Architecture Portfolio

PORTFOLIO

Wesley Mason NOTE: Additonal professional work not shown due to project confidentiality

ARC 301 Instructor - Nadim Itani Spring Quarter 2018

1

1

3

2

3

1

1

2

BAR

The design of the West Hollywood Multifamily Housing project was first developed by the study of creating 3 4 different unit modules that consisted of one bedroom, two bedroom, and townhouse units that were then aggregated across a site of 50’x100’. The units were organized along 2 bars that ran parallel to the long dimention of the site. One of the main emphasises of this study was to have each unit be able to have access to their own courtyard spaces in and between the bars on a multitute of different 3 levels.

The site later expanded to 100’x130’ in which the original3 2 bars expanded to 4. The 4 bars eventually housed 10 units consisting of: 6 one bedroom flats, 2 two bedroom flats, and 2 townhome units on two floors atop a subterranian parking structure directly below. The exterior of the project was primarily oriented in the East-West direction because of the original composition of the bars running in the 3 long direction. In order to break up this singular directionality, a grid was devoped in both the X and Y axis. Walls to seprate rooms and different units were organized along the grid running in the north and south directions to stitch the project back together after it had been organized into each bar. This was both done in the interior but also on the site with the organization of courtyard spaces and landscaping within and around those spaces.

The exterior of the project began as a volume, but was then became more of a planar composition in which each side of the volume was deliberately peeled away. The openings were selected as a study of proportion on the overall elevation with each bar being composed of glass in the West elevation, to appear as if each bar is floating. Each bar was clad in corrugated metal panels that act as a rain screen as a study of material, making each appear as a monolithic structure.

West Hollywood Multifamily Housing

1

GALVANIZED CORRUGATED METAL PANELS

1 1

2

SMOOTH PLASTER

GALVANIZED CORRUGATED METAL PANELS

1

3

POLISHED LIGHTWEIGHT CONCRETE FLOOR

1

2

SMOOTH PLASTER

1

3

POLISHED LIGHTWEIGHT CONCRETE FLOOR

F.D.

TRASH

106 TOWNHOUSE TWO BEDROOM UNIT 1250 SQ. FT.

104 ONE BEDROOM FLAT UNIT 680 SQ. FT.

N. SPALDING AVE.

105 ONE BEDROOM FLAT UNIT 637 SQ. FT.

DN

DN

M.B.

UP

103 TOWNHOUSE TWO BEDROOM UNIT 1250 SQ. FT.

SCALE: 1/8” = 1’

101 ONE BEDROOM FLAT UNIT 677 SQ. FT.

SITE PLAN

102 ONE BEDROOM FLAT UNIT 637 SQ. FT.

SITE PLAN

SCALE: 1/16” - 1”-0”

5

B-B A 3.2

11

10

9 8

7 6

5 4 3 2 A-A A 3.1

A-A A 3.1

B-B A 3.2

1

A

B

C

D

E

F G

H

I

FIRST FLOOR PLAN 6 SCALE: 1/16” - 1”-0”

B-B A 3.2

11

10

9 8

7 6

5 4 3 2 A-A A 3.1

A-A A 3.1

B-B A 3.2

1

A

B

C

D

E

F G

H

I

SECOND FLOOR PLAN 7 SCALE: 1/16” - 1”-0”

I

P.L.

H

F

G

E

D C

B

A

P.L.

P.L.

11

10

9

P.L.

1

2

3

NORTH ELEVATION

SCALE: 1/16” - 1”-0”

P.L.

A

B

C

D

E

F G

H

I

P.L.

SOUTH ELEVATION

SCALE: 1/16” - 1”-0”

8

B

A

P.L.

P.L.

11

10

9

8

7

6

5

4

3

2

1

P.L.

WEST ELEVATION

SCALE: 1/16” - 1”-0”

H

I

P.L.

P.L.

1

2

3

4

5

6

7

8

9

10

11

P.L.

