TV Drama July 2022

DRAMADIG_722_COVER.qxp_KID_409_COVER 7/8/22 8:22 AM Page 2

WWW.TVDRAMA.COM

JULY 2022 EDITION

TV Drama Festival Recap

DRAMADIG_622_BANIJAY.qxp_Layout 1 6/13/22 12:00 PM Page 1

DRAMADIG_622_BANIJAY.qxp_Layout 1 6/13/22 12:00 PM Page 2

DRAMADIG_722_TOC.qxp_ASP_1206_MANSHA COLUMN 7/8/22 8:23 AM Page 1

4 TV DRAMA

CONTENTS HOWARD GORDON The acclaimed writer, producer and showrunner on how he adapted the British drama Accused into a new anthology for FOX in the U.S.

Ricardo Seguin Guise Publisher

U.K.’S FINEST Banijay Rights’ Cathy Payne, All3Media International’s Louise Pedersen, Entertainment One’s Stuart Baxter and ITV Studios’ Ruth Berry weighed in on commissioning and financing trends in British drama.

Anna Carugati Group Editorial Director

WALTER PRESENTS’ WALTER IUZZOLINO The curator and co-founder of the streaming service discussed how he and his team are positioning it as a premier home for top-notch foreign-language scripted series before being honored with the inaugural TV Drama Pioneer Award.

CO-PRODUCTION EVOLUTION ZDF Studios’ Robert Franke, Dynamic Television’s Daniel March and LEONINE Studios’ Caroline Kusser offered insights on how the co-production model has evolved.

JUAN JOSÉ CAMPANELLA The Argentinean television and film director, writer and producer weighed in on his exclusive deal with VIS for scripted projects, including his Paramount+ series The Envoys (Los Enviados).

MIDSOMER MURDERS’ NEIL DUDGEON The actor, who plays DCI John Barnaby, discussed the enduring success of the All3Media Internationaldistributed crime procedural, which has been airing on ITV since 1997.

MIRANDA KWOK The showrunner talks about how she adapted the successful Argentinean series The Cleaning Lady for FOX in the U.S. and placed diversity and inclusion at the forefront of the show.

VIAPLAY GROUP’S FILIPPA WALLESTAM The company’s executive VP and chief content officer on her approach to curating the streamer’s slate of originals and acquired fare as it expands its global footprint.

LIONSGATE’S SANDRA STERN The president of Lionsgate Television Group discussed how the independent studio is partnering with established and new talent to serve the needs of commissioners across broadcast, cable and streaming.

ROBERT & MICHELLE KING The writing and producing power couple talked about their long-running collaboration that has resulted in such hit shows as The Good Fight and Evil.

BANIJAY’S LARS BLOMGREN & KUDOS’ KAREN WILSON In a joint keynote, Lars Blomgren, head of scripted at Banijay, and Karen Wilson, managing director of Kudos, shared a look at the drama development and production process at the company.

EUROPEAN MIGHT Bob McCourt, the COO of Fremantle International, discussed the opportunities the company is finding amid a renaissance in European drama production.

SCREENINGS ZDF Studios’ Sløborn and All3Media International’s Dalgliesh, The Brokenwood Mysteries and Van der Valk.

GET DAILY NEWS ON TELEVISION DRAMA

Mansha Daswani Editor Kristin Brzoznowski Executive Editor Chelsea Regan Managing Editor Jamie Stalcup Associate Editor David Diehl Production & Design Director Simon Weaver Online Director Dana Mattison Sales & Marketing Director Genovick Acevedo Sales & Marketing Coordinator Andrea Moreno Business Affairs Manager

Ricardo Seguin Guise President Anna Carugati Executive VP Mansha Daswani Associate Publisher & VP of Strategic Development TV Drama ©2022 WSN INC. 1123 Broadway, #1207 New York, NY 10010 Phone: (212) 924-7620 Fax: (212) 924-6940 Website: www.tvdrama.com

.com

DRAMA_622_LEONINE.qxp_Layout 1 6/2/22 12:08 PM Page 1

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 1

6 TV DRAMA

Keynote:

HOWARD GO

Acclaimed writer, producer and showrunner Howard Gordon discussed how he adapted the British drama Accused into a new anthology for FOX in the U.S.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 2

TV DRAMA

GORDON It has the trappings of a pretty classic courtroom story. But it’s about so much more than that. It is about very human, relatable, small-scale stories, but told against all the fault lines in the world that we’re living with: The corrosive impact of social media, identity, race, inequality. It shows us how exquisitely vulnerable we all are at this moment. It’s an empathy engine.

