Volume July 2013

Music & Technology Feature

Advertising enquiries please contact (08) 9213 2888 musicservices@xpressmag.com.au www.xpressmag.com.au

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MUSIC GEAR & TECHNOLOGY MUSOS WANTED AA! - DIAMOND EYE SEEKS DRUMMER!! an exciting opportunity to join our estab original, hardrock/metal band, with infl from Kiss, Zepplin to Metallica, Pantera. Ready to launch new album recorded in LA with Grammy winning Producer. If you have talent, flash and balls, pro attitude and drive we want to hear from you!!! Greg 0412 807 796 $ 1 0 , 0 0 0 F I R S T P R I Z E fo r Pe r t h’s b e s t singer being held at various venues NOW! Enq stageitup.wix\comupstageentertainment or 0416 405 450.

BANDS WANTED Young Top 40/Triple J/Classic Rock bands wanted. Regular country gigs available.

Focus Promotions Mon-Fri 9am-5pm 9272 4144 focuspro@iinet.net.au BASS PLAYER WANTED Koverd Dirt establishing blues/rock cover band, wanting reliable/committed player with good old fashioned bass skills. Avg age 42 yrs rocking. Contact trevorkidd@y7mail.com EXPERIENCED BASS PLAYER Seeks established working cover band. Also willing to do fill ins.

Contact 0413 779 964 or lfilgoni@hotmail.com OPEN MIC NIGHT every Thursday night at Indi Bar. Just call Bex on 0404 917 632.

OPEN MIC NIGHT @ THE CRAIGIE TAVERN Tuesdays from 8pm. Solos, Duos, Trios, Originals and Covers. Contact Paula or Ceelay 0420375670 or openmiccraigie@hotmail.com PUNK ROCK DRUMMER WANTED Must be serious and innovative. Infl: Foo Fighters,The Offspring and Rise Against.. Call Zen 0433 056 548 RHYTHM GUITARIST, BASS, DRUMMER & SINGER WANTED For cover/original rock band. In Perth area. Must have own gear and transport. Contact Nate 0413 901 893 THE CROOKED CATS Seeking bass player and keys.

Gigs waiting. Contact via Facebook or call 0448 436 491 or 0438 604 529.

VOCALIST WANTED Male Preferred for Funk/ Soul/R&B cover band. Contact 0423 429 363 PHOTOGRAPHY PROJECT PHOTOGRAPHY Promo photography, studio, live, location. Mike Wylie 0417 975 964 www.projectphotography.com When its time to ice the cake...

PRODUCTION SERVICES * L I G H T I N G * A U D I O * S TA G I N G * w w w. n i g h t s t a r l i g h t i n g a u d i o. co m . a u w w w. n i g h t s t a r l i g h t i n g a u d i o. co m . a u www.instandt.com.au www.instandt.com.au 9381 2363/ 9444 6651 CD & DVD MANUFACTURE Check out our latest CD & DVD specials online at www.procopy.com. au 9375 3902 MATRIX PRODUCTIONS AUSTRALIA Lighting, staging, sound systems, smoke machines, night club FX, intelligent lighting, strobes & mirror balls, crowd barriers, video projectors. 9371 1551 MUSIC VIDEOS Professional video production company with years of experience. Recent videos for Kill Teen Angst, Project Mayhem and more. We have storylines ready to shoot or bring us your own. Special $1699 (save almost $1500). One time offer - first artist to book only. www.ZuluMedia.com.au for details RECORDING STUDIOS ALAN DAWSON’s WITZEND RECORDING STUDIO Prof quality albums or demos, large live room, experienced engineer, analog to digital transfers, mastering..Alan 0407 989 128 or Jeremy 0430638178 www.witzendstudios.com

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Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

ANDY’S STUDIO International multi award winning songwriter / producer. No band required.

Broadcast quality. A songwriter’s paradise.

Ph 9364 3178 AVALON STUDIOS BIBRA LAKE One of Perths best equipped studio. Record to analog tape or digital, Avalon pre amps, Neumann mics, the latest and best universal audio, plug in’s for digital recordings. All styles of music, $55 per hour call Tony 0411 118 304 email avalonstudios@bigpond.com BANDS! - UNLOCK YOUR SONGS’ POTENTIAL +FREE APPRAISALS. UK Producer, 40,000+ hours studio experience. 20 yrs in London with bands and songwriters. Kicking arrangements, great studio and the ability to really listen will give your material the edge you need. Call Jerry on 0405 653 338 or visit www.jerichomusic.com.au GOLDDUST Production Mixing, recording and composition. Leederville $70 p/h. 0408 097 407 POONS HEAD MASTERING Analog mastering at its best. Clients include M ink Mussel Creek, Jeff Martin, The Panics, Pond + The Floors. World class facility. World class results. www.poonshead.com 9339 47 91 RECORDING MIXING MASTERING PRODUCING Fremantle location. Call Pete Kitchen Cooked Records. Ph 0407 363 764 / 9336 3764 REVOLVER SOUND STUDIO Ph 9272 7505. www.revolverstudio.com.au S AT E L L I T E R E C O R D I N G S T U D I O www.satelliterecording.com 0419 908 766 ProTools..17 Years exp TONE CITY RECORDING STUDIO Professional recording & mixing. Clients include Abbe May, Pond, Felicity Groom & The Silentís.

Ph: 0409 297 362.

REHEARSAL STUDIOS AAA VHS REHEARSAL ROOMS Great facilities, great vibe & great price!!! Unit 5 /16 Peel Road, O’Connor. Phone 9418 5815 or 0413 732 885 BIGBEAT SOUND STUDIO Clean rooms, all new PA systems, air-con and good parking . Willetton Ph: 0425 698 117.

PLATINUM SOUND ROOMS Professional rehearsal rooms, airconditioned, quality PAs mob 0418 944 722 TUITION ***GUITAR LESSONS*** Perth’s ultimate guitar studio. Beg-adv, all styles and levels including bass. Cliff Lynton Guitar Institute. Mt Lawley 9342 3484 / www.clifflynton.com BASS LESSONS Rock, funk & jazz. Tony Gibbs 9470 6131 GUITAR & KEYBOARD TUITION (BeginnersProfessional) One on One lessons. Free guitar trial lesson. Burswood Ph 6460 6921/ 0415 238 729 www.gvkschoolofmusic.com.au GUITAR TUITION Tired of being taught scales and theory? Why not learn your favourite songs instead, at my studio or in your own home.

Competitive rates. Rock, Pop, Metal, Folk and Classical 0403 223 958, 9319 9015 (Bicton area) jaymusic@optusnet.com.au.

To advertise in Classified call 9213 2888 or email musicservices@xpressmag.com.au

Novation X-Station 61 Keyboard at auction from Ross’s Auctioneers and Valuers

GOING ONCE, GOING TWICE...

Don’t miss out on the chance to snag some top notch DJ gear at rock bottom prices! Ross’s Auctioneers and Valuers are holding an online DJ and audio equipment auction until 8pm, Thursday, May 30. Over $70 000 worth of gear has to go out the door, including full recording studios, portable rigs, CD players, video mixers, headphones, smoke machines, foam machines and more! Head to auctions.com.au for info and pics. You better hurry!

A LEGEND IN THEIR OWN LIFETIME

D’Angelico Guitars D’Angelico Guitars recently launched their Reborn campaign, reissuing a selection of iconic guitar models that pay tribute to the legacy of master guitar craftsman John D’Angelico. Labelled one the biggest line launches in the guitar industry, the line debuted at the NAMM conference. Each guitar features spruce top, maple back and stair-step pickguard and tailpiece that are the essential hallmarks of the D’Angelic brand. Head to dangelicoguitars.com for more details.

Gunn Audio iWall

ANOTHER BRICK IN THE WALL

If your puny little iPod dock just isn’t cutting it any more, Gunn Audio have just the thing for you. The Gunn iWall is a one metre tall Bluetooth sound tower, packed with way more grunt than most such speaker systems can hope to muster and featuring Gunn’s Seven Speaker System. Retailing around the $499 mark, it comes packed with Aerio Bluetooth headphones, a stylus pen, and ships free from the manufacturer. Head to gunnaudio.com for more information.

WHEN THE SUN GOES DOWN

CAPTAIN KRK

KRK RP-103

Kosmic are pushing their full range of KRK gear right now. KRK make some of the best monitors on the market, having been founded by Keith Klawitter in 1986 with a customer experience-focused ethos driving both their tech development and marketing strategies. Head to kosmic.com.au to check out the current range in stock.

The third WAM 2013 Music Industry Sundowner is happening on Monday, June 10 at The Rosemount Hotel from 6:30pm. This time around, the curious can pull on the coats of a panel of music video professionals who will answer any and all questions as to the increasing importance of the promotional video in the music industry. Panel members include Ben Young, Andrew Nowrojee, and Steven Aaron Hughes and the moderator is Justine Smith of the Australian Directors Guild of Western Australia. It’s free for WAM members who RSVP by Sunday, June 9; otherwise it’s $10 on the door. Go to wam.asn.au for more info.

X-Press – First on the street, Wednesdays

www.xpressmag.com.au

3

MUSIC GEAR & TECHNOLOGY

KEEPING IT KOSMIC The entire retail sector is feeling the pinch from the increasingly prevalent online shopping model, and music retail is no exception. Yet, while many other stores are downsizing, cutting costs and sometimes even succumbing to the grim meathook realities of situation, Perth’s venerable Kosmic Sound and Lighting has split from the pack, greatly expanding their Osborne Park premises into a monolithic one stop shop that contains everything a musician could want.

Photography by Daniel Grant At first glance it seems like a counterintuitive move, but Kosmic main man John Goldsmith, who was kind enough to give X-Press a personal tour of the new set up, disagrees.

“As much as online sales in Australia will probably grow, as it has in America, to be 30 per cent of the market, it still means that 70 per cent of the market will be people who want to go in the store and have that experience.” Goldsmith, a boundlessly enthusiastic man with a shock of silver hair, explains.

“Particularly in our industry where people want guitars and things like that, or with PAs where people want hear stuff, that experience of feeling it, touching it, listening to it is what it’s still all about.”

To that end, Goldsmith and his team have turned the cavernous store into a kind of experiential musicians’ playground. Recognising that the hands-on experience is what differentiates online purchasing from the physical act of shopping, each area of the store is staffed by experts who are keen to help the prospective customer grapple with their chosen instrument, regardless of that customer’s level of skill. The keyboard section is a perfect example.

“The contemporary keyboard market’s quite reasonable,” Goldsmith tells us. “And we’re expanding that into more of a family home thing - you don’t buy pianos on the internet. It’s still an area where people need advice from sales guys and they want to hear it, they want their kids to sit and be comfortable with it. We’ve gone to the trouble of setting up a marble stage there, so when you sit down at the piano, you kind of feel like you’re in your New York apartment. People buy pianos here to go in their home almost as an ornament - it’s a decoration.”

Of course, the guitar is still the most popular instrument around, so it’s unsurprising that, on entering the place for the first time, you’re

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confronted by rack upon rack of gleaming, polished electric axes. Off to the right, on a raised platform, sits the bass area; to the rear, in their own little nook, nestle the impressive range of acoustic guitars.

Overlooking the floor is the guitar customisation and repair bay, of which Goldsmith is justifiably proud.

“There’s a lot of spare parts up there,” he says. “So you can come in and, if you can’t afford three or four thousand bucks for a high-end guitar, you can buy a low end guitar and buy some pickups and various upmarket bits and pieces for that guitar and gradually build it up into something really worthwhile. We can repair the guitar or adjust the guitar to your personal requirements.”

Next door, however, is something really special - a part of Perth music history that many thought gone forever, thanks to combination of a shrinking market and poor management. Kosmic has bought The Drum Shop name, and it’s under that banner that they now sell perhaps the most impressive percussion range in Perth.

“We acquired the Drum Shop brand and all the staff who used to work at The Drum Shop, the staff, the customers - everyone’s really excited about not losing that brand, because it was such an institution over the years and we were very sad when it all fell over. This will ultimately be the best drum shop in Australia.”

Goldsmith, himself a drummer, sounds utterly confident in his prediction - and perhaps he should be. Rather than panic at the current market situation, he and Kosmic have attacked the future with boldness and vision, and in doing have ensured that their place as one of the premiere music outlets in Western Australia is assured for the forseeable future. _ TRAVIS JOHNSON

X-Press – First on the street, Wednesdays

Send your Volume News to Edited by T R AVmusicservices@xpressmag.com.au IS JOHNSON

MUSIC GEAR & TECHNOLOGY

ANDY’S STUDIO multi award IN THE PINKInternational EMPLOYMENT & TRAINING winning songwriter / producer.

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Tripleyou J Top 40. rehearsal airconditioned, quality PAs of ‘phones. To a pair, head xpressmag.com.au Promotions 9-5win Mon-Fri 9272 to 4144 mob 0418 944 722 and enter online PHOTOGRAPHY V I S I O N R E H E A R S A L P e Audiofly r t h ’s p AF33m remier PROJECT PHOTOGRAPHY Promo photography, rehearsal facilities. studio, live, location.Visit Mikewww.visionstudios.

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ADVANCE PIANO FAIR

COMPETITION: AUDIOFLY

38 www.xpressmag.com.au www.xpressmag.com.au

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Send your your Volume Volume News Newsto to Send musicservices@xpressmag.com.au musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

Remember that scene in Say Anything, when John Cusack’s Lloyd Dobler courts Diane Court by

ANDY’S STUDIO International multi award DANCE playing CLASSES ANDY’S STUDIO ITUNE IN International multi award holding up a boombox Peter Gabriel’s In Your Eyes? We can’t promise you that buying one of winning songwriter / producer.

No band required.

Apple recently announced that they’re throwing their Broadcast quality.radio A songwriter’s paradise.

Ph hat into the internet ring with iTunes Radio. The 9364service 3178 features over 200 stations. It’s integration free with iTunes and the existing familyOne of Apple products AVALON STUDIOS BIBRA LAKE of Perths best -equipped iPhone, iPod, iPadRecord and what have you - means that studio. to analog tape or digital, the service be Neumann able to customise playlist Avalon pre will amps, mics, theyour latest and based on what audio, you already own, and listen best universal plug in’s fordownload digital recordings. to, new $55 tunes that arecall in synch Alloffering styles ofup music, per hour Tony with 0411your 118 personal tastes.

Siri-specific features mean being able 304 email avalonstudios@bigpond.com to ask your phone ‘who plays this song?’ while the BANDS! - UNLOCK SONGS’access POTENTIAL iTunes Store will offer YOUR users exclusive to early +FREE APPRAISALS. Producer, 40,000+ releases and exclusiveUK tracks.

The service will hours debut studio experience.

20 yrs in London with bands in the US in the northern autumn, with an Australian and songwriters.

Kicking arrangements, great release date as yet unreleased, but surely not too far studio and ability listen willmonolithic give your behind.

Is it the all too gooto toreally be true or too material the edge youto need.

Call Jerry on 0405 653 and all-encompassing be trusted?

Head to apple.

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GOLDDUST Produc tion M ixing, recording and composition. Leederville $70 p/h. 0408 097 407 POONS HEAD MASTERING Analog mastering at its best. Clients include Mink Mussel Creek, Jeff Martin, The Panics, Pond + The Floors. World class facility. World class results. www.poonshead.com 9339 47 91 RECORDING MIXING MASTERING PRODUCING Fremantle location. Call Pete Kitchen Cooked Records. Ph 0407 363 764 / 9336 3764 REVOLVER SOUND STUDIO Ph 9272 7505. www.revolverstudio.com.au S AT E L L I T E R E C O R D I N G S T U D I O www.satelliterecording.com 0419 908 766 iTunes Radio ProTools..17 Years exp THE SOUND FACTORY 16 & 24 track tape + Pro Tools recording. Best of old school and modern technology. www.thesoundfactory.rockstar.org. au 0403 844 124 Millie is the Executive Producer of Sounds TONEMillgate CITY RECORDING STUDIO Professional Australia and be theinclude fifth most powerful recording & alleged mixing.toClients Abbe May, individual in the Australian industry.

Thanks Pond, Felicity Groom & Themusic Silentís.

Ph: 0409 297 to WAM and APRA, Perth musos now have the 362. opportunity to pick Millie’s brain. Millie will be the REHEARSAL gust at the next WAM MusicSTUDIOS Industry Sundowner at The on Monday, June 24, from 6:30. and anyone AAABird VHS REHEARSAL ROOMS Great facilities, is welcome comeprice!!! downUnit and 5get earful of great vibe &togreat /16anPeel Road, advice on how to 9418 prepare your and 885 yourself O’Connor.

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Cliff Lynton Guitar Institute. Mt Lawley 9342 3484 / www.clifflynton.com BASS LESSONS Rock, funk & jazz. Tony Gibbs 9470 6131 GUITAR & KEYBOARD TUITION (BeginnersProfessional) One on One lessons. Burswood Ph 6460 6921/ 0415889645. www.gvkschoolofmusic. com.au GUITAR TUITION Tired of being taught scales and theory? Why not learn your favourite songs instead, at my studio or in your own home. Competitive rates. Rock, Pop, Metal, Folk and Classical 0403 223 958, 9319 9015 (Bicton area) jaymusic@optusnet. com.au.

