Narratologist is a real job

MOVIES Editor: Bennett Campbell Ferguson Contact: bennett@wweek.com

Misguided Magic

George Miller, director of Mad Max: Fury Road, returns with Three Thousand Years of Longing.

BY BENNETT CAMPBELL FERGUSON @thobennett

Early in Three Thousand Years of Longing, Alithea (Tilda Swinton) declares to a crowd that stories are nothing but metaphors. Her audience accepts this pronouncement quietly—with the exception of a bearded, white-robed apparition in the front row. “Lies!” he shouts. The bellower is in sympathy with the fi lm’s director, George Miller (Mad Max, Babe: Pig in the City). Miller is a master of metaphors, but his work is built on the belief that a story must be more than a symbol. For him, it is not enough for art to only represent a thing. It must be a thing, and preferably a beautiful and bracing one. Based on A.S. Byatt’s short story “The Djinn in the Nightingale’s Eye” and written by Miller and Augusta Gore, Three Thousand Years of Longing doesn’t quite fulfi ll that ideal. Miller’s phantasmagorical visuals are as beguiling as ever, but a frustrating, retrograde conclusion may leave some moviegoers doubting his feminist bona

“THERE’S NO STORY ABOUT WISHING THAT IS NOT A CAUTIONARY TALE.”

fi des. Alithea certainly would. As a narratologist (which is a real job!), Alithea decodes common elements of stories across cultures. She’s a modern Joseph Campbell, but without his rambling, ruminative style. Even when she acknowledges the DC Comics pantheon in a presentation on myth, she refuses to be bogged down in superhero arcana (incidentally, Miller almost made a Justice League fi lm). Alithea becomes an unlikely companion to the Djinn (Idris Elba), a towering, chatty genie who has spent several millennia imprisoned in a brass bottle. Upon appearing in Alithea’s hotel room in Istanbul, he asks her to help him gain his freedom by making three wishes, but he’s begging the wrong gal. “There’s no story about wishing that is not a cautionary tale,” Alithea claims. Implicit in her words is a challenge: Can the Djinn (and the movie) convince Alithea to fall for the seductive prospect of dreams made real? Alithea spends most of Three Thousand Years of Longing listening while the Djinn reveals his past lives, which are envisioned in hallucinatory fl ashbacks. With their shadowy palaces, colored smoke and smoldering desires, his stories have a maximalist allure, but his most intimate tale—about Zefi r (Burcu Gölgedar), the restless wife of an elderly merchant—is his best. Zefi r, a scientifi c genius who dreams of human fl ight, wishes for nearly limitless knowledge. Smitten, the Djinn obliges, but there’s a cost: Zefi r feels suffocated by his adoration. Love and sex, it turns out, aren’t always as soul-enriching as intelligence.

SCREENER

METRO-GOLDWYN-MAYER

TWO LOVERS: Idris Elba and Tilda Swinton.

There’s a spiritual kinship between Zefi r and Alithea, who informs the Djinn that she doesn’t regret being single and childless. We learn that her ex-husband had an affair, but she recounts the betrayal in a brisk, businesslike manner. She may be isolated, but she says she’s content. The problem is that Three Thousand Years of Longing doesn’t believe Alithea. Despite starting out as a seemingly radical fairy tale about the difference between loneliness and aloneness, the fi lm abruptly reduces her to a mopey spinster at the end of the second act, insisting that she wanted to be wooed by the hunky genie all along. It’s enough to make you wonder what happened to Miller. His last fi lm, Mad Max: Fury Road (2015), was a cornucopia of cinematic joys, but none could compete with the defi ant spectacle of women of all ages banding together to conquer a bloated patriarch. That’s why it’s so sobering that Three Thousand Years of Longing falls back on one of the most toxic of tropes: the woman whose salvation lies in coupledom. It’s yet another instance of what Whit Stillman’s The Last Days of Disco (1998) called “ferocious pairing off,” an enduring false god that damages people of all gender identities.

