Fine Furniture

FINE FURNITURE TUESDAY 20TH JANUARY 2026

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2026 AUCTIONS SALES CALENDAR JANUARY 20th­22nd

28th & 29th

Classics Week (Fine Furniture, Interiors, British & Continental Ceramics & Glass) Fine Jewellery

FEBUARY 3rd

Silver & Objects of Vertu

MARCH 4th 24th­26th

26th

Old Masters, British & European Paintings Classics Week (Fine Furniture, Interiors, Arts of Africa, Oceania & The Americas) The Gordon Reece Collection

APRIL 15th & 16th 22nd & 23rd 28th & 29th

Design Fine Jewellery Fine Silver & Objects of Vertu

MAY 19th 20th 21st

Fine Asian Art Asian Art II Japanese Works of Art & Interiors

JUNE 2nd 3rd 10th 30th

British Art Pottery Modern British & 20th Century Art Medals & Coins, Arms & Armour Classics Week (Fine Furniture, Interiors, British & Continental Ceramics & Glass)

Dates may be subject to change

FINE FURNITURE TUESDAY 20TH JANUARY 2026 10.00AM - LOTS 1-218 Mark Yuan­Richards Neil Grenyer Head of Department 01722 446974 01722 411854 ng@woolleys.live myr@woolleys.live

INTERIORS

Will Hobbs

Jim Gale

01722 339752 wh@woolleys.live

01722 339161 jg@woolleys.live

WEDNESDAY 21ST JANUARY 2026 10.00AM - LOTS 301-768 CATALOGUE ONLINE ONLY The sale to be conducted at our City Centre Salerooms, 51­61 Castle Street, SP1 3SU

VIEWING AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX Friday 16th January Saturday 17th January Monday 19th January Tuesday 20th January Wednesday 21st January

Sarah Stone

Suilven Hunter

01722 339161 ss@woolleys.live

01722 339161 shu@woolleys.live

David Houlston The Age of Oak Consultant 01722 339161 furniture@woolleys.live

BUYER’S PREMIUM 10am – 4pm 10am – 1pm 10am – 4pm 10am – 4pm by appointment

Each lot is subject to a Buyer’s Premium of 27% (+VAT) on the first £20,000, reducing to 26% (+VAT) thereafter CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK, please refer to the department for guidance

ALSO ON VIEW: BRITISH & CONTINENTAL CERAMICS & GLASS

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LIVE ONLINE BIDDING – FREE OF CHARGE

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ILLUSTRATIONS Front cover: Lot 104 Back cover: A selection of caddies

IMPORTANT NOTICE TO ALL PURCHASERS REGARDING STORAGE AND COLLECTION OF LOTS WE ARE PLEASED TO OFFER TWO WEEKS FREE STORAGE FOR ALL LOTS PURCHASED FROM THIS SALE. HOWEVER, OWING TO A BUSY SCHEDULE, ALL LOTS NOT COLLECTED BY 4PM ON THURSDAY 5TH FEBRUARY WILL BE TRANSFERRED TO SACKVILLE-WEST MOVING AND STORING (ANDOVER SP10 3SA), WHERE THEY WILL BE AVAILABLE FOR COLLECTION FROM TUESDAY 10TH FEBRUARY. LOTS WILL BE UNAVAILABLE FOR COLLECTION FROM THE 6TH TO 9TH FEBRUARY AS THE ITEMS WILL BE IN TRANSIT. PLEASE NOTE, HANDLING AND STORAGE CHARGES WILL BE APPLIED FROM 8AM ON TUESDAY 10TH FEBRUARY. FOR FULL DETAILS, PLEASE REFER TO ‘AUCTION INFORMATION’ UNDER THE ‘PAYMENT AND CLEARANCE’ SECTION AT THE BACK OF THE CATALOGUE AND ON OUR WEBSITE.

THE AGE OF OAK LOTS 1-44

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1

1 A WILLIAM AND MARY OAK DRESSER

C.1700

the boarded top above three fielded frieze drawers on turned and block front legs 80.5cm high, 206.5cm wide, 46.8cm deep Provenance Purchased from I + JL Brown, 636 Kings Road, Chelsea, London, September 1989.

£1,000­1,500

2

2

3

A WILLIAM AND MARY OAK SIDE TABLE

A WILLIAM AND MARY OAK CANDLESTAND

C.1690

inlaid with holly stringing, the twin plank top with a moulded edge above a divided frieze drawer, on bobbin and reel turned legs united by an ‘X’ stretcher 70cm high, 88cm wide, 57cm deep

£400­600

LATE 17TH / EARLY 18TH CENTURY the octagonal top on a faceted tapering stem and a cruciform base 75.2cm high, 37cm wide

£300­500

3 3

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4

5

A PAIR OF ENGLISH OAK PANELS

AN ENGLISH CARVED OAK PANEL

each carved with tracery (2) 22.7 x 22cm

carved with three masks depicting father, son and mother over fleur­de­lys 22.5 x 21.5cm

C.1450­80

C.1500 AND LATER

£400­600

£400­600

6

7

AN ENGLISH CARVED OAK PANEL OF A SAINT

A HENRY VIII CARVED OAK PANEL

depicted seated holding a book in his left hand 27.5 x 14.5cm

depicting a pair of love birds with shell spandrels 20.6 x 22.5cm

£500­800

£400­600

15TH CENTURY

4

C.1520

8 A RARE PAIR OF ENGLISH OAK CHANCEL OR PARCLOSE SCREENS POSSIBLY DEVON, C.1450­1500 of restrained Gothic design, each with five open divisions, with upper occuli and lancet­arched lights atop arched trefoils with paired flowerheads, the lower­section enclosed by panels and headed by a meandering leafy­carved rail (3) 204.3 x 130.6cm Catalogue Note See the V & A collection, London, for a screen centred by two doors of similar form and with comparable carved flowerhead from a Devonshire church, acc. no. 118A­1865.

£3,000­5,000

5

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9

as chair 9 AN ENGLISH OAK TABLE­CHAIR

17TH CENTURY AND LATER

the hinged sliding top with lunette carved band and applied leaf arch above a carved lozenge on turned front legs united by peripheral stretchers, inscribed to the underside ‘THIS CHAIR BELONGED TO JOHN BRADSHAWE OF BRADSHAWE HALL DERBY SH PRESIDING JUDGE OF THE TRIAL OF KING CHARLES I’ 115.5cm high, 74cm wide, 56cm deep (as a chair)

£1,500­2,500

10

10

11

A SMALL BOARDED OAK CHEST

A RARE WELSH OAK SIDE TABLE

17TH CENTURY AND LATER

with traces of polychrome decoration, the hinged lid with a moulded front and gouge carved sides above an archer’s bow apron and cut­out ends 43.3cm high, 46.2cm wide, 27.8cm deep

£800­1,200

VALE OF GLAMORGAN, EARLY 18TH CENTURY

the boarded top above a frieze drawer and an archer’s bow apron with turned pendants on baluster legs united by peripheral stretchers 71cm high, 78.8cm wide, 49.6cm deep Literature See Richard Bebb, Welsh Furniture 1250­ 1950: A Cultural History of Craftsmanship and Design, vol.2 p.55 for a similar table.

£1,500­2,000 6

11

12 A TREEN FRUITWOOD TURNED FOOTED BOWL OR LOVING CUP

18TH CENTURY

with a band of incised lines to the body, on a spreading foot 20cm high, 16.5cm diameter

£200­300

12

13

13 A CHARLES II TREEN LIGNUM VITAE WASSAIL BOWL

C.1660

with an ogee band to the body and with incised lines, the short stem on a stepped spreading foot, the underside with a circular ivorine plaque numbered ‘48’ 21cm high, 22cm diameter

£800­1,200

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15

14

15

A PAIR OF CARVED OAK LION’S MASK CORBELS

A HENRY VIII OAK PANEL

LATE 16TH / EARLY 17TH CENTURY

14

C.1530

decorated with flowerheads and strapwork (2) 60cm high, 10 cm wide, 27.5cm deep

consisting of four parchemin panels, with foliate scroll top and original rails 42.3 x 122cm

£1,200­1,800

£400­600

16 A WILLIAM AND MARY FRUITWOOD AND OAK ENCLOSED DRESSER BASE

C.1700

having a highly impressive one piece fruitwood top with breakfront front corners, above three drawers, each with an applied moulded frame and spaced by broad uprights, over a waist moulding, and a central fielded panelled cupboard door, flanked by conforming fixed panels, a single rear interior shelf, panelled sides, on extended stile supports 86cm high, 160cm wide, 39.5cm deep

£1,500­2,000 8

17 AN OAK TESTER BED

C.1600 AND LATER

the headboard with a pair of arched foliate carved panels inlaid with bog oak and holly marquetry flanked by caryatid figures, the central figure concealing a secret compartment with shelves, the panelled tester supported by leaf carved column supports with Ionic capitals 189.5cm high, 143.5cm wide, 225.5cm long

£3,000­5,000

9

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18 A PAIR OF JAMES I OAK JOINT STOOLS

SALISBURY, IN THE MANNER OF THE BECKHAM WORKSHOP, C.1620 each with a moulded edge seat, above thumbnail carved and punched decorated rails, on parallel baluster over reel legs united by peripheral stretchers, the underside with branded owner’s initials ‘T C’ (2) 56.2cm high, 46cm wide, 27.5cm deep

£2,000­3,000

19

20

A JAMES I OAK JOINT STOOL

A CHARLES I OAK JOINT STOOL

the seat with a moulded edge above chain carved rails, on parallel baluster over reel turned legs 55cm high, 45.5cm wide, 30.3cm deep

the seat with a moulded edge above a foliate carved lunette frieze on parallel baluster over reel turned legs 51.2cm high, 45.6cm wide, 26cm deep

£600­800

£600­800

SALISBURY, IN THE MANNER OF THE BECKHAM WORSKHOP, C.1620

10

GLOUCESTERSHIRE, C.1640

21

22

23

A RARE GILT BRASS CHALICE

A PAIR OF CARVED OAK PELICANS IN PIETY

A RARE GILT OAK ROOF BOSS

each depicting a mother bird seated in a nest feeding her young, originally as one as a font cover finial (2) 37cm high, 26.6cm wide

decorated with scrolling leaves 24cm high, 28.5cm diameter

PROBABLY SCOTTISH, 17TH CENTURY OR EARLIER with engraved leaf decoration to the bowl above a knopped stem and a slightly domed foot with conforming decoration 12.7cm high

£800­1,200

15TH CENTURY

EAST ANGLIA, MID­15TH CENTURY

£2,000­3,000

£2,000­3,000

22 23

21

22

24 24 A HARLEQUIN SET OF SIX YEW AND ELM LOWBACK WINDSOR CHAIRS

BY AMOS, GRANTHAM, EARLY 19TH CENTURY

each with a splat back pierced with Gothic quatrefoils above a saddle seat on turned front legs united by crinoline stretcher, two stamped, one ‘AMOS’ the other ‘AMOS GRANTHAM’, comprising: a pair of armchairs and four side chairs (6) Catalogue Note The Amos family of Little Gonerby, nearby Grantham in Lincolnshire, were among the region’s finest makers of early 19th­century Windsor chairs. The family worked within the Grantham tradition but with a refined touch, their chairs are known for their slender turnings, elegant proportions and the characteristic use of yew with elm seats. The family’s output spans a period of stylistic change with early examples featuring naturally curved branch under­arm supports, while later pieces adopt the finely turned supports that became fashionable in the 1820s. Surviving Amos chairs are valued today for their craftsmanship, lightness and distinctive Lincolnshire character.