THOROUGHLY MODERN MILLIE

To advertise in Classified call 9213 2888 or email musicservices@xpressmag.com.au Millie Millgate

winning songwriter /moments, producer.but No band required. these new-fangled portable speakers will result such memorable with seriously BELLYDANCECENTRAL.COM.AU DANCE CLASSin any stupendous sound on style your side how can you go wrong?

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Join us at our harem dance studio for lots of hip shaking fun. Free classes on Fri 19/7. Term Ph 9364 3178 starts on Mon 22/7. For more info & free class invite BANDS! - UNLOCK YOUR SONGS’ POTENTIAL contact dance@bellydancecentral.com.au, 0409 +FREE APPRAISALS. UK Producer, 40,000+ hours 511 125 or www.bellydancecentral.com.au studio experience. 20 yrs in London with bands

BIG JAMBOX - RRPEMPLOYMENT $359.95 & TRAINING Producing by far the loudest sound

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listen closely to the deep, deep layers HIRE is a of your demo, the FOR Big Jambox damn powerful PA set FOR of speakers.

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and songwriters. Kicking arrangements, great studio and the ability to really listen will give your material the edge you need. Call Jerry on 0405 653 338 or visit www.jerichomusic.com.au GOLDDUST Production Mixing, recording and composition. Leederville $70 p/h. 0408 097 407 POONS HEAD MASTERING Analog mastering at its best. Clients include Mink Mussel Creek, Jeff Martin, The Panics, Pond + The Floors. World class facility. World class results. www.poonshead.com 9339 47 91

RECORDING MIXING MASTERING PRODUCING Big Jambox Fremantle location. Call Pete Kitchen Cooked hardrock/metal band, with infl from Kiss, Zepplin Records. Ph 0407 363 764 / 9336 3764 to Metallica, Pantera. Ready to launch new album recorded in LA with Grammy winning Producer. If REVOLVER SOUND STUDIO Ph 9272 7505. you have talent, flash and balls, pro attitude and www.revolverstudio.com.au drive we want to hear from you!!! Greg 0412 807 796 S A T E L L I T E R E C O R D I N G S T U D I O DRUMMER WANTED FOR COVER BAND w w w . s a t e l l i t e r e c o r d i n g . c o m Dedicated exp.Big Technically sound.

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OPEN MIC NIGHT @ THE CRAIGIE TAVERN REHEARSAL STUDIOS Tuesdays from 8pm. Solos, Duos, Trios, Originals and Covers. Contact Paula or Ceelay 0420375670 AAA VHS REHEARSAL ROOMS Great facilities, or openmiccraigie@hotmail.com Not content to merely deliver top-notch portable audiogreat performance, the JBLprice!!!

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LOGITECH UE MOBILE BOOMBOX - RRP $299.95

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5 39 X-Press – First on the street, Wednesdays

MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

EQUIPMENT ROUND UP

It can be hard to keep track of the newest and neatest gear that comes onto the market, but luckily CHRIS GIBBS is at hand to act as our sherpa up the mountainside of musical innovation.

LUCAS NANO 300 PORTABLE PA SYSTEM

In a market where increasing opportunities are presenting themselves for artists capable of scaling down the physical space required for performances, HK have developed a new product in the LUCAS series with the goal of making a PA much smaller and efficient than its predecessors.

No larger than a milk crate, the Lucas Nano 300 weighs just 10 kilograms, making transport and load-in a non-issue. In its basic form, that’s the whole set-up: the two satellite speakers (which weigh only 1 kilogram each) attach to the main housing (which comprises the subwoofer as well as the mixing desk) and you just plug in and play.

The mixing desk built into the subwoofer features three channels. The only downside here is that the third channel has RCA inputs, having been designed more for CD/mp3 player input and is thus a little harder to integrate into a regular show requiring more channels for live instruments, unless some creative work is done with some relatively unorthodox leads and adapters. The Nano 300 manual suggests attaching a mixing desk to one of the other channels to sort this (or even buying and connecting a second Nano 300 unit); however this seems to defeats the purpose of acquiring such a small and compact system in the first place. It seems that a couple more input connection options on each channel might have been a good way to remedy this issue.

The system delivers 230 watts, plenty for small acoustic performances or recorded background music shows, with the audio quality musicians have come to expect from HK products.

There are optional accessory packs which can be purchased to enhance the Nano 300. The most vital is the speaker stand set consisting of two mounting poles, a tripod and two speaker cables in a travel bag which retails for $229. There is also a roller bag which houses the Nano 300 providing an even more efficient load-in and transport option for $199.

The HK Lucas Nano 300 retails for $1249.

Reviewed at Joondalup Music Centre.

Fender EVH 5150

FENDER EVH 5150 III 50 WATT HEAD AND 2X12 SPEAKER CABINET

Lucas Nano 300

satisfy even the most saturated-seeking players. Sure the Eddie sounds are there, but the overall sound is not really locked to any particular style, provided that the style in question requires plenty of dirt and power. The amp is driven by 6L6 and 12AX7 valves.

The accompanying 2x12 cabinet is load with two Celestion 30-watt anniversary speakers, providing excellent dynamics, width and projection.

Other features on the rear of the amp include selectable impedance (4, 8 or 16 ohms), dual parallel speaker outputs, an effects loop (which can be switched in and out via the included fourchannel footswitch), a headphone jack and a line out.

There are even MIDI connections for use with MIDI footswitching for guitarists with more complicated rigs.

Not surprisingly similar to the original Peavey 5150 series - although looking decidedly cooler particular in the ivory colour option - this amp does one thing really well: uber-gain. Players who are after that will love it; players looking for more balanced and versatile tones will plug in elsewhere.

The Fender EVH 5150 III 50 watt head retails for $1499. The 2x12 cabinet retails for$799.

Also available in this series is a 100-watt head, 4x12 cabinet, 1x12 cabinet and a combo model.

Van Halen exploded back into the industry last year with the release of A Different Kind Of Truth, featuring original frontman David Lee Roth whom the Van Halen brothers reunited with a few years prior for a couple of tours. Eddie Van Halen, an innovator in rock guitar, has always had a slew of signature products available, often switching between brands. One of the guitarist’s latest pairings is with Fender, who has taken on the task of creating a new line of signature amps and speakers.

The EVH 5150 III 50 watt head is presented as a three-channel amp, but channels one and two share EQ, gain and volume, making it very difficult to set up two switchable, usable sounds. For example, dialling in a clean sound on channel one produces a brash, overly loud partially overdriven sound on channel two. Conversely, dialling in a great rhythm sound on channel two results in an ugly semi-clean channel one tone. So really what we have here is a two channel amp with an unnecessary gain boost on the clean channel. Luckily, channel three is what sells this amp: a gain-ridden monster of a channel with ridiculous amounts of drive and volume which will Reviewed at Mega Music Wangara.

DOING IT BY THE BOOK

Too-often overlooked in our online-obsessed world, instructional books and DVDs are and always have been an extremely reliable and beneficial method of taking on new musical concepts. Let’s take a look at some popular publications. CHRIS GIBBS reports.

For the beginning or intermediate guitarist, it turns out that the tried and true publications are still top of their game in terms of quality information and learning systems. The ever-popular Aaron Shearer’s Classical Guitar Technique has recently received an upgrade and is now available with an accompanying enhanced CD. For contemporary players, the Progressive series of instructional books continues to sell well, with most editions now including enhanced CDs, DVDs, or both. The Progressive series covers all styles of guitar from first chords for young beginners right through to metal finger-benders for more developed players.

Also available in the Progressive series are books for drums, bass, keyboards, vocals, harmonica and more. The aforementioned titles are available from all good music stores starting from as little as $15.95.

The Guitar Handbook by Ralph Denyer is one of the most concise reference books for guitarists. Suitable for players of all levels, the book covers the history of guitar through profiles on some of the greats, instructional sections from beginner’s chords right through to modal improvisation, a step-by-step guide to guitar maintenance and repair, recording techniques and alternate tuning information. Of particular use is the excellent chord dictionary at the rear of the book which covers a minimum of three voicings for all of the major, minor and dominant extended chord families in all twelve keys. The Guitar Handbook retails for around $29.95.

Popular with metal guitarists since the ‘80s, the Guitar Grimoire series of books provides an excellent reference tool for intermediate to advanced players. Penned by Adam Kadmon and originally covering seemingly endless fretboard positions for both diatonic and synthetic scales, the series has now grown to include chord, improvisation and finger exercise versions. Full ordering information is available at guitargrimoire. com Originally from the UK and now settled in Perth, seasoned drummer Jon Trotter has recently released Practical Grooves for the Working Drummer.

Featuring a 278 page book, an audio CD containing

6 www.xpressmag.com.au

over 800 examples and a DVD featuring seven demonstration videos, the material covered includes examples from all modern styles including ska, hiphop, fusion, soul, drum and bass rock and swing. Find out more at johntrotterdrums.com Renowned jazz drummer and fulltime WAAPA lecturer Chris Tarr has released The Drummer’s Handbook. Designed as a comprehensive reference for the student drummer, the book utilises state of the art photography in order to provide technique images not seen in other drumming references. Check out The Drummer’s Handbook at thedigitaldoll.com

The Guitar Grimoire

SOUND ADVICE Any veteran punter has been to up to the standards of touring bands in Australia.”

It was while studying sound at the Academy countless gigs at Amplifier/Capitol, of Performing Arts that Stuart was asked to take over but have you ever considered who’s in-house duties at Amplifier and he’s been there ever since, working with countless bands and performers. responsible for making the guys on We asked him what he, as an engineer, liked to get stage sound so great? That’d be in- from any given band who sets foot on his stage. hope that bands come in and they house sound engineer Ian Stuart, and understand“I what it is that they have to do,” he tells we caught up with him to find out how us. “In that they can play their own songs properly, got good guitar sound, their drums are tuned the live scene looks from behind the they’ve - those kind of things. That’s what really makes a mixing desk. TRAVIS JOHNSON reports. difference to me; a band that comes in with all their Though he’s been at it for a remarkably long time, Ian Stuart never originally wanted to be a sound engineer; like so many, he first started on stage rather than behind the desk.

“I grew up in Melbourne and played keyboard and guitar in a few bands in the late ‘80s,” he explains. “I played in cover bands. Then I moved to Perth. I liked going to see bands, but I noticed that there wasn’t a lot of really good sound going on in Perth, you know? I just wanted to go see bands and here them sound good and get a good mix. I found that it was so hard to find any quality sound that I thought I might as well have a go at it myself.”

That decision led him, after a couple of years as a roadie, to a steady gig on the mixing desk at The Swanbourne Hotel mixing local bands.“Then they started doing quite a few touring bands - things like Cosmic Psycho and Frenzal Rhomb, Skunkhour, stuff like that. It started getting really technical as the acts got bigger and the PA got bigger, so I decided maybe I should get a little technical training, just to bring me

own shit together, knowing what they have to do.”

He does admit to having had the occasional clash with touring bands who “...kind of have a ‘this is what we do, this is how loud we play’ attitude, and they do the same thing at every gig. You can’t always do that; you need to play at an appropriate level for the size of the venue you’re in, the size of the stage you’re on, and the equipment you’re using. Some bands do come in and try to dictate to me, and that’s where I draw the line. I don’t allow people to dictate to me what they think they want. I give them what I think is appropriate.”

And perhaps that’s why, when we ask him what he likes best about the job, he says, “I really love watching local bands blow away touring bands. It’s just the best, and Perth has so many great bands.

One of my favourite things is to have a touring band do their sound check, and then the support band comes on with half the amount of equipment, half the amount of time and half the experience and yet, quite often, they sound twice as good. That’s always pretty gratifying to me.”

37 X-Press – First on the street, Wednesdays

by T R AV I S JOHNSON

Send your Volume News to

Edited by T R AV I S J O H N S O N MUSIC GEAR & TECHNOLOGY musicservices@xpressmag.com.au

TECH ROUNDUP

ward FOR HIRE RECORDING STUDIOS band 24 CHANNEL PA FOR HIRE 4K Double three ALAN DAWSON’sWITZEND RECORDING STUDIO iter’s way. Foldback. Contact Justin to discuss your Prof quality albums or demos, large live room,

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38 www.xpressmag.com.au

X-Press – First on the street, Wednesdays

Send your Volume News to musicservices@xpressmag.com.au

Kimbra

BANDS FROM THE BUSH

The Triple J Unearthed National Indigenous Music Awards competition is on again! For the second time, the radio station known for finding the country’s best unsigned acts is on the search again for the new sound in Indigenous music. Since taking out the inaugural award in 2012, beguiling songstress Thelma Plum has inked a record deal with Footstomp Records, released a debut EP titled Rosie, scored a performance slots at this year’s Byron Bluesfest and is now on a national tour supporting Emma Louise, so there’s no doubting this is one serious potential career starter. Unsigned indigenous acts can upload their tracks for judging via triplejunearthed.com. The winning band will be announced on July 11.

Fancy using your music to change someone’s life for the better?

What if we told you there was potentially $50,000 in it for you too? In a nutshell, that’s what the Vanda & Young Songwriting Competition is all about. This u n i q u e c h a r i t y f u n d ra i s i n g songwriting competition is the largest of its kind in the world.

It supports songwriters with fantastic prizes and uses the power of music to help people with developmental disorders such as Autism Spectrum Disorder, Rett Syndrome and Angelman Syndrome and disabilities such as Cerebral Palsy, Down Syndrome, Dyspraxia and Spina Bifida. All you have to do is submit your song and a $50 entry fee (all of which goes to charity). This year’s judging panel includes Adalita, Kevin Mitchell, Kav Temperley and many more, and with previous winners of the competition including Kimbra and Megan Washington you know you’re in good company.

Entries close on June 21. Hit up vandayoungsongcomp.com for full entry deets.

DISCOVER NEW MUSIC

Looking for some new music recommendations?

Spotify has added a new ‘Discover’ feature for its website-based music player, which users can click on to find the latest recommendations Spotify has to offer. The recommendations include new songs, albums and artists based on which artists users follow as well as what their friends are listening to.

Spotify is also rolling out ‘Audio Preview’, which lets users click and hold on any of the songs they see on the Discover page to get a short preview of what they’ll hear if they play the entire track. The ‘Discover’ and ‘Audio Preview’ features are launching first on Spotify’s web player but will roll out to the mobile and desktop apps over time. Check it out at spotify.com.

USE THE NUFORCE

It’s all good and well to drop some serious cash on a pair of high quality over ear headphones if you’re going to use them in the studio exclusively. But what if you really want to make your dollar go further and use those same headphones with your smartphone? In the past, it couldn’t be done - even if you did manage to get your headphones to plug into your smartphone jack the quality reaching your ears wouldn’t be much better than the wimpy earbuds your phone came with. Thankfully, the solution is as simple as NuForce’s new Mobile Music Pump, a tiny amp that connects to the headphone output of your MP3 player, iPhone, etc.

Finally you can start experiencing the higher level of performance your headphones were always capable of. Tune in nuforce.com.

NuForce Mobile Music Pump

7 X-Press – First on the street, Wednesdays

RAV I S J O H NSON

Send your Volume News to

GODIN GUITARS TONE TASTING NIGHT

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O’Connor.

Phone Rock Band. Keen to jam & play anytime. To be part of the 9418 5815 or 0413 732 885 future greatest rock band. Contact Jesse 0409 684 136 BIGBEAT SOUND STUDIO are Clean rooms, all new PA Many guitarists familiar with Godin’s Sound Centre Guitar Gallery, Morley THE CROOKED CATS air-con and good parking Willetton Wednesday, May 15, Seeking 2013 bass player and keys. systems, groundbreaking advances over . the yearsPh: in Gigs waiting. Contact via Facebook or call 0448 436 491 0425 698 117. acoustic guitar innovations and synth access or 0438 604 529.

Co-presented by Sound Centre and Australian PLATINUM developments, butROOMS it is important to note that SOUND Professional rehearsal VOCALIST WANTED Infl uences Depeche Retro rooms, Godin wholesalers Dynamic Music, Mode. the Godin the company has a quality massive of more airconditioned, PAscatalogue mob 0418 944 722 Guitars Tone Nights aim to re-introduce standard guitar designs which would suit almost Electronic.

EmailTasting demos to srcoconut1@hotmail.com TUITION the range WANTED of Godin Male guitars to Australian musicians. any guitarist. To increase the brand’s availability VOCALIST preferred for Funk/Soul/R&B Patrickband.

Godin - son 0423 of Godin creator Robert - arrived ***GUITAR Perth’s guitar in Australia,LESSONS*** guitars can now be ultimate ordered online cover Contact 429 363. in the country and immediately commenced a studio.

Beg-adv, all styles and bass. from godindirect.com.au and levels there including are even plans PHOTOGRAPHY whirlwind trip which saw him visit most of our Cliff Lyntonguitar Guitarorders Institute.

Mt Lawley 9342 3484 to deliver to your local music store,/ states these instruments.

P R O JtoE share C T his P Hpassion O T O Gfor RA PHY P r o m o www.cliffl ynton.com eliminating freight and insurance costs for the An encouraging crowd filed in to BASS photography, studio, live, location.

Mike Wylie individual purchaser.