EAST ELEVATION

SCALE: 1/16” - 1”-0”

9

10

11

PROFESSIONAL WORK

Bank of America Interior Renovations + Bank of America Exterior Renovations 2021-2024

BANK OF AMERICA Interior Renovations

Pomona Main | CA7-110 444 S Garey Ave Pomona, CA 91766

This is a sampling of the work I have done for Bank of America interior renovation projects.

In these projects I have produced sets for presentation to store design for pricing, as well as construction document sets. Sites were spread throughout the county and I had worked on over 20 sites total.

The task was to renovate each site to coincide with Bank of America’s latest brand standards which were constantly updated throughout design and documentation.

AXONOMETRIC & PERSPECTIVES Bank of America | 02.02.2022 | TEST FIT PACKAGE - NOT FOR CONSTRUCTION | Lite Interior Renovation Program | 0.3

Pomona Main | CA7-110 444 S Garey Ave Pomona, CA 91766 DESIGN NOTE

01 02 23 40 41 43 61 62 63 64

DEMO EXISTING FLOOR FINISH; PREPARE SURFACE TO RECEIVE NEW FINISH. DEMO EXISTING ENTRY MAT; PREPARE SURFACE TO RECEIVE NEW FINISH. REMOVE EXISTING WINDOW-SHADE SYSTEM, TYP. SALVAGE AND RELOCATE EXISTING FFE IN BLUE, TYP. RE: NEW PLANS. REMOVE EXISTING FFE IN RED, TYP. DEMO EXISTING SCREENS AND SUPPORTS AT CSR STATION. PATCH AND REPAIR COUNTER TO MATCH EXISTING ADJACENT CONDITIONS. EXISTING MILLWORK TO REMAIN. EXISTING LAMINATE FINISH TO REMAIN. EXISTING MODULAR PANELS AND DESK TO REMAIN. EXISTING BAC STANDARD MODULAR PANELS TO REMAIN.

4 CL

3

23

5 ME

6 BUSINESS

CLOSET

7

8

ATM ACCESS WU ATM WU ATM

40

WU ATM

MFP

64

2

64 01 63 41

01

02

01

01

ENTRY VESTIBULE

41

01

63

1

DFF

02

40

40 41

41

01

ATM ACCESS

62

43

41 02 8 ATM ADA

VAULT

01

HALL

62

7 STD

62

01

61

6 5 STD STD

01

A. B. C.

COMPONENTS IN BLUE INDICATE ITEMS TO BE REUSED AND RELOCATE, REFER TO PROPOSED PLAN(S).

DASHED RED COMPONENTS INDICATE ITEMS TO BE REMOVED / DEMOLISHED. REMOVE WALL BASE WHERE EXISTING FLOORING IS BEING REMOVED. PREPARE WALL SURFACE FOR NEW SCHEDULED BASE.

4 STD

3 STD

2 STD

1 PE

61

PR

62 MFP

WORK ROOM WORK ROOM

GENERAL NOTES

WU ATM

02

43

40

WU ATM

JANITOR BREAKROOM

COUPON BOOTH

STORAGE

COUPON BOOTH

FIRST FLOOR DEMO PLAN

15

SCALE: NTS

DEMOLITION PLAN FIRST

Pomona Main | CA7-110 444 S Garey Ave Pomona, CA 91766 DESIGN NOTE

23 68 71 81 100 103 123 140 141 163 164 165 166

PLATFORM SE 3 CBCL

CH-44

B. C. D. E. F.

COMPONENTS IN BLUE INDICATE REUSE AND RELOCATE ITEMS. COMPONENTS IN RED INDICATE NEW ITEMS. PAINT EXISTING WALLS P-15 UNLESS NOTED OTHERWISE. PROVIDE NEW BASE AT LOCATIONS WHERE REMOVED. FLOOR FINISH INSTALLATION DIRECTION TO MATCH CENTRAL ZONE U.O.N. PAINT ALL EXISTING WALL FIXTURES TO MATCH WALL

