Emmy Almanac Gala Edition 2011-2012

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The International Emmy

®

Almanac Gala Edition 2011–2012

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InternatIonal emmy almanaC

Table of Contents The International Emmy

®

Almanac 4

Gala Edition 2011–2012

President’s Report: Bruce Paisner

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International Emmy Directorate Award: Subhash Chandra

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2011 International Emmy Awards Semi-Final Round of Judging

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International Emmy Founders Award: Nigel Lythgoe

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September Board and Members Meeting: Soap Operas, Talk Shows and the Future of Daytime Television

Gala Chair: Nadav Palti

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85

2011 News & Current Affairs Categories

About The Academy

98

International Academy Foundation

International Academy Membership Map

99

2011 Academy Panelists

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2011 International Emmy Award Nominees

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Directory of Members

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March Board and Members Meeting: The Evolving Media Landscape

119

2011 Judging Participants

137

List of Advertisers

138

Masthead

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35

2011 International Digital Emmy Awards at MIPTV

This Almanac was produced by World Screen.

For a free subscription to our online newsletters, please visit www.worldscreen.com/pages/newsletter

International Emmy Almanac 2011/2012

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INTERNATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

President’s Report Despite political and financial crosscurrents around the world, 2011 has turned out to be another excellent year for The International Academy. Our worldwide Emmy competitions are robust, our membership is strong and growing, and we continue to increase the number and geographic locations of Academy sponsored events. In the early fall, we announced future locations for one of our most popular activities, International Academy Day. In April 2012, an Academy Day will be held in Hong Kong, hosted by Phoenix Satellite Television. We have scheduled another for June 2014 in Rio de Janeiro to coincide with the World Cup. Our host for Rio will be TV Globo.

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ur board meetings this year were held in New York in March and in Los Angeles in September. The host for the March board meeting was News Corporation’s Jonathan Miller, Chairman & CEO of News Corp.’s Digital Media Group and a director of the Academy. The panel discussion on “The Evolving Media Landscape” was both fascinating and timely, and you will see a more detailed report on it elsewhere in this Almanac. The Los Angeles board meeting took place at CBS in par tnership with The Bold and the Beautiful, one of the last surviving soap operas on US television. The location and the sponsorship provided an oppor tunity for an in-depth exploration of the future of daytime television, both in the U.S. and around the world.

It is a sign of the vibrancy and quality of the international television business that the Academy now runs three different International Emmy competitions: Digital, News, and, of course, the Emmys we celebrate at our Gala in November.

This year we had over 1,000 entries for these competitions.

Starting in 2013, we will launch a separate International Emmy Kids competition and awards ceremony. Based on support we are already getting, we think this will be a most popular and worthwhile addition to our Emmy calendar.

Two highlights of my personal year as President were trips to India and China on behalf of the Academy. In February, I visited India to meet with representatives of the Indian media community and to raise awareness of the Academy and the International Emmy. Subhash Chandra, the founder of India’s Zee channel, the recipient of this year’s Directorate Emmy, is the first Indian so honored, and he represents a country that has emerged as a major player on the world stage. Twenty years ago, when he started Zee, such a development was scarcely imaginable. The only television in India was state controlled and there was no private 4

Bruce Paisner, President & CEO of The International Academy of Television Arts & Sciences

International Emmy Almanac 2011/2012

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Bruce Paisner with China’s Foreign Minister Yang Jiechi

industry in the media sector. But Subhash both led the way and rode the wave to a remarkable transformation of the media in one of the largest countries on earth. It was a special privilege to have an overview of all of this.

In March, I was pleased to attend Phoenix Satellite Television’s 15th anniversar y celebration at the Great Hall of the People in Beijing and to receive an award from Phoenix on behalf of the Academy. Phoenix and its chairman, Liu Changle, have been steadfast suppor ters of the Academy and our activities throughout my presidency, and I am deeply grateful for their help.

I am par ticularly indebted to the Academy’s executive committee, which works closely with me in guiding the

Phoenix Satellite Television’s Chairman Liu Changle, host of Academy Day in Hong Kong 2012, presents a Golden Pauwlonia Award to Bruce Paisner at Phoenix’s 15th anniversary celebration in Beijing.

International Emmy Almanac 2011/2012

for tunes of our growing and ever more relevant organization. I par ticularly want to thank Fred Cohen, our Chairman; Simon Sutton and Blair Westlake, respectively our Secretar y and Treasurer ; and Larr y Gershman, Rainer Siek and Jim Rosenfield, the heads of our standing committees.

Ralph Baruch and Kevin Beggs have also provided invaluable service to the organization. Camille BidermannRoizen, our Senior Vice President and Executive Director, leads a ver y professional staff which does more and better work than anyone could reasonably expect from such a small group.

Our colleagues at the TV Academy in Los Angeles, John Shaffner and Alan Perris, and at the National Television Academy in New York, Malachy Wienges, Carolyn Grippi and Herb Granath, have been helpful and suppor tive whenever we have asked. Finally, I want to thank Frank A. Bennack, Jr., the Chief Executive Officer of Hearst Corporation. Frank’s suppor t makes possible many of my activities with the Academy and helped us cover the cost of moving into our gleaming new headquar ters on 52nd street.

Frank is a visionary leader, and I and the Academy are indebted to him.

The years ahead will surely be challenging. We sit astride and par ticipate in a world and an industr y in tumultuous change. But as a good friend of mine once said, “There is always better fishing in troubled waters,” and if we are well informed, attentive and imaginative, our catch will be great. It is the mission of the International Academy to enable its members to do exactly that.

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InternatIonal emmy DIrectorate awarD

Subhash Chandra The International Emmy Directorate Award is presented to Subhash Chandra, Chairman of Zee Entertainment Enterprises Limited (ZEEL) and founder of the Essel Group of Companies. Among the leading lights of the Indian media industry, Chandra revolutionized India’s television industry in 1992 by launching the country’s first satellite Hindi channel, ZEE TV. Today, the ZEE Network is the largest producer and aggregator of Hindi programming in the world with over 100,000 hours of content, over 3,000 movie titles, 25 channels and 17 international beams, with over 600 million viewers in 167 countries.

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eferred to as “The Chairman,” Chandra is a media mogul who has consistently demonstrated his ability to identify new businesses and lead them to the path to success. In the U.S., ZEE TV is the leader in the South Asian entertainment space with the largest number of channels by any South Asian broadcaster (nine channels in total) and the first to be Nielsen rated.

A passionate health and wellness lifestyle proponent, The Chairman founded and launched Veria Living in 2007—the world’s first comprehensive multimedia platform exclusively showcasing wellness programming and related content in America and beyond. Veria Living and Veria.com offer the world’s largest lineup of first-run, original HD programming, connecting viewers in a contemporary and accessible manner to the benefits and joys of living a healthy lifestyle.

The Chairman’s mark on the global media industry goes far beyond creating popular channels and great programs. He also founded Dish TV, the largest and fastest growing satellite television platform in India with more than 11 million subscribers and growing at a dramatic pace. South Asia is one of the most robust regions for growth in the world and Chandra’s enormous contributions in the media space have left an indelible mark on the emerging New India and perhaps the world.

Subhash Chandra is also an influential philanthropist in India. He has created TALEEM (Transnational Alternate Learning for Emancipation and Empowerment through Multimedia) to provide access to quality education through distance and open learning. He is also the Chairman of the Ekal Vidyalaya Foundation of India—a movement to eradicate illiteracy from rural and tribal India. The Foundation provides free education to nearly 80,000 tribal children across 27,000 villages. He is also the moving force behind the Global Vipassana Foundation, a trust set up to help people raise their spiritual quotient.

As a firm believer in the concept of Karma, Chandra’s actions are not performed with a selfish motive. He believes that the key to happiness is to take success in your stride and not 6

be depressed when you fail. “Just keep doing your Karma” is his mantra — a true Karma Yogi indeed!

The Academy is honored to award the 2011 Directorate Award to The Chairman, Mr. Subhash Chandra.

International Emmy Almanac 2011/2012

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InternatIonal emmy Founders award

Nigel Lythgoe The International Emmy Founders Award is presented to Nigel Lythgoe, the executive producer of television juggernaut American Idol and the co-creator and executive producer of So You Think You Can Dance, for his outstanding contributions to dance and performing arts on television.

International Emmy Almanac 2011/2012

Courtesy of FOX

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igel Lythgoe is the CEO of Nigel Lythgoe Productions, a newly formed company with 19 Entertainment and the successor to his previous production entity, Big Red 2 Entertainment. Lythgoe most recently served as president of 19 Television, and prior his tenure there worked at London Weekend Television, where he was Controller of Entertainment and Comedy.

Born in 1949, Mr. Lythgoe developed an interest in dance at an early age. His first professional job was with the corps de ballet for the national tour of “The Merry Widow,” and he later went on to choreograph the BBC’s Young Generation dance troupe for more than 500 shows. He became the only person to dance in, choreograph, direct, and produce the Royal Variety Performance for Her Majesty the Queen of England.

He has worked with stars such as Gene Kelly, Bing Crosby, Shirley Bassey and, most prestigiously, the Muppets, and while at London Weekend Television, he commissioned and produced hit shows such as Gladiators and Blind Date.

In 2000 Mr. Lythgoe earned himself the nickname “Nasty Nigel” as a judge on hit show Popstars before leaving for Bob Geldof ’s television company Planet 24, where he executive produced and directed the U.K. version of Survivor. Additionally, he developed and produced the TV phenomenon Pop Idol.

Lythgoe has been a driving force in the world of performing arts as the executive producer of the TV juggernaut American Idol, which has been nominated for nearly 60 Emmy Awards, and “Idol Gives Back,” which raised more than $140 million for charity and in 2007 received the prestigious Governors Award, the Academy of Television Arts & Sciences’ highest honor. Lythgoe also served as producer and director of the acclaimed Celine Dion/Elvis Presley duet featured in the special. He is the co-creator and executive producer of the multiple Emmy Award-winning series So You Think You Can Dance. Additionally, he executive produced NBC’s Superstars of Dance and Fox’s Carrie Underwood: An All-Star Holiday Special. In 2010, he took So You Think You Can Dance to the U.K., where he reprised his role as judge, and in 2011, he launched CMT’s Next Superstar along with his son, Simon.

In the summer of 2009, the U.K.’s University of Bedfordshire awarded Lythgoe with an honorary Doctor of Arts for his outstanding contribution to the performing arts in television.

Lythgoe is actively involved with numerous charities, serving as the chairman of the British Academy of Film & Television Arts, Los Angeles, and as an honorary national vice president of the Muscular Dystrophy Association. He also sits on the honorary board of Center Dance Arts at the Music Center Performing Arts Center of Los Angeles County.

And in 2009, Lythgoe joined forces with director Adam Shankman, Dancing with the Stars judge Carrie Ann Inaba and actress Katie Holmes to found the Dizzy Feet Foundation, a nonprofit organization that provides scholarships to talented young dancers, works to elevate and standardize dance instruction in the U.S., and exposes youth in underprivileged communities to the joys of dance education. Lythgoe lives in Los Angeles.

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Gala chair

Nadav Palti Chief Executive Officer and President Dori Media Group What does being the 2011 Gala Chair mean to you?

I feel truly honored to have been selected, and looking back at the list of Gala Chairs in past years I am also humbled. The International Emmy has been an aspirational motor for the international content community for many years. It encourages excellence, gives exposure and opens doors to many international content creators and, by so doing, helps create a truly global industry. I am proud to become part of this 39-year-old tradition.

trying to be there among the firsts, with the right product and the right ideas. As we are in the heart of the change, and some of its results are still unknown, I believe Dori Media will have two major challenges: to develop the next generation of content at the right time and to expand our distribution arm to more platforms, through joint ventures and company acquisitions.

How important is the international marketplace for Dori Media?

The international marketplace is our universe. Ten years ago we started as a local Israeli company, doing fairly well producing and operating channels for the small Israeli market. Very soon we realized that real growth can only be achieved by breaking the glass ceiling and expanding to the international market. We followed a strategic plan, first to produce outside of Israel, starting in Argentina, and then to form an independent distribution arm with presence in the US, Latin America, Europe, Asia and Israel. The next step was to create and operate thematic channels in the world.

Five years later the plan worked and we were able to achieve the strategic goals we had set. These days we combine the production and distribution capabilities to maximize the well-known potential of the Israeli talent and creativity for the international marketplace. We also focus on developing and distributing worldwide multiplatform new-media formats.

What are the biggest challenges and opportunities for Dori Media in the coming years?

A lot has been said about the profound change that we as an industry and we as consumers are undergoing. Dori Media’s strategy has always called for constantly looking at the future of our industry and 8

International Emmy Almanac 2011/2012

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ABOUT THE ACADEMY

The International Academy of Television Arts & Sciences Connecting the world’s leading media and entertainment professionals

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he strength of the International Academy undoubtedly lies in the composition of its membership: a “Who’s Who” of international television encompassing over 500 companies and key media figures from all sectors of television, including Internet, mobile and technology.

The Academy was founded in 1969 and chartered with a mission to recognize excellence in television programming produced outside of the United States. It is a unique, independent organization whose members come together to exchange ideas, discuss common issues and promote new

Simon Cowell, 2010 International Emmy Founders Award recipient, on stage with surprise presenter Rupert Murdoch, News Corp. CEO

Mad Men’s Elisabeth Moss arriving on the Red Carpet at The International Emmy Awards

International Emmy Almanac 2011/2012

strategies for the future development of quality television programming.

The International Academy is best known worldwide for presenting the International Emmy® Awards. Every November, over 1,000 television professionals gather at the blacktie Gala to celebrate excellence in television produced outside of the United States and to network with their peers from the international television community.

International Emmy® Awards are given in fifteen categories including: Arts Programming; Best Performance by an Actor; Best Performance by an Actress; Children & Young People; Comedy; Current Affairs; Digital Program: Children & Young People; Digital Program: Fiction; Digital Program: Non-Fiction; Documentary; Drama Series; News; Non-Scripted Entertainment; Telenovela; TV Movie/Mini-Series.

However, the Academy’s activities extend well beyond awards. The Academy is a membership-based organization with year-round activities for its Members, including: Panels & Board & Members Meetings, The International Emmy World Television Festival and International Academy Day. For more information and a calendar of upcoming events go to the International Academy’s website, www.iemmys.tv.

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2011 NomiNees

Arts Programming

BrAzil

uNited kiNgdom

germANy

JAPAN

all My life: adoniran BarBosa

garetH Malone goes to glyndeBourne

TV Globo Executive Producer: Ricardo Waddington Producer: Flavio Nacimento Director: Fabricio Mamberti Writers: George Moura, Teresa Frota Featuring: Fernanda Lima, Hugo Napoli, Marcello Airoldi

Twenty Twenty Television Executive Producer: Lucy Hillman Series Producer: Cesca Eaton Producer: Harry Beney Director: Harry Beney Featuring: Gareth Malone

in der Werkstatt BeetHovens - die neunte, tHieleMann und die Wiener pHilHarMoniker

MeMories of origin – HirosHi sugiMoto tHe ConteMporary artist

All My Life tells the story of singer and composer Adoniran Barbosa, who invented samba in São Paulo.

A bohemian and fanatic supporter of the soccer team Corinthians, Barbosa was also an actor on radio, television, and film.

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Gareth Malone is passionate about opera while most British teenagers are not.

David Pickard, head of renowned opera house Glyndebourne, wants Malone to help him stage a brand new opera featuring untrained teenagers. Malone has just seven months to find 50 teenagers from all over southeast England and train them from scratch to match the world class standards of Glyndebourne.

Unitel GmbH & Co. KG / ZDF / 3sat Executive Producers: Jan Mojto, Anca-Monica Pandelea Producers: Christian Alsfasser, Michael Heinzl, Magdalena Herbst Directors: Anca-Monica Pandelea, Christoph Engel Writer: Anca-Monica Pandelea Featuring: Christian Thielemann, Joachim Kaiser, Wiener Philharmoniker The Ninth is not only one of Beethoven’s most popular symphonies, but also the model of a work that has been used, and abused, throughout history – from being a worldwide hymn for peace to stimulation of kamikaze pilots. In der Werkstatt Beethoven shows the meaning and impact of this music with the help of new and historic interpretations

by Thielemann, Järvi, Karajan, and Bernstein, presented by music critic Joachim Kaiser.

WOWOW Inc. / TV MAN UNION, Inc. Executive Producer: Eiji Ohmura Producers: Hiroyuki Ohde, Hideki Furutani, Yuko Nakamura Director: Yuko Nakamura Narrator: Kayo Ise

Hiroshi Sugimoto is a Japanese photographer/artist, internationally recognized as an icon of contemporary art. His composition, based upon distinct theme and strict concept, is highly respected by artists and celebrities around the world.

By focusing on photographs, installations, and architecture, Memories of Origin takes a look at various forms of Sugimoto’s creations.

International Emmy Almanac 2011/2012

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2011 NomiNees

Best Performance by an Actor

BRAZiL

UNiTeD KiNGDom

soUTH KoReA

sWeDeN

Fábio assUNção

christopher ecclestoN

JaNg hyUK

Michael Nyqvist

as Herivelto Martins Songs of Betrayal TV Globo Fábio Assunção portrays Herivelto de Oliveira Martins, a brilliant musician who is at once extraordinarily creative yet authoritarian and a perfectionist. He abandons his first wife for Dalva de Oliveira, whom he then cheats on. He is completely self-centered and minimizes her role in their successful partnership. He falls in love with Lurdes but stays married to Dalva until she accuses him of cheating.

as Willy Houlihan Accused RSJ Films for BBC One Lapsed Catholic plumber Willy Houlihan is about to tell his wife Carmel that he’s been unfaithful when their daughter announces she’s getting married. Willy struggles both with his secret and with the costs of the upcoming wedding. He makes a pact with God that he’ll give up his mistress if God will help him with his financial difficulties. Later, Willy finds a packet containing £20,000 in the back of a taxi. He bets it all in a game of roulette and wins; however, it turns out the money is all forged notes and Willy is arrested.

International Emmy Almanac 2011/2012

as Dae-gil The Slave Hunters KBS (Korean Broadcasting System) Dae-gil is a student from a noble family whose life is ruined when the family slave kills his father and runs away with the woman Dae-gil loves. Out of anger, Dae-gil becomes the most notorious slave hunter of the 17th century Yi-Dynasty.

as Mikael Blomkvist Millennium Yellow Bird / SVT / ZDF / Nordisk Film Mikael Blomkvist is a middleaged investigative journalist, passionately devoted to his work and gifted with an irresistable charm. He is partowner and publisher of the magazine Millennium, which examines contemporary society from a critical point-ofview.

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2011 NomiNees

Best Performance by an Actress

hoNg koNg, chiNa

brazil

swedeN

uNited kiNgdom

atheNa chu YaN

adriaNa esteves

Noomi rapace

Julie Walters

as Tai Mong A Wall-less World: The Third Choice Radio Television Hong Kong / Labour and Welfare Bureau (HKSAR) Tai Meng is an attractive, hard working woman who has an accident while pregnant. The accident leaves her paralyzed, at which point her boyfriend demands that she stop working or terminate the pregnancy. Brokenhearted, she tells him that she has another choice.

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as Dalva de Oliveira Songs of Betrayal TV Globo

Adriana Esteves portrays Dalva, one of the greatest Brazilian singers of the Golden Age of Radio. Born and baptized Vicentina, her mother claims it isn’t the name of a star; Dalva is.

Dalva has an extreme personality that varies between great tenderness and hate.

as Lisbeth Salander Millennium Yellow Bird / SVT / ZDF / Nordisk Film Lisbeth Salander is an enigmatic, crime-solving, computer-hacking personal investigator. She is most at home in the cyber world where she can access any information she wants. A mysterious past has turned her into an avenger and an outsider. She tolerates no restrictions placed upon her by individuals, society, or the law, and has created a moral stance of her own.

as Mo Mowlam MO ITV Studios for Channel 4 Julie Walters portrays Mo Mowlam, whose charisma, warmth, passion, and unorthodox approach to politics helps her achieve monumental landmarks in recent British history.

International Emmy Almanac 2011/2012

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2011 NomiNees

Children & Young People

germaNy

chile

australia

malaysia

allein gegen die Zeit (13 hourS - race againSt time)

¿con Qué SueñaS? (What iS your dream?)

dance academy

Saladin

Norddeutscher Rundfunk / Askania Media / Bavaria Fernsehproduktion / Mitteldeutscher Rundfunk / Kinderkanal / Westdeutscher Rundfunk / Medienboard Berlin Brandenburg

Mi Chica Producciones / CNTV / TVN

Werner Film Productions / Australian Broadcasting Corporation / ZDF / ZDF Enterprises / ACTF (Australian Children’s Television Foundation)

Multimedia Development Corporation (Malaysia) / Al Jazeera Children’s Channel (Qatar)

Executive Producers: Martin Hofmann (Askania Media), Ole Kampovski (Norddeutscher Rundfunk) Producer: Ceylan Yildirim (Askania Media) Directors: Stephan Rick, Andreas Morell Writers: Stephan Rick, Silja Clemens, Michael Demuth, Katharina Junk Principal Cast: Timon Wloka, Janina Fautz, Timmi Trinks, Ugur Ekeroglu, Ruby O. Fee, Peter Lohmeyer Five average high school students are in detention when a mysterious gang storms the school and takes an astronomy class hostage. Now, the five students must remain hidden from the dangerous and evil mastermind behind the invasion: a shadowy figure bent on pursuing a larger plan.

Executive Producers: Samanta Artal Süsskand (MI CHICA), Paz Egaña Baraona (TVN) Producers: Samanta Artal Süsskand, Francisca Urrutia Robiola Director: Paula Gómez Vera Writers: Juan Andrés Condon Bastías, Carla Higueras Quero ¿Con qué Sueñas? explores the world of children. What are their lives like? What makes them happy? What makes them sad? What are their dreams? The show seeks to capture their innocence, fantasies, and imagination, and explores how the places they live in shapes their lives and ways of seeing the world.

International Emmy Almanac 2011/2012

Executive Producers: Joanna Werner, Bernadette O’Mahony Producer: Joanna Werner Directors: Jeffrey Walker, Cherie Nowlan, Catriona McKenzie, Ian Gilmour, Ben Chessell Writer/Creator: Samantha Strauss Co-Creator: Joanna Werner Scriptwriters: Samantha Strauss, Sam Carroll, David Ogilvy, Michael Miller, Deborah Parsons, Sarah Lambert, Matt Ford, David Hannam, Max Dann, Greg Waters, Alicia Walsh, Ellie Beaumont, Liz Doran Principal Cast: Xenia Goodwin, Alicia Banit, Dena Kaplan, Tom Green, Tim Pocock, Jordan Rodrigues, Tara Morice

Executive Producers: Kamil Othman, Mahmoud Orfali Directors: Chi-Ren Choong, Nazih Hatem Writer: Chi-Ren Choong Principal Cast: Gavin Yap, Tony Eusoff, Rick McIvor, Adila Shakir, Asha Gill Eighteen years old and ready to take on the world, Saladin leaves his home city of Damascus with his friend Tarik in search of adventure. Based on the real-life adventures of a Muslim hero warrior during the Crusades, Saladin features heroes, villains, vendettas, drama, comedy, exotic locales, daring rescues, and a dash of romance.

When Tara Webster is accepted into the best dance school in Australia, she is sure her life will be spectacular. But what she doesn’t realize is how far behind she is in her training and that there’s a lot more to surviving than just dancing.

