Hidden Talents International Art Magazine Summer 2024

HIDDEN TALENTS SUMMER 2024 | £4.00

INTERNATIONAL ART MAGAZINE

DISCOVERING DEPTHS THE ART OF

RALPH ALDHOUS LIZZIE JAYNE

ALONG LIFE`S PATH TASTE OF SUMMER INSPIRING PAPIERMÂCHÉ PIECE,

“HAPPY”

DEBBIE COURT TEXTILE DESIGN TO DYNAMIC FINE ART & AUTHOR

HEIKE RENZ JOURNEY OF

CAROLINE BOFF EQUILIBRIUM BY

NEEKS

VARNISHING YOUR

MASTERPIECES FROM CANVAS TO FABRIC

DAWN BOOTH

JOURNEY OF ARTIST

CAROLE PUGH

RESILIENCE AND RENEWAL EVER-EVOLVING CANVAS BY

DAVID IRISH

PAINTING BY CAROLE PUGH

THE OCEAN’S WHISPER ELARA JOURNEY

DOYEN THE BEACH is a deliberately glitchy mixed media composite .

One where the ever ephemeral light, shade, weather / texture combine as one to reflect my impressions of a typical day at the beach .

Hand in hand, where dreams align, In a world of endless time.

Laughter floats on gentle breeze, Hearts at ease, in love’s sweet ease.

Bound by joy, their spirits light, Together, walking through the night. In this moment, life unfurled, Two souls, one heart, against the world.

COUPLE: PAINTING BY DAVID IRISH

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CONTENT

6 8 10 12 14 18 20

WELCOME

TO THE SUMMER ISSUE OF HIDDEN TALENTS MAGAZINE!

EVER-EVOLVING CANVAS A JOURNEY THROUGH THE HISTORY AND INFLUENCE OF PAPER BY DAVID IRISH

HAPPY

PAPIER MACHE BY DEBBIE COURT

EQUILIBRIUM A PAINTING BY NEEKS

THE JOURNEY OF ARTIST CAROLE PUGH

DISCOVERING DEPTHS THE ART OF RALPH ALDHOUS

ALONG LIFE`S PATH ORIGINAL ART AND STORY BY LIZZIE JAYNE.

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22 25 28 30 32 34 36

THE OCEAN’S WHISPER ELARA JOURNEY

BY HUDSON

TASTE OF SUMMER

TROPICAL CITRUS COOLER GRILLED HALLOUMI AND VEGETABLE SKEWERS LEMON & BLUEBERRY TART DELIGHT

FROM DARKNESS TO COLOUR THE JOURNEY OF CONTEMPORARY ARTIST CAROLINE BOFF

THE ART OF PRESERVATION VARNISHING YOUR MASTERPIECES WITH WINSOR & NEWTON PRODUCTS

FROM CANVAS TO FABRIC

BY DAWN BOOTH

RESILIENCE AND RENEWAL

BY NYLA ULLA

FROM TEXTILE DESIGN TO DYNAMIC FINE ART & AUTHOR

BY HEIKE RENZ

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WELCOME

TO THE SUMMER ISSUE OF HIDDEN TALENTS MAGAZINE!

Dear Readers, Welcome to the vibrant and inspiring Issue of Hidden Talents Magazine! This season, we’re thrilled to present a rich tapestry of stories, art, and experiences from a diverse group of talented individuals. Our summer issue is a celebration of creativity, resilience, and the boundless talents that make our world a more beautiful place.

Immerse yourself in the soothing and meditative world of Debbie Court with her inspiring papier-mâché piece, “Happy.” Discover how Neeks’ profound painting, “Equilibrium,” offers a deep state of healing and tranquility, reminding us of the power of art to transform and heal.

Join Carole Pugh as she shares her journey of enjoying retirement, travelling, and painting. Her increasing presence in exhibitions is a testament to the endless possibilities that come with embracing one’s passions.

Ralph Aldhous, influenced by the diverse post-industrial urban and rural landscapes, takes us on a visual exploration that is both thought-provoking and captivating.

Experience the vibrant transformation of Caroline Boff, whose journey from darkness to colour is nothing short of inspiring. Her work encourages us to find light even in the darkest of times.

Indulge in the flavours of summer with our refreshing pineapple cooler, delectable grilled Halloumi, and the delightful lemon and blueberry tart. These recipes are perfect for any summer gathering, adding a touch of zest and joy to your table.

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Exploring fabric and beyond is Dawn Booth as she explores new opportunities in fabric, bringing a fresh perspective to textile design from cushions to tablecloths, bringing elegance and warmth to any space.

Discover the powerful journey of resilience and renewal with Nyla Ulla.

Her story demonstrates the strength and transformative power of art, encouraging us all to persevere and grow.

Learn the art of preserving your cherished masterpieces, ensuring they continue to inspire for generations to come.

