British & Continental Ceramics & Glass

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BRITISH & CONTINENTAL CERAMICS & GLASS THURSDAY 22ND JANUARY 2026

www.woolleyandwallis.co.uk

BRITISH & CONTINENTAL CERAMICS & GLASS THURSDAY 22ND JANUARY 2026

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CLASSICS WEEK

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below BRITISH AND CONTINENTAL CERAMICS & GLASS

20TH – 22ND JANUARY 2026

Neil Grenyer John Axford MRICS

VALUATIONS 446974 424506

Jeremy Lamond MRICS FRSA Frances Woodhams

424502

CLIENT SERVICES

20TH CENTURY DESIGN Max Fisher Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs

Ruth Pike (Client Services Manager) Julie Langstaff Gemma Pointer Riin Rohtla­Szeverenyi Demi Jueno­Chapman

424500

339752

PHOTOGRAPHY ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Olivia Jones

424506 424583 424589 +44 (0)7812 601098 424591

411854 446974 339161 339161

339752

JAPANESE ART Alexandra Aguilar Olivia Jones

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller Beth Reardon

424595 424504 424586 424586 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS

BRITISH & CONTINENTAL CERAMICS & GLASS FINE FURNITURE • INTERIORS CERAMICS

FINE FURNITURE

INTERIORS

Victor Fauvelle Ed Beer Richard Kay Heidi Easton

446961 446962 446964 446970

SILVER Rupert Slingsby Archie Swann Becky Tilly­Trickett

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director Alexandra Aguilar Director

INTERIORS Will Hobbs

Cameron Malpass

Sandie Maylor 424589

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone

MARKETING +44 (0)7552 545872

PRESS

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards

Fahmeeda Yasmin Annabelle Hunt Oscar Eccleston

446956 446959 446957

Ed Beer Director

ASSOCIATE DIRECTORS Ned Cowell Victor Fauvelle Will Hobbs Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

+44 (0)7976 311172

Jan 2026 Ceramics pages.qxp_Layout 1 10/12/2025 16:19 Page 3

BRITISH & CONTINENTAL CERAMICS & GLASS THURSDAY 22ND JANUARY 2026 10.00AM Neil Grenyer MRICS

AT OUR CITY CENTRE SALEROOMS, SP1 3SU

+44 (0)1722 446974 ng@woolleys.live

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Friday 16th January Saturday 17th January Monday 19th January Tuesday 20th January Wednesday 21st January Thursday 22nd January

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm By appointment No viewing

John Axford MRICS +44 (0)1722 424506 jea@woolleys.live

Suilven Hunter +44 (0)1722 339161 shu@woolleys.live

Oscar Eccleston Photographer oe@woolleys.live

ALSO ON VIEW: FINE FURNITURE AND INTERIORS

BUYER’S PREMIUM Each lot is subject to a Buyer's Premium of 27% plus VAT at 20% (totalling 32.4% inclusive) on the first £20,000 of the hammer price and 26% plus VAT at 20% (31.2% inclusive) up to £500,000, and 20% plus VAT at 20% ( 24% inclusive) CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk

Instagram: @woolleyandwallisceramics @woolleyandwallissalerooms Facebook: Woolley & Wallis

COLLECTION OF LOTS BY APPOINTMENT Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready All accounts to be settled prior to collection

Pinterest: Woolley and Wallis

EXPORT AND CITES LICENCES

ILLUSTRATIONS

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Front cover: Lot 1002 Back cover: Lot 1174

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ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2026 AUCTIONS JANUARY 20th, 21st & 22nd Classics Week (Fine Furniture, Interiors, British & Continental Ceramics & Glass) 28th & 29th

Fine Jewellery

FEBRUARY 3rd

Silver & Objects of Vertu

MARCH 4th

Old Masters, British & European Paintings

24th, 25th & 26th Classics Week (Fine Furniture, Interiors, Arts of Africa, Oceania & The Americas) 26th

The Gordon Reece Collection

APRIL 15th & 16th

Design

22nd & 23rd

Fine Jewellery

28th & 29th

Silver & Objects of Vertu

MAY 19th, 20th & 21st Fine Asian Art, Asian Art II & Japanese Works of Art & Interiors

JUNE 2nd

British Art Pottery

3rd

Modern British & 20th Century Art

10th

Medals & Coins, Arms & Armour

30th

Classics Week (Fine Furniture, Interiors, British & Continental Ceramics & Glass)

+44 (0)1722 424500 info@woolleys.live 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk Lot 1096

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A COLLECTION OF PRIVATEER GLASSES PART 1

1001 A RARE ‘PRIVATEER’ OPAQUE­TWIST WINE GLASS C.1760 the slightly flared bucket bowl engraved with a ship in full sail and inscribed ‘Succefs to the DEFIANCE Privateer’, the stem with two entwined opaque gauze cables 15.3cm Provenance English private collection, purchased from Christie’s, 18th May 1999, lot 312.

Catalogue Note The Bristol privateer owned by George Bush, Richard George, Richard Symes, John Snow, William Libby and Co., was first declared on 10th March 1757. It was a ship of 200 tons with twenty guns and was successively commanded by Captains Clarke and Condon.

£4,000­6,000

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1002 A RARE ‘PRIVATEER’ OPAQUE­TWIST WINE GLASS C.1760 the slightly flared bucket bowl engraved with a ship in full sail and inscribed ‘Succefs to the EAGLE FRIGATE,’, the stem with four spiral threads outside a gauze cable 16.6cm Provenance English private collection, purchased from Sotheby Parke Bernet & Co, 21st October 1981, lot 76.

Catalogue Note The Eagle is the best known of the Bristol ‘Privateers’. The Eagle was owned by Messrs. Camplin and Smith of Bristol and Manslip and Wilkinson of London. She was purpose built as a Privateer and was described as being 250 tons and carrying 24 guns. Two advertisements in the London Chronicle give the commander of this Privateer as Captain Dibden, succeeded by Captain Knill in 1757.

£4,000­6,000

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1003 A RARE PAIR OF ‘PRIVATEER’ OPAQUE TWIST WINE GLASSES C.1760 the round funnel bowls each engraved with a ship in full sail and inscribed ‘Succefs to the OLIVER CROMWELL Privateer PAUL FLYN COMMANDER’, raised on stems of two entwined opaque gauze cables (2) 15.7cm Provenance English private collection, purchased from Sotheby & Co, 7th April 1975, lot 117.

Catalogue Note The Oliver Cromwell was a small Bristol Privateer of 80 tons, 14 guns and 10 swivels and was commanded by Paul Flyn, the owners being Daniel White, James Ireland, John Snow, John Stevenson, Samuel Sedgeley, Allen Bright and William Hunt.

£10,000­20,000

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1004 A RARE ‘NAUTICAL’ AIR TWIST WINE GLASS C.1760 the round funnel bowl diamond engraved with a continuous harbour scene and inscribed ‘Succefs to the Ellen Snow, Monday Poole drew this glafs’, on an opaque and air twist stem 15.4cm Provenance English private collection, purchased Sotheby’s, 16th May 1990, lot 1121.

£500­800

1005 A RARE PAIR OF ‘PRIVATEER’ FIRING GLASSES C.1756 the bowls engraved with a ship in full sail and a castle in a harbour and inscribed ‘Succefs to the Delawar’, on diamond cut stems and thick feet, the engraving with faint traces of gilding (2) 12cm Provenance Private collection, England, one purchased from Christie’s, 18th April 1978, lot 130.

£2,000­3,000

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1006 A RARE ‘PRIVATEER’ OPAQUE TWIST WINE GLASS C.1757 the bucket bowl engraved with a ship in full sail and inscribed ‘Succefs to the Constantine’, on a double series opaque stem 15.5cm.

Provenance English private collection, formerly the collection of Miss J.D. Spary, sold Sotheby’s, 29th June 1970, lot 59 and later Sotheby’s 15th September 1992, lot 65.

Illustrated L.M. Bickerton, 18th Century English Drinking Glasses, pl.946.

Catalogue Note The Constantine, owned by Isaac Elton, was declared on 7th October 1756 by Captain John Lee and again on the 15th August 1757 by Captain Robert Forsyth.

£2,000­3,000

1007 A ‘PRIVATEER’ WINE GLASS C.1760 the ogee bowl engraved with a ship in full sail and inscribed ‘SUCCESS TO THE ADMIRAL POCOK’, on plain stem and folded foot, the ship with traces of gilding 14.4cm Provenance English private collection

£2,000­3,000

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OTHER PROPERTIES

1008 FOUR GLASS DECANTERS AND STOPPERS 19TH CENTURY

1009 FIVE SMALL WINE GLASSES 18TH CENTURY

each of three ring­necked mallet form, to include two with vertical flutes to the base (8) 30.5cm high (max)

comprising: one with cut decorated bowl and a faceted stem, one with a rounded funnel bowl engraved with a flowerhead on an opaque twist stem and domed foot, and three with opaque twist stems and domed feet, together with an ale glass, the slender funnel bowl engraved with hops and barley on an opaque twist stem, and a later wine glass with a bell shaped bowl (7) 18.5cm high (max)

£200­300

£300­500

1010 FOUR REGENCY GLASS DECANTERS AND STOPPERS EARLY 19TH CENTURY

1011 A SET OF SIX JELLY GLASSES 19TH CENTURY

each of Prussian form cut with lappets to the shoulders and vertical fluting to the base (8) 28.5cm high (max)

each of flaring form with cut and polished decoration, together with a set of six Georgian style sweetmeat dishes, late 19th century, each with a cut bowl, faceted stem and domed foot (12) Jelly glasses 10.5cm high, sweetmeats 16cm high.

£200­300

£200­300

1012 A GILT DECORATED ALE GLASS FROM THE JAMES GILES ATELIER, C.1770

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1013 AN IRISH GLASS DECANTER AND STOPPER C.1810­20

gilded with crossed stems of barley, the reverse with a spray of hops, the slender round funnel bowl raised on a double series opaque twist stem 20.8cm high

of Prussian form, engraved with a three­masted ship at sail, the reverse with the initials ‘EDS’ in a sun burst between thistles, above vertical moulded flutes, with a moulded bullseye stopper (2) 27cm

£200­300

£150­200

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1014 TWO ENGRAVED GLASS DECANTERS AND STOPPERS C.1765

1015 AN ENGRAVED GLASS DECANTER AND STOPPER C.1765

each of sugarloaf form with a faceted stopper, one engraved ‘WHITE WINE’ the other ‘W.C’, in cartouche shaped tickets suspended from a chain and issuing fruiting vines (4) 29.2cm high (max)

of sugarloaf form with a facted stopper, engraved ‘ALE’ in a cartouche shaped ticket suspended from a chain and issuing hops and barley above a flowerhead 27.5cm high

Provenance Acquired from Delomosne & Son Ltd. The Property of a Gentleman, Galhampton Manor, Somerset.

Provenance Christie’s, Interiors ­ Master and Makers, 30 October 2012, lot 199.

The Property of a Gentleman, Galhampton Manor, Somerset.

£500­800

£300­500

1016 TWO ENGRAVED GLASS DECANTERS AND STOPPERS C.1765 each of sugarloaf form with a faceted stopper, one engraved ‘MADEIRA’ the other ‘PORT’, in cartouche shaped tickets suspended from a chain and issuing fruiting vines (4) 28.2cm high (max) Provenance Acquired from Delomosne & Son Ltd. The Property of a Gentleman, Galhampton Manor, Somerset.

£500­800

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1017 A PAIR OF GLASS SHIP’S DECANTERS AND STOPPERS C.1800 each cut with horizontal bands around an oval cartouche engraved with a ship at sail, one titled ‘OUTWARD BOUND’, the other ‘HOMEWARD BOUND’, beneath a two­ring neck and mushroom stopper (4) 24cm high Provenance The Property of a Gentleman, Galhampton Manor, Somerset.

1018 A PAIR OF CUT GLASS CLARET JUGS C.1820 each of broad mallet form, with a three­ring neck, bands of horizonal, lozenge and vertical fluted decoration (2) 23.8cm high Provenance The Property of a Gentleman, Galhampton Manor, Somerset.

£200­300

£150­250

1019 A PAIR OF CUT GLASS DISHES C.1800 of oval form, with lozenge and fan decoration, together with a pair of rummers with knopped stems and two glass finger bowls, a butter dish, cover and stand and a honey pot and cover (11) dishes 30.5cm wide Provenance The butter dish was acquired from Delomosne, the honey pot and cover from Denton Antiques.

The Property of a Gentleman, Galhampton Manor, Somerset.

£200­300

1020 A COLLECTION OF TEN DRINKING GLASSES MAINLY 18TH AND 19TH CENTURY comprising: one with a tapering funnel bowl on a plain stem with a long air bubble, one with a rounded bucket bowl above a knopped stem with a long air bubble, one with an ogee bowl engraved with grapes and on a plain stem, together with seven other wine, ale and other glasses (10) 15.8cm high (max)

£300­500

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1021 A FACON DE VENISE ‘WINGED’ WINE FLUTE 17TH CENTURY

1022 A FACON DE VENISE WINE GLASS FRENCH, C.1700

the tall conical bowl above a hollow inverted baluster stem applied with two looped and pincered wings in deep blue and clear glass, on a wide plain conical foot 18cm high

the wide funnel bowl on plain stem with a central annular knop between two multi­lobed knops and a wide conical foot 19.6cm high

Provenance The Eales Collection, inventory number 182.

Provenance Acquired from the World is made of Glass Fair, 22 November 2015.

The Eales Collection, inventory number 178.

