AUSTRIAN ART AWARD

AUSTRIAN ART AWARD 2019

Martina Kudláček

Born in 1965, Martina Kudláček lives in Vienna, working on film, video, photography, and artistic research projects as well as archival projects. She received her MFA in Cinematography and Documentary Film Directing from the Film and TV Academy FAMU in Prague, Czech Republic. 1997–1998 Kudláček did a fellowship at the Academy of Media Arts, Cologne. 2017 she obtained a PhD from the Department for Theater, Film and Media Studies at the University of Vienna.

Kudláček serves as screenplay writer, director, and often producer and camera person on her award-winning films, widely screened at international festivals, cinematheques, museums and universities.

Her work focuses on biographies and the history of avant-garde film. Titles such as In the Mirror of Maya Deren (2001), Notes on Marie Menken (2005) and Fragments of Kubelka (2012) have become standard works integral to the teaching of film history. Between 2007 and 2012, Kudláček taught at FAMU in Prague and lectured internationally.

In 2004, she was distinguished with the “Film Preservation Award” by Anthology Film Archives in New York, having worked on several projects with its director, Jonas Mekas. Additionally, Kudláček took part in archival projects for the Austrian Film Museum in Vienna, the Národní filmový archiv in Prague, the Theater Research Collection Schloss Wahn in Cologne, the Helnwein Archive, the Len Lye Foundation of New Zealand, as well as private collections.

Her curatorial projects include important exhibitions at Fotogalerie Wien, as a founding member of the Collective, and since 2015 she has taken part in curatorial collaborations at the Jacobs Museum in Zürich, as well as curating the Maya Deren Exhibition in 2018 at documenta 14 in Kassel, Germany.

Kudláček is currently working on a film about Austrian avant-garde filmmaker Kurt Kren and heading a project in collaboration with Anthology Film Archives to restore the Haitian film footage of filmmaker Maya Deren.

Films (Selection)

2012 Fragments of Kubelka (DCP, 232 min)

2006 Notes on Marie Menken (35 mm + DCP, 97 min)

2001 In the Mirror of Maya Deren (35 mm, 103 min)

1997 The Last Heroes (16 mm, 30 min)

1996 Aimless Walk – Alexander Hammid (16 mm, 50 min)

1995 L’amour fou – Ludvík Šváb (16 mm, 50 min)

1994 Positivita (S-16 mm, 40 min)

MARTINA KUDLACEK

© Robert Newald

Prizes and Distinctions (Selection)

2019 Austrian Art Award – Film, Federal Chancellery of Austria

2017 Hubert Sielecki Award for Artistic Film, Austria

2008 Outstanding Artist Award for Film Art, Federal Chancellery of Austria

2004 Film Preservation Award, Anthology Film Archives, New York

2002 Dance Screen Award for Best Documentary, Monaco

2001 Vienna Film Award, Viennale

1996 Special Recognition Award Trilobit - by FITES, Prague

1995 Main Prize DokumentArt in Neubrandenburg, Germany Main Prize for Best Director FAMUfest, Prague

1994–95 VISIONS/European Documentary Film Workshop

1994 Special Recognition Award Trilobit – by FITES, Prague

1990 Carl Mayer Screenplay Award, Graz

Internationally acclaimed film director, screenwriter and film producer Martina Kudláček is singlehandedly enriching the world of cinema with her invaluable series of documentary films dedicated to some of the greatest artists of the 20th century, including avant-garde film pioneers Maya Deren and Peter Kubelka.

A wonderful aspect of her contribution includes unsung work behind the scenes. Kudláček’s painstaking research has rescued filmic gems on the brink of turning to dust, including information and moments of beauty that shed a nuanced light on her subject, art history and world culture.

She has recorded countless hours of interviews for posterity with renowned scholars, filmmakers and other individuals contemporary to her subjects – many no longer with us – creating a treasure trove of primary source material for future archives.

In a day and age of funding increasingly driven by ignorance and short-sighted profit, Kudláček’s aesthetically crafted and highly informative documentary portraits communicate an understanding that will speak to future generations for ages to come, here in Austria and the rest of the world.

JURY: EVE HELLER, SIEGFRIED A. FRUHAUF, MARA MATTUSCHKA

English translation by Eve Heller