CH-44

WS-20

6 SB

SC-H

2 CBCL 1 CBCL

CH-44

7 CLOSET CBSB

8 CB

CH-43 SC-M

SC-H

CH-44 CH-43 CH-45 SC-H CH-44 CH-43

165 SC-H

SC-B

103

CH-45

CW-6-NP

23

CH-43

CH-43

SC-B

MFP WS-23

166

165

CH-42

CH-42

TB-39

TB-39

CH-62 RH

CH-42

CH-42

140 DML-85

WM-1

CH-48

02

164 ATM

03 WHS-FC 71

5 ADA

CT-13

CH-60 CH-60

01

TB-39 CH-60 CH-60

WHS-FC

4 STD

23 P-17

P-17

P-17

P-17

P-17

FCAM

CH-5 MFP

MW11

PR P-17

81

P-17

ENTRY VESTIBULE

SCHEDUL

141 WHS-FC

WU ATM WU ATM

ATM ACCESS

163 123

WM-1

100

FURNITURE SC TAG

03

CH-5

01 P-17

163 P-17

P-17

23

P-17

JANITOR BREAKROOM

STORAGE

CH-3

68

TAG CW-6-NP CW-2 CW-4LH-WH

02

DFF

23 WORK ROOM

23

COUPON BOOTH CH-3 CH-3 CH-3

CH-5

CPT-5

CH-5

WORK ROOM

68

1 PE

8

FINISH A CPT-5 CT-13 WM-1 WM-3 VENDOR PROVIDE

02

OPF-SOLID

CH-5

HALL

01

2 STD

4

FLOORING SCH

OPF-SOLID

CH-5 163

CPT-5

3 STD

Required Existing

WM-3

CW-2

164 100 163

CH-5B

VAULT

01

140

CH-43 OPF-SOLID

CH-49

CH-48

03

WU ATM WU ATM

23 CH-49

8

CSR STAT

WU ATM

SC-G

CPT-5 TB-39

7

CH-44

CH-43

WS-20

CH-43

Required Existing

ATM ACCESS

CH-44

WS-20P

WS-20

CH-43

01

A.

5 ME

CH-44

CPT-5

GENERAL NOTES

4 CL

P-18

03

PROVIDE NEW FLOOR FINISH. INSTALL NEW WALK-OFF MAT PER BAC STANDARDS. INSTALL TRANSITION STRIP PER BAC STANDARDS. TYPICAL AT FLOOR FINISH TRANSITIONS. PAINT EXISTING DOOR AND FRAME TO MATCH WALL. RELAMINATE EXISTING COUNTERTOP WITH PL-18.

RELAMINATE EXISTING MILLWORK CABINET, DOOR, AND DRAWER FACES. NEW MILLWORK CABINETS AND COUNTER PER BAC STANDARDS. FINISH WITH PL-7.

INSTALL FILM ON GLAZING PER BAC STANDARDS. INSTALL NEW MODULAR WALL PANEL SYSTEM. CONSTRUCT AND PROVIDE POWER PER BAC STANDARDS, TYP. PROVIDE ACCESS TO EXISTING POWER THRU CSR MILLWORK. PJM TO COORDINATE POWER FOR NEW FIXTURE. PJM TO COORDINATE POWER FOR NEW MEDIA WALL WITH EXISTING CONDITIONS. EXISTING LAMINATE FINISH TO REMAIN; PJM TO CONFIRM CONDITION AND REPORT IF REPLACEMENT IS REQUIRED. PATCH AND REPAIR EXISTING LAMINATE AS REQUIRED. REUSE EXISTING MODULAR PANELS AND DESKS. REUSE EXISTING MODULAR PANELS IN BAC STANDARD.

