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DAVID DIKE FINE ART TEXAS ART AUCTION An Annual Tradition in Texas Art Since 1996

Saturday, January 20, 2018 at 12:00 PM


An Annual Tradition in Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, January 20, 2018 at 12:00 PM Auction Preview Open Daily

Auction Date and Location

January 15-19, 10am-5pm Wildman Art Framing 1715 Market Center Boulevard • Dallas, Texas 75207

Saturday, January 20, 2018 Doors open at 10am; Bidding starts promptly at 12 Noon CST Wildman Art Framing 1715 Market Center Boulevard • Dallas, Texas 75207

Auction Preview Reception Thursday, January 18, 2018 from 5:30-8:30pm at Wildman Art Framing

DDFA AUCTION LOCATION

Bidding Options Bidding options available via LiveAuctioneers.com. Absentee and live phone bidding available. For the absentee/phone bid form and online internet bidding access, please visit: www.daviddike.com.

David Dike Fine Art

Wildman Art Framing

2613 Fairmount Street • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 • Email: info@daviddike.com • Website: www.daviddike.com Hours: Monday – Friday 10:00 AM – 5:00 PM • Saturday 11:00 AM – 4:00 PM Please Contact the Gallery for More Information. AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERS • LOUIS MURAD TXS 13362


TERMS AND CONDITIONS of AUCTION The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions. 1. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means The aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 17.5% of the hammer price (or 20.5% if bidding via LiveAuctioneers.com online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. Murad Auctions has been authorized by the consignor to retain, as part of our remuneration, the premium payable by the purchaser. 2. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and responsibility therefore (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately following the sale. If not so removed we may, as an accommodation to the purchaser, transfer the property to a public warehouse or other premises under our control or the control of DDFAA at the purchaser’s sole risk and expense. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as collateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the purchaser. Each purchaser consents to the filing of public notices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us and the consignor by law, including but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures it deems necessary. If Murad Auctions must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehousing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing. 3. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale. 4. The auction will be conducted by Louis Murad TXS 13362. We reserve the right to reject any bid

from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects. 5. If we are prevented by fire, theft or any reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages. 6. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. 7. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHORSHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROVENANCE, IMPORTANCE, EXHIBITION AND LITERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRESENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INC LU D I N G BU T N OT L I M I T E D TO , A N Y REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of Murad Auctions, the auctioneer, David Dike Fine Art, L.L.C., Dike Management, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored. THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID. 8. All deliveries will be shipped COD unless otherwise agreed to by purchaser and Murad Auctions. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so. 9. Unless prior arrangements have been made with Murad Auctions, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit with Murad Auctions by calling (214) 720-4044 no later

than noon on Saturday, January 20, 2018. There will be no exceptions. Bank card purchases will be honored at our option. 10. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas. 11. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable. 12. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be acceptable; all bids must state the highest bid price the bidder is willing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Successful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever. 13. As a convenience to our clients, we furnish pre-sale estimates for all lots included in the catalogue. These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed. 14. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER MURAD AUCTIONS, THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MANAGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. 15. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be reproduced without permission.


Original Prints & Portfolios


1 FOLIO: THE CONNALLY COLLECTION Folio of prints, Edition 1000 23 1/2 x 31 1/2 each in hard bound case

Folio includes reproduction prints on paper of paintings by: Robert Summers, Ray Swanson, James Boren, Robert Pummill, William Acheff, Melvin Warren, Harvey Johnson, Tim Cox, Gordon Snidow and Gerald Harvey; Ed. (617/1000) $1,000 - $2,000

2. GERALD HARVEY (Am. 1933-2017) Painting Catalogue, Clint Murchison, 1978 Book 11 x 8 1/2 original watercolor sketch inside cover and signed by G Harvey $200 - $400

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3. GERALD HARVEY (Am. 1933-2017) Painting Catalogue, Burt Reynolds, 1979 Book 11 x 8 1/2 original watercolor sketch inside cover and signed by G Harvey $200 - $400

4. EVERETT SPRUCE (Am. 1908-2002) A Portfolio of 8 Paintings (prints) I Blaffer Series of Southwestern Art, UT Press, 1958 portfolio of prints $400 - $800

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5. BARBARA LATHAM (Am. 1896-1976) Boy in Chair serigraph 13 x 9 signed lower left: Barbara Latham $800 - $1,200

6. MARGARET SCRUGGS (Am. 1892-1988) The Vanished Monarch etching 6 x 8 1/2 signed across bottom: The Vanished Monarch, Margaret Scruggs $300 - $500

Scruggs is a native of Dallas. She studied at SMU and later taught there through an extension of SMU. She was involved in the arts and lectured on the subject in Dallas. She was married to Raymond P. Carruth from 1912-1921.

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8 7. MARY LIGHTFOOT (Am. 1889-1970) First Church lithograph 12 3/4 x 10 1/4 signed across bottom: First Church, Mary Lightfoot $600 - $1,200

This print was exhibited in the 5th Annual Texas Prints Exhibition.

8. BARBARA MAPLES (Am. 1912 -1999) Sea Ghost serigraph 21 x 16 signed across bottom: Sea Ghost, Barbara Maples $600 - $1,200

9. BLANCHE McVEIGH (Am. 1895-1970) Granbury Square, Edition 50 aquatint 11 x 14 signed across bottom: Granbury Square, 50 prints, Blanch McVeigh $800 - $1,600

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10 10. BARBARA MAPLES (Am. 1912-1999) Plants Collaboration: Barbara Maples & Susan Brown embroidery 23 x 16 signed lower center: Brown $800 - $1,200

11. BARBARA MAPLES (Am. 1912-1999) Red Abstraction silkscreen 16 1/2 x 23 signed lower right: B Maples $750 - $1,500

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12. FLORENCE A. COLEMAN (Am. 1889-1980) Morning Caller lithograph 9 x 10 signed across bottom: Morning Caller, Florence Coleman $300 - $600

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14 13. ELIZABETH WALMSLEY (Am. 1900-1993) Taos Sketch serigraph 12 1/4 x 17 1/4 signed across bottom: Taos Sketch, Elizabeth Walmsley $400 - $800

14. FLORENCE McCLUNG (Am. 1894-1992) Casa Grande, Edition 25, c. 1940 serigraph 16 x 12 signed across bottom: Casa Grande, Ed. 25, Florence McClung $2,000 - $3,000

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15. GEORGE SCHREIBER (Am. 1904-1977) Mare and Colt lithograph 9 1/2 x 13 3/4 signed lower right: Schreiber $400 - $800

16. FLETCHER MARTIN (Am. 1904-1979) High, Wide and Handsome lithograph 13 1/4 x 9 1/2 signed lower right: Fletcher Martin $500 - $1,000

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17. LLOYD GOFF (Am. 1908-1982) New Mexican Girl, Edition 15 lithograph 12 x 8 signed across bottom: New Mexican Girl, 9/15, Lloyd Lozes Goff PROVENANCE: Estate of the Artist, to family by descent, current. $400 - $800

18. LLOYD GOFF (Am. 1908-1982) Beach Episode, Mexico, Edition 20 lithograph 11 x 14 1/2 signed across bottom: “Beach Episode, Mexico,” 4/20, Lloyd Lozes Goff PROVENANCE: Estate of the Artist, to family by descent, current. $500 - $1,000

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19. BEN CARLTON MEAD (Am. 1902-1986) Chapel of St. Agnes, Terlingua, TX woodcut 7 1/2 x 8 7/8 signed in plate lower right; Ben Carlton Mead signed across bottom: Chapel of St. Agnes, Terlingua, Texas $600 - $1,200

20. MARY LIGHTFOOT (Am. 1889-1970) Savannah, Edition 10 lithograph 13 x 10 signed across bottom: Savannah 1/10, Mary Lightfoot $600 - $1,200

21 21. JANET TURNER (Am. 1914-1988) Two Cats watercolor on paper 10 x 14 1/2 signed lower right: Janet Turner $1,500 - $2,000

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22. DeFORREST JUDD (Am. 1919-1993) White Horse, 1942, Edition 12 lithograph 9 7/8 x 12 7/8 signed across bottom: White Horse 1/12, DeForrest Judd ‘42 $800 - $1,200

23. THOMAS STELL, JR. (Am. 1898-1981) Self Portrait etching 16 x 12 signed within plate lower left: Tom Stell $800 - $1,200

24 24. GEORGE DEMONT OTIS (Am. 1879-1962) Tallest Building (San Antonio), 1930 lithograph 12 x 8 signed lower right: George Demont Otis $600 - $1,200

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25. MERRITT MAUZEY (Am. 1897-1973) Grove Meeting – Women, Edition 20 lithograph 11 x 9 1/2 signed across bottom: Grove Meeting – Women, Ed. 20, Merritt Mauzey $800 - $1,200

26. MERRITT MAUZEY (Am. 1897-1973) Rainbow’s End charcoal on paper 12 x 10 signed across bottom: “Rainbow’s End,” Merritt Mauzey $800 - $1,200

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27. MERRITT MAUZEY (Am. 1897-1973) November, Edition 22 lithograph 10 x 14 1/2 signed across bottom: November, Ed. 22, Merritt Mauzey $600 - $1,200

28. MERRITT MAUZEY (Am. 1893-1973) Sampling Cotton, Edition 10 lithograph 12 x 10 signed across bottom: Sampling Cotton, Ed 10, Merritt Mauzey $600 - $1,200

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29. MERRITT MAUZEY (Am. 1897-1973) Burning Stalks, Edition 12 lithograph 10 1/4 x 16 signed across bottom: Burning Stalk, Ed. 12, Merritt Mauzey $800 - $1,200

30. MERRITT MAUZEY (Am. 1897-1973) Resourceful, Edition 20 lithograph 9 1/2 x 12 1/2 signed across bottom: Resourceful, Ed. 20, Merritt Mauzey $600 - $1,200

31. MERRITT MAUZEY (Am. 1897-1973) Mallard, 1935 etching 4 7/8 x 3 15/16 signed across bottom: Mallard, Merritt Mauzey, 35 $600 - $1,200

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32b 32. DAVID ADICKES (Am. 1927-) PAIR OF LITHOGRAPHS: a.) Figures, Edition 100 lithograph 20 1/4 x 28 ed. 50/100 b.) Untitled, Edition 50 two prints on single sheet, double image lithograph 19 1/4 x 27 1/2, Ed. 49/50 $300 - $600

33. THOMAS HART BENTON (Am. 1889-1975) The Fence Mender lithograph 9 7/8 x 12 7/8 signed lower right: Benton $2,000 - $4,000

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34. BOARDMAN MICHAEL ROBINSON (Am. 1876-1952) Untitled lithograph 13 x 9 $400 - $800

35. E.M. “BUCK” SCHIWETZ (Am. 1898-1984) Laying Oil Pipeline in East Texas pen and ink on paper 15 x 13 signed lower right: E.M. Schiwetz $1,600 - $2,300

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35 36. OLIN H. TRAVIS (Am. 1888-1975) Portrait with Three Signatures and Three Stamps charcoal on paper 19 x 14 1/2 signed three times and stamped three times $600 - $1,200

36 37. ELIZABETH WALMSLEY (Am. 1900-1993) Forgotten Corner, 1943 lithograph 9 x 11 1/2 signed across bottom: Forgotten Corner, Elizabeth Walmsley, 1943 $400 - $800

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38 38. EDWARD EISENLOHR (Am. 1872-1961) Santa Fe & The Sandias, Edition 50 lithograph 8 x 10 signed across bottom: Santa Fe & The Sandias, 14/50, Edward G. Eisenlohr $1,000 - $2,000

39. EDWARD EISENLOHR (Am. 1872-1961) Hillside Adobes, Santa Fe, Edition 50 lithograph 8 1/4 x 10 signed across bottom: Hillside Adobes, Santa Fe, 27/50, Edward G. Eisenlohr $1,000 - $2,000

40. EDWARD EISENLOHR (Am. 1872-1961) Winter in the Brakes, Edition 35 lithograph 8 x 11 7/8 signed across bottom: Winter in the Brakes, Ed. 35, Edward G. Eisenlohr $400 - $800

41. EDWARD EISENLOHR (Am. 1872-1961) The Cathedral, Santa Fe, Edition 50 lithograph 8 x 10 signed across bottom: The Cathedral, Santa Fe, 35/50, Edward G. Eisenlohr $1,000 - $2,000

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42. BLANCHE McVEIGH (Am. 1895-1970) Prairie Lane, Edition 50 etching with aquatint 6 1/2 x 9 1/4 signed across bottom: 10/50, Prairie Lane, Blanche McVeigh $600 - $1,200

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44 43. CHARLES T. BOWLING (Am. 1891-1985) Low Land, Edition 20 lithograph 9 x 12 1/2 signed across bottom: Low Land, Ed. 20, Charles Bowling $1,000 - $2,000

44. CHARLES T. BOWLING (Am. 1891-1985) Rainy Day, 1943, Edition 25 lithograph 10 x 12 signed across bottom: Rainy Day, Ed. 25, Chas. T. Bowling $1,000 - $2,000

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This print was exhibited in the 3rd Annual Texas Print Exhibition.

