International Emmy 2018/2019 Gala Edition

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INTERNATIONAL EMMY®

Table of Contents 4 President’s Report: Bruce Paisner

56 International Emmy Kids Awards@Miptv

6 2018 Gala Chair: Rola Bauer

72 2018 International Emmy Awards Semi-Final Round of Judging

7 2018 Gala Host: Hari Kondabolu 8 International Emmy Directorate Award: Sophie Turner Laing

98 Fall Board & Members Meeting and Events: In Conversation with Dan Cohen and Luke Davies 108 2018 News & Current Affairs Categories

9 International Emmy Founders Award: Greg Berlanti

117 JCSI Young Creatives Award & Sir Peter Ustinov Television Scriptwriting Award

13 About the International Academy 119 Directory of Members 17 2018 International Emmy Award Nominees 40 March Board & Members Meeting: U.S. Television Landscape—Evolution or Upheaval?

139 2018 Judging Participants 161 List of Advertisers 162 Masthead

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INTERNATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

President’s Report 2018 International Academy President & CEO Bruce Paisner at the March Board & Members Meeting

n a year of increasing turmoil in the world, the Academy focused on its two primary missions: presenting Emmys for excellence in television and organizing panels and speakers to help explain the turmoil. With members from 60 countries and every aspect of television production and distribution, the Academy is particularly well positioned to monitor and explore the seismic change we live with today in the political, economic and technology spheres.

Our next big event will be an exploration of Brexit and particularly its implications for media around the world. Right now, the staff and our partners at British America Business are deep in preparation for a gathering in London next March 14 and 15 to examine what will happen when Britain exits the European community on March 29.

Our events this year have included a presentation from Boston Consulting Group (BCG) at our Spring meeting on the state and expected pace of change in the media industry, and a visit to Paramount Pictures at the Fall Board meeting. The BCG meeting featured a presentation

by John Rose, the Co-Head of BCG’s Media Practice. At Paramount our member Dan Cohen, President of Worldwide TV Licensing for Paramount, hosted the event and interviewed Luke Davies, the Oscarnominated writer who is writing Catch-22 as a TV miniseries.

In April, in partnership with Reed Midem, we present our Kids Emmys at MIPTV and this year added a panel on the current trends in children’s programming. In early October we present our News Emmys in partnership with the National Academy of Television Arts & Sciences. At a time when intense and unwarranted pressure is being applied to news media around the world simply for doing their job, this ceremony and our participation in it had special importance.

To help underwrite everything we do, we received significant support from a number of media organizations around the world. We 4

are particularly indebted to Phoenix Satellite Television and its Chairman, Liu Changle, and to Globo, the leading media company in Brazil, and the Marinho family.

One aspect of the Academy in recent years that is particularly gratifying to me is the excellence and continuity of our Executive Committee. I want to acknowledge Fred Cohen, our Chairman; Simon Sutton, our Secretary; Kevin Beggs, our Treasurer and Co-Chair of our Special Awards Committee; as well as Abbe Raven, Adriana Cisneros, Bruce Tuchman, Rainer Siek, Larry Gershman and Armando Nuñez, Jr. This year, like every year, the heart of the organization was our professional staff, led by the incomparable Camille Bidermann Roizen, Senior Vice President and Executive Director. The staff runs the organization on a day-to-day basis and manages our Board & Members meetings, our Academy Days, and our increasingly complicated and broad-based Emmy Judgings.

The International Academy works closely with the Television Academy in Los Angeles and the National Academy of Television Arts & Sciences. We participate directly with the National Academy in the News Emmys. I am grateful to our many helpful colleagues at both organizations: Hayma Washington and Maury Mcintyre at the Television Academy and Terry O’Reilly and Adam Sharp at the National Academy.

My job at the Academy is made easier and my professional life more rewarding by my continuing relationship with Hearst and its President and CEO, Steven R. Swartz. Steve’s ability to manage Hearst, and carry on his outside responsibilities, while also serving as Chairman of the Associated Press, is impressive. Steve and his predecessor as Hearst CEO, Frank A. Bennack Jr., Executive Vice INTERNATIONAL EMMY® 2018 -2019

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Chairman, understand the interrelationship between business, government, health care and the arts, a talent that is both rare and deeply valuable in times like these. Their continuing support of the Academy’s mission is crucial and deeply gratifying.

In the 1930s, at the depth of the Depression and the height of the New Deal, one of the prouder, more meaningful statements of participation and commitment was the simple slogan “We Do Our Part.” I do believe that in difficult times like these we should all be able to say we do our part, and I also believe that the Academy, in its many activities across the globe, adheres to that simple but meaningful commitment.

Bruce L. Paisner President & CEO, International Academy of Television Arts & Sciences

Bruce Paisner, Dan Cohen and Luke Davies at the Fall Board Meeting in Los Angeles

Bruce Paisner and Paul Zilk at the 2018 International Emmy Kids Awards at Miptv

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2018 GALA CHAIR

Rola Bauer Rola Bauer, Managing Director, STUDIOCANAL TV, is a Golden Globe® and two-time Emmy® nominated producer and co-production pioneer. that there are stories in and beyond our backyards that move, entertain and enlighten us. Chapeau!

hat does being the 2018 Gala Chair mean to you?

To be chairing the 2018 International Emmys Gala is a huge honor and with it comes a fantastic opportunity to celebrate the strength of exceptional talent from all over the world.

We are now seeing such a wide array of international productions bringing us and the world closer together, connecting audiences globally.

I have been privileged to be part of the international television market for my entire career, so it is very rewarding to see our industry truly opening up to new and exciting forms of narrative.

This also makes my work as a board member of the International Academy—and now chairing this year’s Gala—all the more meaningful personally, as the International Emmys have been instrumental in raising awareness and showing the borderless possibilities of good storytelling, encouraging us all to think beyond our own limits.

We all owe a debt of gratitude to Bruce Paisner, Camille Bidermann and the entire International Emmys team for their tireless efforts to continuously raise this bar, allowing the entire world to recognize 6

How important is the international TV market for STUDIOCANAL? After having established itself as a label of quality in the film world, STUDIOCANAL launched into the international television industry in 2012 with the intention of becoming a true global player in both production and global distribution of quality television programming.

Since then, STUDIOCANAL has expanded its television banner to cover some of the most impressive talent and production companies in Europe today. Tandem Productions (Shadowplay, The Pillars of the Earth); RED Production Company (Safe, Happy Valley); Howard Overman’s Urban Myth (War of the Worlds, Misfits); Benedict Cumberbatch’s SunnyMarch TV (Patrick Melrose, A Child in Time); Adam Price, Søren Sveistrup and Meta Louise Foldager’s SAM (Below The Surface, Ride Upon the Storm); Guilty Party (The Inbetweeners) and Ramón Campos and Teresa FernándezValdés’ Bambu (Instinto, Cable Girls). STUDIOCANAL’s television division also invests in prestigious independent productions such as Cattleya’s ZeroZeroZero from the Gomorrah team, based on Roberto Saviano’s bestseller and directed by Stefano Sollima; and Yellow Bird (Occupied) for the new series Sanctuary, based on The Devil’s Sanctuary by Marie Hermanson.

STUDIOCANAL is always welcoming talented partners from around the world, helping them to put the pieces together, opening their productions up to the international market.

We believe STUDIOCANAL, with its European DNA and having invested in a number of leading European production companies, is an ideal partner for international productions. We produce locally and also in the English language, as well as creating compelling productions which can be formatted all over the world.

What are the biggest opportunities for STUDIOCANAL in the coming years?

We are delighted to be aligned with production companies, networks and platforms from major European countries that have become our partners within the STUDIOCANAL/CANAL+ Group. We are also privileged to work with talented U.S. producers and production companies. Each one has a unique voice—their own cultural and distinct characteristics—enabling them to deliver their creative visions to our group. These are exceptional assets for us and, in turn, our producing partners benefit from the scale, studio services support and international synergy that we can provide for them. With the opportunities that the multiple-platform universe offers, we are continuing to expand our programming portfolio by working closely with them in the future as well as with some exceptional third parties with whom we have long and fruitful relationships.

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2018 GALA HOST

Hari Kondabolu Comedian, Writer and Podcaster Hari Kondabolu, known for his incisively funny humor on matters of race and social commentary, has been described by the New York Times as “one of the most exciting political comics in stand-up today.”

ari Kondabolu is a comedian, writer and podcaster based in Brooklyn, New York. He has been described by the New York Times as “one of the most exciting political comics in stand-up today.” In 2018, his Netflix special Warn Your Relatives was released and he was named one of Variety’s Top 10 Comics To Watch.

Hari has released two comedy albums, Waiting for 2042 and Mainstream American Comic with the legendary indie rock label Kill Rock Stars. He has performed on The Late Show with David Letterman, Conan, Jimmy Kimmel Live, John Oliver’s NY StandUp Show and @Midnight and has his own half-hour special on Comedy Central. He is a former writer and correspondent on the Chris Rock-produced FX show Totally Biased with W. Kamau Bell.

In 2017, he released his critically acclaimed documentary The Problem with Apu on truTV. Hari is a regular on the public radio game show Wait Wait...Don’t Tell Me! Hari has also appeared on such notable radio shows and podcasts as Fresh Air with Terry Gross, WTF with Marc Maron, 2 INTERNATIONAL EMMY® 2018-2019

Dope Queens, Morning Edition, All Things Considered, Prairie Home Companion, Wits, Studio 360 and Bullseye. He co-hosted the popular Politically Reactive podcast with W. Kamau Bell and currently co-hosts The Kondabolu Brothers Podcast with his brother Ashok on Earwolf. In the U.K., Hari has established himself with appearances on BBC 3’s Russell Howard’s Good News, Live at the Electric and Channel 4’s 8 out of 10 Cats. He also performed at the Edinburgh Fringe Festival in 2011.

Hari attended both Bowdoin College and Wesleyan University, graduating from the former institution with a B.A. in Comparative Politics in 2004. A former immigrant rights organizer in Seattle, Hari also earned a Masters in Human Rights from the London School of Economics in 2008. He was the NYU’s APA Institute’s Artist in Residence for the 2014-2015 Academic Year.

Hari was born and raised in Queens, New York. He went to Townsend Harris High School and the school’s mascot, “Hari the Hawk,” was named after him during his senior year. (He sometimes fears that is his greatest achievement.)

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INTERNATIONAL EMMY® DIRECTORATE AWARD

Sophie Turner Laing The International Emmy® Directorate Award is presented to Sophie Turner Laing, Chief Executive Officer, Endemol Shine Group, a network of more than 120 creative production companies with production capabilities in 23 markets in over 50 languages.

s Chief Executive Officer of global content creator, producer and distributor Endemol Shine Group, Sophie Turner Laing oversees a network of more than 120 creative production companies with production capabilities in 23 markets, a portfolio of more than 800 productions and a catalog of over 4,300 registered formats across scripted and non-scripted genres.

With productions in more than 50 languages for multiple platforms around the world, Endemol Shine Group’s best-known international 8

hits include Big Brother, Black Mirror, Broadchurch, Bron (The Bridge), Deal or No Deal, Your Face Sounds Familiar, Humans, Hunted, The Island, MasterChef, Mr. Bean, Peaky Blinders, The Biggest Loser, The Fall, The Money Drop and many more. The company was formed in December 2014 as a joint venture between Endemol and Shine Group.

Prior to taking up her current role as CEO in December 2014 and overseeing the successful merger of Endemol and Shine, Sophie held a number of senior positions at Sky in the U.K., including Director of Movies and Managing Director of Content. Sophie was instrumental in forging Sky’s groundbreaking partnership with HBO, which led to the launch of Sky Atlantic. She was also the driving force behind Sky’s commitment to increase investment in original British pro gramming to £600 million a year, achieved in 2014.

Prior to joining Sky, Sophie held a number of senior roles at the BBC, including Acting Director of Television.

Sophie began her television career at Henson International Television where she worked on programs such as The Muppet Show, and where she later rose to become Sales Director. She went on to set up HIT Entertainment with Peter Orton in 1989 and later moved to Flextech as a buyer.

Sophie has been awarded an OBE in the 2018 Queen’s Birthday Honours List for her services to the Media, as well as a Royal Television Society (RTS) Fellowship for her “outstanding contribution” to British television. She also was honoured with the inaugural MIPTV Médaille d’Honneur for her contribution to television globally. In January 2016 she received the Brandon Tartikoff Legacy Award in recognition of “extraordinary passion, leadership, independence and vision in the process of creating television programming.”

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INTERNATIONAL EMMY® FOUNDERS AWARD

Greg Berlanti The International Emmy® Founders Award is presented to record-setting Writer, Director and Producer Greg Berlanti, the force behind global hits Dawson’s Creek, The Flash and Blindspot.

GA, DGA and Golden Globe nominated writer, director and producer Greg Berlanti is the force behind some of the most inventive and acclaimed works in film and television.

Berlanti started in television on the hit show Dawson’s Creek.

Since then, Berlanti has served as creator, writer and producer behind shows such as Everwood, Jack & Bobby, Brothers & Sisters, Eli Stone, Dirty, Sexy, Money and Political Animals.

He currently works as executive producer and co-creator of Arrow, The Flash, DC’s Legends of Tomorrow, Supergirl and You. Additionally, Berlanti serves as executive producer on Riverdale, INTERNATIONAL EMMY® 2018-2019

Black Lightning and Blindspot. Upcoming television projects via his Berlanti Productions banner are Titans, Chilling Adventures of Sabrina, All American, The Red Line and Doom Patrol. During Upfronts 2018, it was announced that Berlanti’s company would make television history with a total of 14 scripted series on the air at the same time.

Berlanti made his film directorial debut in 2000 with The Broken Hearts Club. His most recent feature directorial project is the critically acclaimed Love, Simon, an adaptation of the acclaimed YA novel Simon Vs. The Homo Sapiens Agenda. He currently resides in Los Angeles with his husband and son.

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ABOUT THE ACADEMY

The International Academy of Television Arts & Sciences A global membership-based organization recognizing excellence in television with the Emmy® and connecting leading media and entertainment professionals across all segments of the content industry.

he International Academy of Television Arts & Sciences is a membership-based organization comprised of leading media and entertainment figures from over 60 countries and 500 companies from all sectors of television, including internet, mobile and technology. The Academy’s yearly schedule of events includes the prestigious International Emmy® Awards held in New York, The International Emmy® Kids Awards at MIPTV and a series of industry events, such as Academy Day, The International Emmy® World Television Festival and Panels on substantive industry topics.

For more information and a calendar of upcoming events go to the Academy’s website www.iemmys.tv INTERNATIONAL EMMY® 2018-2019

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INTERNATIONAL EMMY® AWARD NOMINEES

2018 International Emmy Award Nominees very year, the global television industry competes in the International Emmy Awards competition to be recognized on the International Academy’s global stage.

This year, there are 44 Nominees across 11 categories and 20 countries.

Nominees come from Australia, Belgium, Brazil, Canada, Chile, Denmark, Germany, India, Israel, Japan, Mexico, the Netherlands, Portugal, Spain, South Africa, South Korea, Thailand, Turkey, the United Kingdom and the United States.

Information about all the Nominees is included in the following pages for the following categories:

Arts Programming Best Performance by an Actor Best Performance by an Actress Comedy Documentary Drama Series Non-English Language U.S. Primetime Program Non-Scripted Entertainment Short-Form Series Telenovela TV Movie/Mini-Series INTERNATIONAL EMMY® 2018-2019

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2018 NOMINEES

Arts Programming

David Stratton’s Story of Australian Cinema Stranger Than Fiction Films Australia Executive Producer: Mandy Chang Producers: Jo-anne McGowan, Jennifer Peedom Director: Sally Aitken Writer: Sally Aitken Revered critic David Stratton tells the story of Australian cinema, focusing in on the films that capture the nation’s true nature and shine a light on his own.

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Dreaming of a Jewish Christmas Riddle Films Canada Executive Producer: Marie-Odile Demay Producers: Jason Charters, Liam Romalis Director: Larry Weinstein Writer: Jason Charters Principal Cast: Steven Page, Dione Taylor, Rob Kapilow, Ben Sidran, Jennifer 8. Lee, Ophira Eisenberg, Steve March-Tormé Dreaming of a Jewish Christmas is an offbeat, irreverant musical documentary about a group of Jewish songwriters who wrote the soundtrack to Christianity’s most musical holiday. It’s a tale of immigrant outsiders who found the perfect holiday in which to imagine a better world.

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Etgar Keret: Based on a True Story

Palavras Em Série

BALDR Film / NTR

[Words in Series]

Netherlands Executive Producers: Katja Draaijer, Frank Hoeve Producers: Katja Draaijer, Frank Hoeve Director: Stephane Kaas Writers: Stephane Kaas, Rutger Lemm Principal Cast: Etgar Keret, Alon Dahan In his short stories, Israeli writer Etgar Keret plays with fantasy and reality.

His own life, too, seems a modern fairy tale. In this hybrid documentary, the filmmakers investigate why storytelling is an essential aspect of Keret’s life.

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Hungry Man Brazil Executive Producers: Alex Mededff, Carlão Busato, Gualter Pupo, Luis Vidal Producers: Carolina Aledi, Luis Vidal, Mario Diamante Director: Alberto Renault Writer: Alberto Renault Principal Cast: Andrea Beltrão, Monica Iozzi, Camila Pitanga, Lilia Cabral, Regina Casé A series that brings to light the process of how an actor interprets a text—its different readings, how it evolves through rehearsals, and the actor’s personal and emotional doubts. A program about emotions and feelings, about words and silence and about the art of writing and performing.

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2018 NOMINEES

Best Performance

Julio Andrade

Billy Campbell

in Um Contra Todos [One Against All ] – Season 2

in Cardinal

Conspiração Filmes / FOX Networks Group LATAM Brasil

Sienna Films / eOne

Brazil Without acknowledging that he is just a part of a bigger plan, former prisoner Cadu becomes a congressman and struggles to keep his honesty intact and his family alive, since his election was supported by the drug dealer Pepe.

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Canada In this atmospheric thriller, demoted Detective John Cardinal is brought back into Homicide in order to track Algonquin Bay’s merciless serial killer, all while keeping a watchful eye on his new partner, Detective Lise Delorme, as she secretly investigates him.

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by an Actor

Lars Mikkelsen

Tolga Saritaş

in Herrens Veje [Ride Upon the Storm]

in Soz [The Oath]

DR Drama / ARTE France / SAM le Français

Tims&B Productions

Denmark

Turkey

Dean Johannes is facing his life’s greatest opportunity—the chance to become the first bishop in the family. His youngest son, August, dreams of working abroad as a military chaplain, which becomes reality.

Yavuz is the commander of the special ops team. He is a very good soldier and leader. He has earned the respect of the whole team with his intelligence and charisma. Although he closes the love chapter of his life after losing his fiancée in a terrorist attack, life will give him a second chance at finding happiness again and overcoming his traumatic past.

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2018 NOMINEES

Best Performance

Thuso Mbedu

Anna Schudt

in Is’thunzi – Season 2

in Ein Schnupfen hätte auch gereicht [The Sniffles Would Have Been Just Fine]

Rapid Blue / MNET South Africa A Cinderella story for girls who have to rescue themselves: Winnie and her ninjas continue to deal with and survive unexpected twists of fate. The girls battle against evil people, cruel relatives and their own demons, as they discover their inner strength and learn to find their own happiness.

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Zeitsprung Pictures / RTL Television Germany Germany’s comedian Gaby Köster suffered a severe stroke and fell into a coma.

Exactly five years later, Gaby is back on stage to accept a Comedy Lifetime Achievement Award.

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by an Actress

Emily Watson

Denise Weinberg

in Apple Tree Yard

in Psi – Season 3

Kudos

HBO Latin America / O2 Filmes

United Kingdom

Brazil

When enigmatic stranger Mark Costley propositions Dr. Yvonne Carmichael, she is shocked by the hidden passion he awakens within her. But gradually, Yvonne begins to realize that there is much more to Costley than meets the eye, and she could be playing a very dangerous game indeed.

Denise is single, has no children and lives in a comfortable apartment in a good neighborhood in São Paulo with her sister, Antonieta. One refuses to leave her home and the other will not touch anyone or anything that isn’t completely sterilized or wrapped.

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2018 NOMINEES

Comedy

Club de Cuervos – Season 3

El Fin de la Comedia - Temporada 2

[Club of Crows]

[The End of Comedy]

Alazraki Entertainment / Netflix

Viacom International Media Networks – Comedy Central Spain / Movistar + / Sayaka Producciones

Mexico Executive Producers: Gaz Alazraki, Moises Chiver, Mike Lam, Russell Eida, Jay Dyer, Leonardo Zimbron, Luis Gerardo Mendez Producers: Moises Chiver, Mónica Vargas, Carlos Alazraki (Associate Producer), Mark Alazraki (Associate Producer) Directors: Gaz Alazraki, Chava Espinosa, Mariana Chenillo Writers: Gaz Alazraki, Jay Dyer, Russell Eida, James Eagan, Matt Hausfater, Marcos Bucay Principal Cast: Luis Gerardo Méndez, Mariana Treviño A brother and sister battle high expectations and each other after inheriting a soccer team.

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Spain Executive Producers: Amalia Martínez de Velasco, Cristina Alcelay Producers: Nuria Martínez, Bruna Hernando Directors: Raúl Navarro, Miguel Esteban Writers: Raúl Navarro, Miguel Esteban Principal Cast: Ignatius Farray El Fin de la Comedia is a series that explores the life of the comedian Ignatius Farray. Through a bitter comedy in which we see Ignatius more completely, we also see the person behind the comedian.

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Nevsu

Workin’ Moms

Endemol Shine Israel / Reshet13 / Gesher Multicultural Film Fund / Avi Chai Foundation

Wolf + Rabbit Entertainment Canada

Israel Executive Producers: Yossi Vasa, Shai Ben-Atar, Liat Shavit, Gal Zaid Producer: Amir Ganor Director: Shai Ben-Atar Writers: Yossi Vasa, Shy Ben-Atar, Liat Shavit Principal Cast: Yossi Vasa, Hana Laslo, Gadi Yagil, Meskie Shibru, Meyrav Feldman Nevsu tells the story of a mixed family navigating the prejudices and tensions involved in raising their 5-year-old daughter. What ensues is a clash of modern-day cultures.

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Executive Producers: Catherine Reitman, Philip Sternberg, Joe Sorge, Tina Horwitz Producer: Jonathan Walker Directors: Catherine Reitman, Paul Fox, Aleysa Young Writers: Catherine Reitman, Rebecca Kohler, Karen Moore, Ingrid Haas, Diane Flacks Principal Cast: Catherine Reitman, Dani Kind, Juno Rinaldi, Jessalyn Wanlim, Sarah McVie, Philip Sternberg, Ryan Belleville, Dennis Andres The show follows four women in a mommies’ group wanting to have it all as they juggle relationships, insatiable babies, horrific co-workers, and postpartum depression.

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2018 NOMINEES

Documentary

De Wereld van Puck

Eu Sou Assim

[Puck’s World]

[This Is Me]

KURTADOCS / EO

GNT / TV Zero

Netherlands

Brazil

Executive Producer: Margje de Koning Producers: Anna Stienstra, Jaap Leertouwer, Peter Visser, Gert-Jan de Vries Director: Gert-Jan de Vries Writer: Gert-Jan de Vries Principal Cast: Diana Zegers, Jop de Vries, Flip de Vries, Puck de Vries, Gert-Jan de Vries

Executive Producers: Leo Ribeiro, Eduardo Vaisman Producers: Rodrigo Letier, Roberto Berliner Directors: Eduardo Vaisman, Calvito Leal Writers: Eduardo Vaisman, Calvito Leal, Ana Abreu

Filmmaker Gert-Jan de Vries has been filming his family for 20 years.

The family starts off with a healthy son and they are looking forward to a brother or sister. When their daughter Puck is born, after a normal delivery, they get an eerie feeling.

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Eu Sou Assim addresses disorders and syndromes that are still targets of stigma and prejudice, from a positive perspective. It highlights the unique characteristics that make these children and adults so strong. They tell stories to show how a life full of meaning and happiness is always possible.

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Goodbye Aleppo BBC Arabic United Kingdom Executive Producer: Marc Perkins Producers: Christine Garabedian, Mahmoud Ali Hamad (Associate Producer), Ghassan Ibraheem (Associate Producer) Director: Christine Garabedian Principal Cast: Siraj Al-Deen Al Omar, Mojahed Abo Al Jood, Ahmad Hashisho, Basim Ayyoubi Four young citizen journalists are trapped, bombarded and encircled with civilians under siege in East Aleppo as the Syrian Army, the Russians, Iran, and Iran-backed militias gradually take the city from opposition fighters in December 2016. This film captures the immediacy of events through their personal insights and observations.

IPC & WOWOW Paralympic Documentary Series WHO I AM – Season 2 WOWOW / Acrobat Film / Wood’s Office / Pao Network / Kyodo Television Japan Executive Producer: Tetsu Kuchigochi Producers: Shinya Ohta, Rie Izumi, Takeharu Ono, Hirotomo Matsui, Kazunoshin Sakaguchi, Hiroko Matsumoto Directors: Yu Nakajima, Keiko Shirai, Yuki Hanaeda, Mizuho Okubo, Kohei Kawabata, Yosuke Hosoi Principal Cast: Beatrice Vio, Melissa Stockwell, Ryley Batt, Amalia Perez, Gwang-Geun Choi, Evan Strong, Henrieta Farkasova, Natalia Subrtova, Taiki Morii, Hidetoshi Nishijima (Narrator) Paralympic documentary series WHO I AM follows the lives of top para-athletes from around the globe. In partnership with the International Paralympic Committee, the series focuses on the stories of 40 athletes who are planning on attending the Tokyo 2020 Paralympic Games.

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2018 NOMINEES

Drama Series

Inside Edge

La Casa de Papel

Amazon Studios

[Money Heist]

India Executive Producers: Ritesh Sidhwani, Farhan Akhtar Producers: Vikesh Bhutani, Kassim Jagmagia, Karan Anshuman, Gurmmeet Singh Director: Karan Anshuman Writers: Karan Anshuman, Sumit Purohit, Ameya Sarda, Saurav Dey, Puneet Krishna Principal Cast: Richa Chadha, Vivek Anand Oberoi, Angad Bedi, Tanuj Virwani, Sarah-Jane Dias, Amit Sial, Siddhant Chaturvedi, Sayani Gupta, Sanjay Suri, Jitin Gulati Inside Edge is the story of the Mumbai Mavericks, a T20 cricket franchise playing in the Powerplay League. It’s set in a landscape of conflicting interests, where selfishness is almost a virtue, where sex, money, and power are mere means to an end.

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Atresmedia / Vancouver Media Spain Executive Producers: Álex Pina, Jesús G. Colmenar, Sonia Martínez Ruiz Producers: Cristina López Ferráz, Ignacio S. Fernández Directors: Jesús G. Colmenar, Álex Rodrigo Writers: Álex Pina, Esther Martín Lobato, David Berrocal, Pablo Roa, Fernando Sancristóbal, Javier Gómez Principal Cast: Álvaro Morte, Úrsula Corberó, Pedro Alonso, Miguel Herrán, Paco Tous, Jaime Lorente, Alba Flores, Itziar Ituño, Darko Peric A mysterious character called the Professor is planning the biggest robbery in history. To do this, he recruits eight thieves who take hostages and lock themselves in the Royal Mint of Spain as the Professor manipulates the police to carry out his plan from the outside.

INTERNATIONAL EMMY® 2018-2019

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Um Contra Todos - Season 2 [One Against All]

Conspiração Filmes / FOX Networks Group LATAM Brasil

Urban Myths Happy Tramp / 2LE / Rough Cut / Two Brothers Pictures United Kingdom

Brazil Executive Producers: Edgar Spielmann, Mariana Perez, Gonzalo Fiure, Jérôme Merle, Zico Goes Producers: Gustavo Baldoni, Breno Silveira, Maria Amélia Teixeira, Renata Brandão Directors: Breno Silveira, Daniel Lieff Writers: Thomas Stavros, Gustavo Lipsztein, Breno Silveira Principal Cast: Julio Andrade, Julia Ianina, Adriano Garib, Antonio Ravan, Bernardo Alves, Brenda Sabryna, Erom Cordeiro, Evelyn Castro, João Fernandes, Livia de Bueno, Luiz Magnelli, Marcello Torreão, Osvaldo Mil, Rita Guedes, Roberto Birindelli, Robson Santos, Silvio Guindane, Stepan Nercessian, Thogun Teixeira, Willean Reis, Xando Graça Cadu faces a hard routine as an ex-convict, but after engaging in a fight with a corrupt comptroller, he goes viral, gaining some notoriety. He runs for political office, but without financial resources, he spends Pepe’s money, ignoring the fact that he’s sold his soul to the devil.

INTERNATIONAL EMMY® 2018-2019

Executive Producers: Neil Webster, Jon Mountague, Michael Livingstone, Tom Thostrup, Morwenna Gordon, Ash Atalla, Harry Williams, Jack Williams, Ben Boyer Producers: Neil Webster, Michael Livingstone, Tom Thostrup, Alex Smith, Sarah Hammond Directors: Ben Palmer, Dan Zeff, Geoffrey Sax Writers: Neil Webster, Neil Forsyth, Ben Edwards, Roger Drew, Ed Dyson, Mark Boutros Principal Cast: Eddie Marsan, Paul Ritter, Katherine Parkinson, David Threlfall, Liam Macdonald, Rupert Grint, Iwan Rheon, Ben Chaplin, Aidan Gillen, Margaret Clunie, Noel Clarke, Danny John-Jules, Osy Ikhile True-ish stories from the world of arts and culture unearth remarkable moments from the lives of celebrated artistic and cultural icons.

