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WILSON CHAN Architecture | Graphic Design | Mapmaking | 773-9965414 | pychan@umich.edu

EDUCATION University of Michigan 2017 - Expected 2022 | Ann Arbor, MI, US Taubman College of Architecture and Urban Planning Bachelor of Science in Architecture | Minor in Linguistics

St. Stephen’s College 2011-2017 | Hong Kong High School Diploma

EXPERIENCE P&T Group Mar 2021 - Jul 2021 | Hong Kong Vocation Trainee

- Produced construction drawings for the new Hong Kong Immigration Headquarters and Kong Ha Wai Transitional Housing Project, the largest MiC (Modular Integrated Construction) social housing project in Hong Kong to date. Both projects were commissioned by the Hong Kong SAR Government.

May Tik Construction Company Ltd Jun - Aug 2020 | Hong Kong Junior Designer Leigh & Orange Architects Jun - Aug 2019 | Hong Kong Architectural Intern

- Produced construction drawings for interior projects including the renovation of The Cityview (Hotel) and the Goji Studios Headquarters. - Assisted in the production construction drawings for Hong Kong’s first highrise residential MiC development InnoCell, Hong Kong Science Park. - Produced prototypes (plans, SketchUp models) for a joint research project on MIC public housing units in collaboration with the Hong Kong Polytechnic University. - Conducted intensive research on MiC for government projects including the Hong Kong Institute of Construction.

University of Michigan Telefund Sep - Dec 2018 | Ann Arbor, MI, US Student Fundraiser

- Raised over $1500 during employment by making phone calls to University alumni, parents and friends. - Built up communication and persuasion skill while connecting with alumni.

AWARDS & HONORS University of Michigan Fall 2017 | 2018 | 2019 | Winter 2020 University Honors

University of Michigan Sweetland Center for Writing Feb 2018 Granader Family Award for Excellence in Multilingual Writing

SKILLSET Rhino SketchUp AutoCAD

Grasshopper Revit Photoshop

InDesign Illustrator Lightroom

Model Building Technical Drawing Sketching

Mandarin

Cantonese

Japanese (JLPT N2)

LANGUAGES English

French (DELF B1)

773 996 5414 pychan@umich.edu Wilson (Pok Yu) CHAN

Depository

Content Resolution Architectural Responses to Scenarios

SPAcific

HY-Park

Bandemer Rowing Center Rendition Space-making Studies

Laminate

Consolidate

Ethereality Renarration Personal Takes on Existing Works

kcab to back

Casa Barragán Recreation Products from Casual Settings

Maps

Sketches

SPAcific

Playa Del Rey, Los Angeles, CA Infrastructural | Recreational Nov 2021 | 6 Weeks Critic: Laura Peterson Design Partner: Léonie Muno Research Partners: Erica Behm Haley Beverlin Meandering within the grounds of one of the largest water reclamation plants in the country, SPAcific (spa-space-pacfic) is a bold intervention at an infrastructural scale. The project’s span transforms the Hyperion Water Reclamation Plant’s vast functional footprint into an inviting, intimate, and exciting space. The project manuvers the scale shift found between water used on an infrastructural level and how people interact with it on a personal level. Spatial tension is created between light structure holding heavy pools, resulting in a literal recreational intersection with the Hyperion’s exsiting architecture.

Resolution

WILSON CHAN

Located in Playa del Rey, Los Angeles, CA, across from the Dockweiler State Beach, the Hyperion Water Reclamation Plant is the largest facility of its kind in the region. Hyperion serves the entire city of LA, and some parts of the LA County, totalling an area of over 600 square miles and a population of over 4 million. The facility itself covers 0.2 square miles, stretching over almost a mile. This site research drawing (produced in collaboration with Behm and Beverlin) demonstrates the massive scale of Hyperion, as well as the complex system that connects it with the rest of the city. Hyperion does not only process over 250 million gallons of wastewater every day, but it also mediates infrastructure at different scales. 04

Resolution

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05 06 04

Project Plan 06

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SPAcific invites bathers to come up the Nodal Tower, where they can store their belongings, shower, and get ready for a sensual experience. From the Tower, there is a continuous elevated pathway that meanders through the clarifiers on site. Going up and down, allowing bathers to sometimes be close to the (waste) water in facilities, sometimes be high up enough to have a view of the entire reclamation plant.

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Footbridge to Beach Nodal Tower Cleansing Pools Sunset Pool Cascade Pools Ring Pool Reflection Pools Salt Pool Social Pool

05 CASCADE POOL

08 09 SOCIAL POOL SALT POOL

WILSON CHAN

The flow diagram demonstrates how SPAcific is intricatedly connected to the complicated water system in Hyperon. Treated water that is safe enough to be discharged into the ocean but not for human consumption is drawn up to the top of the Nodal Tower. There, a three-phase filtration system is used to treat the water before heating it up or cooling it down and transported to the pools. 08

Resolution

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Nodal Tower Axon

Resolution

This perspectival collage shows the tranquil and steamy atmosphere in the Sunset Pool after dark.