45. CHARLES T. BOWLING (Am. 1891-1985) Storm Lit Hills, Edition 25 lithograph 9 1/4 x 13 signed across bottom: Storm Lit Hills, Ed. 25, Charles Bowling $1,000 - $2,000

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46. JANET TURNER (Am. 1914-1988) Iguanas, I, Edition 47, 1976 linoleum cut print 13 1/2 x 20 signed across bottom: Iguanas, I, 43/47, Janet Turner, NA, Imp. 76 $400 - $800

47. JANET TURNER (Am. 1914-1988) Bees in a Tulip Tree, Edition 85 (Ed. V) linoleum cut print 18 x 16 1/2 signed across bottom: Bees in a Tulip Tree, 19/85 (Ed. V), Janet Turner NA Imp $600 - $1,200

48 48. JANET TURNER (Am. 1914-1988) Roots & Ducks, Edition 185 (Ed. V) linoleum cut print 13 x 34 signed across bottom: Roots and Ducks, 161/185 (Ed. V), Janet Turner $600 - $1,200

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49 49. JERRY BYWATERS (Am. 1906-1989) Ranch Hand and Pony, Edition 35, 1938; First Edition lithograph 11 x 14 1/2 signed across bottom: Ranch Hand and Pony 1938, 24/35, Jerry Bywaters $1,500 - $3,000

50. JERRY BYWATERS (Am. 1906-1989) Where the Mountains Meet the Plains, 1940, Edition 25 lithograph 7 3/8 x 13 9/16 signed bottom right: 25/25, Jerry Bywaters, ‘40 $4,000 - $6,000

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51. JERRY BYWATERS (Am. 1906-1989) Maguey Plant, Edition 50 lithograph 14 x 10 signed across bottom: Maguey Plant, Ed. 50, JB $1,500 - $3,000

52. JERRY BYWATERS (Am. 1906-1989) Election Day in West Texas, Edition 50 lithograph 11 x 15 1/2 signed across bottom: Election Day in West Texas 23/50, Jerry Bywaters $3,000 - $6,000

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54 53. PETER HURD (Am. 1904-1984) The Sentinel, Santa Fe, Edition 500 lithograph 13 x 19 1/2 signed across bottom: The Sentinel, Santa Fe, 191/500, Peter Hurd, N.A. $500 - $1,000

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54. OTIS DOZIER (Am. 1904-1987) Texas Windmills, Edition 29 lithograph 14 x 12 1/2 signed across bottom: Texas Windmills, Ed. of 29, Otis Dozier $1,000 - $2,000 EXHIBITIONS: This print was exhibited in the first Lone Star Printmakers Exhibition in 1938.

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55. OTIS DOZIER (Am. 1904-1987) Cowboy & Steer, Edition 20, 1939 lithograph 9 1/2 x 12 1/2 signed across bottom: Cowboy & Steer, 13/20, Otis Dozier, ‘39 $1,000 - $2,000

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56. ETHEL SPEARS (Am. 1903-1974) Armadillo in the Moonlight aquatint 2 7/8 x 4 signed across bottom: Armadillo in the Moonlight, Ethel Spears $500 - $700

57. OTIS DOZIER (Am. 1904-1987) Wild Turkey, Artist Proof, 1987 serigraph 29 1/2 x 22 signed across bottom: A/P, Wild Turkey, Otis Dozier, ‘87 $3,000 - $6,000

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58. WILLIAM LESTER (Am. 1910-1991) March, 1932 lithographic crayon 8 1/4 x 13 1/4 signed across bottom: WM Lester, March 1932 $1,000 - $2,000

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59. FLORENCE McCLUNG (Am. 1894-1992) Sandstorm & Rain, Edition 10, 1941 lithograph 11 1/2 x 17 1/2 signed across bottom: Sandstorm & Rain, Ed. 1/10, 1941, Florence McClung $1,500 - $3,000 PROVENANCE: Estate of

Florence McClung to Private Collection, Dallas, TX, current. EXHIBITIONS: This very print from the artist’s collection, was accepted into numerous exhibitions and competitions, including the following, (original stickers are also on the back): Audubon Artists 4th Annual Exhibition at the National Academy of Design, 1945; the Argent Galleries of the National Association of Women Artists, Inc., New York NY. The San Francisco Art Association Exhibition of Drawings and Prints, San Francisco Museum of Art. It also won a purchase prize for one of the competitions entered. An image from this series is in the permanent collection of the Dallas Museum of Art.

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60. DOEL REED (Am. 1895-1985) Village of Llano aquatint 9 x 18 3/4 signed across bottom: Artist Proof, Doel Reed, N.A. $1,000 - $2,000

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61 61. SCOTT & STUART GENTLING (Am. 20th Cent.) Of Birds in Texas, Edition 500 folio 29 1/2 x 23 1/2 signatures on cover page in ink by: Scott Gentling, John Graves and Stuart Gentling $3,000 - $6,000

62. BERNHARDT WALL (Am. 1872-1956) Following General Sam Houston, 1793-1863 31 individual etchings 12 x 11 x 1 3/4, stacked with mattes – each signed $3,000 - $6,000

FOLIO: Edition of 66/500, 1986. Fort Worth, TX natives and twin brother duo of painters created this folio in 1986 depicting landscapes and birds

of Texas. The folio contains 137 sheets, 50 of which are images of the birds and landscapes. Commentary by the twins precedes each of the plates. The forward in the folio is by Harry Tennison, followed by a written introduction by Stuart Gentling and an essay titled A Collection of a Texas Bird Glimpser, by Texas author John Graves. Excellent condition.

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63. BERNHARDT WALL (Am. 1872-1956) Following Stephen F. Austin – Father of Texas, etched and published by Bernhardt Wall, 30 individual etchings 12 x 11 x 1 3/4, stacked with mattes – each signed $3,000 - $6,000

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Le Taureau au Rodeo, 1926 is reproduced in a full color, fold-out page, on page 80, plate number 6 of the book, Mary Bonner: Impressions of A Printmaker, by Mary Carolyn Hollers George. Mary Anita “Polly” Bonner was born in 1887 at the Bayou Bartholomew Plantation near Bastrop, Louisiana. The artist was skilled in several mediums: painting, watercolor, pastel, mural painting, sculpting, illustration, and best known, with international acclaim, as a print maker. She traveled and maintained studios in San Antonio and Paris, France. She studied and trained as an artist under Robert Onderdonk; at UT Austin; Stickney College in Pasadena, CA; Woodstock Art Colony. She exhibited at the Salon des Artistes Francias, in Paris from 1923-1931; at the Salon d’Automne, Paris; Simonson’s Gallery in Paris; the Museum of Fine Arts Houston; and the Southern States Art League to name a few. Her art can be found in the collections of the New York Public Library, McNay Art Museum, the British Museum, London; Modern Art Museum of Fort Worth; San Antonio Museum of Art to name a few.

64. MARY BONNER (Am. 1887-1935) Le Taureau au Rodeo, 1926 etching with aquatint 10 x 42 11/16 stamped and numbered lower left: 8/100; signed in pencil lower right: Mary Bonner ‘26 $12,000 - $15,000 TEXAS ART AUCTION

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Fine Paintings & Sculpture


65 65. ETHEL SPEARS (Am. 1903-1974) Untitled, Art Deco watercolor and gold leaf on paper 14 1/2 x 10 1/2 signed lower right: Ethel Spears $400 - $800

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66. OTIS DOZIER (Am. 1904-1987) Untitled, Abstraction pen and ink wash on paper 8 x 10 estate stamped, center margin: Otis Dozier $800 - $1,200

67. OTIS DOZIER (Am. 1904-1987) Grasshopper graphite 8 x 11 signed lower right: Dozier $600 - $1,200

68. OTIS DOZIER (Am. 1904-1987) Rodeo Scene watercolor on paper 8 x 10 1/2 signed lower right: Dozier $800 - $1,500

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69 69. JOHN HAMEL (Am. 20th Cent.) Longhorns gouache on paper 13 x 37 signed lower right: John Hamel $600 - $1,200

70. OTIS DOZIER (Am. 1904-1987) Owl, 1955 watercolor on paper 25 x 22 signed lower right: Otis Dozier 55 $1,500 - $3,000

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71. FRED DARGE (Am. 1900-1979) Untitled watercolor on paper 5 1/2 x 7 1/2 signed lower right: F Darge $600 - $1,200

72. LLOYD ALBRIGHT (Am. 1896-1950) New Mexico, 1929 (two-sided painting) oil on board 24 x 32 signed lower left: Lloyd Albright $2,500 - $5,000

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73 73. BARNEY DELABANO (Am. 1900-1979) Banana Trees, Baytown, TX 1956 oil on board 24 x 30 signed lower left: Delabano 56 $3,000 - $6,000

74. EDWARD EISENLOHR (Am. 1872-1961) The Culvert oil on canvas 10 x 13 signed lower right: E.G. Eisenlohr $3,000 - $6,000

75. DAWSON DAWSON-WATSON (Am. 1864-1939) Hill Country Trail oil on canvas 9 x 6 1/4 signed lower right: Dawson Watson $3,000 - $6,000

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76. CARL HOPPE (Am. 1897-1981) Black Eyed Susan’s oil on board 16 x 20 signed lower right: C Hoppe $2,000 - $3,000

77. ELOISE POLK McGILL (Am. 1868-1939) Fruit Vendor oil on board 12 x 9 signed lower right: EP McGill $1,000 - $2,000

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79 78. DAWSON DAWSON-WATSON (Am. 1864-1939) A Rainbow oil on canvasboard 11 x 18 signed lower right: Dawson-Watson $5,000 - $10,000

79. DONALD VOGEL (Am. 1917-2004) Night Rider of the Park, c. 1964 oil on canvas 12 x 9 $1,000 - $1,500

80 80. SEYMOUR THOMAS (Am. 1868-1956) South Texas Landscape oil on canvas 10 x 18 $2,000 - $4,000

This painting was exhibited at the Witte Museum and the Panhandle Plains Historical Museum for the Texas Impressionism Exhibition 2016

81 81. JOSEPHINE OLIVER TRAVIS (Am. 1908-1991) Untitled, 1923-1933 pastel on grit paper 4 x 8 1/2 signed lower right: J Oliver $1,000 - $2,000

82. JOHN WARREN HUNTER (Am. 1904-1993) Cattle Drive oil on canvas 36 x 48 signed lower right: Warren Hunter $10,000 - $15,000

82

83. THOMAS ALLEN (Am. 1849-1924) Pond in the Woods oil on board 13 x 20 signed lower right: Thomas Allen $2,500 - $5,000

83

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84 84. FRANZ STRAHALM (Am. 1879-1935) Texas Landscape oil on canvas 28 x 36 signed lower right: Franz Straholm $3,000 - $4,000

85. ALMA “BIRDIE” JONES (Am. 1865-1944) Camp Mabrey Looking West, Laguna Gloria Home oil on canvasboard 12 x 18 sticker on reverse $800 - $1,200

On reverse of this painting is a sticker from the Country Store Gallery in Austin, TX, hand written on the sticker is: “Laguna Gloria by Bird Jones.” Laguna Gloria in Austin was built by the late, Clara Driscoll. Ms. Driscoll was a beloved patron of Austin, she was also known as the “Savior of the Alamo.” In 1903 Driscoll was enlisted to join the Daughters of the Republic and was responsible for raising funds to purchase and save the property. Laguna Gloria is now part of, and on the property of the Texas Fine Arts Association. Furthermore, Birdie Jones is remembered as a painter and ceramic artist and one of the most successful art teachers in Austin.

85

86. LOUIS OSCAR GRIFFITH (Am. 1875-1956) Landscape oil on board 10 x 13 signed lower left: LO Griffith $3,000 - $6,000

87. VIVEANO LOPEZ (Am. 1906-1983) Hill Country oil on canvas 9 x 13 signed lower right: V Lopez $600 - $1,200

87

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86


88 88. LOUIS OSCAR GRIFFITH (Am. 1875-1956) Sunset with Fence oil on canvas mounted on board 10 x 14 signed lower right: LO Griffith $8,000 - $12,000

89. OLIN H. TRAVIS (Am. 1888-1975) Ozark Hills, c. 1930 oil on canvas 30 x 36 signed lower left: Olin Travis $8,000 - $12,000

90. OLIN H. TRAVIS (Am. 1888-1975) Sunrise on Huggins Farm oil on masonite 20 x 24 signed on reverse: Olin Travis, Sunrise on Huggins Farm $4,000 - $6,000

89

90 91. OLIN H. TRAVIS (Am. 1888-1975) River Scene, 1939 oil on board 12 x 16 signed lower right: Olin Travis $3,000 - $6,000

92. OLIN H. TRAVIS (Am. 1888-1975) Gate by the Brook, Near Cass, AR oil on masonite 18 x 24 signed lower left: Olin Herman Travis $8,000 - $12,000

91

92

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93 93. EDWARD EISENLOHR (Am. 1872-1961) Texas Landscape, 1896 oil on board 18 x 24 signed lower right: E.G. Eisenlohr, 1896 $8,000 - $12,000

94. EDWARD EISENLOHR (Am. 1872-1961) Autumn in the Brakes oil on board 10 x 14 signed lower right: E. G. Eisenlohr $600 - $1,200

94

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95 95. EDWARD EISENLOHR (Am. 1872-1961) Bridge over the Trinity River to Oak Cliff, c. 1920 graphite and watercolor on paper 7 x 9 signed lower right: E.G. Eisenlohr $2,000 - $4,000

96. EDWARD EISENLOHR (Am. 1872-1961) Twin Oaks watercolor on paper 9 x 13 signed lower left: E.G. Eisenlohr $2,200 - $4,200

This painting was exhibited at the Panhandle Plains Museum in 1990.