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2018 NOMINEES

Non-English Language

El Señor de los Cielos - Season 5

El Vato - Season 2

Telemundo Global Studios / Argos Televisión

Universo / Endemol Shine Boomdog

United States of America

United States of America

Executive Producers: Mariana Iskandarani, Mónica Francesca Vizzi, Marcela Mejia Producer: Mabel Vargas Directors: Danny Gavidia, Victor Herrera McNaught Writers: Luis Zelkowicz, Iris Dubs, Juan Manuel Andrade, Carmina Narro Principal Cast: Rafael Amaya, Fernanda Castillo, Carmen Aub, Sabrina Seara, Vanessa Villela, Maricela González

Executive Producers: Enrique Núñez García, Sergio Lazarov, Alejandro Rincón, Carlos Alfredo Perna Paparoni, Bilai Joa Silar, Fernando Gastón, Irune Ariztoy, Patricia Morales Galindo Producer: Jimena Argüelles Directors: Javier Solar, Salvador Espinosa Writers: Jorge Dorantes, Ana Sofía Clerici, Alejandra Márquez Arbella, José Miguel Núñez, José Ramón Menéndez, Augusto Mendoza Principal Cast: El Dasa, Cristina Rodlo, Ricardo Polanco, Gustavo Egelhaaf, Mauricio Martínez, Horacion Castelo, Arcelia Ramírez, Roberto Sosa

Aurelio Casillas, The Lord of the Skies, is confronted by his own blood, his nephew. Only one will make it out alive.

El Vato and his friends fight for their dreams in LA. The journey to stardom in the regional Mexican music world won’t be easy. He will have to face people who want to take him down, deal with new love affairs and do the impossible to continue moving forward.

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INTERNATIONAL EMMY® 2018-2019

U

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U.S. Primetime Program

Jenni Rivera: Mariposa de Barrio

Sin Senos Sí Hay Paraíso - Season 2

Telemundo Global Studios

Telemundo Global Studios / FoxTelecolombia

United States of America

United States of America

Executive Producers: Carmen Cecilia Urbaneja Ll., Carlos Lamus, David Posada Producer: Aimee Godínez Directors: Luis Manzo, Ricardo Schwarz, Nicolas Di Blassi Writers: Rossana Negrín, Sergio Mendoza, Alejandro Vergara, Ilay Eskinazi Principal Cast: Angelica Celaya, Gabriel Porras, Rosalinda Rodriguez, Samadhi Zendejas, Tony Garza, Regina Orquín

Executive Producers: Samuel Duque, Magdalena La Rotta Producers: Nelson Martinez, Consuelo Corrales Directors: Diego Mejia, Herney Luna, Edgar Bejarano Writer: Gustavo Bolivar Principal Cast: Carmen Villalobos, Catherine Siachoque, Fabián Ríos, Majida Issa, Carolina Gaitá, Gregorio Pernía, Roberto Manrique, Juan Pablo Urrego, Johanna Fadul, Francisco Bolívar, Juan Alfonso Baptista

This is the story of Jenni Rivera, one of Mexican regional music’s most beloved and important stars. The diva’s turbulent life, spectacular career and untimely death are chronicled.

Catalina is saved from her self-inflicted death by a loving doctor. Twenty years later she returns to her mother and ex-boyfriend, who are now married to each other, and their lives change abruptly.

INTERNATIONAL EMMY® 2018-2019

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2018 NOMINEES

Non-Scripted

Did You Get The Message?

MasterChef Australia – Season 9

SHELTER

Endemol Shine Australia

Belgium

Australia

Executive Producers: Sofie Peeters, Tim Van Aelst Producers: Ravian Van Esch, Sofie Peeters Directors: Jevon Lambrechts, Maarten Verhulst Writers: Seppe Toremans, Anouk Paeleman, David Vennix, Koen Burssens Principal Cast: Jens Dendoncker, Janne Desmet

Executive Producers: Marty Benson, Adam Fergusson, Tim Toni Director: Richard Franc Principal Cast: George Calombaris, Gary Mehigan, Matt Preston

Did You Get the Message? is a hidden-camera comedy format all about getting a message across in the most unique way ever. From trying to convince your son to have safe sex to a creative way of sending a romantic message, no message is off limits!

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Twenty-four eager home cooks will earn the honor and privilege of wearing a MasterChef apron, joining an elite group of people who have joined the MasterChef family.

INTERNATIONAL EMMYÂŽ 2018-2019

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Entertainment

The Mask Singer

Top Chef México – Season 2

Thai Broadcasting Company Limited / Workpoint Entertainment Public Company Limited

Sony Pictures Television Networks Latin America / Cinemateli Producciones / NBCUniversal Media

Thailand Executive Producers: Phanya Nirunkul, Prapas Cholsaranon Producers: Phanich Sodsee, Chayan Chantawongsatorn, Tepparit Wongwanichwattana Director: Dararai Srichitcham Writer: Jutartip Sukma Principal Cast: Kan Kantathavorn Celebrities in lavish costumes wearing masks compete against each other, showing their hidden talents under the concealed identities. Under the masks, they can be anyone they wish and let their singing talent shine through the masks in The Mask Singer.

INTERNATIONAL EMMY® 2018-2019

Mexico Executive Producers: Francisco Del Valle, Francisco Amaya, Daniel Gruener, Dana O’Donnell, Arianne Araiz, Pablo Ferrer, Polo Romero Producers: Silvia Ayala Barajas, Fernando Uriegas, Diana Morelos, Gabriela Salazar, Eva García Cuervos Director: Daniel Gruener Writers: Daniel Gruener, Gabriel González Meléndez Principal Cast: Ana Claudia Talancón (Host), Aquiles Chávez, Guillermo González Beristain, Martha Ortiz (Judge), Mikel Alonso (Judge), Juantxo Sánchez (Mentor) In this reality competition show, professional chefs compete against each other in various cooking themed challenges by exploring the richness of Mexican cuisine, its ingredients, techniques and culinary evolution. In each episode, the judges eliminate one chef, until the last remaining contestant receives the coveted title of “Top Chef Mexico.”

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2018 NOMINEES

Short-Form Series

How to Buy a Baby LoCo Motion Pictures Canada Executive Producers: Lauren Corber, Wendy Litner Producer: Lauren Corber Director: Molly McGlynn Writer: Wendy Litner Principal Cast: Meghan Heffern, Marc Bendavid A comedy series about an infertile couple who struggles to conceive with the help of a doctor. And a nurse. And an embryologist. And an ultrasound technician. And a financial planner. And unsolicited advice from everyone they know.

L'âge adulte [Adulthood ]

Productions Pixcom Canada Executive Producers: Nicola Merola, Charles Lafortune, Sylvie Desrochers, Jacquelin Bouchard Producer: Nadine Dufour Director: François Jaros Writer: Guillaume Lambert Principal Cast: Mickaël Gouin, Guillaume Lambert, Mylène Mackay, Sarah Anne Parent, Geneviève Boivin-Roussy, Fayolle Jean Jr., Richard Fréchette Alex has it all: he’s athletic, has a career, a fiancée, friends. He’s always been the strong one in his family, the perfect kid. Following a brief coma, he realizes he is no longer attracted to women, but to men. This change shocks his whole entourage.

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INTERNATIONAL EMMY® 2018-2019

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The Sensible Life of Director Shin 72Seconds South Korea Executive Producer: Chiehwan Sung Producer: Byung Sam Lee Director: Jisu Shin Writer: Jisu Shin Principal Cast: Il-Kyu Han, Hayoung Kim, Bujin Yoon, Somi Yoon, Eunjang Bang, Chulmin Chang, Byeongkyu Cho The work, family and love life of the incredibly lousy director is revealed, as the story unfolds from his laptop to reality.

INTERNATIONAL EMMY® 2018-2019

Una Historia Necesaria [The Suspended Mourning]

Tridi Films / CNTV / Escuela de Cine de Chile Chile Executive Producers: Hernán Caffiero, Antonino Ballestrazzi Producers: Sebastián Catalán, Gonzalo Huenchuman Director: Hernán Caffiero Writers: Hernán Caffiero, Eduardo Rivera Principal Cast: Alfredo Castro, Sofía García, Alejandro Goic, Catalina Saavedra, Gastón Salgado Una Historia Necesaria is a series of 16 fictional shorts about real stories that occurred in Chile during the military dictatorship of Augusto Pinochet.

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2018 NOMINEES

Telenovela

Cesur Ve Güzel

Istanbullu Gelin

[Brave and Beautiful]

[Evermore]

Ay Yapım

O3 Medya

Turkey

Turkey

Producers: Kerem Catay, Pelın Dıstas Director: Alı Bılgın Writer: Ece Yorenc Principal Cast: Kıvanc Tatlıtug, Tuba Buyukustun

Executive Producer: Onur Guvenatam Producer: Cengiz Cagatay Director: Zeynep Gunay Tan Writer: Deniz Akcay Katiksiz Principal Cast: Ozcan Deniz, Asli Enver

Cesur’s life gets shaken at a young age by a mysterious accident. When he solves the whole puzzle about his father’s death, he will find out that the name of his avenger is Tahsin Korludag. Tahsin’s daughter Suhan becomes a big obstacle for Cesur with her beauty and intelligence.

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Faruk and Sureyya fall in love, get married and move to Faruk’s mother’s ancestral home in Bursa. Sureyya consistently tries to win the affections of her conventional mother-in-law, who has never left the walls of her mansion and manages her family with her own rules.

INTERNATIONAL EMMY® 2018-2019

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Ouro Verde

Paquita la del Barrio

[The Payback]

Sony Pictures / Imagen

Plural Entertainment Portugal Portugal Executive Producer: Hugo de Sousa Producer: José Retré Directors: Hugo de Sousa, Joel Monteiro, Nuno Franco, Paulo Brito Writer: Maria João Costa Principal Cast: Diogo Morgado, Joana de Verona, Ana Sofia Martins, Ângelo Torres, Bruno Cabrerizo, Dina Félix da Costa, Gracindo Júnior, José Wallenstein, Luís Esparteiro, Manuela Couto, Nuno Homem de Sá, Nuno Pardal, Pedro Hossi, Pedro Lamares, Rui Mendes, Sílvia Pfeiffer, Sofia Grillo, Susana Arrais, Vítor D’Andrade, Zezé Motta Zé Maria watches his family being destroyed by a powerful banker, Miguel.

Fifteen years later he returns a multimillionaire and with a new identity (Jorge Monforte) to settle the scores of the past. Reuniting with Bia, Miguel’s daughter and his great love, will shatter his beliefs.

INTERNATIONAL EMMY® 2018-2019

Mexico Executive Producer: Marcel Ferrer Producers: Carolina Leconte, Andrea Marulanda, Juan Pablo Posada, Angelica Guerra, Aurelio Varcarcel Directors: Javier Solar, Camilo Vega, Fernando Urdapilleta Writers: Larissa Andrade, Fernanda Eguiarte, Fernando Abrego, Florencia Castillo, Luis Gamboa, Tania Tinajero, Olfa Mosmoundi, Gabriela Rodriguez Principal Cast: Andrea Ortega Lee, Erick Chapa, Sofia Garza, Paloma Woolrich, Gloria Stalina, Carmen Madrid This show is based on the life of Mexican singer Francisca Paquita Viveros.

The story of a woman born into poverty who, with effort and after several disappointments and failures, finally achieves success and fame and becomes one of the most well-known singers in all of Mexico.

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2018 NOMINEES

TVMovie/Mini-Series

Aldo — Mais Forte Que O Mundo [ALDO – Stronger Than the World]

Globo Filmes / Globo / Black Maria / Paris Entretenimento Brazil Executive Producers: Angela Farinello, Soraia Santiago Producers: Afonso Poyart, Diane Maia, Marcio Fraccaroli, Sandi Adamiu Director: Afonso Poyart Writers: Afonso Poyart, Marcelo Rubens Paiva, George Moura Principal Cast: José Loreto, Cleo Pires, Milhem Cortaz, Jackson Antunes, Claudia Ohana, Romulo Neto, Paloma Bernardi, Thaila Ayala, Rafinha Bastos, Felipe Titto Jose Aldo, born in the suburbs of Manaus to a poor family and the son of an alcoholic father, managed to become the greatest MMA champion of all time. From the first fights to the unforgettable victories by knockout, Aldo — Mais Forte Que O Mundo presents an impressive real story of determination.

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KURARA The Dazzling Life of Hokusai’s Daughter NHK Enterprises / NHK Japan Executive Producers: Motohiko Sano, Takashi Nakamura Director: Taku Kato Writer: Mika Omori Principal Cast: Aoi Miyazaki Painting was always kurara (dazzling, mesmerizing) to O-Ei, daughter of Edo master painter Katsushika Hokusai. Choosing art over marriage, O-Ei assisted her father with his iconic “Thirty-six Views of Mount Fuji” series. When he grew too old to paint, O-Ei became his “brush” and she finally developed her own painting style.

INTERNATIONAL EMMY® 2018-2019

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Man in an Orange Shirt

Toter Winkel

Kudos / BBC / Masterpiece

[Blind Spot]

United Kingdom Executive Producer: Diederick Santer Producer: Lisa Osborne Director: Michael Samuels Writer: Patrick Gale Principal Cast: David Gyasi, Oliver Jackson-Cohen, James McArdle, Julian Morris, Vanessa Redgrave, Joanna Vanderham Man in an Orange Shirt is a two-part love story that tells the story of two same sex couples — one in the 1940s, the other in the present day — who yearn for love but are thwarted by their times.

INTERNATIONAL EMMY® 2018-2019

Geißendörfer Film- und Fernsehproduktion (GFF) / Westdeutscher Rundfunk (WDR) Germany Executive Producer: Caren Toennissen Producers: Hans W. Geißendörfer, Evelin Haible Director: Stephan Lacant Writer: Ben Braeunlich Principal Cast: Herbert Knaup, Hanno Kofler, Emma Drogunova, Johanna Gastdorf One day Anyá’s family is roused from their sleep in the middle of the night by immigration officers, allegedly in order to be deported the very same day. Anyá manages to escape. One of the murderers is Thomas, who has connections to the right-wing Underground.

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Anna Carugati and John Rose

March 15, 2018 New York City John Rose, Senior Partner & Managing Director, The Boston Consulting Group (BCG) Anna Carugati, Group Editorial Director, World Screen CARUGATI: So, my questions come very much from the point of view of a viewer who has a TV, whose Roku broke, who replaced it with an Amazon Fire Stick, who has two millennial kids—so I’m seeing how they’re viewing and I’m sure we are all in the same boat. So I wanted to start from the world that I grew up in, which was, well I grew up in the States and in Italy but in either case, there were traditional broadcast networks who piped their programs into my TV set with the antenna. Look at what we have today with all the choice. Let’s go back to the networks for a minute. What do they have to do to survive in this environment, or is their demise if rather than when?

ROSE: I don’t think it’s if rather than when, but you know in some ways all the networks have been the same; the free-to-air networks have been the general-entertainment networks that have a mixture 40

of news and sports and general entertainment and the pay-TV networks have been pretty similar to them without the news. Some of them over-rotated towards sports relative to entertainment, but the original thought behind pay TV was they were these narrow vertical channels that applied to very specific sub audiences and that didn’t work, so they morphed towards maybe thematically focused but more general-entertainment specific, but that’s not true for everybody. I think some of the answer is it’s going to disaggregate, and there are going be winners and losers. The winners are the ones that are going to be created and have a broader set of distribution rights for content that matters. The content that if it was only available for appointment-based TV, a large group of the population would go and watch—that’s content that matters, it’s mass content that becomes part of the cultural zeitgeist that many people need to see to engage and talk about. A decade ago it was Grey’s Anatomy as an example, when I was growing up it was the Mary Tyler Moore Show, All in the Family. Those networks who have created that programming and have distribution rights for that programming not just on a linear channel but in multiple parts of the world and by the way multiple pathways, multiple services, and have ownership rights that are not, air it twice in two years and then it disappears—those are winning models.

At the other end of the spectrum are those guys who are able to program compelling niche content even if it’s not mass, but a subpart of the population really, really cares about—for me, that would be Top Chef.

My family has watched every single episode of Top Chef, it’s not a mass program, it’s compelling niche programming. Some networks are doing a hell of a lot better at being what we call either ends of the barbell and the folks in the middle are going to get crushed. What we have today is a world in which the network companies are extracting an aggregate carriage set of fees for all of their different networks and there’s huge subsidies built in between the networks that either have the niche programming or the mass programming that people really want and where the actual dollars are theoretically being allocated because of the way 40 years of negotiations have evolved. So, the winners are the people who will in fact ruthlessly embrace the notion that they must be at either end and they must be at either end with ownership of the content they have and broad-based distribution that moves away from the brand that is the network and recognizes the brands are the shows, not the networks. I mean, pick whatever is your favorite show and ask yourself, Do you know what network it’s on? Maybe the people in this room do because we’re all in the television world. Go out and talk to consumers. Consumers will not know, they’ll know it’s on at 8 o’clock on Tuesday, but maybe it’s NBC or TBS—I can find it on the program guide.

Increasingly it is getting worse because two-thirds of them are watching it whenever they want to watch it because they know they can get it on Hulu and Netflix. So, the brand that’s NBC or TBS or Bravo has to lose power. You’re going to win if you’ve put together the team and the capabilities to source and own either a degree of mass content that matters or niche content that matters and you’re exploiting it in a lot of non-traditional ways. That’s a really winning formula over time, but by the way we probably have 150 too many networks. So back to the interconnected nature of this industry, how you get from here to there, you know Bob Bakish has announced that Viacom is going to focus on INTERNATIONAL EMMY® 2018-2019

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five networks, but he’s not said what he is going to do with the other 26.

And that’s where a lot of the answers need to lie in terms of what’s the journey and what you do.

CARUGATI: Now, just to get back to the point you made a minute ago. So a CBS is hanging onto its network for the moment and has what drives appointment viewing—sports, big events like the Grammys and some of their successful shows—but they also have the CBS All Access app which is where they are putting more of their niche originals, Star Trek and The Good Fight.

ROSE: For CBS All Access to work you have to imagine a world where there are 25 or 30 of them that are working because there will be CBS All Access, NBC all access, ABC all access. You have got to assume there’s going to be a bunch of those and that they’re going to be able to pull mass audiences into them and you’ve got to ask the question, How many $4.99 apps are consumers going to buy? The problem is, if I want a raisin in this Indian pudding and a raisin in that Indian pudding...all of a sudden I’m back to I’m spending $70 or $80. If I’m spending $70 or $80 I’ll go buy the cable package; or maybe I’ll spend $45 and buy the virtual MVPD package. So the question is, What is it that will really be compelling? I don’t know the answer, but I’m skeptical that everybody will be able to do their direct-to-consumer app. For a direct-to-consumer service to work, there needs to be a

brand, that brand has to stand for a type of content and there needs to be enough mass, critical mass of that content so that when I go to it I’m satisfied. I had the unfortunate experience of being the only record executive who licensed both PressPlay and MusicNet back in the early days of digital music. MusicNet and PressPlay were the two music industry direct-to-consumer apps for music. PressPlay had Sony and Universal in it, MusicNet had Warner and BMG in it, and EMI was the only one in both. Alan McGlade, who was the CEO of MusicNet, said, “Let me explain why this isn’t going to work” and he put the top 200 songs of the week on a slide and then he blocked out 60 of them because he didn’t have Universal and he didn’t have Sony.

He said, “How good a consumer experience can this remotely be if 60 out of 200 songs are missing? Most consumers are not going to be happy coming to our service.” So, does CBS as a brand stand for a type of content that consumers would understand and when they go [to All Access] do they find enough of it? The more failure points of, I wasn’t satisfied, the greater the churn and the lower the subscribers. So in a fragmented world there is either an economic problem of, “I have 50 of them, I have to spend $50, $60, $70, $80” or, I have all these bad experiences, I’m looking for something. The single largest pain point for consumers in the video world is, How do I find what I want to watch? If I’ve got to say, I’m going to see what’s on CBS and OK, I’m going to pull out of that app now I’m going to go in the ABC app or maybe I should go to Netflix—that’s a bad experience.

Academy Member Jay Yogeshwar

INTERNATIONAL EMMY® 2018-2019

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Board Meeting in session CARUGATI: Yes, I agree. Let’s go to cable, satellite, telco for a moment; what do you see as their future?

ROSE: The telco and the cable guys, if you look at their economics now, they’re really not as much in the video business as they’re in the consumer broadband business, the consumer internet of things business and the B2B connectivity business. They’re actively figuring out how to diversify away from the video margins, which they see as under pressure and declining, [and toward] the use of video as a bundled contributor to their broadband service, their home security service, their home automation service and the other sets of services they offer consumers. As they move up from the small office/home office, enterprise sale to the medium-size enterprise sale of voice and data on a wired basis—and increasingly as you’re watching them move into wireless—they’re looking a hell of a lot more like telcos than media companies in terms of what they’re doing. To make their video businesses work, you have to move away from the walled garden and the protection of your licensed content to the enabling of a user interface [that gives] broader access to the content consumers have the rights to see. And the more you enable that the better off you are, and then you can start bringing in the data of what the viewing patterns are and then you can provide better experiences. In this complicated ecosystem, that’s going to really influence the nature of the negotiations between the MVPDs and the pay networks, because there is going to be a crunch point where somebody says, you know it’s just not worth it. The satellite guys are in a much more difficult position and you can see it in the stats. If the average drop was 3.7 from the MVPD universe and the satellite guys, which were about a third of it, was 4.8, there’s a pretty big voting difference on cord cutting between the satellite guys and the cable guys. That’s probably because the satellite guys don’t have the 42

interactivity in their platform that the cable guys do. The telcos, it’s really only two of them, AT&T and Verizon. Verizon doesn’t have a huge video footprint, Fios is much more about broadband and they seem to be betting their future on 5G as a very disruptive play. And AT&T, we’ll have to see what happens with Time Warner—they made an $80-plus-million bet that they’re going to vertically integrate. Let’s see whether or not it works.

CARUGATI: What do advertisers want, or does it depend on the brand? Do they still want that mass or do they want the type of targeted audience that big data and algorithms can deliver?

ROSE: Mass audiences still matter and targeted marketing matters. I think the real disruption issue is the imbalance between where the viewers who are watching that content are and where the ad dollars are. So, the first shift everybody should see is from the linear television universe to the nonlinear AVOD-supported television universe, because it’s sort of like where the cable industry was in the United States in 1996 and 1997—50 percent of the viewing was cable channels and 90 percent of the dollars were [with] the broadcast networks. The ecosystem of advertisers and agencies figured out how to shift dollars in ways that made sense and so the dollars shifted from free to air to cable nets—fortunately for everybody in the industry, that happened with not a lot of other alternatives and that happened with a degree of gradualness. That’s not how dollars have shifted in the advertising world of late, so you’re probably going to see a linear to OTT nonlinear bleed and everybody’s running data and analytics to try to make the ad sale transaction process more meaningful. There is a fallacy in the world that TV is going to move to programmatic and it’s all going to be real time, machine-to-machine individually targeted. They’re two problems with that. One is, no one INTERNATIONAL EMMY® 2018-2019

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knows who’s actually watching this stuff, I know a household is watching it, but I don’t know who—there’s a data problem. But the other issue is the real-time programmatic display world is populated by millions of sellers and thousands of buyers. It is a very open ecosystem; television in any country, if you think about it, probably has five to ten players who are selling 80 percent of the inventory that matters; five to seven buying agencies that are buying 80 percent of the inventory that matters; and maybe 40 or 50 advertisers who are funding. That’s a small group of people who don’t want to give away their 80 percent advantage to the 20 percent who are spending a lot less. And the issue with an open ecosystem like programmatic is it puts everybody on the same footing. If I’m buying $18 million of television inventory, I want to use that leverage to get the spots I want, and I don’t want some guy who’s got a $3 million spend to bid a nickel more than I am and take the spots I want. The sellers, the publishers, the TV networks, don’t want to say, “Here’s all of our inventory—we’re sold out now so you can basically bid anything for it.” So, the game is different and I don’t see that going away. I see it shifting and we’re in the middle of an incredible revolution of incremental data analytics that are, in fact, making those buys more targeted—and we’re going to continue to see that, but it’s not like all of a sudden it flips and I’m buying your household versus yours.

Actually, you in your household versus one of your millennial children in your household.

We’re a long way away from that happening. I believe the advertising ecosystem should embrace Tara Levy’s model—she’s the head of ad sales for YouTube—in which she can stitch together and network-like buy off pre-roll across a thousand YouTube-based videos. That’s also going to take a while to evolve.

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CARUGATI: Let’s move to the FAANGs—Facebook. Amazon, Apple, Netflix and Google. Netflix is growing its subscribers, but original programming is expensive and writers don’t grow on trees. How do you see Netflix continuing on its trajectory?

ROSE: What’s this thing that’s not like the others in the FAANGs? Netflix—because everybody else in the FAANG group isn’t a video player that needs video economics to survive, and Netflix does. Look, I think Netflix is a great service. I think Netflix will have a long future as a service. I’m not sure its economics hold up from an evaluation perspective. Its valued today as if OTT aggregation is a winner take all game and it’s being awarded for increasing its investment in original content and driving subscribers, and as long as it continues to drive subscribers at a very attractive pace, its valuation will increase and it will not have to drive earnings. And if you look at the economics, its value relative to its earnings is all about what it will be five years from now. So, the question is, Do you believe it will drive that degree of subscriber growth in a world where, assuming Amazon changes its approach to its studios, the $6 billion they’re spending will be valuable, the $1.5 billion that Apple has committed will be valuable, the $1.8 billion that Facebook has committed will be valuable? The big runaway hit last season came out of Hulu—Handmaid’s Tale. You can’t predict where the hits are going to come from. If you think about what the budgets were for the original free to air— they spend between $2 billion and $3 billion. So we now have the FAANG companies all spending at an above a critical mass threshold, so they’re all going to have hits and so at some point people are going say, “Wait a second, Amazon has a bunch of hits and I get it for free.” I mean there are more households who are Amazon Prime subscribers than there

t’s not the strategy, it’s the management and execution of the journey as it unfolds.

That’s where the real art of success is.”

— John Rose

Academy Member Jose Del Valle Iturriaga Camblor and John Rose

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are Netflix households, but many of Matt Young and them don’t use Amazon Prime; but Bruce Paisner all they have to do with no cost is look at it. So, all Amazon needs are a few hits and all of a sudden people will be sampling Amazon Prime Video because they already have it. And so I think it’s hard to see how Netflix, particularly in the U.S., continues to drive the kind of growth over the next five years that its had over the last five and at some point it’s not unlikely that the financial community is going to say, “Wait a second, your growth is slowing, we want to see earnings.”

And that’s sort of a negative virtuous circle—in order to have earnings I’m going to have to pull back on programming. If I pull back on programming, whatever subscriber push I have attenuates. My son said something that shocked me, just because it was a totally different way of thinking. He likes the show Stranger Things. Netflix in October came out with their new season of Stranger Things and he said, “Could we subscribe to Netflix for a month? I want to watch the Stranger Things episodes.” So we subscribed for a month, there was no need to continue to subscribe because all he really wanted to see was Stranger Things and then my wife got involved in The Crown so we binged The Crown—but the thing is, everybody’s acting as if this notion of a subscription is a permanent thing. Once you subscribe you are a user in this world where there is all this content and the little raisins in the Indian pudding—alright maybe I’ll subscribe this month to Amazon and maybe I’ll subscribe next month to Netflix and maybe I’ll subscribe the next month to something else, because by the way, I’m going to hop around and that’s how I will aggregate the hit content that I want to see; versus I’m going to add them all up and subscribe to all of them for a year. So, I think that there’s a lot of twists and turns and Netflix is worth a hell of a lot, I mean Netflix is worth $125 billion, Disney’s worth $145 billion or $150 billion—think about that for a second.

CARUGATI: Any questions?

QUESTION: What do you read and watch on a daily basis to stay on top of this industry and how do you read and watch it?

ROSE: You know, I have a lot of brilliant answers, this is a not brilliant answer. I don’t. I crowdsource. So I get Michael Nathanson [of MoffettNathanson], the 15 things they shoot out a day, and I talk to a lot of people. It’s really hard to not know what’s going on if you’re living in the ecosystem. I sort of go from conversation to conversation to confer. I’m more a verbal human being than a print human being, and then what happens is I find something that matters and I actually put time, effort, and energy to figure it out. So the last bit of time has been about how the network industry doesn’t understand the difference between digital video and digital television advertising. So I do a bunch of 46

interviews and I read a bunch of stuff but what I read is then purposely specific to that.

QUESTION: I have a lot of friends who aren’t in the media business and they ask, What’s happening in your business? And I say, Well, it’s a really scary time—20 years ago the music industry was this and now it’s gone down by half, that was three or four years ago, and now it’s coming back. Are Spotify and [similar services] helping the music business to climb back?

ROSE: They are but it hasn’t—I mean the value has been leeched out of the master recording, right? Music companies or record companies have figured out that they need more 365-degree deals with artists so they’re starting to fish in multiple revenue pools versus one revenue pool. It’s certainly true that Spotify and Pandora are providing dollars in, but they’re pennies and it’s not that it isn’t helpful and it isn’t growing, but growing from a $12 billion to $16 billion base versus growing from a $33 billion base is pretty significant. And most of the people who I know who worked in the record industry in 2001 don’t [work in it anymore]. We fired 51 percent of the people at EMI in the three years that I was there. So it’s great that the industry is growing again, but it’s growing in a world where there is almost no purchasing of physical music and almost no purchasing of digital music. The bulk of the revenue is secondary through the streaming services, and that’s great. But if you want to ask how much capital is being deployed in the creation of new artists from the record companies, who are the primary source of funding, it’s a lot less. And so I’m not sure that I would call that healthy, right? We had five major record companies, we sort of have two and a quarter now—and employment is half.

