The Partington Collection, September 2001 by Webb's Auction House

The Parting ton Collection of Photography Fine New Zealand Paintin gs Jewelle ry & Decorative Arts

sale no.240

A Four Day Sale of New Zealand Photography Fine Paintings Jewellery Decorative Arts 17 - 20 September 2001

C ONT E NTS

PAGE

Conditions of sale

Sale & Viewing Times

Webb's In Focus

4 - 12

Going, going, gone

The Partington Collection

14 - 49

Fine Paintings

50 - 111

Jewellery

112 - 131

Decorative Arts

132 - 186

Bidding Slip

187

Index of Artist's Dates

188

Subscription Form

189

Prices Realised

190 - 191

Index of Artists

192

BUYERS

PREM I UM

Buyers shall pay to Webb's a buyer's premium of ten percent of the hammer price plus g.s.t on the premium. The sale is subject to the Conditions of Business printed on page 2 in this catalogue. © Webb's 2001

PETER

WEBB

GALLERIES

LIMITED

Auctioneers of the Fine & Decorative Arts 18 Manukau Road, Newmarket, PO Box 99251, Auckland, New Zealand PH: (09) 5246804 FAX: (09) 5247048 email: auctions@webbs.co.nz

Conditions of Sale for Buyers 1. The highest bidder shall be the purchaser, subject to the auctioneer having the right to refuse the bid of any person. Should any dispute arise as to the biddings the lot in dispute will be immediately put up for sale again at the preceding bidding, or the auctioneer may declare the purchaser, which declaration shall be conclusive. 2. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted. 3. All lots are sold subject to the right of the seller or his agent to bid or else to impose a reserve. 4. The purchaser shall complete a bidding card before the sale giving name and address. Immediately after the sale the purchaser shall pay 10% of the purchase price in part payment and shall pay the balance within ten days of the date of the sale unless prior credit arrangements have been made. 5. The purchaser shall pay to Peter Webb Galleries Limited. (Webb's) a premium of 10% of the hammer price together with G.S.T on such premium at the current rate. 6. All lots are sold as shown and with all errors to description, faults and imperfections whether visible or not. Neither Webb's or its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in ii and make no warranty whatever. Buyers proceed upon their own judgement. 7. Webb's act as agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason. 8. Each lot is at the risk of the purchaser from the fall of the hammer and is to be taken away at the purchaser's expense immediately after the sale. If this is not done Webb's will not be responsible if the lot is lost, stolen, damaged or destroyed. 9. No goods are to be removed while selling is in progress. Receipted invoices must be produced prior to delivery of any lot. The auctioneers reserve the right to request identification in the case of any purchaser not known to Webb's who pays by cheque. Credit cards will not be accepted as means of payment.

10. No person purchasing any item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 shall be entitled to take possession of the item unless and until such person has produced to Webb's a license under the appropriate Act. 11. If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to the purchaser, at its absolute discretion and without prejudice to any other

remains unpaid under this contract. (h) To apply any payment made by the purchaser to Webb's towards any money owing to Webb's in respect of any thing whatsoever irrespective of any directive given in respect of, or restriction placed upon, such payment by the purchaser whether expressed or implied. 12. Bidders deemed principals. All bidders

remedies:

shall be held personally and solely liable for all obligations arising from any bid, including both 'telephone ' and 'absentee bids'. Any person

(a) To issue proceedings against the purchaser for damages for breach of contract

wishing to bid as agent for a third party must obtain written authority to so do from Webb's Qii.Qr to bidding.

rights or remedies it may have, be entitled to exercise one or more of the following rights or

(b) To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction. (c) To resell the lot by public or private sale. Any deficiency resulting from such resale, after giving credit to the purchaser for any part payment, together with all costs incurred in connection with the lot shall be paid to Webb's by the purchaser. Any surplus over the proceeds of sale shall belong to the seller and in this condition the expression "proceeds of sale" shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction. (d) To store the lot whether at Webb's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal, storage , insurance and all other costs connected to the lot. (e) To charge interest on the purchase price at a rate two percent above Webb's bankers' then current rate for commercial overdraft facilities, to the extent that the price or any part of it remains unpaid for more than seven days from

Conditions of Sale for Vendors Vendors are requested to read and are bound of the Conditions of Sale printed upon the reverse side of Webb's Contract to Sell.

INSTRUCTIONS TO BID AT SALES Absentee bids These are accepted by Webb's and carried out free of charge. Lots will be bought as favourably as is allowed by the bidding in the saleroom and any reserve imposed. "Buy" (unlimited) bidding directions will not be accepted. Webb's require confirmation in writing or by fax of bidding directions prior to the sale.

Telephone Bids Webb's will use its best endeavours to take telephone bids from buyers who have made proper arrangements prior to the sale. Because this method cannot be entirely free from the risk of communication cutoff Webb's cannot be responsible for losses arising from missed bids. Telephone bidding is not available on lots with a low estimate below $500.

the date of the sale.

Catalogues

(f) To retain possession of that or any other lot

Catalogues can be obtained on annual subscription or from our saleroom.

purchased by the purchaser at that or any other auction and to release the same only after payment of all money due. (g) To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb's or its vendor. Webb's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money

Presale Estimates Presale estimates are intended as a guide only and can be subject to revision nearer to the time of a sale. Webb's staff are available during pre-sale viewing times and by appointment to assist prospective bidders with estimates and any aspect of the auction procedure.

sale no.2

sale no.240

by tne

money 1y ming

1e gven

in.such pressed

bidders le fora

1ngooth person 1y mus: Webb's

A Four Day Sale of New Zealand Photography Fine Paintings Jewellery Decorative Arts 17 - 20 September 2001 NEW

ZEALAND

DAY ONE: 6.00pm

l lxJund

PHOTOGRAPHY

MONDAY 17 SEPTEMBER 2001 The Partington Collection of Maori Photographic Portraits

oon the

FINE

PAINTINGS

DAY TWO: 6.30pm

·r:edout ignt as g1n 1he "Buy"

FINE

TUESDAY 18 SEPTEMBER 2001 Fine New Zealand and Foreign Paintings

JEWELLERY

DAY THREE: WEDNESDAY 19 SEPTEMBER 2001 4pm Affordable & Estate Jewellery

not be 1t1on n prior to

Fine Jewellery, Watches, Accoutrements and Coins

6pm

DECORATIVE

to take emade

ARTS

DAY FOUR:

THURSDAY 20 SEPTEMBER 2001

12.30pm

Artefacts, Books, Clarice Cliff, Royal Worcester Royal Daulton and other ceramics, Silver, Vinaigrettes, Objects

, sa1e.

de Vertu, Fabrics & Scripopholy.

ely free Webb's

Furniture, Decorator's Items, Lighting, Rugs,

6.00pm

the Rex Roberts Collection of Moorcroft ceramics,

ng from is no,

Glass, two pieces by Argy Rousseau & Oriental Arts

1 below

V I EWING

TI M E S

annual

ideonly r to the 1during ment to tes ano

Thursday

September

9.00 am

5.30 pm

Friday

September

9.00 am

Saturday

September

11.00am

5.30 pm 3.00 pm

Sunday

September

11.00am

3.00 pm

Monday

September

9.00 am

5.30 pm

Tuesday

September

9.00 am

5.30 pm

9.00 am Wednesday 19 September Viewing until 12 noon only on days of sales

5.30 pm

Christmas Trees by Artists Win a superbly decorated Christmas tree and help the City Mission to help people in distress this Christmas. The New Zealand Herald Foundation and Peter Webb Galleries have joined forces to plan a December fundraiser for The Auckland City Mission's Christmas Cheer Fund.

Webb's 1s pr

collection o

W. H. l P, Partin~on Partin~on's

After adisa: They are enlisting the creative efforts of twenty-five artists and designers to decorate twenty-five Christmas trees with materials of their choice and /or making. The decorated trees will be sold by public raffle and twentyfive lucky winners will take home a potted Christmas tree and a tree-full of re -usable decorations. Participating artists include Bronwynne Cornish , Gretchen Albrecht , Denys Watkins, Denis O'Connor, Tracey Collins, Brendan Wilkinson , Judy Darragh, Donna Hoyle , Greer Twiss , Richard

e1gntyears

his photog1 reported: ' opened his there 1s eve buttha he be assured

Killeen, John Pule, Ngila Dickson , Terry Stringer, Sophia Tekela Smith , Marilyn Sainty, Sylvia, Peter and Emily Siddell - and many more .

Many of tho in the huge

The New Zealand Herald will produce a full-colour page with photographs

have been i of all the trees, and the trees themselves will be on public display at Peter Webb Galleries. Tickets wi 11 be on sale for five days only - from 26th November. Watch for information in the Herald and buy lots of tickets. We aim to sell 50,000 tickets and raise $250 ,000.

on page 16.

public aren;

Through the long gone.'

A World Long Gone Webb 's is proud to include in this sale an outstanding collection of 19th century photographs of Maori by

W. H. T. Partington, one of the sons of the Charles Partington who

bu i It and

operated Auckland 's

Partington 's Mill . After a disastrous fire in his Auckland photographic studio , which destroyed eight years work , William Partington moved to Wanganui. He re-established hi s photographic business and in March 1892 the Wanganui Herald reported : ' .. . as Mr Partington during the short space of time that he has opened his studio here has been visited by a large number of townspeople , there is every reason to believe that he will not regret settling in Wanganui , but that he will soon find himself surrounded by numerous clients , who may be assured that they will meet with every attention ... ' Many of those townspeople figure in these photographs. Most of the images in the huge collection are from the Wanganui region and very few of them have been previously exhibited or collected . John Perry writes about them on page 16. He notes ' When a collection of this magnitude comes into the publi c arena the world of histori cal photography as we know it, changes. Through the collection we are given a rare glimpse of a world and its people long gone. '

Waitapu photograph Lot 26(b)

Alfred Sharpe (1836 - 1908) A Bit of Tipperary 1887

John Gully (1819 - 1888)

Mount Taranaki and Pouakai Range from Oakura watercolour, 400 x 630mm lot 339

watercolour, 330 x 470mm lot 326

Albin Martin (1813 - 1888)

A Bend in the Waihou River circa 1876 oil on canvas, 595 x 750mm lot338

Strong Limbs & Brave Hearts These were the necessaries for a male artist setting out to

tidal estuary near Mangapai, south of Whangarei , but

under gum

capture that most masculine of subjects, the New Zealand

eventually settled in Auckland. Sharpe 's comprehensive

are difficul

landscape in the nineteenth century - or so thought a

advice to would-be painters of watercolour landscapes -

John Gully

writer in the Christchurch Press in 1893. He - it must

male or female -

surely have been a he - went on to suggest that men

suggestions: ' I do not recommend the student to take a

should seek their artistic inspiration where 'hard climbing

camp stool, it is a great impediment to locomotion in the

and plain food are the order of the day ... ' (Turn the page

tangled vegetation of New Zealand, and a seat can always

to see what women were supposed to concentrate on).

be improvised ; but a sketching umbrella is a necessity ... !

Today it seems obvious that strong limbs and brave hearts

find an umbrella is the reverse of an impediment, as I slip

were necessary for all those settlers, male and female, who

it through the handles of my sketching case , and sling it

attempted to make new lives in New Zealand. Three of the

on my shoulder; the soft umbrella preventing the weight or

artists whose works are reproduced

here attempted

included the following practical

swing of the case from being much felt.'

farming with varying degrees of success.

Sharpe painted this watercolour in 1887 , the year he left

Alfred Sharpe arrived in Auckland in 1859, in his early

New Zealand for Newcastle, New South Wales , where his

twenties, attracted by the promise of free land grants. He

brother was a successful businessman and local politician .

spent seven years farming on the shores of Mata Creek, a

The picturesquely dilapidated barn , quietly collapsing

children in moving to

oneaview 1 received en rothy Ka

s1ona1 paint

the most p

This wateri

reminder o

inthecolle Albin Mart gentleman

Many of his

William Mathew Hodgkins (1839 - 1898)

On the Dome Pass watercolou r 385 x 710mm

rts

lot 324

under gum trees , is not in a rugged landscape , but these

sumably did not require the artist to undertake hard climb-

are difficult times for the farmer nonetheless .

ing across difficult terrain. An important member of

scapes -

John Gully arrived in New Plymouth with his wife and

Auckland 's artistic community, Martin participated in the

practical

children in 1852. He farmed there for several years before

planning of the Auckland Art Gallery and was a founder of

moving to Nelson in 1860. In 1863 two of his paintings,

the Auckland Society of Artists. John Stacpoole writes

one a view of Mount Egmont , were advertised for sale. Gully

about this painting on page 76 .

received encouragement from J.C. Richmond, the father of

William Mathew Hodgkins was a barrister and solicitor in

Dorothy Kate Richmond , and by 1870 he was a profes-

Dunedin, the father of painters Frances Hodgkins and Isabel

sional painter who had left farming far behind . He became

Field . This watercolour of stoops of hay in an Otago field has all

the most popular painter of landscapes in New Zealand .

the heat and drowsy stillness of an English autumn afternoon,

This watercolour, in excellent, unfaded condition, is a

but the snowy mountains in the distance sets the scene firmly

reminder of his early days in Taranaki. A similar subject is

in New Zealand. Hodgkins was one of the founders of the

in the collection of the Auckland Art Gallery Toi o Tamaki .

Otago Art Society - a passionate watercolourist who encour-

3re1, but

·ehens1ve

:otake a

)n in the nalways essi~... , as I sli!

j sling ii

Neigh! or

ir he left

,here his

alitician.

ii lapsing

Albin Martin was that most English of creatures - a gentleman farmer - with extensive property in Tamaki. Many of his landscape works are views of his farm and pre-

aged the artistic ambitions of his daughters. And in terms of 'strong limbs and brave hearts', the stamina, determination and courage of Frances Hodgkins is without peer. See lot 336.

Yem1fl1fl1"/y & 7/omers 'Flowers are nowadays the especial property of our lady artists , and certainly a few of them have learnt to arrange and group them very prettily, and paint them well and naturally to boot.' This observation

•·····

appeared in the Lyttelton Times in November 1890. Such pronouncements had their roots in places like the Magazine of Art which noted in 1883 : ' ... [it is] little short of heretical to destroy the association between Women and Flowers, when their resemblance in nature and aspect have been sung and celebrated for centuries.' Flowerlike or not, Dorothy Kate Richmond and Jean McKay were both highly competent in the use of watercolour - a most exacting medium . We have no information on Jean McKay other than what the painting suggests - she was an artist confident in tackling a profusion of billowy white flowers and creating a successful , largescale composition. But Dorothy Kate Richmond's career is well documented . A friend and travelling companion of Frances Hodgkins in Europe and North Africa, back in New Zealand her watercolours of the Southern Alps show her to have remained an intrepid traveller. She worked always from nature and these Roses date from the last year of her life .

Dorothy Kate Richmond

Two incon

(1861 - 1935) Roses 1930 Watercolou r 400 x 320mm lot 311 Jean McKay Floral still-life 1937

wa tercolour, 995 x 665 mm lot 3 12

Spri

,..

'of,

saleseem

'!-<"'

~,. ,(_ , 0

.. it! "l

writes abo

McCahon'i

cheeK anc

and visibli

The circun

have otter

having givi

able to sp, where he

that thesE

Kaiparare colour &ft

critical m(

writes abo1

1sts, anc

1em ver1

5ervation

). Such

reof An

flroythe

1mblance

:n unes

lay were exacting

Colin McCahon (1919 - 1987)

han what

lot 329

Manu 1970 - 1975

ackling a

Colin McCahon (1919 - 1987)

'ul, large-

Kaipara Flat Watercolour, 1030 x 670mm

ir is we

lot 330

Frances

3land he•

1a1ned ar

:se Roses

• Spring is •1n the air Two incomparably beautiful works by Colin McCahon in this sale seem to announce the arrival of spring. Gordon H. Brown writes about Manu on page 66 of this catalogue. He recalls McCahon's delight in the intense orange/yellow of the gannet's cheek and neck feathers - particularly noticeable in spring and visible at Muriwai, the home of a large gannet colony. The circumstances around Colin McCahon's Kaipara paintings have often been described, but bear repeating. In 1970, having given up teaching at Elam he and Anne McCahon were able to spend more time at their bach near Muriwai Beach, where he painted in a large studio in the garden. He noted that these brilliantly coloured works of Muriwai and the Kai para reflected the bright promise of that time: 'Al I this colour & fun is a direct result of leaving the school'. It was a critical moment in the painter's career. Gordon H. Brown writes about Kaipara Flat on page 68 of this catalogue.

oneof th1

Rare and Lovely

each piec1 control of own comp ne would

Webb 's is delighted to present in our Decorative Arts Sale an important collection of 175 pieces of Moorcroft pottery and several superb examples of rare French pate-de-verre glass by Gabriel Argy- Roussea u. From the end of the nineteenth century, the decorative use of glass by architects and artists increased dramatically. In tableware, jewellery, lighting fixtures, windows and wall panels, glass was enhanced

by cutting, acid etching,

polishing , sandblasting ,

mirroring, staining, enamelling and painting. Gabriel Argy-Rousseau

tempera tu

expected t potter, an autocrat

commitmi

1930s wl aown.

The four it

was pre-eminent in the field.

of tnerelal

Born in 1885 in France , Rousseau entered the National High

1X11.11 is di

School for Ceramics at the age of 17. On his marriage 11 years later he adopted part of his wife's surname to become Argy-Rousseau.

11AMacinlyre d€S1gn'Floriar ,nspreoda1sy

With finance from the owner of a Parisian decorative arts gallery, he

1903.

set up a glass-making workshop in 1921 , allowing the gallery owner exclusive rights to his production. This freed Argy-Rousseau from business concerns to concentrate on design and hand production.

:1AWi ,am I va~. n'Span ,nlluenceolW lu 1pswilhsm 1

In 192 5 he triumphed at the Paris Exposition with numerous awardwinning exhibits in opaque pate-de-verre. Pate-de-verre involves blending glass crystals with metallic oxides and an adhesive , then fusing them by firing in a mould. The resulting glass has a waxy appearance and dramatic layered colour effects can be created . Pate-de-verre can

be polished to a subtle

translucency or left matt and opaque and although the same mould may be used several times , the resulting objects will vary as they are individually coloured and finished . This results in multiple originals - New Zealand glassmaker Anne Robinson uses the technique with great success. The pieces in this sale demonstrate the decorative breadth of ArgyRousseau 's work -

JaneEi

olonc

a vase with ethereally drifting dancers in

spangled gowns (illustrated above left); a high-walled vessel with a

AucKlan

frieze of deer leaping through unfurling plants (illustrated bottom

tne Royi

left); and a circular lidded box with moulded feather fronds.

of tne pi

cornfort1

One of the enduring charms of Moorcroft is th e ind ivid uali ty of each piece - t he resu lt of Wil li am Moorcroft 's ins istence on t ot al cont rol of every aspect of pottery prod uct ion, once he formed his own company, at Burs lem . During many of t he long flambe f irings

loorcrott

he would take charge of the kil n himse lf, con t rolling t he

lusseau.

temperature through long days and nights . Customers were expected to tolerat e t he unpredictabi lit ies of the f iring, and of t he

i of glass

potter, and sti 11 pay the prices demanded for good pieces . An

1bleware,

au tocrat with a pass ion for his work William

lass was

commitment ensured that his pottery stayed alive through t he

blasting.

1930s when many other Staffordshire potter ies were closi ng

~ousseau

down .

Moorcroft's

[CJ

The four items illustrated here all demonstrate Moorcroft's mastery of the relationship between the surface design and t he shape of the

1nal Hign

pot. It is difficult to find a Moorcroft piece wi t h unhappy proportions.

rears later

[Al A Macintyre pottery William Moorcroft

[BJ A Macintyre pottery William Moorcroft

~ousseau.

design ' Florian Ware' vase in art nouveau-

5alle~. ne

1903.

design, shouldered ovoid 'Florian Ware ' vase decorated with acanthus leaf scrol ls, flowerheads and fleur-de-lys on a deep

inspired daisy and tu lip pattern. Circa

cobalt ground. Circa 1899.

le~ owne!

seau from roduction.

£CJ A William Moorcroft, Burslem Pottery

[DJ A Wi 11iam Moorcroft Pottery vase

vase , in 'Spanish ' design showing the influence of William Morris, incorporating tulips with sinuous stems. Circa 1916.

decorated with fish and flowers on a scumbled blue-green ground. Circa 1930.

ius awaro·

11ic oxides

The result·

Those readers familiar with the Auckland Art Gallery's

oureffects

recen t ly published handbook might be surprised to see this painting for sale at auction - it is illustrated on page

a subtle

39 of The Guide. But be assured the Gallery is not

arnernoull

jettisoning its treasures. As Roger Blackley writes

as theyare

' Following its acquisition by the Mackelvie Trust, In Time

il eoriginals

of Peril quickly became one of the most popular pictures

iniquewiti

in the Gallery, copied by generations of Auckland 's art students.' Jane Eyre was one such student. She studied Jane Eyre (1875 - 1953) In Time of Peril 1907 oil on canvas 900 x 1200mm lot 412

at the Elam School of Art in the 1890s and took lessons

j\h of Ar~·

from G. P. Nerli in 1897. (His portrait of her is in the

Auckland Art Gallery's collection.) That year the original of this painting , by Edmund Blair Leighton, was exhibited at

dancers '

essel witn a

itedbottom

1nds.

the Royal Academy in London and pu rchased for Auckland . Miss Eyre was no doubt drawn to the technical challenges of the pa inting's rich textures as well as the dramatic story of 'two young princes spirited away from danger and being comforted by their glamorous mother.'

our second

A NEW DEPARTMENT AT WEBB'S - FINE WINES

sales total

market !or I

many New ; Webb's was the first New Zealand auctioneer to be awarded

After graduating from university, Simon spent over five years

Webb's ma.

an off-licence, and over the years has conducted a number of

with New Zealand 's largest wine company before moving to a

overseas in

very successful wine auctions. One of the most memorable

major local distributor. Simon has in-depth knowledge of

was the liquidation sale of the Antipodean Vineyard back in

auction prices both on the local and the international market. Simon's knowledge of marketing, from his post-graduate

1986. Webb's is now very pleased to announce that we have opened a Fine Wine

Department,

under the

management of

consultant Simon Mickleson. Catalogued sales in the wine department will take place every six weeks, on Mondays. The Wine Department has some very attractive offers for French

studies, will be at the service of sellers whose wines will be

Clarice Clil

presented in the best possible way. Buyers can be confident

was paid fo

of the provenance and condition of wines offered in Webb 's

manganese

wine catalogues and Simon will also provide valuations of rare wines for insurance and other purposes.

Champagnes and other rare wines which wi ll be available to

Simon is currentl y accepting entries for sales on October 11 th

Webb 's catalogue subscribers. Keep an eye on the wi ne page

and November 22nd.

on www.webbs.co.nz

Hear Me S,

also bid ent

When cons ign ing wines to Webb 's, contact Simon Mick leso n

Simon Mickleson has a background in the New Zealand wine

on the fo llowing numbers: 524 6804 or 027 277 8777 Fax

industry and extensive contacts with European producers.

524 7048 email: wine@webbs.co.nz

Paintings R.N.Field's

atop estirr sold !or $8

sale. Abari

auctions. f

although te

reasonable

Works by C auction an

price !or a

reached $1

Hotere dra

McCahon's soared bey earlierwor

$30,000, In the last catalogue we mentioned James Parkinson's visit to Canton in China. James made

The first

a selection of old lacquered furniture and small decorative pieces for a special sale at

lithograph

Webb 's on 6 August. This was very successful and may be repeated next year. The large

Hammond'

number of Chinese bidders generally preferred the specialist items such as scrolls , shrines

failed to fi

and carvings whereas local Europeans bought most of the lacquer furniture. James Parkinson is about to return to China in October to spend some months studying Buddhism

SOid after

before moving on to London. We trust that James will rejoin Webb's before too long. In the

The Jewell

meantime we wi ll greatly miss his enthusiasm and his knowledge. His departure leaves a

l8ct SOlit·

gap that will be hard to fill. Webbs' is searching nationwide for his replacement and may have to look offshore.

estimates Wristwatc $18,ooo.

Add~e 1

Our second sale in the new galleries reached our second best sales total ever, and confirmed the strength of the current art market for top quality local works. International buyers, including many New Zealanders living abroad, are now participating in all of Webb's major sales. Five works in the June sale went to Kiwis

overseas including the top priced painting, McCahon's Can You Hear Me Saint Francis, which reached $190,000. Foreign buyers

also bid enthusiastically for the choicest decorative arts pieces. A Clarice Cliff Gibraltar Vase [Al , reached $17,000 and $15,000

was paid for another Bizarre Sunray Vase [BJ . A smal I but attractive

manganese glazed bowl by Lucie Rie sold well at $3,600.

IA]

[ HJ

!BJ

[I]

•

Fax

•

going, going, JUNE

Paintings

which

exceeded

their

top

estimates

SALE

HIGHLIGHTS

included

R.N.Field's Mount Eden from Cornwall Park [CJ , $16,500 against a top estimate of $15,000; and Philip Trusttum's Drum, which sold for $8,000 - $2,000 above estimate and still the buy of the sale. A bargain like this demonstrates the importance of attending auctions. Paintings of exceptional merit and long term value, although temporarily unfashionable, can often be bought at very reasonable prices. Works by Colin McCahon and Ralph Hotere attract top prices at auction and the thirteen works by Hotere all sold, with a record price for a work on paper, Drawing for a Black Window CDJ. This

[CJ

IFJ

reached $26,000 - $6,000 above its top estimate. Another fine Hotere drawing of the same period was sold for $23,000 . McCahon's small 1966 oil, Small Landscape with a Road CEJ, soared beyond the top estimate of $35,000 to $43,000. Amongst earlier works, J.C. Hoyte's Haururu Falls CFJ , Bay of Islands, sold for $30,000 .

!El

The first lot in the catalogue was a Bill Hammond untitled lithograph [GJ which sold for the record price of $3,850.

a1sa·ea: TM'aie

Hammond's large monochrome watercolour, Islands of Despair, failed to find a buyer on the night - maybe because of its title? It sold after the sale for $20,000. The Jewellery section saw successful sales for the major pieces. A 18ct solitaire diamond ring (HJ sold for $28,000 against estimates of $25,000 to $30,000 and an 18ct Rolex Master 11 Wristwatch en achieved $18,750 aginst aestimates of $15,000 to $18,000. [DJ

Add the 10% buyer's premium to all the above prices.

[GJ

Photography Day One Monday 17th September 2001 6.00pm

Lots 1 - 193

Photographic Prints

Lots 194 - 299

Glass Plate Negatives

VIEWING

Thursday

September

9.00am

5.30pm

Friday

September

9.00am

5.30pm

Saturday

September

11.00am

3.00pm

Sunday

September

11.00am

3.00pm

Monday

September

9.00am

5.00pm

ILLUSTRATED

Lot lla

LEFT

W Partington, Untitled, photograph

----DaY

Photo! "The Partington Wi ndfa 11" The name Partington is better known in association with Auckland's original landmark windmill, on the Symonds Street skyline, than with New Zealand photography. The coming to light of over 600 origina l albumen prints and 250 glass plate negatives by W H T Partington will hopefully rectify the neglect that surrounds his photographic work. This extensive collection of Partington's photographic work has stayed undisturbed for a number of generations with his descendants, and his hitherto hidden and unrealised reputation as one of the outstanding photographers operating in New Zealand around the turn of the century is assured. The breadth of this new collection will help turn this past neglect around. A search through the few books on the history of photography in New Zealand reveals that WHT Partington only gets a sentence in association with Josiah Martin 1. , with one , very standard, carte de visite portrait of a Wanganui woman reproduced 2 The quality of the majority of images from the photographer's first f loor, Victoria Avenue studio in Wanganui (cf: lot 166a) are equal to the best in the field, while his up-river photographs are equal to those taken by Alfred Burton on the ground-breaking expedition up the Wanganui River and through the King Country in May 1885. When a collection of this magnitude comes into the public arena the world of historica l New Zealand photography, as we know it, changes somewhat. Through the collection we are given a rare glimpse of a world and it's people long gone . We are given an opportunity to travel back in time, to observe details, man made and natural; large and small; simple and complex; new and old that these images contain. Many of these photographs have the abi li ty to transport the viewer through time and space, which in itself is a unique phenomena. I know of no other static visual medium that does it with such authority From the evidence we have today, it is clear that the primary ro le of the 'downtown' photographic studio was to record people. The portrait was the bread and butter of the photographer. The artistic skills of WHT Partington are clearly visib le in the range of portraits of Maori women, where triangular composition is often employed, while his portraits of Maori men of stature are strong and powerfu I. It is through this series of photographs that we see a wonderful collection of classic Maori Taonga, which are sometimes used in conjunction with European clothing and jewellery. Pounamu certainly seems to be the stone of choice. Perhaps the most significant and valuab le of the images in the collection were taken when WHT Partington left the confines of his Wanganui studio, with al l its props, and travelled up the 'Rhine of New Zealand' to record in situ the tangata whenua in their environment. The revealing images give us a glimpse of the 'no-fri I ls' existence of pah Maori, sixty years after the Treaty of Waitangi. We see in these photographs that the paepae becomes the stage for the whanau, hapu and iwi -

wearing a wide assortment of new and traditional clothing lots of it ill-fitting but well worn. The fact that people and their animals move while their images matures on the glass plate negative adds an extra kinetic dimension to these strong and powerful images . The lifestyle and traditions of the Maori were turned upside down with the gradual infiltration of European material culture into their way of life.Many of these photos capture the speed and nature of that impact . A good example is the wearing of European clothes, shoes and jewellery spearheading that change. The landscape photographs record the changes new systems of land use and architecture were beginning to have on the land . That these works - a small selection of his total output , have survived in such good condition for a number of generations is remarkable. The selection of photographs by other leading New Zealand photographers which compliment the work of WHT Partington certainly make this landmark au ction one of shattering dimensions. After the scattering of these works through public and private collections , New Zealand photography will never be quite the same again.

-----Notes on the

1nscriptions 1 commas

Photographer brackets

Rectoinscrip

Measuremenl width

Calaloguer's

liven the uni estimates ol' sales ol phot, nence estimi ommited lrorr

al'Ripeka Te lemale in hu

]95 X 150 cf:9b (small

John Perry

bi'Napier Ch

female with korowar

cf:8b, 9c (s

William Main and John B Turner New Zealand Photography From The 1840s to the Present, published by PhotoForum 1993 , page

195 X 155

Hardwicke Knight Photography in New Zea land, a social and techn ica l history, published John Mcindoe , Dunedin 1971, page 118

a)Pare[ru

lemalewith pounamu pe v,, ...

Pa.rt;i:n.gt;o:n., W. H. T., P hotogrnpher , Victori n. Avenu e, "° a ngo.nui . 'l'cl cgrJphi c add ress, 11 Pn.1ti11 gLon, \.Va 11 ga 11ui /' llo.nkers, Colonio.l ll ,mk of New Ze,il o.nd. Priva te residence, 'l'uylo rville. i\Ir. Pa r tin~ton establis h ed h i111self as a b0ve in lSn l , and b as during th n.t s hort tim e worked up o. very good bu siness. H e was born in Aucklan d, his pnrents bein g nmon~ tl:e earl y settle rs. H e lea rned his business pa r tly with Mr. ll o.rtl eit an d partly with Messr s. Henius ·and Hanna, of Auckla nd. H e was subseque ntly in purtner shi p with Mr. Josiah .Ma r tin, one of the leMlin1s photographers of Auckland, ~nd in conjunction with th a t gentlema n was the first to introduce 10~0 ~uekland what is known ns in stantaneous photography . While Bt)ll 111 Auckland he was at a lo.ter p eriod in partnership wi t h Mr. Kms_ey, who is n ow in bns iness i n \Vellington . After this hlr. Pnrtm,;ton went into business on bis ow 11 acco unt in Grey-street,

195 X 135 cf:3a b) Pare[ru

w1ln tiki, tan lrans1lional I sludroslamr

195 X 145 cl: 3a see illustratr,

A.uckla11 d. wl ,er~ lie 1·cn 11 nint:d f, ,1· sonH" !=:(l' \'Pll or eigl,t years. un ti l. in

I'"'

1S9 1, i h e block of wl, ich lii s ,tu lio was a t was consumed by fi re. H e tb en remrweit to \V a n1;i.11ui, nn,l took h i, presen t, 11,ost c•n trallys1Lua ted pre11,i , es, being n pnrt of the fi es1. Jloor of Messrs. Pnnl nncl Co .'s drnpcry wnrclc onse. Mr. 1'11rti11glo n clnicn s Lo h11 rn introcl nced o.r Lis l,ic protoi;mph y in t.n Lhi s distri ct, a 11 d c,• ctainl y h is sp,•cirne ns of porLrniture are ~xcccdingly fin e. As the pcnpl e or \V angn.1111i and th e surrounding di c.tricL hcc me 111 orc accustomed to high-c lns8 work, Mr. Pn rtin gto11 's bu s in ess wi ll un clo ul,tedly rapi dly in crease. Hi s ~orn pnre we ll wi th t h e best that, is prod uced in th is Colony, work a1_1d l11s p11ces are such t l,nt " " a rh•a n lage c,,11 he ~o.ined by passing bun over to gi ve preference to I li e J,.r,,er establis hm 011 ls of th e older ~ities. His studio is h an dsomely (i t(ed. nnd hi s s ui te of apartments 1s e<Jual to all the requi re men ts of the dist,r ict (or man y yeo.rs.

:''ill

From a newspaper article promoting Partington's studio

a)'Wairawa/

doublefema Wa,rawa'wit Pare Eru· wi transitional ~

155 X 190

cl: 2a, 2b blioublefen with moko, k bordered p1u korowar, nur,

150x 200

cf: 63a, 63b

Day One 6pm Photography by WHT Partington

I clothing. le and the• glass p'ate 'strong ana

rned ups ae ena\ culture

Notes on the catalogue

Inscriptions verso are in inverted commas

a) Double Female Portrait

Photographers plate nubers are in brackets

imple Is tre J 1eweI1e~

Recto inscriptions are in italics Measurements are in mm, height before width Cataloguer's additions in square brackets

output, ha,, ienerat1ons s

Given the unique nature of this collection estimates of value based on previous sales of photography are irrelevant, hence estimates of value have been ommited from this section.

HT Parting::·

1d, asoc1aia':

)unedin 197:

rapher. \'ic\-Onl 100 Wau11nn1.

'esidence. T1ylo1 in 1~1, 1ndh~ SS, Be1r.;OOP Jers. Bel,1111J b lies•' Hem~ partnenh1p 11 ,herso!Aocllan fir-tloinuodoi) ~ wr1~ ill'repby.. ·y t;er,bip 111_1h ~,IJter th~ · ,l in Grey-;I:,~ ,11,ear',onl.

'~,n',um.l byW •nl ,nost c,nl~'•!· I )Je;si;:Pan;;

\I'

~on 's studio

korowa i 195 X 150 5

a) 'Putiki [place]/ Eti Kupa [name]' (76) dou bl e female portrait unknown sitter wi t h Et i Kupa. Stud io backgro und . With sitters wearing piup iu as cape and tewhatew ha

a) 'Ripeka Te Utupito' (7) female in hukahuka korowa i 195 X 150 cf: 9b (smaller print enti tled differen t ly) b) 'Napier Chief's Wife' female with moko, t iki, hukahuka korowai 195 X 155 cf: Sb, 9c (smaller prints)

1otography Fro· um 1993, pa;,

wi th moko, huia feathers, hukahuka

and huka huka korowai, wi th wa hai ka

of sha er•; hrough pub : phy Will ne,1,

n ba<e inlN"

cf: 10b (same sitter)

b) Female Portrait (67)

iwsystemsc' on the Ia10.

New Zea:a

piup iu as cape; huka huka korowai 200 X 150

2 a) Pare Eru fe male wi th moko, Eu ropean neck bow, pounamu pe ndant, transit iona l korowa i 195xl35 cf: 3a b) Pare Eru wi t h t iki, t aniko korowai and transitional korowa i Blind em bossed stud io stamp 195xl45 cf: 3a see illustration

195 X 150 b) 'Eti ' [Kupa] (73)

fema le wi t h moko, ti ki, hu ka huka korowai 145 X 100 cf: 9a b) Napier Chief's Wife fema le with moko, t iki, hukahuka korowa i 140 X 90 cf: l b, 9c c) Female Portrait standi ng right shoul der bared, pi upi u as cape with poi, huia feat hers 130 X 90 cf: Sd d) Female Portrait seated, left sho ul de r ba re d, same props as above 155 X 105 c f: Sc

fema le standing, stu dio landscape

background, with hukahuka korowai,

a) Makere 72

tewhatewha

145 X 100

195 X 150

cf: Sa

b) 'Hariata / Koru-ti-Utupoto' (2) 6 a) 'Eti ' [Kupa] (77) dress and props as 5b 195x 150 b) Eti Kupa (68) dress an d props as 5b 200 X 150 7 a) 'Taha' female wi t h black and whi te thr um colla red korowa i 145 X 100

3 a) 'Wairawa / Pare Eru' dou ble fe male portrait with moko . 'Wa irawa' wi th tiki and taniko korowai. 'Pare Eru' with kuru pe ndant an d trans it iona l korowai 155x l 9O cf: 2a, 2b b) Double Female Portrait (67) wit h moko, kape u pe nda nts, tani ko bordered piu piu , t aniko sash, feathe r korowa i, hu ia feath ers 150 X 200 cf: 63a, 63b (same sitter)

8 'a) Makere' (72)

cf: 9d

b) Eti Kupa and Taha do uble female portrait 90 X 135 c) Eti Kupa with hu kah uka korowai , tewhatewha, hu ia feath ers 140 X 90 see illus tra tion

145 X 100 see i II ustration cf: l a la rger image ent it led differentl y

cl Napier Chief's Wife 135 X 90 cf: l b, Sb

d) Taha 14 5 X 100 cf: 7a 10

a) Female Portrait with moko, tiki , hukahuka korowa i 140 X 100 b) Female Portrait with huia feath er, piu piu as ca pe 145 X 100 c) Female Portrait with nep hrite and go ld earrin g, hukahuka korowa i 14 5 X 100 d) 'Manga' fem ale with go ld earring, hukahuka

with piu piu as cape, white hair feath er

korowai. Blind embossed stu dio stam p

14 5 X 100

140 X 100

d) 'Eti Kupa' (80)

11 a) Female Portrait (9) wit h tan iko korowa i over transiti onal korowai 195 X 145 cf: 35b (same) b) 'Te Kaho' female with moko, huia feathers, kapeu pendant , tiki, kotiate, spiral thrum korowa i with wool border. 195 X 145 12 a) Female Portrait (20) wit h moko, wh ite ha ir feather, huka huka korowai 190x 145 b) Female Portrait (4) with moko, nephrite and gold earring, hukahuka korowai 195 X 150 13 a) 'Kura' (55) female with tooth and ribbo n earrings, seated with huka huka c loak to shou ld ers, tra nsit ional cloak with feat her hem over lap. 145 X 100 see illustration b) Kura (22) 3/4 prof il e with left shou lder bared , differe nt coiffure. 135 X 85 cl Kura portrait with different coiffure. 135 X 85 cf: 14a (same); 35a (same larger) d) Pare 20 3/4 prof il e with huia feathers 135 X 85 cf: 14b 14

a) Kura 140 X 100 cf: 13c (same); 35a (same larger) b) 'Pare' (20) 145 X 100 cf: 13d cl 'Pare' (6) with nephrite jade and ribbon earrings, feat her korowai, both shoulders bared. Blind embossed studio stamp. 145 X 100 d) Pare with hukah uka korowa i, righ t shou lder bared 140 X 90

15 a) Female Portrait port ra it wit h huia feat hers, Euro dress 145 X 100 b) Female Portrait with huia feathers, kuru pendant, hukahuka korowai, right shoulder bared. 145 X 100 c) 'Kura' (56) seated with huia feathers, hukahuka korowai 145 X 100 d) 'Ti' young child with transit iona l c loak as in 13a. Blind embossed studio stamp. 145 X 100 16

a) Ngapera (48) with hair feathers, ribbon earrings, t hrum korowai, left shou lder ba red 135 X 85 cf: 36b (differen t image, sitter with sister) b) Female Portrait with huia feathers, feather korowai 150x 105 cl Female Portrait with huia feathers , hukahuka korowai 145 X 100 d) Female Portrait seated with huia feather, tiki, kapeu penda nt, toot h and ribbo n earr ings, wa haika, hu ka huka korowai 155 X 110

18 a) Female Portrait wi t h huia fea th ers and kahu kiwi korowa i 130 X 95

see illustration

bl Female Portrait with hukahuka korowai 140 X 100

cl Female Portrait with moko, hukahuka korowai 145 X 100

dl Female Portra it with huia feather, tiki , hukahuka korowai , shoulders bared 140 X 100 19

a)Female Portrait wi t h huia fea th er, piupiu as cape 145 X 100

b) Female Portrait with huia feat hers, hukahuka korowai , left shoulder bared. 145 X 100

cl Rauhuma 135 X 85

cf: 17a

d) 'Pare' (37) seated with huia feat her, hukahuka korowai, with bot h shoulders bared. 145 X 100

17 a) 'Raihima' [Rauhuma?] (5) fema le with hair feather, hukahuka korowai. 145 X 100 cf: 19c b) Female Portrait with hui a fea th ers, feather korowai 150 X 100 see illustration cl Female Portrait seated with huia feather, moko, korowai with taniko hem over European dress 135 X 95 d) Female Portrait seated wi th hu ia feather, t wo nephrite pe nda nts, feat her cape, ba red shoul ders, muka piup iu, tewhatewha. 145 X 100

20 a) Female Portrait outdoors wit h pounamu pendants, muka rain cape over European dress. 155 X 100

b) Child Portrait with transi ti ona l cape as in 15d , right shou lder bared 140 X 90

cl Female Portrait 120 X 85

d) Female Portrait (63) wi t h hu ia feathers, tooth and ribbon ea rrings, t ik i, tani ko korwai with wool t hrums. 145 X 100 9n

ahu k1w

rowa1

~ ahuka

as cape

huka koroWi 7c

hukahuia

ders bared.

iendants,

Jpean dress

in 15d, ngnl

and ribbOn

,ai with wool

13a

21 a) Child and Two Women child in European dress, others wit h hukah uka korowai and piupiu as cape over Europea n dress. Verso mou nted on 'Price List' of photographer's charges. 135 X 95 b) 'Nicki/ Hiponga / Walter William/ adopted Gi rl' female with huia feathers, hukahuka korowai, shoulders bared . 145 X 100 see illustration c) 'Pipiriki [place] / Ngamora [name]' (60)

seated doub le female portrait each with huia feather, hukahuka korowai . Blind embossed studio stamp. 145 X 100 d) Double Female Portrait standing with moko in single hukahuka korowai. 145 X 100

22 a) 'Pare' ( 18) fema le with moko, nephrite, gold and ribbon earrings, huia feat her, hukahuka korowai, right shoulder bared 145 X 100 b) 'An ie' fema le with ribbon earrings , huia feather, hei matau , hukahuka korowai , left shoulder bared. 145 X 100 c) Female Portrait with moko, huia feathers, European neck bow and dress. 140 X 90 d) Female Portrait with moko, hukahuka korowai 145 X 100

23 a) Female Portrait with moko , hukahuka korowai 145 X 100 b) Waitapu (79) fema le with moko 135 X 85 et: 25a , 26b c) Female Portrait with heart shape nephrite pendant , hukahuka thrum and feather korowai, pounamu mere. 135 X 85 d) 'Karoraina I Ka roiana / Henare' fema le with chequered wood pigeon feather cloak. 140 X 90 et: 24d

a) Te Kuia Fairei [Whairei] and Waikeau [sp? ] double fema le portrait with moko, huka huka korowai, 'Te Kuia' with kotiate. 90 X 140

et: 25b [Aramoho Girls] , 26a b) Te Kuia Wha ire i, Kawirue [sp?] and Te Waikeau [sp?J triple female portrait with moko , huka huka korowai , 'Kawirue' with kot iate. 90 X 140

et: 25b [Aramoho Girls] and 26a c) Female Portra it standing outdoors with three pounamu kuru pendants, hukahuka korowai. 155x 105

d) Karoraina / Koro iana / Henare (1) fema le wi t h chequered wood pigeon feat her cloak . 145 X 100

et: 23d 25 a) 'Wa itapu' (79) female with moko , huia feather, hukahuka korowai . 195 X 145

27 a) 'Paure' (11) female with huia feathers , moko , peacock feather cloak with wool loop border, right shoulder bared . 195 X 145 et: 30c (different image sam e sitter entitled 'Tare ') b) Rawini Hipango and Another Young Woman 'Rawinia Hipango' with huia feathers , tooth and ribbon earrings , kiwi and other feathered chequered cloak. Other sitter with hu ia feather, hukahuka korowai. 195x 145 et: 29b (different image) , 29c (cropped image) , 30d (cropped image) , 32a (same) see illustration

28 a) Tame Tawpa [Taupa ] Tauika 31 ma le youth wi t h huia feathers , huka huka korowa i. 200 X 135 et: 30a (same image) b) Female Portrait (44) with huia feathers , pounamu aurei , hukahuka korowai over European dress. 195 X 155 et: 29a (cropped image) , 30b (cropped image)

et: 23b (cropped image) , 26b

(different image)

a) Female Portrait 140 X 90 et: 28a (larger image) , 30b (same image) b) 'Rawinia / Hipango' (38) female with huia feathers, tooth and ribbon earrings, taniko bordered kiwi and other feathered chequer pattern korowai. 145 X 100 ef: 27b, 29c , 30d, 32a (different images) see illustration c) Rawin ia Hipango and Another Young Woman 140 X 90 et: cropped image of 27b and 32a; 30d (same); 29b d) Female Portrait with huia feathers 140 X 90 et: 37a (cropped image) 32b (larger image)

b) 'Te Kuia Faire i [Whai rei] / Kawirue [sp?J / Te Whaikeau [sp?J/ Aramoho Girls' (38) 140x 195

et: 24a (different image) , 24b (cropped image), 26a (same image)

26 a) Te Kuia Whaire i, Kawirue , Te Whaikeau; Aramoho Girls. 150 X 195

et: 25b (same image) b) 'Waitapu' (75) female with moko, huia feather, piupiu as cape left shoulder bared, wahaika. 195 X 150

et: 23b and 25a see illustration

moko, wool 100,

ime s1tt,,

iher Young

1a feathe•s k1w1 ana l cloak. '.her,

29c

opped

1uika 31

hers,

amu aure1, :uropean

, 30b (cropc,:

30b (same

is, tooth and

bordered k," iquer patter'

3 (different

Another Youn!

7b and 32a:

e) 32b (larger

30 a) 'Tame I Tawpa [TaupaJ / Tauika (31) 145 X 100 et: 28a (same image larger) b) Female Portrait 140 X 90 et: 28b (larger image), 29a (same image) c) 'Tare' different coiffure, same cloak over European dress 145 X 100 et: 27a (different image same sitter entitled 'Paure') d) Rawina Hipango and Another Young Woman 135 X 90 et: 30d (same); 29c (same); 29b; 32a (larger)

34 a) Female Portrait inked or tattooed on arm 'Taiwiri Waia' with moko, Euro and ribbon earrings, kapeu pendant , hukahuka korowai with feather and wool loop borders. 195 X 150

b) 'Tare' ( 19) 195 X 145

et: 33b (same) see illustration

35 a) Kura 195 X 140

et: 13c and 14a (same smaller) 31 a) 'Rapera' ( 16) female with moko, nephrite and gold earrings , kapeu and kuru pendants, peacock feather cloak , bared shoulders; letter M inked or tattooed on upper right arm. 200 X 140 et: 33a (same); 37b (different smaller image) b) 'Pare' (27) female with moko, nephrite and gold earrings, tiki, same cloak as 31a. 195 X 150

32 a) Rawinia Hipango and Another Young Woman 195 X 150 et: 27b (same); 29b (different); 29c (cropped); 30d (cropped) b) Female Portrait with huia feathers, plaited flax piupiu with feather border as cloak and tewhatewha . 195 X 150 et: 29d (cropped); 37a (cropped)

see illustration

b) Female Portrait 9 200x 150

et: l la (same) 36 a) Female Portrait (35) with white feather, moko, hukahuka korowai.

b) 'Ngapera and Sister' (45)

et: 16a (different image) 37 a) Female Portrait 140 X 90

et: 29d; 32b (larger image) b) 'Rapera' with flowers in hair. 145 X 100

et: 31a and 33a (different images) see illustration

c) Young Female Portrait

33 a) Rapera ( 16) 195 X 145 et: 31a (same); 37b (different smaller image) b) 'Kauangaroa [place] / Tare [name]' (19) female with huia feathers, tiki , hukahuka korowai. 195x 150 et: 34b (same)

38 a) Ngapera (28) female seated with inked or tattooed inscription to right arm: 'KoTepuia W... '. 145 X 100 b) 'Ngapera' (66) same sitter as above with inked or tattooed i nscri pt ion to left arm: 'Kati ka Wetaua' 145 X 100 c) Female Portrait (70) [indecipherably inscribed verso] with moko, inked or tattooed inscription to left arm: 'KoPiha * lpimiatu' 145 X 100 see illustration d) Female Portrait with inked or tattooed inscription to right arm: 'Hawirate Ngo Pare' 145 X 100

full length standing with piupiu as cape, hukahuka korowai as skirt, tewhatewha. 155 X 105

d) 'Maitara / Tapa' (34) young child with tiki and pendant, hukahuka korowai. Blind embossed studio stamp. 145 X 100

39 a) 'Makiaritei / Tapu or /Topu' female with inked or tattooed inscription to left arm: 'KoRakera Uhapo (n .. 7). Bare breasted , wearing piupiu seated on hukahuka korowai with tewhatewha. Studio landscape background. 100 X 145 b) Female Portrait girl with huia feathers , tooth and ribbon earrings , piupiu as cape, hukahuka korowai as studio background, holding tewhatewha. 40 a) 'Tewahi /Te Uahi' (12) male standing with inked or tattooed inscription on left arm: 'Pehi' 195 X 145 b) Male Portrait inscribed verso: New/ added/ private . Male with moko, hukahuka korowai, wahaika . 180 X 130

41 a) Tarahui male with inked or tattooed name to chest: 'Raimapaha' with moko, hei matau wearing piupiu. 195xl50 see illustration b) 'Tarahui' (29) with headband , huia feathers , hukahuka korowai, whalebone wahaika . 195 X 150

270

!>r tattooe:

0Tepu1a

inked Of arm: 'Kotij

erso] wit, 1scnpt1ont;

;cnption to Pare'

1pu'

:ioed

,oRakera ;ted, wearing akorowa1 1 landscape

JOth and scape, dio hatewha.

