Oriental Ceramics, Old Master Prints, New Zealand & European Paintings & Works of Art, July 1992

Conditions of Sale for Buyers 1. The highest bidder shall be the purchaser, subject to the auctioneer having the right to refuse the bid of any person . Should any dispute arise as to the biddings the lot in dispute will be immediately put up for sale again at the preceding bidding , or the auctioneer may declare the purchaser, which declaration shall be conclusive.

2. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted . 3. -All lots are sold subject to the right of the seller or his agent to bid or else to impose a reserve. 4. The purchaser shall complete a bidding card before the sale giving name and address. Immediately aiter the sale the purchaser shall pay 10% of the purchase price in part payment and shall pay the balance within ten days of the date of the sale unless prior cred it arrangements have been made . 5. The purchaser shall pay to Peter Webb Galleries Limited (Webb 's) a premium of 10% of the hammer price together with G.S.T. on such premium at the current rate. 6. All lots are sold as shown and with all errors to description , faults and imperfections whether visible or not. Neither Webb 's or its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever . Buyers proceed upon their own judgement. 7. Webb 's act as agents . They have ful l discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason . 8. Each lot is at the risk of the purchaser from the fall of the hammer and is to be taken away at the purchaser's expense immediately after the sale . If this is not done Webb 's will not be responsible if the lot is lost , stolen , damaged or destroyed . 9. No goods are to be removed wh ile selling is in progress. Receipted invoices must be produced prior to delivery of any lot. The auctioneers reserve the right to request identification in the case of any purchaser not known to Webb 's who pays by cheque. Credit cards will not be accepted as means of payment. 10. No person purchasing any item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 shall be entitled to take possession of the item unless and until such person has produced to Webb 's a licence under the appropriate Act. 11 . If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to the purchaser, at its absolute discretion and without prejudice to any other rights or remed ies it may have , be entitled to exercise one or more of the following rights or remedies :

(a) To issue proceedings against the purchaser for damages for breach of contract. (b) To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction . (c) To resell the lot by public or private sale. Any deficiency resulting from such resale , after giving credit to the purchaser for any part payment , together with all costs incurred in connection with the lot shall be paid to Webb's by the purchaser. Any surplus over the proceeds of.sale shall belong to the seller and in this condition the expression "proceeds of sale" shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction . (d) To store the lot whether at Webb 's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal , storage , insurance and all other costs connected to the lot. (e) To charge interest on the purchase price at a rate two percent above Webb 's bankers' then current rate for commercial overdraft facilities , to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale . (f) To retain possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of all money due . (g) To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb's or its vendor. Webb 's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under this contract. (h) To apply any payment made by the purchaser to Webb 's towards any money owing to Webb's In respect of anyth ing whatsoever irrespective of any directive given in respect of, or restriction placed upon , such payment by the purchaser whether expressed or implied . INSTRUCTIONS TO BID AT SALES Absentee bids These are accepted by Webb 's and carried out free of charge. Lots will be bought as favourably as is allowed by the bidding.in the saleroom and any reserve imposed . "Buy" (unlimited) bidding directions will not be accepted . Webb 's require confirmation in writing or by fax of bidding directions prior to the sale. Telephone bids Webb 's will use its best endeavours to take telephone bids from buyers who have made proper arrangements prior to the sale . Because this method cannot be entirely free from the risk of communication cutoff Webb's cannot be responsible for losses arising from missed bids .

VENDORS are requested to read and are bound of the Conditions of Sale printed upon the reverse side of Webb 's Contract to Sell. CATALOGUES can be obtained on annual subscription or from our saleroom . PRESALE ESTIMATES are intended as a guide only and can be subject to revision nearer to the time of a sale . Webb's staff are available during pre-sale viewing times and by appointment to assist prospective bidders with estimates and any aspect of the auction procedure. CREDIT on purchases of $7000 or more can in some cases be arranged . Please consult with our Manager.