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2011 nominees

Comedy

belgium

brazil

united kingdom

singapore

BeNidorm BasTards

BreakiNg Up

Facejacker

The Noose seasoN 3

Shelter / VMMA

TV Globo

Hat Trick for Channel 4

MediaCorp TV Pte Ltd

Executive Producer: Tim Van Aelst Producer: Katrien Van Nieuwenhove Director: Tim Van Aelst Writers: Tim Van Aelst, Bart Cannaerts, Tom Baetens Principal Cast: Gaston Rombauts, Hilda Vleugels, Lea Witvrouwen, Marcel Van Brussel, Emiel Ravijts, Irene Vervliet, Johan Grootaert

Executive Producer: José Alvarenga Jr. Producer: Daniel Vincent Director: José Alvarenga Jr. Writers: Alexandre Machado, Fernanda Young Principal Cast: Debora Bloch, Vladimi Brichta, Claudia Ventura, Cristina Mutarelli, Kiko Mascarenhas, Marcelo Várzea, Rita Elmor

Executive Producer: Helen Williams Producer: Tom Thostrup Directors: Kayvan Novak, Ed Tracy Writer: Kayvan Novak Principal Cast: Kayvan Novak

Executive Producer: Remesh Kumar Co-Excutive Producer: Prem Anand Producers: Sebastian Leang, Tan Ing How, Jolene Teo Directors: Sebastian Leang, Tan Ing How Writer: Prem Anand Principal Cast: Alaric Tay, Chua Enlai, Michelle Chong, Suhaimi Yusoff

Benidorm Bastards is an edgy hidden camera show that follows seven senior citizens who make it their mission to trick as many young people as they can.

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Breaking Up chronicles the adventures of Karin and Agnaldo, a couple who discover, after being married for years, that they no longer know why they are still together. Despite this, they can’t seem to leave their life together behind them.

Disguised with the aid of prosthetics, Kayvan Novak plays a multitude of fictional characters, including charismatic car salesman Terry Tibbs, wannabe actor and full-time complainer Dufrais, and art critic and cultural commentator Brian Badonde. All are thrust into real-life situations where they encounter unsuspecting members of the public.

The Noose, a parody of local news, features the irreverent, in-depth, shallow, and sometimes all too blatant truth that nobody else wants to address.

International Emmy Almanac 2011/2012

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2011 NomiNees

Photo by John Kastner

Documentary

argeNTiNa

CaNaDa

JaPaN

germaNy

confesiones de un sicario

life WiTh murder

The nonficTion: family meeTing 7 years in The Tanaka family

Wild Japan

Turner Argentina / Anima Films Executive Producers: Javier Vera (Turner), Sebastian Gamba (Anima), Julián Rousso (Anima) Director: Matias Gueilburt Writer: Nicolas Gueilburt Confesiones de un Sicario enters the world of hired killers through interviews with retired assassins and testimonies of specialists, investigators, and journalists.

JS Kastner Productions / The National Film Board of Canada in association with CTV Executive Producer: Silva Basmajian (National Film Board of Canada) Production Executives for CTV: Robert G. Hurst, Bob Culbert Producers: John Kastner, Deborah Parks, Silva Basmajian Director: John Kastner Directors of Photography: Mark Caswell, John Westheuser Writer: John Kastner Editor: Greg West When 20-year-old Mason Jenkins is charged with the murder of his only sibling, 18-year-old Jennifer, his parents are faced with the decision of whether to accept their daughter’s alleged killer back into the family or to sever ties with him, obliterating their family in the process. The film follows their evolving relationship as disturbing new facts surface about the murder and Mason continues to assert his innocence.

International Emmy Almanac 2011/2012

Fuji Television Network, Inc. / Seibin Visual Research Inc. Executive Producer: Kazuya Mitani Producers: Kenichi Mori, Masatoshi Kawamura Director: Keiko Matsuda Ryo Tanaka has Down syndrome, as does Tomoko, the woman he loves. The Tanaka family has always protected, supported, and nurtured Ryo, but they are faced with tough choices around Ryo’s dream of marrying Tomoko.

The Nonfiction: Family Meeting – 7 Years in the Tanaka Family is about a boy and his family discovering its ability to relate to him and help him negotiate a world not fully equipped to accept and appreciate him.

Grospitz & Westphalen Film Production for NDR Naturfilm / Studio Hamburg DocLights, in cooperation with ORF / ARTE / National Geographic / Animal Planet / Parthenon Entertainment Executive Producer: Jörn Röver (NDR Naturfilm) Producer: Tom Synnatzschke (NDR Naturfilm) Head of Production NDR Naturfilm: Thomas Harnisch Directors/Cameramen/Writers: Thoralf Grospitz, Jens Westphalen Editor: Mario Schöppler Japan – a land of extremes in the shadow of mighty volcanos – extends over more than 3,000 kilometers from the icy world of Hokkaido in the North to the subtropical islands of Okinawa in the South. Wild Japan documents a country where crowded cities collide with surprisingly unspoiled nature.

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2011 NOMINEEs

Drama Series

UNITED KINGDOM

FRANCE

JAPAN

BRAZIL

aCCUSed

engrenageS (SpiraL)

Under the Law

RSJ Films for BBC One

SON ET LUMIERE with the participation of CANAL+ and with JIMMY / CINECINEMA / CANAL+ HORIZONS / Centre National de la Cinématographie

SakanoUe no kUmo (CLoUd above the SLope) NHK (Japan Broadcasting Corporation)

Executive Producer: Wolf Maya Producers: Aluizio Augusto Ruiz, Monica Lucia Torres Vieira Directors: Wolf Maya, Emerson Muzeli, Miguel Rodrigues Writers: Antonio Calmon, Guilherme Vasconcelos, Leandra Pires Principal Cast: Ana Paula Arosio, Marcio Garcia, Luana Piovani, Henri Castelli, Leonardo Machado, Samuel de Assis, Luis Melo, Angela Vieira, Carolina Ferraz, Mauricio Mattar, Ailton Graça, Monique Alfradique, André Garolli, Olivetti Herrera, José Wilker, Paulo José

Executive Producers: Jimmy McGovern, Sita Williams, Roxy Spencer Producer: Sita Williams Directors: David Blair, Richard Laxton Writers: Jimmy McGovern, Alice Nutter, Danny Brocklehurst, Esther Wilson Principal Cast: Christopher Eccleston, Mackenzie Crook, Ben Smith, Ben Batt, Andy Serkis, Juliet Stephenson, Peter Capaldi, Naomie Harris Accused tells the stories of people charged with crimes as they sit in the holding cells on the corridor beneath a crown court, awaiting the verdict of their trial.

Executive Producer: Alain Clert Co-Executive Producers: Vassili Clert, Thierry Depambour Producer: Daniel Dubois Directors: Manuel Boursinhac, Jean-Marc Brondolo Concept: Alexandra Clert Written by: Anne Landois, Eric de Barahir Script: Anne Landois, Eric de Barahir, Kristel Mudry, Laurent Vivier, Sébastien Vitoux, Simon Jablonka, with Noël Sisinni, Eric Prungnaud Principal Cast: Caroline Proust, Audrey Fleurot, Philippe Duclos, Grégory Fitoussi, Thierry Godard, Fred Bianconi, Misha Arias de la Cantolla Spiral follows an investigative team’s attempt to track down a serial killer, the “Butcher of la Villette,” who terrorizes the east Parisian suburbs by killing and mutilating young girls.

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Executive Producers: Yasuhiro Kan, Yoshiki Nishimura Producers: Takashi Nakamura, Koichi Fujisawa, Satoshi Sekiguchi Directors: Mikio Sato, Takafumi Kimura Writers: Hisashi Nozawa, Mikio Sato, Takeshi Shibata Principal Cast: Masahiro Motoki, Hiroshi Abe, Teruyuki Kagawa, Miho Kanno Sakanoue no kumo depicts the drastic modernization of Japan during the late 19th and early 20th centuries through the lives of two brothers, Yoshifuru and Saneyuki Akiyama, who contribute to Japan’s victory in the Russo-Japanese War, and Shiki Masaoka, who brings new light to Japanese poetry.

TV Globo

Eduardo’s five friends seek justice for his death, years after he is killed by Maurício, the son of an influential politician. In each episode, crimes connected to Maurício occur, which the friends must try to unravel.

International Emmy Almanac 2011/2012

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2011 NomiNees

Non-Scripted Entertainment

meXiCo

sPAiN

soUTH KoReA

UNiTeD KiNGDom

la exPedicion - Mas

el horMiguero (The anThill)

The MasTer shoW

The World’s sTricTesT ParenTs

alla de lo iMPosible

Zodiak Latino / Fundación Teletón México Executive Producers: Claudia Padilla, Javier Williams, Harris Whitbeck Producer: Alex Balassa Director: Jose Lascurain Writer: Alfredo Castaneda Featuring: Marco Antonio Regil, Saul Mendoza, Alfredo Jimenez, Lucero Marquez, Barbara Ileana Meza, Luis Enrique Jurado, Hugo Vences, Antonio Solano, Yasmina Suarez, Gregorio Vega,Vicente Martinez, Ernesto Najera, Dr. Arturo Pichardo, Dr. Mark Ehrlich

7 y accion Executive Producers: Jorge Salvador, Pablo Motos Producers: Jorge Salvador, Pablo Motos Directors: Jorge Salvador, Pablo Motos Writer: Pablo Motos Featuring: Pablo Motos El Hormiguero features celebrity interviews and segments, including science experiments and magic tricks.

KBS (Korean Broadcasting System) Producer: PARK Joong-Min Director: JO Joon-Hee Writer: BAEK Seong-Woon Featuring: KIM ByoungMan KIM Byeong-Man tests the limits of his physical and mental strength by showcasing a variety of stunts.

Twenty Twenty Television Executive Producer: Sam Whittaker Producer: Rita Daniels Director: Benjamin Leigh Featuring: Scott Leveille, Joe Loper, Tamsin Carruthers-Cole, Wesley McGillian In each episode of The World’s Strictest Parents, two unruly British teenagers leave their fraught family lives behind and spend 10 days living abroad with a strict host family in an attempt to change their behavior.

Eleven people with physical disabilities bond together to face the biggest challenge of their lives: a 183-kilometer expedition across the wildest landscapes of Mexico.

International Emmy Almanac 2011/2012

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2011 NOmINEES

Telenovela

ARGENTINA

BRAZIL

PORTUGAL

THE PHILIPPINES

contra Las cuerdas

destiny river

On TV Llorente & Villarruel Contenidos / Televisión Pública

TV Globo

Laços de sangue (BLood ties)

Precious Hearts romances Presents: imPostor

Executive Producers: Claudio Villarruel, Bernarda Llorente Producer: Gonzalo Otalora Directors: Alejandro Maci, Gustavo Luppi, Matias Bertiloti Writers: Alejandro Maci, Esther Feldman, Juan Pablo Domenech Principal Cast: Rodrigo de la Serna, Soledad Fandiño, Maximiliano Ghione, Roberto Carnaghi Contra las Cuerdas tells the life story of Ezequiel, an amateur boxer who, after refusing to lose an arranged fight, must escape from his home town. His new life leads him to a Buenos Aires suburb, where he reunites with his brother. Things get complicated when he meets Ana, a student and cooperative society worker, who shows him the true meaning of love.

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Executive Producer: Marcos Schechtman Producer: Rodrigo Tapias Directors: Fred Mayrink, Luciano Sabino, Alexandre Klemperer, Marcos Schechtman, Marcelo Travesso Writers: Jackie Vellego, Renato Modesto, Julio Fischer, Alessandro Marson, Fausto Galvão, Walther Negrão Principal Cast: Murilo Rosa, Cleo Pires, Milena Toscano, Thiago Fragoso, Emílio Orciollo Netto, Suzana Pires, Mariana Rios, Raphael Viana, Nando Cunha, Regina Duarte, Edson Celulari, Henri Castelli, Neuza Borges, Eva Wilma, Julia Lemmertz, Otávio Augusto, Ângelo Antônio, Laura Cardoso, Junca de Oliveira, Lima Duarte Fernando returns to his hometown, only to find that his biological mother has given away his young son because the women of her family are doomed to suffer under an indigenous curse with origins in the 19th century that makes them leave their sons to die on the banks of the Araguaia River.

S.I.C. (Sociedade Independente de Comunicação) / TV Globo Executive Producer: Bruno José Associate Executive Producer: Guilherme Bokel Producers: Jorge Marecos, António Parente Directors: Patrícia Sequeira, Sérgio Graciano, Hugo Xavier, Duarte Teixeira, Miguel Guerreiro Writers: Pedro Lopes, Ana Vasques, Catarina Dias, Cláudia Lucas Chéu, Eduarda Laia, João Villar, José Pinto Carneiro, Mário Cunha, Miguel M. Matias, Rita Roberto, Simone Pereira Principal Cast: Joana Santos, Diana Chaves, Diogo Morgado Two sisters are swept away by a river current. Their father manages to save Inês, the older sister, but dies trying to save the younger one, whose body is never recovered. Years later Inês has to fight for João’s love against Diana, the sister everyone thought was dead and who has returned to take revenge on Inês.

ABS-CBN Corporation Head of Entertainment Production: Florida Tan Executive Producers: Marivic Oducayen, Mark Anthony Gile, Minnella Abad Associate Producer: Katrina Juban Director: Jerome Chavez Pobocan Head Writer: Wallenstein Laconsay Writers: Tanya Winona Bautista, Ruel Montanez Contributing Writers: Bing Castro, Mark Bunda Principal Cast: Sam Milby, Maja Salvador, Melai Cantiveros, Jason Francisco, Precious Lara Quigaman Devin never expected that one day she would stand in front of a mirror with the face of the woman she idolizes – the famous model Mariz Florencio. But it isn’t only the face of Mariz that Devin must wear; she must assume her life entirely in order to escape those who are trying to kill her.

International Emmy Almanac 2011/2012

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2011 NomiNees

TV Movie/Mini-Series

sWeDeN

UNiTeD KiNGDom

CoLomBiA

JAPAN

millennium

mo

operation CheCkmate

Shoe-Shine Boy

Yellow Bird / SVT / ZDF / Nordisk Film

ITV Studios for Channel 4

TVE / Pentagrama Films / Paraíso Pictures

TV TOKYO Corporation / Toho. Co., Ltd.

Executive Producers: Maite Pisonero, David Cotarelo Producers: José Ibañez, Victor Ibáñez, Santiago Díaz, Alex Pereira, Juan Rendón Director: Silvia Quer Writer: Helena Medina Principal Cast: Marcela Mar, Luis F. Montoya, Cristina Campuzano

Executive Producer: Osamu Ogawa, Tatsuya Yamaga Producer: Takeshi Sato Director: Kan Ishibashi Writer: Toshio Kamata, based on a novel by Jiro Asada Principal Cast: Toshiyuki Nishida, Toshiro Yanagiba, Narumi Yasuda, Kimiko Yo, Yuriko Hoshi, Hideji Otaki

Executive Producers: Mikael Wallén, Ole Søndberg, Anni Faurbye Fernandez, Peter Nadermann, Lone Korslund, Gunnar Carlsson Producer: Søren Staermose Directors: Niels Arden Oplev, Daniel Alfredson Writers: Nikolaj Arcel Rasmus Heisterberg, Jonas Frykberg, Ulf Ryberg Principal Cast: Noomi Rapace, Michael Nyqvist Millennium follows investigative journalist Mikael Blomkvist and the ruthless, anti-social computer hacker Lisbeth Salander. Together they unravel various crimes – from the mystery of a missing girl, to sex trafficking, to a far reaching government conspiracy, in which Lisbeth herself has suffered severe injustices in connection and has sworn revenge.

Producers: Jeff Pope, Lisa Gilchrist Director: Philip Martin Writer: Neil McKay Principal Cast: Julie Walters, Adrian Dunbar, Gary Lewis MO is a portrait of Mo Mowlam, the woman whose charisma and no-nonsense approach to politics helped achieve one of the most monumental landmarks in recent British history: the Good Friday Agreement.

Arguably the most popular, if controversial, Labour politician of a generation, Mo’s warmth, passion, and unorthodox style made her renowned throughout the country and loved by many.

But just months before the pivotal 1997 general election, she discovers she has a brain tumor. Defying medics, her brave battle with illhealth is played out on the public stage.

International Emmy Almanac 2011/2012

Operation Checkmate tells the story of the six-year captivity of Colombian presidential candidate Ingrid Betancourt by the FARC.

Shoe-Shine Boy depicts the strong human bonds of the Japanese post-war era, through the awkward relationship between a war orphan who becomes a chief executive, and his nurturing father who works as a shoe shiner.

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2011 MARCH BOARD AnD MeMBeRs MeeTInG

The Evolving Media Landscape Panel hosted by Jonathan Miller, News Corporation March 18, News Corporation, New York Moderator: Jonathan Miller, Chairman & CEO, Digital Media Group, News Corporation Panelists: Geoff Sands, Director, McKinsey & Company and Chairman of the Board, PBS, John Rose, Senior Partner and Managing Director, The Boston Consulting Group, Michael Kassan, Chairman & CEO, Media Link MILLER: So this is fun for me at three levels, one is that we get to have all of you here so thank you for being here and two is I get Moderator Jonathan Miller, Chairman & CEO, Digital Media Group, News Corporato talk with the folks here and get to be the tion, with Panelists Geoff Sands, Director, McKinsey & Company; John Rose, Senior Partner and Managing Director, The Boston Consulting Group; and Michael Kassan, one asking the questions. Usually for me it’s Chairman & CEO, Media Link the other way around.. We are all going to learn something and get some insight from a great group of ket and Wall Street folks ask us about it every single chance folks. Starting furthest from me is Michael Kassan, who is the they get. I’ll start with you John. Will over the top video, in the chairman and founder of MediaLink. MediaLink advises many near future cause what is called cord cutting, a cutting of the different folks including News Corp. in terms of their brand cable cord and there will be less people paying for the full strategies and their marketing strategies.They work with many bundle of television channels that frankly is the majority of this of the big advertisers of the world, the big marketers of the company’s business? world, even some start ups and smaller companies. Next to him is Geoff Sands. Sands is head of the McKinsey media pracROSE: Yes. I think over the top video is going to be transformatice and also someone I’ve known for a long time and I am aptive but the discussion needs to move from cord cutting to a preciative of his insight for many years and in addition to his broader set of economic parameters. So two observations, one duties at McKinsey, you are on the board of Sundance, on the is the enabling part of OTV is going to be when web video shows board of The Paley Center, and you are chairman of the board up on TV set.The analogy back to my music life is there is no real of PBS. And a Channel Thirteen WNET board member. Next impact on the music industry created by peer to peer web comto me is John Rose, head of the media practice at BCG and panies or businesses like Napster in the period where the music formally also in the music industry which as we all know is was going to the PC. It was only until you could take the music off one of the industries that has been most affected by the the PC and use it in all of the ways you use music that there was whole digital revolution. John was at the forefront of that in his a really significant economic impact on the music industry. The running strategy of EMI and now more recently for BCG’s same is true for web video, yes there’s more than a billion people worldwide media practice. So with that, I wanted to start with who visit sites in any given month but as long as they’re watching what I think is the biggest question for the large media comit on the PC, there’s still this the occasion of watching it on your panies, certainly based in the United States, and I think one TV set that isn’t going to go away.What is changing over the next that will affect the world as a whole, which is what’s happen3 years is connected devices: whether they are TV sets, DVD/Bluing with web television and television and video on the interray players, game consoles that are web enabled and that allow net and how it is affecting the traditional television business. I you to go upstream to the web to stream video and watch that will tell you that at News Corp we think and talk about this video on a TV set and one of the CE manufacturers and manuall day, and in part we do it because we are rightfully trying to facturers of Blu-ray players in the United States is seeing a 46% atfigure out what’s going on and in part because the stock martachment rate on the DVD players they sell, attachment rate International Emmy Almanac 2011/2012

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Moderator Jonathan Miller, Chairman & CEO, Digital Media Group, News Corporation

meaning those DVD players actually get connected to the web and connected to the TV set. The second thing that’s necessary is better navigation, right now the navigation meaning I have to write a widget, I have to negotiate with a CE manufacturer, things like Google TV In Vision is a software platform or tablets that speak to the DVD players and TV sets that allow you surf and navigate will change that experience. So over the next 3 years, probably 40% or more of US households will have some form of easily navigatable web connection to the TV set. It’s not just about cord cutters, we’ve done some in market proprietary research looking at consumer behavior as it relates to this.Yes there’s a cord cutter trend. Roughly 4% or 5% of the population in the last couple of years has cut the cord, but there are two other very important consumer segments.

Probably most important is cord thinners, a group of people who are starting to watch video on their TV set, they still want to get

high def sports or whatever it is that they care about but the $75 to $120 they are paying for their cable, IPTV or satellite service is no longer valuable to them whether they shifted their movies, whether they shifted other ways of viewing to other channels as a result they are reducing and we saw a 19% net part of the population, net being cut of thinners versus those who are adding of people who are reducing their cable spend and then the last population are called nevers.They are people who are setting up their houses for the first time whether they are graduating from college or graduate school, or lived at home and are moving to their first apartment.Ten years ago the first thing that they got was a cable TV subscription, now the first thing that they have is their mobile subscription with a data plan, the second thing that they get is high speed data access at which point they are roughly $100 to $120 a month into infrastructural access for their lives.They then look at the entry point for cable television or satellite TV and at $50 a month, that’s an expense that some of them are deciding not to pursue, almost independent of the salaries they earn. So in one of the cable companies where we were having this conversation in sharing this research, the executive team found this notion of nevers as almost impossible to contemplate until two of the people sitting around the table who joined this company in the last two years and who got their high speed data from the company sort of sheepishly raised their hands and said you know, we didn’t subscribe to the video service. So yes, I think this is going to have profound implications on the video value chain.

“The real question is: are marketers ready to support video on the Internet at this point?”

—Jonathan Miller

Academy member Gregg Moyer, President, Scripps Networks International

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SANDS: I certainly agree with you and I’ll try to build on that. I think the question is not really is it going to happen but how quickly and to what extent and I think when you try to get your head around that, you see lots of data that at this point is inconclusive and in some cases contradictory. . So what we are looking for is markers, one of the things that we ought to observe in the market to tell us how pervasive cord cutting or cord shaving or cord thinning is, is going to be among which demographics and overall time period and how does that affect the overall economy in the video ecosystem.There are a couple things we are looking at.

On the consumer side, it is very hard to tell because most of the research that you see is based on people telling you what they would do. So the same research on that 30% are subscribing to cable or telco video properties, 30% would consider cord shaving or downgrading their subscription or cord cutting all together, 30%. Pretty useless piece of data because it’s what most of them say they would do under these circumstances and that is probably not that helpful. What it tells to the cable companies is that it’s big enough to really start worrying about it if there’s that kind of intention and interest.

When you talk about the impact so far, what does that tell you about the future? As John pointed out, you can have two very different conversations. If you talk to the cable operators about sub losses, most of them will say well you can’t read anything because it’s the economy over the last couple of International Emmy Almanac 2011/2012

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Panelists Geoff Sands, Director, McKinsey & Company; John Rose, Senior Partner and Managing Director, The Boston Consulting Group and Michael Kassan, Chairman & CEO, Media Link

years that has caused a lot of people to become more price sensitive and when the economy gets better all the people who downgraded their subscription and dropped their VOD or pay per view and got Netflix will come back. You can talk to young people who will say I’ve never had a cable subscription and I never will and the question is how big is that group going to be and how quickly. It takes a long time for that cohort to displace the other so the question is, are there things that will accelerate this behavior? They used to say Facebook was just a young person’s phenomenon and we saw how quickly that changed. So the consumer side of it is a bit murky at the moment and I know a lot of distributors are actually testing where they have a footprint in a college town. They are testing various kinds of offers, different bundles, different packages and Netflix, to try to understand what people will actually respond to and you can actually see research that says that a reasonable percent of people, 20% to 30%, have gone to a Netflix who considered coming back. When we talk about the device manufacturers; that can be quite interesting with the competition of many tablets, with the popularity of boxes like Vudu and Apple TV. A subscription service that does live streaming through Apple TV which has been talked about could be quite interesting because right now if you get Netflix, you get basic cable and your bill goes down and you can pretty much get everything except for sports and live events.

