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An Annual Tradition in Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, January 25, 2014 at 3:00 PM


An Annual Tradition in Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, January 25, 2014 at 3:00 PM

DAVID DIKE FINE ART, L.L.C. Presents an Auction of Texas Art • Saturday, January 25, 2014 Auction bidding starts at 3 PM CST GUEST SPEAKER: MARLA FIELDS – 2 PM CST Ms. Fields is the director and producer of the Documentary film: Frank Reaugh: Pastel Poet of the Texas Plains. Fields will talk on her research, interviews in the film, filming in the field and knowledge of Reaugh. A sneak preview of the film will be screened. AUCTION TO BE HELD AT: WILDMAN ART FRAMING 1715 Market Center Boulevard • Dallas, Texas 75207 Valet Parking will be available. Auction Preview Information: Monday, January 20 – 24, the art may be viewed at Wildman Art Framing.

2613 Fairmount Street • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 Email: ddfa@swbell.net • Website: www.daviddike.com Hours: Monday – Friday 10:00 AM – 5:00 PM • Saturday 11:00 AM – 4:00 PM Please contact the gallery for more information. AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERS LOUIS MURAD TXS 13362

FRONT COVER (Detail): Page 44, Lot 135 – Jose Arpa • INSIDE FRONT COVER (Detail): Page 78, Lot 205 – Martha Simkins INSIDE BACK COVER (Detail): Page 35, Lot 121 – Natalie Erwin • BACK COVER: Page 52, Lot 152 – Julius Woeltz GALLERY DIRECTOR: Anne Kelly, ISA • CATALOGUE DESIGN: WinshipPhillips.com • PHOTOGRAPHY: PaulLara.com

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TERMS AND CONDITIONS of AUCTION The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions. 1. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means The aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 17.5% of the hammer price (or 20.5% Buyer’s Premium for anything purchased online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. Murad Auctions has been authorized by the consignor to retain, as part of our remuneration, the premium payable by the purchaser. 2. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and responsibility therefore (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately following the sale. If not so removed we may, as an accommodation to the purchaser, transfer the property to a public warehouse or other premises under our control or the control of DDFAA at the purchaser’s sole risk and expense. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as collateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the purchaser. Each purchaser consents to the filing of public notices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us and the consignor by law, including but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures it deems necessary. If Murad Auctions must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehousing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing. 3. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale. 4. The auction will be conducted by Louis Murad TXS 13362. We reserve the right to reject any bid

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from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects. 5. If we are prevented by fire, theft or any reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages. 6. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. 7. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHORSHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROVENANCE, IMPORTANCE, EXHIBITION AND LITERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRESENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of Murad Auctions, the auctioneer, David Dike Fine Art, L.L.C., Dike Management, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored. THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID. 8. All deliveries will be shipped COD unless otherwise agreed to by purchaser and Murad Auctions. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so. 9. Unless prior arrangements have been made with Murad Auctions, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit with Murad Auctions by calling (214)

720-4044 no later than noon on Saturday, January 25, 2014. There will be no exceptions. Bank card purchases will be honored at our option. 10. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas. 11. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable. 12. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be acceptable; all bids must state the highest bid price the bidder is willing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Successful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever. 13. As a convenience to our clients, we furnish presale estimates for all lots included in the catalogue. These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed. 14. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER MURAD AUCTIONS, THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MANAGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. 15. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be reproduced without permission.


An Annual Tradition in Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, January 25, 2014 at 3:00 PM

AUCTION TO BE HELD AT: WILDMAN ART FRAMING Located at 1715 Market Center Boulevard • Dallas, Texas 75207

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1 BOOK: Pecos to Rio Grande: Interpretations of Far West Texas by Eighteen Artists; Introduction by: Ron Tyler; Publisher’s Forward by Frank H. Wardlaw ©1983 by Texas A&M University Press $100 - $200

2 BOOKS: 1.) Buck Schiwetz’ Memories, Paintings and Drawings by E.M. Schiwetz, introduction by Leon Hale, ©1978 2.) Buck Schiwetz’ Texas, introduction by Walter Prescott Webb ©1960 3.) Buck Schiwetz, The Man and His Art, by: Jackie L. Pruett & Everett B. Cole, ©1982 $150 - $300

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3 BOOK: Frank Reaugh, Painter to the Longhorns, Introduction by: Donald L. Weismann ©1985 $150 - $300

4 BOOK: Prose Sketches, to Accompany the Series of Paintings by Frank Reaugh entitled: Twenty-Four Hours with the Herd. The text based partly on an earlier sketch by “Hondo” and written jointly by the painter and by Clyde Walton Hill, author of Shining Trails ©1934 by: Frank Reaugh, Dallas, TX $200 - $400

6 BOOK: Painting in Texas, The Nineteenth Century, by: Pauline A. Pickney, introduction by Jerry Bywaters ©1967 $150 - $300

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5 BOOK: Porfirio Salinas, by: Ruth Goddard ©1975 Rock House Press, Austin, TX. Signed on first page by author: Ruth Goddard, Austin, TX 1977 $100 - $200 4

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8 BOOK: Art on the Texas Plains, The Story of Regional Art and the South Plains Art Guide, the Golden Anniversary Edition, by: Elsie Montgomery Wilbanks ©1959 $100 - $200

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7 EXHIBITION CATALOGUE: Julian Onderdonk, A Texas Tradition. Organized by the Amarillo Art Center. Introduction by: Al Kochka, Director of Amarillo Art Center. Exhibition Opening: Amarillo Art Center, Jan. 1985 – Closing: Museum of Texas Tech University, June 1986. 25 Black and white images and 24 color images of Onderdonk’s work. $100 - $200

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9 COLLECTION OF 3 EXHIBITION CATALOGUES: 1.) 20th Century Women Artists in Texas, Laguna Gloria Art Museum; Exhibition: September 1974. With introduction by: Patricia D. Hendricks, Guest Curator; catalogue features listed works by 86 women artists in Texas. 2.) Dickson Reeder, catalogue from the Betty McLean Gallery, 1954, with introduction by Sallie Gillespie and sepia toned illustrations of exhibited works. 3.) Exhibition Paintings, Sculpture & Graphic Arts presented by Dallas Museum of Fine Arts, 1936. Forward by Richard Foster Howard, Director in 1936, signed by Mrs. Allie Mitchell 1936. $350 - $650

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10 EVERETT SPRUCE (Am. 1908-2002) A Portfolio of Eight Paintings

11 JERRY BYWATERS (Am. 1906-1989) 12 From Texas, A Portfolio of Lithographs

(Blaffer) folio of prints by Everett Spruce 19 x 17 unsigned

edition 358/525

$400 - $800

Southwest Artist Series – Number One, SMU Press, Dallas, TX 1952. Forward by Jerry Bywaters. The portfolio includes prints by the following Texas Artists: Charles Bowling, Don Brown, Otis Dozier, EG Eisenlohr, Alexandre Hogue, DeForrest Judd, William Lester, Merritt Mauzey, EM Schiwetz, Coreen Mary Spellman, Everett Spruce and Thomas M. Stell, Jr.

$300 - $600

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13 EDMUND D. KINZINGER (Am. 1888-1963) Portrait, Bust pastel on paper 17 x 14, unsigned $1,000 - $2,000

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12 EDMUND D. KINZINGER (Am. 1888-1963) Taxco Women, 1936 ink and graphite drawing on tissue 13 ½ x 10 ¼ signed lower right: EDK 1936

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$1,000 - $2,000 14 JERRY BYWATERS (Am. 1906-1989) Maguey Plant edition 7/50 lithograph 10 ½ x 7 ½ signed lower right: Jerry Bywaters $1,000 - $2,000 17

17 MARY BONNER (Am. 1887-1935) Man at the Water Well, 1924 dry point etching 6 7/8 x 5 signed lower right: Mary Bonner ‘24 $500 - $800

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15 LUIGI KASIMIR (Am. 1881-1962) San Jose Mission Church, Laguna Pueblo colored etching 12 ½ x 10 ½ signed lower right: Luigi Kasimir 16

$600 - $1,200

16 LUIGI KASIMIR (Am. 1881-1962) La Fonda Inn, Santa Fe

18 OTIS DOZIER (Am. 1904-1987) Gold Train, 1945

colored etching 13 ¾ x 10 ¼ signed lower right: Luigi Kasimir

edition 50 lithograph 8 x 15 signed lower right: Otis Dozier

$600 - $1,200 6

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$500 - $1,000


20 JANET TURNER (Am. 1914-1988) Southern Import edition 50 4 color serigraph 15 ½ x 18 ¼ signed lower right: Janet Turner $600 - $1,200

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19 KATHLEEN BLACKSHEAR (Am. 1897-1988) Amaryllis Bulb

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graphite drawing on paper 8 ¼ x 7 ¼ unsigned $400 - $600

21 LUCILLE JEFFRIES (Am. 1903-1950) Choata

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22 DEFORREST JUDD (Am. 1919-1993) Skunk Cabbage, 1941

edition 15 color lithograph 9 ½ x 13 signed lower right: Lucille Jeffries

edition 6/25 lithograph 20 x 13 signed lower right: DeForrest Judd 41

$400 - $800

$300 - $500

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23 ED BEARDEN (Am. 1919-1980) Refinery, 1948 lithograph 9 3/8 x 15 ¾ unsigned; (signed in plate) $1,000 - $2,000

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24 ALEXANDRE HOGUE (Am. 1898-1994) Nocturnal, 1939 edition 50/50 lithograph 8 ½ x 13 ¾ signed lower right: Alexandre Hogue, 1939 $1,500 - $3,000 7


25 JERRY BYWATERS (Am. 1906-1989) Flower Vendor edition 18/50 lithograph 10 x 7 signed lower right: J Bywaters $1,000 - $2,000

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26 WAYNE BAIZE (Am. b.1943) Remuda, 1969