sale 146

catalogue of

Oriental Ceramics & Works of Art to be sold on

WEDNESDAY 8th JULY 1992 at 6pm

Old Master & 19th Century Prints to be sold on

THURSDAY 9th JULY 1992 at 3pm

Maori Works of Art & Artefacts and New Zealand Furniture to be sold on

THURSDAY 9th JULY 1992 at 5pm

New Zealand & European Paintings to be sold on

THURSDAY 9th JULY 1992 at 6pm The sale can be viewed at the following times:Sunday 5th July 11am - 3pm Monday & Tuesday 6th & 7th July 9am - 6pm Wednesday 8th July 9am-noon Thursday 9th July 9am - noon

BUYER'S PREMIUM APPLYING TO THIS SALE

Buyers shall pay to Webb's a buyer's premium of ten percent of the hammer price plus GST on the premium. This sale is subject to the conditions of business printed inside the front cover Illustrated front cover lot 224 catalogue photography Arne Loot

PeterWebb Galleries Litnited Estate & Fine Art Auctioneers & Valuers MGAANz 18 Man u kau Road , Epsom , Auckland . P.0. Box 99251 Ph: 0-9-524 6804 . Fax: 0-9-524 7048 .

1

The Catalogue

6

r ANOTHER SMALLER

Oriental Ceramics & Works of Art

GINGER JAR as above. h.125 100-150 130

remained for two weeks in Christchurch holding master classes for New Zealand potters. h.220 w.155 9000-12000 illustrated \.2000

7

Chinese Dynasties relevant to the catalogue:Sung 966-1280 A.D. Yuan 1280-1368 Ming 1368-1644 Ch'ing 1644-1912 Republic 1912Japanese Periods Edo 1603-1868 Meiji 1868-1912 Taisho 1912-1926 Showa 1926-1989 1 A CHINESE EXPORT TEAPOT early 18th cent., decorated with figures in a garden setting in famille rose enamels; lacking cover and handle. h.110 100-150 qo 2

A CHINESE BALUSTER VASE circa 1900., decorated with two figures beneath a willow in underglaze blue on a crackle glazed ground with borders of incised decoration beneath a brown glaze. h.212 100-150 1lD 3

A CHINESE EXPORT VASE 19th cent., with trumpet shaped neck, decorated in famille rose enamels; some faults. h.1% 100-150

to

4 A CHINESE EXPORT CREAM JUG 19th cent., of squat form decorated with figures, flowers and birds in famille rose 200-300 1~0 5 ,/' A LARGE CHINESE GINGER JAR late 19th cent., decorated allover with trailing vines in a raised brown slip on an off-white crackle ground; some faults. h.245

80-120

4-0

tJ

A CHINESE BLUE AND WHITE PEAR-SHAPED BOTTLE VASE Ming period, decorated with houses in a landscape.(lacking neck) h.160 60-90 -;JS 8 A JAPANESE EXPORT EARTHENWARE VASE circa 1900, with trumpet neck, side handles and raised decoration of figures and flowers in gilt and polychrome enamels; repaired. h.387 t'ri {T\ 200-300 ~ 9

A SIGNED SATSUMA PORCELAIN VASE Edo period, of hexagonal form with a circular flared neck, richly decorated with Samurai and Geisha figures in gardens between panels of chrysanthemums in gold and coloured enamels, and with brocade borders; rim repaired. h.303 1300-1600 illustrated ~00 10 A FINE SATSUMA BOWL Meiji period, with allover chrysanthemum decoration in raised enamels. Black and gilt seal signature. dia.188 1000-1500 illustrated I

700

12

A SMALL CHINESE BOWL Ch'ien Lung period, the exterior decorated with a finely drawn peony and peacock design on a lemon yellow ground. The interior decorated with a five-clawed dragon holding a pearl amidst cloud forms in wucai enamels. The base decorated with a green enamel dragon chasing a pearl. dia.126 700-1000 illustrated

7s-o

13 ~ A JAPANESE BLUE & WHITE PORCELAIN WALL VASE circa 1890, of conical shape with printed decoration of birds and chrysanthemums. h.362 120-160 I So

.!,-

14

A MING BLUE & WHITE CIRCULAR BOWL 17th cent., on turned foot, the broadly brushed exterior decoration of a dragon amidst clouds, the interior with a cut centre ring and two blue bands.dia.249 400-500 335 15