And, by the way, people are doing well in the music business. I’d love to be Coran [Capshaw] and own Red Light, which is a wonderful artist management engine that has morphed itself into a variety of different sets of services. I’m not sure you want to be Pandora or Spotify—you have to make up your own mind about what you think about those businesses. Spotify has been trying to get off its IPO for INTERNATIONAL EMMY® 2018-2019

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quite a while and there must be reasons, I have no inside information, but there must be reasons why they haven’t. So, it doesn’t feel like a particularly stable place, yet there are glimmers of green shoots. I’m not forecasting that the TV industry is going to disappear, but there’s been a lot of blood along the highway to get from where the music industry is now to where it was. Investors, you know, the owners of the companies, have lost tre mendous amounts of money.

The industry is worth a lot less now than it was then. It may be growing and that may be good. If you never knew about the music industry and you arrived on the planet now and you looked at it, it is probably pretty good; but the TV business is where the music business was in 2000, where it is now and that’s the challenge that we’re all facing.

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H

and some of it’s going be SVOD and some of it’s going to be AVOD. I create this type of programming, have people become aware of it and want to watch it. That’s a good thing too. The, “I’m going to be a linear network and all I’m going to be is a linear network and I’m going to make money only because I’ve got carriage fees coming in plus advertising and I distribute it over a slowly declining distribution structure”— that’s probably going to fail as a business model. But I would argue that’s a failure of leadership and management, not a failure of the television experience overall. Winning and losing is going to be less about, I have a linear network, than, What do I choose to do and how fast do I choose to do it? I can fail by being too fast and I can fail by being too slow. So, what we’re going to see are some real winners and losers that are defined based on how they have evolved their organizations, not based on, I have the idea and I’ve figured out the answer. It’s going to be more how you manage through the multiyear journey than it’s going to be, I got the answer.

ow many $4.99 apps are consumers going to buy? So, the question is, what is it that will really be compelling?”

— John Rose

QUESTION: When television came along, there had never been anything like it. What you got was three or four stations, and they all had to start on the hour because there was no technology to make anything else possible. When cable television came along—I remember being very involved with all of this personally—the great difference was that you could slice and dice subjects because your whole point was you want a smaller audience and you would make money from a smaller audience and spend less money on the programming and that all worked fine. In the era of instant television, I’ll say Netflix but it’s any one of them, where you start watching a program anytime you want to, stop anytime you want to, you don’t need to be bothered by those commercials—my question is, What is the purpose of broadcast and cable television?

ROSE: Not every television experience is, I want to manage it and control it. If you look at the behavior patterns of people who watch nonlinear television, there are a whole bunch of them who also watch linear television because the experience of being able to say, let me flick around and see what’s on and let me choose from what’s on, is different from having to affirmatively go through databases to pick shows and also it takes effort and energy. In general, most people watch a Netflix show as opposed to bail out of it. The “I’m going to be watching four different TV shows at the same time and they’re all on and I’m going to skip from this one to that one or by the way, I never saw the beginning of the movie Salt and it’s on right now so I’m going to look” is a different experience.

I watched my daughter, who is 18, and a friend of hers last summer spend 20 minutes trying to pick what they were going to watch and not find something that they were happy with and I said, “Hey, I have a radical thought, Let’s just see what’s on.” And the next hour was great. That doesn’t mean that what’s on wins, it’s just that not all occasions of viewing are the same. If you’re Spectrum or Charter, or Spectrum or Time Warner or Comcast, I would argue that the business you have to make of it is, I’m going to curate everything and provide a world-class search and render capability.

There’s another business that says I’m going to create a lot of really cool niche programming and own it and create franchises on it. I’m going to have a linear channel because it’s a great barker channel.

I’m going to make money because of what I do in the other places I put it and I’m going to make money from the catalog over time 48

QUESTION: That suggests more and more that what happens at 8 o’clock on Thursday is irrelevant—what’s important is whether you built that whole ecosystem, right?

ROSE: I think that’s right. I think there are exceptions, I mean live television matters, so the Super Bowl will probably be for the next indefinite period of time a moment where the world’s going to gather. And for both drama and comedy, maybe the U.S. State of the Union. So there are very specific live things that matter or sports events that matter. It’s not the strategy, it’s the management and execution of the journey as it unfolds— that’s where the real art of success is going to be.

QUESTION: One thing you didn’t mention is news consumption.

Right now the President is basically saving cable news networks, but imagine a time where there will be no drama series in the news. Everybody is trying to make money out of a news business, which is hard in itself.

ROSE: Yes, news is the other big thing and honestly news has been a problem for decades—if you go back to the simple world that we originally came from, news wasn’t a very profitable thing back then either.

CARUGATI: No, but Paley did it anyway because he had to because he felt it was the jewel in his crown.

ROSE: And because without it, there were license obligations at the stations that required it and it was part of the contract between the government and the TV industry that they would. When Tisch bought CBS and GE bought NBC and CapCities bought ABC, they were all up in Washington in hearings about how that was going to change and influence the news. For a period CNN was incredibly profitable as a 24-hour news network and now Fox News is incredibly powerful as a news network. But we’ve never really existed in a world where video TV news has been a significant INTERNATIONAL EMMY® 2018-2019

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John Rose, Bruce Paisner and Anna Carugati

generator of profitability. So one question is, what’s the normal? Is the normal it’s difficult to figure out how to make money but you do it because maybe you attract viewers or is the normal it’s a profitable business? And honestly, I am not sure. What I do believe, though, is that video is evolving—video capture, video editing and video distribution. If Fox News and CNN don’t figure out how to be in addition to linear on a distributed channel, nonlinear and mobile and PC and tablet-based, the video itself is going to find a way into Google and Yahoo and Facebook and a bunch of other stuff and there isn’t going to be a television news business anymore, there’s going to be Google’s news service, which will be text and video, there’ll be Facebook’s news service, which will be text and video, and it’s going to end up looking very different. And by the way, with the possible exception right now of Fox News, in 20 years the audiences for the current news channels are not going to be alive. Look at the advertising that you see on the news channels—and again, Fox right now is a bit of an exception, that’s five to eight years in a much longer history—it’s telecoms to stay in touch with your grandkids, it’s antacids, it’s denture cleaning stuff, which tells you something about the robustness. And if you say, Where are the 20-, 30-, 40-, 50-year-olds going for their news and their video news? It’s not the places we think of as television news.

QUESTION: Are we reaching, or will we not soon reach, a point of saturation? What do you think of the rise of Audible?

ROSE: I believe that audio is actually talk audio, not music audio. I believe deeply in the future of talk audio for all sorts of reasons. I INTERNATIONAL EMMY® 2018-2019

mean I’ll declare and say that I’ve been on the board of New York Public Radio for 20-plus years. When we bought the licenses from the city, the total philanthropic and underwriting revenue for WNYC’s stations was about $6 million dollars and now they’re about $100 million. In an industry where revenues have been flat or declining over that period, that for me is a very big demonstration of the power of talk audio. We’re the second-largest podcast producer in the country. What’s great about audio is the ability, at very low cost, to create compelling content that people want to engage with that doesn’t require them to use their eyes. What’s really interesting is the incidence of audiobook listening is two and a half times as large in connected cars as in non-connected cars.

Also, if you have a connected device in your home like an Alexa, the incidence of audiobook listening goes way up. So there’s no question that talk audio, whether podcast or otherwise, actually is a hidden growing thing because the expansion of distribution is providing much better outlets and much better coverage with many more access devices for content that’s really interesting, highly niche, and very cheap to produce. So there’s lots of opportunity for creative development and you can see it in the actual listenership, whether it’s the digital side of public radio or it’s the podcasts that public radio and non-public radio produce. That doesn’t mean we’re facing the death and destruction of video entertainment or video sports—and if you look at the stats, the actual consumption of video is increasing even when you take short form out, just traditional television. Do I think we’re hitting or reaching a saturation point? Sure. Do I think over time it’s probably going to decline a bit? I also think that’s true. I think it’s more true because of what the 15- to 26-year-old [males] are doing 51

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Academy Member James Lu

because they’re watching a third of the traditional television content that the girls are watching and that they watched a decade ago. So, there are definitely things that are downward, but those are so subtle and so generational in their impact that all the stuff we’re talking about is going to play itself out way before those move through the broader ecosystem. But look, you can ask yourself, There’s $18 billion of original TV content that didn’t exist seven years ago and we’re producing twice as many original TV shows now than we did five years ago—is that going to continue? No, I kind of think we’re on a bubble.

QUESTION: You talked earlier a little bit about direct to consumer. There is a lot more now, there’s the skinny bundles—how do you see that?

ROSE: True à la carte coming out of the MVPD universe is hard to make happen, because the current problem with the pay-TV ecosystem in the United States is license agreements with multiple different providers. So, I’m Comcast, I have my set of agreements; Disney’s up in five years, AMC’s up in three, Turner’s up in seven; I have all of these different agreements, which have all of these different restrictions on what I can do. I had the wonderful opportunity to spend a month [on the] agreements of a particular MVPD and we had to do it with their outside legal counsel because no one in the MVPD actually knew. You see all these complicated interconnected agreements, meaning, you can do this with me but by the way it changes if you do this with those guys. And so, it’s really, really hard, you’d almost need to call a constitutional congress and get all of the MVPDs in a room with all of the cable network providers to do a one-time reset of all of these interlocking agreements. And that creates a real barrier to change.

People might want to do à la carte, I don’t know how you actually execute à la carte from a legal structure other than Amazon going down an à la carte path and consumers might like it, and if consumers do, you’re going to see Google and some other people who are not living with those five- to ten-year interlocked 52

agreements. But you know, if I want to create a skinny bundle as an example and I’m an MVPD who happens to have this term, I might have a 25-percent tiering agreement where I can have 25-percent of my subscribers at a tier below ESPN. But there’s a clause, 17 columns down, that says if an RSN is in they can’t be lower than a tier that an RSN is in. If I’ve cut a Fox Sports deal, they’re in the bottom tier; ESPN has to be in the bottom tier, so there goes my skinny bundle. And there’s about 15,000 of those in any MSO’s agreement. And then, each MSO is timed differently— so you have this incredible legal lock.

Now, Amazon has said, “Wait a second, you want TBS, you can have TBS,” and they’re selling à la carte.

So, it’ll be interesting to see how it unfolds. I actually think that consumers might like an à la carte universe, I just don’t know how the existing universe could ever get there from where they are. They’d all need to be in the room at the same time, and I can only imagine what the anti-trust attorney would say at the start of the meeting.

CARUGATI: And what about Discovery, AMC, A+E [and Viacom], who got together to form Philo. That’s their own skinny bundle. Where do you see those kinds of initiatives?

ROSE: Lots of people are trying the “we’re not big enough by ourselves so we’re going to group together to create a direct-toconsumer bundle and we’ll sell it.” I’ll come back to that. I think there are a couple of criteria that we have to apply on the success of any of these direct-to-consumer bundles. Number one: is there a brand that consumers understand? What awareness do people have of a brand like Philo or a brand like CBS or a brand like Disney or a brand like Netflix or HBO? How well understood is the brand?

How well known is the brand? And then secondly, How understood is the brand and how connected is that understanding to the content that sits underneath that brand? And third, Is there more than enough of that type of content so that when I go there, I’m satisfied? I think there’s lots of room for direct-to-consumer services to work, but you could fail for any of those three things. I love Shudder, which is AMC’s horror [service]. I actually think it meets category two and category three: Shudder the brand, you can understand it means B-flick horror movies; and, by the way, given the dynamics of the B-flick horror movie, it’s kind of easy to substitute one movie for another to a certain extent, so you go to want to watch a B-flick horror movie and it’s okay if you don’t find the one you want, there are seven others you’d be happy with. So there’s a high degree of, I find something I want when I go. I think where Shudder struggles a little bit is, it’s not known and relative to the target B-flick community it may not yet have universal awareness. But I’d argue that’s one you could totally understand working. A dedicated set of people, they self-identify as being interested in this genre, and if they understood it, it’s reasonably INTERNATIONAL EMMY® 2018-2019

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priced relative to a satisfying experience. You have to ask the question when you look at Philo, or CBS All Access, or what Viacom has announced but not yet introduced; are they going to meet those three criteria? If they don’t, I don’t think they work. And it’s not a direct answer, it’s a, How would you decide? answer. And I think what we will find in three years is there’ll be some failures and some successes. The successes will meet those criteria, the failures will have failed one of them.

CARUGATI: Let’s go back, because maybe this encapsulates a lot of what we’ve been talking about, the meaning of the Disney-21st Century Fox merger—the thinking behind it and how it reflects a lot of what we’ve been talking about.

ROSE: Look, I don’t know whether or not it will work, but it is a brilliant play. And what I mean by that is, what are the three criteria? You need a brand that stands for something if you’re going to win in the direct-to-consumer world. You need a recognizable brand. Disney and ESPN are for sure recognizable brands. They need to stand for content. Well, Disney for sure stands for kids’ content and they’ve done a pretty good job of expanding it out into general entertainment, and ESPN for sure stands for sports. And third, you need a critical mass so that when I go there I find what I’m looking for. If it fails, it fails on that third category; but the reason for the 21st Century Fox acquisition was to create a more level playing field in two ways. One is, the 21st Century Fox

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acquisition bulks them up both on entertainment and on sports in a meaningful way, so the database is bigger and more meaningful.

And second, by taking that content and pulling it out of everybody else, it creates a different kind of level playing field because Netflix can no longer have it all and they may choose, which wouldn’t be the stupidest thing in the world on the entertainment side, to basically, now that they have control of Hulu, buyout the other guys, use Hulu as the vehicle. So it’s not a bad starting point for an entertainment direct-to-consumer [platform] and then take the technology that’s a Hulu platform and apply it to ESPN and play the MVPD game of the channels themselves, too. So you’ll get the live channels and you’ll get the database of nonlinear and nobody will have demonstrably more sports content than the ESPN thing and no one will have demonstrably more entertainment content and kids’ content than the Hulu-Disney app, so you could imagine it working. So, I understand the play, and if I were them, I don’t understand what option B would be. Time Warner, Disney, Discovery, Viacom, are in unstable places. The studios are fine, but the actual net businesses they have are in unstable places and so this is a great way—it’s a huge bet—but it’s a very thoughtful bet to try to level the playing field, be one of the meaningful direct-toconsumer apps that work, and it’s kind of like it’s that or sell to somebody else. The real downside risk is that Google and somebody else leech enough dollars out of the ecosystem so you just can’t make enough money. But from a strategic play, it’s a really good move.

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KIDS AWARDS

International Emmy Kids

Presenter Clarissa Da Silva and WDR's Die Maus

April 10, 2018 Cannes he International Emmy Kids Awards took place in Cannes on April 10, 2018, at the Carlton Hotel. Organized in partnership with Reed Midem, the ceremony was attended by leading international executives from the children’s television industry and recognized excellence in seven categories: Kids: Preschool, Kids: Animation, Kids: Digital, Kids: Factual, Kids: Non-Scripted Entertainment, Kids: Series and Kids: TV Movie/Mini-Series.

The International Emmy ® Kids Awards at MIPTV closed a full Junior@MIPTV conference day dedicated to children’s programming with a variety of panels and keynotes, including a discussion on current trends moderated by Anna Carugati, Group Editorial Director, World Screen, and featuring Adina Pitt, VP, Content Acquisitions & Co-Productions, Cartoon Network and Boomerang, and Michael Loeb, CEO, WDR mediagroup.

The Emmy® statues were presented on stage by an international cast of TV and digital personalities and character mascots including: Spanish YouTuber Rubén Doblas, El Rubius; Canadian stars of hit web series Carmilla, Natasha Negovanlis and Elise Bauman; Egyptian Actress, Producer and Founder of the El Gouna Film Festival, Bushra Rozza; classical music group Ember Trio; Canadian Actor Émile Schneider; German preschool character Die Maus from WDR’s The Program with The Mouse, co-presenting with Clarissa Da Silva from 56

WDR’s kids’ series Ah—I got it!; and Miss Supranational 2017 Jenny Kim from Korea.

The International Emmy® Kids Awards presenting partners are WDR mediagroup, TV Kids, Ernst & Young and Junior@MIPTV. Winning programs from Canada, France, Germany, Norway and the United Kingdom are: Berlin und wir (Berlin and Us) (Kids: Factual); La Cabane à Histoires (The Treehouse Stories) (Kids: Preschool); Snapshots (Kids: Non-Scripted Entertainment); Hank Zipzer’s Christmas Catastrophe (Kids: TV Movie/Mini-Series); Jenter (Young Girls) (Kids: Digital); Club der Roten Baender (Red Bracelets) (Kids: Series); and Revolting Rhymes (Kids: Animation). Complete winners’ information follows.

Bruce Paisner, Paul Zilk and Camille Bidermann INTERNATIONAL EMMY® 2018-2019

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Awards@Miptv

Natasha Negovanis and Elise Bauman

Miss Supranational

Opening show performance by Ember Trio

EĚ mile Schneider

Bushra Rozza

El Rubis

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Nominees networking

Nominee Showcase Networking Session Miss Supranational

Nominee Medal Ceremony

Nominee Showcase Panel moderated by Anna Carugati and featuring Adina Pitt and Michael Loeb

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TVKIDS A DIVISION OF World Screen

• TV Kids • TV Niños • TV Kids Guide • TV Kids Daily • TV Kids Weekly • TV Niños Semanal • TV Kids Preview • TVKids.ws • TVNinos.tv • TV Kids Breaking News Sign up for our free newsletters: WWW.SUBSCRIPTIONS.WS

TV KIDS is the proud media partner of the International Emmy Kids Awards at MIPTV ®

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2018 INTERNATIONAL EMMY® KIDS AWARDS@MIPTV WINNERS

Winner Kids Factual

Eva Radlicki and Andrea Schönhuber-Majewski

Berlin und wir [Berlin and Us] Imago TV / ZDF Germany Executive Producers: Margrit Lenssen, Eva Radlicki Producer: Andrea Schönhuber-Majewski (Imago TV) Director: Heike Raab Refugees are more than their past. In the documentary Berlin und wir, four kids from Berlin meet four kids who have come to Berlin as refugees. Together, they share their hobbies, introduce each other to their families and become friends. They discuss religion, the meaning of home and their future hopes.

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2018 INTERNATIONAL EMMY® KIDS AWARDS@MIPTV WINNERS

Winner Kids Series

Bernd Reichart and Jan Kromschroeder

Club der Roten Baender [Red Bracelets] Bantry Bay Productions GmbH / VOX Television GmbH Germany Executive Producers: Bernd Reichart, Gerda Mueller, Jan Kromschroeder Producer: Frauke Neeb Directors: Richard Huber, Sabine Bernardi, Andreas Menck, Felix Binder Writers: Arne Nolting, Jan Martin Scharf Principal Cast: Tim Oliver Schultz, Luise Befort, Damian Hardung, Ivo Kortlang, Timur Bartels, Nick Julius Schuck Six teenagers cannot lead a normal life like their friends because they are stuck in the hospital for a long time.

While experiencing life and death, their first great love, and trying to spend their youth as normally as possible, they form the “Red Bracelets” and eventually become best friends.

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2018 INTERNATIONAL EMMY® KIDS AWARDS@MIPTV WINNERS

Winner Kids Non-Scripted Entertainment

Snapshots host Dalmar Abuzeid and contestants

Snapshots FORTE Entertainment Canada Executive Producers: Andrea Gabourie, Mitch Gabourie Producer: Natalie Schenk Director: Stephen Scott Writer: Natalie Schenk Principal Cast: Dalmar Abuzeid Snapshots is a 30-minute, photo-taking throwdown that pits three talented kids against each other in an entertaining and exciting competition to take the BEST. PHOTO. EVER!!!

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2018 INTERNATIONAL EMMY® KIDS AWARDS@MIPTV WINNERS

Winner Kids Animation

Martin Pope and Michael Rose

Revolting Rhymes Magic Light Pictures United Kingdom Producers: Martin Pope, Michael Rose Directors: Jakob Schuh, Jan Lachauer, Bin-han To Writers: Jakob Schuh, Jan Lachauer Principal Cast: Dominic West, David Walliams, Rose Leslie, Tamsin Greig, Gemma Chan, Bertie Carvel, Rob Brydon Two half-hour animated films based on the rhymes written by Roald Dahl and illustrated by Quentin Blake.

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2018 INTERNATIONAL EMMY® KIDS AWARDS@MIPTV WINNERS

Winner Kids Preschool

Emmanuèle Pétry Sirvin and Jean-Baptiste Wery

La Cabane à Histoires [The Treehouse Stories] Dandelooo / Caribara Production France Executive Producers: Jean-Baptiste Wery, Emmanuèle Pétry-Sirvin Producers: Jean-Baptiste Wery, Emmanuèle Pétry-Sirvin (Dandelooo), Fabien Baboz, Charlotte Monsarrat (Caribara Production) Director: Célia Rivière Writers: Nadine Brun-Cosme, Nathalie Dargent, Cyril Deydier, Romain Gadiou, Thomas Mazingue, Ariane Payen, Eve Pisler, Chloé Sastre, Juliette Turner Principal Cast: Yanis Charifi, Alexia Chicot, Antoine d'Estribaud, Juliane Lepoureau Four friends meet in their treehouse to share their favorite books.

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2018 INTERNATIONAL EMMY® KIDS AWARDS@MIPTV WINNERS

Winner Kids TV Movie/Mini-Series

Matt Bloom and Anne Brogan

Hank Zipzer’s Christmas Catastrophe Kindle Entertainment / DHX Media / Walker Productions / Screen Yorkshire’s Yorkshire Content Fund United Kingdom Executive Producers: Anne Brogan, Amy Buscombe, Shayna Fine, Helen McAleer, Julia Posen, Melanie Stokes, Hugo Heppell Producer: Matthew Mulot Director: Matt Bloom Writer: Joe Williams Principal Cast: Nick James, Henry Winkler, Felicity Montagu, Javone Prince, Jayden Jean-Paul-Denis, Alicia Lai, Jude Foley, Juliet Cowan, Neil Fitzmaurice, Madeline Holliday, Vincenzo Nicoli A TV movie based on the Hank Zipzer series about a boy with dyslexia. Hank loves yuletide, and with a new baby brother he hopes to have the best Christmas. But his friends have been arrested and he’s lost the love of his life.

Will Christmas be cancelled altogether?

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2018 INTERNATIONAL EMMY® KIDS AWARDS@MIPTV WINNERS

Winner Kids Digital

Beate Rendahl, Anne Wisløff and Stine Buer

Jenter [Young Girls] NRK Norway Executive Producer: Beate Rendahl Producer: Pia Borander Directors: Stine Buer, Anne Wisløff Writers: Stine Buer, Anne Wisløff Principal Cast: Sofia Schandy Bloch, Sina-Joy Grønstad, Felicia Vilde Andresen, Stella Kirkvaag, Julia L. Hveberg Ngene Jenter is a web series that combines elements of Snaps, text messages and live-action drama. It is presented as a blog. Up to six blog posts are published every day. Everything is told in real time and the viewers never know when the next post is coming. Every Friday, the films from the week are put together into a longer episode that can be watched on the web player. Each season’s main character alternates between four girlfriends. This season’s main character, Ingrid, has her own user on Snapchat, and the audience can add her as a friend, follow her on Snap story and sometimes get direct messages from her.

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2018 INTERNATIONAL EMMY® AWARDS SEMI-FINAL JUDGING

Semi-Final Round

Moscow hosted by Vyacheslav Murugov - CTC Media and Vlad Ryashin - Star Media

rom June to September, thanks to the 31 member companies who hosted Semi-Final Rounds of Judging for the 2018 International Emmy Awards competition, the Academy traveled to 27 judging sites in Australia, Austria, Brazil, Canada, People’s Republic of China, Colombia, France, Germany, Hungary, Italy, Japan, Portugal, Russia, Singapore, South Africa, Spain, Switzerland, United Arab Emirates and the United States.

Semi-final Rounds of Judging are not only a crucial step in the judging process, but also a great networking opportunity for the Host, and for Jurors invited to participate in the competition. Jurors, selected by the Academy in collaboration with the Host, are television professionals involved in all sectors of the industry. Hosts have the opportunity to 72

choose from two options: to organize a judging with sole branding for their company or to have outside sponsors for their event and become an International Emmy World Television Festival Sponsor.

A complete directory of the 2018 judging hosts and participants follows in this section.

International television professionals interested in participating in the competition are invited to reach out to the Academy to become a juror for the 2019 season.

Academy Members interested in getting more involved in the judging process are encouraged to judge, and host an event in their region.

To be considered as a host for the 2019 Semi-Final Round of Judging, please contact Nathaniel Brendel, Director, Emmy Judging.

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of Judging Hangzhou hosted by Abby Zhang Blue Sky Media Co. of Zhejiang

Hangzhou hosted by Abby Zhang Blue Sky Media Co. of Zhejiang

Hangzhou hosted by Abby Zhang Blue Sky Media Co. of Zhejiang

Lisbon hosted by Carlos Schroder - Globo TV and André Sampaio - Sonae FS

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Shanghai hosted by Benjamin Li Shanghai Croton Culture Media

Bogotรก hosted by Edgar Spielmann Fox Latin American Channel

Bogotรก hosted by Edgar Spielmann Fox Latin American Channel

Bogotรก hosted by Edgar Spielmann Fox Latin American Channel

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Abu Dhabi hosted by Nashwa Al Ruwaini - Pyramedia

Madrid hosted by Miguel Oliva - Dopamine

Tokyo hosted by Nobuya Wazaki - WOWOW

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Paris hosted by Pierre Sissmann - Cyber Group Studios

Rio de Janeiro hosted by Flavia Vigio - HBO Latin America Group

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Zurich hosted by Oliver Mahrdt SingularDTV

Zurich hosted by Oliver Mahrdt - SingularDTV

Zurich hosted by Oliver Mahrdt - SingularDTV

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Zurich hosted by Oliver Mahrdt - SingularDTV

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The Academy would like to thank: 2018 SEMI-FINAL HOSTS A+E Networks Latin America, Cesar Sabroso - Miami, USA

HBO Latin America Group, Flavia Vigio - Rio de Janeiro, Brazil

ACTF, Bernadette O’Mahony - Melbourne, Australia

MTVA - Hungarian Public Service Media, Balázs Medveczky - Budapest, Hungary

Active TV, Michael McKay - Singapore, Singapore

NBCUniversal International Networks, Marcello Coltro - Bogotá, Colombia

Aetios, Fabienne Larouche - Montreal, Canada

NHK, Ryoichi Ueda - Tokyo, Japan

Apple Tree Productions, Piv Bernth - Cologne, Germany Blue Sky Media Co. Led., of Zhejiang, Abby Zhang - Hangzhou, PR China

Okuhle International, Louise McClelland - Cape Town, South Africa ORF-Enterprise, Beatrice Cox-Riesenfelder - Vienna, Austria

Broadview TV, Leopold Hoesch - Cologne, Germany Pyramedia, Nashwa Al Ruwaini - Abu Dhabi, UAE CTC Media, Vyacheslav Murugov - Moscow, Russia RAI, Eleonora Andreatta - Rome, Italy ComediHa!, Sylvain Parent Bedard - Quebec City, Canada Cyber Group Studios, Pierre Sissmann - Paris, France Dopamine, Miguel Oliva - Madrid, Spain FFP New Media, Michael Smeaton - Berlin, Germany

Shanghai Croton Culture Media, Benjamin Li - Shanghai, PR China SingularDTV, Oliver Mahrdt - Zurich, Switzerland Sonae FS, André Sampaio - Lisbon, Portugal

Fox Latin American Channel, Edgar Spielmann - Bogota, Colombia

Star Media, Vlad Ryashin - Moscow, Russia

Fuji TV, Mamiko Maekawa - Tokyo, Japan

TV France International, Hervé Michel - Biarritz, France

Globo TV, Carlos Schroder - Rio de Janeiro, Brazil & Lisbon, Portugal

WOWOW, Nobuya Wazaki - Tokyo, Japan

Graf Filmproduktion, Klaus Graf - Berlin, Germany

Ziegler Film, Regina and Tanja Ziegler - Berlin, Germany

Rio de Janeiro hosted by Carlos Schroder - Globo TV

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Tokyo hosted by Ryoichi Ueda - NHK

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Montreal hosted by Fabienne Larouche - Aetios

Budapest hosted by Balรกzs Medveczky MTVA - Hungarian Public Service Media

Cape Town hosted by Louise McClelland - Okuhle International

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Cologne hosted by Leopold Hoesch, Petra Müller and Nathanael Liminski

Cologne hosted by Leopold Hoesch, Petra Müller and Nathanael Liminski

Leopold Hoesch, Petra Müller and Nathanael Liminski

Piv Bernth and the Apple Tree Productions team

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Miami hosted by Cesar Sabroso - A+E Networks Latin America

Miami

Miami

hosted by Cesar Sabroso - A+E Networks Latin America

hosted by Cesar Sabroso - A+E Networks Latin America

Tokyo hosted by Mamiko Maekawa - Fuji TV

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Singapore hosted by Michael McKay - Active TV

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Rome hosted by Eleonora Andreatta - RAI

And thank: 2018 SEMI-FINAL COORDINATORS

Los Angeles hosted by the International Academy

A+E Networks Latin America: Nelsy Rivas ACTF: Ella Barton Active TV: Louisa Lim Aetios: Kathleen Préfontaine Apple Tree Productions: Mette Vestergaard-Olsen Blue Sky Media Co. Led., of Zhejiang: Kyle Liao Broadview TV: Doro Zauner, Kirsa Esser CTC Media: Kim Belov Dopamine: Angélica Ríos ComediHa!: Alexandre Avon, Francois Gicquel Cyber Group Studios: Raphaëlle Mathieu, Eve Cohen FFP New Media: Judith Smeaton Fox Latin American Channel: Teresa Rucci Fuji TV: Reiko Hara, Mayuko Maeda Globo TV: Duda Pereira, Priscila Mizrahy, Fernanda Christo Graf Filmproduktion: Stefanie Feodorow, Ivana Kleinertz HBO Latin America Group: Barbara Gomez MTVA - Hungarian Public Service Media: Lőrinc Bubnó NBCUniversal International Networks: Sandra Molina, Carolina Sintes NHK: Yuki Yoshida, Shima Kasai Okuhle International: Pamela Sue-Taylor ORF-Enterprise: Alexandra Ricci, Thomas Horetzky, Katharina Jeschke, Claudia Kruzik Pyramedia: Sofia Khziri RAI: Selvaggia Castelli, Walter Ingrassia Shanghai Croton Culture Media: Teddy Han SingularDTV: Seraphine Schiffmann, Schehrazad Azzoun Sonae FS: Joana Ramos Star Media: Nadia Rekhter TV France International: Catherine Charmet WOWOW: Raita Nakashima, Atsushi "UCCI" Uchino, Eriko Seo Ziegler Film: Markus Olpp Tabulations by Ernst & Young LLP Matt Askins - New York, USA

New York hosted by the International Academy

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Bogotá hosted by Marcello Coltro NBCUniversal International Networks

New York hosted by the International Academy

Quebec City hosted by Sylvain Parent Bédard – ComediHa!