£500­800

£200­300

1023 A COLLECTION OF EIGHT OPAQUE TWIST DRINKING GLASSES MAINLY 18TH AND 19TH CENTURY comprising: one with moulded fluting, two with engraved decoration, a firing glass, a pair with ‘frosted’ glass and gilt rims and two with clear glass bowls (8) 15.4cm high (max)

£300­500

1024 A COLLECTION OF LATE VICTORIAN GLASS TANKARDS LATE 19TH CENTURY each with engraved floral decoration above vertical lappets to the base, comprising four pint tankards and five half pint tankards, together with seven rummers and two further tankards (18) 13cm high (max)

£200­300

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1025 FIVE ITEMS OF IRISH CUT GLASS LATE 18TH / EARLY 19TH CENTURY comprising: a water jug, a waisted celery vase, a pair of oval salts and an oval dish, each with cut decoration (5) 15.3cm high (max)

£200­300

1026 A SET OF TWELVE RUMMERS 19TH CENTURY each with an ogee bowl with cut and etched stylised foliate decoration to the rim, a knopped short stem and lemon squeezer base (12) 13.5cm high

£400­600

1027 A GEORGE III CUT GLASS BUTTER DISH, COVER AND STAND LATE 18TH CENTURY of oval form, with faceted and star­cut decoration, a preserve jar and cover, late 18th century, of urn form with bands of lozenge decoration and a preserve jar, cover and stand, early 19th century, of urn form with fine fan decoration and radiating bands to the stand (8) 22.5cm high (max)

£200­300

1028 TWO FRENCH GLASS SUGAR CASTERS OR SIFTERS LATE 18TH / 19TH CENTURY each of baluster form cut with facets, the domed tops pierced with small holes, and an amber glass scent bottle and stopper, deeply cut with a cross design (6) 21.5cm high (max)

£200­300

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1029 TEN CONTINENTAL GLASS ROEMERS OR RUMMERS of pale green glass, the rounded bowls on thick hollow stems applied with varying raspberry prunts above trailed feet (10) 15cm high (max) Provenance By repute from the Wykeham Martin family, Leeds Castle, Kent.

£400­600

1030 A PAIR OF OLIVE GREEN GLASS BOTTLES MID­19TH CENTURY each gilt decorated with a banner, one inscribed ‘BITTERS’, the other ‘SHERRY’, both issuing grapes and foliage (2) 29cm high

£200­300

1031 A PAIR OF BLUE GLASS DECANTERS AND STOPPERS C.1800 each of mallet form with a tear­shaped stopper, with gilt shield­shaped tickets for ‘Rum’ and ‘Brandy’ (4) 30cm high

£300­500

1032 A COLLECTION OF ELEVEN GLASS ROLLING PINS MAINLY 19TH CENTURY comprising: three Nailsea speckled glass, three vaseline glass, one amethyst glass with a ‘Forget­me­Not’ engraving, one blue glass with an inscription, one in solid clear glass and two in black or dark brown glass, one engraved with a bridge and inscription to ‘Mrs Moon’, the other with a variety of emblems including a steam train and commemorating Queen Victoria’s coronation (11) 43cm long (max)

£100­200

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A PRIVATE COLLECTION OF GLASS 1033 NINE SMALL WINE GLASSES C.1750 AND LATER comprising: one with a bell shaped bowl on a double series opaque twist stem, one with a pan­top on a double series opaque twist stem, a pair with ogee bowls engraved with a hound and a cockerel on double series opaque twist stems, two with ogee bowls with moulded bases and double series opaque twist stems, and three with ogee bowls on double series opaque twist stems (9) 17.5cm high (max) Provenance The Tony Elliott Collection

£400­600 1034 SIX SMALL WINE GLASSES C.1750 AND LATER comprising: one with a drawn trumpet bowl on an air twist stem, one with a bucket shaped bowl on an air twist stem, one with a rounded funnel bowl on a mercury twist stem, one with a rounded bowl with a knopped air twist stem, one with a rounded funnel bowl on a plain stem and one with a rounded bell shaped bowl with a moulded base and on an air twist stem (6) 17cm high (max) Provenance The Tony Elliott Collection

£300­500 1035 FIVE SMALL WINE GLASSES C.1760 AND LATER comprising: one with a rounded funnel bowl with Jacobite style engraving, one with an ogee bowl engraved with fruiting vines, one with a flared ogee bowl with a moulded base and engraved with foliage, one with a rounded funnel bowl engraved with flowering foliage and on a faceted stem and one with a rounded bowl with Jacobite style floral engraving and on a faceted stem (5) 15.4cm high (max) Provenance The Tony Elliott Collection

£300­500 1036 A COLLECTION OF TEN ALE GLASSES MAINLY 19TH CENTURY each with a slender funnel bowl and most engraved with hops and barley, together with a pair of ale glasses, 20th century, with knopped, air twist stems (12) 20.3cm high (max) Provenance The Tony Elliott Collection

£200­300

1037 A GLASS RUMMER EARLY 19TH CENTURY engraved with a ship sailing beneath the Sunderland Bridge, on a square lemon squeezer foot, together with a pair of rummers engraved with meandering stylised foliage, on square bases and a large goblet engraved with a hand holding a wine glass, the reverse inscribed ‘Fiat’, on a hollow, waisted stem (4) 22.8cm high (max) Provenance The Tony Elliott Collection

£300­500

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1038 A NEWCASTLE LIGHT BALUSTER WINE GLASS PROBABLY DUTCH DECORATED, C.1740 the funnel bowl engraved with an urn beneath a crown inside a scrolling cartouche surrounded by fruiting vines above the motto ‘VIVE LA BOUTELLIE (sic)’ above a double knop, a slender baluster with a tear, a basal knop and a low conical foot 18.cm high

1039 A HEAVY BALUSTER WINE GLASS C.1720 the flaring trumpet bowl above basal and spherical knops, baluster stem and domed foot with a folded over rim 16.8cm high Provenance The Tony Elliott Collection

£300­500

Provenance The Tony Elliott Collection

£300­500

1040 A GILT DECORATED WINE GLASS PROBABLY FROM THE JAMES GILES ATELIER, C.1760­70 decorated with fruiting grapevines, the rounded funnel bowl on a double series opaque twist stem 14.7cm high Provenance The Tony Elliott Collection

1041 A LYNN WINE GLASS C.1760­70 the round funnel bowl moulded with horizontal ribs, raised on a double series opaque twist stem on a conical foot 16.2cm high Provenance The Tony Elliott Collection

£200­300

£200­300

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1043 TWO CONTINENTAL COLOUR TWIST WINE GLASSES

comprising: one engraved ‘Success to the British Navy’ above ships, a pair with small drawn trumpet bowls, three with bell shaped bowls engraved with roses and four others (10) 17.3cm high (max)

18TH CENTURY one with a large ogee bowl engraved with roses and a pheasant, the other with a rounded bowl engraved with foliate swags, both on red and white stems (2) 18cm high (max)

Provenance The Tony Elliott Collection

Provenance The Tony Elliott Collection

£300­500

£200­300

1044 FOUR LARGE WINE GLASSES MID­18TH CENTURY AND LATER

1045 FOUR LARGE WINE GLASSES 18TH CENTURY AND LATER

comprising: one with a bucket bowl on a plain stem, one with an ogee bowl on a double series opaque twist stem, one with a drawn trumpet bowl on an air/mercury twist stem and one with a long drawn trumpet bowl on a knopped air twist stem (4) 19.7cm high (max)

comprising: one with a rounded funnel bowl, one with a drawn trumpet bowl, one with a drawn trumpet bowl with a knopped stem and one with a moulded bowl, all on double series opaque twist stems (4) 17.7cm high (max)

1042 TEN DRINKING GLASSES IN 18TH CENTURY STYLE

Provenance The Tony Elliott Collection

£300­500

1046 TWO FIRING GLASSES 18TH CENTURY one inscribed ‘ROYAL YORK LODGE 455’ above masonic emblems, the other with an ogee bowl above a double series opaque twist stem and stepped foot, together with a pair of wine glass coolers/rinsers (4) Provenance The Tony Elliott Collection

£200­300

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Provenance The Tony Elliott Collection

£250­350

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1048 A PAIR OF GEORGIAN SILVER MOUNTED BLUE GLASS SAUCE BOTTLES AND STOPPERS UNMARKED, LATE 18TH / EARLY 19TH CENTURY

1047 FOUR BLUE GLASS SPIRIT DECANTERS AND STOPPERS LATE 18TH AND 19TH CENTURY comprising: two of mallet form with gilt tickets for ‘RUM’ and ‘BRANDY’ and two of square section with gilt tickets for ‘RUM’ and ‘BRANDY’, together with a pair of green glass decanters and later stoppers of mallet form, with gilt shield shaped tickets for ‘RUM’ and ‘BRANDY’ (12) 22.5cm high (max)

of faceted form, inscribed in gilt ‘SOY’ and ‘KYAN’ inside scrolling foliate tickets, the Kyan stopper with a spoon attached (4) 15.2cm high (max) Provenance The Tony Elliott Collection

£200­300

Provenance The Tony Elliott Collection

£400­600

1049 A PAIR OF CONTINENTAL MILCHGLASS DECANTERS AND STOPPERS 19TH CENTURY painted with oval portraits inside floral wreaths and beneath floral sprigs (4) 28.8cm high Provenance The Tony Elliott Collection

£200­300

1050 THREE GREEN GLASS WINE GLASSES 19TH CENTURY each with ogee bowls with facet cut bases and stems and gilt decoration, together with a set of four wine glasses of tall ogee form on baluster stems, a pair with conical bowls on knopped stems and another blue­green glass with moulded ribbing (10) 14.5cm high (max) Provenance The Tony Elliott Collection

£300­500

1051 A COLLECTION OF FIVE VICTORIAN DOUBLE­ENDED GLASS SCENT BOTTLES RETAILED BY GARRARDS AND OTHERS, MID­LATE 19TH CENTURY of faceted cylindrical form, in red and blue glass, two with unmarked silver mounts, together with two red glass scent bottle, one with silver­gilt mounts, the other with silver mounts, also unmarked (7) 14.2cm long (max) Provenance The Tony Elliott Collection

£400­600

END OF COLLECTION 19

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1052 AN ISLAMIC GLASS BOTTLE 11TH / 12TH CENTURY AD the free­blown vessel with a globular body on a flaring foot, the neck with applied spiral trailing and three handles, with surface iridescence, together with green glass vase, the flaring neck with banded decoration, a pair of handles and on an ovoid body and a circular vessel with a single handle and three applied legs (3) 21.5cm high (max)

£800­1,200

1053 A RAQQA POTTERY VASE SYRIA, PROBABLY 11TH / 12TH CENTURY of shouldered ovoid form, with vertical black bands on a turquoise ground running onto an unglazed base 29.5cm high

£200­300

1054 AN IZNIK TILE TURKEY, MID­LATE 16TH CENTURY painted in blue, red and turquoise with saz leaves, and stylised flowerheads and half rosettes on a white ground, the underside unglazed 24.5 x 25cm

£1,500­2,000

1055 A DAMASCUS TILE LATE 16TH / 17TH CENTURY of square form, painted in blue, green and turquoise with a central rosette flanked by leaves and inside stylised floral corners, on a white ground, the underside unglazed 23cm square

£500­800

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1056 FOUR QAJAR TILES PERSIA, 19TH CENTURY comprising: three with calligraphic script and one with a stylised foliate motif, in blue, green and turquoise (4) 34.5 x 24cm (max)

£200­300

1057 AN IZNIK STYLE CHARGER OTTOMAN, LATE 19TH / 20TH CENTURY a central flowerhead surrounded by further flowering foliage, in green, blue and manganese with black outlines, together with two Damascus style tiles with similar decoration (3) 34.3cm diameter

£200­300

1058 A HISPANO MORESQUE CHARGER VALENCIA (MANISES), LATE 16TH CENTURY in pale copper lustre, the centre raised boss with foliate scrolls, the broad rim with moulded foliage interspersed with geometric panels and flowering foliage, the underside with banding and stylised foliage 41cm diameter Provenance Matthew Barton Ltd, European and Asian Works of Art, 18th November 2020, lot 7.

£150­250

1059 A CHINESE EXPORT PORCELAIN ARMORIAL CHARGER LATE 18TH CENTURY enamelled with a central crest inside a gilt foliate band and scrolling foliage painted en grisaille with gilt details 38.8cm diameter

£200­300

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1060 A DELFTWARE WET DRUG JAR POSSIBLY DUTCH, DATED ‘1765’

1061 A PORTUGUESE FAIENCE ALBARELLO LATE 17TH CENTURY

of necked ovoid form, inscribed in blue ‘ÃQ. Di FIORDi SAMBCO’ inside a floral cartouche, the reverse inscribed with the ownership initials ‘P.M.’ and dated ‘1765’ 30cm high

blue painted with a rearing deer inside scrolling, flowering foliage, the reverse with a blank panel 22.5cm high

£300­500

£300­500

1062 AN ITALIAN FAIENCE APOTHECARY JAR AND COVER 18TH CENTURY of inverted baluster form, inscribed in manganese ‘Tror Birre’ between bands of blue foliage, the domed cover with a flower bud finial (2) 16.5cm high

£300­500

1063 THREE DELFTWARE BLUE AND WHITE DRUG JARS DUTCH, MID­18TH CENTURY

1064 A DELFTWARE TOBACCONIST JAR DUTCH, 18TH CENTURY

1065 AN ITALIAN MAIOLICA TAZZA EARLY 18TH CENTURY

the cylindrical bodies inscribed ‘T ALKEKENCI’, ‘EX CATHOL’ and ‘P MERCVRIA’ (3) 18.5cm max

of cylindrical form, inscribed in blue ‘TABAC RAPPÉ on an oval cartouche and beneath feathers and swags, with a pair of foliate handles 25cm high

blue painted in the Renaissance style with a cherub riding a dolphin, on a short foot 33.2cm diameter

£150­200

£200­300

Provenance The Cornish Collection.

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1067 A PAIR OF ITALIAN MAIOLICA DISHES MONTELUPO, C.1700

1066 AN ITALIAN MAIOLICA WET DRUG JAR INSCRIBED ‘1545’

each painted in blue, green, ochre and manganese with a soldier carrying a spear (2) 31.6cm diameter (max)

£500­700

the ovoid body inscribed ‘A. DE. BVGALOSSA’ in a cartouche surrounded by fruit and flowers, the shoulder with a green spout and strap handles 18.5cm Catalogue Note This jar would have held Bugloss, a plant closely related to borage. The name bugloss comes from the ancient Greek and means ‘ox’s tongue’, and its flowers are normally violet­blue. Its roots are believed to be diuretic. Early modern herbalists believed that a decoction of the seeds, preferably in wine, banished melancholy and lifted the mood.