£1,500­2,000

25

25

26

A REGENCY BURR YEW SEWING TABLE

A GEORGE II BURR OAK TRIPOD TABLE

the drop­leaf top above two drawers and a pull­out bag to one end, the other end with three revolving compartments, one with divisions, on square tapering legs 73cm high, 49 x 78cm (open)

the circular top revolving on a birdcage on a baluster turned stem and scroll legs 60cm high, 57cm diameter

C.1815

£500­700

12

26

C.1740

£400­600

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27 A FLEMISH TAPESTRY FRAGMENT

17TH CENTURY

worked in wools and silk, depicting a coastal castle with trees, plants and a bird in the foreground 226 x 138cm

£800­1,200

27

28 28

29

A PAIR OF GILTWOOD AND PAINTED RAMPANT LIONS

A CHARLES II OAK DRESSER

each boldly carved standing on a grassy naturalistic base (2) 54cm high, 23.8cm wide

the boarded top above three mitre moulded drawers, on baluster and block front legs 74.8cm high, 216cm wide, 49.5cm deep

IN THE 17TH CENTURY MANNER

C.1680

£2,000­3,000

£1,000­1,500

29 13

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30 A RARE BRASS CHAFING DISH

LATE 17TH / EARLY 18TH CENTURY the octagonal cable edge top with embossed bead and wriggle­work decoration, with three cast female busts above an ogee bowl with a pierced foliage and engraved border and a pair of spiral twist stems with hinged open handles, to a pierced base and domed stem foot with embossed foliate decoration and an octagonal cable edge 14.5cm high, 26cm wide

detail

30

£800­1,200

31

31 AN EXCEPTIONAL GEORGE II BRASS AND IRON FLINTLOCK TINDER LIGHT OR ‘STRIKE­A­LIGHT’

C.1750

having a brass stock with a rare ball finial end, the brass lockplate with engraved upper face, with exposed mechanism of lock and sear to one side and a compartment for matches with a hinged cover to the other, issuing a simple brass wick socket, iron cock, frizzen and pan, all raised on an arched ‘T’ shaped stand 18cm long

32

Literature A similar mid­18th century ‘strike­a­light’ is illustrated in R.Gentle & R. Feild, Domestic Metalwork 1640­1820, p.350, fig. 3 and a variety of late 17th and 18th century tinder pistols are illustrated in J. Caspall, Fire & Light in the Home pre­1820, pp.30­36.

£1,000­1,500

32

33

A RARE BRASS PAIL

A GEORGE II POLISHED STEEL BOOT POWDERER

C.1680

with rolled swing handle, the tapering drum with a bold band of geometric punch decoration to the rim, atop an arcaded design formed of small dots, with an inset splayed deep base skirt with rolled edge 29cm diameter

33

14

£400­600

BY THOMAS SHAW, BIRMINGHAM, C.1741 the sliding case with a pierced back and red painted interior, the top engraved with a leaf and strap cartouche, with a basket of flowers, urns and a pair of busts representing Native Americans smoking pipes, and ‘Jos: Bright 1741’ the edge stamped ‘T.SHAW’ 12cm long

£200­300

λ 34 A RARE NORTH ITALIAN BONE AND IVORY INLAID WALNUT CASSONE

VENETIAN, LATE 15TH / EARLY 16TH CENTURY

all­over decorated ‘alla certosina’ with geometric bands and rondels, the hinged lid centred with a chequer board, above a gouge carved frieze, the front with a coat of arms, flanked by a pair of flowerhead panels and with urns issuing flowers, the sides similarly decorated with wrought iron handles and on mythical beast front feet 61cm high, 158.2cm wide, 58.5cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number. Catalogue Note The practice of decorating furniture with contrasting inlays was used as far back as Ancient Egypt. It continued to flourish during the Medieval period in Islamic cities such as Cairo and Damascus, where geometric patterns were created using tiny inlaid pieces of bone or ivory and various woods. The technique seems to have been adopted in both Spain and Italy, particularly Venice, from about 1450, and was used on boxes and chests like the present lot. References in Italian 16th­century inventories to chests ‘alla veneziana’ (in the Venetian style) may refer to this style of decoration. For similarly decorated chests and cassoni, see Sotheby's, 27th October 2021, Arts of the Islamic World, lot 201, the V & A Museum, accession no. 7224­1860 and the National Trust, Polesden Lacey, ref. no. NT1245974.

£10,000­15,000

15

35

35 AN ITALIAN WALNUT CHEST

16TH / 17TH CENTURY

with an iron escutcheon, key and side carrying handles on carved bracket feet 64.2cm high, 152.8cm wide, 61cm deep

£800­1,200

36 A SPANISH WALNUT BENCH / TABLE

16TH CENTURY

the hinged top revealing two relief carved Romayne portrait rondels, with a shaped iron stretcher 79cm high, 115cm wide, 40cm deep

£1,200­1,800

36

37 A FRENCH OAK CHEST

16TH CENTURY AND LATER the boarded top with cleated ends above a twin panelled front carved with Romayne portrait panels 76cm high, 121cm wide, 53.5cm deep

£800­1,200

37 16

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38 A FINE CARVED WOOD AND POLYCHROME DECORATED FIGURE OF ST. FLORIAN

PROBABLY GERMAN OR AUSTRIAN, 15TH CENTURY

depicted standing holding a bucket of water dousing a building on fire 82.5cm high

£3,000­4,000

39 AN IMPRESSIVE PAIR OF ITALIAN CARVED GILTWOOD LIONS

17TH/18TH CENTURY

each modelled in a recumbent pose (2) 39cm high, 77cm long

£2,000­3,000

38

39 17

40

40 A LARGE FLEMISH BAROQUE CARVED OAK FIGURE OF AN ANGEL 17TH CENTURY AND LATER carved with flowing drapery 150cm overall

£2,000­3,000

41 A LARGE PAIR OF WALNUT AND OAK ARCHITECTURAL CARYATID FIGURES

POSSIBLY FRENCH OR ITALIAN, 16TH CENTURY AND LATER

in the form of a male and female draped figure, above an acanthus leaf carved scroll base (2) 122.3cm high

£2,000­3,000

41 18

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42 AN AUBUSSON TAPESTRY

CENTRAL FRANCE, LATE 17TH / EARLY 18TH CENTURY worked in wool and silk, depicting a wooded rural scene, enclosed by borders of rich floral meandering vines, flanked by plain guard stripes 261 x 136cm

£800­1,200

43 43 A BAROQUE LIMESTONE FIGURE OF POSEIDON 17TH CENTURY

42

the muscular figure, with full parted beard, stands holding the shaft of his trident 94cm high Catalogue Note This present lot derives from the Poseidon of Melos, a Hellenistic statue, of the Protector of seafarers, found on the Island of Melos.

£3,000­4,000

44 A LARGE GERMAN OAK AND IRON MOUNTED CHEST OR STOLLENTRUHE

WESTPHALIAN, 16TH CENTURY

with floral strapwork mounts and carved scrolls to the front and feet, the hinged lid revealing a vacant interior with a lidded till 89.2cm high, 181.5cm wide, 64.5cm deep Catalogue Note This type of large standing chest is known as a ‘stollentruhe’ or studded chest and is thought to have been made from the 15th century. The type has become closely associated with the Westphalia region in central, western Germany.

44

For a similar chest, see the Victoria & Albert Museum, no.900:2­1904.

£800­1,200

19

FINE FURNITURE,

CLOCKS & WORKS OF ART LOTS 45-97

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45 A RARE WILLIAM AND MARY KINGWOOD OYSTER VENEERED TABLE BOX OR LACE CHEST

ATTRIBUTED TO THOMAS PISTOR, C.1690

with crossbanding, the hinged top with borders of semi­circular motifs and with a central rondel, the frieze with conforming motifs above two long drawers, the stand with spiral twist supports united by shaped peripheral stretchers 86.7cm high, 92.5cm wide, 59.3cm deep Catalogue Note The radiating oyster veneering on the offered lot relates to that of a kingwood escritoire inscribed: 'Mr Thomas Pistor, Ludgate Hill, London', formerly in the collection of Basil Ionides housed at Buxted Park, East Sussex. This escritoire is visible in a photograph of the drawing room at Buxted Park that formed part of a 1950 article in Country Life magazine. A very similar oyster veneered table box was sold by Alexander George Antiques.

£3,000­5,000 top 21

λ 46 A WILLIAM AND MARY ROSEWOOD CANDLESTAND

LATE 17TH CENTURY

the threaded, detachable octagonal top above a turned and faceted stem and on scroll legs 93.5cm high, 45cm wide

£600­800

46 47 A WILLIAM AND MARY OLIVEWOOD OYSTER VENEERED WALL MIRROR

C.1690

the apparently period rectangular plate in a cushion moulded frame 54 x 50cm

£600­800

47

48 A QUEEN ANNE WALNUT TOILET MIRROR

EARLY 18TH CENTURY

the arched bevelled apparently original plate in a moulded frame with a pierced fret surmount, the stepped box base fitted with four drawers 75.5cm high, 40.5cm wide, 20.2cm deep

£500­800

48 22

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49 A WILLIAM AND MARY WALNUT AND MARQUETRY CHEST ON STAND

C.1690

inlaid with stringing and crossbanding and with panels of scrolling foliage, with two short and two long drawers, the stand with a further drawer and on spiral twists supports united by an archer’s bow stretcher, the top of the stand applied with a handwritten paper label inscribed ‘Mrs Duffield No 2 Lexden Road, Colchester, Luggage train’ 121.3cm high, 98.3cm wide, 64cm deep

£3,000­5,000

top 23

50

λ 51

A RARE KINGWOOD KNEEHOLE DESK

A ROSEWOOD AND GILT BRASS MOUNTED COFFRE FORT OR STRONG BOX

IN THE MANNER OF THOMAS PISTOR, C.1690

LATE 17TH / EARLY 18TH CENTURY

the quarter veneered top with banding, hinged to reveal four drawers and with a fall front above eight further drawers around a central cupboard 77cm high, 95.2cm wide, 59.8cm deep

with fleur­de­lys strapwork mounts, the hinged lid and fall front revealing a pair of drawers and a compartment to the underside of the lid with two secret drawers with three secret compartments 24cm high, 39cm wide, 23.3cm deep

£2,000­3,000

£2,500­3,000

51

50

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52 A WILLIAM AND MARY WALNUT ESCRITOIRE

LATE 17TH CENTURY AND LATER

with a cushion moulded frieze drawer above a quarter veneered fall, revealing an arrangement of pigeonholes and drawers around a central cupboard, with various secret drawers and compartments, above two short and two long drawers, on later bracket feet 163cm high, 105cm wide, 53cm deep

£800­1,200

52

open

53 A PAIR OF WALNUT AND PARCEL GILT ARMCHAIRS

NORTH EUROPEAN, EARLY 18TH CENTURY

each with a shell and scroll chest above a solid vase shaped splat and a drop­in seat covered with Bargello style needlework on cabriole front legs united by an ‘H’ stretcher (2)

£600­800

53 25

top 54

54 A GEORGE II ASH KNEEHOLE DESK

C.1730

the quarter veneered and crossbanded top above an arrangement of seven drawers around a central cupboard, on archer’s bow bracket feet 76cm high, 80.5cm wide, 49.2cm deep

£600­1,000 55 A GEORGE II WALNUT LOWBOY

BY JOHN GIBSON, C.1730­40 AND LATER 55

label

with cross and feather banding, the quarter veneered top above a long frieze drawer, with a printed paper trade label for ‘John Gibson Upholsterer, Cabinet Maker and Undertaker ...., Covent Garden, London’, above two short drawers on stained cabriole legs 71cm high, 79.8cm wide, 45.7cm deep