27 CHARLES T. BOWLING (Am. 1891-1985) West Texas

graphite drawing on paper 13 x 18 signed lower right: Wayne Baize 1969

edition 20 lithograph 9 ¼ x 12 ¾ signed lower right: Chas. T Bowling

$400 - $800

$1,000 - $2,000

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29 CHARLES T. BOWLING (Am. 1891-1985) Storm Lit Hills, 1942 edition 25 lithograph 9 ¼ x 13 signed lower right: Charles T. Bowling $1,000 - $2,000 Awarded Lawrence Barrett Purchase Prize for technical excellence in the Second Texas Print Annual at the Dallas Museum of Fine Arts, 1942. 29

Collection of DMA, Bywaters Special Collections

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28 BRUNO J. LORE (Am. 1891-1963) Rider on Horseback and Roping a Steer pen and ink on paper, both 7 x 9 signed lower right (both): B.J. Lore $300 - $600 for the pair

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30 CHARLES T. BOWLING (Am. 1891-1985) Down Stream edition 20 lithograph 9 x 13 signed lower right: Chas. T Bowling $1,000 - $2,000

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32 JOHN L. MEIGS (Am. 1916-2003) Crows Nest

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artist proof lithograph 13 ¾ x 10 ¼ signed lower right: John Meigs

31 ALMA LUCILE LAND LACY (Am. 1901-1994) Spring Textures

$300 - $600

edition 21/22 lithograph 10 ¼ x 12 ¾ signed lower right: Lucile Land Lacy $1,000 - $2,000

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33 FLORENCE MCCLUNG (Am. 1894-1992) Good Luck Son lithograph 12 5/8 x 16 7/8 signed lower right: Florence McClung $1,500 - $3,000

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34 OTIS (& VELMA) DOZIER (Am. 1904-1987) The Dykes Produce Truck – 1984 colored pencil on paper 8 x 11 inscribed across bottom: The Dykes Produce Truck – 1984/To Gloria and Roland/From Velma and Otis

35 KATHLEEN BLACKSHEAR (Am. 1897-1988) Nanny with Children lithograph 9 7/8 x 12 ¼ unsigned $500 - $700

$600 - $1,200 35

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37 JULIUS WOELTZ (Am. 1911-1956) St. Joseph pencil on paper 14 x 12 unsigned $200 - $400

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36 JULIUS WOELTZ (Am. 1911-1956) San Antonio, Texas pencil on paper 9 x 12 signed lower right: Julius Woeltz

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$800 - $1,200

38 JULIUS WOELTZ (Am. 1911-1956) Self Portrait linoleum cut 9 x 7 ½ unsigned $100 - $200

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39 JULIUS WOELTZ (Am. 1911-1956) Nude, Oct. 22, 1929 pencil on paper 18 x 12 signed lower right: Julius Woeltz $400 - $800

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40 JULIUS WOELTZ (Am. 1911-1956) Self Portrait

41 JULIUS WOELTZ (Am. 1911-1956) Self Portrait, 1931

pencil on paper 13 ½ x 10 ½ unsigned

ink on paper 13 ½ x 10 unsigned

$800 - $1,200

$300 - $600

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42 JULIUS WOELTZ (Am. 1911-1956) Buildings, San Antonio, 1929 pencil on paper 12 x 11 signed lower right: Julius Woeltz

This piece was exhibited at the San Antonio Art League, 2nd Annual Local Artist Exhibition, August 15, 1931

$800 - $1,200

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43 JULIUS WOELTZ (Am. 1911-1956) Young Boy pencil on paper 12 x 12 unsigned $300 - $600

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44 JULIUS WOELTZ (Am. 1911-1956) San Antonio, Texas, 1928

45 JULIUS WOELTZ (Am. 1911-1956) Untitled – Adobe, 1931 lithograph 10 ½ x 13 ½ signed lower right: Julius Woeltz $600 - $800

watercolor on paper 9 x 7 signed lower right: Julius Woeltz $800 - $1,200

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48 JULIUS WOELTZ (Am. 1911-1956) Houses

46 JULIUS WOELTZ (Am. 1911-1956) Portrait of Boy

pencil on paper 4 x 6 unsigned

pencil on paper 12 x 12 unsigned

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$200 - $400

$300 - $600 47 JULIUS WOELTZ (Am. 1911-1956) Paris, France; 1909 mixed media 10 x 14 signed lower right: Julius Woeltz, Paris 1909 $800 - $1,200

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50 KATHLEEN BLACKSHEAR (Am. 1897-1988) Live Oak Acorns etching with aquatint 7 7/8 x 3 7/8 signed lower right: Kathleen Blackshear $400 - $600

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49 KELLY FEARING (Am. 1918-2011) The Lifters, 1944

52 KELLY FEARING (Am. 1918-2011) Annunciation, 1946 etching 5 ¾ x 8 signed lower right: Kelly Fearing

etching 6 7/8 x 6 signed lower right: Kelly Fearing 1944

$400 - $800

$1,000 - $2,000

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51 DICKSON REEDER (Am. 1912-1970) Epreuve D’Artiste, 1937 53

53 AMY FREEMAN LEE (Am. 1914-2004) Twilight Image, 1955 ink on paper drawing 12 x 9 signed lower right: Amy Lee $400 - $800

engraving 5 x 4 signed lower right: Dickson Reeder 1937 $1,000 - $2,000 54

54 FLORA BLANC REEDER (Am. 1916-1995) Dickson Reeder, 1937 etching with aquatint 9 5/8 x 5 7/8 inscribed lower right: Dickson Reeder by Flora Blanc Reeder ‘37 $1,000 - $2,000

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55 OTIS DOZIER (Am. 1904-1987) Bulls, 1937 edition 19 lithograph 11 x 15 signed lower right: Otis Dozier 37 $1,500 - $2,500 56

56 OTIS DOZIER (Am. 1904-1987) Crows, 1987 artist proof serigraph 20 x 27 signed lower right: Otis Dozier $2,000 - $4,000

57 OTIS DOZIER (Am. 1904-1987) Jackrabbits edition 8/28 lithograph 10 x 12 Âź signed lower right: Otis Dozier $4,000 - $8,000 57

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58 OTIS DOZIER (Am. 1904-1987) Grasshopper and Farmer, 1938 edition 14 lithograph 10 x 12 ¾ signed lower right: Dozier 38 $3,000 - $6,000

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59 OTIS DOZIER (Am. 1904-1987) Road Runner 1938 lithograph 9 ½ x 13 signed lower right: Otis Dozier $3,000 - $6,000

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60 ALEXANDRE HOGUE (Am. 1898-1994) Swindletop, 1940 Spindletop, 1940 edition 2/50* edition 8/50 each lithograph 12 5/8 x 18 7/8 signed lower right: Alexandre Hogue 1940 and book: Spindletop, Where Oil Became Industry, 1901-1951 by Spindletop 50th Anniversary Commission. $20,000 - $30,000

These lithographs were based on a painting Hogue created in 1940: Spindletop Runs Wild. In Alexandre Hogue, An American Visionary, by: Susie Kalil ©2011; on page 91 Kalil notes: “Life magazine commissioned [Hogue] to execute a painting based on the 1901 Spindletop oil boom. Hogue spent months of intensive research on the subject, even meeting eyewitnesses of the event in Beaumont… ‘The last person interviewed at Beaumont was an aged lawyer, Judge P.A. Dowlen, whose story through the years had grown better and better until it took on the gloss of a folk tale.’ ” *This historical depiction of the first ever, major oil strike in the state of Texas is a rare pairing of these lithographs as Hogue usually titled the piece in graphite:

“Spindletop.” Hogue notes on the back of “Swindeltop” “This is one of only two ‘Swindeltop’ in existence.” The Dallas Museum of Art has number 19/50 from the edition of Spindletop in it’s permanent collection. Nature’s Forms/Natures Forces: The Art of Alexandre Hogue, by: Lea Rosson DeLong, mentions this piece on page 28. This piece is also pictured and listed as plate no 88 on page 171 of Lone Start Regionalism, The Dallas Nine & Their Circle, by: Rick Stewart. This lot includes a copy of the rare book: Spindletop, Where Oil Became Industry, 1901-1951 by Spindletop 50th Anniversary Commission.

61 ALEXANDRE HOGUE (Am. 1898-1994) Oil Strike lithograph 15 ½ x 11 ½ signed lower right: Alexandre Hogue $1,500 - $3,000

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62 ALEXANDRE HOGUE (Am. 1898-1994) Desert Glare lithograph 6 ½ x 11 ½ signed lower right: Alexandre Hogue $1,600 - $2,400 15


63 PETER HURD (Am. 1904-1984) The Late Visitor artist proof serigraph 14 ½ x 19 ¾ signed lower right: Peter Hurd $600 - $1,200

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64 SWEETIE LADD (Am. 1902-1991) Second Tarrant County Court House, First Street Car, Horse drawn, 1876-1894 serigraph 12 x 9 ¼ signed lower right: Sweetie Ladd $1,000 - $2,000

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65 SWEETIE LADD (Am. 1902-1991) Touring Oldest Anglo House in US, Santa Fe, 1981 serigraph 12 x 18 signed lower left: Sweetie Ladd ‘81 $1,000 - $2,000 16


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67 TOM LEA (Am. 1907-2001) Cortes, Portrait of Hernando Cortes, 1938

66 XAVIER GONZALEZ (Am. 1898-1993) Himself, Bandera, Sunday May

pen and Indian ink on paper 5½x6 signed lower right: Tom Lea 38

graphite on paper 10 x 8 signed lower right: Xavier Gonzalez $200 - $400

$1,500 - $3,000 67

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68 JERRY BYWATERS (Am. 1906-1989) Gargantua edition 19/50 lithograph 12 x 16 ½ signed lower right: Jerry Bywaters $600 - $1,200 Gargantua was Bywaters’ first print and won the prize for prints in the 1935 Allied Arts Exhibition.