SUNSET POOL

WILSON CHAN

HY-PARK

S Thayer St, Ann Arbor, MI Communal | Cultural Nov 2019 | 6 Weeks Critic: Yojairo Lomeli Situated in an elongated lot on South Thayer Street in Ann Arbor, Michigan, the HYPARK is an archive of both the hydrangeas and drawings of them. It is an response to the unique urban fabric of the college town — taking the form of a vertical shrub, the building’s footprint creates a garden that connects the street and the back alley.

Resolution

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This early sketch outlines the relationship of the context and the proposed massing (orange) of the project. The main body of the archive is thin and tall so that a large portion of the site could remain open.

The form-making vocabulary that I begin to synthesize include surfaces grounded on solids that blurs the line between heavy and light volume. This grammar creates smaller volumes that stack into clusters, resembling the form of a shrub.

Resolution

The project is named after the three most characterizing elements of its premise: Hydrangea: a kind of plant whose flowers change color according to the acidity of the soil they are planted in Hybrid: the project is a combination of an archive, a community gathering space and a park Hyperactive: the project is designed to be a public space that brings new dynamics to Ann Arbor

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Resolution

The ground floor plan’s gentle touch and the formal vocabulary developed earlier incubates this porous envelope that leans on the sides of the site, with sky gardens scattered on multiple levels.

External Stairs to Rooftop Garden

Rooftop Garden

Double-Height Gallery

Cafe

Entrance

WILSON CHAN

Resolution

These elevations of the section model reveal the interior space and vertical relationship between the four floors above ground and the two basement levels designed to be storage space for the archive.

WILSON CHAN

III

S Thayer St

5’

10’

Resolution

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Entrance Garden Reception Florist’s Boutique Double-Height Gallery Lookout Rooftop Garden Researchers’ Workspace Archive

Long Section

WILSON CHAN

Bandemer Rowing Center Bandemer Park, Ann Arbor, MI Communal | Recreational Mar 2020 | 6 Weeks (remote) Critic: Jen Maigret Located in the Bandemer Park by the Huron River, the Bandemer Rowing Center consists of two slender buildings that stretch along the shore, with the Boathouse being seasonal, operating only during the warm months, and the Fieldhouse to the south contains a rowing tank, ergometer training room and a yoga/workout space.

Resolution

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07 06

Upper Plan

05 04 03

Lower Plan

Section

Fieldhouse 24

Resolution

Sloped Entrance Lounge Rowing Tank Bathroom & Showers I Bathrooms & Showers II Workout Space Ergometer Training Room

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Reception Rowing Boat Storage Kayak Storage Outdoor Showers Storage Lookout Platform

12 13 Upper Plan

08 09 10

Lower Plan 11

Section

Boathouse WILSON CHAN

Site Plan

Rowing Shell Launch Dock

Kayak Launch Dock

Sloped Entrance

r hore D

Lake S

Resolution

Fieldhouse

Huron River

Boathouse

The elongated geometry resonates with the shoreline, which encourages rowers and other users to interact with the water. The two docks pointing at opposite directions allows professional athletes and public rowers to share the water space in harmony.

From inside the Boathouse’s rowing shell storage

Going down the Sloped Entrance of the Fieldhouse WILSON CHAN

Laminate

Sep 2019 | 2 Weeks Critic: Yojairo Lomeli

This space-making project investigates the manipulation of the repeating lines that creates a suface, and the manipulation of repeating surfaces that creates a volume.

Rendition

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Graphic Tectonic Series, Josef Albers - Prefatio (Preface) 1942

ic Tectonic Series, Josef Albers o (Preface) - 1942

In 1942, Josef Albers began a series of lithographs. Titled Graphic Tectonic, the series of images consists of loops of orthogonal lines that do not only create a rhythm, but also a false sense of spatiality. The project begins by mapping the image onto a cuboid, three-dimensionalizing the lines as well as the sense of space created by them.

Rendition

The full scale draft model is pushed, pulled and cut to make spaces that mimics the power of the lines. The illusion of the spatiality is realized, at the same time creating new illusions.

WILSON CHAN

Rendition

Serial Section

WILSON CHAN

Consolidate Oct 2019 | 4 Weeks Critic: Yojairo Lomeli

As a sequel to the previous investigation of space-making, this project focuses on the positive-negative relationship of a volume. A formwork that embodies the positive space reveals a rockite cast that takes up the negative space.

Rendition

WILSON CHAN

To dissolve the dominance of solid in space, the void in the previous geometry is solidified, thus visualized. The two interpretations technically join together to become a 6”x8”x4” cuboid, with some revisions to underline the flickering status of both the solid and void.

Rendition

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Parts of the Formwork Rockite Stacked Model (from Laminate) Rotated Geometry

This axonometric analysis shows the relationship between the formwork, the rockite model and the stacked model from the previous project. Part of the rockite is also rotated in the drawing to better reveal its geometry. WILSON CHAN

Ethereality Feb 2019 | 6 Weeks Critic: Yojairo Lomeli

Ethereality is an exploration of the state of lightness. Geome-tric manipulations result in this experiential promenade whose formal gestures invite one into spaces of unpredictability.