LESSONS Rock, funk & jazz. Tony Gibbs 9470 6131 Sound Centre last Wednesday to hear Patrick’s 0417 975 964 www.projec tphotography.com Occasionally seen as more( Bofe ga i session GUITAR & KEYBOARD TUITION nnerspresentation, which focused primarily on the When its time to ice the cake.... guitarists’ brand (which is in fact one of the best One on One lessons.

Burswood Ph 6460 company’s acoustic guitar range, including the Professional) endorsements any guitar brand could hope for) PRODUCTION SERVICES 6921/ 0415889645. www.gvkschoolofmusic.com.au brands Seagull, La Patrie, Art & Lutherie and the company now boasts a growing family of *Simon L I G&HPatrick.

T I N G Patrick * A Godin U D I Ois* anS engaging T A G I N Gand * GUITAR TUITION of being taught scales and endorsees whichTired includes Steve Stevens, Roger amusing w w w . n personality; i g h t s t a r lhis i g enthusiasm h t i n g a u dfor i oguitars . c o m .and a u theory?

Waters, Al DiMeola and Australia’s own shred-king, guitar w w w . playing n i g h t sint ageneral r l i g h t was i n g infectious a u d i o . c oand m . ahis u Why not learn your favourite songs instead, at my studio Jeremy Barnes. occasional w w . i struggles n s t a with n dcertain t . cEnglish o m phrases . a u or in your own rates. Rock, Metal, Thishome. nightCompetitive was successful in itsPop, intent: to (his second language) only served to endear him www.instandt.com.au 9381 2363/ 9444 6651 Folk and Classical 0403 for 223Godin 958, 9319 (Bicton area) provide background and9015 an opportunity more to the attentive audience.

CD & DVD MANUFACTURE Check out our latest CD & jaymusic@optusnet.com.au.

T honline e F rat e nwww.procopy.com.au c h - C a n a d i a n i m9375 p a r3902 t e d to ‘tone-taste’ some of the company’s flagship DVD specials all levels and styles were WANTED interesting facts regarding Godin’s guitar building models. Guitarists of trying various models at the end of the event, MATRIX PRODUCTIONS AUSTRALIA staging, philosophies infused with amusing Lighting, anecdotes from JUNCTION RECORDS Open 7 Days, We for BuyPatrick Sell Trade brought their guitars to sound systems, smoke machines, nightout club FX, many having his years of involvement in what started in the CDs, Vinyl, Posters. Junction Records @ signDVDs, or pose forT-Shirts photos& with. intelligent lighting, strobes mirror balls, crowd barriers, ‘70s as his father’s side&project company whilst Fremantle Malls, William St Freo 9430are 9666well wor th Godin guitars that video projectors.

1551 guitar manufacturers. building guitars9371 for larger RECORDS! We pay cash! Rock, pop, checkingVINYL out; there is literally a model for every Fo l lRECORDING o w i n g Pa t STUDIOS r i c k ’s p r e s e n t a t i o n , WANTED progCanadian-made rock, 60’s, 70’s, 80’s and 90’s.

Please playermetal, and the quality comes in attendees were invited to play all of the displayed punk, ALAN Sarah at easily Unknown Treasures 0401539819. at a price that trumps moston mass-produced m o d eDAWSON’s l s, w h i c h WITZEND i n c l u d e dRECORDING s e ve ra l f roSTUDIO m t h e contact Prof quality albums or demos, large room, Asian market guitars. Maybe it’s time to re-think aforementioned acoustic lines as welllive as Godin experienced engineer, analog to digital transfers, To advertise in Classified call 9213 2888 electric guitars, which now comprise several series your tone? mastering..Alan 0407 989 128 retro or Jeremy 0430638178 including Richmond for the rockers, Redline or email musicservices@xpressmag.com.au www.witzendstudios.com for metal heads and 5th Avenue for jazz players. _ CHRIS GIBBS

838

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Edited Edited

by T Rby AV TI SR AV J OIHS NJSOOHNN S O N MUSIC GEAR & TECHNOLOGY musicservices@xpressmag.com.au

X-Press – First on the street, Wednesdays

LISTEN LIKE STEVES Sol Aoki have announced the release of the SOL REPUBLIC x Steve Aoki Tracks HD headphones.

Crafted to the renowned musician and producer’s exact specifications, and decorated in hypnotic zebra stripes and an aqua blue Aoki silhouette, they’re powered by V10 Sound Engines and deliver deep bass, high clarity, and crisp vocals, as well as being lightweight and nigh-on indestructible. Head over to solrepublic.com for details.

SOL REPUBLIC x Steve Aoki Tracks HD headphones

ELECTRONIC DEVELOPMENTS August 11 - 17 sees the staging of the 2013 ICMC/IDEA International Computer Music Conference. Presented by Turan New Music, The International Computer Music Association, Edith Cowan University, The Australasian Computer Music Association, it’ll be held at the Perth Institute of Contemporary Arts, The State Library of Western Australia, and The Western Australian Museum. The conference boasts an impressive number of local and international guest speakers, including Agostino Di Scipio, Alvin Curran, Warren Burt and Haco. Go to icmc2013.com.au for further information.

Blackwood Top Tele 2013 by Fender

FENDER FOR YOURSELF The 2013 line up of Fender Select guitars are sure to bring a tear to the eye of any serious axeman. With choice tone woods, figured tops, strikingly beautiful finishes, figured and quartersawn maple necks, compoundradius and innovative “channel-bound” fingerboards, specially voiced Fender Select pickups and other firstrate features, the U.S.-made Select Series is Fender’s top-line best. Get over to fender.com.au to peruse their latest works of art, and start saving your pennies.

RISING TO A CRESCENDO Been to check out Crescendo Music in Myaree yet? With a wide range of instruments that range from the classic rock triumvirate of guitar, bass and drums to woodwinds, brass, violins and cellos, as well as sheet music and accessories, Crescendo has almost anything and everything a musician might need. They also boast a specialty Children’s Musical Instruments department, so whether you’ve got a mini-Mozart on your hands, or just need to pick up a recorder for school, they’ve got you covered. Head to perthmusicshop.com.au to check out their range.

THE PIANO HAS BEEN DRINKING Situated on Albany highway in Victoria Park, Park Pianos boasts an impressive range of upright pianos, included such noted brands as Yamaha, Bechstein, Stech and Disklavier. They specialise in first-time owners and beginning players, and carry a wide variety of textbooks and sheet music for just that reason. Check them out at musicpark.com.au

Yamaha C109, Park Pianos

X-Press –– First First on on the the street, street, Wednesdays Wednesdays X-Press

by T R AV I S JOHNSON

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Send your Volume News to

Edited R AV Edited bybyT RTAV I S I SJ OJHONHSNOSNO N MUSIC GEAR & TECHNOLOGY musicservices@xpressmag.com.au

DEEZER PRETTY GOOD

AVALON STUDIOS BIBRA LAKE One of Perths best DANCE CLASSES BELLY DANCE CENTRAL STUDIO Free classes Fri equipped studio. Record to analog tape or digital, Avalon pre amps, Neumann mics, the latest and best 3The May. Special fun schmick beginnermusic courses.

Winter service term Deezer boffins behind streaming have come up in’s withfor a neat solution to trying recordings.

All universal audio, plug digital starts Mon online 6 May. For brochure, free class invite to access music when info your&mobile data coverage isn’t too crash hot - smart caching.

Unveiled styles of music, $55 per hour call Tony 0411 118 304 email dance@bellydancecentral.com.au.

0409511125 as part of their iOS mobile app upgrade, the feature identifies and remembers your most played email avalonstudios@bigpond.com www.bellydancecentral.com.au tracks, which means that, even BANDS! - UNLOCK YOUR SONGS’ POTENTIAL out in the EMPLOYMENT sticks, miles from & TRAINING +FREE APPRAISALS. UK Producer, 40,000+ hours the phone your Do nearest you know whattower, a roadie is? Have you got any studio experience. 20 yrs in London with bands and favourite tunes background in AUDIO, LIGHTING or BACKLINE? Are songwriters. Kicking arrangements, great studio and w i l llooking s t i l l bfore CASUAL work in the entertainment the ability to really listen will give your material the you with you. If that sounds like you contact Events edge you need. Call Jerry on 0405 653 338 or visit industry?

Personnel Aust. On 08 9361 5005. www.jerichomusic.com.au GOLDDUSTCONSTRUCTION.COM Produc tion, MUSOS WANTED ADVERSE REACTION NEEDS A DRUMMER!! We need a mixing, recording and composition for your music. dedicated drummer to complete our line up. Must play Unique award winning skills to take songs from double bass. Old skool metal style drummer. Influences ideas to finished mixes or to fulfill the potential in are Motorhead, Metallica, Slayer, Megadeth. Phone existing ones. Located in Subiaco. $70 p/h. Andrew 0408 097 407 Bagzy on 0427 799 089.

BASS PLAYER NEEDED For established original band. POONS HEAD MASTERING Analog mastering at its Also seeking Sax/Trumpet/Violins/Back-up Singers best. Clients include Mink Mussel Creek, Jeff Martin, The Panics, Pond + The Floors. World class facility.

Contact 0448 436 491 World class results. www.poonshead.com 9339 47 91 BASS PLAYER NEEDED To complete Hard Rock/Jazz trio. Must be enthusiastic, reliable and above all, in the RECORDING MIXING MASTERING PRODUCING pocket. An hour set of originals and film clip produced Fremantle location. Call Pete Kitchen Cooked Records. already. From 18 to 25 years old. Call Kyle - 0433 386 330 Ph 0407 363 764 / 9336 3764 Deezer BASS PLAYER WANTED For cover band, 20-30 yrs R E VO LV E R S O U N D S T U D I O P h 9 2 7 2 7 5 0 5 . old. Professional and reliable. Gigs booked. Call www.revolverstudio.com.au 0488 174 895 S AT E L L I T E R E CO R D I N G S T U D I O DRUMMER WANTED Req for working 60s cover band. w w w . s a t e l l i t e r e c o r d i n g . c o m Up until 12, BOSSPhis0447 offering $75 cash back 0419 908 766 ProTools..17 Years exp Age & ExpMay unimportant.

031 348 on anyGUITARIST purchase of a GT-100 LEAD LATE 40’S+Multi-Effects WANTED toGuitar form THE SOUND FACTORY 16 & 24 track tape + Pro Tools processor purchased an authorised Australian old school an andnew modern technology.

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Will be recording.

0403 Dealer. a wide genre of music that’s a little fresher and www.thesoundfactory.rockstar.org.au GuitarBots online guitar learning game.

No844 you124 can covering generation amp TONE unique. NoThe midi GT-100’s or lies. 0430next 695 287 interactCIT with other playersSTUDIO through Professional social media, Y RECORDING modelling is designed to both night mimic classic, & mixing.

Clients include Abbe competing with and encouraging each May, otherPond, and OPEN MIC NIGHT every Thursday at Indi Bar. oldJust recording school and & Theskills Silentís.

Ph: same 0409 297 362. honingGroom your guitar at the time.

Utilising call Bex amplifiers on 0404 917 632.provide the crisp, polished Felicity

A BOSS PRICE

JOE SATRIANI MASTERCLASS CLINIC As hundreds of Joe Satriani devotees filed in to Riverview two things were becoming quite evident: that Riverview is an excellent venue for an event of this type and that WA’s Thump Music had once again pulled out all the stops for guitar fans.

LIKE SIMS, BUT WITH MORE REVERB

o Tools nology.

4 124 sional Pond, tones MIC demanded by today’s guitar innovators.

The nothing more complex than your computer’s .

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Unit 5 /16 Peel Road, O’Connor. , great RHYTHM Channel Divide allows to switch between different experience.

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PHOTOGRAPHY www.clifflynton.com 3484 / P R O J E C T P H O T O G R A P H Y P r o m o BASS LESSONS Rock, funk & jazz. Tony Gibbs photography, studio, live, location. Mike Wylie 9470 6131 To n y 0417 975 964 www.projec tphotography.com BOSS GT-100 GuitarBots CUBAN MUSIC COURSE 10 wks $440. Starts in April.

When its time to ice the cake....

Testimonals www.tresmambo.com Txt 0415 272 158 ION PRODUCTION SERVICES I’ll call back. ssons.

9 6 4 5 . * L I G H T I N G * A U D I O * S T A G I N G * G U I TA R & K E Y B OA R D T U I T I O N ( B e g i n n e r s on One lessons.

Burswood Phrange 6460 w w anyone w . n i g hwith t s t the a r l time, i g h tthe i n gtalent, a u d i and o . c an o mimpressive . a u Professional) For amount One of disposable income, Ibanez’s 6921/ 0415889645. www.gvkschoolofmusic.com.au w . electric n i g h t sguitars, t a r l i gco-designed h t i n g a u dby i olegendary . c o m . a ufretmaster, ofwJEM Steve Vai. Since 1987, Vai and Ibanez have es and w www.instandt.com.au www.instandt.com.au G U I Tseries A R of TU I T I O N TThe i r eJEM7V&, d o f pictured, being worked together to produce a truly impressive signature instruments.

9381 2363/ 9444 6651 t a u agbeautiful h t s Tree c a l of e sLife fretboard a n d tinlay h e o r yof ? features DiMarzio Blaze pickups, a Lo-pro Edge 7 bridge, and, at my CD & DVD MANUFACTURE Check out our latest CD & Why not learn your favourite songs instead, at my studio . Rock, course, Vai’s trademark monkey grip. Head to ibanez.co.jp to ceck it out.

DVD specials online at www.procopy.com.au 9375 3902 or in your own home. Competitive rates. Rock, Pop, Metal, 9 9015 MATRIX PRODUCTIONS AUSTRALIA Lighting, Folk and Classical 0403 223 958, 9319 9015 (Bicton area) staging, sound systems, smoke machines, night club jaymusic@optusnet.com.au.

FX, intelligent lighting, strobes & mirror balls, crowd WANTED Trade barriers, video projectors. 9371 1551 JUNCTION RECORDS Open 7 Days, We Buy Sell Trade ecords RECORDING STUDIOS CDs, DVDs, Vinyl, T-Shirts & Posters. Junction Records ALAN DAWSON’s WITZEND RECORDING STUDIO @ Fremantle Malls, William St Freo 9430 9666 k, pop, Prof quality albums or demos, large live room, WANTED VINYL RECORDS! We pay cash! Rock, pop, Please experienced engineer, analog to digital transfers, punk, metal, prog rock, 60’s, 70’s, 80’s and 90’s. Please 39819. mastering..Alan 0407 989 128 or Jeremy 0430638178 contact Sarah at Unknown Treasures on 0401539819. www.witzendstudios.com ANDY’S STUDIO International multi award winning 8 To advertise in Classified call 9213 2888 songwriter / producer. No band required. Broadcast .au or email musicservices@xpressmag.com.au Ibanez Steve Vai JEM 7V7 quality. A songwriter’s paradise. Ph 9364 3178

A JEM OF AN INSTRUMENT

38 www.xpressmag.com.au

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X-Press – First on the street, Wednesdays

Joe Satriani

As audience members took their seats, examining the contents of their Thump Music showbags (which contained guitar cleaning and polishing supplies as well as sample Riff Axelerator guitar training software) many noted the spacious, well-lit staging area and three massive video screens which would later be used to capture and highlight all of the world-renowned guitarist’s intricate playing.

After a brief introduction which included giving away some amazing effects pedal prizes for answering a few Joe-related questions, Satriani took to the stage amid raucous applause and proceeded to locate a patch lead problem which was thought to have been solved during sound check. The calm manner in which the guitarist worked with the Thump Music sound crew to quickly resolve the issue served as the first lesson for the evening, with Satriani adding an amusing anecdote regarding a similar occurrence he experienced live on radio in recent history.

With the ice well and truly broken, Satriani commenced the class, building the information around the concept of having only one hour to practice and how that hour would be divided up.

Fans were treated to Joe playing faultless renditions of his most famous songs to backing tracks. This served to highlight the guitarist’s confidence and mastery of his instrument; one wrong note and no one is going to be blaming the iPod and, let’s face it, playing some of the world’s most famous instrumental guitar songs to a room full of guitarists would be daunting for any player. Satriani commented on this, stating that “If you want to know how that weird sound was made or how the fast lick is played, let’s face it, there’s thousands of kids on

YouTube who can teach you that and probably play it better than I can…”

Indeed, much of the clinic steered away from what the guitarist calls ‘showbiz stuff’ (guitar tricks and special effects) and veered towards providing excellent information regarding the melodic and harmonic concepts on which his compositions are built.

Satriani stayed on message as he weaved his magic throughout staggering renditions of Satch Boogie, Surfing With The Alien, Flying In A Blue Dream and more, the message being ‘melody is king’.

Each song was dissected, revealing the musician’s unique approach including his pitch axis technique (borrowing chords from multiple keys while holding down a constant anchoring tone) and Sinatrainfluenced melodic phrasing. A veteran of guitar teaching (whose more famous past students include Steve Vai and Kirk Hammett), this was surprisingly Satriani’s first ever master class tour and it was obvious from the outset that the guitarist possesses the unique ability to deliver solid musical concepts in a practical and palatable framework.

The clinic ended in a brief on-stage jam with five local guitarists and a sense of community not often displayed amongst guitarists came to the fore, the audience getting behind each player and clapping along with each jam. Satriani then moved across to the meet and greet area immediately to sign materials and take photos, reportedly staying much longer than officially contracted to try and make sure everyone left happy.