Although you’re starting to be able to get those too. So any kind of agreement between any of the device manufacturers and the programmers under the right circumstances could be pretty compelling, so were going to watch those. Then you come back to the biggest swing factor in my view which is what do the programmers do? You pretty much have behavior all across the map and it seems to me, most of the atten26

Cisneros Group of Companies’ Adriana Cisneros in discussion with TV Globo’s Amauri Soares and The Academy’s Camille Bidermann

tion when people talk about this is about the cool new devices or the distribution, but so much of this rests on what are the strategies of the programmers and there, you have ABC taking a very different approach than FOX than NBC and CBS and that’s where I think there’s a lot of value at risk.

So watching these program deals and watching what they choose to make available on a service like Netflix, it could just be shows that have gone off the air like 24, or shows that were cancelled in the case of CBS like Medium or shows on a two week delay. It’s a very different value proposition and if they start creeping closer and closer to what people get from their cable subscription, that too could accelerate this, so I think the next 12 months if we really pay attention to those markers on the consumer side, the programming side, the distribution side, and the device side is going to be an interesting ride.

KASSAN: I would like to just add something to that. I think the group you left out of that conversation were the marketers, International Emmy Almanac 2011/2012

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and we just did this last week and I can speak to it very directly.

We took Unilever, the second-largest marketer in the world, they spend $7.2 billion a year on marketing. We took them on a content journey, and the content journey involves spending time at News Corp and at Comcast NBC and at Time Warner.

The discussion as we teed it up was interesting, because we reached out to the content creators and the networks and the organizations that we spoke to on behalf of Unilever and the responses we got from the people at the front-end was so interesting because one group said oh no our fall programming schedule isn’t ready and I said well that’s good because I’m not here to talk about your fall programming schedule. What we are going to talk about is the change in business model and the distribution and how a marketer that spends $7.2 billion a year on marketing, they wanted to change the conversation, they want to understand where they are going to fit into this ecosystem because they are the feeder at the end of the day and so the programmers and the CE manufacturers and these folks need to be looking at the marketers further upstream and getting their input.

cussions I was having with a private-equity firm around these trends, two of the guys who were again within two years of having graduated from business school and these guys earn lots of money, were using Boxee to drive their choice of what they watched on a 15-inch flat panel TV.The person who runs the media group at this particular privately owned [company] turned to them and said, but don’t you understand you’re breaking the law? To which they, looked at her and said,Wes. So I think there is this question of the speed at which an industry comes up with solutions.

MILLER: I just came back last night from Abu Dhabi where there was a media conference, but in addition we got together all our folks from News Corp and the different businesses in the Middle East.The film guys were talking about piracy and that they believe the market was essentially 95% piracy, so it really is a strong point. And that’s in addition to trying to think how would you open a film in Egypt right now, which is what they are dealing with. Let me move to another question, Michael I’m going to start with you on this. I’m unfortunately perhaps old enough to remember a couple different things in the industry. I remember ROSE: Just one element I want to add ... one of the other things right out of college, I was a researcher on cable TV in the United I think has to affect this is piracy.

States for a brief while, in 1980, and And there is a discussion in the the question was, Should the federal community about what we are government help cable TV get liand aren’t going to allow happen censed in the cities. At that point it to the extent to which the pathwas just used for rural distant imporways exist and to the extent to tation of signals and I was looking at which there is a pirate version of the study and I thought, you know, if the content that you can access. they do this, which it looks like they The ability to define a business are going to do, there’s going to be a model will be lost by the probig opportunity for new channels to grammers and the distributors be created because there is going to who are having lots of interesting be all this now wider bandwith. how do I preserve my business There’s only four networks at the model debates. In one of the distime and a couple of local stations, what’s going to go down there? People are going to think of new channels, Then again when the satellites went up around the world, you’re thinking there’s going to be a whole bunch of new channels around the world because now they have the bandwidth in the sky.This CES (Consumer Electronics Show) in January, I felt, for the third time, and I thought now with the web we have Google trying to get organized through YouTube around channels, we have the Xbox just selling, the Xbox Kinect, selling as fast as they can make them, it’s a huge hit from Microsoft. So for the third time in my professional career, I got that feeling of, it’s going to happen again, there’s going to be now this opportunity for new channel creation. If you were going to say start a company like ViJohn Rose, Senior Partner and Managing Director, The Boston Consulting Group (BCG) acom, which is very strong in cable

“Ten years ago the first thing that young people got was a cable TV subscription, now the first thing they purchase is their mobile subscription with a data plan.”

—John Rose

International Emmy Almanac 2011/2012

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KASSAN: Except to the extent that you create those niches where the scale becomes less important and the marketer is the focus and the content is contextual to that marketer.

Panelist Geoff Sands, Director, McKinsey & Company

television channels, I would probably tend to start on the web today. But we’ve also had false alarms before, so I wanted to ask the folks here what they were thinking, I was going to start with you Michael, because it seems to me just like you were saying about over the top video in general, you need the marketers’ support, you can’t do it without marketing support, so are marketers ready to support video on the Internet at this point?

KASSAN: They are very much so and anxious to do it obviously.

The hold back has been the metrics and the accountability. As much as we say the promise of online is that accountability and the metrics are going to be more precise, they are not there yet and once they get there, the floodgates will truly open. So I do believe the answer is yes to that.

“The biggest swing factor in my view is, what do the programmers do in this new environment?”

—Geoff Sands

MILLER: So Geoff if someone came to you and said I want to start the next Viacom and they had a whole bunch of money, would you say you should buy an established media company that has a strong foothold in satellite channels or would you say take your money and start it on the web?

SANDS: If I wanted to start a Viacom anew, I would go into China where you have real tailwind behind you to create new entertainment vehicles. I would go where the growth is. My point being you don’t have a lot of tailwinds in this market right now and it’s a slow growth market. Will the advertisers support new channels? Today, 25% or so of the time on cable networks and broadcast networks is monetized, that number for online videos is less than 2% and is the reason because the industry needs a while to catch up as they did with cable or is it because there are so much out there that you can’t aggregate an audience fast enough, the transactional costs are too high. Most of the research will tell you that people really gravitate towards anywhere between seven and a dozen channels. There are a lot of channels out there. If you take any individual channel, most of them are fighting very hard to generate enough advertising and marketing.

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ROSE: Folks that have been able to take broad distribution, high version brands with consumer engagement and move them into other areas are more than able to jumpstart.The Food Network to the FoodNetwork.com is the prototypical example that everybody on the planet is starting to do. FoodNetwork.com is the dominant food website in the United States, it was undoubtedly much easier to get there because all of the traffic that you can drive millions of people who watch the Food Network, so there is incredible value in using traditional media assets to drive traffic to business models. So part of this is your time frame.The reason I probably wouldn’t go out and buy a fairly sizable company is, unless I was willing to take it private and keep it in a private environment so that I was able to do things with it that were not in a consistent earnings trajectory. It’s very hard in a public equity environment to sustain and make the kind of bets that you do have to make so if you pick a number, a quarter of a billion dollars or a billion dollars, whatever you want to put into this, very hard to put that into a set of PNL losing ventures that will lose money for a sustainable period of time.The other thing I would add is we need to ask what a channel is in its new environment because the question is if a channel is Hulu there may be a different answer than if the channel’s owning is vertical.

And you and I both have a great friend who pioneered what is, from a content experience, a great content experience,YouTube. It will ultimately be, it is a digital channel.

MILLER: Special channel creators [Next New Networks] was just bought by Google last week.

Google bought this asset to help them organize YouTube and create more channels, real channels out of YouTube.

ROSE: And it’s a really interesting consumer service.... Until somebody organizes it and orchestrates the functional equivalent of double click for video, meaning a place that advertisers can go to place marketing vehicles that can then get served into content that isn’t necessarily going to be watched between 8 and 9 p.m. on a Tuesday night, but is actually going to be watched 24 hours a day by a segment of the population you really want to capture...the whole mental model needs to shift from what programs I buy to get 250 gross rating points in this week in prime time versus who do I go to who could serve enough ads in a framework that is almost independent of the programming its in to aggregate the 250 gross rating points between eight and 12 p.m.That infrastructure doesn’t exist.

MILLER: I wanted to just go back to something that John Rose just said [about] the cable network dot com sites gaining a lot of ground. I actually think it’s maybe not for the reason he’s telling me. Let me illustrate. So in the news category Yahoo in America is number one by actually still a considerable amount. Second International Emmy Almanac 2011/2012

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on any given month is either CNN.com or MSNBC.com, both related to cable networks. Finance, same thing,Yahoo Finance, second WallStreetJournal.com. Sports, first is Yahoo Sports, then ESPN, then FoxSports.com. So you can go through the categories and that’s what they look like. Health is a little different, it’s not the equivalent of a large cable health channel, so you have Yahoo and you have WebMD. I think the reasons [is] not so much the ability to drive audience, it’s because the cable sites have video. I think this is the age of video that were seeing now because with all the bandwidth around the world, video consumption is exploding. Frankly, Yahoo is not a video rich environment, not a true multimedia environment, its vulnerable in all those regards to those cable sites.

“We and the big advertisers are now looking at this on a truly global market scale.”

—Michael Kassan

ROSE: I agree with what you are saying but if you went back five years ago, FoodNetwork.com was still the number one food site and the ability to access video in a rich manner was much less. But I think you’re right about video.

SANDS: I think what some of these sites that are doing very well...[have] done some things that you can only do in that medium. ESPN has done a terrific job, figuring out what are the things that really engage its fans and using the dot com site...so its partly driving traffic from one to another.

MILLER: Formats are proliferating on American television and those formats are coming from all over the world in a way they never have before in US television. Is this the shape of television to come, where all the markets will sort of be intertwined through formatting and again will advertisers follow it?

KASSAN: I think we’ve seen it in manifested in more ways than one. Obviously you can’t underestimate the importance of user[generated content] as it relates to ideas from wherever so I think the answer is yes and I think the ability to communicate those ideas make it so much easier now and you’re going to see that be much more international now, a global phenomenon. It’s not just the user generated but it’s the people who are in the business of doing it and I think somebody, I think John you said it, the five or six hundred people you had to speak to get something done. I’m old enough to remember when there were three people you had to speak to and those three people controlled what we saw and that was the networks chiefs and now that democratization has changed it so I think the ideas are from wherever they can be generated and I think that advertisers will support those good ideas.

SANDS: I would also point out that there are probably some second-order effects of that. If you take for instance one -hour dramas in television, it costs you $3 million to make a one-hour drama, half of that is recovered in the US, so the international sales of those dramas are really important profitability with the shows.

If you have a lot of formats that have already appeared in international markets, moving back and forth, you could end up really squeezing the backends. Everybody thought DVDs were going to 32

be the backend revenue for one hour dramas, with the exception of Mad Men and a few others it’s not, so I think it is going to happen because everybody likes to follow the trend, and this is a probably a good one from a creative standpoint but it may not be one for business.

ROSE: I just want to raise this and also split into two different discussions.There’s a discussion about formats which I wouldn’t say is new but it will accelerate. I mean Big Brother, Sanford and Son and All in the Family were formats that were pulled from other markets into the United States and Wheel of Fortune was syndicated in 170 countries around the world. So I think this accelerates a clear phenomenon of a statistic over 40 years, but I think it’s going to happen much faster cause things will move and there will be much more agility in this.That’s different than the point Geoff’s making which is viewership will potentially start to fragment with availability and people will start making choices, like the one that I personally make which is Top Gear from the BBC is so much better than Top Gear from the History channel and so because of the explosion of viewing choice, you can actually watch stuff that you wouldn’t otherwise be able to watch. Geoff is making a very important point about the backend value of a specific instance of a program and the economics may in fact get twisted sideways.

MILLER: If you were going to start a media company today for the future, what category would you go into?

KASSAN: I mean in terms of what you’re talking about at the front end of this I think that platform is the platform with the most exciting group.

MILLER: And it’s the one that traditional media companies have never been really strong in particular.

Panelist Michael Kassan, Chairman and CEO, Media Link

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SANDS: Can I say that I was in your shoes on a panel asking this question to Peter Chernin when he was at News Corp.

MILLER: What did he say? I’m curious.

SANDS: Peter Chernin, said, well I know that what your getting at is and what you want me to say is games, social media, going to India and China, but I really wouldn’t do that. I would go to the Hollywood filmmaking business. … I couldn’t help noticing that what he’s doing now is going into China … and talking about gaming, maybe, so I think gaming is certainly one I think that you have to go where the growth is and you know notwithstanding all the challenges of the piracy issues, the Chinese government has made a huge commitment to double the size of their entertainment industry to $500 billion in the next 5 years. And if you learn anything about the survivability about companies over time, it has less to do with how well they operate and steal market share, and much more to deal with are they in the right growth markets so I would look for games and geographic markets. I would be very interested in marketing services companies.

ROSE: So the first place I would go is sideways, I would look at the enabling services that will support the new value chain and of them the first place I would go is to what we were talking about before which is the ad exchange, ad networks that would support the new distribution platforms. Mobile is pretty much gone, but we were talking about video and I think if there’s any cross-platform video, there’s probably a different ecosystem that will support tablets because of the ability to integrate video high-quality magazine-like stills and those businesses migrate to a winner take all position and what’s inter esting is that there doesn’t seem to be a lot of skill if you are in one of those ecosystems like search or display, to win in mobile apps or tablet apps or video, so if we believe everything we’ve been saying there’s going to be a lot of viewing through some new distribution platforms for which marketing is going to matter and in the traditional media world, the content guys take somewhere between 85 cents on the advertising dollar apps are created, and in the digital streams

The Academy’s March Board & Members Meeting

there’s 30 to 40 to 50 cents that is captured by the enabling chain. So the first place I’d go to get a meeting business is in that transactional part of the enabling chain and by the way I would become very friendly with you because the pathway into the advertisers into my platform is a path to value and I think that’s the first place I would go.

SANDS: If you used to be in the media industry the typical advertiser Proctor and Gamble knew much more about NBC’s audience than NBC and I think that’s going to be one of the biggest changes for media companies—that they will have to understand their audiences much better.

MILLER: That’s a terrific point and I’m glad you made it. In the digital era of direct consumer relationships, the data and the understanding that flows from that is the main source of leverage.

ROSE: I just haven’t seen the visibility into economic models that are scalable, so there’s a lot of people that have a lot of data, a lot of people have that data proprietarily, some have the ability to use it, some don’t have the ability to use it. The rules around it are very fuzzy and the people who create unique value-added ser vices have done it in very specific focused applications, industry specific, behavior specific, so I think there’s going to be tremendous enterprise value created there.

Academy members Guido Corso, Rainer Siek and Jim Rosenfield

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KASSAN: The single biggest issue facing the industry today is what you do with all the data that you have and how you use it properly. You can’t lose sight of the fact that every major market today looks at three buckets.

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Digital Emmy awarDs

2011 International Digital Emmy Awards at MIPTV April 4, 2011, Cannes The International Digital Emmy Awards took center-stage once again during MIPTV’s Opening Night in Cannes. The Awards, which were attended by over 200 international executives from the television, broadband and mobile industries recognized for the sixth year, excellence in international content created and designed for viewer interaction and/or delivery on a digital platform.

Celebrity presenters on stage and on the Red Carpet included stars from the Camelot series Jamie Campbell-Bower; Eva Green and Joseph Fiennes; Endgame’s Shawn Doyle; Torchwood’s Bill Pullman and

Natalie Lisinska (InSecurity) on the Red Carpet

Bill Pullman, Anne de Kerckhove, John Barrowman, Laurine Garaude, Paul Zilk and Bruce Paisner

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John Barrowman and Incredible Indian Bride’s, Diana Hayden.

Shankaboot (Batoota films/ BBC World Service Trust) a webseries conceived as a vehicle for exploring social problems which are often overlooked by mainstream media in the Arab world, garnered the first Digital Emmy Award for Lebanon by winning the Fiction Category. HIGHRISE: Out My Window (National Film Board of Canada), an interactive web documentary about highrises and the stories of the people who live in them throughout 13 different cities, won in the Non-Fiction Category. Battlefront II (Raw TV/Airlock for Channel 4), which follows 12 young people running campaigns to change the world, won its second Digital Emmy Award in the Children & Young People Category. Complete information on the winners follows.

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Bill Pullman and John Barrowman (Torchwood)

Camelot producer Graham King with cast members Eva Green, Jamie Campbell-Bower, Joseph Fiennes and GK-TV President Craig Cegielski

Richard Yearwood, Natlie Lisinska and Remy Girard (InSecurity)

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Diana Hayden (Indian Bride)

Shawn Doyle (Endgame)

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Pioneer Prize — Presented to Jon M Chu Creator & Executive Producer, LXD The Legion of Extraordinary Dancers In addition to the presentation of the Digital Awards The International Academy presented a special award-The Pioneer Prize, which is not an Emmy but rather a special initiative from The Academy which honors an industr y personality or organization. The Pioneer Prize was presented to Jon M Chu the Creator and Executive Producer of the global online dance phenomenon The Legion of Extraordinar y Dancers (THE LXD) for innovative contributions to the field of digital entertainment. LXD lead dancers Stephen “Twitch” Boss and Luigi Rosado opened the awards ceremony with a live performance.

Pioneer Prize recipient Jon M. Chu on stage with presenter Tim Kring and LXD dancers Stephen ”Twitch” Boss and Luigi Rosado

Academy President & CEO Bruce Paisner, Pioneer Prize recipient Jon M Chu and Reed MIDEM CEO Paul Zilk

Jon M. Chu on the Red Carpet

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THE 2011 INTERNATIONAL ® DIGITAL EMMY AWARDS WINNERS

Digital Program: Non-Fiction HIGHRISE: Out My Window National Film Board of Canada Canada Delivered entirely on the web, the stories of HIGHRISE: Out My Window span the globe: from Latin America’s largest vertical squat to a massively renovated post-Soviet highrise suburb in the Czech Republic. It features 49 stories from 13 cities, told in 13 languages, accompanied by an indie-band music playlist.

Credits: Director: Katerina Cizek Senior Producer: Gerry Flahive Chief Artist, Imaginarius: Vincent Marcone Post-Production and Technical Director: Branden Bratuhin

Digital Program: Non-Fiction Winners for Out My Window, Christina Rogers and Tom Perlmutter

Out My Window

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Digital Program: Children & Young People Battlefront II Raw TV/Airlock for Channel 4 UK Battlefront II follows 12 young people running campaigns to change the world. Battlefront exists on air and online. A new feature of the website is the Start Your Own Campaign section, which encourages visitors to set up their very own campaigns. Other new additions to the site include a fortnightly web-show hosted by Youtube talent Alex Day. Credits: Executive Producer: Lucy Willis Project Producer: Vicky Bennetts Technical Direction: Joseph Denne Site Editor: David Levin

Digital Program: Children & Young People category presenter Jamie Campbell Bower (Camelot)

Digital Program: Children & Young People Winners for Battlefront II, Vicky Bennetts, Lucy Willis, Chris Mair, Will Lebens and Jo Twist

Battlefront II

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Digital Program : Fiction Shankaboot Batoota films/BBC World Service Trust Lebanon Shankaboot is a webseries conceived as a vehicle for exploring social problems which are often overlooked by mainstream media in the Arab world. The aim of the project is to present these issues from a fresh perspective and to prompt an exchange of opinion between young adults across the region.

Digital Program: Fiction Winner for Shankaboot, Amin Dora, Katia Saleh, Bassem Breish and Toni Oyry

Credits: Producer: Katia Saleh Director: Amin Dora Lead Writer: Bassem Breish Project Director: Michael Randall

Digital Program: Fiction category presenter Shawn Doyle (Endgame)

Shankaboot

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2011 SEMI-FINAL rouNd oF JudGING

International Emmy Awards Semi-Final Round of Judging

F

rom June to September, thanks to the 23 member companies who hosted Semi-Final Rounds of Judging for the 2011 International Emmy Awards competition, the Academy traveled to 20 judging sites in: Austria, Australia, Brazil, China, Colombia, Denmark, France, Germany, Ghana, Malaysia, Mexico, Nigeria, South Korea, Switzerland, the United Kingdom, the United Arab Emirates and the United States.

Semi-final Rounds of Judging are a crucial step in the judging process, and also a great networking opportunity for the Host, and for Jurors invited to participate in the competition. Jurors, selected by the Academy in collaboration with the Host, are television professionals involved in all sectors of the industry.

A complete directory of the 2011 judging hosts and participants follows in this section.

Above and below: Panel of jurors for the Semi-Final round of judging hosted by Pierre Sissmann, Cyber Group Studios in Paris; Left: Paris’ Montmartre neighbourhood

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Panel of jurors at Judging hosted by Alexander Marin, Sony Pictures Television

International television professionals interested in participating in the competition are invited to apply on the Academy website www.iemmys.tv to become a juror for the 2012 season.

Academy Members interested in getting more involved in the judging process are encouraged to judge, and host an event in their region.

To be considered as a host for the 2012 Semi-Final round of judging, please contact Nathaniel Brendel, Emmy Judging Director.

Panel of jurors at work at judging hosted by Alexander Marin, Sony Pictures Television

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The Bogota Semi-Final round of judging hosted by Alexander Marin, Sony Pictures Television, took place at Cinema Paraiso

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Red carpet during Semi-Final round of judging hosted by Leopold Hoesch, BROADVIEW TV, Michael Smeaton, FFP New Media GmbH, and Friedhelm Bixschlag, MMC

The International Academy of Television Arts & Sciences Wishes to Thank: SEMI-FINAL JUDGING HOSTS: Nashwa Al Ruwaini Pyramedia (a bu Dhabi, Ua E) Steven Bawol h elion Pictures (Paris, France) Piv Bernth Danish Broadcasting Corporation (Copenhagen, Denmark) Friedhelm Bixschlag Magic Media Company (Cologne, g ermany) Bill Dunlop Eurovision a mericas (w ashington, D.C., USa ) Talal Fattal Metro TV (a ccra, g hana) Paul Field The w iggles (Sydney, a ustralia) Octavio Florisbal TV g lobo (n ew York, USa & Rio de Janeiro, Brazil) Tony Forrest The Movie n etwork Channels (Sydney, a ustralia) Gregoire Furrer Montreux Comedy Festival (Vevey, Switzerland) Leopold Hoesch BROa DVIEw TV g mbh (Cologne, g ermany) In-Kyu Kim KBS (Seoul, South Korea)

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The Semi-Final round of judging hosted

by Leopold Hoesch, BROADVIEW TV GmbH, Michael Smeaton, FFP New Media GmbH, and Friedhelm Bixschlag, MMC, took place at the Marienburg of Cologne

Charles Lei YIn g z h a n w a n g (Beijing, China) Alexander Marin Sony Pictures Television Latin a merica (Bogota, Colombia & Santa Fe, Mexico) Emeka Mba n ational Film and Video Censors Board (a buja, n igeria) Javad Mottaghi a BU-a IBD (Kuala Lumpur, Malaysia) Miguel Oliva h BO Latin a merica g roup (Miami, USa ) Franz Patay & Chris Hunt IMz – International Music & Media Centre (Vienna, a ustria)

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Catherine Payne Endemol Worldwide Distribution (London, UK) Melvin Perez MGM Latin America (Mexico City, Mexico) Remy Pflimlin & Nicole Devilaine France Televisions (New York, USA) Pierre Sissmann Cyber Group Studios (Paris, France) Michael Smeaton FFP New Media GmbH (Cologne, Germany)

The International Academy of Television Arts & Sciences Wishes to Thank: COORDINATORS: Yunusa Abdullahi National Film and Video Censors Board, Nigeria Kate A. Alexander The Wiggles Productions, Australia Michaela Maria Arvesen DR TV, Denmark Mimi Betancourt HBO Latin America, USA Annika Boehm Broadview TV, Germany Christine Bleriot, Antonio Macipe & Paul Lhomme Cyber Group Studios, France

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Maud Chaumet Montreux Comedy Festival, France Amanda Davies Movie Network Channels, Australia Shaimaa Fawzy Pyramedia, UAE Robana Govindaraju & Alan Williams ABU, Malaysia Karen Gutierrez MGM Latin America, Mexico Alhassan Haruna Metro TV, Ghana Andrea Katime & Michael Fernandez Sony Entertainment Television Latin America, Mexico & Colombia Hae Ran Kim, Tyro Ahn & Minwook Jung KBS, South Korea Duda Pereira & Luciana Lourenco TV Globo, USA & Rio Tatiana Petkova & Birgit Baresch IMZ, Austria Meghan Sinclair & Phoebe Price Endemol, UK Peggy Soucy Eurovision Americas, USA Tabulations by Ernst & Young LLP Mark Besca & Matthew Askins (New York, USA)

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Above: Panel of jurors for the Semi-Final round of judging hosted by Octavio Florisbal, TV Globo in Rio; Right: Panel of jurors for the Semi-Final round of judging hosted by Octavio Florisbal, TV Globo in New York

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Panel of jurors at Semi-Final round of judging hosted by Paul Field, The Wiggles Productions in Sydney

Panel of jurors at Semi-Final round of judging hosted by Tony Forrest, The Movie Network Channels in Sydney

Darling Harbour, Sydney

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WE LOVE TO SUIT UP FOR THE GAME.