Heike Renz artist, author and textile designer of bedlinen, carpets and stationery products Lizzie Jayne story The little cat wondering what lay ahead, does he have the strength to keep on going………

Stay tuned as Doyen continues to transform his artistic vision into reality This issue is brimming with creativity, inspiration, and the magic of hidden talents.

We hope it encourages you to explore your own creative depths, embrace new opportunities, and find joy in the beauty of the world around you.

Enjoy this summer with a heart full of inspiration and a mind ready to discover new talents.

Happy reading, Evette Edmeade

DISCLAIMER Every care has been taken during the production of this magazine in compiling editorial and advertorial. However, The Arches Project Ltd cannpt accept responsibility for material supplied by third parties and excludes all liability relating to any products and services promoted within this publication or arising from any error, omission, or inaccurace, nor is The Arches Project Ltd responsible for the content of external websites. Finally, the views expressed in this magazine are not necessarily the views of the publisher, no part of this magazine must be copied or reproduced without written permission from the publishers.

Copyright ©The Arches Project Ltd. All rights reserved

Hidden Talents Magazine 2024 | 7

THE EVEREVOLVING CANVAS

A JOURNEY THROUGH THE HISTORY AND INFLUENCE OF PAPER BY DAVID IRISH

In an age where digital screens dominate our lives, it’s easy to overlook the humble yet profound impact of paper. From ancient scriptures to modern-day masterpieces, paper has been a silent yet powerful force, shaping human thought, communication, and creativity. Its story is as rich and textured as the very fiber from which it is made, weaving through centuries and cultures, transforming the way we share ideas and express ourselves.

The origins of paper trace back to ancient China, around 105 AD, under the inventive eye of Cai Lun, an official of the Han Dynasty. While early forms of writing materials existed—such as papyrus in Egypt and parchment in the Mediterranean—Cai Lun’s method of pulping plant fibers, fishing nets, and old rags revolutionized the production process. This new material was lighter, more flexible, and easier to produce, setting the stage for an unprecedented spread of knowledge.

From China, paper gradually made its way along the Silk Road, reaching the Islamic world by the 8th century. In these new lands, scholars and artisans refined the techniques, integrating their own cultural nuances into the craft. By the 11th century, paper had arrived in Europe, where it began to replace vellum and parchment—prepared animal skins that had served as the primary medium for writing. Though durable, vellum and parchment were labour-intensive and expensive, making the advent of paper a welcome change. Its adoption marked a pivotal moment in the history of communication, facilitating the production of books, documents, and eventually, newspapers.

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Paper’s influence on society cannot be overstated. It democratized information, making literature and learning accessible to a broader audience. This accessibility fueled intellectual movements such as the Renaissance and the Enlightenment, where the proliferation of books and pamphlets spurred scientific inquiry, artistic exploration, and political discourse. The Bible, once a rare and precious manuscript, became widely available, profoundly shaping religious and cultural landscapes.

and paper can create beautiful, unpredictable textures but also risks warping the surface.

Heavier watercolour paper, often textured, provides a more stable canvas. Stretching the paper—soaking and securing it to a board— ensures a flat working surface, crucial for maintaining the integrity of a piece.

But paper ’s journey did not end with the printed word. As it spread across continents, it evolved into an essential medium for artists. Whether made from wood pulp, cotton, straw, or rice, the composition and quality of paper could signif icantly impact an artwork’s outcome. Artists began to appreciate the nuanced interplay between their mediums and the paper’s weight, texture, and durability.

Interestingly, the versatility of paper extends beyond the traditional. Artists like ToulouseLautrec, Edvard Munch, and Picasso often experimented with unconventional surfaces such as cardboard, embracing its unique texture and color to enhance their work.

This spirit of innovation continues today, encouraging artists to explore and push boundaries with various paper types and techniques.

For drawing with pencils, standard cartridge paper of 130gsm is often a preferred choice.

It strikes a balance between smoothness and sturdiness, allowing for both fine detail and robust shading. Heavier papers, ranging f rom 190gsm to 220gsm, are ideal for charcoal or pastels, accommodating the pressure and layering these mediums require without buckling or tearing.

For budding artists, the choice of paper can significantly influence their creative journey.

Quality matters, as it can affect the ease of application and the final appearance of the artwork. Art suppliers, both instore and online, offer a myriad of options, from highstreet retailers like WH Smith to specialized stores such as Great Art.

In conclusion, paper is more than just a medium; it is a vessel of human thought, a canvas for creativity, and a cornerstone of our cultural heritage. Its history is a testament to human ingenuity and our relentless pursuit of expression and knowledge. As we continue Wa te rco l o r a r t i s t s , to innovate and communicate, the legacy of in par ticular, f ind paper remains ever-present, reminding us of themselves in a nuanced relationship with the enduring power of a blank page. their paper. The interaction between water Hidden Talents Magazine 2024 | 9

HAPPY BY DEBBIE COURT Papier mache I am a papier mache sculptor specialising in the human form. My pieces are always small-scale and figurative with lots of intricate details, and my passion is to depict people doing ordinary things as they go about their daily lives. I work mainly to commission as a portrait artist and I am asked to sculpt all sorts of subjects which often call for a lot of ingenuity and imagination to accomplish the requirements of my clients. I sell my work worldwide…especially in America and Australia.