From start to finish, a class act, represented impeccably by a Western Australian music company. _ CHRIS GIBBS

9 X-Press – First on the street, Wednesdays

MUSIC GEAR & TECHNOLOGY

RECORD STORE DAY One For The Record Books

On Saturday, April 20, 2013, Record Store Day turns five.

It was way back in the heady days of 2007 that the idea was first mooted: one day to celebrate the - let’s face it, sometimes quite tenuous - existence of independent music retailers with an explosion of live performances, special releases, DJ sets, fun, frivolity and, above all else, music. It was Metallica themselves, long time combatants against digital piracy, who kicked off the first Record Store Day at San Francisco’s Rasputin Music on April 19, 2008, and the day is now marked on the third Saturday of every month.

It hit a nerve. Even with the rise of digital distribution and online streaming services, there’s something about the experience of hunting for music in an actual shop, and Record Store Day is now a global institution. With that in mind, we touched base with some of the best and brightest purveyors of music in Perth to find out what they had planned.

UNKNOWN TREASURES Where are you?

Coventry Village. 243-253 Walter Road Morley (opposite Centro Galleria).

How long have you been in the game?

Just 16 months so far but growing rapidly! Unknown Treasures opened it’s doors late 2011, when I was just 21 years old!

What’s your specialty or genre focus?

We personally love a lot of indie and alternative music, and this shines through. But the store caters for all genres. We have something for everyone, from metal to jazz and everything in between. The new vinyl section holds a great selection of both classic albums and new releases, and our second hand section is filled to the brim. Both new and used vinyl sections continue to grow. We are always on the hunt for more. It’s exciting! We also listen to our customers, and if they ask to see something in our store we do our best to do so, and also take orders if they do not find what they are after on the shelf.

How strong is the music retail industry now?

When we first opened our doors we had CD racks lining the store, and over time they have been replaced more and more by vinyl racks. It is definitely vinyl that keeps this store going. CD sales have dropped considerably. So we hope the vinyl resurgence continues! Judging by the crowds at our record fairs we are sure that it will.

Unknown Treasures want to become something of the past. We love chatting to people and recommending things, and it’s amazing the relationships you build with your regular customers. Getting to know what people like and being able to cater for that. You get none of these things online.

What have you got planned for Record Store Day? We are really looking forward to our second Record What makes a good record store better than Store Day! Unknown Treasures will have 10 per cent online shopping? off all records (new and second hand). We will have There is nothing quite like a record store, which is some cool Record Store Day limited releases in store why I wanted to open my own. The thrill of sifting for the day and have a DJ playing vinyl all day. Also through the racks and not knowing what you might anyone who makes a purchase on RSD goes into a find is all part of the joy for a music lover. Being able raffle to win one of three gift vouchers. Not forgetting to touch the records, read the sleeves properly, hear to mention cupcakes and goodies and laughs! so music playing in store, and not knowing where to come down and visit us and support your local indie look next is a wonderful experience that I do not record store!

SAFARI’S RECORD SHACK Where are you?

Rear of Shop 3, Arcade 189, 189 William Street, Northbridge.

How long have you been in the game?

About two months (still a newbie!).

What’s your specialty or genre focus?

Predominantly second hand and specializing in blues, funk, soul, jazz, reggae and tropical.

How strong is the music retail industry now?

Strong enough for fresh stores such as myself to be able to emerge. I think the vinyl buying market is very strong and very healthy right now. It would appear that the punters’ appetite for the tangible, physical experience that is vinyl is on the up and up.

What makes a good record store better than online shopping?

Primarily, I think it’s the experience of physically digging in the crates and the thrill of the search itself. It’s always much more satisfying to personally and physically find that one elusive record you’ve been hunting down for years.

10 36

Safari’s Record Shack What have you got planned for Record Store Day? Heaps of quality stock on sale for the day - specials galore! DJs in Arcade 189 all day. Additional record sellers out front of the Shack, bulk fresh stock, good times all around.

X-Press – First on the street, Wednesdays

Edited by TRAVIS JOHNSON

Send your Volume News to musicservices@xpressmag.com.au

Noise Pollution Records

NOISE POLLUTION RECORDS Where are you?

280 William Street, Northbridge.

How long have you been in the game?

15 years.

What’s your specialty or genre focus?

Rock, alternative, psych, punk, DJ breaks, beats and samples.

What makes a good record store better than online shopping?

Service, knowledge and postage costs. (I had to add that as people tell me they buy records very cheap online but never include postage in the conversation.)

With second hand I hear a lot people being burnt buying on the net as anyone can buy and sell vinyl but are clueless when it comes to gradings and pressings. Grading the records to a collector is very important and sometimes the record’s condition is not what they expected when it arrives in the mail. In a retail store you can physically look at the record and decide for yourself before buying, and if the record is faulty or buckled or not what you expected you can return it to some stores. But online it will cost at least seven dollars in Australia to post it back, and then there’s no guarantee of getting your money back either, so buy local

How strong is the music retail industry now?

Mediocre. I think it has levelled off , not booming as much as people say. Because there are so many people doing it as a cash business on the side on weekends at markets, swap meets, vintage fairs I don’t think retail is experiencing much sales growth What have you got planned for Record Store Day? at all as costs seem to be increasing and prices falling. 10 per cent off all new vinyl, free beers.

78 RECORDS Where are you?

Upper Level, 255 Murray Street Mall, Perth.

How long have you been in the game?

42 years.

What’s your specialty or genre focus: Vinyl, turntables and accessories, CDs, merchandise, tickets, imports, indie/alternative, jazz, blues, punk, metal, electronic.

How strong is the music retail industry now?

Music retail is strong, however it’s absolutely nothing like it was 10 years ago, but it was at a peak back then, internet trade didn’t exist. If we weren’t to compare to bygone days and just analyse how many people come into my record shop every day, every week or every month and pick up a healthy bunch of LPs or CDs I’d happily say music retail is doing ok.

78 Records really glad Record Store Day exists, it’s quite simply a reminder that whilst the digital age is upon us, it’s not the be all and end all of retail consumerism.

What have you got planned for Record Store Day? There’s a few hundred exclusive RSD releases spanning approximately 160 individual titles including that rad indie psych scruffy band Tame Impala’s debut EP rerelease and 15 per cent off all What makes a good record store better than stock (excluding RSD items, tickets & turntables). online shopping?

Live bands on the rooftop including In my online shopping experience, it only works if Catherine Traicos (NSW), Timothy Nelson, Josh you know exactly what you want, you can’t just type Fontaine (6s & 7s), Amanda Merzden, Bill Darby (O! / ‘rad indie psych scruffy no shoes band vinyl’ into eBay Tenbit Tonsil), Bridget Turner (Simone & Girlfunkle), and suddenly you’re buying a Tame Impala record. plus more bands to be announced AND a secret Record stores worldwide have always been places performance from one of the RTRFM In The Pines of evolving culture and tasteful musical curation. I’m 20th Anniversary bands, all kicking off from 9am. makes a good record store better than online shopping?

JUNCTION RECORDS What Having a good chat to people who enjoy what they

do and can give them good recommendations.

Looking forward to seeing what new stock has arrived. Finding something they weren’t looking for that they would not have thought of searching for on How long have you been in the game? the net. Plus just having the enjoyment of browsing More than 20 years. through records in a nice environment rather than sitting at home on their own. And despite what What’s your specialty or genre focus? people say most stores are as competitive on price It’s the stuff we don’t stock that makes us special. as the internet.

Or for a more serious answer: metal, ‘60s/’70s psychedelic, blues, hip hop and indie rock.

What have you got planned for Record Store Day? Buy one get one free sale on selected vinyl. 10 per How strong is the music retail industry now? cent off new vinyl (apart from RSD specials). Raffle With the resurgence of vinyl it is stronger now than a for a $50.00 gift voucher (1 ticket per each new vinyl few years ago. I think music lovers are rediscovering purchased). why they loved music in the first place and staff are more enthused about what they do.

Where are you?

Shop 48, 27-35 William Street, Fremantle WA.

PLANET

How strong is the music retail industry now?

Vinyl is taking over the world, watch out!

Where are you?

636 Beaufort Street, Mount Lawley.

What makes a good record store better than online shopping?

Touch it, feel it, listen to it then talk about it with staff or anyone else in the shop.

How long have you been in the game?

20 years.

What’s your specialty or genre focus?

Everything and anything you want and we can get our hands on. www.xpressmag.com.au

What have you got planned for Record Store Day? We have live music from 12-7pm, 10% off all our CDs and LPs and lots of RSD titles and a bunch more vinyl coming in this week for the day.

11 37

MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

DANCE CLASSES BELLY DANCE CENTRAL STUDIO Free classes Fri 3 May.Special fun beginner courses.Winter term starts Mon 6 May.For brochure,info & free class invite email dance@bellydancecentral.com.au.

0409511125 www.bellydancecentral.com.au

MUSOS WANTED BANDS WANTED Young Top 40/Triple J/Classic Rock bands wanted. Regular country gigs available.

Focus Promotions Mon-Fri 9am-5pm 9272 4144 focuspro@iinet.net.au BASS PLAYER NEEDED For established original band. Also seeking Sax/Trumpet/ Violins/Back-up Singers Contact 0448 436 491 BASS PLAYER NEEDED To complete Hard Rock/ Jazz trio. Must be enthusiastic, reliable and above all, in the pocket. An hour set of originals and film clip produced already. From 18 to 25 years old. Call Kyle - 0433 386 330 BASS PLAYER WANTED For cover band, 20-30 yrs old. Professional and reliable. Gigs booked. Call 0488 174 895 OPEN MIC NIGHT every Thursday night at Indi Bar. Just call Bex on 0404 917 632.

OPEN MIC NIGHT Every Tuesday night at the Craigie Tavern 8-11pm. Call Corey for bookings 0431 448 235 RHYTHM GUITARIST AND DRUMMER WANTED For Rock Band. Keen to jam & play anytime. To be part of the future greatest rock band. Contact Jesse 0409 684 136 VOCALIST NEEDED Perth prog rock band, must have vocal & lyrical power and creativity. Call Brendon on 0435 508 833 VOCALIST WANTED For original project with view to record/tour within the year. Influences include Muse, Queen, Radiohead. Please contact Nick at nicks_wes@hotmail.com for details and demos.

WA N T E D B R I T I S H S O LO I S T W i t h British repertoire. Immediate start. Focus Promotions Mon-Fri 9am-5pm 9272 4144 focuspro@iinet.net.au WANTED MUSICIANS Vocals, Trumpet and Trombone players. For more info contact 0451 458 533

RECORDING STUDIOS ALAN DAWSON’s WITZEND RECORDING STUDIO Prof quality albums or demos, large live room, experienced engineer, analog to digital transfers, mastering..Alan 0407 989 128 or Jeremy 0430638178 www.witzendstudios.com ANDY’S STUDIO International multi award winning songwriter / producer. No band required.

Broadcast quality. A songwriter’s paradise.

Ph 9364 3178 AVALON STUDIOS BIBRA LAKE One of Perths best equipped studio. Record to analog tape or digital, Avalon pre amps, Neumann mics, the latest and best universal audio, plug in’s for digital recordings. All styles of music, $55 per hour call Tony 0411 118 304 email avalonstudios@bigpond.com BANDS! - UNLOCK YOUR SONGS’ POTENTIAL +FREE APPRAISALS. UK Producer, 40,000+ hours studio experience. 20 yrs in London with bands and songwriters. Kicking arrangements, great studio and the ability to really listen will give your material the edge you need. Call Jerry on 0405 653 338 or visit www.jerichomusic.com.au GOLDDUSTCONSTRUCTION.COM Production, mixing, recording and composition for your music.

Unique award winning skills to take songs from ideas to finished mixes or to fulfill the potential in existing ones. Located in Subiaco. $70 p/h. Andrew 0408 097 407 POONS HEAD MASTERING Analog mastering at its best. Clients include Mink Mussel Creek, Jeff Martin, The Panics, Pond + The Floors. World class facility. World class results. www.poonshead.com 9339 47 91 RECORDING MIXING MASTERING PRODUCING Fremantle location. Call Pete Kitchen Cooked Records. Ph 0407 363 764 / 9336 3764 REVOLVER SOUND STUDIO Ph 9272 7505. www.revolverstudio.com.au S AT E L L I T E R E C O R D I N G S T U D I O www.satelliterecording.com 0419 908 766 ProTools..17 Years exp

You’ve heard of iTunes, Spotify and (lest we forget) Myspace, but did you know there are a bunch of other music streaming services available in Australia? While there are definitely a few bad apples in the bunch (read: overly expensive, extremely limited choice of tunes), there are also some great alternatives to the big guys when it comes to listening to music on the internet (legally, that is). Here’s three of our top picks...

Pandora’s iPhone app

PANDORA

Point of difference: While it’s not all that well known here in Australia, Pandora has grown to be one of the US’ most popular streaming services - it currently has 75 million users and claims to be growing at three million more per month. So what’s the big fuss? Well, basically it’s easiest to sum up Pandora as an ‘internet radio service’. In a nutshell, the service creates personalised ‘radio stations’ based on an artist or song that you like. Once you have indicated a ‘seed’ song or artist, Pandora gathers songs with similar qualities to play (similar to iTune’s ‘genius’ function). For example, entering ‘KISS’ sees a playlist created which includes KISS themselves along with AC/DC, Van Halen and Bon Jovi. A more obscure band like Little Birdy sees Little Birdy themselves appear along with the likes of Paul Kelly and Neill Finn. There are also some preprogrammed ‘stations’ which have ubiquitous names like ‘Today’s Hits’ and ‘Classic Rock’ but guarantee hassle free easy listening.

REHEARSAL STUDIOS Price: US$3.99 for a one month subscription or US$36 for a one-year subscription (which also handily AAA VHS REHEARSAL ROOMS Great facilities, blocks all those annoying ads). great vibe & great price!!! Unit 5 /16 Peel Road, Perfect for: Honing your disc jockey skills, putting together fuss free party playlists, discovering new tunes that sound a lot like your much-loved old tunes.

O’Connor. Phone 9418 5815 or 0413 732 885

BIGBEAT SOUND STUDIO Clean rooms, all new PA systems, air-con and good parking . Willetton Ph: 0425 698 117.

PHOTOGRAPHY P R O J E C T P H O T O G R A P H Y P r o m o PLATINUM SOUND ROOMS Professional p h o t o g r a p h y, s t u d i o , l i v e , l o c a t i o n . rehearsal rooms, airconditioned, quality PAs Mike Wylie 0417 975 9 6 4 mob 0418 944 722 www.projectphotography.com TUITION When its time to ice the cake... ***GUITAR LESSONS*** Perth’s ultimate guitar PRODUCTION SERVICES studio. Beg-adv, all styles and levels including bass. * L I G H T I N G * A U D I O * S TA G I N G * w w w . n i g h t s t a r l i g h t i n g a u d i o . c o m . a u Cliff Lynton Guitar Institute. Mt Lawley 9342 3484 w w w . n i g h t s t a r l i g h t i n g a u d i o . c o m . a u / www.clifflynton.com w w w . i n s t a n d t . c o m . a u BASS LESSONS Rock, funk & jazz. Tony Gibbs w w w . i n s t a n d t . c o m . a u 9470 6131 9381 2363/ 9444 6651 CUBAN MUSIC COURSE 10 wks $440. Starts C D & D V D M A N U F A C T U R E C h e c k in April. Testimonals..www.tresmambo.com out our latest CD & DVD specials online at Txt 0415 272 158 I’ll call back. www.procopy.com.au 9375 3902 MATRIX PRODUCTIONS AUSTRALIA Lighting, GUITAR & KEYBOARD TUITION (Beginnersstaging, sound systems, smoke machines, night P r o f e s s i o n a l ) O n e o n O n e l e s s o n s . club FX, intelligent lighting, strobes & mirror balls, B u r s wo o d P h 6 4 6 0 6 9 2 1 / 0 4 1 5 8 8 9 6 4 5 . www.gvkschoolofmusic.com.au crowd barriers, video projectors. 9371 1551

38 12

I STREAM, YOU STREAM, WE ALL STREAM…

GROOVESHARK

Point of difference: Grooveshark is a webbased streaming service that runs in a browser and pumps out visual, rather than audio, ads to support itself. The website is pretty simple - you register, build playlists and start streaming. Also, if you’re a budding muso looking to get your music head by a global audience, you can upload your music to Grooveshark and watch the plays rack up. However, the main benefit of creating a Grooveshark account is the ability to save your favorite songs. Grooveshark will remember every song you add to your playlists. All of your music will be available any time you are at a computer with an internet connection or, if you’re a ‘Grooveshark Anywhere’ subscriber (you’ll pay US$90 per year for the privilege), your music can go anywhere your phone goes.

Price: It’s 100 per cent free! However, it’s currently being accused of copyright violation by some of music industry heavyweights, so use it now while you still can.

Perfect for: Promoting your own tunes, building an epic music collection.

DEEZER

Point of difference: No annoying sign up forms!

Deezer is a social-media based streaming service, which means you can sign in with your Facebook account and get listening in a matter of minutes.

