Henry Goodfellow Graduate Portfolio

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HENRYGOODFELLOW.COM HENRYGOODFELLOW@MAIL.COM | 0490 102 308

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M A SERIES PHOTOGRAPHED, STYLED AND CREATED BY HENRY GOODFELLOW

(ABOVE) (3) GABRIEL SKIRT BY SAFFRON O’NEILL

BODYSUIT BY ZARA SOCKS BY PAUL SMITH

THE HUMAN FORM BEGS FOR ATTENTION, THE MIGHTY SUN FALLS SILENTLY BEHIND IT, MIRRORING ITS EVERY MOVEMENT AND BEHAVIOUR. A BODY IS STRONG AND FRAIL, CAN MOVE MOUNTAINS BUT CAN BE HELD BY ANOTHER. THE HUMAN FORM IS A VESSEL AND ACCENTUATES THE FEATURES OF ITS INHABITANT. EVERY MOVEMENT IS AN EXPRESSION OF WHO SOMEONE IS. EVERY ARCH AND CURVE CALCULATED AND DISCREET UNTIL GIVEN FURTHER STUDY. EVERY RELATIONSHIP BETWEEN MUSCLE AND TENDON, MIND AND SOUL DISPLAYED THROUGH DANCE AND ACTION. EVERY ASSORTMENT OF MOVEMENT AND FORMATION, UNIQUE AND INDIVIDUAL. THE HUMAN FORM IS A MOSAIC OF EVERYONE THAT HAS EVER BEEN LOVED AND WILL BE LOVED. AN ARM CAN REACH OUT AND TOUCH TO COMFORT OR LOVE ONE ANOTHER. IN THE HUMAN FORM EVERYTHING IS CONNECTED AND THAT IS WHY EVERYTHING IS FREE.

(OPPOSITE) (1) THE POSTERIOR PANTS BY INCU, BELT BY PRADA

(OPPOSITE) (1) FORM OF SAMUEL TORSO

(OPPOSITE) (1) THE FORM OF VICTOR, DUT AND GABRIEL SHORTS BY AKIRA ISOGAWA

(SIDEWAYS) (1) THE ARCH OF SAMUEL BLUE

(ABOVE) (1) KIMONO BY AKIRA ISOGAWA, PANTS BY INCU, BELT BY PRADA

(ABOVE) (1) SKIN BAG BY BOTTEGA VENETTA

(OPPOSITE) (1) THE FORM OF GABRIEL PANTS AND SNEAKERS BY GOLDEN GOOSE

F (ABOVE) (1) PHYSICALITY AND GRACE SKIRT BY SAFFRON O’NEILL

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(BOTH) (2) UP, AND DOWN PANTS BY INCU, SOCKS BY PAUL SMITH

THIS PHOTO SERIES DELVES INTO THE INTRICACIES OF THE HUMAN FORM THROUGH COMPOSITIONS, TEXTURES, AND COLOUR. THE IMAGES EXPRESS THE BEAUTY OF MOVEMENT THROUGH FLOW, FORM AND SHAPE. THE COLOUR PALETTE IS RAW, BUT RICH. EARTHY IN TONE, POPS OF BLUE AND ORANGE CONTRASTING WITH THE RAWNESS OF EARTH. THE ORANGES AND BROWNS, DISCORDANTLY CONTRASTING WITH PALE BLUE, WERE INSPIRED

BY RECENT RUNWAY COLLECTIONS AND FORECASTS. THIS PALETTE PROVIDES A STRIPPED BACK LOOK, COMPLEMENTING THE STYLING CHOICES AND ENSURING THAT THE SHAPE AND FORM OF THE BODY IS THE FOCAL POINT OF EVERY IMAGE. THESE COLOURS PROVIDE A SENSE OF FREEDOM AND EXPRESSION THAT ALIGNS TO FEELINGS THAT MOVEMENT PROVIDES.

(OPPOSITE) (1) THE FORM OF LACHY SKIRT BY SAFFRON O’NEILL

(ABOVE) (1) ILLUSTRATION BY HENRY GOODFELLOW

(ABOVE) (1) BANNER THE FORM OF GABRIEL

(LEFT) (1) ILLUSTRATION BY HENRY GOODFELLOW

(OPPOSITE) (1) BODYSUIT BY ZARA

(OPPOSITE) (1) THE FORM OF VICTOR, DUT AND GABRIEL COLOURS PANTS BY MFPEN

(LEFT) (1) CLOTH AS MUSCLE HENRY GOODFELLOW

(ABOVE) SKIRT BY G.D.S INTERMAX

(ABOVE) PANTS BY AKIRA ISOGAWA

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(ABOVE) (3) THE FORM OF SAMUEL THE BEAUTY OF MOVEMENT

HENRY GOODFELLOW HAS A DEEP AFFINITY FOR THE CRAFT OF THE PHOTOGRAPHIC MEDIUM. WHETHER WORKING WITH 35MM FILM OR DIGITAL FORMATS, HE CHOOSES THE MEDIUM THAT WILL ASSIST IN CREATING IMAGES THAT HARMONIOUSLY FUSE HIS AFFECTION FOR FASHION, DESIGN, AND PORTRAITURE WITH THE ART OF INTRICATE NATURAL LIGHTING AND STYLING. DRAWING INSPIRATION FROM BOTH HIS SURROUNDINGS AND THE INTERNATIONAL FASHION SCENE, HENRY DELVES INTO THE DEPTH OF THE HUMAN EXPERIENCE , WITH A PARTICULAR EMPHASIS ON ACCENTUATING THE ELEGANCE OF THE HUMAN FORM, THROUGH THEIR BODIES AND THEIR FACES. HIS FAVOURITE THINGS INCLUDE THE FEELING OF PAPER STOCKS, THE SMELLS OF 35MM FILM, THE MOVEMENT OF THE BODY AND THE MARKS THAT EVERY INDIVIDUAL LEAVES ON THE OBJECTS THEY USE. OH, AND HE CAN ONLY WRITE IN CAPS. HENRYGOODFELLOW.COM | @HENRYGDFLLW

A SERIES MADE WITH LOVE.

ALL RIGHTS RESERVED ®

A SERIES PHOTOGRAPHED, STYLED AND CREATED BY HENRY GOODFELLOW