Three Thousand Years of Longing is at its most persuasive when it recognizes that the Djinn’s power doesn’t come from wishes—it comes from being the one who grants them. That’s why he looks so vexed when Alithea sly wishes for a sip of tea, something she’s thoroughly capable of obtaining on her own. Miller seems to think Alithea is being glib—that tea is code for some secret yearning. But Swinton, with all her imperious poise, convinces you that her character just wants a cuppa.

SEE it: Three Thousand Years of Longing opens Thursday, Aug. 25, at Bridgeport, Cedar Hills, Cinema 2, City Center, Clackamas, Division, Eastport, Evergreen Parkway, Fox Tower, Hollywood, Laurelhurst, Lloyd Center, Progress Ridge, Tigard and Vancouver Plaza.

STREAMING WARS

YOUR WEEKLY FILM QUEUE

BY BENNETT CAMPBELL FERGUSON @thobennett

INDIE PICK 1:

At 94, James Ivory, is still making movies (he co-directed the upcoming documentary A Cooler Climate). Celebrate his endurance by revisiting A Room With a View (1985), his rapturous portrait of a 1900s Englishwoman (Helena Bonham Carter) who has a momentous encounter with a freethinking railwayman (Julian Sands) in Italy. Based on E.M. Forster’s novel, the fi lm is a testament to Ivory’s collaboration with the late producer Ismail Merchant, who was his partner in both art and life. HBO Max.

INDIE PICK 2:

It takes a true optimist to keep the faith in the face of despair—someone like director Patty Jenkins, who plunged into the psyche of serial killer Aileen Wuornos (Charlize Theron) with Monster (2003), then unleashed the gleaming hopefulness of the Wonder Woman fi lms. In retrospect, Monster is a fi tting prelude to Jenkins’ superhero work. Her fearlessness in the dark gave her unique credibility when she embraced the light. Netfl ix, free on Amazon, Crackle, Plex, Roku, Tubi.

HOLLYWOOD PICK:

Jonah Hill published an open letter last week stating that due to anxiety attacks, he would not promote his fi lms for the foreseeable future (he added that he was “hoping to make it more normal for people to talk and act on this stu ”). In honor of his heroic frankness about mental health, we recommend Moneyball (2011), in which he plays Peter Brand, a quietly revolutionary compatriot of Oakland A’s general manager Billy Beane (Brad Pitt). Hulu.

CLASSIC PICK:

A spaghetti-covered tennis racquet. A tilted hat. A broken mirror. The indelible images of Billy Wilder’s The Apartment (1960) are upstaged only by its funny, furious, heartfelt words. It’s hard to fi nd Hollywood fi lms this slick and smart in any era, but Wilder made one for the ages: a tale of tyranny toppled by the tender chemistry between Jack Lemmon and Shirley MacLaine. Rent on Amazon, Apple TV, Google Play, Vudu, YouTube.

ORANGE SKY GOLDEN HARVEST

The Way of the Dragon (1972)

Bruce Lee’s sole directorial e ort stars him as a Hong Kong martial artist sent to Rome to stop gangsters from terrorizing his cousin’s restaurant. It all leads up to a glorious showdown in the Colosseum, where he faces o against an American champion (Chuck Norris!). Screens as part of the Clinton’s Bruce Lee Film Festival. Clinton, Aug. 25.

The Discreet Charm of the Bourgeoisie (1972)

Spanish surrealist Luis Buñuel directs this biting social satire, loosely arranged around a group of bourgeois friends who attempt to dine together with increasingly bizarre interruptions. This new 4K restoration celebrates the Best Foreign Language Academy Award winner’s 50th anniversary. Cinema 21, Aug. 26.

Kill Bill: Vol. 1 and Vol. 2 (2003, 2004)

Bask in the Bride’s (Uma Thurman) entire bloody path to vengeance against the Deadly Viper Assassination Squad (Lucy Liu, Darryl Hannah, Michael Madsen, Vivica A. Fox) and the titular Bill (David Carradine) with this kickass double feature. Fist-pump at Vol. 1’s action-packed stunts, then weep at Vol. 2’s layered exploration of a mother’s unconditional love! 5th Avenue, Aug. 26-28.