While the service definitely has it’s pros (e.g. you can also find out what your friends are listening to in real-time), there are also some very real cons (e.g. the app may post Facebook updates about songs you’ve recently listened to on your behalf, which can prove rather embarrassing when you’ve just indulged in a Hanson/Spice Girls/Backstreet Boys listening marathon).

Price: Free, unlimited music streaming for the first 12 months. After that time you’re restricted to two hours of streaming per month, or you can jump onto the $6.99 tier which gets rid of ads and enables radio services, or you can get onto the Premium+ tier ($11.99 a month) which allows streaming over 3G/4G networks and offline syncing.

Perfect for: Facebook stalking background music, sharing your top-notch musical tastes with your social media networks. _ JENNIFER PETERSON-WARD

X-Press – First on the street, Wednesdays

by news T R AV I S J O H N S O N MUSIC GEAR & TECHNOLOGY Send us your Edited Volume

MUSICSERVICES@XPRESSMAG.COM.AU

Send your Volume News to musicservices@xpressmag.com.au Send us your Volume news

MUSICSERVICES@XPRESSMAG.COM.AU MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

NEWS INTERLUDE INSTRUMENTAL INTERLUDE MUSO INSTRUMENTAL

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RECORDING STUDIOS BILLY’S BACK STUDIOS BACK Pinr o f e s sTestimonals..www.tresmambo.com i o n a l ) O n e o n O n e l e s s o n s . ForBILLY’S Managers and Publicise It, which give those RECORDING Txt 0415 158 I’llAustralia, call back.

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Renowned as the place to go forTUITION the muso on a budget, that theirthe new online storeto willreceive be launching soon. Renowned as the place to go for the muso on a budget, Workshop opportunity up to $5000. www.gvkschoolofmusic.com.au ners- STUDIO GUITAR & KEYBOARD (BeginnersSTUDIO Prof quality large live Prof quality albums or demos, large live and particularly beloved of percussionists once they melded with North Perth’s iconic Drum Shop, recent and particularly beloved June of percussionists once they melded with North Perth’s iconic DrumSG Shop, recent Gibson Standard Entries close on Monday, 3, so head on over o n s . room, Pr o fe s s i o n a l ) O n e o n O n e l e s s o n s . room, experienced engineer, analog to digital GUITARWORKS JOONDALUP Guitar tuition. experienced analog to digital financial woes have engineer, hit the chain pretty hard, but a change in management, coupled with the decision to fi nancial woes havetohitcheck the chain pretty hard, but a change in management, coupled with the decision to Heritage Cherry to theseedfund.org out the application 9645. transfers, Burswood Phbeginners 6460 6921/ 0415889645.

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38 38 www.xpressmag.com.au

X-Press – First on the street, Wednesdays

13 X-Press –– First First on on the the street, street, Wednesdays Wednesdays X-Press

MUSIC GEAR & TECHNOLOGY GUIDE: ISSUE 29, MARCH 2013 MUSIC GEAR & TECHNOLOGY

Edited by T R AV I S J O H N S O N

Send your Volume News to musicservices@xpressmag.com.au

JOE SATRIANI A Class

Of His

Own In this month’s Volume, we talk to the legendary Joe SAtriani about his upcoming guitar clinic and cast an eye over the Fender Roadshow, plus the usual lowdown on the latest gear and technology news.

14 www.xpressmag.com.au

43 X-Press – First on the street, Wednesdays

MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

JOE SATRIANI A Class of His Own

One of the most famous and accomplished guitarists on the planet, Joe Satriani is bringing his Master Class Clinic tour to Australia for the first time in April. Joe took some time out from his preparations to let the Volume crew know what he is going to deliver to audiences during this unique tour.

This will be your first clinic tour in Australia. What Versatility and adaptability are key attributes can ticket holders expect to see and hear at these for the successful musician. Despite the fact events? that both are great players, what are some of the challenges you typically face when People attending the clinics will get to see and hear me interchanging Chad Smith and Kenny Aronoff performing up close and personal. I will play a variety for various Chickenfoot concerts? of material from my catalogue and go into detail about the methods and techniques I use to compose and Every drummer has their own way of grooving. perform.

They use different parts of their kits to be time keepers and different parts to be expressive. Some We’ve spoken in the past about the importance of guys lay down the kick hard and heavy like a click developing strong rhythm and timing skills, why do all the time, no matter what, others like to use their you think it takes many guitarists so long to figure hi-hat to lead the band. You just have to listen out that there needs to be strong fundamentals closely and celebrate each drummer’s uniqueness. under the ‘flash’?

You have always wanted to play as a part of Let’s face it, practicing can be very boring! We all start a vocal band and that goal has been fulfilled out with strengths and weaknesses that need to be in Chickenfoot. As a musician who now has addressed though, and that’s where the practicing responsibilities towards a vocal rock band as helps. However, there must be a balance between well as a predominantly instrumental solo practicing music and really playing it. It’s the playing career, how do you go about sorting which new that’s the most important, so, the practicing must serve ideas suit which act? that end.

I like to bring a variety of songs to each project we You are always working on expanding your musical do together, but ultimately there is no master plan vocabulary, what specifically have you been with Chickenfoot, just friends rocking out, having fun and letting the ‘tape roll’. Writing for my solo devoting your practice time to recently? records requires more focus because I play all the Musically speaking, I’m always looking to shake off melodies, and make all the arrangement decisions, bad habits and adopt good ones. This always requires etc...like apples and oranges when you get down paying close attention to how you move your hands to it! around the guitar. Additionally, my daily routine often revolves around discovering new ways to be expressive What do you hope that guitarists who attend the clinics in Australia will take away from the on the guitar. event to build upon?

How are the new Marshall JVM amps working out I want to make a connection with my fellow for you? guitarists, and offer them all I’ve learned over the My new JVM410JS heads are so wonderful to play many years of being a professional musician. I will through! Punchy, articulate, and anywhere from clean play my guitar, tell a few stories and take questions to high gain settings spread across four channels with from the audience. They will walk out of the clinics with concrete musical ideas and technical three modes per channel. They are amazing amps! methods for playing, writing and performing.

Do you play through exactly the same rig in Chickenfoot as in your solo shows?

Joe Satriani

FENDER AUSTRALIA ROADSHOW featuring Greg Koch

I use the same set of half-stacks but the pedals on the floor are always tailored for each tour’s set list so there is some variation there.

Joe Satriani’s Master Class Clinic tour hits Perth on Wednesday April 17th. Limited tickets are available from www.thumpmusic.com.au. _CHRIS GIBBS

of Custom Shop, Signature and Pawn Shop guitars for 2013 as well as the use of footswitches and the interface of several new Fender amps made the show almost not feel like advertising. And even though it did aim to get the audience interested in buying Fender gear, the entertainment offered made us wish that all advertising expos could be this much fun.

Three other very talented musicians back Koch. James Ryan, the band’s second guitarist, handles much of the technical information about the products being demonstrated. Amongst many other projects, Ryan has worked on Vanessa Amorosi’s albums and played with the house band on TV show The X-Factor though don’t let that put you off. Ryan’s guitar playing is as precise as a professional hitman, and is an excellent juxtaposition to the raw animal playing of Koch.

Greg Koch The Fender Road Show is a week-long tour of most of the country’s capital cities. The Road Show’s final performance was held downstairs in Perth’s State Theatre building on Thursday, March 7. Each night of the tour Fenderophile Greg Koch and his band have been informing, advertising and facemelting prospective Fender buyers with some very entertaining demonstrations of what Fender guitars and amps can do.

A native of Milwaukee (or ‘the good land’ as Alice Cooper calls it) The Fender Road Show’s ringmaster and lead guitarist, Greg Koch, takes the audience of musicians, music store owners, Fender reps and lovers of lead-breaks through a musical schooling that is over two hours long.

Throughout the show his self-professed ‘Sasquatchian’ hands shred their way through about 40 of Fender’s finest guitars from their new 2013 range.

Koch first started working with the Road Show in ‘94 after Fender representatives visited one of the Hal Leonard Guitar Clinics that he was teaching in Nashville, and he hasn’t looked back. www.xpressmag.com.au

After a creative rendition of tunes by Pink Floyd and Rage Against The Machine, the band wound up the evening with an intricate array of original guitar driven tunes and jams which left the audience needing a cold shower after the geargasms many of them had just experienced. Those of us who could still stand reattached our melted faces and were invited to go up to the stage and handle many of the guitars used throughout the Road Show.This was a nice touch, as the best way to really know if a guitar is right for you is to The insanely talented, axe shredding energy pick the thing up and play it.

Ryan and Koch evoke ties together well with the band’s rhythm section, made up of drummer Haydyn Meggit Koch and the members of the band stuck and bassist Marcel Xammouni. Although the night is around for a short while after the show to answer all about guitars, Meggit lays down some very intricate questions and discuss guitars. As the house lights raised drum-solos and funky beats which add to the pristinely and the audience continued to interact with both the tight band. Xammouni on bass shows with a scary level guitars and each other an interesting community vibe of funkiness just what Fender’s new bass range can do developed. Information and anecdotes about favourite as well as seamlessly demonstrating the sonic power of guitars were shared, and it seemed everybody left the the new Bassman range of Fender Bass amps. show with thoughts of the axe that they just had to buy, and the Wayne’s World-like image of playing their new This year’s instalment of the Road Show toy whilst thinking ‘It shall be mine… Oh yes. It shall be opened with a video screen montage of vintage Fender mine. Schhawing!’ guitars that had the guitar nerds in the audience both salivating and reminiscing, depending on whether or not they had actually been born at the time many of these guitars were released. Judging by the greying _NATHAN CHRISTIANSEN ponytails or lack of hair altogether, most of the guitar aficionados were very familiar with the classic guitars presented, and were already captivated. The audience was then taken on a sonic trip down memory lane led by Koch’s ‘60s and ‘70s inspired lead guitar demonstrations and the tight backing of the Road Show’s band. Several impressive guitar jams written by Koch were played using the updated 2013 versions of many of these classic vintage axes, such as ‘60s Telecasters and the iconic ‘70s Stratocasters. The members of the band then engaged in an informal and hilarious discussion as they explained the subtle changes and almost disturbing attention to detail that Fender had put into the rereleased versions of the guitars for 2013.

Although laden with facts and hardcore guitar terminology, the discussion of the guitars and amps flowed well and the minutia of the details were not lost on those members of the audience who were not already familiar with Fender products or guitar lingo in general. The stage presence of Koch at this point was a mixture of stand-up comedian and old school guitar god.The group’s ability to explain with humour in depth factors such as tone and style of the upcoming range

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MUSIC GEAR & TECHNOLOGY

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

NEWS ROUND UP

MATRIX PRODUCTIONS AUSTRALIA Lighting, staging, sound systems, smoke machines, night club intelligent lighting, lighting, strobes crowd FX, intelligent strobes & mirror balls, crowd barriers, video 1551 barriers, videoprojectors. projectors.9371 9371 1551 This week we take a quick tour ‘round the traps to see what’sSTUDIOS pinging on our RECORDING RECORDING STUDIOS muso radar.

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46 16 38

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

X-Press – First on the street, Wednesdays

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

THE GEAR AROUND NEWS ROUND UP HERE

This week wetask taketoa keep quickabreast tour ‘round traps to see what’s pinging on our It’s no easy of allthe the latest developments in musical muso radar. and technology. This week, Volume casts a critical eye over some instruments the newest toys - along with some old favourites - to hit the shelves of you BIRTHDAY BONANZA PSYCHIC SOUNDS local Music’s musicepic emporium.

Mega birthday sale continues until The happy mutants at Neurowear are developing March 23, with absolutely everything in store reduced to one degree or another. There’s never been a better time to pick up that bit of kit you’ve been dreaming of, or just stock up on sticks and strings for the next few months. Head in to either their Myaree or Wangara store, or jump over to Metallica madman Kirk Hammett’s long-standing megamusiconline.com.au relationship with the ESP Guitar Company has lasted more than a quarter of a century now, but their recent two hour showstropper at Soundwave means that all things ‘Tallica are back in vogue, and Kosmic Sound and Lighting have taken the opportunity to knock the price down on this little number. Featuring a light basswood body, a rosewood fretboard with Skull & Bones inlays, and rock-ready EMG LH301 humbucker pickups, you can be shredding your way through the Black Album for less than $600. Head to kosmic.com.au for details.

ESP LTD KH-202 KIRK HAMMETT SIGNATURE ELECTRIC GUITAR (BLACK)

Zen Tunes, an iPhone app that analyses the user’s brainwaves while listening to music and constructs a unique playlist attuned to the user’s emotional state. No more clicking through tracks to find the right one for the moment - the machine knows. Head to neurowear.com for more.

ESP Ltd KirkPlay Hammett VoiceLive GTX Signature Electric Guitar Black

Audiofly

POP FLY

Sennheiser e 835 fx microphone

YOU’RE THE VOICE

Top notch headphone handlers Audiofly have Shipping soon to retailers from TC-Helicon is the new decided to put their brand esteem to good use, VoiceLive Play GTXSterling packaged a Sennheiser Bywith Music Man JP100 e partnering up with Dave Stevens of Melbourne’s 835 fx microphone. Enabling complete guitar and Pure Pop Records store for the Buy a Brick campaign, vocal processing right our of the box with no amp which aims to raise money to build a soundproof required, complete with TC Electronic guitar effects courtyard at the store to mitigate a neighbour’s noise and Amptones. Designed to work with acoustic and Prog metal proponents well know Petrucci, and if your canuser stretch far enough, complaints.

For every 10 pairs of Dream AudioflTheater’s y phonesJohn electric axes, this unit budget allows the to experiment the best to follow his footsteps with something fromahis Sterling

By Musictones Man Signature Series.

This that get way bought, they’llinthrow a Pure isPop Brick, aka with range of different and effects without beautiful axe features a slightly enlarged basswood a scooped forearm contour, a slightly $50, at the project.

Headphones are available frombody, having to shell out for expensive ampsasymmetrical and pedals. fretboard to fit78 theRecords, hand’s curve, a Modern TremElroy bridge,The twopackage HI-outputretails humbuckers, and locking Headphonic, Urban Records, for around $699 - tuners. go toRRP tcis $1195. Go Australian for further info.

Clothing andtoaudiofl y.comdistributors cmcmusic.com.auhelicon.com for details.

STERLING BY MUSIC MAN JP100 JOHN PETRUCCI SIGNATURE EECTRIC GUITAR

EVANS BLACK CHROME DRUM HEADS

Drummer Marion ‘Chick’ Evans created the first synthetic drum head almost 60 years ago, in 1956. Since then his company has been a major player in the music market, so it should come as no surprise that their new series of Black Chrome drum heads are the business. Designed for those who like to play fast and heavy, their sleek, minimalist aesthetic, as characterised by their black mirrored finish, also ensures that your kit will be the sexiest one on the bill. Featuring tight sustain, extreme durability, and a focus on mid-to-low-end frequencies, any metal drummer worth his torn t-shirt will want to check these out. Go to evansdrumheads.com

Evans Black Chrome Drum Heads

KICKPORT BASS DRUM ENHANCER Schechter Synyster Gates Custom

For the drummer who wants more bang for his buck - and really, is there any other kind? - comes the Kickport Bass Drum Enhancer.

Marshall JVM This nifty little device is easy to install, and instantly enhances Custom, built for the sound ofThe anySchechter bass drum,Synyster rounding Gates the sound and punching the Avenged Sevenfold is a thing rare up the low-end frequencies to allowguitarist, for a heavier, more of driving beauty. Built around Schecter’s Avenger frame, drumbeat. Compatible with any bass drumhead, it retails for comes in three colour and boasts Kickport Bass Drum Enhancer around $40. itHead to kickport.com for specsschemes and retailers. mahogany construction, an ebony fretboard, and Marshall’s new JVM series is setting a new inlayed Avenged Sevenfold logo with the legend benchmark in amplification. The 4 Channel 100 Watt SYN. Techwise, Seymour Duncan custom pickups are head a 2x12” combo featureshave dualannounced master the In localcoupled news, Kosmic Sound and Lighting plans to greatly theirdesigned Osborne Park store.work.

What beating heartexpand of a beast for heavy that means in practical terms ischannel that they’re keen to sell off as muchatstock as possible nearto future, figuring volumes, two effects loops. memory, MIDI Retailing around $1700,init the comes us courtesy it’s easier to get ridaofprogrammable it rather than try to renovate aroundofit.D’Addario Now’s a very good time keep an eye on Kosmic compatibility, and footswitch.

Head Australia.

Headtoto daddario.com.au for forelfa.com.au sales and specials, no out matter choiceand of instrumentation kosmic.com.au would be a good place to start. to to check theyour full range specs. more -details.

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MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON ANDY’S STUDIO International multi award winning songwriter / producer. No band required. Broadcast quality. A songwriter’s paradise. Ph 9364 3178 AVALON STUDIOS BIBRA LAKE One of Perths best Kerry King, founding member of metalequipped legends Slayer and all-round studio.