”

7

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 3

8 TV DRAMA

U.K.’S

FINEST

Banijay Rights’ Cathy Payne, All3Media International’s Louise Pedersen, Entertainment One’s Stuart Baxter and ITV Studios’ Ruth Berry weighed in on commissioning and financing trends in British drama.

Read the recap here.

n, d

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 4

TV DRAMA

You used to be able to tell the difference between a big U.S. show and a U.K. show. Budgets are getting ever closer together.

”

–Louise Pedersen

We’ve all got to think much more thoroughly about how we deficit finance and who the partners are that we can do it with.

”

—Ruth Berry

You have to be a lot more creative. It’s not just about financing. You need to add value not just as a distributor but creatively.

”

–Stuart Baxter

The sophistication of the behindthe-scenes financial banking is just more intricate than ever.

”

—Cathy Payne

9

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 5

10 TV DRAMA

TV Drama Pioneer Award

WALTER IUZZ

Walter Iuzzolino discussed how he and his team are positioning Walter Presents as a premier home for top-notch foreign-language scripted series before being honored with the inaugural TV Drama Pioneer Award.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 6

TV DRAMA 11

ward:

UZZOLINO

ge ma

The streamers have helped to accelerate a change to the point where viewers are now used to international drama. They’re not scared about subtitles anymore.

The shows stream really well.

And we are growing and growing. We used to launch one, sometimes two shows a month.

Now, in the States we launch a show every week. It’s a very hungry machine. Our viewers are very loyal and passionate.

”

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 7

12 TV DRAMA

CO-PRODUCTION

EVOLUTION

ZDF Studios’ Robert Franke, Dynamic Television’s Daniel March and LEONINE Studios’ Caroline Kusser offered insights on how the co-production model has evolved.

Read the recap here.

N

N

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 8

TV DRAMA 13

If you’re not part of an idea from the get-go, you’re not part of it at all. That leads to a situation where we are forced to become co-producers. It’s not an evolution of the co-production model per se. It’s more the evolution of the role of distributors.

”

–Robert Franke

Co-productions fit into one of two buckets: creatively driven or economically driven. The benefit of economic models is often trying to attract an additional broadcaster or another entity.

That’s just getting more challenging.

But I think, in general, demand for co-productions is very strong.

”

–Daniel March

We will see more like-minded broadcasters willing to partner up.

As the big streamers commission more out of Europe, the traditional broadcasters are partnering up with each other.

”

–Caroline Kusser

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 9

14 TV DRAMA

Keynote:

JUAN JOSÉ CA

Argentinean television and film director, writer and producer Juan José Campanella weighed in on his exclusive deal with VIS for scripted projects, including his Paramount+ series The Envoys (Los Enviados).

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 10

TV DRAMA 15

CAMPANELLA My career has been parallel on film and television, not much feeding each other; almost disconnected. I find pleasure in both. Of course, in film, you have a larger canvas. You have that feeling of permanence through time. But in television, I love the fact that in a series, you can go deeper into the characters. Television is more like a novel, and film, a short story. I like them both. I like the speed of television. I like the fact that you have to shoot from the cuff.

”

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 11

16 TV DRAMA

Keynote:

NEIL DUDGEO

Actor Neil Dudgeon discussed the enduring success of All3Media International’s Midsomer Murders, which has been airing on ITV since 1997.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 12

TV DRAMA 17

EON The formula is: something, not necessarily a murder, happens in a rural location, and two police officers go to see what’s happening. Through the police officers’ eyes, the audience is introduced to the milieux and the new characters. Most of your cast are going to be new people every week. So every time [viewers] watch it, they see something that they know, but it’s completely different from anything they’ve seen before.

”

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 13

18 TV DRAMA

Keynote:

MIRANDA KW

Miranda Kwok on how she adapted the successful Argentinean series The Cleaning Lady for FOX in the U.S. and placed diversity and inclusion at the forefront of the show.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 14

TV DRAMA 19

KWOK

nd

One of the most important things is to tell stories that matter, that can affect people and bring a greater understanding about humanity. When you show these characters that you don’t normally see, you’re opening people’s perspectives. The more we can put that specificity onscreen, the more we can understand each other and that at the core, we are all more the same than we are different.

”

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 15

20 TV DRAMA

Keynote: Viaplay Group’s

FILIPPA WAL

Filippa Wallestam, executive VP and chief content officer at Viaplay Group, on her approach to curating the streamer’s slate of originals and acquired fare as it expands its global footprint.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 16

TV DRAMA 21

up’s

ALLESTAM

y

Our ambition in new markets is to be as local as possible. We stay very true to our core values, our way of telling stories and how we’ve built our credibility in the Nordics. If you do local at an excellent level, it tends to travel regardless. That is very much our focus for the majority of our shows. We tend to stay very close to our core, which is not just Nordic noir—it’s authentic storytelling, story-first types of projects.