J or tattooed Pehi'

lded' private ika korowa1,

oed name to moko, he1

42 a) Male Portrait

with moko, huka hu ka korowa i, waha ika. 195 X 145

fema le wit h piu piu as cape, ti ki, inside whare porch, th e doorway lintel carved wit h i nsc ri pt io n. 195x l 50 cf: 49a (cropped) see illustration b) 'Pei Te Pehi'' I Partington I Protected

b) Male Portrait (13) wit h moko, hu ia feat her, hu ka hu ka korowa i, whalebone koti ate. Th is su bject was pa inted by Char les Go ldie. Ref : Ali stair Taylor, CF Goldie His Life & Paintings, images of Parata Te Tuhi pgs 94-95, 18 0 , 206 & 210. 195 X 150

43 a) Pah Tawata I Partington 100 Pro Mch inscr ibed verso 'Tewat at a / Pah ' 100 X 145 b) Whare Tawata I Partington 99 Pro.

Mch02 100 X 145 cf: 45b and 4 6e (same) c) Deserted Pah Tawata I Partington 102 Pro. Mch. 02. insc ribed verso 'Tewat at a' . Th is image rep rodu ced: Phil ips, Maori Dwellings and Storehouses. 100 X 145 cf: 45d (sa me) d) Maori Grave Yard. Tawata I Partington 103 Pro. Mch. 02. 100 X 145

44 a) Group of Maori Men, Women and Children Outside Whare. 110 X 150 see illustra tion b) Man and Boy Outside Whare 11 5 X 140 c) Two Men Carrying Children Outside Storehouse 115 X 160 d) 'Putiki / Old Whare' th ree chil dre n in f ro nt of whare

45 a) Child Asleep in Arms of Woman Seated Beside Building. 100 X 145

b) Whare Tawata I Partington 99 Pro Mch 02 . 100 X 145 cf: 43b and 46e (sa me)

c) Wharepuni Tawata / Partington 101 Pro. Mch 02. 100 X 145

d) Deserted Pah. Tawata I Partington 102 Pro Mch 02. 100 X 145 cf: 43c (sa me)

a) Pei Te Pehi

Mch 02 I 121. fema le wit h cotton dress before linte l inscribed 'Koha uaroa' 190 X 140 cf: 49b (cropped)

cl Kaiwakaurua Pah I Partington I 120 Protected Mch 02. Pei Te Pe hi st ands in middl e distance before the bu il ding above wit h f ive oth er houses and a pa t aka to th e left . 14 0 X 195 d) Kaiwakaura Pah (63)

A view look ing back along the above five houses t o t he pataka. 100 X 14 5 e) Whare Tawata I Partington 99 Pro

Mch 02. 100 X 145 cf: 43b and 45b (same)

49 a) Pei Te Pehi 140 X 90 cf: 46a larger image b) Pei Te Pehi 140 X 90 cf: 46b larger image

50 a) Whare Puni, Utapu Pa a gro up of men , women and children outs ide t he wharep uni, mainly Maori all in Europea n dress. 150 X 190 cf: 5 1a

51 a) Wharepuhni. Utapu I Partington 93

Protected Mch 02. wharep uni with woman and chi ld sea ted ou t side. 100 X 145 cf: 50a b) Children's Haka I Partington Protected Mch 02.

four child ren perform an ad hoe haka . 100 X 150 see illustration c) Utapu Women I Partington 107 pro.

Mch 02. 47 a) Group of European and Maori Men and Children before a Whare Whakairo [Te Kuitil, cu rved and pa inted ma ih i, amo and t ekoteko. 105 X 155 b) Woman Holding a Baby; before the right hand amo of the above Whare Whakairo. 160 X 11 5 c) Portrait of a Girl; before the left hand amo of the above whare whakairo. 150 X 1 10 48 a) Group of European and Maori before a Whare Whakairo. 105 X 155 b) A Female Child Standing before the amo and raparapa of the whare whakairo above 110x l 55 c) 'Wharepuna Up River' gro up of Maori stand before a wharepuni or wha re runanga most adu lts with cloaks over Europea n dress. 100 X 145 see illustration

two women and chi ldren before a slab sided whare inscr ibed verso 'Utapu / Parinue'. 100 X 145

3io

d) 'Paranui / Parnui?' Protected Mch 02. t wo women outside th e house dep icted in 5 1b. 100 X 145

52 a) 'Mahi Kete / Utapu Parinui' Maori Mat Making I Partington 96 I Protected I Mch . 02. Women before t he whare dep icted in 51b. 100 X 150 b) Utapu Pah I Partington 94 I Protected

Mch 02. whare as in 51b and all images in 52 along wi th two ot her bu ild ings. Two woma n with ch i ld ren sit on paepae. 100 X 145 c) 'Poi Dance I Utapu Parinui'

Haka, Utap u prot ect ed. five women Eu ropean dress perform before whare as 51b. 100 X 145 d) Utapu Pah I Partington 92 I Protected/

Mch 02. group of men and ch il dren before whare as 5 1 b with larger slab sided bu i Id i ng to right. 100 X 145 3&:

dchild•,, nly Maor

rtington 93

1dchild

~on Protected

ad hoe haka.

'on 107 pro.

be ore as'a: rso 'Utapu

37b

41 a

ected Mch 02.

10use dep1c:,:

inui'

tington 96

;men before lb.

' 94 I Protected

images in 5'. ildings. Two ton paepae

rinui'

five women , beforewhare

1n 92 /

protectel

before Jren ded lab :er S s1

53 a) Putiki Whare Whakairo (40) with large group before house, many women with piupiu and capes around shoulders. 150 X 200 b) 'Putiki / Poi haka' (46) group of women perform dance before whare whakairo, one youth to left imitates their actions, two men to right adjust cloak of girl. 140 X 200

58 a) 'Ranana Meeting House/ Ngarangi' (71) (cf: 256 plate neg, same house)

a female reclines on flax mats and linen pillows holding a taiaha , European dress with piupiu draped over legs, another female sits beside the ridge pole carved with ancestral figure. 150

X 200

b) Female Portrait, Ranana

54 a) Haka Performance Putiki Whare Whakairo (47) group of 11 men perform, all wear white woollen shirts. 150 X 200 b) Haka Party Putiki Whare Whakairo, the same group as above pose with arms folded, excepting far left with patu, far right with taiaha . 145 X 200 see illustration

standing before Ranana whare runanga doorway flanked by carved whakawae. Indecipherable i nscri pt ion and date 1900 visible on foundation left and right. 195 X 140

c) Double Female Portrait

standing before same doorway, with

a) Female Portrait with transitional cloak with feather hem seated on hukahuka korowai 145 X 100 b) Female Portrait bare breasted , in dance pose , standing before landscape studio background with piupiu. 145 X 95 c) Female Portrait with hands across breasts 145 X 100 d) Female Portrait with huia feather, piupiu as cape, bare shouldered. 140 X 100 cf: 62a-d (same subject bare breasted)

piupiu as capes over European dress. 195 X 135

a) 'Putiki / Hakas' (64) a large party of bare chested men perform a haka most wearing piupiu over European trousers before the whare whakairo, Putiki. 100 X 150 b) Haka Party, Putiki 150 X 195 cf: 54b, 56b (same)

d) Male Portrait, Ranana

taniko korowai .

standing before same doorway, wearing

a) 'Putiki / Pataka' (24) group sit before the pataka one boy stands on the paepae, on man sits astride a waka tauihu. Blind embossed studio stamp. 100 X 145 b) Haka Party, Putiki 150 X 195 cf: 54b and 55b (same)

same taniko korowai and piupiu as

standing before same doorway, flanked by whakawae , beneath pare , with 195 X 140

cf: 59c (cropped) see illustration

e) Double Female Portrait, Ranana

cape . 190 X 145

cf: 59d (cropped)

62 a) Female Portrait

bare breasted, with hukahuka korowai as skirt. 140 X 105 see illustration b) Female Portrait same sitter, bare breasted, with tewhatewha , piupiu . 140 X 95 c) Female Portrait same sitter, bare breasted , with tewhatewha , korowai as skirt. 145 X 95 d) Female Portrait same sitter, bare breasted , with canoe paddle, korowai as skirt 140 X 105

a) Female Portrait, Ranana 140 X 85

100 X 145 cf: 56a (same) see illustration b) 'Putiki Pataka' (71) the same pataka as above viewed along left wall. 105 X 145 c) Church Wanganui weatherboard church with clergy and parishioners 100 X 140

155 X 105 b) Kohu Peke Keri Matakore female with hat , huia feathers in hat band, plaited piupiu as cape 155 X 110 c) Group of Maori Before a Gateway in European costume, the gateway decorated with native flora with superstructure supporting flags [Un ion Jacks] above a banner : 'Haere Mai. Welcome' flanking a regal crown motif 145 X 100 d) Double Female Portrait European female with roses in hair with Maori female with hukahuka korowai . 150 X 110 see illustration

cf: 59a , 59b (cropped)

57 a) 'Putiki Pataka' (24)

60 a) Old Woman Reclining in Doorway

cf: 58b (same larger image)

b) Female Portrait, Ranana same as above 135 X 85

c) Male Portrait, Ranana 145 X 100

cf: 58d (same image larger)

d) Double Female Portrait, Ranana 90 X 140

cf: 58e (same image , larger)

46a

54b

Doorwai

hers in ha: 1pe Gatewai

gatewa1 aw1 · lags I n: ,aere Ma crown m;;·

;es in ha1,

48c

ukahuka

11th leathe• a korowa 1

pose. stan:·; backgroun:

46a

;Is 51b

uas capt er,

:t bare breas:,:

kahuka koro,'

sted, with

15ted, with as skirt.

th cant isted, wi

;1rt 54b

63 a) Female Portrait rec lining before fl ax bu sh, with moko, t ooth and ri bbon ea rrin gs, piupiu as ca pe 110 X 150 cf: 3b (same sitter) b) Double Female Portrait sa me sitter as above and another female 105 X 150 c) Female Portrait sa me sitter as above 105 X 160 64 a) Double Female Portrait two females wi th pi upiu as capes seat ed beofre f lax 105 X 155 b) Double Female Portrait sa me as above reversed position 110 x 155

65 a) Double Female Portrait recli ni ng before fl ax, wit h tan iko and huka huka korowai 115 X 160

67 a) 'Putiki Pa' Girl with hukah uka korowa i, woman smok ing pi pe, wi th muka ra in cape and baby, papoose- like on back sit on porch wi t h la rge waka hui a as prop 145 X 100 b) 'Boy & Ornament' (85) with feat her and piu piu knee ls be hind same waka huia 145 X 100

see illustration c) Double Female Portrait (87) sta nd shak ing hands ove r th e same waka huia 145 X 100 d) Double Female Portrait (86 same subject s as (a) sit either side of wakahuia 100 X 140 68 a) Female Portrait rec lin ing, with moko, huka huka korowai, before flax 11 5x155 b) Female Portrait same sitter, st anding before fla x 155 X 105 c) Female Portrait wit h poi over righ t shou lder, piup iu as cape 160 X 115 d) Female Portrait same sitter without poi 155 X 105

see illustration b) Double Female Portrait sa me subj ects st anding before f lax 150 X 11 0 c) Double Female Portrait sa me subject s as (a) wider view 110 X 155

66 a) Female Portrait with moko, seated on house porch, Europea n dress 155 X 11 0 b) Female Portrait European Dress 145x 100 c) Group Portrait fo ur wome n, t wo ch il dren , seat ed on porc h, with moko, two with pipesllO x 155

see illustration d) 'Putiki Lassie / Huia' two fema les seated in studio wit h piu pi u as cape and hu ka huka korowa i cf: four oth er images from th is si tt ing

69 a) Pai Group six standi ng fema les wi th piupiu over Eu ropea n dress and t wo seat ed you ng me n. Studio interi or. 150 X 200 b) Putiki / Tarete female wit h child ca rr ied papoose- like in cloak with plai t ed wool len t hrums 195x150

70 a) Group Portrait var iously weaving f lax mat s 105 X 155 b) Man Weaving Tanika seat ed with chil d bes id e, t aniko sect ion held on weav ing pegs 85 X 11 0 cl Child Portrait wear ing Eu ropean dress. Inscribed verso 'WHO Partington / 11 Nort h Ave / Na rrowneck 155 X 100 d) Children Performing th ree girl s, one boy, seat ed, gesti cul ate in imitat ion of haka. Insc ri bed verso as

see illustration

71 a) Female Portrait with woo l loop decorat ed cloak, rec lin es on hukahuka korowai. Stu dio background 150 X 100 b) Female Portrait same sitter as above , with padd le 150 X 100 cl Female Portrait same sitter as above 150 X 100 d) Female Portrait same sitter as above 145 X 100 72 a) Male Portrait with huia feather, wakaika, hukahuka korowai 155 X 100 b) Male Portrait same si tter as above 145 X 100 cl Male Portrait same sitter as above 155 X 100 d) Male Portrait seat ed beside stu dio table wit h European jacket and waistcoat , blanket wrapped as kilt, barefooted . 145 X 100

see illustration 73 a) Tupati Teaukawa (52) ma le st anding before studio la ndscape bac kgro un d, wit h ca ndlewick cloak , patu paraoa 145 X 95 b) 'Teaukawa I in Tapa' (60) standing with t aniko sash , piupiu, tewhat ewha , on korowai 145 X 100

see illustration c) 'Tupati TeauKawa ' seated wit h huia fea th er, cand lewick c loak , pa tu pa raoa. 195 X 150

74 al Wai Tauri male knee li ng on one knee, with huia feathers, huka huka korowai, plaited piupiu , taiaha. 145 X 100 b) Wai Tauri (42) st an d ing 145 X 90 cl Wai Tauri st anding 195 X 50

57a

Oak, lai. Stud:

paddle

le with scoat. blr•, led.

ud1O landsca:; ew1ck cloa~

(60) sh, p1up1u.

er, candlew :•

knee, with n, a rowa1, pla1teo

58d

75 a) 'Taketake'

79 a) Female Portrait

with moko, huia feathers, tooth and ribbon earrings, korowai with extra weft wrapping decoration cf: 77c (same) 195 X 145 see illustration b) Taketake same sitter, later in life. With huia feather, ribbon earring, hukahuka korowai 200 X 150

with huia feather, hukahuka korowai inscribed verso: Protected Partington 1924. 140 X 95 cf: 80a (same image) b) Tehirata female with moko candlewick and wool cloak. 145 X 100 cf: 88b, 89b (same) c) Female Portrait (62) 140 X 85 cf: 80c (same) d) 'K ... Na/Kahu [Ngakahu]' female with tooth and ribbon earrings, tiki, hukahuka korowai. 145 X 100 cf: 80c (same)

76 a) Taketake same sitting as 75b seated holding wahaika, tewhatewha on mat before him 200 X 145 b) Taketake same sitting as above. standing with tewhatewha 195 X 150 see illustration

77 a) Male Portrait 3/4 profile with moko, rain cape, wahaika. Blind embossed studio stamp. 195x 140 b)Male Portrait same sitter with hukahuka korowai 140 X 100 c) 'TakaTaka [Taketake] / up River Maori / Cheif' with moko, huia feathers, tooth and ribbon earrings, korowai with extra weft wrapping decoration 195 X 150

78 a) Female Portrait 150x 105 cf: 38c, 68d (same sitter) b) Double Female Portrait reclining before flax with hukahuka korowai's 110 X 160 cf: 78c 78d (same subject) c) Female Portrait left hand sitter from above, standing. 155 X 100 d) Double Female Portrait as 78b reversed positions, standing. 155 X 105

80 a) Female Portrait 140 X 85 cf: 79a (same) b) Female Portrait with huia feather, piupiu as cape, wahaika 155 X 105 c) Female Portrait 135 X 85 cf: 79c (same) d) Ngakahu 135 X 85 cf: 79d (same) 81

a) 'Pgarangi / Kaihauia / Kgarangi' (31) [Ngarangi Kaihuia ? ] female with huia feathers , moko , tiki, hukahuka korowai. 195 X 145 cf:93a (same) 95b (crop) 93d (diff) see illustration b) 'Mere' ( 15) female with piupiu as cape holding pounamu mere 195xl50

82 a) Female Portrait with huia feathers, hukahuka korowai 190 X 145 b) 'Ripeka' (50) female with moko, huia and white feather, hukahuka korowai 190 X 150 cf: 88d, 89d (cropped images)

83 a) Female Portrait with huia feather, large gold mounted pounamu pendant , piupiu as cape 155 X 105 b) Female Portrait same sitter with poi over right shoulder 155 X 100 c) Female Portrait with hukahuka korowai 145 X 100 d) Female Portrait (65) with huia feather, hukahuka korowai 145 X 100

84 a) 'Pare' (76) profile, piupiu as cape 145 X 100 cf: 85a (same) b) Pare (75) 3/4 profile same sitter 145 X 100 c) Female Portrait (83) 135 X 85 cf: 85c (same) d) Female Portrait with huia feather, kuru & kapeu pendants, poi over shoulder, piupiu as cape 145 X 100

65a

85 a) 'Pare' (76) cf: 84a (same) 145 X 100 b) Female Portrait 3/4 profile 145x 100 c) Female Portrait (83) 135 X 85 cf: 84c (same) see illustration d) Female Portrait 145 X 100 cf: 84d (same)

86 a) 'Pare' ( 13) female with huia feathers, hukahuka korowai 145 X 100 cf: 87a (same) b) Female Portrait with huia feather, hukahuka korowai 145 X 100 cf: 87b (same) c) Female Portrait with hukahuka korowai 145 X 100 cf: 87c (same) d) 'Fauniti' [Whauiti ?] female portrait 100 X 145 cf: 87d (same) )()(j

lid mounte: as cape

light sh0t.:·

Jka korowa

kapeu pendar3 as cape

hukahUka~

ahuka korotc

70d

87 a) 'Pare' ( 13) 145 X 100

et: 86a (same) b) Female Portrait 145 X 100

et: 86b (same) c) Female Portrait 145 X 100

et: 86c (same) see illustration

d) 'Fauniti' [Whauiti ?] 100 X 145

90 a) Female Portrait standing with canoe paddle, hukahuka korowai 150x 100 b) Female Portrait same sitter, seated with poi 155 X 105 c) 'Pare' (79) with huia feather, gold mounted kuru pendant, hukahuka korowai 145 X 100 d) Pare same sitter with hukahuka korowai 105 X 140

et: 86d (same) 88 a) Malaua Raria (38) female with huia feather, tiki , piupiu as cape with deep wool loop border. 145 X 100

et: 89a (same b) Tehirata 140 X 90

et: 79b , 89b (same) c) 'Riheka / Tiki' female with moko, huia feather, piupiu as cape 145 X 100

d) Ripeka

91 a) Female Portrait with moko, gold nephrite earring and albatross down earring 190 X 150 b) Female Portrait 3/4 profile; with huia feather, tanikotype bordered piupiu as cape 190 X 140

92 a) Female Portrait 3/4 profile; with moko , huia feathers, hukahuka korowai, ribbon earring 195 X 140 b) Female Portrait same sitter 195 X 140

et: 82b (larger) 89d (same)

95 a) Female Portrait 140 X 90

et: 94a (larger) b) Ngarangi 135 X 90 et: 93a (larger) c) Ngene boy standing with tewhatewha, wahaika on korowai before him 135 X 75 et: 96c (same sitter) d) Magaranga / Rahauna / Kaueria [Ngarangi Kauhuial 140 X 100 cf: 93a, 95b (different images) see illustration

96 a) Female Portrait with moko , in muka rain cloak, standing before flax 155 X 100 b) Female Portrait same sitter as above 105 X 155 c) 'Ngene' boy reclines on korowai with tewhatewha and wahaika 100 X 145 d) Ngene boy sits cross legged with same props 145 X 100

190 X 145 b) Female Portrait with huia feather, piupiu as cape 195 X 150 see illustration

97 a)Male Portrait (19) with moko, piupiu as cape 190 X 140 b) Male Portrait elderly man with huia feather, hukahuka korowai 155 X 110 see illustration

a) Female Portrait (47)

a) 'Teo' (34)

with hia feather, tooth & ribbon earrings, hukahuka korowai.

male with mere in right hand , carved

d) Ripeka

190 X 145 et: 95a (crop)

195 X 140

140 X 90

b) Female Portrait

cf: 82b (larger) 88d (same)

standing with tewhatewha , hukahuka korowai.

135 X 90

89 a) 'Malana Raria' (38) . 145 X 100

et: 88a (same b) Tehirata'

93 a) Ngarangi (31)

et: 81a (same) 95b 9crop) 95d (diff)

145 X 100

cf: 79b, 88b (same) c) 'Tehirata' same sitter. 145 X 100

190 X 135

patu stuck in waitband of piupiu

see illustration

b) Male Portrait youth seated cross legged, with huia feathers, tewhatewha, hukahuka korowai. 190 X 130

67b

Kaueria

ages)

cloak,

67b

72d

hsame props

iather,

hand, ca~ed

of piup1u

ed, with hu1a ukahuka 73b

75a

99 a) Male Portrait with moko , huia feathers, partial inscription inked or tattooed visible on left shoulder. 200 X 140 b) Female Portrait with moko, huia feather, tiki. 180 X 150

100 a) Female Portrait (56) with moko, huia feather and leaf , nephrite and gold earring , hair in plaits 195 X 140 b) 'Terewi' (53) male with moko, headband, huia

103 a) Girl and Baby in corn field , the baby carried papoose-like in blanket as cloak 155 X 115 b) Piho (68) woman and chid, the child as above in hukahuka korowai 145 X 100 104 a) Woman and Child studio portrait both seated and cloaked bare shouldered in hukahuka korowai , the child with a large pounamu tiki 140 X 100 b) Woman and Child (44) same child as above, different woman 145 X 100 see illustration

feather

see illustration

101 a) 'Hurawanu' male standing with hukahuka korowai , wahaika. 145 X 100

cf: 102b (same)

b) Male Portrait (3) 145 X 100

c) Male Portrait standing with double barrell hammer shotgun, European shirt and waistcoat, cartridge waist bag, taniko bordered ki It. 160 X 105 d) Male Portrait (36)

105 a) Woman and Child 44 cf: 144b (same)l35 x 90 b) Woman and Child child papoose-like in blanket claok, European dressed woman sits on timber slabs before flax 155 X 115

102 a) Male Portrait with tiki , whalebone kotiate, hukahuka korowai 150x 105 b) Hurawanu 135 X 90 cf: 101 a (same) c) 'Tamati' (43) male standing with tewhatewha, hukahuka korowai 145 X 100 d) 'Pukeke' (54) male standing before trees with piupiu over one shoulder and plaited piupiu holding taiaha. 145 X 100

a) Three Women in korowai, the middle sitter in kahu kiwi sit before flax bushes. 160 X 115

b) Three Chidren in piupiu and korowai with tewhatewha and wahaika as props. Inscribed: Protected 15.2.04 / W Partington 140 X 100

see illustration

110 a) Double Female Portrait one with moko, with piupiu as capes 150 X 195

b) 'Mutu' (54) female portrait, with moko , huia feather, kapeu pendant , piupiu as cape 190x 145

111 a) Double Female Portrait (56) wearing hukahuka korowai and piupiu as cape

106 a) 'Waiwarere' (46) woman with moko, huia feathers , tiki , hukahuka korowai, seated with poodle on lap 140 X 100 b) Waiwarere and Male Waiwarere seated , male stands beside her wearing European coat 140 X 100 see illustration

190 X 150

cf: ... (Putiki Lassie)

b) Female Portrait (59) same sitter from above 195xl50

112 a) Female Portrait 200 X 150

cf: 111 a (same sitter)

with moko , hukahuka korowai 135 X 85

109

107 a) Three Children standing before flora wearing piupiu and korowai over European dress 155 X 105 cf: 108b (same) b) Two Children standing before tree wearing hukahuka and taniko korowai. 155 X 110 108 a) Two Children before flax with kuru pouanmu pendants , piupiu as capes 105 X 155 b) Three Children cf: 107b (same)

b) Double Female Portrait 200 X 140

cf: 11 la

113 a) 'Putiki / Tarete' (23) woman and child papoose-like in transitional cloak 190 X 150

b) Ngaranga (27) woman with child papoose-like in hukahuka korowai cf 115a (same smaller print)

see illustration

76b

:hlewha:e , scnbea:

a mgt

1u as ca;tS

o, hu1a p1up1u asc,;,

I (56)

va I and p1up • 76b

8 1a

iose-like in

l()()se-like in

!r print)

85c

87c

114

118

a) 'Mere' ( 11) female with moko , hukahuka korowai 190x 145 b) Mere with Child (10) same as above with child on back 190 X 140

a) Female Portrait sitter framed from behind looking back over left shoulder, with very long hair. 145 X 100 b) Woman and Child studio interior backdrop. Woman with European coat and hat, child stands with feather cape over European dress. 150 X 95 c) Two Girls two young girls seated , cuddle , seat draped with piupiu . Inscribed: W. Partington. 140 X 100 d) Female Portrait with moko wrapped in cloak of unusual design. 155 X 105

115

a) Ngaranga / 'Hemus' (27) female with child papoose-like in hukahuka korowai 140 X 100 cf: 116b (same) cf: 208a (plate) possibly a Hemus & Hanna image b) 'Pare' (82) photograph of painting of Ana Rupene by Gottfried Lindauer. 135 X 95 cf: 116a c) Female Portrait reclining wearing candlewick cloak decorated with peacock feathers. 115 X 160 d) Female Portrait child papoose-like in woollen blanket 160xll5

119

a) Female Portrait young girl reclines on rug with huia feather, wahail<a , hukahuka korowai200 x 140

see illustration b) Female Portrait same sitter as above 195 X 145

116 a) 'Pare' (82) 145 X 100 cf: 115b (same) b) 'Ngaranga' (27) 145 X 100 et: 115a (same) c) Female Portrait 135 X 105 cf: 68c (same) d) Female Portrait 150x 105 cf: 68d, 78d (same)

120 a) 'Taumaranui I Temanuate' ? male and female stand outdoors before cloth backdrop , European clothes, woman with piupiu over shoulder. 200 X 140 b) 'Taumaranui I Girls' (64) four females stand outdoors, European clothes, three bare footed. 190 X 150

117 a) Woman and Child woman with moko , piupiu as cape over European dress, child on hip. Brush wood background . 115 X 110 b) Double Female Portrait both with piupiu over European dress hold bouquets of leaves while raising left hands - the sign of Ringa-tu. Brushwood background. 155 X 105 c) Girl and Child girl with tooth and ribbon earrings, European dress, child on hip. Brushwood background. 155 X 110 d) Double Female Portrait two girls, pounamu pendants at the collars of their European dresses . 105 X 155

121 a) Male and Female Portrait, Putiki man seated on chair with piupiu as cape over shoulders, over European dress, taiaha on knee. Woman seated on mat on ground with piupiu as cape over European dress . 200x 155 b) 'Putiki Girls' (21) Four girls , standing , piupiu as capes over European dress . 195 X 150 c) Female Portrait, Putiki. girl from left of group in 121b reclines on mat elbow on tauihu, taiaha on ground, with piupiu over European dress. 140 X 200 d) Female Portrait, Putiki girl from second left in 121 reclines as above. 135x 195

see illustration

122 a)Four Woman Before Flag standing with piupiu over European dresses before a wall hanging or flag with applique lettering partially visible " .. MOUTO .. . " below a motif (possibly clasped hands) 140 X 185 b) Female Portrait, Putiki (21) cf 121b (same) 123 a) Haka Performance Group group of males kneel and stand , European flags fly behind 145 X 200

see illustration b) 'Komiti' (61) Eleven males studio portrait group , seated and standing in European clothes, three with cloaks over shoulders and with taiahas

see illustration c) Male Portrait (8) with feather, hukahuka korowai , inscription tattooed or inked faintly visible on exposed right arm 200 X 150 d) Male Portrait (25) (52) with moko, huia feathers , hukahuka korowai 200 X 145 124

a) Female Portrait outdoors, with huia feather, pounamu mere, candlewick cloak. 145 X 105 b) 'Au' (32) female , with moko , nephrite and gold and ribbon earrings, piupiu as cape 140 X 100 c) 'Puriri' (26) female with moko , nephrite and gold and ribbon earrings, hukahuka korowai. Blind embossed studio stamp. 145 X 100 d) Woman and Child standing before flax, eh i Id carried papoose-like in a blanket as cloak 155 X 110

93b

European g1ng or flag 1rt1al1yv1s:, lt1 (poss bl

dstand,

ra1 group European sover as

korowa1, nked fa1nli1 t arm

rs. huKanuKa

ither, poonar, k.

,phrite and gt - · asca~ uup1u

:phnte and go~ ,ukahuka. ssedstudio

·1d carried k nket as c1oa ChI

9 5d

97b

125 a) 'Mountain House'

129 20 Patington Prints, River & Landscape c.1902

one of eleven imported barrack buildings imported during landwars

a) River scene, two men middle distance (34) b) River and buildings at Pipiriki c) Cabbage Tree (132) d) Waterfall (8) e) River scene (49) f) River & landscape with settlement (12) g) River scene h) High view of large rapid (Waikato?) i) River scene j)Tree Ferns, garden in foreground k) Wakarere Rapid 115m (103) I) Kaukore River, Pipiriki (128) m) Rapid n) Rapid o) Rapid p) Kaukore River Pipiriki (128) q) Farmland through bush r) Taihunga 95 (139) s) Kaukore River, Pipiriki (128) t) Rapid

later sledged to Mt Taranaki slopes for accomodation . 135 X 195

b) Castle Rocks, Mt Taranaki 135 X 195

c) Mt Taranaki and Fatham's Peak 150 X 195

d) Mt Taranaki and Pouaki Range 130x 190

126 a) Rear Paddle House Boat and Wairere Side Paddle Boat both moored on the Wanganui River 130 X 170 b) Paddle Boat Wairere with group on board, manouvering on Wanganui River. Blind embossed studio stamp. 145 X 195

127 a) Motor Launch on the Wanganui River 150xl90 b) Paddle Steamer on the Wanganui

River 135 X 195

128 20 Partington Prints, Wanganui River 1902 a) Jerusalem 50m (120) b) Pukeoire Basin (124) c) Kaukore River Pipriki (131) d) Kaukore River Pipiriki (135) e) Ferns Pipikiri (89) f) Kaukore River Pipiriki (127)

g) Ohaw Keta Falls 40m (97) h) Ratanui Falls 42m (96) i) Pukiorie 46m (99) j) Pukiorie 46m (98) k) Pukatapu Old Battle Field 90m (102) I) Tautara Rapid 87m (118) m) Komatoapo 100m (107) n) Upper Drop Scene 92m o) Untitled (Ohawara Rapid) p) Ohawara Rapid 102m (130) q) Wakarere Rapid 115m (103) r) Kumataopo 100m (110) s) Kaukore River Pipiriki (128) t) Tourist's Camp Tawata 125m (126)

134 a) (Tangata Maori) C Spencer cf: 132d (same) b) 'Rueti Watea 102 C Spencer Photo' c) 'Wahanui, C Spencer Photo' 135 a) Female Portrait unknown photographer, sepia 190 X 135 b) Female Portrait carte de visite , E.Pulman Shortland St Auckland inscribed verso : Ani Haro/ Patones daughter / Tamati Wakas brother

c) Male Profile Portrait d) Male Portrait small carte de visite 136 a) 'Guide Teresa'

b) 'lies Photo, Rotorua No 199'

(Maggie Papakura) 130 7 Partington Prints - Thermal Areas.

c) 'Maggie, lies Photo No 61'

a) Silica riverside cliffs (Orakei Karako?) b) Europeans beside riverside fumerole c) Silica Terraces - Tawarewa d) Hot water / mud pool e) Geyser fumerole - Rotorua f) Thermal activity area with hilloacks g) Thermal landscape with man &child

a) 'Hori Ngakapa, Ngatiwhanaugna Chief

131 6 Partington Prints - Waitakere Ranges a) 'Nihotapu Falls / 76 Waitakerei b) N ikaus & Fern Trees / Waitakerei c) Nihotapu Falls / 32 Waitakerei d) Nihotapu Creek / 24 Waitakerei e) Kauri Tree 13ft Thro' 100ft high / 22 Waitakerei f) Untitled waterfal I

137

I lies Photo I 143 I Thames N.Z b) Male Portrait - stamped verso 'Printed by lies, Rotorua' 100b

138 a) Male Portrait probably A Northwood photo, with feather cloak; taiaha

b) Female Portrait insc: A Northwood Protected 1-8-13. 139 a) Male Portrait

132 a) Spencer? print 'Maori Pikau b) 'Sophia Guide 135 C Spencer' c) 'Wahanui C Spencer Photo' d) 'Tangata Maori 156 C Spencer'

with pipe and walking stick

133 a) Spencer? print 'Maori Chief' b) 'Ngakpa 100 C Spencer Photo' c)' Taurau Kukupa Whangarei 136 I C.Spencer Photo Auckland' d) 'Paora ... aere C Spencer Photo Auckland

140 'Haka on the 90 Mile Beach' A Northwood Protected 30/5/ 11

insc: A. Northwood Protected 1-8-13 b) Male Portrait with fine korowai i nsc: A. Northwood Protected 1-8-13

seven children perform at the water's edge.

icer Photo' Ito'

ShortlandS Am

Tamat1'//an,

le de Yis ne

1199'

J 61'

vhanaugna Ch1d

mN.l

ed verso 'Printei 100b

photo, w1tn

itected 1-B-:3

l stick otected 1-8-:,

rotected 1-S-:;

Beach'

'.ed30/5/Jl

rrn at the wate'i

147

Pacific Island Photos, attributed to A Thomas, photographer

a) Male Portrait

141

bare chested, military belt and cartridge case at waist.

a) Studio shot

Further Partington Photographic Prints

151 a) Wanganui Vignettes

b) Female Portrait

150 X 190

b) Architectural Study

b) Studio Shot

bare breasted, reclining on mats before woven panels.

c) Panorama Wanganui

two males with lanceolate club and bow and arrows

153 X 205

two males with gunstock clubs (gata)

c) Male Portrait

c) Studio shot

seated cross legged on mat

155 X 210

male with rolling block rifle and ula (throwing club)

d) Two Girls

d) Panorama Wanganui

one reclining with coconut cup, other 'preparing' , kava in bowl, before large fine mat background

155 X 210

d) Studio shot male seated with battle hammer (ituki)

142

152 a) Poling Canoe on Wanganui River (9)

a) Studio shot

148

150 X 200

male with bow and arrows

a) C.P Wood I Wanganui I Protected Mch

b) Canoe on Flooded River

b) Studio Shot

'Ngamahu'

140 X 200

male with gata club

b) 'Kauri Pine'

c) Man seated on bench in wooded landscape

c) Studio Shot

unknown photographer

male with arrows

c) 'Wairoa Landing'

140 X 190

unknown photgrapher

d) Girl in River Canoe

d) Studio Shot two males with ula an utiki

143

d) Beach Landscape

a) Studio Shot

149

female with bouquet

Partington Photgraphic reproductions of portraits by various artists

b) Studio Shot two girls in tapa dresses

c) Studio Shot one of girl from above with ula club

d) Studio Shot female with tapa over European dress

144 a) Girl with baby on hip, with large

taro leaf outside hut b) Palm trees and fenced (grave) yard c) Breadfruit tree d) Pandanus Tree

145 a) Seven figures outside large thatched

building b) Village with thatched huts and figures c) Man standing on beached outrigger canoe d) European girls and women outside large thatched building with runaround veranda

146 a) Three men before a thatch roof, bamboo walled storehouse b) Man climbing palm tree, before a cane walled thatch roofed hut

c) Female Portrait tapa over European dress.

d) Female Portrait standing with flared club before house wal I of woven panels.

135 X 90

e) Four people in grounded river canoe

a) CF Goldie - Horata Rewiri Tarapata b) CF Goldie - Sophia c) CF Goldie - Ena Te Papaiti d) William Dittmar - female portrait e) Charles Terry - Te Rewiti f) CF Goldie - Harata Rewiri Tarapata g) Gottfried Lindauer - female portrait h) Charles Terry - Te Kawau i) Charles Terry - Waka Nene j) Charles Terry - Te Pehi k) William Dittmar - female portrait I) Gottfried Lindauer - female portrait m) Sam Stuart - Waka Nene n) CF Goldie - male portrait o) CF Goldie - tattooed male portrait p) CF Goldie - European female

95 X 140

153 Auckland / Harbour Views a) View of Auckland b) View of Wharves Auckland c) Building with kiln 7 d) Harbour view cf: 153d 153k (same) e) Auckland Wharves (Brett) f) Harbour View cf: 153d 153k (same) g) Kauri Merchant Yard, Auckland h) Kauri Merchant Yard , Auckland i) 'Auckland Hospital'

j) Coastal Scene with Beached Hulk k) Harbour View cf: 153d l 53f (same) I) View over Auckland Towards Rangitoto

150 Partington Photographic Reproductions of works by Sam Stuart a) View of Parnell b) View of Judges Bay c) View of North Head from Auckland d) View of Auckland townscape e) View towards Parnel I f) Auckland Harbour g) Steam ship (possibly Stuart) h) Judges Bay i) Maori portrait j) Waka Nene

154 Townscapes / Landscapes/ Various a) Riverside farm b) Public Gardens c) Napier from the Hi 11 d) Buildings and Trees e) Townscape f) Townscape g) Streetscape h) Botanic Gardens i) Interior (Art school?) J) Haystack

kl Breakwater or Wharf Construction

113b

aphic Prints

er in wooded

jed rivercanoi

rckland

113b

)

(Brett:

r,d Auckland r,d Auckland Beached Hu'

1Towards

apes / Various

iill :es

ii?)

hart eon

structio'

155 13 Various Prints a) 'Anehana' b) Maori Salutation c) 'Maori Swing' printed by lies after Ryan d) 'The Madras Hunt' e) Parnel I - stereoscopic print f) Seascape g) Signing The Treaty of Waitangi Etc Etc h) Six prints of two studies from Hogans I ithographs of Auckland 156 9 Various Small Prints 5 Maori female portraits 2 Maori male portraits Study of a taurapa Tree Fern and Four Children

163

170

a) Tent Camp on River Bank four canoes beached , men and women and children stand on river boulders , canvas tents pitched on bank. 140 X 200 b) Tourist's Camp, Tawata 126m I

a) 138 I Pipiriki I Partington I

Partington I 126 I Protected Mch 02. 150 X 195 cf: 128 + (same)

164 a) Canoe Beached Beneath Papa Cliff (39) three Maori sit in canoe, European on riverbank 145 X 200 b) Canoe Moored Before Drop Scene. three Maori men sit in canoe 195 X 135

157

165

a) Launch on the Wanganui 150 X 200 b) 0hura (River boat) and launch on the Wanganui 150 X 195

a) Main Street Wanganui viewed across the bridge 150 X 200 b) Architectural View 130 X 190

158 a) Beached Canoe on Wanganui River 155 X 190 cf: 128 + (same canoe) b) Wairere Moored party on shore 150 X 200

159 a) 0hura Underway on Wanganui River 150 X 200 b) Wairere Moored Riverside (22) 150 X 200 cf: 158b (same site)

160 a) Wairere Moored Riverside 150 X 205 cf: 159b (more distant view) b) 0hura Underway 145x 195 cf: 159a (same)

161 a) "Ohura" On The Na para Rapid I 109 I

Partington Pro Mch 02. 140 X 195 b) Wairere Moored Riverside (55) 150 X 200 cf: 160a (same)

166 a) Wanganui Avenue Under Water I

protected 16.5.04 scene with the photographers upstairs studio centre shot. Figures stand on verandahs while small craft and horse drawn vehicles negotiate the flooded streets b) Botanic Gardens view with strolling figures

Protected Mch 02 view from the opposite bank, of the guesthouse and other buildings, a canoe beached in the foreground 145 X 200 b) Pipiriki From The Landing Blind embossed studio stamp 150 X 195

171 a) 'Taumaranui Children' (66)

27 children pose 145 X 200 cf: 120a, 120b (same site) b) Family Group 150 X 200 cf: 120a , 120b (same site )

172 a) European Settlement, Wanganui River (19) 140 X 200 b) Maori Settlement, Wanganui River 135 X 195 cf: l 29f (same)

173 a) Canoe on the Wanganui 150 X 200 b) Canoe on the Wanganui 195 X 135

174 167 a) Botanic Gardens (30) stream and summerhouse 145 X 200 b) Botanic Gardens Ii ly pond and path 150 X 200

168 a) Grafton Gully and Trestle Bridge view with Partingtons Mill on ridge 140 X 180 b) Grafton Gully and Trestle Bridge from other side 145xl95 c) Fishpond 3 Auckland Domain

view towards Auckland Hospital

162

169

a) Launch Underway on Wanganui River 150 X 200 cf: 157a (same) b) Wairere and 0hura vessels apparently race, with numerous viewers, horses & carts lining the bank 150 X 200

a) Pipiriki 150 X 200 cf: 129b (same) b) Jerusalem 50m I Partington 119 I Pro

Mch02 view of the settlement and church 150 X 200

a) Pipiriki cf: 169a (same) b) Jerusalem cf: 169b (same)

175 a) Wanganui River 200 X 150 b) River, Canoe in Foreground 134x 195 c) Canoe With Man Poling 195 X 150 cf: 128j (same) d) River, ( 13)

with canoe occupants in foreground 140 X 200

gton /

bank, of t11, u1\dings a oregrourc

nding stamp

(66)

site)

SI e)

nt, Wanganu1

WanganuiR~er

123a

anui

reground

oling

; in oregrour:

123b

176 a) 133/ Tautara Rapid I Partington I Protected Mch 02 150 X 200 b) Wakarere 115m I Shell Rocks I 104/ Partington I Pro Mch 02 145 X 195 c) 139/ Taihunga 95 / Partington I Protected Mch 02 150 X 195 d) Side Creek, Wanganui River 195 X 135 e) Taihunga 95 cf.- 176c (same) f) Ferns Pipiriki I Partington I 89/ Protected I Mch 02 cf.- 128e (same) g) River View 135 X 195 h) River View 145 X 200 i) River view (34) 135 X 195 cf.- 129a (same) j) River Scene 135 X 180 kl Ratanui Falls 42m I Partington I 96/ Protected Mch 02 150 X 200 I) Taihunga 95 cf.- 176c (same) m) Wanganui River Mouth (18) 145 X 195 n) River Scene 145 X 195 o) Trees, River and Building 135 X 175 p) River Scene 135 X 195 177 12 Views a) Sulphur Fumerole cf: l 78j (same) b) Silica Cliffs - River's Edge as below (j) c) Rapids (Waikato R?) d) Europeans Beside Fumerole e) Rapids as above (c) f) Masif and River g) Thermal Landscape h) Thermal Landscape i) Rapids (Waikato ?) cf 178k (same) j) Silica Cliff as above (b) k) Rapids 1) Rapids

178 12 Views a) Cart Track b) Steam and Track (52) c) Bridge River with Figures & Wagon d) Ferns ( 19) e) Coastal Scene with Building f) Tree Fern and Cabbage Trees g) Pipikiri from the Landing h) Waganui River Scene i) Rapids cf.- 177k (same) j) Sulphur Fumerole cf.- 177a (same) k) River Scene I) Rapids 179 a) 'Market Square and Boat Sheds' 150 X 205 b) Female Portrait 185 X 140 cf.- 2Oc (same sitter) 180 a) Denton Photograph 719 Denton / Major Kemp 200 X 145 b) Unknown Photographer Untitled Government Representative in dress uniform; before landscape studio backdrop 181 a) Mt Taranaki and Castle Rocks 135 X 195 b) Mt Taranaki and Fatham's Peak 135 X 195 182 a) Male Portrait (Tewahi) 85 X 135 cf.- 4Oa (larger image) b) Boy with Tewhatewha 135 X 95 cf: 95c (same sitter in Maori costume) c) Double Female Portrait two women recline on tauihu. One in muka rain cape with 'war paint' rouge on cheeks 95 X 145 d) Family Outside Whare man , woman and child and dogs, one standing on eel trap before thatched , split timber walled whare. 95 X 150 183 Auckland Landscapes a) Quarry (Mt Eden) b) Fishpond 60 Auckland Domain c) Nihotapu Falls / 32 Waitakerei / WHTP d) Waterfall (Waitakere?) (10) e) Waterfall (Waitakere7) Blind embossed Studio Stamp f) Waterfall (Waitakere?) g) Waterfall as above, different angle

Attributed A Thomas Photographs 184 a) Pacific Island Female Portrait bare breasted 19Ox 120 b) Woman and Child with tapa and fine mat dress 19Oxl35 c) Male Portrait seated with arrows 19Ox 145 d) Triple Female Portrait wearing mix of tapa and European clothes 195 X 135 185 a) Pacific Island Landscape with figures beside stream 195 X 140 b) Landscape with Palm 175 X 135 c) Male Portrait with cartridge belt 150 X 100 cf.- 147a (same sitter) 186 a) River Scene with two figures in outrigger canoe 130 X 185 b) Men and Children Beneath Tree 195 X 130 c) Woman Beneath Palm Tree thatched buildings in background 190 X 145 d) River Scene with canoe as (a) above 190 X 135 A Northwood Photographs 187 'Haka / A little practice makes perfect/(. .. )?' A Northwood protected 30/5/11 200 X 155 cf.- 140 (left hand figure, same)

191 Three Views of, rewoducedtron and two reprod1 sleam-sail shrp 192 Three Prints of Sleame~ 193

five Prints of a Construction

Glass Plate

192/A a)female Portr cl/la(diffl bifemale Portr cf:80b (drffl

193/8 a)Woman with cf:45a (same) b)Woman with cl: 45a (drff) 194 a)Male Portrai cf:40b (same) biMale Portrai cf:40b (same) cl Male Portrai cf:40b (same)

195 a)female Port1 cf:6la(diff) bifemale Port cf: 20b (ditt) 196

a) female Port,

188 15. Digging For Gum In Swamp I A Northwood, Protected 205 X 155 189 31, Digging Gum On The Sands I A Northwood Protected 205 X 160 190 12, An Did Gunfield Warrior I A Northwood, Protected 205 X 155

cf:6lb ldiff) bifemale Port cl:6lb lditt) c)female Port cl:6lb (same)

19)

a) female Port cl: 62c !same) 62a, 62b, 6Zd bifemale Port cf:6)d (same)

1otographs

lePortran

dress

it dEuroper

191 Three Views of Auckland reproduced from works by Sam Stuart and two reproductions of paintings of a steam-sail ship

198 a) Female Portrait cf: 62c (diff) b) Female Portrait cf: 61d , 62a, 62b, 62c , 62d (all diff)

192 Three Prints of Various Paddle Steamers

199 a) Female Portrait cf: 62a (diff) b) Female Portrait cf: 62c (diff)

193 Five Prints of a Breakwater Construction

Glass Plate Negatives

,cape

192/A a) Female Portrait cf: ?la (diff) b) Female Portrait cf: 80b (diff) 193/B a) Woman with Child Asleep cf: 45a (same) b) Woman with Child cf: 45a (d iff)

:rigger canoe

leneath Tree

1lm Tree background

194 a) Male Portrait cf: 40b (same) b) Male Portrait cf: 40b (same) c) Male Portrait cf: 40b (same)

1phs

nakes~ 11··' !d 3015111 ure, same)

1n swamp /A

~e sands ! A

1arriorl A

195 a) Female Portrait cf: 61a (diff) b) Female Portrait cf: 20b (diff) 196 a) Female Portrait cf: 61b (diff) b) Female Portrait cf: 61b (diff) c) Female Portrait cf: 61 b (same) 197 a) Female Portrait cf: 62c (same) , 61d (diff), 62a , 62b, 62d (diff) b) Female Portrait cf: 61d (same)

200 a) Female Portrait cf: 62b (same) b) Female Portrait cf: 104a (diff) 201 a) Female Portrait cf: 17d (same) b) Female Portrait cf: 17d (diff) c) Female Portrait cf: 17d (diff) d) Female Portrait cf: 17d (diff) 202 a) Female Portrait cf: 17d (diff) b) Female Portrait cf: 17d (diff) c) Female Portrait cf: 17d (diff) 203 a) Woman and Child cf: 104a (diff) b) Woman and Child cf: 104a (diff) 204 a) Woman and Child cf: 104a (same) b) Napier Chief's Wife and Child cf: 1 b (diff) 205 a) Male Portrait - Parata Te Tuhi cf: 42b (diff) b) Male Portrait - Terewi cf: 100b (diff) 206 a) Two Women cf: 61d (diff) b) Female Portrait cf: 61d (diff)

207 a) Male Portrait - Taketake cf: 77c (diff) b) Male Portrait - Taketake cf: 77c (diff) 208 a) Mother and Child - Ngaranga

cf: 115a (same) (possibly a Hemus & Hanna image) b) Female Portrait cf: 156 (same as one image from this group) 209 a) Female Portrait - Kura cf: 13c (same) b) Female Portrait - Ngapera

cf: 16a (diff) 210 a) Female Portrait cf: same as 10a reversed b) Female Portrait cf: 16d (same) 211 a) Female Portrait - Pare

cf: 19d (diff) b) Female Portrait cf: 18c (same) 212 a) Female Portrait cf: 85b (same) b) Female Portrait cf: 79c (diff) 213 a) Two Women cf: 90a (diff) b) Female Portrait cf: 90a (diff) 214 a) Female Portrait - Pare

cf: 90d & 90c (diff) b) Female Portrait - Pare cf: 90c (diff)

215 a) Boy Portrait - Ngene cf: 95c (same), 96c (diff) b) Boy Portrait - Ngene

cf: 96c (diff)

216 a) Female Portrait

226

236

a) Male Portrait - Taketake

a) Girl Portrait

cf: 2Od (same)

cf: 76a (d iff)

cf: 6 1a (diff)

b) Female Portrait

b) Male Portrait - Taketake

b) Girl Portrait

cf: 86c (diff)

cf: 76a (sa me)

cf: 6 1a (diff)

217

227

a) Female Portrait

cf: 18 b (sa me) b) Female Portrait - Makere

cf: 9a (sa me)

218 a) Female Portrait

cf: 22d (sa me) b) Female Portrait

cf: 10b (same)