I make a kind of ‘clay’ from paper, glue, flour etc. and sculpt it over an armature of newspaper and masking tape. It is a wonderfully versatile material to work with and enables me to get a huge amount of detail into my work. It’s a far cry from the days of covering a balloon with strips of newspaper soaked in flour and water paste, but I have very happy memories of doing that at school and even making a life-sized cow with my classmates using that method!

Inspiration for a piece of sculpture comes from various sources: I’m a keen observer of facial expressions and the way people stand; I love

Hidden Talents Magazine 2024 | 10

the way fabric drapes and folds and sometimes something as simple as how a particular muscle shapes a leg can inspire a whole sculpture!

One of the things I like to do most in my work is to depict movement and energy. I don’t sculpt many children - even though they embody those things in abundance - but ‘Happy’ was created from a desire to depict the unselfconscious f reedom and exuberance that oozes out of a child at play. She isn’t anyone in particular: I looked at lots of reference photographs of children playing to get a feel for the way they move and stand. Although this little girl is standing still, her whole body is exuding energy and happiness.

I was trying to capture a split second in time before she ran off again!

She is made entirely f rom papier mache over an armature of newspaper, masking tape and a couple of wooden cocktail sticks. Her dress is made of stiffened paper and her skin colour is achieved by rubbing dry powders into dry papier mache. I rarely use paint as it gives an unnatural look to the piece. She is only 21cm tall, but she has a huge amount of character! I plan to enter her in an open exhibition this summer and hope that she finds her forever home with someone who will love her as much as I do.

Debbie Court www.debbiecourt.com Hidden Talents Magazine 2024 | 11

EQUILIBRIUM Neeks A PAINTING BY

T

h ey s ay a picture speaks a th ousan d words so here’s hoping mine does since I only have five hundred…

A little bit about me, well I’m completely new to this despite having an intense passion and deep appreciation for art - I’ve always been the viewer, the interpreter, the thinker, never the artist. To be on the other side of the art is not only a great honour but it’s awakened a desire within in me I didn’t realise I had.

When I was asked to write a description for a piece that embodies the most poignant and beautifully tragic time of my life, I was overwhelmed. The ask felt near impossible… this painting had provoked

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so many unspoken words and feelings I had been experiencing. What appears on the surface to be a simplistic painting of a beautiful landscape was really my journey of healing and that was anything but simple…

When I began, I had no idea what I was going to paint, it all came so naturally as if my mind knew where I was going before my hand had time to catch up. I found myself painting on joyful days, sorrowful days, angry days, and guilt ridden days. And since I wasn’t waiting for the right conditions to paint, I truly felt I was able to take my time and ensure the piece was authentic to my journey.

This piece is soul baring to me. With every flick of the paint I was intentional. I often found myself in complete stillness, immersed by the colours on the canvas… I experienced peace that made no sense as I sat peacefully amongst the backdrop of great pain, trials, and turbulence.

With this painting I quickly discovered I was finding the beauty in simplicity. The smell of freshly cut grass became my favourite scent - I would wake up and open all of the windows to take it all in. The mischievousness of curious baby lambs quickly became a cherished moment of each day. Exploring the unbeaten path with no real concern for getting lost only to return to my refuge was something I never took for granted. Observing the transformation of the trees be it leaves, branches or the sway of them in extreme conditions was a sight to behold. And lastly, the birds filled me with wonder as I patiently studied them throughout various points of the day. In those moments, it all felt connected. I felt connected. It became impossible not to see things differently now…

Upon reflection, I see I was in a deep state of healing and meditation. I feel nothing but love and intense gratitude for my journey. I genuinely believe I achieved balance with my pain through this painting and in doing so dispelled any and all negative energy completely from my mind, body, and soul. I needed this painting more than I knew but I had never considered the idea that somebody else might need it too.

Thank you and enjoy!

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THE JOURNEY OF ARTIST CAROLE PUGH I am lucky to have had an interesting career as an artist. Starting from leaving school at fifteen years old and being accepted as a trainee textile design artist, I considered myself very fortunate, being the youngest employee and not having completed the three-year obligatory art course at art college. My four years of training in the studio paved the way for my future employment, so when I married and had a family, I was able to work from home, which I did successfully for many years. Painting intricate designs on a daily basis developed my painting skills in fine art. Eventually, I decided I would try my luck with a few card publishing

Autumn reflections down town - Blackburn Hidden Talents Magazine 2024 | 14

companies. After a few failed attempts, one of my designs was accepted, and I was elated to receive a cheque for £100, which came in very useful having three growing children at the time.