”

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 17

22 TV DRAMA

Keynote: Lionsgate’s

SANDRA STE

Sandra Stern, the president of Lionsgate Television Group, discussed how the independent studio is partnering with established and new talent to serve the needs of commissioners across broadcast, cable and streaming.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 18

TV DRAMA 23

TERN

ed w e

As we look at a maturing streaming market, in which unlimited growth may not be the future, there may be some pullback. That is both a challenge and an opportunity.

It requires us to double down on our quality, to be the studio that breaks through the clutter. As the f inancial ability of some of the platforms to spend wildly is perhaps shrinking, we are able to pivot in a way that I think a lot of the studios are not able to do.

”

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 19

24 TV DRAMA

Keynote:

ROBERT & MIC

Robert and Michelle King talked about their long-running collaboration that has resulted in such hit shows as The Good Fight and Evil.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:31 AM Page 20

TV DRAMA 25

MICHELLE KING

t

As long as we’ve known one another, we’ve been talking about how does one explain evil in the world? Robert goes more toward a supernatural, demonic explanation. I’m more likely to look at psychological or sociological explanations.

”

–Michelle King

Right now what drives [The Good Fight] is the fear of civil war in America. Worries about a Balkanization of American politics. We’re taking it to a political dimension.

”

—Robert King

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 21

26 TV DRAMA

BANIJAY’S LARS KUDOS’ KAREN W

In a joint keynote, Lars Blomgren, head of scripted at Banijay, and Karen Wilson, managing director of Kudos, shared a look at the drama development and production process at the company.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 22

TV DRAMA 27

RS BLOMGREN & N WILSON The situation with the streamers plays to our advantage. We have a lot of high-end companies with proper track records. In challenging times, you want to have reliable partners.

”

—Lars Blomgren

The BBC, for example, is adapting to the streaming market. They want to be a place that speaks to its local audience, that serves that public-service broadcaster mentality, but that also is surprising. They are forming really good partnerships with co-producers in the U.S. in order to allow them to have those windows in the U.K.

”

—Karen Wilson

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 23

28 TV DRAMA

EUROPEAN M

Bob McCourt, the COO of Fremantle International, discussed the opportunities the company is finding amid a renaissance in European drama production.

Read the recap here.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 24

TV DRAMA 29

N MIGHT

an

Inevitably, budgets are going up, which is making projects harder to finance. The budget levels of the broadcasters may not be able to increase to that extent. Funding of shows can be an issue where you’ve got big, big budgets, and you’re trying to piece together the financing with three or four co-production partners and potentially taking a big risk by putting a big distribution advance in.

”

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 25

30 TV DRAMA

ZDF Studios

SLØBORN

Directors Christian Alvart (Dogs of Berlin) and Adolfo J. Kolmerer again take the helm of the disaster thriller in season two, where our heroes have lost all contact with the mainland but their troubles are far from over.

DRAMA_622_SARAN STUDIOS.qxp_Layout 1 6/9/22 4:14 PM Page 1

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 26

32 TV DRAMA

All3Media International’s

DALGLIESH

From the award-winning New Pictures, this classic detective series welcomes Bertie Carvel as Inspector Adam Dalgliesh.

Slow-burning, tension-filled and beautifully shot, the series follows three murder mysteries across six episodes.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 27

TV DRAMA 33

All3Media International’s

THE BROKENWOOD MYSTERIES

In the deadly but picturesque town of Brokenwood, Detective Mike Shepherd and his close-knit team use unorthodox methods to uncover the murders that lead to the town’s rising death count.

DRAMADIG_722_FESTIVALPAGES_ALT.qxp_REAL_408_NIGHT 7/8/22 8:32 AM Page 28

34 TV DRAMA

All3Media International’s

VAN DER VALK

Set against the bustling backdrop of the stunning city of Amsterdam, Van der Valk and his brilliant team continue to investigate and solve compelling murder mysteries.

DRAMA_722_RX.qxp_Layout 1 7/7/22 1:56 PM Page 1

WSDIG_0720_House mipcom single_mech.qxp_Layout 1 6/20/22 5:56 PM Page 1

AT MIPCOM

SPACE RESERVATIONS: September 16 AD MATERIALS: September 20 For more information, please contact Ricardo Guise (rguise@worldscreen.com) or Dana Mattison (dmattison@worldscreen.com)