Austin Powers: International Man of Mystery (1997)

When shagadelic ’60s playboy spy Austin Powers (Mike Myers) is cryogenically frozen on a mission, he awakens in the strange new world of the ’90s. Now, it’s up to him and his partner (Elizabeth Hurley) to stop Dr. Evil (also Myers). Screens in honor of its 25th anniversary and as part of the Hollywood’s Mondo Trasho series. Hollywood, Aug. 26.

Apocalypse Now: Final Cut (1979)

This new 4K restoration of Francis Ford Coppola’s Vietnam War masterpiece follows a captain (Martin Sheen) up the Nùng River on a rocky mission to assassinate the mad Col. Kurtz (Marlon Brando). Not to be confused with Apocalypse Now: Redux, which clocks in at 202 minutes, Coppola’s preferred Final Cut (released in 2019) is a comparatively trim 183. Hollywood, Aug. 27-28.

ALSO PLAYING:

Academy: Indiana Jones and the Temple of Doom (1984), Aug. 24-25. Wings of Desire (1987), Aug. 24-25. Conan the Barbarian (1982), Aug. 26-Sept. 1. Friday the 13th: The Final Chapter (1984), Aug. 26-Sept. 1. Cinema 21: The Room (2003), Aug. 26. American Gra ti (1973), Aug. 27. Clinton: Shadowplay—Women in Experimental Animation, Aug. 24. The Big Boss (1971), Aug. 29. Game of Death (1978), Aug. 30.

OUR KEY

: THIS MOVIE IS EXCELLENT, ONE OF THE BEST OF THE YEAR.

: THIS MOVIE IS GOOD. WE RECOMMEND YOU WATCH IT.

TOP PICK OF THE WEEK

A LOVE SONG

Historically cast for their hard-bitten gravitas, Wes Studi (The Last of the Mohicans, Hostiles) and Dale Dickey (Winter’s Bone, Leave No Trace) boast well over 200 screen credits between them. But freshman director Max Walker-Silverman is the fi rst fi lmmaker to fi nd romantic vulnerability in the grooves of Dickey’s and Studi’s unforgettable visages. A Love Song fi nds Faye (Dickey) idling away at a Southwestern Colorado campground, awaiting a letter from high school friend Lito (Studi). With some Moonrise Kingdom-infl uenced camerawork, the fi lm is a playful exercise in simplicity, as Faye catches crawdads, cracks Busch Lights, and spins the dial on her lightly magical radio, which always plays the perfect lonesome country tune. When Studi arrives, the movie becomes a sublime two-part harmony—both actors wear their age as armor, delicately juxtaposing late-stage puppy love with their characters’ very real fear of starting over after age 60. More akin to a short story than a novel, the movie is a mere 81 minutes, but in every dusty frame, it features some of 2022’s fi nest acting. PG. CHANCE-SOLEM-PFEIFER. Fox Tower, Living Room.

EASTER SUNDAY

Jo Koy’s standup translates seamlessly to film in Easter Sunday, which captures his signature blend of humor and sentimentality. Written by Ken Cheng and Kate Angelo (and based on Koy’s life), the film centers on an Easter family gathering dominated by Susan Valencia, a matriarch exquisitely embodied by Lydia Gaston. Koy plays a version of himself named Joe, a struggling actor attempting to balance the ever-present demands of career and family. Due to a poverty of time, Joe often finds himself neglecting the most important people in his life, including his son Junior (Brandon Wardell), whom he struggles to connect with, and his mother, whom he struggles to please. Even as the film reaches for bigger and bigger jokes, its relatability makes it work—the essence of the story is Joe’s family and the sacrifices they’re willing to make for one another, along with Koy’s wit. Tapping into the devastating honesty of Valencia elders who emigrated from the Philippines to America, Easter Sunday reflects on the realities of generational assimilation, but it never loses sight of the inherent humor that only family can expose. PG-13. RAY GILL JR. Bridgeport, Cascade, Cedar Hills, Cinema 99, City Center, Clackamas, Division, Eastport, Mill Plain, Movies on TV, Oak Grove, Stark Street, Vancouver Plaza.