And so my art journey continued as my confidence grew. I held several local exhibitions of my work. My very first exhibition at Blackburn Library quickly sold out. Around this time, I was painting quite a lot of wildlife and nature subjects, which quickly became the theme for my greeting card designs. I sold my designs to many different publishers, but my best works were published by Medici and Royle Publications. It was great seeing my work in print, and my success with these two prominent publishers was another step on my journey as an artist. I also continued my regular textile work, and I was very busy in those days bringing up a family as well.

My local exhibitions caught the attention of local naturalist and author Ron Freethy. He was very impressed with my unique illustrating style, as I had not been influenced by going to art college! So now I was commissioned to illustrate several books on natural history, local wildlife, and areas. This interesting work involved watching and observing wildlife and also drawing and painting hundreds of illustrations for many books on natural history, a few cookery books, and one children’s book: The Journey of the Cheshire Cats.

Hot Gossip

People Watching

Mill Hill by Carole Pugh Hidden Talents Magazine 2024 | 15

I retired twelve years ago! Does an artist ever retire? Since then, I have continued to enjoy painting even more as I am painting for myself. I don’t think I have a favourite subject, but I do love to paint people. In 2015, I won the Daler-Rowney Award and also the People’s Choice Award for the Artists and Illustrators magazine exhibition in Nottingham. I love to enter competitions and have been shortlisted a few times. More recently, in 2020, I won Paint Blackburn and Paint Padiham simultaneously. Then in 2023, I was a finalist of twelve in Lancashire Artist of the Year, run by the local council, and all the artists’ work was made into a calendar for 2024.

Contact: carole_pugh@hotmail.co.uk

The Jumble Sale

Venice

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Calling All Artists tory in S r u o Y Share

e

agazin M s t n n Tale

Hidde

Are you an artist eager to share your journey, showcase your artwork, or promote an upcoming exhibition?

Hidden Talents Magazine wants to feature you!

We are looking for talented artists from the UK and around the world to contribute to our quarterly publication.

Whether you work solo or as part of a group, this is your opportunity to reach a global audience, connect with fellow creatives, and gain the recognition you deserve.

Don’t miss your chance to be a part of something special.

Sign up today by sending samples of your work for more details : Submissions@thearchesproject.org Hidden Talents Magazine 2024 | 17

DISCOVERING DEPTHS

THE ART OF

RALPH ALDHOUS

I’m a Brummie living in the Black Country, deeply influenced by the diverse post-industrial urban and rural landscapes that surround me. The maps, aerial views, and random images I encounter inspire my art, offering endless interpretations. Drawing, painting, and photography have been my constant companions for as long as I can remember.

Using oils, acrylics, pencils, charcoal, and pastels, I engage in painting and drawing daily, valuing these activities for their own sake. Each piece I

Crimson Harvest. Oil on Canvas. About 21 x 21 inches . Private collection

Don’t mess with mother.

Oil on Canvas. About 30 x 30 inches Hidden Talents Magazine 2024 | 18

create is a journey of discovery, and I never know exactly how it will evolve. Some paintings are completed in a few hours, while others may sit for days or weeks before I revisit them.

My artistic process is a continuous learning experience, and I enjoy working in layers that can be either transparent or opaque, building up to create texture and depth. I employ various tools and work intuitively, drawing on years of practice to guide my creative choices, though surprises often emerge.

Heavy weather. Oil on Canvas. About 21 x 21 inches

While I put a lot of thought into my work, I love to listen to music and zone out into my own space while painting. Color fascinates me with its mysterious depths, intensity, and emotional impact. In the early stages of a painting, I work quickly with acrylics due to their rapid drying time. Once the general theme is established, I switch to oils, incorporating additional media like cold wax and glaze medium to enhance texture and depth. Oils are forgiving, allowing me to scrape back and overpaint to achieve a rich variety of tones and surfaces.

My work has become more abstract over time, but observational drawing remains fundamental to my approach.

I regularly attend life drawing groups to refine my skills. While I often title my finished paintings, I increasingly enjoy letting viewers interpret my work for themselves. It’s immensely satisfying when someone sees something in my painting that I never intended or anticipated.

Find me online: Email: ralph.aldhous@outlook.com Instagram: https://www.instagram.com/ralphaldhous/

O to be in England.

Oil on canvas_ about 14 x 14 inches.

Private collection

Walking the dog. Oil on Canvas. About 30 x 30 inches . Private collection Hidden Talents Magazine 2024 | 19

ALONG LIFE’S PATH

The little cat had been here many times before; wondering what lay ahead and wondering if he had the strength to keep going. Fears and worries, failures and the past would often stop him from taking the next step; although his heart longed to find out what lay around the corner and beyond.

He sat quietly, closed his eyes and soaked in everything around him.

He heard the sweet shrill of the songbird yonder, the whispers of the wind swirling through the trees, and he breathed in the sweet aroma of lavender and pink rose.

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Then it dawned on him. All of nature didn’t seem to have a care about tomorrow. And, since the same hand that painted the spring skies a cornflower blue and the tulips a crimson hue had also made him too, he shouldn’t be worrying either, for he was also part of the creators’ majestic plan. The little cat knew there may be the odd puddle to jump over or a rocky hill to climb, but he suddenly felt brave enough to take the next step. And, so he did.