£800­1,200

1069 A LARGE CANTAGALI TWIN­HANDLED VASE C.1900

1068 A ROUEN FAIENCE WALL CISTERN MID­18TH CENTURY the pear­shaped body with a twin dolphin surmount, painted with scrolls in blues, greens, yellows and reds, the metal tap lacking 50cm (high)

£150­250

the ovoid body with a tall, flaring neck, a pair of twin snake handles with lion mask terminals and a socle foot, painted with a bacchanalian scene and houses by a lake verso, the neck and foot painted with Renaissance style motifs, blue painted cockerel mark to the base 79.5cm high Provenance Bonhams Edinburgh, European Ceramics and Glass, 30 April 2014, lot 52.

£3,000­5,000

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1070 A LARGE SAVONA FAIENCE ARMORIAL BLUE AND WHITE DISH 18TH CENTURY the centre painted with a large coat of arms above a tower and pyramid, the border moulded with grotesque masks and scrolls 40cm

£1,000­2,000

1071 A SMALL COLLECTION OF FRENCH AND ITALIAN FAIENCE ITEMS 18TH AND 19TH CENTURY comprising: a pair of Italian cruet stands, a tureen and cover, a bough pot, a large octagonal tureen, and a small cruet stand (7) 32cm (max)

£150­250

1072 FOUR BLUE AND WHITE TIN­GLAZED ITEMS 18TH CENTURY comprising: two dishes painted with Chinese figures; a teapot and cover decorated with flower sprays; and a flask inscribed ‘Atoy’ (5) 21.5cm (max)

£150­250

1073 AN ITALIAN BLUE AND WHITE DRUG JAR AND TWO FRENCH FAIENCE DISHES 18TH/19TH CENTURY the drug jar inscribed in gothic script, the octagonal dishes with formal floral designs (3) 30cm high (max)

£200­300

1074 A MOUSTIERS FAIENCE DISH MID­18TH CENTURY painted with two figures in a garden, with a bird chasing a large insect, the reverse with a painter’s mark 32cm

£200­300

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1075 THREE MASSIVE GERMAN STONEWARE BARTMANN OR BELLARMINE JUGS 17TH/18TH CENTURY all with moulded masks to the necks, one with an oval armorial 45cm max (3)

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1076 A RARE DELFTWARE HARE OR LEVERET DUTCH OR ENGLISH, 18TH CENTURY cast in the solid, modelled resting with cast details to its eyes, ears, ruff and feet, highlighted in blue, on an octagonal base with a band of dots 12cm long Provenance The Angus MacDonald Collection.

Phillips, Good European Ceramics, Glass and Enamel, 9 September 1992, lot 248.

A Private Northern Ireland Collection.

Catalogue Note This model of a resting leveret or hare does not appear to have any direct comparables. ‘Dated English Delftware’ by Lipski and Archer illustrates a number of models of other animals, including cats and dogs but 18th century models of hares are extremely rare in any ceramic material from either country of origin.

Bonhams have recently offered one, described as English, as lot 95 on 19 November 2025 that sold for £10,000, and another on 23 June 2021, lot 63 and a salt glazed stoneware example on 29 September 2020, lot 110. Christie’s offered a creamware leveret as part of the Price Glover Collection on 14th June 1988, lot 109 and Sotheby’s sold another white salt glazed model of a hare as part of the Rous Lench Collection on 1st July 1986, lot 126.

£6,000­8,000

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1077 A MEDIEVAL ENCAUSTIC TILE 14TH OR 15TH CENTURY

1078 TWO MEDIEVAL ENCAUSTIC TILES C.1500

1079 A SET OF FOUR DELFTWARE TILES DUTCH, C.1680

decorated in cream slip with a lion rampant inside fleur de lys corners 14.4cm square

decorated in cream slip with a walking bird and a pair of birds, together with an Italian maiolica border tile, 16th century (3) 12.8 cm square (max)

manganese painted with soldiers or saracens on horseback (4) 12.5cm square

£150­200

£300­500

£200­300

1080 SIX LIVERPOOL DELFTWARE TILES

BY JOHN SADLER, C.1770 each black printed with scenes of ships at harbour inside grotto borders (6) 12.7cm square Catalogue Note See Anthony Ray, p.248, plate 67, illus. 659 for an example of this tile.

£300­500

1081 A COLLECTION OF DELFTWARE TILES ENGLISH AND DUTCH, MAINLY 18TH CENTURY comprising: one with a ‘pebble’ design, three with polychrome decoration, one with manganese flowers in a vase, the remainder with a variety of blue painted designs including some border tiles, some framed (38) 13cm square (approx.)

Provenance The Cornish Collection.

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1082 A DELFTWARE OINTMENT POT LONDON, C.1640

1083 A TIN GLAZED OINTMENT POT 17TH CENTURY

1084 A DELFTWARE OINTMENT POT ENGLISH, C.1700­20

of albarello form, with blue and manganese banded decoration 4.9cm high

of footed ovoid form, with manganese and yellow­ green spotted decoration 4.5cm high

of footed ovoid form, inscribed in blue ‘DELESCOT.’ 5.8cm diameter

Provenance Acquired from Garry Atkins

Catalogue Note Please see Houghton, R.J., Layden, J., and Taylor, P. (2018) Historical Guide to Advertising Pot Lids, p.478 for an illustration of this pot.

Catalogue Note In Houghton, R.J. And Priestley, M.R. (2005) Historical Guide to Delftware and Victorian Ointment Pots, Delescot is described as 'an apothecary based at 19 Duke Street, Pall Mall, London’ (now Waterloo Place and Lower Regent Street). The delftware pots used by Delescot are described as being 'very rare', while 'several glaze variations are known ranging from a greenish­blue glaze to almost white with blue lettering'.

Catalogue Note Please see Houghton, R.J., Layden, J., and Taylor, P. (2018) Historical Guide to Advertising Pot Lids, p.479 for an illustration of this pot.

£300­500

£200­300

£200­300

1085 A DELFTWARE OINTMENT POT POSSIBLY LONDON, 18TH CENTURY of footed ovoid form, blue painted with dots, lines and squiggles 4.6cm high

£200­300

1086 A TIN GLAZED APOTHECARY JAR, TEA OR COFFEE CANISTER LATE 18TH CENTURY of square section, inscribed ‘fernandes in dukes Place’ inside scrolling foliate borders, inscribed ‘2’ to the base 19cm high Catalogue Note A similar jar was sold at Bonhams London, Fine British Pottery and Porcelain, 10 December 2008, lot 10, where it was noted that 'Duke's Place' may refer to a street in Aldgate, London. This lot, or a very similar jar, is now held at the Jewish Museum, London, accession number 2008.115. The name ‘Fernandes’ may refer to the family of Solomon Fernandes Nunes, a merchant known to have lived in the nearby parish of St Andrew Undershaft.

£300­500

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1087 A COLLECTION OF FIVE DELFTWARE OINTMENT POTS 18TH CENTURY comprising: four footed examples with blue foliate decoration and one of ovoid form with blue decoration together with a later footed example with foliate decoration (6) 6.9cm diameter (max) Provenance The largest footed example with an F.H. Garner collection label, inventory number 226.

£300­500 1088 A COLLECTION OF NINE DELFTWARE OINTMENT POTS ENGLISH AND DUTCH, MAINLY 17TH AND 18TH CENTURY undecorated, to include three of albarello form, two of squat banded form and four of footed form (9) 6.3cm high (max) Provenance The tallest was formerly in the John Philip Kassebaum Collection.

One of albarello form and one of squat form were formerly in the Mark & Marjorie Allen Collection and are dated to c.1630.

One of low footed form was formerly in the L.L.L. Collection.

£300­500

1089 A COLLECTION OF EIGHTEEN EARTHENWARE AND STONEWARE OINTMENT POTS 17TH ­ 19TH CENTURY in a variety of forms and finishes including salt­ glazed, tin glazed and clear glazed (18) 6cm high (max)

£400­600

1090 A PAIR OF PEARLWARE DRY DRUG JARS LATE 18TH CENTURY of cylindrical form, manganese inscribed ‘PIL:GALBAN:CO’ and ‘PIL:SAPON: c : OPIO’ in banners, together with a similar pearlware jar and cover inscribed ‘PILL.RHAEI Co,.’ in a banner with pink details (4) 12cm high (max)

1091 HUMPHREY’S HOMEOPATHIC SPECIFICS C.1900

Provenance The Galban jar with a Garry Atkins paper label.

a boxed set of homeopathic remedies together with an instruction book 11cm x 26cm x 19cm

£150­200

£250­350

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1092 A RARE DELFTWARE DRUG JAR LAMBETH, FIRST HALF 17TH CENTURY decorated in blue, manganese and ochre with bands and zigzags, the base with a paper label inscribed ‘Early Lambeth pottery medicine pot, about the reign of Charles I 1626 to 1649 dug up in the City of London’ 8cm

£600­1,000

1093 A EARLY DELFTWARE DRUG JAR LAMBETH, FIRST HALF 17TH CENTURY decorated in blue and manganese with bands, dashes and crosses, the base inscribed ‘St Mary Axe July 1880 17ft deep’ 14.5cm

£600­1,000

1094 A SET OF TEN PEARLWARE WET DRUG JARS C.1790­1800 each with a bulbous body, tapering cylindrical spout and with an inscribed cartouche (10) 17.5cm

£2,000­3,000

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1095 A JOHN DWIGHT STONEWARE BOTTLE FULHAM, C.1670­90 the pear­shaped body rising from a tall foot, the tapering neck incised with concentric bands, the grooved handle with a rat­tail terminal 21.2cm high

£300­500

1096 A DELFTWARE CHARGER LONDON IN THE MANNER OF LIVERPOOL, C.1770

1097 A RARE LONDON DELFTWARE POT POURRI AND COVER VAUXHALL, C.1720­30

painted in the Fazackerly palette with a chinoiserie rock and pavilion garden scene inside a floral border and a yellow rim 34.4cm diameter

of inverted pear shape, pierced to the cover and shoulders, with blue and red stylised foliate decoration (2) 16.6cm high

£300­500

£300­500

1098 A RARE DELFTWARE ‘SHRUB’ BIN LABEL LAMBETH, C.1775

1099 A PAIR OF DELFTWARE PLATES LONDON, C.1750

of coat hanger form, inscribed ‘SHRUB.’ in manganese, together with a pair of Spode bin labels, of coat hanger form, inscribed ‘Bordeaux’ and ‘Sauternes’ in black, impressed marks (3) 9.3 x 13.8cm (max)

each blue painted with a couple by a rock before a ruin and a sponged tree, together with an octagonal delftware platter, mid 18th century, blue painted with a bowl of flowers (3) 22.9cm diameter and 24.4cm wide

Catalogue Note Shrub is a cordial typically made from rum or brandy and the juice and / or peel of citrus fruits.

£150­250

£1,000­1,500

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1100 A DELFTWARE CHARGER LIVERPOOL, C.1750

1101 A DELFTWARE PUNCH BOWL ENGLISH, 18TH CENTURY

1102 A DELFTWARE CHARGER ENGLISH, MID­18TH CENTURY

polychrome painted with a fisherman before a flowering shrub in shades of blue, manganese, yellow and green 35.7cm diameter

blue painted with scrolling flowering foliage 30.2cm diameter

polychrome painted with a chinoiserie rock garden and flowering foliage scene, in manganese, orange, green, blue and yellow, with an old paper label verso 35.2cm diameter

Provenance With Tristram Jellinek paper label applied to the reverse, item reference number 3047.

Graham Slater collection paper label, collection number 254 A. Another collection label with item number 375.

£150­200

£200­300

1104 A WILLIAM AND MARY LOBED DELFTWARE CHARGER LATE 17TH CENTURY

Catalogue Note Please see Michael Archer, Delftware, p.221 for a similar charger.

£400­600

polychrome painted with portraits of William and Mary above the initials ‘WR’ and ‘MR’ inside a broad border of tulips and other flowering foliage 34.2cm diameter Provenance The Cornish Collection.

£400­600

1103 A PAIR OF DELFTWARE CHARGERS LAMBETH, C.1760 each polychrome painted with a parrot seated on a branch issuing from rockwork inside flowerbud borders (2) 34.5cm diameter (max) Provenance The Cornish Collection.

Catalogue Note Please see F H Garner & Michael Archer, English Delftware, pl.108B for a similar charger.

£300­500

1105 A DELFTWARE ‘FARMHOUSE’ PLATE BRISTOL, C.1720­40 painted with a peacock in yellow, blue and red, standing between sponged manganese trees, together with a Dutch delft plate, polychrome painted with a parrot and another blue painted with a parrot (3) 22.7cm diameter (max) Provenance The Cornish Collection.

£300­500

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1107 A SET OF SEVEN DELFTWARE PLATES LAMBETH, C.1750

1106 A DELFTWARE STRAINER MID­18TH CENTURY blue painted with a star burst inside a scrolling and trellis border, together with another strainer, a square section delftware salt and a hexagonal salt or stand (4) 24cm diameter (max) Provenance The Cornish Collection.

each painted in polychrome enamels with parrots perched on rockwork, the rims with flowerheads and floral sprays (7) 22.3cm diameter Provenance The Cornish Collection.

22.5cm diameter (6)

£250­350

£250­350 1108 FOUR DELFTWARE PLATES 18TH / EARLY 19TH CENTURY each polychrome painted with parrots perched on a ring above a rock garden and inside a yellow border with red and blue hatching (4) 23.4cm diameter (max) Provenance The Cornish Collection.

£300­500

1109 A DELFTWARE PLATE PROBABLY TEMPLE BECK, BRISTOL, C.1750 polychrome painted with a maiden with a fan seated beneath a tree, a plate polychrome painted in the Fazackerly palette with floral sprays and another plate manganese painted with a fenced rock garden scene (3) 22.7cm diameter (max) Provenance The Cornish Collection.

£200­300

1110 A DELFTWARE CHARGER DUTCH, C.1770

1111 SIX DELFTWARE PLATES MID­18TH CENTURY

blue painted with Flora holding a cornucopia inside sponged foliage, a Dutch delft charger and plate with a peacock tail design, both with painted marks verso, and five further blue painted delftware plates and chargers (9) 35.1cm diameter (max)

comprising: one blue painted with a chinoiserie scene inside a scalloped bianco sopra bianco border, another with a plain border and bianco sopra bianco foliage, three with chinoiserie figural or landscape scenes and one with a European country house scene (6) 22.9cm diameter (max)

Provenance The Cornish Collection.