BODIES BODIES BODIES

Somewhere between crackling Gen Z dialogue and director Halina Reijn’s vivid cinematic vision lies the dead corpse of a fun idea. Bodies Bodies Bodies opens on a close-up of Bee (Maria Bakalova) and Sophie (Amandla Stenberg) making out in a scene that hints at an edgy Harmony Korine vibe that the film coasts on throughout its first act (unsurprisingly, both Reijn’s film and Korine’s Spring Breakers were released by the ultra-hip indie studio A24). Things get edgier still when they and a group of affluent 20-somethings and some random older guy (Lee Pace) gather at a remote mansion where they end up playing a series of twisted parlor games during a hurricane party. Predictably, the lights go out and the movie goes off the rails—especially when Sophie suggests they play Bodies Bodies Bodies, a seemingly innocent detective game. It’s an intriguing premise, but the clever generational dialogue (“you are so toxic”) and comedic twists give way to schlocky satire as more dead bodies turn up and people begin pointing fingers. Reijn’s avant-garde style is striking and the layered characters are full of intrigue, but we never really get to know them—and the lack of clues as to the culprit turns a whodunit into a less interesting game of Guess Who? R. RAY GILL JR. Cedar Hills, Cinemagic, City Center, Clackamas, Eastport Plaza, Evergreen Parkway, Fox Tower, Hollywood, Laurelhurst, Living Room, Lloyd Center, Pioneer Place, St. Johns Twin, Studio One, Tigard.

CLAYDREAM

“Interesting characters often have a simple goal…but it’s in great conflict with the world around them,” narrates the late, legendary Portland animator Will Vinton in ClayDream, a documentary about his life. Thematically, it’s a perfectly chosen quote, but it also spotlights the film’s limits. ClayDream frames a pioneering creator primarily as a combatant—against Nike co-founder Phil Knight (to whom he lost his company), against Bob Gardiner (his former collaborator-turned-tormentor), against his own flawed business acumen, and even against the introspection necessary to make this documentary really resonate. Seen here, Vinton’s self-analyses are so matter of fact they’re almost expository (like that his 1985 film The Adventures of Mark Twain represented a “high bar” or that the California Raisins were a “really successful project”). He’s portrayed more as a being in perpetual motion than as someone whose imagination can be unpacked. Granted, that appears accurate, according to the many interviews conducted by director Marq Evans (who also made The Glamour & the Squalor about another Pacific Northwest institution, Seattle DJ Marco Collins), but it leaves frustration behind. The film’s most cogent narrative is of a business’s rise and fall, set to ominous courtroom-drama music. ClayDream is a melancholic Vinton primer that capably chronicles what they made at Will Vinton Studios, just not why. NR. CHANCE SOLEM-PFEIFER. Cinema 21.

ACROSS

1. Quicker way to "count by" 5. LBJ's veep 8. Most proficient 14. "Are you kidding?" 15. "All applicants welcome" letters 16. "___ King" (Burger King spoof in a 2000 "Flintstones" movie) 17. *Current Maori-language name for New Zealand 19. *North African curvyhorned wild sheep that was released in Texas in the 1950s 20. Cul-de-___ 21. Egyptian Christians 23. Ghana's neighbor 24. Alternative to a business meeting, so to speak 26. Storefront coverings 29. *Series of heart structures that lead to the neck and head arteries 32. Fawns' mothers 33. Iron Maiden song that's also an instruction for some card games 37. Strand in a lab 38. *New York Times film critic whose Twitter name is still "32 across" six years after his name appeared in the crossword 41. "There's ___ in 'team"' 42. Grueling workplace 44. "Konvicted" hip-hop artist 45. *Tagline that distinguishes a concert or convention from a fullweekend a air 49. Hargitay of "Law & Order: SVU" 52. "Like a Rock" singer Bob 53. Hebrew phrase meaning "to the skies" 54. Musician/producer Ty ___ $ign 56. Indie singer DiFranco 59. *Honshu city deemed one of the world's snowiest major cities (averaging 26 feet per year) 62. *Items containing free trial software, dubbed "history's greatest junk mail" by a Vox article 64. Actress Charlize who guested on "The Orville" 65. 37-Across counterpart 66. Unkind 67. "MMMBop" band of 1997 68. Pvt.'s boss 69. "Animal House" group, for short