Melbourne hosted by Bernadette O’Mahony - ACTF

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Vienna hosted by Beatrice Cox-Riesenfelder ORF-Enterprise

Vienna hosted by Beatrice CoxRiesenfelder ORF-Enterprise

Vienna hosted by Beatrice Cox-Riesenfelder - ORF-Enterprise

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Berlin hosted by Michael Smeaton FFP New Media, Klaus Graf Graf Filmproduktion, Regina and Tanja Ziegler Ziegler Film

Berlin Klaus Graf, Regina Ziegler, Tanja Ziegler and Michael Smeaton

Biarritz hosted by HervĂŠ Michel TV France International

hosted by Michael Smeaton - FFP New Media, Klaus Graf - Graf Filmproduktion, Regina and Tanja Ziegler - Ziegler Film

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FALL BOARD & MEMBERS MEETING AND EVENTS

In Conversation with Dan Dan Cohen and Luke Davies

September 14, 2018 Los Angeles Dan Cohen: President, Worldwide Television Licensing, Paramount Pictures Luke Davies: Writer & Executive Producer, Catch-22 COHEN: We’re here to talk about Catch-22 and Beautiful Boy. What sequence did you write them in? Do you write one thing at a time?

DAVIES: Well, the sequence was Lion, Beautiful Boy, Catch-22. I can, on occasion, write multiple things because I front load my preparation. I’m not a leave-it-to-divine-inspiration person. I dig down extremely deeply into very, very detailed treatments and plans and outlines. If I do that, there are times when, if necessary, I can jump from one task to the other because I have a blueprint already where I’m not relying on divine inspiration. [Laughter] So yes. I generally try to concentrate on one thing at a time, but I can occasionally juggle different tasks if there are different stages.

COHEN: Let’s go back to Catch-22. How do you get the idea to take on the Joseph Heller novel? Where did that come from? Did people tell you were crazy—or when they tell you you’re crazy, you don’t care? [Laughter] 98

DAVIES: Nobody told me I was crazy. It’s a very simple and a beautiful story. The New York-based producer, Richard Brown, came to David Michôd, my roommate and very good friend. He made Animal Kingdom, War Machine and The Rover. He had just done True Detective and he said, “We did a great thing with True Detective season one. The world likes us. We want to do other things. We think you guys are nice guys. Have you got any ideas?” The three of us had a meeting. I had an idea, David had an idea, and Richard had an idea. We had this two-hour meeting, throwing thoughts around. At the end of the meeting, we were getting up, putting our coats on, and I said, “I’ve got one more idea. Ever since I was 16, I’ve loved this novel so much. If we’re supposedly in the golden age of television, why hasn’t anyone done an adaptation of Catch-22?” Then Richard went away and discovered that Paramount had the rights. Within three days, there was a conversation beginning. It was a development deal for the first episode, but I kept writing. I was just really enthusiastic. I delivered episode two to my agent, delivered episode three, and he says, “Luke, stop writing. There’s no deal.” [Laughter] I just ignored him and delivered episode four.

COHEN: I recall you saying that it took a really long time to break the book down. It’s a tough book. It’s brilliant, but it jumps around in time and space.

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trying to work out how to unravel this incredibly dense, circular, kaleidoscopic novel. There was a lot of pain in that period of time, thinking I’m never going to crack this. I don’t know how to do it.

I don’t know what I’m doing. I have this deal for the first episode.

I’m running way over time. Then gradually, slowly, I found a way in, which was basically that you would need to unfold this story, this novel, into something fairly chronological in order to allow a canvas on which your characters can actually have emotional arcs that you can track throughout six episodes. Eight was my original thinking, but in the end I worked out that six was the right size for this adaptation. There are about 40 characters in the novel. There are 15-ish in the series.

I compressed some characters; two people became one. I took different things that different characters did and put them into a more coherent and a smaller cast, and a more coherent narrative structure to find a way of creating something that made emotional sense in terms of a journey that you would care about, not just for Yossarian, our lead played

by Christopher Abbott, but for the other characters who go on the journey with him and for those few who lived through the entire six episodes.

“

I

the first piece of dialogue? Who says what?” I already have this big chunky manual beside me to work with.

COHEN: Paramount made a movie that Mike Nichols directed in the early ’70s. Had you seen that?

DAVIES: I had seen the film as a cinephile teenager. I watched it again. I wasn’t worried that it would influence me in some bad way.

It was clear that we had a new canvas. We had the luxury of space in this new world. The biggest thing holding that film back was the lack of space, was the fact that this extraordinarily dense and glorious novel didn’t really lend itself to a two-hour canvas. In that movie, Nichols is recreating the kaleidoscopic, swirling structure of the novel. Cinematically, if you do that, you lose the emotional connective tissue. To us, the all-important task was to make this not just a great black comedy but sorrowful and serious, as it is in parts of the novel, and not [get] lost in the swirl.

t’s a glorious moment for TV for all of us right now.”

—Luke Davies

COHEN: You didn’t write any dialogue at that point. You’re really just trying to map out the episodes, what would happen in them and how you would have the story unfold?

DAVIES: Yes. At the same time, I was drawing up charts on whiteboards that try to map things out in my own mind, like here’s each character on the y-axis and on the x-axis—here’s where they have conflict or where they die or where they’re alone with their thoughts—and just try to find out how everyone fits and interweaves. Then gradually, I started writing a prose outline of the story. I had a private 90-page bible. Very, very dense, just filled with paragraphs of, “Then this happens, and then this happens, and then this happens.” In the end, that turned into our sexy 40-page public—public as in producers could start looking at it—and studio bible.

Then at a certain point, finally, I’m going to start writing episode one, so then we cut and paste paragraphs from the bible and we created scene headings in a final draft document.

On day one, the script is already about 15 pages long, just of giant chunks of prose. For me, that’s a really helpful starting point because at a certain point, I’m going to actually start going, “Okay. This is scene one. What do I describe happening in the very first paragraph? What’s INTERNATIONAL EMMY® 2018-2019

COHEN: We ended up with three principal partners, Hulu, Channel 4 in the U.K. and Sky Italia, but before we had any of them on board, we did have Luke and David’s scripts, and they were brilliant.

George Clooney enters the picture as executive producer, co-director, and he plays one of the important roles. He loves this book, which is why he stepped up. So you’ve got your scripts and now you have new voices, and there’s George, Grant Heslov, other producers. You have a third director, Ellen Kuras. How does it feel when people Academy Members arriving at The Sherry Lansing Theatre

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really funny, but then it gets really serious and really horrific. Talk about how it is to write something that has both of those things, and even to be on set where some days, you’re smiling as the things play out and other days, it’s really horrific, serious drama.

Board & Members Meeting in Session

start telling you, if they told you, “Oh, could we change this? This doesn’t work for me.” Is that just part of the process and you’re used to it?

DAVIES: No, I’m not used to anything. [Laughter] This is a new experience. My life has changed in the last couple of years. Lion obviously changed a lot. It wasn’t just that I wasn’t getting anything made. It was that I couldn’t even get a meeting in this town and I was plotting away, doing desperate little things, tiny little writing jobs here and there for money. There’s nothing about this experience that I was used to. The beautiful thing for me has been that there weren’t any changes to the script. George Clooney and Grant Heslov, and then Ellen Kuras came along. George had one single note, which was about the final scene of episode six. It was a great note. The way the series ends now is based on his note. I feel good that we created something that felt structurally watertight or that it was in very good structural shape. I don’t yet know what that experience is like of, change this, change that.

COHEN: I can actually attest to that because I read the scripts before the three directors joined. I read the scripts that they produced.

They are very, very similar. That doesn’t happen often, but your writing warranted it.

O

“

DAVIES: That is our aim and our ambition, to find a way of embracing the blend bet ween the hilarious black comedy and the movement in the final couple of episodes towards a serious and sorrowful place about the nature of life and death and war. The casting of Christopher Abbott as Yossarian is brilliant because he can look after the comedy easily. He’s so agile. He’s so quick on his feet, but he’s got that beautiful quality deep in his eyes, in his very dark eyes. That kind of sorrow and sadness is absolutely spectacular. We’re ahead of things in the fact that Christopher Abbott, it turns out, is the most sublime piece of casting for the lead.

COHEN: For folks that don’t know him, one of our takeaways is this guy is going to be a star. He just has such command and charisma. He was in the HBO series Girls. He is in First Man. Kyle Chandler is in that as well. Kyle plays Colonel Cathcart. Originally George Clooney said, “I’m going to pay Colonel Cathcart.” Then George decided [to play] a character by the name of General Scheisskopf. Three companies had signed up for Catch-22. They expected George to play the colonel. George decides to play the general, a really great role but he’s not on screen as often as the colonel, so it becomes a business discussion of, “Well then, who’s going to be the colonel?” Fortunately, Kyle Chandler took the role and he is so well respected internationally and here that everybody was good with that. Talk a little bit about Kyle as the colonel because that’s another really central role in these six episodes and from what I’ve seen, Kyle really nailed it.

ne thing I did learn is that George Clooney is a much better salesman than me.

Anybody George spoke to bought the show.”

—Dan Cohen

DAVIES: David and I had a great session with George and Grant back in about February, which was their one and only note session.

That was when they dug deep and we got rid of a few scenes and we compressed a couple of twos into ones. I guess what I mean is that I didn’t have any experience of, “Oh my God. What are you doing?” I was like, “Oh, that’s a great idea.”

COHEN: We will be distributing this, obviously, and marketing it.

A lot of folks view Catch-22 not only as an iconic novel, but as a black comedy, and there is a lot of black comedy in it. One might take away from watching our production that the funny parts are 100

DAVIES: He’s fantastic. Colonel Cathcart is our most spectacular lunatic. There are a few lunatics in the show and Kyle, as Colonel Cathcart, is one of them. George as Scheisskopf is the other. They’re the most overt of our kind of villains. Kyle plays Colonel Cathcart as a barking, insecure maniac.

He is Yossarian’s most overt nemesis. He’s the one who keeps raising the missions. The whole six episodes is about Yossarian trying to get out of flying those missions in order to preserve his life.

Kyle’s great. He transformed every day as Colonel Cathcart. He transformed into this wonderful, imbecilic lunatic who makes everyone’s life a misery.

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works in any medium. When you set out to write it, did you have any thought about where it should go?

DAVIES: I didn’t really project as to what format this might enter the world in. There were only a couple of possibilities. One is you see it once a week and the other one at the moment is that it drops all at once, but I wasn’t thinking of those things. I was just trying to make it through the process of the first nine months of agony of actually trying to unravel the novel. Then the next—way more pleasant—six months of actually diving in, and having fun, and creating the first drafts of all the episodes.

COHEN: You have made your mark adapting. You’re obviously skilled at it. Is it something that you especially enjoy doing? Is there original stuff that you’re writing as well?

Studio visit COHEN: Some days, Ellen’s directing, some days Grant, some days George, some days more than one director. Is that a tough thing for a production?

DAVIES: Yes. Logistically, and ultimately we were more efficient in crossboarding—that’s what it’s called when you shoot everything at once. You pay more money in the sense that all the directors have to be there for all four months, but you pay less money because you don’t have directors coming in and out. Then you shoot this stuff, and then you have to go and shoot this same stuff again. We clustered the things that we needed to shoot together, which ultimately saved us money. The price that you pay psychologically or logistically speaking for actors and directors is that you have to keep tracking where you’re at. On any given day, we would sometimes have all three directors shooting scenes. There were a couple of days where we shot scenes from five episodes, so in particular for some of the actors, there were days when they were shooting scenes from widely different parts of the story, different costumes, different psychological states and they had to track. They would literally go for a costume change and then, “Okay, so that was episode five when I was feeling this. Now I’m back in episode two and this is what’s happening at the moment.

This is the next thing that’s going to happen that I have to remember when I react like that. That’s about that.” That stuff could get really complicated and exhausting.

COHEN: I mentioned our three lead partners.

Hulu is a streaming service. Sky Italia is a pay service. Channel 4 is a broadcaster. I think it’s fascinating and really exciting that this property 102

DAVIES: I do enjoy doing that, but it wasn’t a grand plan. My background is as a poet and a novelist, so what I come from is the experience of being autonomous within my own creative process and inventing things, stories. I really want to write original screenplays or teleplays as well. I plan to and I’ve got a couple of things floating around, but I also really love the experience of adapting and I feel that as I mature in my skills, I’m getting better at learning what other things that one should be thinking about in adapting material. How to work out what’s going to work dynamically and cinematically and what kinds of things would be red flag issues, where things need to be discarded or aren’t going to work in the same way.

COHEN: Did you enjoy producing?

Lunch on the Paramount lot

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I’m a big believer in formally structuring the architecture up front and giving as much detail as possible. That also gets everybody, including producers and studios, on the same page as early as possible. I think less surprises is a good thing and then I feel free to do the creative stuff.

QUESTION: When you have three directors and you’re crossboarding on the episodes, do they actually edit their own or do you have to have that responsibility of the global vision?

DAVIES: Yes, it was a huge learning curve for me. It’s another ambition. I was like a sponge on Catch-22, trying to see how everything fits together, the skills of being a producer, what goes on, how people deal with personalities, but also an ambition and a fantasy that maybe there’s a version where I can direct something. I believe in myself, I believe I can. I just need to be really open to the path that unfolds and I’m on one now to do with screenwriting. I’m happy, but this other path, yes, I’ve got some things that I’m prodding, and pushing, and trying to work out how to make happen.

COHEN: Do we have questions that I haven’t asked that you guys would like to ask him?

QUESTION: When you approach a television miniseries, aside from the fact that it’s going to be longer than a feature film, are there a lot of other things that go through your mind? Do you write each one rather differently or, by and large, a miniseries is just a movie with more climaxes?

DAVIES: Everything was new to me, so I had a lot of anxieties. Do I know what I’m doing? Do I know how to make this work? Now, a lot of that stuff is just instinctive. Each episode should feel climactic when it ends. The novel was so rich that it was not hard to find...six amazing moments, although we had to do a lot of massaging to make things fit and work. There was a lot of experimentation, but again, doing enough groundwork was my safety blanket. It helped me prevent making too many mistakes. I would make a lot more mistakes if I took the attitude of, “You know what, I’m just going to start writing and see where it leads me.” I would waste a lot of time if I did that, so 104

DAVIES: No. The current procedure is that each of the three directors will deliver their director’s cuts. That’s complex.

There are six executive producers—myself Harold Mendez talks about and David Michôd, Richard Brown and his work during a studio visit Steve Golin, and George Clooney and organized by The Cultivist Grant Heslov. In the case of Clooney and Heslov, they will deliver their director’s cuts to themselves, among others, for reviewing and notes. Grant Heslov does episode one and five. Ellen Kuras is two and three. George Clooney is four and six. Each of them is responsible for their own edit, but then we’re a smallish team.

COHEN: Dan the salesperson told all of his clients that George would be the supervising director and George was absolutely on set every day, all day.

DAVIES: It is clear that this is and will be seen as George Clooney’s Catch-22. Rightly so, it’s his guiding vision.

COHEN: It was interesting, He and Grant Heslov, it’s a pretty special relationship both professionally and otherwise, but professionally, they work really well together. They can finish each other’s sentences, so they were very efficient working together. They hadn’t worked with Ellen before. She happens to be a consummate cinematographer and she stepped right in and very quickly fit in with George and Grant nicely, but those two already had a leg up because they’ve spent a career working together.

Academy Members Kayo Washio, Eileen Tasca, Miguel Oliva and Fidela Navarro

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Members Luncheon

QUESTION: Is there any genre that you haven’t worked in that you are excited about or would want to work in?

DAVIES: Yes, giant sci-fi, but I feel lucky. My anxiety was “All right, I don’t want to be pigeonholed.” Here’s what I really love, to build a reputation as someone who’s good with character and story. Right now, I know it’s a surprising blend if you take Candy, and Catch-22, and Lion, and Beautiful Boy, and a couple other things that are hovering and what will come, so I hope I’m doing that. I hope I’m avoiding being, “This guy’s a horror guy,” or “This guy’s a fix-it script rewrite guy,” or something like that.

Australians, a bunch of you that landed in LA. They’re always working, they’re always out of town, so they share this place. I feel like there’s a story in that, but maybe it’s much more dull than it sounds.

DAVIES: We live in a lovely house. It’s a 100-year-old craftsman with lots of bedrooms and lots of little office spaces and a nice backyard. It’s filled with love and we’re really a close bunch.

We’re very close and it’s a fertile environment, supportive.

COHEN: We’re not having any trouble finding buyers for this one, and one thing I did learn is that George Clooney is a much better salesman than me. Anybody George spoke to bought the show. [Laughter]

QUESTION: Did you have a writer’s room working with you?

DAVIES: No writer’s room. David Michôd and I are the co-writers of Catch-22. I wrote the bible and the first drafts of the first six episodes over this 15-month period. Then he and I worked together on the rewrites for a couple of months.

Soon after that is the point where the Clooney-Heslov situation begun to arise, so David and I are the co-writers but he was an absent executive producer. He was off shooting his latest film in Hungary.

COHEN: Early on, you mentioned David is your roommate or your housemate. It’s like a gang of INTERNATIONAL EMMY® 2018-2019

Academy Members Guided Studio Tour

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2018 NEWS & CURRENT AFFAIRS

2018 News & Current Affairs October 1, 2018 New York City very year, the International Academy of Television Arts & Sciences celebrates its International Emmy Awards Nominees for News & Current Affairs with a medal ceremony and networking event in New York City.

This year, Nominees from Brazil, Denmark, Germany, Qatar, Russia, Turkey and the United Kingdom gathered

for a lunch at New York’s landmark 21 Club on 52nd Street, during which Academy President & CEO Bruce Paisner presented the Nominees with their medals and certificates.

Winners received their Emmys with their U.S. counterparts at a ceremony held at Jazz at Lincoln Center. Information on the Nominees and Winners follows.

Emmy Judging Director Nathaniel Brendel and Academy President & CEO Bruce Paisner presenting medals and certificates to Nominees 108

INTERNATIONAL EMMYÂŽ 2018-2019

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Kamahl Santamaria

Hakan Hocaoğlu, Alexandra Pauliat and Mouhssine Ennaimi

International Academy President & CEO Bruce Paisner welcomes Nominees

Marcia Monteiro and Roberta Salomone

Henrique Picarelli and Anna Bernardoni

Globo’s Marita Graça and Gabriel Chaim

EMMY_2018_NEWS_EMMY_1109_MARCH 11/2/18 10:54 AM Page 3

2018 NEWS & CURRENT AFFAIRS

News Nominees

Current Affairs Nominees with Academy President & CEO Bruce Paisner 110

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2018 WINNERS

Winner News Sky News— Rohingya Crisis Sky News United Kingdom Rakhine had been closed off for months, but Sky News managed to gain access to witness the dire conditions and the suffering of the Rohingya people stranded there, exposing what the Myanmar government had denied.

Alex Crawford, Martin Smith, Neville Lazarus and team

Nominees #MosulSOS RT Russia The operation in Mosul killed thousands of civilians, while hundreds of thousands of others were forced to flee for their lives. On the ground, reports from the war-ravaged cities have shown that the level of civilian suffering was so massive that RT decided to launch the hashtag #MosulSOS.

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Jornal GloboNews — Dozens killed and wounded in Alcacuz prison riot, the collapse of Brazil’s prison system GloboNews / TV Globo Brazil In early 2017, Brazil experienced a collapse of the prison system. A jail in Rio Grande do Norte, in terrible conditions, emerged as a scenario for fights between gangs. 26 prisoners died. Clashes were broadcast live, laying bare the lack of control by the authorities.

Newsgrid — Qatar Crisis Special Al Jazeera English Qatar This special offered in-depth analysis and reporting on the Gulf Country Council Crisis, in which Qatar was blockaded by air, sea and land routes by its neighboring countries. Al Jazeera English found itself at the center of the story, with blockading countries demanding it be closed.

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2018 WINNERS

Winner Current Affairs White Right: Meeting the Enemy Fuuse Films / ITV United Kingdom Muslim filmmaker Deeyah Khan meets U.S. neo-Nazis and white nationalists face to face, and attends America’s biggest and most violent far-right rally in recent years.

Deeyah Khan

Nominees GloboNews Especial — Children of Maria da Penha

Menschenschmuggler — Das Geschäft mit den Flüchtlingen

Off the Grid — Silent Death on a Syrian Journey

GloboNews / TV Globo Brazil

DR TV (Danish Television) / ZDF German Television Germany

TRT World Turkey

We showcase stories about children of victims of domestic violence. Brazil is considered one of the most violent countries for women in the world. A recent study shows that 71 percent of these victims who die leave children behind.

They don’t receive any special assistance or psychological care.

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Human smugglers reveal—on camera—the secrets of their trade. We offer an inside look at the industry that has brought millions of migrants to Europe, while European politicians promise to put an end to the uncontrolled and illegal influx.

With no other way to survive, Abu Ahmed resorted to selling one of his kidneys. So did Abdullah, in exchange for free passage to Europe. But things didn’t go as planned as they have been duped by remorseless and unscru pulous organ brokers, like Abbas, who cheated them.

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OTHER AWARDS

JCS International Young Creatives Award he International Academy of Television Arts & Sciences and JCS International presented the JCS International Young Creatives Award for the second year.

Designed to discover, recognize, and foster young talent while creating a global conversation around peace, the new competition is open to entrants from around the world between the ages of 18 and 29. Entrants submitted a one-minute video on the theme of the year.

The theme for 2018 was Stand Up For Peace.

2018 Winners: Raj Dutta, India for “TeaShirt” Puti Puar, Indonesia for “Peace is Action”

Special thanks to the 2018 JCSI Young Creatives Awards Jury: Daniel Wiedemann, Patrick Connolly, Camille Bidermann, Amy Hargreaves, Michal Grayevsky, First Lady of Panama Lorena Castillo Garcia De Varela, Mozhan Marnò, Ben Pyne and Stephen Segaller.

Shubham Upreti, India for “Mr. Peace”

Winning videos are available to view on the Academy’s website www.iemmys.tv

FOUNDATION

Sir Peter Ustinov Television Scriptwriting Award ach year, the Foundation administers the Sir Peter Ustinov Television Scriptwriting Award. The competition is designed to motivate non-American novice writers under the age of 30, and offer them the recognition and encouragement that might lead to a successful career in television scriptwriting. Entrants are asked to create a completed halfhour to one-hour English-language television drama script.

The award winner receives $2,500, a trip to New York City and an invitation to the International Emmy® Awards Gala.

The Winner of the 2018 Sir Peter Ustinov Television Scriptwriting Award is:

“Who Killed Heather McAdams?”

by Lexi Savoy, Canada

INTERNATIONAL EMMY® 2018-2019

Special thanks to the 2018 Ustinov Jurors: Michael Baser, Head of Writing for Film & Television, Vancouver Film School Paul Bennett, Head of Drama, CJZ Gabriel Bergmoser, 2015 Ustinov Winner Mike Berry, CEO, Golden Tulip Films Louisa Burns-Bisogno, President, World Media Workshops LLC Jaclyn Chan, Screenwriter Stephen Corvini, Development Executive/ Producer, Matchbox Pictures Michael Daley, Clinical Assistant Professor School of Film & Television, Loyola Marymount University Rosy Deacon, Screenwriter Roberta Durrant, Producer, Penguin Films South Africa Maite Echave, CEO Dr. Michael W. Esser, CEO, Dramaworks Caitlin D. Fryers, Writer, Wynonna Earp Ayanda Halimana, Story Development Consultant, YandaHalis Films Gïti Hatef-Rossa, Master of Arts, Associate Lecturer Media Studies, Trier University (Germany) Bea Hegedus, Vice President of Global Content, Scripted, ITV Studios Global Entertainment Neil Landau, Assistant Dean, UCLA School of Theater, Film & Television Norbert Maass, Script Writer and Consultant, International Script & Sales Company C. S. McMullen, Screenwriter Bernhard Natschläger, Commissioning Editor, ORF—Austrian Broadcasting Corporation Sophie Petzal, 2012 Ustinov Winner Julie M. Poll, Freelance Writer Minky Schlesinger, Writer/Director Becky Smith, Professor, UCLA School of Theater, Film & Television Jason Spencer, 2010 Ustinov Winner Scott J. Thompson, Screenwriter & Director of Screenwriting MFA, Boston University

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M E M BE R S’ DIRECTORY

Members The International Academy of Television Arts & Sciences.