CONGRATULATIONS TO ALL WINNERS AND NOMINEES OF THE 2011 INTERNATIONAL EMMY AWARDS.

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Mr. Dae-Hyun Cho, EVP, KBS at Juror Dinner

Cultural tour during Semi-Final round of judging hosted by In-Kyu Kim, KBS in Seoul

Nathaniel Brendel, Emmy Judging Director at a Jurors Orientation hosted by In-Kyu Kim, KBS in Seoul

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Panel of jurors for the Semi-Final round of judging hosted by Javad Mottaghi, ABU-AIBD in Kuala Lumpur

Beijing Semi-Final host Charles Lei, interviewed by CCTV

Jurors for the Semi-Final round of judging in Kuala Lumpur

Juror Dinner in Beijing

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Panel of jurors for the Semi-Final round of judging hosted by Gregoire Furrer, Montreux Comedy Festival in Vevey

The Montreux Lake

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Capadocia star Aida Lopez, at work as a juror during Semi-Final round of judging hosted by Miguel Oliva, HBO Latin America Group (Miami)

Luis Peraza, Executive President, HBO Latin America, at Semi-Final round of judging hosted by Miguel Oliva, HBO Latin America Group, in Miami

Semi-Final round of judging in London hosted by Catherine Payne, Endemol Worldwide Distribution

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Cocktail for the semi-final round of judging hosted by Melvin Perez, MGM Latin America, in Mexico City

MGM Latin America’s Marcello Coltro interviewed by a Mexican channel

Panel of jurors at Semi-Final round of judging hosted by Franz Patay & Chris Hunt, IMZ – International Music & Media Centre in Vienna

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Panel of jurors in front of the Arc de Triomphe for the Semi-Final round of judging hosted by Steven Bawol, Helion Pictures in Paris

Emeka Mba, National Film and Video Censors Board, host of the Semi-Final round of judging in Abuja, Anikka Sellz, Emmy Judging Manager and Yunusa Abdullahi, National Film and Video Censors Board, Nigeria

Panel of jurors for the Semi-Final round of judging hosted by Emeka Mba, National Film and Video Censors Board in Abuja

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september bOArD meetING pANeL IN LOs ANGeLes

Talk-shows, Soap Operas and The Future of Daytime Television Panel hosted by Bradley Phillip Bell, The Bold and the Beautiful September 16, 2011 CBS Television City, Los Angeles Moderator: Lacey Rose, Senior TV Editor, The Hollywood Reporter Panelists: Brad Bell, Executive Producer & Head Writer, The Bold and the Beautiful Mort Marcus, Co-President, Debmar-Mercury Peter Tinoco, President, Venevision Studios.

ROSE: Being here today, as we said, is a fascinating time for daytime television. It’s certainly a rapidly changing landscape and I think that we have three representatives here that come from all different sides of it, which will make for an interesting discus- Panelists on the set of The Bold and the Beautiful sion.The place I would really like to start is getting at and of course for the rest of the world. Our product, especially the question of the day, which is the future of daytime televithe telenovelas, are sold to a hundred countries around the sion, and I’m really curious from where each of you stand, world.To me, the key to succeed in the production of telenovwhat that looks like. Five years down the line, what is the elas and talk shows is to keep in mind that you need to future of daytime television? continually be changing according to what the audience is wantTINOCO: Let me start. My name is Peter Tinoco, I am the presing, and to also be exploring. And nowadays, new platforms, ident of Venevision Studios and we produce about 1,500 hours social-media platforms and interactive media, play a key role. a year of telenovelas and shows for daytime and primetime, for We had a recent experience, with one of our telenovelas, Eva Univision, the Spanish-speaking network in the United States, Luna, whereby doing some interactive work we were able to bring 2 million viewers of a younger age that we didn’t have.

And we’ve been doing this in Venezuela for 5 years and were amazed that it was not being done as much here.

Telenovela is a love story which is hard to achieve, so the audience suffers and smiles and goes through emotions, so it’s very passionate and inspirational.

Our telenovela is like a 120-hour movie. It has a beginning and an ending. A happy ending. And the majority of the telenovelas end in a marriage between the 2 main characters who suffered through the whole 120 chapters together for their love to become true.

And so we were able to attract The Academy’s September Board & Members luncheon on The Bold and the Beautiful set at CBS Television City in Los Angeles the audience, a majority of 70

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women, by going to the interactive world, to expand our audience, and to learn from them. We’ve also prepared special interactive content, for that audience. For example one of the characters, the main character had a communication with the audience, he confided with them his beliefs, his worries, and nothing of that was shown on the program. It was a direct communication with them. Also we were able to do something that was very well liked, to organically put product placement into it. For example, the first love relationship/love scene between the two main characters was in the back of a Chevy Traverse. So while you may say that’s normal, that in the US the first time two young kids make love is in the back of a truck, a Camino, it shows. It’s there, although it’s not clear, it’s not pointed out, when they’re kissing, you see the Chevy logo between them.

going on and I’m curious, what do you see as the future of this genre?

MARCUS: I’m Mort Marcus, I started a little company called Debmar Mercury, in 2003. It’s a small independent entrepreneurial company that is now owned by Lionsgate. We got famous by doing all the Tyler Perry sitcoms. Things have been changing with daytime. I was telling the panel at lunch that actually the people who watch daytime have virtually unchanged. But what has changed is the balance between where it’s being watched. So back in 2000, cable and broadcast represented about 50% of viewing each, so half the people would watch something on cable at daytime, and half would watch something on a broadcast station. But today, 10 years later, 65% of the viewing is done on cable, and only 35% is done at daytime even though cable spends no ROSE: Absolutely, I think you’ve money on programming from 9 to 5 brought up a lot of really interesting during the day.They spend about 99% points, particularly the difference of their programming on prime time between the telenovela and the soaps where they only have about a 50 here. Now, I want to stick to the share, so for some reason, the audifuture of daytime, and what it seems ence is migrating to cable more so in like now, when you turn on your TV daytime, even though all the money by day, there’s a lot being thrown at which is being spent by cable is in the walls. A lot of different genres, primetime. Additionally we found that, whether it’s talk shows, whether it’s a in 2000, CBS, NBC, ABC, the big three telenovela, whether it’s a soap, cernetworks, represented almost about tainly there is a lot of experimentation 75% of the viewing in broadcast. But today, it’s a little more than 50, maybe 55% of the viewing, so they’re getting weaker as well. We actually believe it’s because for some reason in the marketplace and the US in daytime TV, the programs haven’t really changed. It’s kind of the same old thing, I mean think about how long Judge Judy has been on the air, how long Oprah was on the air. It’s the same show every single day, and same soap operas, same thing, so what’s happened over time is those audiences, even though they may be winning the time period, those audiences have been eroding, eroding, eroding, and it’s getting closer to everything else. And so we believe that the marketplace has to be addressed. One other thing, in this country African Americans represent 12% of the United States population and Hispanics about 11. But in daytime TV it’s a very, very different Moderator Lacey Rose, Senior TV Editor, The Hollywood Reporter, and panelist Brad Bell, picture. African Americans represent Executive Producer & Head Writer, The Bold and the Beautiful

“80-90% of our viewers are outside of the States.... There is room for this type of programming. It’s proven to sell, we’re the top-rated daily show in the world, and if the quality is high, there’s room for all different types of genres.”

—Brad Bell

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about 18% of the population that watches TV during daytime, Hispanics around 15%, but it’s even further than that because on a five day a week program, if you see when you read the trades, you don’t get a rating on Tuesday, you get a rating from the week, so it’s a five-day rating. Most white Americans watch TV about one and a half times a week, they might watch Oprah one and a half times a week, so that viewership is added up over the 5 days, but an African American and a Hispanic viewer watch more like three times a week. So actually from a weight standpoint, you know African Americans and Hispanic, we’re probably talking about more like 40% of the weight of the rating in daytime, not in primetime, in daytime. So we look at it that way, and we see the marketplace continually to evolve that way and in a much more multicultural way. But it’s interesting that African Americans and Hispanics watch at a much higher rate.

“Nowadays, socialmedia platforms and interactive media play a key role in a program’s success.”

—Peter Tinoco

ROSE: Brad, you have a show which falls into that category.

Approaching 25 years now, which is incredible particularly in a landscape like this. Can you speak to your thoughts to where it goes, and Brad what you think of Mort’s philosophy?

BELL: I’m Brad Bell, I’m the head writer and executive producer of The Bold and the Beautiful. We’ve been here since 1987 and completed about 6,100 episodes of this show and we’re in over 100 countries around the world and I think the future of daytime television is better than ever to watch.There are so many choices, there are so many quality choices, even though, Mort, as you pointed out that a lot of this is, that the money going in to the cable channels is for primetime, they’re also airing these shows during the daytime, so it’s really blanketed throughout the whole day, and I just think that like Judge Judy, or Oprah, or a great reality show, the good ones are going to survive, and the bad ones will go by the wayside.

ROSE: How are you tailoring your shows to this changing viewership? This is not the same woman or in some cases men that are at home watching, so how do you go about, when you are thinking about writing your episode, or programming a talk show, how are you thinking about who that viewer is changing and tailoring to that viewer?

BELL: Well, we’ve always been focused on women 25 to 54.

That’s our target audience. And we still are. As our cast grows older we’ve brought in a whole new generation of great young actors, we’re picking up the pace. We’ve been lately blending reality in with the fiction. Last year we went down to skid row and union rescue mission. And we were actually interviewing people, and did an interactive experience with skid row, and we have another reality based story line coming

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Panelist Peter Tinoco, President, Venevision Studios

up. So we’re experimenting. I’ve always thought we were like experimental television. And we’re playing against what’s out there. While Oprah is now gone we’re doing more issue related stories but the core of what we do is always stirring the emotions of the viewers, creating highly addictive television with cliffhangers, and payoffs, and romantically set, that people see as an extension of their family.

ROSE: You were talking earlier about the telenovela, and that format, and having a beginning, a middle and an end. Here in the US, people aren’t so willing to put an end date on things.

If something is working, let’s ride that out. Has that been a challenge at all? And how do you, as this is clearly a format that has worked brilliantly around the world? As you’re trying to bring more and more here stateside, how does that form fit in to the US landscape?

TINOCO: Well, when we were producing in Venezuela, we tried to accommodate to the audience, but also to the general public and tried to see what’s hot in the world. For example, a telenovela will always be a love story, but the theme of that telenovela could be something like Miami Vice where the back story is thieves, robbers and police investigation. We’re now trying a new telenovela where it’s a gang and there is an undercover police girl which is their main character and she falls in love with the head of the gang and you know it’s a mixture of everything where you have the thrilling and suspense, and it has an ending. It’s like with books, you finish this book and want to see what that author wrote, because you want to read his next book. We’re continually monitoring how the audience relates to our characters, and since we’re airing and producing you can have a character that doesn’t have a main role and then all the sudden because

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people like him/her we start writing more to that character.

That character could be a bad guy, and then you know, he ends up being a good guy at the end because people want him to be a good guy. So it’s constantly about adapting, monitoring what people want and being on top of things.

MARCUS: I think that at some point our worlds are coming closer and closer, and we have a tendency to think that our way is the only way and the best way, but as you look around the world, and the way that it’s working now, the way formats work here, they work there, they work here, I think that we need to think about how we address the fact that most of the rest of the world does not do what we do, they don’t do something that stays on the air for 20 years, whether it be a soap or a game show or a talk show. Even game shows, they tend to run them for 13 weeks, 20 weeks. Even if they’re a hit, they pull them off, and they put something else on. And then they bring it back. And I remember we used to look at that in the UK and say “They’re crazy! Why would they stop running that show?”

ROSE: Primetime 6th episode, they’re done?

MARCUS: Crazy! But the reality is that maybe they’re right and maybe that’s why the audience is eroding, and maybe we need to look at it a little differently. Imagine in the US, if someone produced a telenovela, whether it be in English or whatever, that actually gripped a segment of the population, everyone would be talking about it. Why wouldn’t they? I mean, we got to get a clue sometimes and realize our way isn’t the only way.

whole technological revolution that’s happened in the past 10 or 15 years has shown us anything, it’s that people are specializing, and there are so many forms that we never thought would make it. People selling junk on TV is getting incredible ratings, and repossessing cars, a crab fisherman in Alaska, and it’s all fascinating and compelling drama, so there’s room for everything out there.

ROSE: The decision made earlier this year by ABC to not continue some of their soaps; certainly they were cut a lot of flack by avid fans of these programs, and then there was another side of the business that said, you know it’s about time, it was a wise financial decision. Where do you guys come out on this?

BELL: I think that everyone is trying to get the cost of production down. And while these are relatively expensive to run, it’s not exorbitant, so it’s really a matter of, if you have a working business model or don’t you. Fortunately with our global reach, we’re able to sell to CBS at an attractive price. And we’ve been renewed for a couple more years, and we’re hoping that that will continue.

MARCUS: I can’t speak for what ABC did, but I understand it was about $50 million to make those soaps, so at the end of the day for them it was just a business analysis. So now they’re going to do The Chew and I’m sure it won’t do as well

“We’re realizing now that if something works somewhere else, there’s a good chance it might work here.”

—Mort Marcus

ROSE: There’s been a lot of talk, whether it’s on primetime, whether it’s on daytime, the commitment that these heavy serialized shows take on viewers. You have to tune back in day after day after day and we are time strapped viewers as is. So I’m curious, how do you approach that and do you think as you are writing, as you’re programming, do you think about that viewer and maybe cateri it to a schedule that doesn’t allow you to come back day after day after day?

MARCUS: [Brad] do you know how many shows per week your average viewer watches? Your show?

BELL: I’d say about two. But you know, to look at the soap operas that we do, the daily show, 255 episodes a year, as an American dinosaur just isn’t the case. 80- 90% of our viewers are outside of the States. And the format is embraced all over Europe and Africa, and Australia, and so I think, again there is room for this type of programming. It’s proven to sell, we’re the top-rated daily show in the world, and if the quality is high, there’s room for all different types of genres. I think if this 76

Panelist Mort Marcus, Co-President, Debmar-Mercury

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ROSE: I didn’t know that. When you’re going around, traveling and talking to different stations and buyers, what are they looking for?

What are they genre-wise, storyline-wise, guest-wise, what are they after?

The Bold and the Beautiful set

as the soap, but it probably cost $25 million, maybe $30 million if they go crazy. So we do The Wendy Williams Show for $20 million. Anderson Cooper is probably $35 million. But still way less than the cost of a soap, so there is a lot of room for error in their decision to do The Chew but my experience always says that when you start losing viewers, it costs you more than you— you put it on a paper and add it up, it’s worse than you think it is. They’re going to lose viewers for sure. They might get a little younger, but they’re going to lose viewers. There’s no way they’re going to do better. You know it’s a business decision… Maybe those shows didn’t sell as well internationally as Brad’s.

ROSE: You’ve got another talk show with Jeremy Kyle. Can you state to the challenges to trying to launch something, and we know how important it is to come out of the gate strong.

MARCUS: Well he just won the Daytime Emmy in the UK for best talk show. We’re realizing now that if something works somewhere else, there’s a good chance it might work here.That wasn’t the case 10 years ago. It used to be that if it worked in the UK, the US broadcasters would say, almost by definition, if it worked there it won’t work here. But now, if it works in the UK in particularly, not just the UK, but if it works in the UK, people are jumping on it, because that means it will work, or could work, or potentially work here. And we look at it that way and have seen all the formats here. We’ve seen Jeremy Kyle, and he’s the number one talk show in the UK for the last six years, we like picking people who know how to do it.This guy is unbelievable at what he does; it’s sort of a Maury Povich/ Dr Phil-ish kind of thing, but he is amazing at it, he’s done 1,500 shows, and so our bet was that we got a guy who knows how to do it, doing the exact same show, but just in the US. So our fingers are crossed. By the way, those shows have a tendency to reach very very high African American [audience share]. Most people don’t’ know that the number one African American rated show in daytime is the Maury Povich show.

International Emmy Almanac 2011/2012

MARCUS: They’re after the same thing. They want to be easy, they want something to hit them in the face and say ‘oh my god, I have to have it. They want to replace Oprah Winfrey but know they can’t. Mostly Dr. Oz has moved in to those time periods and is doing relatively well. Anderson Cooper’s got a few of them not doing as well as that, but Katie Couric comes up in a year, I’m sure a lot of them think she could fill that slot. But I think that nobody thinks in the end that they can replace her, I’m sure. But they’re looking for something like that, they’re looking for something that they can run near their newscast to get a really high rating and drive their local programming.

ROSE: Do you have to produce and provide storylines in a different way today than you did years ago?

BELL: I think there’s more that’s similar to 20 years ago and 50 years ago, hundreds of years ago when good storytelling, again, stirs the emotion. It’s something you can relate to, and we really try to get people— since we have the luxury of having 250 episodes, they give us that time, we really try to make them cry tears of joy as liquid gold for us. And when they have

Brad Bell, Executive Producer & Head Writer, The Bold and the Beautiful, with his mother Lee Phillip Bell, co-creator of The Young and the Restless and The Bold and the Beautiful

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Academy President & CEO Bruce Paisner with Moderator Lacey Rose, Senior TV Editor, The Hollywood Reporter with Panelists Brad Bell, Executive Producer & Head Writer, The Bold and the Beautiful, Mort Marcus, Co-President, Debmar-Mercury and Peter Tinoco, President, Venevision Studios.

that payoff of the underdog finally getting his chance in life, and getting the girl, and the wonderful wedding, that’s what we really go for and that’s been the same in drama since the beginning of drama. So I think that lately in soap operas, people have been trying to, they’ve been running a little scared, and have been doing plot driven stories, and they’ve been doing more cops and robbers, and doing things that don’t really fit what we do, and so I think there’s more that’s the same than there is different.

ROSE: You said earlier when we were having lunch about how you approach a sexier story line and what not, and how that has differed, and how you’ve focused a little more on issue type fare. Can you speak to that at all? I thought that was quite fascinating.

BELL: In the ’80s we were really trying to be sexy, steamy soap operas. We were really pushing the envelope in sexuality, and the bedroom scenes, and we were the go-to people for that type of stuff. Now if you want sexy, erotic satisfaction, you can get that on the Internet, you can get that on pay TV, so we’re realizing that that’s not what we’re all about. We’re about positive family morality issues and a product that can be watched through multi-generations.

Grandmas can be comfortable having their granddaughter in the room and watching the show and hopefully maybe say “this woman is a role model, she’s someone you should aspire to.” So that’s where we are right now.

TINOCO: I wanted to comment on some of the things we’ve learned through time and we’ve adapted. As you know, things are quicker nowadays, and we have evolved through the years. Before we had the scenes which were a minute or longer; scenes of the telenovela. Now we are 60

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seconds or shor ter. We have scenes that are 20 seconds.

Things move really quickly and we do have a cliffhanger every 10 to 15 minutes. So they don’t go to the control room and change it, people are there and they want to see the guy killed or not because you left it on the cliffhanger, and we don’t do it for every episode, we do it every 10 or 15 minutes when you go to commercials. So things have changed and evolved and we have to be adapting to it. And that is a very important thing to stay alive and to stay on what the people want and how people change.

BELL: What I think is equally important to recognize is that while we deliver in our soap operas and telenovelas, the greatest thing is when you give that actress the role and monologue, and the lights dim down and she gets it and shows what she does. It’s almost operatic, how she does the whole range of emotion, with tears, and anger, and that’s what I think brings them back more than anything. Just that love affair.

MARCUS: And in the new world of technology, where everything is available from Netflix or downloads or whatever, most of the stuff in daytime is actually not. In fact the daytime shows are hardly TiVo’d at all. They’re really more, you watch them when you can get them, and you really want to watch them, but you don’t watch them later on. Most people watch it live, which makes it almost more traditional style.

ROSE: Going back quickly to that ABC decision. I want to go here only because I think what is interesting now is all the talk about a company like Prospect Park coming in and saying “Ok, we want to move this type of viewing, this type of show, with an audience online.” Do you think that is a future medium for a genre that does require the kind of commitment that it does?

BELL: I think that it can work along with television. But I think to solely produce a soap opera for the Internet is ver y challenging. It couldn’t be an hour a day, ever y day.

It’s just cost prohibited at this point with the ads and the Internet. At some point that could cer tainly happen. But I think it would have to work in conjunction with a television slate.

TINOCO: Our experience is sort of the same, but we do immediately after that you can watch it online, right after it finishes on broadcast. I mean it’s really immediately if you want to see it, it’s there you can really go back and see the

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last 3 episodes. The other thing that changes is our viewers usually watch 5 days of the week. They don’t watch 1 show or 2 shows per day or week, they’re there every day, every day. And it’s because of leaving the cliffhangers, you know you leave it so they want it, they can’t wait until tomorrow the same time to see the continuation.

MARCUS: That’s interesting. I wonder if we’re so set in our minds that we don’t think anyone will, but if you did a show like that, would people TiVo it and want to go— they wouldn’t be home 5 days a week, but would they TiVo it and watch it. Someone has to take a bet. It’s a big bet.

.MARCUS: But there’s only 22 of them.

TINOCO: Well that’s it.You see it for a month. People liked it, they wanted more, but we don’t have anymore. We’ll show you another one— I don’t know, Grey’s Anatomy or something like that.

They took Grey’s Anatomy and made it in to an every day telenovela. It’s called Open Heart. So see, you can take something that the US market made and adapt that to the world and it works.

ROSE: Well also it’s a different business model. You look at a show, this is primetime, you look at a show like 24 which is a heavy serialized show which did incredibly well in the DVD field— MARCUS: But people wanted to watch it back to back to back. They wanted that conclusion. But that’s not the model in which we operate in the US so it would be interesting to see.

TINOCO: Let me tell you about an experience we had in Venezuela. We bought Hawaii 5-0, but instead of airing it once a week, we aired it every day. And it worked. And it worked perfectly. It actually exceeded our expectations of viewers

International Emmy Almanac 2011/2012

Michelle McFaul, Vice President, Community Affairs & Special Events, NESPRESSO North America, sponsor of the September Board & Members Meeting

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2011 News & CurreNt AffAirs NomiNees

News & Current Affairs Categories September 26, 2011, New York City Every year The International Academy of Television Ar ts & Sciences celebrates its International Emmy Award Nominees for News and Current Affairs with a Medal Ceremony and networking event in New York City.