DOWN

1. "___ the night before Christmas ..." 2. "Easy there!" 3. Quaker boxful, maybe 4. Sault ___ Marie, Ontario 5. Valiant 6. Overblown publicity 7. Use a microwave on 8. "Defending liberty, pursuing justice" org. 9. ___-country (Florida Georgia Line genre) 10. Ill-mannered 11. ___ a good note 12. Amos Alonzo ___, coach in the College Football Hall of Fame 13. Hullabaloos 18. Berry that makes a purple smoothie 22. Anarchist defendant with Vanzetti 25. Chain members (abbr.) 27. Perk up, as an appetite 28. Home in the sticks? 29. Throws in 30. "Game of Thrones" actress Chaplin 31. Competed with chariots 34. Back end of some pens 35. "Keep talking" 36. Vaguely suggest 38. "To Venus and Back" singer Tori 39. "Old MacDonald" noise 40. Sam with 82 PGA Tour wins 43. Clothes experts 44. 1600 Pennsylvania ___ (D.C. address) 46. Covering the same distance 47. Chew out 48. Edwardian expletive 49. County north of Dublin 50. Word on Hawaiian license plates 51. Soup that may include chashu or ajitama 55. Rowboat rowers 57. March Madness org. 58. Ceases to be 60. "Winnie-the-Pooh" marsupial 61. Quaint motel 63. Global currency org.

last week’s answers

ARIES (March 21-April 19): In his poem "Autobiographia Literaria," Aries-born Frank O'Hara wrote, "When I was a child, I played in a corner of the schoolyard all alone. If anyone was looking for me, I hid behind a tree and cried out, 'I am an orphan.'" Over the years, though, O'Hara underwent a marvelous transformation. This is how his poem ends: "And here I am, the center of all beauty! Writing these poems! Imagine!" In the coming months, Aries, I suspect that you, too, will have the potency to outgrow and transcend a sadness or awkwardness from your own past. The shadow of an old source of suffering may not disappear completely, but I bet it will lose much of its power to diminish you. TAURUS (April 20-May 20): In his poem "Augu-

ries of Innocence," William Blake (1757–1827) championed the ability "to see a World in a Grain of Sand. And a Heaven in a Wild Flower. Hold Infinity in the palm of your hand." According to my reading of the astrological omens, Taurus, you are primed to do just that in the coming days. You have the power to discern the sacred in the midst of mundane events. The magic and mystery of life will shine from every little thing you encounter. So I will love it if you deliver the following message to a person you care for: "Now I see that the beauty I had not been able to find in the world is in you." GEMINI (May 21-June 20): "The time you enjoy wasting is not wasted time," said philosopher Bertrand Russell. I will add that the time you enjoy wasting is often essential to your well-being. For the sake of your sanity and health, you periodically need to temporarily shed your ambitions and avoid as many of your responsibilities as you safely can. During these interludes of refreshing emptiness, you recharge your precious life energy. You become like a fallow field allowing fertile nutrients to regenerate. In my astrological opinion, now is one of these revitalizing phases for you. CANCER (June 21-July 22): "My own curiosity and interest are insatiable," wrote Cancerian author Emma Lazarus (1849–1887). Inspired by the wealth of influences she absorbed, she created an array of poetry, plays, novels, essays, and translations—including the famous poem that graces the pedestal of America's Statue of Liberty. I recommend her as a role model for you in the coming weeks, Cancerian. I think you're ripe for an expansion and deepening of your curiosity. You will benefit from cultivating an enthusiastic quest for new information and fresh influences. Here's a mantra for you: "I am wildly innocent as I vivify my soul's education." LEO (July 23-Aug. 22): Blogger Scott Williams writes, "There are two kinds of magic. One comes from the heroic leap, the upward surge of energy, the explosive arc that burns bright across the sky. The other kind is the slow accretion of effort: the water-on-stone method, the soft root of the plant that splits the sidewalk, the constant wind that scours the mountain clean." Can you guess which type of magic will be your specialty in the coming weeks, Leo? It will be the laborious, slow accretion of effort. And that is precisely what will work best for the tasks that are most important for you to accomplish. VIRGO (Aug. 23-Sept. 22): "Now that I’m free to be myself, who am I?" Virgo-born Mary Oliver asks that question to start one of her poems. She spends the rest of the poem speculating on possible answers. At the end, she concludes she mostly longs to be an "empty, waiting, pure, speechless receptacle." Such a state of being might work well for a poet with lots of time on her hands, but I don't recommend it for you in the coming weeks. Instead, I hope you'll be profuse, active, busy, experimental, and expressive. That's the best way to celebrate the fact that you are now freer to be yourself than you have been in a while. LIBRA (Sept. 23-Oct. 22): In her book Tales From