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69 JERRY BYWATERS (Am. 1906-1989) Opera at Popular Prices, 1936 edition 29/30 lithograph 10 x 14 1/8 signed lower right: Jerry Bywaters ‘36 $2,000 - $4,000 17


70 ALFRED BRUNO LEOPOLD CLAUSEN (Am. 1883-1974) Landscape – Fort Worth oil on canvas 14 x 20 signed lower right: AB Clausen $1,500 - $2,000

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71 CORA MILLER WILLIAMS (Am. 20th Cent.) Village Scene oil on board 22 x 36 signed lower left: Cora Miller Williams $2,000 - $4,000

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72 KELLY FEARING (Am. 1918-2011) Winter Landscape, 1941 oil on canvas 16 x 20 signed lower right: Kelly Fearing $4,000 - $5,000

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73 DAVID BROWNLOW (Am. 1915-2008) Dancer, 1958 oil on Masonite 48 x 24 signed bottom left: David Brownlow, 58 $3,500 - $5,000

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74 BROR UTTER (Am. 1913-1993) Fish Forms watercolor and gouache on paper 10 x 7 unsigned $2,000 - $4,000

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75 REVEAU BASSETT (Am. 1897-1981) Field Sketch, Ducks in Flight oil on canvas 12 x 16 signed lower left: Reveau Bassett $2,500 - $5,000

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76 CLARA WILLIAMSON (Am. 1875-1976) Playground oil on panel 8 x 12 signed lower right: Clara Williamson $2,000 - $3,000 This painting was exhibited in the Clara Williamson retrospective at the Amon Carter Museum of American Art, November 1966 (original exhibition sticker on back)

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77 WESLEY FREDERICK JARVIS (Am. 1868-1966) Winter Landscape oil on canvas 12 x 16 signed lower left: W Fredrick Jarvis $1,500 - $3,000

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78 AUGUSTUS DUNBIER (Am. 1888-1977) Texas Summer, Corpus Christi oil on canvas 20 x 16 signed lower left: Augustus Dunbier $4,000 - $6,000

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79 JULIAN JOSEPH (Am. 1882-1964) Bus Station, 1938 watercolor on paper 15 x 21 signed lower right: Julian Joseph $2,500 - $5,000

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80 JOSEPH DAWLEY (Am. 1936-2008) Grandma & African Chief oil on panel 30 x 24 signed lower left: J Dawley $1,000 - $2,000

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81 JOSEPH DAWLEY (Am. 1936-2008) Wrestling oil on panel 24 x 24 signed lower left: J Dawley $1,000 - $2,000

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82 JOSEPH DAWLEY (Am. 1936-2008) Abstract oil on panel 36 x 24 signed lower right: J Dawley $1,000 - $2,000

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83 CHRISTOPHER MARTIN (Am. 20th Cent.) 9/11 Flag – War at Home acrylic on canvas 24 x 35 signed lower left: C Martin $5,000 - $10,000

84 JON FLAMING (Am. 20th Cent.) My Dallas – Suburban Gray, 2003 mixed media – acrylic, scrap metal, board construction 18 x 22 signed lower left: Jon Flaming signed and titled verso $2,000 - $4,000

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85 STUART GENTLING (Am. 1942-2006) Still Life of Rose

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86 JOSEPHINE MAHAFFEY (Am. 19031982) Fish

watercolor on paper 12 x 9 signed lower left: Stuart Gentling $1,500 - $2,500

mixed media on paper 20 x 30 signed lower right: JM $1,000 - $2,000

87 DICKSON REEDER (Am. 1912-1970) Three Kings oil on canvas 26 x 22 unsigned $3,000 - $6,000 Fort Worth native, Dickson Reeder studied at the Art Students League in New York in 1930. He then traveled to Taxco, Guerrero, Mexico where he studied with Wayman Adams. In the mid 1930s he studied in Ireland, London and Paris. He studied print making at Atelier 17 in Paris which was frequented by Pablo Picasso, Marc Chagall, Max Ernst and Joan Miro. He was widely exhibited in Texas and the East coast, including the Metropolitan Museum of Art, in the 1940s. In 1945 he established the Reeder School of Theater and Design for children. He closed the school in ’58 and returned to the Atelier 17 to produce a great number of new and innovative prints and paintings, which he exhibited in Germany and France. He then returned to Fort Worth, TX in 1960 and exhibited across the state and Southwest. The artist was prolific and worked in many mediums. Works can now be found at Dallas Museum of Art, Modern Art Museum, Ft. Worth, Brooklyn Museum and the Art Institute of Chicago. 87

24


89 88

88 KELLY FEARING (Am. 1918-2011) Birds Fighting in the Rain, 1959 oil on board 12 x 10 signed lower right: Kelly Fearing 59 $500 - $1,000

89 MARJORIE JOHNSON LEE (Am. 1911-1997) Pear & Grapes oil on board 9 x 12 signed lower right: M Johnson $1,000 - $2,000 Lee was a Fort Worth Circle Artist, a group comprised of avant-garde painters and printmakers who were creating art in the 1940s, 50s and 60s. Their art had a unique and innovative style, which is evident in this Fauvist still life. Lee moved with her family to Fort Worth in 1929 from Upton County, Texas. She attended TCU and studied at the Ft. Worth

90

School of Fine Arts under Blanche McVeigh and Evaline Sellors in 1942. She served in WWII in the WAVES service. After the war she attended the Art Students League of New York and then further trained at the Colorado Springs Fine Arts Center and finally the Art Institute of Chicago. She later returned to Fort Worth until her death. She was widely exhibited across the state in museum shows and juried art exhibitions including: Annual Texas Artist Exhibition, Ft. Worth, Texas General Exhibition, Texas Painting and Sculpture Exhibition, Prints of the Fort Worth Circle and PanhandlePlains Historical Museum.

91 CYNTHIA BRANTS (Am. 1924-2006) Coastal Scene

90 KELLY FEARING (Am. 1918-2011) Owl on Rock, 1964

watercolor on paper 7 x 10 signed lower right: C Brants

pastel on paper 20 x 16 signed lower right: Kelly Fearing

$400 - $800 91

$2,500 - $5,000

25


92 HALE BOLTON (Am. 1897-1920) Landscape pastel on paper 3 ½ x 7 signed lower left: Hale Bolton $1,500 - $3,000

92

93

93 FRANK REAUGH (Am. 1860-1945) Blue Grass pastel on paper 3 5/8 x 7 signed lower right: F Reaugh $8,000 - $12,000

94 FRANK REAUGH (Am. 1860-1945) Untitled – Sunrise Landscape pastel on paper 4 ½ x 7 ½ signed lower right: Reaugh $3,000 - $5,000

94

26


95 LOUIS OSCAR GRIFFITH (Am. 1875-1956) Landscape watercolor on paper 4 x 5 ½ signed lower right: LO Griffith; inscribed on reverse: Merry Christmas $1,500 - $3,000

95

96 REVEAU BASSETT (Am. 1897-1981) Mallards on the Lake watercolor on paper 22 x 25 signed lower left: Reveau Bassett $2,000 - $4,000

96

97 LOUIS OSCAR GRIFFITH (Am. 1875-1956) Mesa Landscape, West Texas pastel on paper 4 x 8 signed lower left: LO Griffith $1,500 - $3,000

97

27


98 SUSANNA C. COSGROVE (Am. 1884-1958) Coreopsis oil on canvas 18 x 22 signed lower right: Susanna Cosgrove $1,000 - $2,000

98

99 M. WALTON LEADER (Am. 1876-1966) On Brushy Creek oil on canvas 24 x 30 signed lower right: M Walton Leader $2,500 - $5,000 99

100 M. WALTON LEADER (Am. 1876-1966) The Elms oil on canvas 28 x 36 signed lower right: Walton Leader $3,000 - $6,000

100

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101 GERALD HARVEY (Am. b.1933) Summer Cactus oil on canvas 12 x 16 signed lower right: G Harvey $3,500 - $5,000

101

103

102 GERALD HARVEY (Am. b.1933) Texas Spring, 1965

103 GERALD HARVEY (Am. b.1933) Central Texas, 1965

oil on canvas 12 x 16 signed lower left: G Harvey 65

oil on canvas 12 x 16 signed lower right: G Harvey 65

$3,500 - $5,000

$3,500 - $5,000

102

104 GERALD HARVEY (Am. b.1933) Autumn Hues, 1966 oil on canvas 24 x 36 signed lower right: G Harvey 1966 $6,500 - $7,500 104

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107

105

105 CHARLES T. BOWLING (Am. 1891-1985) Galveston, 1967

107 CHARLES T. BOWLING (Am. 1891-1985) The Old Barn, 1962

oil on canvasboard 18 x 24 signed lower right: Chas. T. Bowling 1967

oil on canvas 16 x 20 signed lower left: Chas. T. Bowling 1962

$2,000 - $4,000

$2,000 - $4,000

106

106 CHARLES T. BOWLING (Am. 1891-1985) A Bend in the Creek, Turtle Creek, Dallas oil on canvas 16 x 20 signed lower right: Chas. T Bowling $15,000 - $25,000 30


108 CHARLES T. BOWLING (Am. 1891-1985) Creek Scene oil on board 12 x 16 signed lower left: Chas. T. Bowling $3,000 - $5,000

108

109 FRANK KLEPPER (Am. 1890-1952) Goat Herder oil on canvas 28 x 28 signed lower left: Klepper $7,500 - $9,500

109

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111 110

110 DOUGLAS CLARK (Am. 20th Cent.) Leading the Way, Old Blue

111 DOUGLAS CLARK (Am. 20th Cent.) Texas Speed Bump

edition 4/50 bronze 7 x 10 x 4 signed on base: DB

edition 6/30 bronze 3 ¼ x 7 ¼ x 3 signed on base: DB Clark

$1,000 - $2,000

$500 - $1,000

112 CHARLES TRUETT WILLIAMS (Am. 1918-1966) Untitled bronze 10 ½ x 2 2/3 x 3 signed on base: CTW 63 $1,500 - $3,000

113 CHARLES UMLAUF (Am. 1911-1994) Nude bronze 26 ½ x 12 x 5 ½ signed in the bronze on base: C Umlauf $5,000 - $10,000

112

32

113


114 DAN WINGREN (Am. 1927-) Weeds Burning, 1951 oil on canvas 20 x 16 unsigned $600 - $1,200

114

116

116 LISA ALDERSON (Am. 20th Cent.) Spring on 281 – Texas, 2013 oil on board 20 x 15 ½ signed lower right: LC Alderson 13 $400 - $600

115

115 ANN CUSHING GANTZ (Am. 1935-2012) Carousel oil on canvas 18 x 24 signed lower right: Cushing $400 - $800

Studied at the Memphis Academy of Art, Memphis, TN; Tulane University, New Orleans, LA; affiliated with the National Society of Painters in Casein & Acrylic; The Boston Printmakers Association the Northwest Printmakers Association; the Texas Printmakers Association and the Dallas Print and Drawing Society and founding member of the Dallas Art Gallery Association; Awarded the Felix Harris Award from the Dallas Museum of Art. 33


117 DAWSON DAWSON-WATSON (Am. 1864-1939) Bluebonnets oil on canvas 16 ¼ x 21 1/8 signed lower right: Dawson-Watson $5,000 - $10,000

117

118

118 OLIN TRAVIS (Am. 1888-1975) Edge of the Pool oil on panel 12 x 16 signed lower left: Olin Herman Travis $1,500 - $3,000

119

119 OLIN TRAVIS (Am. 1888-1975) Lake Near Mineola, Tex oil on canvasboard 12 x 16 signed lower right: Olin Travis $2,000 - $4,000 This painting depicts fellow Dallas artist, Bud Biggs’ boat dock on Lake Mineola. The artists were friends.