With his head held high and his tail in the air, he smiled as he trotted down the path. He knew spring was painted in his heart, the hope of spring would hold his hand along life’s path, and no matter what lay ahead, he was confident that spring would follow him around that corner and forever beyond.

Original art and story by Lizzie Jayne. @artbylizziejayne

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OCEAN’S WHISPER ELARA JOURNEY

THE

A

midst the vast expanse of the azure sea, a small island lay hidden, a gem of nature untouched by time. It was here that Elara found solace, away from the bustling world, where the symphony of waves and the whisper of the wind became her constant companions.

Elara had always felt a deep connection to the sea. As a child, she would spend hours by the shore, her fingers tracing patterns in the sand, her eyes fixed on the horizon where the sky met the water. The ocean was her teacher, its waves a lesson in resilience and grace, rising and falling with the rhythm of life itself.

Each morning, Elara would walk along the beach, her bare feet sinking into the cool, wet sand. She marvelled at the treasures the tide left behind: intricate shells, smooth pebbles, and strands of seagrass swaying gently in the water. She would sit on a large rock, her favourite Hidden Talents Magazine 2024 | 22

spot, and watch the ships sail by, their sails billowing in the wind, carrying dreams and stories from distant lands.

mystery, had taught her to swim through life’s currents with grace and courage. It had shown her One day, as Elara was lost in her thoughts, she the path to inner peace, a path noticed something unusual. Among the usual that began and ended within her detritus of the sea, there was a small, glass own heart. bottle half-buried in the sand. Curiosity piqued, she picked it up and examined it. Inside, there The nights on the sea were was a piece of parchment rolled up tightly. magical, each one a canvas With delicate fingers, she uncorked the bottle painted with constellations that shimmered and unfurled the paper. and danced across the sky. Elara would lie on The message was simple, yet it spoke volumes: “The sea holds many secrets, but the greatest is the love it inspires. If you seek peace, follow the waves to where they lead.”

Intrigued, Elara decided to follow the advice of the mysterious note. She embarked on a journey, sailing across the serene waters, guided by the moon and stars. Each day, she discovered new marvels of the sea: dolphins dancing in the surf, coral reefs teeming with vibrant life, and the endless horizon that promised freedom and adventure.

As weeks turned into months, Elara found herself transformed. The sea had become more than a place of escape; it was her sanctuary, a mirror reflecting the depths of her soul. She learned to navigate its moods, to find joy in its beauty, and to embrace the peace it offered.

One evening, as the sun dipped below the horizon, casting a golden glow over the water, Elara anchored her boat near a secluded cove.

The air was filled with the scent of salt and the soothing sound of waves lapping against the shore. She felt a profound sense of gratitude for the journey she had undertaken and the lessons the sea had imparted.

the deck of her boat, gazing up at the stars, feeling a profound connection to the universe.

The gentle rocking of the boat and the lullaby of the waves would lull her into a peaceful sleep, dreams filled with the wonders of the ocean.

One morning, as the first light of dawn kissed the horizon, Elara awoke to the sound of birdsong. A flock of seagulls circled above, their calls a cheerful greeting. She stretched and smiled, feeling the warmth of the sun on her skin. Today felt different, as if the sea itself was urging her towards a new discovery.

Guided by an inexplicable pull, Elara sailed towards the east, where the sea seemed to sparkle with a peculiar brilliance. As she navigated through the crystalline waters, she noticed a cluster of islands rising from the sea, their lush greenery a stark contrast to the endless blue. Drawn to the largest island, she anchored her boat and waded ashore.

The island was a paradise, untouched and serene. Elara wandered through the dense foliage, marvelling at the vibrant flowers and the melodious songs of exotic birds. She followed a narrow path that wound its way up a gentle hill, leading her to a hidden grove where a freshwater spring bubbled up from In that moment of quiet reflection, Elara the ground. understood the true meaning of the message in the bottle. The sea, with its vastness and As she knelt to drink from the spring, she felt a presence behind her. Turning, she saw an old Hidden Talents Magazine 2024 | 23

woman standing at the edge of the grove, her eyes wise and kind. The woman wore a simple dress made of woven seagrass, and her hair flowed like silver threads in the breeze.

“Welcome, Elara,” the woman said, her voice soft yet powerful. “I have been expecting you.”

Elara felt a shiver of recognition. “Who are you?” she asked, her heart pounding.

Eugene smiled, her eyes twinkling with approval. “Yes, Elara. The sea has always been your guide, but now you have truly found your “I am Eugene, the keeper of this island,” the way. Remember this wisdom and carry it with woman replied. “The sea guided you here you, wherever your journey takes you.” for a reason. There is something you must understand.”