A SMALL MING BLUE & WHITE TEAPOT 15/16th cent., decorated with figures flying kites. Lacks cover and half of spout. 120-150 'to

11

16

A FINE RARE PRESSMOULDED BOTTLE VASE of rectangular form by SHOJI HAMADA with a mashiko khaki slip glaze beneath an iron-brown glaze, the wax resist window pictures to each face decorated with a brushed maize stalk. This pot was brought to New Zealand by Hamada and displayed in Ballantyne's Department Store in Christchurch during the Pan Pacific Arts Festival in 1965 (catalogue number 16). The interest in this pot was so great that Hamada decided that straws should be drawn to decide who would be the purchaser. Hamada

A MEIJI PERIOD SATSUMA VASE of ovoid shape finely decorated to one side with a trailing spray of blossoms in gilt and enamels, the neck and foot with diaper borders, the rim gilded. Brown and gilt seal mark. h.150 500-600 illustrated

2

17 A MEIJI PERIOD SATSUMA VASE, ovoid shape decorated with a branch of autumn maple leaves to one side, the neck and foot with gilt and brown borders. Red and gilt seal anq _Mon. h.154 250-350 illustrated :JSO

Lots 58, 161,

Lots 151, 147, 12, 150 3

18 A CHING BLUE & WHITE SPICE JAR 18th cent., decorated in vivid cobalt with a fisherman and a pagoda beside a shore, a hatched border at the neck. h.120 100-150 '\ ..0

27 A OVOID CLOISONNE VASE Meiji period decorated with a branch of blossoms and flowers to one side on the midnight blue

19

28

another similar to the previous lot. h.119 100-150 HO

A G BLUE AND WHITE INKWELL of rectangular form decorated with a pagoda and landscape. L.90 60-80 'bO

20 another similar to the previous lot, with fritted rim nicks. h.114 80-100 qv

,,

21 a small jar similar to the previous lots with brown collar. h.60 80-100

,o

22 Another small jar with paler decoration. h.74 80-100 tD

~~

h.LliO

r r1. qci o -

cJu.f

Hi[

0-h )

29 A FINE PUSAKA BALUSTER DRAGON JAR Go-Sanh type 17th cent., with six lugs in the form of crouching beasts around the shoulder, the body decorated with leaping tigers and peony flowers in relief and incised scroll work, with thick mid-brown glaze. h.583 2500-3000 illustrated \000

?

30 23 A KUTANI VASE Meiji period, of ovoid form finely decorated with two panels depicting in one a courtly lady, and in the other a bird in a floral landscape, separated by panels of abstract designs; small chip to rim. h.208 400-500 illustrated '? ?,.m

J A24 SMALL CH'IEN LUNG FAMILLE VERTE TEAPOT AND COVER the shaped baluster body and handle decorated with flowers and a bird, the original spout replaced by one of silver. h.107 300-400 illustrated j£"'0 25 A SMALL CH'IEN LUNG BLUE AND WHITE TEAPOT decorated with figures and buildings on a shore, the replacement cover, handle and spout are ?Lpewter. h.97 250-300 -.,,,26

A MING BLUE AND WHITE BOWL ON CIRCULAR FOOT the repeating decoration of horseman and sprigs. Kiln jfit in glaze. dia.143 250-300 l'U-1)

A PUSAKA BALUSTER DRAGON JAR 18th/19th cent., with six shoulder lugs in the form of dragon's heads, the body decorated with leaping dragons and cranes. Brown glaze. h.561 800-1000 illustrated ?. 31 A YUAN DYNASTY DRAGON~ JAR 14th cent., with six plain shoulder lugs and a shoulder band of prancing dragons in relief above the body decoration of incised scrolls, the runny brown glaze partly degraded. h.485 1000-1500 illustrated <--p

32 A MING BLUE AND WHITE BALUSTER JAR with six dragon's head lugs to the shoulder border of peony flowers above the body decoration of birds and scrolling flowers; repair to foot. h.354 U;O 1000-1300 illustrated

<7

33 A FAMILLE ROSE PLATE 18th cent., the central decoration of a garden pavilion within a band of gilt spear-heads, the rim border of flowers. dia.226 ~ 200-300 illustrated