Provenance The Cornish Collection.

£300­500

£200­300

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THE IDA CLARKE COLLECTION Christopher and Ida Clarke started their antiques business in Stow on the Wold in 1961. With Christopher mostly on the road buying for the business, Ida took care of the shop whilst raising a young family. The couple bought a wide variety of items to furnish their home but Delftware appealed to Ida early on and over nearly 40 years she formed her collection. Time and memory have clouded which was the first piece, with two possible contenders.

It might have been the plate with Cockerel, Hen and Chick, part of lot 1141, or the Candlestick, lot 1118. The plate was given by Kenneth Hammitt, an American dealer, customer and friend after bidding for him at the Garner collection auction. He insisted that Ida chose something from his many purchases and she took the plate. The Lambeth Candlestick was purchased at the Grosvenor House Antiques Fair in 1966 from DM & P Manheim and always remained one of her favourite pieces. More Delftware was bought over the coming decades for both the shop stock and the home. Jonathan Horne was a customer before he started to specialise, as was Tristram Jellinek who became a great friend. Both sold items to the collection and tried to buy other items from it. Time has now come for the Collection to be sold.

1112 A DELFTWARE DRUG OR APOTHECARY JAR LONDON, MID­18TH CENTURY of cylindrical form painted with graduated curved dashes between horizontal bands and dashes 18.5cm high Provenance The Ida Clarke Collection, inventory number 2.

£300­500

1113 A DELFTWARE DRUG OR APOTHECARY JAR PROBABLY LONDON, MID­18TH CENTURY of cylindrical form painted with two sets of four blue horizontal bands 12.5 cm high Provenance The Ida Clarke Collection, inventory number 6.

Catalogue Note See John C. Austin, British Delft at Williamsburg, p.210 for similar examples.

£200­300

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1114 A DELFTWARE COFFEE CUP LONDON, C.1720 of slightly flaring bell form, polychrome painted with arched stylised floral panels interspersed with red trellis panels, the handle with blue dashes 6.7cm high Provenance The Ida Clarke Collection, inventory number 35.

Catalogue Note A cup of a similar form was dug up at the Brush­Everard House, Williamsburg and is illustrated in British Delft at Williamsburg, p.28.

£400­600

1115 A DELFTWARE COFFEE CAN LONDON, C.1760­80 polychrome painted with stylised foliage in green, red and blue beneath a red rim, the large handle with a kick terminal blue scrolling foliage 5.6cm high Provenance The Ida Clarke Collection, inventory number 66.

£300­500

1116 A DELFTWARE COFFEE CAN PROBABLY BRISTOL, C,1760­80 blue painted with a chinoiserie fenced garden scene, together with a coffee cup, possibly London, with scrolling foliage (2) 6.4cm high (max) Provenance The Ida Clarke Collection, inventory numbers 67 and 36.

£400­600

1117 A DELFTWARE PUZZLE JUG PROBABLY LIVERPOOL, C.1760 painted with a four line verse inviting drinkers to try their skill, flanked by peacocks, the neck pierced with hearts and ovals, the rim with three small spouts 18.7cm high Provenance The Ida Clarke Collection, inventory number 94.

£250­350

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1118 A RARE DELFTWARE SMALL CANDLESTICK LAMBETH, C.1650­80 the urn shaped socket above a dished drip pan and on a conical foot, with manganese and blue banded decoration, the foot with blue stiff leaf decoration 10cm high Provenance Acquired from DM & P Manheim, Grosvenor House Antique Fair 1966.

The Ida Clarke Collection, inventory number 71.

Catalogue Note Please see Christie’s, ‘Syd Levethan: The Longridge Collection’, 25 May 2011, lots 167 and 168 for two similar English Delftware candlesticks including one with similar banded and stiff leaf decoration and another decorated in blue and manganese.

£1,500­2,500

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1119 A DELFTWARE CHARGER ENGLISH, LATE 17TH CENTURY painted with three large orange fruit, probably pomegranates, on green leaves interspersed with buds, inside a yellow band and blue dash border, on a buff body 34cm diameter Provenance The Ida Clarke Collection, inventory number 5.

Catalogue Note See Bonhams, Fine Glass and British Ceramics, 15 December 2020, lot 34 for a very similar charger previously offered by Christie’s New York, ‘Syd Levethan: The Longridge Collection’, 24 January 2011, lot 12.

Another similar charger is discussed by Michael Archer, Delftware in the Fitzwilliam Museum (2013), p.55, A.82.

1120 A LARGE DELFTWARE DISH POSSIBLY BRISTOL, C.1750­70 painted in blue and manganese with a large insect flying above a rocky island with trees 29.7cm diameter Provenance The Ida Clarke Collection, inventory number 18.

£250­350

£300­500

1121 A DELFTWARE FLOWER BOWL PROBABLY LONDON, C.1750

1122 A DELFTWARE BALLOONING PLATE LAMBETH, C.1785

of ‘bowl and cover’ form with a central larger aperture surrounded by two bands of smaller holes, with flowering foliate decoration 14.5cm diameter

painted with a hot air balloon in flight above buildings and a low fence, the rim with stylised leaf swags, together with a shallow bowl, similarly decorated (2) 17.2cm and 22.8cm diameter

Provenance The Ida Clarke Collection, inventory number 60.

Provenance The Ida Clarke Collection, inventory numbers 37 and 38.

£200­300

£500­800

1123 FIVE DELFTWARE OINTMENT POTS 18TH CENTURY comprising: four of ovoid form with short feet and one of cylindrical form on a spreading foot (5) 6.8cm diameter (max) Provenance The Ida Clarke Collection, inventory numbers 32, 95, 30, 31 and 96.

£250­350 36

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1124 A NEAR PAIR OF DELFTWARE CHARGERS BRISTOL OR BRISLINGTON, C.1740

1125 AN IRISH DELFTWARE TAZZA DUBLIN, C.1760

each polychrome painted with a central tulip flanked by a pair of smaller flowerheads in long grass (2) 33cm diameter

painted in the chinoiserie style with an exotic bird and flowering foliage inside an elaborate Worcester porcelain style border, on a short foot, blue painted ‘NE’ to the base 27.8cm diameter

Provenance The Ida Clarke Collection, inventory numbers 59 and 78.

£400­600

Provenance The Ida Clarke Collection, inventory number 47.

Catalogue Note Please see Peter Francis, Irish Delftware ­ an illustrated history, pp. 71­74 for a discussion on the ‘NE’ and other monograms found on Dublin delftware.

Two paper labels attached to the underside of the tazza suggest that the comport was made in the Henry Delamain Factory.

£300­500

1126 A DELFTWARE ‘WOOLSACK’ CHARGER BRISTOL, C.1740­60 painted with a dog or fox beside a vase with scrolling foliage, inside a border with lozenge floral panels on a powder blue ground and with an ochre rim 35.5cm diameter Provenance The Ida Clarke Collection, inventory number 85.

£200­300

1127 A DELFTWARE PUNCH BOWL LONDON OR BRISTOL, C.1760 the interior with a four line rhyme in support of King George, the exterior with blue painted ogee panels on a powdered manganese ground, together with a small bowl, the interior with line drawn foliage, the exterior with a powdered manganese ground (2) 22.2cm diameter and 10.6cm diameter Provenance The smaller bowl was acquired from Jonathan Horne Antiques.

The Ida Clarke Collection, inventory numbers 61 and 29.

£300­500 1128 A DELFTWARE PLATE PROBABLY LONDON, C.1750 blue painted with a Chinese figure beside a lake, on a powdered manganese ground with three blue fish to the rim 23.3cm diameter Provenance A paper label for the ‘L.L.L. Collection’, inventory number 748.

Acquired from Tristram Jellinek.

The Ida Clarke Collection, inventory number 82.

£250­350 37

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1129 A DELFTWARE MILK TUREEN OR BROTH BOWL AND COVER PROBABLY LONDON, C.1700 of circular form, blue painted with figures before a sailing boat, the interior with an integral strainer (2) 28cm wide Provenance The Ida Clarke Collection, inventory number 49.

£300­500

1130 A DELFTWARE CHARGER ENGLISH, POSSIBLY BRISTOL, C.1760 blue painted with a unicorn crest inside an ochre border, together with a crested plate, dated ‘1699’, painted with the initials ‘SS’ above ‘1699’, flanked by winged beasts and beneath a crown (2) 31cm diameter (max) Provenance The Ida Clarke Collection, inventory numbers 84 and 79.

£200­300

1131 A DELFTWARE FLOWER BRICK LIVERPOOL, C.1760 of rectangular form, with meandering floral decoration in the Fazackerly palette 16.4cm wide Provenance The Ida Clarke Collection, inventory number 91.

£300­500

1132 A DELFTWARE FLOWER BRICK PROBABLY ENGLISH, C.1760 painted with trailing foliage 14.7cm wide Provenance The Ida Clarke Collection, inventory number 90.

£250­350

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1133 A DELFTWARE CHAR DISH LIVERPOOL, POSSIBLY ZACHARIAH BARNES, C.1760­80 of shallow circular form, painted to the exterior with five fish in manganese, green and red 23cm diameter Provenance The Ida Clarke Collection, inventory number 68

£300­500

1134 A DELFTWARE WINE BOTTLE LONDON, INSCRIBED ‘1646’ of globular form with a strap handle, the front inscribed ‘WHIT’ above the under­scribed date ‘1646’, on a spreading foot 12.3cm high Provenance The Ida Clarke Collection, inventory number 69.

Catalogue Note Please see Lipski and Archer, Dated English Delftware, 1984, for three whit bottles dated 1646, figs 1323­1325.

£500­800

1135 A GROUP OF FOUR SIMILAR SYRUP OR WET DRUG JARS MID­18TH CENTURY each with a globular body painted with a narrow cartouche surmounted by two winged putti holding single flower stems either side of a scallop shell, raised on a tall spreading foot, inscribed ‘S.CROCI’, ‘S.BALSAM’, ‘O:SAMBUC’ and ‘S.E CORT.AU’ (4) 18.7cm high (max) Provenance The Ida Clarke Collection, inventory numbers 52, 50, 11 and 92.

£700­1,000

1136 TWO DELFTWARE SYRUP OR WET DRUG JARS MID­18TH CENTURY each with a globular body painted with a narrow cartouche, one surmounted by two winged putti holding single flower stems either side of a scallop shell, the other with a male bust flanked by wings, raised on a tall spreading foot, inscribed ‘S.EX,ALTHAAE’ AND ‘MEL.ROSAR’, together with a dry drug jar, of ovoid form, with a narrow cartouche surmounted by cherubs flanking a scallop shell and above a winged mask, inscribed ‘U.SAMBUC:V’ (3) 18cm high (max) Provenance The Ida Clarke Collection, inventory numbers 9, 51and 53.

£300­500

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1138 A DELFTWARE OINTMENT POT ENGLISH, INSCRIBED ‘1641’ 1137 A GROUP OF DELFTWARE PLATES WITH POWDERED MANGANESE GROUNDS LONDON OR BRISTOL, MID­18TH CENTURY

of footed ovoid form and with the date painted in blue 6.4cm diameter

comprising: a pair with chinoiserie pagodas inside fan borders, two with a central flowerhead­shaped panel with chinoiserie foliate scenes and one with an octagonal central panel (5) 29.3cm diameter (max)

£250­350

Provenance The Ida Clarke Collection, inventory number 70.

Provenance The pair of plates acquired from Tristran Jellinek.

The Ida Clarke Collection, inventory numbers 42A & B, 80 and 81.

£400­600

1140 A DELFTWARE CHARGER LONDON. C.1760­80

1139 SIX DELFTWARE PLATES 18TH CENTURY comprising: a London plate with a Chinaman and foliage inside a powdered blue border, one with a chinoiserie fenced garden scene inside a powdered pale blue border, one with two figures by a rock and before a ruin, an English plate with two Chinamen beneath a parasol and before a fence and mountain, another with a chinoiserie chrysanthemum and bamboo scene inside a bianco sopra bianco border and a Dutch plate with a child playing a lyre before three sailing ships (6) 23.7cm diameter (max) Provenance The Ida Clarke Collection, inventory numbers 40, 43, 75, 12, 45 and 56.

polychrome painted with a chinoiserie scene of a willow in a fenced garden, together with a charger, London, probably by William Griffith, polychrome painted with a pagoda behind a fence and flanked by sponged foliage, a polychrome plate also probably by William Griffith and a Liverpool charger polychrome painted with a couple in a landscape (4) 33.6cm diameter (max) Provenance The Ida Clarke Collection, inventory numbers 37, 86, 36 and 48.

£400­600 1141 A COLLECTION OF FIVE DELFTWARE POLYCHROME DECORATED PLATES ENGLISH, 18TH CENTURY comprising: one painted with a chicken, cockerel and a chick in a rock garden, one of a lady dancing before a seated man before trees, one of a chinoiserie rock garden of including bamboo behind a red fence, one with floral sprigs in the Fazackerly palette and one with a pagoda and a tree on an island, another in the background (5) 23.8cm diameter (max)

£150­250

Provenance The plate with a dancing lady was acquired from Jonathan Horne Antiques.

The Ida Clarke Collection, inventory numbers 41, 44, 17, 77 and 46.

Catalogue Note In Jonathan Horne’s book ‘Fair as China Dishes’, he refers to the design with the dancing lady as ‘Miss Nancy Dawson Dancing the Hornepipe’.

£300­500 40

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1142 A DELFTWARE POSSET POT AND COVER PROBABLY LONDON, EARLY 18TH CENTURY

1143 FIVE DELFTWARE PLATES 18TH CENTURY

painted with flowers between a pair of handles and a spout with blue dashes, with a domed cover, together with another posset pot, with foliate panels in blue and red between handles with blue dashes (3) 19.5cm high (max)

comprising: one with a blue bird behind manganese sponged foliage, one with a manganese butterfly amongst foliage, one with a large peony in foliage in manganese and blue, one with a blue and manganese design of bands, ovals and dots and one with a central manganese flowerhead inside a foliate band and geometric border (5) 23cm diameter (max)

Provenance The Ida Clarke Collection, inventory numbers 93 and 65.