£1,500­1,800 56 A GEORGE II WALNUT CHEST

C.1730­35

with cross and feather banding, the quarter burr veneered top, with a caddy moulded edge, above a brushing slide and four long graduated drawers 78.2cm high, 76cm wide, 46.8cm deep

£2,000­3,000

56 26

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57 A GEORGE I WALNUT CHEST ON CHEST

EARLY 18TH CENTURY

the cavetto moulded cornice above three short and seven long cross and feather banded drawers, with apparently original brass handles, on ogee bracket feet 195.7cm high, 120cm wide, 59cm deep

£5,000­8,000

57

58 A QUEEN ANNE OAK BUREAU CABINET ON STAND

C.1710

the domed top with a hinged door inset with a bevelled mirror revealing an arrangement of drawers and a central arched cupboard, above a hinged fall revealing further drawers and pigeonholes, above a divided frieze drawer on cabriole front legs 162.8cm high, 59cm wide, 35cm deep

£2,500­3,500

58 27

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59 A TABRIZ CARPET

NORTH WEST PERSIA, C.1960 the strawberry field with a lattice of vines and palmettes, enclosed by faded indigo borders of palmettes and angular vines, flanked by ivory guard stripes 350 x 280cm

£1,200­1,800

60 59

60 A HERIZ SERAPI DESIGN CARPET

EGYPT, LATE 20TH CENTURY

the ivory field of angular vines, centred by a salmon pink and indigo medallion, framed by spandrels and ivory samovar borders, flanked by guard stripes 358 x 240cm

£800­1,200

28

61 A FINE PAIR OF GEORGE II MAHOGANY ARMCHAIRS

C.1755

each with a padded back and seat, later covered with crewelwork upholstery, with outscrolling arms finely carved with leaves, on leaf capped cabriole front legs and pad feet, originally on castors (2) Provenance Purchased from Christie's, Fine English Furniture, Eastern Rugs and Carpets, 8th February 1973, lot 39 for £700.

£3,000­5,000

29

62 A GEORGE III MAHOGANY LINEN PRESS

LATE 18TH CENTURY

the inverted breakfront cornice decorated with stiff leaves above a pair of panelled doors enclosing five slides, flanked by fluted columns with two short and two long drawers on fret carved bracket feet 208.5cm high, 143cm wide, 58.3cm deep

£500­800

62

63

63 A GEORGE III GONCALO ALVES PEMBROKE TABLE

IN THE MANNER OF HENRY HILL OF MARLBOROUGH, C.1775 inlaid with boxwood stringing, the crossbanded drop­leaf top with segmented lozenge veneers and a moulded edge, above a frieze drawer and on leather roller castors 71.2cm high, 71 x 89.5cm (open)

£600­1,000

64 A GEORGE III MAHOGANY CHEST

C.1760

the top with a caddy moulded edge, above four long graduated drawers, with apparently original brass handles 77.3cm high, 79cm wide, 47cm deep

£800­1,200 64 30

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65 A RARE AND FINE EARLY GEORGE III MAHOGANY DRESSING CABINET

ATTRIBUTED TO THOMAS CHIPPENDALE, C.1760­70 the breakfront top with a geometrical astragal glazed door enclosing adjustable shelves, flanked by a pair of cupboards with outline mouldings each fitted with pigeonholes and four graduated drawers above a serpentine front chest, the top drawer fitted with divisions and lidded compartments with a baize lined slide revealing an adjustable mirror on a ratchet above three long drawers and ogee bracket feet 177.7cm high, 106.3cm wide, 63cm deep Literature See the Noel Terry Collection of Furniture & Clocks at Fairfax House, York for a closely related cabinet, p.43 which was retailed by Hotspur in 1966 and advertised in The Connoisseur magazine June 1966.

£6,000­8,000

open 31

66 A PAIR OF REGENCY CUT GLASS AND GILT BRASS CANDELABRA

EARLY 19TH CENTURY

each with twin lights and hung with faceted drops and lustres with a pineapple finial and a conforming stem (2) 40cm high, 31.5cm wide

£500­800

66

67 A GEORGE III MAHOGANY TRAY

C.1770­80

the wavy edged gallery with pierced decoration and four handgrips, with a plum pudding centre 49.7 x 65.7cm

£400­600

67

68 A PAIR OF GEORGE III CUT GLASS AND PORCELAIN CANDLESTICKS

IN THE MANNER OF WILLIAM PARKER, C.1790­1800 each with a Van Dyke sconce and drip­pan and hung with pear shaped faceted drops, the gilt brass base with ball feet (2) 33.3cm high

£500­800

68 32

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69

69

70

A GEORGE II MAHOGANY ENVELOPE CARD TABLE

AN EARLY GEORGE III MAHOGANY TEA TABLE

the swivel top with four hinged flaps on a fluted baluster stem and cabriole legs 70.7cm high, 44.7cm square

the breakfront hinged fold­over top with a floret and ribbon carved edge above a frieze drawer on cabochon and husk carved cabriole legs and claw and ball feet 72cm high, 79cm wide, 41cm deep

C.1750­60 AND LATER

C.1760­65

£800­1,200

Literature For a similar table see Percy Macquoid, The Age of Mahogany, p.289.

£1,000­1,500

70

33

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71

72

A GEORGE III MAHOGANY SERPENTINE CHEST

A SET OF FOURTEEN MAHOGANY DINING CHAIRS

inlaid with stringing, the crossbanded moulded edge top above four long graduated drawers, with apparently original brass handles, on shaped bracket feet 95cm high, 110cm wide, 57cm deep

each with a vertical bar back decorated with drapes above a stuffed­over seat on stop­fluted front legs and spade feet, comprising: a pair of armchairs and twelve side chairs (14)

C.1780

£3,000­5,000

34

IN HEPPLEWHITE STYLE, LATE 19TH CENTURY

£3,000­4,000

73 A GOOD TABRIZ CARPET OF LARGE SIZE

NORTH WEST PERSIA, C.1950

the ivory field with an all­over Shah Abbas design, enclosed by borders of palmettes and meandering vines, flanked by deep indigo guard stripes of flowerheads 470 x 336cm

£3,000­4,000 35

74 A GEORGE III GILTWOOD WALL MIRROR

74

POSSIBLY IRISH, C.1780

in the Gothic style, the arched plate within a scroll and column frame, flanked by meandering leaves and rockwork 95.2 x 65.3cm

£400­600

75 AN EARLY GEORGE III IRISH MAHOGANY SILVER TABLE

C.1760­70

the dished top above a pierced frieze centred with a scallop shell, on shell capped cabriole legs and paw feet 70cm high, 78.5cm wide, 49cm deep

£600­1,000

75

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76 A FINE PAIR OF GEORGE III CARVED BEECH AND PARCEL GILT WINDOW SEATS IN THE MANNER OF JOHN LINNELL, C.1780 each later upholstered in green and blue striped silk damask with moulded and leaf carved frames, the bowfront seat above a fluted frieze on stop­fluted legs (2) 71cm high, 135.5cm wide, 49.5cm deep

£10,000­12,000

37

77 A HERIZ CARPET

NORTH WEST PERSIA, C.1900 the terracotta field of angular vines, centred by sky blue medallion, enclosed by spandrels and indigo borders of polychrome flowerheads and serrated leaves, flanked by guard stripes 355 x 281cm

£400­600

77

78 A GOOD TABRIZ PART SILK CARPET

NORTH WEST PERSIA, MODERN

the cream field of scrolling views around floral medallions, framed by spandrels and borders of palmettes and meandering vines, flanked by floral guard stripes, woven on silk 354 x 250cm

£1,000­1,500

38

78

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79

80

81

A QUEEN ANNE MARQUETRY LONGCASE CLOCK

A WALNUT MINIATURE LONGCASE / GRANDMOTHER CLOCK

A GEORGE III MAHOGANY LONGCASE CLOCK

BY DAVID LESTOURGEON, LONDON, EARLY 18TH CENTURY

the brass eight day movement with five knopped pillars, an anchor escapement and striking on a bell, the brass 12 inch dial with a silvered chapter ring with black Roman and Arabic numerals and inscribed ‘D Lestourgeon, London’ around a matted centre with a subsidiary seconds dial, date aperture and ringed winding holes, the hood with walnut and gilt brass columns, bands of marquetry and blind fretwork and square door on a trunk with a rectangular door with floral and bird marquetry around a brass lenticle framed by scrolling foliage, the walnut sides with crossbanding, on a base with a marquetry urn issuing foliage, with a pair of brass weights and a pendulum 221.5cm high

£4,000­6,000 40

JNO KAY, LONDON

the brass thirty hour movement with an alarm, striking on a bell with a verge escapement, the 8 inch square brass dial with a silvered dial, inscribed ‘Jno Kay, London’ to a matted centre with alarm dial, the corners with cast maiden head spandrels, the hood with barley twist pilasters above a quarter veneered trunk door, with four brass weights 148cm high

£2,000­3,000

THOMAS BREWER, DARLESTON

the brass eight day movement striking on a bell to a 10 inch arched brass dial, with a silvered chapter ring and matted centre with a date aperture and engraved foliage, with an applied silvered oblong plaque inscribed ‘Tho: Brewer, Darlefstone’ with cast fruit and shell spandrels, the arch with a painted moonphase and silvered dial ‘1­16’, the case with cable edge detailing, the hood with a swan neck pediment and urn finials, with brass Corinthian capped reeded columns, a shaped top trunk door flanked by reeded quarter pilasters 194cm high

£400­600

82 A FINE PAIR OF WILLIAM IV TERRESTRIAL AND CELESTIAL 18 INCH LIBRARY GLOBES

BY CHARLES SMITH & SON (FL.1803­62), LONDON, C.1830­40

each comprising of twelve engraved gores with title cartouches inscribed ‘Smiths Terrestrial Globe containing the whole of the latest discoveries, geographical improvements, also the tracks of the most celebrated circumnavigaters, London, C.Smith & Son, 172 Strand’ and ‘Smiths Celestrial Globe containing all the principal stars complete from the works of Wollaston, Flamsted de la Caille, Havelins, Mayer, Bradley, Herschel and Maskelyse, the ...... of the Astronomical Society of London, London, C.Smith & Son, 172 Strand’, each globe with a brass engraved meridian within a mahogany ring applied with a paper zodiac and calendar scale, supported by four curved brackets on a turned stem and tripod supports, united by a printed paper compass rose with blued steel needle and glass cover, signed ‘Smith & Son, London’, on brass castors (2) 115.7cm high Provenance The Property of a Gentleman, Galhampton Manor, Somerset. Catalogue Note The publishing firm of Charles Smith & Son was founded in 1799. Charles Smith advertised himself as "engraver to the Prince of Wales" and initially started selling maps but competition with the Cary company likely lead to the addition of globes. Charles's son entered the business in 1845 and the range of published globes was extended to include pocket globes and library globes. The firm had a shop at 172 The Strand from 1827 before moving to 63 Charing Cross in 1870.

£10,000­15,000

41

83 A REGENCY MAHOGANY BRACKET CLOCK

BY GOODHUGH SENIOR, LONDON, EARLY 19TH CENTURY the brass eight day movement, with an anchor escapement and striking on a bell, the backplate stamped ‘Goodhugh Senr. Welbeck St. London’, the painted circular dial with Roman numerals and blued steel hands, signed, the case inlaid with boxwood stringing and with fishscale sides 41cm high, 30cm wide, 16.5cm deep Provenance The Property of a Gentleman, Galhampton Manor, Somerset.