4

34 AN !MARI BOWL late Meiji period, with wavy edge and decorated with alternating panels of flowers on cobalt and white grounds, the cavetto with flowers in a pot. dia.180 150-200 /(J)

35 A LARGE CHING BLUE AND WHITE GINGER JAR decorated in vivid cobalt with a pagoda and fishermen on a shore, a banded border at the neck; cracks to base. h.202 300-400 7.7S

*

36 A CHINESE BLUE AND WHITE LIDDED BOX Ming period decorated with stylised peony and leaf forms. h. 70 dia.85 300-400 IS°0

37 A CHINESE MINIATURE SQUAT JAR Tang dynasty, with traces of sim pie brushed iron decoration, glaze flaked away from the biscuit on part of the exterior. h.45 dia.70 300-400 'r /(10 38

A CHINESE BLUE AND WHITE JARLET Ming period with floral decoration. h.55 80-100 1fJ 39 A CHINESE LIDDED JARLET Sung dynasty, northern celadon glaze over buff biscuit, with sculptured peony under glaze on lid. h.55 J60 200-300

40 A CHINESE BLUE AND WHITE LIDDED BOX Ming dynasty, floral decoration. h.45 150-200 $0 41 ·

v A FINE LARGE CHINESE SAUCER-DISH late 18th/early 19th cent., with 'Imari' floral and gilt decoration; small firing crack. dia.380 \)OO 1 2000-3000 illustrated ·

Lots 9, 43, 94, 16, 17, 84

Lots 60, 65, 61, 63

5

42

50

59

AN EDO PERIOD SATSUMA VASE circa 1800 signed Monsuki in archaic script. Fine floral decoration in a gosu blue border with brocade decoration around base and neck, finely gilded; small chip to top lip. h.180 2000-3000 illustrated /000

A CHINESE BOWL Ming dynasty, blue decoration under a grey glaze~ uff biscuit. dia.135 300-350 l .

A SATSUMA VASE Meiji period, with tube lined decoration and overglaze enamel infill depicting three sages on a patterned background. h.245 500-600 ~D

43 A LARGE IMARI PORCELAIN VASE late 19th cent., the flared neck with wavy rim is tied with an embossed bow; in exceptionally fine condition with extensive floral and scenic decoration, signed on the base. h.640 3500-4500 illustrated

/+JoCO

LUE AND WHITE SPICE Ching period, with fisherman eside and hatched collar decoration. h.125 100-120

\z

othe,, h.113 ~120

61

~ e , smalle,, h.%

44

A CHINESE FAMILLE ROSE DISH Ch'ien Lung period, floral decoration in enamels and gilt, with a reticulated side wall border. circa 1740 dia.275 2500-3000 illustrated ;iooO 45

AN ANNAMESE BLUE AND WHITE JARLET 16th cent., the glaze running short of the foot on a cream biscuit. h.60 80-100

so

46 Another similar, 16th cent. stylised decoration with some glaze flaking from the biscuit. h.45 60-100 JO 47 A CHINESE NORTHERN SUNG SMALL EWER Ch'ing Pai glaze, with decoration in relief; small crack and spout and handle rebuilt. h.105~ 0 100-125 illustrated 48 A CHINESE BOWL Ming dynasty, cream/buff glaze on brown biscuit. ~a.95 100-150 3c

~ , simila,, h.92

A KAGAMIBUTA NETSUKE 19th cent., stained kiri wood with engraved shibuichi plate, three Tokkaido porters doing the sparrow dance, ivory rimmed himotoshi, unsigned. dia.40 800-1200 illustrated 65XJ

A CHINESE DISH Ming dynasty, with impressed stylised fish under the grey/buff glaze. dia.140 300-400 3S"b

62 A WOODEN NETSUKE 19th cent., finely detailed rootwood carving of two Nio arm wrestling over a go board, Edo school, unsigned. L.45 1200-1600

56

illustrated

55

A CHINESE TRUMPET SHAPED PORCELAIN VASE late Ching period, with side handles suspending porcelain rings and decoration of figures in gardens and landscapes; signed on base. h.295 500-600 3,!1)