£400­600

Provenance The Ida Clarke Collection, inventory numbers 14, 39, 83, 76 and 15.

£200­300

1144 A DELFTWARE CHARGER LONDON OR BRISTOL, C.1760 painted with a couple in a landscape with sponged trees, together with two Dutch chargers, each with figures in landscapes with sponged trees and foliage (3) 33.5cm diameter (max) Provenance The Ida Clarke Collection, inventory numbers 1, 97 and 98.

£300­500 1145 A DELFTWARE JAR ENGLISH, MID­18TH CENTURY of two handled form, blue painted with birds and foliage, together with an urn painted with willow trees between mask handles, a strainer blue painted with foliage and grass and with four bands of holes around an aperture, a Continental faience jug and a Chinese blue and white ginger jar with a delftware cover (6) 21cm high (max) Provenance The Ida Clarke Collection, inventory numbers 62, 72, 100, 5, 33 and A3.

£200­300 1146 FIVE DELFTWARE BOWLS 18TH CENTURY comprising: one painted in the Fazackerly palette with meandering flowers and a yellow fence, one with a crimped rim and blue painted with chinoiserie foliage, one with blue and manganese flowers and fence, one blue painted with a large Chinese dragon and one blue painted with flowering foliage (5) 18.8cm diameter (max) Provenance The Ida Clarke Collection, inventory numbers 88, 8, 10, 57 and 55.

£200­300 41

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1147 A DELFTWARE TEA CANISTER PROBABLY DUTCH, MID­18TH CENTURY

1149 A DELFTWARE PUNCHBOWL ENGLISH, MID­18TH CENTURY

of octagonal form, blue painted with figures and flowering foliage, an oval butter dish, painted with a house in a fenced garden and a wine bin label inscribed ‘CURRANT’ in blue (3) 13.3cm wide (max)

polychrome painted with echinacea or cone flowers, a blue and white punch bowl painted with chinoiserie lakeside scenes and a small polychrome bowl painted with meandering flowering foliage (3) 27cm diameter (max)

Provenance The Ida Clarke Collection, inventory numbers 73, 19 and 101.

£300­500

1148 A LARGE DELFTWARE BOWL PROBABLY BRISTOL, C.1720­40 polychrome painted with stylised foliage and flowers in blue, red, green and yellow, together with a Saint Amand charger, 18th century, with stylised floral decoration in blue and manganese (2) bowl 25.5cm diameter, charger 33cm diameter

Provenance The Ida Clarke Collection, inventory numbers 58, 54 and 87.

£200­300

Provenance The Ida Clarke Collection, inventory numbers 4 and 89.

£150­250

1151 THREE DELFTWARE TILES LIVERPOOL, C,1760 polychrome decorated in the Fazackerly palette with vases of flowers (framed), together with four further delftware tiles to include examples painted with a large fish, a three masted ship, a swan and a Bristol polychrome painted dove (7) 13cm square (max)

1150 A DELFTWARE BOTTLE VASE OR GUGLET POSSIBLY LAMBETH, C.1730­50

Provenance The Ida Clarke Collection, inventory numbers 3 a, b and c, 23, 25, 26 and 28.

£300­500

with a broad mouth, manganese and blue painted with a chinoiserie scene of a figure in a landscape with two sun or star bursts, together with another with a garlic­style neck blue painted with a chinoiserie fenced garden and one of ‘Persian’ form with a flared neck blue painted with two figures and foliage (3) 20cm high (max) Provenance The Ida Clarke Collection, inventory numbers 63, 64 and 74

£300­500

1152 A COLLECTION OF BOOKS ON DELFTWARE comprising: Frank Britton, English Delftware in the Bristol Collection; Frank Britton, London Delftware; Garner & Archer, English Delftware; Anthony Ray, English Delftware Pottery in the Ashmolean Museum, Oxford; Lipski and Archer, Dated English Delftware; Jonathan Horne, English Tin­Glazed Tiles; H­P Fourest, Delftware, English Delftware in the Rijksmuseum, Amsterdam; Archer and Morgan, Fair as China Dishes ­ English Delftware; Jonathan Horne, A Catalogue of English Delftware Tiles (10) £100­200

END OF COLLECTION 42

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1153 A RARE PAIR OF STAFFORDSHIRE LEOPARDS MID­19TH CENTURY each modelled walking and decorated in naturalistic colours, on a gilt lined base (2) 18.5cm high

£800­1,200

1154 A STAFFORDSHIRE FIGURE OF A LEOPARD EARLY 19TH CENTURY modelled recumbent, facing right, in naturalistic colours 13.5cm high Catalogue Note See Pat Halfpenny, English Earthenware Figures, 1740­1840, p.210 for a photograph of a similar leopard in the Wisbech & Fenland Museum (1901.78).

£500­700

1155 A RARE STONEWARE FIGURE OF A FIGHTING COCKEREL STAFFORDSHIRE OR POSSIBLY SCOTTISH, C.1860 standing facing to the left, in white with gilt and coloured highlights 30cm high

£300­500

1156 A STAFFORDSHIRE PEARLWARE BUST OF HANDEL AFTER RALPH WOOD, C.1800­20 in coloured enamels and on a titled socle base, together with a bust of Matthew Prior on a marbled socle base and another possibly of a Roman Emperor on a socle base with paterae (3) 24cm high (max)

£300­500

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1157 FOUR TRANSFER PRINTED COMMEMORATIVE NURSERY OR CHILD’S PLATES EARLY 19TH CENTURY comprising: one with a portrait titled ‘Marquis of Anglesea K.G.’ inside a border moulded with birds and insects, another by Stevenson with a portrait inscribed ‘M. Wood Esqr M.P. twice Lord Mayor of London Who patriotically gave up his House to her Majesty Queen Caroline, Upon her arrival in London on the 6th June 1820’, with an impressed factory mark, one red printed with a rhyme titled ‘Long Live Caroline Queen of England’, the fourth printed with Britannia mourning above the inscription ‘To the Memory of Her Royal Highness the Princess Charlotte of Wales and Saxe Cobourg who died Novr. 6th 1817’ (4) 19.1cm diameter (max) Provenance Long Live Caroline plate ­ Paper label for J & J May, 40 Church Street, Kensington W8.

£300­500

1158 A CREAMWARE PRINTED MUG PROBABLY HERCULANEUM, C.1775 decorated with three men eating at a table beneath a tree, one reading a newspaper, with two dogs at their feet, together with a creamware mug printed and painted with a satirical print, after Dawson, titled ‘A race between John Bull and Boney’ and inscribed ‘Jane Nicholson 1835’ (2) 14.8cm high (max) Provenance Creamware mug: G W Capell collection, sold at Sotheby’s 16 February 1965, lot 3.

Paper label for the E. Norman Stretton Collection, no. C135, lot 271 in the Philips’ sale of his collection in 2001.

Literature David Drakard, Printed English Pottery, p.85, pl.214 for this mug.

£300­500

1159 FOUR BLUE TRANSFER PRINTED COMMEMORATIVE NURSERY OR CHILD’S PLATES EARLY 19TH CENTURY comprising: one titled ‘Sacred Memory of George III Who died 29 Jany 1820’, one inscribed ‘Part of the Funeral Procession of Caroline the Injured & Persecuted Queen of Great Britain’, with an impressed crown mark, another with George III passing a bible to a child and inscribed ‘I hope the time will come when every poor child in my dominions will be able to read the Bible’, the fourth celebrating Lord Wellington Peninsular Campaign battles with his portrait and inscribed with his name and the names of three battles (4) 13.2cm diameter (max) Provenance The first plate ­ previous sold ay Bonham & Brooks, 27th March 2001, lot 84 (part).

£400­600

1160 A PAIR OF SPODE PEARLWARE SHELL­SHAPED DISHES C. 1820 decorated with fruiting vines, pattern 3214, printed and impressed marks (2) 24cm

£50­80

1162 A PEARLWARE EWER DATED ‘1796’ 1161 A PEARLWARE JUG EARLY 19TH CENTURY painted with a cork cutter standing before a table in a furnished interior beneath the inscription ‘Success to the Cork Cutter’, with a gilt ‘GR’, a four line drinking stanza and a Royal Crest, together with two Liverpool printed creamware shipping plates and a pearlware mug with stylised floral decoration (4) 18.8cm high (max)

£200­300 44

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of slightly swollen form, with a painted inscription ‘Willm. Kennerly 1796. May the wings of Friendship, Never lose and Feather’, surrounded by flowers and farm tools 17.8cm high

£100­200

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1163 A PAIR OF CASTLEFORD­TYPE VASES AND TWO PAIRS OF CANDLESTICKS 1800­1820 the vases applied with classical figures, the candlesticks with flowers and simulated flutes (6) 15.5cm (max)

£100­200

1164 TWO CASTLEFORD­TYPE BOUGH POTS AND FIVE JUGS 1790­1820 the bough pots painted with pastoral panels, the jugs moulded with hunting scenes, classical figures and flowers and highlighted in polychrome (7) 22cm (max)

£300­500

1165 FIVE CASTLEFORD­TYPE MOULDED TEAPOTS AND TWO SUGAR BOWLS 1800­1820 all with covers and one hinged, variously decorated with classical figures and motifs, one with roundels depicting birds on a vase, three teapots with impressed numbers (15) 29cm (max)

£200­300

1166 A COLLECTION OF CASTLEFORD­TYPE TEAWARES 1790­1820 comprising: five teapots and covers, the large teapot with a hinged lid marked Heath & Son; four oval stands; a sugar basin and cover; and three jugs, decorated with classical figures, one with a pastoral landscape, others with formal borders (17) 29cm (max)

£200­300

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1167 A COLLECTION OF CASTLEFORD­TYPE TEAWARES 1790­1820 comprising: three teapots and covers; three sugar bowls and covers; and five jugs, variously decorated with classical figures and flowers, one jug with a polychrome landscape (16) 26cm (max)

£200­300

1168 ELEVEN CASTLEFORD­TYPE JUGS 1790­1820 moulded with classical, bucolic and hunting scenes, one depicting Lord Nelson and HMS Victory, one with crowns and feathers, another with peacocks, one hunting jug marked Davenport (11) 19cm (max)

£200­300

1169 NINE CASTLEFORD­TYPE ‘HUNTING’ JUGS 1790­1820 all moulded with scenes of the chase and with blue borders (9) 28cm (max)

£200­300

1170 THREE CASTLEFORD­TYPE JUGS AND EIGHT MUGS 1790­1820 one hunting jug with a cover, the other jugs with hinged metal covers, the smaller marked Davenport, variously decorated with hunting and classical scenes, one mug with a printed and polychrome landscape, all with blue borders (12) 20.5cm (max)

£150­250

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THE LOBBENBERG COLLECTION

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1171 A WORCESTER BLUE AND WHITE MUG C.1755 of slightly waisted form, painted in the ‘Plantation’ pattern, with a grooved handle 9.1cm high Provenance Acquired from Sotheby’s, April 1970.

The Lobbenberg Collection.

£400­600

1172 A WORCESTER BLUE SCALE MUG C.1770 the cylindrical body painted with panels of flowers and sprigs reserved within gilt ‘C’ scroll borders on a blue scale ground 11.5cm high Provenance Acquired from Sotheby’s, November 1967.

The Lobbenberg Collection, inventory number 37.

£150­200

1173 A WORCESTER MUG C.1760 of slightly waisted form, painted in polychrome enamels with a Chinoiserie scene of a standing man, a child and a seated figure in garden, with a grooved handle 8.3cm high Provenance Acquired from Sotheby’s, January 1968.

The Lobbenberg Collection, inventory number 119.

£300­500

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1174 A UNIQUE, DOCUMENTARY AND DOCUMENTED LOWESTOFT PLATE DATED 1766 painted in underglaze blue with a flowering auricula, the reverse with the inscription ‘Charles+Ward July the 5 1766’ between ‘doodle’ like decoration of a bird, cross and heart motifs, and ‘C’ and ‘S’ scrolls 22.7cm diameter Literature Geoffrey A. Godden, The Illustrated Guide to Lowestoft Porcelain, 1969, pp. 60 and 61 for a brief discussion on the plate and illustration 58 showing both sides of the plate.

Catalogue Note The style of the inscription and doodling is very similar to those found on the base of a Lowestoft inkpot held at the British Museum, registration number 1938,0314.51.CR. The inscription in the inkpot reads ‘John Mills July the 4th. 1766’. The inkpot is also discussed on page 60 of Geoffrey Godden’s book and shown in illustration 57. It was also illustrated in The Connoisseur, June 1927, as part of Mr Wallace Elliot’s Collection of English Porcelain.

Wallace Elliot was a businessman and founder member of the English Ceramic Circle and its President from 1930 until his death in 1938. He bequeathed 100 pieces of English pottery and porcelain to the British Museum and another 100 pieces to the Victoria and Albert Museum with the remainder of his collection sold at Sotheby’s on May 24th to 26th, 1938. This sale included the plate being sold here. (https://www.britishmuseum.org/collection/term/BIOG69056) Provenance Sotheby’s, The Wallace Elliot Collection, 24 ­ 26 May 1938.

Acquired from Sotheby’s, February 1968.

The Lobbenberg Collection, inventory number 121.

£10,000­20,000

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1175 AN EARLY WORCESTER MOULDED CREAM JUG C.1752­53

1176 A WORCESTER ECUELLE, COVER AND STAND C.1760­70

of fluted baluster form, painted in polychrome enamels with the ‘Snake in a Basket’ pattern of a Long Eliza figure to one side, the reverse with a tall pine tree and a basket at its foot 8.3cm high

of quatrelobe form, painted with floral sprays between flower twig handles, together with a Bow oval dish, c.1760­76, painted with deutsche blumen, iron red dagger and anchor (4) 23cm wide (max)

Catalogue Note See Bonhams, The Billie Pain Collection of British Porcelain, 26th November 2003, lot 108 and Woolley and Wallis, English and European Ceramics and Glass, 13 September 2016 for similar cream jugs.

Provenance The Worcester with Knowles Boney Collection label, inventory 664 to the base and a ‘T Goode & Co London’ retailers label inside the cover.