34


120 DAWSON DAWSON-WATSON (Am. 1861-1939) Haystacks, c. 1919 oil on canvasboard 9 ½ x 12 signed lower right: Dawson-Watson $8,000 - $10,000

120

121 NATALIE ERWIN (Am. 20th Cent.) Petan Ranch, 2013 mixed media on birchwood panel 48 x 48 signed lower right: Natalie Erwin $5,000 - $10,000 This painting was inspired by a photo taken of the Petan Ranch by the ranch foreman’s wife Magda Dawe.

121

122 CARL HOPPE (Am. 1897-1981) Bluebonnet oil on canvas 27 ½ x 35 ½ signed lower right: C Hoppe $5,000 - $8,000 122

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124

124 CARL HOPPE (Am. 1897-1981) Just a Little Bit of Hot Dry Texas, 1956 123

123 DAWSON DAWSON-WATSON (Am. 1861-1939) Prickly Pear Cactus, 1929

oil on canvas 20 x 24 ½ signed lower right: C. Hoppe 1956 $2,500 - $5,000

oil on canvas 20 x 16 signed lower right: Dawson-Watson 29 $15,000 - $25,000

125 NICHOLAS R. BREWER (Am. 1857-1949) In the Texas Cattle Country oil on canvas 28 x 40 signed lower left: NR Brewer $12,000 - $18,000 125

36


126 DAWSON DAWSON-WATSON (Am. 1864-1939) Indian Paint Brush, 1930 oil on canvas 21 x 16 signed lower right: Dawson-Watson 30 $15,000 - $20,000

126

127 PORFIRIO SALINAS (Am. 1910-1973) Bluebonnet Landscape oil on canvas 12 x 16 signed lower right: P Salinas (signature is slightly faded, appears close up) $8,000 - $12,000

127

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128

128 PAUL R. SCHUMANN (Am. 1876-1946) Sailboat in Galveston oil on canvasboard 14 x 17 signed lower right: Paul R. Schumann $15,000 - $25,000

38

This is an excellent example of Schuman’s work. German native, Schumann moved to Galveston, TX in 1882 where he continued to paint primarily coastal scenes and scenes of fishing and marine life. His approach to oil on board, applying the paint with a palate knife, was indicative of the Impressionist movement, but the use of the palate knife was avant-guard and cutting edge for his time. This was likely influenced by his time spent in New York and on the East coast in the 1910s. J.W. Young wrote: “If Paul Schumann had been painting along the New England Coast instead of the Gulf of Mexico, his marines would have been known all over the world. His boats-coming to the Gulf ports from the seven seas are not boats sailing the seas of make believe. Gulf skies and Gulf storms he studied since boyhood, he loves them, paints them. He is doing for the Texas Gulf shores what Winslow Homer did for the Coast of Main.”


129

129 JULIAN ONDERDONK (Am. 1882-1922) Landscape oil on board 12 x 16 signed lower right: Julian Onderdonk $75,000 - $90,000

“(He painted) with great skill his sensitive impressions of the bigness of Texas, and its most characteristic subjects – dusty roads, ‘neath fulsome sunshine in late afternoon or at twilight; blooming cactus or hillside of blue lupine; the rolling gulf clouds; the aged live oaks so full of character; the headwaters of the different streams where he found the colors wonderful in varying lights; and the gray brush in winter… painting them steadily and consistently with an increasing charm each year.” – Francis Battaile Fisk, A History of Texas Artists and Sculptors, 1928

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130

130 JULIAN ONDERDONK (Am. 1882-1922) Moonlight oil on canvas 18 x 24 signed lower right: Julian Onderdonk $40,000 - $60,000

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131

131 EDWARD EISENLOHR (Am. 1872-1961) Texas Hillside oil on canvasboard 10 x 14 signed lower right: EG Eisenlohr $2,500 - $5,000

Paintings by Edward Eisenlohr have been exhibited at: Art Institute of Chicago 1913-1918; Elisabet Ney Museum 1917, 1928 and 1950; Southern States Art League 9 years between 1923-1938; Museum of Modern Art, New York 1930; Dallas Museum of Fine Arts; Museum of Fine Arts, Santa Fe; International Exhibition, Paris and Venice Biennale, Italy to name a few. His paintings can be found in the following collections: Museum of Abilene, Elisabet Ney Museum; Dallas Museum of Art; Museum of Fine Arts, Houston; New Orleans Museum of Art and Museum of Fine Arts, Santa Fe to name a few.

41


132

132 ROBERT JENKINS ONDERDONK (Am. 1852-1917) Alamo watercolor on paper 10 x 13 signed lower left: RJ Onderdonk $15,000 - $20,000

42


133 ROLLA S. TAYLOR (Am. 1871-1970) Stable House oil on canvas 24 x 26 signed lower right: Rolla S Taylor $8,000 - $12,000

133

134

134 FRANZ STRAHALM (Am. 1879-1935) Bluebonnets oil on canvasboard 9 x 14 signed lower left: Franz Strahalm $2,000 - $4,000 This painting is in its original frame by John Douglas of Dallas, TX.

43


135

135 JOSE ARPA (Am. 1858-1952) Enchanted Mesa (Katsimo) oil on canvas 33 Ÿ x 40 ž signed lower left: J Arpa $60,000 - $80,000

Enchanted Mesa, also known as Katsimo, was reportedly the home of the Acoma people. The Native American legend is the top of the mesa served as the home to the Acoma and each spring they would descend the mesa cultivate their crops. This is a disputed legend by many, as the ladder like pathway that to the top of mesa was destroyed and washed away by a storm c. 1890. The mesa has been scaled and summited at least 3 times since 1892 and it is reported there are no recognizable ruins found at the top. Nearby Acoma, NM also known as the City of the Sky, which is high, but does not reach the height of Enchanted Mesa which rises 7,000 feet above sea level, was in fact inhabited by the Acoma people. Each year on September 2nd, the day of St. Steven, patron saint of Acoma, the people would process over seven miles to the base of the mesa. This painting is believed to depict this procession.

44


136

136 CLARA PANCOAST (Am. 1873-1959) Old House oil on canvas 18 x 20 signed lower right: CC Pancoast $4,000 - $8,000

137

137 CLARA PANCOAST (Am. 1873-1959) Landscape with Trees San Antonio, TX oil on canvas wrapped on board 16 x 12 signed lower left: CC Pancoast, S.A. Texas $2,000 - $4,000 138

138 CLARA PANCOAST (Am. 1873-1959) Verbena and House oil on board 12 x 16 signed lower right: CC Pancoast $1,500 - $3,000 45


139 ROLLA S. TAYLOR (Am. 1871-1970) Texas Wildflowers in the Meadow oil on panel 8 x 10 signed lower left: Rolla Taylor $2,500 - $5,000

139

140

140 HANNA WALKER (Am. 1876-1945) Bastrop Scene oil on board 14 x 19 ½ signed lower left: Hanna Walker $600 - $1,200

141

141 BLANCHE BELL (Am. 1879-1966) Horse Mint, 1928 oil on canvas 12 x 16 signed lower left: B. Bell 28 $1,000 - $2,000

46


142 HAROLD RONEY (Am. 1899-1986) In the Valley oil on Masonite 16 x 20 signed lower right: Harold Roney $5,000 - $10,000

142

143 FLORENCE MCCLUNG (Am. 1894-1992) Lake Worth oil on canvas 20 x 24 signed lower left: F McClung $8,000 - $12,000

143

144 ROLLA S. TAYLOR (Am. 1871-1970) Still Life oil on canvas laid on board 11 他 x 16 signed lower left: Rolla Taylor $2,000 - $4,000

144

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145

145 ANCEL E. NUNN (Am. 1928-1999) Untitled – Figures in Field, 1985 oil on canvas 24 x 36 signed lower right: Ancel E. Nunn 1985 $8,000 - $12,000

146 FRANCIS A CLOONAN (Am. 1865-1950) Girl at Swimming Hole oil on canvas 24 x 30 signed lower right: F.A. Cloonan $2,000 - $4,000 146

48


147 ANCEL E. NUNN (Am. 1928-1999) Midwestern Spring acrylic on board 12 x 14 signed lower right: Ancel E. Nunn $4,000 - $6,000 This painting was exhibited in the Ancel E. Nunn Retrospective at the Tyler Museum of Art in Tyler Texas; February 20 - March 21, 1999.