96

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97

97. CHARLES T. BOWLING (Am. 1891-1985) Little Mexico, Houses, c. 1930 oil on canvasboard 12 x 16 signed lower right: Chas. T. Bowling $25,000 - $35,000

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98 98. JOHN DOUGLAS (Am. 1905-1969) Palo Duro Canyon pastel on paper 6 x 8 signed lower right: John Douglas $4,000 - $8,000

John Douglas moved to Dallas from Oklahoma in 1914, he trained as an artist under whom some would call the “father of Texas art,” Frank Reaugh. During the 1920’s and 30’s he accompanied Reaugh and his students on his many sketching trips in the Texas panhandle, which is likely when this painting was executed. Douglas went on in later decades to paint in Santa Fe and then at the Art Students League of New York where he was a student of Thomas Hart Benton and Boardman Robinson. Upon his return to Dallas, he worked as a muralist and sculptor for the TX Centennial at Fair Park in 1936. In the 1940’s he opened a gallery and frame shop, where he supported local artists and made custom frames that are a legend in their own right today.

99

99. CHARLES T. BOWLING (Am. 1891-1985) Farm House oil on canvasboard 14 x 16 $6,000 - $8,000

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100 100. REVEAU BASSETT (Am. 1897-1981) Sunset, 1924 oil on board 11 x 14 signed lower right: Reveau Bassett 24 $8,000 - $12,000

101. HALE BOLTON (Am. 1885-1920) Texas Meadow pastel on paper 6 x 10 signed lower left: Hale Bolton $800 - $1,200

102. JESSIE DAVIS (Am. 1887-1969) Portrait of Frank Reaugh glazed terra cotta 10 x 5 x 4 $600 - $1,200

101

102

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103

103. FRANK REAUGH (Am. 1860-1945) Pasture pastel on paper 4 x 7 inscribed lower left: Mesquite $3,000 - $6,000

104. FRANK REAUGH (Am. 1860-1945) Herd on the Wichita pastel on paper 3 1/2 x 8 signed lower right: F Reaugh $4,000 - $8,000

104

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105 105. ROBERT WOOD (Am. 1889-1979) Bluebonnets in Pink oil on canvas 16 x 22 signed lower right: Robt Wood $12,000 - $18,000

106. ROBERT WOOD (Am. 1889-1979) Cactus in Bloom, San Antonio, TX, c. 1928 oil on panel 12 x 16 signed lower left: Robt Wood $7,000 - $10,000

106

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107 107. HUGO HERBECK (Am. 1923-2009) Bluebonnet Pasture in Comfort, TX oil on canvas 11 x 14 signed lower left: Hugo Herbeck $1,500 - $2,500

108. ALICE CHILTON (Am. 1891-1978) Cactus in Bloom oil on board 11 1/2 x 24 signed lower right: Alice Chilton $2,000 - $4,000

108

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109 109. PORFIRIO SALINAS (Am. 1910-1973) Bluebonnets oil on canvasboard 12 x 16 signed lower right: Porfirio Salinas $10,000 - $15,000

110. PORFIRIO SALINAS (Am. 1910-1973) Bluebonnets, 1965 oil on canvas 12 x 16 signed lower left: Porfirio Salinas, 1965 $4,000 - $8,000

110

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111 111. PORFIRIO SALINAS (Am. 1910-1973) Bluebonnets, c. 1940 oil on canvas 9 x 12 signed lower left: P Salinas $3,000 - $6,000

112. PORFIRIO SALINAS (Am. 1910-1973) Springtime oil on board 8 x 10 signed lower right: Salinas $4,000 - $8,000

112

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113 113. ELLA K. MEWHINNEY (Am. 1891-1962) Bluebonnets oil on board 6 x 9 signed lower left: Ella K Mewhinney $2,000 - $4,000

114. ELLA K. MEWHINNEY (Am. 1891-1962) Bluebonnets oil on canvas 11 x 15 signed lower right: Ella Mewhinney $2,500 - $5,000

115. GERALD HARVEY (Am. 1933-2017) Bluebonnets, 1969 oil on canvas 20 x 24 signed lower right: G Harvey 1969 $10,000 - $12,000

115

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114


116 116. GERALD HARVEY (Am. 1933-2017) Spring Ranch Gate, 1968 oil on canvas 20 x 24 signed lower right: G Harvey 1968 $7,500 - $9,000

117. PORFIRIO SALINAS (Am. 1910-1973) Autumn Landscape, 1966 oil on canvas 16 x 20 signed lower left: Porfirio Salinas ‘66 $9,000 - $12,000

117

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118 118. AUDLEY DEAN NICOLS (Am. 1885-1941) Landscape, 1926 oil on canvas 12 x 20 signed lower left: Audley Dean Nicols, Ariz, 1926 $8,000 - $12,000

119. AUDLEY DEAN NICOLS (Am. 1875-1941) El Paso Texas, 1920 oil on canvas 16 x 22 signed lower left: Audley Dean Nicols, 1920 $6,000 - $12,000

119

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120 120. AUDLEY DEAN NICOLS (Am. 1875-1941) West Texas Landscape oil on board 12 x 18 stamped lower left: Audley Dean Nicols $3,000 - $6,000

121. ELMER L. BOONE (Am. 1883-1952) West Texas Sunset oil on canvas 30 x 48 signed lower left: E.L. Boone $5,000 - $10,000

121

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122

123

122. PAUL SCHUMANN (Am. 1876-1946) Gulf of Mexico oil on board 10 x 12 $1,500 - $3,000

123. PAUL R. SCHUMANN (Am. 1876-1946) Sail Boat oil on canvasboard 9 x 12 signed lower right: Paul R. Schumann $2,500 - $5,000

124. POLLY HOFFMAN (Am. 1890-1949) Yellow Trees oil on canvasboard 12 x 16 signed lower right: Polly Hoffman $1,000 - $2,000

124

125. PORFIRIO SALINAS (Am. 1910-1973) Autumn Landscape, 1966 oil on canvas 16 x 20 signed lower left: Porfirio Salinas ‘66 $9,000 - $12,000

125

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126 126. REVEAU BASSETT (Am. 1897-1981) Ducks at Sunrise, c. 1925 oil on panel 9 x 12 signed lower right: Reveau Bassett $4,000 - $6,000

127. REVEAU BASSETT (Am. 1897-1981) Lingering Snow, 1929 oil on board 8 x 10 signed lower right: Reveau Bassett $1,200 - $2,200

128. REVEAU BASSETT (Am. 1879-1981) Old Farmhouse pastel on paper 8 x 11 signed lower right: Reveau Bassett $800 - $1,200

127

128

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129 129. KATHLEEN BLACKSHEAR (Am. 1897-1988) Woman with Cat oil on canvas 19 x 14 signed lower left: Blackshear $2,000 - $4,000

130. MAURINE CANTEY (Am. 1901-1982) Girl in Yellow Raincoat oil on board 14 x 10 signed lower left: Maurine Cantey $1,500 - $3,000

130

131. OLIN H. TRAVIS (Am. 1888-1975) Café Lady oil on canvas 14 x 12 signed lower left: Olin Travis $2,000 - $4,000

131

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132 132. FRANZ STRAHALM (Am. 1879-1935) Mexican Cotton Pickers in their Shack oil on canvas 18 x 24 signed lower right: Franz Strahalm $4,000 - $8,000

133. FRANZ STRAHALM (Am. 1879-1935) White Rock Lake, Dallas, TX oil on canvas 36 x 54 signed lower right: Franz Strahalm $10,000 - $20,000

133

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134 134. JULIAN ONDERDONK (Am. 1882-1922) The Brush Country in Winter oil on board 10 x 13 signed lower left: Julian Onderdonk $20,000 - $30,000

This painting has been reviewed by Harry Halff, author of the book: Julian Onderdonk: A Catalogue Raisonne; this painting has been recorded and will be included in the addendum to the catalogue.

135. JULIAN ONDERDONK (Am. 1882-1922) A Nice Morning, 1910 oil on board 8 x 11 signed lower left: Julian Onderdonk $40,000 - $60,000

This painting has been reviewed by Harry Halff, author of the book: Julian Onderdonk: A Catalogue Raisonne; this painting has been recorded and will be included in the addendum to the catalogue.

135

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136

This painting is included and pictured as cat. No 623 on page 185 of the Catalogue Raisonné, Julian Onderdonk A Catalogue Raisonné, by: Harry Halff © 2016 by the Museum of Fine Arts, Houston.

136. JULIAN ONDERDONK (Am. 1882-1922) Late Afternoon on the San Marcos River at Martindale, Texas, 1912 oil on canvas 30 x 40 signed lower right: Julian Onderdonk $150,000 - $300,000

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137

137. JULIAN ONDERDONK (Am. 1882-1922) Gray Day in the Hills, San Antonio, TX, 1910 oil on board 14 x 20 signed lower left: Julian Onderdonk $30,000 - $50,000

46

This painting has been reviewed by Harry Halff, author of the book: Julian Onderdonk: A Catalogue Raisonne; this painting has been recorded and will be included in the addendum to the catalogue.

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138 138. JULIAN ONDERDONK (Am. 1882-1922) An Old Hemlock, 1909 oil on panel 6 x 9 signed lower right: Julian Onderdonk $12,000 - $18,000

This painting has been reviewed by Harry Halff, author of the book: Julian Onderdonk: A Catalogue Raisonne; this painting has been recorded and will be included in the addendum to the catalogue.

139. JULIAN ONDERDONK (Am. 1882-1922) Landscape with Cabin, c. 1904-5 oil on artist’s board 6 x 9 signed lower left: Julian Onderdonk $12,000 - $15,000

139

This painting is included and pictured as cat. No 165 on page 106 of the Catalogue Raissone, Julian Onderdonk A Catalogue Raisonne, by: Harry Halff Š 2016 by the Museum of Fine Arts, Houston.

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140

140. OLIN H. TRAVIS (Am. 1888-1975) War Lords, 1936 oil on masonite 21 x 51 signed lower left: Olin Travis $60,000 - $80,000

Olin Travis created an untitled maquette (oil on board) in the year 1936, and entered the proposed artwork into a mural competition shortly thereafter. Travis’s proposal was rejected, but this gave rise for Travis to expand the ideas expressed in the composition. The updated version titled, War Lords was submitted for a proposed mural in Texas. Unfortunately, sponsorship was never found, and Travis was despondent over the unrealized mural commission. Another unique variation of War Lords is currently in an important collection of Texas Art. The ideas in these paintings were radical expressions of Social-Realism, an important art movement that used art as a life force and sought to change public opinion through a social critique of societal ills. Although this movement was promoted by the likes of important American artists Ben Shahn, William Gropper, and Louis Lozowick its popularity was prevalent in the Northeast and Midwest. Examples of this style of painting were rarely seen in Texas. War Lords is thus very rare and one of the earliest examples of Social-Realism in Texas Art. A Dallas native, Travis began painting at an early age, studying under Frank Reaugh and Vivien Aunspaugh. The artist moved to Chicago where he studied for five years and became an associate instructor at the Art Institute of Chicago. Travis then became an instructor at the Chicago Commercial Art School and was a commercial artist before returning to Dallas in 1924. Travis and his wife, Kathryne Hail Travis, moved back to Dallas and founded the Dallas Art Institute. Later they setup the Ozark Summer School in Cass, Arkansas. Travis continued to teach for over 30 years. His exhibitions spanned the country, including Dallas Museum of Art, Southern States Art League, Denver Art Museum, Roswell Museum and Art Center, Corcoran Gallery of Art and National Museum of American Art. In the accompanying exhibition catalogue published by the Georgia Museum of Art: Coming Home: America Paintings 1930-1950, from The Schoen Collection, Travis’s daughter narrates details on War Lords, these descriptions were in a letter written in 1988 by a prior owner of this

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piece. The letter explains the multi-layered iconography present in the painting, stating, “the far left and far right of the painting, in an altarpiece like space, stand the American worker and European worker… The militarism of the three saluting generals point to prostitution (blonde woman in the window), poverty (beggar with tin cups), and crime (fired gun rising out of smoke). At the center… looms the faceless ‘war god’, which the ‘war lords’ to the left and right hold a gun and a bomb… The politicians’ winged heads swam around the war god... the politicians wives play bridge, and a man in prison stripes looks out from behind his cell bars ‘ he stole to feed his family.’” War Lords is an important painting for Travis, in particular, utilizing stylized figures, animated motion and an intriguing layered iconography. It encapsulates practices of American Regionalism, with figurative imagery of a tumultuous war-torn time, and simultaneously captures a moment when the political flavor of the time influenced artists to paint compositions that had never been attempted before. Travis tightly renders each figure, in a style reminiscent of Thomas Hart Benton, yet whimsical clouds connect and move between the layered vignettes. Olin Travis was a teacher of many members in the Dallas Nine group of artists. A link that was expressed in a Texas Regional figurative style, displayed here in a rare and mature period from this oeuvre. War Lords fits into this a distinct time and place, unique in American Art, capturing a significant moment in Texas art. EXHIBITIONS:

Visions of Texas 1900 – 1950 at Art Museum of Southeast Texas, Beaumont, TX 1997. Coming Home: American Paintings from 1930-50, from the Jason Schoen Collection at: Mobile Museum of Art, Mobile, AL; Harn Museum of Art, Gainesville, FL; First Center for the Visual Arts, Nashville, TN; Lowe Art Museum, Univ. of Miami, Coral Gables, FL; Mississippi Museum of Art, Jackson, MS; Telfair Museum of Art, Savannah, GA; Georgia Museum of Art, Athens GA; Oct 2003 – Nov 2005. The Univ. of Georgia, Athens, GA.