This year, nominees from 8 networks gathered for brunch at Harry Cipriani on Central Park and Academy President & CEO Bruce Paisner, accompanied by Academy Chairman Fred Cohen, presented them with medals and cer tificates. The winners were:

News

Current Affairs

Jornal Nacional: War on Drugs TV Globo, Brazil

Back from the Brink: Inside the Chilean Mine Disaster NHK, Japan

TV Globo News Winners- Carlos Henrique Schroder and William Bonner

NHK Current Affairs Winners Toshiki Ishikawa and Daisuke Koyama

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ThE 2011 INTErNATIONAL Emmy AwArd NOmINEES NEwS: Jornal Nacional: war on drugs TV Globo Brazil After a four-day battle, Brazilian security forces took control of Complexo do Alemão, a major drug dealer’s stronghold in Rio, where close to 400,000 people live.

It was the biggest operation of this kind, with elite police units and military troops. On November 25th, 2010 TV Globo went live, showing criminals escaping. Jornal Nacional’s team was formed by twenty journalists in five different coverage spots. rUV News: Volcano Eruption at Eyjafjallajokull rUV Icelandic National Broadcasting Service Iceland Early morning on April 14, 2010, news broke of a massive volcanic eruption at Iceland’s Eyjafjallajokull glacier.

RUV News went to the area to cover the eruption, evacuation of people and livestock, massive floods caused by melting glacier, and ash rain. For the weeks that followed, RUV News covered events on ground and the impact around the world.

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Sky News Live at Five: Inside the Taliban Sky News United Kingdom Alex Crawford and Stuar t Ramsay used their contacts to gain access to Taliban in Kunar Province, Afghanistan. Their repor ts include one on a unit laying a roadside bomb.

The 2011 International Emmy Awards News & Current Affairs Nominees with Academy Chairman Fred Cohen (far left) and Academy President & CEO Bruce Paisner (right)

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UNTV Current Affairs nominee receiving a medal and certificate from Academy President & CEO Bruce Paisner and Academy Chairman Fred Cohen

They negotiated access to the Talibans’ inner circle, showing how young children are groomed to be the next generation of fighters, and filmed Taliban who want to stop fighting, but are too scared of the consequences from their own side.

TV Patrol: Manila Hostage Crisis ABS-CBN Broadcasting Corporation The Philippines On August 23, 2010, eight Hong Kong tourists were killed during a dramatic

ABS-CBN News (Philippines) nominee with Academy Chairman Fred Cohen

hostage drama in Manila that lasted for almost 12 hours. There were 22 tourists from Hong Kong and three Filipino nationals on board the Hong Thai tourist bus when it was hijacked at around nine in the morning.

Infonetwork Current Affairs Nominee (Germany)

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Academy Chairman Fred Cohen and Academy President & CEO Bruce Paisner presenting a medal to TV Globo nominee

CURRENT AFFAIRS: 21st Century: Cambodia - A Quest for Justice UNTV United Nations From Nazi Germany to Rwanda, the world has attempted to bring some measure of justice to the victims of mass atrocities. But there has never been an international tribunal like the one in Cambodia, where a reign of terror decimated more than one quar ter of the population more than three decades ago. This is a repor t on the first case heard by this unique cour t.

Sky News (UK) News Nominee during the Nominee Breakfast

News nominee from ABS-CBN (Philippines) filming the Medal ceremony

International Emmy Almanac 2011/2012

The Assassination of Jean Charles Meneses Discovery Networks Latin America Brazil The Assassination of Jean Charles Meneses retraces the events that led an elite force from the London Metropolitan Police to mistake the Brazilian immigrant for a suicide bomber about to detonate. Jean Charles, a young electrician, was shot dead inside the train in Stockwell Tube Station. Through reenactments, based on the testimonies of those involved in the operation and interviews with specialists, former members of the London Metropolitan Police, and Meneses’ family, the report goes behind the scenes to understand what happened on that day and its tragic developments.

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The Chilean mine disaster trapped 33 miners 700 meters underground in August 2010. Ten daysfollowing the rescue, NHK sends a camera into the mine to obtain footage to capture the severity of the ordeal. How did the men survive 70 days underground? How did the effor t to rescue them proceed above ground? The program uses detailed interviews with the miners and those involved with their rescue to por tray this return from the brink of death.

Unter Piraten infonetwork GmbH Germany They seize tankers, cargo ships, and even passenger liners, take hostages and demand million-dollar ransoms. For years, Somali piTV Globo News & Current Affairs Nominees at the Nominee Breakfast rate gangs have been threatening the security of the busy shipping routes in the Indian Ocean Back from the Brink: Inside the Chilean Mine and the Red Sea. Antonia Rados and her cameraman film Disaster in a Somalian pirate stronghold and investigate the causes NHK (Japan Broadcasting Corp.) and effects of this million dollar industry.

Japan

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InternatIonal academy FoundatIon

The International Academy of Television Arts & Sciences Foundation Created in 1989, The Foundation organizes and administers the worldwide exchange and educational programs of The International Academy of Television Arts & Sciences. It has its own Constitution, Officers and independent Board of Trustees.

C

reated in 1989, The Foundation organizes and administers the worldwide exchange and educational programs of The International Academy of Television Arts & Sciences. It has its own Constitution, Officers and independent Board of Trustees.

Each year, The Foundation administers the Sir Peter Ustinov Television Scriptwriting Award. The competition is designed to motivate non-American novice writers under the age of 30, and offer them the recognition and encouragement that might lead to a successful career in television scriptwriting. Entrants are asked to create a completed half-hour to one-hour English-language television drama script for a family audience.

The award winner receives $2,500, a trip to New York City, and an invitation to the International EmmyÂŽ Awards Gala in November. The 2011 winning script, The Forge by Robert Goldsbrough of the UK, was read by professional actors in front of an audience at The International Emmy World Television Festival.

Special thanks to the 2011 Ustinov Jurors Mark Arywitz, NYU Robert Beveridge, Edinburgh Napier University Louisa Burns-Bisogno, Penwright Productions Wissam Chahine, Alif Alif Media Company Barney Cokeliss Jorge de SĂĄ Gouveia, Escola Superior de Teatro e Cinema Portugal Richard Dubin, Syracuse University David Garrett, Columbia University Kristen Gray, NY Screenwriters Network Boyd Hancock Cynthia Link, National Academy of Television Arts & Sciences Member Terry McMahon Robin Neinstein, CBC Television Ashley Pharoah Julie Poll, Writers Guild of America East Member Jared Rappaport, California State, Northridge Michael Russnow, Ram Productions International 98

Actors performing the winning script

2010 Sir Peter Ustinov Television Scriptwriting Award Winner Jason Spencer

Jason Spencer, 2010 Sir Peter Ustinov Television Scriptwriting Award Winner Kim Todd, Original Pictures, Inc. Jo Tracy Kristine Wyld, Knapman Wyld Television Airin Zainul, NTV 7 Media Prima Berhad International Emmy Almanac 2011/2012

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2011 Panelists

Academy Panelists The International Academy would like to thank all the panelists and moderators who have participated in its 2011 events.

Bradley Phillip Bell Executive Producer & Head Writer, The Bold and the Beautiful

John Rose Senior Partner & Managing Director, The Boston Consulting Group

Sven Clausen Executive Producer, DR TV (Danish Broadcasting Corp)

Lacey Rose Senior TV Editor, The Hollywood Reporter

Michael Kassan Chairman & CEO, Media Link

Eric Rovner Agent, William Morris Endeavor (WME)

Nigel Lythgoe CEO, Nigel Lythgoe Productions Mort Marcus Co-President, Debmar-Mercury

Linda Saffire Producer/Director Geoff Sands Director, McKinsey & Company

Alexander Marin Senior Vice President, Distribution, Latin America & the Caribbean, Sony Pictures Television (SPT)

Doug Schwalbe Executive Vice President, Production & Program Sales, Classic Media

Jonathan Miller Chairman & CEO, Digital Media Group, News Corporation

Simon Sutton President, HBO International & Content Distribution

Peter Tinoco President, Venevision Studios

International Emmy Almanac 2011/2012

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MEMBERS’ diREctoRy

Members The International Academy of Television Arts & Sciences.

Executive committee Bruce Paisner President & CEO Senior Advisor Hearst Entertainment and Syndication Fred Cohen Chairman Chairman, Foundation The International Academy of Television Arts & Sciences Larry Gershman Vice Chairman, U.S. & Co-Chair, Emmy Committee Chairman & CEO World International Network LLC Simon Sutton Secretary President, HBO International & Content Distribution, Home Box Office Blair Westlake Treasurer Corporate VP, Media & Entertainment Group Microsoft Rainer Siek Chairman, Nominating Committee President MT.NY Ralph Baruch Executive Member Kevin Beggs Executive Member President Lionsgate Television Jana Bennett Executive Member President, Worldwide Networks & Global iPlayer BBC Worldwide

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Steve Ronson Executive Member Executive VP, Enterprises A&E Television Networks Camille Bidermann-Roizen Senior Vice President & Executive Director The International Academy of Television Arts & Sciences

Emmy committee Larry Gershman Vice Chairman, U.S. & Co-Chair, Emmy Committee Chairman & CEO World International Network LLC Zane Bair (Seven Network Australia, LA Bureau) Gabor Banyai (LaRella Productions) Steven Bawol (Helion Pictures) Brian Seth Hurst (The Opportunity Management Company) Maggie Jones (Australian Broadcasting Corporation) Michael Schelp (Fujisankei Communications International) Eileen Slater-Cohen (A2Z Media) Jorge Vaillant (AVM Corporation)

Special Awards committee Jim Rosenfield Chairman, Special Awards Committee JHR & Associates Kevin Beggs (Lionsgate Television) Fred Cohen (The International Academy of Television Arts & Sciences) Bruce Paisner (Hearst Entertainment and Syndication)

Ambassadors

Brian Seth Hurst Global Digital Ambassador CEO The Opportunity Management Company USA Hans Rossiné Norway Programsjef/Head of Drama NRK Norway

directors Jose Antonio Baston Corporate VP, Television Televisa Mexico

Steven Bawol United Kingdom Managing Director Helion Pictures France

Kevin Beggs President Lionsgate Television USA

Sebastian Darcyl Argentina President ADM TV Creativa Argentina

Rodolphe Belmer Chief Executive Officer Canal + France

Gai Dunlop Australia CEO FESTCOM International Pty Ltd. Australia

Jana Bennett President, Worldwide Networks & Global iPlayer BBC Worldwide United Kingdom

Nominating committee Rainer Siek Chairman, Nominating Committee President MT.NY Guido Corso (RAI Corporation) Tom Devlin (Entertainment Studios) Armando Nuñez, Jr. (CBS Paramount International Television) Miguel Oliva (HBO Latin America Group) Marlon Quintero (Sony Pictures Television International) Annie Wegelius (SVT)

Roberta Durrant South Africa CEO Penguin Films South Africa

Mitchell Berman CEO Big Air Studios, Inc USA Camille Bidermann-Roizen Executive Director The International Academy of Television Arts & Sciences USA

Talal Fattal Ghana CEO Metro TV Ghana Leopold Hoesch Germany Managing Director BROADVIEW TV GmbH Germany

Scott Borden Head of Television Laureus World Sports Awards United Kingdom

International Emmy Almanac 2011/2012

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Gary Carter Chief Operating Officer FremantleMedia United Kingdom

Robert Halmi, Jr. President & CEO RHI Entertainment USA

Roberto Irineu Marinho President Globo Group of Companies Brazil

John Cassaday President & CEO Corus Entertainment Canada

Hisashi Hieda Chairman Fuji Television Network, Inc. USA

Masayuki Matsumoto President NHK Japan

Adriana Cisneros de Griffin Vice Chairman/Director, Strategy Cisneros Group/Venevision USA

Hans Holger Albrecht President & CEO Modern Times Group Sweden

Jonathan Miller Chairman & CEO, Digital Media Group News Corporation USA

Monika Piel Director General WDR Germany

Rick Cotton Executive Vice President & General Counsel NBC Universal USA

Stanley Hubbard Chairman & CEO Hubbard Broadcasting Co., Inc. USA

Pat Mitchell President & CEO The Paley Center for Media USA

Martin Pompadur IMP Media Management/Metan Dev. Group LLC USA

Steve Mosko President Sony Pictures Television USA

Surang Prempree Managing Director Bangkok Broadcasting & Television Thailand

Xavier Couture EVP, Content Orange France Stephen Davis President Hasbro Studios USA

Toshichika Ishihara President Tokyo Broadcasting System Japan Paula Kerger President & CEO PBS USA

Ivica Mudrinic CEO Croatian Telecom Croatia

Ingrid Deltenre Director General European Broadcasting Union Switzerland

In-Kyu Kim President & CEO KBS (Korean Broadcasting System) South Korea

Armando Nuñez, Jr. President CBS Studios International USA

Thomas Ebeling CEO ProSiebenSat.1 Media Germany

Herbert Kloiber Managing Director Tele-München Group (TMG) Germany

Ahmet Oren Chairman Ihlas Media Holdings Turkey

David Ellender Global CEO FremantleMedia Enterprises United Kingdom

Pavel Korchagin CEO Studio 2V Russia

Hiroshi Oto President & COO Fujisankei Communications International USA

Konstantin Ernst Director General Channel One Russia Russia

Mikel Lejarza Ortiz General Manager Antena 3 Television Spain

Robert Friedman President Radical Media & Entertainment USA

Ruigang Li President Shanghai Media Group PR China

Xavier Gouyou-Beauchamps President TV France International France

Changle Liu Chairman & CEO Phoenix Satellite Television PR China

Stephen Greenberg Co-Founder Incendo Canada

Kevin MacLellan President NBCUniversal International United Kingdom

International Emmy Almanac 2011/2012

Lucio Pagliaro General Director Artear Argentina, Clarin Group Argentina Bruce Paisner Senior Advisor Hearst Entertainment and Syndication USA Nonce Paolini Chairman & CEO TF1 France

Alan Perris COO Academy of Television Arts & Sciences USA Remy Pflimlin President & CEO France Televisions France

Abbe Raven President & CEO A+E Networks USA Steve Ronson Executive VP, Enterprises A+E Networks USA Ricardo Salinas Chairman Grupo Salinas Mexico Carlo Sartori CEO NewCo Rai International S.p.A Italy Markus Schächter Director General ZDF Germany Jeffrey Schlesinger President Warner Bros. International Television USA Mark Scott Managing Director Australian Broadcasting Corporation (ABC) Australia

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John Shaffner Chairman & CEO Academy of Television Arts & Sciences USA

Paul Zilk CEO Reed MIDEM France

Neal Shapiro President & CEO WNET.ORG USA

Alternatives

Zafar Siddiqi Chairman First Media UAE Simon Sutton President, HBO International & Content Dist.

Home Box Office USA Donald Taffner, Jr. President DLT Entertainment Ltd. USA Katharina Trebitsch President Trebitsch Entertainment GmbH Germany Luis Villanueva CEO SOMOS TV USA Nobuya Wazaki President WOWOW Inc Japan Annie Wegelius Director of Programs SVT Sweden Blair Westlake Corporate VP, Media & Entertainment Group Microsoft Corporation USA Malachy Wienges Chairman The National Academy of Television Arts & Sciences USA Gerhard Zeiler CEO RTL Group Luxembourg

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Antonio Alonso General Manager, Planning Televisa Mexico (Jose Antonio Baston) Jean Bureau President Incendo Productions Canada (Stephen Greenberg) Guido Corso President RAI Corporation USA (Carlo Sartori) Harold Crump VP, Corporate Relations Hubbard Broadcasting USA (Stanley Hubbard) Nicole Devilaine Director France 2 Television USA (Remy Pflimlin) Cesar Diaz Vice President, Sales Venevision International USA (Adriana Cisneros de Griffin) Bill Dunlop President & CEO Eurovision Americas Inc. USA (Ingrid Deltenre) Luis Echarte VP, Grupo Salinas Chairman, Azteca America Mexico (Ricardo Salinas) Alexander Faifman General Producer Channel One Russia Russia (Konstantin Ernst)

Michael Feeney VP, Public Relations & Corporate Affairs A+E Networks USA (Abbe Raven)

Yoshihiro Shimada President Tokyo Broadcasting System International, Inc USA (Toshichika Ishihara)

Harry Forbes Senior Publicist WNET USA (Pat Mitchell)

Rainer Siek President MT.NY USA (Gerhard Zeiler)

Jean-Louis Guillaud TV France International France (Xavier Gouyou-Beauchamps)

Eileen Slater-Cohen A2Z Media USA (Katharina Trebitsch)

Peter Iacono Managing Director, International Television Lionsgate USA (Kevin Beggs)

Amauri Soares CEO Globo International New York USA (Roberto Irineu Marinho) Clifford T. Tendler Director, Sales & Marketing MOBY Group UAE (Zafar Siddiqi)

Kazumasa Iida Head of Int’l Program Development NHK (Masayuki Matsumoto) Maggie Jones Representative Australian Broadcasting Corporation USA (Mark Scott) Benoit Louvet EVP, Group Acquisitions & Distribution of Programs TF1 France (Nonce Paolini) Ivan Morales General Counsel Somos TV USA (Luis Villanueva) Susanne Müller Head of Development & Coproductions ZDF Enterprises GmbH Germany (Markus Schächter) Gillian Rose Vice President, Acquisitions, Co-prod. and Sales WNET.ORG USA (Neal Shapiro)

Jorge E. Vaillant President AVM Corporation USA (Lucio Pagliaro) Saran Virutamavongsa Assistant Managing Director Bangkok Broadcasting and TV Thailand (Surang Prempree) Ed Wierzbowski President Global American Television USA (Pavel Korchagin) Ruan Zongqin Deputy General Manager - Int’l Operations Phoenix Satellite Television Co Ltd PR China (Changle Liu

Members Nancy Abraham Vice President, Documentary Programming Home Box Office USA

International Emmy Almanac 2011/2012

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Sheila Hall Aguirre VP, Sales & Development, Latin America & Hispanic USA FremantleMedia Latin America USA Ghassan Al Asad Managing Director Creative Media Solutions UAE Nashwa Al Ruwaini CEO Pyramedia UAE Jamal Al Sharif CEO Dubai Media Studio City UAE Raul Alarcon Jr. President & CEO Mega TV - Spanish Broadcasting System USA Mauro Alencar Professor University of Sao Paulo Brazil Linda Alexander EVP Corporate Communications MTV Networks International USA Talal Al-Haj New York / UN Bureau Chief Al-Arabiya News Channel USA Marco Altberg President Brazilian Independent TV Producers Association Brazil Thomas Anargyros EuropaCorp Television France Ricky Anderson Attorney Anderson & Smith, PC USA David Andrews President & CEO Devious Media USA Irene Ang CEO & Founder Fly Entertainment Singapore

104

Alessandro Angulo Director/Producer Labertino Producciones Colombia

Gabor Banyai Independent Producer Hamu & Gyemant Ltd Hungary

Yury Belenkiy Art Director/Producer Creative Television Association Russia

Lucia AraĂşjo General Manager Canal Futura Brazil

Carlos Barba Barba Television USA

Gregory P. Bellon President Bellon Entertainment USA

Portia Archer VP, International on Demand HBO USA

Barak Bar-Cohen Executive Vice President, Global Business Development KIT Digital Prague Czech Republic

Cilla BenkĂś Deputy Director General Swedish Radio Broadcasting Sweden

Pablo Arriola Executive Director The Format Factory Uruguay

John Barnett Chief Executive Officer South Pacific Pictures Ltd. New Zealand

Simon Bennett Head of Drama South Pacific Pictures New Zealand

Monica Athayde Managing Director Endemol Globo Brazil

Sarah Barnett General Manager & EVP Sundance Channel USA

Marc Bennink Entourage Amsterdam Netherlands

Agnes Augustin President Shaw Rocket Fund Canada

Nivedita Basu India

Yolanda Ausin Castaneda Managing Director Telemadrid Spain Dato Amrin Awaluddin Group Managing Director Media Prima Berhad Malaysia Randa Ayoubi Founder & CEO Rubicon Group Jordan Co Jordan

Radik Batyrshin Chairman of the Board MIR Interstate TV Company Russia Wolf Bauer CEO UFA Film & TV Produktion GmbH Germany Ludwig Bauer CEO ATV Privat-TV Services AG Austria

Andres Badra Corporacion Medcom Panama Rep. de Panama

Rola Bauer Managing Director Tandem Communications Germany

Chris Bailey Managing Director South Pacific Pictures New Zealand

Steven Bawol Managing Director Helion Pictures France

Zane Bair US Representative Seven Network Australia, LA Bureau USA

Fatema Bayat Senior Vice President Ariana Radio & Television USA

Keiko Bang President Bang Singapore Pte Ltd Singapore

Kakha Bekauri Other Entertainment Rep. of Georgia

Oliver Berben CEO Constantin Film Produktion GmbH Germany Hilde Berg Producer Norsk Filmproduksjon AS Norway Josh Berger President & Managing Director Warner Bros. Entertainment UK & Ireland & Spain United Kingdom Helena Bernardi Senior Director, Acquisitions HBO USA Piv Bernth Producer Danish Broadcasting Corporation (DR TV) Denmark Lynn Beveridge Programming Consultant Zuku USA Friedhelm Bixschlag Director of Production Magic Media Company Germany

International Emmy Almanac 2011/2012

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Eric Leo Blais VP Digital Media Peace Point Entertainment Group Canada Heather Blumenthal Spirit Sister Productions South Africa Alejandro Borensztein President BBTV S.A. Argentina Jordi Bosch Managing Director, Endemol Espana Holding President, Zeppelin TV Spain Nathalie Bourdon President Farmore Distribution Inc Canada Jurgen Brautmeier Director LFM-NRW Germany

Matt Campbell Managing Director Shine Australia Australia Takis Candilis CEO Lagardere Entertainment France

Sven Clausen Executive Producer Danish Broadcasting Corporation (DR TV) Denmark

Sanjay Das COO Broadcast Middle East UAE Barun Das CEO Zee News Ltd. India

Sean Cohan SVP, International A+E Networks USA

LinLin Cao Mastermind Producer Beijing Pisces Motion Picture & Visual Arts Communcation Co. Ltd. PR China

Marcello Coltro SVP, Sales & Chief Marketing Officer MGM Networks Latin America USA

Gillian Carr Executive Producer Moody Street Kids Pty Ltd. Australia

Gaston Comas CEO HBO Latin America USA

Anna Carugati Group Editorial Director World Screen USA

Vince Commisso CEO 9 Story Entertainment Canada

Michelle Castillo-Mohlman Undercover Mother Limited PR China

Kevin Cooper Agent Creative Artists Agency USA

Daniel David CEO STV/Soico Television Mozambique Guido De Angelis Producer DAP Italy SRL Italy Francois de Brugada Executive Vice President Banijay Group France Peter De Jong VP of Sales & Marketing Cableready USA Sabine de Mardt CEO Eyeworks Fiction Cologne GmbH Germany

Donovan Castillo-Mohlman VP, Network Prog. & Promotion, Channel News Asia MediaCorp Pte Ltd Singapore

Alexander Coridass President & CEO ZDF Enterprises Germany

Julie Bristow Executive Director, Factual Entertainment CBC Canada

Craig Cegielski President GK TV USA

Patrice Courtaban COO TV5 USA USA

Jacques de Suze Director of International Development Woods Communications USA

Pierre Brosseau CEO RNC Media Canada

Wissam Chahine Head of Production Alif Alif Media Company Saudi Arabia

Megan Cunningham Founder & CEO Magnet Media Inc. USA

Edouard de Vesinne Producer EuropaCorp Television France

Maria Brown Managing Director, Acquisitions & Programming Asian Food Channel Singapore

Tapaas Chakravarti CEO DQ Entertainment International India

Enrique Cusco CEO Ole Communications USA

Robert DeBitetto President & General Manager A&E Network and Bio Channel USA

Astrid Bscher CEO Filmfritz GmbH Germany

Tania Chambers Chief Executive Screen NSW Australia

Beathe Daae Head of Children’s Programming TV2 Norway Norway

Mikhail Degtyar General Director TV Studio Reporter Russia

Brian Buchanan The Herald & Weekly Times Pty Limited Australia

Sang Y. Chun President & CEO SBS International Inc. USA

Alexander Dannenberg CEO Cinemakers Germany

Tom Devlin President, International Sales Entertainment Studios USA

Sebastian Darcyl President ADM TV Creativa Argentina

Eric Douat USA

Deirdre Brennan Director of Television BBC Worldwide Australia

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International Emmy Almanac 2011/2012