~

63

AN IVORY NETSUKE 19th cent., rare carved and stained ivory No mask of Okame, signed Ohara Mitsuhiro. L.325 2000-3000 illustrated !5'SO 64

;57

J A RARE JAPANESE KUTANI VASE circa 1880 of cylindrical form finely decorated with bird and cloud forms on the collar and surrounded with thirty applied porcelain bamboo canes individually decorated with insects in enamels and gold; damage to one of the bamboo canes. h.295 4000-6000 illustrated J.{o'O 58 v · A LARGE CANTON EXPORT

49 A CHINESE BOWL Sung dynasty, with greenish crazed glaze on a grey biscuit and impressed ¥rder. fa.110 400-500 <JJ)(J ,

60

A CARVED LACQUER KIZERUZUTSU 18th cent., tsuishu with gilt details with scene of two Samurai in combat, signed Shounto; collar missing. L.215 500-800 illustrated "315

VASE AND COVER 19th cent., extensively decorated in famille rose enamels and gilt; chips to underside of cover. h.390 1500-2000 9co illustrated

'f

?

6

AN IVORY NETSUKE 19th cent., carved and stained with Hotei and Benton on a boat with a bag of clams, signed Masatoshi. L.45. 150-300 3~ 65

A FOUR CASED SILVER INRO within an alloy case (probably shibuichi) which is decorated with a rabbit and plant forms in gold, shakudo and copper applique; lid missing. h.60 1000-1200 illustrated 7~ 66

A FINE CARVED WOODEN NETSUKE Edo period, of a reclining mare with a foal on her back; unsigned. L.33 Qb'e) 1000-1200 illustrated /

Lots 83, 78

Lots 138, 186, 47, 143, 104, 120, 142, 141, 139 7

Lot 157

Lots 31, 29, 32, 30

8

Lots 57, 10, 75, 82, 23

9

shishi finial; minor damage to finial. h.580 7 6000-9000 illustrated 3~ '? .

67 AN IVORY NETSUKE Edo period, of a mother rat with two babies; one baby with part of head missing. Unsigned. L.55 1000-1200 illustrated ~~

76 A HIRADO PORCELAIN BOTTLE VASE late 19th cent., with rounded body and long neck finely decorated in underglaze blue with nine karako chasing butterflies beneath a spreading pine, the neck with origami border design._..q.380 2000-3000 -,

68 A CARVED WOODEN NETSUKE early 19th cent., of a man netting a fish in a tub; unsigned. L.34 400-500 \ '1-..()

r

69 A CARVED WOODEN NETSUKE early 19th cent., of a kneeling man combing his hair. h.31 300-400 lCO 70 A CARVED WOODEN NETSUKE early 19th cent., of a baby turtle on its mothers back; damaged. L.46 200-250 l 10 71 AN IVORY NETSUKE 19th cent., of an old man with a staff carrying a gourd; signed. h.51 150-200 11 O

77 A KUTANI PORCELAIN VASE Meiji period, decorated in ironred, green and yellow enamels and gilding, with panels of historic figures, birds and flowers, together with dragons pursuing the flaming pearl and numerous small mons. h.230 300- 500 illustrated ~

'*

78

A KUTANI PORCELAIN MOUSTACHE CUP AND SAUCER Meiji period, with ironred, polychrome enamel and gilded decoration of the one thousand sages design. h.65 250-350 illustrated :l~ S

72

A RARE SMALL OCTAGONAL

KAKIEMON PORCELAIN CUP early 18th cent., decorated in typical bright polychrome enamels and gilding with birds and flowers and having moulded triangular motifs at the foot and seal mark on the base (repaired chip to rim) h.65 Although catalogued as Kakiemon, this cup could possibly be of Chinese origin of the same period and decorated in Europe. 400-600 illustrated 1S'i) 82a A JAPANESE IMARI PORCELAIN SHALLOW

BOWL early 18th cent., with a central design of pine, cherry and fences and four reserves with birds and foliage motifs, all against an under-glaze blue ground of plum blossom; the decoration being in underglaze blue and iron red together with green and black enamels and gilding, the reverse with underglaze blue floral scroll and red diaper, and Chia Ching six character reign marks. dia.212 600-900 4,1'.S 82b

