INDEX
Abele, Julian Francis, 35, 168
Basquiat, Jean-Michel, 40, 54–55, 85
Abstract (Brown), 119, 200
Beach, George, 6
Académie Julian, 160, 215, 223
Beacons of Defense (Steth), 79, 223
Academy of Music, Philadelphia, 103, 172
Bearden, Romare, 55, 85, 124, 164, 176, 196, 209
Adams, Ansel, 98
Becotte, Michael, 97
African American Museum in Philadelphia (formerly the Afro-American Historical and Cultural Museum), 7, 19, 55–56, 61, 72, 79–80, 87, 96, 101, 153, 188–190
Bennett, Gwendolyn, 107
AfriCOBRA, 104, 150 Afternoon at Les Collettes, An (Mark), 151 Allan Freelon: Pioneer African American Impressionist (exhibition), 129 Amarotico, Joseph, 76 American Bicentennial (Edmunds), 124 American Foundation for Negro Affairs, 121 American Greetings, 75 American Magazine of Art, 40 Amos, Emma, 124, 131
Bernstein, Benjamin D., 165 Bernstein, Edward, 165 Bibby, Deirdre, 101, 189 Black Arts Movement, 32, 103, 119, 184 Black Opals cover illustration (Freelon), 132, 133 Black power movement, 23, 151 Blackburn, Morris, 60, 64, 140, 170, 176 Bloch, Julius, 16, 17, 30, 63, 64, 106, 164 Blow, Charles M., 28, 49 Blue, Hannah, 102 Blues, The (Pridgen), 55, 60, 61, 219 Bogle, Robert W., 6
And the House (Camp), 202, 203
Bookbinder, Jack, 170
Anderson, Marian, 12–13, 36, 39, 44, 101, 118, 128, 164, 210, 219, 226
Bortner, Oscar, 160
Andrews, Benny, 118, 209, Animal Healer (Bullock), 197 Annunciation, The (Tanner), 36 Another Realm (Johnson-Allen), 155, 156 ARCO Chemical, 196 Art and Painting, 111 Art Digest, 40 Art News, 40 Asante, Maya Freelon, 6, 126–139 Aschak, 102 Ashton, Ethel V., 17, 30 Atkins, James, 198, 199 Ayers, Roland, 4, 5–6, 19, 41, 189, 198 Back to Africa Movement, 121 Bailey, Joseph C., 78, 79, 103, 118, 121 Bailey, Radcliffe, 85 Baldwin, James, 93 Baltimore Museum of Art, 134 Bar Room Brawl (Keene), 23, 214, 215 Barbecue—American Style (Freelon), 134, 135 Barnes, Albert C., 10, 16, 27, 40, 41, 45, 105, 106–113, 138, 164, 219 Barnes Foundation, 6, 10, 16, 35, 41, 54, 100, 105–113, 138, 155, 204–5, 208, 211, 216, 219, 221
228
WOODMERE ART MUSEUM
Bortner, Selma, 160 Bosschaert, Ambrosius, 143, 144, 212 Boy at Work in Recreation Center (Harris), 209 Boys and Girls Club, 88, 103 Brandywine River Museum of Art, 154, 218 Brandywine Workshop and Archives, 6, 19, 30, 39, 76, 88, 114, 116, 118, 120, 122, 124–25, 154–55, 165, 198, 200, 201, 206, 213, 218 Brantley, James, 6, 23, 50–59, 122–24, 155, 194, 198 Breckenridge, Hugh Henry, 129 Bridgette Mayer Gallery, 196 Britt, Benjamin, 20, 48, 189, 200 Brooker, Moe, 60, 60–77 Brooklyn Museum, 5, 110 Brother James (Brantley), 57, 59 Brother Who Taught Me to See/Herbert Camp (Camp), 91 Brothers & Sister (Clark), 35, 204
Community Education Center, 88
Edmunds, Anne, 88
Gentry, Herbert, 161
Educators to Africa, 147
Georgetown, South Carolina (Frank), 92
Burke, Selma, 9, 100, 124, 163–64, 170, 201
