Where do you stand?

Page 1

A Y D H # E Y 2 W A 1 O # E #KONY20 O #WHYIST IN A O R G T O E A M R M E E # V R E ON E N T # T A E I E M T N S A E K V H CKLI MEN #TAKEA E S   # W O T E V O I M ALLW O R O U R L AHMED # TTE F A H T H M I S C E W V D I AR L N K A C T S A A I L G # B A # R TOO  E #WHATIF NEE #NEVE ET E K M N # A K E A K F E I A K T T A # H D O W E # M Y A E T S N O T HYIS R O U R L I V E O N # T   A O D M F E S H ARC W I T H A H M BLACKLIVE AK # E D K N A O A T O # T ST E N E M # M I O 2 L 1 W R L 0 L U 2 KONY TAYED #YESA A R C H F O R O HAH T S M I I Y # W H   D N W N I A A T S G E I A # M R # N E V E F #METOO O N Y 2 0 1 2   S T I K I T # Y A   H H E W W R # O   M R E R E N E T V O T E T # N O K L I V E S M A KEAKNEE #N # C A F I A T T L # A B N H # E W M # O E W S L N E L O V A I T O N #YES HFOROURL #   D M E S E M C V H R I #MA N D W I T H A F #BLACKL K I A A T T T # A S H N I E W # M # O 2 1 SALLW IVES NY20

WHERE DO STAND? By definition, it is impossible to plan for spot news. The unplanned marches or demonstrations so common this past spring posed challenges for media outlets scrambling to cover movement after movement.

Even when the marches are planned well in advance, they pose challenges for journalists — challenges in getting access, challenges in providing fair and balanced coverage and challenges in publishing coverage in a timely fashion. Coverage of the event becomes dated quickly, but coverage of the issues at the heart of the rally may continue for months. The following pages present examples of how schools covered recent protest events and advice from professionals about how to cover them going forward. by Bradley Wilson, MJE

FALL 2018

COMMUNICATION: JOURNALISM EDUCATION TODAY | a publication of the Journalism Education Association | 19


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
Where do you stand? by Bradley Wilson - Issuu