£1,000­1,500

83

84 A VICTORIAN QUARTER CHIMING EBONISED BRACKET CLOCK

BY ROWBOTHAM, HAMPSTEAD, MID­19TH CENTURY

the triple fusee movement with an anchor escapement chiming the quarters on a peel of eight bells and striking the hours on a single bell, the backplate engraved ‘Robotham, HAMPSTEAD’ to a circular painted dial inscribed ‘ROWBOTHAM, HAMPSTEAD’ within an ebonised arched case with stop fluted columns, pierced brass front sound frets and side fishscale panels, on ball feet 46cm high

£1,000­2,000

84

85 A FRENCH EMPIRE GILT AND PATINATED BRONZE PORTEFAIX MANTEL CLOCK

EARLY 19TH CENTURY

the brass drum movement with an outside countwheel striking on a bell and numbered ‘21685’ the circular enamel dial with Roman and Arabic numerals, the figural case in the form of a Blackamoor carrying a basket on his back 33.7cm high, 25cm wide

£2,000­3,000 85 42

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86 A LOUIS XV ORMOLU AND CORNE VERTE BRACKET CLOCK

BY JEAN BAPTISTE DE SAINT JEAN, PARIS, C.1760

the brass movement with an outside countwheel striking on a bell, the backplate signed ‘De Saint Jean a Paris’ with a circular enamel dial with Roman and Arabic numerals and pierced gilt brass hands, signed, the waisted case veneered in green stained horn and inlaid with brass flowers and leaves within scroll work 82cm high, 40.5cm wide, 17cm deep Provenance Collection of the Late Brigadier Hugh Pye OBE.

£800­1,200

86

87 AN AUSTRIAN EBONISED AND GILT BRONZE MOUNTED MANTEL CLOCK

BY S.FERDINAND LEICHTL, VIENNA, EARLY 19TH CENTURY

the brass eight day movement with an outside countwheel, striking on two bells, the circular white enamel dial with Arabic numerals, the centre with a subsidiary calendar and signed ‘S.Ferdinand Leichtl in Wien’, with a serpent bezel, the case decorated with classical appliques and on lion’s paw feet 47cm high, 40cm wide

£500­800 87 43

88 A KARAJAH RUNNER

NORTH WEST PERSIA, SECOND HALF 20TH CENTURY the terracotta field with a column of medallions, enclosed by indigo borders of carnation vines 400 x 74cm

£500­800 89 A KARAJAH RUNNER

NORTH WEST PERSIA, SECOND HALF 20TH CENTURY the ivory ground with a column of polychrome medallions, enclosed by indigo flowerhead borders 582 x 88cm

£800­1,200 90 A KASHAN RUG

CENTRAL PERSIA, C1930 the ivory field with an urn issuing flowers, flanked by two trees, beneath a cusped Mihrab, framed by pale aubergine borders of palmettes and vines, flanked by indigo carnation guard stripes 194 x 129cm

£800­1,200

89 90

88 44

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91 A PAIR OF FRENCH ORMOLU AND PORCELAIN URNS

IN LOUIS XVI STYLE, LATE 19TH CENTURY

91

each with a lid with a cone finial above ram’s head monopodia supports, the body hung with swags of flowers, the royal blue ground porcelain with Sèvres marks (2) 41cm high

£2,000­3,000

92 A LOUIS XV KINGWOOD SERPENTINE BOMBE COMMODE

BY ANTOINE LEONARD COUTURIER, C.1760 with ormolu mounts, the breche d’alep marble top with a moulded edge above two short and a secret central drawer above two long drawers, stamped ‘A.COUTURIER’ 85.3cm high, 130cm wide, 65cm deep Catalogue Note Antoine Leonard Couturier was made Master on the 5th October 1767.

£800­1,200

92

93 AN ITALIAN CARVED WOOD AND POLYCHROME GILT BLACKAMOOR TORCHERE

VENETIAN, LATE 19TH CENTURY

in the form of a turbaned female figure holding a torch, on a gilt decorated plinth with paw feet 165cm high

£800­1,200

94 AN ITALIAN CARVED WOOD AND POLYCHROME GILT BLACKAMOOR TORCHERE VENETIAN, LATE 19TH CENTURY in the form of a bearded man holding a torch and tray, standing on a tasselled cushion and on a faux porphyry plinth 201cm high

£1,500­2,000

93 46

94

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95 A LOUIS XV KINGWOOD SERPENTINE BOMBE COMMODE

MID­18TH CENTURY

with ormolu mounts, the marble top with a moulded edge above two short and a secret central drawer above two long drawers, indistinct stamp ‘PERR... MERCIER.......A.... DE MEUBLES’ 82cm high, 132cm wide, 66.5cm deep

£800­1,200

95

96 A PAIR OF FRENCH ORMOLU TWIN­LIGHT WALL APPLIQUES

IN REGENCE STYLE, MID­19TH CENTURY

each in the form of a boy term figure, supporting scrolling branches (2) 69cm high, 36cm wide

£1,000­1,500

96

97 A TABRIZ SILK RUG

NORTH WEST PERSIA, 19TH CENTURY the deep indigo field with two terracotta panels, surrounded by vines and further panels, enclosed by borders of meandering vines and outer carnation guard stripes, now mounted on linen / cotton 184 x 131cm

£1,000­1,500

97

47

FINE FURNITURE | INTERIORS

CLASSICS WEEK 20TH – 22ND JANUARY 2026

BRITISH & CONTINENTAL CERAMICS & GLASS

SCULPTURE & GRAND TOUR LOTS 98-119

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98 A BRONZE GROUP OF AENEAS CARRYING ANCHISES WITH ASCANIUS

AFTER PIERRE LEPAUTRE (1659 ­ 1744), 19TH CENTURY signed ‘Lepautre’ on a Siena marble base 44.5cm high, the bronze 40.5cm high

£3,000­5,000

98

99 AN ITALIAN BRONZE MODEL OF THE FARNESE BULL

AFTER THE ANTIQUE

99

depicting Letus and Amphion attempting to tie Dirce to an enraged bull, with Endymion and Antiope, on a naturalistic base with a figure and fighting animals 39cm high, 31.5 x 30cm Catalogue Note The present bronze derives from the famous marble statue discovered in the Baths of Caracalla 1545. Literature See F. Haskell and N. Penny, Taste and the Antique: The Lure of Classical Sculpture 1500­1900, pp. 166­167, no.15.

£800­1,200

100 A PAIR OF FRENCH BRONZE GRAND TOUR MODELS OF THE TOWNLEY VASE

19TH CENTURY

with elaborate scroll handles above a body with a classical figural frieze, with a lift­out liner (2) 43cm high

£1,000­1,500

100 51

101 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS

AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY with a brown patination, the circular base with bands of stiff leaf decoration 62.3cm high

£2,500­3,000

101

102 102 AN EBONISED PLASTER GRAND TOUR BUST OF DESMOSTHENES

19TH CENTURY

the back with impressed title on an integral socle 61cm high

£300­500

103 A FRENCH BRONZE GRAND TOUR FIGURE OF THE APOLLO BELVEDERE

AFTER THE ANTIQUE, CAST BY F. BARBEDIENNE, LATE 19TH CENTURY

the circular base signed ‘F. Barbedienne Fondeur’ and with ‘A. Collas’ pastille 45.5cm high

£1,500­2,000 103 52

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104 A MARBLE MODEL OF THE WARWICK VASE

IN THE MANNER OF LORENZO BARTOLINI (ITALIAN 1777­1850), LATE 18TH / EARLY 19TH CENTURY with a pair of entwined handles above a vine leaf and grape frieze, the body decorated with busts, torches and a lion's pelt on a stiff leaf base and a beaded socle 48.7cm high, 73cm wide Provenance: Purchased at the Hervey­Bruce sale of the contents of Downhill, Co. Londonderry c.1950. Presented as a gift to P. J. Rankin from the previous owner's sister in 1975. The Collection of the Late P. J. Rankin. Sold Woolley & Wallis, 7th January 2016, lot 365 to the current vendor. Catalogue Note Downhill was a magnificent mansion built by Frederick Augustus Hervey Earl of Bristol and Bishop of Derry in the late 18th century. Neal's 'Views of Seats' 1823 vol. 6 describes the west drawing room at Downhill as containing 'several vases, a beautiful China vase and a model of the Warwick vase' and 'A fine collection of marbles contribute to the very splendid appearance of this apartment' and 'these marbles included a copy of the Warwick vase­large'. The Warwick Vase, a colossal marble vase measuring nearly six feet high from the 2nd century AD, became one of the most celebrated pieces of antiquity. The vase was excavated in 1770 from a lake at Hadrian's Villa in Tivoli and acquired by Sir William Hamilton, antiquarian and Ambassador to Naples. It was later sold to the Earl of Warwick who installed it on the grounds of Warwick Castle.

£4,000­6,000

53

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105 A MARBLE FIGURE OF A YOUNG GIRL

ATTRIBUTED TO ANTONIO G. ROSSETTI (ITALIAN 1819­1889), 19TH CENTURY with flowers in her hair and wearing a falling garment used to carry flowers and sitting on a tree stump, the circular base with a bronze acorn shaped plug / handle to rotate on the circular pedestal, with relief florets to the frieze (2) 109cm high (the figure), 90cm high (the pedestal)

£800­1,200

106

106 A BRONZE SUNDIAL

BY JOHN ROWLEY, EARLY 18TH CENTURY the 10 inch dial inscribed 'I.ROWLEY FECIT' above a monogram and a pierced gnomon (detached) on a contemporary carved stone baluster pedestal, with fluted and Vitruvian scroll decoration 118cm high (overall)

£800­1,200 105 54

107 A MARBLE FIGURE OF DIRCE

AFTER LORENZO BARTOLINI (ITALIAN 1770­1850), 19TH CENTURY modelled as a reclining nude with her hair gathered in a chignon, holding a tambourine in her right hand and with a snake’s tail entwining her wrist 57cm high, 103cm long, 43cm wide Catalogue Note This marble of Dirce, also know as Bacchante at Rest, derives from one of Lorenzo Bartolini’s most celebrated compositions, created during the 1820/30s for the 6th Duke of Devonshire at Chatsworth House. The work is part of a series of smaller­scale marbles produced after the success of Bartolini’s original . Combining refined classicism with naturalistic character, the figure depicts a reclining bacchante in a serene repose, the original is rendered with the soft polish and detailed anatomical modelling typical of Bartolini’s Carrara marbles. Bartolini trained in Florence before moving to Paris and working under the patronage of Napoleon’s circle until the fall of Napoleon. Upon returning to Florence Bartolini established a successful independent studio, taking on international commissions from the British aristocracy.

£2,000­3,000

55

108 A BRONZE GRAND TOUR FIGURE OF THE CAPITOLINE DYING GAUL

AFTER THE ANTIQUE, 19TH CENTURY

with a stamped rondel ‘REDUCTION MECANIQUE ALE COLLAS BREVETE’, on an oblong mahogany base 36.3cm high, 64cm wide (overall)

£600­800

108

109 A PAIR OF FRENCH BRONZE MARLY HORSE GROUPS

AFTER GUILLAUME COUSTOU (FRENCH 1677­1746), LATE 19TH CENTURY each modelled with an attendant holding a rearing horse, on an oval red marble plinth, signed in the bronze ‘Coustou’ (2) 54.8cm high, 44.5cm wide, 21cm deep

£1,500­2,000

109

110 A PAIR OF FRENCH GILT AND PATINATED BRONZE FIGURAL CHENETS

IN LOUIS XV STYLE, LATE 19TH CENTURY

one with a figure of Venus the other of Vulcan, each partially draped and reclining on a foliate scroll base (2) 42.2cm high, 41cm wide

£1,000­1,500 56

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111 111

112

A PIETRA DURA PANEL

A LARGE COLLECTION OF PLASTER GRAND TOUR CAMEOS AND INTAGLIOS

ITALIAN OR GERMAN, 17TH CENTURY AND LATER

19TH CENTURY

inlaid with various marbles and hardstones including: jasper, lapis lazuli and possibly amber, with strapwork borders and an oval rondel, the centre inset with an unmarked silver plaque depicting St. John preaching to the multitude, in a later gilt frame 21.3 x 25cm

each depicting classical scenes and figures with gilded borders, mounted as groups in frames, comprising: three glazed giltwood examples, one with printed titles ‘Maniera Latina, Prima Epoca’, together with five modern walnut framed examples (8) 41 x 90cm

Provenance Phillips, London, 14th April 1987.