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141 141. JAMES BUCHANAN “BUCK” WINN (Am. 1905-1979) West Texas Mural Study gouache on paper 16 x 31 $3,000 - $6,000

142. EVERETT SPRUCE (Am. 1908-2002) Rainy Day, c. 1940 oil on board 20 x 24 signed lower right: E.Spruce, signed on reverse: Everett Spruce, Rainy Day $50,000 - $60,000 PROVENANCE:

Exhibited at the Hudson D. Walker Gallery, New York, NY in 1940; Mortimer Levitt Gallery, New York, NY; Private Collection Austin, TX, current The Holand, Arkansas native, Everett Spruce came to Dallas after Olin Travis saw his drawings while in Arkansas. Travis awarded Spruce a scholarship to the Dallas Art Institute, where Spruce studied from 19261929. In 1931 he took a position at the Dallas Museum of Fine Arts as a gallery assistant. In 1932 Spruce exhibited at the Dallas Public Art Gallery at Fair Park. It was at this show, that the Art Digest, America’s leading art magazine at the time, dubbed Spruce and eight other artists the “Dallas Nine” as noted visionary artists of the time.

142

Spruce went on to teach art at the University of Texas, Austin from 1940-1974, where he was chair of the department from 1949-51. This painting was executed in his first year teaching in the department. This marked a time when the department was taking shape from the modern art influences of those who created the cutting edge department: Loren Mozely and Ward Lockwood. The painting went on to be exhibited at the Hudson D. Walker Gallery in New York and later at Mortimer Levitt Gallery in New York.

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143 143. BROR UTTER (Am. 1913-1993) Untitled, c. 1940 oil on canvasboard 30 x 22 signed lower right: Bror Utter (from the Reeder Estate) $15,000 - $25,000

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144 144. WILLIAM LESTER (Am. 1910-1991) Landscape oil on masonite 24 x 30 signed on reverse: WM Lester $4,000 - $8,000

145. WILLIAM LESTER (Am. 1910-1991) Landscape watercolor on paper 22 x 28 $3,000 - $6,000

145

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146 146. OTIS DOZIER (Am. 1904-1987) Sunflowers, 1978 oil on canvas 30 x 30 signed lower right: Otis Dozier 78 $8,000 - $12,000

147. OTIS DOZIER (Am. 1904-1987) Blue Owl, 1965 oil on masonite 30 x 24 signed and dated on reverse $4,000 - $6,000

147

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148

148. OTIS DOZIER (Am. 1904-1987) Sun Over Yucca & Rocks, 1957 oil on masonite 20 x 30 signed lower right: Otis Dozier,‘57 $10,000 - $15,000

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149 149. DeFORREST JUDD (Am.1919-1993) Yucca, 1963 oil on board 36 x 48 signed lower right: DeForrest Judd, ‘63 $10,000 - $15,000

150. DeFORREST JUDD (Am. 1916-1993) Abstract, 1962 oil on masonite 36 x 24 signed lower right: DeForrest Judd, ‘62 $6,000 - $9,000

150

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151 151. DICKSON REEDER (Am. 1912-1970) Harlequin oil on canvasboard 20 x 16 $3,000 - $5,000

152. BROR UTTER (Am. 1913-1993) Metamorphosis, 1952 gouache on paper 20 x 13 signed lower right: Bror Utter, ‘52 $2,000 - $4,000

153. CYNTHIA BRANTS (Am. 1924-2006) Baby on the Beach oil on canvas 18 x 16 signed lower left: CBrants $4,000 - $6,000

152

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153


154 154. CARL BENTON COMPTON (Am. 1905-1981) Gathering in Church Yard* oil on canvas 30 x 36 $8,000 - $12,000

*A letter of provenance from the previous owner will accompany this lot.

155. CARL BENTON COMPTON (Am. 1905-1981) Still Life* oil on canvas 29 x 22 $3,000 - $6,000

*A letter of provenance from the previous owner will accompany this lot.

156. CARL BENTON COMPTON (Am. 1905-1981) Blue Cow gouache on paper 18 x 20 signed lower right: Carl Benton Compton $8,000 - $12,000

155

156

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157 157. CARL BENTON COMPTON (Am. 1905-1981) Still Life oil on canvas 29 x 23 $3,000 - $6,000

158. CARL BENTON COMPTON (Am. 1905-1981) Still Life oil on canvas 24 x 18 signed lower right: Carl Benton Compton $4,000 - $8,000

158

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159 159. EDMUND KINZINGER (Am. 1888-1963) Music, Still Life Motif, 1932 oil on board 24 x 17 signed lower left: EDK 32 $5,000 - $10,000

160. EDMUND KINZINGER (Am. 1888-1963) Fisherman, 1932 oil on board 18 x 14 1/2 signed lower right: EDK 32 $4,000 - $8,000

161. ETHEL SPEARS (Am. 1903-1974) Still Life oil on board 30 x 24 signed lower right: Ethel Spears $2,000 - $4,000

160

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162 162. FOREST BESS (Am. 1911-1977) Untitled oil on board 16 x 16 signed lower right: FB $6,000 - $12,000

163. SEYMOUR FOGEL (Am. 1911-1984) Abstraction mixed media 16 x 21 signed lower right: Fogel $1,500 - $3,000

163

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164 164. SEYMOUR FOGEL (Am. 1911-1984) Abstract Figural Composition, c.1948 oil on canvas 50 x 34 $8,000 - $12,000

New York City native, Seymour Fogel went on to study at the National Academy of Design in New York and the Art Students League under Leon Kroll and George Brandt Bridgeman where he mastered realism and executing the human form. Diego Rivera took him on as an assistant to complete a mural at Rockefeller Center. In the 1930’s Fogel traversed the country by train rendering imagery from the Great Depression. These works have landed in collections such as the National Gallery in Washington, D.C. and the Ogden Collection in New Orleans, LA. The Works Progress Administration commissioned Fogel for several projects in New York, Washington D.C., Minnesota and Arizona. As a result, his figurative works from the 1930’s focused on social realism. In 1946 he was asked to join the art department at UT, Austin where he joined the ranks of forward thinking modernist painters. This first decade of modernist outpouring included 6 series: pastiche, mother and child, seraphic, limestone, flagellant and multi-style. This painting fits in the “pastiche” style, conveying styles of his greatest influences of this time both cubist Pablo Picasso and rectilinear, Piet Mondrian; however not a direct copy, Fogel draws on both to create his own style. This is his first foray into modernism, which Fogel mastered in this period and beyond. An image of this painting is reproduced on page 51 of the book: The Art of Seymour Fogel: An Atavistic Vision, by: Charles C. McCracken, Ed.D., Faith M McCracken and Jared A. Fogel, Time Again Publications, Hilton Head Island, SC © 2005. This painting was exhibited in Texas Modernist, Seymour Fogel: On the Wall and Beyond, The Abstract Impulse at the Grace Museum in 2015 and is reproduced in the catalogue for the show on page 30.

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165 165. CARDEN BAILEY (Am. 1911-1997) Castle oil on board 20 x 16 signed lower right: Carden Bailey $2,500 - $3,500

166. EVERETT SPRUCE (Am. 1908-2002) Entrance to the Mine oil on board 20 x 16 signed lower left: Spruce $5,000 - $10,000

166

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167 167. ZANNE HOCHBERG (Am. 1931-2001) Figure Abstraction oil on canvas 60 x 70 signed lower right: Hochberg 1972 $6,000 - $12,000

168. ZANNE HOCHBERG (Am. 1931-2001) Ode to Motherwell, 1995 oil on canvas 53 x 67 1/2 signed lower right: Z Hochberg, 1995 $15,000 - $20,000

169. ZANNE HOCHBERG (Am. 1931-2001) Portrait of Young Prince oil on canvas 14 x 14 $6,000 - $12,000 EXHIBITED: Zanne

Hochberg: The Art of Our Time, San Angelo Museum of Fine Art, 2011.

168

169

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170

171

170. BILL BOMAR (Am. 1919-1991) Cape Cod watercolor on paper 9 x 6 signed: BB $500 - $1,000

171. GEORGE GRAMMER (Am. 1928-) Sail Boat watercolor on paper 9 x 6 1/2 signed lower right: Grammer $500 - $1,000

172. MARTHA SIMPKINS (Am. 1869-1969) Still Life with Oriental Vase oil on canvas 24 x 30 signed bottom right: Martha Simpkins $1,500 - $3,000

173. LYDIA MORROW REEDER (Am. 1885-1975) Still Life of Flowers, 1945 watercolor on paper 10 x 8 signed lower right: LM Reeder $400 - $800

172

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173


174 174. NATALIE ERWIN (Am. 20th Cent.) Texas Longhorn, Dale River Ranch mixed media on birch wood panel 42 x 42 signed lower right: Natalie Erwin $10,000 - $15,000

175. EMILY GUTHRIE SMITH (Am. 1906-1986) Prairie pastel on paper 20 x 32 signed lower right: Emily Guthrie Smith $2,500 - $5,000

175

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176 176. OCTAVIO MEDELLIN (Am. 1907-1999) Inlaid Glass – Abstraction, 1960 inlaid glass 18 x 24 signed lower middle: Octavio Medellin 1960; PROVENANCE: From the artist to, Estate of Susan Brown (Dallas Artist), current $2,500 - $5,000

177. ZANNE HOCHBERG (Am. 1931-2001) Untitled plexi and paint 6 1/2 x 6 1/2 x 6 1/2 $1,000 - $2,000

177

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178 178. VERA BARNETT (Am. 20th Cent.) Trompe L’oeil oil on canvas 24 x 30 signed lower right: Vera A.S. Barnett, 99 $1,500 - $3,000

179. DAVID BROWNLOW (Am. 1915-2008) Layered Landscape oil on board 23 1/4 x 7 7/8 signed lower left: David Brownlow $1,000 - $2,000

180. WILLIAM ELLIOTT (Am. 1909-2001) Still Life, Onions & Jars watercolor on paper 15 x 22 signed lower left: William Elliott and lower right: Elliott $1,500 - $3,000

179

180

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181. CHARLES UMLAUF (Am. 1911-1994) Spirit of Learning, c. 1986 bronze 25 3/4 x 10 x 8 signed on sculptural base: C Umlauf, stamped on sculptural base: Fonderia del Chiaro $5,000 - $10,000

181

182. CHARLES UMLAUF (Am. 1911-1994) Pieta terra cotta 23 x 15 signed on sculptural base: Umlauf $5,000 - $10,000

183. CHARLES UMLAUF (Am. 1911-1994) Eagle bronze 27 x 29 x 14 signed on sculptural base: C Umlauf $5,000 - $10,000

183

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182


184. OCTAVIO MEDELLIN (Am. 1907-1999) Fluid Form, 1948 wood 31 x 15 x 14 PROVENANCE: From the artist to, Estate of Susan Brown (Dallas Artist), current $2,000 - $4,000

184

185. SUSAN BROWN (Am. 1914-2006) Figure marble 11 x 17 x 15 $1,500 - $3,000

185

186. CHARLES PEBWORTH (Am. 1926-) Untitled steel 12 1/2 x 25 x 19 signed on sculptural wooden base: C Pebworth $2,000 - $4,000

186

TEXAS ART AUCTION

69


187. DOUG CLARK (Am. 20th Cent.) Repose, Edition 9/75 bronze 3 3/4 x 6 x 3 signed on sculptural base: DB Clark, 9/75 $500 - $1,000

187

188. DOUG CLARK (Am. 20th Cent.) Leading the Way, Old Blue, Edition 5/50 bronze 7 x 10 x 4 signed on sculptural base: DB Clark. 5/50 $1,000 - $2,000

188

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189. OCTAVIO MEDELLIN (Am. 1907-1999) Red Horse molded plaster, painted 7 1/4 x 7 1/2 x 5 PROVENANCE: From the artist to, Estate of Susan Brown (Dallas Artist), current $600 - $1,200

189

190. HERI BARTSCHT (Am. 1919-1996) Editorial bronze 10 x 11 x 5 $400 - $800

191. McDONALD SMITH (Am. 1927-) Iris in Pitcher, 1951 oil on board 34 x 22 signed lower right: McDonald Smith. 1951 $3,000 - $4,000

190

This painting was exhibited in the Dallas Allied Arts Exhibition/Dallas Exhibition in 1951.