With a newfound sense of purpose, Elara thanked Eugene and made her way back to Eugene gestured for Elara to follow her, her boat. She knew her journey was far from leading her to a small clearing where a circle over, but she felt ready to face whatever lay of stones surrounded a single, ancient tree. ahead. The sea, in all its majesty and mystery, The tree’s roots twisted and turned, weaving had shown her the path to inner peace and a themselves into the earth, and its branches deeper understanding of the world. stretched towards the sky.

“This tree is the heart of the island,” Eugene explained. “It is said to hold the wisdom of the sea and the secrets of the earth. You have journeyed far and learned much, but your true lesson is yet to come.”

As she sailed away from the island, Elara looked back one last time, her heart filled with gratitude. The sea whispered its farewell, promising to be her constant companion, and she sailed into the horizon, ready to embrace the endless possibilities that awaited her.

As Elara stood before the tree, she felt a surge of energy coursing through her. She placed her hands on the rough bark, and in that instant, visions flooded her mind. She saw the ebb and flow of tides, the cycle of life beneath the waves, and the interconnectedness of all living things. She understood that the peace she sought was not just about finding solace in the beauty of the sea, but about embracing her place within the grand tapestry of nature.

Tears of joy and understanding streamed down her face. “I see it now,” she whispered.

“The sea, the earth, everything is connected.

We are all part of this beautiful, living world.”

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Hudson

TASTE OF SUMMER PINEAPPLE COOLER

Tropical Citrus Cooler Ingredients: ■ 1 cup fresh pineapple juice ■ 1/2 cup fresh orange juice ■ 1 tbsp lime juice ■ 1 tbsp grenadine ■ 1/2 cup coconut water ■ Ice cubes ■ Pineapple slices and mint leaves for garnish

Instructions: 1. In a large pitcher, combine pineapple juice, orange juice, lime juice, and coconut water.

2. Fill glasses with ice cubes and pour the juice mixture over the ice.

3. Add a splash of grenadine to each glass for a layered effect.

4. Garnish with pineapple slices and mint leaves before serving.

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GRILLED HALLOUMI AND VEGETABLE SKEWERS Ingredients: ■ 250g halloumi cheese, cut into 1-inch cubes ■ 1 red bell pepper, cut into 1-inch pieces ■ 1 yellow bell pepper, cut into 1-inch pieces ■ 1 courgette, sliced into thick rounds ■ 1 red onion, cut into wedges ■ Cherry tomatoes ■ 2 tbsp olive oil ■ 2 tbsp lemon juice ■ 1 tsp dried oregano ■ Salt and pepper to taste ■ Fresh basil leaves for garnish

Instructions: 1. In a large bowl, mix olive oil, lemon juice, oregano, salt, and pepper.

2. Add the halloumi, bell peppers, courgette, red onion, and cherry tomatoes to the bowl and toss to coat.

3. Thread the halloumi and vegetables onto skewers, alternating ingredients.

4. Preheat the BBQ grill to medium heat.

5. Grill the skewers for about 10-12 minutes, turning occasionally, until the vegetables are tender and the halloumi is golden brown.

6. Garnish with fresh basil leaves before serving.

1. In a small bowl, whisk together balsamic vinegar, olive oil, garlic, salt, and pepper.

2. Brush the mixture onto the portobello mushrooms, ensuring they are well-coated.

3. Preheat the BBQ grill to medium-high heat.

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LEMON & BLUEBERRY TART DELIGHT Ingredients: ■ 1 pre-made sweet tart crust ■ 200g fresh blueberries ■ 250ml double cream ■ 3 large egg yolks ■ 100g caster sugar ■ Zest and juice of 2 lemons ■ Icing sugar for dusting ■ Fresh mint leaves for garnish

Instructions: 1. Preheat the oven to 180°C (350°F).

2. In a bowl, whisk together the double cream, egg yolks, caster sugar, lemon zest, and lemon juice until well combined.

3. Pour the mixture into the tart crust.

4. Bake for 25-30 minutes, or until the filling is set and slightly golden on top.

5. Let the tart cool completely before topping with fresh blueberries.

6. Dust with icing sugar and garnish with fresh mint leaves before serving.

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COLOUR

FROM TO DARKNESS

I

Daffodill Walk and My Mum

THE JOURNEY OF ARTIST CAROLINE BOFF

’m a contemporary artist who exhibits internationally. I am a fellow of the Royal Society of Arts, and my artwork has been featured in Vogue, Tatler, Vanity Fair, House and Garden, and London Life. Until last year, I was a self-taught artist. Art captured my heart and found me after going through a very dark place in my life. Art also accompanied me through what turned out to be a chronic nervous breakdown.

I find it difficult to look at the artworks I created then, as they are dark, ominous, and full of pain.

But I respect them as artworks nevertheless.