Comprehensive Employment and Training Act, 17, 88
End Game (Keene), 121, 215
Gilliam, Sam, 193–95
Burnham, Irene, 188
Condax, John, 112
Ethiopia Awakening (Fuller), 10, 11, 23, 209
Girard College, 176
Camp, Donald E., 6, 21, 84–85, 90–99, 151, 202–3
Congo (Douglas), 107
Evans, Orrin, 106
Giving Thanks (Pippin), 108
Camp, Kimberly, 6, 16, 21, 28, 41, 100–113
Cooley Gallery, 141
Evans, Samuel L., 16, 121–22, 171–72
Canaday, John, 32
Corcoran Gallery of Art, 116, 206
Giving Voice: Women, Artists, Inspirations (Widener University), 157
Carpenter, Syd, 55, 114, 195
Cornell University, 114
Cataclysm, Rebirth New World (Ayers), 4, 5, 198
Cotton Candy (Ashton), 30
Catlett, Elizabeth, 100, 124
Cowdery, Mae Virginia, 131–32
Celadon Squash and Rose (De Costa), 140
Crisis, The, cover illustration (Freelon), 133, 136
Celebration (Searles), 78
Cubism, 60, 200
Centre d’Arte, Port-au-Prince, Haiti, 215
Cubist Still Life (Gammon), 208, 209
Chambre, La (Saunders), 62, 220
Curtis, Samuel, 170
Charles Willson Peale (1741–1827) (Williams), 36
d’Harnoncourt, Anne, 41–42, 49–50, 70–71, 123–24
Bullock, Barbara, 6, 9, 20, 23–25, 35, 44, 75, 78–89, 103, 120–21, 155, 189, 197, 201,
Evening (Camp), 202, 203
Goya, Francisco de, 93
Evolution of Swing (Steth), 64, 223
Grapes and Berries (Ida Jones), 144, 213
Exploration (Chassot), 46, 47, 204
Green Street Workshop, 17
Fabric Workshop and Museum, 76
Green, Gene, 152
Family of Man, The, 93 Fannie Jackson Coppin (Waring), 18, 226
Green, William C., 76, 147 Greenberg, Joseph J., 160
Farmer, Clarence, 189 Fine Print Workshop (Works Progress Administration), 13, 27, 37, 73, 90, 223
Greene, Stephen, 66 Greenfield, Eloise, 219
Fisk University, 111
Griffiths, Philip Jones, 94 Grigsby, Jr., Eugene, 118
Dalí, Salvador, 189
Flash of the Spirit: African and Afro-American Art and Philosophy, 146
Dancer (Searles), 196
Fleisher/Ollman Gallery, 141
Dark Gods (Bullock), 85, 86, 87, 201
Fleming, Ray Frost, 75
The Chemistry of Color: The Sorgenti Collection of Contemporary African-American Art (Pennsylvania Academy of the Fine Arts), 5, 27, 196–97
Dark Surface Change (Dupree), 206, 207
Flirting with Abstraction (Woodmere Art Museum), 28
Chester County Historical Society, 7, 9, 144, 213
Deer Season (Ida Jones), 9, 213
Chestnut Hill Center for Enrichment, 157
Delaney, Beauford, 42, 93, 164
Cheyney University of Pennsylvania, 7, 12, 16, 18, 37, 38, 101, 170, 203, 209, 211, 226
Delaware State Arts Council, 88
Charles, Ray, 66 Charlotte or Charlot (Thrash), 44, 225 Chassot, Laura Williams, 9, 20, 46–47, 102, 203–4 Checker Player at Marian Anderson Playground (Harris), 101, 210
Children at Play on Chicken Bone Beach, 1960s (Mosley), 218 Chisum, Gloria, 6 Church of the Advocate, 24, 26, 179–83, 206, 208, 227 Church, Barton, 110 Citizens for Progress, 80 Civil Rights Demonstration, August 2, 1965 (Mosley), 95, 218 Civil rights movement, 19, 31–32, 151, 176, 195, Clarence Morgan (Brantley), 51, 198 Clark Atlanta University, 153