219 a) Female Portrait

cf: 11 8a (same )

a) Female Portrait

cf: 92a (same) b) Female Portrait

228 a) Female Portrait

cf: 9 1b (sa me) b) Rawini Hipango and another young woman

cf: 27b (same)

237 a) Girl Portrait

cf:6la(diff) b) Girl Portrait

cf: 61a (d iff)

238 cf: 119a (same) b) Female Portrait

cf: 119b (same)

229

239 a) Two Women

Plate 12:11

cf: 93b, 119a, 119b (a ll diff)

b) Female Portrait

cf: 10b (diff)

b) Female Portrait

Pl ate 12:10

cf: 119a (diff)

220

230 a) Female Portrait

cf: 109b (sa me)

cf: 94 b (same)

b) Female Portrait

cf: 6Od (diff)

Pl ate 12 B: 7

b) European and Maori Woman

221

231

a) Male Portrait

241

cf: 101 d (sa me)

cf: 77b (d iff)

a) Girl Portra it

b) Male Portrait - Tupati Teaukawa

b) Male Portrait

cf: 73a, 73b, 73c (all di ff)

Pl ate 11 :6

222

232

a) Male Portrait with shotgun

a) Two Girls (Hongi)

c) Girl Portrait

Pl ate 10:9

cf: 6Od (sa me)

cf: 101 c (sa me) b) Male Portrait

b) Male Portrait

cf: pl ate no. 12:8

cf: 82a (same)

Plate 3:7 b) Girl Portrait

Pl ate 10: 10

242 a) Girl Portrait

223

233

Plate 3:6

a) Female Portrait

a) Girl Portrait

b) Girl Portrait

cf: 39 b (d iff) b) Female Portrait

cf: 14c (d iff)

224 a) Meeting House

cf: 48a (diff) b) House and Warriors

cf: 54b (sa me)

225

cf: 6 1a (d iff) b) Girl Portrait

cf: 61a (d iff)

Plate 6:8

243

234

a) Girl Portrait

Plate 8:27

cf: 61 a (sa me)

b) Girl Portrait

Plate 3:3

cf: 61a (d iff)

235 a) Girl Portrait

244 a) Two Girls

cf: 6 1a (diff)

Pl ate 10:3

cf: 39a (diff)

b) Girl Portrait

b) Two Girls

b) Female Portrait

cf 61a (diff)

Plate 10: 23

a) Female Portrait

cf: 39a (diff)

241 alGirl Portrait Plale 6:25 bi Girl Portrait Plale 2:1 248 alGirl Portrait Plale 819 biGirl Portrait Plale 10:15

240 a) European and Maori Woman

cf: 68a and 68b (diff)

Plate 12A: 1

246 alTwo Women Plale6:2 bifemale Portra Plale 10:11 clfemale Portra ct84a, 84b (dil

a) Female Portrait

a) Three Girls

245 alGirl portrait Plale5:8 biTwo Girls Pia!e6:4

249 alGirl Portrait Plale 6:27 biGirl Portrait Plale 629

250 alfour Children cl: 70d (diff) bi fourChildrer cl: 70d ld1 I

251 alPah and Figu Plate 13:12 bl BoyandWha Plale 13:13

252 alMale Portrait Plale 13:5 biFemale Portr Plale 128:13

253 alMale Portrait Plate 13:1 4 biFemale Portr Plate 13:6

154 alTwo Girls Plate 128:B 155 alTaonga Piale 13:ll

245 a) Girl Portrait

Plate 5:8 b) Two Girls

Plate 6: 4 246 a) Two Women

b) Female Portrait

257 a) Male Portrait

Pl ate 12A:7 b) Photo of Painting

Pl ate 10:5 Pl at e 10:18 c) Female Portrait

Pl ate 10 :31 264 a) Two Girls

Pl at e 10: 11

Pl ate 12A: 7

Pl ate 3 :8

c) Female Portrait - Pare

c) Male Portrait

b) Girl Portrait

Pl ate 13 :1 6

Pl ate 8:7

d) Photo of Painting

c) Girl Portrait

247 a) Girl Portrait

Plate 13:10

Pl ate 3: 11

Pl ate 6:25

258 a) Photo of Artwork

265 a) Man with Weapon

Plate 2: 1

lri Woman

Plate 13 :8 cf: 58a, 58b, 58c, 58e (diff) cf: 59a , 59b, 59c, 59d (d iff)

Pl ate 6:2

b) Girl Portrait

1ri Woman

263 a) Female Portrait

b) Female Portrait

cf: 84a, 84b (diff)

(all di;,

256 a) Men Perform Haka on the porch of the Ranana Meeting House

248 a) Girl Portrait

Plate 8: 19 b) Girl Portrait

Plate 2: 10

Pl ate 1 :8

b) Photo of Artwork

b) Man with Weapon

Pl ate 2:9

Pl ate 1: 7

c) Photo of Artwork

c) Man with Weapon

Plate 13:15

Plate 10:15 249 a) Girl Portrait

Plate 6:27

Pl ate 1:2 d) Man with Weapon

259 a) Photo of Drawing

Plate 2:8

Pl ate 1: 10 265 continued e) Man with Weapon

b) Photo of Drawing

Pl ate 1 :4

Plate 6:29

Plate 2: 11

f) Man with Weapon

250 a) Four Children

260 a) Photo of Painting Male Portrait

g) Man with Weapon

cf: 70d (d iff)

Plate 4:3

h) Man with Weapon

b) Photo of Drawing Male Portrait

Pl ate 5:4

b) Girl Portrait

Pl ate 5:9

b) Four Children cf: 70d (diff) 251 a) Pah and Figures

Plate 13: 12 b) Boy and Whare

Plate 13: 13 252 a) Male Portrait

cf: 149e (d iff) c) Photo of Drawing Male Portrait cf: 149h (sa me) d) Photo of Photo Male Portrait Pl ate 6:6 reversed e) Photo of Photo Male Portrait Pl ate 6:6

b) Female Portrait

Plate 12 B: 13

Pl ate 11 :3 b) Photo of Watercolour

253 a) Male Portrait

Pl ate 13 : 14

Pl ate6 :15 c) Photo of Poster

b) Female Portrait

Pl ate 11: 2

Pl at e 13:6

d) Photo of Poster

Pl ate 11: 1 254 a) Two Girls

Plat e 12 B:8

266 a) Haka (One Man)

Pl ate 1:5 b) Haka (Two Men)

Pl ate 5:2 c) Haka (Two Men)

Pl ate 5:3 261 a) Photo of Poster

Plate 13 :5

Pl ate 5:6

262 a) Child and Cloak

Pl ate 6:9

255 a) Taonga

b) Female Portrait

Pl ate 13: 11

Pl ate 8:20

d) Haka (Two Men)

Pl ate 5:5 e) Haka (Two Men)

Pl ate 5: 1 267 a) Male Portrait in Piupiu

Pl ate 13: 1 b) Male Portrait in Piupiu

Pl ate 1:1 c) Male Portrait in Piupiu

Pl ate 5: 10 d) Male Portrait in Piupiu

Pl ate 5:7

268 a) Female Nude

276 a) Male Portrait

285 a) Female Portrait

Pl ate 1: 3

Pl ate 11:17

Pl ate 6 :1 6

b) Female Nude

b) Male Portrait

b) Female Portrait

Plate5: 12

Pl ate 11 :31

Pl ate 8:4

Plate 3 : 13

277 a) Female Portrait

286 a) Family Group

269 a) Two Women

Plate 6:28

Pl ate 12A: 12

b) Female Portrait

b) Male Portrait

Pl ate 11 : 11

Pl ate 11 :33

278 a) Female Portrait

287 a) Female Portrait

c) Female Nude

Pl ate 1 :3 b) Female Portrait

Plate 3 :4 c) Female Portrait

Pl ate 10: 1 d) Female Portrait

Plate 3: 14 270 a) Male Portrait

Plate 11: 27 b) Male Portrait

Plate 11 :23 c) Male Portrait

Pl ate 11 :24 d) Male Portrait

Plate 11 :30 271 a) Female Portrait

Pl ate 10: 27 b) Female Portrait

Pl ate 10: 24 272 a) Two Girls

Plate 6 : 11 b) Female Portrait

Plate 3 :5 273 a) Two Girls (Hongi)

Pl ate 10:12 b) Two Girls

Plate 10:6 274 a) Weaving Flax

Plate 12A:4 b) Canoe

Plate 12A:5 c) Village

Pl ate 11:1 5 275 a) Female Portrait

Plate 6 : 18 b) Female Portrait

Plate 6: 2 1

Pl ate 3:1

Pl ate8 :12

b) Child

b) Female Portra it

Plate 6 :8

Plate 6 :6 c) Female Portrait

279 a) Female Portrait

Plate 6: 13

Pl ate 11 :28

288 a) Female Portrait

b) Female Portrait

Plate 11 :26 c) Female Portrait

Plate 11 :22 d) Female Portrait

Pl ate 11: 21 280 a) Female Portrait

Pl ate 6:2 b) Female Portrait

Pl ate 8: 14 281 a) Female Portrait

Pl ate 12A: 9 b) Female Portrait

Pl ate 6:30 c) Female Portrait

Pl ate 10:16 b) Female Portrait

cf: 34a (same) 290 a) Waitapu (Female Portrait)

cf: 26b (same)

cf: 6la(diff) b) Girl Portrait

cf: 93b (same)

b) Pei Te Pehi

283 a) Female Portrait

Pl ate 8 :8 b) Female Portrait

Plate 4:5 284 a) Female Portrait

Pl ate 8:23 b) Female Portrait

Pl ate 8 :4

198 Aframed Photo Spencer• The~ 145x 190

An Album of app

phot~phicillli Including town, Auckland, Welli1 Dunedin, Russe 0hmemutu, Ori1 anoHokitika

291 a) Girl Portrait

282 a) Female Portrait

Pl ate 11 :20

197 alEuropean Mai Plate 13:4 biEuropean Fen P1aie 10:7

199 289 a) Female Portrait

292 a) Female Portrait (Ranana House)

b) Female Portrait

1% J. Leech and 011 \ reproducedart Auckland env1ror

Plate 12A:1O

Plate 11 :10

Pl ate 12A:6

295 Sam Stuart reprc alErtensive Aue P1ate 7:6 blParnell cf: 150a(samel cl Beach with 81 Piare7:5

cf: 58b (same)

cf: 46a (sa me ) 293 a) Wharves Auckland

Plate 7:3 294 a) City of Auckland 1842

repro du ced artwork Pl ate 7:2 b) Part of Lambton Harbour

reprodu ced Heap hy print Pl ate 7: 11 c) Extensive Auckland Landscape

reprod uced artwork Pl ate 7 :7

End of [

295 Sam Stuart reproduced artworks a) Extensive Auckland Landscape Plate 7:6 b) Parnell cf: 150a (same) c) Beach with Boats and Houses Plate 7 :5

296 J. Leech and Others 5 reproduced artworks of 19th C Auckland environs 297 a) European Male Portrait Plate 13 :4 b) European Female Portrait Plate 10:7

298 A Framed Photograph by Charles Spencer - The White Terrace , c.1885 145xl90

299

Portrait)

An Album of approximately forty-five photographic images by Frank A Coxhead . Including town and harbourscapes of Auckland , Wellington , Christchurch , Dunedin , Russell, along with views of Ohinemutu, Oripi Bush, Rocky Cove, andHokitika

End of Day One

(Ranana Hou~

dt842

ill HarbOUI

,hy print

dand t.andsca~

irk

Fine Paintings Day Two Tuesday 18th September 2001 6.30pm

6 . 30PM

Lots 300 - 365

Fine New Zealand Paintings & Prints

Lots 366 - 382

Foreign Paintings

Lots 383 - 452

Further Fine New Zealand Pa intings

VIEWING

Thursday

September

9 .00am

5.30pm

Friday

September

9.00am

5.30pm

Saturday

September

11.00am

3 .00pm

Sunday

September

11 .00am

3.00pm

Monday

September

9.00am

5.30pm

Tuesday

September

by appointment only

ILLUSTRATED

Lot 326a

LEFT

Rita Angus, Swans, oi I

Day Two Fine New Zealand Paintings Artist's Dates & Index of Artist s: Refer back of cata logue Measure ments: Height before width

300 Alan Maddox Grid charcoal drawi ng signed with ini t ia ls and dated 24 .1 2.75 280 x 360m m $800- 1200

see illustration below

304 Bill Hammon, 302

Brrds and Horse

300

1tnograph 2313(

301

sgne<l and date,

Alan Maddox

302

Grid

Ralph Hotere

charcoa l drawing signed with in it ials and dated 24 .1 2.75

Nude Woman ink on paper

l x5l0mm $1500-4000 see1/lustra ron,

280 x 360mm

signed

$800-1200

355 x 260mm

305

$1500-2500

Gordon Walti

see illustration above

Kura

see illustration below

screenprmt 38,: signed and date

6 x490mm 11800-2400 see illustrat,on'

306

303 Robin White

Max Gimblet Ouatrefoi/

Michael at Allan 's Beach

oil and resin on

screenpri nt 30/45

signed and date

ti tl e inscribed, signed and dat ed 1975

580x 770mm $1 0-3000

540 x 320 mm $ 1200-1600

see illustration'

{,ff

(I '-----.

304

304 Bill Hammond Birds and Horses

I ithograph 23/30 signed and dated 2000 750 x 570mm $2500-4000 see illustration above

305 Gordon Walters Kura

screenprint 38/150 signed and dated 1982 600 x 490mm $1800-2400 see illustration above

306 Max Gimblett Quatrefoil

oil and resin on paper signed and dated 1985 580 x 770mm $2000-3000 see illustration right 306

_. / -/~~r, 1

....

307 Late 19th Century Colonial Artist Unknown Auckland Regatta 1863 oil on canvas signed with initials EW and dated 1896 240 x 345mm $2000-3000 see illustration left

\ 3!0

308 C. Kensington A Portrait of the NZ Ship S.S. Kaikoura Entering a Port gouache on canvas title inscribed and signed 250 x 355mm $3000-4000 see illustration left 308

310

DorothyKate

Continental Stre,

01oncanvas

signed with initia 315x290mm

In 1901 Doro!

travelled to Euroi to further her ed

iear frances Hi

madeherlirstv1s

met with R1chm1

attended art Ci

Ga1stin in Norr 309 William Reed On the Farm pastel signed; title inscribed and dated c.194O verso 320 x 500mm $2500-3500 see illustration left 309

close friends and

Oll y in England, Belgium and Ho

lo New Zealand I Anne Kirker

Aitists,Reed Mel

iSOOo.12,000

see illustration a,

Colonial

Ship S.S. Ka•:.

gned

dated,~ied an d

310

signed with initials and dated 1901

311 Dorothy Kate Richmond Floral Still Life watercolour signed and dated 1930 400 x 320mm

312 Jean McKay Floral Still Life waterco lou r signed and dated 193 7 995 x 665mm

315 x 290mm

Refer: In Focus page 7

$2000-3000 see illustration below

Refer : In Focus page 7 $2000-3000 see illustration below

311

312

310 Dorothy Kate Richmond Continental Street Scene

oi I on canvas

1901

Dorothy

Kate

Richmond

travel led to Europe for the second time to further her education.

In the same

year Frances Hodgkins (1869-1947) made her first visit to Europe where she met with Richmond. "The two women attended art classes with

Norman

Garstin in Normandy ... They became close friends and travelled together not only in England, but also in France , Belgium and Holland before returning to New Zealand in December 1903 ."

Anne Kirker New Zealand Women Artists, Reed Methuen 1986, p.22

$8000-12, 000 see illustration above

313 Karl Maughan Rudbeckia oi I on canvas signed and dated March 1993 verso

355 x 380mm $2000-3000 see illustration left

316

Bill Hammonc rattooJar ~ncildrawing s1:ned and dated

100 x520mm

\1000-8000 see r1ustrat1on fl,

317

Walter Wright

313

Trout Fishing wil

the Riverbank

watercolour s1ined

1/0x 380mm

iefer In Focus I

II -8000

see //ustratron t

314 Gavin Chilcott Golden Drinking Horns and Landscape acrylic on paper title inscribed, signed and dated 1990

550 x 750mm $2000-3000 see illustration left 314

315 Gavin Chilcott Floral Wallpaper, Gardens and Violets acrylic on paper title inscribed and signed verso

570 x 760mm $2000-3000 see illustration left 315

316 Bill Hammond

Tfi,TTOOJ!lR

Tattoo Jar pencil drawing signed and dated 1994

700 x 520mm $5000-8000

see illustration right

317 Walter Wright Trout Fishing with Maori Figures on the Riverbank watercolour signed

270 x 380mm Refer: In Focus page 8-9

$5000-8000

see illustration below 316

;ape

.990

/io/ets

317

318 Brent Wong The Window acrylic on board signed and dated 1966-67 . 72 (revised) ; title inscribed, signed and dated 1966-67. 72 (revised) verso Prove nance: Brent Wong Survey Exhibition, Dowse Art Gallery, Cat. No. 49

$8000-12, 000 see illustration left

319 Margaret Olrog Stoddart Lyttleton Harbour with Houses and Trees in Spring Blossom wat erco lour signed 245 x 350mm

$12,000-18,000 see illustration below ]10

320 DorisLusk

Mountains nea, watercolour title inscribed, dated 1963 ve

430 x600mm 18000-12,00( see illustratron

321

DorisLusk South Island i Mountain Rani Watercolour

signed and dat

485 x620mm 11000.9000 319

see i/Iustratioi

320

320 Doris Lusk Mountains near Methven waterco lour title inscribed , signed and dated 1963 verso 430 x 600mm $8000-12, 000 see illustration above

321 Doris Lusk South Island River and Mountain Range

watercolour signed and dated 1988 485 x 620mm $7000-9000 see illustration right 321

322

works such as the self-portrait, Observer.

Pat Hanly

But between July 1985 and August of the following year at

Hope Vessel Approaching Fire

least sixteen paintings were produced. Yachts - which Pat sees

oil on board

as ' hope vessels or arks' - sea and fire are the predominant

signed and dated 1985; title inscribed ,

figurative elements in these works. And although the title of

signed and dated 1985 verso

the RKS Art exhibition which followed scarcely differed from

790 x 890mm

the one two years earlier at the ACAG (Pat simply dropped the

'On 10 July 1985, French military agents, governmenta l

definite article), the works in Fire this Time were utterly

terrorists in fact , sank the Greenpeace ship Rainbow Warrior in

changed.' Hanly a New Zealand Artist, Russell Haley, Hodder

Auckland's harbour. But for this event Pat's surge of renewed

& Stoughton, 1989, p.219.

Fire series works might have come to an end without an

$35,000-45,000

indicati on of future directions . The production of analogues

see illustration above

had concluded some time in 1984. Pat was engaged on single

32~ Rot Our

wate

sign,

340 $18 see

the follOII rg --

ichts. wh C' pi,:

are the prer' a1thOUg' ;-, , 11 ;carce YO'" at s1mPYd'::.". s Time wer, ussell Hae!'