Fast forward ten to twenty years, and I am now a professional artist, painting in vibrant multicolours. My artwork has been featured in the Collector’s Choice China, Collection, and Voices of Tomorrow. Recently, I have exhibited in London, Miami, and New York, and I have an upcoming exhibition in New York. I am Funfair Hidden Talents Magazine 2024 | 28

currently studying for my MA in Fine Art at the OCA. Art literally saved my life. I’m so grateful for my art. My mum is the primary person in my life, and she did a lot of saving too, for which I am deeply grateful. My mum, brother, and dogs are big inspirations for me.

We love each other dearly, and I find they are a good source of energy.

Through my art, I hope to alleviate suffering and spread joy. There is so much pain out there that I feel it is important to make this world better, not worse.

I urge anyone to find out what they love to do and to follow it with all their heart. This way, they can have an enjoyable life and a good time, which is what life is supposed to be like.

Into The Blue

My artwork these days is full of colour, energy, and feeling. I have learned that a good work ethic is important (so I am lucky there as I have that), and not to get upset by rejection (as a very sensitive person, I have found this harder). I have learned to cope with rejection, as the only important thing apart from my family and my health is for me to keep making art, which is an important love of my life. http://www.carolineboff.co.uk

Pink Wins Every Time

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THE ART OF PRESERVATION VARNISHING YOUR MASTERPIECES WITH WINSOR & NEWTON PRODUCTS Varnishing is the f inal, crucial step in preserving and enhancing your artwork. It not only protects your piece from dust, UV rays, and environmental contaminants but also brings out the vibrancy of colors and depth in your work. In this editorial, we delve into the art of varnishing using Newton products, renowned for their superior quality and trusted by artists worldwide.

dirt, and UV rays, which can cause fading over time.

■ Longevity: It helps in extending the lifespan of your artwork by providing a resilient surface that can withstand environmental stress.

■ Aesthetic Enhancement: Varnishing can enhance the visual appeal of your painting by adding a glossy, matte, or satin finish that complements the artwork.

Choosing the Right Varnish Newton offers a variety of varnishes tailored to different needs:

Why Varnish Your Artwork?

■ Winsor & Newton Professional Gloss Varnish: Ideal for artists seeking a glossy finish that Before discussing the specifics of Newton enhances the depth of colors. This varnish products, it’s essential to understand why is non-yellowing and removable, ensuring varnishing is vital: the artwork remains pristine for years.

■ Protection: Varnish acts as a protective layer, safeguarding the artwork from dust,

■ Winsor & Newton Professional Matte Varnish: Perfect for those who prefer a

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subdued, non-reflective finish. This varnish Caring for Varnished Art is also removable and offers the same level ■ Even with a protective varnish, care is of protection as its glossy counterpart. essential: ■ Winsor & Newton Professional Satin ■ Avoid Direct Sunlight: Prolonged exposure Varnish: This provides a balance between to direct sunlight can still affect the varnish gloss and matte finishes, offering a slight and the artwork underneath. sheen that enhances color without the high ■ Regular Cleaning: Dust your artwork reflectivity of a gloss varnish. regularly with a soft, dry cloth. Avoid using water or cleaning agents.

The Varnishing Process ■ Humidity Control: Keep your artwork in Using Newton products is straightforward, but attention to detail is crucial:

an environment with stable humidity to prevent the varnish from cracking or becoming cloudy.

■ Preparation: Ensure your painting is completely dry. For oil paintings, this can take several months. Acrylics typically dry faster, but waiting a week is advisable to ensure all layers are fully cured.

■ Test Before Application: Always test the varnish on a small, inconspicuous area of your artwork or a test canvas. This helps in determining the final effect and ensures compatibility with your materials.

■ Application Tools: Use a clean, soft, wide brush specifically designed for varnishing.

Newton offers high-quality brushes that minimize the risk of brush strokes and ensure even application.

■ Applying the Varnish: Lay your artwork flat on a dust-free surface. Pour a small amount of varnish into a clean container and load your brush. Apply the varnish in a thin, even layer, working in one direction. Avoid Conclusion over-brushing as this can cause streaks Varnishing is not just a protective measure but and bubbles. an art in itself, requiring patience and precision.

■ Drying Time: Allow the varnish to dry in a Newton’s range of varnishes offers reliable and dust-free environment. For best results, high-quality options for artists, ensuring their apply a second coat after the first has dried masterpieces are preserved and enhanced completely, usually within 24 hours. to stand the test of time. By following these ■ Final Check: After the final coat is dry, guidelines, you can confidently varnish your inspect your artwork under good lighting artwork, knowing it will remain vibrant and to ensure even coverage and the desired protected for future generations to admire. finish.

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FROM CANVAS TO FABRIC

A

BY DAWN BOOTH

s an artist, my journey takes many twists and turns, with my creative process inspired to explore exciting new opportunities. Art has been my passion since childhood, and I have always been captivated by colours.

In 2013, I launched www.theartbooth.co.uk, and I have been on a wonderful creative path since then.

For some time, I have wanted to transfer my art onto fabric. Over the last few months, we have been experimenting with producing tablecloths, cushions, tea towels, cosmetic bags, and more.