£1,500­2,000

£2,000­3,000

112

57

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113 A BRONZE LIFE­SIZE MODEL OF PRINCE HENRY IV AS A CHILD

AFTER FRANCOIS­JOSEPH BOSIO (1768­1845) with a verdigris patination, signed ‘B. BOSIO’ 121.2cm high

£3,000­5,000

113

114 A FRENCH MARBLE PORTRAIT BUST OF MOLIERE AFTER JEAN­ANTOINE HOUDON (FRENCH 1741­1828) signed 'Houdon', on a waisted socle 85cm high, 63cm wide

£3,000­5,000

114 58

115 A PAIR OF FAUX MARBLE PAINTED PLASTER PORTRAIT BUSTS OF ANTONIO AND BARBARA BARBIANO DI BELGIOIOSO AFTER CARLO MARIA GIUDICI (ITALIAN 1733­1840), IN 18TH CENTURY STYLE depicting Antonio and his wife Barbara Luigia Elisabetta d'Adda each on a term pedestal inscribed in Latin 'Antonius.I.Princeps.S.R.I.Barbiani.Et.Belgiojosii....' (4) 88.5cm high (bust) 130.5cm high (column) 219cm (overall)

£5,000­8,000

59

detail

116

116 A LARGE FRENCH ORIENTALIST EQUESTRIAN BRONZE GROUP OF AN ARAB

AFTER EMILE GUILLEMIN (FRENCH 1842­1907), CAST BY BARYE FILS, EARLY 20TH CENTURY

the naturalistic base with ‘Fabrication Francais’ pastille and signed ‘Barye’ 70.8cm high, 55cm wide

£4,000­6,000 117 A FRENCH BRONZE FIGURE ‘LE GRAND PAYSAN’

BY AIME­JULES DALOU (FRENCH 1838­1902)

with a brown patination, signed ‘DALOU’ and ‘Susse Freres Edts, Paris, Cire perdue’ 43cm high

£1,500­2,000 118 A FRENCH BRONZE FIGURE OF JUDITH

BY LOUIS AUGUSTE MOREAU (FRENCH 1855­1919), LATE 19TH / EARLY 20TH CENTURY with gilt and jewelled highlights, the base titled and signed ‘L. Moreau’ 53cm high

£4,000­6,000 117 60

118

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119 A FRENCH BRONZE FIGURAL GROUP OF GLORIA­VICTIS

BY MARIUS­JEAN ANTONIN MERCIE (FRENCH 1845­1916) the naturalistic base signed ‘A.Mercie’ and titled ‘Gloria­Victis’ and with fondeurs mark ‘F. Barbedienne fondeur Pairs’ and with circular Collas pastille 92.5cm high Catalogue Note Gloria Victis, crafted in the aftermath of the Franco­Prussian War, reflects Antonin Mercié’s shift in intention from a victorious soldier being lifted by Fame to a fallen hero borne upward by Victory­a poignant alteration made in line with France’s defeat. This composition soon became a national emblem, with replicas evident in numerous war memorials across France, including at Deux­Sèvres, Niort, Agen, and Bordeaux. Mercié sits among the most distinguished French sculptors of his time, his talents recognised with a string of honours and awards throughout his life. He received the Prix de Rome in 1868 including the Légion d'honneur at the 1874 Salon for Gloria Victis, and the Grand Prix at the 1878 Exposition Universelle. He was appointed as professor at the École des Beaux­Arts in 1900 and subsequently elected as President of the Société des Artistes Français in 1913. To this day, Gloria Victis remains one of Mercié’s most enduring and eloquent expressions of heroism and national resilience. A recent cast was sold by Sotheby’s, 19th & 20th Century European Art, 4th December 2025, lot 374 for £35,560 (including premium). Literature See Fusco and H.W. Janson, The Romantics to Rodin: French Nineteenth Century Sculpture from North American Collections, pp. 304–306, no.167.

£3,000­5,000

61

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120 A PAIR OF REGENCY MAHOGANY LIBRARY BERGERES

EARLY 19TH CENTURY

each with a scrolled top rail, above a caned back and a drop­in leather seat on faceted front legs and brass castors (2)

£3,000­5,000

120

121 A REGENCY MAHOGANY WRITING TABLE

IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the reeded edge top inset with a tooled leather writing surface, above a pair of frieze drawers, the sides and back with false drawer fronts, on turned tapering legs and brass castors 73.2cm high, 99.5cm wide, 47cm deep

£1,000­1,500

121

122 A LATE GEORGE III MAHOGANY BOWFRONT CHEST

C.1800­10

the top with a moulded edge above a brushing slide and four long graduated drawers with apparently original brass handles 83.5cm high, 91cm wide, 51.7cm deep

£800­1,200

122 63

123 A REGENCY MAHOGANY BREAKFRONT SIDE CABINET

EARLY 19TH CENTURY

the raised back with lappet carved column supports above six long graduated cedar lined drawers, four with double fronts, with a pair of corner drawers, flanked by columns and cupboard doors with pleated silk panels 124.7cm high, 153cm wide, 62cm deep

£800­1,200

123

λ 124 A REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE

EARLY 19TH CENTURY

decorated with palmettes and fleur­de­lys with two frieze drawers, on four turned supports and brass lion’s paw castors 73cm high, 104.5cm wide (closed), 68cm deep

£800­1,200

124

125 A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS

EARLY 19TH CENTURY

each with a curved tablet toprail above a pierced rondel and fan splat with a later leather stuffed­over seat, comprising: a pair of armchairs and six side chairs (8)

£600­1,000

125 64

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126 A FINE REGENCY BURR OAK AND BRASS MARQUETRY LIBRARY TABLE

ATTRIBUTED TO GEORGE BULLOCK, C.1815

the rectangular top inset with an amboyna panel with ebony and brass bands and a wider band of foliate marquetry, on panelled trestle ends with ebony mouldings and scroll supports, on ebonised lions’s paw feet and sunken brass castors, united by a baluster turned low stretcher 75cm high, 94cm wide, 80.5cm deep Catalogue Note This fine library table with its figured amboyna top, brass foliate marquetry and burr oak base bears all the hallmarks of the cabinetmaker and designer George Bullock (d.1818). The brass inlay of trefoiled sprigs on the top of this table was very much favoured by Bullock and appears on a sofa table commissioned by the 4th Duke of Buccleuch directly from Bullock for Boughton Hall, Northamptonshire. It can also be seen on a pier table and mirror supplied to Robert Ferguson, M.P. (d.1840) for Raith House, Kirkcaldy, Fife, the mirror was sold in these rooms 21st April 2021 for £16,000 (hammer). It also appears on the frieze of a pair of cabinets in the collection of the Duke Abercorn at Barons Court.

£6,000­10,000

65

127 A GEORGE IV MAHOGANY TWIN PEDESTAL DINING TABLE

C.1830

the moulded edge top accommodating three additional leaves on faceted stems and carved paw feet and castors 72.7cm high, 137cm wide, 319cm long

£800­1,200 127

λ 128 A REGENCY MAHOGANY SOFA TABLE

EARLY 19TH CENTURY

the drop­leaf top inlaid with stringing and with rosewood crossbanding, above a pair of frieze drawers on trestle ends with an arched stretcher and on brass caps and castors 72.7cm high, 101.7cm wide (closed), 69.5cm deep

£500­800

128

129 A WILLIAM IV POLLARDED OAK SIDE TABLE

IN THE MANNER OF RICHARD BRIDGENS, C.1830 with a pair of curved and fluted supports headed by turned finials and flowerhead paterae on bun feet 86cm high, 91.7cm wide, 45.8cm deep

£800­1,200

129 66

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130 λ 130

131

A SET OF TWELVE REGENCY ROSEWOOD DINING CHAIRS

A GEORGE IV MAHOGANY TWIN PEDESTAL DINING TABLE

each with a curved tablet toprail above a bar back and a cane seat on reeded front sabre legs, together with squab cushions, comprising: a pair of open armchairs and ten side chairs, together with two matching modern side chairs (14)

the reeded edge top with two additional leaves and later supports on a part ribbed stem and lappet decorated legs terminating in brass stiff leaf caps and castors (one missing) 71.7cm high, 119.3cm wide, 269cm long

Provenance Formerly at Ballington Manor, Wyle.

£800­1,200

EARLY 19TH CENTURY

C.1825

£2,000­3,000

131 67

132 A GEORGE IV MAHOGANY EXTENDING DINING TABLE

C.1830

the rectangular top with a moulded edge on a rectangular stem and concave quadripartite base, the three additional leaves being stored inside the table 72cm high, 153cm to 344cm long, 137cm wide

£1,500­2,000

λ 133 A RARE PAIR OF REGENCY ROSEWOOD SOFA TABLES

EARLY 19TH CENTURY

inlaid with brass stringing and satinwood banding, each with a crossbanded top, above a pair of frieze drawers to either side, on four turned supports and brass castors (2) 72.3cm high, 95.7cm wide, 81.5cm deep

£3,000­4,000

68

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134 A PAIR OF GEORGE IV MAHOGANY TEA TABLES

POSSIBLY SCOTTISH, C.1825­30

each with a hinged and swivel fold­over top above a leaf carved ‘U’ shaped support and a ribbed stem on acanthus carved legs terminating in unusual carved caps and brass castors (2) 76cm high, 91cm wide, 45cm deep

£800­1,200

as steps 135 A REGENCY MAHOGANY METAMORPHIC LIBRARY ARMCHAIR

AFTER A DESIGN BY MORGAN & SANDERS, EARLY 19TH CENTURY with reeded decoration, the curved toprail above a bar back with scroll arms and a hinged cane seat, with a push button mechanism transforming into a four tread library steps with baize lining, on sabre legs, with an associated squab cushion Provenance Purchased by the current vendor from Christie’s, London, Important English Furniture, Eastern Rugs and Carpets, 27th June 1985, lot 77. The Property of a Gentleman, Galhampton Manor, Somerset. Catalogue Note The design for the present lot was published by Morgan & Sanders, c.1810. See P. Agius, ‘Ackermann’s Regency Furniture & Interiors’, pl.29, p.60. According to Ackermann, the chair was a ‘truly novel and useful article....considered the best and handsomest article ever yet invented’. A chair of identical design by Morgan & Sanders is at Trinity College Dublin and is illustrated in Ralph Edwards and Percy Macquoid, The Dictionary of English Furniture, vol.11, p.291, fig.15.