323 Robin White Our Lodger watercolour signed and dated 6/75

340 x 270mm $18,000-24,000 see illustration above

-. ' ~ ,,,>-:/ ': :;~?',<ii ,, _,___ .1) 7' ',?

~~~ ' 1•

. ' --~·

........,,.,.,....,.,',.r-,.,,t__,,_,,.~.

'/· ·,'.41

. ,

324

325

William Mathew Hodgkins On the Dome Pass, Harvesting Wheat watercolour title inscribed and signed 385 x 710mm

Charles Nathanial Worsley Figures and Cart in Country Landscape watercolour signed 250 x 765mm

Refer: In Focus page 8-9 $18 ,000-25,000 see illustration above

Refer: In Focus page 8-9 $7000-9000 see illustration below

J26

~fred Sharp :::'-:Cfra~ ·:··:10. sgned 1

.: !~~r,lrn

,::~:onaboie

"e nscnbed i~rnm .. ,,-

- ~,.

:-•a:or. 'ghr a1

,, •r ....

--~::i

I'•

/fl~ ,,

,II

325

326 Alfred Sharp A Bit of Tipperary watercolour title inscribed , signed and dated 1887 330 x 470mm

Refer: In Focus page 8-9 $30 ,000-40, 000 see illustration above

326a Rita Angus Swans oil on boa rd signed , t itl e inscribed and signed verso

280 x 380mm $35,000-45,000 see illustration right and page 50

327

327a

Bill Hammond Bobby's A/right oil on aluminium panel ti tle inscribed , signed and dated 1986 480 x 780mm $30 ,000-40,000 see illustration above

Bill Hammond D. T. 6 oil on aluminium panel tit le inscribed, signed and dated 1991 435 x 320mm $9 ,000-12 ,000 see illustration lower left

328 Grahame Sydney Pig Root Pond oi l on linen signed and dated 1993 1066 x 1066mm Provenance: Private co ll ect ion , Christchurch . Reference: Pig Root Pond was the chosen painting to illustrate on the cover of the pub I ication The Art of Grahame Sydney, Longacre Press , 2000, published to coincide with the exhibit ion of the same name . Thi s national exhibition , which c losed this August, ach ieved record breaking attendances. Illu strated: Ibid pl.86 p.109 and front cover. Exhibited: Auckland Art Gallery, The Art of Grahame Sydney, 1st June - 26th August 2001. $45,000-65,000 see illustration opposite page and detail front cover

328

urch. en pa1nt,n& :: . of Grana'i•

'The 1993 painting Pig Root Pond near the turn-off to St Barthans. It's an exquisite rendition of the delicate atmosphere of the hour: seemingly pristine, because much is

compared to the grand panoply of evening. It 's clear we've just about reached the end of the day but the pole imples that we have other ends in mind. While there is

in shadow, and also triumphant given the gorgeous range -

to co1nc1de ional exn o::·

pinks and yellows and oranges - of the light spread above the western horizon. The last of the light is laid out upon the

light, for instance , there is hope , for tomorrow, for you and I. Not a profound statement, of course, but a necessary expression of an essential and irrevocable feeling if we are to

ttpf~t

surface of the pond. There 's a pole fixed in the earth on the edge of the water, its reflection like a feeler on the surface. It

go on . The painting is yet another example of how Sydney's work, time and again, emphasises the importance of attending

signifies a human presence , but not omnipresence, and that our efforts , though important, are of modest significance when

to simple imperatives.' The Art of Grhame Sydney, Longacre Press, 2000 , Humanity and Nature by Brian Turner, p.107

·eaK ng a... •'

• cover. rt of Graha~i :

329 Colin McCahon Manu 1970-75. oi I on jute canvas title insc ribed , signed with initi als and dated '70.4.5 and in sc ribed Muriwai 920 x 950 mm Refer: In Focus page 6 $250 ,000-$350 ,000 see illustration opposite page Confusion often arises around the titling of Colin McCahon 's work, particularly when he includes text in painted images. Should such texts form part of the title of the work? Unfortunately there is no invariable answer to this question . The words on the images are often written very large and cling in the mind of the viewer, whether McCahon intended them as titles or not. And once works have become known under particular titles it can be hard to dislodge them . This problem has led to some contradictory titlings of works , and some of these are included in the database of McCahon images managed by the Colin McCahon Research . and Publication Trust. (www.mccahon.co.nz) The present paIntIng appears in the database under the title Muriwai, which. is written at the bottom of the painting , rather than Manu which is written at the top and which I believe to be the correct title . Muriwai is the place where McCahon made the work. He himself noted his paintings 'tell you where I am at any given time'. That said , the title of this handsome painting Manu can be translated as 'bird ", though it can carry a meaning association with 'kite'. But any meaningful examination of this painting must go back to its beginnings late in 1970. That is when the basic landscape element in this painting would have begun to emerge into what was to become over a year later the essential black and white shapes of the 'Necessary Protection ' landscape as exemplified in that series, so rich in visual associations with the Muriwai area, in which the offshore island of Oaia is depicted as the white whale Moby Dick. It should be observed , however, that the black landscape forms in Manu are not strictly those of the 'Necessary Protection ' landscape, but close enough to it to carry a similar connotation . It seems likely that McCahon 's original intentions for these three black shapes was modified and strengthened to fit this later reading of them . Normally there are two black oblong shapes; one representing the main land , the other the tall block of Motutara Island and in between is the narrow gap separating the mainland cliff from that of the island . The possibility exists in Manu of reading the third black shape on the right as Oaia Island ; a reading not usual in McCahon 's setting for this scene. But it must be remembered that in this work McCahon is modifying shapes in a painting begun before the 'Necessary Protection ' landscape had been formulated . That is, if McCahon 's original dating of 1970 is to be held to account. As an all -embracing concept the 'Necessary Protection ' series came to an end late in 1974 with the completion of the small Jump paintings. What is of some formal interest here lies with the larger, main series of Jump paintings , particularly numbers

(E22) and (E28), where the dotted lines that trace the path of the 'jump' have a loose affinity with the dotted I.1nes used in Manu, even if the readi ng of these dotted lines differs.

Even though the 'Necessary Protection ' series concluded in 1974, certain implications from the series continued to linger on in other works produced in 1975. The most ?bv1ous of these elements emerge in that rather inconclusive series,. Birds, Muriwai, of which The Care of Small Birds, Munwa, (Chartwell Collection) is the best known . A.gain , 1f that painting is studied , certain characteristics fit the circumstances found in Manu. There is the raised sea level in the narrow gap between the main land and the island cliffs - a single greygreen rise of the sea in Manu, but a doubled up level in The Care of Small Birds, Muriwai - and some s1m1lanty of colouring in both paintings. There is the hanging loop of dots occupying the upper reaches of both paintings ,. though .The Care of Small Birds, Muriwai has a second , heavier half circle of dots that can be readily associated with the interceding nature of the rosary-beads seen in the Rosegarden series of 1974 and which are proper to 'the care of small birds'. The dotted loop in Manu may well be interpreted in this way, or as the freedom of flight associated with birds, just as the V shape ascending from the island on the right can equally indicate the take-off flight of birds. What is most important in both paintings, as it is in other paintings such as The Shmmg Cuckoo 1974, is the gap in the black surrounding 'frame' that permits any bird to escape from the enclosed circumstance McCahon has depicting in each of these three paintings. While this framing boarder occupies the top quarter in The Care of Small Birds, Muriwai, in Manu this boarder has been extended to almost enclose the whole painting . In both works the passage allowed the birds in and out of the situation presented in each painting is given virtually the sa'.11e location ; on the left side in the clear air just above of the cliff tops . This passageway if given further emphasis in the Manu painting by the dotted line that almost takes upon itself the T form of a tau cross. In The Care of Small Birds, Muriwai McCahon 's concern lay chiefly with the small fairy terns that nest in the crevices and on the narrow ledges of the steep cliffs of Motutara Island. In Manu I think McCahon 's concern was more with the Gannets. Why do I think this? It's because of the golden-orange colour that gives such a lift to this painting , aided , as it is by the blue in the upper third of this painting. Once , early in the 1970s, when I had joined Colin McCahon on the headland adjoining Motutara Island - this was before the elaborate viewing platform had been built for visitors wishing to view the nesting gannet colony - he spoke about how taken he was with the golden-orange cheek and neck feathers so characteristic of the gannet. And this is the colour that catches the viewer of this painting . In coming to the various conclusions about the nature of Manu I have tried to remain faithful to the features of the painting , endeavouring to read it primarily from within itself, yet calling on other similar paintings. Of cause my conclusions are not the whole story, but hopefully what I have written wi ll help the viewers of this work to reach their own interpretation as to what th is painting is all about. Gordon H Brown .

----

1ied so n t

rounding rrair, ciosed c111:ums· ,se three pa· i top quarter' us boarder Ila, 11nting. In oot· out orne Jly the same 1of thecii~t :· the Manu pan · elf the Tform o·

;Cahan scooci st in the cmtf of Motutara I a. 1ore with ~e Gr golden-orang,· ed. as rt is by tr., e. earty in the he headland ac: he elaoorale .. Ing to view ~er:, taken he was ~ •i· rs so charac... catches t11e '

330 Colin McCahon Ka/para Flat, Written watercolour title inscribed , signed and dated 1971 1030 x 670mm Provenance: Private collection Auckland. Purchased from the Barry Lett Galleries, c.1972 Refer: In Focus page 6 $80 ,000-110 ,000

see illustration opposite page The year 1971 was a significant one for Colin McCahon. He had launched himself as a full-time freelance painter, having decided to relinquish his job as a 'painting tutor' at the Elam School of Art during the final term of 1970. During that year his dealer gallery exhibitions had proved financially successful enough for him to take the plunge. Without the constraints of lecturing McCahon had the time to view the landscape around Muriwai. In particular he stood on the cliff edge a good halfkilometre down the almost straight road from his Muriwai studio - at the point were the road sweeps in a curve close to the exposed cliff edge overlooking the southern half of Muriwai township - there he would stand at dusk and gaze out to sea (in the direction of Australia) and witness the splendid sunsets before returning home for the evening and a long session of painting in the large , unlined industrial shed that served him as his studio. This series of 10 large acrylic watercolours titled View from the top of the cliff and three watercolours simply titled Muriwai were shown with the Peter McLeavey Gallery in Wellington during April 1971. A further six Muriwai watercolours, all dated March, Apri I 1971 , were shown in the Barry Lett Galleries exhibition 'Earth/ Earth' later in April. Commenting on these works in his 'Art News & Reviews' column in the Auckland Star, Hamish Keith described these watercolours as "wetly beautiful, like large-scale Turners " . "All this colour & fun", explained McCahon in a letter to Maureen Hitchings, dated 18 May, "is a direct result of leaving the school ." Although McCahon had previously visited the Kaipara Flat (north of Helensville) , during the late autumn , winter, and into the spring months of 1971 McCahon repeatedly visited this area. The result was a considerable number of large acrylic watercolours associated with Kaipara Flat: including the series Poems of Ka/para Flat, Kaipara Flat: written, and a much looser series Kaipara Flat (which included the well known Mondrian 's Chrysanthemum of 1908. Among these paintings McCahon sent south to Maureen Hitchings for the Dawsons Gallery exhibition of 30 July-13 August 1971, were 13 from the Poems of Kaipara Flat series and four from the Ka/para Flat: written series (though on McCahon's original list of works only three Kaipara Flat: written paintings are listed) . This indicates how recently these

latter waterco lours had been painted. The later, numbered paintings from this same series were painted after this set of four had been dispatched . In considering this particular painting, Ka/para Flat: written , the viewer might well ask, what is the significance of "written" in the title when, other than the title and signature statements along the bottom edge of the work, no other written words appear? In this series McCahon opted for a calligraphic style of brushstroke, and in some of these paintings - though not this one - these brushstrokes are grouped in such a way so as to suggest potential lines of undecipherable text written across the sky that carried some vital spiritual message if only we could interpret the significance of the calligraphic script. In all probably it is McCahon gibing at the viewer, cannot you read what is there written in the clouds - red sky at night , shepherd 's delight. .. After all , with this auction's water-colour in sight, and in many of the other watercolours across this whole group of loosely related paintings one finds a similar lyrical delight in using the brush , and the various load of colour it bares , in an equally freewheeling fashion. Too often , the pessimistic viewers of McCahon's work , who talk as if McCahon only ever used black or darkly shaded hues in his paintings, shut out from their consideration such daring use of colour as is evident in these work . As in this particular watercolour, there are combinations of colour - the purple, mustard orange and grass green - that many painters would shy off combining as being simply too scary. Yet this colourful side of McCahon's work is an important and counter-balancing factor in his total output as a painter. We do him and his work a grave injustice if we ignore this lyrical side of this artistic nature. Like the North land of The North/and panels, or the bareness of his beloved North Otago landscape, Kaipara Flat was also an area he realised as a place without the true potentials for tourism , a landscape that could be beautiful , yet lacked 'too few lovers' . Gordon H Brown. P.S . This work was not discovered for the Colin McCahon Database and Image Library.

later, IL"

id a e•:·s~

ipara F1a1

lcance of wr•5nature sta:,· her wr ~,a ea 1,gra:tings - thc.t nsuch a~a,,. Hex wr1~n message '. 5raph1c s:• :: er, cannotic, reds~ a:", JC ion·s~a'.:·•: colours a:·:~ one finds a the vanous l fash1 . ihon·s worK arkly shade:•

colour - tne ,. many pain'.:'> ,ary. Yet t 1:: 1nd counter-ii i do him ana's il side of tn s

1e/s, ortheiJlf' jpara Flat was~

he true pote·: · iut1 ul. yet a:•'

pr the Coll '

331 Colin McCahon Hillside

oil on board Provenance: from the same private co llect ion, Auckland, as lot 330 . Purchased Barry Lett Galleries , Auckland. 400 x 330mm $25,000-35,000 see illustration left

J33

G•etchenAlbrecl :: ·ECD~d

·on canvas ;-,;ana dated 19

· ·1e•ioed, s1gne(

_,-,: :9/2 ,erso :::: 1830mm

;;:t2i.

~ ,,:r11,on nghl

·-,;:,,edcanvase:

,,: mo'.ure stater

. ,:-· as an art11

.:·::e.eopfrc ,s::oi viewpoint -···;;e,ousyear. eadlanas

:;; ,·: 0

.,::·;stnatinform ··. : ed-up aye ·., -~,; 1 R1sin ouspa1nting ca':and1ntu1 .:,::r. as metar ::,G suggests t ··,:,·:seems to 1

-·~:

:, ··: ·ne und

!.5iili'g mitiess :·--e,irnnous.

::·::•Centu~.1 1 0

332 Ralph Hotere Towards Aramoana, Drawing for a Black Window

ink, acrylic and metalic paint on paper title inscribed , signed and dated Port Chalmers 1981 550 x 760mm

$18,000-26,000 see illustration left

·.:,ra Art Gal:er

·,:· s,~ey oi Al

:'/""got 2 2.

,ard ce: 'ror··, l Auc•a-:.

;eo Barri .,-

l30ri-~ Xl-35.

,srrato e·

333 Gretchen Albrecht Rising Cloud acrylic on canvas signed and dated 1972; title inscribed, signed and dated 1972 verso 1480 x 830mm $18 ,000-25,000 see illustration right

The stained canvases of 1971-2 form the first mature statements by Gretchen Albrecht as an artist. The paintings of 1972 develop from the 'up-close' , suburban viewpoint of the Garden Series of the previous year, and it is the clouds , sea and headlands of the West Coast beaches that inform these paintings with their 'piled-up' layers of intense colour. The resul t in Rising Cloud is a totally harmonious painting, where the skeins of thin paint and intuitive colour are happily accepted as metaphors for landscape. Linda Gill suggests that in these paintings the paint seems to "swell and flow out beyond the boundaries of the frame , suggesting limitless horizons and a sense of the numinous". (Gretchen Albrecht Random Century, 1991)

ph Hotere aras Ara~ca-i

wmg 101aB1:• dow acry ca-:·:"

1 on paper

i inscribed st

Idated 1Cha/me~ '. 98:

QX760111111

8.00o•26.

Auckland Art Ga llery wi ll be presenting a major survey of Albrecht's work at the beginning of 2002 .

334

335

Tony Fomison Pinocchio the Hairdresser

Tony Fomison

tit le inscribed, signed and dated 1983 verso oi I on canvas on board

265 x 370mm Exhibited: Fomison, What shall we tell them? National Touring Exhibition. Illustrated: Fomison, What shall we tell them? Ed. by Ian Wedde. City Gallery. p.124

$35 ,000-45,000 see illustration above

;;•i afeeling Tn : :· :an,as board · · = '~ 1bed, sign, :'I'.

:::1!05mm 1,:XXJ.J5,00Q

'ii ustratron abo,

335 Tony Fomison Orphelia feeling Triumphant oil on canvas board title inscribed , signed and dated September 1988-1989 verso 305 x 405mm $25,000-35 ,000 see illustration above

366 Frances Hodgkins Welsh Landscape 4 gouache signed; title inscribed below mount 410 x 550mm $60 ,000-75,000

see illustration above Frances Hodgkins' friend Dorothy Richmond wrote in 1903

40s. In this wintry scene the icy river and snow laden trees

' I do so love your letters . You write in the same sty le as you

press against bare hills and a pale sky. She wrote to her

paint, with bri ll iant patches of colour and any amount of snap

borther William: 'You will see that I am in Wales - in a green

and go .' Three decades later, the description sti 11 fits.

valley with a big G... reminding me in some ways of NZ. The

Hodgkins' late gouaches, of which this is a fine example,

weather is just filthy, but is quiet and off the beaten track, real

helped cemen t her reputation in Britain as an important

cou ntry where the peop le speak their own venacular. ' And to a

modern painter. Critic Myfanwy Piper, author of the 1947

friend: ' I have done masses of work in between showers of

Penguin Modern Painters book on Hodgkins , described the

torrential

gouaches as her finest and most individual work. Frances

Dolaucothy... l think quite often in the chance or accident

rain ... in

and

about

the

woods

river

Hodgkins responded to the wild bleakness of Wa les which was

which blew me into this very green va ll ey ... now browning and

an anti dote to the order of the English co untrys id e, and she

falling to the autumn ga les.'

made at least seven trips there during the 1930s and early

337 Fra1

Du c

wate

s1gn1

335 $2Q

see

r and snow ,:,

sky. She ~,;:,

rn 10 Wales · ''! some wais:"iff the beaten,,·

iwn venacula' • in betweens•,

ie woods & the chance or::. alley... now br:.

337 Frances Hodgkins Dutch Market Scene watercolour signed and dated 1903 335 x 250mm $20,000-30,000

see illustration above

This attractive watercolour and gouache belongs to the transitional period at the end of the artist's first sojourn in Europe , when her palette heightens and her style evolves from its early formative stage under the obvious influence of impressionism.

338 Albin Martin A Bend in the Waihou River oil on canvas, circa 1876 595 x 750mm Refer: In Focus page 8-9 $30 ,000-40,000

see illustration opposite page

Albin Martin who painted this view of the Waihou (Thames) River was often described in his lifetime as "Auckland's Old Master". The reference was to his style of painting and to his friendships with English artists John Linnell , Samuel Palmer and George Richmond and also to links he had to others of an earlier generation, notably William Blake. As a bachelor in the company of Samuel Palmer and his wife, Linnell's daughter, he spent several months in Italy in 1839. He returned there after his marriage in December 1841 and stayed until mid1844. Italy greatly influenced him so that, even in New Zealand, he tended to see landscape through romanticised Italian eyes .

These four paintings , together with one of Maori returning from fishing and another of the Bay of Islands, belong to a small group of relatively large works in contrast to the many small oils, watercolours and sketches which Martin produced. The present painting shows Maori in canoes and on the shore of a wide bend in the river, painted as from a height with hills extending to the horizon. Mt. Te Aroha is close to centre. Martin was often described as an able colourist and here one notes the typical small splashes of red in the clothing of the people , enlivening the blues, greens and browns of water, hills and forest under a dramatic sky. They are not necessarily true colours any more than the landscape is necessarily accurate in

He arrived in Auckland in October 1851 and was immediately recognised as an important member of the tiny artistic In 1875 or 1876 Josiah Clifton Firth

community.

its depiction. Martin decried strict topographical painting, what he called photographical painting , and did not hesitate , for instance, to isolate Mt Te Aroha from its range of hills.

commissioned him to record certain events in the development of his vast Matamata estate . Three of the several paintings then produced remained in the Firth family for many years.

The Meeting of J.C. Firth and Te Kooti was eventually gifted to the Waikato Museum of Art and History and The Death of William Thompson the Kingmaker was gifted to the Auckland City Art Gallery. Both these paintings were exhibited at the Auckland Institute and Museum in 1876. The present painting is closely related to them . A fourth painting which showed an

The painting is an important example of Martin 's work and an important record of a vital phase in the history of MaoriPakeha relations in the Waikato , particularly if it shows , as has been suggested , the aukati, the boundary between British and Maori occupied territories . Provenance is outstanding: J.C. Firth's grand-daughter, Helen

explosion in the river at the Awatonga Falls was exhibited at

Firth , gave it to a cousin's cousin , grandmother of the present owner, more than 50 years ago.

John Leech's premises in 1879 but is believed subsequently to have perished. It recorded Firth's operation in clearing the river of snags to allow for navigation.

John Stacpoole

om ahe1gtt1 a 1s close to lounst and~ nthe clotn·; browns of w,:,

enot necessa' 1ecessarny acc. pograph1ca pc and did not tr 11 srange 'I 1

Martm'sw~Kr

the h1sto~ oi arly 1f 1tsho;1 ybetween Br ·:

irand-daugnte' '· mother of rt.,:··

338

339 John Gully

l40

Mt Taranaki and Pouakai Range from Oakura watercolour signed

400 x 630mm Refer: In Focus page 8-9

$60,000-75,0 00 see illustration above ' In 1852 he and his wife and children emigrated on the John

Phillips to New Plymouth. In 1858 "J .G of Omata" was advertising ready to paint 'views' of properties for sending overseas. He farmed at Omata and worked as a clerk in New Plymouth. Took part as a volunteer but was invalided out of the Army: in 1860 removed to Nelson where he settled permanently. Was Drawing Master at Nelson College, then draughtsman in Lands Survey Office. In 1863 two of his paintings, one a wreck of the Lord

Worsley, one a view of Mt. Egmont, were advertised for sale. The encouragement given him by von Haast , whose "outlines" of mountains he coloured , and by the painter J.C. Richmond, then

paint professionally. By 1870 Gully was probably the most popular painter in the country.' Nineteenth Century New Zealand Artists; Una Platts, Avon 1979, p.113. 'During his time in Taranaki there was not very much opportunity for John to develop his artistic talent , but he was doubtless very impressed with Mt.Egmont and its bush-clad environs. '

New Zealand's Romantic Landscape - Pa intings by John Gully John S Gully, Millwood Press , 1984, p.2. See illustration , ibid , p.37 of the watercolour in the collection of the Auckland Art Gallery which is of the same subject from a slightly different position .

his career. Richmond went on painting expeditions with him and

Provenance: formerly in the collection of G.G.Holmes and family of Canterbury. Later deposited in the Loan Collection of the Robert

used all his influence to make Gully's work known. In 1865 Richmond enlisted the help of his brother, C.W. Richmond, then a

in 1999.

judge in Dunedin, to get his own and Gully's work to the NZ Exhibition and to see that people knew that Gully was ready to

Th is is an important early colonial watercolour, one of the earliest examples by Gully, and remarkable for its fine unfaded condition.

Commissioner of Crown Lands, was probably the turning point of

McDougall Art Gallery in Christchurch , then to the present owner

340 John Gully View of Blind Bay, Nelson

wate rcolour signed and dated 1863 395 x 600mm $30 ,000-40, 000 see illustration above

obaJ~t," 5

,ry ~ew Zei r· very rnuc' c:,. he was 001,:,!' lad env ,ors intings D) JC"' : Se€ ,s·•t •

in o' :·e A.: orn as (

, G.G Ho~es•. eo11ectonc"''

iento tne prest

J!3 ,:·, Barr Clarke

·•· i ,nd Coastal L

341

341 John Gully South Island Plateau with Mountain Range in the Distance waterco lour signed and dated 1882 290 x 510mm $9000-15,000 see illustration above

342

342 Charles Blomfield Pukekura Park, New Plymouth oi l on canvas on board signed and dated 1904 330 x 590mm $8000-12 ,000 see illustration below

343

344

John Barr Clarke Hoyte North Island Coastal Landscape

John Barr Clarke Hoyte The Surveyor

watercolour

signed

signed with initia ls JCH

250 x 600mm $18,000-25 ,000

290 x 430mm $6000-9000

see illustration above

see illustration below

344

l46 ·C$ Woollaston

;: !

·~

t gJre

::n ·t:; ?,r:,

···-,ket! ·· · '"~ '"·g nh1 I ,,dn Sold by

345 Milan Mrkusich Arc

oil and oil crayon on paper inscribed Untitled 1984, signed and dated 1984 verso

595 x 440mm $10,000- 15,000 see illustration above

346

346 Toss Woo ll aston Farm Buildings together with Figure (verso) oil on board

450 x 800mm Provenance: Purchased from the artist by the son of the Dunedin painter J. Charlton Edgar and hung in his Geneva home 1960-1992. So ld by Ferner Fine Arts in 1992 to the present owner.

$30 ,000-40 ,000 see illustrations above and right

346

l,sse Clark

.,·,::, harh

347

,:,·::ou•

Margaret Stoddart Lavender Fields

·,·S(•IJ€C

oi I on canvas signed and dated 1897

-r'.:O:X: c·a:JOve

485 x 650mm $20,000-30,000 see illustration above

i:i ':~rd Wallwork

:::,:s:":,· o,n ···,,s

348 R ussell Clark Rapaki, Lyttleton Harbour ink and watercolour signed; title inscribed verso

340 x 550mm $12 ,000-16,000 see illustration above

349 Richard Wallwork Fishing Boats in Mediterranean Port oi I on canvas signed

290 x 390mm $6000-8000 see illustration right

350 Tony Lane The Chandelier silver and gold leaf, distemper, casein and oil paints on gesso panels signed with initials; title inscribed, signed and dated 1992 verso 1460 x 640mm Reference: Matter & Substance, The Paintings of Tony Lane, introduction by Gregory Burke , Gregory Flint Gallery, 1992, p.36 Illustrated: Ibid, p.37 $8000- 12,000 see illustration left

,:2 ;obert Ellis

• ,,,oamanga "•;:;

:andcollai

_ ~•oe<l. s,gned

,:::i ·ssmm i·:::-~ .i:'a'..on ngnt

J53

Ce'.erCleverly

.::i,~

. ·x:::omm 1::·:.J100 I ;

.,,,.. i

350

351 Geoff Thornley Untitled Painting acry lic on paper on canvas title inscribed , signed and dated 1972 735 x 700m m $3500-5000

•

see illustration right 351

352

lnd o

1ed and

intmgso; le, G•eg,1

Robert Ell is Rakaumangamanga ink, acry lic and col lage on paper tit le inscribed , signed and dated 1981 1050 x 755mm $7000-9000 see illustration right

353 Peter Cleverly Full of Wonder oil on linen title inscribed , signed and dated 1998 and inscribed Kakanui; title inscribed , signed and dated 1998 verso 400 x 1010mm $2500-3500 see illustration below 352

353

354 Simon McIntyre Under and Over acrylic on canvas signed and dated 1993 1600 x 1600mm $7000-9000 see illustration left

li6 A1an

;aper

_,,,ir 1niiials a

.; ::, ••, Purcha~ :,v ,;;:, Gallery,

,:uxBOOmm

;:::OC-15.000 ~ ~:,a1 o" r,gnt

355 Simon McIntyre Pool II oi I on canvas signed; title inscribed, signed and dated 1986 verso 995 x 2500mm $7000-9000 see illustration below

Maddox

::JGr1d

l57

clntyre

356

Over

Alan Maddox Untitled Grid oil on paper signed with initia ls and dated 11.84 Provenance : Purchased by the present owner from Denis Cohn Gal lery, 1985 1220 x 800mm $10,000-15,000 see illustration right

:anvas daed 1993 00mm

110n leff

~clntyre

1vas le 1nsc11bec i,

I 986,e-s; 00mm 000

ration below

357 Je nny Dolozel The Conversation oil and pencil on paper title inscribed , signed and dated 1991 530 x 920mm $9000-13 ,000 see illustration below

ie\1111 van der

·-:·c'a Young G ···c

· .-,rofauthent ... . .,. , son. authc . . :a:a ague Ra ,;·iJ;5mm ~

:•:,M:50()()

~-- .. . ~

J61

Francis McCrac

:,:: .r:scape ~ ··::11as ·;:•:ej Toledo on 358

-:'.,5' mm :::::.JCOO

358 John Weeks Brickworks oil on board signed

360 x 480mm $20,000-25 ,000 see illustration above

359 John Weeks Hillside Landscape oil on board signed

390 x 450mm verso Hillside Landscape oil on board

130 x 180mm $10,000-12,000 see illustration left

360 Petrus van der Velden Portrait of a Young Girl with Flaxen Hair

gouache with letter of authe nt ificat ion from Dr T. L. Rodney Wilson , author of Petrus Van der Ve/den , Catalogue Raiso nne 1979 530 x 345mm $10,000-15,000 see illustration right

361 Francis McCracken Toledo Landscape with Bridge

oi l on canvas inscr ibed Toledo on st retc her 460 x 550 mm $5000-7000 see illustration below

scape

361

362 L ou ise Henderson Le Chat (Pocco) oil on board signed upper left 775 x 580mm Whilst this work belongs to th e artist's cubist period of the nineteen fifties , it shows eviden ce of reworking at a later date , probably in the nineteen eighties when Henderson was prone to re-paint earlier work. $12 ,000-18 ,000 see illustration left

• , McIntyre

·· -•; g,rses an .'

::~~111 .. j --r3t;~rfl

363 Helen Brown

Limestone Outcrop, North/and oil on canvas

'.eter Mcintyre

signed and dated 1974; tit le inscribed verso 500 x 600mm $5000-7000 363

see illustration left

·i :· :·e 'ores1

'i: i 0mm •·,

··<5.0l)J .::rt on '!ght

ndersan

364

Peter McIntyre Men Leading Horses and with Dogs on a Country Road

left

work be r;: . periOdc;•·,··

oil on board

1ows evo,·c,

440 x 550mm $10,000-15,000

late• da;e :·::

signed

see illustration right

ias prone ::

364

365 Peter McIntyre Dinghy on the Foreshore oil on canvas signed

erso

585 x 740mm $10,000-15,000 see illustration right 365

Fine Foreign Paintings ~

! sto0e

·:Scene and R, '· 0111 on panel ·,·11: ooth with

.::' ,a11e1s a" J:Omm each ;JjJJ _;-1i,DnS nght

~'9

rry Roontree •'i Mo,emen1

; .atercolour •;:ore:! and sig •· :iSmm ..••.:SOO

:10 1aler Barratt 366

.. ::,--;,d COpel

366

r,sPassengei

Henry Redmore Shipwreck off the Coast oil on canvas signed and dated 1878 610 x 1100mm $15,000-20,000 see illustration above

•,,·:· o•n Backgri

:;:Stamford. ..:ddated 19

j)J

367 Henry Redmore Attributed Shipping off the Yorkshire Coast, Whitby, with Dutch vessels oil on canvas 735 x 11 20m m $10,000-15,000 see illustration right

~Century

turopean Schoo

·r:' wo Wom

,:,,, CostJmt ·:r,as

,,:Ja1,s I'. m

.,::JIX)J

m ~nBartley ' ; ,,. 1ledway :·,·:::ur ·;:j

;::,glOmm

··:~·l .lXX)

368 R . Stone 1

Hunting Scene and Races

·-·~~- . .,~

a pair of oi Is on panel both signed; both with tit les

~--

inscribed on labels aff ixed verso 140 x 300mm each $4000-6000 see illustrations right

369 Harry Rountree 368

A Beautiful Movement

ink and watercolour ,, I

title inscribed and signed

$1200-1800

. 370 Walter Barratt The Stamford Clipper under Full Sail with a Union Company's Passenger Steamship in Background

watercolour in sc ribed Stamford, NSW, 368

signed and dated 1923 420 x 655mm $1500-2500

37 1 20th Century European School Portrait of Two Women in Medieval Costume

oi I on canvas signed Javis 750 x 600mm $2000-3000

372 Edwin Bartley The River Medway

waterco lour signed 660 x 910mm $7000-10,000 see illustration right 372

375 x 255mm

•y

373 Carlo Cignani Virgin and Infant Jesus oil on canvas , circular printed signature inscribed on printed label Royal County Depository, Reading,

C & G Ayres, Proprietors, verso diameter 415mm in original gilt gesso frame $6000-9000 see illustration left

374 Edgar Thomas Wood A Beached Fishing Boat watercolour 260 x 180mm Provenance: Formerly in the collection of the artist 's brother, Headmaster of Witney Grammar School , and gifted by him to the present owner. $850-1000

see illustration lower left

373

375

l16 .rneMayWatsc ::·n A'ge :a11as

B. Mainwaring A Meeting of Scholars watercolour signed 295 x 430mm $500-800

see illustration below

J7J

HG. Aitken S: 'e

:.•,as

:-~:00 .s:~11on uppe

l18

'!th Century A 1 ·~',Punt be :a-1,s • rnrn

. ::-.'.X\) 374

375

.srra11on right

esus

ular

nscnbed

1Depos tory ;_

rierors. ve1Sc 1n or g1na 1•: 1

s Wood

:g Boar

n owner. 377

J~er e~

376 Lizzie May Watson Maiden and Angel oil on canvas

1g holars

below

signed

790 x 470mm $3500-5000 see illustration upper right

376

377 H. G. Aitken Floral Still Life oil on canvas signed

590 x 500mm $3000-5000 see illustration upper left

378 19th Century Artist Unknown Figures in a Punt before a River Dam oi I on canvas

450 x 600mm $2000-4000 see illustration right 378

-----

irther Fine

379

382

Alan D. Baker Cherry Blossom

,11ntings

oil on board

Rembrandt van Rijn Jesus Healing the Sick, Hundred Guilder Print

signed

et ching, reworked by Captain

285 x 370mm

Bail lie

$3000-5000

510 x 6 10mm

see illustration upper left

Thi s et ching is an impress ion from

Rembrand t 's

-------

or iginal

plat e as reworked by Captain Bail lie in 1775. The plate as

379

380

made by 'Rembrandt wore out

James George Philp R.A. English Coastal Scene with Shipping

very quickly and ca me into th e possession of Bai ll ie, who did

l!3 :;•,s W atkins

a most remarkab le repair job t o it and managed to bring it

···,as

wat ercolour

back t o nearly it s original

:: neo. signed:

signed and dated 1849

appearance.

printed

250 x 355mm

impressions and final ly cu t

$1200- 1800

the plate into five or six pieces

see illustration mid left

to ensure that

no further

impress ions co ul d be pu ll ed'. A. V.

Gr iffi ths, The British Museum . A letter from A. V.

381

Griffiths to the present owner

Ronald Ossary Dunlop R.A. Bognar Pier

of the etching accompanies t he print.

oi I on canvas

see illustration below

$4000-6000

signed; label of J. Leger &

380

Son. London , verso, with inscribed ti tl e and date of 194 6

. l84

345 x 395mm

~is Watkins

$1800-2400

see illustration lower left

381

382

)randt van~-

Further Fine New Zealand Paintings

ed G, ce,,

g, reworie:.

61 mm C ig Sr Re bra•::;

as reMJrii: :, m17 5_·.,

by· emo•;-~ J1cklyanacr,

;s n 01 Ba ,

t remarKa;,,

nd ma:age:::

o nea•1y :; ranee. u, ;s1ons ana ...

1sure that ••

383 Denys Watkins El Nino oi I on canvas title inscribed, signed and dated 1995 verso 970 x 910mm $3000-5000 see illustration right 383

;sons co.;:,. G,,utns. ··,

im. A er.e·•··

hs t he O'el:"

! etch ng a:::·

nt.

J-6000 'ustrar,on et:

384 Denys Watkins Boardroom watercolour title in sc ribed and signed 500 x 630mm $3000-4000 see illustration nght

385 Denys Watkins Hunting and Fishing watercolou r signed 640 x 1010mm $3000-4000 see illustration right

385

r! ~ Chilcott

.as

,s/Strange I

(

,Jsp:

388

386

386 Philip Cla irmont Fragments of Pandora's Box ink drawing with brown pigment signed and dated 197 4 300 x 200mm $3000-5000 see illustration above

387 Toss Woollast on Above Wellington watercolour signed and dated 25.11.83 290 x 450mm This is a study for a major oil painting in the collection of the Dowse Art Gallery $3000-5000 see illustration right

Mervyn W ill iams Rising Red acrylic on paper signed and dated 1983 625 x 500mm $3000-4000 see illustration above

.s:<aion lower r

389 Gavin Chilcott New York Painting, Pots, Cloud and Skyscape

title inscribed, signed and dated 1993 verso 600 x 750mm $3500-4500 see illustration right

390 Gavin Chilcott Untitled oi I on canvas inscribed from the artist and dated 22.3 .91 1700 x 1670mm $3000-5000 see illustration lower left

391 Gavin Chilcott Leaves Cast Strange Shadows on

389

her Face oil on canvas title inscribed, signed and dated 1984 verso 1730 x 1700mm Exhibited: Pam Adler Gallery, New York City 1984 $2500-4000 see illustration lower right

390

391

;eHenderson

:iiF~:age ·r ·: oated 1975

.:-~ Gopaz .,. r.Jndsca{)e

393

392

394

Pauline Thompson Tahitian Woman Mourning Mutineer, Pitcairn Island oil on canvas signed with initials and dated 1988 915 x 760mm $4000-6000 see illustration above

John Weeks Farm Buildings watercolour certificate of authenticity signed by W. Swinton affixed verso 295 x 395mm $2800-3500 see illustration below

393 Maude Burge Portrait of a Maori Girl oil on board 750 x 520mm $3000-5000 Provenance: This painting was one of a number of signed and unsigned paintings purchased at an auction sale of furniture and personal effects held by the executor in the Burge estate in 1962. see illustration upper right

395 Louise Henderson Abstracted Foliage

watercolour signed and dated 1975 510 x 690mm $3000-5000 see illustration right

395

396

397

Rudolph Gopaz Mountain Landscape watercolour signed 375 x 425mm $3000-5000 see illustration below

Peter McIntyre St Mark 's Square, Venice watercolour signed 385 x 490mm $4000-6000 see illustration below

Swimon aff 11:

396

397

398

.5e0tt lee ~o.30

Alan Pearson Portrait of Leo Thompson

oil on canvas

.•,·,as ced. signed

title inscribed, signed and dated 1969

soomm

i•

verso

:~:oo

910 x 855mm

, .::ra!oruppe!

$8000-12 ,000

.] ,am George B,

see illustration

399 Alan Pearson

.::'C 1

.·::r~ands1g

Harbour View under Moonlight

oil on board

·.:.~xo

310 x 500mm

. ~-~:oH:d

$3000-5000 see illustration

!.,Ill

,i' Coley

400 Philip Trusttum Abstract

oil on board signed 550 x 750mm $3000-5000

4J5

see illustration

·~vocMoffitt

401 Garth Tapper The Kids Bikes No.11

oil on board signed; title inscribed , signed and dated 1973 verso 290 x 420mm $1500-2500 see illustration

400

401

::,·: ,a:e: 19 .. :90rnm

402

Ian Scott Small Lattice No.30 oi l on ca nvas t itle inscribed, signed and dated 1979, verso 860 x 860mm $6000-8000 see illustration upper right

403 William George Baker Lake Guyon oil on boa rd t itle inscribed and signed 380 x 490 mm $3000-4000 see illustration mid right

404 John Coley Untitled oil on ca nvas sig ned and dated 1990 885 x 1400mm $3000-4000 see illustration lower right

405 Trevor Moffitt Going Home from Work oil on boa rd signed and dated 1980; t itle inscribed , verso 590 x 590 mm $4000-6000 see illustration below

dated 1973

402

406

409

406 N igel Brown Heart Survival oil on board title inscribed , signed and dated 1987; title inscribed, signed and dated Oct 1987 . verso 700 x 605mm $3500-5000 see illustration upper left

407

·onyLane ::~r~

T,tet,O ;,. ·· •'.,s a · .::e:.sgr-ec

407

·:.16jfm

S imon McIntyre Untitled oil on paper signed and dated 1993 730 x 730mm $4000-6000 see illustration mid left

t:'.::-iXO - . s:·a~ :" . ~ .

411

Fatu Feu'u

.. 408 William George Baker Near Greytown oi l on board title inscribed and signed 380 x 490mm $3000-4000 see illustration lower left

409

408

.,· ~

Peter McIntyre Chinese Junk under Sail oi l on board signed 590 x 500mm $3500-5000 see illustration above

· :. ·:a 1as 0

:•;,

:••

·;xi80~m .::::-cooo ..1:-,:,, PPf

412

.aie Eyre ·,:· P,,

·:,·,as .: 1~11b!ij, sign

:2oom~ ::~-50:,0

: :•• '

410

nscribed.

410 Tony Lane Single Hank oil and schlagmetal on panel signed with initials and dated 11.90; title inscribed, signed and dated 1990, verso

710 x 615mm $3000-5000 see illustration upper left

411 Fatu Feu 'u Untitled

oil on loose canvas

412

signed 800 x 580mm $5000-6000 see illustration upper right

412 Jane Eyre In Time of Peril oil on canvas title inscribed, signed and dated 1907 900 x 1200mm $4000-6000 mid right

413 Philip Clairmont Study for Xmas pen and co loured pe nci l on paper 490 x 400mm $1000-2000 see illustration right 413

416 Dean Buchanan Still Life with Windmills oi I on canvas signed and dated 1995 1340 x 1030mm $2000-3000

417 Philipa Bla ir Hollywood 'Pool and Lila oi I on loose canvas signed and dated 1981 ; title inscribed , signed and dated verso 2650 x 210mm $3000-4000 see illustration left

418 Philippa B lair Flying Cowboys acrylic on paper signed and dated 1990 $1000-2000

'ooa~ Frank N

4 17

414 Ralph Hotere Abstract ink on paper signed and dated 1965 and inscribed For Peter 19/ 9/ 70 630 x 470mm $3500-4500 see illustration upper left

415

419

Dean Buchanan Large Flower Still Life acry lic on hessian 1960 x 1860mm Ref: Warwick Brown, 100 New Zealand Paintings, Godwit , 1995.No . l l Prove nance: Purchased by presen t owner from New Vis ion Ga ll ery $3000-5000 see illustration mid left

419 Ian Kingstone Summertime is Past and Gone oil on canvas signed; title inscribed and signed verso $800-1200 see illustration lower left

:11 8sNoordhof

· ·r.,, Harblur ·::;•d >·I

nBuchanan rte w,tn ~-:-

1 canvas

id a dCc'.,:.: ) X '.030r·

l0-30CC

' .

423

420

lipa Blair

oodPoo r. Inloose ea",~ ed and ea:,:.

Iusrra:o· ,'

8 ilippa Blair

1°g Cc~:,;!~ con pa;,·

421 423

ned and ca:1:.

420

422

OOQ-2(XX)

Archibald Frank Nicoll

Charles Nathaniel Worsley

Bend of the Road to Bryndwyn

Mediterranean Street Scene waterco lour signed 750 x 430m m $1500-2500 see illustration lower left

nKingstooe mer:~e s:;,

oil on boa rd signed 280 x 385mm $1500-2500 see illustration upper right

111e

0 can,as

423

:ned; tr ,e "S.: •

421

Julia Morrison

1ned verso

Eis Noordhof

l00-1200 e,/lustrarroi:

Wellington Harbour oi l on board signed 900 x 1200mm $2500-3500 see illustration mid right

Carnet de Voyage mixed media triptych title insc ribed, signed and dated 1991 115 x 375mm each panel $1500-2500 see illustrations above

422

110

424

427

433

Robin White

Bill Hammond

Fiona Pardington

My Father

Playing the Drums

Still Life with Lotus Head

linocut signed and dated 1968 300 x 155mm $800-1600

lithograph, edition 7/25 title inscribed, signed and dated 1988 493 x 364mm $750-900

silver gelatin print title inscribed, signed and dated 1999 380 x 290mm $600-1200

428

434

Pat Hanly

Late 1 9th Century Artist Unknown

see illustration below

Vacation

screenprint, edition 34/37 title inscribed, signed and dated 1986 535 x 740mm $1800-2500

1~111erg

•,r:eFerry

H. M. S. Cressy

oil on canvas title inscribed 430 x 575mm $1800-2000

429 Pat Hanly

435

Bride and Groom

Shona McFarlane

screenprint, edition 18/29 title inscribed, signed and dated 1990 590 x 760mm $1800-2500

Cargill 's Castle, Dunedin

watercolour signed 430 x 550mm $800-1200

.:·::·Sm:se,

l.:n Rds. 1

430 Alan Maddox

436

Grid

Blythe Fletcher

charcoal drawing signed with initials and dated 12 .75 280 x 360mm $500-800

424

Moroccan Street Scene

watercolour signed and dated 1923 470 x 240mm $1500-2500

431 Alan Maddox

437

425

Grid

Flora MacLymont

Pat Hanly screenprint 29/101 signed and dated 1995 $1500-2000

charcoal drawing signed with initials and dated 26.12.75 280 x 360mm $500-800

oil on board title inscribed and signed verso 290 x 490mm $800-1200

426

432

438

Bill Hammond

Alan Maddox

Frances Hunt

Untitled

i: Ch tt ; -,: BL: ·

Bealey Pass, West Coast

Untitled (Bird's Head)

Grid

Still Life, Leaves

I ithograph, edit ion 29/30 signed and dated 2000 540 x 720mm $1000-2000

ink, pencil and charcoal drawing signed with initials and dated 12.75 280 x 360mm $300-500

oil on board signed and dated 1937 445 x 345mm $1200-1800

(IJ

·:11 Woollaston

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:mm

!44

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111

ton

439

445

451

us eaa

F. Bren ner

Claudia Pond-Eyley

Will iam Mathew Hodgkins

ntury Artist

Portrait of Pineaha Warekohai

Fire, Blood, Water, Stone

Coastal Landscape

watercolour

acryl ic and collage on paper

wa tercolou r

signed and dat ed 1980

tit le insc ribed, signed and dated 1984

signed and dated 30 November 1894

500 x 400mm

755 x 560m m

220 x 330mm

$1000-1800

$800-1200

$1200-1800

440

446

452

Ron Stenberg

R ichard Crisp

Russell Clark

Demolition of Vehicle Ferry

Brazilian Street Scene

ink and wat erco lour

waterco lour

Standing Figure painted aggregate on wooden base

signed

signed and dated 1985

he ight overall 245mm

300 x 501mm

430 x 450mm

$1000-1800

$1200-1800

441

447

Gavin Chi lcott

R ichard Crisp

rlane

London Streetscape

Market Scene

Duned n

crayon on paper

watercolour

signed and dated 10.7.87 and

signed and dated 1990

inscribed London Streetscape, Cnr

410 x 480mm

:her

er Scene ed 1923

Rosebery & Laystall Rds, Ho/born,

$1200- 1800

June 1987 560 x 750mm

448

$2000-3000

Henry W illiam K irkwood South Island Lake and Mountain

442

Landscape at Sunset

Gavin Chilcott

oil on board

No More Mirrored Buildings

signed with initials

crayon on paper

290 x 220mm

title inscribed , signed and dat ed May

$1500-2500

1986

.ymont Nest eoas:

550 x 750mm

449

$2000-3000

Henry Will iam Kirkwood

443

oil on board

Toss Woollaston

signed with initia ls

Mountain Range Landscape

290 x 220m m

waterco lour

$1500-2500

South Island River Scene at Sunset

signed and dated June 1978 230 x 270mm

450

$1200-2000

R ichard McWhannel

ated 1937

)

ENTRIES NOW ACCEPTED FOR THE FINAL ART SALES OF THE YEAR AFFORDABLE ART OCTOBER 30th

Scaffolding 1981

unt

ives

End of Day Two

444

oil on canvas

Toss Woollaston

signed verso

MAJOR ART SALE

Abstracted Landscape

310 x 300m m $1000-2000

DECEMBER 11 th

watercolour signed 260 x 340mm $900-1800

113

Fine Jewellery, Watches & Coins Day Three Wednesday 19th September 2001 4pm & 6.00pm If p M

Lots 2000 - 2200

Affordable & Estate Jewellery on separate list available at viewing

6PM

Lots 460 - 481

Wrist & Pocket Watches

Lots 482 - 491

Coins

Lots 492 - 503

Loose Diamonds

Lots 504 - 510

Accoutrements

Lots 511 - 660

Fine Jewellery

VIEWING

Thursday

September

9 .00am

5.15pm

Friday

September

9.00am

5.15pm

Saturday

September

11.00am

3.00pm

Sunday

September

11.00am

Monday

September

9.00am

5.15pm

Tuesday

September

9.00am

5 .15pm

Wednesday 19

September

9.00am

2.00pm

ILLUSTRATED

3.00pm

LEFT

Lot 576

2.18ct Solitaire Diamond Ring

Lot 562

Three Diamond Ring

Lot 628

2.53ct Solitaire Diamond Ring

Lot 588

Emerald & Diamond Bracelet

Lot 574

Pair Fine Emerald-Cut Diamond Earstuds

Lot 572

Diamond Bracelet

Lot 575

Stylish Diamond Ring

Lot 571

Diamond Bar Brooch

114

Day Three 6pm Pocket and Wristwatches Important Conditions of Sale for Watches. Please note: as many of the timepieces are old, or their history is unknown, Webb's offers no guarantee as to mechanical condit ion or condition of sea ls etc. A timepiece described as 'fine' or 'as new' is an opinion as to appearance on ly. All watches are sold as viewed. It shall be assumed that all buyers have inspected the lots and that they are happy with them in all respects. Watches cannot be returned on the grounds that repairs or service have been carried out, or parts (including straps or bracelets) have been supplied, by anyone other than the named maker. Notwithstanding the foregoing condition, named wristwatches are sold on the basis that the movement (or movement and case where both would normally have been manufactured by the named maker) were manufactured by the named maker. It is recommended that buyers have watches serviced promptly to ensure that damage does not arise from faulty seals or any other aspect of mechanical condition

460 ROLEX TUDOR, An Oyster Prince Wristwatch. Stai nless st eel case and brace let . Sil ve r f ace wit h po lis hed batons and sweep second . Au tom atic 'R ot or Self Windi ng' move ment. $ 6 00-800

467 OMEGA, A Gentleman's 18ct Yellow Gold Cased Vintage Wristwatch. Rect angul ar outl ine case with stepped bezel. Si lver face wit h gold ba t ons and subsidiary seconds. Mechanical movement, 17 jewel, with side crown. Movement No 11 499361 (c.1947). Brown leat her st rap. $1000-1400 see colour illustration

468 CARTIER, An 18ct Yellow Gold Cased 'Vendome' Wristwatch. Circula r outl ine case, whi te face with Roman numerals. Mechanical move ment wi t h side crown capped by a cabochon bl ue stone . Brown crocodile strap. With Cartier certificate dated 1982. $3000-3500 see colour illustration

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461 469

BRITIX, A Mechanical Digital Watch . Tonneau shaped case of st ainl ess st ee l. Irid escen t green face wi t h win dow for d igital hou r / minute second d isplay. 17 jewel moveme nt. Brown leat her "00 7'' pierced strap . $ 2 00-300

An 18ct Yellow Gold Cased Open Face Fob Watch. Keyless lever, decorative si lver face with Arabic numera ls and subs idiary seconds. Signed l ngomar. $375-475

462

470

TAG HEUER , A Gentleman's Professional Diver's Watch. Deep bl ue f ace with chronog rap h dials, subs idiary seco nds, date wind ow and stop sweep second . Sta inless case and integrat ed strap, rot atin g outer bezel. Quartz moveme nt. As new appea rance . With orig inal presentat ion box and man ual. $1 500-1 8 00

BUCHERER, A Lady's Bracelet Watch . 18ct White gold case wit h sprung hinged hal f circ let arms . The lugs enhanced wi t h lines of single cut diamonds. Matt silver f ace with polished batons . Swiss 17 jewel movement. $500-600

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471 463 OMEGA A Gentleman's Rolled Gold Wristwatch . Automat ic movem ent , sil ver face wi t h gold bat ons, sweep second, day and dat e windows. Rol led go ld strap . $250 -3 00

464 A Sterling Silver Hunting Cased Pocket Watch. Keywound leve r. White face with Roma n numerals and subsid iary seco nd s. Signed Rotherh ams . Wit h key. $ 120- 16 0

465 BUREN , A Gentleman's 'Grand Prix' 18ct Yellow Gold Cased Wristwatch . Circu lar ou tlin e case. Whit e face with Arabic num erals and sweep second . Mecha ni ca l moveme nt wi t h si de crown. Brown leat he r strap. $ 375-575

PATEK PHILIPPE , A Lady's Watch Set With Diamonds . Rectangular case and integrat ed t extured link bracelet of 18ct ye ll ow gold. Champagne face wit h black batons. The case enhanced wit h two rows of brill ian t cut diamonds. 20 jewel movement No997639, Case No 26783 1 ref 3369/2 (c.1975). Movement and face signed Patek Philippe. As new appearance, wi t h original coral kid lined box. $7500-9000 see colour illustration 472 PIQUOT, A Rolled Gold Cased Chronograph Wristwatch With Complications. 'MER I DIAN" automatic, gold f ace with polished batons. Su bsid iary dials and windows for: day, dat e, month, moon phase, 24 hour and elapsed ti me. Sweep second with st op and return butt ons in band. Blue leather strap. $1000-1200

466

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473 CYMA, A 9ct Yellow Gold Cased Open Face Pocket Watch. Sil ve r face with Arab ic num era ls and subsid ia ry seconds . Key less lever, 15 jewels. $275-375

. alnlnterestini

OMEGA, A Gentleman's Seamaster Rolled Gold Cased Wristwatch. Sil ver face with po l ished batons and Arab ic quarters . Sweep second. Automat ic 'Thumper' movement. $300-350

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11 5

474 GIRARD PERREGAUX, A Gentleman's Wristwatch . Sta inl ess case, si lver face wi t h po li shed batons and sweep second. Gyromatic (automatic) movement. Black leather strap. $275-375 475 A Sterling Silver Cased Open Face Pocket Watch . Keywound fusee, white face with Roman numerals and subsidiary seconds. Movement signed Wm Green, No 48. Case c.1838. $275-375 j 'Vendome' W