147

148 ANCEL E. NUNN (Am. 1928-1999) Old Barn acrylic on board 12 x 16 signed lower right: Ancel E. Nunn $4,000 - $6,000

148

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149

149 JULIUS WOELTZ (Am. 1911-1956) San Antonio in 1930; painted in 1955 oil on canvas 50 x 146 signed lower middle: Julius Woeltz, 55 $15,000 - $25,000

Julius Woeltz, a San Antonio native was a painter, mural artist and art professor in the Art Department at the University of Texas, Austin. He studied at the Chicago Art Institute and studied independently in France and Mexico. His teaching and painting career also included the Art Colony, Alpine, Texas, 1933-1937; Head of Department of Art, Sul Ross State Teachers College, 1933-1937; and the New Orleans Art School, 1937-1940. This mural was commissioned by the poet Hugh Reveley to portray scenes inspired by his poem written in 1931 titled San Antonio. The mural depicts 6 panels capturing the different cultures and activities happening in San Antonio during the 1930s. San Antonio during that time was a cultural hub in Texas. “City of Haymarket Plaza… City of missions next to airports… City of a crooked river….City of parks… Okay, Mecca of the Southwest, put on the dog!...” (excerpt from poem by: Hugh Reveley) Woeltz exhibited at the following: International Watercolor Show, 1932-1941 in Chicago, IL; 1st prize at the Arts and Crafts Club, New Orleans, LA 1935. He was commissioned to execute murals for: Elgin Post Office; Section Fine Arts, Washington, D.C.; 6 murals in the Amarillo Post Office; Austin Club; Commodore Perry Hotel, Austin, TX 1949; and American Painting Today, Metropolitan Museum of Art, New York, NY, 1951. His art can be found in the following permanent collections: Dallas Museum of Art, Texas Fine Art Association and the Beaumont Art Museum.

50


150

150 JULIUS WOELTZ (Am. 1911-1956) Peregrination

This painting was exhibited at the Texas Show at M. Knoedler & Company, June 1952. Knoedler & Co. was an art gallery established in 1857 that operated in Paris and London.

oil on canvas 30 x 40 signed lower right: Julius Woeltz $5,000 - $10,000

51


151 JULIUS WOELTZ (Am. 1911-1956) Smith Young Tower, San Antonio, Texas 1930 mixed media on paper 33 x 23 unsigned $1,000 - $2,000

151

152 JULIUS WOELTZ (Am. 1911-1956) Still Life watercolor on paper 15 x 21 signed lower right: Julius Woeltz $500 - $1,000

152

52


153 EMMA RICHARDSON CHERRY (Am. 1859-1954) Nester Valley oil on canvas 16 x 12 signed lower right: E Richardson Cherry $1,500 - $3,000

153

154 EMMA RICHARDSON CHERRY (Am. 1859-1954) Rooftops in Altadina oil on canvas 20 x 24 signed lower left: E Richardson Cherry $6,000 - $8,000

154

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155

155 BARBARA LATHAM (Am. 1896-1989) Santo on U.S. 64 watercolor on paper 20 x 27 signed lower left: Barbara Latham $8,000 - $12,000

54

Latham was born in Massachusetts, studied at the Norwich Art School at Pratt Institute in Brooklyn and the Art Students League in Woodstock. She arrived in Taos in 1925 after which time she painted delicate landscape paintings. After WWII her style tended to depict paintings that combined Surrealism and “meticulously rendered still life� paintings. (Taos and Santa Fe, by: Van Deren Coke, 1963)


156 EMIL BISTTRAM (Am. 1895-1976) Koshares, 1964 oil on canvas 36 x 27 signed lower right: Bisttram 64 $10,000 - $15,000 Bisttram was born in Hungary and studied at the National Academy of Design, Cooper Union and New York School of Fine & Applied Arts. He studied under Leon Kroll and Howard Giles. He later moved to Mexico where he studied with Diego Rivera. The strong realism and almost sculptural aspects in painting style inspired him. He went on to paint in Taos and was best known for his modernist style which is depicted in this painting. (Samuel’ s Encyclopedia of Artist of the American West, by: Peggy & Harold Samuels 1985)

156

157 ART BLANCHARD (Am. 20th Cent.) Bus, 2013 oil on Masonite 26 x 36 signed lower left: A Blanchard $3,000 - $6,000

157

55


158 OTIS DOZIER (Am. 1904-1987) Fat Owl, 1958 watercolor on paper 22 x 27 signed lower right: Otis Dozier $3,000 - $6,000

158

159 OTIS DOZIER (Am. 1904-1987) Mesa Landscape, 1967 oil on canvas 30 x 36 signed lower right: Otis Dozier $15,000 - $25,000 This 1967 painting is one of a series of paintings by Dozier that depict flats and mesas that are perhaps the Pecos River area of Texas. A similar painting, Rising Land, appeared as an illustration for the Texas entry in the 1976-1985 editions of the World Book Encyclopedia. 159

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160

160 OTIS DOZIER (Am. 1904-1987) Energetic Bull, 1963 oil on canvas 30 x 36 signed lower right: Otis Dozier $20,000 - $30,000

57


161 EVERETT SPRUCE (Am. 1908-2002) Blooming Cactus, c. 1960 oil on board 10 x 8 signed lower right: Spruce $1,500 - $3,000

161

162 BOYER GONZALEZ (Am. 1909-1987) Landscape Fragment, 1960 oil on masonite 18 x 24 signed upper right: Boyer Gonzalez $1,500 - $2,500

162

58


163 AMY FREEMAN LEE (Am. 1914-2004) Delicate Prey oil on canvas 24 x 20 signed lower right: AF $800 - $1,200

163

164

164 XAVIER GONZALEZ (Am. 1898-1993) Fishing Nets, 1947 gouache on paper 21 x 29 signed lower left: Xavier Gonzalez 47 $2,500 - $5,000 59


165 SEYMOUR FOGEL (Am. 1911-1984) Circus, 1938 oil on canvas 50 x 24 signed lower right: Seymour Fogel 1938 $4,000 - $7,000

166

166 RALPH WHITE (Am. 1921-2004) Hillside, 1951 oil on panel 30 x 25 signed lower right: R White 165

$2,000 - $4,000

167 DEFORREST JUDD (Am. 1919-1993) Prickly Pear Cactus, 1991 oil on canvas 20 x 20 signed lower right: DeForrest Judd 91 $1,500 - $2,500

167

60


168 DOROTHY HOOD (Am. 1919-2000) To the Macrocosm oil on canvas 60 x 50 signed lower right: D Hood $3,000 - $5,000

168

169 EVERETT SPRUCE (Am. 1908-2002) Black Cow, c.1941 oil on board 20 x 24 signed lower left: Spruce $10,000 - $15,000

169

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170 WILLIAM LESTER (Am. 1910-1991) Dark Window, 1966 acrylic on canvas 38 x 50 signed on reverse: WM Lester/ Dark Window/Acrylic 1966 $5,000 - $10,000

170

171

171 GUSTAV LIKAN (Am. 1912-1998) Floral Still Life oil on canvas 28 x 22 signed lower right: Likan $1,200 - $1,500

172

172 MICHAEL FRARY (Am. 1918-2005) Pertaining to Still Life, 1958 oil on Masonite 22 x 30 signed lower right: Frary $2,000 - $4,000

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173

173 FORREST BESS (Am. 1911-1977) Untitled oil on Masonite 13 ¼ x 11 ½ signed lower left: Forrest Bess $750 - $1,500

174

174 WILLIAM LESTER (Am. 1910-1991) Abandoned Quarry watercolor on paper 11 x 15 signed on reverse: Mrs. Sylvia Lester 175 WILLIAM LESTER (Am. 1910-1991) Fort Davis 1964

$1,000 - $2,000

acrylic on canvas 44 x 30 signed on reverse: WM Lester 1964 $2,000 - $4,000

175

63


176 BEN CULWELL (Am.1918-1992) Untitled, c. 1950 oil on paper 18 x 24 unsigned $1,000 - $2,000

176

177

177 BEN CULWELL (Am.1918-1992) Untitled, 1962 mixed media on Masonite 24 x 36 signed lower right: BC $6,500 - $8,500 64


178

178 BEN CULWELL (Am.1918-1992) New Testament, 1955 mixed media on masonite 48 x 27 ½ signed lower right: BC $9,000 - $12,000

Ben Culwell was a San Antonio native and lived in Dallas most of his life. He studied at Southern Methodist University and Columbia University. Known as a forerunner of the abstract expressionists in Texas, he had a one man show at the Dallas Museum of Art followed by an exhibition at the Museum of Modern Art, NY.

65


179 WILLIAM LESTER (Am. 1910-1991) At Bat oil on canvasboard 30 x 24 unsigned $15,000 - $20,000

179

180 DAVID ADICKES (Am. b.1927) Tableau, 1962 oil on masonite 30 x 40 signed upper right: Adickes $5,000 - $10,000 This painting was exhibited at: Austin Art Seen: Circa 1961 at the Austin Museum of Art, Laguna Gloria, Oct. 3 2006 – Sept. 23, 2007.

180

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181 PERRY NICHOLS (Am. 1911-1992) Untitled, 1965 gouache on masonite 16 x 20 signed lower right: Perry Nichols 65 $3,000 - $6,000 Nichols is one of the famous Dallas Nine painters who were formative in the avant-guard modern movement of art in Dallas from the 1930s to 1960s. This painting depicts what Nichols did best, his surrealist paintings of both hidden and visible symbolism.

181

182 DAVID ADICKES (Am. b.1927) Portrait of Man and Daisies oil on canvas laid on board 32 x 24 signed upper left: Adickes $4,000 - $6,000

182

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183 RICHARD STOUT (Am. b.1934) Landscape, 1960 gouache on paper 13 他 x 13 他 signed lower right: R. Stout 60 $1,500 - $3,000

184 CECIL LANG CASEBIER (Am. 1922-1996) Bridge, 1983 183

oil on masonite 20 x 30 signed lower right: CL Casebier 83 $1,500 - $3,000

184

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185 WILLIAM LESTER (Am. 1910-1991) Coffee Break oil on masonite 32 ½ x 17 ½ signed on reverse: WM Lester $15,000 - $25,000 This painting was exhibited in the Southeast Texas Art: Cross-Currents & Influences: 1925-1965 exhibit at the Art Museum of Southeast Texas in Beaumont in 2011. The painting is included in the exhibition catalogue. Some of the proceeds of the sale of this item will benefit the 2014 Symposium of the Center for the Advancement & Study of Early Texas Art (CASETA).