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We thank the International Academy for giving us the opportunity to produce their Almanac for ten years in a row.

www.worldscreen.com

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Paul Drago Producer, HBO Originals HBO Latin America USA

Dato Ahmad Farid Ridzuan Group CEO, Television Networks Media Prima Berhad Malaysia

Octavio Florisbal CEO TV Globo Brazil

Kevin Gillis Executive Producer & CEO Skywriter Media Canada

Nancy Dubuc President & GM, History & Lifetime Networks A+E Networks USA

Talal Fattal CEO Metro TV Ghana

Helena Forjaz Manager TVI Portugal

Jacqueline Glover VP, Original Programming Documentaries HBO USA

Fadi Fattal CEO Optimum Media Prime Ghana

Tony Forrest Chief Executive Officer Movie Network Channels Australia

Rick Feldman President & CEO NATPE International USA

Deborah Forte President Scholastic Media USA

Cynthia Fenneman President & CEO American Public TV USA

Paolo Francia Gesport Italy

Gai Dunlop CEO FESTCOM International Pty Ltd. Australia Roberta Durrant CEO Penguin Films South Africa Daniel Ecija CEO Grupo Globomedia Spain Michael Edelstein President of TV Production NBCUniversal International UK Peter Eiff Exec VP and Head of International Monarchy Enterprises (New Regency Prod) Switzerland Pierre El Daher Chairman & CEO LBC Lebanon Peter C. Emerson President Entertainment One Television International Canada Jose Escalante Managing Director Latin Media Corporation USA Juan Carlos Eserski Executive Vice President Telecorporaci贸n Salvadore帽a El Salvador Wolfgang Fandrich 2nd Chief Editor and Head of History & Current Affairs MDR-First German Television Germany

108

Hian Goh Managing Director Asian Food Channel Singapore Sveinung Golimo Managing Director & Producer Filmkameratene AS Norway Carlos Gonzalez Managing Dir, Latin America & US Hispanic Market FremantleMedia Latin America USA

Juan Antonio Fernandez EVP World Media Pictures USA

Frank-Dieter Freiling SVP, International Affairs ZDF German Television Network Germany

Flavio Ferrari CEO IBOPE Media Brazil

Michael Frenschkowski Producer MUT Productions UG Germany

Segisnando Ferreira de Alencar TV Radio Clube de Teresina SA Brazil

Clifford Friedman Senior Managing Director Constellation Growth Capital USA

Stanley Fertig Senior Vice President HBO International USA

Gregoire Furrer CEO Gregoire Furrer Productions Switzerland

Christoph Fey Attorney at Law Unverzagt von Have Germany

Mikhail Galkin VP, Acquisitions & Programming Overseas Media, Inc. USA

David Gregg Vice President, International Publicity Bell-Phillip Television Productions, Inc. USA

Paul Field Managing Director The Wiggles Pty Limited Australia

Flavio Garcia da Rocha Director of International Content Globo TV Brazil

Bastie Griese Head of Film Magic Media Company Germany

Jay Firestone Prodigy Pictures Inc. Canada

Patty Geneste CEO & President Absolutely Independent Netherlands

Carolyn Grippi EVP, COO, CFO National Academy of Television Arts & Sciences USA

Terry Fitzpatrick EVP, Distribution Sesame Workshop USA

Tobias Gerlach CEO Bavariapool International Co-productions GmbH Germany

Michael Gordon Co-Founder & Chief Strategy Officer Limelight Networks USA James Grandahl VP, Content Distribution MediaXstream USA Jorge Granier Phelps Director, New Business Dev. RCTV International USA

Harold Gronenthal Senior Vice President AMC/Sundance Channel Global USA

International Emmy Almanac 2011/2012

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Diego Guebel CEO Cuatro Cabezas Argentina

Elizabeth Hillman SVP, International Communication Discovery Communications USA

Duncan Irvine CEO Rapid Blue South Africa

Ricardo Guise President & Publisher World Screen USA

Norbert Himmler Executive Director, Feature Films, SVP ZDF neo ZDF Germany

George Isakadze CEO Georgian Media Production Group Rep. of Georgia

Yuet-Fung Ho President 380 Media Group Limited PR China

Igor Ivanov Deputy Director TV Channel Russia Russia

Leopold Hoesch Managing Director BROADVIEW TV GmbH Germany

Mary Ellen Iwata Vice President Original Content Development The Weather Channel USA

Ferdinand Habsburg Managing Director Da Vinci Media GmbH Germany Carl Hall CEO Parthenon Entertainment United Kingdom Lasse Hallberg Senior Vice President Metronome Film & Television AB Norway

Nico Hofmann Managing Director teamWorx Television & Film GmbH Germany

Trace Harris SVP, Strategy & Development - US Vivendi, S.A. USA

Richard Hofstetter Frankfurt Kurnit Klein & Selz USA

Alejandro Harrison CEO Pramer S.C.A. Argentina

Lisa Honig VP, Sales, USA & Canada FremantleMedia Enterprises USA

Taro Hashimoto CEO Broadmedia Corporation Japan

Tim Horan EVP, Programming TV Numeric France

Duane Hatherly Group Channel Manager Foxtel Pty Ltd Australia

Robin Houcken Managing Director Studio Hamburg GmbH Germany

Vanessa Henneman CEO Henneman Agency Netherlands

Chris Hunt President IMZ Austria

Morten Hesseldahl Head of Culture Danish Broadcasting Corporation (DR TV) Denmark

Brian Seth Hurst CEO The Opportunity Management Company USA

Andy Heyward Chairman & CEO A Squared Entertainment USA

Epigmenio Ibarra General Director Argos Comunicacion Mexico

Michael Hilliard Executive Producer - Content Finch Company Australia

Elena Imamova General Director Creative Television Association Russia

International Emmy Almanac 2011/2012

John Jacobsen Owner & Producer Filmkameratene AS Norway Silvia Jafet International Development Director Grupo Bandeirantes de Comunicacao Brazil Marc Janssen President CSA - Conseil Superieur de l’Audiovisuel Belgium Linda Jensen CEO HBO Holding Zrt. Hungary Abhigyan Jha Founder & CEO Undercover Productions Ltd India Mrinal Jha Founder & Chief Creative Officer Undercover Productions, Ltd India Kun Jiang Director China Quyi Arists Association China Hermann Joha CEO action concept Films GmbH Germany

Russell J. Kagan Managing Director International Program Consultants, Inc. USA Jareuk Kaljareuk Chairman of the Executive Committee Kantana Group Public Company Ltd. Thailand Jarmo Kalliola Profict Parners oy Finland Tayeb Kamali Director The Institute of Media, United Arab Emirates UAE Ahmed Kamel Film Director (Documentary) MBC and Al-Arabiya TV Group UAE Andy Kaplan President of International Networks Sony Pictures Television USA Stuart Karle COO, Reuters News Thomson Reuters USA Uwe Kersken Managing Director Gruppe 5 Filmproduktion GmbH Germany Faramarz Keshawarz Rahber Griffith Film School/Faraway Productions Australia Shane Kinnear VP, Sales & Marketing Shaftesbury Films Inc. Canada Gary Knell President & CEO Sesame Workshop USA Toni Knight President Worldlink USA

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Zeynel Koç Deputy Director General Turkish Radio Television Corporation Turkey Panos Kouanis General Manager, Programming, Finances, & New Media Hellenic Parliament Television Greece Ramanou Kouferidji President & Director General Imanle Africa Television Benin Kirill Kozakov Producer/Director Kirill Kozakov Company Russia Steve Kram Content Partners, LLC USA Lars Kristiansen Head of Factual Programs NRK Norway Reinhard Krug Executive, Director General’s Office Mitteldeutscher Rundfunk Germany Ashish Kulkarni Founder and CEO BIG Animation (I) Pvt. Ltd. India Sergei Kushnerev Chief Editor VID Russia Maria Kyriacou Managing Director ITV Studios Global Entertainment UK John Laing Founder & CEO Rigel Entertainment USA Stephan Lamby General Manager ECO Media TV Produktion Germany Eivind Landsverk Director of Programming TV Norge Norway

110

Ioannis Latsios General Director, Programs Antenna TV Greece Francois-Charles Le Goff Manager Saya France David Leach Director, Commerical & Business Affairs Mentorn International United Kingdom

Giorgi Lominadze The First Deputy of the General Director Imedi TV Rep. of Georgia Eugenio Lopez III Chairman & President ABS / CBN Broadcasting Corporation Philippines Alice Lorenzi Urbim Producer Manager RBS TV Brazil Darcy Lorincz CEO Origin Digital USA

Charles Lei President Thunder Communications International PR China

Georges Luks Executive Director GARB Audience Research Bulgaria JSC Bulgaria

Yan Li CEO Beauty Media Inc. PR China

David Lyle CEO National Geographic Channel U.S. USA

Gary Lico President & CEO CableReady USA

José Machado Community Manager International TV Professionals Portugal

Alexander Liegl Partner Noerr LLP Germany

Paul Macionis Business Affairs Executive FOXTEL Management pty Ltd Australia

Denis Lillie Commissioner/CEO Cape Film Commission South Africa

Iqbal Malhotra Chairman & Producer AIM Television, Pvt. Ltd. India

Bai Ling Chairwoman Southern Media Corporation PR China

David Malone Chief Executive Officer, Sports Investment Australia Fox Sports Australia

Todd Lituchy Founder & CEO New Media Vision United Kingdom

Marcos Mandarano Monteiro Product Manager, Media & B’cast Services British Telecom - Latin America Brazil Margaret Mardirossian President Anaid Productions Canada

Alexander Marin SVP, Distribution Latin America & Caribbean Sony Pictures Television USA Claudio Martinez Director General El Oso Producciones Argentina Nathan Mayfield Chief Creative Office Hoodlum Australia

Kirill Legat Deputy Director General Strategy & Development Ren TV Television Channel Russia

Dick Lippin Chairman, Chief Executive, & Founder The Lippin Group USA

Gary Marenzi Marenzi & Associates

Eileen McCarthy Program Director Kids Co United Kingdom Michael McKay President Active TV Pty Ltd Australia David McKillop SVP, Programming & Development History USA John McMahon President & Managing Director, Europe Sony Pictures Television United Kingdom Balazs Medveczky VP, Economics & Strategic Planning Hungarian Television Hungary Karen Meiring General Manager, Afrikaans Channels MNET South Africa Belinda Menendez President, International Television Distribution and Universal Networks International NBCUniversal International United Kingdom Lorne Michaels Chairman of the Board Broadway Video USA

International Emmy Almanac 2011/2012

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Laura Michalchyshyn President & General Manager Planet Green, Discovery Health & FitTV USA Ted Miller Agent, Co-Head of Television Creative Artists Agency USA Wan-Sik Min Director, International Business & Relations Munhwa Broadcasting Corporation South Korea Joshua Mintz Senior EVP,Telemundo Entertainment Telemundo Communications Group USA Rene Mioch CEO & Producer FCCE Netherlands Alexander Mitroshenkov President Junior TV Russia Saad Mohseni Chairman Tolo TV Afghanistan Zaid Mohseni Chief Executive Officer Farsi 1 UAE John Momoh Chairman & CEO Channels Television Nigeria John Morayniss President Entertainment One Television USA Sheila Morris Founder, President, & CEO Morris Marketing USA Clive Morris Managing Director Clive Morris Productions South Africa

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Javad Mottaghi Secretary General ABU Malaysia

Armando Nuñez, Sr. President Nun. TV USA

Greg Moyer President Scripps Networks International USA

Olav Oen CEO Monster Film AS Norway

Petra Maria Mueller CEO Film & Media Foundation NRW Germany

Charles Ogilvie Executive Director, China Panasonic US Executive Offices USA

Michael Murphy CEO Windmill Lane Entertainment Ireland

Godfrey Ohuabunwa Group Managing Director/CEO Multimesh Broadcasting Company Nigeria

Andrey Myroshnichenko Head of the Board ICF “Ukraine 3000” Ukraine Takashi Nakamoto Senior Director, International Relations Fuji Television Network Japan Michael Nathanson Managing Director Nomura Securities USA Alaa Nemeh Chairman Abu Dhabi Art House UAE Ilya Neretin Producer Racoon Films & Cinema Russia

Franz Patay Secretary General IMZ – International Music & Media Centre Austria

Jon Ola Sand Commissioning Executive NRK Norway Miguel Oliva VP, Corporate Affairs Latin America HBO Latin America Group USA Katherine Oliver Commissioner City of New York, Mayor’s Office, Film & B’cast USA Bernadette O’Mahony Head of Development and Production Australian Children’s Television Foundation Australia

Sheila Nevins President, HBO Documentary Films Home Box Office USA

Ahmad Izham Omar Exec. Dir., 8TV/CEO, Alt Media/Head, Radio Net. Media Prima Berhad Malaysia

Qondisa Ngwenya Group Managing Director Octagon South Africa

Deborah Oppenheimer EVP, International TV Production NBC Universal United States

Marie Nilsson Managing Director Mediavision Sweden

Nadav Palti President & CEO Dori Media Group Israel

Emeka Nkem Mba National Film Video Board Nigeria

Christoforos Papakaliatis Greece

Catherine Payne CEO Endemol Worldwide Distribution Australia Rotimi Pedro Group CEO Optima Sports Management International United Kingdom Luis Francisco Peraza Executive VP, Acquisitions & Original Production HBO Latin America USA Melvin Perez President & CEO MGM Networks Latin America USA Priscilla Pesci Elumines USA Chris Philip President Electus/Engine Distribution USA Greg Phillips President Content Television United Kingdom Stefan Piech Director Your Family Entertainment AG Austria Graham Pitman European Television Guild United Kingdom Adina Pitt VP, Content Acquisitions & Co-Productions Cartoon Network USA Rodrigo Piza Vice President, Sales Cookie Jar Entertainment Canada

International Emmy Almanac 2011/2012

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Gary Podorowsky Senior Vice President Sony Corporation of America USA

Jens Richter Managing Director SevenOne International Germany

Zoltan Rudi Independent Producer Shooteasy Production Services Hungary

Laurence Schwarz CEO Animation Collective USA

Francois Xavier Poirier President Novavision Promotion International France

Mazen Rifka Senior Manager, Acquisition & Distribution Al Jazeera Children’s Channel Qatar

Eduardo Ruiz EVP & General Manager A&E Ole Networks USA

Arthur Schweitzer Content Strategy & Sales Executive National Association of Broadcasters USA

Ross Pollack CEO Celestial Pictures PR China

Roberto Rios Vice President, Original Production HBO Latin America Media Services, Inc. USA

Linda Porto Director of Sales Screenings ABC TV USA Franz Prenner CEO ORF Austria Richard Price Joint CEO RPTA/The Performance Company United Kingdom Michael Prupas President Muse Entertainment Enterprises Canada Marlon Quintero VP, Development & Current Programs Sony Pictures Television International USA Abdul Rahman Ahmad Group Managing Director & CEO Ekuiti Nasional Berhad Malaysia John Ranelagh Director of Acquisitions TV2 Norway Norway Rainer Retzlik Managing Director BECKOFFICE Germany Gil Ribeiro Managing Director Mixer Brazil

Bill Roberts President & CEO ZooMer Canada Tracey Robertson CEO Hoodlum Active Australia Anette Romer Head of Acquisitions and Formats Division TV2 Denmark Program Dept.

Denmark

Humaid Rashid Sahoo CEO Emirates Cable TV & Multimedia/E-Vision UAE Marcos Santana CEO Telemundo Internacional USA Donatella Saroli Head of Client Services RAI Corporation USA Anuj Saxena CEO Maverick Productions Pvt. Ltd. India

Antony Root United Kingdom

Tarif Sayed Regional Director Middle East & Africa Dolby Laboratories UAE

Jane Roscoe Network Programmer SBS Television Australia

Marcos Schechtman Director TV Globo Brazil

Shawn Rosengarten Director, Sales Just for Laughs Canada

Michael Schelp Director, Business Development Fujisankei Communications Int’l USA

Hans Rossine Programsjef/Head of Drama Norwegian Broadcasting Corporation - NRK Norway Eric Rovner Agent WME Entertainment USA Emilio Rubio President, Distribution & Media Development HBO Latin America Group USA

International Emmy Almanac 2011/2012

Charles Schreger President, International Distribution HBO International USA Peter Schube President The Jim Henson Company USA Douglas Schwalbe Executive Vice President Classic Media USA

Douglas Scott Senior Partner, President Ogilvy Entertainment USA Bob Sender Vice President HBO International USA Lara Setrakian Correspondent ABC News UAE Robert Sharenow EVP Programming and Development Lifetime Networks/AETN USA Andrew Shaw United Kingdom Nicole Sheffield General Manager, Lifestyle Channels XYZ Networks Australia Lianwen Shi President Liaoning Radio & Television PR China Ben Silverman Founder & CEO Electus USA Pierre Sissmann Chairman & CEO Cyber Group Studios France Sergei V. Skvortsov Phoenix Film USA Michael Smeaton CEO/Produzent FFP New Media GmbH Germany

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Steve Smith Managing Director Playboy TV International USA

Patrick Svensk EVP, Content Modern Times Group Sweden

Christina Thomas CEO BAFTA East USA

Laurent Solly Chairman TF1 Digital France

László Zsolt Szabó Deputy Director General/ Production & Technical Media Service Support & Asset Management Fund Hungary

Frederick Thomas Chief Executive MHz Networks USA

Michael Souvignier Managing Director Zeitsprung Entertainment GmbH Germany Sergei Sozanovsky Member, Board of Directors Film UA Group Ukraine Mariam Sparsiashvili Vice President I-Media Holdings Rep. of Georgia Carrie Stein Head, Global Management & Pack. Arm 3 Arts Entertainment USA Nicholas Stevens Bridgespan Multimedia USA Eduardo Stigol CEO Inter Venezuela Kathy Styponias General Manager, Media & Entertainment Microsoft Corporation USA Oluwatoyin Subair Managing Director Hi Media Nigeria Julie Sultan President, International Sales & Distribution W2 Media Inc. USA Xu Sun Producer Beijing Television Station PR China Tai Quan Sun President Beauty Media Inc. PR China

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Fernando Szew CEO MarVista Entertainment USA Jeffrey Tahler VP, Acquisitions FremantleMedia Enterprises USA Vladimir Taller President TVM Group Russia Grace Hui Tang Partner PricewaterhouseCoopers PR China\ Rudy Tanoesoedibjo President Director PT. MNC Sky Vision Indonesia Lawrence Tanz President Vuguru LLC USA Eileen Tasca Producer Task Films/ Alien Films Italy Cassandra Tay Director, Communications and Community & Int’l Relations Media Development Authority of Singapore Singapore Victor Tevah Director, Production and International Area Pol-ka Productions Argentina Pankaj Thakar CEO Cellcast Interactive Media India

Henk van der Meulen Vice President IMZ – International Music & Media Centre Austria Sophie Vartan CEO NHU Africa South Africa

Lyndsey Thompson Producer & CEO LocatioNZ New Zealand

Rose Marie Vega USA

Joao Daniel Tikhominoff President Mixer Brazil Leslie Tomlin President & Executive Producer Peace Point Entertainment Group Canada Geza Toth Animation Film Director Kedd Ltd Hungary

Olivier-Rene Veillon Director Ile-de-France Film Commission France Ernesto Velazquez Briseno Director General TV UNAM Mexico Colin Vickery Australia Marcel Vinay Hill International Sales VP Azteca, S. A. Mexico

Terry Tselane Chief Executive Gauteng Film Commission South Africa Bruce Tuchman President MGM Networks USA

Roberto Vivo Chaneton Chairman & CEO Claxson Interactive Group Argentina Cassian von Salomon Managing Director Spiegel TV Germany

Simon Twiston Davies CEO CASBAA PR China Tetsu Uemura Managing Executive Officer Tohokushinsha Film Corporation Japan Maria Urquiaga General Manager Mexicanal Network USA

Mohinder Walia Managing Director Fox Television Studios India Pvt. Ltd. India Petter Wallace Head of Commissioning NRK Norway Danyan Wang Deputy Director China TV Artists Commission of SARFT China

Oleg Valuyskov Commercial Director Polykran Studio Ukraine Sytze van der Laan Director Netherlands Film & Television Academy Netherlands

Anil Wanvari Founder & CEO Indian Television Dot Com Pvt. Ltd. India

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Catherine Warren President FanTrust Entertainment Strategies Canada

Leonard Yanovsky President Intra Communications, Inc. Russia

Tony Watts President Reel Rights United Kingdom

Galen Yeo CEO & Creative Director The Moving Visuals Company Singapore

Christian Wikander Head of Drama, Producer SVT Sweden

Jay Yogeshwar Director, Media & Entertainment Hitachi Data Systems USA

Izabella Wiley SVP & General Manager MTV Polska Poland

Olena Zagorodniuk Chief Musical Producer National TV Company of the Ukraine Ukraine

Sally-Ann Wilson Secretary-General Commonwealth Broadcasting Association UK Anette With Head of Planning TV2 Norway Norway Thomas Woods President Woods Communications USA Paul Wylie Chief Financial Officer Movie Network Channels Australia Daniel Xavier Writer/Producer Cartoon Network Latin America USA Yongliang Xiao President & CEO CBI Media, Inc. China Akemi Yamamoto Producer Telecom Staff Inc. Japan Wenhong Yang Vice President Shanghai Media Group China

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Airin Zainul General Manager, NTV 7 Media Prima Berhad Malaysia Renata Zamith Afonso de Almeida CEO TV TEM Brazil Regina Ziegler Executive Producer Ziegler Film GmbH & Co. KG Germany Tanja Ziegler Producer Ziegler Film GmbH & Co. KG Germany Klaus Zimmermann CEO Atlantique Productions France Joseph Zito President/ Series Producer Outlook Entertainment FZ LLC UAE Anton Zlatopolsky Deputy Director General TV Channel Russia Russia Carmi Zlotnik Managing Director Starz Media USA

Gene F. Jankowski Chairman Jankowski Communications, Inc. USA

Fellows Bill Baker Journalist in Residence Fordham University USA

Arthur F. Kane Managing Editor WordCrafters USA

Ralph Baruch USA

Kay Koplovitz Principal Koplovitz & Company USA

Edward Bleier Warner Bros. (ret.)

USA Richard Carlton USA Bruce Christensen President, KSL TV Senior V.P., Bonneville Salt Lake Media Group USA Fred Cohen Chairman International Academy of TV Arts & Sciences USA

Georges Leclere Founder LGMA USA Len Mauger 65 High Street Australia Horst Mueller Greece Sam Nilsson Sweden

Bert Cohen Consulant USA

Bob O’Reilly Canada

Mark Cohen Consultant USA

Felipe Rodriguez CEO & President Cognitec Systems Corp.

USA

George Dessart CEO Dessart Communications USA

Tom Rogers Chairman, Trget Media LLC CEO & President, TiVO USA

Sonny Fox President Sonny Fox Consultants USA

Jim Rosenfield JHR & Associates USA

Ralph Franklin USA

Dietrich Schwarzkopf Consultant Germany

Larry Gershman Chairman & CEO World International Network, LLC USA

Rainer Siek President MT.NY USA Dieter Stolte Axel Springer Company Germany

Herbert Granath Chairman Emeritus ESPN USA Norman Horowitz President Norman Horowitz Company USA

Helmut Thoma Germany

International Emmy Almanac 2011/2012

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JURORS’ DIRECTORY

Jurors 2011 International Emmy Awards

Preliminary Round of Judging

Andrew Bampfield Writer France

Laurence Blaevoet Canal + France

Vanessa Cernea Acasa TV - ProTv SA Romania

Tamara Aagten-Margol Tako Media Sp. 20.0.