EXECUTIVE COMMITTEE Bruce Paisner President & CEO Senior Advisor Hearst Entertainment & Syndication

Bruce Tuchman Board Member, Parrot Analytics, Senior Advisor, iflix Parrot Analytics & iflix

EMMY COMMITTEE

Fred Cohen Chairman Chairman, Foundation International Academy of Television Arts & Sciences

Larry Gershman Chairman, Emmy Committee

Simon Sutton Secretary President & Chief Revenue Officer HBO

Steven Bawol Helion Pictures

Kevin Beggs Treasurer Co-Chair, Special Awards Committee Chairman Lionsgate Television Group Larry Gershman Vice Chairman Chairman, Emmy Committee Chairman & CEO World International Network Rainer Siek Co-Chairman, Nominating Committee President MT.NY Adriana Cisneros de Griffin CEO Cisneros Armando Nuñez Jr. President & CEO CBS Global Distribution Group Abbe Raven Chairman Emeritus A+E Networks Camille Bidermann Senior Vice President & Executive Director International Academy of Television Arts & Sciences

Nashwa Al Ruwaini Pyramedia

Piv Bernth Apple Tree Productions Deirdre Brennan NBCUniversal Media Thierry Cassuto Both Worlds Beatrice Cox ORF-Enterprise GmbH & Co KG Brian Seth Hurst StoryTech Joshua Mintz TV Azteca Michael Schelp Fujisankei Communications International Jorge E. Vaillant Perspectives21

NOMINATING COMMITTEE Rainer Siek Co-Chair, Nominating Committee MT.NY Adina Pitt Co-Chair, Nominating Committee Cartoon Network & Boomerang Leonardo Aranguibel Disney Media Distribution Scott Borden Laureus World Sports Awards

INTERNATIONAL EMMY® 2018-2019

Guido Corso RAI Tom Devlin Entertainment Studios Aline Marrache Canal+ Group Olusola Momoh Channels Television Catherine Warren Vancouver Economic Commission

Leopold Hoesch Germany Managing Director BROADVIEW TV Germany Brian Seth Hurst Global Digital Ambassador Managing Partner, Co-Founder StoryTech USA

Jay Yogeshwar Viometric, LLC

André Sampaio Portugal Brand & Media Management Director Sonae FS Portugal

SPECIAL AWARDS COMMITTEE

DIRECTORS

Kevin Beggs Co-Chairman, Special Awards Committee

Mo Abudu Chairman & CEO EbonyLife TV Media & Entertainment City Africa Nigeria

Jim Rosenfield Co-Chairman, Special Awards Committee Fred Cohen (International Academy of Television Arts & Sciences) Bruce Paisner (Hearst Entertainment & Syndication)

AMBASSADORS Steven Bawol France Managing Director Helion Pictures France Gai Dunlop Australia CEO Festcom International Australia Roberta Durrant South Africa CEO Penguin Films South Africa

Avi Armoza CEO Armoza Formats Israel Janet Balis Partner, Global Advisory Leader for Media & Entertainment Ernst & Young USA Francisco Pedro Balsemao CEO Impresa Portugal Rola Bauer Managing Director STUDIOCANAL TV GmbH Germany Kevin Beggs Chairman Lionsgate Television Group USA Thomas Bellut Director General ZDF German Television Germany

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Josh Berger President & Managing Director Warner Bros. Entertainment UK & Ireland & Spain United Kingdom Camille Bidermann Roizen Executive Director International Academy of Television Arts & Sciences USA JP Bommel Managing Director / Chief Operating Officer NATPE USA Tom Buhrow Director General WDR Germany Alex Carloss Director, International Originals YouTube USA Adriana Cisneros de Griffin CEO Cisneros USA Dan Cohen President, Worldwide Television Licensing & Distribution Paramount Pictures USA Cesar Conde Chairman, NBCUniversal Intl. Group & NBCUniversal Telemundo Enterprises NBCUniversal USA Noel Curran Director General European Broadcasting Union Switzerland Gary Davey Managing Director, Content Sky United Kingdom Stephen Davis Executive VP & Chief Content Officer Hasbro Studios USA Raphaël de Andréis CEO Havas Media Group France Havas Media Group France

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Arzuhan Dogan Yalcindag Chairperson Dogan Holding Turkey

Paula Kerger President & CEO PBS USA

Vyacheslav Murugov Chief Executive Officer CTC Media Russia

Susan Ennis Founder Ennis Media Strategists USA

Herbert L. Kloiber Managing Director Tele München Gruppe Germany

Armando Nuñez, Jr. President & CEO CBS Global Distribution Group USA

Dae-Young Ko President & CEO Korean Broadcasting System (KBS) South Korea

Terry O’Reilly Chairman National Academy of Television Arts & Sciences USA

Ibrahim Eren Deputy Director General Turkish Radio & Television Corporation Turkey Hélène Etzi SVP, Integrated Media Content & Platforms Walt Disney International United Kingdom

Mark Leiter Chairman Leiter & Company USA

Randy Falco CEO & President Univision Communications USA

Mikel Lejarza Ortiz President Atresmedia Cine Spain

Robert Friedman CEO Bungalow Media + Entertainment USA

Jerome Levy Vice Chairman Archie Comics Publications USA

Michal Grayevsky Senior Advisor to Mr. Ronald S. Lauder & President, JCS International JCS International USA

Changle Liu Chairman & CEO Phoenix Satellite Television PR China

Robert Halmi, Jr. Chairman Great Point Media USA Hisashi Hieda Chairman Fuji Media Holdings, Inc. USA / Japan Leopold Hoesch Managing Director BROADVIEW TV Germany Nico Hofmann Co-CEO UFA Germany Stanley Hubbard Chairman & CEO Hubbard Broadcasting USA Andy Kaplan Media Consultant USA

Martin Lopez Chairman of the Board ABS-CBN Corporation Philippines Roberto Irineu Marinho President of the Board Grupo Globo Brazil Maury McIntyre President & COO Television Academy USA

Ahmet Oren Executive Chairman Ihlas Holding Turkey Lucio Pagliaro General Director Artear Argentina, Clarin Group Argentina Bruce Paisner President & CEO, International Academy of Television Arts & Sciences Senior Advisor, Hearst Corporation USA Nadav Palti President & CEO Dori Media Group Israel Surang Prempree President & CEO Chandra 25 Co., Ltd. Thailand Abbe Raven Chairman Emeritus A+E Networks USA Chip Register USA

Gerrit Meier CEO Red Bull Media House GmbH Austria

Goncalo Reis CEO RTP Radio E Televisao Portuguesa Portugal

John Morayniss USA

Maxime Saada Chairman of the Managing Board Canal+ Group France

Doug Murphy President & CEO Corus Entertainment Canada

Josh Sapan President & CEO AMC Networks USA

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Anke Schäferkordt CEO Mediengruppe RTL Deutschland Germany

Hanna Stjärne CEO SVT Sweden

Jeffrey Schlesinger President, Worldwide Television Distribution Warner Bros.

USA

Simon Sutton President & Chief Revenue Officer HBO USA

Neal Shapiro President & CEO WNET USA

Donald Taffner, Jr. President DLT Entertainment Ltd. USA

Bruce Tuchman Board Member (Parrot Analytics), Senior Advisor (iflix) Parrot Analytics & iflix USA Ryoichi Ueda President NHK Japan Luis Villanueva President & CEO SOMOS TV USA

Zafar Siddiqi Chairman SAMAA TV UAE

Catherine Tait President & CEO Canadian Broadcasting Corporation (CBC) Canada

Nobuya Wazaki Chairman WOWOW Inc Japan

Pierre Sissmann Chairman & CEO Cyber Group Studios France

Darren Throop President & CEO Entertainment One Canada

Gerhard Zeiler President Turner International United Kingdom

Mikhail Solodovnikov Managing Director RT America USA

INTERNATIONAL EMMY® 2018-2019

Neal Zuckerman Partner & Managing Director Boston Consulting Group USA

ALTERNATES Eleonara Andreatta RAI Fiction Director RAI Italy Jonathan Barzilay Chief Operating Officer PBS USA Wolf Bauer Co-CEO UFA Germany Michel Bissonnette Executive VP, French Services Canadian Broadcasting Corporation (CBC) Canada

Paul Zilk President & CEO Reed MIDEM France

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Kai Blasberg Managing Director TELE 5 GmbH Germany

Irene González Deputy News Director RT America USA

Ivan Morales General Counsel SOMOS TV USA

Wared Seger CEO & Co-Founder Parrot Analytics USA

Jonathan Blum President Cisneros Media USA

Jörg Graf Senior VP, Production & Program RTL Group Germany

Amos Neumann COO Armoza Formats Israel

Sophia Seungjoo Hong Head & Executive Director, International Relations Korean Broadcasting System (KBS) South Korea

Jim Brehm EVP, Global Operations & Administration Warner Bros. International Television Distribution USA

Suzanne Gutierrez VP, Business Development NATPE USA

Armando Nuñez, Sr. President Nun. TV USA

Tim Halkin COO / Partner Tandem Productions Germany

Hiroshi Oto Auditor BS Fuji Japan

Hajime Hashimoto Senior Managing Director WOWOW INC. Japan

Suphamat Pongput Media Coordinator Royal Thai Army USA

Peter Iacono CEO TravelCadabra USA

Diane Reynald Head, Acquisitions, Foreign Fictions Canal+ France

Kenji Kohno Bureau Chief NHK Broadcasting Corp. General Bureau for America USA

Gillian Rose Senior VP, US Sales & Acquisitions Sky Vision USA

Ozge Bulut Marasli Executive Vice President International & Corporate Strategy Dogan Holding Turkey Mehmet Cakir TRT U.S. Bureau Chief, COO TRT Corporation, TRT World USA / Turkey George Chien USA / Singapore David Cohen Director, Marketing & Operations Bungalow Media + Entertainment USA Jeff Cotugno Chief Operating Officer DLT Entertainment Ltd. USA Harold Crump HBI / Reelz Channel USA Jérôme Delhaye Director, Entertainment Division Reed MIDEM France Michael Feeney EVP, Corporate Communications A+E Networks USA Frank-Dieter Freiling SVP, International Affairs ZDF German Television Network Germany Richard Goldsmith President & CEO Cyber Group Studios USA USA

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Yann le Prado EVP, Library StudioCanal France Vivien Lewit Content Partnerships Director YouTube USA James Tao Lu Director, America News Center Phoenix News Americas USA John MacDonald VP, Head, Corus Women & Family Corus Entertainment Canada Diane Masciale General Manager WNET USA Thomas McGrath Chairman & Co-Owner Crossroads Media USA

John Rose Senior Partner & Managing Director The Boston Consulting Group USA Carolina Sabbag VP, Sales Dori Media Group Spain Marcos Santana President Telemundo Global Studios USA

Adam Sharp Interim President & CEO National Academy of Television Arts & Sciences USA Sarah Siddiqi Director SAMAA TV Pakistan Amauri Soares Programming Director TV Globo USA Jorge E. Vaillant President Perspectives21 USA Alan Wexler CEO Publicis.Sapient USA

MEMBERS Nancy Abraham Senior VP, Documentary Programming HBO USA Fredrik af Malmborg Managing Director Eccho Rights Sweden

Charo Santos-Concio Chief Content Officer ABS-CBN Corporation Philippines

Sheila Hall Aguirre SVP, Sales & Development, Latin America Fremantle USA

Jacqueline Scalisi VP & General Counsel RSL Management Corporation USA

Nashwa Al Ruwaini CEO & Board Member Pyramedia UAE

Heidi Scheeline Executive VP, Content Strategy & Operations Entertainment One USA

Mona Al Ruwaini Senior Producer Pyramedia Productions UAE

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Monica Albuquerque Artistic Resource Director Grupo Globo Brazil Mauro Alencar Consultant & Researcher Rede Globo Brazil Talal Al-Haj New York / UN Bureau Chief Al-Arabiya News Channel USA David Alpert CEO Skybound Entertainment USA Aws Al-Sharqi Director & Producer Yara Media UAE Irene Ang CEO & Founder FLY Entertainment Singapore

INTERNATIONAL EMMY® 2018-2019

Vyara Ankova Chief Information & Editorial Policy Officer Nova Broadcasting Group Bulgaria

Michael D. Armstrong EVP, Worldwide Television Licensing & Operations Paramont Television USA

Andres Badra Content Development Consultant to the Board of Directors Latina TV Peru

Faraz Ansari CEO Alliance Media FZ UAE

Jennifer Askin Vice President Askin & Company, Inc. USA

Luis Balaguer CEO & Founder Latin World Entertainment USA

Jorge Antonio Aragon Luna Owner / Producer No Dancing Today, S.A. DE C.V. Mexico

Nicolas Atlan President Gaumont Animation USA

Avi Balashnikov Chairman Jerusalem Capital Studios Israel

Leonardo Aranguibel Production Director, LatAm, US Hispanic, Europe, Middle East & Africa Disney Media Distribution USA

Agnes Augustin President Shaw Rocket Fund Canada

Walkiria Barbosa CEO Total Entertainment Brazil

Alexandre Avon Head, Distribution ComediHa! Distribution Canada

Erik Barmack VP, International Originals Netflix USA

Xavier Aristimuno VP, Licensing HBO Latin America USA

Diana Bartha Head, TV Sales & Development Wild Bunch TV France

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Radik Batyrshin Chairman of the Board MIR Interstate TV Company Russia

Rachna Bhasin Chief Business Officer Magic Leap USA

Kseniya Britikova Head, RT America’s Newsroom T&R Productions, LLC (RT America) USA

Arturo Casares CEO, Producer & Director LR Studios PR China

Steven Bawol Managing Director Helion Pictures France

Jean David Blanc CEO Molotov France

Elizaveta Brodskaya Head, News, RT International RT Global News Network Russia

Thierry Cassuto Founder, Executive Producer Both Worlds South Africa

Yuriy Belenkiy Founder & General Producer STUDIO GARMONIA Ltd Russia

Martin Blankemeyer Managing Director Munich Film Society Germany

Iris Bucher Producer / CEO Quad Television France

Kerem Çatay CEO Ay Yapim Turkey

Gregory P. Bellon President Bellon Entertainment USA

Ben Blushi General Manager Top Channel Albania

Fred Burcksen President & CEO ZDF Enterprises GmbH Germany

Wissam Chahine Head Producer, Head Creator & Director Orbit Radio & TV Network Lebanon

Oliver Berben Executive Board Constantin Film AG Germany

Allen Bohbot Chairman & CEO 41 Entertainment USA

Jean Bureau President Incendo Media Canada

Chanin Chamachote Managing Director Panorama Worldwide Thailand

Alex Berger Co-Founder, Managing Partner, Executive Producer TOP - The Oligarchs Productions France

Shadrack Bokaba Acting CEO National Film & Video Foundation South Africa

Daniel Burman CEO Oficina Burman Argentina

Donovan Chan Creative Director Beach House Pictures Singapore

Philip Borbely Managing Director MMC Germany

Daniela Asquini Busoli Brazil

Laurent Chemla Founder & CEO Reel Deel Group USA

Wolfgang Bergmann Managing Director, ARTE ZDF Kultur Kanal / ARTE Germany Mitchell Berman Managing Partner Berman Strategic Advisors USA Klaudia Bermudez-Key SVP & GM, Universal Networks International, LatAm NBCUniversal International USA Rodrigo Bernardo CEO Chocolate Filmes Brazil Piv Bernth CCO, Creative & Executive Producer Apple Tree Productions Denmark Giuliano Berretta President DBW Communication Italy Lynn Beveridge USA

INTERNATIONAL EMMY® 2018-2019

Jordi Bosch President Endemol Shine Iberia Spain Miguel Brailovsky SVP & General Manager A+E Networks Latin America Argentina Alex Breingan Executive Producer & Managing Director Stripe Media New Zealand Christine Brendle CEO Fun Union PR China Deirdre Brennan General Manager, Universal Kids NBCUniversal Media USA Tobias Bringholm CEO & Founder Storyfire Sweden

Nick Buzzell CEO NBTV Studios USA Joseph Calabrese Partner Latham & Watkins USA Gillian Carr Managing Director Moody Street Productions Australia Michael Carrington SVP, Children’s & Education, ABC-TV Australian Broadcasting Corporation Australia Anna Carugati Group Editorial Director World Screen USA Alberto Carullo Executive Director Big Bang Media Spain

Rungthip Chotnapalai News Anchor Thai Television Channel 3 Thailand Karen Cifarelli Founder Cifarelli Talent Consulting Germany Alain Clert Producer Son et Lumiere France Brian Cobb Executive Producer Cobbstar Productions Australia Bryan Cockerill Company Director & Executive Producer The Full Box Australia Alex Cohen President & CEO Synkronized / SKD USA

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Gavin Cole Director, Global Strategic Partnerships | Technology & Innovation Deluxe Entertainment Services Group Canada marcello Coltro Senior VP, Marketing, Digital & Creative NBCUniversal International Networks LatAm USA Vince Commisso President & CEO 9 Story Media Group Canada Patrick Connolly SVP, Programming AMC / SundanceTV Global USA Francisco Cordero CEO BTF Media USA David Cormican Executive VP, Business Development & Production Don Carmody Television Canada Guido Corso Direttore Rai Trieste Rai Italy Patrice Courtaban COO TV5 USA USA Beatrice Cox-riesenfelder Managing Director ORF-Enterprise GmbH & Co KG Austria anna Croneman Head, Drama SVT Sveriges Television Sweden enrique Cusco CEO Ole Communications USA alexander Dannenberg CEO Cinemakers Germany

InternatIonal emmy® 2018-2019

Daniel David CEO SOICO Mozambique Phil Davies Managing Director Astley Baker Davies / The Elf Factory United Kingdom

tom Devlin President, International Sales & Distribution Entertainment Studios USA

melissa escobar EVP, TV Development & Production Latin World Entertainment USA

Paul Drago Producer, HBO Originals HBO Latin America USA

Wolfgang Fandrich Chief Editor & Head, History & Current Affairs MDR Television Germany

Sam Davis CEO Rowboat Film- und Fernsehproduktion GmbH Germany

marc du Pontavice Chief Executive Officer Xilam France

ying Fang Vice President Croton Media Group PR China

maria angela De Jesus Director, International Originals Netflix Brazil

nancy Dubuc CEO Vice Media USA

Valeriy Fedorovich CEO TV3 Channel Russia

Bianca de la Garza CEO Garza Digital USA

Gai Dunlop CEO FESTCOM International Australia

Cong Feng General Manager Touch Video Live Broadcast Resource Corp PR China

Jose Del Valle-Iturriaga Camblor CEO, Telefonica Media LatAm Telefonica Peru

Samuel Duque Presidente Fox Telecolombia Colombia

Hans Demmel CEO n-tv Nachrichtenfernsehen Germany

roberta Durrant CEO Penguin Films South Africa

Jeroen Depraetere Head, Television & Future Media European Broadcasting Union / Eurovision Switzerland

Didier Duverger Vice Chairman - CEO Natixis Coficiné France

eugenio Derbez CEO 3Pas Studios USA James Deutch Founder & Executive Producer Vortex Media, LLC USA nicole Devilaine Director, France Télévisions USA France Télévisions USA Prasad Devineni CEO Arka Mediaworks India

Petr Dvořák Director General Czech TV Czech Republic reinhold elschot Head, Drama, Senior VP, Programming ZDF German Television Germany Simone emmelius Senior VP, Feature Films ZDF German Television Germany José escalante Managing Director Latin Media Corporation USA

Cynthia Fenneman President & CEO American Public TV USA Jay Ferguson President MiraMedia Canada Juan antonio Fernandez President STAR CONTENTS USA marta Fernandez SVP, Original Programming Starz USA Jorge Fernández President Atlantic Access Group USA laura Fernandez espeso Head, International Content MediaPro Spain adeline Ferro Partner Mambo Madness Productions, LLC USA

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Jay Firestone Founder Prodigy Pictures Canada

Jose Garcia de Letona Velasco COO Anima Estudios Mexico

Diego Guebel President BoxFish Argentina

Urs Fitze Head, Fiction Swiss Radio & Television (SRF) Switzerland

Alan Gasmer President Alan Gasmer & Friends / Veritas Entertainment Group USA

Ricardo Guise President & Publisher World Screen USA

Terry Fitzpatrick Head, Children’s Media & Education WGBH USA

Robert Gilby CEO & Founder Blue Hat Ventures Singapore

Alberto Gonzalo Fiure SVP & Chief Content Officer, Latin America & US Hispanic Fox Networks Group Latin America USA

Amit Goenka CEO, International Broadcast Business Asia Today LTD USA

Helena Forjaz Corporate Communications Director Group Media Capital Portugal

Gil Goldschein Chief Executive Officer Bunim / Murray Productions USA

Liselott Forsman Executive Drama Producer YLE Finland

Paula Gómez Vera Director & Executive Producer Mi Chica Producciones Chile

Deborah Forte Founder Silvertongue Films USA

Zaheer Goodman-Bhyat Director Light & Dark Films South Africa

Paulo Franco Head, Programming & Content Record TV Network Brazil

Andrea Gorfolova President, Kids, Family & Factual Sonar Entertainment USA

Clifford Friedman Managing Partner Raptor Group Holdings USA

Jörg Grabosch Founder & Co-Owner / Managing Director / Exec. Producer Brainpool TV Germany

Jan David Frouman Chairman & CEO Red Arrow Studios Germany Grégoire Furrer CEO Grégoire Furrer Productions Switzerland Christian Gabela VP & General Manager, Story House Univision USA

128

Klaus Graf Owner Graf Filmproduktion Austria David Gregg VP, International Publicity Bell-Phillip Television Productions USA Harold Gronenthal Executive VP AMC / Sundance Global USA

Caio Gullane Producer, Co-Founder Gullane Entretenimento Brazil Fabiano Gullane Producer, Co-Founder Gullane Entretenimento Brazil Kavita Gupta Founding Managing Partner ConsenSys Ventures USA Francoise Guyonnet Executive Managing Director, TV StudioCanal S.A. France Ralph Haiek Vice President INCAA Argentina Matti Halonen Managing Director, Producer Fisher King Production Finland Adnan Hamza Chairman & Owner ABC Marketing & Distribution FZ LLC UAE Mehdi Harbaoui CEO Med&Co France Lisa Harrison Director BAFTA New York USA Beata Hegedus VP, Global Content, Scripted ITV Studios Global Entertainment United Kingdom

Pola Hempowicz Channel Executive, Comedy Central Poland Viacom International Media Networks Poland Volker Herres Director, Programs ARD Germany Laurence Herszberg General Director Series Mania France Hannes Heyelmann SVP & Managing Director, Central & Eastern Europe Turner Broadcasting System Deutschland Germany Andy Heyward Chairman & CEO Genius Brands International USA Yoko Higuchi-Zitzmann Executive Producer Letterbox Filmproduktion GmbH Germany Yuet-Fung Ho President 380 Media Group Limited USA Richard Hofstetter Entertainment Lawyer Frankfurt Kurnit Klein & Selz USA Lisa Honig EVP, Television & Digital Sales, The Americas Fremantle USA Cynthia Hudson SVP & General Manager CNN en Español USA Espen Huseby CEO Nordic World Norway Peter Iacono CEO TravelCadabra USA

INTERNATIONAL EMMY® 2018-2019

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Maria Cecilia Imperial VP, Program Acquisitions & Distribution ABS-CBN Corporation Philippines Yegor Irodov Head, Sound Department Star Media Group Canada Duncan Irvine CEO Rapid Blue South Africa Kim Jackson President, Entertainment SingularDTV USA John Jacobsen Owner & Producer Filmkameratene Norway Silvia Jafet International Development Director Grupo Bandeirantes de Comunicação Brazil

INTERNATIONAL EMMY® 2018-2019

Christina Jennings Chairman & CEO Shaftesbury Films Inc. Canada

Tony Jordan Managing Director Red Planet Pictures United Kingdom

Jareuk Kaljareuk Chairman, Executive Committee Kantana Group Public Company Thailand

Linda Jensen Managing Director Silver Bullet Media LLC Hungary

Gil-Hoon Jung President FunnyFlux South Korea

Jarmo Kalliola Executive VP Alfa-TV Finland

Camila Jimenez Villa President & Chief Content Officer Fusion Media Group USA

Artur Kade Director Participate Poland

Zsuzsanna Kalomista Director MTVA - Media Service Support & Asset Management Fund Hungary

Shuli Jin Director General Manager J.A. Harvest Media Co. PR China

Michael Kagan Partner ICM Partners USA

Hermann Joha CEO action concept Films Germany

Terry Kalagian VP, Creative Gaumont Animation USA

J.J. Johnson Executive Producer Sinking Ship Entertainment Canada

Lydia Kali CEO #Edith Paris France

John Kastner President J.S. Kastner Productions Canada C.J. Kettler President King Features USA Jongmin Kim Director, International Relations MBC (Munhwa Broadcasting Corp.)

South Korea

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Ivana Kirkbride USA Erika Klopper Managing Director The Televisionaries South Africa Tom Koch Vice President PBS Distribution USA Ivar Kohn Head, Drama Norwegian Broascasting Corporation (NRK) Norway Masahide Koike Managing Director Cyber Agent Japan Steven Kram President Content Partners, LLC USA Ilya Krivitsky CEO, Member of the Board Red Square Group Russia Jan Kromschröder Founding Partner & Managing Director Bantry Bay Productions GmbH Germany John Laing CEO Rigel Entertainment USA Carmen Larios SVP, Programming & Production Fox Networks Group Latin America USA Fabienne Larouche President Aetios Productions Canada David Leach Commercial Director Tinopolis Group United Kingdom Zach LeBeau CEO SingularDTV USA

130

Sun-Young Lee Executive Producer CJ ENM South Korea

Michael Loeb CEO WDR mediagroup Germany

Kirill Legat Adviser to the President The National Association of Broadcasters of Russia Russia

Michael Lolato VP, Sales Solutions, Unscripted Series, Global Distribution & International NBCUniversal Media, LLC USA

Charles Lei President Thunder Communications International PR China

George Lominadze Head, Programming Rustavi 2 Broadcasting Company Rep. of Georgia

Eteri Levieva General Director Russian Academy of Television Russia

José Machado Partnerships & International Co-Productions Advisor APIT – Independent TV Producers Association Portugal

Xunyu (Benjamin) Li Head, R&D Department Shanghai Croton Culture Media Co. PR China Alexander Liegl Partner Noerr LLP Germany Lim Hui Ling Director, Artiste Management & Casting Fly Entertainment Singapore Leland Ling CEO / Chairman LIC PR China Klaus Lintschinger Head, TV Features ORF - Austrian Broadcasting Corporation Austria Dick Lippin Chairman, Chief Executive & Founder The Lippin Group USA Jocelyn Little Managing Director Beach House Pictures Pte Ltd Singapore Simon Lloyd CEO Our House Media Canada

Mamiko Maekawa Senior Executive Director / International Dept.

Fuji Television Network Japan Oliver Mahrdt SVP, Marketing SingularDTV USA Philippe Maigret President, Scripted ITV Studios America USA Sandra Maischberger Journalist / Presenter / Producer / Author Vincent TV Germany Iqbal Malhotra Chairman & Producer AIM Television India Marcos Mandarano Monteiro Product Manager Mobility & Media Broadcast British Telecom Global Services Brazil Daniel Mann Producer / Founder Gilles Mann Filmproduktion Germany

Alexander Marin EVP, International Distribution, LatAm & Canada Sony Pictures Television USA Roberto Marinho Neto Director, Sports Special Projects Grupo Globo Brazil Kate Marsh EVP, Western Europe, International Networks Sony Pictures Television United Kingdom Roberto Martha Executive Producer Scriptonita Films Brazil Heinrich Mayer-Moroni Managing Director Interspot Film Austria Rodrigo Mazon Director, Content Acquisition Netflix USA Louise McClelland CCO Okuhle Media South Africa Donald McDonald President & CEO Allarco Entertainment 2008 Inc Canada Diane McGrath Chief Strategy Officer, Global Falcon Media House USA Michael McKay President Active TV Singapore Grainne McNamara Head, Children’s King Bert Productions United Kingdom Balázs Medveczky Director Duna Media Service Provider Hungary

INTERNATIONAL EMMY® 2018-2019

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Riaz Mehta CEO Imagine Group Entertainment Singapore

Laura Minarro VP, International Business Atresmedia Studios Spain

Petra Maria Mueller CEO Film & Media Foundation NRW Germany

Angel Orengo Executive VP, Distribution Sony Pictures Television PR China

Christian Meinberger Senior VP, Programming & Production / Co-Founder Studio 71 / ProSiebenSat.1 Media SE Germany

Alexander Mitroshenkov President Junior TV Russia

Kazufumi Nagasawa CEO HJ Holdings LLC Japan

Natalie Osborne Chief Strategy Officer 9 Story Media Group Canada

Tom Mohler CEO Olympusat USA

Andres Naim CEO Naim Media Group USA

Jim Packer President, Worldwide TV & Digital Distribution Lionsgate USA

Phil Molefe Chairperson National Film & Video Foundation South Africa

Yoko Narahashi President United Performers’ Studio USA / Japan

John Momoh Chairman & CEO Channels Television Nigeria

Fidela Navarro CEO Dopamine Mexico

Olusola Momoh Vice-Chairman Channels Television Nigeria

Sheila Nevins USA

Tiago Mello Executive Producer / Partner Boutique Filmes Brazil Mostapha Mellouk CEO Casablanca Media Partners Morocco Frank Melloul CEO i24 News Israel Felix M. Mendez President & Founder ECONTENT TV, INC USA Javier Mendez Zori Head, Content Mediapro Spain Mauro Mendonça Filho Producer TV Globo Brazil Belinda Menendez President & Chief Revenue Officer, Global Distribution NBCUniversal United Kingdom Hervé Michel President TV France International France Luca Milano Director of RAI Ragazzi RAI Italy Barbara Miller Partner Fasken Martineau DuMoulin Canada

132

Jose Eduardo Moniz CEO JEM Media Consultancy, LDA Portugal Cecilia Morais Consumer PR Manager Netflix Brazil Benjamin Morgaine Founder & CEO JOKEBOX Productions France

Violetta Nichkova CEO & Founder PARADOCS MEDIA Russia Evgeniy Nikishov General Producer TV3 Channel Russia Mitsuru Oda VP & General Manager, Warner Bros. International Television Warner Entertainment Japan Japan

Diego Palacio Chief Creative Officer Storylab Argentina Argentina Sylvain Parent-Bedard Producer & CEO QuébéComm Canada Franz Patay Secretary General IMZ – International Music & Media Centre Austria Rodion Pavlyuchik CEO Prior Group Russia Catherine Payne CEO Endemol Shine International United Kingdom Benjamin Pyne USA

Benjamin Odell President 3Pas Studios USA

Mark Pedowitz President The CW Television Network USA

Miguel Oliva CMO Dopamine USA

Matthias Peipp CEO CineAtlantica Ent. Germany

Martin Moszkowicz Chairman of the Executive Board Constantin Film Germany

Bernadette O’Mahony Head, Development & Production Australian Children’s Television Foundation Australia

Luis F. Peraza Executive VP, Acquisitions & Original Production HBO Latin America USA

Javad Mottaghi Secretary General ABU Malaysia

David Ong Director AIA Singapore

Ricardo Pereira Director TV Globo Portugal TV Globo Portugal

Sheila Morris Founder, President & CEO Morris Marketing USA Michael Moser Founder / Director Michael Moser Media Netherlands

INTERNATIONAL EMMY® 2018-2019

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Kari Perez Senior Manager, Media Relations Netflix USA

Christophe Riandee Vice CEO Gaumont France

Emilio Rubio CEO HBO Latin America Group USA

Mariana Perez SVP, Development & Production Fox Networks Group Latin America Argentina

Gil Ribeiro Producer / Partner Coiote Brazil

Eduardo Ruiz President & General Manager A+E Networks Latin America USA

Stefan Piech CEO Your Family Entertainment Germany

Paul Riggio Executive Producer Fremantle Australia Australia

Rudolf Runge CEO Runge.TV Germany

Sebastien Pigeon Executive Producer, VP Legal Affairs Aetios Productions Inc. Canada

Roberto Rios Corporate VP, Original Production HBO Latin America Media Services, Inc. USA

Vlad Ryashyn President, Board of Directors Star Media Russia

Adina Pitt VP, Content Acquisitions & Co-Productions Cartoon Network & Boomerang USA Moritz Polter Executive Producer, International TV Series Bavaria Fiction Germany Ilya Popov General Producer RIKI Group Russia Linda Porto Media Content / Sales Strategist CLGR Communications Corp.