185

186 WILLIAM LESTER (Am. 1910-1991) Untitled, 1960 mixed media on paper 22 x 30 unsigned $1,000 - $2,000

186

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187

187 FRED DARGE (Am. 1900-1979) The Chuckwagon oil on canvas 24 x 32 signed lower right: F Darge $8,000 - $12,000

188 ELMER L. BOONE (Am. 1883-1952) Mariscal Canyon of the Rio Grande, Big Bend National Park oil on canvasboard 22 x 28 signed lower left: EL Boone $6,000 - $8,000 188

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189

189 ELMER L. BOONE (Am. 1883-1952) Siesta oil on canvasboard 18 x 24 signed lower left: E. L. Boone $6,000 - $8,000

190 ANNA KEENER (Am. 1895-1982) Pioneers, Alpine, Texas oil on board 10 x 14 signed lower left: Anna Keener $3,000 - $6,000 This painting was exhibited in The Lost Colony: Texas Regionalist Paintings exhibition April – August 2011 at David Dike Fine Art, the show then traveled to the Museum of the Big Bend in Alpine, TX Sept 2011 – January 2012. Keener was recognized in this show as a member of the Alpine Art Colony, at the Sul Ross State University, a summer program for artists, which was held annually from about 1932-1950. Texas artist, Keener is also noted as studying under the major American painter Birger Sandzen, her palate and style reflect that influence. 190

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191 ROBERT WOOD (Am. 1889-1979) West Coast oil on board 16 x 20 signed lower right: Robert Wood $2,000 - $2,500

192 ROBERT WOOD (Am. 1889-1979) Texas Hill Country, Late Autumn oil on canvas 22 x 32 signed lower left: G Day

191

$8,000 - $10,000

192

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193 ROBERT WOOD (Am. 1889-1979) West Texas oil on canvas 25 x 30 signed lower right: Robert Wood $8,000 - $12,000

193

194 ROBERT WOOD (Am. 1889-1979) Desert Glory oil on canvasboard 8 x 10 signed lower right: Robert Wood $1,000 - $2,000

194

195 ROBERT WOOD (Am. 1889-1979) Gull Lake oil on canvas 28 x 36 signed lower right: Robert Wood $8,000 - $12,000

195

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196 LEWIS TEEL (Am. 1884-1960) On Colorado Creek, 1939 oil on canvasboard 16 x 20 signed lower left: Lewis Teel $3,000 - $6,000

196

197 EUGENE THURSTON (Am. 1896-1993) West Texas oil on canvas 12 x 20 signed lower right: Eugene Thurston $1,500 - $3,000

197

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198 GRANVILLE BRUCE (Am. 1903-1989) Landscape oil on canvasboard 7 x 13 signed lower left: Granville Bruce $1,500 - $3,000

198

199 GRANVILLE BRUCE (Am. 1903-1989) Landscape oil on canvasboard 9 x 10 signed lower left: Granville Bruce $1,500 - $3,000

199

200 KATE KRAUSE BALL (Am. 1891-1973) El Paso oil on canvasboard 10 x 12 signed lower right: Kate K Ball $2,000 - $4,000

200

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201

201 THOMAS ALLEN (Am. 1849-1924) Untitled oil on canvas 12 x 18 signed lower right: Thomas Allen $4,000 - $8,000

202 LOUIS EDWARD GRENET (Am. 1857-1922) Mary oil on canvas 24 x 19 ½ unsigned $4,000 - $8,000

202

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203 MARTHA SIMKINS (Am. 1866-1969) Young Ms. Simkins oil on canvas 24 x 20 signed lower left: M Simkins $2,000 - $4,000

203

204 SEYMOUR THOMAS (Am. 1868-1956) French Interior, 1891 oil on canvas 18 x 22 signed lower right: Seymour Thomas $5,000 - $10,000

204

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205

205 MARTHA SIMKINS (Am. 1866-1969) Cape Cod Fisherman oil on canvas 30 x 24 signed upper left: Martha Simkins $8,000 - $12,000

78

Martha Simkins was a noteworthy painter in Dallas, in the early 1900s. Her painting career spanned over 80 years. The works in this auction, including this lot, were exhibited in the Martha Simkins Rediscovered Exhibition, 2002-2003, a traveling retrospective that featured over fifty of her portraits, landscapes and cityscapes, curated by Robert A. Horn of New York, in association with Martha Simkins, Inc.


206

206 MARTHA SIMKINS (Am. 1866-1969) Cape Cod Salting oil on canvas 30 x 21 signed lower left: Simkins $10,000 - $15,000

Florida native, Simkins studied at the Art Students League, New York circa 1893 where she studied with American Impressionist William Merritt Chase and Kenyon Cox. She returned to teach at North Texas Normal School in Denton for a stint, and then returned to New York to study with Chase. She then traveled to Europe and studied with Cecilia Beauz, John Singer Sargent and Mary Cassatt. The then returned to Dallas in 1915, and painted in Woodstock, NY in the summers until 1924. Simkins has had her work exhibited in the following: Corcoran Gallery of Art, the National Academy of Design, the Charleston Museum, Charleston, SC; and several New York galleries.

79


207 JULIUS STOCKFLETH (Am. 1857-1935) Portrait, Galveston, TX oil on canvas 12 ¼ x 10 ¼ signed lower right: J Stockfleth, Galveston $4,000 - $6,000

207

208

208 KATHLEEN BLACKSHEAR (Am. 1897-1988) Old Man oil on canvasboard 24 x 17 5/8 unsigned $2,000 - $4,000

209 KATHLEEN BLACKSHEAR (Am. 1897-1988) Portrait oil on canvas 20 x 18 unsigned $2,000 - $4,000 Exhibited: The Art Institute of Chicago Art Students League Annual Exhibition 1928 (original exhibition sticker on back of painting) 80

209


210

210 MARTHA SIMKINS (Am. 1866-1969) Girl in Green Dress oil on canvas 30 x 20 signed lower left: Simkins $5,000 - $10,000

81


211 CARL HOPPE (Am. 1897-1981) Snow Scene 1951 oil on canvas 15 ½ x 19 ¾ signed lower right: C Hoppe 51 $2,000 - $4,000

211

212

212 MINNIE HOLLIS HALTOM (Am. 1887-1976) Bluebonnets 213

oil on board 9 x 12 signed lower left: MH Haltom $500 - $1,000

213 CLARA PANCOAST (Am. 1873-1959) Spanish Street Scene oil on board 12 x 16 signed lower left: CC Pancoast $1,500 - $3,000

82


214 DALHART WINDBERG (Am. b.1933) Yucca & Prickly Pear Cactus oil on canvas 38 x 25 ½ signed lower right: Windberg $8,000 - $10,000

214

215

215 DON L. PARKS (Am. b.1943) A Texas High oil on canvas 16 x 20 signed lower right: DL Parks $1,400 - $2,000

216 DON L. PARKS (Am. b.1943) Llano Area oil on canvas 36 x 40 signed lower right: DL Parks $4,000 - $6,000

216

83


218

217

217 HUGO HERBECK (Am. 1923-2009) Mission San Jose, 1971

218 JESSIE W. PETTY (Am. 1886-1974) Texas Creek, 1925

oil on canvas 25 x 36 signed lower left: Hugo Herbeck

oil on canvas 18 x 20 signed lower right: Jessie W. Petty

$4,000 - $5,000

$1,000 - $1,500

219 ROLLA S. TAYLOR (Am. 1971-1970) The Alamo oil on canvas 16 x 20 signed lower left: Rolla Taylor $6,000 - $8,000

219

84


220 ROLLA S. TAYLOR (Am. 1971-1970) Old House, San Miguel oil on canvas 20 x 24 signed lower right: Rolla Taylor $4,000 - $6,000

220

222

222 ROLLA S. TAYLOR (Am. 1971-1970) Big Bend 221

221 ROLLA S. TAYLOR (Am. 1971-1970) Mexican Village, 1953

oil on canvasboard 12 x 16 signed lower left: Rolla Taylor, Big Bend $1,500 - $3,000

oil on canvas 20 x 24 signed lower right: Rolla Taylor, San Miguel 1953 $4,000 - $6,000

85


223 NANCY BOREN (Am. 20th Cent.) A Desert Rats’ Ode to Maynard Dixon oil on canvas 40 x 30 signed lower left: Nancy Boren $5,000 - $8,000

223

224 NANCY BOREN (Am. 20th Cent.) Don’t Make Me Look Fat oil on canvas 24 x 36 signed lower right: Nancy Boren $4,000 - $8,000

224

86


225 JAMES BOREN (Am. 1921-1990) Mexican Hut, 1973 watercolor on paper 24 x 38 signed lower right: James Boren $5,000 - $7,000

225

226 JAY HUSSEY (Am. 20th Cent.) Peach Girl, 2007 oil on canvas 47 ½ x 55 ½ signed lower right: J Hussey $2,000 - $4,000

227

227 ESSA CHAUSLOR PARKER (Am. 20th Cent.) Smoking Man

226

oil on board 16 x 12 signed lower left: E Parker $500 - $1,000

228 JAMES BOREN (Am. 1921-1990) Cowboy with Cigar and Horse, 1970 watercolor on paper 24 x 34 signed lower right: James Boren $5,000 - $7,000 228

87


229

229 CECILIA STEINFELDT (Am. 1915-2013) Still Life, 1940 oil on canvas 30 x 24 signed lower left: Cecilia Steinfeldt $2,000 - $4,000

88


230

230 JESSIE W. PETTY (Am. 1886-1974) Zinnias Still Life oil on canvas 20 x 15 signed lower left: Jessie W Petty $2,000 - $4,000

231 PAUL RODDA COOK (Am. 1897-1972) Roses oil on canvasboard 17 x 14 signed lower left: Paul Rodda Cook $4,000 - $8,000 231

89


232 OTIS DOZIER (Am. 1904-1987) Iris and Rock Forms 1987 oil on canvas 30 x 30 signed lower right: Otis Dozier $3,000 - $6,000

232

233 HENRIETTA MILAN (Am. 20th Cent.) Floral oil on canvas 24 x 30 signed lower left: H. Milan $1,500 - $3,000

233

90


234 WESLEY FREDERICK JARVIS (Am. 1868-1966) Still Life with Peaches and Grapes oil on canvasboard 16 x 24 signed lower left: W Frederick Jarvis $1,500 - $3,000

