RESEARCH & PROCESS

GLOVES

DRESS

Tulle Gloves with Hand Applied Pearls

Crochet Chainmail FItted Dress with Chain Straps

All materials for this collection have been purchased sustainably and sourced from within 5km of the designer’s residence.

WHAT LIES BENEATH:

60s REVIVAL

WHAT LIES BENEATH:

SHEER STRUCTURE

DEVELOPMENT: TREND

csm fw22 louis vuitton ss23 moschino r23 shang xia ss22 christian cowan ss22 giambatista valli ss22 paco rabanne r22

courreges ss23 jason wu ss23 dolce& gabbana ss22 botega venetta ss23 da wei ss23 rick owens ss23 dilara findikoglu ss23

DEVELOPMENT: TREND

TEXTILE TREND:

CROCHET

TEXTILE TREND:

BEADS & BLING

paco rabanne ss22

alaia ss22 dries van noten ss23 gcds ss23 moschino r23 antonia schreiterhy ss22 anna sui fw22 etro f22

gcds ss23 givenchy ss22 valentino ss23 kevin germanier ss23 kevin germanier ss23 feben s23

DEVELOPMENT: COLOUR PALETTE

The LOVE THE BOMB colour palette was developed based on the conceptual foundation of bright and colourful propaganda imagery of the 50s and 60s, and my favourite bugs and insects. It was also informed by current runway trends and a forward looking perspective for upcoming seasons.

paco rabanne ss23 da wei ss23 stella mccartney ss22 act n1 ss23 burberry ss23 brandon maxwell ss23 bora aksu ss23 matty bovan ss23

DEVELOPMENT: COLOUR PALETTE

The LOVE THE BOMB colour palette was developed based on the conceptual foundation of bright and colourful propaganda imagery of the 50s and 60s, and my favourite bugs and insects. It was also informed by current runway trends and a forward looking perspective for upcoming seasons.

ester mana ss23 versace ss23 arlington ss23 thom brown ss23 roksanda ss23 hermes ss23 simone rocha ss23

DEVELOPMENT: TEXTURES & TEXTILES

DEVELOPMENT: TEXTURES & TEXTILES

DEVELOPMENT: TEXTURES & TEXTILES

JOGAKBO

“A jogakbo is a style of patchwork, traditionally used to create domestic wrapping cloths (known as bojagi) from scraps of left-over fabrics.

“During the Joseon dynasty (1392 – 1910), women, living in a male-dominated society and excluded from formal education, concentrated on domestic tasks such as weaving and embroidery. Following the ideas of frugality and simplicity advocated during the dynasty, the left-over fabrics were not discarded, but would be used to create a jogakbo by patching those scraps together into larger squares or rectangles.” - Victoria & Albert Museum