£2,000­3,000

69

136 TWO PAINTED PINE DUMMY BOARDS

19TH CENTURY

depicting two boys in Elizabethan style costume, one holding a cat in a hat (2) 96.5cm high, 45cm wide (max)

£2,500­3,000

136 137 A VICTORIAN PAPIER­MACHE TRAY

BY JENNENS & BETTRIDGE, MID­19TH CENTURY the centre well painted with an Italianate lake scene with figures and mountains beyond, signed ‘Bellaggio’ within a gilt scrolling leaf border, the back with impressed marks ‘Crown, Jennens & Bettridge Birmm & London’ 60 x 79cm

£1,500­2,000

137

138 A FRENCH NOVELTY BOXWOOD BULLDOG HEAD INKWELL

LATE 19TH CENTURY

with inset glass eyes, black and tan staining, a cloth and papier­mâché collar with brass buckle and vacant name plaque, hinging to reveal a glass well in a brass lidded liner 12cm high

£800­1,200

138 70

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139 A REGENCY PAINTED AND PARCEL­GILT STOOL

EARLY 19TH CENTURY AND LATER

of ‘X’ shape with carved lion’s head terminals on paw feet 54.5cm high, 79cm wide, 44.5cm deep

£800­1,200

139

140 A JAPANNED GILTWOOD WALL MIRROR

IN QUEEN ANNE STYLE, 19TH CENTURY the arched plate within a faux tortoiseshell frame, decorated with diaper and floral panels, with a plume of feathers surmount 140.5 x 89.5cm

£400­600

140 141 A PAINTED CHEST

IN REGENCY STYLE, 19TH CENTURY AND LATER the top decorated to simulate marble above three drawers flanked by faux bamboo pilasters 82.2cm high, 87.5cm wide, 51cm deep

£400­600

141 71

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142 AN EARLY VICTORIAN MAHOGANY APPRENTICE DINING TABLE

C.1840

with ‘D’ ends and five leaves on a telescopic frame and ring turned baluster legs, together with a set of six George III style mahogany apprentice dining chairs, with pierced vase shape splats and drop­in seats (7) 18.5cm high, 134cm long, 34.2cm wide (the table) 31.8cm high, 18.3cm wide (the chair)

£2,000­3,000

142

143 143 ATLAS OF THE COUNTIES OF ENGLAND

BY C & J GREENWOOD, PUBLISHED 1834 from actual surveys made from the years ‘1817­1833’, with a double­page calligraphic title with a hand­coloured map of England & Wales and forty­six engraved maps with contemporary hand­colouring, each with an ecclesiastical or castle vignette, table of explanation, compass rose and calligraphic title, with original marbled end papers, half Morocco bound boards with a gilt title to the spine

£800­1,200 144 A GEORGE III SILK DAMASK AND METAL THREAD TRUMPET BANNER

LATE 18TH / EARLY 19TH CENTURY

embroidered with the Royal coat of arms with a motto ‘SIDEUS PRO NOBIS QUIS CONTRA NOS’ in a later glazed frame 44 x 52.5cm

144 72

£500­800

145 A PAIR OF PIETRA DURA AND GILT BRASS OCCASIONAL TABLES

IN MALLETT STYLE, MID­20TH CENTURY

each with a chequer board top inlaid with various specimen hardstones including: malachite, lapis lazuli, alabaster, within a verde antico border and a simulated undertier on castors (2) 57.5cm high, 37cm square

£3,000­5,000

73

146 A KASHAN CARPET

CENTRAL PERSIA, C.1970 the ivory field of palmettes and vines, centred by a flowerhead medallion, framed by spandrels and mushroom borders of meandering vines, flanked by triple guard stripes 360 x 260cm

£1,200­1,500

147

146

147 AN ISFAHAN CARPET

CENTRAL PERSIA, C.1970 the ivory field, with an all­over design of large scrolling vines, enclosed by terracotta borders and of meandering vines and palmettes, flanked by double guard stripes 355 x 215cm

£800­1,200

74

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148 A COUNTRY HOUSE STYLE BRASS CLUB FENDER

LATE 20TH CENTURY

with a button upholstered red leather seat 63.5cm high, 160.5cm wide, 81.5cm deep

£1,500­2,000

148

149

149 A SET OF FOUR CONTINENTAL GILTWOOD AND EBONISED WALL LIGHTS

EARLY 20TH CENTURY

each with a mirrored back, with an open metal frame, hung with cut glass lustres and drops, with scroll branches and a twin­light fitting (4) 78.3cm high, 45cm wide

£400­600

150 A FRENCH PAINTED COPPER ‘BATEAU’ BATH

LATE 18TH / EARLY 19TH CENTURY

the exterior painted red and decorated with a band of leaves 68cm high, 71cm wide, 156.5cm

£1,000­1,500 150

75

151 A VICTORIAN WALNUT AND MARQUETRY BUREAU PLAT IN LOUIS XV STYLE

IN THE MANNER OF EDWARD HOLMES BALDOCK, C.1860

inlaid with fruitwood swags of flowers on a pearwood ground, with gilt brass mounts, the shaped top above a frieze drawer on cabriole legs 76cm high, 118cm wide, 64cm deep

£3,000­5,000

152 A CLOSELY MATCHED PAIR OF VICTORIAN WALNUT CARD TABLES

C.1860­70

each with a burr veneered and amboyna banded serpentine fold­over top, centred with a scrolling marquetry, revealing a baize lined playing surface, on turned and fluted supports united by a stretcher and on ceramic castors (2) 73.8cm high, 96.5cm wide, 50.5cm deep

£2,000­3,000 76

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153 A PAIR OF TOLE PEINTE LYRE WALL LIGHTS

ONE GEORGE III, THE OTHER C.1900

each with a pair of reeded candle holders on scrolling branches above harebells and with painted floral decoration (2) 59cm high, 36cm wide, 13.5cm deep Provenance A Connoisseur's Eye ­ Michael Foster Ltd ­ The Personal Collection of the late Michael & Margaret Susands.

£800­1,200

153

154

side

A FINE DERBYSHIRE PIETRA DURA SPECIMEN MARBLE TABLE

EARLY 19TH CENTURY

the Ashford black marble top inset with a lattice design, with various English marbles and hardstones, including: blue john, Dukes­Red, Torquay fossilised coral, fluorspar and Frosterly, the top on a carved Regency style base, stamped ‘017673’, with sunken brass castors 78cm high, 71.8cm wide, 53.5cm deep, 43.5 x 61.7cm (the top)

£8,000­12,000 77

A CONNOISSEUR’S COLLECTION OF CADDIES LOTS 155-192

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λ 155

156

A REGENCY TORTOISESHELL TEA CADDY

A BELGIAN SPA OVAL PAINTED TEA CADDY

inlaid with pewter stringing and with a ribbed bow front panel, with a silver plaque engraved with the initial ‘G’, with a twin lidded interior on ball feet 17.5cm high, 18cm wide, 11cm deep

the hinged lid, front and back decorated with rustic landscape scenes with a foil lined interior 10.4cm high, 14.2cm wide, 7.7cm deep

£800­1,200

£400­600

C.1815

C.1815

λ 157

158

A GEORGE III ROLLED PAPER TEA CADDY

A GEORGE III SATINWOOD AND MARQUETRY TEA CADDY

of flattened hexagonal form, with glazed panels of gilt flowers and foliage with the initial ‘MBR’, with an ivory escutcheon, with a twin divided interior 15cm high, 21.5cm wide, 13cm deep

of rectangular form with canted corners, the lid with a navette shell patera, the front with a dove perched on a branch flanked by a pair of urns, the interior with a pair of lidded divisions 12.8cm high, 20.3cm wide, 11.5cm deep

C.1790­1800

C.1790­1800

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£400­600

£500­800 155

156

157

158

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λ 159

λ 160

A GEORGE III TORTOISESHELL AND SILVER PIQUE TEA CADDY

AN EDWARDIAN TORTOISESHELL TEA CADDY

of oval form, the cover and sides decorated with foliate trophy panels and swags, with a single lidded tin and brass lined interior 11.2cm high, 12cm wide, 10cm deep

in the form of a miniature knife box, the sloping top revealing a single lidded interior 10.8cm high, 9.2cm wide, 9.2cm deep

£1,500­2,000

£300­500

C.1790

EARLY 20TH CENTURY

161

λ 162

A GEORGE II MAHOGANY TEA CHEST

A LATE REGENCY TORTOISESHELL TEA CADDY

of bombe form, the hinged lid with a gilt brass handle revealing an interior with three brass lift­out canisters one with a hinged lid 14.7cm high, 19.5cm wide, 14.1cm deep

of pagoda form, inlaid with pewter stringing, the front with a silver escutcheon and a silver plaque, the twin lidded interior with ivory banding, on silver plated ball feet 15cm high, 16.2cm wide, 11cm deep

C.1750

£400­600

C.1820

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£500­800 80

163

164

A CONTINENTAL FRUITWOOD APPLE TEA CADDY

A CONTINENTAL FRUITWOOD PEAR TEA CADDY

the hinged lid painted with leaves (probably later), with an iron escutcheon 11.7cm high, 11.5cm diameter

with a stalk finial and iron escutcheon 18cm high

£600­800

£600­800

165

166

A CONTINENTAL FRUITWOOD MELON TEA CADDY

A CONTINENTAL FRUITWOOD PINEAPPLE TEA CADDY

with a stalk finial and an iron escutcheon 12.5cm high, 11.8cm diameter

with an iron escutcheon and a hinged lid 17.3cm high

Provenance Christie’s, London, 24th April 1997, lot 267.

£150­250

LATE 18TH / EARLY 19TH CENTURY

LATE 18TH / EARLY 19TH CENTURY

POSSIBLY GERMAN, LATE 18TH / EARLY 19TH CENTURY

LATE 19TH / EARLY 20TH CENTURY

£600­800 164

163

166

165

167

168

λ 167 A REGENCY TORTOISESHELL TEA CADDY

EARLY 19TH CENTURY

the hinged lid with a fluted gadrooned fan panel, with a single lidded interior, with ivory edging 10cm high, 11cm wide, 7cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£600­800 168 A GEORGE III RED JAPANNED TEA CADDY

LATE 18TH CENTURY

of canted rectangular form, decorated in gilt with raised chinoiserie scenes, with figures, pagodas, flowers and birds, with a single lidded interior 12.3cm high, 15.5cm wide, 12.5cm deep

169

£500­800 λ 169 A WILLIAM IV TORTOISESHELL AND MOTHER OF PEARL TEA CADDY

C.1835­40

of rectangular form with a bowfront, with pewter stringing, the lid and front panel inlaid with geometric decoration, the interior with twin divisions and subsidiary covers, lined in ivory and on vegetable ivory bun feet 13.4cm high, 20cm wide, 13.7cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£700­1,000 λ 170 A WILLIAM IV BLONDE TORTOISESHELL TEA CADDY

C.1835

of waisted pagoda form, with pewter stringing, the hinged lid with a vacant plaque revealing a twin lidded interior, on ivory ball feet 14.9cm high, 18.5cm wide, 12.5cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£500­800 170 82

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λ 171 A GEORGE III AMARANTH AND MARQUETRY TEA CHEST

IN THE MANNER OF MAYHEW AND INCE, C.1780 AND LATER of rectangular and stepped breakfront form, with rosewood banding, the hinged lid decorated with musical trophies and with an ormolu classical urn, within a dot circle of friendship, above panel of chinoiserie figures and landscapes, the purple velvet lined early 19th century interior, with a pair of hobnail cut glass caddies, with silver tops, one inscribed ‘CHINA’ the other ‘INDIA’ flanking an engraved sugar bowl 23cm high, 33.3cm wide, 15.2cm deep Provenance Christie’s, London, 5th July 1990, lot 7.