234

235 ADELE BRUNET (Am. 1871-1963) Floral Still Life oil on canvas 30 x 40 signed lower right: A Brunet $4,000 - $6,000

235

91


236 JOY CARRINGTON (Am. 1907-1999) Still Life with Apples and Pears oil on canvas 20 x 24 signed lower left: J Carrington $1,500 - $3,000

236

237

237 FLORENCE MCCLUNG (Am. 1894-1992) Still Life oil on canvasboard 16 x 20 signed lower left: F McClung

238

$4,000 - $5,000 238 REZALIA THRASH (Am. 1908-1989) Still Life oil on board 24 x 18 signed lower right: Thrash $1,000 - $2,000 92


239

239 OLIN TRAVIS (Am. 1888-1975) Fairies oil on canvas 8 x 10 signed lower right: Olin Travis

240

240 LAURA BUCHANAN (Am. 1872-1969) December

$1,000 - $2,000

oil on canvasboard 9 x 12 signed lower left: L. Buchanan $600 - $1,200

241 MILES JEFFERSON EARLY (Am. 1886-1957) Summer, Near Old Vincennes, 1936 oil on canvas 24 x 30 signed lower left: M.J. Early 36 $1,500 - $3,000

241

93


242

242 CHARLES N. PRUITT (Am. 20th Cent.) Monument Valley oil on board 18 x 24 signed lower left: Charles N. Pruitt, OPA $2,000 - $4,000

243 ULRICH W. FISHER (Am. 1887-1970) Santa Elena Canyon, Big Bend Park oil on canvasboard 16 x 12 signed lower right: U.W. Fisher $600 - $1,200

243

94


246

246 DWIGHT C. HOLMES (Am. 1900-1986) Red Oak – Snow Upper Oak Creek oil on board 18 x 24 signedlower left: Dwight C. Holmes $1,500 - $3,000 244

244 A.D. GREER (Am. 1904-1998) Landscape oil on canvas 20 x 24 signed lower right: AD Greer $3,000 - $5,000

247

247 DWIGHT C. HOLMES (Am. 1900-1986) Sawtooth Mountains at the Davis Mountains oil on canvas 20 x 24 signed lower right: Dwight C. Holmes $1,500 - $3,000 245

245 ELOISE POLK MCGILL (Am. 1868-1939) Autumn Landscape oil on board 16 x 23 ½ signed lower left: E.P. McGill $4,000 - $8,000 95


248 GERALD FARM (Am. b.1935) No Parking oil on canvas 18 x 30 signed lower left: G Farm $1,000 - $2,000

248

249 JOHN ELLIOT JENKINS (Am. 1868-1937) Autumn Landscape oil on board 16 x 20 signed lower right: J Elliot Jenkins $3,000 - $6,000

249

96


250 TONY EUBANKS (Am. b.1939) The Herd Holders oil on canvas 32 x 40 signed lower right: Tony Eubanks $7,000 - $9,000

250

251

251 FRED MASON (Am. 20th Cent.) Taking it Easy 252

oil on canvas 24 x 36 signed lower left: Fred Mason $1,200 - $2,500

252 FRED MASON (Am. 20th Cent.) Hank oil on canvas 16 x 12 signed lower left: Fred Mason $500 - $1,000 97


253 PETER L. HOHNSTEDT (Am. 1871-1957) Courtyard oil on canvasboard 10 x 8 signed lower right: PL Hohnstedt $400 - $800

254 PETER L HOHNSTEDT (Am. 1871-1957) Colorado Landscape 253

oil on canvas 21 ½ x 27 ½ signed lower left: Peter Hohnstedt $5,000 - $10,000

254

98


255 HALE BOLTON (Am. 1897-1920) Texas Landscape oil on canvas 24 x 30 signed lower right: Hale Bolton $4,000 - $6,000

255

256

257

256 FRANK GERVASI (Am. 1895-1986) Landscape with Road

257 PAUL R. WEISE (Am. 1888-) Sailboats

oil on Masonite 16 x 20 signed lower left: F Gervasi NA

oil on canvasboard 13 x 14 signed lower right: Paul R Weise

$1,000 - $2,000

$500 - $1,000 99


258 OLIN TRAVIS (Am. 1888-1975) Negro Man oil on canvasboard 16 x 12 signed lower right: Olin Travis $1,500 - $2,500 Travis often liked to paint portraits of his students, friends and people walking on the street. This painting is reportedly of a series of portraits inspired by people Travis met in downtown Dallas.

258

259 OLIN TRAVIS (Am. 1888-1975) Memory Sketch of Clara Bird, 1914 oil on canvasboard 16 x 12 signed lower left: Olin Travis $1,000 - $2,000 259

100


260

260 LUIS EADES (Am. b.1923) Orangery, 1959

262

oil on canvas 22 x 26 signed lower left: Luis Eades 59 $600 - $1,200

262 FRED SAMUELSON (Am. b.1925) Manzanillo Coast 263 HERB ROGALLA (Am. b.1925) Abstract Landscape, 1961

oil on canvas 20 x 36 signed lower right: Fred Samuelson $600 - $1,200

oil on canvas 40 x 32 signed lower left: Rogalla 61 $1,000 - $2,000

261

261 OLIN TRAVIS (Am. 1888-1975) Old Wang Wang’s Dancers, 1936 oil on Masonite 32 x 20 signed lower right: Olin Travis $1,500 - $3,000

263

101


264 JOSEPHINE MAHAFFEY (Am. 1903-1982) Trio watercolor on paper 30 x 22 signed lower right: JM $1,000 - $2,000

264

265

265 HARI KIDD (Am. 1899-1964) Untitled – Woman in Front of Doorway watercolor on paper 17 x 13 signed lower left: Hari Kidd $1,000 - $2,000

266 CHAPMAN KELLEY (Am. b.1932) Portrait, 1967 oil on canvasboard 12 x 12 signed lower left: Chapman Kelley 1967 $1,500 - $3,000 266

102


267

267 PAUL ROGERS HARRIS (Am. 20th Cent.) Evolutionary, 1965 serigraph 14 ½ x 19 ½ signed lower right: Paul Harris $600 - $1,200

268

268 JULIUS WOELTZ (Am. 1911-1956) Old House watercolor on paper 10 ¼ x 14 unsigned $500 - $1,000

269

270

269 LLOYD GOFF (Am. 1908-1982) Landscape

270 HARDY MARTIN (Am. 20th Cent.) Cactus Gulley Wash

oil on canvasboard 10 x 12 signed lower left: L. Goff

oil on canvas 16 x 20 signed lower left: Hardy Martin

$600 - $1,200

$600 - $1,200 103


271

271 ETHEL SPEARS (Am. 1903-1974) Navasota Farm oil on canvas 30 x 40 signed lower right: Ethel Spears $3,000 - $6,000

272 BROR UTTER (Am. 1913-1993) House & Church, 1951 watercolor on paper 23 x 28 signed lower right: Bror Utter 1951 $1,000 - $2,000 272

104


273 ETHEL SPEARS (Am. 1903-1974) House oil on canvas 30 x 22 signed lower right: Ethel Spears $2,000 - $4,000

274

274 THEODORE SAIN-AMANT CUNNINGHAM (Am. 1899-) Cactus and Mesquite Tree

273

oil on canvasboard 12 x 16 signed lower left: TSA Cunningham $1,000 - $2,000

275 HARRELL E. TRANTHAM (Am. 1900-1992) Between Abilene & Sweetwater oil on board 12 x 15 signed lower right: H Trantham $500 - $1,000

275

105


276 LOUISE LABAUVE (Am. 20th Cent.) Acapulco, 1958 casein on paper 11 x 15 ½ signed lower right: LaBauve $600 - $1,200 Louise LaBauve earned her BFA in 1960 and MFA art degrees from UT Austin in 1971. William Lester, and other members of the Dallas Nine were mentors, as well as David Adickes. In 1958 she took art courses at Mexico City College and made her way to Acapulco, which inspired her to create this piece. Her influence by Adickes is evident in this painting.

276

277

277 CARL RICE EMBRY (Am. b.1938) Figures from Hamilton, c. 1960 gouache on artist board 24 x 30 signed lower left: Carl Rice Embry $600 - $1,200

278

278 ETHEL SPEARS (Am. 1903-1974) Sunday Afternoon oil on canvas 22 x 25 signed lower right: Ethel Spears $2,500 - $5,000

279 BILL BOMAR (Am. 1919-1990) Abstraction mixed media 10 ¼ x 11 ½ signed middle left: BB $750 - $1,500 279

106


280 OLIVETTE HUBLER (Am. 20th Cent.) Big Bend, Texas, 2013 oil on board 12 x 36 signed lower right: Olivette Hubler $600 - $1,200

280

282

282 GEORGE GRAMMER (Am. b.1928) Abstraction, 1947

281

watercolor on paper 20 x 14 signed lower right: Grammer

281 ANTONIO GARCIA (Am. 1901-1997) The Shoe Shine Kids

$2,000 - $4,000

oil on canvas 36 x 48 signed lower right: Antonio E Garcia $6,000 - $8,000

283 VALLIE FLETCHER (Am. 1874-1959) Texas Landscape oil on canvas 16 x 20 signed lower left: Vallie Fletcher $1,000 - $2,000

283

107


284 BILL BOMAR (Am. 1919-1990) House Below, 1941 watercolor on paper 19 x 25 signed lower right: Bill Bomar 41 $3,000 - $6,000

285 BILL BOMAR (Am. 1919-1990) Red Fantasy oil on paper 31 x 22 signed lower middle: BB

284

$2,000 - $4,000 285

287 JOHN WILLIAM ORTH (Am. 1889-1976) White Chrysanthemum oil on canvas 30 x 36 signed lower left: JW Orth $1,000 - $2,000

286 287

286 ERIK SPROHGE (Am. b.1932) Crow & Barn 2012 oil on masonite 14 x 11 signed lower right: Erik Sprohge 2012 $600 - $1,200 Studies: Houston Museum School of Art Under Robert Preusser & Lowell Collins, 1948; Rice Institute 1949-1954) B.S. in Architecture; William Ward Watkin Travelling fellowship 1954; Instituto Allende, San Miguel Allende, Mexico 1961; Glassell School of Art, Houston 1981; Currently involved with William Reaves Gallery, Houston, Texas; Watercolor Art Society, Houston.