A JAPANESE PORCELAIN NETSUKE Meiji period, of two mice with a peanut.L.43 150-200 ·"34-0

79

AN ARITA PORCELAIN CHARGER Meiji period, with underglaze blue and white landscape design within foliate border. dia.460 800-1200 t!JfJ

73

A SMALL CARVED WOODEN FIGURE NETSUKE 19th cent., h.35 80-100 (:;,D

/74 A JAPANESE MINIATURE BRONZE of Kanoon, early Meiji period. h.115 ii.ft''~ 150-200 IW l\l '-- 1

75 A LARGE IMARI VASE AND COVER Meiji Period of squat ovoid form, the body ribbed with the shoulder moulded in relief the whole decorated in underglaze blue, iron red, pale green enamel and gilding with panels of flowers, bamboo and birds on a brocade ground, the cover similarly decorated and surmounted by a

✓82

A JAPANESE CLOISONNE VASE c.1900, decorated with peonies on a deep yellow ground, with silver wire and rims, impressed Ando mark on base rim. h.156 250-400 156

80

82c

A SETO STONEWARE OIL DISH late Edo period, of typical form and decoration, showing a landscape scene under a buff, minutely crackled, glazt. dia.220 1000-1400 ~

A JAPANESE CLOISONNE VASE 20th cent., decorated with roses on a cream ground, with silver wire and rims, impressed Ando mark on base rim. h.183 200-400

~eo

1;

/'

/

81 AN ORIBE STONEWARE LIDDED BOWL 19th cent., of rounded square form with two small lug handles, one corner of the lid and bowl showing the typical olive-green splash glaze, both with random markings representing fences, grasses and flowers. h.75 w.100 500-800 illustrated 4(4!/J 10

.(~

~~ UNUSUAL JAPANESE LACQUER AND CLOISONNE VASE Meiji period, on a porcelain base with decoration of birds and flowers 300-500

t.p.~

83 A UNIQUE JAPANESE PARQUETRY COLLECTOR'S CABINET Meiji period, with typical inlaid geometric motifs, containing four lined drawers within hinged lockable doors, the drawers and cabinet having English recessed brass drop handles. This cabinet was formerly the property of the renowned late 19th cent.collector, Edward Gilbertson, some of whose descendants emigrated to New Zealand and on whose behalf Webb's has sold numerous Gilbertson items. Because of the unusual combination of Japanese cabinetry and English lock mechanisms, it is likely that the piece was custom made to Gilbertson's specification. h.300 w.515 d.390 7' 2000-3000 illustrated roeo

,8 !

facings. L.441. w.223. h.610 800-1200 ( ~f)

✓ A JAPANESE INFLUENCE AESTHETIC MOVEMENT FOUR-FOLD SCREEN circa 1880, with figured woven fabric panels above gold painted Tokugawa mons. h.1530 600-1000 (,.0-C

92c A CHINESE TEAK WOOD MIRROR 19th cent., with an oval glass within a teak frame inlaid with mother-of-pearl in curvilinear floral scrolls and characters. L.1200. w.313 900-1200 ~

89 A JAPANESE FOUR-FOLD PAPER SCREEN Edo period, with restrained decoration of distant mountains on a fine gold ground; minor damage and one panel separated. h.912 250-500 ! 6-0

92d AN INDONESIAN TEAK DISPLAY CABINET of hexagonal form, with four fixed shelves, the top with pierced and scrolled decoration, the supports with applied rope twist mouldings and supported on six bun feet. h.870. w.750 700-1500 "{';I) 'f. ,Z ,

90 A JAPANESE KIMONO STAND 19th cent., of lacquered wood with mon decoration. h.1665. L.1800 250-500 J)-;

92e ANOTHER AS ABOVE

91

84 A JAPANESE INLAID CABINET circa 1900, the geometric inlays in a variety of decorative woods, with five drawers and a shelf with two sliding doors. h.365 w.360 d.140 500-600 illustrated t.,...;"O

,85

✓ A JAPANESE TWO-FOLD SCREEN Meiji period, of inlaid wood with a design of plovers in flight, with carved top panels. h.1070 900-1200 illustrated W

w ,~K-. - -

86

A JAPANESE SIX-FOLD SILK SCREEN late Edo period, with individual watercolour renditions of the seasons, all six signed; showing some wear. h.1720 1000-1500 4-fo 87 A JAPANESE SIX-FOLD PAPER SCREEN Meiji period, with overall painted decoration of roosters in a landscape on a gold dust sprinkled ground, signed; showing wear. h.1728 500-800 5''). S.