Sotheby’s June and November 1967.

The Lobbenberg Collection, inventory numbers 91 and 106.

Provenance Acquired from Sotheby’s, November 1967.

The Lobbenberg Collection, inventory number 47.

£250­350

£400­600 1177 A WORCESTER CLARET GROUND BOWL PROBABLY PAINTED IN THE JAMES GILES ATELIER, C.1770 with floral and fruit sprigs beneath a border with gilt floral cornucopia, together with another similarly decorated with floral panels in ‘C’ scroll reserves and with gilt foliage (2) 15.5cm diameter Provenance The first from the Harris Masterson Collection, Sotheby’s November 1967, inventory number 215. The second from the Knowles Boney Collection, Sotheby’s June 1967, inventory number 729.

The Lobbenberg Collection, inventory numbers 8 and 105.

£300­500 1178 A WORCESTER TEAPOT AND COVER C.1760­70 of barrel form, painted with flowers beneath a blue and gilt rim, together with three matching teacups and two saucers, the teapot and one cup with a blue ‘W’ mark, the others with open crescent marks (7) 12.5cm high (max) Provenance Acquired from the Wolf Collection, 1968 and Sotheby’s, April 1970.

Worcester teapot and cover, three cups and saucers (43, 44, 145)

£250­350 1179 A WORCESTER SPARROW BEAK CREAM JUG C.1770 painted with a floral spray and sprigs beneath a blue and gilt rim, together with another Worcester jug, a Liverpool jug and another (4) 9.4cm high (max) Provenance Acquired from Sotheby’s January 1968 and from the Raghinsky Collection.

The Lobbenberg Collection, inventory numbers 49, 85, 82 and 115.

£150­200 50

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1180 A COLLECTION OF FIVE WORCESTER BLUE AND WHITE MUSTARD POTS C.1760­80 comprising: two painted in the Mansfield pattern, two of reeded form with border ‘34’ to the shoulders, a mustard pot and cover in a version of the Prunus Root pattern and a Tournay custard cup and cover blue painted with flowers and foliage (8) Provenance Acquired from Sotheby’s, June 1967 and January 1968.

The Lobbenberg Collection, inventory numbers 17, 18, 19 and 20.

£200­300

1181 TWO WORCESTER BLUE AND WHITE BASKETS C.1770­85 printed in the Pine Cone pattern, a sauce boat in the Three Flowers pattern, another in a version of the Strap Fluted Floral pattern, a pair of butter boats and a reeded coffee pot and cover of baluster form with painted border ‘48’ (8) 23cm high (max) Provenance The Lobbenberg Collection, inventory numbers 14, 15, 25, 26, 28 and 141.

£250­350

1182 A WORCESTER BLUE AND WHITE TEAPOT AND COVER C.1760­80 painted in the Waiting Chinaman pattern, together with a Philip Christian (Liverpool) teapot and cover, with floral panels inside moulded arches, a Lowestoft teapot and replacement cover, painted in the Island House pattern and a Worcester mug painted in the Mansfield pattern (7) 16.7cm high (max) Provenance The Lobbenberg Collection, inventory numbers 16, 23, 52 & 140.

£300­500

1183 A COLLECTION OF FIVE WORCESTER TEAPOTS AND COVERS C.1770

1184 A COLLECTION OF WORCESTER BLUE GROUND WARES C.1770­80

comprising: one painted with a Chinoiserie scene of figures and cattle, one with two birds by a large flowering plant and three with floral sprays, together with a Liverpool teapot and cover painted with floral sprays (12)

comprising: two scale ground plates, one with floral reserves the other with birds, two custard cups and covers with floral reserves, an ice cup with fan shaped reserves with birds on a powder ground, a tea cup and saucer with floral reserves on powder grounds and a sucrier and cover with floral reserves on a scale ground (11)

Provenance Quinneys, May 1964, Sotheby’s June and November 1967 and June 1968, The Lobbenberg Collection.

£200­300

Provenance The tea cup and saucer with Harris Masterson Collection labels, inventory 301.

Sotheby’s February 1964, June and November 1967 and January 1968.

The Lobbenberg Collection, inventory numbers 36, 39, 46, 77 and 118.

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1186 A DERBY COFFEE POT AND COVER C.1760

1185 A COLLECTION OF THREE WORCESTER TEA BOWLS AND SAUCERS C.1770­85 comprising: one of reeded form painted with a butterfly and fruit inside a blue rim, one of fluted form with floral sprays and one of reeded form with blue painted borders, together with a Lowestoft tea bowl and saucer with blue and white blue scale and floral decoration, a tea bowl and saucer with brown, gilt, iron red and puce floral decoration and a Chinese export tea bowl and saucer painted in the manner of the James Giles atelier with an exotic bird (12)

of moulded reeded form and painted with floral sprays, together with another Derby coffee pot and cover, c.1760­ 65, painted with a Chinese man standing beside a large vase of flowers and a Worcester coffee pot with a later cover painted with floral sprays (6) 22.5cm high (max) Provenance Acquired from Sotheby’s November 1967 and March 1970.

The Lobbenberg Collection, inventory numbers 4, 104 and 138.

£300­500

Provenance Sotheby’s June, November 1967, January 1968 and April 1970.

The Lobbenberg Collection, inventory numbers 45, 77, 89, 114 and 124 and 142.

£300­500

1187 A LONGTON HALL MUG C.1756­60 of bell form with a double scrolled handle, painted in the ‘Goose’ pattern of two bird beside flowering foliage and rockwork, together with a sparrow­beak cream jug in the same pattern (2) 9.3cm high (max) Provenance Acquired from the Knowles Boney Collection, Sotheby’s, June 1967, inventory numbers 420 and 687.

The Lobbenberg Collection, inventory numbers 60 and 61.

£300­500

1188 A PLYMOUTH PORCELAIN MUSTARD POT C.1770 painted with a meandering floral spray beneath an iron red diaper border, iron red mark to the base 9cm wide Provenance Acquired from Sotheby’s, November 1967 with an old paper collection label with inventory number ‘238’.

The Lobbenberg Collection, inventory number 33.

painted with a view of Fonthill Abbey, Wilts, flanked by gilt scrolled foliage, inscribed ‘Fonthill Abbey, Wilts’ and ‘Grainger Lee Co. Worcester’ in iron red to the base 8.3cm high Provenance The Lobbenberg Collection, inventory number 108.

£100­200

£150­200 52

1189 A GRAINGER LEE & CO, WORCESTER, NAMED VIEW MUG C.1830

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1190 A DELFTWARE BLUE AND WHITE TEAPOT AND COVER LIVERPOOL OR LONDON, C.1720­40 the ovoid body with Chinoiserie fenced garden scenes, the cover with floral sprigs (2) 9.6cm high, 15.5cm wide Provenance Acquired from the Archibald Frith Allbrook Collection, Sotheby’s, 20th June 1968.

The Lobbenberg Collection, inventory number 123

1191 A STAFFORDSHIRE CREAMWARE CAULIFLOWER TEAPOT AND COVER C.1760­1770 the cover and shoulders as the cream flower, the base, spout and handle as green foliage, together with a sauceboat cast as overlapping vine leaves in Whieldon type colours (3) 18cm wide (max) Provenance The Lobbenberg Collection, inventory numbers 62 and 136.

£250­350

1192 THREE STAFFORDSHIRE CREAMWARE TEAPOTS AND COVERS LATE 18TH CENTURY one with a crabstock handle and spout and applied fruiting vine and bird decoration under a brown Whieldon­type glaze, two with moulded handles, spouts and decoration under Whieldon­type glazing and a stoneware teapot and later cover with cream cameo style decoration on a buff orange body (8) Provenance Quinneys May 1964, Sotheby’s November 1968.

The Lobbenberg Collection, inventory numbers 64, 67, 75 and 135.

£150­200

£250­350

1193 A STAFFORDSHIRE SALT­GLAZED STONE WARE TANKARD EARLY 19TH CENTURY of cylindrical form, with a blue floral design and applied with a ‘GR’ beneath a crown, together with a salt­glazed stoneware teapot and cover of lozenge form, an ‘orangeware’ sparrow beak jug, a buff stoneware chocolate pot and cover, a buff stoneware silver­shaped cream jug and a redware teapot and cover with cream coloured relief decoration (9) 19.5cm wide (max) Provenance Quinneys May 1964, Sotheby’s November 1968 The Lobbenberg Collection, inventory numbers 68, 69, 70, 84, 129 and 130.

1194 A COLLECTION OF FOUR STAFFORDSHIRE SALT­GLAZED STONEWARE TEAPOTS AND COVERS C.1760­70 each with a crabstock handle, spout and cover finial, two enamelled with floral designs, one with a couple in a garden, a house verso, and a smaller example with a floral design (8) 21cm wide (max) Provenance Acquired from Sotheby’s January, March and November 1968.

The Lobbenberg Collection, inventory numbers 63, 112, 122 and 128.

£300­500

1195 A STAFFORDSHIRE SALT­GLAZED TEAPOT AND COVER C.1760 of quatrelobe form, with moulded and polychrome shell and floral decoration, on three short legs, together with a salt­glazed stoneware coffee pot and cover, of baluster form, enamelled with a flowering rock garden (4) 16cm high (max) Provenance Acquired from Sotheby’s, May 1969.

The Lobbenberg Collection, inventory number 131 and 134.

£200­300

£250­350

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1196 THREE SOUTH STAFFORDSHIRE ENAMEL BONBONNIERES LATE 18TH CENTURY one painted as a walnut inscribed ‘A Margate Gift’, the others modelled as lemons (3) 4.7cm (max)

£300­500

1197 A SOUTH STAFFORDSHIRE ENAMEL TEA CANISTER AND COVER C.1770 of rectangular form, puce painted with a continuous landscape including ruins, figures and a river scene (2) 10cm high Provenance Woolley and Wallis, Fine Porcelain and Pottery, 15th September 2015, lot 261.

£150­200

1198 A MENNECY WHITE­GLAZED SHOE­SHAPED BONBONNIERE C.1740­50 with a silver­gilt mounted hinged lid, the shoe moulded with flowers and foliage 6cm

£150­250

1199 TWO MENNECY WHITE­GLAZED BONBONNIERES C.1740­50 one formed as a crouching lion, the other a recumbent bitch with her puppy, each with a silver­mounted hinged lid (2) 6.5cm

£200­300

1200 A RARE SAINT CLOUD ROCOCO­MOULDED BOX C.1730­40 the hinged lid with gilt­metal mounts and painted with chinoiserie panels, the sides with flower and leaf sprays, the inside of the lid with a large chinoiserie scene 8cm

£800­1,200

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1201 A RARE AND EARLY CHELSEA TEAPOT AND A MATCHED COVER C.1750­52 of hexagonal form, unusually decorated in famille rose enamels with colourful birds perched on flowering branches, the shoulder and cover’s rim with flowerhead panels between cash diaper borders (2) 18cm Provenance Formerly from the collection of Lady Kate Davson, née Kate Foster (1938­2020).

Catalogue Note Elizabeth Adams, Chelsea Porcelain, p.61, pl.48 for a teapot of the same shape with Kakiemon decoration.

£800­1,000

1202 A CHELSEA TEABOWL C.1755 painted with colourful birds amongst foliage, the reverse and interior with butterflies and other insects, red anchor mark 7.5cm diameter Provenance Billie Pain Collection A.K. Davis Collection, inventory number 52.

£200­300 55

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1203 A CHELSEA ECUELLE, COVER AND STAND C.1755 together with two Chelsea tureens and covers, all decorated with flowers sprays and brown line borders, red anchor marks (7) 20cm (max)

£300­400

1204 A CHELSEA FLUTED BEAKER C.1755 AND LATER

1205 TWO ENGLISH PORCELAIN MOULDED DISHES C.1750­60

later painted with flower sprays, together with a Chelsea style trembleuse cup and saucer, probably Samson, painted in the kakiemon style with a rock garden and flowering foliage (3) 6.2cm high

one Longton Hall moulded as lettuce leaves, the other Derby with a central rose surrounded by foliage (2) 23.5cm and 17.5cm

£300­500

£200­300

1206 A CHELSEA­DERBY DESSERT SERVICE C.1770­1780 each piece painted with a central floral spray inside a bleu celeste and tooled gilt border suspended with floral swags, comprising: two kidney shaped dishes, two larger lozenge shaped dishes, three smaller lozenge shaped dishes, four circular dishes, three square fluted dishes and twenty two circular plates, most with gilt D and anchor marks (38)

£1,500­2,000

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1207 EIGHT WORCESTER ‘BLIND EARL’ PLATES C.1765­1770 each moulded and painted with a rosebud and leaves, floral sprays and foliage, the scalloped rim with a gilt ‘C’ scroll motifs (8) 19.4cm.

£1,200­1,800

1209 A WORCESTER SIFTER SPOON LATE 18TH CENTURY

1208 TWO WORCESTER TEAPOTS AND COVERS C.1760­70

enamelled with flowers inside a feathered gilt rim and with a rococo style handle, together with a Bristol porcelain sparrow beak cream jug enamelled with floral sprigs and a Vauxhall teabowl, painted in the imari palette with a chinoiserie figural scene (3) 19.3cm long (max)

each painted with Chinese figures are various activities, together with three Worcester coffee cups painted with Chinese figural scenes (7) Provenance Two of the coffee cups ­ The Zorensky Collection, inventory number Y.770.

The A K Davis Collection, inventory numbers 57, 60 and 55.