191

TEXAS ART AUCTION

71


192 192. PATTIE EAST (Am. 1894-1994) Pears, 1941 oil on board 11 x 14 signed lower right: East 41 $800 - $1,200

193

193. MAURICE HENRY BERNSON (Am. 1920-1998) Still Life, 1949 oil on canvas 24 x 22 signed lower right: Maurice Bernson, 49 $1,000 - $2,000

194. MINNIE JOHNSON (Am. 1874-1954) Still Life with Red Flowers, 1932 oil on canvas 30 x 24 signed lower right: Minnie W. Johnson, ‘32 $1,000 - $2,000

195. DAVID BROWNLOW (Am. 1915-2008) Flowers watercolor on paper 20 x 14 signed lower left: David Brownlow $600 - $1,200

194

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195


196 196. RALPH ROWNTREE (Am. 1889-1992) Still Lift with Tiffany Vase pastel on board 28 x 22 signed lower right: Rowntree $800 - $1,200

197

197. EMMA RICHARDSON CHERRY (Am. 1859-1954) Still Life oil on canvas 20 x 16 signed lower left: E. Richardson Cherry $2,000 - $4,000

198. ADELE BRUNET (Am. 1871-1963) Still Life with Melons oil on canvas 24 x 30 signed lower right: A Brunet $3,000 - $6,000

199. FLORENCE McCLUNG (Am. 1894-1992) Flowering Cactus oil on board 16 x 20 signed lower left: F. McClung $2,000 - $4,000

198

199

TEXAS ART AUCTION

73


200b

200a 200. DICKSON REEDER (Am. 1912-1970) Double Sided, a.) Abstract b.) 3 Kings watercolor on paper 12 x 18 signed lower left: Dickson Reeder $2,500 - $3,500

201. DAVID BROWNLOW (Am. 1915-2008) Abstract Landscape oil on board 34 1/2 x 58 signed lower left: David Brownlow $3,000 - $6,000

202. OLIVE PEMBERTON (Am. 1923-) Abstraction oil on canvasboard 20 x 14 signed upper left: O. Pemberton $800 - $1,200

202

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201


203 203. CECIL CASEBIER (Am. 1922-1996) Landscape with Tree, 1966 oil on canvas 36 x 48 signed lower right: CL Casebier 66 $1,500 - $3,000

204. JAMES ROBERT COONER (Am. 20th Cent.) Abstract (Orange, Brown Lines), 1962 oil on board 36 x 22 1/4 signed lower right: James Robert Cooner, 1962 $1,000 - $2,000

204

205. GEORGE PINCA (Am. 1918-1981) Big Top oil on panel 17 x 48 signed lower left: George Pinca $1,000 - $2,000

This painting was exhibited at the TFAA Annual Spring Jury Exhibition in 1957, San Antonio, Texas

205

TEXAS ART AUCTION

75


206 206. BILL KOMODORE (Am. 1932-2012) Orpheus Assembled, 1990 oil on canvas 78 x 96 signed upper left: Orpheus Assembled $3,000 - $6,000

207. DOROTHY HOOD (Am. 1919-2000) Untitled mixed media 19 x 15 $1,500 - $3,000

208. DICK WRAY (Am. 1933-2011) Untitled mixed media and oil on canvas 84 x 65 1/2 signed on reverse: Dick Wray $3,000 - $6,000

207

208

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209 209. FRED SAMUELSON (Am. 1925-) Abstract 1959 watercolor on paper 35 x 25 signed lower right: Fred Samuelson $1,000 - $2,000

210. DAVID BROWNLOW (Am. 1915-2008) Abstract, 1956 oil on panel 25 x 48 signed lower right: David Brownlow, 1956 $4,000 - $6,000

211. BILL KOMODORE (Am. 1932-2012) Yellow Lily, 1989 oil on canvas 78 x 82 signed lower left: BK $3,000 - $6,000

210

211

TEXAS ART AUCTION

77


212 212. KELLY FEARING (Am. 1918-2011) Gate & Power Line watercolor on paper 15 x 21 signed lower left: K Fearing $1,500 - $3,000

213. JOSEPHINE MAHAFFEY (Am. 1903-1982) Tandy Building, Downtown Fort Worth watercolor on paper 22 x 30 signed lower right: J Mahaffey $600 - $1,200

214. KELLY FEARING (Am. 1918-2011) Back House watercolor on paper 15 x 21 signed lower right: K Fearing $1,500 - $3,000

213

215. KELLY FEARING (Am. 1918-2011) Abstract Landscape gold and mixed media on paper 12 x 19 $600 - $1,200

214

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215


216

217 216. JOSEPHINE MAHAFFEY (Am.1903-1982) Owl watercolor on paper 13 x 7 3/4 signed lower right: JM $150 - $300

217. KELLY FEARING (Am. 1918-2011) The Secret of the Bird, Sept. 1975 aquatint 24 x 18 signed across bottom: The Secret of the Bird, Kelly Fearing, Sept. 1975 $400 - $800

219

218. KELLY FEARING (Am. 1918-2011) Fish Abstraction mixed media 9 x 6 signed lower left: Kelly Fearing 1976 $800 - $1,200

219. KELLY FEARING (Am. 1918-2011) Sleeping Philosopher, 1966 pastel and metal leaf 15 x 10 1/2 signed lower right: Kelly Fearing, 1966 $400 - $800

218

220. KELLY FEARING (Am. 1918-2011) Fish, 1974 mixed media 7 x 8 signed lower right: Kelly Fearing, 1974 $250 - $500

220

TEXAS ART AUCTION

79


221 221. JOSEPHINE MAHAFFEY (Am. 1903-1982) Picking Cotton oil on canvasboard 30 x 22 signed lower right: JM $1,000 - $2,000

222

222. JOSEPHINE MAHAFFEY (Am.1903-1982) Floral watercolor on paper 8 1/4 x 6 3/4 signed lower right: JM $150 - $300

223. JOSEPHINE MAHAFFEY (Am.1903-1982) Madonna and Child ink on paper 7 1/2 x 5 3/4 $150 - $300

224. JOSEPHINE MAHAFFEY (Am. 1903-1982) Duck Pond oil on canvas 24 x 30 signed lower right: JM $1,000 - $2,000

223

224

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225 225. JOSEPHINE MAHAFFEY (Am. 1903-1982) Watermelon oil on canvasboard 24 x 30 signed lower right: JM $1,000 - $2,000

226. JOSEPHINE MAHAFFEY (Am. 1903-1982) Watermelon watercolor on paper 22 x 30 signed lower right: Josephine Mahaffey $1,000 - $2,000

227. JOSEPHINE MAHAFFEY (Am. 1903-1982) Still Life oil on canvasboard 28 x 22 signed lower right: JM $1,000 - $2,000

226

228. JOSEPHINE MAHAFFEY (Am. 1903-1982) Train at Trinity Park oil on canvasboard 24 x 18 signed lower right: J.M. $1,000 - $2,000

227

228

TEXAS ART AUCTION

81


229

230

229. STEPHEN RASCOE (Am. 1924-2008) Still Life with White Hydrangeas oil on masonite 30 x 24 signed lower right: Stephen Rascoe $1,500 - $3,000

230. STEPHEN RASCOE (Am. 1924-2008) Still Life with Yellow Flowers oil on masonite 48 x 30 signed lower right: Stephen Rascoe $1,500 - $3,000

231. LOUISE LaBAUVE (Am. 20th Cent.) Departure II, 1971 oil on canvas 40 x 50 signed lower right: LaBauve, 71 $1,000 - $2,000

232. LOUISE LaBAUVE (Am. 20th Cent.) Animal Trio, 1969-1971 oil on canvas 41 x 39 1/4 signed lower right: LaBauve $600 - $1,200

Created while LaBauve attended graduate school at UT Austin and studied under William Lester.

231

232

This was one of LaBauve’s last three paintings created for Masters thesis while at UT Austin. She used “secondary pieces of canvas as a type of collage so that the presence of a 3rd dimension was formed.”

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234 233. MICHAEL FRARY (Am. 1918-2005) Time and Hours oil on masonite 20 x 16 signed lower right: Frary $2,500 - $3,000

233 234. BOYER GONZALES (Am. 1909-1987) Big Rock Pool, 1950 oil on masonite 25 x 30 signed on reverse: Boyer Gonzales $3,000 - $6,000

235. MICHAEL FRARY (Am. 1918-2005) Purple Prickly Pear on Nopal watercolor on paper 22 x 30 signed lower right: Frary $1,000 - $2,000

236. BLOU BEARD POWELL (Am. 20th Cent.) Lifes Evening Sun watercolor on paper 30 x 22 signed lower right: Blou Beard Powell $2,000 - $4,000

235

236

TEXAS ART AUCTION

83


237 237. JENNIE HADDAD (Am. 1906-1996) Abstract, Orange with Squares watercolor on paper 24 x 18 signed lower right: Jennie Haddad $1,000 - $2,000

238

Dallas artist, Haddad received formal art training under William Palmer in New York; then under Otis Dozier for 6 years in the late 1940’s while at SMU; she went on to study with Hans Hofmann from 1956-70. She studied at the Art Students League and in Woodstock, NY and in Paris, France. She exhibited across the country including at the National Columbia Painting Biennial in 1957; received the Houston Museum Award in 1957; exhibited at the Delgado Museum in 1959; the 65th Annual for Western Art in Denver, CO in 1961; and at the Denver Museum Invitational in 1969; and at the Dallas County Show at the Dallas Museum of Fine Arts in 1958.

239

238. JENNIE HADDAD (Am. 1906-1996) Abstract, Gray, Yellow, Red watercolor on paper 16 1/2 x 13 3/4 signed lower right: Jennie Haddad $800 - $1,200

239. JENNIE HADDAD (Am. 1906-1996) Abstract, Blue, Purple, Green watercolor on paper 9 x 12 signed lower right: Jennie Haddad $800 - $1,200

240

240. COBIE RUSSELL (Am. 20th Cent.) Midday, 1983 oil on canvas 32 x 38 signed lower right: Russell 1983 $1,000 - $2,000

Russell is a contemporary American Artist and has exhibited at the Contemporary Gallery, Dallas; Suzanne Brown, Scottsdale, AZ; and the Masur Museum in Monroe, LA.

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241 241. PAMELA NELSON (Am. 20th Cent.) Link, 1998 acrylic on paper 9 x 12 signed lower left: P Nelson, 1998 $400 - $800

242. AVERY KELLY (Am. 20th Cent.) Roadrunner on the Go oil on canvas 24 x 36 signed: Avery Kelly $600 - $1,200

Avery Kelly earned her MA and MFA in Studio Art from Univ. of TX at Tyler; her BFA in painting from TCU. She currently is a college art instructor and exhibits regularly across North TX and most recently at the Taos Art Museum, Taos, NM.

242

243. TERRY MacSPARRAN (Am. 1897-1973) Abstraction, Blue, Orange, Black acrylic on paper 23 x 29 $600 - $800

Terry MacSparran was born in San Antonio, TX; studied at Sophie Newcomb College, New Orleans, LA, and at the University of Texas. 1956 Frost Brothers, Purchase Prize, TX Water Colour Society. 1957 - 2nd Prize, Louisiana State Annual Exhibition. 1958 - Purchase Prize, Beaumont Art Museum Friends of Texas Fine Arts Association Award. Has lived in various parts of the US and traveled to Morocco, England and then returned to San Antonio.