A JAPANESE KEYAKI LOW TABLE circa 1900, of plain design. L.1556. w.733. h.300 350-650 l(JX)

/

/

93 A JAPANESE WAKASA LACQUER DOCUMENT BOX Meiji period, with a stylised wave pattern on a figured ground. h.130 L.334 w.240 1200-1600 ID2 'S

✓92 A JAPANESE SMALL KIMONO CHEST early 20th cent., black lacquered frame with figured chestnut drawer facings. L.910. / 94 w.417. h.595 \., A JAPANESE HINOKI WOOD 450-750 ~(JO BOWL Meiji period, with gold lacquer, pewter and mother-of2a pearl decoration of trailing vines A JAPANESE WOOD DISPLAY and leaves; h.83 dia.190; in fitted CABINET Meiji period, of box. rectangular section with door and 1500-2000 illustrated /-U:,,c drawer fronts having a sky blue lacquered ground on which scenes 95 of people in a landscape and A JAPANESE SHALLOW foliage are painted in gold lacquer WOODEN BOWL Meiji period, and inlaid in ivory, the frame lacquered decoration of a fish, having scroll carving to its front leaves and fruit. dia.282 and sides. L.946. w.313. h.1560 '7 500-800 3000-5000 illustrated ?9-,06€) 7,/ 96 92b A LARGE ZEN A JAPANESE INLAID CALLIGRAPHIC CHARACTER CABINET Meiji period having a early 20th cent., ink on paper, variety of geometric pattern wood signed, fra9!_5d. 129:,x 615 inlays together with lacquered 300-500 L . door fronts showing cranes and pines before Mt Fuji, the topopening rectangular frame A JAPANESE narrowed at top and bottom and WATERCOLOUR PAINTING containing six drawers to the face ON SILK early 20th cent., of birds and six behind lockable cupboard in foliage, s~ framed. 93~ doors, with engraved metal 445 100-_ SZJ

5co

t27l

-i.J

11

tfCd

Lots 153, 160, 152, 24

Lots 44, 41, 33

12

98

✓A JAPANESE WOODBLOCK PRINT BY KATSUCHIKA HOKUSAI printed 1806, 'At the Tea House, Ichiriki, Kyoto' act 7 in the play 'Chushingura' 245 x 370 framed 400-500 .SOO

99 A JAPANESE 1/. WATERCOLOUR circa I · 1910,'Kamo River' by Yoshida Hiroshi 330 x 491 350-500 300 /

100 Another, 'The Ferry, Kamo River, Kyoto' by Yoshida Hiroshi 315 x

480

350-500

"O

;;z<;:i

101 A JAPANESE KURATSU TRIBAL STORAGE JAR Southern Kyushu early 17th cent., decorated with simple underglaze blue on a coarse sandy orange /buff biscuit, the glaze short of the base. h.140 200-300 2f}X) ' )-O~APANESE AO-KUTANI , /*HREE-LOBED BOWL decorated with enamels on a gilt brocade ground. Edo period, late 18th/early 19th cent., signed and with Kutani mark on base. h.80 dia.150 400-500 JOO

103 A JAPANESE BRONZE CHAMPLEVE ENAMEL BOWL mid-Meiji period, of squat baluster form decorated with a band of floral and scroll patterns in red, blue, green and cream. h.140 dia.170 115-225 JlD

104 AN IMARI BOWL Meiji period, decorated in enamels and gilt with a Japanese falcon on a black pine, with typical Imari borders. dia.150 200-250 t7 fJ

illustrated

105 no lot

106

112 Another, of squat ovoid form. h.590 250-350 (s;o-0

TWO JAPANESE WOODBLOCK FAN PRINTS 19th cent. both signed Gyokucho. 275 x 204 100-200 c/0