£250­350

£250­350

1210 A COLLECTION OF WORCESTER PORCELAIN LATE 18TH CENTURY

1211 A COLLECTION OF SIXTEEN ENGLISH PORCELAIN COFFEE CUPS 18TH ­ 19TH CENTURY

to include: a basket in the Pinecone pattern, a pair of butter boats in the Mansfield pattern, a pair of pickle dishes in the Gilliflower pattern and a pair of Cos leave moulded sauce boats, one with polychrome floral decoration, the other with insects (7) basket 17.7cm diameter

from a variety of factories including Bow, Lowestoft, Bristol and Worcester, each with polychrome decoration (16)

£200­300

£300­500 57

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1213 AN ENGLISH PORCELAIN FIGURE OF A VINTNER POSSIBLY CHELSEA­DERBY, LATE 18TH CENTURY modelled seated holding a basket of grapes, together with a Derby figure of a maiden standing holding a posy of flowers, with patch marks, and a Derby candlestick with a young lady standing before the sconce (3) 27cm high (max)

£250­350

1212 A BOW FIGURE OF A MUSICIAN C.1754­64

1214 TWO DERBY FIGURES C.1760­70

he seated playing a mandolin, together with a Bow figure emblematic of Sight, a maiden seated looking into a mirror (2) 15cm high (max)

he standing holding a basket of fruit and flowers, she with a hound at her feet, together with a smaller Derby figure of a huntsman and an English porcelain figure of a shepherdess (4) 24cm high (max)

£300­500

Provenance The A.K. Davis Collection, inventory numbers C17, C54, C53 and 61.

£300­400

1215 A SMALL BOW MODEL OF A RECUMBENT KID GOAT C.1750

1217 TWO BLOOR DERBY MODELS OF HORSES C.1820 one white, the other black, both raised on green moulded bases, red painted marks (2) 9.5cm

decorated with scribbly black patches and raised on an oval base with green highlights 6.5cm

£100­200

£200­300

1216 A BOW MODEL OF A RECUMBENT EWE WITH HER LAMB C.1750 delicately coloured with a fawn­coloured fleece, the details picked out in red and black 12cm

£200­300

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1218 A COALPORT POT POURRI VASE AND COVER POSSIBLY FROM THE WORKSHOP OF THOMAS BAXTER. C.1810 painted with a band of flowers on a gilt ground, together with an ecuelle, cover and stand, a scent bottle and a small tazza with similar decoration, a pair of candlesticks and a câchepot and cover with bands of floral decoration and three plates with floral wells inside borders of gilt scrolls and motifs (15) 24cm diameter (max) Provenance The ecuelle formerly in the Perrins Collection.

£300­500

1219 A COLLECTION OF COALPORT INKSTANDS OR DESK SETS MID­19TH CENTURY

1220 A PAIR OF COALPORT RECTANGULAR JARDINIERES C.1815­20

to include a pair possibly painted by William Billingsley with pink roses, a pair with moulded scrollwork picked out in gilding, two further examples encrusted and painted with flowers, one possibly, Coalbrookdale, and another painted with floral sprays, a pair of ‘Feltspar’ chambersticks and a pair of miniature vases (48) 36.5cm wide (max)

moulded and painted with roses and other flowers, together with a collection of candlesticks, chambersticks and a taperstick, two pen trays, a pair of small vases, a pair of violeteers and a bottle vase and stopper (26)

£300­500

£400­600

1221 A PAIR OF COALBROOKDALE VASES AND COVERS C.1850­60 of Sèvres pot pourri Pompadour shape, painted with panels of flowers on a rose pink ground, the shoulders and necks pierced with holes, a pair of Vincennes­style glass coolers after the seau à verre échancré shape, painted with panels of fruit and flowers on a pink ground, together with three Coalbrookdale glass coolers and a jardiniere in the Sèvres manner painted with flowers, blue CBD marks (10) 24.5cm high (max)

£300­500 59

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1222 A MATCHED GARNITURE OF THREE COALPORT CACHEPOTS AND STANDS C.1805­10 painted with panels of baskets of flowers beneath a band of pink roses, on a striated ground, together with a pair of Coalport câchepots and stands, c.1805, painted possibly in the workshop of Thomas Baxter with panels of children carrying younger infants in rural settings, within gilt panels reserved on a claret ground, with a smaller câchepot painted with a portrait of a girl holding a cat, the reverse with a flower spray (11) 19.6cm high (max)

£300­500

1223 A LARGE PARIS PORCELAIN BOUGH POT AND COVER FIRST HALF 19TH CENTURY of demi­lune form painted with panels of flowers, a large Continental porcelain câchepot and stand, painted with butterflies above a continuous flower bed, spurious ‘Swansea’ mark, together with a group of Swansea­style items including a pair of baskets, two pair of small vases, a footed dish and an inkwell (14) 26cm wide (max)

£300­500

1224 A PAIR OF ENGLISH PORCELAIN ‘HAREWOOD BOTTLE’ VASES AND COVERS PROBABLY MINTON, MID­19TH CENTURY each of footed baluster form, with gilt ribbon and banding on a bleu du roi ground (2) 37cm high

£300­500

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CONTINENTAL CERAMICS

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1225 A RUSSIAN IMPERIAL PORCELAIN SOUP PLATE 2ND HALF 18TH CENTURY the well painted with a landscape roundel in black monochrome, the cavetto with a Greek key type band en grisaille with gilt and black detailing bordered by berried laurel bands 24.4cm diameter

£250­350

1226 A DOCCIA COFFEE CAN AND SAUCER C.1765­70 painted in the Meissen manner, the cup with a maiden before trees, the saucer with a farmer with a scythe in laub und bandelwerk borders in red, gilt and lilac, another can and saucer painted in iron red and gilt with fighting cockerels beneath foliage, and a third can with polychrome floral sprays (5) Provenance The can and saucer with Meissen style decoration ­ with a Phillips Auctioneers paper label.

The can and saucer with flighting cockerels with an old paper collection label.

The A.K Davis Collection, inventory numbers C10, C5 and C9.

£200­300

1227 A SEVRES TEAPOT AND COVER (THEIERE CALABRE) DATE CODE FOR 1768 painted with gilt framed roundels of roses on a mazarine blue ground, the cover with a flowerbud finial, blue interlaced Ls with a central ‘P’ and above ‘COL’, together with a Vincennes mug, mid­18th century, puce painted with a basket and vegetables in a rural setting, interlaced Ls with a dot (3) 10.8cm high (max) Provenance Teapot The Anthony Collection.

The A.K. Davis Collection, inventory number C2.

Mug The A.K. Davis Collection, inventory number C2.

£300­500

1228 A SAINT CLOUD ARTICHOKE­MOULDED FLARED CUP AND SAUCER C.1730­40 painted in the kakiemon palette with quails, cranes, flower sprays and insects (2) 12.5cm

£300­500 61

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1229 A SEVRES POT­POURRI ‘POMPADOUR’ VASE AND COVER DATE CODE FOR 1764 the ovoid vase and cover pierced with anthemion motifs and with a flower knop, the sides painted with oval landscape panels by Vieillard on a bleu de roi partridge­eye ground, interlaced Ls enclosing the date letter ‘L’ (2) 25cm

£1,500­2,500

1230 A SEVRES ‘FRISES RICHES’ ECUELLE, COVER AND STAND DATE CODE FOR 1766 the handle to the cover formed as leafy branch with golden fruits, each piece with an elaborate border of flowerheads, roundels, swags and laurel, interlaced Ls enclosing the date letter ‘N’ (3) 20cm

£1,500­2,500

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1231 A RARE SEVRES ‘FRISES RICHES’ COFFEE POT WITH CONTEMPORARY GILT­METAL MOUNTS DATE CODE FOR 1763 the hinged lid and neck with an elaborate blue floral border above flower festoons, interlaced Ls enclosing the date letter ‘K’ and the painter’s mark for A­L Fontelliau 12.5cm

£2,000­3,000

1232 A SEVRES ‘FRISES RICHES’ TEAPOT AND COVER C.1765 the cover with a delicate floral finial, all decorated with elegant flowers and scrolls with a bleu de roi border (2) 12.5cm

£800­1,200

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1233 A VINCENNES POT A JUS AND COVER DATE CODE FOR 1755 with a flower finial and painted with colourful flower sprigs, interlaced Ls enclosing the date letter ‘B’ (2) 8.5cm

£500­1,000

1234 A SMALL SEVRES MILK JUG (POT A LAIT A TROIS PIED) C.1767 painted in blue enamel with a band of flowers, interlaced Ls containing an indistinct date letter, probably an ‘O’ 9.5cm

£250­350

1235 A LARGE SEVRES COFFEE CAN AND SAUCER (GOBELET LITRON ET SOUCOUPE) C.1780 painted in enamels and gold with vertical bands of leaves and berries, interlaced Ls and a painter’s mark ‘DR’ (2) 13.5cm

£500­800

1236 A SMALL SEVRES MILK JUG (POT A LAIT A TROIS PIED) DATE CODE FOR 1760 painted with a panel of fruiting flower on a gilt­decorated green ground, interlaced Ls enclosing the date letter ‘H’ 10cm

£300­500

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1237 A SEVRES SEAU A LIQUER DATE CODE FOR 1769 the oval body painted with rose sprigs beneath a border of gold and enamel spots and dots, a removable pierced divider, interlaced Ls enclosing the date letter ‘Q’ (2) 30.5cm

£500­800

1238 TWO SEVRES CANS AND SAUCERS (GOBELETS LITRON ET SOUCOUPE) C.1765­70 both decorated with tulip sprays on a blue pontillé ground, the smaller with interlaced Ls enclosing date letter ‘Q’ for 1769 (4) 12.2cm (4)

£600­800

1239 AN UNUSUAL MENNECY POWDER BOX AND COVER C.1760 basket­moulded and painted with colourful flower sprays (2) 7.7cm

£200­300

1240 A MENNECY SUGAR BOWL AND COVER C.1760 gently moulded with six ribs, the domed cover with a rose finial painted with polychrome flowers, incised ‘DV’ mark (2) 10cm

£150­250

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1242 A MENNECY WHITE­GLAZED TREMBLEUSE CUP AND SAUCER C.1740 applied with relief, swags of leaves and with an acanthus­capped scroll handle (2) 12.6cm

£100­200 1241 A SCEAUX WHITE­GLAZED SMALL BASKET SECOND HALF 18TH CENTURY

1243 A SEVRES WHITE­GLAZED TRIPLE SALT C.1770 with a hoop handle and ribbon knop 10cm

£150­250

with flared, pierced sides in the Sèvres style, incised ‘SX’ mark 8cm

£80­120

1244 A MENNECY MUSTARD POT AND COVER C.1760

1245 A MENNECY SUGAR BOWL AND COVER C.1760

1246 A MENNECY ICE CUP C.1760

with an apple knop, delicately painted with flowers and tones of puce (2) 10cm

the domed cover with a fruit and leaf knop and delicately painted with colourful flower swags, incised ‘DV’ mark (2) 10.5cm

with a scroll handle and domed foot, delicately painted with flower sprays, incised ‘DV’ 6cm

£200­300

£100­200

£100­200

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1247 A SEVRES CUP AND SAUCER C.1795

1248 A SEVRES PLATE FROM A SERVICE FOR MADAME DU BARRY THE PORCELAIN C.1772­73 BUT LATER DECORATED

painted with a pink rose spray inside a green and gilt ‘fond Taillandier’ border of an oeil de perdrix design in green and gilt, manganese inscribed ‘SEVRES’ above a musical note for Cornailles, incised 42 and 46, a Sèvres Goblet Herbert et Soucoupe, date code for 1766, painted with floral swags suspended from ribbon bows, and another Sèvres saucer, dated code for 1790, painted with birds amongst scrolling foliage, decorator’s mark L and gilder’s mark Gi (5) 13.2cm diameter (max)

with a central ‘DB’ monogram in gilt and flowers, the rim with panels of putti alternating with baskets of flowers, blue interlaced Ls mark enclosing date letter T, P7 painter’s mark 24.4cm diameter

Provenance Fond Taillandier cup and saucer ­ Roseberys, Fine & Decorative, 26 June 2024, lot 571.

Goblet Herbert ­ Dore & Rees, George Withers Collection, 21 Feb 2024, lot 884.

£150­250

Provenance Woolley & Wallis, British & Continental Ceramics & Glass, 3rd September 2024, lot 216.

Catalogue Note Please see David Peters, Sèvres Plates and Services of the 18th Century, Vol. II, pp.495­98 for a discussion of the service produced for Maria Caroline, Queen of Naples and Sicily. A service with similar decoration was started for Madame du Barry but never finished. Examples are known with contemporary decoration and gilding, as well as with 19th century gilding and 19th century full decoration. This plate may well fall into the category of having 18th century painting but 19th century gilding.

£200­300 1249 A SEVRES STYLE CUP AND SAUCER DATE CODE FOR 1792 painted with a central circular fan inside a border of floral oval panels on a yellow border with scrolling classical foliage, outside decorated, blue interlaced Ls mark, decorator’s mark FB (2) 12cm diameter

£200­300

1250 A SMALL SEVRES COFFEE CAN AND SAUCER (GOBELET LITRON ET SOUCOUPE) DATE CODE FOR 1781 decorated with continuous bands of blue harebell flowers against gilt striping, another painted with concentric bands of brown and white feathering on a lilac ground and a third with floral and pink pebbled bands, all with blue interlaced Ls marks, together with a Sèvres style ornithological coffee can and saucer, late 18th century, painted with birds in foliage inside blue borders (8) 10.7cm diameter (max) Provenance The first two Woolley & Wallis, British & European Ceramics & Glass, 3 September 2024, lots 212 and 210.

£200­300

1251 A VINCENNES ICE CUP (TASSE A GLACE) DATE CODE FOR 1754­5 painted with small sprays of roses and other flowers, interlaced blue Ls mark and date letter B, a Sèvres style ice cup, c.1760­70, painted with floral sprays within feuilles de choux borders, a Vincennes or Sèvres footed jug (pot à lait à trois pieds), date code for 1770, painted with floral sprays on a white ground, black interlaced Ls marks, and a Sevres style coffee can and saucer (gobelet litron et soucoupe), late 18th century, with a floral initial 'C' and swags (5) 12.2cm diameter Provenance The Vincennes ice cup, Woolley & Wallis, British & European Ceramics & Glass, 21 February 2023, lot 589 (part).