USA Benjamin Pyne USA Jawad Raja Chief Operating Officer & Director AVT Channels Pakistan Hanani Rapoport CEO Jerusalem Capital Studios Israel Rainer Retzlik Managing Director Beckoffice Germany Christina Rezk Resar Head, Comedy Norwegian Broadcasting Corporation (NRK) Norway

134

Michael Schelp Senior Director, Business Development Fujisankei Communications International USA Patricia Schlesinger Director-General Rundfunk Berlin Brandenburg (rbb) Germany Michael Schmidt Chief Creative Officer Red Arrow Entertainment USA Christoph Schneider Managing Director Amazon Prime Video Germany Germany

Denise Roberts CEO, Principal Director & Actress Screenwise Australia

Cesar Sabroso SVP, Marketing, Affiliates, PR & Corporate Communication A+E Networks Latin America USA

Charles Schreger President, Programming Sales HBO USA

Eric Rollman President & CEO Rollman Entertainment USA

Benjamin Salinas CEO TV Azteca SAB ce CV Mexico

Carlos Henrique Schroder CEO TV Globo Brazil

Lise Romanoff Managing Director Vision Films USA

André Sampaio Brand & Media Management Director Sonae FS Portugal

T.C. Schultz EVP & Managing Director, Networks; Latin America & Brazil Sony Pictures Television USA

Anette Rømer Head, Acquisitions & Formats TV2 Denmark Denmark

Didier Sapaut CEO DSA Conseil France

Antony Root EVP, Original Programming & Production HBO Europe United Kingdom

Ted Sarandos Chief Content Officer Netflix USA

Julian Rousso President Anima Argentina Sohan Roy Founder, Director, & Chairman Indywood UAE Bushra Rozza Founder & COO El Gouna Film Festival Egypt

Nelson Sato CEO Sato Company Brazil Yusuf Timur Savci President / Chairman Tims & B Productions Turkey Hannes Michael Schalle Owner Moonlake Entertainment GmbH & Co KG Austria Marcos Schechtman Brazil

Oliver Schündler Managing Director / Producer Lucky Bird Pictures Germany Douglas Schwalbe International Co-Production & North American Program Sales DreamWorks Animation Television USA Andrea Scrosati Executive VP, Programming Sky Italia Italy Udi Segal Founder & CEO SUMAYOKO Ltd. Israel Stephen Segaller VP, Programming WNET USA

INTERNATIONAL EMMY® 2018-2019

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Kyoko Sekine Senior Content Acquisition Manager HJ Holdings Inc-Hulu Japan Japan

Robert Sharenow EVP & General Manager A&E & Lifetime Networks USA

Michael Smeaton CEO FFP New Media Germany

Edgar Spielmann EVP & COO Fox Networks Group Latin America Chile

Markus Selin Producer Solar Films Inc. Finland

Elias Shibley President, International Distribution & Co-Productions IM Global Television Distribution USA

Tine Smedegaard Andersen Executive Director - DR Culture Danish Broadcasting Corporation Denmark

Frank Spotnitz Chief Executive Big Light Productions United Kingdom

Elana Sofko Chief Operating Officer Chicken Soup for the Soul Inc. USA

Jorge Stamadianos SVP, Development Fox Networks Group Argentina

Laert Soghoyan Executive Director Shant TV Armenia

Noelle Stevenson Film & Entertainment Commissioner Greater Fort Lauderdale / Broward Office of Film & Entertainment USA

Nicholas Selz Global Co-Head of YouTube Originals Performance Google / YouTube USA

Mikael Shields Chief Executive Officer Acamar Films United Kingdom

Robert Sender Senior VP, HBO International HBO USA

Jonathan Shiff Executive Producer Jonathan M. Shiff Productions Australia

Nil Shah CEO Verance USA

Nicola Shindler Executive Producer Red Production Company United Kingdom

Vanessa Shapiro President, Worldwide Distribution Gaumont USA

Alexander Shulgin Founder, CEO & Author Gruppa Kompany Familia Russia

INTERNATIONAL EMMY® 2018-2019

Miguel Somoza CEO Sabbatical Entertainment USA

Lyle Stewart Senior VP, CEEMA Sony Pictures Television Networks United Kingdom

Michael Souvignier Managing Director & Producer Zeitsprung Entertainment Germany

135

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Julie Sultan COO / President, Worldwide Sales & Acquisitions AMBI Distribution USA Xu Sun Producer Beijing Television Station PR China Fernando Szew CEO MarVista Entertainment USA Anders Tangen CEO / Producer Viafilm AS USA Larry Tanz VP, Content Acquisition Netflix USA Eileen Tasca Producer Task Films / Alien Films Italy João Daniel Tikhomiroff Founder / Partner / Artistic Director Joao Daniel Filmes (Mixer) Brazil Michel Tikhomiroff Partner / Film Director / Co-Artistic Director Mixer Filmes Brazil Sam Toles SVP, Digital & New Platforms MGM USA Allison Triegaardt Creative Director The Televisionaries South Africa Michel Trudeau President Aetios Productions Canada Volodymyr Trukhnin CEO & Owner Agency “Informburo” Ukraine

Alexander Tsekalo General Producer & Owner Sreda Production Russia

Gero von Boehm President Interscience Film / LUPA Film Germany

Andrew Winter CEO Special Treats Distribution United Kingdom

Dario Turovelzky SVP, Global Content Televisión Federal S.A. (Telefe) Argentina

Mohinder Walia VP, Communication, Media, Entertainment Tech Mahindra USA

Nathalie Wogue Associate Director, Programme Development (TV, Web) Ascendo France

Patrick Walton Producer ShootAway Productions South Africa

Matthijs Wouter Knol EFM Director European Film Market Berlin International Film Festival Germany

Sunita Uchil Chief Business Officer ZEE TV, Asia Today Limited UAE Tetsu Uemura President & CEO Tohokushinsha Film Corporation Japan Pim Van Collem CEO & President Dutch Features Global Entertainment Netherlands Henk van der Meulen Vice President IMZ – International Music & Media Centre Netherlands Yossi Vardi Chairman International Technologies Israel Rose Marie Vega President RMViStar USA Patrick Vien Executive Managing Director, International A+E Networks USA Flavia Vigio VP, PR & Communications HBO Latin America USA Marcel Vinay, Jr. CEO Comarex Mexico Roberto Vivo Chaneton Chairman & CEO Claxson Interactive Group Argentina Philip von Alvensleben President Alive Entertainment USA

136

Shu Wang Deputy Director of the Secretariat China TV Council USA / China Yuan (Phabey) Wang CEO Dreameast Pictures USA Anil Wanvari Director, Founder, CEO & Editor-in-Chief Indian Television Dot Com India Catherine Warren CEO Vancouver Economic Commission Canada Kayo Washio Head, Los Angeles Office WOWOW Inc. USA Ed Wells SVP, International Media & Education Sesame Workshop USA Cathrine Wiernik Director, Programs Bonnier Broadcasting Sweden Joel Williams Programming Manager The Walt Disney Company Australia Australia Courtney Williams Managing Director Blue Orange Europe United Kingdom

Yongliang (Leon) Xiao President & CEO CBI Media PR China Wenning Xing Managing Director, Hearst China Hearst Corporation PR China Cheng Xiong Chairman, President, Chief Producer Beijing CTV Splendid Film & TV Corp, Ltd. PR China Aram Yacoubian Director, Kids & Family International Originals Netflix USA Tomas Yankelevich Executive VP & Chief Content Officer, General Entertainment Turner Latin America USA Shobu Yarlagadda CEO Arka Mediaworks India Arthur Yezekyan President Shant TV Armenia Jay Yogeshwar Founder & CEO Viometric, LLC USA Ashraf Younis MBC Group UAE

INTERNATIONAL EMMY® 2018-2019

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Diana Yurinova VP, International Business Development & Distribution RIKI Group Russia Airin Zainul General Manager, NTV 7 & 8TV Media Prima Berhad Malaysia Dominic Zapata Director GMA Network Philippines Abby Zhang CEO Blue Sky Media Co. Ltd., of Zhejiang PR China Regina Ziegler Executive Producer Ziegler Film Germany Tanja Ziegler Producer Ziegler Film Germany Carmi Zlotnik Managing Director Starz Media USA

FELLOWS Bill Baker Journalist in Residence Fordham University USA Edward Bleier Warner Bros. (ret.)

USA Bruce Christensen Senior VP Bonneville Salt Lake Media Group USA Bert Cohen Consultant USA Sonny Fox President Sonny Fox Consultants USA Ralph Franklin USA

INTERNATIONAL EMMY® 2018-2019

Herbert Granath Chairman Emeritus ESPN USA Gene F. Jankowski Consultant USA Kay Koplovitz Founder, USA Network Koplovitz & Co. USA Sam Nilsson Sweden Bob O’Reilly Canada Felipe Rodriguez Advisor Cognitec Systems Corp.

USA Tom Rogers Chairman, TRget Media CEO & President, TiVO USA Jim Rosenfield JHR & Associates USA Dietrich Schwarzkopf Consultant Germany Dieter Stolte Axel Springer Company Germany Fred Cohen Chairman International Academy of Television Arts & Sciences USA Larry Gershman Chairman & CEO World International Network USA Helmut Thoma Chairman Freenet / Debitel Germany Rainer Siek President MT.NY USA

137

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J U ROR S ’ DIRECTORY

Jurors 2018 International Emmy Awards.

2018 FIRST ROUND JURORS Todd Abbott Director, Programs & Development Guesswork Television Australia Philipp Abresch Reporter ARD German Television Singapore Herval Rossano Abreu Director & Executive Producer Herval Abreu Producciones SPA Chile Mauricio Acosta CEO MAZDOC Colombia Ivan Agenjo Castaño Co-Founder & Executive Producer Peekaboo Animation Spain Vicente Albarracín Writer Univision United States Jerome Alby Managing Director Mediatoon France Manuel Alduy SVP, Sales & Development 20th Century Fox France Susan Alexander Production Executive, Drama Corus Entertainment Canada Rana Alhariri Screenwriter Freelancer United Arab Emirates Luke Alkin Executive Producer Big Talk Productions United Kingdom Jo Allen Producer, BBC Children’s Acquisitions & Independent Animation BBC United Kingdom Jonas Allen CEO & Producer Miso Film Denmark

INTERNATIONAL EMMY® 2018-2019

Andrea Veronica Alvarez Production/Development Director Plataforma Mexico

Marc Bary Producer/CEO IJswater Films The Netherlands

Johanna Bergenstråhle Head, Development Jarowskij Sweden

Nicole Amarteifio TV Producer An African City Ltd Ghana

Kazz Basma Managing Director Sideways Film United Kingdom

Aaron Berger Partner Chatrone, LLC United States

Jane Anderson Casting Director Jane Anderson Casting United Kingdom

Nadine Bates Creative Director/Producer Like a Photon Creative Australia

Mara Bergmann TV-journalist and news anchor n-tv Germany

Peter Andrikidis Producer/Director Zemmost Pty Ltd Australia

Sandra Batson Producer/Host CBC (Canadian Broadcasting Corporation) Canada

Mike Berry CEO Golden Tulip Satellite Television India

Dudi Appleton Writer/Director 87 Films United Kingdom

Jennifer Batty Chief Content Officer HOOQ Digital Singapore

Stephanie Betts SVP, Development & Current Series DHX Media Canada

Cairo Arafat Managing Director Bidaya United Arab Emirates

Simone Baumann Head, Documentaries Saxonia Entertainment Germany

Carlos Biern President Diboos Spain

Jorge Aragon Producer NoDancingToday Mexico

Steven Bawol Managing Director Helion Pictures France

Trevor Birney Director Fine Point Films United Kingdom

Carmen Avram Host/Producer Antena 3 Romania

Deema Bayyaa Actress Freelance United Arab Emirates

Henrik Biskjaer Head, Acquisitions & Development Nice Entertainment Group Denmark

Kenny Kihyung BAE Marketing Manager, Senior Producer KBS South Korea

Caroline Behar Head of Documentaries, France 5 & Head of Acquisitions & International Co-Productions, France Télévisions France Télévisions - France 5 France

Matthias Bittner Film Director Germany

Tom Baetens Senior Creative Panenka Belgium Peter Barabas Editor in Chief Euronews France Edmara Barbosa Scriptwriter TV Globo de Televisão Brazil Estee Bardanshvili Senior Producer Sesame Workshop United States Mohsen Barmahani Founder & CEO Ayat Media Turkey

Mathieu Bejot Executive Director TV France International France Yury Belenkiy Producer/Director/Writer GARMONIA, Ltd Russian Federation David Benaym Journalist/Correspondent i24 News USA Virginia Berberian Creative Development Director Very B international Argentina

Mary Black-Suarez EVP, Production & Development Somos Productions, Inc. United States Martin Blankemeyer Managing Director Muenchner Filmwerkstatt e.V. Germany Nicky Bligh Casting Director Nicky Bligh Casting United Kingdom Matt Bloom Director Hurricane Films United Kingdom Heather Blumenthal Director/Producer Spirit Sister Productions South Africa

139

EMMY_2018_JURORS_Layout 1 11/2/18 3:01 PM Page 2

Filip Bobinski Producer/CEO Dramedy Productions Czech Republic

Jacqueline Cantore Programming & Development Executive Globosat United States

Bryan Cockerill Executive Producer & Director The Full Box PTY LTD Australia

Nuala Cunningham Producer New Decade TV Ltd Ireland

Magdalena Borowska Commissioning Editor/Documentary Buyer Telewizja Polska S.A. Poland

Beth Carmona Diretora de Conteúdo Festival com Kids / Singular Mídia & Conteúdo Brazil

Zaihirat Banu Codelli CEO Oak 3 Films Pte Ltd Singapore

Thomas Darchinger Actor Germany

Michael Börstell Talent Agent Actors Agency of Sweden Sweden Gideon Boulting Director Red Earth Brazil Nathalie Boutrie Casting Director Casting Nathalie Boutrie Canada

Elizabeth Carmona Creative Director Atiempo Studio Chile Mariano Carranco Producer BTF Media LLC Mexico Ron Carroll Executive Producer Fact & Friction, Inc. Canada

Marlene Braga Principal Woman on the Verge Productions United States

Thierry Cassuto CEO Both Worlds South Africa

Oliver Brendel General Manager Lightkid TV Germany

Nick Catliff Managing Director Lion Television United Kingdom

Ari Brickman Actor Independent Mexico

Anthony Cauchy Manager, Originals TV5 Canada

Andrea Brown Writer Freelance Germany

Peter Ceustermans Producer FBO & Woestijnvis Belgium

Hedda Bruessing Head, Media Business NTR Netherlands

Wissam Chahine Head, Production Orbit Mediagates / Orbit TV Network Lebanon

Iris Bucher CEO/Producer Quad Télévision France Vincent Burke Chief Executive Top Shef Production New Zealand Rob Burnet CEO Well Told Story Kenya Stephen Burns Chief Content Officer CuriosityStream USA Adriana Bustos Head, Production TV Azteca International Mexico Sarah Camlett Talent Agent Independent Talent Group Ltd United Kingdom

140

Liliana Chavez Executive Producer Freelance United States

Jose Cohen Executive Producer/Producer Cactus Film and Video / ABC NEWS Mexico Alex Cohen President/CEO Synkronized Films United States Joshua Cole Commissioning Editor Sky United Kingdom Sam Collyns Executive Producer & Director Ronachan Films United Kingdom Paolo Conti CEO Animaking Studios Brazil Richard Cook Chief Creative Officer Tough Cookie United States Antoni Corone Actor United States Stephen Corvini Television Drama Development Executive & Producer Matchbox Pictures Australia Jeff Cotugno COO DLT Entertainment Ltd United States

Elly (Petronella) de Bont Reporter/Director KRO-NCRV Netherlands Kamiel De Bruyne Format Developer VRT Belgium Elwin de Groot SVP, Entertainment Optomen Entertainment United Kingdom Alexandra De La Mora Actress/Filmmaker United States Pilar De las Casas VP, Cinema & Documentary Channels AMC Networks International Southern Europe Spain Cininha De Paula Director TV Globo Brazil Jacques de Suze Managing Director TV Development Partners LLC United States Simone de Vries Documentary Filmmaker Stories!

Netherlands Florian Dedio Writer/Director OeA Films Germany

Melody Chen Actress/Host Singapore

Sarah Coursey Head, Sales & Co-Productions, Americas Zee TV United States

Julien Degroote Head, Non-Scripted Commissioning & Format Development TF1 France

Rajiv Chilaka Founder & CEO Green Gold Animation Private Limited India

Lindsay Cox Executive Producer Insight Productions Canada

Nicole Devilaine Director USA France Télévisions United States

Rungthip Chotnapalai News Anchor Thai TV Channel 3 Thailand

Hugo Coya Corporate Manager, Development & Special Projects Compañía Latinoamericana de Radiodifusion S.A. (Latina TV) Peru

Maria Dinulescu Actress Romania

Eduardo Cisneros Screenwriter Eduardo Cisneros Productions United States Rick Clodfelter Senior Director, Content Strategy & Acquisitions Universal Kids United States

Paul Crompton Executive Producer/Director Crompton TV Limited United Kingdom

Alice Dizon Manuel Managing Director Xentrix Toons, Inc. Philippines Paul Dolan Retired Executive Director, ABC NEWS International United States

INTERNATIONAL EMMY® 2018-2019

9

EMMY_2018_JURORS_Layout 1 11/2/18 11:17 AM Page 3

Kestutis Drazdauskas Producer ARTBOX Lithuania

Jay Ferguson CEO Mira Canada

Emanuela Galliussi Artist Falling Up Films United States

Kylie du Fresne Producer/Partner Goalpost Pictures Australia

Juan Antonio Fernandez President Star Contents United States

Sydney Gallonde CEO/Executive Producer Make It Happen Studio France

Gai Dunlop CEO Festcom International Pty.ltd.

Australia

Laura Fernández Espeso International Content Director MEDIAPRO Spain

Jose Garcia CEO My Friend Chile

Graham Dunster CEO Auckland Actors Limited New Zealand

Abby Finer Talent Manager/Producer Finer Entertainment Company United States

Rachel Gardner Executive Producer See-Saw Films Australia

Jon East Director/Producer United Kingdom

Rodrigo Flores Producer Efe3 Productions Chile

Tori Garrett Director Two Little Indians Films Australia

Brendan Foley Writer/Producer Proper Picture Company Ltd United Kingdom

Frank Gerdes Head, Cultural Department ServusTV Austria

Leonardo Franco Director General Centro Cultural Solar de Botafogo Brazil

Mihai Gidea CEO Antena 3 Romania Romania

Nina Franoszek Actress The Connectress - International Film & Acting Services United States

Barbara Giordani Casting Director Barbara Giordani Casting Italy

Jorge Edelstein Founder & Director Yellow Kingdom Argentina Yasser El Sahn CEO & Managing Director ILY Production & Distribution Egypt Josh Elbaum Managing Director Media Investment Group, LLC United States Abdellatif El-Menawy CEO Al-Masry Al-Youm United Kingdom Jose Escalante President Latin Media Corp United States Daniela Escobar Actress DanielaEscobarFilms United States Carla Estrada Executive Producer Televisa S.A. de C.V. Mexico Sophie Exbrayat TV Commissioner France 2 France Leonardo Fasoli Scriptwriter Italy

Prentiss Fraser EVP & MD, Content Distribution FOX Networks Group Content Distribution United Kingdom Maria French Head, Production Maverick Television United Kingdom Beth Frey Producer Matchbox Pictures Australia Alexis Fridman Diaz Producer Lemon Films Mexico Kristy Fuller Managing Director 1440 Productions Australia

Esther Feldman Screenwriter Argentina

Irakly Gachechiladze Head, RT.com RT Russia

Lynn Ferguson Story Coach/Writer/Performer YouTellYours United States

Ben Gale Managing Director/Executive Producer Little Gem United Kingdom

INTERNATIONAL EMMY® 2018-2019

Luis Gnecco Actor Chile Aashka Goradia Artist Aashka Goradia India Cecilia Gómez de la Torre General Manager Amazonas Films / Tondero Peru Brooks Gray Writer/Producer Independent Canada Julie Greene Executive Producer Hi-5 Australia Pty Ltd Australia Alan Greenspan Producer/Exective Producer/ Managing Director 6 Degree Media, Ltd. United Kingdom Jonas Grimås Writer/Director United Kingdom Gustavo Grossmann CVP, HBO Networks HBO Latin America United States

Faruk Guven Co-Production Manager Turkish Radio and Television Corporation (TRT) Turkey Nathalie Habib Executive Producer/General Manager Blink Studios United Arab Emirates Irene Hamberger Director, Programming The Walt Disney Company Japan Japan Gudrun Hanke-El Ghomri Arte Coordinator SWR/ARD (Public TV) Germany Jonas Kryger Hansen Commisioning Editor & Editor, Development, DR Ultra Danish Broadcasting Corporation Denmark Lucia Haslauer-Meister Commissioning Editor ZDF Germany Christine Hasper Senior Editor NDR - North German Public Broadcaster Germany John Hay Film Director Atticus Pictures Limited United Kingdom Thomas Heinesen Producer Nordisk Film Production Denmark Bernhard Hendling Director, Development ProSiebenSat.1 PULS 4 Austria Henning Heup Writer/Actor Germany Jacqueline Hlongwane Programme Manager, SABC2 The South African Broadcasting Corporation (SABC) South Africa Timothy Hobart Drama Development Executive Matchbox Pictures Australia Andrea Hock Director, Sales Autlook Filmsales GmbH Austria Patricia Houtart Producer Bel Air Media France

141

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Francis Humble Assistant Head, Acquisitions TV3-Televisio de Catalunya Spain

Lydia Kali CEO #Edith Paris France

Thean-jeen Lee Managing Director Weiyu Films Pte Ltd Singapore

Alejandro Lozano Director LEMON STUDIOS Mexico

Gudny Hummelvoll Producer Hummelfilm/Yellow Bird Norway

Audrey Kamga Sales Manager Arte France France

Mee Fung Lee Managing Director PIK film Malaysia

Sanoop Luke Lead, YouTube Family & Learning, ANZ YouTube Singapore

Jimmy Humphrey Head, Acquisitions & Co-Productions TCB Media Rights United Kingdom

Ingrid Kasper Television Producer United Nations / UNTV United States

Amanda Lenker Doyle Casting Director Doyle / Fiorilli Casting United States

Louise Lynch Managing Director Libra Television United Kingdom

Ilkka Hynninen Managing Director & Producer Aito Media LTD Finland

Jim Keeble Screenwriter 87 Films United Kingdom

Spruce Leong Assistant Lead, Commissioning (English) Mediacorp Pte Ltd Singapore

Sheena Macdonald Chief Operating Officer Canadian Film Centre Canada

Pauline Ick VP, Sales Dori Media Group Philippines

Matthew King Producer/Co-President LaRue Entertainment Canada

Joan Leong Assistant Lead, English Content Mediacorp Pte Ltd Singapore

Deborah (Debbie) Macdonald Children’s Media Consultant United Kingdom

Maria Cecilia Imperial VP, Head, Program Acquisition & International Sales ABS-CBN Corporation Philippines

Robert King Writer/Director Red Dog Pictures Canada

Marcelo Liberini Digital VP Caracol TV Colombia

Dunja Klemenc Producer Studio Maj Slovenia

Jodi Lieberman Manager/Producer JLC Entertainment Group United States

Nikolaus Klingohr Producer/CEO/Owner Interspot Film GmbH Austria

Denis Lillie CEO Cape Film Commission South Africa

Jobst Knigge Documentarian Knigge Werke Germany

Suat Yen Lim Chief Operating Officer Oak3 Films Pte Ltd Singapore

Sylvia Kocman Director, Business Development The Format People United States

Anne Littardi Managing Director, Sales & Acquisitions Beliane France

Keiichiro Kubota Independent Producer United States

Michael Lolato SVP, International Distribution GRB Entertainment United States

Claire Ingham Executive Producer Red Room Films United Kingdom Yegor Irodov Head, Sound Department Star Media Ukraine Patrick Irwin Executive Producer Eighty Seven Films Ltd United Kingdom Wim Janssen Content Manager VRT Belgium Dan Jawitz Managing Director/Producer Fireworx Media South Africa Gudrun Helga Jonasdottir Head, Programme Acquisitions RUV Iceland Dan Jones Director, Content Little Dot Studios United Kingdom Alethea Jones Director Leafy Greens United States Karen Juve VP, Programming & Acquisitions The Africa Channel United States Mamta Kaash Actress/Producer Scenario Films United Kingdom

142

Oriana Kujawska Head, Development TVN (Discovery) Poland Joan Lambur President Lambur Productions Canada Eric Laroche Head, Development Empreinte Digitale France David Leach Group Commercial Director Tinopolis Group United Kingdom Pedro Felix Leda Chairman Ledafilms S.A. Argentina

George Lominadze Head, Programming Broadcasting Company “Rustavi2 “ Georgia Ana Maria Londono Screenwriter Primetime Colombia Jesús Arley López Commissioning Editor Señal Colombia - RTVC Colombia Nina Lopez-Corrado Television Director (TV Director) Broken Toy Works United States Marc Lorber Formats, Acquisitions, & Co-Productions Lionsgate TV United Kingdom

Alejandro Maci Director/Screenwriter Argentina Stewart Mackinnon CEO Headline Pictures United Kingdom Matt MacLennan Writer Scriptfarm Canada Alan Maher MD/Producer Marcie Films Limited Ireland João Maia Abreu Sales Acquisitions/Journalist TVI Portugal Alejandro Malowicki Director de Cine Argentina Alexis Marant Director CAPA France Aude Marcle Writer France Omri Marcus Creative Director omarcus.tv Israel Mercedes Marro Director Tomavision SL Spain Raimon Masllorens Director Brutal Media Spain Owen Matthews Creative Producer Endemol Shine Australia Australia

INTERNATIONAL EMMY® 2018-2019

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Lourenco Ortigao Actor TVI Portugal

Sarah McCormack SVP, Acquisitions, Europe & UK Beyond Distribution United Kingdom

Clive Morris CEO Clive Morris Productions South Africa

Joy Nduto Film & TV Producer, Production Manager & Consultant Attitude Media and Entertainment Ltd. Kenya

Ailish McElmeel Producer/Executive Producer Deadpan Pictures Ireland

Rosie Motene Pan African Media Proprietor, Talent Manager & Author Waka Talent Agency South Africa

Patrick Nebout Creative & Executive Producer DRAMACORP - a Beta Film company Sweden

Mouna Mounayer Founder/Content Architect TRIARC Lebanon

Mamadou Niang Managing Director NextMedia.tv United States

Kathleen Meek Manager|Original Content, Drama & Factual Corus Entertainment Canada

Thembi Mtshali -Jones Actress/Producer Spirit Sister Productions South Africa

Aurelian Nica Executive Producer CULTURALL / BUZZ CEE Romania

Manuel Meimberg Writer/Director Meimberg Factory Germany

Saba Mubarak CEO/Founder Pan East Media Jordan

Violetta Nichkova Director General Paradocs Media Russia

Carlos Mesber Co-Founder/Owner/Executive & Creative Producer High Hill Entertainment United States

Njoki Muhoho Executive Producer Zebra Productions Kenya Ltd Kenya

Vladimir Nikolaev Executive Producer Wizart Animation Studio Russia

Sandrine Pechels de Saint Sardos Director, Disruption & Platforme Distribution TFO Canada

Sean Michael Actor United States

Wangeci Murage Media Consultant Media Pros Africa Kenya

Leora Nir CEO Dori TLV Israel

Valerie Pechels de Saint Sardos Producer CEO Wildcats Productions France

Nina Mikola Head, Acquisitions Nova TV d.d.

Croatia

Gerardo Murguía Actor Televisa Mexico

Akira Nishimura Producer Fuji Television Network, Inc. Japan

Sofie Peeters Producer Shelter / Toreador Belgium

Diane Min Director CJ ENM South Korea

Nick Murphy Screenwriter Key 23 United States

Olav Njaastad Comissioning Editir NRK Norway

Petja Peltomaa Head, Development and Screenwriting Yellow Film & TV Finland

Rohana Mohd Lead, Channel NewsAsia Operations Mediacorp Pte Ltd Singapore

Fusako Nagashima Sales Manager Nippon TV Japan

Luke Nola Producer Luke Nola & Friends New Zealand

Mauro Wilson Pereira TV Writer TV Globo Brazil

Leif Mohlin Producer Mint ab Sweden

Rola Najem Creative Writer Google United States

Elisabeth Nord Executive Producer/Director Fjords AS Norway

Vladimir Perez VP, Development, Content & Executive Producer Cisneros Media United States

Donna Molloy Producer LA Productions Ltd United Kingdom

Mario Nájera Production Director MN Producciones Integrales Costa Rica

Maria Nordenberg Producer Sveriges Television Sweden

Alan Moloney Producer Parallel Films United Kingdom

Takashi Nakamoto Secretary to the Chairman Fuji Television Network, Inc. Japan

Oscar Olivares Actor HBO Mexico

Ignacio Perez Cabana Writer Spain

Verena Monssen Producer UFA Fiction GmbH Germany

Raita Nakashima General Management Associate, Programming Division WOWOW, Inc. Japan

John O’Loan CEO iO Media Group Ltd United Kingdom

Laura Perlmutter Producer First Love Films, Inc. Canada

Eunice Olsen Executive Producer Eunice Olsen Media Singapore

Claude Perron Actress France

Jessica McLaughlin Director, Interactive Digital Media TVO Canada

Carlos Moreno Director Colombia Reiner Moritz Managing Director Poorhouse International Great Britain

144

Vatiswa Ndara Actress Leads Artists South Africa

Steven O’Meagher Founder/Executive Producer Desert Road New Zealand

Tope Oshin Director/Producer Sunbow Productions Ltd. Nigeria Luca Paiva-Mello Founder/Partner Scriptonita Films Brazil Caroline Palmstierna Founder/Producer Shoot for the Moon AB Sweden Alejandra Palomera CEO Palomera Group United States

Marco Perez Film Editor/Partner Union editorial United States

Tanya Phegan Development Producer Easy Tiger Australia

INTERNATIONAL EMMY® 2018-2019

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Jamie Piekarz Executive Producer/Creator JampIe Media Canada

Thorsten Ritsch Commissioning Editor ZDF German Television Germany

Esther Sánchez Executive Producer Haciendo Historia Productions Spain

Kyoko Sekine Senior Manager, Content Acquisition HJ Holdings, Inc. Japan

Nathalie Pinguet Deputy General Manager, Sales & Acquisitions Superights France

Najat Rizk CEO/Co-Founder TRIARC and Firehorse Lebanon

Sophie Sandoval Head, Distribution BluePrint Mexico

Yvonne Sellins Director, Production King Bert Productions Ltd United Kingdom

Denise Roberts CEO Screenwise Pty Ltd Australia

Didier Sapaut CEO DSA Conseil France

Nicholas Selz Global Co-Head, YouTube Originals Performance YouTube United States

Leonardo Trinidad Rojas CCO Rocket Cartoons Costa Rica

Hilal Saral Director Ay Yapım Turkey

Chris Roland Filmmaker ZenHQ Films South Africa

Samia Sassi Actress Agent agitateurs France

Qays Sheikh Najib Actor Lebanon

Anette Romer Head, Acquisitions & Formats TV 2 Denmark Denmark

Nelson Sato CEO Sato Company - SC Comunicacoes Ltda.