P-18

01 02

COUPON BOOTH

FIRST FLOOR ESTIMATION PLAN

CH-3 CH-5 CH-5B CH-43 CH-44 CH-45 CH-48 CH-49 CH-60 CH-62 RH MA-2 MA-3 TB-22 TB-39 WS-20 WS-20P WS-BP

16

SCALE: NTS

ESTIMATION PLAN FIRST FLO

ION PACKAGE

h | CA8-103

ase ends 12/20/2027

1

SITE ADAPTATION Demolition Scope Proposed Design Signage Summary Lines of Sight Materials

BANK OF AMERICA

This is a sampling of the work I have done for Bank of America exterior renovation projects.

In these projects I have produced sets for presentation to store design for pricing, as well as construction document sets. Sites were spread throughout the county and I had worked on over 50 sites total.

The task was to renovate each site to coincide with Bank of America’s latest brand standards on the exterior to have a consistent architectual identity across all branches. This has been a large ongoing effort that launched in 2019 with Bank of America’s launch of their latest Manhattanprototype Beach | CA8-103 with new signage and exterior finishes. This began to be implemented after Concept Design Package -ofNot For Construction the completion the prototype across the Bank’s almost 4000 branches.

02.12.2024

Exterior Renovations

E

AD

NM LA LE P OR AB LO AIL O F AV

N

N

CAD Floorplan

Site Information Lease vs. Owned: Leased; lease ends 12/20/2027 FC Ranking: 330 Manhattan ID: CA8-103 Address: 1200 Highland Ave, Manhattan Beach, CA 90266 Gensler Site Number: 1019 Gensler Designer: Wesley Mason, genslerexteriorsteam@gensler.com

Site Map

Demo North Elevation A EXISTING CONDITIONS WEST ELEVATION

MANHATTAN BEACH, CA

est Elevation B Bank of America | 03.04.2024 | SITE ADAPTATION PACKAGE - NOT FOR CONSTRUCTION | Exterior Renovation Program |

Demo East Elevation B

EXISTING CONDITIONS SOUTH ELEVATION HAWTHORNE, CA

Bank of America | 03.04.2024 | SITE ADAPTATION PACKAGE - NOT FOR CONSTRUCTION | Exterior Renovation Program |

3

3

19

Proposed North Elevation A CONCEPT DESIGN WEST ELEVATION

MANHATTAN BEACH, CA

ed West Elevation B Bank of America | 03.04.2024 | SITE ADAPTATION PACKAGE - NOT FOR CONSTRUCTION | Exterior Renovation Program |

Proposed East Elevation B

CONCEPT DESIGN SOUTH ELEVATION HAWTHORNE, CA

Bank of America | 03.04.2024 | SITE ADAPTATION PACKAGE - NOT FOR CONSTRUCTION | Exterior Renovation Program |

7

7

20

ARC 4611L - SENIOR PROJEC T Instructor - Sarah Lorenzen Spring Semester 2020

COMUNA PARA LAS ARTES Communal Artist Housing - Arts District, Los Angeles

The Downtown Los Angeles Arts District was traditionally home to many of L.A.’s artists, but today it has become too expensive and exclusionary for artist’s to live within. A different art audience has come out of this exclusivity and limited access, those who are spectators. Art critic David Hickey describes these audiences as, “Spectators were nonparticipants, people who did not live the life—people with no real passion for what was going on. They were just looking. They paid their dollar at the door, but contributed nothing to the occasion.” Spectators are different from participants, “While spectators must be lured. Participants just appear, looking for that new thing—the thing they always wanted to see—or the old thing that must be seen anew—and having seen it, they seek to invest that thing with new value. They do this by simply showing up; they do it with their body language and casual conversation, with their written commentary, if they are so inclined, and their disposable income, if it falls to hand.”1 This is a conversation of underground versus the mainstream, a problem common in the Los Angeles Arts District, where those who come looking for the underground eventually push it out and it becomes the mainstream. This pushes out the artists that made these spaces unique and their audiences as the “participant” becomes the “spectator”.