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476 CARTIER , An All 18ct Yellow Gold 'Vendome' Wristwatch. Circular out line case and gate link st rap with deployant clasp in 18ct yel low gold. Cream face with Roman numerals and date window. With orignial presentation box and papers showing first purchase in 1986. $7500-8500

477 UNIVERSAL GENEVE , A Gentleman's Rolled Gold Cased Wristwatch. Semi tonneau shaped case, circular sage green face with white batons, sweep second and day / date window. Unison ic - an ear ly electronic movement with tun ing fork. Brown leather strap. $250-300

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478 A Rolled Gold Hunting Cased Pocket Watch . Keyless lever 15 jewel Swiss movement. White face with Roman numerals and subsidiary seconds. $120-160 479 NEUVEX, An Interesting Calendar Wristwatch. Circular rolled gold case of unusually wide diameter (39mm). Silver face with date window, year and day windows for mont hly calendar. Sweep second. Mechanical 17 jewe l movement . Expand ing metal strap. $250-350 480 A Lady's Vintage 15ct Yellow Gold Cased Wristwatch . Circular outline case, white face with Arabic numerals. Handset button in band. Swiss movement. Tan leather strap. $200-250 481 TAG HEUER , A 'Professional' Chronometer Wristwatch. Stain less case and integrated bracelet. Blue face with Arabic quarters, date window, sweep second and 24 hour hand. Automatic Rotating outer bezel , screw-down crown . movement. Swiss airforce model. $700-1000

Coins 482 A 1980 Proof Set Of UK Gold Coins. £5, £2, Sovereign and half sovere ign. In presen t ation case with certi fication . $1500-2000 483 A Specimen Set Of Eight Q.E II Sovereigns. 1957, 1958, 1959, 1962, 1963, 1964, 1965, 1966. In a f itted box . $ 1000- 1400 484 Twelve English Silver Coins . Crowns, ha lf crowns and f lorins from Queen Anne to George VI. $200-300 485 A Bicentennial Jersey £1 Gold Proof Coin . Dated 1981, 17.55g. In presentat ion case wi t h certif ication. $300-400 486 A Bicentennial Jersey £1 Silver Proof Coin . Dated 198 1. presentati on case wit h cert ificat ion. $30-50

487 An Edward VI I Sovereign , dated 1910. $140- 180 488 A Victorian Sovereign. Sydney mint 1870 . $140- 180 489 A Set Of Four 'Duke Of Edinburgh Award' Commemorative Gold Coins , dated 1981 , eac h coin approx 8g . Wit h certi f ication. $500-700 490 A Gurnsey £1 Proof Gold Coin. Dated 1981, 8g. $150-200 491 A Set Of Four 'International Year Of The Disabled' Commemorative Gold Coins. Dated 198 1. Each co in approx 8g. $500-700

11 6

Loose Diamonds See the conditions app lying to jewel lery 492 A Loose Diamond Of 0 .50ct. Princess cut approximately TLB 12. $600-800 The following loose diamonds are being sold with the buyer of each 'a' lot having the right to buy the 'b' lot at the same price , as the stones have been sorted in pairs by diameter. 493a A Loose Diamond Of 0 .5ct, round modern brilliant cut, 4.8mm. Gemologist's report & valuation available on request. $2000-2200 493b A Loose Diamond of 0.47ct, round modern brilliant cut, 4.8mm. $2000-2200 494a A Loose Diamond of 0.52ct. round modern brilliant cut , 5.1mm. $2100-2300 494b A Loose Diamond of 0.52ct. round modern brilliant cut, 5.1mm . $2100-2300 495a A Loose Diamond Of 0.48ct. round modern brilliant cut, 5.1mm . $2000-2200 495b A Loose Diamond Of 0 .51ct. round modern brilliant cut, 5.1mm. $2000-2200 496a A Loose Diamond Of 0.5lct. round modern brilliant cut, 5.3mm . $2100-2300 49Gb A Loose Diamond Of 0.51ct. round modern brilliant cut , 5.3mm. $2100-2300 497a A Loose Diamond Of 0.63ct. round modern brilliant cut, 5.4mm. $2500-2700 497b A Loose Diamond Of 0 .59ct. round modern bril liant cut, 5.4mm. $2500-2700 498 A Loose Diamond Of l.73ct. Round modern bril liant cut. Gemologist's report & valuation avai lable on request. $6500-7500

499 A Loose Diamond Of 1. 13ct. Emerald-cut. Gemo logist's report & valuation available on request. $4000-5000 500 A Loose Diamond Of l.03ct. Round modern brilliant cut. Gemo logist's report & valuation available on request. $7250-7750 501 A Loose Diamond Of l. 03ct. Round modern brilliant cut. Gemologist's report & va luation ava ilable on request. $6500-7000 502 A Loose Diamond Of l.53ct. Heart shape. Gemologist's report & valuation available on request . $4500-5500 503 A Loose Diamond Of l.53ct. Pendeloque cut. report & valuation available on request. $4500-5500

Gemologist's

Accoutrements 504 A Pa ir Of 18ct Yellow Gold Cufflinks. Oval outline enhanced with foliate and floral engraving . 7 .2g. $120-160 505 A Pair Of 9ct Rose Gold Cufflinks . Ova l outline enhanced with engine turned engraving. $50-100 506 A Jewelled Dagger Hilt Of Mughal Design. Carved rock-crystal with tigers head finia l and lslimi tendrils of gold set with cabochon rubies and emeralds together with senaille cut diamonds. $1000-1400

see colour illustration 507 An Interesting Jewelled Plaque. The 70 x 50mm oval plaque of purple corundum (non gem quality ruby) decorated with an applied gold floral and foliate motif in Mughal style , set with oval emerald and ruby cabochons together with senaille cut diamonds. $2400-2800

see colour illustration 508 A Stick Pin Set With An Opal. The 10 x 8mm oval crystal opal cabochon set in 18ct yel low gold , the pin of base metal. $100-200

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118

509 An Intaglio Fob Seal. The wh ite onyx seal carved with a putto rowing a boat carrying a heart beneath a romantic sentiment, set in a mount of yellow go ld (tests approx 15ct). $200-300

516 A Magnificent Necklace Of South Seas Cultured Pearls . The 33 round - off round pear ls, silver white of fine or ient graduated from the ce ntre. 15mm to 11 mm . Gemologist's report & va luation available on request. $20,000-25,000

510

Not received in time for illustration

Two Intaglio Fob Seals. One of gold (tests approx 9ct) set with a cornelian intaglio of an heraldic eagle, the other of rolled gold with a cornelian intaglio of two love-birds. $200-300 (2)

Fine Jewellery Please note: where gemological reports are availab le these should be read together with the catalogue description. Should there be, through error, omission or introduction of better evidence , any significant difference between the catalogued description and that provided in the gemologist's report , it shall be assumed that the buyer has inspected the report and is buying in acceptance of it. Unless otherwise stated, all stones have been assessed for weight, colour or clarity mounted and the descriptions given in the catalogue or report are therefore based on estimates which are limited in accuracy.Where an actual weight is given the stone will have been weighed loose, however while the grading of a stone loose will minimise error margins it shall be accepted by the buyer that all reports and descriptions remain opinions and not matters of fact.

511 A Pair Of 19th C Gold Pendant Earrings. Pendeloque out lin e in rose gold with freely articulated central drops , suspended by wire hooks with floral surmounts . Marks for 9ct, but appear to be a heavy outer layer with base metal core. $300-400 512 A 'Rainbow' Bracelet. Designed as an art iculated line of 18ct ye ll ow gold box links set with citrines, peridots, blue topaz, amethyst and garnets of graduated hue and intensity. $750- 1000

see colour illustration 513 A Striking Necklace Of Vari-Colour Gold. Stylised foliate links of rose, white and yellow 14ct gold. 440mm . 36.lg. $1000-1400

517 ROBERT CLERC, An Egyptian Revival Bracelet And Pendant Earrings Suite. Th e bra celet designed as a line of 6 cart ouche outline links decorated with hierog lyphics and a sph inx motif. The earrings of matching design. With original presentation box, sa les certificate and notes from this renowned Sydney Jeweller. 20.7g. $600-1000 518 An Interesting Early New Zealand Sterling Silver Locket. 40 x 30mm ova l outline hinged doub le photograph locket , the cover having a shaped border of app lied gold enclosing an engraved landscape of Prin ces St Dunedin. Suspended by an ova l link neck chain. Hallmarks for Chester 1885 together wi th makers mark 'H&N'. Re cords show that the Duned in f irm of Harrop & Neill was a partnership from 1868 to 1878 after which Nei ll was the sole proprietor. It was not unusual for New Zealand jewellers to strike marks on import ed goods especially if work such as engraving had been done by them. $300-400

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see colour illustration

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see colour illustration 520 A Victorian Locket And 'Mayoral' Chain Of Sterling Silver. The oval locket with repousse decorated cover, having hallmarks for The chain also of silver (tested) of Birmingham 1882. contemporary period but not marked. $400-500 521 A Greenstone Pendant With Gold Chain . The Kuru shaped greenstone pendant suspended by a chain of facetted oval 9ct yellow go ld lin ks . $300-400

see previous lot 515 A Scottish Hardstone Brooch And Pendant Earring Suite . 9ct yel low go ld overgi lded with a higher carat , each piece in the form of a circlet set with arcs of hardsto ne, with coronet surmou nt , St Andrew's Cross in bloodstone and sh ield of jasper with heraldic lion rampant in gold. $1200-1600

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519 A New Zealand Brooch Set With Polished Gold-Bearing Quartz. Doub le bar design with fern leaf motifs in gold about a central lozenge shaped richly veined piece of quartz. $300-500

see also following lot 514 A Bracelet Of Vari-Colour Gold. Designed as a companion to the previous lot in rose, white and yellow 14ct gold. 18.2g. $550-650

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522 An Albert Chain Of 15ct Yellow Gold. Curb links 460mm, 37.5g. Plated clip. $600-700 523 A Pair Of White Cultured Pearl Earstuds. Th e 9-9.5mm round pear ls fitted with 18ct yellow gold posts and butterflies. $200-300

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524 A Dainty Pair Of Earstuds Set With Diamonds. Each designed as a six peta l flowerhead in 18ct ye llow and white gold set with 7 bri 11 iant cut diamonds. $375-475

535 An Unusual Pair Of Jewelled Earstuds . Freeform design in 18ct yel low go ld, each set with a black Mabe pearl, round peridot cabochon and citrine pendeloque cabochon. $250-350

525 A Pair Of Sapphire Earstuds. Each stud of 18ct yellow gold set with an oval cut Cey lonese blue sapphire . $275-375

536 A Pack Of Cards Charm. A miniatu re pack of cards in a container of 9ct ye ll ow go ld. $80-120

526 A Slave Bangle Of 18ct Yellow Gold. The wide armlet of plain form . 85g. $1500-1800

537 A Necklace Of Cultured Pearls. The uniform round 5-5.5mm cream-white cultured pearls secured by a clasp of sil ver set with a single pear l. 580mm. $350-450

527 A Comet Motif Pendant Set With Diamonds. The three tai Is of 18ct white gold set with an old cut diamond finial, and one further enhanced with a line of single cut diamonds. With 9ct white gold neckchain. $450-650 528 CREDIT SUISSE, A 20g Fine Gold Ingot. In a pendant frame of 22ct yellow go ld. 23.5g. $350-450 529 A Necklace Of 18ct Yellow Gold . Polished flexible links forming a collar. 24g. $600-700 530 A Bracelet Of Plaited Woven 18ct Yellow Gold Mesh. The design further enhanced with applied gold beads. 32 .8g . Gemologist 's report & valuation available on request. $850-1000

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531 A Necklace Of 14ct Yellow Gold Woven Mesh. Designed to form a flexible collar around 10.5mm wide. 370mm, 36.5g . $600-800 532 A Pendant Set With Amethysts And Half-Pearls. 9ct yellow gold open scroll design accented with pearls about a central oval cut amethyst within a pearl border; suspending an oval cut amethyst drop. With 9ct yellow gold flat curb neckchain.

$400-600 see colour illustration 533 A Pair Of Cultured Black Pearl Earstuds. The 10mm round cultured pearls fitted with 18ct yellow go ld posts and butterflies. $275-375 534 A Pair Of Diamond Earclips. 18ct yellow go ld tapered design with a ribbon bow surmount set with br illi ant cut diamonds . $275-375

538 A Double Albert Chain Of 9ct Rose Gold . Curb links with a T bar and two clips 410mm, 29g. $450-550 539 A Bracelet Of 18ct Yellow And White Gold. Flat curb links of yellow gold with long white gold links at int erva ls. 33.5g. $600-800 540 A Pair Of Earrings Set With Princess Cut Diamonds. Rectangular outline in 18ct white and yellow gold, each set with four calibre set Princess cut diamonds . Gemologist 's report & valuation available on request. $1500-1800

see also following lot 541 A Ring Set With Four Princess Cut Diamonds. Designed as a companion to the previous lot, square ou tlin e in 18ct white and yellow gold . Gemologist's report & va luation available on request. $1500-1800 542 A Pair Of Heart Motif Earrings Set With Diamonds. 18ct yellow gold circlets enhanced with bri lli ant cut diamonds suspending a free moving heart outline pendant also set with diamonds. $750-1000 543 An Unusual Ring Set With Rose Cut Diamonds. Marquise outline in 18ct white gold set with rose cut diamonds and two round cut rubies. $1200-1600

see colour illustration 544 A Gentleman's Signet Ring Set With A Solitaire Diamond. Rectangular outline in 18ct yellow gold engraved with chevrons about a brilliant cut diamond of a little over 0.50ct. Gemologist's report & va luation avai lable on request .

$1000-1600

120

545

552

A Full Eternity Ring Set With Diamonds. 18ct white gold, channel set wit h a continuous line of square cut diamonds, of TOW around 2ct. Gemologist's report & va luation available on request. $2800-3800 see colour illustration

A Pair Of Diamond Solitaire Earstuds . The round modern brilliant cut diamonds of 0.30ct each (TOW 0.6lct), estimated as H/I, Sl2, set in 'V' shaped supports of 18ct white gold. Gemologist's report & valuation available on request. $1500-2000 see colour illustration

546

553

An Estate Ring Set With Old Cut Diamonds. The convex semitonneau outline table set with fifteen old cut diamonds of graduated size in three rows . The shoulders enhanced with further diamonds (one small shoulder diamond deficient). Gemologist's report & valuation available on request. $2500-3000 see colour illustration

A Ring Set With A Solitaire Diamond Of l.33ct. The round modern brilliant cut diamond with AGL certificate stating it to be J colour 12 clarity. $2800-3400

547 A Brooch Set With An Oval Old Cut Diamond Of A Little Under 2ct. The cape tinted diamond of approximately l.92ct and estimated clarity Sl2, set in a knife-edge bar brooch of 18ct yellow gold. Gemologist's report & valuation available on request. $6000-7000 see colour illustration

548 A Line (Tennis) Bracelet Set With Over 7ct Of Diamonds. Designed as a line of 34 articulated oblique marquise links in 18ct yellow gold, each set with a round modern brilliant cut diamond of approx 0 .1 8ct together with two smaller diamonds. One small diamond deficient. TOW estimated 7.48ct. Gemologist's report & valuation available on request. $7000-8000 see colour illustration

549 A Heart Motif Pendant / Enhancer Set With Diamonds And Sapphires. Of similar design to Chopard's 'Happy Diamonds', 18ct white finished gold pave set with brilliant cut diamonds about a glazed compartment containing four captured diamonds below a chevron of French cut blue sapphires . The hinged bale all owing use as an enhancer also pave set with Gemologist's report & valuation available on diamonds. request. $3600-4600

550 An Edwardian Style Diamond And Pearl Necklace. The midsection of open foliate and ribbon bow tracery set with brilliant cu t diamonds suspends a pear shaped pearl, the supporting chain of loop ended bars with diamond spacers . 18ct white finished gold . Gemologist's report & valuation available on request. $2750-3250

551 A Pair Of Amethyst And Diamond Pendant Earrings. Each designed as a sinuous panel of 18ct yellow gold pave set with brilliant cut diamonds suspend ing a pendeloque cut amethyst drop. Gemologist's report & va lu ati on ava il ab le on request . $2200-2600

554 A Ring Set With A Triangular Cut Diamond And Other Diamonds. The triangular cut diamond of around 0.3lct set in 18ct yellow gold with seven round brilliant cut diamonds in a 'V'. TOW approx 0.52ct. $500-700

555 A Diamond Bridge Ring. The bridge of 18ct yellow gold set with a central line of five round brilliant cut diamonds of uniform size , bordered on either side by rows of seven smaller Gemologist's report & valuat ion ava i lable on brill iants. request. $2250-2750 see colour illustration

• 556 An Eternity Or Wedding Ring Set With Diamonds. 18ct yellow gold, the mid-section channel set with four fine white baguette cut diamonds , the shoulders pave set with a further 18 brilliant TOW est 0.46ct. Gemologist's report & cut diamonds . va lu ation avai lable on request. $1000-1400

557 A Ring Set With A Solitaire Diamond of Approx. let. The round modern brilliant cut diamond set in a broad Gypsy style band of 18ct white gold. Gemologist's report and valuation available on request. $7500-8500

558 A South Seas Grey Pearl And Amethyst Pendant. The 15mm round pearl with ova l cut amethyst surmount suspended by a 9ct bright cut lin k neckchain. $300-500

559 An Impressive Eternity / Wedding Ring Set With Diamonds. The tapered band of 18ct yellow and white gold set with a 3/4 continuous line of round brilliant cut diamonds graduated from the centre , with an estimated TOW for all 18 diamonds of 2.47ct. Gemologist's report & valuation available on request . $4750-6750 see colour illustration

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122

560 A 19th C Jewelled Butterfly Brooch . Silver / go ld doublet ,

568 An 18ct Yellow Gold Crossover Bangle . Flexible tubular design

ajoure to enhance the design, set with round cu t rub ies, sapphires and half-pear ls; the thorax set with a larger old cut diamond and t he eyes with cabochon rubies. $1750-2250

with rounded 'snake head' finials. 31.8g. $600-800

see colour illustration

561 A 19th Century Jewelled Butterfly Stick Pin . Silver / gold doublet set with diamonds , rubies , sapphires and half-pearls. The thorax set with a round cut emerald . $475-575

569 A Pai r Of Diamond Sol ita ire Ear Studs. The round modern bril liant cut diamonds of stated weight l.68ct set in simple mounts of 18ct wh ite go ld. Gemo logist 's report & va luation availab le on request. $6800-7800

\1eiWith ASolitai

see colour illustration

· -,:x:,rn br1 1a1 ;;'.: ;r ng of I

see colour illustration

570 A Pa ir of Diamond And Sapphire Pendant Earrings. Art Deco

:,·:ogst's ,epor

562 An Exceptional Three Stone Diamond Ring. The round modern

influenced design in 18ct white finished gold, the three articulated panels of geometric out l ine enhanced with ajoure set with bri l liant cut diamonds, the terminal panel set with an oval cut blue sapphire. Gemologist's report & va luation available on request. $3000-3500

brilliant cut d iamonds graduated from the centre of the 18ct white and yellow gold bridge having a TOW 2.65ct. Quazar Certificates fo r each stone : l. 64ct I, Sil; 0.55ct H , Sl2; 0 .5lct I, Sl2 . Gemo logist 's report & valuation available on request . $22,000-26 ,000

_11, c1amonds.

::-JS.OOJ

,s:rat1on vt

:::• Ilia~ Diamon -:.:Cc'. damon

see colour illustration

r, a1d oag, o:·::gs;·s reoo

see colour illustration title page

571 An Art Deco Brooch Set With Diamonds. Elongated split bar

: ,s:ra1on

563 An Aquamarine And Diamond Necklace. Designed as a

design in platinum aJoure set with lines of old cut diamonds about three larger stones graduated from the centre . Gemologist 's report & va luation avai lable on request. With presentation box. $2500-3500

pe ndant and drop in 14ct white and yellow gold. An oval cut aq uamarine bordered by diamonds suspends a pendeloque cut aq uamarine also bordered by diamonds , the two joined by a rub over diamond link. The neckchain of 14ct white gold. Gemo logist 's report & valuat ion avai lab le on request . $2250-3250

see colour illustration

564 A Large South Seas Cultured Pearl And Diamond Pendant. The 14mm round whit e South Seas Pearl graded as AA set in a cupo la of 18ct yellow go ld, the bale enhanced with four bri l liant cut diamonds . Gemologist's report & va luation available on request. $2000-3000

565 A Necklace Of 9ct Yellow Gold. Plain belcher links 420mm, 36.4g. $475-575

566 A Ring Set With A Sol itaire Diamond Of Approximately l.55ct.

see colour illustration title page

572 An Elegant Bracelet Set With Diamonds. Designed as a Ii ne of articulated convex links of either four bar ajoure pane l or cartouche outline in a repeating pattern, 18ct white finished go ld encrusted with some 7ct of brilliant cut diamonds . Gemo logist's report & valuation available on request. $11,500- 13,500

see colour illustration title page

573 A Striking Pendant Set With Pearls And Diamonds . Designed

574 A Pair Of Fine let Emerald Cut Diamond Earstuds . The diamonds of l.02ct and l.OOct with G. I.A Certificates stating them to be G VVSl and F VS2 set in 18ct white go ld. Gemologist's report & va luation avai lable on request. $17,50,0-20,000

see colour illustration

articulated oak leaf surmounts f itted wi t h wires of 9ct. Repairs to st ems. $375-475

see colour illustration

,:::o

''l · ·,liaf Molif Broo

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. ·.re:~ear:

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as two lines of art iculated links of 18ct yel low gold, of unequal length, one set with six round brilliant cut diamonds , the other with eigh t , suspended f rom a diamond set bale and having one black and one white pear l finial. $ 1200-1400

The ro und ear ly modern brilliant cut diamond of light Cape colour and est imated clar ity SI 1 set in a coronet mount of 18ct white and ye l low go ld. Gemo logist's report & va luat ion available on request. $5000-6000

567 A Pair Of Acorn Motif Pendant Earrings. 18ct yel low gold with

"; G~mo og st's I

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575 A Stylish Ring Set With Diamonds . The domed ba nd of 18ct white gold set with a line of channel set diamond baguettes, the sides pave set wi t h br illiant cut diamonds. The diamonds, of good quality having an est TDW around l.7ct. Gemologist's report & valuation avai lab le on request. $3800-4600

576 A Ring Set With A Solitaire Diamond Of Approximately 2 . 18ct. The round modern brillian t cut diamond of est imated quality G (+) SI 1 set in a ring of 18ct white gold with tapered baguette cut shoulder diamonds. TDW est 2.65ct. Maker 'Harpos' of Ita ly. Gemologist's report & valuation ava ilable on request. $30,000-38 ,000

see colour illustration title page

577

see colour illustration

"es o; cd" ·

nds. Des g·,::: 1our 12' ,::,

r.en l&: '· or ant C.: ab eO' •,:.::-

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see colour illustration

see colour illustration title page

A Pear Shaped Diamond Cluster Ring. Centred by a raised pendeloque cut diamond below which is a shaped ground of round brilliant and baguett e cut diamonds set in 14ct yellow gold. Gemologist's report & va luation ava ilable on request. $3000-3600

ia:ed ;,:- · -

582 A Pair Of Diamond Solitai re Earstuds . Th e ro und modern br illiant cut diamonds, each of around 0.70ct, set in simple ye llow go ld coronet mounts . Gemologist's report & va luation available on request. $7750-8750

578 An Impressive Diamond And Sapphire Necklace Of Art Deco Design. The mid-section of geometric motifs outlined with ajoure set wi t h lines and pave panels of diamonds together with a shaped row of French cut sapphires. The bale similarly enhanced with diamonds and French cut sapphires . The whole suspended by a cha in of bar and loop links with diamond spacers. Gemologist 's report & va luation available on request. $5000-6000

see colour illustration

583 A Pa ir Of Diamond Earstuds . Button outline in 18ct yellow gold , each set with a round modern brilliant cut diamond of approximately O. l 5ct. $450-550 584 An Attractive Ring Centred By An Emerald-Cut Diamond. Th e emerald-cut diamond of around 0.75ct set in platinum with two marquise cut shoulder diamonds. Gemologist's report & va luat ion ava il ab le on request. $5000-6000

see colour illustration 585 A French Necklace Of 18ct White And Y!lllow Gold. Sty I ish design of doubled oval links, one link of each colour, t he parrot beak clasp enhanced wi t h a bril li ant cut diamon d. Signed LEVEND I, France 530mm. 39g $1000-1200

see also following lot 586 A French Bracelet Of 18ct White And Yellow Gold . Designed as a companion to the previous lot, but wi t h larger links . The clasp also enhanced with a bril liant cut diamond. With 3 spa re pairs of links. 34g . $900-1100

579 A Vine Leaf Motif Brooch. The leaf of carved green hardstone , the rib and stem of 14ct ye llow gold , with clusters of round white cultured pearl grapes. On the leaf sits a charming ladybug of gold decorated with red and green enamels. $450-650

587 A Line (Tenn is) Bracelet Set With Emeralds And Diamonds. Designed as a slightly graduated line of 32 art icu lated links in 18ct yellow gold, each set with an oval cut emerald and a pair of round brill iant diamonds. Gemo logist's report & valuation available on request. $3750-4250

580 A Bangle Of 18ct Yellow Gold. Rope-tw ist hinged des ign. 23 .7g. $575-675

see colour illustration

581 A French Albertina Watch Chain. Two row chain design, the barrel shaped slides enhanced wit h multi colour go ld decoration, suspend ing a T bar and two t assel fringe drops. Appears to have been assembled from visually wel l matched components of both 9ct and 14ct yellow gold . 400mm . 34 .8g. $750-1250

588 A Magnificent Bangle Set With An Emerald With Diamonds. 18ct yellow hinged gold design centred by an emera ld-cut emerald of around 6ct having an unusua lly lively and clear appearance, bordered by brilliant cut diamonds, the shou ld ers enhanced with scrol I and chevron motifs channel set with further lines of brilliant cut diamo nds . Gemo logist's report & valuation available on request. $16,000-18,000

see colour illustration title page

126

589 A Dainty Sapphire And Diamond Cluster Ring. Flowerhead c lu ster design in 9ct white and ye ll ow go ld , centred by a round cut blue sapphire bordered by eight round brilliant cut diamonds. Gemologist's report & va lu at ion avai lab le on request. $500-600 590 A Sapphire And Two Diamond Ring. The ova l cut vibrant blue Ceylonese sapphire of l.46ct set in a bridge of 18ct white and yellow gold with two round brilliant cut shoulder diamonds of TDW 0.45ct. Gemologist's report & valuation available on request. $2750-3250

see colour illustration

596 A Signet Ring Set With An Emerald And Diamonds. 18ct yellow gold, the octagonal bezel centred by an emera ld -cut emerald bordered by channel set diamonds. The shoulders each enhanced with a further two rows of diamonds. The diamonds , 30 in all bri ll iant cut. Gemologist's report & valuation available on request. $3000-3500

'1tr s~celet Set Y •hernngbOne •·.:ree oval cut t

597 An Emerald And Diamond Ring Of Art Deco Design. Pierced geometric oval sca ll oped outline set with lines of round brilliant cut diamonds about a centra l round cut emerald of good c larity. Gemologist 's report & valuation available on request. $1850-2250

.' •isof art'

•. ,:diamonds.

; in(((ktail Brace · .,gand 14ct gc

n,~11 Motif Ring. 11

. •agi 0 rnoti' ,5,ga single

see colour illustration 591 A South Seas Black Cultured Pearl And Diamond Ring. The 14.5mm round pearl set in 18ct yellow gold, the cupo la bordered by bri 11 iant cut diamonds . Gemologist's report & valuation ava il able on request. $1500-1800

598 A Dainty Sapphire And Diamond Ring. White and yel low gold with a line of three graduated round cut co ll et set blue sapphires together with 10 brilliant and single cut diamond s. $375-475

1i,lli11t And Fou

j,it '!Bet y1

see colour illustration 592 An Edwardian Sapphire And Diamond Bridge Ring. The bridge of 18ct ye ll ow gold with scrollwork decoration set with five round early modern brill iant cut diamonds and 5 round blue sapphires in two rows of alternating sequence. Hal lm arks for Chester 1909. $400-500 593 A Bangle Set With Fancy Coloured Diamonds. 18ct yellow go ld hinged design, the upper section set with a centra I rosette clust er of cinnamon d iamonds, centred by a fancy yellow diamond and flanked by two rows of fancy green diamonds. The diamonds, 43 in all , bril li ant cut. Gemologist's report & valuation available on request. $1000-1400

see also following two lots 594 A Pair Of Earrings Set With Fancy Coloured Diamonds. Designed as companion to the previous lot, each comprising a cluster of cinnamon brilliants centred by a fancy yel low brilliant. Total 38 diamonds, set in 18ct yel low go ld. Gemologist's report & valuation ava il ab le on request. $850-1250

see also following lot 595 A Necklace Set With Fancy Coloured Diamonds. Designed as a companion to the previous two lots. The 'V' shaped mid sect ion comprising a cinnamon and yellow diamond c lu ster, the arms set with rows of fancy green brilliants. Total 43 diamonds. Suspended by a trace l 8ct neckchai n. Gemologist's report & valuation avai lable on request. $1000-1400

599 A Dainty Edwardian Style Sapphire And Diamond Ring. Oval outline accented with lines of brilliant cut diamonds, centred by an oval cut deep Royal blue sapphire of around l et. 18ct white finished gold. $1450- 1750 600 A Sapphire And Diamond Ring. The oval cut blu e sapphire of around l.5ct set in 18ct white finished gold, the shoulders enhanced with 'v's of baguette cut diamonds enclosing diamond bri lliants. Gemologist's report & valuation available on request. $2400-2800 601 A Ring Set With An Emerald. The 9 x 7mm emerald-cut emerald estimated to be a little over 2ct rub-over set in a ring of 18ct white go ld . $850- 1000

see colour illustration 602 A Very Stylish Bangle Of White Gold Set With Diamonds. Hinged design, the upper section of burnished open trumpet scrol I about an elongated domed panel pave set with some l.7ct of brilliant cut diamonds. Gemologist's report & valuation available on request. $5500-6500

see colour illustration 603 A Necklace Of 9ct Yellow Gold. Gatelinks with a dog-clip clasp. 650mm. 31g. $400-500

i•i Of Mughal I

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A Dainty Bracelet Set With Sapphires And Diamonds. 18ct yellow gold herringbone links, the convex t apered mid-sect ion set with three oval cut blue sapph ires and 16 round modern bril liant cut diamonds. $400-700

A Necklace Set With A Semi-Black Opal And Diamonds. Th e mid-sect ion of 'winged V' shape in 18ct white gold accented with 6 small diamonds suspends a 17 x 10mm pende loq ue semi-black opa l caboc hon showi ng a full spectrum colou r play. 18ct trace neckcha in. $500-800

J a111on,s. -.,

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605 Art Deco Desir

se: :r -~ tra r "□ :.:& ,u: :·.

A Stylish Cocktail Bracelet Of Vari-Colour Golds. Pink , yel low and white 9 and 14ct golds used to fo rm an art iculat ed line of alternate links of art deco geometr ic design. c.1940-50 . 45.5g. $900-1200

606 A Dragon Motif Ring. 18ct yellow gold with white accents, the writh ing dragon motif about the ent ire circum f erence , the dragon chasing a single old cut diamond. 15.4g. $350-550

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607 An Amethyst And Four Diamond Estate Ring. The ova l cut amethyst set in 18ct yellow go ld with a small old cut diamond at each card inal point. $250-350

And Diamond i

31'. CL;:,•:"'·

608

ph re o' a·,/:

A Ring Of Mughal Design . Si lver and gilt finished with midnight blue ename l , set with a central carved emera ld of foliate outline , and having side bands each set with an oval cut ruby and four round brilliant cut diamonds . $1000-1400 see colour illustration

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609 VICTOR MEYER , An Enamelled Ring Set With A Caboc hon Ruby. 18ct yel low gold with midnight blue gui l loche enamel , centred by a heart shaped ruby cabochon. Victor Meyer is the l icense for modern Faberge. $1000-1400

610 A Fashionable Bangle Set With Diamonds . The solid 18ct yellow gold bangle set with 24 diamonds, high l ighted in platinum. 43 .3g. Gemologist's report and valuation available on request. $2500-3000

611 An Edwardian Bangle Set With An Amethyst And Half-Pearls. 9ct gold with over-gilding , hinged design , the upper section decorated with ropework , beading and ribbon mot ifs , se t with a line of ha lf-pea rls and a central round cut amethyst. $450-650

612 A Good Ruby And Diamond Cluster Estate Ring. The circular cut rich red ruby of around 2.4ct set in 18ct white gold within a continuous border of old cut diamonds, with further diamonds highlight ing the shoulders. Gemologist's repo rt & va luation avai lable on request. $5000-6000 see colour illustration

614 A Ruby And Diamond Ring. The oval cu t ruby of around l. 3c t set in 18ct white finished go ld within a border of bri lli ant cu t diamonds, the shoulders f urther enhanced wi t h pave set diamonds . Gemo logist's report & val uati on ava il able on request. $3200-3800 see colour illustration

615 An Amethyst And Diamond Dress Ring. The oval cut amethyst set in 18ct ye llow gold within a continuous border of brilliant cut diamonds, the shoulders decorated wit h pierced work fol iate mot ifs also set with diamonds. $750-1000

616 A Rhodolite Garnet And Diamond Cluster Ring. The oval cut garnet set in 18ct ye ll ow gold with 12 underbezel set bril li ant cut diamonds and a furt her two small diamo nds at t he shoulders. Gemo logist 's report & va luat ion availab le on request. $1200- 1400

617 A Ruby And Diamond Cluster Ring. Rectangu lar out li ne in 18ct white and ye ll ow gold, centred by a rectang ula r cut ruby of intense colour, bordered by a continuous line of brilliant cut diamonds. $750-1000

618 A Mughal Design Ring. The circlet of silver set with a continuous line of ruby cabochons support ing an lndo- Persian motif set with rose cut diamonds and carved emeralds. $1000-1400

619 A Victorian Rose Gold Bangle . Hinged des ign, t he upper section enhanced with rope work and beading. Hall marks for Bi rmingham 1897. 12g. $275-375

620 A Victorian Snake Motif Necklace Set With Carbuncle Garnets. Yellow gold (tests 9ct and 18ct) , t he head formi ng the clasp set with a pe ndeloque garnet cabochon and two small cabochon garnet eyes suspends a drop of rolled go ld set with an oval garnet cabochon. Repa irs. $1500-1700

128

621 A Ring Set With A Solitaire Princess Cut Diamond of l.04ct. The diamo nd of colour H, cla rity Sl2 and of good make rub over set in a fashionab le ring of 18ct whi te and yel low gold. Gemologist's report and valuat ion availab le on request. $7750-8750

629 A Black Opal And Two Diamond Ring. The oval 8 x 6m m black opal cabochon showing a pronounced Red / Green / Orange / Yellow flash , set in a bridge of plat inum with two roun d modern brill ian t cut diamonds assessed as G/ H, Sil, TD W 0.66ct . Gemologist 's report & valuat ion ava ilable on req uest . $4 250-5250

622 A Carved Shel l Cameo Brooch . Th e 54 x 48m m carved ova l cameo, de pi cti ng two fema le f igures feed ing a swa n in a formal landscape, set in a mount of 18ct ye llow go ld . Ve ry m inor ha irline fa ult. $ 275-375

see colour illustration

623 A Good Leaf Motif Estate Brooch Set With Diamonds. Des igned as a fo li ate spray in platinum, set wi t h some 151 old cut d ia monds t o accent t he design. TD W est 3.80ct. Gemologist's report & valuat ion avai Iable on request. $2750-3750

see colour illustration 624 A Bracelet Of Rubies And Diamonds. Des igned as a line of articu lat ed rect angula r links in 18ct wh ite f in ished gold, each set wi t h t hree transve rse marquise cut rubies bordered by bril l ian t cut dia monds t o create an overa ll effect of a cen tral lin e of rubies wit hin diamond borde rs. Gemologist 's report & va lu at ion availab le on req uest. $700 0-8000

see colour illus tration 625 A Renaissance Style Jewelled And Enamelled Pendant. Oval out li ne in 18ct ye llow gold decorat ed in po lychrome enamels , set with small round cut dia monds , oval and round cut rubies and a large centra l oval cut emera ld. $2800-3400

630 A Cameo Brooch. The 45 x 34mm carved shel l portrait cameo of a classical woman with a lyre set in a mount of 9ct yel low go ld. Minor hairline fau lt. $250-350 631 A Victorian Cameo Bracelet. Hinged design in 15ct yel low gold centred by an oval medallion supported by wire work scrol ls, and contain ing an exquisitely carved 31 x 25mm shel l portrait cameo of a classica l warr ior woman. Hair line crack. $500-800 632 A Pair Of Jet Pendant Earrings Set With Cameos. Each of ring, loop and flat pende loque panel design, t he panels each set wi t h an oval carved she ll portrait cameo. $300-400 633 An Elegant Art Deco Style Necklace Of Diamonds And Sapphires. Designed as a line of box links in 18ct white f inished gold, each set with a round brilliant cut diamond, the line broken at even intervals by eight loop ended buckle motif links enhanced with French cu t bl ue sapphires . T he d iamonds, some 239 in all having an esti mated TDW 2.2ct. Gemologist 's report & valuat ion available on request. $5750-6750

see colour illustration

see colour illustration 626 An Unusual Bangle Set With A Spray Of Garnets . 9ct yellow gold t wi n rail hi nged design, t he upper sect ion of free-fo rm scrol l spray set with oval cut ga rn et s. 37g . $500-700 627 A Ring Set With A Line Of Five Fine White Princess Cut Diamonds. The d iamonds of uniform size cha nnel set in 18ct ye ll ow go ld. Manufactu re r's ce rti f icate stating the diamonds to be E, VVS l with a TD W 1.25ct. $5000-6000

see colour illustration 628 A Ring Set With A Solitaire Diamond Of Approximately 2.5ct. Th e rou nd modern bri lli ant cu t diamond assessed as 2.53ct I, VSl set in 18ct yellow and white go ld, t he shou lders enha nced with ca l ibre set Pr incess and baguette cut diamo nds . TDW estimated 3.38ct. Gemo logist's report & va lu at ion avai lab le on request . $34,000-40,000

see colour illustration title page

634 A Good Pair Of 19th C Pendant Earrings Set With Cameos. Pende loque outl ine convex carved shel l cameos with cherubic and ange l mot ifs and invert ed cornucopia, framed in 18ct yellow gold suspended from smal ler ova l portra it cameos below wire hooks . Base met al jump rings . Unident if ied continen t al marks (crossed keys bu t obscured) . $450-650

see colour illustration 635 A Mu lti Gemstone Necklace Of 18ct Yellow Gold. Each oval link set with an ova l cut gemstone: garnet , amet hyst , blue topaz, peridot and citrine in a repeating sequence . 600mm. $700-800 636 A Ring Set With A Solitaire Diamond Of Approximately let. The round modern bri lliant cut d iamond set in 18ct wh ite gold with t wo small shou lder diamonds. Gemo logist's report & valuat ion avai lab le on request. $7500-8500

see colour illustration

th Cameos.[,: gn ,ne pr,;

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130

637 A Pair Of Pendant Earrings Set With South Seas Pearls. Designed as long knife-edge bar suspended by wire hooks and having a 10.5-1 lmm slightly oval cultured pearl finial. The pearls of cream colour with soft golden overtones. Australian valuation available on request. With original presentation box. $750-1250

638 A Good Mid 19th Century Pendant / Brooch And Pendant Earring Suite. The brooch of cruciform outline with locket compartment verso , the earrings pendeloque, in yellow gold filigree and rococo cannetille (tests approx 18ct) set with citrine coloured cut stones and pearls. $1000-1400

see colour illustration

639 A Pair Of Pendant Earrings Set With Garnets. Panel and drop design in 9ct yellow gold, each oval drop set with a pendeloque and round cut garnet. $250-350 640 A Ring Set With A Solitaire Diamond Of Approximately 2ct. The round modern brilliant cut diamond assessed as H, VS2 set in a contemporary style mount of ribbed white and yellow gold. Gemologist's report & valuation available on request. $27,000-30 ,000

645 A Ring Set With A Solitaire Diamond Of Around 0.60ct. The round brilliant cut diamond set in a traditional mount of 18ct yellow gold and platinum with six shoulder diamonds. Gemologist's report & valuation available on request. $1200-1600 646 A Sapphire And Two Diamond Ring. The oval cut Ceylonese blue sapphire set in a traditional bridge of 18ct white and yellow gold with two brilliant cut diamonds. $475-575 647 A Diamond Cluster Ring Of Marquise Outline. Three tiered design in 18ct yellow and white gold set with 21 round modern brilliant cut diamonds having an estimated TDW over 2ct. Gemologist's report & valuation available on request. $4800-5600

see colour illustration 648 A Good 21 Diamond Cluster Ring. The domed flowerhead cluster of 18ct yellow and white gold centred by the largest stone. The diamonds , all modern brilliant cut having an Gemologist's report & valuation estimated TDW l.5ct. available on request. $4000-4500

see colour illustration

see colour illustration 641 A Three Stone Diamond Ring. The good quality diamonds of matched size and estimated weight l.55ct set in a bridge of 18ct yellow gold . Gemologist's report & valuation available on request. $14,000-16,000

see colour illustration

642 A Black Pearl And Diamond Necklace. The 'V' shaped midsection channel set with baguette cut diamonds, and further enhanced with roundels of diamond brilliants suspends an approximately 9mm round cultured black pearl pendant. The neckchain of 18ct yellow gold miniature figaro links. Gemologist's report & valuation available on request. $2500-3000

650 A Pendant Set With Jade And Diamonds. Rectangular out Ii ne in 18ct yellow gold with flowing ribbon surmount set with round brilliant and baguette cut diamonds about a central intense green half-tubular jadeite panel. Gemologist's report & valuation available on request. $1750-2000

see colour illustration

651 A Diamond Bracelet. Figure-of-Eight links in 18ct white gold set with some 192 brilliant cut diamonds. Gemologist's report & valuation available on request. $2500-3000

BRUNO PASCALE, A Pair Of 'Millennium' Earrings Set With Diamonds. Disc design with pierced heart, moon and star motifs, the leading edges set with a line of brilliant cut diamonds. 18ct white gold. $1000-1200 644 A Pair Of Ruby And Diamond Earstuds. Each designed as a button shaped cabochon of ruby set with a small central diamond , 18ct yellow gold post. $275-375

;::·x:isea:rse

sa:on ~llooe Diamond

:·,srow '..( ~~ :· Se~ n a

•,·,::~ &1a 649 A Diamond Crossover Ring. The all platinum ring of contemporary design centred by a round modern brilliant cut diamond of estimated weight 0.57ct, the shoulders enhanced TDW approximately with 30 further diamonds pave set. l.02ct. Gemologist 's report & valuation available on request. $3500-4000

643

• ~ (reoleEanings

see colour illustration 652 A Tanzanite And Diamond Pendant With Chain. The pendeloque cut tanzanite of approximately l.95ct set in 18ct white and yellow gold within a continuous shaped border of brilliant cut diamonds. The bale set with a single pear shaped diamond. Suspended by a neck chain of 18ct yellow gold. Gemologist's report & valuation available on request. $2400-3200

see colour illustration

13 1

Of Around O.~ ad1t1ona1 mt:· x shoulaer, )le on req.es:'

653 An Attractive Diamond Necklace. The mid-section of a ribbon bow suspending two ajoure tassel drops of equal length all set with lines of brilliant cut diamonds. The mid section suspended by a chain of bar and loop links with diamond set spacers . 18ct white finished gold . TDW around l.5ct. Gemologist 's report & valuation available on request. $3750-4250

see colour illustration

654

se Outline,"'" tw1 h2>:. ,1mated ·: 1be o •e:.:5:

A Pair Of Cabochon Ruby And Diamond Earstuds. 18ct yellow gold each centred by a round cabochon ruby bordered by brilliant cut diamonds. Gemologist's report & valuation available on request. $1200-1400

-~e an:

655 A Pair Of Creole Earrings Set With Diamonds. The 18ct yellow gold hinged hoops each set with a line of 10 channel set round modern brilliant cut diamonds. TDW around l.5ct. Gemologist 's report & valuation available on request. $3000-3400

dcentred b1..,

see colour illustration

1arnonc1 a::.: ne. Ge•·:;:··

t links 1n 18C onds. Gerr: -i''

656 A Three Stone Diamond Ring. The round modern brilliant cut diamonds of est TDW 1.01 et, centred by the largest stone of approx 0.77ct , set in a traditional bridge of 18ct white gold. Gemologist's report & valuation available on request. $3000-3500

657 A Ring Set With A Solitaire Diamond Of Around 0.50ct. The round modern brilliant cut diamond set in a ring of 18ct yellow gold , the shoulders enhanced with pierced heart motifs. $1500-1800

658 A Five Stone Diamond Ring. The old / early European cut diamonds graduated from the centre rub over set in a more modern bridge of 18ct yellow gold. Gemologist's report & valuation available on request. $2500-3000

see colour illustration 659 A Suite Of Three Diamond Rings. The middle ring of circular flowerhead cluster design in 18ct white and yellow gold centred by a round modern brilliant cut diamond of approximately 0 .47ct , surrounded by eight further brilliants estimated to total 0.56ct. The companion rings of semicircular design each set with seven further diamonds, of total weight 0.4lct TDW (3) l.85ct. Gemologist's report & valuation available on request. $4000-4500

see colour illustration 660 A Pearl And Diamond Dress Ring. Oval convex outline in 18ct yellow gold enhanced with ajoure, set with brilliant cut diamonds and arcs of diamond baguettes to fit the design, centred by an 11mm off round white pearl. Gemologist's report & valuation available on request. $3000-3500

see colour illustration

133

Decorative Arts Day Four Thursday 20th September 2001 12.30pm & 6.00pm 12.30

Lots 680 - 747

Artefacts, Books,

Lots 7 48 - 836

Royal Bayreuth

Lots 837 - 889

Royal Daulton & Royal Worcester

Lots 890 - 954

Clarice Cliff, Other Pottery & Porcelain

Lots 955 - 996

Sterling Silver, Vinaigrettes, Snuff Boxes

Lots 997 - 1064

Objects de Vertu, Accoutrements & Miscellany

Lots 1065 - 1105

Fabrics

Lots 1106 - 1116

Scripophily and Maps

6PM

Lots 111 7 - 1219

Furniture & Decorator's Items

Lots 1220 - 1406

The Rex Roberts Collection of Moorcroft Pottery

Lots 1407 - 1447

Glass, including three pieces of Argy-Rousseau

Lots 1448 - 1485

Oriental Artworks

VIEWING

Thursday

September

9.00am

5.15pm

Friday

September

9.00am

5.15pm

Saturday

September

11.00am

3 .00pm

Sunday

September

11.00am

3.00pm

Monday

September

9.00am

5.15pm

Tuesday

September

9.00am

5.15pm

Wednesday 19

September

9.00am

5.15pm

ILLUSTRATED

Lot 1408

LEFT

Argy-Rousseau pate-de-verre vase

134

Day Four 12.30pm Artefacts 680 An Unusual and Interesting Taiaha, the conventional tongue reduced in size , more intricately carved than typical, issuing from a conventional head. The shaft similarly intricately carved with asymmetrical notch and lineal designs, representational ancestral figures, profile figures, and foliage. The neck decorated with a collar similarly structured on original designs but utilising alternate materials. Late 19th C. L. l 24mm. Registered $5000-7000

681 A Taiaha of Light Brown Wood, the conventional whorl carved tongue issuing from a head with paua inlaid eyes, two absent. The neck with collar, similar to above , utilising nonconventional materials in the manner of earlier examples. L.127 5mm . Registered $2000-3000 682 A Taiaha, of light timber mid brown colour conventional whorl carved tongue , set with paua inlaid eyes. The shaft carved with a notch and curvilinear design in two sections. L.1555mm. $400-600 683 Mutu (Perch Snare for Birds). The vertical shank projecting above the perch junction carved with a head , the perch end also carved with a head. The vertical head pierced to hold ngingita (small sticks), to hold the snares plaited muka line, the ngingita repeated from the mouth of the snare head. The muka line double tapering, one end passing through a hole pierced beside his right eye and issuing from behind the head. Registered $2250-3000

688 A Good Maori Argillite Patu Muka. Registered. L.220mm. $600-1200 689 A Greywacke Stone Sinker, Ovoid , with Registered $100-200

lashing scarf.

.il New Guinean •• ::e-O pigments.

690 An Adze Haft And Attached, Married, Quadrangular Adze Blade. The heal and part of the shaft carved with notch and lineal design. L.620mm . Registered $550-700 691 Two Quadrangular Adze Blades. One of pale grey stone . L.227mm. The other dark grey argillite. L. l l 7mm. Provenance: The Partington Family, by decent. Registered $100-200

~ New Guinean A

,: :· 1nla1d (

.!Ullian Aboriginal .::: 5•;1[mu anc

··.:,s:.~e n5 692 An Argillite Adze Blade. Registered. Registered. H.200mm. $75-125

lealand folkArt 693 A Quadrangular Adze Blade. Mid grey argillite.

Registered

Yl8. $90-120 694 A Pounamu Kuru Pendant. Tapering torpedo shape , pierced with hour glass suspension hole. Matt olive green. Registered Y2372 . L.73mm . $300-400

:i1i~ij Nephrn

684 A Whalebone Wahaika, with carved figure to the blade edge with hands to the abdomen. The butt pierced with unusal interlocking birds heads forming the suspension hole. Registered L.320mm. $3000-5000 685 A 19th C Poupou Panel, Carved with ancestral figure beneath the torso and legs of another the upper section cut off. Carved in high relief with figure with open mouth , protruding tongue , decorated torso and limbs , ring eyes (paua inlaid absent). Purchased in Wellington at auction c.1973. Pit sawn slab , red paint to front surfaces. Registered. H. l 975mm. W.350mm . $5000-10000 686 A Muka Kete, W.220mm. $600-900

with applied

Kiwi

feathers.

Registered

687 A Muka Rain Cape. With extra weft section to allow shape for the hips, the outer surface covered with roughly stitched tags of muka on a background of twin ply tied warps. Registered $6500-8000

695 A Maori Nephrite Pendant. Registered. L.60mm. $150-250

l:w ~1~ Whaleboi

696 A Nephrite Kuru Pendant, nibbed green flattened shape , drilled with hourglass suspension hole. Registered L.95mm. $150-225 697 A Bowenite (Tangiwai) Pendant, curved to one face and flattened to the reverse, drilled with suspension hole with tapering entrance. Registered. L. 75mm. $100-150 698 A Papua New Guinean Shield, of large proportions with painted pigment decoration. L.1500mm. $800-1000 699 A Folk Art Wooden Patu, spatula shape, high polish, L.38mm. $100-150

f:,11ootti, wth c

•··: n1 Sue o.

135

700 An African Wooden Sculpture. A contorted and compact figural work, highlighted with red and white pigment. H.685mm . $125-175 701 A Papua New Guinean Basket Weave Yam Mask, decorated with coloured pigments. H. 360mm. $100-150

ied, Quadra~ 1,

ncarved r·

ne of pae r arg1 1te ,.:· iy decent. Re6!·

702 A Papua New Guinean Ancestral Mask, Sepik river area, oval, decorated with inlaid Cowrie shells and pigment designs. H.760mm. $250-300 703 An Australian Aboriginal Woomera, the upper surface carved with a design of Emu and Kangaroos. The lower surface carved with a sinuous curvelinear pattern. L. 700mm. $200-250

leg1stered. r:::

, torpedo sri:,. t ohvegreen. 0:(

i L.60mm

urved to one th sus~n11011

704 A New Zealand Folk Art Lidded Box. Carved and painted with a fantail in a kowhai tree. D.200mm. $100-200 705 A Contemporary Nephrite Hei Tiki, modelled in conventional stance with chin to left shoulder, hands to thighs , ring eyes , semi-concealed suspension hole. H. 100mm. $250-350 706 A Good Early Whalebone Fid. Pierced at the thick end and engraved with encircling bands. L.210mm. $300-400

707 A Walrus Tusk. L.260mm . $80-140 708 A Whaletooth, with contemporary scrimshaw engraving of a sailing ship by Sue Daumilly, 1987. Verso a sailing ship , lighthouse and dolphins. Initialled SD , 1987.L.175mm. $350-500

11n.

1proportions

709 A Walrus Tusk. Scrimshaw engraved with scenes of Inuit hunting and fishing. Along with a map of the Chukotka / Alaska Region. $800- 1000

710 A Whalestooth, unengraved L.165mm . $90-140