When I say “we,” I am referring to my talented seamstress sister Lisa at www.prettylilboutique. com, who brings my inspirations to life, creating amazing homeware products. Our latest venture is a

beautiful dress made from my “Be True To Yourself” material. My daughter, Ella-Marie, a textile artist, has also been instrumental in this process.

Transferring my art to fabric has been a deeply rewarding experience. Seeing my creations on material enhances their visual impact and gives them a Hidden Talents Magazine 2024 | 32

new dimension. It creates a deeper connection to my art, transforming it into a tangible form that can be worn or used. The creative fulfilment of seeing designs come to life brings unique joy. It also inspires me, sparking ideas for future projects and opening new avenues for artistic expression. The most amazing feeling is creating something that others can touch, wear, or use, and when they connect with it, it gives me a real sense of pride and empowerment.

dawn.booth2@ntlworld.com

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RESILIENCE AND RENEWAL Emerging from a period of profound personal challenges, my re-entry into the creative industry has been a testament to resilience and renewal.

As an ethnic minority Muslim woman and a graduate, I faced significant barriers to employment in the creative sector, compounded by a period of homelessness and time spent in a domestic violence refuge. This tumultuous experience was far from smooth, marked by physical and emotional upheaval.

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During my time in the refuge, while grappling with the debilitating effects of Chronic Fatigue Syndrome/Myalgic Encephalomyelitis (CFS/ME), I found solace in the communal garden. Nature’s cyclical beauty—the changing seasons, the birds’ songs—rekindled my artistic spirit, breaking through a long-standing creative block triggered by past traumas. Though the industry’s doors remain closed, I rediscovered art as a therapeutic outlet, aiding my recovery and offering a new perspective on my journey.

My hope is to inspire dialogue and action through my art, addressing labor force inequalities in modern society, by showcasing the power of creative practice as a healing tool, I aim to promote evidence-based solutions and foster greater understanding and inclusivity.

Nyla Ulla

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FROM TEXTILE DESIGN TO DYNAMIC FINE ART & AUTHOR

H

eike Renz, a distinguished artist born near Stuttgart, has crafted an impressive and multifaceted career in the art world. After completing high school, Renz pursued art education at the Academy of Fine Arts in Stuttgart and textile design at Reutlingen University, where she graduated at the top of her class with a degree in engineering.

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For two decades, Renz thrived as a self-employed textile designer, collaborating with companies worldwide to create captivating collections for the home textile sector. Her designs, which ranged f rom bed linens to carpets and stationery products, showcased her unique ability to blend aesthetics with functionality. However, in 2012, Renz shifted her focus back to her roots in fine art, reigniting her passion for painting and creative expression.

In 2014, Renz took a signif icant step by opening her art school, sharing her expertise and inspiring a new generation of artists. Her commitment to her craft culminated in the publication of her first book, “Painting Flowers,” in 2022 by Michael Fischer Verlag in Munich.

This milestone marked a new chapter in Renz’s artistic journey, solidifying her reputation as a versatile and innovative artist.

Renz’s artwork is characterized by its dynamic use of colour and rhythm, reflecting her profound love for nature. Trees, plants, and particularly grasses—often overlooked in the natural world—serve as her primary subjects.

“Dynamics, colours, and rhythm play a big role in my works. My love for nature, trees, and plants, especially for often ignored grasses, which I implement impulsively and fluently, can be felt in every picture,” Renz explains.

Her artistic approach is both impulsive and fluid, merging realistic features with abstract elements to create a dynamic interplay of colour tones. This technique results in vibrant landscapes that pulsate with energy and life. “My pictures show my feelings and interpretation of what I see and feel, implemented impulsively and spontaneously, in a flowing rush of colour, in landscapes full of energy and dynamism,” she notes. Renz captures the essence of nature’s liveliness and changeability through her work, presenting it in ever-evolving combinations of shapes and colours.

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Renz’s preferred mediums are acrylic and ink paints, often mixed with chalks and applied with a watercolour glaze on paper or canvas. This combination allows her to achieve a rich texture and depth in her paintings, further enhancing the sense of movement and vitality. “Nature seems incredibly alive in this way; it’s as if the grasses could whisper in the wind,” Renz observes, encapsulating the immersive experience her artwork provides.

Heike Renz’s transition from textile design to f ine art illustrates her unwavering dedication to her artistic vision. Her work continues to inspire and captivate audiences, celebrating the beauty and dynamism of the natural world through a masterful blend of realism and abstraction.

As she continues to evolve as an artist, Renz remains a powerful force in the contemporary art scene, her creations a testament to the enduring allure of nature’s intricate beauty.

Contact@heike-renz.de Heike Renz_ Juniwiese_ Acyl und Tusche auf Leinwand _ 80 x 120 cm_2021 _Juniwiese_80 x 120 cm_2021

Heike Renz_ prairie d`été Hidden Talents Magazine 2024 | 38

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CARIBBEAN SERENITY UNVEILING HIDDEN ARTISTIC TALENTS