Part of this problem stems from low wages of the working populations of the city who work increasing hours to afford their modest homes and have less time for leisure. They can no longer afford to participate in the Arts District. The Arts District has become more for the affluent where less of these people have access to the arts. This has pushed out artists and the working class from the inner city

as market rate apartments and luxury retail shops replace working class housing.

In a society where space has become a luxury and we are measured by what we own, theorist and philosopher Guy Debord offers this insight, “The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him.”2 Concerned with self-image we are owned by our possessions in order to maintain our social status. We need to reclaim the arts district for artists.

We all need to enjoy and experience art and make it less exclusive. There should be less focus on private ownership in a society that becomes more fixated with privatization over public ownership. Art should be for everyone.

Communal living should be popularized in which residents of the community collectively own parts of the project, and in which there is no hierarchy and all are represented equally, where residents provide resources for all to enjoy, and each contributes their individual skills to benefit the community.

The project will establish a commune as the artists work together and share possessions and responsibilities within the site. This will create a resistance within the Arts District against the corporate development model that builds luxury apartments pushing out residents who are forced to move their creative spaces elsewhere. The project will foster nonhierarchical spaces that create, “an architecture which took a fearless look at the logic

of grey, atheistic and de-dramatized industrialism, where mass production produced infinite urban decors.” The city frees us with its blankness, its featurelessness, allowing us to be anyone anywhere will represent an equality which is not available in a society which has become further divided as we find ourselves in the new gilded age.3 Within these spaces forms of radical art will be produced in which “total participation would have to take the place of the old spectacle, the directly experienced would replace conserved art, an all-encompassing art would take the place of art categorized in boxes, and a collective, anonymous production would replace the artists as a solitary genius.”4 These revolutionary forms of art will serve to further strengthen the collective community within the project, and that of disadvantaged peoples as a whole.

Hickey, Dave. “Romancing The Looky-Loos.” Air Guitar: Essays on Art & Democracy, by Dave Hickey, Art Issues Press, 2012, pp. 146–154.

1

Debord, Guy. The Society of the Spectacle. Black and Red , 2018, pp 16.

2

Artemel, AJ. “Retrospective: Archizoom And NoStop City.” Architizer Journal, 7 Nov. 2017, architizer. com/blog/practice/details/archizoom-retrospective/.

3

Stamps, Laura. “Constant’s New Babylon-Pushing the Zeitgeist to Its Limits.” Constant: New Babylon,

by Mercedes Pineda and Pedro G. Romero, Museo Nacional Centro De Arte Reina Sofía, 2015, pp.

12–31.

4

SEQUENTIAL SECTION

SECTION A-A 0

5

10

20

40’

3 /

SECTION B-B 0

5

10

20

40’

SOUTH ELEVATION 0

5

10

20

40’

EAST ELEVATION 0

5

10

20

40’

Mateo St

6th St

GROUND FLOOR PLAN

E 6th St 0 3’-9” 7’-6”

15’

30’

DN UP

UP DN

UP DN

OPEN TO BELOW

UP DN

UP DN

THIRD FLOOR PLAN +37’ 0 3’-9” 7’-6”

15’

30’

DN UP

UP DN

UP DN

OPEN TO BELOW

OPEN TO BELOW

UP DN

UP DN

FOURTH FLOOR PLAN +48’ 0 3’-9” 7’-6”

15’

30’

ENLARGED UNIT PLAN

SCALE 3/16” = 1’

PROFESSIONAL WORK Biwako Retail Project 2024

BIWAKO RETAIL PROJECT Biwako, Japan

In 2023 our LA office was contacted by the Tokyo office to help come up with a concept for a facade and plaza design for a residential building by a developer located adjacent to Lake Biwa in Japan. They contacted the LA office because they wanted a more dynamic approach to facade design that only the LA office could bring expertise in as a global leader in the firm. Several concepts were developed pertaining to different would cities and the London concept was ultimately selected.