Books 711 John Hawkesworth (Captain James Cook The First Voyage) "An Account of The Voyages Undertaken by The Order Of His Present Majesty For Making Discoveries in The Southern Hemisphere"... John Hawkesworth, LL. 0. In three volumes... London; printed for W. Strahan; and T. Cadell, in the Strand, MDCCLXXIII (1773). Three volumes bound in marbled boards with leather spines, spines cracked and worn. Volume I 676p. Fold out frontispiece Chart 'The routes of The Dolphin , Swallow and Endeavour' detailed in watercolour. Volume II with Bayley chart of New Zealand, close trimmed on lower left side small tear at tail and cut left hand corner. Val II 410p. Val 111 389p. Ex Libris: Norman Spencer $8000-1000

712 Captain James Cook (The Third Voyage) "A Voyage To The Pacific Ocean Undertaken, By The Command Of His Majesty For Making Discoveries In The Northern Hemisphere"... ln His Majesty's Ship's The Resolution and Discovery. In the years 1776, 1777, 1778, 1779, and 1780. In three volumes ... London; Printed by W. & A. Strahan; for G. Nicol, Bookseller to His Majesty in the Strand; and T. Cadell, in the Strand. MOCCLXXX/0(1784). Marbled morocco bindings, three end boards loose. And Atlas, folio, 55.5cm with large fold out chart "A General Chart Exhibiting Discoveries Made by Capt" James Cook in this and his two proceeding voyages ... " along with plates i 11 ustrati ng the voyages . Marble end boards and morocco spine. Distressed binding. Ex Libris: Norman Spencer $12 ,000-15 ,000

713 Captain James Cook (The Second Voyage) "A Voyage Towards the South Pole, and Around the World." Performed in His Majesty's Ships The Resolution and Adventure, in the years 1772, 1773, 1774, and 1775. Written by James Cook, Commander of the Resolution ... London; Printed for W.Strahan; and T. Cadell in the Strand, MOCCLXXOII. (1777). Frontispiece, portrait of Cook . Two books bound in leather, one endboard detached. Fly leaves detached. Val I Large fold out chart of the Southern Hemisphere, torn at the centrefo ld , 378p. Ex Libris: Norman Spencer. Book plate in each volume of Victor Albert George Child Villiers, Earl of Jersey, Osterley Park and signature of Harry[?] S.Badgery 1889 $6500-7000 714 'New Zealand its Physical Geography, Geology and Natural History' by Ferdinand Von Hochstetter. published Stuttgart 1867. Quarto , green leather binding with gold blocking, frontispie ce engraving of Paroia Matutaera by Charles Heaphy. 515p. Two fold out maps on the rear fly leaves. $800-1100

715 'Atlas of New Zealand' by Dr Ferdinand Von Hochestter and Dr A Petermann. ' Si x Maps of Au ckland and Nel son ' pub 1864. $150-2 50

882

863

859

864

872

883

881

866

861

862

888

884

885

869

868

867

865

137

856

857

858

880

854

860

138

716 Early Charts of New Zealand 1542-1851'

726 The Port of Otago' by A.H McLintock - signed limited edition of 150. $40-80

by Peter Bromley Ma li ng, pub AH & AW Reed, 1969. Large foolscap, limited edition no 465 of 500 copies. 136p, in original slip case. $400-600

727

717 The New Zealanders,

A Centennial History of Tauranga' by Gifford and William. $40-80

the Library of Entertaining Knowledge , Society for the Diffusion of Useful Knowledge, London 1830. Marbled boards with leather spine. $150-200

718 England And The Maori Wars, by AJ Harrop, 193 7, Ltd edt of 1000 copies. 111 ustrated by photographic reproductions and with fold out map. $100-150

719 French Explorers in The Pacific, Vol II, the 19th C, Oxford 1969. With original dust jacket. $200-300

721 Pitcairn, The Island, the People and the Pastor... by Rev. Thomas Boyles Murray 11 th Edition , octavo, cloth boards. $150-200

The Moa Hunter Period Culture of Maori Culture by Roger Duff. First edition. $50-100

729 The Trees of New Zealand' by L Cockayne and E Phillips Turner. $30-50

730 New Zealand Birds' by W.R.B Oliver. First edition 1930. $80-140

731 Guide to the Hot Lakes District and Maori Legend' by Maggie Papakura. Signed edition. $100-200

732 Maori Lore of Lake , Alp and Fiord' by Herries Beattie. $50-100

722 Maori And Polynesian, by J Macmillian Brown. London 1907. $60-100

733 The Maori Tohunga' by Johannes C Anderson . First edition 1948. $50-100

723 The Early History of New Zealand, Brett's Historical Series, edited by Thomson W. Leys. MDCCCXC (1890). Quarto. With cloth end boards with morocco quarter binding, gilt blocking. Frontispiece loose. $150-250

724 Sibilia Tapu Ra, Cook Island language bible, London 1895, octavo $60-100

725 Five New Zealand Books. The Origins of the Maori Wars Keith Sinclair, NZ University Press, 1961 (second edition). New Zealand Wars and the Pioneering Period. Volume I, 1845-64 James Cowan . Government Print (second edition 1955). The Story of New Zealand WH Oliver, published London 1960. They Came to New Zealand Marjorie Appleton, London 1958. Old New Zealand by a Pakeha Maori FE Manning (7th edition 1956) $300-400

:• .:idon 1

728

720 Pacific Treasure Island, by Wilfred G Burchett, second edt, rebound. $20-30

t MIii l.ands, ocea

734 Maori Trails and Pakeha Tracks E.T Frost Maori and the Mutton Bird L.E Riverdale. $50-100

735 The Impact of Christianity on the Maori People AH & AW Reed . Concise Maori Dictionary. Reed.& Barton $40-50

736 Te Hekeinga - Reminiscenes of Early Horowhenua' by R.A McDonald. $80-120

737 Fishing Methods of the Maori' by Elsdon Best. $20-40

lil/flmesOISir6

.!! Rees and ,ii' nscribed -ar1 . · G(

139

738 1

ion of 150.

Fishing Methods and Devices of the Maori' by Elsdon Best. First Edition. $50-100

739 Peeps at Many Lands, Oceania by Frank Fox London 1911 , quarto, cloth bound, colour i I lustrations. $60-100

aori Culture 740 The Life And Times Of Sir George Grey, KCB, by William Lee Rees and Lily Rees , Auckland 1893. Affixed note on fly leaf inscribed 'To Colonel C Rookes, in memory of Te Weraraa and ... .. . , G Grey'. $180-220

741 In the South Seas by Robert Louis Stevenson , London 1900. $75-100

iori legenf

Royal Bayreuth 748 A Royal Bayreuth Three Handled Vase, with hen and a rooster. Blue mark. H.60mm. $150-200

749 A Royal Bayreuth Three Handled Vase, with Arab boy on donkey. Blue mark. H.75mm. $150-200

750 A Royal Bayreuth Two Handled Vase, with two cattle. Sterling silver rim. Blue mark. H.80mm. $150-200

751 A Royal Bayreuth Two Handled Vase, with pipe smoking man. Sterling silver rim. Green mark. H.75mm. $150-200

752

742

A Royal Bayreuth Jug, with hen and rooster. Blue mark. $150-200

The Malay Archipelago by Alfred Russel Wallace, London 1894, Red leather binding, with gold blocked seal of Canterbury College 1873. $125-150

A Royal Bayreuth Two Handled Vase, with fisherwoman scene. Sterling silver rim. Blue mark. H.80mm. $150-200

753

743

754

Mystic Isles of The South Seas by Frederick O'Brien, London 1921. $20-30

A Royal Bayreuth Chamois Head Jug. Green mark. H.105mm. $300-400

744

A Royal Bayreuth Two Handled Vase, with sheep scene . Sterling silver rim missing. Blue mark. $80-120

755 Wise's New Zealand Index, 9th edition, Dunedin 1945. $25-50

745

rost

ale

Scott's Last Expedition, the Personal Journals of Captain RF Scott. With a biographical introduction by JM Barrie . With map and 16 illustrations, with original slip cover. London 1933. $30-50

756 A Royal Bayreuth Twin Handled Vase, with cava lier scene. Sterling silver rim. Green mark. H.75mm. $150-200

757

746

A Royal Bayreuth Vase on Four Small Feet. painted with two Dutch girls. Blue mark. H.llOmm. $150-200

rton

A Description of Above Three Hundred Animals Edinburgh, printed for W.Coke, MDCCXCI (1791). Octavo, leather bound. $500-600

A Royal Bayreuth Two Handled Vase, with two Dutch ch ildren. Unmarked no.22. H.80mm. $150-180

~orowhenua'

747

759

Modern Painters, Five Volumes by John Ruskin, LL.D. published by George Allen, 1888. Blue and red morocco bound. $500-700

A Royal Bayreuth Three Handled Vase, with hen and rooster. Blue mark. H.80mm . $150-200

,; PeopleAH &•

758

760 A Royal Bayreuth Three Handled Vase, with goats. silver rim. H.80mm . $150-200

Sterling

142

761 A Royal Bayreuth Sugar Scuttle Shaped Vase , with farm scene. Unmarked. H. 80mm. $100- 150

774 A Royal Bayreuth Double Pa il Shaped Vase , with hunting scenes. Blue mark. H.120mm. W. 135mm. $250-350

762 A Royal Bayreuth Vase on Four Small Feet, with sh ipping scene. H. l lOmm. $150-250

775 A Roya l Bayreuth Jug. Painted with goose and girl. Blue mark. H.85mm. $150-200

763 A Royal Bayreuth Moose Head Jug. Blue mark . H. l00mm. $300-400

776 A Roya l Bayreuth Vase , with fisher-woman . Faulted . H.80mm. $20-30

764 A Royal Bayreuth Jug, with cattle. H.85mm. $20-30

Blue mark.

Faulted.

765 A Royal Bayreuth Three Handled Vase , with farm scene . Un marked. H. 80mm. $100-150 766 A Royal Bayreuth Spherical Vase , on four bun feet, pa inted with Arab scene. Blue mark. H.65mm. $150-200 767 A Royal Bayreuth Parrot Jug. Blue mark. H.105mm. $300-400 768 A Royal Bayreuth Twin Handled Jardinere, with sheep pattern. Blue mark. H.70mm . $200-300 769 A Royal Bayreuth Basket Shaped Vase, painted with hunting scene. Blue mark. H.80mm. $150-200 770 A Royal Bayreuth Cauldron Shaped Vase. Painted with Little Boy Blue. Unmarked. H.80mm. $100-200 771 A Royal Bayreuth Cauldron Shaped Vase, wi t h hen and rooster. Blue mark. H.80mm. $150-200 772 A Royal Bayreuth Three Handled Vase . Sterling si lver rim absent and faulted. Blu e mark . H.80mm. $10-20 773 A Royal Bayreuth Jug, painted wit h sheep. Blue mark. H.80m m. $150-200

~aaireuth Plate, wmm,

Rim absent.

777 A Royal Bayreuth Sugar Scuttle Shaped Vase. Painted with hen and rooster. Blue mark. H.80mm . $150-200 778 A Roya l Bayreuth Slender Jug, with cattle. mark. H. l 75mm. $30-50

Restored.

779 A Roya l Bayreuth Vesta Holder, with hunting scene. mark. H.55mm. $250-350

Blue

780 A Royal Bayreuth Arts And Crafts Shaped Vase , Dutch windmill scene . Blue mark. H.65mm. $150-250

Sa~euth Sug •:•, ra,1\ed. f

1 ii

:.i1 8a1f!uth Jug,

LemarK.,

78 1 A Royal Bayreuth Three Handled Vase , painted with cattle. Sterling silver rim. Blue mark. H. 80mm . $150-200 782 A Royal Bayreuth Helmet Scuttle Shaped Vase, with hunting scene. Unmarked 22 and 97 . H.70mm. $100-200

i 1

-.J 8ayreut11 Squ,

.','1 H!Omm

. -::~

783 A Royal Bayreuth Sugar Bowl and Cream Jug. Painted with fishing scene. Lid absent. Blue mark . H.75mm. $300-400

) 8.j1euth Ya

784 A Royal Bayreuth Jug, with sheep pattern. H.ll0mm . $150-250

:;VJI B.j!euth Bu

Blue mark.

785 A Royal Bayreuth Vase, with pierced handles and cattle scene. Blue mark. H.85mm . $200-300 786 A Royal Bayreuth Scuttle Shaped Vase , with Dutc h children. Blue mark. H.85mm. $150-200

i:• H65m ·;1

~"!1 Baj!euth 1

._ .....

143

ped Vasi .i35rrm .

787

800

A Royal Bayreuth Plate, wit h f lora l spray ma rked Germany US zone. W.90mm . $50-100

A Royal Bayreuth Cream Jug, with man ho lding scythe. Bl ue mark . H.85mm. W. 11 5m m. $200-300

788

801

A Royal Bayreuth Ovoid Twin Handled Vase , Blue mark. Faulted . H. 85mm. $10-20

A Royal Bayreuth Two Handled Vase, wit h hunting scene. Blue mark. H.80mm . $ 150-200

789

802

A Royal Bayreuth Two Handled Vase , with musician pattern. Sterling silver rim absent. Blu e mark. H. 80mm . $100-150

A Royal Bayreuth Two Handled Jug, wi th river scene. ma rk. H.80mm. $ 150-250

790

803

A Royal Bayreuth Two Handled Vase, on fo ur feet , with Dutch children . Blue mark. H. 65mm. $150-200

A Royal Bayreuth Spherical Vase, pa inted with a girl holdi ng a candle. Sterling sil ver rim. Blue mark. H. 65mm. $ 150-250

Blu e

791

804

catte. 1,r-

A Royal Bayreuth Square Sectioned Jug, with hunt ing scene. Blue mark. H.75mm. $150-200

A Royal Bayreuth Two Handled Vase, wit h goose girl. Sterli ng sil ver ri m. Blue mark. H. 75mm. $ 150-250

792

805

h hunl'i ,:;·,

A Royal Bayreuth Sugar Scuttle Shaped Vase , with cattl e. Blue mark. Fau lted . H.80m m. $5-10

A Royal Bayreuth Two Handled Vase, painted with rural scen e. Ster li ng silver rim . Bl ue ma rk. H. 75 mm. $ 150-250

793

806

aped Vase,,.: •

A Royal Bayreuth Jug, with snake hand le and Gainsborough pattern. Blue mark. H. 80mm. $200-300

A Royal Bayreuth Three Handled Vase , with Arab sce ne. Sterling sil ver rim. Faulted . H.65mm . $20-30

794

807

A Royal Bayreuth Basket , wi t h sce ne of bonnet bab ies cleaning . Blu e mark. H.lO0mm. W. 11 5mm . $250-350

A Royal Bayreuth Two Handled Vase, with sheep pattern . Sterlin g sil ver rim (loose) . Blue mark . H.95mm . $ 150-200

795

808

Jmm.

A Royal Bayreuth Squat Two Handled Vase , wit h interior scene . Blue mark. H. 40mm . $150-200

A Royal Bayreuth Two Handled Vase. With Arab scene. Blue mark . H. 80mm. $150-200

Cream Jug. Pa k. H.75mm

A Royal Bayreuth Vase , wi t h primrose pattern . H.ll0mm. $150-250

/ase, panie: mm.

~aped Vase,

J pattern

809

796

Blue mark.

A Royal Bayreuth Sugar Scuttle Shaped Vase, with horsemen. Marked 34 and 15. H. 80m m. $ 150-200

797

810

A Royal Bayreuth Bucket Shaped Vase, wit h Dutch child ren. Blue mark. H.65mm. $150-200

A Royal Bayreuth Bell , wi t h hen and rooster. H.80 mm. $ 150-250

Blu e mark.

798

811

A Royal Bayreuth Octagonal Pin Dish, with rural scene . W.130mm. $150-200

A Royal Bayreuth Chamber Candlestick, with Dutch childre n pattern. Blue mark. H.140mm. $250-350

799

812

A Royal Bayreuth Squat Two Handled Vase, wi t h watermill scene. Blue mark. H.40mm. $ 150-200

A Royal Bayreuth Tall Jug, with hunting sce ne. Blu e ma rk. H.130 mm . $ 150-250

144

~ iuth Two Hand!

, ,maosent B

~reuth Three H, ,·at .70m

ia)leuthl..rge

·,, :racito ball

145

813

826

A Royal Bayreuth Two Handled Vase, painted with sheep pattern. Sterling silver rim. Blue mark. H.80mm. $150-250

A Royal Bayreuth Spherical Vase, on four bun feet. Musician pattern. Unmarked. $100-150

814

827

A Royal Bayreuth Vase, with highland cattle. r H.ll0mm. $200-300

Blue mark.

A Royal Bayreuth Vase, with hen and rooster. H.llOmm. $150-200

815

828

A Royal Bayreuth Two Handled Vase, with musicians pattern. Sterling silver rim absent. Blue mark. H.90mm. $100-150

A Royal Bayreuth Vase, with rural scene. H.120mm. $200-300

816

829

A Royal Bayreuth Three Handled Pierced Vase, with Turkey herder. Blue mark. H.70mm. $150-200

817 A Royal Bayreuth Goats Head Jug,Blue mark . H.ll0mm $300-400

818 A Royal Bayreuth Large Three Handled Vase, with sheep pattern. Star crack to base. H .170mm. $250-350

819 A Royal Bayreuth Vase, with cattle. Blue mark. H.ll0mm. $150-250

Blue mark.

A Royal Beyreuth Miniature Ewer Vase, blue mark. Decorated with cattle in an en circling band above a band of orange. H.90mm . $150-200

830 A Royal Beyreuth Miniature Ewer Vase, blue mark. Decorated with a lithograph of Jack and the Beanstalk. H.90mm. $200-300

831 A Royal Beyreuth Two Handled Four Footed Cauldron. Green mark. Decorated with an Arab on a charger, along with an ovoid miniature vase decorated with Arabs and camels, feet repaired. $250-300

832

820 A Royal Bayreuth Vase, with musicians pattern. H.lO0mm . $150-250

Blue mark.

Blue mark .

A Royal Beyreuth, Blue Mark, Bonnet Babies Creamer, decorated with two bonnetted children doing housework. H.80mm. $340-400

821

833

A Royal Bayreuth Double Topped Jug, with boat scene. Blue mark. H.75mm . $150-200

A Royal Beyreuth Unmarked, Bonnet Babies Table Jardiniere, decorated with two bonetted children playing in a pond. H.75mm . D. lO0mm. $475-525

822 A Royal Bayreuth Ewer Jug, with man with scythe. Blue mark. Faulted. H.70mm. $20-30

823 A Royal Bayreuth Three Lobed and Handled Vase, with sheep pattern. Blue mark. H.75mm. $150-200

824 A Royal Bayreuth Three Handled Vase, with highland cattle. Marked 8 and 13. H.70mm. $100-150

825 A Royal Bayreuth Three Handled Vase, with sheep pattern. Blue mark. H.70mm. $150-200

834 A Royal Beyreuth Heart Shaped Dish, blue mark, with loop handle, decorated with bonnet babies hanging out laundry. W.135mm . $300-350

835 A Royal Beyreuth, Blue mark, Two Handled Posy Vase. With scalloped rim and swollen base , with two handles low on the base , decorated with a woman beside a horse with baskets, signed Wagner. H. 70mm . $200-250

836 A Pair of Beyreuth Style Two Handled Vases, cylindrical with flaring neck, pierced, two handles low on the body. Decorated with cottages and rural scenes . H.125mm. $160-200

146

Royal Daulton 837 A Royal Doulton Vase, painted with kingfisher to the front and butterfly to reverse. H.255mm. $1000-2000 see illustration page 137

848 A Daulton Fiance, Lambeth, Vase. Baluster shaped decorated with a hand painted design of fruiting vine branches . Impressed marks, dated 1878. H.370mm. $1500-2000

849

838

A Royal Daulton Lambeth, Stoneware Vase. Square section, slab sided decorated with raised design of sinuous stemmed leaves and flowers on a marbled blue green ground. H.130mm $100-175

A Royal Doulton Art Nouveau Twin Handled Vase, painted by Herbert Betteley. Signed, impressed no.1241, date code 1911. H.210mm. (rim hairline restored) . $600-1000

A Daulton Lambeth Lidded Tobacco Jar. Faulted. $150-200

839 A Royal Daulton Plate, painted to interior with fisherman in landscape. Signed by S. Wilson. Impressed date stamp for 1908. 0.223mm. Hairline. $300-500

840 A Royal Daulton Teapot, decorated in the Pansy pattern . c.1925. H.115mm. L.220mm. $750-1000

841 A Royal Doulton Octagonal Bowl, decorated in Pansy pattern. c.1 925. 0.173mm. $100-200

842 A Royal Doulton Maori Art Cake Plate, decorated with a design of kowhaiwhai-like border pattern in red and black on a yellow ground . Circular with two handles. Width across handles 245mm $450-600

843 A Doulton Burslem Table Jardiniere, decorated in blue and gold in the apple blossom pattern. W.200mm. $750-850

844 A Royal Daulton Vase, ovoid with twin handles to the shoulder decorated in blue and white with a rose pattern. H.200mm. $300-350

845 A Royal Daulton Viened Flambe Vase, shape 1613, ovoid with a sca ll oped mouth. H.165mm. $180-225

846 A Daulton Lambeth Stoneware Vase, ovoid flared shape. Sgraffito decorated with horses by Barlow, Bowden, and Francis and Florence Roberts. c.1905. Artist's monograms to base. H.27lmm $4000-6000 see colour illustration page 137

847 Four Miniature Pieces of Daulton Lambeth Stoneware A teapot with hunting scenes, a shou ld ered bottle, a loop handled jug, a salt cellar. $550-650

850

851 A Daulton Lambeth Vase. Ovoid on a circular foot with floral decoration on a mottled brown ground. H. l 70mm. $300-400

··,: r page 1:

,111~ Moon f\asi

l~ ground v

Royal Worcester 852 A Royal Worcester Pot-Pourri, by Walter Sedgley. Ovoid shape, painted with roses on a mossy ground. Signed, puce mark, date code 1919. Shape 2048. H.440mm $10,000-15,000

s•,:on page

853

ilaroiniere, par

A Royal Worcester Vase, painted with thistles on a blush ivory ground. Green printed mark, initialled GE (Gertrude Evans) , shape 2033 date code 1899. H.590mm. $6000-10,000

,:d6 O! 1

854 A Royal Worcester Twin Handled Lidded Vase, painted by William Powell , with scenes of storks wading. Signed , puce mark, shape 2425, date code for 1908. H.270mm. Cover restored $10,000-15,000 see colour illustration page 137

855 A Sterling Silver Box, inset with Royal Worcester plaque. Scene of flamingos wading by Walter Powell. Wood lined interior. Hallmarked for London 1925. W.130mm. L.90mm. $2000-3000

856 A Royal Worcester Vase, painted with a farmhouse scene by CHC Baldwyn on an ivory ground. Signed, puce mark, shape 1449, date code 1911. H.225mm. $3000-5000 see colour illustration page 137

857 A Worcester Twin Handled Vase, painted with chrysanthemums and poppies on a mossy ground. Purple printed mark, c.1902, H.260mm. Restored foot and rim) $1000-2000 see colour illustration page 137

858 A Royal Worcester Trumpet Vase, painted with pheasants, by Jas Stinton. With flared gilt rim. Signed, shape G923, green printed mark, date code 1917, H.190mm. $1500-3000 see colour illustration page 137

· ,srrar1on p

147

Ba us,e•sr:••

' fruiting ;:; 370mm. '

rare Vase. S· . es gn o' s::"••l egreen groc•: "

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859

869

A Royal Worcester Vase, taperin g form with flared neck. Painted with highland cattle by Harry Stinton. Signed, shape no2491, date code 1956, H.146mm. Small rim chip restored. $1500-3000 see colour illustration page 136

A Royal Worcester Vase, squat ovoid shape. Painted with peaches, grapes and foliage on a mossy ground by Leighton Maybury. Signed, shape 2491, date code 1949. H.75mm. $750-1000 see colour illustration page 136

860 A Royal Worcester Vase, painted with stylised ferns on a blush ivory ground. Ovoid body raised on a circular base. c.1890 Shape 1430, Puce mark. H.260mm. $1500-3000 see colour illustration page 137

861 acrcua• ';:: d. ":-c--

862 A Royal Worcester Vase, ovoid shape. backstamp. H.105mm. $1000-2000 see colour illustration page 136

c.1899 . Grainger

863 A Worcester Jardiniere, painted with roses, berries and foliage. c.1902, Shape 176. D.142mm. $800-1200 see colour illustration page 136

864 A Royal Worcester Vase, painted with flowers by John Freeman . Signed, shape 2491, black mark for 1949. H.144mm . $1000-1500 see colour illustration page 136

865 A Royal Worcester Ovoid Vase, painted with flowers by John Freeman. Signed , shape 2491, black printed mark for 1949. H.105mm. $1000-1500 see colour illustration page 136

866 A Royal Worcester Lidded Urn, painted with peaches, grapes and foliage on a mossy ground by Harry Aryton . Two side handles . Signed, date code 1961, shape 2701. H.170mm. $3000-5000 see colour illustration page 136

867 A Royal Worcester Pot Pourri, painted with a bird on a blush ivory ground. Signed, date code 1902, shape 1314, puce mark. H .110mm . $2000-3000 see colour illustration page 136 •:Ji;

ainted with I ;•. gn ed, shai;eG,.·

iomm.

A Royal Worcester Moon Flask, painted with grapes and foliage on a blush ivory ground, with four lug handles. c.1880. H.162mm $500-1000 see colour illustration page 136

868 A Royal Worcester Vase, painted with roses on an ivory ground by Gerald Banks. Signed, shape H277 , date code 1954. H.lOOmm. $500-800 see colour illustration page 136

870 A Royal Worcester Demi Tasse, painted with a game bird by Signed, date code 1954. H.50mm. Leighton Maybury. Hairline to rim. $200-300

871 A Royal Worcester Saucer, painted to the interior with plums, raspberries and foliage on a mossy ground . Signed W.A Austin. Date code 1923. H.142mm . $200-300

872 A Royal Worcester Cup and Saucer, painted with a peacock in a pine tree by Albert Shuck . Date code 1931. H.143mm. $1200-1500 see colour illustration page 136

873 A Royal Worcester Cabinet Plate, painted with a topiary garden Signed, date code for 1917. by Raymond Rushton. D.265mm. $1500-3000

874 A Royal Worcester Cabinet Plate, painted with a Tudor cottage Signed, date code for 1917. by Raymond Rushton. D.265mm. $1500-3000

875 A Royal Worcester Cup and Saucer, painted with Australian Signed, date code 1922 . wildflowers by Ellis Rowan. H.55mm.D.135mm. $750-1500

876 A Royal Worcester Vase, contemporary sty Iing with fish with shell resting on his back. H.115mm. $200-300

877 A Royal Worcester Blue and White Miniature Tea Set, in the manner of the Dr Wall period. Comprising, a bullet shaped teapot a lidded sugar bowl, a creamer and two tea cups saucers and plates. Floral patterned with gilt borders. $500-700

878 A Royal Worcester Part Tea Set, decorated with exotic dragon in blue and white. c.1932, comprising teapot , milk jug, two cups, saucer and plate. $300-400

879 A Royal Worcester Tea Cup and Saucer, decorated with a Japanese Floral pattern on a diaper ground. Puce mark, 1910. $100-175

148

880 A Royal Worcester Spill Vase, trumpet shaped, gilded at the foot and rim, painted with a scene of highland cattle on a mossy landscape by Harry Stinton. Puce mark. Shape G923, date code for 1934. H.190mm. $2600-3000 see colour i II ustration page 13 7

Clarice Cliff 890 A Clarice Cliff Bizarre Bowl, decorated to the interior with the Lightning pattern. Circular raised on three feet. D. l 75mm. $3000-4000

---

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881 A Royal Worcester Reticulated Outer Shelled_ Ovoid Vase. With three cut away panels revealing landscapes painted In_ gilt on the inner body. The reticulated outer body h1ghl1ghted with gilt and enamel jewelling. Puce mark, date code for 1909. H.104mm $2000-2500 see colour illustration page 136

891 A Clarice Cliff Bizarre Inspiration Vase, inverse baluster shape , decorated with lotus leaves and flowers. Star crack to base . H.305mm. $8000-9000

,.I

i(a!ltonware Vase, ov

.:, royale lustre

:::•m. small ch11 ·,:ioo ::.,, ,ustrat1on ··......

882

892

A Royal Worcester Spill Vase, trumpet shape, painted with long horn sheep in a mountainous landscape by E Barker. Green mark, shape G923, date code for 1919. H.115mm. $1400-1800 see colour illustration page 136

A Clarice Cliff Lotus Jug Fantasque, decorated with the 'Trees and House ' pattern to a broad band around the shoulder and neck, the lower section boldly decorated with plain orange between black stripes. Heavily faulted. H.290mm. $1500-2000

:!1

893

·::~iOO'J

883 A Royal Worcester Baluster Vase, painted with black face sheep in a rocky and heather alpine landscape. Puce mark, shape 9491, date code for 1913. H.115mm. $1500-1900 see colour illustration page 136

A Clarice Cliff Bizarre Ovoid Vase, Sunburst pattern . Painted in a encircling band between orange bands at the neck and shoulder. Small rim chip. H.145mm . $1000-1250

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. ei:ens~~decC!i 1aoosa ooatsa

::~aill'lnge I ·~:lafllers Earl

, .watron page 1

884 A Royal Worcester Vase, decorated with a scene of thatched cottages in a rural landscape by Rushton . Ovoid with two scroll handles at the shoulder. Puce mark. Shape H287, date code for 1929. H.162mm. $600-900 see colour illustration page 136

894 A Clarice Cliff, Newport Pottery, Bizarre Cream and Sugar. Bonjour shape, crocus pattern decorated. $200-300

I:~ e Rhead, T Lor1ght1yco

895 885 A Pair of Grainger & Co., Royal China Works, Worcester Squat Spherical Vases. Painted with a chaffinch and a robin , highlighted with gilt shape Gl61. Date code for 1900. H.65mm $600-750 see colour illustration page 136

A Collection of Clarice Cliff, Newport Pottery, table wares in the 'Crocus' pattern. With pale green borders . Comprising oval ashet , three lidded vegetable dishes, six dinner plates, four luncheon plates , five soup bowls, four side plates , one small plates, one bowl , one smal I hexagonal plate . $800-1200

'.ii ~11lotte Rhead

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·'-::-0

886 A Grainger & Co., Royal China Works Worcester Tazza. Modelled with a pierced rim dish supported on a naturalistic stem above a grouse. Blush ivory tones with gilt highlighting the interior of the dish decorated with floral sprays. H.205mm $900-1100

887 A Grainger & Co Worcester Plate, decorated to the centre with a couple beside a stream. c.1899. Shape 2435. D.235mm. $200-300

888 A Locke Worcester Vase, painted with a bird perched on branch on ivory ground. Locke Worcester factory mark, Signed, date code 1902. H.15lmm. $500-800 see colour illustration page 136

896 A Clarice Cliff Bizarre Crocus Pattern Octagonal Small Plate. A Wilkinson honey glaze Crocus pattern saucer and a Clarice Cliff Newport Pottery crocus pattern cream jug. $175-225

897 A Clarice Cliff, Newport Pottery Bizarre Dessert Service, six bowls and a octagonal serving dish. Ravel pattern . $225-325

898 A Clarice Cliff, Wilkinson Limited Plate, decorated with a floral spray in white enamels, pale green bordered. D.245mm. $350-450

889 A Worcester Blue and White Sparrow Beak Jug, decorated with the uncommon 'Classical Ruins Teaware Group' pattern. c.1775-1785. Ref. Branyin French and Sandon "Worcester Blue and White Porcelain 1751-1790" pgs 304-305. H.90mm $400-550

899 A Clarice Cliff Bowl, Bizarre, Inspiration. Decorated with a stylised floral design to the interior and turquoise exterior. c.1930. D.187mm. $3250-4000

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149

.---..__

Other Pottery & Porcelain 900

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A Carltonware 'Tutankhaman' Pedestal Bowl, painted with Egyptian figures and hieroglyphs on a blue ground. c.1930. Printed marks. H. l 70mm. Small rim chip restored. $1500-3000 see colour illustration page 137

901 A Carltonware Vase, ovoid vase painted with paradise bird on a c.1930. Pattern 3144. rouge royale lustre ground. H.152mm. Small chip restored to foot. $800-1200 see colour illustration page 137

, decora:e: aarouna :·,scora:eo ~ :· :· ted. H290··

Sunou~t ;F ge bands a:,.,

902 An Impressive Carltonware Chinoiserie Lidded Ginger Jar. Ovoid, extensively decorated with temples and pagodas set on a lake with islands and boats and with mountainous backdrop, highlighted in gilt on an orange lustre ground. Lid with auspicious symbols and Chinese characters. Early Wiltshaw and Robinson mark. H.250mm $3500-5000 see illustration page 137

903 A Zsolnay Lidded Jar, Cylindrical, decorated in red and olive lustre glazes with an Art Nouveau inspired foliate design. H.132mm $450-550

Bizarre Cl!lmr·

904

rated.

A Charlotte Rhead, Tulip Pattern, (TL14) Oblong Tray. The design in brightly coloured enamels with slip trailed outline. W.235mm. $150-225

910 An Italian Ceramic Figure, by CIA Manna, Turin. Entitled 'Danzatrice Orientale' and numbered 207. The subject a Siamese dancer sits cross legged, wearing a bright orange and black costume highlighted in gilt. c.1950. H.315mm. $450-600 see colour illustration page 137

911 An Italian Figure of a Siamese Male Dancer. Modelled by C.I.A Manna, entitled 'Cavaliere Orientale', numbered 573. The subject sits one knee raised wearing black pantaloons and a bright orange coloured turban, waistband and shoes. H .3 lOmm $450-600

912 A Chamelon Art Pottery Vase, painted in Art Deco Persian style decoration on mottled blue ground. Original paper label. Early 20th Century. H.112mm . $100-200 see illustration page 137

913 A Royal Lancastrian Vase, ovoid shape, mottled orange colour, impressed marks, no2605. H.lOOmm. $125-175

914 A Homemaker Dinner Plate, decorated with l 960's furniture and utensils on a sgraffito wire background. D.253mm. $90-120

915 A Homemaker Pattern Luncheon Plate, D.225mm. and side plate D. l 75mm . $100-130

905

es, six dinner:, 'our side pa:~ ·

1al plate

A Charlotte Rhead Orchid Pattern, (TL43) Ovoid Jug, decorated in blue and lilac with loop handle and blue dish border. H.220mm. $450-550

906

916 An Australian Pottery Vase, shouldered tapering shape, aubergine and pale lemon hare's foot glaze. H.320mm. $100-150

917

A Susie Cooper, Burslem, Morning Tea Set, comprising two cup saucers and plates, teapot milk jug and sugar, pattern 2194, . Patterned in pastel shades. $350-450

An Australian Pottery Two Handled Vase, by John Campbell, Green glaze , ovoid, signed under the foot, Tasmania. H.160mm. $100-130

lffi JUg.

907

918

izarre Dessert 11~

A Susie Copper Burslem Dinner Service. Decorated with a pattern of tulips, (1017). 6 place setting, comprising three oval ashets , two lidded tureens, gravy boat, large jug, serving dish, cruet set, six dinner plates, six luncheon plates, six side plates, six dessert bowls, six soup bowls,six cups and saucers. One small dish and one medium sized plate. $2000-3000

~ QctagooalSmi 1 nsaucer a-:':

Raie, parte•

908

ate dee a:e: . tiordered f!.·

A Poole Hors d'Ouevre Dish. Divided into four compartments, decorated in pastel tones with vegetables. W.340mm. $100-150

909 A Jerome Massier Pottery Vase, signed and inscribed Vallauris, France. Brown hare's foot glaze, slightly iridescent, two handled ovoid shape with cylindrical neck. H.320mm. $250-450

A Bretby Pottery Vase, cylindrical with flaring foot and rim, powderblue. H.135mm. $100-130

919 An Art Deco Two Handled Urn Vase, large baluster body with squared handles at the neck to shoulder, glazed with a mottled and striated blue yellow glaze. Impressed mark of Pierre Fonds. H.305mm. $800-1000

920 A Pair of Danico Pottery Vases, baluster shaped with geometrically pierced cylindrical neck, loop handles between the neck and body, the body with incised decoration of sinuous knots, blue yellow glazed, one faulted at the neck. H.280mm. $600-800

150

921 A Shelley lntarsio Art Nouveau Vase, by Walter Slater. c.1910.

931 A Pottery Bust, impressed makers marks: J.M.F 11070 and

Painted mark 3619. H.178mm. Small rim chip restored. $800-1200 see illustration page 137

Roralle. Artists signature on reverse 'Aug.Otto'. H.390mm. Small repair to hair. $1000-1500 see colour illustration page 137

922 A Small John Crichton Ceramic Mosaic and Spun Copper Dish.

Labelled verso; designed by John Crichton 34 Kitchener Street, Auckland. 0 .130mm. $50-90

c.1905.

932 A Capodimonte Figure, modelled as a mother seated with her

child. Mid 20th Century. H.340mm. $800-1200

923 A Sevres Porcelain Desk Stand. Date letter code for 1754,

933 A Capodimonte Figurine, modelled as a hunter and his dog.

oblong with canted corners, raised on claw feet, with two covered ink wells, set in the bleu celeste and gilt stand, moulded with a depression for a pen. W.230mm. $1200-1600

Mid 20th Century. H.340mm. $800-1200

924 A Sevres Style Coffee Set and Tray. With two cups and saucers

a coffee pot, creamer and sugar box, along with a tray. Each piece decorated with portraits of 18th C French women. Within gilt framed cartouches on a bleu celeste. Each piece entitled under. The tray 290mm square. $1500-2000 see illustration page 165 925 A Mid 18th Century Sevres Porcelain Vase, with ormulu

mounts. The swollen body decorated in a reserved panel with a shepardess and beau. In raised gilt borders on a cobalt ground. With Sevres mark and date code for 1758, under the ormolu plinth foot. H.170mm . $750-1000 926 A 19th Century Bing & Grondhal Bisque Porcelain Plaque,

circular, decorated as a bass relief of classical figures , within a black forest style carved wooden frame surmounted by a pediment of oak leaves. H.205mm. $175-250 927 A Pair of Vienna Style Twin Handled Vases, painted with

classical scene. Ovoid shape on square base. Blue beehive mark, late 19th Century. H.370mm. One base has hairlines. $1000-2000 928 A Pair of Vienna Style Twin Handled Lidded Vases,painted with

a classical scene. Squat shape on square bases. Blue beehive mark. Late 19th Century. H.310mm. One cover has hairline. $1000-2000

934 A Capodimonte Figurine, modelled as a woodcutter and a

squirrel. Mid 20th century. H.270mm. $800-1200

, 11 Century It 1 ·._ :',ss1ca1 female 5:•11dtoher hair _l20mm.

935 A Large Blue and White 19th Century Ashet, decorated with a

scene and landscape with buildings and boats. W.530mm $500-700 936 A Goodwin and Ellis Staffordshire 'Imperial Stone' Oval Ashet.

'Grecian Vases' pattern . Oval with serpentine rim . W.650mm. $250-350

-~·!le Iman Patte1

.,· QJOOmm.

,li

,,'/11\llevon Musica

937 A 19th C Masons Ironstone Wash Basin and Jug,with dragon

handle and blue and white dragon pattern decoration. Faults. $400-600

'i!iof 19thCentury

.:1rdBuchu.

:::o 938 A Wedgwood Type Black Basalt Sugar Basin. Ovoid , fluted and

lobed, shoulder moulded with a leafy vine , the twin handles acanthus capped, the cover fluted. Small rim chip. Regency period $300-400

J 'fni:1~ Pottery Tc 'W~th gilt WO 1

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939 A Good Drab Olive Jasperware Victorian Cheese Dish And Cover, decorated with cream sprigs of farm animals in a

wooded landscape between bands of fruiting vines. The base decorated to the everted rim with a similar fruiting vine. $400-600

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940 A Wedgwood Moonstone Vase, contemporary design with

everted shape. c.1940 . H.14lmm. $800-1200

929 A Paris Porcelain Figure, of Prince Charming, in soft pastel

941 A 19th Century London Shape Tea Cup and Saucer, by Barker

enamels. c.1875. H.380mm. $1000-1500

and Swift, c.1811. $100-150

930 A 19th Century Painted

Porcelain Egg, decorated to the top

942 A Pair of Berlin Porcelain Circular Baskets, with pierced walls,

with cupids and flowers . Egg opens across middle . On bronze stand. c.1880. H.260mm. Hairlines in bottom section. $800-1200

handles modelled naturalistically. Blue sceptre mark. Width across handles, 195mm. $400-550

1 ' 1[1a11 Old llert

: '.899. H.22

;:1

l!ll!nlhal POi'telai1 _:::~ h1sexamp •·, wth r unde< ;·:'two Zebras With,

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151

943 A Berlin Porcelain Oval Pierced Basket, model led similarly to above . Width across handles, 312mm. $350-450 944 A Pair of Majolica Glazed Column Candlesticks, the fluted sticks raised on circular domed bases with motto 'Dinna Burn Yer Candle at Boith Ends ' . H.220mm. $400-500 945 A Thedore Haviland, Limoges, Porcelain Six Place Teaset. With green and rose patterned border. $150-250 946 A Late 19th Century Italian Biscuit Porcelain Plaque. With winged classical female figure modelled in high relief with floral garland to her hair holding a vase above her head. Repair to arm. L.420mm. $350-500

s aw

947 A Japanese lmari Pattern Charger, decorated with two bijin in a garden. D.300mm. $300-400 948 A Crown Devon Musical Tankard, playing Daisy Bell - working order. $250-350 949 A Pair of 19th Century Lidded Pharmaceutical Jars. Carbonate of Soda and Buchu. H.320mm. $500-800 950 An English Pottery Tobacco Jar, black glazed barrel shaped decorated with gilt word 'Tobacco'. H .105mm. $50-70

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951 A Ridgways Old Derby Moon Flask, decorated in the lmari style. c.1899. H.227mm. $1000-1500

Sterling Silver 955 A Particularly Good George Ill Silver Baluster Tankard. London 1790 by Hester Bateman. With domed cover double scroll handle, filigree thumb piece reeded encircling band to the body raised on a circular spreading domed foot. H.195mm . $10,000-12 ,000

see illustration page 140 956 A Large Tankard in the Style of William and Mary, tapering cylindrical with flat topped hinged cover with acanthus capped Re-curved scroll handled. London 1904 by thumbpiece. Francis Higgins. H.910mm $3000-4000

see illustration page 140 957 A Cymric Silver and Turquoise Vase, designed by Archibald Knox . Marks of Liberty & Co. Cymric 2055 , Birmingham 1903 . H.75mm. $3000-5000

see illustration page 140 958 A Sterling Silver Muffin Dish and Cover, London 1835 by Edward , Edward Jnr, John and William Barnard. The scalloped dish with reeded rim , chased and engraved with floral designs. Covered by a fluted domed lid with conforming designs and melon finial . $2500-3000 959 A Sterling Silver Spirit Kettle, melon shape , embossed with leaves and flowers. Birmingham 1859. Elkington and Co . Weight 3.25kgs. H.445mm. $8000-12, 000

see illustration page 140 960 A Sterling Silver Teaset, comprising teapot, sugar bowl and milk jug. Embossed with leaves and flowers. Birmingham 1859. Elkington & Co. Weight l.7kgs. Teapot: H.190mm. $3000-5000

see illustration page 140

952 A Rosenthal Porcelain Plaque, by Victor Vasarely. Ltd Edition of 3000. This example number 404. Signed and dated 1977. Square with rounded corners, decorated in low relief with a design of two Zebras on a background of conforming black and white stripes. With original box. W.315mm. $1000-1500

961 A Large Chinese Silver Bowl, hemispherical raised on a spreading circular foot and dragon moulded supports. The exterior walls of the bowl decorated in low relief with two dragons embattled over a flaming pearl. D.280mm. H.200mm. $1500-2000

953 A Pair of Rosenthal, Studio Line, Figurines. Of two caricatures with elongated bodies and limbs. Each holding a heart. H.260mm $650-750

962 A Sterling Silver Baluster Mug, London 1949, makers mark GH. Baluster shaped with double scroll handle with acanthus capping, raised on a spreading circular foot. Engraved with presentation inscriptions to the body and under the foot. $400-500

954 A Rosenthal, Porcelain Based Table Lighter, fashioned for Ronson, c.1950. Discoid shape raised on three ball feet. $125-150

963 A Sterling Silver Baluster Tankard, matching the above . $400-500

152

964 A Victorian Sterling Silver Cruet Stand. London 1857, makers mark TS. The gadrooned edged stand raised on four scroll legs with frame for six bottles and central handle. With three odd bottles $900-1100 965 A Sheffield Plated Rose Bowl, squat spherical bowled with anthemion and gadrooned rim, raised on a pedestal base with circular spreading foot with gadrooned edge. D.235mm. H. l 75mm $250-350

Vinaigrettes and Snuff Boxes 976 A Victorian Sterling Silver Castle Top Vinaigrette, Birmingham 1838 by Taylor and Perry. The lid worked in bas relief with a view of Windsor Castle, the walls and base machine engraved, with the interior gilt washed , with hinged grille pierced with foliate designs. W.43mm. In original leather case. $750-800

977 966 A Pair of Sterling Silver Claw Sugar Tongs, Birmingham 1905, $80-100 967 A Silver Plated Oblong, Bead Edged Entree Dish and Cover $100-150

A George Ill Sterling Silver Vinaigrette, Birmingham 1805 by Joseph Willmore. Oblong, the hinged cover with oval bright cut swag cartouche enclosing script monogram. On a radiant and spangled ground. The walls plain, the base with fine border to the edge. The interior gilt washed with hinged pierced grille. Decorated with flowerheads within a trellis frame . W.35mm. $475-625

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~ '~m1ng an 0Yi1 1

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968 A Sterling Silver 1920's Hinged Lidded Trinket Box. Circular with machine engraving to the lid and walls. D.82mm. $200-250 969 A Sterling Silver Baluster Shape Cream Jug, raised on three pad feet, embossed with foliate designs and a vacant cartouche. London 1883. H.105mm. $250-300 970 A Sterling Silver Baluster Shaped Jug, raised on three pad feet, plain bodied. Birmingham 1909. $150-200

971 A Bottom Marked Sterling Silver 18th Century Style Seal Topped Spoon, possibly by Henry Dell c.1739. $200-300

972 A Sterling Silver Salver, Sheffield 1911, with New Zealand Presentation I nscri pt ion " ... To J .S Rutherford from Chamberlain Settler's ... " piecrust rimmed, raised on three pad feet. D.314mm. $900-1100 973 A Silver Plated Lidded Bacon Tureen, raised on four legs with paw feet. W.460mm. $150-250 974 A WMF Pewter Centrepiece, trough shape with scroll handles, pierced and decorated with an open cartouche flanked by cupids, complete with clear glass interior liner. W.480mm. $750-900 975 An Edwardian Seven Piece Carving Set, with horn handles and sterling silver ferrules. Sheffield 1902. In original Oak case. $750-850

978 A Victorian Sterling Silver Vinaigrette, Birmingham 1877 , makers mark F.M. Oval with serpentine outline, hinged lid with garter cartouche enclosing monogram, framed by foliate scrolls, the curved walls similarly foliate engraved , the base engraved with a monumental rotunda and bridge. The hinged lid engraved inside " For Kind Attention To A Dear One Gone ", the grille pierced with foliate scrolls and flowerheads. W.54mm $500-650 979 A Victorian Sterling Silver Vinaigrette, Birmingham 1850, by Nathaniel Mills. Oblong, with serpentine outline. The hinged lid with C scroll framed cartouche on a plaid ground. The concave walls with guilloche engraving, the base plaid. The interior gilt washed, grille absent. W.46mm. $225-325 980 A George Ill Sterling Silver Vinaigrette, Birmingham , by John Bettridge . The fielded hinged cover engraved with cornucopia and leaves framing an almond shaped vacant cartouche, a floral spray to the base. The gilded interior with simply pierced grille. W.3lmm. $420-500

:t:~e III Sterling Si 2 •ence &Co.

,,lg· nd. G1 13mm

,::mn Sterling '

·,·, f~ Ob·

t.iige III Sterling ' ·ari J . Ob

,"ga gu110< • ,. ' .e walls re,

::: ·:er,or w1

981 A George Ill Sterling Silver Vinaigrette, Birmingham 1812 , possibly by John Shaw. Oblong, with canted corners, lineal machine engraved decoration to hinged lid, walls and curved base. The gilt washed interior with simply pierced grille. $420-500 982 A William IV Sterling Silver Vinaigrette, Birmingham 1833, by Nathaniel Mills. Oblong, the hinged cover with foliate chased and engraved border, framing a guilloche panel surrounding an oblong cartouche, monogrammed; the walls reeded, the base guilloche. The gilt washed interior with foliate pierced grille. Suspension loop and ring to one side. W.28mm. $275-375

:% , '._~e l11Steriin

~ W11rnore. :_-,~ with rnon, · .'.~c IIOfating

-,.-,20

153

iff Boxes

--------

iaigrette,81rr-!d in bas re,'' >emachinee·:·, !d gnue µ,,:;: 1ther case.

983 A George Ill Sterling Silver Vinaigrette, Birmingham 1814, by Joseph Willmore. Lozenge shaped , the hinged lid engraved with oak leaves framing an oval cartouche, monogrammed, the gilded walls and base with prick engraving. The gilded interior with simple pierced grille. Suspension loop on one side. W.350mm $450-550

984 A George Ill Sterling Silver Vinaigrette, Birmingham 1825, by

Birmingham;&:: erw1 h at,, 1m. Onara:;· 1se w1th 1,ne~. hinged pe•,ej ~ is frame. v,i

, B1rmm~r ;:-· ,utlme. hr6e:.

Thomas Shaw. Oblong, the hinged lid lineal machine engraved surrounding a vacant cartou che . The concave walls reeded the base lineal engraved. The gilt washed interior with a foliate pierced and engraved grille. W.39mm. $450-550

1Dear One G,·, 1erheads. WY-·

lirm1ngham :a::

1e outl'ne lr, •

a plaid wou-: · the base p,: mm.

Birmingham:· 'laved with et.:: r vacant ca,,i· iorwiths1mpl1:'

, B1rm1ngt,t :,:.

~anted corne~ , hd, waiisac:: ply pierced&' 1

992 A Victorian Sterling Silver Vinaigrette, Birmingham 1838 by Nathaniel Mills, oblong. The hinged cover with foliate engraved edge and guilloche ground framing a monogramed oblong cartouche, the walls reeded, the base guilloche engraved . The hinge pin faulted, interior gi lt washed with a foliate and flower head pierced grille . W.32mm . $350-400 993

985 A George Ill Sterling Silver Vinaigrette, Birmingham 1808, makers mark IM. Oblong with rounded corners, the hinged cover walls and base. The interior gilt washed with an unusual pierced grille. $500-600

1med bifo11a:,:· !d, he ba,1,·5_ ge. The i•/

991 A George Ill Sterling Silver Vinaigrette, London 1796, by Cornelius Bland . The hinged cover with engraved initia ls. The gilt washed interior with simply pierced grille . W.35mm. $500-600

A Victorian Sterling Silver Snuff Box, Birmingham 1869. Makers mark FM, possibly Frances Martin. Oblong, the hinged lid engraved with garter circular cartouche on a gui ll oche machine engraved ground. The walls and base similarly engraved . The back wall later worked as a vesta striker. 41mm . $250-325

986 A George Ill Sterling Silver Vinaigrette, Birmingham 1820, by John Lawrence & Co. Oblong, modelled as a satchel with chequered ground. Gilt washed interior with simply pierced grille . W.23mm. $460-520

994 A George Ill Sterling Silver Snuff Box, Birmingham 1790, by Joseph Willmore. Modelled as a pouch, with engraved scale ground , gilded interior. W.49mm. $450-550

987 A Victorian Sterling Silver Vinaigrette, Birmingham 1866,

A Small William IV Sterling Silver Snuff Box, Birmingham

makers mark FM. Oblong with serpentine outline. The hinged cover with garter framed cartouche in a field of guilloche engraving, the walls concave the base guilloche. The gilt washed interior with a foliate scroll engraved and pierced grille . Suspension ring to one wall. W.30mm. $300-400 988 A George Ill Sterling Silver Vinaigrette, Birmingham 1833, makers mark JL. Oblong, raised foliate border to the hinged lid enclosing a guilloche field and oblong cartouche engraved ' Harriet' the walls red, the base guilloche engraved. The gilt washed interior with floral pierced and engraved grille. W.26mm. $400-500

989 A Small George Ill Sterling Silver Vinaigrette, Birmingham 1817, by Cocks & Bettridge. Oblong with cantered corners, the top with vacant oblong cartouche on a field of trellis pattern. The plain cover with prick border, the base with a flowerhead. Gilt washed interior with simply pierced grille. W.24mm. $400-500 990 A George Ill Sterling Silver Vinaigrette, Birmingham 1800, by Thomas Willmore. Oblong with rounded corners, the top engraved with monogram. Gilt washed interior with a pierced grille incorporating a star. W.27mm. $420-520

995

1835, by Francis Clark. Oblong with rounded corners, hinged lid foliate engraved framing a cartouche with monogram, the base engraved with a thistle. A gilt wash interior with an engraved and simply pierced grill. W.20mm . $420-500 996 A Small Continental Silver Snuff Box, the hinged lid foliate engraved. German 835 silver marks to base. W.30mm. $150-200

Objects de Vertu, Accoutrements and Miscellany 997 A 19th C Book Shaped Gold Faced Locket, engraved with floral designs and with single loop suspension. W.20mm. $300-350

998 Four Silver Miniature Chairs, one pair with Chinese makers marks under the seats, and English import marks for 1900. The other two of fine wire construction. H.60mm. $700-800 999 A Blue and White Cased Glass Scent Bottle, with si lver hinged cover, embossed with foliate designs, glass stopper. H. 95mm . $300-400

154

·1

1000

1009

A Glass Facetted Double Ended Scent Bottle, with embossed gilt metal hinged covers, glass stoppers. L. l l 7mm. $300-400

A Silver Medallion Designed by Anton Tuttenburg, with crossed

1001

rifles on a shield above a wreath of laurel leaves engraved to the reverse " Clark's Champion Belt" on blue and red ribbon with two bars engraved, won by W.H.T Partington 1872 and 1875 $100-150

A Cranberry Glass Scent Bottle, model led as an Arabian

dagger, gilt and enamel painted with a fingering and chain suspension. Hinged lid with glass stopper. L.137mm. $350-450

1002 A French Turquoise and White Overlay Glass Perfume Bottle,

with gilt metal hinged lid, stopper absent. The bottle cut with a trellis design. Small chip at foot. L.115mm. $250-350

1003 A Pair of Sterling Silver and Cut Crystal Eau de Toilette Bottles, with sterling silver screw tops by J & W Davenport,

·•' ''"dudor's I [t,)1/ ""'' ·: ,er lerrule er 1 :, OnaufO eongre

··:;o

T e JMngton's rav

,!!

1010

·:udng lour Q r1'eg1of anude

Maltese Cross shape, engraved A.R.B (Auckland Rifle Brigade) , and to the reverse "Champion Shot W.H.T Partington , 1873 ARB " on blue ribbon. $800-1000

·:.:ill

1011

:;.i1ass Plate Slid ,· nong ng. the yatrermaipo

A Silver Medal,

A New Zealand 9ct Gold Medallion, by Frank Grady, Wellington.

Circular laurel leaf wreathed , engraved to the front 'Trinity College , London, Presented by Chas Begg & Co. To the reverse "Intermediate Singing / 1913 / R Gryder. $100-200

1012

Chester 1905. H.125mm . $750-1000

Two Rifle Embroidered Patches From W.H.T Partington's ARB or TRV Uniform. Along with an embroidered "Southern Cross "

1004

patch and a photographi c copy of Partington 's Mill. $100-150

]

1:.11iesiell~ctoria ·,·:-of flow •: ·: ~ mother of

A Silver Medal Designed by Anton Tuttenburg, Auckland ..

"Auckland Free School of Art, Highest Class, Study from the Statue, Second Prize, Helen Stuart , Presented by J Logan Campbell 1879". The obverse with a view of Rangitoto and North Head through a foreground of Nikau and Tree Ferns in silver plated cut metal presentation case. $800-1500

1013 A New Zealand Gold Medallion, by Kohn . Modelled as a shield

with monogram framed by a garter belt engraved 'Old Chums & School Fellows' and to the reverse with ' Presented to A F Williamson on his departure from Auckland 1900' . $200-300

1005

1014

A Silver Medal By Anton. Tuttenburg, Auckland. "Auckland

A Sterling Silver Two Handled Trophy Cup, engraved "Mayor's

Society of Arts" surrounding a vacant shield cartouche. The obverse with a wreath of ferns framing the motto "Vectae Cum Lalibus Artes", in original presentation box. $150-200

Cup, 1873, won by W.H.T Partington , No 3 Co . ARB. The bell shaped body decorated with a rifleman kneeling in a landscape, embossed in high relief, within a shaped cartouche on a ground decorated with roses, raised on circular spreading foot and with two scroll handles to the sides. Birmingham hallmarks $300-400

1006 An Anton Tuttenburg, Auckland, Bronze Medal. As above,

uncased. And a Bronze Medallion , designed by L.C Wyon. With the bust of Edward the VI I, the obverse with a wreath of oak leaves framing the inscription "Colonial and Indian Exhibition, London 1886". $300-400

1007 A 9ct Gold Lodge Medal, a five pointed star framed within a

circular foliate engraved surround on ribbon support with purple ribbon hanger, along with a sterling silver lodge medallion - a five pointed star suspended from crossed hammers on an orange and purple ribbon. $100-175

1008 A Star Shaped Medallion Commemorating the Jubilee of Queen Victoria, along with a New Zealand 18th Regiment Cap

badge. $50-100

1015 A Large Sterling Silver Victorian Trophy Cup, engraved