Brazil

Ingolfur Sigfusson Senior Correspondent RUV The Icelandic National Broadcasting Service Iceland

Dean Ronalds Writer/Director Falling Up Films United States

Sameer Saxena Chief Content Officer The Viral Fever India

Sharon Roobol Executive Producer Al Jazeera English Malaysia

Rocio Julia Scenna Producer Cisne Films Argentina

John Roque Writer GMA Network Inc Philippines

Michael Schelp Senior Director, Business Affairs Fujisankei Communications International, Inc. United States

Mark Piper Director/Producer Byron Bay Film and Television School Australia Christian Poccard VP, Acquisitions & Programming Eurochannel United States Sara Polese Commissioning Editor Rai Fiction Italy Linda Porto Director CLGR Communications USA Arabelle Pouliot-Di Crescenzo Managing Director KABO International France Marco Valerio Pugini Producer Panorama Films S.r.l.

Italy Moustafa Radwan Producer Al Jazeera Documentary Channel Qatar Mohit Rajhans Co-Founder Think Start Inc Canada Christian Rank Head, Drama DR Denmark Alessia Ratzenberger CEO ADR Distribution Italy Eilon Ratzkovsky Producer Quiddity Ltd. Israel Alexander W. Rauscher-Nachwalger Correspondent ORF United States Ricardo Ravanelli News Manager Artear Argentina Julia Redwood Joint Managing Director Prospero Productions Australia

146

Chris Rose Director, Development & Production Beano Studios United Kingdom Hans Rossine Founder Rossiné Consult Norway Ieva Rozentale Head, Culture Latvian Television Latvia Paul Ruven CEO/Producer Talent United Netherlands Alejandro Sacasa Head, Content Acquisitions Albavision United States Linda Saffire Producer/Director Got The Shot Films, Inc. United States Blanche Salant General & Artistic Director & Teacher, Atelier Blanche Salant and Paul Weaver Association des Essais Théâtraux France

Kaare Schmidt Acquisitions Executive DR Danish Broadcasting Corp Denmark Émile Schneider Actor Agence François Legault Canada Marc Schötteldreier Casting Director Marc Schötteldreier CAsting Germany Ulrike Schröder Acquisition Manager Global Screen GmbH Germany Jannik Schuemann Actor Agency DIE AGENTEN Germany Rene Seegers Producer Lowland Holding BV Netherlands Steven Seidenberg Head, International Department LIC-BCBC (China) United Kingdom

Sang-wan Seok Producer TUBAn Co.,Ltd South Korea

Christoph Silber Writer/Producer Silber Screen LLC United States Marco Luciano Simionato Productor Ejecutivo Canal de la Ciudad Argentina Ron Simon Curator Paley Center for Media United States Julie-Albertine Simonney Screenwriter France Brett Sleigh Executive Producer, Comedy Australian Broadcasting Corporation (ABC) Australia Sarah Smith Executive Producer Cornerstone Pictures Australia Maria Jessica Soho Newscaster/Host GMA Network Inc Philippines Akanksha Sood Singh Producer & Director The Gaia People India Hugo Sousa Director TV Globo Brazil Cristiana Sousa Cruz Head, GloboNews Programs TV Globo Brazil

INTERNATIONAL EMMY® 2018-2019

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Julie Stall SVP, Production Portfolio Entertainment, Inc. Canada

Anders Tvegard Journalist, Former US Correspondent Norwegian Broadcasting NRK Norway

Martin Dingle Wall Actor/Producer Alchemy Film Productions United States

Dominic Zapata Director GMA Network Philippines Philippines

Otto Steiner CEO Constantin Entertainment GmbH Germany

Jennifer Ulrich Actress Germany

Yuan (Phabey) Wang General Manager Dreameast Pictures United States

Javier Zilberman Executive Producer Cronica TV Argentina

Sharron Ward Director Katalyst Productions Ltd United Kingdom

Leonardo Zimbron Producer Traziende Films Mexico

Kayo Washio Head, Los Angeles Office WOWOW, Inc. United States

Kresimir Zubcic Editor/Buyer HRT / Croatian TV Croatia

Christoph Weber Executive Producer Taglicht Media Filmproduktion GmbH Germany

Gugu Zuma-Ncube Executive Producer /Company Director Stained Glass Facilities South Africa

Aimee White Principal Ellis-Webb Management Group United States

2018 SEMI-FINAL ROUND JURORS

Marketa Stinglova Head, International Co-Productions Czech Television Czech Republic David Studer Director, Journalistic Standards & Practices CBC (Canadian Broadcasting Corporation) Canada Simon Sykes Television Editor Keo Films United Kingdom Assaad Taha Documentary Filmmaker Hot Spot Films Bosnia and Herzegovina Lek Hwa Tan Deputy Chief Editor, Current Affairs (Specials) Mediacorp Singapore Robbie Thorpe Producer Rififi Pictures South Africa Michel Tikhomiroff Film Director Mixer Films Brazil Claire Tonkin Head, Drama Development CJZ Australia Antoine Torres Head of YouTube Family & Learning Content Partnerships, Latin America Google Argentina

Jorge Vaillant Director Perspectives 21 United States Harold Valentin Producer Mother Production France Eddy Vicken Film Director Vicken Productions France Rui Vilhena Screenwriter Globo Portugal Margarida Vitoria Pereira Director, Acquisitions TVI Portugal

Dewi Wyn Williams Scriptwriter United Kingdom

Mira Vocinkic Editor, Buyer, Acquistions Department HRT - Croatian Radiotelevison Croatia

Alix Wiseman VP, Business Development & Acquisitions 9 Story Media Group Ireland

Thomas Vogt Editor CBS United States

Nathalie Wogue Partner Ascendo TV France

Bernhard von Hülsen General Manager 3B-Produktion GmbH Germany

Kaja Wolffers Producer NL Film & TV Netherlands

Paul Voorthuysen Producer PV Pictures Netherlands

Bruno Wollheim Director Coluga Pictures United Kingdom

Karishma Vyas Independent Journalist United States

Thomas Xenakis Editor CBS News United States

Georg Tschurtschenthaler Senior Producer gebrueder beetz filmproduktion Germany

Monica Wahi Director Southasian Children’s Cinema Forum India

Valerie Tubiana Producer Big Nose France

Goh Wakabayashi Producer Aniplex, Inc. Japan

Milagros Tuccio Jefe de Contenidos de Ficcion Latina TV Peru

Robert Walden President Dextrous Productions United States

Dario Turovelzky SVP, Global Contents Telefe Argentina

Mohinder Walia VP, Communications, Media, Entertainment Tech Mahindra Americas United States

INTERNATIONAL EMMY® 2018-2019

Wenning Xing Managing Director Hearst China Aram Yacoubian Kids & Family Content, International Originals Netflix United States Ceylan Yildirim CEO Soulpark Pictures Germany Michael Yudin President MY Entertainment United States

Chiyo Abe Manager Fuji Television Network Inc. Japan Barbara Adams Especimasta em Aquisicao de Contenido Telecine Brazil Patricia Adane Kids Programming Manager France Televisions France Dima Al Jundi Actress Syria Fadel Al Mheiri Filmmaker Tent Pictures Productions United Arab Emirates Abir Al Sayed Filmmaker Syria/Canada Mariam Al Serkal Head, Hajid Channel Hajid Channel United Arab Emirates Mederic Albouy Head, Series & Drama Co-Productions FranceTV France Monica Albuquerque Head, Artistic Development TV Globo Brazil Mauro Alencar Consultant & Researcher, TV Drama University of Sao Paulo Brazil Peter Allenbacher Commissioning Editor ZDF / Arte Germany

147

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Walkiria Barbosa Executive Director/CEO TotalEntertainment.com.br Brazil

Andre Beraud Head, Scripted Programs & Feature Films Societe Radio Canade Canada

Maria Alejandra Borreroo Saa Actress RCN-Casae Colombia

Kepa Amuchastegui Actor/Director/Writer, Theatre & TV Colombia

Andrés Barragán López Entertainment Formats Director Sony Pictures/Teleset Colombia

Rolf Bergmann Commissioning Editor rbb - Rundfunk Berlin Brandenburg Germany

Daniela Bortignoni Professor Accademia Nazionale d’Arte Drammatica “Silvio d’Amico” Italy

Anders Toft Anderson Producer Apple Tree Productions Denmark

Bruno Barreto Director BB Productions Brazil

Piv Bernth CEO Apple Tree Productions Denmark

Yasuko Arai Director, Programming Production Sony Pictures Entertainment Japan Japan

Oceana Basilio Actress Glam Portugal

Christopher Berry COO Active TV Singapore

Claudia Patricia Arcila Ospino Director & Producer Independent Colombia

Andrea Basílio Head, Children & Youth Department RTP Portugal

Nathalie Biancolli Director, Fiction & Acquisitions France Television France

Ines Arland TV Host/Journalist Arland Media / Phoenix Germany

Berthold Baule Director/Editor/DOP baulefilm Germany

David Biesinger Head, Department, Media Information/Head, Programming Info rbb - Rundfunk Berlin-Brandenburg Germany

Jana Brandt Head, Department TV Movie/Series MDR - Mitteldeutscher Rundfunk Germany

Brenda Asnicar Mendoza Actress Colombia

Tobi Baumann MD/Producer/Director Brainpool TV GmbH Germany

Margarita Black VP, Programming Azteca USA

Marc Brasse Commissioning Editor NDR - Norddeutscher Rundfunk Germany

Gabriel Blanco Actors Manager Gabriel Blanco Representaciones Artisticas Colombia

Thomas Brinx Writer Hartmann & Stauffacher GmbH Verlag Germany

Marcus Ammon SVP, Film & Entertainment Sky Deutschland Fernsehen GmbH & CoKG Germany

Nicolas Auboyneau Head, Culture, France 2 France Televisions France Barbara Auer Actress Agentur Studlar Germany Alexandre Avon Head, Distribution ComediHa! Canada Robert Bachem Head, Program Area, ZDFinfo, Society & Life ZDF - Zweites Deutsches Fernsehen Germany Peter Bakonyi Independent Media Expert Hungary Gustavo Baldoni Director Executivo Entretenimento Consipricao Filmes Brazil Jorge Balleste Head, Content Acquisitions Univision Communications, Inc. USA Christiane Balthasar Director Agency Heppeler Germany Xiao Qun Bao Editor-in-Chief Dragon TV Center of Radio and Television Shanghai People’s Republic of China

148

Wendy Baxter SVP, Development & Current Programming Sony Pictures Television International USA Carsten Behrendt Journalist ZDF - Zweites Deutsches Fernsehen Germany Libia Marcela Bejumea Actress Armonika Colombia

Tom Bleyaert Buyer, Documentaries & Factual VRT - Vlaamse Radio en Televisie Belgium Jonathan Blum President Cisneros Media USA

Paula Belchior Manager, Original Production|Creative Producer HBO Latin America Brazil

Antje Boehmert Producer/CEO DOCDAYS Productions GmbH Germany

Marek Beles Producer - Director SRF Switzerland

Katarzyna Bojarska Head, Acquisitions TV Puls Poland

Jose Eduardo Belmonte Director TV Globo Brazil

Hugo Bonemer Actor Brazil

Fatiha Bensalem Senior Manager Ie-Junior-Etisalat Etisalat France Christina Bentlage Head, Funding Film und Medienstiftung NRW Germany

Leonie Bongartz Writer Hartmann & Stauffacher GmbH Verlag Germany Julien Borde Head, Channels, Turner France/Africa Turner France

Laura Bortolozzi Content & Scouting Buyer RAI - Radiotelevisione Italizana Italy Felipe Boshell President/CEO Canal 1 Colombia Gemma Brandler Head, Development & Strategy BBC Studios United Kingdom

Margarita Broich Actress Agency Die Agenten GmbH Germany Jamie Brown CEO/Executive Producer Frantic Films Canada Astrid Bscher Creative Director/CEO Filmfritz GmbH Germany Ernst Buchrucker Managing Director Unitel GmbH & Co.KG Germany Ozge Bulut Marasli Executive VP, International & Corporate Strategy Doğan Şirketler Grubu Holding A.Ş.

Turkey Hercli Bundi Director/Producer MIRA FILM Switzerland Daniela Busoli CEO Formata Producoes Brazil

Bettina Börgerding Writer Agency Etz & Wels Germany

INTERNATIONAL EMMY® 2018-2019

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Ricardo Cabornero Head, Content Acquisition Amazon Spain

Wei Chen Senior VP iQIYI People’s Republic of China

Olga Dager Programming Director NBCUniversal USA

Nicole Devilaine Director, USA France Televisions USA

Ramón Campos Sáez Producer Bambú Producciones Spain

Chun Xia Chen Vice President Lafeng Entertainment Co., Inc People’s Republic of China

Ying Dai Web Drama Development Center, VP iQIYI People’s Republic of China

Loredana Di Domenico Senior Programming & Content Acquisitions Director Discovery Italy Italy

Juan Felipe Cano Director Sony Colombia

Hyuna Cho Deputy Director, Entertainment Dept.

Korean Broadcasting System (KBS) South Korea

Sam Davis CEO Rowboat Film Germany

Peter Carlton Joint CEO Warp Films United Kingdom

Sean Chu Founder & CEO WEKIDS Asia People’s Republic of China

Silvio De Abreu Head, Drama ESTUDIOS GLOBO Brazil

Gill Carr Managing Director Moody Street Productions Australia

Copey Clemence Creative Director, Documentary Unit France 3 France

Daphne de Beauffort EVP, Acquisition, Charge of Youth Programs & Diversification TF1 France

Hei Ding Director Ding Hei Studio People’s Republic of China

Thierry Cassuto CEO Both Worlds South Africa

Nadine Angel Cloete Independent Filmmaker Ma’engere Film Productions South Africa

Tiphaine De Raguenel Executive Director France Televisions France

Craig Dobbs Head, Programming & Acquisitions Fox Networks Group Singapore

Carolina Castro Head, Development/Screenwriter Migdal Filmes Brazil

Thomas Coan Senior VP, Scripted Programs NBCUniversal United Kingdom

Libbie Doherty Head, Children’s Content ABC Australia

Donovan Chan Creative Director Beach House Pictures Singapore

Ted Cohen Writer/Producer 194 Norfolk St. Prods.

USA

Sebastian Debertin Head, Fiction, Acquisition & Co-Production KIKA ARD & ZDF Germany

Vikram Channa VP, Production & Partnerships Discovery Asia Singapore

Marcello Coltro SVP, Creative Marketing Digital NBCUniversal USA

Casey Chant VP, Asian Content Acquisition & Strategy PCCW Media Hong Kong, China

Ma. Rosario Concio Chief Content Officer ABS-CBN Corporation The Philippines

Stephanie Chaut Filmmaker Independant Switzerland

Stu Connolly Creative Director Sticky Pictures Australia

Xiao Chen VP iQIYI People’s Republic of China

Ignacio Corrales General Manager Atresmedia Studios Spain

Chen Chen Producer/Chief Hostess Dragon TV Center of Radio and Television Shanghai People’s Republic of China

Fernando Luis Correia Actor Portugal

Di Chen VP Shanghai Canxing Culture & Media Co., Ltd. People’s Republic of China Ge Zhou Chen General Manager Hexin Media People’s Republic of China

150

Maria João Costa Author/Screenwriter TVI / Plural Portugal Simon Cox Head, Acquisitions Endemol Shine United Kingdom Sean Crouch Producer White Eagle Productions Inc USA

Sergio Del Prete VP, Editorial & Content Viacom Italy Italy Bruna Demaison Content Coordinator Multishow/Globosat Brazil Neshe Demir Actress & Producer MMC Studios Germany Hans Demmel CEO N-TV Germany Martin Demmerer Line Producer Interspot Film Austria Ulrich Deppendorf TV Host/Journalist Kieferkommunikation GmbH Germany Jeroen Depraetere Head, Television EBU / Eurovision Switzerland Mario Deschamps Development & Production Executive, Scripted Programs Development Radio-Canada Canada

Frank Dietz Head, Acquisitions & Co-Productions Super RTL/RTL Disney Germany Bradley Dillon ACS Director, Photography Most Wanted Pictures Singapore

Vasco Domingos Content Director, S+ Channel MediaPro Portugal Portugal Sara Duarte Prata Actress Lagence Portugal Sabrina Duguet EVP, Asia Pacific all3media International Singapore Gai Dunlop CEO Festcom International Pty. Ltd. Australia Carlos Duplat Director, Screenwriter, Actor Independent Colombia Constanza Duque Actress Colombia Balázs Eckhardt Producer Vilag-Film Kft Hungary Leo Edde Producer Urca Filmes Brazil Karin Egle Head, Content One WDR Germany

INTERNATIONAL EMMY® 2018-2019

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Till Endemann Writer/Director ABOVE THE LINE AGENCY Germany

Anibal Leonardo Fernandez Productor General/Director Canal Uno Colombia

Friedemann Fromm Director Lux-Talents Germany

Griffin Gmelich SVP, Business Development & Distribution Comedy Dynamics - Nacelle Company USA

Arild Erikstad Executive Producer/Editor NRK/Norwegian Broadcast Corp.

Norway

Teresa Fernández-Valdés Calderón Producer Bambú Producciones Spain

Leona Frommelt Commissioning Editor WDR Germany

Richard Goldsmith President & CEO Cyber Group Studios USA USA

Carla Esmeralda CEO/Curator Esmeralda Producoes/Rio2C Brazil

Veronica Ferres Actress Agency Scenario Germany

Helge Fuhst Managing Director/ Programmgeschaftsfuhrer Phoenix Germany

Jule Gölsdorf TV Host/Journalist n-tv Germany

Renato Fagundes Creative Director A Fabrica Brazil

Carola Ferstl TV Host/Journalist Bluechild Communication Germany

Antonio Fagundes Actor Brazil

Ditte Feuk Executive Producer SVT Sweden

Ying Fang VP, Huace Group Croton Media, GM, Gcoo & Drama Core Huace Group Croton Media People’s Republic of China

Christoph Fey Managing Director Entertainment Master Class Germany

Kim Fatheuer Producer Rowboat Film Germany

Denise Figueiredo Content Coordinator Multishow - Globosat Brazil

Jose Fernández-Velasco CEO izen / Zebra Productions Spain

Sophie Venga Fitz Commissioning Editor ZDF - Zweites Deutsches Fernsehen Germany

Valeriy Fedorovich CEO TV 3 Channel Russia

Emma Fitzsimons Commercial Director Princess Pictures Australia

Nina Fehrmann-Trautz Editor, Film & Series ORF Austria

A. Gonzalo Fiure EVP, Entertainment Fox Networks Group USA

Wolfgang Feindt Head, International Co-Production ZDF Germany

Grant Sean Flynn Head, Creative Development Okuhle Media South Africa

Verena Fels TV Host/Journalist n-tv Germany

Helena Forjaz Communications Director Media Capital Portugal

Jun Feng Founder & CEO Captain Cultural Media People’s Republic of China

Fernando Fraiha Filmmaker Bionica Filmes Brazil

Dorthe Ferber Head, ZDF Office, Northrhine-Westphalia ZDF Germany

Milan Fridrich Director, Programme Czech Television Czech Republic

Claiton Fernandes CSO California Filmes Brazil

Eric Friedler Executive Producer/Head, Special Projects Department NDR - Norddeutscher Rundfunk Germany

Vladimir Fernandes CEO California Filmes Brazil

Christian Friedrichs Executive Producer Letterbox Filmproduktion Germany

INTERNATIONAL EMMY® 2018-2019

Christian Gabela VP & General Manager, Story House Entertainment Univision USA Gabriele Gaertner-Schluess Program Acquisition WDR Cologne Westdeutscher Rundfunk Germany Fernando Gaitán Salom Screenwriter & Producer RCN TV Colombia

Gustavo Gontijo Content Development Manager Estudio Globo Brazil Russell Goodall Producer/Interpreter Japan Paulo Gorgulho Actor Brazil Natalija Gorscak Deputy Director RTV Slovenia Slovenia

Helene Ganichaud Deputy Head, Specialist Factual Arte France France

Arwa Gouda Actress Egypt

Xuan Gao Writer People’s Republic of China

Sara Gouveia Director Lionfish Productions South Africa

Laura Garcia Actress Fox Telecolombia, Freelance Colombia Pablo Garro Director General Cine Alta Producciones Colombia Claudia Gerlach-Benz Commissioning Editor SWR Sudwestrundfunk Germany Carlos Gerstenhauer Editor BR Bayerischer Rundfunk Germany Habib Ghuloom Actor & Director Ministry of Culture United Arab Emirates Carl Gierstorfer Journalist/Filmmaker Carl Gierstorfer Germany Cellin Gluck Director Protean Image Group USA

Jörg Grabosch CEO/Managing Partner Brainpool TV GmbH Germany Nico Grein Commissioning Editor RTL Germany Natalia Grimberg Artistic Director TV Globo Brazil Lauren Groenewald Producer/Mentor Plexus Films South Africa Olaf Grunert Deputy Lead ZDF/ARTE ZDF Germany Xiao Dong Gu CEO Magic Stone Cultural Development (Beijing) Co., Ltd People’s Republic of China Caio Gullane Produter - Socio Fundador Gullane Entretenimento S/A Brazil

151

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Yuldor Gutiérrez Producer/Director Colombian Entertainment Films Colombia

Pola Hempowicz Comedy Central Channel Executive Viacom International Media Networks Poland

José Maria Irisarri Núñez Presidente ONZA Spain

Nathalie Habib Executive Producer/General Manager Blink Studios United Arab Emirates

Marlis Heppeler Agent Agency Heppeler Germany

Makiko Iwata Producer TV Tokyo Japan

Erik Haffner Director Germany

Vera Herbert Writer/Producer Port Owen, Inc. USA

Rie Izumi Producer WOWOW Inc. Japan

Anja Hagemeier Commissioning Editor/ Head, Department, Kids & Family rbb - Rundfunk Berlin-Brandenburg Germany

Lars Hermann COO/Executive Producer Apple Tree Productions Denmark

Hannes Jaenicke Actor Germany

Vicky Hernández Salcedo Actress Colombia

Christian Jeltsch Writer Agency Funke & Stertz Germany

Alexander Hesse Managing Director Gruppe 5 Germany

Vadim Jenreyko Producer & Director Mira Film GmbH Switzerland

Jeff Chih Chieh Han Senior VP, Tencent Penguin Pictures Tencent Penguin Pictures People’s Republic of China

Patricia Hidalgo Chief Content Officer, Turner EMEA & International Turner - WarnerMedia United Kingdom

Katharina Jeschke Secretary General IMZ Austria

Lila Hannou Head, Children’s Programming M6 France

Sofia Higuera SVP & General Manager Fox Networks Group Colombia Colombia

Wolfgang Hantke Executive Producer Ziegler Film Germany

Leopold Hoesch Managing Director Broadview TV GmbH Germany

Daniel Harrich Producer/Director/Writer diwafilm GmbH Germany

Martin Hofmann CEO ProSaar Medienproduktion Germany

Thomas Hastings Director, Drama, Original Programming Bell Media Inc. Canada

Simone Höller Producer/Head, Department Story Development FFP New Media GmbH Germany

Irene Hamberger Director, Programming The Walt Disney Company Japan Japan Niki Hamilton Executive Producer, Children’s Television Seven Network Australia

Manfred Haus-Pflüger Managing Director Bavaria Fiction Germany Bea Hegedus VP, Global Content, Scripted ITV Studios Global Entertainment United Kingdom Veit Heiduschka Prof. Dr. Manager Wega-Film Austria Claire Heinrich Head, Acquisitions, Youth Programs France Televisions France Bernd Hellthaler Managing Director EuroArts International GmbH Germany

152

Hai Bo Huang Actor FWS People’s Republic of China Henrietta Hurford-Jones Director, Children’s Content BBC Studios United Kingdom Lilla Hurst Managing Director Drive United Kingdom Daniel Hyman VP, Entertainment Finance & Development Singular DTV USA Michael Idov Writer, Director USA/Russia

Lars Jessen Director Agency Heppeler Germany Xufeng Jing Writer People’s Republic of China Julia Jordão Director Brazil Rick Kalowski Head, Comedy ABC Australia Yusuke Kamata Producer/Director Generation Eleven Pictures Inc. Japan Ole Kampovski Head, Department, Children & Youth NDR - Norddeutscher Rundfunk Germany Bruce Kane Executive Producer Bogan Entertainment Solutions Australia Oksana Karas Director/Screenwriter Russia Yusuke Kato Director Fuji Television Japan Saimon Kawagishi Producer JCTV Japan

Daisuke Kawakami Senior Director, Corporate Planning Department Fuji Satellite Broadcasting Inc. Japan Nicole Keeb Head, International Co-Productions/ Acquisitions ZDF Germany Erika Kennair VP, Comedy Development ABC Network USA Michael Kessler Actor Weihrauch Künstlerbedarf Germany Vladimir Khotinenko Director Russia Telidja Klaï Content Manager Ketnet - VRT Belgium Ekaterina Klimova Actress Russia Alexandra Kling Director, Programming & On Air The History Channel Germany Yasuko Kobayashi Senior Producer NHK Japan Kenji Kohno Bureau Chief NHK General Bureau for America USA Yuril Kolokolnikov Actor Russia Sandra Köppe Casting Director Network Movie Film Produktion Germany Julia Koschitz Actress Germany Donald Kraemer Commissioning Editor, Movie NDR Norddeutscher Rundfunk Germany Sebastian Krekeler Director, ZDFE.drama ZDF Enterprises GmbH Germany Matthias Kremin Head, Science & Culture TV WDR Germany

INTERNATIONAL EMMY® 2018-2019

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Saskia Krijnen Programs Consultant RTS - Radio Télévision Suisse Switzerland Grazyna Krupa Executive in Charge, Programming, Arts CBC Television Canada Elmar Kruse Managing Director C Major Entertainment GmbH Germany Keiichiro Kubota Producer Independent USA Kaku Kuo Head, Japanese Channel VideoLand Inc. Taiwan, China Alexander Kushaev Producer “Russia” TV Channel Russia

Song Leng Secretary General Research Center for World Media, Chinese Academy of Social Sciences People’s Republic of China Beat Lenherr Producer Panimage GmbH Switzerland Denis Leroy Head, Scripted Formats Banijay Studios International Holding France Karoline Leth Producer & Executive Producer Apple Tree Productions Denmark Guy Levy Head, Productions HOT Israel Jeffrey Lim Creative, International Originals Netflix Singapore

Sung-Chang Kwon Drama Director MBC South Korea

Sarah Linton Kudos United Kingdom

Magdalena La Rotta VP Product Fox Telecolombia Colombia

Klaus Lintschinger Head, TV Features ORF - Österreichischer Rundfunk Germany

Yann Labasque Head, Kids Programs TF1 France

Jocelyn Little Managing Director Beach House Pictures Singapore

Tamás Lajos Producer Film Positive Productions Ltd Hungary

Ya Se Liu Actress Blue Agency People’s Republic of China

Johane Landry Director, Original Programs & Brand Manager - VRAR Bell Media Canada

Federico Llano Head, International Co-Productions RTVE/TVE Spain

Dorthe Riis Lauridsen Producer Apple Tree Productions Denmark Derren Lawford Creative Director Woodcut Media

Mara Lobao Partner & Executive Producer Panoramica Brazil Paula Lobo Antunes Actress Portugal