£5,000­8,000

83

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172

λ 173

AN ART DECO SHAGREEN AND SILVER MOUNTED CASKET

A GEORGE IV TORTOISESHELL TEA CADDY

of octagonal form with a mahogany interior, unmarked 12.5cm high, 15cm wide

inlaid with pewter and ivory stringing, the corners with turned columns supporting a pagoda hinged lid with a vacant plaque revealing and twin lidded interior on ivory ball feet, one replaced in vegetable 14.6cm high, 16.7cm wide, 11cm deep

ATTRIBUTED TO JOHN PAUL COOPER, C.1900

£800­1,200

C.1825

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£500­800

λ 174

λ 175

AN EARLY VICTORIAN TORTOISESHELL TEA CADDY

A VICTORIAN ORNAMENTALLY TURNED TREEN ROSEWOOD TEA CADDY

inlaid with pewter stringing, the hinged lid with a white metal plaque, inscribed ‘Memento Jan 4th 1849’, the twin lidded interior with ivory edging, on ivory flattened bun feet 13.5cm high, 18.5cm wide, 11cm deep

in the form of a rotunda with fluted decoration, the pull­off lid with an ivory finial 19.5cm high, 12.7cm wide

C.1845

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£500­800 84

MID­19TH CENTURY

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£500­800

λ 176

λ 177

λ 178

A GEORGE III RED TORTOISESHELL TEA CADDY

A GEORGE III BLONDE TORTOISESHELL TEA CADDY

A GEORGE III GREEN TORTOISESHELL TEA CADDY

of decagonal form and inlaid with ivory stringing, the hinged lid with a silver loop handle and a dot star motif, the front with a silver oval plaque with initials, with a single lidded interior 10cm high, 10.7cm wide, 7cm deep

of dodecagonal form, with ivory stringing and edging, the tent top with a swing handle above a front panel with silver pique decoration, with a twin lidded interior 14cm high, 16cm wide, 9.2cm deep

inlaid with ivory stringing and with a silver swing handle, escutcheon and a vacant oval plaque within a dot pique border, the domed hinged top revealing a single lidded interior 10.5cm high, 9.2cm wide, 7cm deep

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£2,000­3,000

£1,000­1,500

£700­1,000

C.1780­90

C.1790

C.1790

176

177

178

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179 A CHINESE EXPORT HORN AND SILVER MOUNTED TEA CADDY

LATE 18TH CENTURY / EARLY 19TH CENTURY

with parquetry and bone chevron decor, the hinged lid with a swing handle engraved with three birds, revealing an interior with three lidded divisions on pierced and carved bracket feet 17.5cm high, 26cm wide, 15cm deep

£800­1,200

179 λ 180 A GEORGE IV TORTOISESHELL TEA CADDY

C.1825

of rectangular form, with ivory stringing and edging, with a silvered metal ball finial and conforming feet, the front applied with an oval plaque engraved with monogram ‘AGW’, with a twin lidded interior 16.8cm high, 17.8cm wide, 12cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£600­800

180 λ 181 A CHINESE EXPORT LACQUER TEA CADDY

SECOND QUARTER 19TH CENTURY

decorated in gilt with panels of birds and animals in landscape scenes, the interior with a lidded pull­out canister with an ivory button handle, on carved giltwood paw feet 13cm high, 13.5cm square *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£500­800

181

λ 182 A LATE VICTORIAN TORTOISESHELL AND SILVER MOUNTED TEA CADDY

C.1898

of octagonal form and with Rococo mounts hallmarked for ‘SWS’ Birmingham 1898, the hinged tent top revealing a single lidded interior 12.4cm high, 10.8cm wide, 8cm deep

£700­1,000 182 86

λ 183

λ 184

λ 185

A GEORGE IV TORTOISESHELL OCTAGONAL TEA CADDY

A GEORGE III TORTOISESHELL AND SILVER TEA CADDY

A GEORGE III GREEN TORTOISESHELL TEA CADDY

inlaid with pewter stringing, the hinged lid with an ivory finial, above panels of Gothic tracery, with a single lidded interior, on ivory bun feet 16.5cm high, 15.5cm wide

of canted rectangular form, with ivory banded angles, inlaid with swags of leaves above a garlanded escutcheon and pendant swags, the front with an engraved cartouche with a single lidded interior 10.2cm high, 11cm wide, 7.5cm deep

inlaid with ivory and pewter stringing, of flattened octagonal form, the hinged tent top with a silver handle revealing a twin lidded interior 14cm high, 17.2cm wide, 10.5cm deep

C.1820

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£2,000­3,000

C.1780­90

C.1790

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£1,500­2,000

£1,000­1,500

183

184

185

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186

187 186 A GEORGE III BURR OAK TEA CHEST

C.1770­80

with kingwood banding and chequer stringing, the pagoda hinged lid with a silver handle revealing a pair of lift­ out canisters each with a sliding cover inlaid with coloured marquetry sprays of flowers 12.2cm high, 18cm wide, 12cm deep

£800­1,200 λ 187 A LATE REGENCY TORTOISESHELL AND BRIGHT­CUT STEEL STUDDED TEA CADDY

C.1815­20

of pagoda form, the front with a pressed radiating sunburst panel, the lid with a steel urn finial revealing a single lidded interior with ivory edging 13.5cm high, 12cm wide, 9.5cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

188

£800­1,200 λ 188 A WILLIAM IV TORTOISESHELL TEA CADDY

C.1835

inlaid with pewter stringing, the hinged lid with a plaque engraved with the initials ‘AB to MB’, above a moulded front, with a twin lidded interior with ivory edging on vegetable ivory bun feet 12.5cm high, 19cm wide, 12cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£400­600 189 A GEORGE III SATINWOOD AND MARQUETRY TEA CHEST

C.1790­1800

the lid and front inlaid with flowering sprigs, the interior with a pair of lift­out canisters, each with a hinged lid, inlaid respectively ‘G’ and ‘B’, flanking a wheel engraved sugar bowl, the inner edge of the chest stamped ‘1281’ 14.5cm high, 29.6cm wide, 14.7cm deep

189 88

£600­800

190

191

192

A GEORGE III MAHOGANY AND KINGWOOD TEA CHEST

A GEORGE III JAPANNED TOLE TEA CADDY

C.1790

A GEORGE III LABURNUM AND SYCAMORE STRUNG TEA CADDY

of navette form, the speckled gold ground painted with festoons of flowers, foliage and trophies with en grisaille panels of cavorting cherubs, with a twin lidded interior on brass ball feet 12.3cm high, 17.2cm wide, 10cm deep

of octagonal form, the cover and sides inset with modelled paper cameos depicting trophies and rustic scenes, under glass, the reverse with bat’s wing paterae 11.8cm high, 15.2cm wide, 9.2cm deep

C.1780

inlaid with fan paterae and with barber’s poll stringing, the hinged lid revealing a pair of conforming lift­out canisters with sliding covers 13.5cm high, 21cm wide, 12cm deep

£1,000­1,500

£800­1,200

C.1770

£1,500­2,500

190

191

192

END OF COLLECTION

ASIAN WORKS OF ART & FURNITURE LOTS 193-205

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λ 193 A RARE ANGLO­CHINESE HUANGHUALI GAMES TABLE

EARLY 19TH CENTURY

inlaid with stringing and banding, the drop­leaf top with a reeded edge, with a sliding reversible centre inlaid with an ebony and boxwood chequer board to the underside, revealing a backgammon board, inlaid with ebony and bone, with parquetry squares and lozenges, above a camphorwood double sided frieze drawer, with bone handles, on trestle ends and swept legs, terminating in brass castors 77cm high, 65cm wide, 54.2cm deep Catalogue Note See Carl L. Crossman, The Decorative Arts of the China Trade, pp. 236 and 237, pl.88 and 89, for two comparable examples with similar interiors. According to the author the interiors were based on a gaming box by Thomas Chippendale for Paxton House in 1774. A similar tables was sold in these rooms, Furniture, Works of Art & Clocks, 30th March 2022, lot 449, for £9,500 (hammer).

£5,000­8,000 91

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194 A CHINESE HARDWOOD ALTAR TABLE

19TH CENTURY

the pierced frieze carved with tree and intertwined knot motifs on panelled tapering legs 84.2cm high, 131.2cm wide, 42.7cm deep

£1,000­1,500

194

195 A BRASS BOUND PADOUK WINE COOLER ON STAND

ANGLO­INDIAN OR CHINESE, 19TH CENTURY

of octagonal form, the interior possibly originally with a tray, the stand with turned legs, with side carrying handles 60cm high, 54cm wide, 52cm deep

£800­1,200

195

196 A PAIR OF CHINESE HARDWOOD STOOLS

IN MING STYLE, LATE 19TH CENTURY

each with a panelled seat on stretchered legs and scroll feet (2) 51cm high, 44cm square

£1,000­1,500

196 92

λ 197 AN ANGLO­CHINESE HUANGHUALI SOFA TABLE

EARLY 19TH CENTURY

inlaid with stringing and satinwood banding, the drop­leaf top with a reeded edge above three frieze camphorwood lined drawers and a shaped apron on panelled trestle ends terminating in brass caps and castors 72cm high, 98cm wide, 61cm deep Literature For a very similar table see Christopher Claxton Stevens and Stewart Whittington, '18th century English Furniture, The Norman Adams Collection' p.351. See also Carl L. Crossman, 'The Decorative Arts of the China Trade', p.237 for a related sofa / games table. A similar Chinese Export huanghuali sofa table was sold in these rooms, Furniture, Works of Art & Clocks, 15th January 2025, lot 576 for £9,500 (hammer).

£2,000­3,000

93

open 198

198 AN ANGLO­CHINESE CAMPHORWOOD SECRETAIRE CAMPAIGN CHEST

19TH CENTURY

with ebonised reeded decoration and in two parts, fitted with an arrangement of seven drawers around a central secretaire box drawer with a hinged baize lined writing surface, pigeonholes and a further drawer, with sunken brass military style handles on bun feet, with side carrying handles 115.8cm high, 104.5cm wide, 48.5cm deep

£800­1,200 199 A CHINESE BLUE AND WHITE VASE TABLE LAMP

LATE 19TH / EARLY 20TH CENTURY

199

painted with landscape panels and fitted with later metal silvered wood mounts 70.7cm high, overall

£800­1,200 200 A JAPANNED LACQUER CABINET ON STAND

IN EDO STYLE, 19TH CENTURY

with engraved brass mounts, hinges and escutcheon, decorated in gilt with pagodas, trees and flowers in mountainous landscapes, the interior with an arrangement of nine drawers, decorated with figures and animals in various pursuits, on a conforming stand 14.3cm high, 100cm wide, 48.7cm deep

£5,000­8,000

open

94

200

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λ 201 AN ANGLO­INDIAN ROSEWOOD AND IVORY MARQUETRY SEWING BOX ON STAND

VIZAGAPATAM, LATE 18TH / EARLY 19TH CENTURY

the box inlaid overall with bands of lac decorated with flowers and leaves, the hinged lid revealing a fitted interior with four lidded compartments, open divisions and a central pink silk lined pin cushion with hinged cover, revealing three long divisions, with silver side carrying handles, above a base drawer, on a Chippendale style stand, inlaid with ivory stringing 18cm high, 42cm wide, 32.3cm deep, 91.3cm high x 45cm wide x 32.3 deep (overall) *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number. Provenance Collection of the Late Brigadier Hugh Pye OBE.

£1,000­1,500

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202 A FINE OTTOMAN SILK AND METAL THREAD PANEL

TURKISH, 18TH / 19TH CENTURY

the Kashmir wool ground worked with gold and silver thread embroidery, the raspberry field with a flowering plant issuing tulips and further flowers, beneath a leafy cusped Mihrab, the upper spandrels with further floral decoration, enclosed by borders of urns and flowers, flanked by meandering vine guard stripes, later mounted on a linen board in an acrylic frame 198 x 129cm Provenance This prayer rug was formerly in the collection of Roger Peyrefitte (1907­2000), who was a French diplomat, writer of bestseller novels and non­fiction, and a defender of gay rights and pederasty.

£4,000­6,000

λ 203 AN ANGLO­INDIAN BUFFALO HORN SEWING BOX

VIZAGAPATAM, C.1850

with a sandalwood lined interior, with ivory and lac banding to the underside of the lid, with divisions for reels and with three lidded compartments and a fitted lift­out tray 19cm high, 33.5cm wide, 25cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned a registration number.