243

244

244. TERRY MacSPARRAN (Am. 1897-1973) Dreamscape # 7 acrylic on paper 11 1/4 x 28 1/4 $600 - $800

TEXAS ART AUCTION

85


245 245. BETTY WINN (Am. 1916-2000) Sea & Sand, 1966 oil on masonite 12 x 40 signed lower right: Betty Winn $500 - $1,000

246. BETTY WINN (Am. 1916-2000) Autumn Riot, 1961 oil on panel 30 x 24 signed lower right: Betty Winn, inscribed on reverse: 1961, Autumn Riot $1,500 - $2,500

246

247. BETTY WINN (Am. 1916-2000) Oil Rig Landscape, 1858 oil on masonite 17 x 38 signed lower right: Betty Winn, 58 $1,500 - $3,000

248. BETTY WINN (Am. 1916-2000) Early Texas Autumn oil on masonite 13 3/4 x 17 3/4 signed lower right: Betty Winn $300 - $600

247

248

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249 249. PAUL MAXWELL (Am. 1925-) Untitled, Circle oil on canvas 35 1/2 diameter signed lower middle: P Maxwell, on the reverse: NBC-41 $800 - $1,200

250. PAUL MAXWELL (Am. 1925-) Untitled, Circle oil on canvas 35 1/2 diameter signed lower middle: P Maxwell; on the reverse: NBC-50 $800 - $1,200

251. LEOPOLDO GONZALEZ (Am. 1921-1998) City by the Sea oil on masonite 19 x 32 signed lower right: Leopoldo $2,000 - $3,000

250

252. LEOPOLDO GONZALEZ (Am. 1921-1998) Brindando oil on masonite 48 x 23 signed on reverse: Leopoldo Gonzalez, Jr, Brindando $3,000 - $4,000

252

251

TEXAS ART AUCTION

87


253 253. FRED DARGE (Am. 1900-1979) Headquarters, Sierra Blanco Mountains, West Texas oil on canvasboard 12 x 16 signed lower right: F Darge $1,500 - $3,000

254. FRED DARGE (Am. 1900-1978) El Torreon oil on canvasboard 9 x 12 signed lower right: F. Darge $2,000 - $3,000

255. FRED DARGE (Am. 1900-1978) Working the Garden oil on canvasboard 9 x 12 signed lower right: F. Darge $2,000 - $3,000

254

256. FRED DARGE (Am. 1900-1979) Sierra Blanca & Finlay Mountain, Malone & Old Mex. Mnt. West TX oil on canvasboard 12 x 16 signed lower right: F Darge $1,500 - $3,000

255

256

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257 257. MK (Am. 20th Cent.) Portrait, 1939 oil on canvas 13 x 16 signed lower center: MK $800 - $1,200

258. HAROLD D. BUGBEE (Am. 1900-1963) Grazing Horses, 1950 pen, ink and watercolor on paper 11 x 15 signed lower right: HD Bugbee $2,000 - $3,000

259. HAROLD D. BUGBEE (Am. 1900-1963) The Cibolero, Mexican Buffalo Hunter oil on canvas 16 x 20 signed lower right: HD Bugbee $4,000 - $6,000

258

259

TEXAS ART AUCTION

89


260 260. ELMER L. BOONE (Am. 1883-1952) New Mexico White Sands oil on canvasboard 18 x 24 signed lower left: E.L. Boone $1,200 - $2,000

261. LEWIS TEEL (Am. 1883-1960) El Lago de San Jose, 1932 oil on canvas 16 x 20 signed lower left: Lewis Teel $2,000 - $4,000

262. FREDERICK BECKER (Am. 1888-1974) View of Sierra Del Carmen (Big Bend) oil on canvasboard 9 x 12 signed lower right: FW Becker $800 - $1,200

261

263. ROBERT SUMMERS (Am. 1940-) Cattle Drive oil on canvas 24 x 36 signed lower right: Robert Summers $1,000 - $2,000

262

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263


264 264. RONALD CROOKS (Am. 1925-2006) The Up-Lift Society oil on canvas 30 x 40 signed lower left: R. Crooks; and on reverse: The Up-Lift Society $1,500 - $3,000

265. BERLA EMEREE (Am. 1899-1948) Near El Paso, Texas oil on panel 12 x 20 1/2 signed lower left: Berla Emeree $1,000 - $2,000

266. BEN HUNT (Am. 20th Cent.) Rider on Horseback, 1936 oil on canvas 14 x 13 signed lower right: Ben Hunt, 1936 $400 - $800

265

267. DON EDELMAN (Am. 1925-2011) Glory Hole Tavern, Central City, 1955 oil on canvas 30 x 37 1/2 $2,500 - $5,000

266

267

TEXAS ART AUCTION

91


268 268. PATTIE EAST (Am. 1894-1994) Siesta oil on board 16 x 12 signed lower left: East $500 - $1,000

269. JOHN ELLIOTT JENKINS (Am. 1868-1937) Creek Scene oil on masonite 24 x 31 signed lower right: John Elliott Jenkins $3,000 - $6,000

269

270. MORRIS WALTON LEADER (Am. 1876-1966) Golden Autumn Near San Antonio oil on canvas 24 x 30 signed lower right: M. Walton Leader $2,000 - $4,000

271. ROLLA S. TAYLOR (Am. 1871-1970) Summer Fields oil on canvas 21 x 21 signed lower left: Rolla Taylor $1,500 - $3,000

270

271

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272 272. HELEN KING KENDALL (Am. 1895-1965) New Mexico, 1930 oil on canvas 10 x 13 1/4 signed lower right: Helen Kendall, NM 1930 $1,500 - $3,000

This painting was exhibited at the show Neighbors: Texas Artists in New Mexico in 2003

273. ED BEARDEN (Am. 1919-1980) Farm House, 1952 pastel on paper 11 1/2 x 17 1/2 signed lower right: Ed Bearden 1952 $600 - $1,200

273 274. DWIGHT CLAY HOLMES (Am. 1900-1986) Bluebonnets oil on canvas 30 x 36 signed lower left: Dwight C Holmes $3,000 - $6,000

275. DWIGHT CLAY HOLMES (Am. 1900-1986) Lincoln Park, Brownsville, Texas, 1975 oil on canvas 20 x 24 signed lower left: Dwight C Holmes 75 $1,500 - $3,000

274

275

TEXAS ART AUCTION

93


276 276. KARL UMLAUF (Am. 1939-) Boxers oil on canvas 30 x 40 signed lower left: K Umlauf $3,000 - $6,000

277. BILL HAVERON (Am. 20th Cent.) Commercial Breaking Point, 1994 mixed media on paper 14 x 19 signed across bottom: May 23, 1994, Ft. Worth, Texas, Commercial Breaking Point, Bill Haveron $1,000 - $2,000

278. BILL REILY (Am. 1930-2014) Bird and Fish, 1952 casein on paper 18 x 23 signed lower left: B Reily $800 - $1,200

279. BILL REILY (Am. 1930-2014) Things Found in the Garden, 1957 mixed media on paper 17 x 23 signed lower left: B Reily, 57 $800 - $1,200

277

278

279

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280 280. KATHLEEN BLACKSHEAR (Am. 1897-1988) Woman in Green Dress oil on board 10 x 8 signed lower left: Blackshear $1,200 - $1,500

281

281. NIC NICOSIA (Am. 1951-) City Space #1, 1980 “c” print photo 25 x 36 $800 - $1,200

282. JUDITH MACKEY (Am. 20th Cent.) All is Well oil on board 11 x 14 signed lower right: Judith Mackey $800 - $1,200

282 283. CLEMENTINE HUNTER (Am. 1887-1987) Untitled - House oil on board 7 1/2 x 15 3/4 signed: CH $1,500 - $3,000

284. JUDITH SEAY (Am. 20th Cent.) Intangible Inspirations gold and silver on board 48 x 36 signed on reverse: Judith Seay $4,000 - $8,000

283

284

TEXAS ART AUCTION

95


285 285. DAN WINGREN (Am. 1923-1999) Trestle oil on canvas 30 x 20 signed lower right: Dan Wingren $800 - $1,200

286. JOSE VIVES-ATSARA (Am. 1919-2004) Calle de Pueblo, Cataluña Spain oil on canvas 24 x 30 signed lower right: Vives-Atsara $5,000 - $10,000

287. COREEN SPELLMAN (Am. 1905-1978) Portrait oil on canvasboard 24 x 18 $2,000 - $3,000

286

288. KELLY H. STEVENS (Am. 1896-1991) Portrait with Taos oil on canvas 24 x 30 signed lower left: Kelly H Stevens $2,000 - $4,000

287

288

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289 289. EMIL HERMANN (Am. 1871-1966) Texas Landscape, 1930 oil on canvas 26 x 36 signed lower right: Emil Herman, 1930 $2,000 - $4,000

290. DAVID ADICKES (Am. 1927-) Still Life oil on board 22 x 30 signed lower center: Adickes $1,000 - $2,000

291. HEDWYN SANDERS (Am. 1885-1971) Still Life oil on canvasboard 18 x 12 signed lower left: H Sanders $800 - $1,200

292. CLARA C. PANCOAST (Am. 1873-1959) Creek Scene oil on canvas 16 x 20 signed lower right: C Pancoast $1,500 - $3,000

290

291

292

TEXAS ART AUCTION

97


293 293. CHARLES HARVI ALTHEIDE (Am. 1874-1951) La Fortuna, La Vilita, San Antonio oil on canvas 14 x 20 signed lower right: C. Harvi Altheide $1,000 - $2,000

294. W.R. THRASHER (Am. 1908-1997) Bluebonnets Near Center Point, Texas oil on board 12 x 18 signed lower left: WR Thrasher $1,500 - $2,500

294

295. ROLLA TAYLOR (Am. 1871-1970) Bluebonnets oil on board 12 x 16 signed lower right: Rolla Taylor $3,200 - $5,200

295

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296 296. EDMUND KINZINGER (Am. 1888-1963) Portrait of Woman, 1938 pastel on paper 24 x 18 signed lower left: EDK 38 $1,000 - $2,000

297. EDMUND KINZINGER (Am. 1888-1963) Two Taxco Women pastel on paper 18 x 24 estate stamped lower left $1,500 - $3,000

298. JOHN GAITHA BROWNING (Am. 1912-1992) Old House oil on canvasboard 9 x 12 signed lower left: G Browning $800 - $1,200

297

299. FRANK KLEPPER (Am. 1850-1952) Landscape with House oil on canvas 24 x 28 signed lower left: Klepper $2,000 - $4,000

299 298

TEXAS ART AUCTION

99


300 300. WORTHIE BRILES (Am. 1894-1979) Country Cottage, '39 oil on canvas 18 x 24 signed lower left: W Briles, ‘39 $1,000 - $2,000

301. PATTIE EAST (Am. 1894-1994) San Jose Mission, San Antonio, Texas oil on canvasboard 9 x 12 signed lower left: EAST $500 - $1,000

302. NINA PEEPLES (Am. 1899-1979) Around Emory, Raines County, TX, c. 1930 oil on canvas 20 1/2 x 23 1/4 $1,500 - $3,000

303. PEARL SHOCKLEY (Am. 1881-1959) Foot Bridge & Red Bud Tree oil on canvas 22 x 26 signed lower left: Pearl Shockley $800 - $1,200

301

302

303

100

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304 304. W.R. THRASHER (Am. 1908-1989) Bluebonnets oil on canvas 13 x 21 signed lower left: WR Thrasher $2,000 - $4,000

305. DON WARREN (Am. 1935-2006) Texas Wild Flowers oil on canvas 24 x 36 signed lower left: Don Warren $3,000 - $4,000

305

306. JERRY MALZAHN (Am. 1946-) Mason, TX Bluebonnets oil on board 14 x 18 signed lower right: J Malzahn $1,500 - $3,000

307. JERRY MALZAHN (Am. 1946-) Buck in Bandera, Texas oil on board 24 x 30 signed lower right: J Malzahn $2,500 - $5,000

Malzahn has garnered numerous awards including the “Richard C. Pionk Award” from Salmagundi Club of New York. His works are in the collections of the Naval Academy Museum and has shown at Questroyal Fine Art in New York. Malzahn also painted a Christmas tree ornament for the Bush family while in the white house in 2008.

306

307

TEXAS ART AUCTION

101


308 308. JANET CAMPBELL (Am. 20th Cent.) Untitled watercolor on paper 10 x 14 signed lower right: Janet Campbell $500 - $1,000

309. THEODORE SAINT-AMANT CUNNINGHAM (Am. 1899-1976) Steam Boat oil on board 12 x 16 signed lower left: T. Cunningham $1,000 - $2,000

310. ROBERT JEROME HILL (Am. 1878-1942) White Rock Lake pastel on paper 7 x 10 1/4 signed lower left: R. Jerome Hill $600 - $1,200

309

311. GRACE CLARK (Am. 1885-1945) Untitled, c. 1930 oil on board 12 x 12 signed lower right: G. Clark $400 - $800

310 311

102

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312 312. FRANK KLEPPER (Am. 1890-1952) Lone Swimmer pastel on paper 7 x 10 signed lower right: Klepper $600 - $1,200

313. KATE BALL (Am. 1891-1973) Desert Sunset oil on board 16 x 24 signed lower right: Kate Ball $3,000 - $6,000

314. INEZ STAUB ELDER (Am. 1894-1991) Old Homestead in Fall oil on board 10 x 12 signed lower left: Inez Staub Elder $1,000 - $1,500

313

315. INEZ STAUB ELDER (Am. 1894-1991) Landscape oil on canvas 24 x 30 signed lower left: Elder $600 - $1,200

314

315

TEXAS ART AUCTION

103


316 316. HALE BOLTON (Am. 1879-1920) Pasture pastel on paper 4 x 7 signed lower left: Hale Bolton $400 - $800

317. GERALD G. ESTILL (Am. 1890-1984) Bluebonnets, c. 1920 oil on canvas 11 x 14 signed lower right: G Gordon Estill $2,000 - $3,000

317

318. SALLIE GEORGE FULLILOVE DOKE (Am. 1872-1953) Untitled pastel on paper 16 x 12 $500 - $1,000

319. HORACE O. ROBERTSON (Am. 1887-1970) Dogtooth Bend, 1930 lithograph 12 x 8 signed lower left: HO Robertson $1,000 - $2,000

318

104

D AV I D D I K E F I N E A RT

319


320

321 320. LLOYD GOFF (Am. 1908-1982) Viaduct Construction, 1928 oil on canvas 14 x 11 signed lower left: Lloyd Goff $800 - $1,600

Five viaducts that spanned the Trinity River were constructed in Dallas during 1928-1931.