289

288

288 JACK ERWIN (Am. b.1920) Barn oil on masonite 18 x 24 signed lower right: JR Erwin $1,500 - $2,500

289 DAVID ADICKES (Am. b.1927) DAN WINGREN (Am. 1923-1998) Products of the Petroleum Industry, 1955 edition 58/125 serigraph 23 ½ x 17 ¼ signed lower right: Wingren (and) Adickes 1955 $600 - $1,200

108


291 OLIVETTE HUBLER (Am. 20th Cent.) Banana Seller oil on canvas 20 x 16 signed lower right: Olivette Hubler $600 - $1,200

290

290 BROR UTTER (Am. 1913-1993) Country Church watercolor on paper 21 x 30 signed lower right: Bror Utter $800 - $1,200

291

292 ERIK SPROHGE (Am. b.1932) Beach Cabin 2011 oil on board 11 x 14 signed lower left: Erik Sprohge 2011 $600 - $1,200

292

293

294

293 KARL UMLAUF (Am. b.1939) Cityscape

294 FRANK KLEPPER (Am. 1890-1952) Rhythm

pastel on paper 8 x 16 signed lower right: Karl Umlauf

oil on canvas 20 x 20 signed lower right: Klepper

$600 - $1,200

$1,500 - $3,000 109


295 CONSTANCE FORSYTH (Am. 1903-1987) West Spanish Peak, Colorado, 1939 watercolor on paper 14 x 19 signed lower right: Constance Forsyth ’39 $800 - $1,500

295

296 HAROLD MAPLES (Am. 20th Cent.) Windmill, 1975 watercolor on paper 11 ½ x 16 signed lower right: Maples ’75 $600 - $800

296

297 FRANK GERVASI (Am. 1895-1986) Still Life with Flowers oil on canvas 24 x 20 signed lower right: F Gervasi $1,000 - $2,000 297

110


298 JERRY RUTHVEN (Am. b.1947) The Hill Country oil on canvas 24 x 36 signed lower right: J Ruthven $2,000 - $3,000

298

299 WILLIAM ELLIOTT (Am. 1909-2001) Boats watercolor on paper 22 x 29 signed lower left: William Elliott $1,000 - $2,000

299

300 JOHN WESLEY CHUMLEY (Am. 1929-1984) Old Number Three watercolor on paper 17 x 30 signed lower left: Chumley $1,500 - $3,000

300

111


INDEX of ARTISTS ADICKES, DAVID ALDERSON, LISA ALLEN, THOMAS ARPA, JOSE BAIZE, WAYNE BALL, KATE KRAUSE BASSETT, REVEAU BEARDEN, ED BELL, BLANCHE BESS, FORREST BISTTRAM, EMIL BLACKSHEAR, KATHLEEN BLANCHARD, ART BOLTON, HALE BOMAR, BILL BONNER, MARY BOONE, ELMER L. BOREN, JAMES BOREN, NANCY BOWLING, CHARLES T.

180, 182, 289 116 201 135 26 200 75, 96 23 141 173 156 19, 35, 50, 208, 209 157 92, 255 279, 284, 285 17 188, 189 225, 228 223, 224 27, 29, 30, 105, 106, 107, 108 BRANTS, CYNTHIA 91 BREWER, NICHOLAS R. 125 BROWNLOW, DAVID 73 BRUCE, GRANVILLE 198, 199 BRUNET, ADELE 235 BUCHANAN, LAURA 240 BYWATERS, JERRY 11, 14, 25, 68, 69 CARRINGTON, JOY 236 CASEBIER, CECIL LANG 184 CHERRY, EMMA RICHARDSON 153, 154 CHUMLEY, JOHN WESLEY 300 CLARK, DOUGLAS 110, 111 CLAUSEN, ALFRED BRUNO LEOPOLD 70 CLOONAN, FRANCIS A. 146 COOK, PAUL RODDA 231 COSGROVE, SUSANNA C. 98 CULWELL, BEN 176, 177, 178 CUNNINGHAM, THEODORE SAIN-AMANT 274 DARGE, FRED 187 DAWLEY, JOSEPH 80, 81, 82 DAWSON-WATSON, DAWSON 117, 120, 123, 126 DOZIER, OTIS 18, 55, 56, 57, 58, 59, 158, 159, 160, 232 DOZIER, OTIS & VELMA 34 DUNBIER, AUGUSTUS 78 EADES, LUIS 260 EARLY, MILES JEFFERSON 241 EISENLOHR, EDWARD 131 ELLIOTT, WILLIAM 299 EMBRY, CARL RICE 277 ERWIN, JACK 288 ERWIN, NATALIE 121 EUBANKS, TONY 250 FARM, GERALD 248 FEARING, KELLY 49, 52, 72, 88, 90 FISHER, ULRICH W. 243 FLAMING, JON 84 FLETCHER, VALLIE 283 FOGEL, SEYMOUR 165 FORSYTH, CONSTANCE 295

112

FRARY, MICHAEL 172 GANTZ, ANN CUSHING 115 GARCIA, ANTONIO 281 GENTLING, STUART 85 GERVASI, FRANK 256, 297 GILLESPIE, SALLIE 9 GODDARD, RUTH 5 GOFF, LLOYD 269 GONZALEZ, BOYER 162 GONZALEZ, XAVIER 66, 164 GRAMMER, GEORGE 282 GREER, A.D. 244 GRENET, LOUIS EDWARD 202 GRIFFITH, LOUIS OSCAR 95, 97 HALTOM, MINNIE HOLLIS 212 HARRIS, PAUL ROGERS 267 HARVEY, GERALD 101, 102, 103, 104 HENDRICKS, PATRICIA D. 9 HERBECK, HUGO 217 HILL, CLYDE 4 HOGUE, ALEXANDRE 24, 60, 61, 62 HOHNSTEDT, PETER L. 253, 254 HOLMES, DWIGHT C. 246, 247 HOOD, DOROTHY 168 HOPPE, CARL 122, 124, 211 HUBLER, OLIVETTE 280, 291 HURD, PETER 63 HUSSEY, JAY 226 JARVIS, WESLEY FREDERICK 77, 234 JEFFRIES, LUCILLE 21 JENKINS, JOHN ELLIOT 249 JOSEPH, JULIAN 79 JUDD, DEFORREST 22, 167 KASIMIR, LUIGI 15, 16 KEENER, ANNA 190 KELLEY, CHAPMAN 266 KIDD, HARI 265 KINZINGER, EDMUND D. 12, 13 KLEPPER, FRANK 109, 294 KOCHKA, AL 7 LABAUVE, LOUISE 276 LACY, ALMA LUCILE LAND 31 LADD, SWEETIE 64, 65 LATHAM, BARBARA 155 LEA, TOM 67 LEADER, M. WALTON 99, 100 LEE, AMY FREEMAN 53, 163 LEE, MARJORIE JOHNSON 89 LESTER, WILLIAM 170, 174, 175, 179, 185, 186, 247 LIKAN, GUSTAV 171 LORE, BRUNO J 28 MAHAFFEY, JOSEPHINE 86, 264 MAPLES, HAROLD 296 MARTIN, CHRISTOPHER 83 MARTIN, HARDY 270 MASON, FRED 251, 252 MCCLUNG, FLORENCE 33, 143, 237 MCGILL, ELOISE POLK 245 MEIGS, JOHN L. 32 MILAN, HENRIETTA 233

MITCHELL, ALLIE NICHOLS, PERRY NUNN, ANCEL E. ONDERDONK, JULIAN ONDERDONK, ROBERT ORTH, JOHN WILLIAM PANCOAST, CLARA PARKER, ESSA CHAUSLOR PARKS, DON L. PETTY, JESSIE W. PICKNEY, PAULINE PRUITT, CHARLES N. REAUGH, FRANK REEDER, DICKSON REEDER, FLORA BLANC ROGALLA, HERB RONEY, HAROLD RUTHVEN, JERRY SALINAS, PORFIRIO SAMUELSON, FRED SCHIWETZ, BUCK SCHUMANN, PAUL R. SIMKINS, MARTHA SPEARS, ETHEL SPROHGE, ERIK SPRUCE, EVERETT STEINFELDT, CECILIA STOCKFLETH, JULIUS STOUT, RICHARD STRAHALM, FRANZ TAYLOR, ROLLA S.

181 181 145, 147, 148 7, 129, 130 132 287 136, 137, 138, 213 227 215, 216 218, 230 6 242 3, 4, 93, 94 9, 51, 87 54 263 142 298 127 262 2 128 203, 205, 206, 210 271, 273, 278 286, 292 10, 161, 169 229 207 183 134 133, 139, 144, 219, 220, 221, 222 TEEL, LEWIS 196 THOMAS, SEYMOUR 204 THRASH, REZALIA 238 THURSTON, EUGENE 197 TRANTHAM, HARRELL E. 275 TRAVIS, OLIN 118, 119, 239, 258, 259, 261 TURNER, JANET 20 UMLAUF, CHARLES 113 UMLAUF, KARL 293 UTTER, BROR 74, 272, 290 WALKER, HANNA 140 WARDLAW, FRANK 1 WEISE, PAUL R. 257 WEISMANN, DONALD L. 3 WHITE, RALPH 166 WILBANKS, ELSIE 8 WILLIAMS, CHARLES TRUETT 112 WILLIAMS, CORA MILLER 71 WILLIAMSON, CLARA 76 WINDBERG, DALHART 214 WINGREN, DAN 114, 289 WOELTZ, JULIUS 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 149, 150, 151, 152, 268 WOOD, ROBERT 191, 192, 193, 194, 195


An Annual Tradition in Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, January 25, 2014 at 3:00 PM

2613 Fairmount Street • Dallas, TX 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 Email: ddfa@swbell.net • Website: daviddike.com

David Dike Fine Art, 2014  

Texas Art Auction Catalogue - January 25, 2014

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