is my life and my show I m not going where you wanna go 太多聲音說不出來 太多事情做不出來 可我就是 不吐不快 無法釋懷 有怪莫怪 我的風格 千奇百怪 我們可能合不來 It s okay not to be okay who s to judge what is okay
鳴謝 Acknowledgements Dr. Cheung Pui Shan Mr. Avery Choi Ms. Ho Man Wai Mr. Hui Chun Fai Stephen Prof. Xiao Mai Ms. Ng Hei Tung, Tammi Ms. Yat Ngo Ms. Kelly Wong Ms. Wong Long Yan Ms. Yeung Sin Tung Jessie