Earthsea, Libra-born Ursula K. Le Guin wrote, "What goes too long unchanged destroys itself. The forest is forever because it dies and dies and so lives." I trust you're embodying those truths right now. You're in a phase of your cycle when you can't afford to remain unchanged. You need to enthusiastically and purposefully engage in dissolutions that will prepare the way for your rebirth in the weeks after your birthday. The process might sometimes feel strenuous, but it should ultimately be great fun. SCORPIO (Oct. 23-Nov. 21): As a Scorpio, novelist Fyodor Dostoyevsky was rarely guilty of oversimplification. Like any intelligent person, he could hold contradictory ideas in his mind without feeling compelled to seek more superficial truths. He wrote, "The causes of human actions are usually immeasurably more complex and varied than our subsequent explanations of them." I hope you will draw inspiration from his example in the coming weeks, dear Scorpio. I trust you will resist the temptation to reduce colorful mysteries to straightforward explanations. There will always be at least three sides to every story. I invite you to relish glorious paradoxes and fertile enigmas. SAGITTARIUS (Nov. 22-Dec. 21): Author Zadie

Smith praised Sagittarian writer Joan Didion. She says, "I remain grateful for the day I picked up Joan Didion's Slouching Towards Bethlehem and realized that a woman could speak without hedging her bets, without hemming and hawing, without making nice, without sounding pleasant or sweet, without deference, and even without doubt." I encourage Sagittarians of every gender to be inspired by Didion in the coming weeks. It's a favorable time to claim more of the authority you have earned. Speak your kaleidoscopic wisdom without apology or dilution. More fiercely than ever before, embody your high ideals and show how well they work in the rhythms of daily life. CAPRICORN (Dec. 22-Jan. 19): Capricorn novelist Marcia Douglas writes books about the history of her people in Jamaica. In one passage, she writes, "My grandmother used to tell stories about women that change into birds and lizards. One day, a church-going man dared to laugh at her; he said it was too much for him to swallow. My grandmother looked at him and said, 'I bet you believe Jesus turned water into wine.'" My purpose in telling you this, Capricorn, is to encourage you to nurture and celebrate your own fantastic tales. Life isn't all about reasonableness and pragmatism. You need myth and magic to thrive. You require the gifts of imagination and art and lyrical flights of fancy. This is especially true now. To paraphrase David Byrne, now is a perfect time to refrain from making too much sense. AQUARIUS (Jan. 20-Feb. 18): To be the best Aquarius you can be in the coming weeks, I suggest the following: 1. Zig when others zag. Zag when others zig. 2. Play with the fantasy that you're an extraterrestrial who's engaged in an experiment on planet Earth. 3. Be a hopeful cynic and a cheerful skeptic. 4. Do things that inspire people to tell you, "Just when I thought I had you figured out, you do something unexpected to confound me." 5. Just for fun, walk backward every now and then. 6. Fall in love with everything and everyone: a D-List celebrity, an oak tree, a neon sign, a feral cat. PISCES (Feb. 19-March 20): A blogger who calls herself HellFresh writes, "Open and raw communication with your partners and allies may be uncomfortable and feel awkward and vulnerable, but it solves so many problems that can't be solved any other way." Having spent years studying the demanding arts of intimate relationship, I agree with her. She adds, "The idea that was sold to us is 'love is effortless and you should communicate telepathically with your partner.' That's false." I propose, Pisces, that you fortify yourself with these truths as you enter the Reinvent Your Relationships Phase of your astrological cycle.

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