"Presented to No 3 Co . ARB by Capt". Clark, September 1870 (Auckland Rifle Volunteers) " In an alternate cartouche engraved Champion Shot 1871 Col Serg' Alex M Connell; 1872 Volunteer Alex Aitken; 1873 Corp'. Wm. Partington and finally in an alternate cartouche, "Won by Champion Shot for Successive Years". The bell shaped body ornately chased and engraved with stylised foliate designs raised on a slender knop stem on circular spreading foot. H.280mm. Hallmarks for Chester $400-600

1016 A Sterling Silver Trophy Cup, the bowl engraved: 'Bingham

Agricultural Society, 1878. Players for best Jumper over Hurdles won by Josh. Bowmar's " Fly"'. The bowl with foliate engraving, raised on slender stem with a single knop from a spreading circular foot. London, Victorian hallmarks. H.195mm $175-225

l~Meerschum I ·:.:r p,ece abs. :::.100 :111

l!tof lansian Nov

·:, ,iasa hobo ·:::-"oo

mi 1

~ AlricanAhil ..·.

;111

;~I l!enCaniste~ ·,: 1 marked·

:. :,pstohold s 1 ..,,100

155

inbu~, with cr:s, , ivesengravW··· nd red ribo,n ..

n1872and:n

:, engra,ed ·se "Chamc :1 :·

bon.

1017 An Ebony Conductor's Baton, with sterling silver finial and sterling silver ferrule engraved; Presented to Mr Partington from the Ohaupo Congregation December 28th 1902. $150-250 1018 W.H Partington's Travelling Mahogany Case, for glass plate slides. Including four quarter plates and one partial plate, the torso and legs of a nude. $150-250

ikGraoy,We ·, to the fro1i -:. &Co. lotne•~.,

1019 Three Glass Plate Slides, of Maori subjects . One with two women hongiing , the second with Maori women washing clothes in a thermal pool, the third a war canoe in a river. $50-100

I. TPartin~oo'! m ed "Sournerr [ _

1020 A Tortoiseshell Victorian Purse, the cover inlaid with ivory and metal design of flowers. The interior divided and silk lined, along with a mother of pearl needle case . $90-120

ton's M11.

Mode!leoasar'

mgraved 'Oi:·. th 'Presented::,:

id 1900'.

p, engraved 'i. ,3Co. ARB lr, .. eeling malar::::. :artouche 1readingfoota': im hallmar..s

iphy Cup,(_·_. ark, Septemw J te cartOll(he r;.

,nnell; 1812V1:on and f,na', •

·I Shot fe1 S::c..

chased and e·~-. slender knop ,t narks fCI Ches'.1'

I engraved: 'irt or beSI Ju~:i'..

The oowi w,t· .. ingle knOII .

f::

hallrnarll ·

1021 An Edwardian Sterling Silver Purse, engraved with floral decoration. London 1902. $100-200

1029 A Sterling Silver Thimble. $100-150 1030 A Nephrite Bladed Paper Knife, with sterling silver handle, the ornate handle marked sterling overall L.235mm. $150-250 1031 A 19th C Watch Holder, modelled as a gilt meta1 bird perched upon a lime green glass baluster column, raised on a gilt metal foot moulded with a lion and eagle flanking a banderolle inscribed 'God Defend The Right'. H.130mm. $100-200 1032 A Moss Agate And Gilt Metal Snuff Box. The oblong hinged lid and base set with a bevel edged stone , the walls with diaper pattern. W.48mm. $100-200 1033 A Sterling Silver Powder Compact. $30-40 1034 Four Sterling Silver Handled Manicure Implements. $50-70

1022 A Palais Royale Cased Set of Sewing Implements, including mother of pearl handled scissors , cotton bobbins, a needle case , a perfume flask needle threader etc. Thimble cracked. $900-1500

1035 A Mother of Pearl Teething Ring with Sterling Silver Bell. Engraved with initials and date 17.6.23. Birmingham hallmarks $250-350

1023 A Miniature Bisque Bathing Beauty Doll. c.1920, the nude figure reclines , one leg raised, sporting a bob haircut. L.70mm $100-175

1036 A Sterling Silver Small Eight Day Bedside Clock. The circular dial with blued hands, brass bezel set in an arched case , raised on squat bun feet , hallmarks indistinct, H.105mm. $300-400

1024 A Good Meerschum Pipe, with silver plated bowl and hinged lid ; mouth piece absent. $200-300 1025 A Set of Parisian Novelty Pipe Bowls, marked Gambier Paris, modelled as a hobo , a Turk, a skull with green glass eyes, etc. $500-700

1026 A South African Afrikaaner's Wood and Horn Pipe. $80-100 1027 Four Treen Canisters, the largest cylindrical with a screw fitted domed top marked S.Maw & Son, the others graduated with screw tops to hold small bottles. $125-200 1028 A Metal Button Hook, as a thistle with amethyst glass flower head. $40-60

1037 A Brass Cornice Cased Carriage Clock, with striking and alarm movement. The alarm and strike on a blue coiled gong . The white enamel dial with Roman numerals blued spade hands above a subsidiary alarm dial. H.175mm. $1000-1500 1038 A Silhouette, in the manner of August Edouart , a woman seated holding a floral sprig. $400-500 1039 A Silhouette, attributed to August Edouart, and reputedly of Sir Walter Scott, the subject sits in a Regency chair taking a pinch of snuff . $500-600 1040 A 19th Century Italian Watercolour, Madonna della Robbia Circular image within a slip and plaster gilt frame. Overall 245mm square. $125-225

156

1041

1054

Four Variously Coloured Mercury Glass Christmas Decorations. Conical and spherical fluted shapes. $200-300

A Japanese World War II Officers Naval Dirk, the rayskin hilt with chrysa nth emum mon , brass mounted black leather scabbarded, fullered blade. L.420mm. $450-525

,cries

----

1042 A Set of Burmese Cast Bronze Opium Weights, 18th C, modelled as kylin. The tallest, 47mm. $300-400

1043 A Set of Five Burmese Bronze Opium Weights, modelled as chickens . The tallest 46mm. $200-300

1044 A Set of Five 18th C Burmese Opium Weights, modelled as chickens. The tallest 50mm. $200-300

1045 A Pair of Chinese Ivory Figures, of women standing holding clusters of lotus leaves and flowers above their heads , each modelled in mirror image, one damaged at the neck. H.285mm $1200-1500

1046 A Carved Ivory Lion. L.205mm. $250-300

1055 A US World War I Knuckleduster Dagger. With double edged blade , brass grip. Marked S.191, F&C-191. Overall L. 290mm $300-400

1056 A Nazi NSKK Dagger, black lacquer metal scabbard . With nickel mounts, in origin al condition. Solingen marked blade. The brown hilt with inlaid Nazi and NSKK insignias. Overall L. 375mm $450-550

1057 A Nazi Dress Bayonet, with metal scabbard and leather frog. Fullard blade marked 'ALSCULAP-WERK, JETTER & SCHEERER, TUTTLINGEN.' Grip with chequered plastic inserts. Overall L.340mm $150-200

1058 A German Bayonet, blacked metal scabbard, birds head hilt with plastic chequered grip, fullered blade marked 'Original Eickhorn, Solingen '. Overall L.400mm. $100-150

1059

1047 A Black Alligator Hide Bound Travelling Dressing Case, fitted with various sterling silver backed and topped bottles and implements, styled in the art deco manner. Each piece monogrammed D.I.E Hallmarked for London 1938. Fitting incomplete $500-600

A Bavarian 19th Century Court Sword. Mother of pearl and gilt metal handle , with King Leopold's cipher to the hilt. The guard with a lion couc hant, the pommel as a lion mask. Blue steel engraved blade. Complete with gi lt sword knot. Gilt metal mounted scabbard. $1200-1500

1048 A 19th Century Silver Plated Repousse Plaque, depicting a retriever, a hare in it's mouth in a wooded landscape. In Ebony frame. 325 x 275mm overall . $200-300

1060 A Pochoir Illustration, by George Barbier depicting an 18th Century dinner party from the Great Expectations Series. $350-500

1049

1061

:;n

An Antique Doll, AM 352 12 1/2 K, "Dream Baby". 320mm. $300-500

A Pochoir Illustration, by George Barbier depicting a lady in 18th Century dress playing a harp from the Great Expectations series . $350-500

llqtliof Glazed( ",, ',Oer wt

1050 A Pedigree Doll, vinyl, presented as a Maori souvenir doll. In original box . $300-350

1051 A Walking Stick, with malacca cane shaft and stag antler right angle handle, silver plate ferrule . $300-400

1052 An Ebony Cane, with monogrammed to the top. $300-400

German

800

silver

handle,

1053 An Ebony Cane, twist carved and inlaid with bone inlays. Silver and brass capped. $300-400

cc•n fae gre .. ~ !" 0~ ,a'

:::-~00

1062

A Pair of Oak Bookends, shield shaped with cut brass overlay on a sliding base. $150-200

l l!1!\h of Wa

1063

1·•~ ~-

A WMF Art Nouveau Pewter Dish , decorated in low relief with a portrait of a woman, her sinuous hair combines with strap work to form the asymmetrical outline of the dish. Impressed and raised marks. W.220mm. $650-750

1064 Two Wesley Spragg Photographic Prints. Looking across to Harrisons Cove, Milford Sound and 'Among Channel Islands, Lake Manapouri ' . $150-250

i•···e~ums1 ..:·,·::~a,er"

,_, .. ,ii)

157

Dirk, the 1ais,· inted blacK

Fabrics A Small Antique Chinese Embroidery, formal designs within a

scenes in pale blues and greys on a cream ground. c.1930. Approx . 3m. $110-150

diamond shaped grid, variegated colours on a red all-over satin stitch ground. 210 x 210cm . $90-110

A Large Bolt of Glazed Cotton, Waverley "Byzantine Go ld"

1065

1066 An Antique Chinese Embroidery, a satin stitch peony is flanked by

5eabba1d k·

ted blade. fr;:

verall L3)5··

1nd :eatra "1 '.

TER & sc1::::: serts.O,e,a3:

1075 A Length of Toile, the design depicting romantic pastoral

a bat and a butterfly, on a dark blue silk ground . 270 x 270mm $150-200

1067 An Antique Chinese Embroidery, a Peking stitch central lotus flower is surrounded by stylised satin stitch flowers and butterflies, on a pale blue silk ground and within a black silk border with blue Peking and satin stitch flowers. 370 x 42mm. $250-300

1068

1076 design in gold, green and pinks on a pale grey ground. c.1945 . Approx. 17m. $550-650

1077 A Piece of French Toile, the design of pastoral figures within

medallions of roses and baskets of fruit in blues and pinks on a pale gold ground . c.1920. 75cm. $110-130

1078 A Length of Heavy Linen Fabric, Waverley 'Cotswo ld Manor'

design of traditional flowers and birds in soft colours on a beige ground. Approx. lm 43cm . $100-150

An Antique Chinese Embroidery, depicting two figures, a noble on

ba1d, b11ds ':,: ade a~eo : ,

horseback followed by a servant with parasol in satin stitch with gold couching on a green silk ground and within a black silk border with stylised Narcissus flowers in satin stitch . 300 x 300mm $300-350

1079 A Piece of Heavy Cotton Fabric, embroidered in all-over floral

design in cotton thread colours of burnt umber and terracotta on a taupe ground. c.1930. 73cm. Some damage. $100-150

1069

othe1ofpeu:; 1er to the h: as a 10n m,i : iii! swo1d In:: ·

An Antique Chinese Embroidery. A central Peony fined worked

1080

in Peking stitch and graduated shades of pink, a bat hovers above and below is a lishui border, on a yellow silk ground within a border embroidered with chrysanthemums . 310 x 240mm $240-280

A Length of Chinese Silk, finely embroidered in si lk threads

1070 An Antique Chinese Embroidery, a central sty I ised Lotus and

er dep1ctingr :i ectationsSe1~

surrounding flowers and pomegranates are worked in Peking stitch, on apple green silk ground within a border with geometric designs. 305 x 305mm. $240-280

1071 A Length of Glazed Cotton, chinoiserie repeating design of a

ir depicting a:: he Great [!pi::,·

Chinese maiden with parasols and parrot, flowers and ferns, Early 20th cream and pale green on a maroon ground. Century. Approximately 2m.80cm . $850-950

1072

with cut~a~-·'

A Length of Waverley Heavy Linen, peacocks and chrysanthemums in gold on a natural field. Marked "Yorktown an authentic Waverley screenprint. Approximately 2m.50cm. $220-250

1073 of Sculptured Velvet, Cotton I Silk Blend; Renaissance style floral design in blue, green and gold on cream ground. c.1950. lm.89cm . $400-450 A Length

1074 A Length of American Glazed Cotton, by Brunschwig and Fils,

New York, a design of ye llow roses on a pale blue Regency stripe. Approximately lm 38cm. c.1940. $70-90

with an all-over design of sprigs of flowers on a bough in various colours on an apricot ground . c.1920. 2m .79cm. $200-300

1081 A Sample Piece of Italian Brocade, by Schumacher Fabrics,

floral design in pink and shrimp with gold thread, on a pale green ground. 71cm. $75-100

1082 A Sample Piece Of Italian Silk/ Rayon, Schumacher Fabrics,

the design of flowers in baskets in pale pinks and blues on a pale beige ground. 65cm . $75-100

1083 A Rare Piece Of Glazed Chintz, the traditional flora l pattern is

pale cream on a dark maroon ground . 83cm. c.1840. $260-300

1084 A Length of Toile, the design of idyllic pastoral scenes in dark

blue on a pale blue ground. c.1950. Approx . 3m. $150-250 see illustration page 144

1085 Another Length, the same as the above. Approx . lm . 48cm.

$90-110

1086 A Length of Toile,design titled "Les Militaires" in coral on

beige ground. c.1940 . Approx 2m. $125-150 see illustration page 144

158

1087 A Length of Chinoiserie Barkcloth Decorator's Fabric, a design

1101 Victorian Black Silk Tasselled Trimming. Approx. 3m.

of large chrysanthemum in orange and yellow on a dark gold ground. c.1950. Approx. 2m. $150-200

$200-250 1102 French Gold Metal Fringe Trim. Approx.5m. c.1900.

1088 A Length of Heavily Embroidered Chinese Silk Tapestry Fabric,

$950-1000

a formal Chinoiserie design in orange, and beige and cream with gold thread. c.1920. Approx. 4m. $200-300

1103 Gold Silk Tasselled Trim. Approx. llm. c.1930 .

1089 A Piece of Needlepoint, floral pattern in various colours on a

1104 Three Various Trims and Fringing.

blue ground. 53cm. $125-150

$200-230

1090 A Sample Piece of French Silk, gold floral design on an apple

$650-750

1105 Twenty One German Black Crystal Tassels. c. l 900's .

$630-650

green ground. 68cm. $75-100

Scripophily and Maps 1091 A Length of French Silk and Velvet, fleur de lis design; apricot.

lm.80cm. c.1915. $220-250 1092 A Sample Piece of Italian Silk, floral design on a pale green

background. $100-120 1093 A Piece of Silk/ Rayon Fabric, floral design on a gold ground. 63cms

$75-100 1094 A Piece of Heavy Tapestry, floral design in terracotta on a gold

/ green ground. 90cms. $75-100 1095 Two Fragments of Furnishing Tapestry Fabric, in peach and gold

$75-100 1096 Ten Pieces of Old Silk, pinks, mauves and taupes. All approx. 50cm

1106 City of St Petersburg VIII Loan 1913. One of several bond issues,

this the eighth, was issued in 1913. For £100 sterling, earning interest at 4 112 % pa Decorative Art Nouveau borders. frame the Russian, English, French and German text. 335 x 250mm $150-250

interest. Issued in Mexico, on April 1, 1898. Printed by Waterlows. With decorative allegorical vignettes in indigo and green. 360 x 215mm. $150-250 1108 City of Moscow Loan of the Year 1908. £20 Sterling bond - 5%.

This Bond was issued to finance municipal works in Moscow. This was a small issue and hence bond is rare. The bond was countersigned by Baring Bros & Co Ltd, who gained notoriety in the last decade of the 20thC. Displays the crest of the City, within a design of Art Nouveau knotwork borders. 390 x 270mm $300-500 1109 Moscow-Windau-Rybinsk Railway Company. 4% Bond Loan of

1097 Ten Similar Pieces, in purple, grey and maroon.

1899 for £100 Sterling. Issued 1899. Text in Russian and English. Although guaranteed by the Imperial Russian Government this was one of the few privately owned railway companies in Russia at the beginning of the 20thC. Blue decorative borders. 480 x 370mm . $200-300

1098 Ten Similar Pieces, in terracotta, taupe and grey.

$150-200 1099 Ten Similar Pieces, in greys, yellow and pinks.

$150-200 1100 Ten Similar Pieces, in lavender, apricot and green.

$150-200

H,rndCorrect I

1107 Estados Unidos Mexicanos. £100 sterl ing Bond bearing 5%

$150-200

,,.

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1110 City of Nikolaer 1912 Loan. Bond for £20 sterling, earning

5% pa. Text in Russian and English. Bond countersigned by the chief accountant of London County and Westminster Bank Ltd , who issued the British Prospective. Dated 1st July 1912. Decorative borders in light/ dark brown. 470 x 340mm. $200-300

._t :~::s ~6

.::~-r~~

~ators

lll! ll,irof Gilt Me

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::::.])J'

159

1111 Commercial Bank of Siberia. Bank incorporated on 28th June 1872. Share cert ifi cate for 500 Roubles (two shares of 250 Roubles each). Issued in 1912 in St Petersburg. Decorated with green vignettes of borrowers activities. 430 x 320mm. $150-250

Approx. Jm.

m. c.19()}

1112 Territorial De La Becca Union. £5 Sterling Share Certificate issued in April 1905 by the Becca Union Mining Company based in Lima Peru. Black / yellow certificate with vignette of mining scene. 390 x 340mm. $200-300

c.1930.

1113 An 18th Century Map, "Anglesey" drawn by John Speed, entitled in crested cartou che, an inset plan of Beaumoris top right, the map co loured in outline. 295 x 515mm. $500-700

s.c.1900's

1114 An 18th Century Map, "Flint" by Christopher Saxton, handcoloured in outline entitled in cartouche. 255 x 325. $300-400

of severai oor: ;;,.::, £lOO~er1m5" !auborde11.'r,

I. 335x251}r·

1115 "A New and Correct Map of North-Wales", handcoloured in outline. 385 x 455mm. $300-400

ing Bond oea1·;: , 1898 P···,: ,1gnertes •n 11:;:

1116 A Large Etching in Four Panels, framed "London" by CG Visscher. A view of London , Westminster and Southwark, from White Hall to St Kevin's-by-the-Tower, from the north and from Pari s Garden to beyond St Clave's, Southwark on the South Bank . A reproduction etched by J. Pulam and published in 1848 of Visher's 1616 engraving . L.2160mm. W.410mm . $2500-3000

20 Sterling ·:'

Decorator's Items & Lighting 6pm

1pal \Wl'KS n ... 1s rare. Theo:•:

who gained ,;:> , the crest oi ··::

Jllfders 3901:

any. Al, BonO,:"

1. Text 1n Ru~:'_

he lmper'a t, irivately owne: . 'of the 20t"C ;

1117 A Georgian Mahogany Ballot Box, the hinged lid with slot cut to deposit votes the lower section with a key locked drawer brass bale handles to either side. $600-800 1118 A 19th C Flame Mahogany Tea Caddy, the interior fitted with two canisters, mi xing bowl missing. Raised on gilt metal feet and with gilt metal handle to the hinged lid $200-300 1119 A Pair of Gilt Metal Curtain Tie Backs, ornately moulded as si nuous leaves and open flower head , French, 19th Century. $200-300 1120 A Pair of Moulded Metal Curtain Tie Backs, moulded with racemes of pendant flowers and acanthus leaves. French, 19th century $175-275

1121 A 19th Century Walnut, Tunbridge Ware Work Box, the lid painted with a portrait of a dog. W.300mm. $375-475 1122 A Three Fold 'Carriage Mirror', the exterior decorated with landscapes with deer. $200-250 1123 An Ormolu Candelabra, the three branches issuing from a naturalistic stem surrounded by various orchid and other flower heads, at it's base a figure of a young girl holds a basket of fruit, the whole raised on a white marble socle plinth . H.470mm $400-600 1124 A Victorian Copper and Brass Samovar, with turned handles raised form a platform base. H.340mm . $400-600 1125 A Victorian Pink Glass Kerosene Lamp, with brass pillar support raised from a stepped base . H .660mm . $750-900 1126 A Victorian Kerosene Lamp, decorated with classical figures on a pink ground. H.530mm . $750-900 1127 A Victorian Brass Wall Mounted Gaslight, modelled with a seated angel at the hinged wall bracket above a sinuous stem of foliate designs, etched glass shade, later electrified. $550-750 1128 A Pair of Continental Porcelain Based Table Lamps,with raw silk shades. The bases of urn shape, decorated with bands of summer flowers enriched with gilt and lion mask side handles. $700-900 1129 An Old Cast and Wrought Steel Lantern. Hexagonal section, glass panels absent, surmounted by an ogee cornice with pediment of fleur-de-lys. H. 700mm. $175-275 1130 A Chandelier, of gilt metal, modelled with leafy fronds suspending amber and clear crystal drops and embellished with crystal flower heads. Five I ight. $200-350 1131 An Art Deco Crystal Chandelier, basket shape with ribbons of graduated cut crystal beads dropping to a five tiered graduated frame of crystal drops. $350-500

160

1132 A Six Branch Cut Crystal Chandelier, with cut crystal swags

Furniture

and drops. $550-650

1144

1133

A Fine Tall 19th Century English Giltwood and Ebonised Hall Mirror, of neo-classical design, with a break-front boxed base.

A Very Decorative Venetian Metal Framed Four Glass Suspended Lantern, later electrified, decorated with scrolls,

baskets and anthemion motifs. $1700-1900

The motifs include trails, festoons and rosettes . 3.3m x 1.3m $6000-8000 see illustration page 161

1145 1134 A Venetian Wrought Iron Ceiling Lantern, with lead light glazed

panels. $1700-2000

1135 A Gothic Inspired Cast Metal Ceiling Fitting, circular frieze

pierced with fretted rondels above a foliate border. Rising in a conical structure to an acanthus capital with trefoil suspension loop. 0.430mm. H.500mm. $300-500

A Regency Mahogany Cheval Mirror, with acorn finials and

turned supports, raised on splayed legs with acanthus carving terminating in brass castors. W.850mm. H. l 700mm. $3500-4500

1146 A Large Edwardian Gilt Framed Wall Mirror, with bevelled edge

and beaded fluted border. H.220mm. W.1200mm. $3500-4000

1147 1136

A Victorian Toilet Mirror, held on scroll form supports from a

A Pair of 19th C Decorative Gilt Metal Wall Brackets, with

platform base with scroll fret carving on flat bun feet. H.900mm. W.630mm. $900-1400

applied foliate scrolls. H.500mm. $400-600

1137

1148

An Italian Marble Bust, of a young girl, a veil drawn over her

An American Ansonia Regulator Wall Clock, with circular brass

Raised on socle plinth base. face. Lazzerini, Carrera Italia. H.470mm. $300-500

Signed Prof Pietro

1138 An Indian Wrought Iron Trellis Window, in carved wooden

frame. 935 x 590mm. $200-300

1139 A Brass Gimble Mounted Ship's Barometer, faulted.

$300-400

dial with Roman numerals. H.800mm. $900-1200

1149 A French Pine Banjo Shaped Wall Mirror. H. llOOmm.

$300-400

1150 A Gilt Framed Regency Style Convex Wall Mirror. With applied

balls to the circular frame, surmounted by an eagle. 0.700mm. $3500-5000

1140 An Admiral Fitzroy Barometer, Oak cased, the pediment with

1151

dentalled corners. The interior of the case with labels of Admiral Fitzroy's remarks. H.975mm. $1500-1750

A 19th Century Mahogany Cheval Mirror, with scroll support

raised from a platform base. H.1550mm. W.800mm. $800-1200

1141

1152

A Georgian Mahogany Cased Banjo Barometer. The case with

An Early 19th Century Continental Bow Front Commode. With

inlaid satinwood flowerhead and shell designs, and sati nwood stringing. The circular dial marked Ortelli & Co. With blued steel hand and brass adjustable pointer. The upper section of The swan neck the case incorporating a thermometer. pediment damaged and absent. $900-1200

1142

two full width drawers, crossbanded and with brass escutcheons and ring handles raised on square section legs. W.1200mm. $4000-6000 see illustration page 164

1153

A Brass Cased Gimble Mounted Lifeboat Compass.

A Late 19th Century Chinese Elm Writing Desk. The top with

$250-350

mask and fret key carving. The legs and frieze heavily carved with dragon masks in high relief, raised on dragon form legs on ball and claw feet. L.1400mm. $1000-2000 see illustration page 141

1143 An Oregon Pine Oar

$130-200

161

r---....

IandEbonise,1 1.

lK-front ,i:..

ettes 33~ 1•

acom '·,

1th acantr.s~

1.1700m

I, WI hbe,i: 1200mm

or sup~:-~

on fiat :

1191 1144 upper section detail

IMiITorJ:-a:

rnted bj r '

~. w1thsC': :.

TI.

wsoor-

Front Corn -

ed and ft,. square se:·

ng 0esk. r~ · dfrieze hel•, on dragon f(( ·.

1144 lower section detail

162

1154 A Good Victorian Burr Walnut Whatnot, with oval mirror to the top above two serpentine shaped shelves with fret carved back rails. The lower section with a cupboard with mirrored panel door, flanked by two small shelves raised on squat turned legs terminating in porcelain castors. W.1050mm. H.1300mm. $2500-3000

see illustration page 141 1155 A Victorian Three Tiered Walnut Whatnot, with fret carved gallery raised on turned legs terminating in porcelain castors. W.560mm. H.900mm. $1200-1800 1156 A Late Victorian Mahogany Twin Pedestal Desk, with red tooled leather top above a central drawer flanked by four small cockbeaded drawers with brass handles on bracket feet. W.1200mm. $3500-5000 1157 A 19th C Pine Linen Press, the upper section with panelled cupboards beneath a stepped cornice. The base with two small drawers above a full width drawer with turned handles raised on bun feet. W.1250mm. H.2100mm. $2500-3000 1158 A Victorian Burr Walnut Credenza, with mirror back with foliate and scroll cresting piece above a white marble top. The base with three mirrored panelled cupboards and fluted turned supports. W.1360mm. H.1850mm. $7000-8000

,'itllc S~le french

1163 An Edwardian Mahogany Occasional Table, with octagonal top raised on turned supports with shelf, to the base with pierced cruciform gallery on splayed feet. $800-1100

, ., ca~ed decc '.;s;Jare section t-:aNed 1n r1

.:::-~. :.-'.00

1164 A Victorian Walnut Credenza, with serpentine shaped marble top above a central glazed panelled cupboard , flanked by mirrored panelled doors on a platform base. W.1500mm. $4000-5000

see illustration page 165 1165 A Late Victorian Oak Hallstand, with architectural pediment above a central bevel edge mirror. Flanked by foliate carved panels and small shelves, with a single drawer to the base flanked by open compartment to accommodate walking sticks raised on turned supports. W.1150mm, H.2100mm. $1500-2000

1;:x,anBurrWalm

,:;1:es:a' on fo1

·::·iiporcela1

:ii

• ,Pedestal Oak

1166 A Late 19th Century Oak Twin Pedestal Desk, with green tooled leather top and with central drawer flanked by four drawers crossbanded with rosewood and with brass handles. W.ll00mm. $2000-3000

.:11 I~, ~ Elm Geoq

1167 A Victorian Mahogany Chest of Drawers, with two smal I drawers above three of full width , cockbeaded and with turned handles. Flanked by fluted pi Iasters on squat bun feet. W.1100mm , H.1200mm . $3000-4000

··;:,:ion cabn lili lu'.d9thCentu~

see illustration page 165 1159 A Pair of Continental Walnut Arts and Crafts Wardrobes, each with a stepped cornice and carved panelled door inlaid with brass with two drawers to the base on squat feet. W.1400mm. H.2000mm. $4000-6000

.::::n ej doo1 ·,,:'•on, embe

1168 An Early English 19th Century Oak Longcase Clock, with arched top with brass ball finials. The face painted with a cottage and floral decoration and Roman numerals, with date aperture and subsidiary seconds dial, 8 day movement by Howes, Ballingdon , Essex. H.2200mm. $2500-3500

'i"i'Js.rasei ..........

i.::··,r

1111

~, Eamian Georg

~- ·& ~: 'e~ea a 1

1160 A Victorian Walnut Credenza, with serpentine shaped thumb moulded top above a glazed panelled cupboard flanked by glazed cupboards, on a platform base on later squat cabriole legs terminating in ball and claw feet $6000-7000 1161 A Victorian Parlour Chair, with button back and padded arms raised on cabriole legs terminating in porcelain castors. $750-1100 1162 A Good Three Piece Victorian Walnut Framed Parlour Suite, with chaise lounge and gentleman's and lady's chair. The chaise with padded button back divided by an interlacing scroll form support and with matching arms and serpentine shaped apron on squat cabriole legs. The chairs with button backs and matching scroll form arms. $6500-9000

see illustration page 144

1169 A Rosewood Cased Baby Grand Piano, by Collard & Collard London with ebony and ivory keys raised on octagonal turned legs on porcelain castors. L.2000mm. $4000-5000

!lJ8

1f~~ian Oak Cor

::-i ea aoor c

1170 An Exceptional Queen Anne Period Oak Dresser. The superstructure with stepped cornice above a serpentine carved pierced apron above three shelves flanked by small shelves and cupboards cross-banded in walnut and with brass escutcheons. The base with three frieze drawers cross-banded in walnut and with brass handles and escutcheons above a shaped apron conforming with the upper section raised on cabriole legs. In superb original condition with good patina. The upper section slightly raised in height. W.2000mm. H.2090mm . $25000-35000

see illustration page 164

. ·~-~

·•Jv'""'

lt:ioo 11)!

1_~(\orian Mahog

;;sr,' n,o o

·•_:'.,,a1>oveoan1 ••v~,.,m

i::00.1500 0 • •5

irai,on pa,

1180

~~elll Perio

,':;'"siegs l! •il,.JC();)

163

line sha~-i'.· P ard, f1a-,,,

i W.1

r:· ·

1171 An 18th C Style French Carved Wood and Gilt Consol Table.

1181 An Edwardian Sheraton Revival Sideboard, bow fronted with a

With she I I carved decorative motif to the frieze raised on tapering square section legs embellished with foliate and fruit decoration carved in relief with green striated marble top. W.1500mm. $3000-4000

single drawer above an open compartment flanked by panelled cupboards crossbanded and inlaid with satinwood patare motifs raised on tapering legs. $3500-4000

1172 An Edwardian Georgian Style Mahogany Nest of Three Tables.

1182 A Set of Five Victorian Walnut Framed Balloon Back Dining Chairs, raised on cabriole legs.

Each table raised on tapering slender legs with trestle base. W.490mm . $1200-1500

h1tectura ~: ·,-

!d by folia:, :r. drawer to:·,::-

odatewalxii:-. .2!00mm

1173 A Victorian Burr Walnut Loo Table, with oval top raised on a

turned pedestal on four splayed legs with acanthus carving , terminating in porcelain castors. L.1350mm. $1800-2400 1174 A Twin Pedestal Oak Writing Desk, with green tooled leather

11 Desk, w:• i" Ner 'lankec ;, '· with brass •r:-

top and with central frieze drawer flanked by three small drawers with brass tear-drop handles raised on turned legs with stretcher base. W. l 200mm . $1800-2200 1175 A Pair of Elm Georgian Provincial Side Chairs, Each with

ith two sma :-, · w1thturnedhr> nfeet. w::[·

ongcase Cir,:\. face painte:

numera1s.1:·:· · 8 day mo,e-t•

spindle back on cabriole legs, united by stretchers . $300-400

I on octagora '. .

j bysma111ne,~'

t and w1tr •.'..

drawe~crOSi~---

escutche-OOI i-_-. er sechon ra~.. P rj/J'' ·1on with& OCi

height. WZ

tapestry seats raised on cabriole legs. $1100-1500 1184 A Victorian Mahogany Sideboard, with two panel led cupboards

raised on a platform base. W. l 550mm. $2500-3500 1185 A William IV Rosewood Card Table, with fold over top raised on

a gun barrel pedestal on a platform base on scroll feet. W.900mm $2750-3500 see illustration apge 164 1186 A Victorian Marble Top Wash Stand. With a single frieze drawer

raised on turned legs on a platform base. W.1040mm. $600-900

glazed panelled door and with glazed sides. The base with panelled front embellished with gilt metal floral rondels and floral garlands , raised on squat feet. W. 930mm. H .2000mm. $3500-4000

1187 A New Zealand Kauri Colonial Art Nouveau Inspired Sideboard.

1177 An Edwardian Georgian Style Mahogany Bureau. The fall front

1178 A Victorian Oak Corner Cupboard, with stepped cornice above

a panelled door crossbanded with mahogany. H.1200mm. $850-1200

Oak Dresser. 1e aserpen\;r,::'.

1183 A Set of Four Victorian Balloon Back Dining Chairs, with

1176 A Late 19th Century Oak Vitrine, with stepped cornice above a

opening to reveal a fitted interior above three cross banded drawers with brass handles on bracket feet. W. 760mm. $1000-1500

by Collari &C:

$1375-1500

W.800mm.

With mirror back beneath a stepped cornice supported on tapering columns. The base with three frieze drawers above three drawers flanked by panelled cupboards with carved art nouveau foliate decoration raised on squat bun feet. W.1800. H.1960mm $2000-3000 1188 A Victorian Burr Walnut Demi Lune Card Table, with fold over

top with green baize interior raised on a cathedral support on four scroll legs terminating in porcelain castors . W. 900mm. $4000-4500 see illustration page 141

1179 A Victorian Mahogany Chiffonier, with upstand back with a

1189 A Good Victorian Walnut Parlour Chair, with cameo button

single shelf held on turned supports. The base with a single drawer above panelled cupboards flanked by split pilasters. W.lO00mm. $1000-1500 see illustration page 140

back and padded arms. Grape and leaf carving to the knee raised on cabriole legs terminating in brown porcelain castors. $2500-3000 see illustration page 144

1180 A George Ill Period D End Mahogany Dining Table, raised on

tapering legs. L.1800mm. $2000-3000

1190 An Italian Marble Vase Stand, of mottled green colouration of

column form raised from a pi inth base . H. l 250mm. $3500-5000 see i IIustration page 161

165

-------------

1164

924

166

1191 An Impressive 19th Century Alabaster and Marble Figure, of a

1201 A French Burr Walnut Wardrobe, with central door flanked by

young lady. Modelled leaning on a wall holding a rose raised on a column form stand with stepped octagonal base. H.1550mm . $8500-10000 see illustration page 161

cupboards embellished with gilt metal urn and floral W.1300mm. decoration raised on squat turned legs. H.2200mm. $800-1200

1192 An 19th Century Ebonised Torchere, the support model led as

a blackamoor figure raised on three scroll legs. H.910mm. $800-1200 see illustration page 140

1202 Inlaid Corner Cabinet. A Small Dutch Style Floor Standing Corner Cupboard, with floral marquetry inlaid door and top.

H.715mm. $800-1200 1203 An Impressive Japanese Meiji Period Parquetry Inlaid Cabinet,

1193 A Set of Six

19th C Side Chairs, with leather upholstered row of four spindles the padded seats with a above backs leather upholstery raised on turned legs. $1500-2000

1194 A Chinese Camphorwood Blanket Chest, carved with figural

and foliate decoration and with brass lock and face plate . W.1060mm. $800-1000 1195 A Louis XV Five Piece Parlour Suite, canape and four

armchairs, padded backs and arms and raised on tapered legs. $3000-3500 1196 A Victorian Walnut Framed Ladiy's Chair, raised on cabriole

legs. $600-800 1197 A Set of Six Early 19th C Oak Provincial Side Chairs, raised on

tapering square section legs united by stretchers. $1500-2000 1198 A Spanish Bronze Figure of Pan depicted eating grapes, with

verdigris patination. Signed and dated to the base . c.1930 . H.640mm. $3500-5000 see illustration page 161

with numerous small drawers and compartment and sliding panels in eizu, zelkovia, and numerous other timbers, raised on bun feet. H.1750mm , W.800mm. $3500-4000 1204 A Victorian Arm Chair, with button back and foliate scroll

carved cresting piece with padded arms raised on cabriole legs. $600-800 1205 A Victorian Mahogany Nursing Chair. With oval padded back

flanked by turned supports raised on turned legs terminating in porcelain castors. $500-600 1206 A George Ill Mahogany Pembroke Table. With drop sides and

single drawer to each end raised on tapering legs terminating in brass castors. L.900mm. W.1300mm. $1200-1800

:1ll .- ,fl!Sliveand U

:,serpentine , ,ndscrol caM : ,:·: stered in a .::,1 2300

)ii

.::-scoo

:1!1 J!III Century Goth ... ., j~.· -;'.

:lll

l~le 19th Century :: mbone an

··· ::: ~rrgng :. ·,: ;1a sa

. ::~j

:111 ,y:!i~n Mahoga1 ·1 a•awers a

,,· ·, mc:ner

:::::-1500

.111 ll91hCentury Ma

1:::-150 :111

A Regency Mahogany Sofa Table, with single frieze drawers

l~~~ttedCa1 ·,:;·a1d scrol,

and drop sides raised on a turned pedestal on four splayed legs with acanthus carving and with brass capping terminating in brass castors. L.900mm. W.900mm. $2500-4000

1~~e KashanC

1207

::::.:2 111)

': 196x29

1208

·:·-~ '" ........

An Edwardian Sheraton Revival Mahogany Display Cabinet. 1199 A Victorian

with I idded stationery compartment above a hinged top inlaid with satinwood and rosewood. Opening to reveal a fitted interior, with four drawers - with dummy drawers to the opposing side raised from a platform base. W.540mm. $2500-3000 see illustration page 141 Walnut

Davenport,

1200 A Spanish 19th C Painted Pine Cupboard, with lattice panelled

doors raised on stepped feet. W.800mm. H. lOOOmm. $1200-1500

With astragal glazed doors to the upper section and with two shelves to the interior. The base with panelled cupboards with satinwood inlay raised on tapering legs terminating on spade feet. H.1950. W.850mm. $2000-3000

111!

I~~ 0~Hand -~ l€:orated

:''.:::,a 2830 : :'.-:150

1209

1119

A 19th Century Beidermeier Flame Mahogany Cabinet. With

1 ~ Antique

stepped architectural pediment with small drawer above a panelled cupboard flanked by tapering columns raised from a platform base. H.1800mm. W.1050mm. $1500-2000

~;\/',\s!, ·:,:meander .:-,x:3

<'.-:J.

167

--------------ral door fi,i e:

Ii urn anc.

is. W.130[--

yle Floor Slant

1la1d oor a-::::'

1210 A 19th Century Beidermeier Walnut Secretaire a Abbatant,

with small drawer to the top above a fall front opening to reveal a fitted interior and with three full width drawers to the base. H.1400mm. W.1040mm. $2000-3000 1211 An Impressive and Unusual 19th Century Spanish High Back Sofa, with serpentine shaped wing back and roll arms above a

she II and scrol I carved apron on squat cabriole legs with paw feet upholstered in a blue and beige stripped floral embossed upholstery. L.2300mm. H.1600mm. $3000-5000

etry lnlaidCah• rtment anos:·: rlimbe~. 12 ~:-

1212 A 19th Century Gothic Style Pine Niche. H.2200mm.

$800-1200 1213 A Late 19th Century Rosewood Card Table, with 'envelope ' top

, and fo a:eL raised on ea: ·,

padde: :·: ed legs term Ti

1 oval

inlaid with bone and satinwood raised on tapering legs with satinwood stringing united by stretchers supporting a shelf with turned finials and gallery. W.550mm. $1000-1500 1214 A Victorian Mahogany Bow Fronted Chest of Drawers, with two

small drawers above three of full width with turned handles inset with mother of pearl , on bun feet. W. l000mm. H.1200mm. $1500-2500

Vith dropsm,·

1215 A 19th Century Mahogany Cutlery Tray. L.430mm.

ng legs term•;:·;

$150-250

ngle frieze 011·: on foursp1a11: ,; ping term1n,l'i

iy Displaj Cabir-,1 ~lion andi1l1 lied cupooaro, rrnrnating on sr,:,

~any CabineL_,, all drawer a~::· umns raised"·

1216 A Handknotted Carpet in the Mori Kashan Style, with hunting

design and scrolling flowers on a cream field. 2.8 x 1.7 . $800-1200 1217 A Large Kashan Carpet, with floral pattern on a red and blue

field . 3.96 x 2.91. $3000-4000 1218 A Fine Old Hand knotted Carpet. Wool pi le on cotton weft and

warp. Decorated with the herati pattern on a ground of faded terracotta. 2830 x 1415mm . $5750-6250 1219 A Good Antique Hand Knotted Rug, Caucasian, patterned with

a geometric stylised floral design within a step sided lozenge shaped field with a faded terracotta ground , framed by a stylised meander border. Wool pile on cotton weft and warp. 1940 X 1300. $1100-1300

Moorcroft Pottery 1220 A Rare William Moorcroft Macintyre Chamberstick, decorated

with poppies and forget-me-nots. Red and blue flowers on an ivory and green ground. Green painted signature, brown back stamp. Also has the undocumented brown 'Made for Pringles Ltd' mark. c.1908. H.75mm . Pringles are the renowned Scottish retailer of clothing $800-1400 see illustration page 169 1221 A Macintyre Moorcroft Biscuit Barrel, with EPNS lid . William

initialled. 904 impressed. c.1907. H.165mm. $2500-3000 1222 A William Moorcroft Macintyre 'Florian Ware' twin handled bowl, on a raised circular foot. Decorated with the 'Peacock'

pattern in muted blues and greens on a pale green ground . Green painted signature and painted mark "Birks" c.1907 . D.200mm. $3500-4500 see illustration page 169 1223 A Macintyre Florian Ware Vase, ovoid body with trumpet neck.

Decorated in the 'Cornflower' pattern. Brown backstamp with green painted 'W Moorcroft' signature c.1901. H.133mm. $800-1500 see illustration page 168 1224 A William Moorcroft Macintyre Florian Ware Baluster Vase,

with a slender trumpet neck. Decorated in the 'Iris' pattern in muted blues on a blue ground. Restoration to neck. c.1899 . H.245mm. $1200-2000 see illustration page 168 1225 A William Moorcroft Macintyre Florian Ware Jardiniere, with

'fluted rim , decorated in blues and with a 'Poppy' pattern. Painted initials designed and initialled WM. Brown backstamp. c.1900. H.900mm. $800-1200 see illustration page 168 1226 A Rare William Moorcroft Macintyre Florian Ware Tapering Coffee Cup and Saucer, decorated in muted blues with the

'Poppy' pattern. Painted signature and brown backstamp. Crazing to cup. c.1900. H.68mm. $500-800 see illustration page 168 1227 A William Moorcroft Macintyre Florian Ware Vase, with small

trumpet neck decorated in blues with a 'Tulip ' pattern. Designed and signed by W. Moorcroft. Brown backstamp. c.1899. H.135mm. $1000-1500 see illustration page 168

1232

1226

1277

1274

1403

1237

1224

1251

1404

1400

1250

1249

1225

1250

1264

1228

1262

, I

;:_

- ---•-~

. . .p . .

'rl❖ Cl> lll!i

1263

1268

--- -

1325

1385

1256

1257

1272

1297

1294

1397

1299

1253

1254

1398

1392

1296

1390

1395

1258

1252

1324

1273

170

1236

1228 A Moorcroft Macintyre Jug, painted with lmari decoration. c.1900. H.188mm . Handle restored. $300-500 see illustration page 168

1229 A Macintyre Small Acorn Shaped Pepper Pot. backstamp. c.1910. H.38mm . $30-60

Black

1230 A Macintyre Acorn Shaped Pepper Pot with a brown simulated agate base . c.1880. H.64mm. $20-60

A Rare William Moorcroft Inverse Baluster Vase, decorated with the 'Spa nish' pattern on a mottled yellow-green ground. Impressed marks and green signature. c.1916. H.198mm. $3000-4000 see illustration page 169

A Pair of Rare William Moorcroft Macintyre Vases. Slender trumpet necks widening to bulbous bases . Decorated in the 'Cornflower' pattern, the flora decorated in muted reds and browns on a mottled green ground. Brown Macintyre back stamp. Signed "W.Moorcroft" c.1912. H.157mm. $4000-5500 see illustration page 172

1232 A William Moorcroft Macintyre Twin Handled 'Poppy' Vase. Decorated with blue flowers on a white ground. Green painted signature, brown backstamp. c.1903. H.103mm. Hairline to rim. $800-1500 see illustration page 168

1233 A Pair of William Moorcroft Macintyre 'Flamminian' Pattern Candlesticks. Made for Liberty and Co. Of cylindrical form with a flaring foot. Decorated with stylised foliate rondels on a green ground. Green painted signature and a brown 'Made for Liberty & Co" stamp on each. c.1906. H.235mm. This is as far as we can ascertain the only known example of a pair of these candlesticks held in any public or private collection. $2000-3000 see illustration page 172

~uOf Macincyre '., 'o' 8111ningham ,_'.,,o'.ed with au\l ···:,noed by agild, •iDmffi,

;):%00

1237 A William Moorcroft Macintyre 'Lilac' Pattern Vase. A cylindrical form with a gently flaring lip and rounded base on a circular foot. The mute body decorated at the base and lip with flowers on a blue ground. With gilt detailing. Green painted signature and brown backstamp. c.1905 . H.240mm . $1800-2200 see illustration page 168

1238 1231

1111

A Very Rare Macintyre Tapering Stoneware Vesta. With a green textured ground and a sterling silver rim. The base is decorated 'Poppy' pattern with green and brown flowers outlined with white tube lining. Brown backstamp c .1902. H.72mm. $600-1000

11\i

He~ Rare Macincy ,l!lmer. lhe slip-tr

.·,'f/ Barnard, 11 .,, :•ein band ru1

;;_ :~ c.1902 ·;",.'500 ,., .., .

!W 1Madncyre Com

looacco Jar. Featu

-q Brownba,

J1ij

1239

I Wil iam Moore

A Rare Macintyre Near Spherical Commemorative Stoneware Vesta. With a green textured surface and a sterling silver rim. Featuring the crest for the University Of New Zealand. Black backstamp and also marked "New Zealand". c.1904. H.60mm. $250-400

.,::·i:ed With slj

1240 A Macintyre Commemorative Near Spherical Stoneware Vesta. With a white textured surface . Featuring the crest for Hertford College Oxford University. Black backstamp. c .1900. H.56mm . $100-200

.::•,g'aze. In i,Drat1onto 1p.

:::r1

:~ ,srrat1onpa1

IM;:intyre "Aure

:·, ,·then octa

:., 11orai dec1

·JOmm. Hasi lL:

ii: ,strat1on p,

1241 A Rare Macintyre Commemorative Near Spherical Stoneware Vesta. With a textured surface. Featuring the crest for Magdalene College Cambridge University. Black backstamp c.1900. H.56mm. $60-120

1110

I Rare Pair of

lrum~tVases, f

''J Burnt orani

::897. 200r ~!II

1234

1242

A William Moorcroft Macintyre Pot Pourri. Jar with lid made for Liberty and Co. Decorated in the 'Claremont' pattern with predominantly red coloured toadstools on a mottled green ground. faults to rim under I id. c.1905. H .88mm. $1000-1500 see illustration page 168

A Macintyre Commemorative Near Spherical Stoneware Vesta. With a brown textured surface. Featuring the crest for Jesus College. Black backstamp c. 1900. H.55mm. $100-150

1235 A Very Rare William Moorcroft Macintyre 'Spanish' Pattern Bud Vase. Cylindrical form with a flared foot and tapering neck. Decorated with blue and green foliage and flowers on a pale green ground. Green painted signature. c.1912. H.95mm. $1000-1500

1243 A Macintyre Near Spherical Commemorative Stoneware Vesta. With a green textured surface. Featuring the crest for Cambridge University. Black backstamp. c.1900. H.60mm. $80-150

1244 A Macintyre Near Spherical Commemorative Stoneware Vesta. With ivory coloured matt glaze and a crest for Oxford University. Black backstamp c.1900. H.70mm. $80-150

~ ustrationp

1111

I Matint,re "Ar ,015, · ,, 1tt1ngs. :,nels. w1thgre1 ' ; ,,•ng lmpre 11 500

~, ustration,

171

Vase, decort,w-green gro.:;· 6. H.!98mm

attern Vase. ; rounded base :· the baseano , leta1 mg. G•e;·

lO5. H240mc

;ta. Witha 5i::·

. The ba~ 1 j brown lie ,i :kstampcJ::

1245

1253

A Pair Of Macintyre Aurealian Ware Salts. With sterling silver rims for Birmingham 1890/1. A pair of sterling silver spoons. Decorated with autumnal foliage on ivory coloured panels. Surrounded by a gilded green border. Impressed mark c.1890. H.30mm. $300-600

A William Moorcroft "Dawn Landscape" Baluster Vase. Decorated with an undulating landscape and stylised trees in the typical blue colourway. Restoration to rim. Impressed marks, blue painted signature. c.1928. H. l 98mm. $400-600 see illustration page 169

1246 A Very Rare Macintyre Gesso Faience Teapot, Sugar Bowl and Creamer. The slip-trailed Art Nouveau floral design , attributed to Harry Barnard, is applied on a pale green ground . A plain dark green band runs under cylindrical vertically ribbed rim. Faulted. c.1902. H. ll0mm. $800-1500

1247 A Macintyre Commemorative Green Textured Stoneware Tobacco Jar. Featuring the crest for Dublin University. Lid missing. Brown backstamp . c.1900. H.98mm. $50-100

1248

nativeStonmr, ,terl1ng1,v~•· v Zealand 8,:, and". c. 191'.

A William Moorcroft Macintyre Inverse Baluster Vase, decorated with stylised 'apple blossom ' pattern with a ruby lustre glaze. Incised signature . c.1907 . H.205mm. Restoration to lip. $800-1200 see illustration page 172

1249 StonewareVe11a

crest for He~:•:

w· ,tamp. c.,,.

A Macintyre "Aurelain Ware" Vase, with circular foot and rim on a writhen octagonal body with twin handles. Gilded flow c.1898. blue floral decoration . Brown backstamp. H.120mm. Has some rubbing to the gilding. $800-1500 see illustration page 168

1250

herical St011e1are ing the crest·:· Black bacK,!f'.

A Rare Pair of Macintyre Twin Handled "Aurelian Ware" Trumpet Vases. Flow blue , poppy decoration with gilt borders and Burnt orange highlights. Brown backstamp on each. c.1897. H.200mm. $4000-6000 see illustration page 168

IStonewareVesb

1251

the crest lo• •11·' m.

A Macintyre "Aurelian Ware" Tapering Biscuit Barrel, with EPNS fittings. Decorated with autumnal foliage in ivory panels , with green borders. Highlighted with both gilding and silvering. Impressed mark. c.1867. H.155mm. $200-500 see illustration page 168

e StonewareVesll

ing the cres:·: .__ :.1900, H.60

, stonewareVei'l

oI••

crest for i,

·omrn.

1254 A William Moorcroft Flambe Vase, leaves and fruit design. William initialled, impressed . c.1928. H.152mm. $500750 see illustration page 169

1255 An Ovoid William Moorcroft Vase, decorated with the Big poppy pattern on blue ground. Painted initials and impressed marks. c.1923. H.152mm. $750-950

1256 A Bulbous William Moorcroft Flambe Vase, with a long flared neck . Decorated with the leaves and fruit pattern. Signed, impressed marks. c.1930. H.330mm. $1500-2000 see illustration page 168

1257 A William Moorcroft Inverse Baluster Vase, decorated with fish swimming through aquatic foliage on a muted green and blue ground. Under a flambe glaze. Impressed marks, Signed. c.1930. H.178mm. $2300-3000 see illustration page 168

1258 A William Moorcroft Ovoid 'Cornflower' Vase. Rare colourway decorated with cobalt flowers on a speckled blue ground. Painted initials and impressed marks. c.1920. H.178mm. $800-1500 see illustration page 169

1259 A William Moorcroft Macintyre Ovoid 'Poppies and Forget-MeNots' Vase, made for Pringle's Ltd. Red and blue flowers on an ivory and pale green ground . Brown Macintyre back stamp . Green painted signature and stamped in blue "Made for Pringles Ltd " . c.1908 . H.102mm . $700-1200 see illustration page 169

1260 A William Moorcroft Macintyre Pen Tray. Decorated in the ' Hazledene' landscape pattern under a ruby lustre glaze . Incised signature . c.1907. L. l 95mm. $700-1000 see illustration page 172

1252 A William Moorcroft 'Moonlit Blue' Landscape Inverse Baluster Vase, decorated with bi ue and green trees and rol Ii ng hi Ils on a speckled powder blue ground. Impressed marks and painted initials. c.1925. H.144mm. $800-1500 see illustration page 169

1261 A William Moorcroft 'Hazeldene' Landscape' Baluster Vase, in autumnal colours with a red brown lustre glaze. Impressed marks and painted initials. c.1920. H.125mm. $1800-2500 see illustration page 172

1342

1233

1289

1283

1231

1330

1350

1288

1270

1334

1344

1261

1286

1275

1290

1343

1284

1233

1351

1352

1287

1345

1285

1260

1248

1291

1375 ,)J

tI 1282

1309

1366

1401

1365

1318

1363

1364

1316

1362

1320

1361

1317

1359

1292

1360

1319

174

1262 A Miniature Moorcroft Macintyre Inverse Baluster Vase. Decorated in the 'Hazeldene' landscape pattern with green Green painted trees on a lighter green mottled ground. signature and stamped R.D number. c.1910. H.76mm. Small fault to rim. $500-750 see illustration page 168

1271 An Extremely Rare William Moorcroft Macintyre 'Wisteria' Pattern Beaker. Made for Liberty & Co. Decorated with pink and blue floral swags on a yellow lustre ground. Green painted signature and brown "Made for Liberty & Co" mark. c.1908. H.92mm. $1000-1500

'1i0

;~MacintyreMi ar1e g11t grour .:e•decorated v :, :ecorat10!1 at .·.,. ie body ; .:: ~a:1ntyre .• 1imm .

:·"1500 .~.:~,; ... 1272

1263 A William Moorcroft Macintyre Vase, featuring the dark green 'Hazeldene Landscape' pattern on a green ground. c.1910 . Signed, and printed with reg no. 397964. H.152mm. $700-900 see illustration page 168

1264 A William Moorcroft Shallow Bowl, on circular foot, decorated with blue forget-me-nots on white panels surrounded by powder blue ground. Painted signature and impressed mark. c.1916. W.115mm. $500-800 see illustration page 168

1265 A William Moorcroft Inverse Baluster Vase, cobalt blue base crowned with a line of Pansy buds below a pale mottled rim. Painted signature impressed marks . c.1916. H.170mm. $800-1500

1266 A William Moorcroft Ovoid Vase, decorated with Wisteria Painted signature flowers and foliage on a blue ground. impressed marks. Small repair to base. c.1916. H.250mm. $1000-1500

A William Moorcroft 'Eventide Landscape' Pattern Vase, using Initialled and a green red and gold colourway. c.1925. impressed marks. H.178mm. $250-500 see illustration page 168

11il

1Rare William M

· ·····•·~th me :~~;·i,C; erre 01 J••· ~

.::,s:imo Oamai

.... , ~.:.-

1273 A William Moorcroft 'Dawn Landscape' Pattern Vase, on a blue ground. c.1928 . Signed and impressed marks. H.356mm. $4500-5000 see illustration page 169

l~reMoorcrolt l Q.«n 8ii.abelh II

1274

·;•,,: as num :,:,•a'.ed ~1th t

A William Moorcroft Macintyre Bowl, with EPNS rim. Featuring the 'Poppy' design Florian Ware design, in blue on a Signed and impressed 225. c.1910. green ground. H.254mm. $3000-5000 see illustration page 168

11!1

;::: Da'.e: (9; .: ••·.1

::: .::•a;on~ 11!3 I Rare William :: a·o \ Cow

1275

';:,·~ ,ase't

A Rare William Moorcroft Vase, Poppy design on green ground. Initialled and impressed. c.1920. H.165mm. $900 see illustration page 172

1j:iJ.2GOO

11!4 ARm William

1267

1276

A William Moorcroft Ovoid Pansy Vase, on a dark blue ground. Green signature and impressed marks. c.1920. H.150mm. $800-1500

An Early William Macintyre Teapot, Sugar Bowl and Creamer. c.1906. An 18th Century pattern on a blue colourway. Printed with reg No. 311909. $800-1000

1268 A Very Rare William Moorcroft Squat Ovoid Tobacco Jar, with threaded lid in the 'Claremont' toadstool pattern, various Painted coloured toadstools on a mottled green ground. initials and impressed marks. c.1920. H.115mm. $1300-2000 see illustration page 168