£200­300

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1252 A GROUP OF SIMILARLY DECORATED SEVRES PORCELAIN C.1770­80 AND LATER painted with floral sprigs inside blue lines and gilt scalloped rims, comprising: a cup and trembleuse saucer (goblet a la Reine et soucoupe), a cup and saucer (goblet Herbert et soucoupe) and a custard cup and cover (pot a jus), each with blue interlaced Ls marks (5) 13.2cm diameter (max)

£250­350

1253 A SEVRES STYLE CABINET CUP AND SAUCER DATE CODE ‘dd’ the cup with an oval scene of children musicians on a mazarin blue ground with supporting oval cartouches joined by jewelled swags, the saucer with a circular scene of a child sketching a classical bust titled ‘Etudes emie’ and dated ‘1781’, interlaced Ls with the ‘dd’ date code and the initial ‘k’ beneath (2) the cup 7.5cm high, the saucer 15.4cm diameter Provenance Bamfords Derby, Four Day Fine Art Sale, 15th May 2025, lot 1233A.

£300­500

1254 A SEVRES CREAM JUG DATE CODE FOR 1762 painted with panels of fruit and flowers on a green and pink ground, blue interlaced Ls mark, artist’s mark KS 7.8cm high Provenance Toovey’s, British and Continental Ceramics, 29th February 2024, lot 1450.

£300­500

1255 A SEVRES CREAM JUG DATE CODE FOR 1765 painted with exotic birds inside tooled gilt foliage, an ice cup painted with an exotic bird, a Sèvres toilet pot and cover, moulded and painted with a trellis design with roses, a Sèvres egg cup (coquetier) with floral panels on a blue ground and a Sèvres style pot and cover with birds in flight on a blue ground, all with an interlaced Ls mark (7) 10cm high (max)

£300­500

1256 A SEVRES COFFEE CAN AND SAUCER (GOBELET LITRON ET SOUCOUPE) DATE CODE FOR 1789 painted with border of scrolling classical foliage and motifs above a bleu nouveau and gilt dot body, blue interlaced Ls mark, painter mark P, a Sèvres saucer, date code for 1767, painted with interlinked floral wreaths, painter’s mark of three dots, and a French Empire style cup, c.1800, with a puce painted scrolling band between geometric and floral bands (4) 14.2cm diameter (max)

£250­350 68

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1257 A SEVRES BISCUIT PORCELAIN PORTRAIT PLAQUE OF LOUIS XVI LATE 18TH CENTURY a profile bust portrait of the monarch inside a double gilt lined border, blue interlaced Ls 7.5cm diameter Provenance Old paper collection label with inventory number D1393.

A.K. Davies Collection, inventory number C11

£200­300

1258 A SEVRES­STYLE ICE PAIL (SEAUX A GLACE) AND COVER 19TH CENTURY painted with flower sprays with blue and gilded borders, crowned interlaced Ls mark (2) 23.5cm

£100­200

1259 A NEAR PAIR OF SEVRES BISQUE FIGURES OF CUPID AND PSYCHE AFTER FALCONET, LATE 19TH CENTURY each figure modelled seated, on a blue base with a gilt inscription and line decoration, both impressed ‘SEVRES’, cupid incised ‘OH.84.10’, green printed ‘S.82’ and red printed ‘Dore A Sevres 84’, Psyche incised ‘OH.75.10’ green printed ‘S.73’, red printed ‘Dore A Sevres 75’ (2) 31.5cm high

£1,000­2,000

1260 A SEVRES BISQUE GROUP AFTER FALCONET OR PIGALLE, MID­19TH CENTURY modelled as two cherubs fighting over a flaming heart, on a circular base, incised interlaced Ls flanked by a lozenge and ‘A’ or ‘V’ 37.5cm high

£300­500 69

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1261 AN EARLY MEISSEN BLUE AND WHITE TANKARD C.1735 mounted with a later pewter handle and cover, the cylindrical body painted with three birds, butterflies, flowers and fruits, crossed swords mark 15.5cm

£200­300

1262 A MEISSEN TEAPOT AND COVER C.1735

1263 A MEISSEN TEAPOT AND COVER C.1730

painted with a continuous kauffahrtei scene of European and Eastern traders chatting in a harbour and loading boats, with an angular handle, the spout formed as a mythical creature, blue crossed swords mark (2) 19cm wide

moulded with a mask to the base of the spout, the body and cover brightly decorated with Tischchenmuster pattern, crossed swords mark (2) 17cm

£600­800

£400­600

1264 AN OVAL MEISSEN HAUSMALER SUGAR BOX AND COVER C.1723­4

1265 A KNIFE AND FORK WITH EARLY MEISSEN HANDLES C.1730­40

1266 A SMALL MEISSEN TEAPOT AND A MATCHED COVER C.1730­40

painted with lovers dressed as an elegant shepherd and shepherdess probably by FF Mayer of Pressnitz and with gilt borders, rare ‘K.P.M.’ and crossed swords marks (2) 12cm

the handles painted in the kakiemon palette with birds, beasts and Indianische Blumen (2) 21.5cm overall

decorated with the Tischchenmuster pattern, crossed swords mark (2) 11.5cm

£800­1,200

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£100­200

£300­400

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1267 A MEISSEN FIGURE OF A LADY FLATBREAD SELLER C.1750 modelled by F E Meyer, she stands with her right arm raised and holding a basket of breads, the base with a crossed swords mark to the reverse 19.5cm

1268 A MEISSEN MODEL OF A CHINESE MAN C.1740­50 modelled by P Reinicke, he stands wearing a yellow jacket and a pink hat, holding a bowl of fruits, the base with flowers and foliage 15.8cm

£300­500

1269 A MEISSEN TYROLEAN FEMALE STREET VENDOR C.1740 she stands with an open trinket box, the base applied with flowers and leaves 16cm

£300­500

£200­300 1271 A MEISSEN FIGURE OF A LADY C.1750 seated beside a spinning wheel, reclining in a high­ backed chair with a book in her right hand, the scrolled base applied with flowers, blue crossed swords mark 16cm high Catalogue Note The model is after the engraving ‘Les amusements de la vie privée’ by Louis Surugue of 1747, after the painting by Chardin of 1746. The engraving was dedicated to Madame La Comtesse de Tessin.

£400­600

1272 A MEISSEN ‘LOVERS AND BIRDCAGE’ GROUP MID­18TH CENTURY 1270 A SMALL MEISSEN FIGURE OF A STREET VENDOR C.1740 possibly a baker, he stands holding a tray and with a baton at his side, crossed swords mark 9cm

modelled with a young man offering flowers to a girl while a third figure is seated playing a pipe, all surrounding a caged songbird, the scroll base with a crossed swords mark 18cm

£600­800

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1273 A SMALL MEISSEN MODEL OF A PRANCING HORSE C.1750

1274 AN UNUSUAL MEISSEN GROUP OF A DONKEY AND HER FOAL C.1740­50

with a blue saddle cloth and pink saddle, crossed swords mark 10cm

modelled by J J Kändler, the jenny stands while her foal crouches beneath her while suckling, all on an oval base with flowers and leaves, and indistinct crossed swords mark to the back of the base 20cm

£200­300

1275 A RARE MEISSEN WHITE­GLAZED MODEL OF A CROUCHING FOX C.1740 modelled by J J Kändler, crossed swords mark 17cm

£150­250

£400­600

1276 AN UNUSUAL MEISSEN MODEL OF A STANDING CART HORSE C.1740­50

1277 TWO MEISSEN MODELS OF A COW AND BULL C.1740­50

he stands four­square with his head turned slightly to dexter, the base applied with flowers and foliage, crossed swords mark to the back of the base 19cm

the recumbent cow after a model by J J Kändler with her head turned to dexter, the bull stands with his head lowered, on a base applied with flowers and leaves, the cow with a crossed swords mark to the back of the base, the bull with an indistinct mark and incised ‘982’ (2) 11cm (max)

£400­600

£300­500

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1278 A SMALL MEISSEN MODEL OF A HORSE C.1750 in full harness with the front left leg raised 12.5cm

£250­350

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1279 A MEISSEN ‘CRIS DE ST PETERSBURG’ FIGURE OF A RUSSIAN PEASANT AFTER PETER REINICKE, C.1750 of a Drinks Carrier with a tray of beakers on his head, blue crossed swords mark to the back of the base, ink inventory marks to the underside of base 15.2cm high

£1,500­2,000

1282 A MEISSEN FIGURE OF A HUNTSMAN MODELLED BY J J KÄNDLER, MID 18TH CENTURY standing with a gun over his shoulder and with a dog at his feet, blue crossed sword mark, together with a Meissen figure of a shepherdess with a sheep at her feet, blue crossed sword marks (2) 14.5 and 24.5cm high Provenance A.K. Davis Collection, inventory numbers C20 and C22.

1280 A MEISSEN BLUE AND WHITE SAUCER MID­18TH CENTURY painted with two Chinese figures before a pine tree, together with another, 18th century and later, of fluted form, with a central iron red painted town scene inside an under­glaze blue variation of the Immortelle pattern, with later gilt highlights (2) 13.3cm diameter (max)

£200­300

1283 A MEISSEN FIGURE OF HARLEQUIN AFTER J J KÄNDLER, 18TH CENTURY seated on a rocky outcrop and playing the bagpipes, small blue crossed sword mark to the back of the base 13cm high

£400­600

1281 A MEISSEN ‘PARTRIRDGE’ TUREEN AND COVER MID­18TH CENTURY naturalistically modelled and enamelled, the bird sitting in her nest, crossed swords mark and incised ‘480’ (2) 14cm

£300­500

1284 A MEISSEN FIGURE OF A LADY FLUTIST MID­18TH CENTURY in a floral painted dress, blue crossed sword mark, together with a Limbach figure of a vintner, c.1780, he standing holding a plate of grapes (2) 14.2cm high (max)

£200­300

£200­300

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1285 A MEISSEN EQUESTRIAN GROUP OF CATHERINE II ‘THE GREAT’ OF RUSSIA AFTER J J KÄENDLER, 19TH CENTURY blue crossed sword marks, incised C92 25.5cm high

£400­600

1286 A MEISSEN GROUP OF EUROPA AND THE BULL AFTER J J KÄNDLER, 19TH CENTURY Europa seated on the back of the bull garlanded in flowers, she draped in a pink robe, attended by two maidens, blue crossed swords mark, incised No. 2697 22cm high £300­500

1288 A HEREND PART SERVICE MODERN in a floral design, comprising: an outsized teapot and cover, a normal teapot and cover, a hot water jug and cover, a milk jug, sugar bowl and cover, two serving plates, butter dish and cover, eight tea cups, saucers and side plates, preserve pot and cover, a toast rack and a small double dish; together with a Meissen part service in the Green Indian Flower pattern, comprising three teacups, saucers and plates, a preserve pot and cover and a leaf shaped dish (53)

1287 A MEISSEN GROUP OF THE DRUNKEN SILENUS REWORKED FROM A MODEL BY J J KÄNDLER, 19TH CENTURY the god slumped on the back of a donkey, supported by a young man, while a maiden feeds grapes to the ass, blue crossed swords mark, incised 2724 21cm high

£200­300

1289 A MEISSEN ‘GREEN WATTEAU’ PART SERVICE EARLY 20TH CENTURY comprising: an oval platter, a large scrolling sauce boat, a pair of soup plates, a pair of dessert plates, a pair of side plates and a pair of coffee cups and saucers, blue crossed sword marks (12) platter 39.1cm wide

£300­500

£400­600 END OF SALE 74

Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions

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ENTRIES ARE INVITED FOR OUR 2026 CERAMICS AND GLASS AUCTIONS

A RARE LONDON DELFTWARE SALT, C.1630­40 Southwark, Montague Close or Pickleherring.

SOLD FOR £11,500 PLUS BP

Please contact Neil Grenyer on 01722 446974 or John Axford on 01722 424506 or email ceramics@woolleys.live.

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AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 27% plus VAT @20% (totalling 32.4% inclusive) on the first £20,000 and 26% plus VAT @20% (31.2% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

REGISTERING WITH US All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

SALE RESULTS These will be posted on our website shortly after the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with client services LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

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Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited

+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bacs, debit and credit cards Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30 97 41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a symbol are poten ally subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows: 4% Up to £50,000 3% £50,000.01 200,000 1% £200,000.01 350,000 0.5% £350,000.01 500,000 0.25% In excess of £500,000 Up to a maximum levy of £12,500

FIREARMS Lots marked in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

The CITES Regulations may be found at www.defra.gov.uk/ahvla en/imports exports/cites/

Visit www.woolleyandwallis.co.uk to read the full Terms & Condi ons

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

W&W cover Ceramics January 2026.qxp_Layout 1 10/12/2025 16:48 Page 4

CLASSICS WEEK

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below BRITISH AND CONTINENTAL CERAMICS & GLASS

20TH – 22ND JANUARY 2026

Neil Grenyer John Axford MRICS

VALUATIONS 446974 424506

Jeremy Lamond MRICS FRSA Frances Woodhams

424502

CLIENT SERVICES

20TH CENTURY DESIGN Max Fisher Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs

Ruth Pike (Client Services Manager) Julie Langstaff Gemma Pointer Riin Rohtla­Szeverenyi Demi Jueno­Chapman

424500

339752

PHOTOGRAPHY ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Olivia Jones

424506 424583 424589 +44 (0)7812 601098 424591

411854 446974 339161 339161

339752

JAPANESE ART Alexandra Aguilar Olivia Jones

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller Beth Reardon

424595 424504 424586 424586 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS

BRITISH & CONTINENTAL CERAMICS & GLASS FINE FURNITURE • INTERIORS CERAMICS

FINE FURNITURE

INTERIORS

Victor Fauvelle Ed Beer Richard Kay Heidi Easton

446961 446962 446964 446970

SILVER Rupert Slingsby Archie Swann Becky Tilly­Trickett

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director Alexandra Aguilar Director

INTERIORS Will Hobbs

Cameron Malpass

Sandie Maylor 424589

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone

MARKETING +44 (0)7552 545872

PRESS

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards

Fahmeeda Yasmin Annabelle Hunt Oscar Eccleston

446956 446959 446957

Ed Beer Director

ASSOCIATE DIRECTORS Ned Cowell Victor Fauvelle Will Hobbs Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

+44 (0)7976 311172

W&W cover Ceramics January 2026.qxp_Layout 1 10/12/2025 16:48 Page 3

BRITISH & CONTINENTAL CERAMICS & GLASS THURSDAY 22ND JANUARY 2026

www.woolleyandwallis.co.uk

BRITISH & CONTINENTAL CERAMICS & GLASS THURSDAY 22ND JANUARY 2026