Poland

Zaihirat Banu Oak3 Films PTE LTD Singapore

Helen Blakeman Writer United Kingdom

Magnus Abrahamsson OTW Television Sweden

Alexander Barder Strategic Film Partners USA

Pierre Boffety Director of Photography France

Wissam Chahine Orbit Radio & TV Network, Orbit Mediagates Lebanon

Magdalena Acosta Television Metropolitana S.A. de C.V. Canal 22 Mexico

Marc Bary IJswater Films The Netherlands

Julie Boucher K’ien Productions France

Susan Alexander Shaw Media Canada

Rita Basmagian RAI Corp. Italian Radio & Television USA

Thandi Brewer Tunc Production South Africa

Paula Alvarez Vaccaro Pinball London Ltd United Kingdom

Nivedita Basu Soundarya Productions India

Natalia Arcos ARTV Chile

Anna Bateman Zapruder’s Other Films Australia

Gérald Ariano LCI/Ushuaia TV- Groupe TF1 France

Giacomo Battiato Director/Screenwriter France

Ulises Aristides UA Productions, Inc. USA

Edda Baumann-von Broen Avanti Media Germany

Pablo Arriola Oz Media - The Format Factory Uruguay

Yury Belenkiy “Harmony” Studio Russia

Jennifer Askin Alfred Haber Distribution USA

Marc Bennink Entourage Amsterdam The Netherlands

Yolanda Ausin Telemadrid Spain

Virginia Berberian Media Biz Argentina

Sara Auspitz SiTV USA

Eva-Maria Berger EMB Media Austria

Michal Aviram Kuperman Productions Israel

Neelam Berry Golden Tulip Films India

Maria Badillo Discovery Networks Latin America/USH USA

Mayurica Biswas Miditech PVT LTD India

International Emmy Almanac 2011/12

Bettina Brinkmann European Broadcasting Union Switzerland Andrea Brown Writer Germany Charles Bruce Midwinter Productions United Kingdom Lucy Bruell L.A. Bruell, Inc USA Vincent Burke Top Shelf Productions New Zealand Marcelo Camaño Writer Argentina

Peter Chalupa TV Markiza-Slovakia Slovakia Mandy Chang Producer, Director, and Writer United Kingdom Darren Chau The Comedy Channel and III Hits - Foxtel Australia Rajiv Chilakalapudi Green Gold Animation Pvt. Ltd. India Clara Choi Radio Television Hong Kong Hong Kong Nasser Chour Charisma TV Lebanon Tony Chow Off The Fence Pte Ltd Singapore Sean Chu Studio CHOPS Inc. People’s Republic of China

Triona Campbell CR Entertainment Ireland

Heather (Sunkyung) Chung EBS (Educational Broadcasting System) South Korea

Bernadine Carraher Mind the Gap Films Ireland

Céire Clark National Geographic Television International United Kingdom

Madeleine Carter National Geographic Channel USA Michael Casey Green Park Films United Kingdom

Rick Clodfelter Cartoon Network and Boomerang USA Adrianna Cohen McKinsey & Co. USA

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Marcello Coltro MGM Networks Latin America USA

David Dreilinger Lightworks Enterprises, Inc. USA

Florian Fitz Actor Germany

Stephen Corvini Fremantlemedia Australia Australia

Janet du Plessis Artistes Personal Management South Africa

Matthias Fleischer Director of Photography Germany

Jeff Cotugno DLT Entertainment Ltd USA

Lorenzo Dunoyer Sesame Workshop USA

Rodrigo Flores Efe3 Productions Chile

Martine Couchoud-Radiguer Kino Productions France

Josée Dupuis Société Radio-Canada Canada

Pick-Huei Fong MediaCorp Pte Lte Singapore

Art Kaneearch Dandumrongsuk The Bangkok Entertainment Company Thailand

Gamal Edriss Hot Spot Films United Arab Emirates

Linda Fong TVO Canada

Shafky El Moniery Egyptian TV Egypt

Sarah Fowlie Bell Media Canada

Josh Elbaum Media Investment Group USA

Vicente Franco Franco Productions USA

Debbie Elbin The NY Picture Company Inc USA

Bruce Frankel TF1 USA

Camilo José Escobar Guerrero Fox Telecolombia Colombia

Nina Franoszek The Connectress USA

Wolfgang Fandrich ARD/MDR Germany

Beth Frey Circe Films PTY LTD Australia

Caroline Faraj CNN United Arab Emirates

Henry Gagnon Hgagnon Distribution Canada

Badih Fattouh MBC Group United Arab Emirates

Mikhail Galkin Overseas Media USA

Kwang Wei Han Threesixzero Productions Pte Ltd Singapore

Norm Fein News 12 Networks/ Cablevision USA

Kailash Gandhi Balaji Telefilms Ltd India

Barbro Hardersen Norwegian Center for ICT in Education Norway

Roberto D’Avila Moonshot Pictures/Idea Factory Brazil Elly de Bont KRO The Netherlands Peter De Jong Cableready Corporation USA Jacques de Suze Woods TV USA Charlotte Detaille CD Media Consulting/ NEWEN France Nicole Devilaine France Télévisions USA Kristin Diehle Kristin Diehle Casting Germany Uwe Dierks Boomtown Media GmbH&CoKG Germany Bill Dod Russia Today Russia Yvonne Donohoe RTÉ Ireland Paul Donovan Grand Pictures Ireland Nataly Douka Studio ATA Greece

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Lynn Ferguson Worldwide Pants USA Juan Fernandez World Media Pictures USA Pepita Ferrari Films Piché Ferrari Inc. Canada Mary Ferreira United Nations USA Rolando Figueroa TV Contenidos USA

Jamie Glazebrook Caryn Mandabach Productions Ltd. United Kingdom Jane Gogan RTE Ireland Margaret Goldsmid Southern Exposure cc/National Film and Video Foundation South Africa Paulo Gomes Bigmoon Animation Studios Portugal Joan González Parallel 40 Spain Aaron Goodman Reporter Canada Sonja Goslicki Colonia Media Filmproduktions GmbH Germany Frederic Grinstein A&E Television Networks USA Maritza Guimet Florida Media Market USA Ruth Gutman Ruth A. Gutman Productions USA

Tom Garrett Producer USA Tarek Ghattas 6 Hats Entertainment (Beirut/Cairo) & Spot 2000 (Cairo) Egypt

Stephanie Harris Maverick Television United Kingdom Julie Henson Rogers TV Canada

Dorothy Ghettuba Spielworks Media LTD Kenya

Rosana Hermann Efraim R7.com (Rede Record de Televisão) Brazil

Nicolas Gicquel MCM France

Thomas Hernadi Screenwriter/Novelist Germany

Barbara Giordani Barbara Giordani Casting Italy

Camille Hickman Lincoln Center Theatre USA

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Michael Hilliard Finch Australia

Gudrun Kjellberg SVT Sweden

Jacqueline Lopez-Silvero Programas para Television,Inc. USA

Manoj Mishra DQ Entertainment India

Kristina Hollstein ZDF Enterprises Germany

Elizabeth Klinck E Klinck Research Canada

Marc Lorber Barracuda Productions USA

Mahboubeh Honarian VeraMedia International Productions Canada

Ivar Køhn Norwegian Film Institute Norway

Kristin Lovejoy Producer USA

Karen Mitrega RTL Disney Fernsehen GmbH & Co KG Germany

Carla Hool Carla Hool Casting USA

Kailashnath Koppikar Sahara India - Sahara One media and Entertainment LTD India

Christopher Lumb Viasat Broadcasting United Kingdom

Patricia Houtart Bel Air Media France

Anna KowalewskaOnaszkiewicz Telewizja Polska SA Channel 1 Poland

Francis Humble Televisió de Catalunya, SA (TV3) Spain Ryszard Hunka CBC Canada Melissa Hyak MediaCorp News Singapore Patricia Jasin Frecuencia Latina International Limited Inc USA

Philippa Kowarsky Cinephil - Philippa Kowarsky Productions LTD Israel Michael Kronish Zone3 Canada Keiichiro Kubota Producer USA Stephan Lamby ECO Media Germany

Mrinal Jha Undercover Productions India

Francine Laprade Radio-Canada Canada

Maggie Jones Australian Broadcasting Corporation USA

Eric Laroche Canal + France

Abdullah Kadwani 7th Sky Entertainment Pakistan Ahmed Kamel MBC & Al Arabiya Channel Group in UAE Dubai United Arab Emirates Ingrid Kasper United Nations TV USA Hanka Kastelicova RTV SLO Slovenia Cynthia Kennedy BBC Worldwide United Kingdom Elizabeth Keyishian Kanganosey, Inc. USA

Pedro F. Leda Ledafilms S.A. Argentina Thean-Jeen Lee Weiyu Films Singapore Meefung Lee PIK Film Malaysia David Levine Disney Channels Worldwide USA Simon Lloyd Cineflix Canada Vincent Longobardo Warner Bros. International Branded Services USA

International Emmy Almanac 2011/12

David Lyle National Geographic Channels USA Sean Lynch Writer/Director Australia Sheena Macdonald Canadian Film Centre Canada Iqbal Malhotra AIM Television PVT. LTD. India Shirley Nana Akua Manso Sparrow Productions Ghana Margaret Mardirossian Anaid Productions Canada Christelle Marienneau Toon Factory France Ruth Martínez Boomerang TV (Spain) Spain Owen Matthews Producer/Director Freelance Eileen McCarthy KidsCo United Kingdom Penny McDonald Whizbang Films Canada Sheona McDonald Dimestore Productions Inc. Canada Luis Medina Uno Productions, Inc USA Karen Meiring Afrikaans Channels: MNET South Africa

Leif Mohlin MINT ab Sweden Clive Morris Clive Morris Productions South Africa Christo Morse 1st Assistant Director USA Nezha Mouhssine 2M Morocco Mouna Mounayer Firehorse Films Lebanon Thembi Mtshali-Jones Spirit Sister Productions South Africa Wangeci Murage MNET, East Africa Kenya Michael Murphy Windmill Lane Entertainment Ireland Rola Najem The Frame Production House United Arab Emirates Rima Nazer Independent Filmmaker Lebanon Vatiswa Ndara SABC South Africa Gub Neal Artists Studio United Kingdom Mamadou Niang NextMedia TV USA Aurelian Nica HBO Romania Romania Elisabeth Nord Elisabeth Nord Productions Norway Maria Nordenberg Sveriges Television AB (Swedish Television) Sweden

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Désirée Nosbusch Deal Productions USA

Christian Poccard Eurochannel Inc. USA

Catherine Ross 360 Production Northern Ireland

Emilia Nuccio Echo Bridge Entertainment USA

Linda Porto ABC-TV USA

Benoit Runel Zodiak Media Group France

Vasco Nunes Lusitan USA

Inga Pudenz Medienberatung Inga Pudenz Germany

Jon Rutherford Tricon Films & Television Canada

Stephen Oliver Stephen Oliver Productions Australia

Brent Quinn Quintet South Africa

Kyung Hwa (Claire) Ryue Everyshow Inc South Korea

Ezequiel Olzanski Snap TV/Marvista Entertainment Argentina

Ellen Rand Universal Cable Productions USA

Linda Saffire Got the Shot Productions, LLC USA

Kezzy Omoni-Kimani Nation Media Group Kenya

Christian Rank DR TV Denmark

Oriol Sala-Patau Televisió de Catalunya (TVC) Spain

Leila Ouledcheikh Cake United Kingdom

Virginia Rankin Netherwood Productions Canada

Jose Sanchez-Montes Atico Siete Spain

Toni Öyry Batoota Films Lebanon

Alexander W. RauscherNachwalger ORF Austrian Broadcasting Corporation USA

Talia Sanhewe Talia Sanhewe Picture Studio South Africa

Henrik Pabst SevenOne International Germany Illarion Pavliuk 1+1 Production Ukraine Adrian Penninck Chimerica Media Ltd United Kingdom Marco Perez Union Editorial USA Ignacio Pérez Writer Mexico Tom Perlmutter National Film Board of Canada Canada Melissa Perry Melissa Perry Casting Inc. Canada Ulli Pfau Eikon Media GmbH Germany Guillaume Pierre Canal France International France Mark Piper Piper Pictures Australia

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Ricardo Ravanelli Canal 13 ARTEAR Argentina Gil Ribeiro Mixer Produções Cinematográficas LTDA Brazil Stephan Riguet Andana Films France Juan Pablo Rincón Gómez Fox Telecolumbia Colombia Thomas Robins KHF Media New Zealand Tatiana Rodriguez MTV Latin America USA Chris Roland ZenHQ Films South Africa Anette Romer TV 2 Denmark Denmark Gillian Rose WNET, New York USA Juha Rosma YLE Finland

Surekha Singh SABC - South African Broadcasting Corporation South Africa Radim Smetana Czech Television Czech Republic

Emmanuel Sapolsky Drunken Dragon Productions France Tarif Sayed The Frame United Arab Emirates Michael Schelp Fujisankei Communications International, Inc. USA Kaare Schmidt DR TV Denmark

Helen Smit Baynounah Media Group United Arab Emirates Jessica Soho GMA Network Inc The Philippines Randal Stanley News 12 New Jersey USA Bruce Starin Formation Television Consultants USA Avrill Stark A Stark Production PTY LTD Australia Otto Steiner Constantin Entertainment GmbH Germany John Stokes ACS Director of Photography Australia Julia Stuart BSKYB United Kingdom David Stubbs KHF Media New Zealand Alejandro Suaya Producer Argentina

Pasia Schonberg PVS Films Incorporated Canada Kai-Roman Schöttle KI.KA (Der Kindorkanal von ARD und ZDF) Germany

Sam Summerlin Hollywood Stars Inc. USA Peter Svatek TriPlex Films Canada

Robert Sherrin Sherrin Productions Ltd. Canada

Paul Swadel Supercollider Ltd New Zealand

Tomas Silva Dinter Inc. USA

Lourdes Tanwangco ABS-CBN Broadcasting Corporation The Philippines

Luciana Silva Modo Operante Produções Brazil Marco Luciano Simionato Premier Marketing Ecuador/Argentina

Marcelo Tas Supernormal Brazil James Taylor Atlantic Productions United Kingdom

International Emmy Almanac 2011/12

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Fernanda Tochi Fox Latin American Channels Argentina

Tony Watts RTL 1 United Kingdom

Jamil Abu-Wardeh Eye-Squad United Arab Emirates

Eva Artesona TV3 Television of Catalunya USA

Claire Tonkin Network Ten Australia

Larry Weinstein Rhombus Media Canada

Voyelle Acker France Télévisions France

Japhet Asher CBBC, BBC United Kingdom

Andrea Traubner Filmakers Library USA

Jenny Westergard YLE Finnish Broadcasting Company Finland

Nanahemaa Adjoa Awindor Premier Productions Ltd Ghana

Gisela Asimus-Minnbergh Endemol United Kingdom

Babatunde Ajijedidun Digitrack Nigeria Limited Nigeria

Denise Assumpção NBC Universal Brazil

Eid Al-Dhaheri Abu Dhabi Media Company United Arab Emirates

Monica Athayde Endemol Globo Brazil

Ali Al Jabri Abu Dhabi Culture & Heritage United Arab Emirates

Ximena Ayala Actress Mexico

Anwar Al Yasri D.S.T. (Dubai Sound TV and Cinema Production) United Arab Emirates

Frank Aydt Servus TV Austria

John Trengove Bomb Shelter South Africa Janice Tufford Tuff Productions Canada Daniela Tully Imagenation United Arab Emirates Inés Turturica Acasa TV (Pro TV S.A.) Romania George Twumasi ABN Holdings Ltd. United Kingdom Maria Urquiaga Mexicanal Network USA Pablo Urquiza KWHY - TV Channel 22 USA Saija Uski YLE Finland Finland Jorge Vaillant Perspectives21 USA Juan Carlos Valdivia Cinenomada S.R.L Bolivia Sulette van Jaarsveld Mesa Films South Africa Anna Vasova European Broadcasting Union/ Eurovision TV Switzerland Rose-Marie Vega Television Executive USA Michael Vetter MV Productions Mexico Paul Voorthuysen S&V Fiction The Netherlands

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Aimee White BBC Worldwide USA Dewi Wyn Williams S4C Wales Jim Williamson CBC Canada Nathalie Windhorst VPRO The Netherlands Bruno Wollheim Coluga Pictures United Kingdom Derek Wong Sony Pictures Entertainment Networks - Asia Singapore Yuk Kuen Wong Television Broadcasts Limited Hong Kong, China Ged Wood Producer Australia

Saleh Alameri ADACH United Arab Emirates Gary Alazraki El Galan.Tv Mexico

Keiko Hagihara Bang Bang Singapore Pte Ltd/Bang Productions Ltd Singapore Kate Barnes Channel 5 United Kingdom

Jonathan Alderson Metro TV Ghana Mauro Alencar Prof. Doctor, Master and Phd in Telenovela Brazil

Ralf Bauer Actor Germany Steven Bawol Helion Pictures France

Helios Alvarez Sony Pictures Brazil

Donia Belhadj-Brigardis Consultant France

Leonard Yanovsky Intra Communications, Inc. USA

Marcus Ammon Sky Deutschland Fernsehen GmbH Germany

Barbara Bellini Discovery Communications United Kingdom

Javier Zilberman Ideas Del Sur Argentina

Donna Andrews Sticky Pictures Australia

Semi-Final Round of Judging

Alessandro Angulo Laberinto Colombia

Azza Abou Al Magd Executive Producer United Arab Emirates

Dieter Anschlag Funkkorrespondenz Germany

Nabil Abou Samra twofour54- Intaj United Arab Emirates

Julie Anthony TF1 France

Lydia Bisanti Former General Manager Telefrance USA USA

Karim Abouzeid Producer and Director United Arab Emirates

Lucia Araujo Futura Channel Brazil

Friedhelm Bixschlag Magic Media Company Germany

Loes Wormmeester NTR The Netherlands

Oliver Berben Constantin Film Germany Helena Bernardi HBO Latin America USA Abdullah Bin Haider AD Media United Arab Emirates

International Emmy Almanac 2011/2012

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Ronald H. Blumer Middlemarch Films USA

Juan Carlos Cedeno Walt Disney Studios Motion Pictures Mexico

Anna Croneman Bob Film Sweden Sweden

David Dontoh Golden Kauri Ghana

Selena Crowley TV1 Australia

Paul Drago HBO Latin America USA

Alvaro Cueva Milenio Diario/Proyecto 40 Mexico

Fidelis Duker FAD Productions Ltd Nigeria

Pedro Damian Televisa Mexico

Francis Dumaurier Independent Producer/Actor USA

Man Yee (Rita) Chan Radio Television Hong Kong Hong Kong, China

Constanze Darschin HPR Künstler & Medien GmbH Germany

Malcolm Dunlop Rogers Media Canada

Rita Chao The Walt Disney Company Taiwan, China

Sam Davis Rowboat Film - Television Germany

Chris Chard Roadshow Entertainment Australia

Etienne De Balasy Artistic Director/Writer France

Luiz Marcelo Chaves TV Globo USA

Elly de Bont KRO The Netherlands

Elaine Cheah Radio Television Malaysia Malaysia

Christine de Bourbon Busset Fidélité TV France

Astrid Bscher Filmfritz GmbH Germany

Alex Chien Viacom China People’s Republic of China

Alexandra De La Mora Actress Mexico

Paul Fagan Channel 5 Broadcasting Limited United Kingdom

Ibrahim Buba Newage Network Nigeria

Yongwon Choi MBC South Korea

Julien Dewolf M6 France

Wolfgang Fandrich ARD/MDR Germany

Barbara Buhl WDR Germany

Lih Woei Chou China Polling People’s Republic of China

Julio Di-Bella PCTV Mexico Mexico

Melanie Farrell Rogers Communications Canada

Ric Burns Consultant Australia

Hoon Chung Korea DMB South Korea

Sylvia Fassl-Vogler City of Vienna Administration Austria

Sabine Buss Random House Audio Germany

Paul Clarke Bombora TV Australia

Zehra Aysen Diker TRT (Turkish Radio and Television Corporation) Turkey

Daniel Camhi Argos Television Mexico

Sven Clausen Danish Broadcasting Corporation Denmark

Guilherme Bokel TV Globo Brazil Mikkel Bondesen Fuse Entertainment USA Jack Boram Thought Equity Motion Australia Julien Borde France Télévisions France Nathalie Bourdon FarMore Distributions Inc. Canada Renée Brack Movie Network Channels Australia Alexandre Brecher Gray-Film / United Nations France Felix Breisach Felix Breisach Medienwerkstatt GmbH Austria

Mareike Carriere Actress Germany Michael Carrington Turner Broadcasting United Kingdom Luiz Fernando Carvalho TV Globo Brazil

Elizabeth Cervantes Torrecilla Actress Mexico Yi Chae Hoon MBC South Korea Tania Chambers Screen NSW Australia

Barbara Cochran Curtis B. Hurley Chair in Public Affairs Journalism USA Marcello Coltro MGM Networks Latin America USA Guido Corso RAI Corporation USA

International Emmy Almanac 2011/2012

Thomas Disch HMR International/Cologne Conference-International Film & Television Festival Germany Carlos Daniel Djahjah TV Globo Brazil Andrea Dohmen Ringier AG Switzerland Ben Donald BBC Worldwide United Kingdom

Gai Dunlop Festcom International Pty Ltd Australia Lars Duus TV2 Denmark Denmark Jackie Edwards BBC United Kingdom Einar Egeland Norwegian Film Institute Norway

Kim Fatheuer Rowboat Film - und Fernsehproduktion Germany Jeffrey Fatt The Wiggles Australia Sherine Fawzy Pyramedia United Arab Emirates Wilson Feitosa Europa Filmes Brazil Claiton Fernandes California Filmes Brazil

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Vladimir Fernandes California Filmes Brazil

Luis Gnecco Actor Chile

Leopold Hoesch BROADVIEW TV Germany

Christoph Fey Unverzagt von Have, Entertainment Master Class Germany

Carlos Daniel Gonzalez Writer Mexico

Jolyon Hoff Filmmaker Nigeria

Roberto Gonzalez TV Azteca Mexico

Beate Hoffmann State Chancellery Germany

Carlos Gonzalez Fremantle Media Brazil

Martin Hofmann Askania Media Film Produktions GmbH Germany

Paul Field The Wiggles Australia Petra Fink ProSiebenSat.1 TV Deutschland GmbH Germany Jeff Ford Channel 5 United Kingdom Tony Forrest Movie Network Channels Australia Liselott Forsman YLE Finland Bruce Frankel TF1 USA Elisabeth Freismuth Federal Ministry of Science and Research Austria Angela Fung Phoenix Satellite TV Co. LTD Hong Kong, China Gregoire Furrer Montreux Comedy Festival France Ingolf Gabold DR TV Denmark Flavio Garcia da Rocha TV Globo Brazil Juan Pablo Gaviria Si Hay Ideas Colombia Frank Gerdes ServusTV Austria Mabel Germain HM Films Ghana Sophie Gigon France Télévisions France Sarah Gilbert BBC USA

126

David Graham Attentional Ltd. United Kingdom Christian Granderath NDR - Norddeutscher Rundfunk Germany

Sun Jianying Sichuan TV Festival International “Gold Panda” Awards Office People’s Republic of China Xue Jijun CCTV People’s Republic of China Gottfried John Actor Germany

Kyung-Soo Hong Soom Chun Hyang University South Korea Noman Hosni Comedian Switzerland Anne Hufnagel United Docs GmbH Germany

Judy Guevara Sony Pictures TV USA

Jennifer Hughes International Film Group Pty Ltd Australia

Peter Gustafsson SVT Sweden Hanizah Hamzah ABU Malaysia Dong-Kyoo Han KBS South Korea Lila Hannou M6 France Thomas Hass Hass Productions Inc. USA Lutz Heineking, Jr. Eitelsonnenschein GmbH Germany Gebhard Henke West German Television Germany Vanessa Henneman Henneman Agency The Netherlands Christiane Hinz WDR Germany

Jan Kaiser Bavaria Fernsehproduktion Germany Munia Kanna-Konsek Beyond United Kingdom

Angelica Guerra Caracol TV Colombia

Marie Guillaumond TF1 France

Maggie Jones ABC (Australian Broadcasting Corporation) USA

Chris Hunt IMZ Austria

Haitham Karajay Spacetoon International Media Group United Arab Emirates Ursula Karven Actress Germany Michael Katz A+E Networks USA

Gunny Hyoung EBS Korea South Korea

Yasuo Kawashima TV Asahi Japan

Munair Ibrahim Abu Dhabi Media United Arab Emirates

Nicole Keeb ZDF Germany

Amaka Igwe Amaka Igwe Studios Nigeria Peter Jenetsky Movie Network Channels Australia David Jensen Comcast Cable USA

Huw Kennair-Jones BSkyB United Kingdom Daniel Kermah Studio One Ltd Ghana Erna Kettler RUV Iceland

Gunilla Jensen Peyron SVT Sweden

Gae Hyung Kim KBS South Korea

Jae Eung Jeong Producer South Korea Qi Jia China Movie Channel People’s Republic of China

Kyeong A Kim EBS South Korea Nele Kiper Actress Germany

International Emmy Almanac 2011/2012

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Sonja Kirchberger Actress Germany

Siew Hoon Lee Mediacorp PTE LTD Singapore

Flavio Medeiros ITV Global Entertainment Brazil

Mamadou Niang Nextmedia.tv USA

Junichi Kitasei TV Asahi America USA

Choong Hyung Lee KBS France

Bert Medina TeleFutura Network USA

Michelle Nickelson Mirge Holdings Middle East LLC United Arab Emirates

Christophe Knox Writer France

Charles Lei yingzhanwang.com People’s Republic of China

Colleen Meldrum Movie Network Channels Australia

Julian Nicole-Kay RTS Switzerland

Ilze Korjusa Viasat Broadcasting United Kingdom

Alejandra Leon de la Barra Tecnologico de Monterrey, Campus Santa Fe Mexico

Stuart Menzies ABC (AustraliaN Broadcasting Corporation) Australia

Rafael Noguera Screenwriter Colombia

Sophie Leveaux TF1 France

Kofi Middleton-Mends Lecturer (Retired) Ghana

Annalisa Liberi RAI Italy

Francisco Mistrorigo TV Pinguim Brazil

Jutta Lieck-Klenke Network Movie Germany

Mamdouh Moheb Pyramedia United Arab Emirates

Sebastien Liefferinckx The Walt Disney Company France

Lars Montag Director & Writer Germany

Murray Lipnik Swen Entertainment Brazil

Ana Montoya Televisa Networks Mexico

Bernadette O’Mahony Australian Children’s Television Foundation Australia

Arne Lohmann ZDF Enterprises Germany

Marcela Montoya Caracol Television Colombia

Alejandro Orive Writer Mexico

Ana María Londoño Screenwriter Colombia

Bohyun Junha Moon KBS South Korea

Moises Ortiz-Urquidi Argos TV Mexico

Aida Lopez Actress Mexico

Reiner Moritz Poorhouse Intl.