1277

l1i5

A William Moorcroft Macintyre Vase, in Florian Ware Fleur-deC.1899 . William incised initials as designer. 1is design. Printed M669 and Reg no. 326468. H.229mm. $1500-2000 see illustration page 168

ARareWilliaml ,·: ~-~n Ez

?~' and i ., :~L"":1

U2 See wStrar1on

1269 A William Moorcroft 'Persian' Pattern Tazza. Decorated with blue and red flowers on ivory panels bordered by green. Painted signature and impressed marks. c.1919. W.230mm. $800-1200 see illustration page 168

1270 A William Moorcroft Baluster Vase, decorated with the 'fish' pattern. Ivory coloured fish and flora on a pale brown matt Painted signature. ground, with a mottled blue wash. Impressed marks. c.1930. H.180mm. $2500-3000 see illustration page 172

1278 A Rare William Moorcroft 'Waratah' Pattern Bowl, on green William initialled, impressed marks. c.1932. ground. W.108mm. $1800-2500 see illustration page 169

1279 A Rare William Moorcroft Macintyre Two Handled Classical Bowl, in ruby lustre with 'Apple Blossom' pattern. c.1907. Design no. 360575. Regd 7/ 1900. William signature incised. H.642mm. $1200-1500

175

-----------

intyre 'Wi~~1a orated w1tn ,·, l. Greenp,ii:t 'mark. cJ;i

1ttern Vase,u,·: . lnitia 1eo ,.' "· 1

·n Vase,onao., rks. .316··

Nith EPNS •· :11gn. mbu,:·i impressed 1,:

1on green gr,;: 1m.

lowl and Crear~ ourway. cl![i

rian Ware f,u-:c

11 tialsasoes;':

)mm.

1280

1288

A Good Macintyre Moorcroft Vase. Decorated with pink poppies on a white gilt ground between shaped panels at the foot and shoulder decorated with blue roses and green foliage geometric scale decoration at the foot and rim. Ovoid shape, fine porcelain like body. Green signature mark W. Moorcroft and Brown Macintyre Burnslem England mark, 1904-1913. H.177mm. $2500-3500

A William Moorcroft Mug, commemorating King George V and Queen Mary's Silver Jubilee of 1935. Impressed marks and with facsimile signature. H.102mm. $500-700 see illustration page 172

1281 A Rare William Moorcroft Macintyre Commemorative Dish. Decorated with the 'Cornflower' pattern featuring the crest for Queens College Oxford. Green painted initials and brown backstamp . Damage to rim. c.1912. W.lOOmm. $250-400 see illustration page 169

1282 A Rare Moorcroft Plate Commemorating The Silver Jubilee of Queen Elizabeth II. Produced for Liberty & Co. This plate is marked as number 70 from a limited edition of 125. Decorated with the Royal Monogram and flowers on a green ground. Dated 1977. D.220mm. $800-1500 see illustration page 173

1283 A Rare William Moorcroft Macintyre Mug. Commemorating Edward VI I Coronation. Dated 1902. Initialled, and printed "Made for Lasenby Liberty & Wife" as gifts. H .102mm . $1500-2000 see illustration page 172

1289 A Rare William Moorcroft Beaker, commemorating the May 12th 1937 Coronation of Edward VIII. Pink on white ground . Initialled, impressed marks . H.108mm. $400-600 see illustration page 172

1290 A William Moorcroft Sweet Meats Bowl, with EPNS lid. Commemorating King Edward VIII Coronation 1937. c.1936. Initialled and impressed marks. W.102mm. $1200-1500 see illustration page 172

1291 A Rare William Moorcroft Macintyre Vase, commemorating King George V and Queen Mary Coronation on 22 June 1911. Ivory ground with gilding. Impressed 25.4. Hand printed M3019s. Printed RdNo . 570234. Made for C.Jenner & Co. Edinburgh. H. l 14mm . $400-600 see illustration page 172

1292

1284

Moorcroft Tudor Rose Vase, on blue ground. Special events 1992. Sally Tuffin design. John Moorcroft signed, impressed. $250-350 see illustration page 173

A Rare William Moorcroft Flambe Tobacco Jar and Lid, commemorating King George VI and Queen Elizabeth's Coronation of May 1937. Initialled and impressed marks. H.165mm. $2000-4000 see illustration page 172

A William Moorcroft Trumpet Vase, painted with pomegranates on a rich blue ground. c.1928. Green painted signature. H.270mm. Two rim chips restored. $1300-1800

1293

1285

1294

A Rare William Moorcroft Mug, commemorating King George VI and Queen Elizabeth's Coronation of May 1937 . Utilising a green and ivory colourway. Initialled and impressed marks. H.102mm. $1200-2000 see illustration page 172

A William Moorcroft Candlestick, painted with pomegranate pattern. c.1928. Green painted mark. H.205mm. (base restored) $750-1000 see illustration page

1286

A William Moorcroft Urn. Made for Liberty & Co . in the 'pomegranate' pattern on a mottled green ground. Green painted signature and brown "Made for Liberty & Co" backstamp . c.1913. H.146mm. $2200-3000 see illustration page 169

1295 A Rare William Moorcroft Macintyre Sugar Bowl, with EPNS lid and fittings. Commemorating Queen Victoria's Diamond Jubilee of 1897 . H.102mm. $400-600 see illustration page 172

1287

1296

A Rare William Moorcroft Macintyre Mug, commemorating King George V and Queen Mary's Coronation of 1911. Ivory colourway. William initialled. Printed "Mr & Mrs Lasenby Liberty". H.102mm. $800-1000 see illustration page 172

A Rare Moorcroft Inverse Baluster Vase. Decorated with a band of the pomegranate pattern and three mottled green bands, on a cobalt blue ground. Impressed marks, painted blue signature c. 1930. H.165mm. $1000-1800 see illustration page 169

1198

iie pomegranate ·:'ilSf{I backstar

;-::-:coo

119! 1~ 1am Moorcro

i':,no c.1922. •:11r• :::v-!OOJ

iii ustrat1on pag IJOO

Af1lliamMoorcrol •i ,:G~geeen

·· •.·:e 246. ::X-100 llOl

AWil iam Moorcn

··:ng•ana:i

IJ01

Wi 1am Moorcrofl

s·::· i':.·o. iJ4rnrn.

L.-r

1408

IJOJ

AWil iam Moore

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•ii•m ::-· 500 IJ114

AMOO'troft ~ 1

:_:a :edand1111 .j

lJOS

AWil iam M~

s'eer g1011nd !

!:3 '. 1Jl)6

M~IOft Vase ' !·,,,,." ,"•v,11n11a, l2' 350

!JO)

!~~CIOftCoj 1409

1410

~:'; n. "Cora

:'":rn 1mpr l60J_l(On

177

---------1297

1308

A Large William Moorcroft Inverse Baluster Vase, Pomegranate pattern on a graduated blue-green ground. Signed, impressed mark. c.1916. H.229mm. $1100-1500 see illustration page 169

A William Moorcroft Vase, ovoid shape, painted in plum pattern on a blue ground. c.1923. Green painted signature. H.147mm. $1500-2000

1298 Blue Pomegranate Vase, by Wil I iam Moorcroft, c.1925. Impressed backstamp. H.127mm. $750-1000

1299

1309 A Moorcroft Vase, ovoid shape painted with reeds. signature. H. l 78mm. $800-1200 see illustration page 173

1310

A William Moorcroft 'Pomegranate' Pattern Bowl, on a blue ground. c.1922. Signed and impressed. Paper seal. H.102mm . $600-1000 see illustration page 169

A Moorcroft Bowl, painted with hibiscus on green blue ground. Impressed Moorcroft mark. H.95mm. D.145mm . $1000- 1500

1300 A William Moorcroft Shallow Bowl, in the pomegranate pattern

1311 A Moorcroft Wall Charger, painted with stylised trees . Impressed Moorcroft mark, painted mark JS. D.260mm. $1000-1500

on a yellow green ground. c.1918. Initialled and impressed, with number 246. H.254mm. $500-700

1301 A William Moorcroft Squat Inverse Baluster Vase, decorated with pomegranates. Impressed factory marks and green painted initials. Hairline cracks at rim . H.145mm . $400-500

1302 William Moorcroft Ash Tray, Pomegranate pattern on blue green ground. Signed and impressed marks . c.1915. H.114mm. $200-350

1312 A Moorcroft 'White Rose' Special Events Baluster Vase. On a green ground. Impressed marks, signed overglaze by John Moorcroft. 1993. H.135mm. $300-400

1313 A Moorcroft 'Rough Hawks Beard' Special Events Baluster Vase, on a graduated blue ground. Impressed marks, signed overglaze by John Moorcroft. 1997. H.140mm . $400-500

1314 1303 A William Moorcroft Ovoid 'Pomegranate' Sugar Bowl. The pomegranates painted on a dark blue ground. EPNS rim and lid . Small chips to foot. Green painted initials. c.1916. H.95mm. $250-500

1304 A Moorcroft Pansy Jug and Bowl, pink on blue ground. Initialled and impressed. c.1920. H.76mm and 64mm . $300

1305 A William Moorcroft Vase, painted with clematis on a blue green ground. Blue signature. H.312mm . (rim restored) $1300-1800

1306 Moorcroft Vase, Banksia design on green ground. John Moorcroft initialled and impressed mark. c.1987 . H.178mm. $250-350

A Moorcroft Special Events Baluster Vase, in Bryony pattern. On a green and ivory ground. Impressed marks. Signed and dated over glaze John Moorcroft 1996. H.140mm . $400-500

1315 A Moorcroft Special Events Baluster Vase. In the 'summer lawn' pattern , white flowers on a pale green ground. Impressed marks. Signed and dated over glaze John Moorcroft 1995. H.135mm. $250-350

1316 A Unique Moorcroft Artist's Studio Vase, decorated with fairies On a pale ye llow ground . perched amongst the flora. Impressed marks signed over glaze by the designer Catherine Beech . 1994. H.305mm. $800-1500 see illustration page 173

1317 1307 A Moorcroft Collector's Ginger Jar with Lid, Designed by Sally Tuffin. Decorated in reds and greens with the 'Nasturtium' pattern. Impressed marks. Dated 1992. H.150mm. $600-1000

An Oval Moorcroft Bowl, decorated in the 'More llo' pattern on a burgundy ground. Impressed marks. L.235mm .W.134mm. $300-600 see illustration page 173

178

ill6 1318 A Moorcroft Pansy Pattern Clock, on a burgundy ground . Impressed marks. 1993. H.152mm. $500-800 see illustration page 173

1327

1iareMoorcrott Co

A Moorcroft Commemorative Waisted Mug. Decorated with an image of Beaufort House on an ivory ground. Impressed marks, painted initials and oval ' Richards Buller' backstamp. 1989. H.89mm. $125-225

,;r;ena~ofthE •,, 00 a 1vorj 1Pundole Cl

1319

;:::~oo llll

A Moorcroft Ginger Jar, in the 'Noah's Ark' pattern featuring a variety of animals on a dark green ground. Impressed marks. 1996. H.152mm. $400-600 see illustration page 173

A Moorcroft Waisted Mug, commemorating the Moorcroft Museum. Decorated with multicoloured stylised vases on an ivory ground. Impressed marks. 1989. H.89mm. $200-400

1320

1329

I Rare Will~m I

A Tapering Moorcroft Jug, with a triangular handle. Decorated in the 'Iris' pattern on an ivory ground. 1997. H.240mm. $400-700 see illustration page 173

A Moorcroft Limited Edition Triform Ashtray. Advertising Marston 's Ales with a yellow maple leaf in the centre on an ivory ground. Impressed mark c.1985. W.135mm. $200-350

:,::,a:eil wth 'lo

1321

1330

AMoomoftColle1 :::.:" Cesg"e< ;:""jl impress

1328

I Moorcroft Colle1

·e:,en 1n ala\

·:·151!d rnarKS. 1

~:-.JO lll8

A William Moorcroft Inverse Baluster Vase, decorated in 'freesia' pattern on a cobalt blue ground. Painted initials and Impressed marks. c.1935. H.182mm. $300-600

1322 A Moorcroft Vase, in 'Mamora' pattern. John Moorcroft mark in blue. H.430mm. $3000-3500

1323 A William Moorcroft Miniature Straight Sided Tapering Vase. Decorated in the 'Cornflower' pattern with yellow and purple fl owers on a pale green ground. Impressed ma rks and green pa inted initials. c.1914. H. 76mm. $500-800 see illustration page 169

1324 A Rare Moorcroft Three Piece Cruet Set, with sterling silver and silver plate mounts and sterling silver spoons. Decorated in the 'pomegranate' pattern on a dark blue ground. Impressed marks. c. 1920. H.80mm . $1500-2500 see illustration page 169

1325 A William Moorcroft 'Pansy' Vase. A gent ly tapering cylindrical vase, with swollen shoulder. Decorated with pansies on a celadon ground. Impressed marks, green painted signature . c. 191 5. H.155mm . $ 1200-2000 see illustration page 168

lll9 A Moorcroft Squat Baluster Vase. Decorated in Autumnal co lours with the 'waving corn' pattern . Painted initials and impressed marks c.1937. H.80mm. $300-600 see illustration page 172

.. :O~"'rn

ll40

1331

AWi'iamMoorc

A William Moorcroft Cup and Saucer, decorated in muted greens with the 'yacht ' pattern. Impressed facsimile signature and marks. c.1930. H.70mm. $250-400

a:,~ blue grc

·'.121. Ha· , l'.50-AOO

ll41

1332 A William Moorcroft Twin Handled Bowl, on a circular tapered foot. Decorated in the 'yacht ' pattern featuring overlapping triform sails. Outlined on a mustard ground . Painted initials c.1930. with impressed facsimile signature and marks. W.150mm $250-400

AMoorcroft S

"'.:"01 'mc 1es

i:X-2 ll41

AWilliam Moo

mp1essed

H:Sim"'

1333 A William Moorcroft 'Natural Pottery' Ribbed Baluster Vase , white glazed, impressed facsimile signature and marks. c.1935. H.230mm. $100-200 see illustration page

1334 A William Moorcroft 'Natural Pottery' Ribbed Baluster Vase, in green and brown tonings with a lu stre glaze . Impressed facsimile signature and marks. c.1935 . H.185mm. $80-150 see illustration page 172

1326 A Moorcroft Waisted Mug, decorated with an image of the Moorcroft fa ctory bottle ove n. On an ivory ground. Produced to commemorate the first National Garden Festival, Stoke-OnTrent. Green pai nted backstamp. 1986. H.89mm. $200-300

c;•151!d fa:s"'

i1fr:-l00

ll43 ARare Moorer

:]16. W8( 180-150

Sleco/our 1

1344

A William N

:!916. imp 1400-600

lie ustrar~

1335 A Moorcroft Collectors Club Waisted Mug, decorated wi th initia ls MCC intertwined with fuchsia foliage and flowers. 1995. H. 85mm. $200-350

1345

AMIIC\'croftJ marKS, c.Jg

lao-150 see IIIUS~a

179

ecorated w:· ;·

Ind. 1m0,, ••:.

Iler' bac~la·i

l the Yr::·:" ised vases c· •· 9mm.

tray. Advert,·: the centre ;c ;'.

l5mm.

.ed nA.:.--, nted n:as :·

.orated •n ·.:,: 1cs1mlesg·L:

ac1rcula1:a:;-,: unng ove•la,:·; . Painted ,·a• marks c. 1!Jt

ed Baluster Va~ ture and ·r•'

IBaluster Va~, :laze. 1~0•,~<"

J851J1fTI,

1336

1346

A Rare Moorcroft Collector Club Waisted Mug, commemorating the Centenary of the Moorcroft factory. Decorated with various flowers on a ivory ground , Impressed Marks and named " Neville Pundole Canterbury" dated 1997. $200-400

A Moorcroft Light Green Plain Lustre Miniature Bowl. Impressed mark. c.1916. W.55mm. $80-150

1337 A Moorcroft Collectors Club Waisted Mug, decorated with bottle oven in a landscape. Blues and green on ivory ground . Impressed marks, date 1992. $80-150

1338 A Rare William Moorcroft Shallow Bowl, on circu lar foot decorated with flowerheads on graduated blue green ground. Impressed facsimile signature. c.1930. W.143mm. $200-400

1339 A Moorcroft Collectors Club Baluster Vase,decorated in Fushsia pattern , designed by Rachel Bishop in muted green, red tonings. Impressed marks painted " MCC 180" dated 1993 . H.165mm. $300-600

1340 A William Moorcroft Small Pansy Patterned Jug and Bowl, on a dark blue ground. Painted initials and impressed mark. c.1920. Hairline to rim of jug. H.70mm. $250-400

1341 A Moorcroft Small Pansy Bowl, decorated with single pansy to interior. Impressed marks. c.1920. W.82mm. $100-200

1342 A William Moorcroft Baluster Vase, with a ruby lustre glaze. c.1922. Impressed marks and original paper label. H.155mm. $800-1500 see illustration page 172

1343 A Rare Moorcroft Orange Plain Lustre Bowl. Impressed marks. c.1916. W.80mm. $80-150 see colour illustration page 172

1347 A Moorcroft Vase, plain lustre on yellow ground. c.1916. H.83mm. $150-250

Impressed.

1348 A Moorcroft Yellow Plain Lustre Squat Baluster Vase. Impressed mark. c.1916. H.80mm. $80-150

1349 A Moorcroft Tapering Hot Water Jug, Mauve plain lustre. Lid missing. Impressed mark. c.1925. H.143mm . $80-150

1350 A Moorcroft Miniature Inverse Baluster Vase, with a plain green lustre glaze. Impressed marks. c.1916. H.lO0mm. $100-200 see illustration page 172

1351 A Moorcroft Orange Plain Lustre Baluster Bud Vase . Impressed marks. c.1916. H.90mm. $80-150 see illustration page 172

1352 A Pair of Moorcroft Baluster Pepperettes. With an orange plain lustre glaze. Some rubbing. Impressed marks. H.70mm . $80-150 see illustration page 172

1353 A Moorcroft Powder Blue Sugar Bowl. Impressed marks. c.1916. H.70mm. $30-60

1354 A Moorcroft Powder Blue Coffee Can and Saucer. Impressed marks. c.1916. H.58mm. $50-100

1344 A William Moorcroft Vase, ovoid shape in orange lustre. c.19 16. Impressed Moorcroft mark. H.222mm. $400-600 see illustration page 172

1345 A Moorcroft Yellow Plain Lustre Ginger Jar With Lid Impressed marks. c.1916. H.120mm . $80-150 see illustration page 172

1355 A Moorcroft Powder Blue Egg Cup, on integral tray. Impressed mark. c.1 916 . H.76mm. $40-80

1356 A Moorcroft Powder Blue Tapering Hot Water Jug. Impressed facsimile signature and marks c.1941. H. l 70mm. $50-100

180

JJ)4 1357 A William Moorcroft Trumpet Vase, decorated wi t h th e 'wavin g corn ' pattern on an ivory co loured ground. Painted initial s. c.1937 . Impressed facsim il e sig nature and marks .

H.105mm. $350-600

1365 A Moorcroft "Friesia" Limited Edition Year Plate For 1987. Decorated in pin ks and blu es on a ye ll ow ground. From an edition of 250 pieces. Painted initials for Walter Moorcroft and "181 " and impressed marks. D.220mm. $4 50-650

lMC<ll'CiOfl "Aner

see illustration page 173

AWil iam Moorer

1358 A Moorcroft Collectors Club Baluster Vase, on a circu lar foot. Decorated in t he 'Adonis' pattern. The f lowers co loured in reds and blu es on an ivory ground . 1994. H.1 65 mm.

1366 A Moorcroft "Peacock" Limited Edition Year Plate For 1994. Impressed marks and painted mark "98/500 " D.220mm. $450-650

$2 00-400

see illustration page 173

1359 A Moorcroft "Morn ing Glory" Limited Edition Year Plate For 1996. Mauve f lowe rs on a blue grou nd. Im pressed ma rks and pa inted 450/5 0 0 . D.220mm. $450-650

1367 A Moorcroft "Tudor Rose" Limited Edition Year Plate For 1991. Impressed marks numbered 56/250. D.220mm . $450-650

see illustration page 173

see illustration page 173 1360 A Moorcroft "Buttercup" Limited Edition Year Plate For 1990. Ye ll ow fl owers and gree n fo liage on a blue ground . Impressed marks and pa inted 151/250 . D.220mm. $450-650

see illustration page 1 73 1361 A Moorcroft "Rooster" Limited Edition Year Plate For 1988. Feat uri ng a mul t ico loured roost er on a whit e ground. Impressed ma rks and pa inted 143/250. D.220mm. $450-650

see illustration page 173 1362 A Moorcroft "Passion Flower" Limited Edition Year Plate For 1992. Decorated with a fl ora l ro ndel surrounded by green fo li age on a green gro und . Impressed ma rks and painted 24/500. D.220mm. $450-650

see illustra tion page 173 1363 A Moorcroft "Birth of Light" Limited Edition Millenium Plate.Decorated in blue, green and yel low wi th a su nri se f lanked by paci f ic fl ora and a f igu re sounding a she ll horn. Impressed marks and pain ted 9 0 0/2000. Dat ed 2000. D. 220mm. $4 50-650

see illustra tion page 173 1364 A Moorcroft "Peace Dove" Limited Edition Year Plate For 1993. Decorated wit h a pi nk stylised dove on a blue-gree n groun d. Im pressed marks and pa inted 19 7/500. D. 220mm .

$450-650 see illustration page 173

1368 A Moorcroft "Summers End" Limited Edition Year Plate For 1998. Decorated with sinuous foliage, flowers and berries on a pa le brown ground with a green border. Impressed marks and numbered 438/750 . D.220mm . $450-650

--,essed marks ••~tiered "204"

~so-o50 illl

., snoulder a ;;nteenth Cent :;and blue I •:oci oow mot ,,,ature and bn

...

;: JIXXl

,ee ustrat1onp

!ll6

AVe~ Rare M1 kn!ed wt : :916 .70

U0-250 llll

AMadncyre Cur :· ,green grou

see illustration page 173 1369 A Moorcroft "Lillies" Limited Edition Year Plate For 1999. Impressed marks and numbered 382/750. D.220mm. $450-650

ll18 AVe~ Rare l 'ocnded foot

',:1· esgna ilS0-250

see illustration page 173

ll19 1370 A Moorcroft "Columbine" Limited Edition Year Plate For 1984. .Decorated with flowers and foliage on a pale blue ground. Pa inted in itials for Wa lte r Moorcroft , impressed marks and numbered 46/250 . D.220mm. $450-650

see illustration page 173

Moorcroft :,·'.ena~o:r and 101a me numbered 62' A

~50-6

le! ustra110

1380 1371 A Moorcroft "Squirrel " Limited Edition Year Plate For 1995. Decorated with a brown squirrel on an ivory ground. Impressed ma rks and numbered 70/ 500. D.220mm . $450-650

see illustration page 173 1372 A Moorcroft "Carp" Limited Edition Year Plate For 1989. Decorated wit h a blue fish on a tan ground. Impressed ma rks and num bered 70/250. D.220mm. $450-650

see illus tration page 173 1373 A Moorcroft "Hibiscus" Limited Edition Year Plate For 1986. Impressed ma rks, with painted ini t ials for Walter Moorcroft and numbered "41" from an edit ion of 250. D.220mm. $4 50-650

A Moorcroft

greengroun a mted edit Dated 199

1250-400 le! ustra,

1381 AMoorcrott

0lueground med ed1

1990. D.2; 1250-400 see ust,a 1382

AWilliam l>Jmegranat signature a

1500-soo

18 1

le For 198), Und. from a·

alter Moorcro'

'late For 199( 0.220mm

Year Plate f~ .220mm.

1374 A Moorcroft "Anemone" Limited Edition Year Plate For 1985.

1383 A Rare Moorcroft Cylindrical Jar With Lid. Decorated with pink,

Impressed marks with painted initials for Walter Moorcroft and numbered "204" from an edition of 250. D.220mm. $450-650

blue and green leaves and fruit on a white ground. Impressed facsimile signature and marks. c.1935. H.90mm. $450-650

1375 A William Moorcroft Macintyre Inverse Baluster Vase, with a

1384 A Rare Moorcroft Commemorative Textured Stoneware Tobacco Jar With Lid, and metal fittings. Decorated with the crest for

wide shoulder and narrow trumpet nec k. Decorated in the "Eighteenth Century" pattern. Featuring classical swags of red roses and blue forget-me-nots . lnterspaced with a stylised ribbon bow motif and panel s of gilding. Green painted signature and brown backstamp. c.1908. H.140mm. $2000-3000 see illustration page 172 1376 A Very Rare Moorcroft Red 'Ftamminian' Cup and Saucer.

Decorated with stylised foliate rondels . c.1916 . H.70mm. $150-250

Impressed marks

Year Plate f~ and berries:·

1pressed mariS

late for 1999.

220mm

Plate For 1984. leblue grounc sed marks arJ

'late For 199I und. lm~essi:

late For 1989· mpressed mi•i,

Platefor 1986, erMOOicrottrJ 20mm.

1377 A Macintyre Cup and Saucer. Featuring a simple floral border

on a green ground. Brown backstamp c.1903 . H.50mm. $400-600 1378 A Very Rare Yellow William Moorcroft Tapering Jug, on a

rounded foot from the 'Sunray' table ware series. Impressed facsimile signature and marks. c.1935. H.184mm. $150-250 1379 A Moorcroft Limited Edition Plate, commemorating the

centenary of the Moorcroft factory. Decorated with bottle ki In and floral motifs on a blue ground. Impressed mark and numbered 623/750. D.220mm. Dated 1997. $450-650 see illustration page 173 1380 A Moorcroft Plate. Featuring 'John Webb 's Windmill ' on a

green ground. Produced for the Thaxted Guildhall Trustees in a limited edition of 500 pieces. Impressed and printed marks. Dated 1991. D.220mm . $250-400 see illustration page 173 1381 A Moorcroft Plate. Featuring the Thaxted Guildhall on a pale

blue ground. Produced for the Thaxted Guildhall Trustees in a limited edition of 500. Impressed and printed marks. Dated 1990. D.220m. $250-400 see illustration page 173 1382 A William

Moorcroft Olive Green Plate, decorated with

pomegranate and blackberries on white panels. Green painted signature and impressed marks. c.1916. D.218mm. $500-800

Edinburgh University. Brown backstamp c.1990. H.l 15mm. Fault to lid . $250-400 1385 A Large William Moorcroft Vase, decorated in the 'orchid'

pattern . Polychrome flowers on a muted polychrome base. Painted signature and impressed marks. c.1928. H.265mm . $2000-3500 see illustration page 168 1386 A Moorcroft 'Freesia' Dish, on a mottled blue and green

Impressed mark and ground. W.105mm. $125-225 see illustration page 169

paper label.

c.1935.

1387 A Moorcroft Collectors Club Twin Handled Trumpet Vase.

Decorated in the 'Snowdrop' pattern on a blue / green ground. Impressed marks. Dated 1994. H.145mm. $350-600 1388 A Moorcroft Jardiniere. Decorated with the 'Persian' pattern in

red , blue and green on an ivory ground. Green painted signature and impressed marks. Repair to rim. c.1914. H.155mm . $1000-1500 see illustration page 169 1389 A Moorcroft Pink Plain Lustre Beaker. Impressed marks.

c.1920. H.84mm . Rubbing to glaze. $60-100 1390 A William Moorcroft Flambe Bowl, in the 'Wisteria' pattern.

Signed and impressed. c.1928. W.216mm . $2500-3000 see illustration page 169 1391 A William Moorcroft Bowl With Handles. In the 'Yacht ' pattern

on a yellow ground. c.1930. Initialled and impressed, and with facsimile signature. H.102mm. $300-500

182

1409

1392

1401

AGabriel Argy•f

A Very Rare William Moorcroft Vase, in the 'Anemone' pattern on a pink and white ground. c.1938. Signed and impressed. H.343mm. $5000-8000 see illustration page

A Moorcroft Special Events 'Heartsease' Pattern Vase. In a green co lourway. John Moorcroft signed. Dated 11/11/94. Impressed marks. $400-600 see illustration page 173

:asiinrel1ef around the ie~

1402

;311Q-4250

1393 A William Moorcroft 'Spring Flowers' Pattern Bowl With Lid. using a blue colourway. c.1936. William unsigned, but impressed with facsimile signature. D.114mm . $350-550 see illustration page 169

1394 A William Moorcroft 'Pansy' Pattern Vase, c.1920. initialled and impressed. H.165mm. $600-800 see illustration page 169

William

1395 A William Moorcroft Pompellian Bowl, in the 'Wister ia ' pattern on a blue ground. c.1920. Signed and impressed, and numbered 333. H.178mm. $600-800 see illustration page 169

1396 A Rare William Moorcroft Oval Charger, featuring the 'Yacht' Willi am initialled, c.1930 . pattern on a gold ground. impressed marks. D.419mm. $500-800

1397 A William Moorcroft 'Peacock Feather' Pattern Vase, using blue colourway. on an ivory ground, a simplified version of the Florian design c.1920 . Ovoid shape on a spreading foot. Signed and impressed marks. H. 279mm. $3000-5000 see illustration page

1398 A William Moorcroft 'Waving Corn ' Pattern Vase, on a blue ground. c.1937 . lnitalled and impressed marks. H.127mm. $600-800 see illustration page

1399 A Rare William Moorcroft 'Trellis and Wheat' Pattern Octagonal Bowl, using pink and blue on white in panels . Only eleven made. c.1934. Signed and impressed. H.254mm . $2000-3000

1400 A Unique William Moorcroft Macintyre Twin Handled Vase. Featuring the Daisy and Tulip Florian Ware pattern. Green colourway with gilding. c.1903. Initialled. Printed Reg No. 404017. Impressed marks. Design M2246. H.279mm. $2000-4000 see illustration page 168

A William Moorcroft Sicilian Design Coffee Pot, Sugar Bowl and Creamer. Plain tableware shape, in a silvered green grey Impressed and numbered Gl7. c.1920. colourway. H.152mm. $100-200

1403 A William Moorcroft Macintyre Salad Bowl, with EPNS rim and servers. In the Florian Ware Poppy Pattern. c.1900. Initialled. Reg No. 326471 (9/1898). D.140mm. $1500-2500 see illustration page] 68

,: e~ abo'le a

icaque 11aci.g•o

ti1eath. Starc1 0120mm. SIi .istraton

1410

AGabriel Argy-I

:; ire ~a, sane scale blue grot

,ru:,,gmot

::,e•andsde ~11atn D.12 $6150-7250

511,m:o

1404

1411

An Aurelian Ware Macintyre Salad Bowl, with EPNS rim and servers. Orange design on ivory ground . c.1890. Impressed. Painted 821. D.127mm. $800-1000 see illustration page 168

ARene l.aliqt

1405

A Rene l.aliq

A William Moorcroft 'Pansy' Pattern Sterling Silver Mounted Circular Brooch. Purple flower on a cream ground. Impressed Mount marked 'Liberty & Co .' with Birmingham marks. hallmark for 1916. D.25mm. $800-1000

c.1930. Ca!'/

gass.e'g,a, ~ark R.la 1q $35().!50

1412

1406 A Walter Moorcroft Vase, painted with Coral Hibi scus on green ground. Tall ovoid shape . Paper royal warrant label c.195378. H.365mm. $1700-1900

Glass

$' 600 1413

Al.alique Ou

Ca',eC lg'atl

$300-500 1414

ARenel.aliqt

dish. cl930

$200.300 1415

AMuller Frei

1407 A Daum Enamelled Ewer. Mottled yel low glass etched with enamel led fuchsias. c.1900. Acid etched factory mark Daum Nancy. H.292mm. Handle restored. $2000-3000

1408 A Gabriel Argy-Rousseau Pate-de-Verre Vase. Decorated in relief in yellow, red, burnt umber and black tones, with two women dancing clockwise about the vase on an opaque Engraved signature to side and France beneath. ground. Ovoid shape with everted rim . H .145mm. cf: In focus section of this catalogue for further details on the artist. $40,000-50,000 see illustration

mo ea ow H'.20mm

$650-)

1416 ALoetz Sty! With arepea< areduce(! q $)

200

141)

ALoetz Sti

.r,thensu · s1l,er plate

1225-2)5

183

tern Vase. In,

ated ll l'.1;

>ot, Sugar Bot, gree· ;·,, umberea G:;

1ered

hEPNS r,m r:

,900. lnitae:

1 EPNS rim a-:

90. lmpresse:

1409 A Gabriel Argy-Rousseau Pate-de-Verre Bowl. The high walls

1418 An Art Nouveau Glass Vase, iridescent pale aubergine colour

cast in relief with a design of three deer leaping clockwise around the vessel amongst a field of arching blue stylised flowers above a foot of bent grasses, in russet browns on an opaque background . Engraved signature to the side, France beneath. Star crack to base spreading to lower wall. H.95mm. 0.120mm. $3250-4250 see illustration

veined with amethyst, elongated ovoid shape. hallmarked rim . H.165mm . $300-350

1410 A Gabriel Argy-Rousseau Pate-De-Verre Lidded Box, decorated

1420 A Loetz Style Glass Bowl, blue iridescent, squat circular shape,

to the walls and lid with feather like fronds in rich cobalt on a scale blue ground. The same design of fronds used as an encircling motif around a flowerhead to the circular lid. The cover and side of the box engraved with signature and France beneath. 0.127mm. H.72mm . $6250-7250 see illustration

the cover with spherical finial. edges. D. 970mm. $225-275

1411 A Rene Lalique Perfume Bottle, in glass , " Camille " .

Blue glass , engraved mark by Lalique France no.516 and embossed mark R.Lalique France . H.60mm. $350-450 1412 A Rene Lalique Bowl, acid etched with geometric pattern.

: Silver Moon:~ iund. lmp e5)c: nh 81rm·;T 1

iib1scusoni1~· int label c.19\l·

,1assetcned 1'' :cto~markO,:

se. [)eC()'a'e: ktones.•:·•. ' on an c;i:., ,France ~,,t f:lnfc£usseC 11st.

c.1930. Carved signature R Lalique France. 0.265mm. $400-600 1413 A Lalique Dish, with moulded fish decoration.

Post 1949,

carved signature Lalique France. 0.155mm. $300-500 1414 A Rene Lalique Dish, acid etched with vine fruits on hexagonal

dish. c.1930. Carved signature R Lalique France . 0.125mm. $200-300 1415 A Muller Freres, Luneville, Glass Vase. Ovoid on circular foot,

mottled orange and yellow graduating to blue at the foot. H.120mm. $650-750

Sterling si lver

1419 An Art Nouveau Iridescent Glass Vase, tulip shape, amethyst

veined. Sterling silver rim. H.170mm. $250-300

Small chips to lid and rim

1421 A Dino Martens Style Multi Coloured Glass Dish, with folded

walls . $125-175 1422 An Orrefors Amethyst Glass Vase, ovoid shape with slender

neck with vertical fluting. H.285mm. $100-150 1423 A Daum Glass Plate, with acid etched decoration of a frog in a

lily pond, along with a small Lalique glass plate . Decorated with bunches of grapes, moulded in relief to the outside rim. $200-300 1424 A Set of Six Art Deco Tumbler Glasses, tapering cylindrical

faceted , decorated with etched and enamelled designs each with a silver foot. $200-300 1425 Two Nailsea Style Green Glass Paperweights, with self

patterned clear glass flowers captured inside , one ovoid the other squat spherical. The tallest 130mm. $300-400 1426 Two Ruby Flashed Venetian Glass Decanters. With foliate cut

1416 A Loetz Style Iridescent Glass Vase, blue ground, decorated

designs and faceted necks. One repaired. $300-400

with a repeat wing motif. Cylindrical shape with shoulder and a reduced cylindrical neck. H.178mm. $150-200

1427 A Late 19th Century Glass and Ormolu Tazza. The cut glass

1417 A Loetz Style Vase, iridescent glass green to blue tinted,

plate with fluted outline mounted on a foliate and scroll pedestal piercing the centre of the plate to form an ivory covered central handle. H.290mm. $350-500 see illustration page 140

writhen surfaced, tapering cylindrical shape with shoulder and silver plate mounted cylindrical neck. H.150mm. $225-275

184

1428 A Set of Romanz Pattern German Crystal Stemmed Glasses and Tumblers. Comprising eight cool tumblers, 6 champagne

1452

1441 A Waterford Cut Crystal Decanter, of mallet shape. H.300mm.

An ovoid N

$275-400

H.1/0mm.

Mndles to

flutes, 7 white wine glasses, 6 red wine glasses, 6 spirit glasses, 6 port glasses, 6 sherry glasses. Each decorated with a cu t and etched design. Etched Crowned R mark. $1300-1500

1442 A Waterford Cut Crystal Decanter, ovoid shape. H.260mm.

$275-400

An Unusui

1429 A Victorian End of Day Glass Vase, of pink colouration with

1443 A Waterford Cut Crystal

$1000-15(

yellow splattered pattern. H.160mm. $50-100

H.260mm $275-400

1430 A Pair of Milk Glass Ointment Jars, labelled 'Ung.Sulph' and

1444 A Waterford Claret Jug. H.280mm.

'Ung.carb'. H.180mm. $150-200

$275-400

11000-100 1453 H.330mm.

1431 A Set of Six Royal Doulton Hock Wine Glasses.

Decanter,

of tapering shape.

1454

ACloisonn1 ,arcus fl~ shoulder di 1edg1ound

S)00-700

1445 A Waterford Cut Crystal Decanter, mallet shaped. H.300mm.

1455

AC~isoon conlainers outtertl,es

$275-400

$300-400 1432 A Set of Six Royal Doulton Champagne Glasses.

1446 A Waterford Square Form Cut Crystal Decanter. H.240mm.

$275-400

j l456

$300-400 1433 A Set of Six Waterford Cut Crystal Red Wine Glasses.

1447 An Atlantis Cut Crystal Decanter, mallet shaped. H.280mm.

$275-400

$300-400 1434 A Pair of Georgian Lustre Glass Vases, of floral form raised on

Oriental Artworks

a octagonal cut stem. H.280mm. $750-1000 1435 A 19th Century Bohemian Glass Vase, blue colouration, bell

shaped on a circular foot. H.160mm. $200-250 1436 A Pair of Victorian Milk Glass Lustre Vases. H .320mm.

$250-400 1437 A Waterford Cut Crystal Decanter, of ovoid shape. H.330mm.

$375-400 1438 A Thomas Webb & Sons Cut Crystal Decanter. Produced to

commemorate the Queens Jubilee 1977 in original box. No.43 of 100 copies. $650-1000 1439 A Waterford Cut Crystal Decanter, in the Georgian sty le with

mushroom stopper. H.250mm. $375-400 1440 A Waterford Cut Crystal Decanter, pear shaped . H.330m m.

$275-400

1200-300

iniatu1 AM miniature 'igures. 1a1 The gourd and pare hgn gnt

1300-500

145) 171448 A Japanese Egg Shell Lacquer Lidded Oblong Box. The I id

decorated in raised gilt and lacquer with a design of pomegranates in a basket and a bough of cherry blossom in a vase. L.225mm. $175-225

APair of ( ia cy1 nd stepp

$250-35( 1458

AChinese

ay ng

U5mm.

1449 A Large Japanese Satsuma Earthenware Vase, ovoid with

1150-25(

ribbon and mask handles at the shoulder. Decorated in raised ename ls and gilt with a Samurai warrior fighting a dragon on a cloudy ground. H.450mm. $400-600

A18th /

1450

aiotusth $800. )2(

A Japanese Black Lacquered Woven Cane Pine Framed Kimono Box. With plaited pack straps for carrying.

$400-600

1459

Buddha~ swastita

1460

AChinesi

140-80

1451

in the Tibetan style depicting Padmadmbhava the lotus born guru depicted in Yab Yum with consort Yeshe Tsoyga l set in a pure land with lotus flowers and Buddhas and Bodhisattvas. 720 x 480mm. $100-200 An

Indian

Thangka,

1461

AChineS(

$ 1462 A 19th

meditatio

$25().35

185

-----------1452 An Ovoid Neolithic Pottery Vase, ovoid with slender neck and

le. H.300m~

handles to the shoulder painted with a geometric pattern . H.270mm. $1000-2000

.260mm,

1453 An Unusual Oracle Bone, with calligraphic

inscription.

H.330mm. $1000-1500 1454 A Cloisonne Tall Ovoid Vase, decorated in madoe panels with

various flowers, Wisteria, chrysanthemums and Irises. The shoulder decorated with a profusion of blossoms on a russet red ground. H.310mm. $500-700

o. H.3 •

.240mm

a design o: 1 blossom in a

irated 1nrai: 5adragon on a

Pine Fram~ ing.

Cracked to one

1464 A Han Period Lidded Wine Jar. Square baluster form degraded

and with verdigris patination. H.300mm. available on this lot - authenticating age. $500-700

Metal analysis

1465 A Han Period Bronze Lidded Dining Vessel. Squat circular form

containers and a small dish. All decorated with flowers and butterflies on a dark blue ground. $200-300

1466 A Shang Period Bronze Jar. Three legged wine vessel.

✓1456

A Miniature Satsuma Teapot and Gourd Shaped Vase, the

tall cylindrical neck with dragon handles to either side, raised on stepped circular domed feet. H.320mm. $250-350 1458 A Chinese Muttonfat Jade Pendant-handling Piece, carved as

a young boy reclining on a Taro leaf. Clasping a reishi fungus . L.75mm. $150-250

;e, 0101d ,:·

with verdigris and encrusted dirt patination. side. H.350mm. $2000-3000

with pierced handles. Breaks to the feet. H. l 70mm. $500-700

1457 A Pair of Chinese Heavy Brass Vases, squat circular form with

, Box. Tie Id

1463 A Han Period Wine Jar. Square baluster form with ring handles

1455 A Cloisonne Set of Four Pieces, a small tray, two cylindrical

miniature teapot decorated with scenes in miniature with figures, landscapes and echebana all on a gilt darker ground. The gourd decorated with scenes of children to the lower half On an ivory ground all and panels to the upper half. highlighted in gilt. $300-500

I. H.280mm.

The following archaic bronzes were part of a large collection of Chinese bronzes procured on site in North and West China over the last twenty years.

1459 A 18th / 19th Century Chinese Gilded Bronze Figure, of the

Buddha seated in bhumisparsamadra with downcast face with swastika incised to the chest holding a begging bowl seated on a lotus throne. H.300mm. $800-1200

Old

repairs. H.200mm. $500-700 1467 A Rare Ehou Bronze Oil Lamp, with grill cover and loop handle

raised on three feet. Degradation and verdigris to body - as found in Northern China. H.380mm. $200-300 1468 An Impressive Qin Bronze Dragon. The striding beast with one

leg raised and head turned upwards. With all over green verdigris patination. L.500mm. $2000-3000 1469 A Shang Period Ding Vessel. With twin handles with taotie

mask engraved decoration . H.320mm. $3000-4000

With verdigris patination.

1470 A Pair of Bronze Lamp and Covers. The base cast with a figure

riding a mythical beast. H.4000mm. $400-600 1471 A Shang Bronze Wine Heating Vessel, squat ovoid form with

handles and cover attached by original chain raised on three mask form legs. H.370mm. $3500-5000

1460 A Chinese Red-ware Teapot.

$40-80

yle dep1ctl'i

1461 A Chinese Red Ware Teapot.

1Yab Yumw:1

$40-80

1472 A Warring States Bronze Sword, with jade handle; the blade

inlaid with silver. L.430mm. $1000-1500

tus flowe~ana 1462 A 19th Century Giltwood Figure, of a lama seated

meditation. H.240mm. $250-350

1473 A Chinese Ming Style Vase, painted in polychrome ename ls

with figures. Chenghua reign marked. H.410mm. AF. $120-150

186

-------

Bidding

f 1474

1480

A Small Chinese Rosewood Cabinet, with ten various drawers, with fielded facures. H.400mm. W.320mm. $600-700

A Chinese Han Dynasty Burial Granary Urn. Baluster shape raised on a cy lindrical tall foot, the green glaze degrading from burial and showing signs of iridescence. H.480mm. $3000-4000

1475 An Archaic Thai Ban Ching Pottery Neolithic Period Bowl. Decorated with sgraffito of vertical lines and with two encircling bands near the rim, squat spherical shape. H.115mm. D.160mm . Hairline Crack. $600-700

1476 A Thai Ban Ching Pottery Burial Pot, with similar sgraffito decoration to above, an encircling band of chevron design near the rim. H.130mm. D.160mm. $800-1000

1477 A Thai Li Hao Pottery Water Bottle, modelled after the leather, yellow ochre glaze, decorated with fish motif to the side. H.260mm. $800-1000

1478 A Six Dynasties (Pre Han} Ceramic Horse Sculpture, grey pottery, with saddle and mane decorated with remnants of some red pigment. L.330mm. $200-400

~ei,eo oo

as1si;Ef!11itle

1481 A Western Han Grey Ware Funerary Urn. Baluster shape raised on spreading cylindrical foot, the body decorated with a band of dragon and ho-o bird, the neck with geometric designs all between bands of encircling red and white. H.350mm. $1250-2000

, aweetoC()I

rtemium of Ii

~$!COOOO

11112.so.1

1482 A Palestinian-Trans Jordan Early Bronze Age Jar. Ovoid with cylindrical neck, two handles at the neck, quick decorated around the rim. c.3rd Millennium BC . H.l 70mm. $300-500

1483 A Roman Pottery Oil Jar, grey pottery with degraded black overglaze. H. l 70mm. $300-400

1484 A Cloisonne Enamel Tray, Oblong with rounded corners, decorated with various chrysanthemum flowers within a lappet Slight damage . border, a reverse with floral design. W.240mm. $300-400

1479

1485

A Yang-Shao Earthenware Urn. Decorated with red and black negative painted designs to the upper surface of the ovoid body and cylindrical neck. Two loop handles at the swo llen waist and two lugs at the rim. H.405mm. $3000-3500

A Large Ceramic Vase, creamy overglazed, swollen at waist flaring at the rim and spreading at the foot, decorated in overglazed enamels with a scene of Chinese women in a garden. H.372mm . $250-350

ARRAN(

successful !o pay for p ncea•ing references I

Webb's w1 however. ,f

Peter

FineAn

ISManu1

Pi: 09-52

-----

187

Bidding Slip

lustersnall! ~rad1ng fror

1m.

BUYER NO:

For absentee bidders on lots in Webb's sale no. 240 Monday 17 - Thursday 20 September

shape raised with aband cdesigns,

iOmm.

. Ovoid w1tn

:k decorated

TI.

Please bid on my behalf at the above sale for the following lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids, or reserves if any.

* I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successful bid a buyers

premium of ten percent will be added to the hammer price and that G.S.T is charged on the premium. (eg If I made a successful bid of $1000 on an item a ten percent buyers premium equalling $100 would be payable and G.S.T on the premium making a total of $1112.50.) On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb's carry out at no charge .

Lot No.

Catalogue Description

Lot No.

Bid*

Catalo2:ue Description

Bid*

5raded blaci

1ed cornm.

thin alap11:! :ht damage.

lien at waist decorated in women na 1

ARRANGEMENT S FOR PAYMENT. I agree to pay immediately on receipt of notice from Webb 's of my successful bid. Payment will be by cash, cheque or bank transfer. I will arrange for collection of my purchases or I agree to pay for packing and freight costs incurred by Webb's in having any purchases forwarded to me. In order to avoid delay in clearing purchases Buyers who are unknown to us are advised to make arrangements for payment before the sale or for references to be supplied. If such arrangements are not made cheques will be cleared before purchases are delivered.

Mr/Mrs/Ms

Initials

Home Ph.

Bus. Ph.

Surname/Company Mobile

Facsimile

E-mail Address

I Postal Address: Street Address: Contact Name: Webb's will do its upmost to carry out bidding instructions for absentee bidders. It will not be responsible however, if circumstances prevent it doing so. SIGNED

Peter Webb Galleries Limited Fine Art, Jewellery, Antique and Estate Auctioneers and Valuers 18 Manukau Road, Newmarket, PO Box 99251, Auckland Ph: 09-5246804 Fax: 09 5247048 Email: auctions@webbs.co.nz

catalog ---------

188

Index of Artists Dates* Aitken, H .G. Albrecht, Gretchen Baillie, Captain Baker, William George Baker, Alan Dl914-1987 Barratt, Walter Bartley, Edwin Blair, Philipa Blomfield, Charles Brenner, F. Brown, Helen Brown, Nigel Buchanan, Dean Burge, Maud Chilcott, Gavin Cignani, Carlo Clairmont, Philip Clark , Russell Cleverly, Peter Coley, John Crisp, Richard Dolezel, Jenny Dunlop, Ronald Ossary

1943

1864-1929

b. b.

1945 1848- 1926 1917-1986 1949 1952 1865-1957 1950 1628-1719 1949-1984 1905-1966

1935

1964 1894- 1973

(GB) (NZ) (GB) (NZ) (A) (A) (GB) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (E) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (GB)

Ellis, Robert Eyre, Jane

1929

(NZ) (NZ)

Feu'u, Fatu Fletcher, Blythe Fomison, Tony

b. 1946 act. 1920-1930 1939-1990

(NZ) (NZ) (NZ)

Gimblett, Max Gopaz, Rodolph Gully, John

b. b.

(NZ) (NZ) (NZ)

Hammond, Bill Hanly, Pat Henderson, Louise Hodgkins, Frances Mary Hodgkins, William Mathew Hotere, Ralph Hoyte, John Barr Clarke Hunt, Frances Kensington, C. Kingstone, Ian Kirkwood, Henry William

b. b.

1935 1913 1819- 1888 1947 1932 1902-1994 1869-1947 1833-1898 1931 1835-1913

(NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ)

1942 1854-1925

(NZ) (NZ) (NZ)

1949 1916-1990

(NZ) (NZ)

McKay, Jean McWhannell, Richard Moffitt, Trevor Morrison, Robin Mrkusich, Milan

1844-1924 1936 1936 1944- 1993 1925

(GB) (NZ) (NZ) (NZ) (NZ)

1886-1952

(NZ) (NZ)

1961

1816- 1885 1946

(NZ) (NZ) (GB) (NZ)

b. b. b.

Nicoll, Archibald Frank Noordhof, Eis Pardington, Fiona Pearson, Alan Philp, James George Pond-Eyley, Claudia Pond Redmore, Hen ry Reed, Williams Richmond, Dorothy Kate Rountree, Harry

1820-1887 1908 1861-1935

(E) (NZ) (NZ) (GB)

Scott, Ian Sharp, Alfred Stenberg, Ron Stoddart, Margaret Stone, R Sydney, Grahame

b. c. b.

1945 1836-1908 1919 1865-1934

1948

(NZ) (NZ) (NZ) (NZ) (GB) (NZ)

Tapper, Garth Thompson, Pauline Thornley, Geoff Trusttum, Philip

1927-1999 b. 1942 b. 1942 b. 1940

(NZ) (NZ) (NZ) (NZ)

1837-1913

(NZ)

1919-1995 1945

(GB) (NZ) (NZ)

b. b. b.

1888-1965 1946 1940 1945

van der Velden, Petrus Wallwork, R. Walters, Gordon Watkins, Denys Watson, Lizzie May Weeks, John White, Robin Williams, Mervyn Wong, Brent Wood, Edgar Thomas Woollaston, Toss Worsley, Charles Nathaniel Wright, Walter

1910-1998 1923 1866-1933

(NZ) (NZ) (NZ) (NZ) (GB) (NZ) (NZ) (NZ)

SAVE

Asubscnptio regarding cu oecorativ1 o!the lines! The!ollow1n1

category OECORA. [1ghtcatal0!

Category PAINTIN( fourcatalog

Category OVERSEi Counered to

w Decoratrve I

a: Art w I

0 NAME

ADORES

Category Category , Category

Cheque e

CreditC,

* Dates for artists in this catalogue are given when known.

Card Nur

Abbreviations:

Lane, Tony Lusk, Doris MacLymont, Fl ora Maddox, Allen Mainwaring, B Martin, Albin Maughan, Karl McCahon, Colin McCracken, Fra nc is Mcfarlane, Shona McIntyre, Peter McIntyre, Simon

1948-2000

1813-1888 1964 1930-1977 1879-1959 1910- 1995 1908

(NZ) (NZ) (GB) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ)

Iwish to su

SIGNED

Australia

Europe

New Zealand

Britian

GS! Reg N1

I Peter v

FineArt.

18 ManuKar

Pi: 09-524

189

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Peter Webb Galleries Limited Fine Art, Jewellery, Antique and Estate Auctioneers and Valuers 18 Manukau Road, Newmarket, PO Box 99251, Auckland Ph: 09-5246804 Fx: 09 5247048 Email: auctions@webbs.co.nz

----

190

-Prices

Prices Realised: Fine Art Sale 238 June 26 200 1 Lot

Lot

L ot

1 4 5 6 7 8 13 14 15 16 17 18 19 20 21 22 23 24 25

3,850 2,100 1,500 700 1,350 3,300 1,800 1,900 1,800 1,800 1,800 850 2,100 1,200 2,600 950 900 1,900 5,000

26 27 28 29 30 31 32 33 36 39 40 41 42 44 45 46 47 48 51

3,800 2,400 3,100 2,500 5,750 1,700 5,700 3,000 850 24,000 17,000 6,500 8,000 11,000 9,000 22,000 16,500 17,000 11 ,000

52 53 54 55 56 57 58 59 60 61 66 68 69 71 73 74 75 83 89

26,000 10,500 8,000 23,000 16,000 43,000 24,000 190,000 30,000 22,000 30,000 12,000 5,000 22,000 10,000 6,000 3,500 6,750 5,000

91 92 93 96 97 98 99 100 101 104 105 106 107 108 109 111 114 116 117

4,500 2,500 3,500 3,750 1,500 2,700 2,500 8,000 2,500 3,000 5,750 3 ,750 2,500 6,000 2,500 1,500 2,500 2,500 1,500

118 120 121 122 123 126 127 129 130 132 133 136 137 140 141 142 144 145 146

1,200 2,600 950 600 1,900 1,250 3 ,250 2,200 1,200 24,000 4,600 2,000 5,000 3 ,500 2,800 3,400 8 ,000 1,200 1,000

147 149 150 154 157 159 160 168 170

1,000 2,700 4,000 2 ,000 1,300 3 ,000 600 900 500

Prices Realised: Jewellery Sale 239 August 8th 2001 Lot

250 25 1 252 254 255 256 257 260 261 262 263 264 264A 267 268

Lot

225 1,500 140 400 370 4,700 375 4,500 90 400 425 250 1,000 45 240

269 270 271 272 273 274 275 276 277 278 279 281 282 283 284

100 150 160 640 320 70 450 450 280 1,300 200 50 320 100 3,400

286 287 288 291 292 293 294 296 297 298 300 301 302 303 304

180 185 2,100 350 550 500 500 350 1,400 325 400 775 375 370 5,500

305 306 307 309 310 311 315 316 318 319 320 321 323 324 326

4,000 2,700 750 1,700 550 4,000 950 400 3,000 1,750 450 250 875 3,500 1,400

328 329 330 334 335 337 34 1 342 343 348 349 350 35 1 354 355

3,250 325 1,600 2,850 1,750 450 900 600 200 1,400 175 5,750 1,800 250 200

356 358 359 360 363 366 369

12,000 475 1,400 1,700 2,300 300 1,000

400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 432 433 434 435 437 439 441 445 451 452 453 454 461 465 466 467 468 469 470 471

..____

191

,-._

Prices Realised: Decorative Arts Sale 239, August 9th 2001

..........__ $ !OCQ 2.700 4,0CQ 2,0CQ

!JOO 3,0CQ

600 900 500

--$

12.00J

475 1,400 1,)00 2.300 300

1.00J

L ot

400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 432 433 434 435 437 439 441 445 451 452 453 454 46 1 465 466 467 468 469 470 471

500 1,075 140 110 60 330 60 20 15 30 15 90 320 115 35 45 45 45 110 120 15 20 280 10 150 30 120 75 45 70 35 85 170 50 15 20 40 110 25 35 25 40 80 400 100 60 80 80 100 275

Lot

472 473 475 476 477 478 479 481 482 484 485 486 487 488 490 491 492 493 494 496 497 498 499 500 503 504 506 507 508 510 512 514 516 517 518 519 520 521 523 527 528 529 530 531 532 534 535 540 541 542 542A

150 150 400 260 250 140 475 375 70 240 80 50 90 750 1,400 220 105 240 140 40 200 150 240 50 100 170 240 100 150 80 35 180 200 200 200 200 200 80 120 110 410 60 70 70 60 100 45 120 175 120 60

Lot

542B 542C 542D 542E 550 552 553 554 555 557 558 559 560 561 562 564 565 566 567 568 568A 569 570 571 572 573 574 575 576 576A 577 578 579 580 581 582 583 584 585 587 588 589 591 592 592A 593 595 595C 596 597

30 30 30 10 300 40 1,400 1,050 1,400 2,000 100 320 125 125 70 120 110 185 25 20 130 70 110 230 30 130 50 40 100 60 85 150 250 25 10 140 30 50 50 350 325 150 200 35 375 175 300 70 280 250

Lot

600 601 602 603 604 605 606 607 609 610 610A 611 611A 611C 616 617 619 622 624 625 630 632 633 635 641 642 644 645 646 647 648 650 650A 656 662 663 663A 663B 663C 664 666 668 672 673 677A 678 679 68 1 694 697

110 300 350 50 120 500 10 440 70 20 35 35 210 400 1,400 20 75 250 635 60 400 240 220 300 290 200 250 225 490 40 75 120 110 110 130 50 90 80 150 445 110 270 150 200 250 275 120 10 180 5

Lot

698 701 702 703 704 705 707 708 710 711 712 714 715 717A 718 718A 72 1 723 724 728 729 730 732 733 734 735 736 737 738 746 748 749 750A 751 755A 756 757 757A 758 760 761 761A 762 764 765 766 767 768 769 770

490 200 200 90 50 90 90 210 250 90 20 160 50 10 90 7 30 30 1,400 40 105 25 185 40 250 150 230 150 140 1, 100 225 190 2,400 150 650 2,000 90 210 240 950 700 450 1,200 400 750 450 800 400 300 250

Lot

771 776 779 784 785 787 788 788A 790A 791 793 794 803 809 811 811A 812 813 816 819 820 821 822

450 500 600 40 500 325 250 1,300 70 950 275 1,850 450 700 3,500 175 250 250 50 180 425 550 650

192

Index of Artists Aitken, H. G. Albrecht, Gretchen Baillie, Captain Baker, Alan D. Baker, William George Barratt, Walter Bartley, Edwin Blair, Philippa Blomfield, Charles Brenner, F. Brown, Helen Brown, Nigel Buchanan, Dean Burge, Maud Chilcott, Gavin Cignani, Carlo Clairmont, Philip Clark, Russell Cleverly, Peter Coley, John Crisp, Richard Dolezel, Jenny Dunlop R.A., Ronald Ossary Ellis, Robert Eyre, Jane Feu'u, Fatu Fletcher, Blythe Fomison, Tony Gimblett, Max Gopaz, Rudolph Gully, John Hammond, Bill Hanly, Pat Henderson, Louise Hodgkins, Frances Hodgkins, William Mathew Hotere, Ralph Hoyte, John Barr Clarke Hunt, Frances Kensington, C. Kingstone, Ian Kirkwood, Henry William Lane, Tony Lusk, Doris MacLymont, Flora

377 333 382 379 403,408 370 372 417,418 342 439 363 406 415,416 393 314, 315, 389-391 , 441 , 442 373 386, 410 348 353 404 446,447 357 381 352 413 412 436 334,335 306 396 339-341 316,304,327 , 426 , 427 322 , 425 , 428,429 362 , 395 336,337 324,451 302,332 , 414 343 , 344 438 308 419 448 , 449 350, 411 320,321 437

Maddox, Alan Mainwaring, B. Martin, Albin Maughan, Karl McCahon, Colin McCracken, Francis Mcfarlane, Shona McIntyre, Simon McIntyre, Peter McKay, Jean McWhannel, Richard Moffitt, Trevor Morrison, Julia Mrkusich, Milan Nicoll, Archibald Frank Noordhol, Eis Pardington, Fiona Pearson, Alan Philp R.A., James George Pond-Eyley, Claudia Redmore, Henry Reed, William Richmond, Dorothy Kate Rountree, Harry Scott, Ian Sharp, Alfred Stenberg, Ron Stoddart, Margaret Olrog Stone, R. Sydney, Grahame Tapper, Garth

300, 301, 356 , 430-432 375 338 313 329-331 361 435 354, 355, 407 364, 365 , 397,409 312 450 405 423 345 420 421 433 398,399 380 445 366,367 309 310, 311 369 402 326 440 319 , 347 368 328

Trusttum, Phi Ii p

401 392 351 400

van der Velden, Petrus

360

Thompson, Pauline Thornley, Geoff

Wallwork, R. Walters, Gordon Watkins, Denys Watson, Lizzie May Weeks, John White, Robin Williams, Mervyn Wong, Brent Wood, Edgar Thomas Woollaston, Toss Worsley, Charles Nathanial Wright, Walter

349 305 383-385 376 358,359,394 303 , 323,424 388 318 374 346, 387,443 , 444 325 , 422 317

-0 i.;- l S --ROE D E RER