Calvito Leal Director Brazil

Arne Lohmann Vice President ZDF Enterprises Germany

Kai-Cheong Lee Controller Television Broadcasts Limited (TVB) Hong Kong, China

João Pedro Lopes CEO SP Televisao Portugal

Dong Yun Lee Drama Director MBC South Korea

Pedro Lopes Author SP Televisao Portugal

INTERNATIONAL EMMY® 2018-2019

Klych López Director Colombia Adriana López Subgerente TV RTVC Colombia Fernando López Puig Head, Cinema & Fiction Radio Television Española Spain Xin Luo Director, R&D Department Hunan Satellite TV, Hunan Broadcasting System People’s Republic of China Adriano Luz Director Artistico SP Televisão Portugal Consuelo Luzardo Actress Colombian Academy of Cinematographic Arts and Sciences Colombia Xiaonon Ma GM, TV Series Unit Youku, Alibaba Digital Media & Entertainment Group People’s Republic of China Hong Ma Director, BTV Satellite TV Program Center & Inspector-General, BTV Beijing TV Station People’s Republic of China Su Ma Actress Beijing Piao Liang Fei Fan Culture & Media Co. People’s Republic of China Liani Maasdorp Senior Lecturer, Film & TV Studies University of Cape Town South Africa

Anton Malyshev Executive Director Cinema Foundation of Russia (Russia Film Fund) Russia Peter Maniura Head, Digital Development, BBC Music BBC United Kingdom Andreas Mannsberger Producer/Director Mabon Film Austria Nico Maounis Head, Special News Events The Associated Press USA Corinne Marrinan Writer-Producer USA Sonia Martinez Editorial Director Atresmedia Studios Spain Kaoru Matsuzaki Producer Fuji Television Network, Inc. Japan Miikka Maunula Executive Producer Finnish Broadcasting Company YLE Finland Alexandra Maxeiner Writer Verlag der Autoren GmbH Germany Michael McKay President Active TV Singapore Anikó Medvegy Head, Channel, Youth/Music MTVA Hungary

Brenda Maffuchi Head, Acquisitions & Property Development De Agostini Editore Italy

Gerrit Meier CEO Red Bull Media House Austria

Mayssa Maghrebi Actress Studios City Office 36 Morocco

Roger Melcher Writer upgedreht TV GmbH Germany

Oliver Mahrdt Producer Singular DTV Switzerland

Marcius Melhem Author Globo Brazil

Sandra Maischberger TV Host/Journalist/CEO VINCENT TV GmbH Germany

Dany Meloul VP, Programming, French-Language TV Bell Media Canada

Anna Eszter Major Producer Ragrogi Evezred Television Production Company Hungary

Marta Melro Actress Hit Portugal

153

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Ulrich Meyer TV Host/Journalist Meta Media Germany

Luciano Moura Director Humboldt Filmes Brazil

Siobhan Ni Bhradaigh Editor, Young People’s Programmes TG4 Ireland

Rafael Ouellet Director Aetios Canada

Maria João Mira Scriptwriter TVI | Plural Portugal

Catarina Moura Casting Director STTP Portugal

Lukas Nippert Acquisitions Executive Viacom United Kingdom

Pedro Antonio Paes Screenwriter/Director Multishow - Delirio Productions Brazil

Mario Mitrotti President Adal Alianza de Directores America Latina Colombia

Saba Mubarak CEO-Founder Pan East Media Jordan

Junichiro Nishiwaki Producer NHK Japan

Juliana Paes Actress TV Globo Brazil

Brigitta Mühlenbeck Head, Children & Family TV Westdeutscher Rundfunk Germany

Sayuri Niwa News Reporter, Editor Tokyo Broadcasting System Television, Inc Japan

Yonatan Paran CEO Dorimedia Darset Israel

Rieko Miyamoto Drama Director Fuji Television Japan Wotan Wilke Möhring Actor Germany

Mary-Ellen Mullane Senior Commissioning Editor NITV Australia

Jose Eduardo Moniz Journalist/Consultant JEM-JEM Media Consultancy Lda Portugal

Sarah Muller VP, Children & Youth Programming Sony Pictures Entertainment United Kingdom

Juan Pablo Montejo Solutions Manager Discovery Colombia

Elke Müller Commissioning Editor ZDF Germany

Ricardo Montreuil Film Director De Montreuil Films USA

Marc Müller-Kaldenberg Producer Ziegler Film Baden-Baden Germany

Aida Morales Alvarez Independent Colombia

Miguel Angel Munoz Blanco Actor Spain

Margie Moreno International Creative Executive YouTube Originals USA

Yoko Narahashi President United Performers’ Studio Japan

Flavia Morete Content Director Floresta Brazil

Francesco Nardella Deputy Director, Fiction RAI Italy

Patricia Moretzsohn Ripper Nogueira Author - Screenwriter TV Globo Brazil

Axel Navas CEO Television Boutique Colombia

Denis Morlière Managing Director Telmondis France

Selina Nederhand VP, Sales & Distribution Sony Pictures Television USA

Denis Moschitto Actor Germany

Beatrix Németh Programme Buyer & Programming Editor MTVA Film Department Hungary

Izette Mostert Producer/Director/Editor Purple Pear Productions South Africa Tomas Motl Executive Director, CT ART Czech Television Czech Republic

154

Zoltan Nevelos Head, Acquisitions MTVA Hungary Jo Lien Ng Editor Singapore

Stella Noh General Manager SK Broadband South Korea Luiz Fernando Noronha Producer/Writer A Fabrica Brazil Daniela Ocampo Author Globo Brazil Mitsuru Oda SVP Warner Bros. Japan LLC Japan Shinya Ohta Chief Producer WOWOW Inc. Japan Daniel Oliveira Entertainment Manager SIC Portugal Markus Olpp Creative Producer Ziegler Film GmbH+Co.KG Germany Bernadette O’Mahony Head, Development & Production Australian Children’s Television Foundation Australia Yukiko Oshio Senior Producer NHK (Japan Broadcasting Corporation) Japan Sergio Osorio Director Colombia Vilma Otazo Director, Creative Services & On Air, Latin America AMC Networks International USA

Ashutosh Parekh Director, Programming (South Asia) Turner International India Pvt Ltd India Sylvain Parent-Bédard President & Founder ComediHa! Canada Coralie Pastor Head, 360 Youth Department RTBF Belgium Franz Patay CEO VBWI Austria Luis Peraza President, Networks HBO Latin America USA Jorge Peregrino Partner Arpoador Audiovisual Ltd Brazil Ana Pereira Actress Glam Portugal Ricardo Pereira Director Globo Portugal Portugal Rita Pereira Actress TVI Channel Portugal Maria Eugenia Perez SVP, Development & Production, LatAm Fox Networks Group Argentina Marina Person Director Mira Filmes Brazil Cecilia Persson VP Acquisitions, Content Strategy & Programming Turner Broadcasting United Kingdom

INTERNATIONAL EMMY® 2018-2019

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Ruth Pfletschinger Director IMZ - Int. Music + Media Center Austria

Alessia Ratzenberger CEO ADR Distribution Italy

Anna Pflüger Director/Writer/Producer Spezifilm Germany

Teresa Razzauti Casting Director Casting the Bridge Teresa Razzauti Casting United Kingdom

Stacia Philips Deshishku Deputy Bureau Chief ABC News USA

Franziska Reck Film Producer Reck Fimprod.

Switzerland

Sébastien Pigeon Executive Producer Aetios Canada

Katrin Renz Producer Tellfilm GmbH Switzerland

Ana Pineres Producer/President CMO Producciones, Asoande Colombia

Macarena Rey CEO Shine Iberia Spain

Fabrizia Pinto Director Fabrica de Ante Ecmema Brazil

Veronique Reymond Director Switzerland

Suzana Pires Screenwriter/Actress Globo Brazil Astrid Plenk Director, Progamming KiKa - Der Kinderkanal von ARD und ZDF Germany Theresa Plummer-Andrews TV Consultant Plum Trees TV LTP United Kingdom Michael Pokorný Producer Mia Film Germany Andrea Portante Head, Marketing & Scheduling, RAI Gold RAI Italy Lucie Quenneville Senior Manager, Youth Content Acquisitions/Content Monitoring Radio-Canada Canada Isabel Quintero Director, Programming Acquisitions A+E Networks LATAM USA Shamala Rajendran Senior Editor, Content Commissioning Mediacorp / Channel NewsAsia Singapore Pit Rampelt Commissioning Editor ZDF - Zweites Deutsches Fernsehen Germany

INTERNATIONAL EMMY® 2018-2019

Alex Reznik Founder/Producer/Entertainment Principal East 2 West USA Roberto Rios Corporate VP, Original Production HBO Latin America USA Gonçalo Rocha Diniz Actor Portugal Nico Roden Director, Sales & Production MMC Studios Germany Peter Rosberg Head, Publishing DR TV Denmark Orion Kenneth Ross VP, Content, Animation, Digital & Acquisitions The Walt Disney Company EMEA United Kingdom Ieva Rozentale Head, Culture Latvian Television Latvia Bettina Rust Journalist/Host RBB Germany Suzanne Ryan CEO & Executive Producer SLR Productions Australia Cesar Sabrosa SVP, Marketing A+E Networks LatAm USA

Miguel Salvat VP, Commissioning Editor, Original Programming HBO Spain Spain

Jessie Y.W. Shih Director, International Department/Documentary Platform Public Television Service (PTS) Taiwan, China

Maria Sanchez SVP, International TV Distribution, Latin America NBCUniversal International USA

Nabil Shomali Kids Programs/Show Director Jordan

Felipe Santana Foreign Correspondent TV Globo New York USA Mar Saura Actress Spain Boris Schönfelder CEO/Producer Neue Schönhauser Filmproduktion Germany Constantin Schreiber TV Host/Journalist ARD Aktuell Germany Dirk Schürhoff Managing Director Beta Film Germany Christian Schwochow Director Karin Kleibel PR Germany Shameela Seedat Producer/Director Undercurrent Film and Television CC South Africa Cornelia Seitler Producer Maximage Switzerland Kyoko Sekine Senior Manager, Content Acquisition HJ Holdings, Inc. Japan Fernanda Serrano Actress Plural - TVI Portugal Vanessa Shapiro President, Worldwide TV Distribution & Co-Production Gaumont USA Jie Shen Writer People’s Republic of China Tao Shen Host/Actor Blue Agency People’s Republic of China

Claudia Simionescu Commissioning Editor BR Bayerischer Rundfunk Germany Pierre Sissmann President Cyber Group Studios France Karin Slater Producer/Director In De Light South Africa Yuliya Snigir Actress Russia Tina Soliman Journalist/Producer/Director/Author NDR Norddeutscher Rundfunk Germany Dian Song Vice President, Hunan TV HNTV People’s Republic of China Géraldine Soto Head, Acquisitions, Kids’ Department Canal+ France Colin South Producer Media World Pictures Australia Michael Souvignier CEO/Producer Zeitsprung Pictures Germany Margrit Staerk Director, Acquisitions & Co-Productions ZDF Enterprises Germany Avril Stark Producer A Stark Production Australia Volker Steinhoff Head, Editorial Panorama NDR Norddeustcher Rundfunk Germany Gail Stevens Casting Director Gail Stevens Casting United Kingdom Ilya Stewart Producer Hype Film Russia

155

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Pia Strietmann Director Agentur Heppeler Germany

Ludwig Trepte Actor Senkbeil PR Germany

Margarida Vitoria Pereira Director, Acquisitions TVI Portugal

Solveig Willkommen Editor ProSiebenSat.1 TV Deutschland GmbH Germany

Michael Stumpf Head, Children & Youth Department ZDF - Zweites Deutsches Fernsehen Germany

Jorge Alí Triana Director Dramax Colombia

Oliver Vogel Chief Creative Officer Bavaria Fiction GmbH Germany

Wolfgang Winkler Producer Pammerfilm GmbH Austria

Hans Syz Producer & DoP Turnus Film AG Switzerland

François Trochet Administrative Manager/Acquisitions Manager/Talents Spotter Metropole Television France

Erika Vogt Lowell Director, Programming and Acquisitions HITN USA

Nikolaus Wisiak General Manager pre tv Gesellschaft f. Film- u. Video Prod. mbH Austria

Arash T. Riahi Director & Producer Golden Girls Filmproduktion Austria Dmitry Tabarchuk Producer Art Pictures Studio Russia Said Taghmaoui Actor Morocco/France/USA Claudia Tajes Screenwriter Brazil Anders Tangen Producer ViaFilm USA Osamu Taniguchi Producer Totsu Planning Japan Beate Thalberg Commissioning Editor/Director ORF Austria Stefan Thies Producer NFP media rights GmbH & Co KG Germany Charlotte Toledano-Detaille Format Acquisitions & Content Development Director Lagardere Studios France Bobby Tonelli Actor/Host Singapore Elisabeth Totzauer Channel Manager, ORF eins ORF Austria Peter Traugott President, Keshet Studios Keshet International USA Martin Traxl Head, Cultural Department ORF Austrian Broadcasting Corporation Austria

156

Harold Trompetero Director/Producer Trompetero Producciones Colombia Michel Trudeau Producer Aetios Productions Canada Mirjam Unger Director ORF & Independent Austria Günther van Endert Commissioning Editor, TV Movie ZDF Zweites Deutsches Fernsehen Germany Daniel Van Hoogstraten CEO & Producer Syndrome Films Brazil Wilna Isabel van Schalkwyk MD & Executive Producer Okuhle Productions South Africa Irina Varlamova Chief, Content Management CTC Media Russia Patricia Vasapollo Head of Department, TV Family Program Hessischer Rundfunk Germany Éva Vass Channel Director MTVA Hungary Francesco Vedovati Casting Director Italy Benjamin Vicuña Luco Actor/Vis a Vis Chile Luis Vidal Executive Producer Hungry Man Brazil Rui Vilhena Screenwriter Globo Portugal

Sylvia Elizabeth Vollenhoven Director VIA - Vision In Africa South Africa Alicia von Rittberg Actress Germany Sandra von Ruffin Actress Germany Karishma Vyas Journalist Independent USA Anne Walser Producer C-Films AG Switzerland Patrick Walton Producer ShootAway Productions South Africa Tian Tian Wang President Zhejiang Yige Culture Communication Co.Ltd People’s Republic of China Gang Wang VP & Chief Content Officer Vision Media Co., Ltd. People’s Republic of China Qiao Wang Vice President New Classics Media Corporation People’s Republic of China Daniel Waser Managing Director Zurich Film Fund Switzerland Sabine Weber Editor ORF Austria Peter Widlok Spokesperson Landesanstalt für Medien Germany Daniel Wiedemann Bureau Chief TV Globo New York USA

Derek Wong VP, Production Sony Pictures Television Networks, Asia Singapore Hugo Xavier Director SP Televisão Portugal Lan Xiong CEO C-TV Splendid Media Group People’s Republic of China Jinglei Xu Director/Actress Beijing Kaila Picture People’s Republic of China Wen Guang Xu Deputy Controller CCTV People’s Republic of China Lei Xu Chairman NP Entertainment People’s Republic of China Bassem Yakhour Actor Syria Yang Yang Chairman & General Manager Zhejiang Film & TV (Group) Co., Ltd. People’s Republic of China Xiaofeng Yao Director Beijing Film Academy People’s Republic of China Takao Yaoi Senior Manager, Reseach Lab Nippon Television Japan Kai Yi Deputy Secretary General China Television Arts Committee of SARFT People’s Republic of China Ismihan Yilmaz Deputy Head, TRT Kids Turkish Radio & TV Corp. / TRT Turkey Arisu Yoshiike Program Director TV-Asahi Japan

INTERNATIONAL EMMY® 2018-2019

9

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Ashraf Younis Channel Manager, MBC3 & MBC Action MBC Group United Arab Emirates

Anna Zielinska Programming Manager, Kids Channels Iti Neovision Poland

Andres Badra CEO ABBA Media Consultancy Peru

CheeK VP, Content Development, North Asia The Walt Disney Company China People’s Republic of China

Amr Youssef Actor Egypt

Cooky Ziesche Head, Film rbb - Rundfunk Berlin Brandenburg Germany

Luis Balaguer Founder & CEO Latin World Entertainment USA

Claude Chelli General Manager Capa Drama France

Martina Zöllner Head, Department Documentary/ Fiction rbb Rundfunk Berlin-Brandenburg Germany

Alex Balassa Producer Blindspot / Balassa Films Mexico

Tina Cleary Casting Director 1965 New Zealand

Roxanne Irene Barcelona Vice President GMA Worldwide, Inc. Philippines

Francisco E. Cordero Founder & CEO BTF Media United States

Loick Berrou Deputy Director, Reports & Magazines France 24 France

Guido Corso Regional Head, Rai FVG Rai Radiotelevisione Italiana Italy

Jose Mari Abacan First VP, Program Management Department GMA Network, Inc. Philippines

Jonathan Blum President Cisneros Media USA

Pablo Cruz Director/Associate Canana USA

Ebba Adielsson Head, Program SVT Sweden

Miguel Brailovsky SVP, Programming & Production A+E Networks Latin America Argentina

Marlon Davids Managing Director etv South Africa

Fredrik af Malmborg Managing Director Eccho Rights Sweden

Daniel Burman CEO OFICINA BURMAN Argentina

Silvio De Abreu Head, Drama ESTUDIOS GLOBO Brazil

Tian Mu Zhang Associate Director, New Media Business Development Beijing Culture Media People’s Republic of China

Alexander Akopov President COSMOS STUDIO Russia

Jason Burrows CEO Jungle Entertainment Australia

Carlos de Elia News Director ARTEAR SA Argentina

Bin Biao Zheng Founder Hai Xi Chuan Mei People’s Republic of China

Nashwa Al Ruwaini CEO & Board Member Pyramedia Group United Arab Emirates

Luis Calle VP Operations, News & Sports Caracol Television S.A. Colombia

Erik De Winter MD, The Story Lab Dentsu Aegis Netherlands

Wei Zheng VP, Youku Business Division Alibaba Media & Entertainment Business Group People’s Republic of China

Eleonora Andreatta Head, Drama Rai Italy

Georges Campana President Breakout Films France

Paul Drago Director, Original Production & Operations HBO Latin America USA

Irene Ang CEO FLY Entertainment Pte Ltd Singapore

Catherine Cano President & General Manager Cable Public Affairs Channel (CPAC) Canada

Alessandro Angulo Producer/Director Laberinto Producciones Colombia

Jim Carroll Director, News & Current Affairs SBS Australia

Leonardo Aranguibel Director, Production Disney Media Distribution USA

Karina Castellano Contents Director INCAA (National Film Board in Argentina) Argentina

Jan Eelen Writer/Director yepper yepper bvba Belgium

Peter Chalupa Head, Acquisitions Markiza-Slovakia Slovakia

Susan Ennis Founder Ennis Media Strategists United States

Zheng Yu Founder Dongyanghuanyu Film & Television Culture Co., Ltd. People’s Republic of China Azza Zarour TV Host Palestine Michele Zatta Commissioning Editor RAI Radiotelevisione Itaciana Italy Yongxin Zhang Director Shandong Film & TV Production Co. LTD People’s Republic of China Bi Zhen Zhang CEO Blue Sky Media People’s Republic of China Shao Gang Zhang Host/Senior TV Professional/Professor Hai Xi Chuan Mei People’s Republic of China

Wei Long Zheng Chairman Blue Sky Media People’s Republic of China Dong Mei Zhou Deputy General Director Zhejiang Satellite TV People’s Republic of China Wei Cheng Zhou Chairman & General Manager Zhejiang Shengxi Huashi Culture Media Co., Ltd People’s Republic of China Mischa Zickler Writer Austria Regina Ziegler Executive Producer Ziegler-Film Germany

INTERNATIONAL EMMY® 2018-2019

Dennenesch Zoudé Actress D.C.R. Germany 2018 FINAL ROUND JURORS

Michal Aviram Screenwriter Independent Israel Tony Ayres Executive Producer Tony Ayres Productions Australia

Samuel Duque President Fox Telecolombia / Estudios Telemexico Mexico Roberta Durrant Creative Producer/Show Runner Penguin Films South Africa

Vikram Channa VP, Production & Partnerships Discovery Asia Singapore

157

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Gjermund Eriksen Showrunner/Writer/Executive Producer Sancho Panza Norway Cynthia A. Fenneman President & CEO American Public Television USA Jay Firestone President/Founder Prodigy Pictures Canada Ludovica Fonda Head, International Drama Development and Co-Productions RTI Mediaset Group Italy Paulo Franco Head, Programming & Content Record TV Network Brazil Marcel Gelauff Editor in Chief, NOS News NOS Netherlands John Gillespie Head, News & Current Affairs TVNZ New Zealand Marcelo Gonzalez Tamburri Vice President Scripted Content Development Turner Latin America Mexico Zaheer Goodman-Bhyat CEO Light & Dark Films South Africa Andrea Gorfolova President, Kids, Family & Factual Sonar Entertainment USA Ezequiel Groisman VP, Production Management Telefe, Viacom International Media Networks Latin America Argentina Diego Guebel President BOXFISH Argentina Firat Gulgen CEO Calinos Entertainment Turkey Amy Hargreaves Actress USA Kirsi Heikel Journalist/Presenter Finnish Broadcasting Company YLE Finland

158

Hannes Heyelmann SVP & MD, Central & Eastern Europe & International Original Programming Strategy Turner Germany Cynthia Hudson SVP & GM, CNN en Español & Hispanic Strategy, CNN/US CNN en Español USA Maria Cecilia Imperial Vice President, Head, Program Acquisition & International Sales ABS-CBN Corporation Philippines Daisy Namdar Irani Creative Director HuM Theatre Ltd Singapore Fadi Ismail GM O3 Productions/MBC Studio United Arab Emirates John Kastner President JS Kastner Productions Canada Jeong Joong Kim Director, Acquisition KBS South Korea Stefan Kloos Managing Director Kloos & Co. Medien GmbH Germany Svetlana Kolosova Head, Documentary Films Department Channel One Russia Russia Amanda Lane Writer/Director South Africa Fabienne Larouche CEO & Producer Aetios Productions Inc. Canada David Leach Group Commercial Director Tinopolis Group United Kingdom

Moonyeenn Lee Casting Director Moonyeenn Lee Casting South Africa

Michael McMahon Owner Big and Little Films Pty Ltd Australia

Chris Lee President Chris Lee Productions USA

Balazs Medveczky Programming Director Duna Media Service Provider Hungary

Blanca Lewin Actress AGTV Chile

Riaz Mehta CEO & Founder Imagine Group Entertainment Pte Ltd Singapore

Leland Ling Chairman LIC China China

Frank Melloul President & CEO i24news Israel

Tao Lu Director, American News Center Phoenix Satellite TV USA

Ngiphiwe (Mapi) Mhlangu Managing Director & Editor-in-Chief ENCA (eSat TV) South Africa

Mamiko Maekawa Managing Director, International Dept.

Fuji Television Network, Inc. Japan

Lorenzo Mieli CEO Fremantle Italy

Rick Maier Head, Drama Network TEN Australia

Vyacheslav Murugov Chief Executive Officer CTC Media Russia

Iqbal Malhotra Chairman & Producer AIM Television Pvt. Ltd. India

Yoko Narahashi President United Performers’ Studio Japan

Alexis Marant Director CAPA France

Eduardo Nava Programming Manager Canal 22 Mexico Mexico

Aline Marrache Tesseraud SVP, Acquisitions & Co-Productions Vivendi / Canal+ Group France

Laura Ní Cheallaigh Commissioning & Acquisitions Editor TG4 Ireland

Roberto Martha Executive Producer Scriptonita Films Brazil

Rosy Ocampo VP, Content & Executive Producer Televisa Mexico

Zanjoe Marudo Actor Philippines

Robert Olsson Head, Current Affairs & Investigative Department Sveriges Television (SVT) Sweden

Joseph Maxwell Head, Documentaries SBS Australia

Eduardo Lebrija SVP/General Manager Mexico, Colombia & Centroamerica Viacom International Media Networks Mexico

George Mazarakis Director Combined Artists South Africa

Sunyoung Lee Producer CJ ENM South Korea

Jennifer McGuire General Manager & Editor in Chief, CBC News CBC Canada

Jong Hyun Lee Representative D.K.KIM KOREA FOUNDATION South Korea

Colin McKeown Director LA Productions United Kingdom

Yash Patnaik Chairman & Managing Director Beyond Dreams Entertainment Private Limited India Emelie Persson Commissioning Editor SVT Sweden Surang Prempree MD Chandra 25 Company Limited Thailand

INTERNATIONAL EMMY® 2018-2019

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Jesse Prupas SVP, Development & Distribution Muse Canada

Carlos Sedes Director Bambu Producciones Spain

Jawad Raja Chief Operating Officer AVT Channels (Private) Limited Pakistan

Manisha Sharma Chief Content Officer Viacom18 Media Pvt. Ltd India

Miki Redelinghuys Producer/Director Plexus Films South Africa

Jonathan Spink CEO HBO Asia Singapore

Ma. Regina Reyes Head, Integrated News Division ABS-CBN Corporation Philippines

Frank Spotnitz Chief Executive Officer Big Light Productions France

Vladyslav Riashyn CEO STAR MEDIA LLC Russia

Søren Stærmose Executive producer/Producer Yellow Bird Sweden

Gil Ribeiro Producer Coiote produções cinematográficas Brazil

Manuel Teodoro Director & TV Presenter Caracol TV Colombia

Gabriel Ripstein Writer/Director/Producer Puerta Negra Films Mexico

Rakel Thorbergsdottir Director, News RUV - Icelandic National Broadcasting Service Iceland

Jean-Yves Robin CEO ROBIN&CO France Thomas Robins Producer/Director KHF Media Ltd New Zealand Ann Robinson CEO & Casting Director Mullinars Casting Consultants Pty Ltd Australia Gillian Rose Senior VP, US Sales & Acquisitions Sky Vision USA Diego Rougier Director Picardia Films Chile David Royle Chief Programming Officer Smithsonian Channel USA Timur Savci Chairman Tims&B Productions Turkey

Willard Tressel GM, OnDIRECTV DIRECTV Latin America USA Alexander Tsekalo General Producer Sreda Production Company Russia Evert van der Veer VP, General Manager FOX Networks Group Africa South Africa Claudio Villarruel President & Creative Director ONTV Llorente & Villarruel Contenidos Argentina Andrew Winter Managing Director Special Treats Productions United Kingdom Nathalie Wogue Partner Ascendo TV France Ahron Young Anchor & Melbourne Bureau Chief Sky News Australia Australia

Michael Schmidt Chief Creative Officer Red Arrow Studios USA Sarah Elena Schwerzmann Commissioning Editor ARTE G.E.I.E France

INTERNATIONAL EMMY® 2018-2019

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EMMY_2018_AD_Layout 1 11/2/18 11:21 AM Page 1

L I S T OF ADVERTISERS

Advertisers Index A+E Networks

2

Lionsgate

16

Aetios

164

MIPTV

61

Al Jazeera Media Network

111

NATPE

133

Ari & Andrea Greenburg

53

Netflix

63

Bangkok Broadcasting & TV Co. Ltd

93

NRW

87

CBC

113

Phoenix Satellite Television

49

CBS Studios International

103

Plural Entertainment Portugal

123

Deluxe Media

126

Prime Video

69

E&Y

138

Reed Midem

124

Endemol Shine Group

43, 95

RT America

10, 11

Entertainment One

105

SingularDTV

ESPN

101

Sofitel

Felker Toczek Suddelson Abramson LLP

53

STUDIOCANAL

FKKS

131

Television Academy

Fox Networks Group Latin America

75

The CW Network

54

Fujisankei Communications Intl.

89

The Lippin Group

135

Globo

83

TIMS & B Productions

90

TV Kids

59

TVFI

97

GNT-Globosat Grant Tani Barash & Altman, LLC HBO

106 53 163

81 143 47 145

Universal Cinergia

129 149

HBO Latin America

79

Variety

Hearst

44

Venevision

Ihlas Yayin Holdings A.S.

121

Warner Bros.

Japan Broadcasting Corporation/NHK

84

WDR

JCS International

116

World Screen

160

Lear Family Foundation

50

WOWOW Inc.

77

INTERNATIONAL EMMY® 2018-2019

71 14, 15 65

161

EMMY_2018_MAST_Layout 1 11/2/18 11:21 AM Page 1

M AS T H E AD

Administration THE INTERNATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Camille Bidermann Senior Vice President & Executive Director

THE INTERNATIONAL EMMY PUBLISHER Editorial Director & Associate Publisher Eva Obadia

Ellen Sowerby Membership Coordinator & Executive Assistant Yesima Sherrod Events & Partnerships Manager Shakima Jones Bookkeeper Matt Young Office Coordinator Tameshwar Persaud Bookkeeping Assistant

WORLD SCREEN Ricardo Seguin Guise Anna Carugati Mansha Daswani Kristin Brzoznowski Joanna Padovano Tong Elizabeth Bowen-Tombari

EMMY JUDGING

Rafael Blanco

Nathaniel Brendel Emmy Judging Director

Jessica Ávila

Jessica Franco Emmy Judging Manager Jacklyn Daddona Emmy Entries Assistant James Farley Awards Department Assistant

Victor L. Cuevas Simon Weaver Dana Mattison Nathalia Lopez Andrea Moreno

COMMUNICATIONS

GALA

Eva Obadia Senior Director, Communications & Partnerships

Chip Quigley Co-Executive Producer, Kingdom Entertainment

Zoë Dyck Marketing, Web & Design Manager Leah Gordon Advertising Sales Director Don Ciaramella, Matt Biscuiti, Katie Fuchs Public Relations: The Lippin Group Photography: Warren Winter PSG Wire David Lefranc

Mark Friedman Producer 25 West 52nd Street, 14th Floor Carole Propp Talent Producer

New York, NY 10019, USA Tel: + 1-212-489-6969

Melissa Hess Clip Producer

Fax: +1-212-489-6557

Ernst & Young LLP Ballot Tabulations

iemmys@iemmys.tv

www.iemmys.tv

Robert Caplin

162

INTERNATIONAL EMMY® 2018 -2019

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