£300­500

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203 96

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204 A RARE INDO­PORTUGUESE MOTHER OF PEARL CASKET

GUJARAT, LATE 17TH / EARLY 18TH CENTURY

of sarcophagus form and with silver and enamel hinges, handle and escutcheon 13.2cm high, 20.2cm wide, 12.7cm deep Catalogue Note From the medieval period onward, Gujarat, particularly coastal centres like Cambay (Khambhat) and Surat, was one of India’s most cosmopolitan trading regions. It was the centre of production for a variety of articles decorated with or fashioned from mother­of­pearl, including: basins and ewers, maces and caskets. For similar objects from Gujarat which can be seen in the collections of the Victoria & Albert Museum in London see A. Jaffer, Luxury Goods from India: The Art of the Indian Cabinet­maker, pp. 22­24 and Calouste Gulbenkian Museum, Exotica: The Portuguese discoveries and the Renaissance Kunstkammer, pp. 133­134.

£4,000­6,000

205 A NEAR PAIR OF LARGE KASHMIRI LACQUERED PAPIER­ MACHE AND WOOD MODELS OF ELEPHANTS

LATE 19TH / EARLY 20TH CENTURY

the caparisoned beast supporting a jardiniere howdah, on an ebonised platform base with turned feet (2) 85.7cm high, 128cm wide, 50.8cm deep

£6,000­8,000 204

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NATURAL HISTORY & LUGGAGE LOTS 206-218

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λ 206 TAXIDERMY. AN INDIAN LEOPARD SKIN RUG

BY VAN INGEN & VAN INGEN, MYSORE, EARLY 20TH CENTURY the full head mount in a snarling pose with glass eyes, with a khaki canvas back and black felt edging, stencilled ‘190 51’ and ‘VAN INGEN & VAN INGEN’ with a printed notice sticker 226cm long Provenance Collection of the Late Brigadier Hugh Pye OBE.

£400­600 207 A LARGE SOUTH AMERICAN WHITE RIVER TURTLE SHELL

AMAZONIAN, PODOCNEMIS EXPANSA, PROBABLY LATE 19TH CENTURY 64 x 52.7cm

£800­1,200 208 A BEZOAR STONE

PROBABLY 18TH / 19TH CENTURY in a glazed card box 6.2cm diameter

206

£200­300 209 AN INDO­PORTUGUESE SILVER MOUNTED BEZOAR STONE

18TH CENTURY

with rope twist wire circular decoration either end and a suspension loop 5.5cm long, 25.1 grams

£400­600 Catalogue Note Bezoar stones were believed to be the universal antidote against any poison. The name derived from the Persian word ‘pad zhar’ meaning ‘antidote against poison’.

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208

209 99

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212

A SAILOR’S WHALEBONE WALKING STICK

A SAILOR’S WHALEBONE WALKING STICK

with spiral ribbed, diaper, ribbed and knop decoration, the octagonal handle inset a mother of pearl lozenge and two silver coloured metal lozenges pierced through for attachment 90cm long

the tapering shaft with spiral and ribbed decoration to an octagonal ribbed edge handle, the top inscribed and dated ‘M.Major 1843’ 86cm long

MID­19TH CENTURY

EARLY 19TH CENTURY

£300­500

£300­500

λ 213

λ 211 A SAILOR’S WHALEBONE WALKING STICK

A SAILOR’S WHALEBONE PARASOL HANDLE / SWAGGER STICK

with spiral, diaper and cluster column decoration, inlaid with mother­of­pearl, turtleshell and baleen, with a rope monkey knot handle 93.5cm long

spiral ribbed to a square section with inset turtleshell and an octagonal handle with diaper sides and a turtleshell top with baleen pins 47cm long

£300­400

£200­300

MID­19TH CENTURY

MID­19TH CENTURY

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214 TWO BONE SAILOR’S SCRIMSHAW STAY BUSKS

EARLY TO MID­19TH CENTURY 213

one with rounded ends and with incised decoration in panels of a three masted ship, love heart, sun and moon and trees, with red and black stain and the other with a double domed top, incised a heart, trailing leafage and two stars (2) 39cm long (max)

£200­300

213 top 100

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215 A RARE LATE VICTORIAN TAXIDERMY RED SQUIRREL TEA PARTY

ATTRIBUTED TO WALTER POTTER (1835­1918), C.1880­90

the anthropomorphic tableau depicting twelve red squirrels, seven seated around a table eating and drinking, with miniature items of cutlery, glassware and crockery one squirrel wiping his mouth with a napkin with initials ‘E J M’ and five as a band playing musical instruments including a cello, violin and a French horn, in a glazed giltwood and composition display case on stand 130.2cm high, 92cm wide, 64cm deep Catalogue Note Walter Potter, the Victorian taxidermist, is known for his whimsical dioramas featuring small animals such as kittens, rabbits, squirrels, and birds enacting uncannily human scenes, from table games to afternoon tea. Potter began creating his playful taxidermies aged 15, eventually gaining such attention that he opened the Walter Potter Taxidermy Museum in 1880 in Bramber, Sussex, which enabled him to capitalize upon the Victorians’ enthusiasm for the macabre. Potter combined skilled mounting with miniature props and highly detailed costumes, arranged in a theatrical manner to create scenes inspired by literature and by social and domestic rituals. Over time these curiosities fell out of fashion, and the collection was auctioned and dispersed in 2003, with many tableaux now belonging to private collectors worldwide­cherished for their unconventional charm. His work reflects Victorian sentimentality, curiosity culture, and a fascination with anthropomorphism, leaving behind a legacy that is arguably iconic yet unsettling in equal measure. See Bonhams, The Sale of the Contents of Mr Potter's Museum of Curiosities, 23rd September 2003 for related examples including: lot 293 the 'The Kittens Wedding', which sold for £21,150 (including premium).

£3,000­5,000

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216

217

A GOYARD CANVAS TRUNK

A LOUIS VUITTON STEAMER TRUNK

leather bound with brass mounts and fittings, with Goyardine chevron canvas, signed ‘E.Goyard’, the left side with a brass plaque inscribed ‘Malles Goyard 233 Rue St. Honare, Paris, Monte Carlo, Biarritz’, the interior fitte with two lift­out felt lined trays, each with five divisions and leather handles stamped ‘Goyard’, possibly for shoes 32cm high, 62.5cm wide, 34.6cm deep

with monogrammed canvas exterior, with leather banding and iron mounts and side carrying handles, the interior with three lift­out trays and with original printed paper trade label ‘Asnieres s/seine Louis Vuitton, Paris, Nice, Lille, London.....’ and two black ink serial numbers ‘300848’ and ‘192060’ 56cm high, 100.3cm wide, 55cm deep

LATE 19TH / EARLY 20TH CENTURY

EARLY 20TH CENTURY

£3,000­4,000

£800­1,200

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217 102

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218 A LOUIS VUITTON WARDROBE TRUNK

EARLY 20TH CENTURY

with monogrammed canvas exterior, with leather banding and handles and marked brass mounts, the interior with five drawers the top one revealing a locking mechanism (one drawer missing), with sixteen marked wooden coat hangers and one pleated curtain divider, original paper label missing, the brass lock plate stamped ‘Louis Vuitton, Champs Elysees, Paris, New Bond Street, London’ numbered ‘043638’ ‘Made in France’ 114cm high, 56cm wide, 66cm deep

£4,000­6,000

END OF DAY ONE

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FINE FURNITURE TUESDAY 24TH MARCH 2026

THE WATERLOO CABINET A rare Regency cabinet made from the Waterloo elm Estimate £15,000 ­ 20,000*

ENQUIRIES Mark Yuan­Richards | +44 (0) 1722 411854 | myr@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

SILVER & OBJECTS OF VERTU TUESDAY 3RD FEBRUARY 2026

A Charles II provincial silver two-handled porringer, by Thomas Mangy, York 1672, circular bellied form, with acanthus leaf decoration, scroll handles, later crest of a dog and inscribed 'Jupiter', length handle to handle 19cm, height 9.5cm, approx. weight 8.7oz. Estimate £3,000 ­ 5,000*

Provenance: The Michael Baggott Collection

ENQUIRIES Rupert Slingsby | +44 (0)1722 446956 | rs@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 27% plus VAT @20% (totalling 32.4% inclusive) on the first £20,000 and 26% plus VAT @20% (31.2% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

REGISTERING WITH US All first time buyers need to register with us. To register, you will need to provide two forms of identification:

SALE RESULTS These will be posted on our website shortly after the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with client services LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

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PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited

+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. Please note that payment will only be accepted from the registered bidder. The following methods of payment may be made: Bacs, debit and credit cards Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction. We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

IMPORTANT NOTICE TO ALL PURCHASERS We are pleased to offer two weeks free storage for all lots purchased from this sale. However, owing to a busy schedule, all lots not collected by 4pm on Thursday 5th February will be transferred to Sackville­West Moving and Storing (Andover SP10 3SA), where they will be available for collection from Tuesday 10th February. Lots will be unavailable for collection from the 6th to 9th February as the items will be in transit. Please note, handling and storage charges will be applied from 8am on Tuesday 10th February. On acceptance of a delivery quotation with Sackville­West Moving & Storing, they will waive any storage fees if they are instructed by the purchaser to deliver them within 2 weeks of the quotation, however transfer fees will still apply. They provide competitive deliveries to much of the UK and offer twice weekly trips to London and across the south of England. Woolley and Wallis clients are eligible for a 10% discount on their first booking with Sackville­West. Please call 01722 446950 or 01722 424500 to make an appointment to collect from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 020 8090 9988, email: office@sackvillewest.co.uk, to make an appointment to collect from Sackville­West Moving & Storing. All accounts to be settled prior to collection.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a Φ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Royalties for Droit de Suite are as follows: 4% Up to £50,000 3% £50,000.01 ­ 200,000 1% £200,000.01 ­ 350,000 0.5% £350,000.01 ­ 500,000 0.25% In excess of £500,000 Up to a maximum levy of £12,500 FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

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DIRECTIONS FROM OUR CITY CENTRE SALEROOMS TO OUR OLD SARUM GALLERIES Woolley & Wallis City Centre Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

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A345 Castle Rd

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer MRICS Jim Gale Sarah Stone Suilven Hunter

VALUATIONS 411854 446974 339161 339161 339161

20TH CENTURY DESIGN Max Fisher Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs

339752

424506 424583 424589 +44 (0)7812 601098 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS John Axford MRICS Neil Grenyer MRICS

424506 446974

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards

424589

INTERIORS Will Hobbs

339752

JAPANESE ART Alexandra Aguilar Olivia Jones

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller Beth Reardon

424595 424504 424586 424586 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS Victor Fauvelle Ed Beer Richard Kay Heidi Easton

446961 446962 446964 446970

SILVER Rupert Slingsby Archie Swann Becky Tilly­Trickett

424502

CLIENT SERVICES Ruth Pike (Client Services Manager) Julie Langstaff Gemma Pointer Riin Rohtla­Szeverenyi Demi Jueno­Chapman

424500

PHOTOGRAPHY

ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Olivia Jones

Jeremy Lamond MRICS FRSA Frances Woodhams

446956 446959 446957

Fahmeeda Yasmin Oscar Eccleston Annabelle Hunt

MARKETING Cameron Malpass

+44 (0)7552 545872

PRESS Sandie Maylor

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director Alexandra Aguilar Director Ed Beer Director

ASSOCIATE DIRECTORS Ned Cowell Victor Fauvelle Will Hobbs Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

+44 (0)7976 311172

www.woolleyandwallis.co.uk