United Kingdom

Anita Owusu Metro Television Ghana

Miguel Loyo Actor Mexico

Vincent O. Mortreux TF1 USA

Cecilia Padula Turner Broadcasting Italy

Golli Marboe Tellux Film Austria

Nick Murray Cordell Jigsaw Productions Pty Ltd Australia

Edna Palatnik TV Globo Brazil

Bo Kroll See Real Technologies Luxembourg Marie Kucerová Czech Television Czech Republic Kyehong Kwon KBS South Korea Ulrich Lagriffoul Newen Distribution France Florentine Lahme Actress Germany Stephan Lamby ECO Media Germany Wolfgang Landgraeber WDR TV Culture & Science Germany Gudrun Landgrebe Actress Germany Virginie Landru TV5 Monde France Juan de Dios Larrain Fabula Chile Nathalie Laurent TF1 France Mark Lawrence Endemol Worldwide Distribution United Kingdom

Simon Marks Feature Story News USA Nathan Mayfield Hoodlum Australia

Francois-Charles Le Goff God save the film/SAYA France

Tim McDonald Seven Network Australia

Carolina Leconte Caracol Television Colombia

Michael McKay ActiveTV Australia

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Mostafa Nagy Al Jazeera Documentary Channel Qatar Priya Narahari Eurovision Americas, Inc. USA Catherine Nebauer Talefinn Entertainment Australia Sayil Negrete Sony Pictures Television Mexico

Ingo Nommsen ZDF Germany Luiz Noronha Conspiracal Filmes Brazil Femi Odugbemi DVWorx Studios Nigeria Annette K Olesen Director Denmark

Ayesha Passah XYZ Productions Ghana Franz Patay IMZ Austria Mandy Pattinson Discovery Networks Asia Australia Adrianne Pecotic The Content Business PTY LTD Australia

International Emmy Almanac 2011/2012

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Amanda Peppard ActiveTV Australia

Najat Rizk Firehorse Films Lebanon

Jürgen Schuster Teamworx & UFA Cinema Germany

Julia Stuart BSkyB United Kingdom

Luis Peraza HBO Latin America USA

Patrick Roberts DRG United Kingdom

Ellen Schweiger C-SPAN USA

Diego Suarez Fox Television Studios USA

Elizabeth Pessoa Instituto Moreira Salles Brazil

Tracey Robertson Hoodlum Australia

Deborah Scranton Clover & a Bee Films USA

Bello Sule NTA Nigeria

Ruth Pfletschinger IMZ Austria

Miguel Rodarte Actor Mexico

Nicole Sheffield XYZ Networks Australia

Atsuhiko Sumoto Mainichi Broadcasting System Japan

Nicolas Piccato Panda Media South Korea

Jane Roscoe SBS Corporation Australia

Xu Sun Beijing TV People’s Republic of China

Sophie Pierson Pierson Consultus USA

Nancy Rosenthal New York WILD Film Festival USA

Brendan Shehu Pan Afrique Motion Picture Production Nigeria

Iyad Qasem twofour54 United Arab Emirates

Hans Rossiné NRK Norway

Qingping (Angela) Lin Zee TV People’s Republic of China

Hamed Ruaab AD Media United Arab Emirates

Karen Radzyner Dragonet Films Australia

Christiane Ruff Deutsche Columbia/ Constantin-Film Germany

Sharon Ramsay-Luck SBS Corporation Australia Katja Raths Clasart Classics Germany Steve Redisch Voice of America USA Rainer Retzlik BECKOFFICE Content & Creation Germany Francisco Reyes Actor Chile Robert Richter Richter Productions, Inc. USA Bettina Ricklefs Bayerischer Rundfunk Germany Roberto Rios HBO Latin America USA Carolina R. Rivera Corazón TV Mexico

David Shepheard Abu Dhabi Film Commission United Arab Emirates Yukihiro Shibata NHK Japan Octavio Silva Arrow Films Brazil Brazil

Wei Sun Shanghai Media Group People’s Republic of China Yoichiro Takahashi NHK Japan Hock Guan Tan Asia-Pacific Broadcasting Union Malaysia

Harjit Singh Radio Television Malaysia Malaysia

Grace Tang Entertainment & Media, PricewaterhouseCoopers People’s Republic of China

Cristiana Ruffini Nobili The Walt Disney Company Italy

Pierre Sissmann Cyber Group Studios France

Paul Tarter Technical Producer USA

Leisa Sadler Walt Disney Australia & New Zealand Australia

Matthew Skene Al Jazeera USA

Veronica Tetteh-Ashong Ghana Broadcasting Corporation Ghana

Andrés Salgado Screenwriter Colombia Benjamín Salinas TV Azteca Mexico Ana Sánchez Comarex S.A. de C.V. Mexico Marcos Schechtman TV Globo Brazil

Mikhail Solodovnikov RTR TV USA Hyunok Song Sejong University South Korea Monica Sonzogni Telecine Brazil Miodrag Soric Deutsche Welle USA

Barbara Thielen RTL Television Germany Anne Thomopoulos Trio Lunch Inc. USA Martin Traxl ORF Austria Barbara Uecker ABC Children’s TV Australia

Ralf Schmitz Actor/Comedian Germany

Jose Soto TV Department, Universidad Iberoamericana Mexico

Norbert Schneider Former Director of LfM Germany

Helfried Spitra WDR Germany

Ana Celia Urquidi Argos Comunicacion Mexico

Dominic Schreiber Channel 4 United Kingdom

Lyle Stewart Sony Pictures Television United Kingdom

Jean-Michel Valet Disques Office Switzerland

International Emmy Almanac 2011/2012

Maria Urquiaga Mexicanal Network USA

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Daniel van Hoogstraten Syndrome Films Brazil

Ha Won KBS South Korea

Denise Vance Associated Press USA

Hazel Wright Hazel Wright Media Ltd. United Kingdom

Karin Veitl ORF Austria

Hiroyaki Yabuuchi MBS Japan

Angela Vergara Teleset SA Colombia

Chikako Yamada NHK Japan

Benjamin Vicuna Luco Actor Chile

Lei Yu CCTV People’s Republic of China

Kari Vidø Director and Script Writer Denmark

Zhang Zi Yang CCTV People’s Republic of China

Marcel Vinay Comarex Mexico

Erik Zuckermann Cadena Tres Mexico

Nathalie von Bernstorff Film & Media, French Embassy Germany

Final Round of Judging

Mark Walton The Africa Channel USA Miao Wang Three Waters Productions USA Julian Ware Darlow Smithson United Kingdom Victoria Watts Viasat Broadcasting United Kingdom Dan Wechsler Bord Cadre Films Switzerland Annie Wegelius SVT Sweden Larry Weinstein Rhombus Media Canada Peter Widlok Media Authority (LfM) Germany Ulrike Willner ZDFneo Germany Daniel Wineman Walt Disney Television EMEA United Kingdom

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Jose Mari Abacan Vice President for Program Management Department GMA Network, Inc. The Philippines Herval Rossano Abreu Executive Producer and Director Canal 13 de Televisión / Herval Abreu Producciones Ltda.

Chile Beatriz Acevedo President HIP TV USA Mederic Albouy Brands Manager France Télévisions France Kent Alterman Head of Original Programming and Development Comedy Central USA Diego Hernan Andrasnik Executive Producer POL-KA Producciones S.A. Argentina Celia Norma Angeleri Casting Director La Casa Casting Argentina

Norbert Balit TV Producer Adamis Production France

Rita Chao General Manager, Disney Channels Taiwan The Walt Disney Company Taiwan, China

Roxanne Barcelona Vice President GMA Worldwide, Inc. The Philippines

Peggy Ching Head, General Programmes Radio Television Hong Kong People’s Republic of China

John Barnett CEO South Pacific Pictures New Zealand

Eduardo Cisneros Writer USA

Larry Bass CEO Screentime ShinAwil Ireland

Tina Cleary Casting Director The Casting Company New Zealand

Caroline Behar Head of Documentaries for France 5 Head of Acquisitions & International Coproductions for France Televisions Group France Télévisions France

Sven Clausen Executive Producer DR TV Denmark

Carlos Biern Executive Vice President BRB Internacional Spain Marlene Braga Vice President, Programming Azteca America USA Massimo Bruno Head of Thematic Channels De Agostini Editore Italy Junita Budvytiene Head of Acquisitions Lithuanian Radio and Television Lithuania Gilles Camouilly Director, France O France Télévisions France

Tom Cox President SEVEN24 Films Canada Pablo Cruz Producing Partner/President CANANA USA Rosana Cueva Anchor and Director of “Panorama” Panamericana Television Peru Bora Dagtekin Writer Germany Anne Davis Senior Commissioning Editor M-NET South Africa François De Brugada Executive Vice President Banijay Group France

Celia Catunda Partner/Director TV PinGuim Brazil

Carlos De Elia News Director Artear S.A. Argentina

Craig Cegielski President GK-Films/GK-TV USA Vikram Channa Vice President - Production & Development Discovery Networks Asia Pacific Singapore

Cristian de la Fuente Producer EFE3 USA Sabine de Mardt Managing Director Eyeworks Fiction Cologne GmbH Germany

Imanol Arias Actor Spain

International Emmy Almanac 2011/2012

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Caterina De Nave Commissioning Editor, Drama & Comedy SBS Australia Australia Xavier Deluc Actor France Cesar Diaz VP Sales Venevision International USA Roberta Durrant Creative Producer Penguin Films South Africa Luis J. Echarte Chairman Azteca America Mexico Daniel Edge Documentary Filmmaker United Kingdom Alan Erson Head of Documentaries ABC (Australian Broadcasting Corporation) Australia Morgann Favennec Head of Children’s Programs M6 Metropole Television France Lars Feilberg Head of Drama Nordisk Film TV Denmark Cynthia Fenneman President and CEO American Public Television USA Anthony Flannery Head of News and Current Affairs TVNZ New Zealand Wilma Galvante Senior Vice President GMA Network, Inc. The Philippines Flavio Garcia da Rocha Content Planning and Management VP TV Globo Brazil Michael Garin CEO Image Nation United Arab Emirates

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Patty Geneste CEO & President Absolutely Independent The Netherlands

Alejandro Harrison CEO Pramer SCA Argentina

Dave Gibson Managing Director and Producer Gibson Group New Zealand

Morten Hesseldahl Executive Director, DR Culture DR TV Denmark

Judy Gladstone Executive Director Bravo!

FACT (Foundation to Assist Canadian Talent) Bell Media Inc Canada Hian Goh Managing Director Asian Food Channel (AFC Network) Singapore Sofie Graaboel Actress Denmark

Michael Hirsh CEO Cookie Jar Entertainment Canada Gale Anne Hurd CEO Valhalla Motion Pictures USA Miki Ivcher CEO Frecuencia Latina International Limited, Inc. USA

Deborah Green Casting Director Deb Green Casting Canada

Atte Jaaskelainen Director of News, Sport and Current Affairs YLE Finnish Broadcasting Company Finland

Lauren Groenewald Producer - Documentary Plexus Films South Africa

Hae Ryong Jung Chief Producer KBS South Korea

Diego Guebel CEO Eyeworks Argentina Argentina

Eric Jurgensen CEO/Programming Director America TV Lima Peru Peru

Tim Halkin Managing Director/Partner Tandem Communications GmbH Germany

Jarmo Kalliola Founding Partner/COB Profict Partners oy Finland

Steven Hall Chief Development Officer Orbit-Mediagates Lebanon Carl Hall CEO Parthenon Media Group United Kingdom Chuan Quee Han Vice President, Corporate Services, Channel NewsAsia MediaCorp Pte Ltd Singapore Sara Kyungwon Han-Williams President Pixtrend Inc. South Korea Carmen Harabagiu Country Manager HBO Romania Romania

Oliver Kent Producer United Kingdom

Ioannis Latsios General Director of Program Antenna TV Greece Jong Hyun Lee Global Performance Managing Director Munhwa Broadcasting Corporation (MBC) South Korea Moonyeenn Lee Casting Director MLA South Africa Charles Lei CEO Yingzhanwang People’s Republic of China Shen Lin Actor Beijing Rosat Film and TV Production Company Ltd. People’s Republic of China Benoit Louvet EVP Acquisition and Distribution of Programs TF1 France Anupama Mandloi Content Head Fremantlemedia India Jennifer McGuire General Manager and Editor In Chief, CBC News & Centres CBC Canada Mike McRoberts Anchor 3News & 60 Minutes TV3 Mediaworks New Zealand

David Kodsi Producer K’IEN Productions France Tim Kring Writer/Producer TKE Imperative USA Elad Kuperman CEO Kuperman Productions Israel Axel Kuschevatzky Film Consultant Telefe Argentina

Eva Landahl Chief Editor News and Current Affairs SVT Sweden

Joshua Mintz Senior EVP Telemundo Entertainment Telemundo Communication Group USA Haidar Mohamed General Manager Fanar Production FZ LLC United Arab Emirates Phil Molefe Group Chief Executive Officer SABC South Africa

International Emmy Almanac 2011/2012

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John Momoh Chairman Channels Television Nigeria Nigeria John Morayniss CEO Entertainment One USA Maria Mosquera Founder & Director of Vale TV, Channel 5 Asociacion Civil Valores Educativos Vale TV Venezuela

Ricardo Restrepo CEO Colombian Documentary Association Colombia Rainer Retzlik CEO BECKOFFICE Content & Creation Germany Andrea Ribeiro Director O2 Films Brazil

Margaret Murphy Executive Producer, Studio Channel 132 SBS Subscription TV Ltd. Australia

Thure Riefenstein Actor/Director Smile-Pictures Entertainment Germany USA

Mostafa Nagy Head of Programs Al Jazeera Documentary Channel Qatar

Michel Rodrigue TV Consultant The Format People USA

Takashi Nakamoto Director Fuji Television Network, Inc. Japan

Marie Rosholt Executive and Consulting Producer Endemol South Africa South Africa

Michal Nashiv President and CEO Dori Media Contenidos Argentina

Eric Rovner Agent William Morris Endeavor Entertainment USA

Sheila Nevins President of Documentary Programming HBO USA Alexey Nikolov Managing Editor RT TV Russia Michael Nozik Partner/Producer Hwy61 Films USA Alexis Papachelas Chief Anchor “New Files” SKAI TV Greece William Pfeiffer CEO Tiger Gate Entertainment Ltd. Hong Kong, China Surang Prempree Managing Director Bangkok Broadcasting & T.V. Co., LTD. Thailand

Eduardo Ruiz Executive Vice President A&E Ole Networks USA Kelly Rutherford Actress USA Linda Saffire Producer Got the Shot Productions, LLC USA Luis San Narciso Casting Director GloboMedia Spain Marcos Santana President Telemundo International USA Maria Eugenia Sarroca General Producer “Informe Especial” Television Nacional de Chile Chile Leonardo Sbaraglia Actor Argentina

International Emmy Almanac 2011/2012

Doug Schwalbe EVP of Production Classic Media USA

Ernesto Velazquez General Director TV UNAM Mexico

Alexander Siddig Actor/Producer USA

Edwin Vidal News Director Mexicanal Mexico

Mikko Silvennoinen Programme Director TV3 Viasat Estonia Frank Siracusa President/Executive Producer Whizbang Films Inc. Canada Morgan Spurlock Director Warrior Poets USA Cynde Strand Director of Coverage International News CNN USA Fernando Szew CEO Marvista Entertainment USA

Luis Villanueva President and CEO Somostv USA Doris Vogelmann Director of Programming and Acquisitions Vme Media Inc. USA Robert Walden Actor/Director/Adjunct Professor New School of Drama, NYC New School University USA Petter Wallace Head of Commissioning Independents NRK Norway

Loan Ta Thi Bich CEO of VT6 Vietnam Television Vietnam

Armin Wolf Anchor/Deputy Editor-in-Chief TV News ORF Austria

Cecilia Tan Deputy Controller (Programme Division) Television Broadcasts Ltd. Hong Kong, China

Yuk Kuen Wong Supervising Producer Television Broadcasts Limited Hong Kong, China

Victor Tevah Director Nuevos Proyectos y Area Institucional Pol-Ka Produciones S.A. Argentina Pedro Tinoco Executive President Venevision Productions LLC USA Pedro Torres Castilla CEO El Mall Mexico

Akemi Yamamoto Producer TELECOMSTAFF, INC Japan Klaus Zimmermann CEO Atlantique Productions France Geraldine Zivic Actress Colombia

Barbara Truyen Head of Documentaries VPRO The Netherlands Henk van der Meulen Director Royal Conservatoire The Hague The Netherlands

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LIST OF ADVERTISERS

Almanac Advertisers Index 19 Entertainment . . . . . . . . . . . . . . . . . . . . . . . . . . . Inside Back

LBC International . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

A+E Networks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Legacy Productions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

ABC Australian Broadcasting Corporation . . . . . . . . . . . . . 55

Lippin Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Academy of Television Arts & Sciences . . . . . . . . . . . . . . . 135

Microsoft . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Asia TV USA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Inside Front

Modern Times Group . . . . . . . . . . . . . . . . . . . . . . . . . . . 41, 43

BAFTA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

NATPE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Bangkok Broadcasting & TV Company. . . . . . . . . . . . . . . . . 65

NBCUniversal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Brightcove . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80-81

Nespresso USA, Inc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Canal Futura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

NHK Japan Broadcasting Corporation. . . . . . . . . . . . . . . . . 52

CBS Studios International . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

NRW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Channels Television Nigeria . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Peabody Awards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Deluxe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Phoenix TV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Dick Clark Productions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Pramer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

DISH Network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Reed MIDEM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Dori Media Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

RTL Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back Cover

ESPN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Ryan Seacrest Productions . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Ernst & Young . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Seven Network Australia. . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

European Television Guild . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Sofitel New York. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

FOX Broadcasting Company . . . . . . . . . . . . . . . . . . . . . . . . 67

Son et Lumière . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Frankfurt Kurnit Klein & Selz . . . . . . . . . . . . . . . . . . . . . . . . 131

Sony Pictures Television . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

FremantleMedia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

The Bold and the Beautiful . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Fujisankei Communications Intl. . . . . . . . . . . . . . . . . . . . . . . 49

Toei Animation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

HBO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

TV Globo

Hearst/Cosmopolitan TV. . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

twofour54 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Hubbard Broadcasting Inc.. . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Variety . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

ICM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Venevision International. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Ihlas News Agency.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

WDR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Kadokawa Group Holdings, Inc. . . . . . . . . . . . . . . . . . . . . . . 92

WOWOW Inc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Kaufman Bernstein . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

World Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Korean Broadcasting System . . . . . . . . . . . . . . . . . . . . . . . . . 94

XIX Entertainment/Simon Fuller . . . . . . . . . . . . . . . . . . . . . 34

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

LA’s Best . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 International Emmy Almanac 2011/2012

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masthead

Administration the International academy of television arts & sciences

Ken Feisel Almanac Cover Design

Gala

Camille Bidermann-Roizen Senior Vice President & Executive Director

PSG Wire Photography

Chip Quigley Co-Executive Producer, Kingdom Entertainment

membership Tracy Oliver General Manager Aurélie Dauphin Events & Partnerships Manager Shakima Jones Bookkeeper

the International emmy almanac Publisher World Screen Ricardo Guise

Carole Propp Talent Producer Melissa Hess Clips Producer

emmy Judging

Anna Carugati

Academy Interns Kira Dudley

Nathaniel Brendel Emmy Judging Director

Mansha Daswani

Timothy (TJ) Fabian

Kristin Brzoznowski

Laura Finkelstein

Phyllis Busell

Jana Kozlowski

Elizabeth Bowen-Tombari

Boris Le Guen

Jessica Franco Emmy Judging Coordinator

Simon Weaver

Ji Eun (Jennifer) Lee

Rafael Blanco

Yendie Lynch

Ashley Fields Emmy Judging Assistant

Marissa Graziadio

Jessica Montoya

Communications

Terry Acunzo

Anikka Sellz Emmy Judging Manager

Eva Obadia Communications Director Zoë Dyck Web & Marketing Coordinator Gerry Brahney Advertising Director Don Ciaramella, Matt Biscuiti Public Relations: The Lippin Group

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Chris Anderson Office & Membership Coordinator

Mark Friedman Producer

Cesar Suero

Daniel Neves Christine Smith

Vanessa Brand

Janelle Trabakino

Editorial Directors & Associate Publisher Eva Obadia Zoë Dyck Gerry Brahney

Ernst & Young LLP Ballot tabulations

Saif Zureikat

25 West 52nd Street, 14th Floor New York, NY 10019 USA Tel: +1-212-489-6969 Fax: +1-212-489-6557 www.iemmys.tv iemmys@iemmys.tv International Emmy Almanac 2011/2012

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