322

321. LLOYD GOFF (Am. 1908-1982) M.J. Loretta, 1961 oil on canvas 13 x 25 signed lower left: Lloyd Lozes Goff PROVENANCE: Estate of the Artist; To family by descent, current. $1,000 - $2,000

322. LLOYD GOFF (Am. 1908-1982) New Mexico acrylic on paper 14 1/2 x 21 1/2 signed lower left: Lloyd L. Goff $1,000 - $2,000

323

323. LLOYD GOFF (Am. 1908-1982) Beach Scene oil on masonite 13 x 30 signed lower right: Lloyd Lozes Goff PROVENANCE: Estate of the Artist; To family by descent, current. $1,500 - $3,000

324

324. LLOYD GOFF (Am. 1908-1982) Mesa Moonrise oil on canvas 18 x 30 signed lower left: Lloyd Lozes Goff PROVENANCE: Estate of the Artist; To family by descent, current. $1,500 - $3,000

TEXAS ART AUCTION

105


325 325. EROL JACOBSON (Am. 20th Cent.) America oil on canvasboard 18 x 14 signed lower left: EJ $800 - $1,200

326. TONY EUBANKS (Am. 1939-) London, Parliament House oil on canvas 20 x 30 signed lower right: Eubanks $4,000 - $6,000

327. PAM BOWMAN (Am. 20th Cent.) Blue Cubes oil on canvas 24 x 24 $600 - $1,200

326

328. PAM BOWMAN (Am. 20th Cent.) Compartmentalizing oil on canvas 36 x 48 $1,000 - $2,000

329. LLOYD GOFF (Am. 1908-1982) Night Time Scene watercolor on paper 18 x 27 signed lower left: Lloyd Goff PROVENANCE: Estate of the Artist; To family by descent, current. $800 - $1,200

327

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D AV I D D I K E F I N E A RT

328

329


330

331 330. EDITH BRISAC (Am. 1894-1974) Untitled watercolor on paper 14 x 19 1/2 signed lower right: Edith M Brisac $2,000 - $4,000

This piece was exhibited at the Annual Exhibition of West Texas, Fort Worth, 1940

331. JOHN GUERIN (Am. 1920-2006) The Cove oil on canvas 18 x 24 signed lower right: Guerin $1,000 - $2,000

332

332. PAUL SCHUMANN (Am. 1876-1946) Boats at Harbor oil on canvasboard 12 x 16 signed lower right: Paul Schumann $4,000 - $6,000

333. WENDELL GUNTER (Am. 20th Cent.) Monday Wash watercolor on paper 16 x 20 signed lower left: Gunter $800 - $1,200

334. CHARLES T. BOWLING (Am. 1891-1985) Galveston, 1967 oil on canvas 18 x 24 signed lower right: Chas. T. Bowling 1967 $2,000 - $4,000

333

334

TEXAS ART AUCTION

107


335

336

335. JON FLAMING (Am. 20th Cent.) Abandoned Town, West Texas, 2009 oil on canvas 16 x 20 signed lower right: Jon Flaming $1,000 - $2,000

336. JON FLAMING (Am. 20th Cent.) Back Road, New Mexico oil on canvas 20 x 24 signed upper right: Jon Flaming $1,500 - $3,000

337. NELL BELL MOSELEY (Am. 1873-1952) Untitled, Ranch House oil on canvasboard 9 x 12 $400 - $800

337

338. GILBERT NEWMANN (Am. 1906-1970) Rocky Landscape, Big Bend, Texas oil on canvas 12 x 16 signed lower left: G Newmann $1,000 - $3,500

338

339. ROBERT IKER (Am. 1871-1963) Longhorns Round Up oil on canvas 24 x 36 signed lower right: Roger Iker $2,000 - $4,000

339

108

D AV I D D I K E F I N E A RT


340

341 340. FRANK GERVASI (Am. 1895-1986) October oil on canvasboard 12 x 16 signed lower right: F Gervasi $600 - $1,200

341. FRANK GERVASI (Am. 1895-1986) Chisos Mountains oil on canvas 16 x 25 signed lower left: F Gervasi $1,300 - $1,800

342. WARREN E. ROLLINS (Am. 1861-1962) Untitled conte crayon on paper 9 x 13 signed lower right: WE Rollins $400 - $800

342

343. ANASTASIA SALT (Am. 1891-1982) Wash Day oil on board 12 x 14 signed lower left: Anastasia Salt $1,500 - $3,000

This painting was exhibited at the Panhandle Plains Museum

344. HAROLD MAPLES (Am. 20th Cent.) Cap Rock watercolor on paper 16 x 21 signed lower right: Harold Maples $400 - $800

343

344

TEXAS ART AUCTION

109


345 345. ROBERT HARRISON (Am. 1949-) Bluebonnets oil on canvas 9 x 12 signed lower left: Robert Harrison $800 - $1,000

346 346. ROBERT HARRISON (Am. 1949-) Coreopsis oil on canvas 11 x 14 signed lower right: Robert Harrison $1,000 - $1,400

347. ROBERT HARRISON (Am. 1949-) Bluebonnets and Mission San Jose oil on canvas 8 x 10 signed lower left: Robert Harrison $650 - $800

348. MARY JANE McLEAN BULLOCK (Am. 1898-1978) Trees in Taos oil on canvas 12 x 16 signed lower right: Mary J McLean Bullock $500 - $1,000

347

349. MINNIE JOHNSON (Am. 1874-1954) Bluebonnets oil on canvas 10 x 14 signed lower right: Minnie Johnson $1,600 - $3,000

348

349

110

D AV I D D I K E F I N E A RT


350 350. JOHN ELLIOTT JENKINS (Am. 1868-1937) Colorado Scene oil on board 12 x 16 signed lower left: Jenkins $1,500 - $3,000

351. WILLIAM ELLIOTT (Am. 1909-2001) Barn watercolor on paper 15 x 22 signed lower right: William Elliott, 1975 $1,500 - $3,000

352. SUSAN BROWN (Am. 20th Cent.) Squares & Ovals hand sewn fabric collage 24 x 24 $600 - $1,200

351

353. JOY CARRINGTON (Am. 1907-1999) Yellow Flowers in Blue Vase oil on canvasboard 20 x 16 from Carrington’s estate $400 - $800

352

353

354. DONALD DEARDORFF (Am. 1925-2010) Untitled watercolor on paper 14 x 22 signed lower right: Deardorff $1,200 - $3,500

354

TEXAS ART AUCTION

111


355 355. JOHN WILLARD BANKS (Am. 1912-1988) Pickin’ Cotton mixed media 14 x 22 signed lower right: JW Banks $800 - $1,600

356. JOHN WILLARD BANKS (Am. 1912-1988) Cowboys mixed media 14 x 22 signed lower right: JW Banks $600 - $1,200

356

357

357. JOHN ASHLEY BELLAMY (Am. 20th Cent.) Babbling Buddha oil and gold leaf on canvas 39 x 31 signed lower middle: Bellamy $3,000 - $5,000

Dallas artist, John Ashley Bellamy received his B.A. in Fine Arts from Notre Dame and later his M.F.A. from Carnegie Mellon Institute in 1967. He then studied in an art program in Europe for 5 years. He received scholarships from the Louis Comfort Tiffany Fellowship, the Kante Neal Kinley Scholarship and the Greenshields Fellowship from Canada. While abroad he exhibited in one-man exhibitions in Rome, Paris and Berlin. He returned to Dallas in 1972. In 1974 he started serving as the Chairman of the Board to Peoples, Ideas and Elements, a visual arts program in Dallas. Bellamy acquired the Methodist Episcopal church in East Dallas in the 1970’s and turned it into his studio space he called, “Moon Mansion” which was also used to host storied elaborate performance art parties for a period of time.

358

358. FRANK TOLBERT (Am. 20th Cent.) Untitled - Skull, 1981 oil on canvas 14 x 11 signed lower right: X 81 $500 - $1,000

359. CHARLOTTE COSGROVE (Am. 1939-) Blind Ignorants, 2012 mixed media 10 1/2 x 10 1/2 $1,000 - $2,000

112

D AV I D D I K E F I N E A RT

359


360

361 360. ROBERT O. PREUSSER (Am. 1919-1992) Organic Shapes Line Drawing ink and colored pencil on paper 11 x 8 1/2 signed lower right: Preusser $1,500 - $3,000

361. ROBERT O. PREUSSER (Am. 1919-1992) Geometric Line Drawing ink on paper 11 x 8 1/2 signed lower right: Preusser $1,000 - $2,000

362. ANNIE MOORE (Am. 20th Cent.) Saturday Up Front ink on paper 24 x 36 signed lower right: AR Moore $1,000 - $2,000

362

363. ANNIE MOORE (Am. 20th Cent.) Women (Bowl of Roses) charcoal on paper 24 x 30 signed lower middle: ARM $1,000 - $2,000

363 364. WILLIE MOORE (Am. 1935-) Trees in Black (Night Shadows) charcoal on paper 24 x 18 1/2 signed lower right: Moe $1,500 - $3,000

364

365

365. FRANZ STRAHALM (Am. 1879-1935) California watercolor on paper 3 1/2 x 5 1/8 signed lower left: F Strahalm – California $800 - $1,200

TEXAS ART AUCTION

113


366

367

366. RUTH MAE McCRANE (Am. 1929-2002) The Bull Rider oil on board 24 x 18 signed lower right: Ruth Mae McCrane $600 - $1,200

367. NANNIE ZENOBIA CARVER HUDDLE (Am. 1860-1951) Magnolia Blossom oil on canvas 19 x 25 signed lower right: N.H. $1,500 - $3,000

368. HARRY WORTHMAN (Am. 1908-1989) Ballerina, 1968 oil on masonite 24 x 12 signed lower left: HW 68 $600 - $1,200

368 369

369. MAMI DeSHILLE (Am. 1920-) Cows oil on board 14 x 20 signed lower center: Mami DeShille $800 - $1,200

370. PAT STEEL (Am. 1920-2014) Chilies & Persimmons oil on canvas 11 x 11 signed upper left: Steel $400 - $800

371. CHAPMAN KELLEY (Am. 1932-) Floral oil on canvas 72 x 48 signed left center: Chapman Kelley $1,500 - $3,000

370

114

D AV I D D I K E F I N E A RT

371


372

373 372. MARY ELEANOR WITHERSPOON (Am. 1904-1999) Portrait of a Girl, 1933 watercolor on paper 14 x 12 signed lower left: Eleanor Witherspoon ‘33 $400 - $800

373. COREEN SPELLMAN (Am. 1905-1978) Rail Road Through the Mountains watercolor on paper 19 3/4 x 24 Estate stamped lower right $1,000 - $2,000

374

375

374. COREEN SPELLMAN (Am. 1905-1978) Rooftops watercolor on paper 19 1/4 x 24 Estate stamped lower left $1,000 - $2,000

375. IGNATZ SAHULA-DYCKE (Am. 1900-1982) Harriet, 1956 watercolor on paper 18 x 22 signed lower right: Sahula/Dycke/1956 $500 - $1,000

376

377

376. RUTH DUNKEN HARRISON (Am. 1909-1996) Nude on Flowered Cloth, 1941 (pair of paintings) watercolor on paper 20 x 14 (each) both signed lower left: Ruth Dunken Harrison, 41 $400 - $800

377. EMILY GUTHRIE SMITH (Am. 1909-1986) Resting Nude, 1950 pastel on paper 18 x 30 PROVENANCE: From the collection of Jane McCullough, student of E.G. Smith. $1,500 - $3,000

TEXAS ART AUCTION

115


378 378. DUKE HORN (Am. 20th Cent.) Live at Fair Park oil on canvas 36 x 48 signed on reverse: Duke Horn $2,000 - $4,000

379

379. DUKE HORN (Am. 20th Cent.) Latent Love oil on canvas 36 x 30 signed lower right: D Horn $1,500 - $3,000

380. SARA GILBERT (Am. 20th Cent.) Bluebonnets acrylic on canvas 36 x 24 signed lower right: SWG $600 - $1,200

380

381. DON EDELMAN (Am. 1925-2011) Eve Trilogy (Fiesta), 2008 oil on board 48 x 27 $2,000 - $4,000

382. DON EDELMAN (Am. 1925-2011) Eve Trilogy (The Gambler), 2008 oil on board 48 x 27 signed upper right: Don Edelman $2,000 - $4,000

381

383. DON EDELMAN (Am. 1925-2011) Eve Trilogy (What Part of No), 2006 oil on board 48 x 27 signed upper right: Don Edelman $2,000 - $4,000

384. DON EDELMAN (Am. 1925-2011) Self Portrait, Confrontation with the Eye Chart oil on canvas 30 x 24 signed lower right: Don Edelman $1,000 - $2,000