Record to analog tape orguitar digital, pre on amps, NeumannMarch mics, the3, latest and best virtuoso, made an appearance at GuitarAvalon World Sunday, courtesy universalof audio, plug in’s for digital recordings.for All HAPPINESS of B.C.HAIR, Rich HEALTH Guitars.&King spent a good chunk time signing autographs styles of music, $55 per hour call Tony 0411 118304 MUSO INJURIES? Acupuncturist in Maylands his rapt fans just a day before his thunderous performance at Soundwave. specializes in carpal tunnel, RSI, wrist pain, shoulder email - avalonstudios@bigpond.com GOLDDUSTCONSTRUCTION.COM Production, pain. Call METRO HEALTH 1300 132 830 mixing, recording and composition for your music.

MUSOS WANTED Unique award winning skills to take songs from BAND MEMBERS WANTED 21 y.o. Guitarist. Infls ideas to finished mixes or to fulfill the potential in Marty Friedman and early Megadeth/GNR. Call 0439 existing ones. Located in Subiaco. $70 p/h. Andrew 976 770. (West Perth Abode) 0408 097 407 BASS GUITARIST REQUIRED For establishing POONS HEAD MASTERING Analog mastering Blues/Rock cover band. Reliable and professional. at its best. Clients include Mink Mussel Creek, Jeff Email trevorkidd@y7mail.com Martin, The Panics, Pond + The Floors. World class GUITARISTS WANTED Experienced 30+ guitarist facility. World class results. www.poonshead.com & bassist wanted to complete new lineup of 9339 47 91 established orig hard rock band. 0435 825 090 RECORDING MIXING MASTERING PRODUCING KEYBOARDIST/PIANO PLAYER WANTED For Fremantle location. Call Pete Kitchen Cooked Alternative Indie Band. Contact 0415 252 323 Records. Ph 0407 363 764 / 9336 3764 OPEN MIC NIGHT every Thursday night at Indi Bar. REVOLVER SOUND STUDIO Ph 9272 7505.

Just call Bex on 0404 917 632. www.revolverstudio.com.au OPEN MIC NIGHT Every Tuesday night at the S A T E L L I T E R E C O R D I N G S T U D I O Craigie Tavern 8-11pm. Call Corey for bookings w w w . s a t e l l i t e r e c o r d i n g . c o m 0431 448 235 0419 908 766 POP/POP-ROCK - ALL BAND MEMBERS WANTED SONGWRITERS! - UNLOCK YOUR SONGS’ Triple J influenced with a touch of Rise Against, POTENTIAL +FREE BAND APPRAISALS.UK Producer, Gyroscope, Grinspoon. Serious musos only. Must 40,000+ hours studio experience. 20 yrs in London be able to write and be innovative. Ph 0433 056 548 with bands and songwriters. Kicking arrangements, SUPREMES TRIBUTE Wanted 2 female vocalists great studio and the ability to really listen will give for a Supremes tribute. Aimed at corporate events your material the edge you need. Call Jerry on 0405 market. Call Brian Davidson at Focus Promotions 653 338 or visit www.jerichomusic.com.au 9 - 5 Mon - Fri 9272 4144 REHEARSAL STUDIOS WANTED BASSIST For power/blues outfit, original AAA VHS REHEARSAL ROOMS Great facilities, tunes. Ph 0415 252 323 great vibe & great price!!!

Unit 5 /16 Peel Road, WANTED KEYBOARDIST For Funk/Soul/R&B/ O’Connor. Phone 9418 5815 or 0413 732 885 Smooth Groove cover band. Ph: 0423 429 363 BIGBEAT SOUND STUDIO Clean rooms, all new PHOTOGRAPHY PA systems, air-con and good parking . Willetton P R O J E C T P H O T O G R A P H Y P r o m o Ph: 0425 698 117. p h o t o g r a p h y, s t u d i o , l i v e , l o c a t i o n .

PLATINUM SOUND ROOMS Professional M ik e Wylie 0417 975 964 www. rehearsal rooms, airconditioned, quality PAs mob p r o j e c t p h o t o g r a p h y . c o m 0418 944 722 When its time to ice the cake...

TUITION PRODUCTION SERVICES ***GUITAR LESSONS*** The Guitar Specialist. * L I G H T I N G * A U D I O * S TA G I N G * New year enrolments.

Beg-adv, all styles and levels w w w. n i g h t s t a r l i g h t i n g a u d i o. co m . a u w w w . n i g h t s t a r l i g h t i n g a u d i o . c o m . a u including bass. Cliff Lynton Guitar Institute. Mt w w w . i n s t a n d t . c o m . a u Lawley 9342 3484 / www.clifflynton.com w w w . i n s t a n d t . c o m . a u BASS LESSONS Rock, funk & jazz. Tony Gibbs 9470 6131 9381 2363/ 9444 6651 Photos

by Nicole Norelli all ages.

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CD & DVD MANUFACTURE Check out our latest DRUM LESSONS All styles, CD & DVD specials online at www.procopy.com.au Modern techniques & rudiments, Beginner to advanced. Ph Pascal: 0413 172 817.

9375 3902 MATRIX PRODUCTIONS AUSTRALIA Lighting, FREE MUSIC LESSONS Book your free 30-min trail staging, sound systems, smoke machines, night club lesson. All instruments, all ages, all experience levels.

FX, intelligent lighting, strobes & mirror balls, crowd 0403 162 641 | walthermusic.com barriers, video projectors. 9371 1551 GUITAR & KEYBOARD TUITION (BeginnersP r o f e B.C. s s i oRich n a lKerry ) O nKing e oJRV n One lessons.

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Prof quality albums or demos, large live room, www.gvkschoolofmusic.com.au The Kerry King Signature Series from B.C. Rich areJOONDALUP designed under the supervision GUITARWORKS Guitar tuition. ALL experienced engineer, analog digital Purpose transfers,built of Kingtohimself. for the relentless, hard-thrashing guitar style levels from beginners to advanced.

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by King, they’re any metal merchant’s dream axe. Head toPh bcrich.com 907 guitarworks@iinet.net.au www.witzendstudios.com to check out the range.

ANDY’S STUDIO International multi award winning songwriter / producer. No band required. Broadcast quality. A songwriter’s paradise. Ph 9364 3178 AVALON STUDIOS BIBRA LAKE One of Perths best Everyone owns headphones, right? Even if you’re not atomuso, youor need equipped studio. Record analog tape digital, Avalon pre amps, Neumann mics,your the latest and best something to plug into your iPod/Phone/Whatever to keep personal audio, plug in’s forhead digital recordings.

All HAIR, HEALTH HAPPINESS soundtrack ticking&over.

We had a chatuniversal with Marcus Miller, honcho of styles of music, $55 per hour call Tony 0411 118304 MUSO INJURIES? Acupuncturist in Maylandsand an avowed audiophile, to find out headphone specialists Headphonic specializes in carpal tunnel, RSI, wrist pain, shoulder email - avalonstudios@bigpond.com what recent additions to the world of portable audio headgear had pinged GOLDDUSTCONSTRUCTION.COM Production, pain. Call METRO HEALTH 1300 132 830 on his radar. mixing, recording and composition for your music.

MUSOS WANTED Unique award winning skills to take songs from BAND MEMBERS WANTED 21 y.o. Guitarist. Infls ideas to finished mixes or to fulfill the potential in BEYERDYNAMIC CUSTOM ONE PRO Marty Friedman and early Megadeth/GNR. Call 0439 existing ones. Located in Subiaco. $70 p/h. Andrew For those who like to be able to change their look and0408 sound097 on 407 the fly, this 976 770. (West Perth Abode) is a robust and malleable mid-range set of headphones.

Featuring high levels BASS GUITARIST REQUIRED For establishing POONS HEAD MASTERING Analog mastering of isolation and solid bass response, it’s a flexible system that also comes with Blues/Rock band.enable Reliable professional. custom stylecover parts which theand wearing to change at theits configuration best. Clientsand include Mink Mussel Creek, Jeff Email designtrevorkidd@y7mail.com of the actual headset to their own desires. RRP Martin, $299. The Panics, Pond + The Floors. World class GUITARISTS WANTED Experienced 30+ guitarist facility. World class results. www.poonshead.com Beyerdynamic Custom One Pro & bassist wanted to complete new lineup of 9339 47 91 established orig hard rock band. 0435 825 090 RECORDING MIXING MASTERING PRODUCING KEYBOARDIST/PIANO PLAYER WANTED For Fremantle location. Call Pete Kitchen Cooked Alternative Indie Band. Contact 0415 252 323 Records. Ph 0407 363 764 / 9336 3764 OPEN MIC NIGHT every Thursday night at Indi Bar. REVOLVER SOUND STUDIO Ph 9272 7505.

Just call Bex on 0404 917 632. www.revolverstudio.com.au OPEN MIC NIGHT Every Tuesday night at the S A T E L L I T E R E C O R D I N G S T U D I O Craigie Tavern 8-11pm. Call Corey for bookings w w w . s a t e l l i t e r e c o r d i n g . c o m 0431 448 235 0419 908 766 POP/POP-ROCK - ALL BAND MEMBERS WANTED SONGWRITERS! - UNLOCK YOUR SONGS’ Triple J influenced with a touch of Rise Against, POTENTIAL +FREE BAND APPRAISALS.UK Producer, Gyroscope, Grinspoon. Serious musos only. Must 40,000+ hours studio experience. 20 yrs in London be able to write and be innovative. Ph 0433 056 548 with bands and songwriters. Kicking arrangements, SUPREMES TRIBUTE Wanted 2 female vocalists great studio and the ability to really listen will give for a Supremes tribute. Aimed at corporate events your material the edge you need. Call Jerry on 0405 market. Call Brian Davidson at Focus Promotions 653 338 or visit www.jerichomusic.com.au 9 - 5 Mon - Fri 9272 4144 REHEARSAL STUDIOS WANTED BASSIST For power/blues outfit, original AAA VHS REHEARSAL ROOMS Great facilities, tunes. Ph 0415 252 323 great vibe & great price!!!

Unit 5 /16 Peel Road, WANTED KEYBOARDIST For Funk/Soul/R&B/ O’Connor. Phone 9418 5815 or 0413 732 885 Smooth Groove cover band. Ph: 0423 429 363 BIGBEAT SOUND STUDIO Clean rooms,MSPro all new Alessandro PHOTOGRAPHY PA systems, air-con and good parking . Willetton P R O J E C T P H O T O MSPRO G R A P H Y P r o m o Ph: 0425 698 117.

ALESSANDRO p ho t oprofessional g r a p h y, musician, s t u d i o the , l iAlessandro v e , l o c aMSPro t i o n is . definitely worth considering - so long as you’re willing For the PLATINUM SOUND ROOMS Professional M k e out W ya llittle i e more 0 4 1 for 7 quality.

9 7 5 Their 9 6 4most ww w. to ishell distinctive featuresrooms, are theairconditioned, hand-crafted mahogany earcups, rehearsal quality PAs mob andr they’re p o j e suitable c t p hforomonitoring t o g r apretty p h much y . c any o mstyle of music. Even without amplification, they reproduce 0418 944 722 sound its with such that even the most pedantic producer will be mollified. RRP $749 When time toaccuracy ice the cake...

TUITION PRODUCTION SERVICES MOTORHEADPHONES BOMBER ***GUITAR LESSONS*** The Guitar Specialist. *Endorsed L I G Hby T Inone N G other * A than U D ILemmy O * S TA I Nboys, G *these andGthe aren’t a cheap grab yearjust enrolments.

Beg-adv, all styles and levels w w . n i g h t s recognition. t a r l i g h t i nThey’re g a u dai o . c o well m . amade, u New forwname-brand solid, budget set of headgear, including bass.

Cliff Lynton Guitar Institute. Mt great set of phones but don’t w w wfor . nthose i g h t who s t a rwant l i g hatgood i n g alooking, u d i o . good c o m sounding .au ynton.com want w w towbreak . i the n sbank. t a RRP n d$99. t . c o m . a u Lawley 9342 3484 / www.clifflMotorheadphones 9470 Bomber w w w . i n s t a n d t . c o m . a u BASS LESSONS Rock, funk & jazz. Tony Gibbs 6131 AUDIO AUDEZE 9381 2363/ 9444LCD-3 6651 For &those no upper Check out our latest DRUM TECHNICA LESSONS All styles, all ages. WAAPA prep.

CD DVD with MANUFACTURE budge limit, you can’t go Modern techniques & rudiments, Beginner to CD & DVD specials online at www.procopy.com.au ATH-AD900 past Audeze’s flagship advanced.

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9375 3902 Sadly soon to Pascal: be discontinued, product. These bad boys anyone wanting to getBook their were designed to be the AUSTRALIA Lighting, FREE MUSIC LESSONS your free 30-min trail MATRIX PRODUCTIONS hands on this top-value set of best, and many critics and All instruments, all ages, staging, sound systems, smoke machines, night club lesson. open ‘phones had best act soon,all experience levels. musicians think they hit 162 641 | walthermusic.com FX, intelligent lighting, strobes as they’re about to be replaced their mark. Designed to & mirror balls, crowd 0403 barriers, video projectors.

9371 1551 by a newer&model that’s 150TUITION per GUITAR KEYBOARD (Beginnersreproduce music as closely to the orignal recordings STUDIOS Pcent r o f more e s s i oexpensive n a l ) O nwith e ono n One lessons.

RECORDING noticeable gain in sound quality. as currently technically B u r s wo o d P h 6 4 6 0 6 9 2 1 / 0 4 1 5 8 8 9 6 4 5 .

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Ph 0414 448 mastering..Alan 0407 989 128 or Jeremy 0430638178 907 guitarworks@iinet.net.au For further information and technical specifications, head to headphones.com.au www.witzendstudios.com

46 www.xpressmag.com.au

46

IT’S GOOD TO BE THE KING PHONE HOME

X-Press – First on the street, Wednesdays

17 X-Press – First on the street, Wednesdays

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MUSIC GEAR & TECHNOLOGY

CX ROADSHOW ROUND-UP

When CX, Australia’s monthly sound, lights, video and staging technology news magazine brought their CX Roadshow to The Hyatt in Perth on Valentine’s Day, the Volume crew cancelled date night and got in on the action, risking the wrath of significant others for the greater musical good.

Here are just some of the new products from the show that captured our hearts, minds and ears: The Amber Technology stand had a number of microphone brands on display. Robust and eyecatching, the Blue en.CORE series of microphones will be sure to win over the fashion conscious vocalist as well as singers chasing a higher standard of vocal microphone. The en.CORE 100 dynamic mic is a standard live vocal mic, while the 200 features an active circuit to cope with loss of signal from longer cables. The 300 is a condenser mic designed with powerful vocalists in mind and the 100i is an instrument microphone.

These microphones look the part and just holding on to one and taking in the sheer weight and sleek design is a confidence-builder. Current Blue endorsees include Okkervil River, Hot Hot Heat, Danko Jones and The Gaslight Anthem amongst many others. Find out more at bluemic.com or visit ambertech.com.au for Australian supplier information.

DPA Microphones have recently introduced their new d:fine single-ear headset microphone series. Light, non-intrusive and even inconspicuous if required (some colour choices are skin-toned), the d:fine series also offers directional and omni modes, single and dual ear designs and long and short mic booms. These mics perform equally well on both cable and pro wireless systems. See and hear more at dpamicrophones. com or visit the Australian supplier at ambertech. com.au to find out more.

The KV2 Audio stand featured the JK Series DI Units. Sporting low-noise, high quality circuitry, European transformers and military standard sealed switches, these DI units offer higher headroom and lower output impedance than any other DI currently available. They look and feel like they mean

KV2 Audio JK Series

Blue Encore

Line 6 StageScape M20D

business and several options are available. In addition to the standard single channel DI, there are stereo, acoustic and passive models available as well as a tone generator for tuning and checking large PA systems. Check out kv2audio.com.au for more details.

The Australis Music Group stand was sporting some amazing new technology from Line 6, one of the group’s recent brand acquisitions. The Volume team were blown away by the technology on display from the new Line 6 StageScape M20d, the world’s first smart mixing system. The system utilises touchscreen-based visual mixing, input jack sensing, a visual mixing environment and professionally crafted sound tools to prepare, process and route signals automatically. Rather than knobs and faders, StageScape M20d uses a touchscreen with a graphic representation of your stage and touching an image gains access to control of that channel. Dialling in sounds and tones is as simple as moving your finger around the screen. Coupled with the StageSource intelligent speaker systems which are available in numerous combinations, this technology is the ultimate pairing of audio quality, intuitive user-friendly design and, well…amazing sci-fi features! An available iPad app also allows the user to mix from anywhere in the room, and an on-board SD card slot makes live recording a simple as the touch of a screen! The StageScape 36 18

DPA Microphones d:fine

M20d has to be seen and heard to be believed.

Be blown away at www.line6.com and visit australismusic.com.au for Australian prices and availability. _CHRIS GIBBS X-Press – First on the street, Wednesdays

MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

SLAM DAY

VOLUME NEWS

Saturday, February 23, is the second National SLAM day, an Australia-wide celebration of live music, with gigs of every stripe taking place from coast to coast. Head to slamrally.org for more information.

Your favourite protest singer aside, the link between music and politics is often obscure. To be sure, popular music has a long and proud tradition of commenting on and criticising the issues of the day, but the flow goes both ways. It’s always worth remembering that all your favourite venues, festivals, pubs, clubs, and open-mic bars and cafes basically exist at the tolerance of a number of large and not necessarily sympathetic bureaucratic bodies, and sometimes that tolerance grows mighty thin.