Dada (Brantley), 52, 53
De Costa, Arthur, 140–41, 143, 212 DeCarava, Roy, 93
Dett, R. Nathaniel, 128 Dewey, John, 105–6, 111–12 Dickerson-Hill, Reba, 9, 23, 24, 101, 148, 205 Disciples See Christ Walking on Water, The (Tanner), 37, 90, 223 Doty, Robert, 56 Douglas, Aaron, 10, 12, 16, 41, 107, 205 Dowell, Jr. John E., 17, 115, 116, 118, 152, 155, 205–6, 219 Drawing for 24th and Ridge (Thrash), 43, 225 Dreamer, A (Clark), 22, 23, 204
Gross McCleaf Gallery, 183 Gruppe, Emile, 129 Gundersheimer, Hermann, 158, 160 Hall, Arthur, 20, 80, 81, 103, 104, 120, 121 Hals, Frans, 50, 65,
Floral Still Life (Jay), 142, 144, 212
Hampton University Museum, 59, 194
Ford Motor Company, 75 Form and Figure: Fourteen Philadelphia Printmakers, 1910–1950, 71
Harlem Renaissance, 137, 174, 201, 209 Harmon Foundation, 13, 209, 226
Frank, Robert, 92–93
Harmonica Blues (Thrash), 63, 225
Franklin Institute, 54
Harris, John T., 9, 16–17, 23, 37–38, 101–2, 134, 170, 209–10
Franklin, Jack T., 94, 96, 190,
Heldring, Frederick, 104
Franklin, Robert Warren, 120
Hendricks, Barkley L., 23, 50, 54, 58–59, 71, 123, 125, 183, 210
Freedom Theatre, 179 Freelon, Nnenna, 137
Heritage House, 171
Freelon, Phil, 126–139
Hicks, Leon, 118, 121
Freelon, Sr., Allan R., 10, 12, 16, 38–40, 126–139, 158, 169, 208–9, 215 Frontispiece for Mae V. Cowdery’s We Lift Our Voices and Other Poems (Freelon), 132
Higgins, Charles T., 120 Hill Family, 7, 24, 148, 205, Hill, Leslie Pinckney, 37 Hill, The (Camp), 202, 203
Driskell, David, 20, 27, 42, 52, 69, 85, 150, 154, 184
Full Spectrum: Prints from the Brandywine Workshop (Philadelphia Museum of Art), 155
Du Bois, W.E.B., 12, 24, 43, 132–33, 205, 209, 217
Fuller, Meta Vaux Warrick, 9–11, 23, 208–9
Dupree, James, 20, 189, 195, 206, 207
G-G-G--- (Camp), 202, 203
Howard, Humbert L., 100–102, 106, 121, 131, 163– 64, 166, 168–70, 183, 211
Howard University, 111, 163, 211
Brown, Curtis, 103
Clark, Claude C. F., 15–16, 22–23, 35, 40–42, 72, 107–8, 111, 163, 204–5, 223
Brown, Miriam, 167
Clark, Effie, 107–8, 111
Ealey, Adolphus, 189
Gadson, James, 76, 114
Howard, Sherry L., 7, 122, 201,
Clement-Hoff, Louise, 9, 23, 28–29, 120, 204–5
Early Movie Theater (Atkins), 198-199
Galerie Huit, 161, 215
Hughes, Edward Ellis, 155, 211
Cleveland Museum of Art, 75–76, 200
Edmonds, Walter, 24, 26, 78–79, 102, 179, 180, 181, 182, 206, 227
Gallery 72, 71
Hughes, Langston, 107, 219
Gammon, Reginald Adolphus, 208, 209,
Hungry Eye, The (Watson), 24, 186, 187, 227
Edmunds, Allan, 5–6, 17, 19, 28–32, 76, 114–125, 154, 165, 206
Garvey, Marcus, 121
Hunt, Richard, 125
Brown, Natalie Erin, 157 Brown, Samuel J., 9, 15, 39, 100–101, 116–19, 121–22, 134, 168, 170, 200, 209, Brueghel, Pieter, 93
Coal Breaker (Thrash), 224, 225 Colored Coach (Atkins), 198
WE SPEAK: Black Artists in Philadelphia, 1920s–1970s
229