Fast forward to 2024 and we were contacted again by the Tokyo office to develope a retail building to serve the residents of the adjacent residential building we had completed the year prior. The developer wanted the building to have a dynamic form and to have a material pallet that communicated with the residential building. We also developed a plaza that took cues from the architecture and integrated with the plaza of the residential building. The organic shaped roof plane serves a variety of functions including programming for children’s after school activities and positive views for resident above. The project is currently under construction.

FRONT ELEVATION 02 4

8

16

32

SIDE ELEVATION 02 4

8

16

32

ARC 4031 - THE HERESY OF FUNC TION: ARCHITEC TUAL PROSTHETICS Instructor - Frank Clementi Fall Semester 2019

When the St. Louis Gateway Arch was completed it was dedicated to the American people to signify the westward expansion of the United States. This romanticised manifest destiny without thinking of the implications of the taking of land from the Native Americans.

When their land was taken the Native Americans were forced onto reservations, where the land was allotted to the Natives in checkerboard patterns which made it nearly impossible to use as arable lands to grow crops.

Lofted Lands takes this poor land allottment and stitches together the discontinuous land map and lofts between three maps in the back, middle, and front of the arch for a horizontal stich. Lofted Lands becomes an occupation of the Gateway Arch as a protest by the Native Americans, filling the Gateway Arch. The Gateway becomes filled with Native American housing during the occupation with a variety of public spaces located throughout. There is also a variety of cluster public spaces present, which are poor or lacking on reservations, such as a health clinic, a cultural center, and spaces for religious practice.

Lofted Lands allows Native Americans to occupy the sky within a monument that ignores the troubled history between the Natives and the United States. Lofted Lands also discusses air rights in the city of St. Louis where buildings may not be taller than the 630’ tall monument.

Lofted Lands occupies the 630’ tall void space where the Natives claim their right to occupy this area. Here the Native Americans are also confronting that they have poor land on the ground plane so they instead take the fight to the sky.

LOFTED LANDS St. Louis Gateway Arch Occupation

COLLAGE46

Wars in Middle East 2001-

Civil Rights Acts 1964-1965

9/11 2001

Vietnam War 1964-1973

Iran Contra Scandel 1986 Gateway Arch Completed 1965 Marshal Plan 1947

SAC & FOX

Korean War 1950-1953

Marshal Plan 1947

United Nations Founded 1945

Atomic Bombings of Japan 1945

Japenese Internment 1942-1946 Pearl Harbor 1941

U.S. Enters WWII 1941 New Deal 1933

Stock Market Crash 1929

Immigration Act of 1924 1924

19th Amendment 1920 World War I 1914-1918

Virgin Islands Purchased 1916

Panama Canal Opened 1914

Ford Motor Company Founded 1903

630’

Spanish-American War 1898-1899

Hawaii Annexation 1898

Ellis Island Opened to Immigrants 1892

CHIC

CHER

15th Amendment 1870

Chinese Exclusion Act 1882 315’

Wounded Knee Massacre 1890

14th Amendment 1868

0’ 39’ 78’

157’

Slavery Abolished 1865

CHOC

Compromise of 1850 1850

U.S. Civil War 1861-1865

CREE

Mexican Cession 1848

Mexican-American War 1846-1848

Texas Beseiged at The Alamo 1836

Cherokee Trail of Tears 1838

Nat Turner’s Rebellion 1831 Eeri Canal Opens 1825 Missouri Compromise 1820 War of 1812 1812-1815 Louisiana Purchase 1803

Black Hawk War 1832 Indian Removal Act 1830 Monroe Doctrine 1823 Spain Cedes Florida to U.S. 1819 Lewis and Clark Exploration 1804-1806 Alien and Sedition Acts 1798

Constitution Ratified 1788 Declaration of Independence 1776 Pontiac’s War 1763 13th Colony Founded 1732

Revolutionary War Ends 1783 Revolutionary War Begins 1775 French and Indian War 1754-1763