Such was the case back in 2010, when the State Government of Victoria decided to take a dim view of the social benefits of live music.

SLAM founder Helen Marcou explains.“The then-government had linked live music with high risk activity in a bid to curb alcohol-fuelled violence.

There was a roll-out of liquor licenses that said that if you hosted any live music at all, you immediately became a high risk venue, which meant two security guards, CCTV, increased insurance costs... and what we found in a very short period of time is that 130 venues actually reduced their live music programme or cancelled it altogether.”

It sounds like an extreme measure by a reactionary parliament, but it’s really just a logical extension of the noise complaints and loud moaning that have cost us in the west a good number of venues - anyone who can remember the glory of the Grosvenor Back Room should count themselves lucky.

We’re also lucky that the music community of Victoria decided not to take such a legislative lashing lying down, responding with a veritable barrage of protest in the form of the SLAM - Support Live Australian Music, in case you’re wondering - Rally.

“20,000 people marched on Parliament House,” Marcou recalls. “Demanding that this policy be overturned, and to break the link between live

www.xpressmag.com.au www.xpressmag.com.au

AUDIOFLY

Helen Marcou music and violence. We had strong, evidence-based research that showed that, if anything, live music actually mitigates violence rather than creates it. We came out with a bang, and it was called the larger cultural rally in Australia’s history. I don’t think it’s happened anywhere in the world, to have that many people congregate in defence of live music.”

As a direct result of that grassroots groundswell, the Victorian Liquor Licensing Act was changed a little over a year later, rescinding the restrictive new rules. Since then, SLAM has gone on to become a powerful behind the scenes advocate for the live music sector.

Marcou rattles off an impressive list of accomplishments and current goals. “We’re at the negotiating table with the Victorian Premier, planning changes; we’re working with the South Australian government, who are now introducing their Small Venues Bill, discussing ways of helping Adelaide get more live music stimulated into the scene. Some of our closest allies and advisors make up the bulk of the Sydney Live Music Task Force that has just been announced, and they’ll be making recommendations. SLAM also lobbied for

three years for the creation of a Federal position of National Live Music Coordinator, and Dr. Ianto Ware from South Australia was appointed earlier this year.

He’ll be developing a list of recommendations for Simon Crean’s office on a Federal level. So there’s stuff happening all over the country - it’s a really exciting time, when live music is firmly on the political agenda.”

There are also many things afoot locally, not the least of which is the number of SLAM Day gigs going down this weekend, including Emperors at The Amplifier, Tomas Ford at the Bok Choy Ballroom, and The Aunts at The Swan Basement. SLAM is a grassroots organisation, eschewing government funding and corporate sponsorship. “At times we need to be hyper-critical of government,” Marcou explains. “So it’s important that we’re not beholden to them.” When asked the simplest way local punters can fly the flag, she is straight to the point.

“Get out to a gig on February 23,” she says.

“No matter what else you’re doing, get out to a live gig and wish everyone a happy SLAM day.” _TRAVIS JOHNSON

Audiofly

Headphone specialists Audiofly recently announced the launch of their new line of in-ear monitors for April. Designed for stage use, they’re a universal fit - a feature designed to keep the price sweet for jobbing musos - and come between one and three armatures. Designed to compete in the same market niche as Shure and Westone, they’re expected to retail between $250 - $300. Head to audiofly.com for details.

Dr. Ianto Ware

2013 WAM MUSIC INDUSTRY SUNDOWNER SERIES LAUNCH

Monday, February 25 sees the first in WAM’s annual series of free industry talks. Aptly, this first event sees Dr. Ianto Ware, recently appointed National Live Music Coordinator, hold forth on the subject of Live Music Regulations. A timely and important topic, this is something all serious performers and venue operators will want to check out. RSVPs are essential.

Go to wam.asn.au for details.

37 19

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MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

GOING BACK TO NAMM GOING BACK TO NAMM

erths The NAMM (National Association of tape Music Merchants) show held annually SALE mics, every JanuaryFOR in Anaheim, California, plug AUDIOFLY HEADPHONES Designed in is one the team, world’s largest music by of a small unique headphones music, Perth capturetrade everyshows. detail in yourare favourite mail - to product Here some music www.audiofly.com new product highlights from NAMM C O M 2013: MUSOS WANTED sition BAND MANAGER WANTED Articulate/ ills to P r oGodin f e s s i oGuitar n a l /Company’s E x p e r i e nbeginnings c e d. d . 5 in p i1972 ece The or to contemporary included presidentelectronic and founder Robert band.

Godin lounge ted in Contact travelling 0438 the United States and Canada, selling 771 128 guitars MEMBERS to dealers out of his van andGuitarist. building BAND WANTED 21 the y.o.

BAND MEMBERS 21 y.o.

Guitarist. replacement necks WANTED for some of industry’s ering Infl Marty Friedman and early Megadeth/ Inflssbrands Marty of Friedman early Megadeth/ top the time.and Today, Godin is one of Creek, GNR. Call 976 770. (West (West Perth Perth Abode) GNR. Call 0439 0439 770. the largest guitar976 manufacturers in the Abode) business oors. MALE ROCK SINGER Req 4 a comedy rock and now includes six factories and seven GUITARISTS WANTED Experiencedguitar 30+ www. recording brands sold worldwide.

The Godin brand itself with view gig. InfinSteel guitarist &project bassist wanted to to complete new features the widest range of Ph guitars and stringed Panther.

Joondalup Area 0404 556 592 lineup of established orig hard rock band. instruments inFthe the ING M U S825 O ’ S090 O Rindustry, A N Gwhich E L S ingratiates TRIBUT E 0435 brand across most playing styles. This year Godin Pete Guitarist looking for exp muso’s with prof MUSO’S WANTED For business Blues/Rock cover celebrated 40 years in the by unveiling 764 / attitude to formatAngels tribute band. several models NAMM, one of which was band. new Required..drumer, guitarist and Email:overthetopband@gmail.com the Godin Montreal Premiere electric guitar. keyboard player. Reliable and professional.

7505. MUSO’S This semi-hollow electric cover WANTED Forbody Blues/Rock Email trevorkidd@y7mail.com guitar features a Canadian wild cherry band.

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38 20

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X-Press – First on the street, Wednesdays

The NAMM (National Association of Music Merchants) show held annually every January in Anaheim, California, is one of the world’s largest music product trade shows. Here are some new product highlights from NAMM 2013: The Godin Guitar Company’s beginnings in 1972 included president and founder Robert Godin travelling the United States and Canada, selling guitars to dealers out of his van and building replacement necks for some of the industry’s top brands of the time. Today, Godin is one of the largest guitar manufacturers in the business and now includes six factories and seven guitar brands sold worldwide. The Godin brand in itself features the widest range of guitars and stringed instruments in the industry, which ingratiates the brand across most playing styles. This year Godin celebrated 40 years in the business by unveiling several new models at NAMM, one of which was the Godin Montreal Premiere electric guitar.

This semi-hollow body electric guitar features a Canadian wild cherry top, back and sides, with an innovative spruce carved core which promotes free air flow through the interior, making the instrument resonant and vibrant. A three-way toggle switch, volume and tone knobs, mahogany set-neck with rosewood fingerboard, double-bound binding, high-gloss custom polished finish, contoured high-gloss headstock with high-ratio vintage style tuners, and ResoMax bridge system by Graphtech with stop tailpiece round out the features. A Bigsbyequipped option is also available along with several colour This Visit Thursday, February 14, options. godinguitars. com or godindirect.com.au discerning rockers will be proving for Australian prices and their love for their craft by getting availability.

Digitech Impossible Pedal Dethtone Guitars

DigiTech announced the first in a line of iStomp Signature Artist e-pedals, joining forces with guitarist extraordinaire Adrian Belew to debut The Impossible Pedal. Belew has pushed sonic boundaries with many artists including David Bowie, King Crimson, Talking Heads, Frank Zappa, Australian luthier, Perry Ormsby, to design and and Nine Inch Nails The sounds he can coax out of construct a range of custom guitars. his instrument make him one of the world’s most Renowned for his commitment to quality unique guitarists. guitar-making, Romsby is probably best known for Two knobs on The Impossible crafting the Randy Rhodes tribute eight-stringPedal bass set the two different pitch intervals and Riot. two for Kelly Garni, a founding member of Quiet knobs select whether the pitches shift up or That piece of work recently sold for $100,000, a sum down over volumes a two octave range. Bytalents. stepping on that speaks about Ormsby’s the footswitch, thedesigns note played the guitarist Ormsby’s will beby unveiled, along alternates standard pitch and with the newbetween Dethtone the Calendar, at a gala event at the pitch-shifted voices, to create 14. melodic The two Rocket Room this Thursday, February Metal passages beyond ability.

Even monsters that Darkextend Karma will bephysical on hand to mark the icon ‘80s is anmetal impossible the e-pedal’s occasion, iStomp along with tributeoptical band illusion.

The Impossible Pedal lives to its name, Hairmageddon, and special guestupappearances giving guitarists theGraham ability to play ‘impossible’ from guitar legend Greene, Mark ‘The guitar riffs.

Animal’ Gale, and more. The theme for this rock As iswith DigiTech players will bacchanalia ‘80sallmetal, withe-pedals, door prizes for the require ants.iStomp pedal to upload to. The iStomp, best outfi covered inDethtone these pages recently, a new concept guitars are is available from in guitarSound. stompboxes allows musicians turn Kosmic Swing that by their Osborne Parktostore the any pedal available the Stomp andiStomp have theinto friendly staff help designinyour dream Shop online pedal store. The Stomp Shop app Dethtone. comes with of the most pedals and As ten a special offer popular to X-Press readers, gives access to more additional e-pedals printing or cutting outthan this 40 article and bringing it to trynets outyou and purchase.

More intobrowse, the store a special 15 per cente-pedals extra off are added discounted on a regular basis.price TheofImpossible the already marked any heavy Pedal is available forto$19.99.

The models, iStomp metal e-pedal guitar. Not just limited Dethtone is currently at Ibanez, aroundESP, $229. the discountavailable also covers Gibson, Jackson,

DETHTONE GUITARS down to The Rocket Room for the Deathtone guitar & Calendar Launch.

Doors open at 8pm, tickets are $10.

For more information, head over to facebook.com/Dethtone When it comes to instruments, there’s always a tension between quality and affordability. Let’s face it, generally speaking, your average jobbing muso doesn’t have a whole lot of cash to flash around, and so bang for your buck is an important consideration.

Enter Dethtone Guitars.

The Dethtone brand began as a set of guitar strings, but since 2009 their most visible product has been their range of guitars and basses.

Specifically designed for those toiling at the heavier end of the rock and roll spectrum, Dethtone guitars are just the thing for the headbanger on a budget.

With guitar and amplifier packages starting at $299, and bass packages beginning at $499, selecting a Dethtone axe means not compromising on quality without breaking the bank.

This year, Dethtone have taken their Godin Montreal Premiere rock ethos to the next level by recruiting respected

and PRS products. Offer ends Saturday February 16 at 5pm. _CHRIS GIBBS

X-Press – First on the street, Wednesdays

MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

VOLUME FOR BEGINNERS

Whether you’re strictly a listener or seasoned pro, there’s a whole genre of fascinating musical books waiting to be tuned into. This week Volume takes a look at four of the best tomes for fresh-faced beginners.

HOW SOON IS NOW?

By Richard King (Allen & Unwin)

If you’re more interested in the ins-and-outs of the music biz than chord progressions, sheet music and instrumentation, Richard King’s memoir provides an insider’s glimpse of “the madmen and mavericks who made independent music” from the ‘70s right through to the early noughties. King himself was a quintessential figure on the indie scene through the period — he founded Bristol’s Planet Records (which was part of Rough Trade’s distribution network) and now works in A&R for Domino — and his recollections of some very famous musical icons (including The Smiths, Depeche Mode, Sonic Youth, Primal Scream, Teenage Fanclub and Cocteau Twins) make for an incredibly engaging read.

HOW MUSIC WORKS

By David Byrne (Allen & Unwin)

In How Music Works, former Talking Heads frontman Byrne eschews an autobiographical account of his own experiences of music-making over the past four decades in favour of a more general discussion of music. In discussing music’s connection to human origins, its history, its evolution, its strengths and its weaknesses, Byrne explains how music is shaped by external factors, whether it be location, technology, economics or mere happenstance. It’s not all theory and conjecture, however, with the aptly titled “My Life In Performance” section offering some insight into the thought processes behind his various sartorial choices over the years.

Guitar Zero

GUITAR ZERO

By Gary Marcus (Penguin)

MUSICOPHILIA: TALES OF MUSIC AND THE BRAIN

How Soon Is Now?

By Oliver Saks (Picador)

Fancy yourself a deep thinker? In his 2007 bestseller Musicophilia, famed physician Oliver Saks focuses on people afflicted with strange musical disorders (he refers to them as “musical misalignments”) that affect their professional and daily lives. There are stories which move — such as those of individuals afflicted

by Alzheimer’s disease for whom music has restored their memories — and those which terrify — such as those of previously healthy people suddenly afflicted by musical hallucinations and uncontrollable epileptic-style fits. Saks’ collection of utterly readable true stories are moving and refreshing for music buff and newcomer alike.

How Music Works

For the past couple of decades the common school of thought in musical circles has been that the skills required to play an instrument (much like those skills required to learn a new language or understand algebraic equations) are best acquired in early childhood, when the brain is more malleable. New York University professor of cognitive psychology Gary Marcus aims to disprove this theory in Guitar Zero. Enticed to start learning to play guitar after putting in some solid hours playing Guitar Hero, the 40-something’s inspirational musical journey proves it’s never to late to try to become the next Hendrix.

SCHOOL OF ROCK

Whether you’re just starting on the long way to the top, or you’re an experienced gunslinger looking for a few tips and tricks, there’s an abundance of music teachers and schools around who can teach you a thing or two about a thing or two.

CLIFF LYNTON GUITAR INSTITUTE

With instructors who can boast over 30 years experience, the Cliff Lytin Guitar Institute is the number one destination for anyone wanting to give their axe-handling skills a polish. Their structured lesson plans place an emphasis on steady but quick progress, without neglecting the essential element of fun. When the school’s namesake has supported everyone from Tommy Emmanuele to Fleetwood Mac, you know you’re in safe, albeit callused, hands.

Go to clifflynton.com to learn more.

MEGA MUSIC ACADEMY

Not just an equipment retailer, Mega Music also offers music lessons in a wide range o f d i s c i p l i n e s, i n c l u d i n g g u i t a r, d r u m s, harmonica, vocals, saxophone, and more.

Bookings are generally by the school term, to accommodate the beginning student, but other arrangements are possible, including single lesson refresher courses. In conjunction with their retail arm, they also offer advice on instrument packages for beginning musicians.

Head to megamusiconline.com.au

CASTLEROCK INSTITUTE OF MUSIC ROCKS AUSTRALIA MUSIC With their innovative Rockschool programme, Castlerock Institute of Music is the perfect place for the nascent muso to get from their first chord to their first gig in record time. With a curriculum tailored to the age, personality, and skill level of the individual student, Castlerock has an exemplary record, and bands from the school have supported such heavyweights as Karnivool, Birds of Tokyo, and British India. Check out castlerock.com.au for more information.

With testimonials from the likes of Aussie hard rock icon Angry Anderson, Music Rocks Australia has certainly drawn its share of appreciative industry notice. A passion project for founder Dean Blanchard, the school’s key aim is to make music fun and accessible to students of all ages and all backgrounds. With a focus on inspiration and building confidence, Music Rocks Australia has a place for everyone with an itch to learn music.

SOUND CENTRE

Walther Music

WALTHER MUSIC

Perth’s newest music school is located in the heart of Perth in a beautifully restored two storey mansion, Walther Music is the brainchild of brothers Andy and Josh Hopkins. Boasting 16 rooms, one-on-one lessons, children’s and seniors’ courses, studio and equipment hire, Walther Music offers training in guitar, vocals, piano, bass, drums, violin, saxophone, and more. Head to walthermusic.com for further details. www.xpressmag.com.au

Sound Centre

Established in 1986, Morley’s Sound Centre is a music store run by musicians, for musicians. It’s no surprise then, that their music school is one of the most respected in town. Their instructors are seasoned musicians who teach not only technique, but all the performance tips and stagecraft tricks that a working musician has gleaned over a lifetime of gigs. Classes operate within school terms, and are open to all ages. Go to soundcentre.com.au for further information.

21 45

MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

FOR SALE AUDIOFLY HEADPHONES Designed in Perth by a small team, unique headphones to capture every detail in your favourite music www.audiofly.com MUSOS WANTED BAND MANAGER WANTED Ar ticulate/ Professional/Experienced. 5 piece contemporary electronic lounge band. Contact 0438 771 128 MUSO’S FOR ANGELS TRIBUTE Guitarist looking for exp muso’s with prof attitude to form Angels tribute band.

Email:overthetopband@gmail.com OPEN MIC NIGHT every Thursday night at Indi Bar. Just call Bex on 0404 917 632.

OPEN MIC NIGHT Every Tuesday night at the Craigie Tavern 8-11pm. Call Corey for bookings 0431 448 235 VOCALIST WANTED For established Blues/ Rock band. Been together 7 plus years. No time wasters please! Ph 0410 088 596 or 0423 252 970.