Rendition

WILSON CHAN

This space-making practice begins with an arbitrary folding of a planar chipboard. The four textured draft models differentiate the inside (azure) and the outside (white) of the construct. Through manual manipulation, the form begins to show a variety of spatial qualities achieved by pivoted surfaces, slanted surfaces and compressions.

Rendition

WILSON CHAN

03 04 06

03 05

Rendition

Unpredictability is achieved through two contrastive languages on the two sides of the vertical ground: faceted surfaces and staggered pathways. The axonometric analysis on the left breaks down the entire contruct into its components that weave together the overall experience.

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Unpredictability: Faceted Surfaces Left Side of the Vertical Ground Sections Transitional Landing Pull-down of the Vertical Ground Unpredictability: Staggered Pathways

WILSON CHAN

kcab to back Apr 2020 | 6 Weeks Independent Partner: Rachel Skof

“back to back is a joint portfolio that celebrates not only the work produced in a studio environment, but also the studio itself.” -intro of back to back Produced in collaboration with Skof, with whom I sit back to back in the studio, the unfoldable french-fold book features the objects we produced in the fall semester in 2019. The distinctively colored hatches does not only proclaim authorship, but also creates a wavering figure-ground relation-ship on the continuous pages.

Renarration

WILSON CHAN

“Instead of photographs with light and shadows that accentuate the solidness and spatiality of the form, the spread pushes part of the abstraction to the other end — text. While the hatched shapes on the page retain some of the rudimentary geometries of the three-dimensional form, words, these very letters on this very page, although about the form, have no resemblance to the form whatsoever, until we fill it around the void created by the hatched shapes, like how formwork is filled for a rockite cast.”

from the previous project Consolidate Skof’s work from the same project

On these few spreads we experimented with a unique element of shapemaking on paper — text. We flattened the form to its two-dimensional facade and filled it texts about the form. The hatched geometry, which was a result of a detached physical formwork, has become a formwork for the text’s layout. 46

Renarration

Skof’s desk

My desk

the film-strip

Projects are interjected by photographs of the studio environment. Shown above are the workdesks of Skof and myself respectively. The spreads are also trimmed with a “film-strip”, a series of photographs taken in the studio at a one-minute interval, further contextualizing the production of the portfolio. WILSON CHAN

Renarration

(opposite bottom spread) “ kickback. The Kickback is a celebration of the semester’s worth of pro(ob)jects, a social gathering that mimics and parallels studio culture. The close proximity helps illustrate the affinity that these pro(ob)jects have from one another. The Kickback also seeks to pull out certain personalities embedded within them, highlighting individuality while working to compose a whole image. ”

WILSON CHAN

Casa Barragán Critic: Partners:

Jan 2019 | 4 Weeks Yojairo Lomeli Chandler Caserta Blake Harris Pilar O’Hara

This project is a group effort to reconstruct and analyze one of the most precious works of Mexican architect Luis Barragán, with a personal touch from each of the members of the group.

Renarration

WILSON CHAN

The plan is divided into four parts by function: Garden, Living, Circulation, Entry/Facade. Each member is responsible for a part of the model and each section provides an opportunity to look into the details of the house from perspectives that might not be found online or in books. The elevation of my part of the model (opposite) shows the relationship between the porous back facade and the spacious garden.

Chan Garden

Harris

Private Space

Caserta

Circulation

O’Hara

Entry & Facade

Sketches pieces Scannedofbyhand-cut CamScanner

Renarration

WILSON CHAN

These interior shots of some iconic moments, including the window in the living room (below) and the stairs to the terrace (opposite) begins to mimic the affect of the house.

Renarration

WILSON CHAN

Maps 2020 - 2022

This is a collection of different maps I have created. Some of them are based on geographic information in real life, while others are fictional; some of them are inspired by modern-day styles, while others recall older aesthetics.

This series of maps includes a provincial boundary map, population density map, and a linguistic distribution map of a fictional country named Rowtar.

Below is a railway map of the Greater Bay Area in China. On the right (below) are two railway maps of NewShank, a fictional city in the video game Minecraft that I have been playing/working on since 2014. Both are inspired by the current Hong Kong MTR system map (right top).

Recreation

Sun Sun’s Street Map of Kowloon (1974) is one of the precedents for the Detailed Map of Rigtton, which is a fictional neighborhood inside of the fictional city NewShank.

WILSON CHAN

Sketches 2017 - 2021

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04 05

07 06

01 Barnsdall Art Park, Los Angeles, CA

04 Ueno Park, Tokyo, Japan

Recreation

02 Whangārei, New Zealand

03 Austin, TX

05 Al Maryah Island, Abu Dhabi, UAE

06 Original Photo: HONG KONG 1969 - Rickshaw at Man Yee Building Central by Redge Solley

07 Guangzhou Library, Guangzhou, China

09 French Quarter, New Orleans, LA 08 Christ Cathedral, Anaheim, CA

Golden Gate Bridge, San Francisco, CA

The US Capitol, DC

WILSON CHAN

Resume + Portfolio