116

384

D AV I D D I K E F I N E A RT

382

383


385 386

385. LISA ALDERSON (Am. 20th Cent.) Horned Frog pastel on paper 12 x 9 signed lower right: L. C. Alderson ‘16 $600 - $1,200

386. LISA ALDERSON (Am. 20th Cent.) Texas Wild Flowers pastel on paper 12 x 12 signed lower left: L. C. Alderson $600 - $1,200

387. WALT CUDE (Am. 20th Cent.) Texas Idyll watercolor on paper 7 x 10 signed lower right: W Cude $400 - $600

388

387

388. WALT CUDE (Am. 20th Cent.) Pheasant in the Snow watercolor on paper 12 x 16 signed lower right: W Cude $1,200 - $1,500

389

390

389. ALTIE SLIMP (Am. 1896-1966) Pitcher, Plum Pear oil on canvas 8 x 10 signed lower left: Altie Slimp $800 - $1,200

390. JOAN POTTER (Am. 1935-) A Stem of Orchids oil on canvas 10 x 14 signed lower left: J Potter $800 - $1,200

391 391. MELINDA WARING (Am. 20th Cent.) Still Life, Flowers & Oranges oil on canvas 20 x 24 signed lower right: M Waring $1,000 - $2,000

TEXAS ART AUCTION

117


392 392. LEE GADDIS GEESLIN (Am. 1920-) Untitled, 1949 oil on canvas 24 x 32 signed lower right: Lee Gaddis Geeslin $1,500 - $3,000

393. ROBERT HAMMAN (Am. 20th Cent.) Portrait of a Woman Amongst Flowers oil on canvas 24 x 20 signed lower right: Hamm $1,000 - $2,000

393

394. DAN McCAW (Am. 1942-) Warming Up oil on masonite 12 x 9 signed lower right: Dan McCaw $1,000 - $2,000

394

395. MARY BERRY (Am. 20th Cent.) Golda's Grist Mill watercolor on paper 14 1/2 x 21 1/2 signed lower right: Mary Berry $800 - $1,200

396. MARY BERRY (Am. 20th Cent.) Fruit Salad watercolor on paper 15 x 22 signed lower right: Mary Berry $500 - $1,000

395

396

397. OLAF OLSON (Am. 20th Cent.) Untitled watercolor on paper 10 x 14 signed lower right: Olaf Olson $800 - $1,200

397

118

D AV I D D I K E F I N E A RT


399

398 398. OLAF WIEGHORST (Am. 1899-1988) Indian pastel on paper 7 x 5 1/2 signed lower left: OW $300 - $600

399. CHARLES SCHREYVOGEL (Am. 1861-1912) Portrait of an Indian charcoal on paper 18 1/2 x 9 3/4 $400 - $800

400

400. FRED HARMAN (Am. 1902-1982) Navajo Sketch oil on canvas 11 x 14 signed lower right: Navajo Sketch, Fred Harman $500 - $1,000

401. FRED MASON (Am. 20th Cent.) River Crossing oil on board 24 x 18 signed lower left: Fred Mason $500 - $1,200

401

402. ROY LEE WARD (Am. 1941-2015) Rider in the Snow oil on board 18 x 24 signed lower right: Roy Lee Ward, 85 © $1,500 - $3,000

402

TEXAS ART AUCTION

119


INDEX of ARTISTS ADICKES, DAVID ALBRIGHT, LLOYD ALDERSON, LISA ALLEN, THOMAS ALTHEIDE, CHARLES HARVI BAILEY, CARDEN BALL, KATE BANKS, JOHN WILLARD BARNETT, VERA BARTSCHT, HERI BASSETT, REVEAU BEARDEN, ED BECKER, FREDERICK BELLAMY, JOHN ASHLEY BENTON, THOMAS HART BERNSON, MAURICE HENRY BERRY, MARY BESS, FOREST BLACKSHEAR, KATHLEEN BOLTON, HALE BOMAR, BILL BONNER, MARY BOONE, ELMER L. BOWLING, CHARLES T. BOWMAN, PAM BRANTS, CYNTHIA BRILES, WORTHIE BRISAC, EDITH BROWN, SUSAN BROWNING, JOHN GAITHA BROWNLOW, DAVID BRUNET, ADELE BUGBEE, HAROLD D. BULLOCK, MARY JANE McLEAN BYWATERS, JERRY CAMPBELL, JANET CANTEY, MAURINE CARRINGTON, JOY CASEBIER, CECIL CHERRY, EMMA RICHARDSON CHILTON, ALICE CLARK, DOUG CLARK, GRACE COLEMAN, FLORENCE A. COMPTON, CARL BENTON CONNALLY COLLECTION COONER, JAMES ROBERT COSGROVE, CHARLOTTE CROOKS, RONALD CUDE, WALT CUNNINGHAM, THEODORE SAINT-AMANT DARGE, FRED DAVIS, JESSIE DAWSON-WATSON, DAWSON DEARDORFF, DONALD DELABANO, BARNEY DeSHILLE, MAMI DOKE, SALLIE G. FULLILOVE DOUGLAS, JOHN DOZIER, OTIS EAST, PATTIE EDELMAN, DON EISENLOHR, EDWARD G. ELDER, INEZ STAUB ELLIOTT, WILLIAM EMEREE, BERLA ERWIN, NATALIE ESTILL, GERALD G. EUBANKS, TONY FEARING, KELLY FLAMING, JON FOGEL, SEYMOUR FRARY, MICHAEL

120

32, 290 72 385, 386 83 293 165 313 355, 356 178 190 100, 126, 127, 128 273 262 357 33 193 395, 396 162 129, 280 101, 316 170 64 121, 260 43, 44, 45, 97, 99, 334 327, 328 153 300 330 185, 352 298 179, 195, 201, 210 198 258, 259 348 49, 50, 51, 52 308 130 353 203 197 108 187, 188 311 12 154, 155, 156, 157, 158 1 204 359 264 387, 388 309 71, 253, 254, 255, 256 102 75, 78 354 73 369 318 98 54, 55, 57, 66, 67, 68, 70, 146, 147, 148 192, 268, 301 267, 381, 382, 383, 384 38, 39, 40, 41, 74, 93, 94, 95, 96 314, 315 180, 351 265 174 317 326 212, 214, 215, 217, 218, 219, 220 335, 336 163, 164 233, 235

D AV I D D I K E F I N E A RT

GEESLIN, LEE GADDIS GENTLING, SCOTT & STUART GERVASI, FRANK GILBERT, SARAH GOFF, LLOYD GONZALES, BOYER GONZALEZ, LEOPOLDO GRAMMER, GEORGE GRIFFITH, LOUIS OSCAR GUERIN, JOHN GUNTER, WENDELL HADDAD, JENNIE HAMEL, JOHN HAMMAN, ROBERT HARMAN, FRED HARRISON, ROBERT HARRISON, RUTH DUNKEN HARVEY, GERALD HAVERON, BILL HERBECK, HUGO HERMANN, EMIL HILL, ROBERT JEROME HOCHBERG, ZANNE HOFFMAN, POLLY HOLMES, DWIGHT CLAY HOOD, DOROTHY HOPPE, CARL HORN, DUKE HUDDLE, NANNIE ZENOBIA CARVER HUNT, BEN HUNTER, CLEMENTINE HUNTER, JOHN WARREN HURD, PETER IKER, ROBERT JACOBSON, EROL JENKINS, JOHN ELLIOTT JOHNSON, MINNIE JONES, ALMA “BIRDIE” JUDD, DeFORREST K, M KELLEY, CHAPMAN KELLY, AVERY KENDALL, HELEN KING KINZINGER, EDMUND KLEPPER, FRANK KOMODORE, BILL LaBAUVE, LOUISE LATHAM, BARBARA LEADER, M. WALTON LESTER, WILLIAM LIGHTFOOT, MARY LOPEZ, VIVEANO MACKEY, JUDITH MacSPARRAN, TERRY MAHAFFEY, JOSEPHINE MALZAHN, JERRY MAPLES, BARBARA MAPLES, BARBARA & SUSAN BROWN COLLABORATION MAPLES, HAROLD MARTIN, FLETCHER MASON, FRED MAUZEY, MERRITT MAXWELL, PAUL McCAW, DAN McCLUNG, FLORENCE McCRANE, RUTH MAE McGILL, ELOISE POLK McVEIGH, BLANCHE MEAD, BEN CARLTON MEDELLIN, OCTAVIO MEWHINNEY, ELLA K. MOORE, ANNIE MOSELEY, NELL BELL

392 61 340, 341 380 17, 18, 320, 321, 322, 323, 324, 329 234 251, 252 171 86, 88 331 333 237, 238, 239 69 393 400 345, 346, 347 376 2, 3, 115, 116 277 107 289 310 167, 168, 169, 177 124 274, 275 207 76 378, 379 367 266 283 82 53 339 325 269, 350 194, 349 85 22, 149, 150 257 371 242 272 159, 160, 296, 297 299, 312 206, 211 231, 232 5 270 58, 144, 145 7, 20 87 282 243, 244 213, 216, 221, 222, 223, 224, 225, 226, 227, 228 306, 307 8, 11 10 344 16 401 25, 26, 27, 28, 29, 30, 31 249, 250 394 14, 59, 199 366 77 9, 42 19 176, 184, 189 113, 114 362, 363, 364 337

NELSON, PAMELA NEWMANN, GILBERT NICOLS, AUDLEY DEAN NICOSIA, NIC OLSON, OLAF ONDERDONK, JULIAN OTIS, GEORGE DEMONT PANCOAST, CLARA C. PEBWORTH, CHARLES PEEPLES, NINA PEMBERTON, OLIVE PINCA, GEORGE POTTER, JOAN POWELL, BLOU BEARD PREUSSER, ROBERT O. RASCOE, STEPHEN REAUGH, FRANK REED, DOEL REEDER, DICKSON REEDER, LYDIA MORROW REILY, BILL ROBERTSON, HORACE O. ROBINSON, BOARDMAN M. ROLLINS, WARREN E. ROWNTREE, RALPH RUSSELL, COBIE SAHULA-DYCKE, IGNATZ SALINAS, PORFIRIO SALT, ANASTASIA SAMUELSON, FRED SANDERS, HEDWYN SCHIWETZ, E.M. “BUCK” SCHREIBER, GEORGE SCHREYVOGEL, CHARLES SCHUMANN, PAUL SCRUGGS, MARGARET SEAY, JUDITH SHOCKLEY, PEARL SIMPKINS, MARTHA SLIMP, ALTIE SMITH, EMILY GUTHRIE SMITH, MCDONALD SPEARS, ETHEL SPELLMAN, COREEN SPRUCE, EVERETT STEEL, PAT STELL, THOMAS STEVENS, KELLY H. STRAHALM, FRANZ SUMMERS, ROBERT TAYLOR, ROLLA TEEL, LEWIS THOMAS, SEYMOUR THRASHER, W.R. TOLBERT, FRANK TRAVIS, JOSEPHINE O. TRAVIS, OLIN H. TURNER, JANET UMLAUF, CHARLES UMLAUF, KARL UTTER, BROR VIVES-ATSARA, JOSE VOGEL, DONALD WALL, BERNHARDT WALMSLEY, ELIZABETH WARD, ROY LEE WARING, MELINDA WARREN, DON WIEGHORST, OKAF WINGREN, DAN WINN, BETTY WINN, JAMES BUCHANAN WITHERSPOON, MARY ELEANOR WOOD, ROBERT WORTHMAN, HARRY WRAY, DICK

241 338 118, 119, 120 281 397 134, 135, 136, 137, 138, 139 24 292 186 302 202 205 390 236 360, 361 229, 230 103, 104 60 151, 200 173 278, 279 319 34 342 196 240 375 109, 110, 111, 112, 117, 125 343 209 291 35 15 399 122, 123, 332 6 284 303 172 389 175, 377 191 56, 65, 161 287, 373, 374 4, 142, 166 370 23 288 84, 132, 133, 365 263 271, 295 261 80 294, 304 358 81 36, 89, 90, 91, 92, 131, 140 21, 46, 47, 48 181, 182, 183 276 143, 152 286 79 62, 63 13, 37 402 391 305 398 285 245, 246, 247, 248 141 372 105, 106 368 208


FRONT COVER : PAGE 45 , LOT 136

JULIAN ONDERDONK

INSIDE BACK COVER ( DETAIL ) : PAGE 63 , LOT 169 GALLERY DIRECTOR : ANNE KELLY, ISA AM

INSIDE FRONT COVER ( DETAIL ) : PAGE 50 , LOT 142

ZANNE HOCHBERG

BACK COVER : PAGE 53 , LOT 146

CATALOGUE DESIGN : WINSHIPPHILLIPS . COM

– EVERETT SPRUCE – OTIS DOZIER

PHOTOGRAPHY : PAULLARA . COM


2613 Fairmount Street • Dallas, TX 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 info@daviddike.com • daviddike.com

David Dike Fine Art Texas Art Auction Catalogue 2018  

Saturday, January 20, 2018

David Dike Fine Art Texas Art Auction Catalogue 2018  

Saturday, January 20, 2018