SEMI

King Philip’s War 1675 Pequot War 1636 Santa Fe Founded 1607

Jamestown Founded 1607

Spanish Arrive in Americas 1492

SITE MAPPING47

1

2

Back Back

2 3

2D Discontinuous Land Alottment

2D Discontinuous Land Alottment

2.5D Discontinuous Land Alottment

2.5D Discontinuous Land Alottment

3D Land Stitch Loft

3D Land Stitch Loft

3

Middle Middle

Front Front 2.5D Land Stitch

2.5D Land Stitch

48

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Two Units 2400 Square Feet Four Bedroom Four Bath Courtyards

One Unit 1200 Square Feet Two Bedroom Two bath Courtyard

Three Units 2800 Square Feet Five Bedroom Four Bath Courtyard

Two Units 2400 Square Feet Four Bedroom Three and a half bath Courtyard

Cluster Public Space 6200 Square Feet Religious Space Tribal and Independent Ceremonies

Four Units 2400 Square Feet Six Bedroom Four Bath Courtyard

One Unit 1600 Square Feet Two Bedroom Two and a half bath Courtyard

Four Units 2400 Square Feet Six Bedroom Four Bathroom Courtyard

One Unit 1600 Square Feet Two Bedroom Two Bath Courtyard

One Unit 800 Square Feet One Bedroom One Bath Courtyard

One Unit 1600 Square Feet Two Bedroom Two Bath Courtyard

Two Units 2000 Square Feet Three Bedroom Two Bath Courtyard

One Unit 800 Square Feet One Bedroom One Bath Courtyard

Two Units 1600 Square Feet Two Bedroom Two and a half bath Courtyard

One Unit 800 Square Feet One Bedroom One Bath Courtard

16 17 18 19 20 21 22 23 24 25 26 27 28 29 30

One Unit 1600 Square Feet Two Bedroom Two and a half bath Courtyard

Two Units 2400 Square Feet Four Bedroom Three Bath Courtyard

One Unit 1600 Square Feet Two Bedroom Two and a half bath Courtyard

Cluster Prublic Space 14,750 Square Feet Horse Stables Individual and Tribal Horse Storage

One Unit 1200 Square Feet Two Bedroom Two Bath Courtyard

Two Units 2400 Square Feet Three Bedroom Two Bath Courtyard

31 32 33 34 35

One Unit 1600 Square Feet Two Bedroom Two and a half bath Courtyard

1 2 3

One Unit 400 Square Feet Studio One Bath Courtyard

4 5

One Unit 400 Square Feet Studio One Bath Courtyard

6 7 8

One Unit 1600 Square Feet Two Bedroom Two Bath Courtyard

9 10

Two Units 1600 Square Feet Two Bedroom Two Bath Courtyard

11 12 13 14 15

One Unit 600 Square Feet Studio One Bath Courtyard

16 17

Two Units 1600 Square Feet Two Bedroom Two Bath Courtyard

18 19

One Unit 1600 Square Feet Two Bedroom Two Bath Courtyard

20 21 22

Two Units 2400 Square Feet Four Bedroom Three Bath Courtyard

23 24

One Unit 800 Square Feet One Bedroom One Bath Courtyard

25 26

Four Units 2400 Square Feet Six Bedroom Four Bath Courtyard

27 28 29

One Unit 600 Square Feet Studio One Bath Courtyard

30 31

One Unit 1600 Square Feet Two Bedroom One and a half bath Courtyard

32 33 34

Cluster Public Space 30,225 Square Feet Community Market Sells Foods Grown

by Occupiers

35

SITE PLAN 0

32

64

96’

50

SEQUENTIAL SECTION 0

32

64

96

160’

+495’

+495’

+405’

+405’

+315’

+315’

+225’

+225’

FLOOR PLANS +135’

0

32

64

+135’

96’

52

FOCUS UNITS AXON 0

8

16

24’