PHOTOGRAPHY PROJECT PHOTOGRAPHY Promo p h o t o g r a p h y, s t u d i o, l i v e , l o c a t i o n .

Mike Wylie 0417 975 964 www.projec tphotography.com When its time to ice the cake... * L I G H T I N G * AU D I O * S TA G I N G * w w w. n i g h t s t a r l i g h t i n g a u d i o . c o m . a u w w w. n i g h t s t a r l i g h t i n g a u d i o . c o m . a u w w w . i n s t a n d t . c o m . a u w w w . i n s t a n d t . c o m . a u 9381 2363/ 9444 6651 CD & DVD MANUFACTURE Check out our latest CD & DVD specials online at www.procopy.com.au 9375 3902 MATRIX PRODUCTIONS AUSTRALIA Lighting, staging, sound systems, smoke machines, night club FX, intelligent lighting, strobes & mirror balls, crowd barriers, video projectors.

9371 1551 RECORDING STUDIOS ALAN DAWSON’s WITZEND RECORDING STUDIO Prof quality albums or demos, large live room, experienced engineer, analog to digital transfers, mastering..Alan 0407 989 128 or Jeremy 0430638178 www.witzendstudios.com ANDY’S STUDIO International multi award winning songwriter / producer. No band required. Broadcast quality. A songwriter’s paradise. Ph 9364 3178

AVALON STUDIOS BIBRA LAKE One of Perths best equipped studio. Record to analog tape or digital, Avalon pre amps, Neumann mics, the latest and best universal audio, plug in’s for digital recordings. All styles of music, $55 per hour call Tony 0411 118304 email avalonstudios@bigpond.com GOLDDUSTCONSTRUCTION.COM Production, mixing, recording and composition for your music. Unique award winning skills to take songs from ideas to finished mixes or to fulfill the potential in existing ones. Located in Subiaco. $70 p/h. Andrew 0408 097 407 POONS HEAD MASTERING Analog mastering at its best. Clients include Mink Mussel Creek, Jeff Martin, The Panics, Pond + The Floors. World class facility. World class results. www.poonshead.com 9339 47 91 RECORDING MIXING MASTERING PRODUCING Fremantle location. Call Pete Kitchen Cooked Records. Ph 0407 363 764 / 9336 3764 REVOLVER SOUND STUDIO Ph 9272 7505. www.revolverstudio.com.au SONGWRITERS! - UNLOCK YOUR SONGS’ POTENTIAL +FREE BAND APPRAISALS. UK Producer, 40,000+ hours studio experience.

20 yrs in London with bands and songwriters.

Kicking arrangements, great studio and the ability to really listen will give your material the edge you need. Call Jerry on 0405 653 338 or visit www.jerichomusic.com.au REHEARSAL STUDIOS AAA VHS REHEARSAL ROOMS Great facilities, great vibe & great price!!! Unit 5 /16 Peel Road, O’Connor. Phone 9418 5815 or 0413 732 885 BIGBEAT SOUND STUDIO Clean rooms, all new PA systems, air-con and good parking . Willetton Ph: 0425 698 117.

PLATINUM SOUND ROOMS Professional rehearsal rooms, airconditioned, quality PAs mob 0418 944 722 TUITION ***GUITAR LESSONS*** The Guitar Specialist.

New year enrolments. Beg-adv, all styles and levels including bass. Cliff Lynton Guitar Institute.

Mt Lawley 9342 3484 / www.clifflynton.com BASS LESSONS Rock, funk & jazz. Tony Gibbs 9470 6131 DRUM LESSONS All styles, all ages.WAAPA prep.

Modern techniques & rudiments, Beginner to advanced. Ph Pascal: 0413 172 817.

GUITAR & KEYBOARD TUITION (BeginnersProfessional) One on One lessons.

Burswood Ph 6460 6921/ 0415889645. www.gvkschoolofmusic.com.au PERTHíS MUSIC HUB 1-on-1 lessons, kids classes & workshops, studio & instrument hire, music therapy and cafÈ. 0403 162 641 | walthermusic.com

NOW AVA ILAB LE

46 22

Will Stoker

SING FOR YOUR SUPPER

Still, the benefits of lessons are manifold. If Plenty of musicians take lessons, nothing else, professional voice coaching can teach a but singers tend to think that they vocalist to fully exploit the natural physical resources have. As Stoker says, “My lessons are focused can get by on raw talent alone. Will they on retraining your breathing and understanding Stoker, who is both a singer and a the mechanics of controlling your body. Using these you can exploit your natural range and expand singing teacher, tells us why that ain’t tools, on it. It’s designed to give you a friendly push and necessarily so. bring the best out of the voice you were born with, The voice is a unique musical element. It’s an instrument, just like any guitar or keyboard. But it’s also a physical function of the body, and as such it can be trained. It’s odd then, that so few singers, particularly when starting out, take the time to hone their voice outside of normal band rehearsal time.

Will Stoker, who in addition to performing with his band, The Embers, is also a singing teacher, believes this is a mistake.

“My job as a singing teacher,” he explains.

“Is designed to be a gym for your voice to begin with - so you might say I’m a personal trainer - to guide the students into certain areas where they might want to progress and aspire to be, and why they want to do it. A good example I always say is you don’t pick up a dumbbell with your fingertips; you use your shoulders, your biceps, triceps, forearm muscles, your total skeletal system, your hand, and your wrist to pick up the dumbbell - it’s pretty much applying that to the singing.”

He does caution, however, that raw talent still plays a part; no matter what your aspirations, no amount of lessons can turn a normal voice into an exceptional one. “I reinforce the idea that you won’t end up sounding like Mariah Carey or what have you, because you’re not Mariah Carey. It’s all about bringing out the best that you were born with, and knowing the extent of your abilities to begin with and exploring that and building on that.”

to create the same emotive feeling you get from the vocalists you admire.”

His students run the gamut from children to the elderly, and though many are training with an eye on pop superstardom - “I have some students that want to audition for many of the talent shows X Factor and so on.” - he is adamant that any kind of singer can benefit from training.

“There are people who create the same emotive response from an audience who wouldn’t fall into that stereotypical category,” he says.“Such as Tom Waits and Bob Dylan. It’s mainly about creating the same feeling that you get when you’re listening to your singing idols.”

There’s an argument to be made that singing lessons run counter to rock’s DIY ethos, but Stoker believes it’s a false one.“I can understand why people would say that, because I come from the DIY ethos. I sing in a rock band, and I came up through the heavy metal and punk side of things, and that’s mainly why I’ve taken vocal therapy lessons with many different vocal instructors in the past. I actually have a lot of rock singers and heavy metal students, and I teach them certain techniques that empower your voice and let you scream your head off for a good hour on stage and then come off speaking normally. It’s everything I can pass on to other rock singers - it’s not frilly pop stuff. When you actually become more mindful and aware of your technique, and you become so much better for it.”

X-Press – First on the street, Wednesdays

MUSIC GEAR & TECHNOLOGY

Send your Volume News to musicservices@xpressmag.com.au

Edited by T R AV I S J O H N S O N

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

MUSIC GEAR & TECHNOLOGY EDITED BY TRAVIS JOHNSON

the latest and best universal audio, plug ward MUSOS WANTED band in’s for digital recordings. All styles of music, iter’s DRUMMER WANTED Drummer wanted

erths tape mics, g in’s music, mail -

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Email:overthetopband@gmail.com OPEN MIC NIGHT every Thursday night at Indi Bar. Just call Bex on 0404 917 632.

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PHOTOGRAPHY PROJECT PHOTOGR APHY Pro m o p h o t o g rgot a p hy, u d i o, you’ve l i ve, l o choned ation.

You’ve thes t gear, Mike Wylie 0417 975 964 your w w w .chops, p r o j e cyou’ve t p h o t opolished g r a p h y . your com lyrics, you’re ready to roll.

But how do When its time to ice the cake... you line up a gig? This week, we talk PRODUCTION SERVICES to the eternal middle man of music, * L I G H T I N G * AU D I O * S TAG ING * the booking agent. www.nightstarlightingaudio.com.au www.nightstarlightingaudio.com.au Over w w too w .many i n years s t a ton mention, d t . c Luke o m Rinaldi . a u has filled various roles in the Perth music scene. w w w . i n s t a n d t . c o m . local a u Right now, apart from managing notable 9381 2363/ 9444 6651 acts Emperors, Ghost Hotel, and Red Jezebel, and organising gigs for bands such as The CD & DVD MANUFACTURE Check outLove our Junkies, Boys! and Sonpsilo Circus, he latest CD & Boys!

DVD Boys! specials online at www. also acts as the booking agent for The Rosemount procopy.com.au 9375 3902 Hotel and The Railway Hotel. When it comes to MATRIX getting the PRODUCTIONS inside scoop on how AUSTRALIA to book gigs as sound systems, smoke aLighting, new band,staging, he’s the man to ask.

But first, bad FX, news.

“Generally machines, nighttheclub intelligent speaking,” Rinaldi tells us. “When it comes to lighting, strobes & mirror balls, crowd those venues, we’re not really9371 programming barriers, video projectors.

1551 bands as such.”

RECORDING I t ’s a s t a t e m eSTUDIOS nt that sounds counterintuitive, butWITZEND Rinaldi clarifies it; what ALAN DAWSON’s RECORDING he looks for is a band with the initiative and STUDIO Prof sense quality albums ortheir demos, entrepreneurial to put together own large“We’re live room, experienced show. more taking on peopleengineer, who want analog transfers, mastering.. to put onto an digital event. They’re big rooms, so we’re looking for promoters so than0430638178 bands to fill a Alan 0407 989 128 more or Jeremy night.

So what we want is someone, a band or an www.witzendstudios.com individual, who’s got an idea for what they want ANDY’S International multi their eventSTUDIO to be, not someone who’s ‘Hi,award I want winning songwriter producer.

No band to play a show, and I don’t/ care what it is.’ required.“There’s Broadcast A songwriter’s a lot quality. of that kind of approach,” he continues.

“Which is fine, but neither of those paradise.

Ph 9364 3178 venues those kind of LAKE nights,One andofifPerths I just AVALONhas STUDIOS BIBRA slot in four random bands, it can work, but the best equipped studio.

Record to analog tape best shows are ones where there’s a reason for or digital, Avalon pre amps, Neumann mics, it, and there are links between the bands. For

BY THE BOOK

46 www.xpressmag.com.au

$55 per hour call Tony 0411 118304 email avalonstudios@bigpond.com GOLDDUSTCONSTRUCTION.COM Production,mixing,recording and composition for your music. Unique award winning skills to take songs from ideas to finished mixes or to fulfill the potential in existing ones. Located in Subiaco. $70 p/h. Andrew 0408 097 407 POONS HEAD MASTERING Analog mastering at its best. Clients include Mink Mussel Creek, Jeff Martin, The Panics, Pond + The Floors.

World class facility. World class results. www. poonshead.com 9339 47 91 R E CO R D I N G M I X I N G M A S T E R I N G PRODUCING Fremantle location. Call Pete Kitchen Cooked Records. Ph 0407 363 764 / 9336 3764 REVOLVER SOUND STUDIO Ph 9272 7505. www.revolverstudio.com.au SONGWRITERS! - UNLOCK YOUR SONGS’ The Rosemount Hotel POTENTIAL +FREE BAND APPRAISALS. UK Producer, 40,000+ hours studio experience. weekends at the Rosemount, example, we’re 20 yrs in London with bandsfor and songwriters. looking for major tours, CD launches, things Kicking the like that,arrangements, where there is agreat scene,studio there’sand gonna be a bittoofreally a party, and will the give headlining band is ability listen your material choosing own support.” the edge their you need.

Call Jerry on 0405 653 338 For new bands, Rinaldi advises starting or visit www.jerichomusic.com.au small, rather than trying to take too big a bite

SOUND AND VISION

Ben Young

Sound is only part of the equation. Cartman’s Got No Reason was made for $80 - Young now commands a higher price.

Every band knows that one of the “I can’t do anything for less than $5000,” most powerful marketing tools at he says of his budgets. “And they go all the way up to $30000. But the bigger the idea, the more money out of the REHEARSAL pie. “The best thing to do would be their disposal is the music video. you put into it, the better it’s going to be, and that’s STUDIOS to start at the smallest venue you can find and With that in mind, we talk to director just not a lie. More money is always better, because AAApack VHS REHEARSAL ROOMS then it out with your friends.

At that Great stage, you can get better post-production, you can get you can’t really fans asprice!!! such - the facilities, greathave vibeany & great Unitclosest 5 /16 Ben Young about the process and better cameras, and you can get better people. The thing you’re gonna have is your friends. And philosophy behind the video clip. best people don’t work for free, and they shouldn’t.”

Peel Road, O’Connor. Phone 9418 5815 or your friends are always good at coming out at 0413 732of885 the start your career, but once the obligation starts disappearing, hope the friends-to-fans BIGBEAT SOUNDyou STUDIO Clean rooms, all transfer can happen successfully. If you don’t gain new PA systems, air-con and good parking . fans, you’ve got no aces up your sleeve, basically.”

WillettonEqually Ph: 0425 698 117. as important is being a part of the local musicSOUND scene; after all, what better way PLATINUM ROOMS Professional to learn the ropes than under the wing of more rehearsalperformers? rooms, airconditioned, quality PAs seasoned To be fair, there’s a popular mob 0418 944 722of the bedroom recording notion these days genius who breaks through to the big time via TUITION social media, but it’s an idea Rinaldi has little time for. ***GUITAR LESSONS*** The Guitar Specialist.

“A lot of bands come into it with an New year enrolments. all styles and attitude of ‘Oh, I just wantBeg-adv, to play.’ And when you levels including Cliff Guitar ask them who they bass. want to playLynton with, they say they don’t care.

They’re not really fussed, and Institute.

Mt Lawley 9342 3484 / www. they don’t know any bands - when they say clifflynton.com that, it scares the shit out of me. It means they BASSeven LESSONS Rock, & jazz. don’t go and see funk bands, and Tony I just Gibbs don’t understand 9470 6131 how you could be in a band and not go and see bands. Even if you don’t enjoy them, DRUM LESSONS Alland styles, all ages. you’d think you’d go see them justWAAPA out of interest, to see what the venue’s&like, and who prep. Modern techniques rudiments, you mightto beadvanced. playing with.

Beginner Ph Pascal: 0413 172 817.

“Other than that, I think the best GUITAR & KEYBOARD TUITIONother (Beginnersthing in Perth to do is to approach bands.

There’s much more approaching other Professional) Onebenefit on Onetolessons.

Burswood bands than to approaching venues, just because P h 6 4 6 0 6 9 2 1 / 0 4 1 5 8 8 9 6 4 5 . w w w. other bands are generally gonna be the ones gvkschoolofmusic.com.au organising things.”

X-Press – First on the street, Wednesdays

“I’m gonna quote Sean Pollard from Split Seconds,” Ben Young says thoughtfully. “Who said to me that a music video is like a band’s business card. If someone hears a song or hears about a band, they jump online, they Google them, and they can see the business card of the band. The better quality that business card is, the better image that it presents of the band.”

He ought to know; after all, Young is an acclaimed music video director with over 20 credits to his name, including clips for Nathan Gaunt, Emperors, Simone and Girlfunkle, and Boys! Boys!

Boys! His video for The Voltaire Twins’ Animalia won an ATOM Award, and his skills are in high demand. In short, he knows of what he speaks.

There’s a school of thought that maintains that anyone can make a music video these days; after all, pretty much every phone is a video camera, and every computer is a digital editing suite. Young disagrees.

“If you and me were to go out and buy a whole pile of bricks and a whole pile of cement, could we build a house?,” he asks rhetorically. “No. The technology is at everyone’s fingertips, but it’s not just a matter of understanding the technology.

It’s something that you need to learn. Just because you own a camera, and just because you own an edit suite, that doesn’t mean you are a filmmaker. It is a trade that you have to learn, regardless of whether you have the toys or not.”

Of course, working with a professional director and crew is not free. While his early efforts were realised on tiny budgets - his first clip for

While the average jobbing band might balk at such an expense, he points out that the cost is not as difficult to bear as it first appears. “It’s not that expensive; most bands have a minimum of three people in them, so if they were to save up a thousand dollars each, maybe a little bit less, they could get something that looks really, really slick.

I can’t encourage people enough to do that. I still get phone calls from bands who ask for a video for free, or ask for a video for an embarrassingly low amount of money, which I just can’t afford to do.

I have to pay off gear, and I need to pay my crew.

So start a Pozible account and raise money for the video, or just save up a little bit, and it will make such a difference.

“Ideally,” he continues.“You want to make a video that people want to share, and hopefully they’ll want to share it for the song anyway. Every music video I make - and I don’t always succeed - my objective is to get people to forward on the video regardless of the song. So, if you’re lucky and you come up with a good enough idea, then hopefully the video can make the song get seen by a lot more people than would have otherwise. I think if it’s done well it can be really important, but if it’s bad, it can probably have a negative effect. If it looks amateur, it makes the band look cheap and look like nobodies, but if they’re a relatively new band and they have something, and it looks super slick, then it makes it look like they’ve got a record label behind them, it makes them look like they’re doing well, even if they’re not.”

23 X-Press – First on the street, Wednesdays