113 A LARGE JAPANESE PLATIER late Meiji period, decorated in famille rose and polychrome enamels, signed. dia.310 ic:,O 100-125

106a A JAPANESE WOOD BLOCK PRINT modern, entitled "Flavour" numbered and signed Haku Maki, framed L.455. w.255 60-100

114 A LARGE JAPANESE CLOISONNE JAR AND DOMED COVER circa 1900, richly decorated with floral designs in polychrome enamels. h.215 ,---:J 350-500 ,-

106b ANOTHER SIMILAR entitled " Coamon Place" 106c ANOTHER SIMILAR entitled "Bow" 106d ANOTHER SIMILAR entitled "Billow"

115 A SATSUMA VASE Meiji period, decorated with figures and flowers and highlighted with gilt; faults. h.235 150-200 ltV

107 A JAPANESE TEXTILE PANEL 19th cent., Ikat weave of floral and geometric motifs, indigo dyed, 1085 x 423. framed. 200-300

116 A SATSUMA BALUSTER JAR AND DOMED COVER Meiji period, decorated with prunus blossoms, chrysanthemums and birds on a very finely crackled glaze. h.250 400-500 ~00

,w

FISH, ink on cent.signe Kanei Ox 270 1 - 00

117 AN ANNAMESE SAUCER DISH circa 1600, with stylised floral decoration under a clear glaze on a coarse brown body; crazed. dia.155 80-100 30

109 A JAPANESE FABRIC PANEL 19th cent., with a figure of a dragon couched in gold thread on a red ground. 870 x 550 100-200

rqo

110 A JAPANESE SAMURAI LEATHER SADDLE COVER 19th cent., decorated with a stylised wave pattern and mons blocked in gold and black lacquer on a red ground. 1040 x 608 I") fJ 2000-3000 illustrated tJM) . J 111 A LARGE EARTHENWARE VASE circa 1978, the design and decoration showing Japanese influence, by Peter Harman, potted in New Zealand. h.960 250-350 t~

13

118 A KHMER SQUAT POT 10th to 13th cent., with dark brown glaze over a coarse grey /buff body. h.70 so-120

.ro

+

119 A CHINESE EARTHENWARE KYLIN CENSOR late Ming/ early Ching dynasty, in active pose with raised right paw and turned head; detachable head and tail, with minor damage. h.225 L.235 with fitted hardwood stand. 1000-1, WJ;strated

120 • / A SAWANKHALOK CELADON ./ \. WINE JAR with rounded body and tapering neck with flared mouth, strap handle and long curved spout terminating in a bird's head, with typical shiny glaze; firing crack to handle. h.192 1000-1400 illustrated

q(){)

/

121 A CIZHOU STONEWARE BOWL Sung/Yuan period, with simple brushed iron flower decoration within a banded border; repaired crack. dia.215 800-1100 'r lfM; 122 A TANG DYNASTY EARTHENWARE JUG of elongated ovoid form with a cylindrical neck and short spout and strap handle, simple roulette banded decoration under yellow/green glaze; handle rebuilt.h.224 1000-1400

s~

123 A CHINESE SWATOW PEWTER TEASERVICE 19th cent., five pieces all with Huikee mark and extensively handengraved with dragons, comprises tray, teapot, hot-water jug, jug and lidded sugar bowl 400-600 ·1 124 A CHINESE SUNG DYNASTY SAUCER DISH, clear glazed over a cream/buff biscuit. Later applied green enamel overglaze 150-200 qo 125

A CHINESE BLUE AND WHITE BOWL late Ming dynasty, with stylised scenic decoration. dia.88 60-100 6fJ 126

A CHINESE BLUE AND WHITE SAUCER DISH Ming dynasty. Floral decoration on a buff-brown biscuit. Character marked base. dia.150 150-200 /g.,{)

127 A CIDNESE BLUE AND WIDTE VASE Ch'ing period, decorated with prunus. h.235 175-200 1'80 U7a A CHINESE BLUE A WIDTE LIDDED NGER JAR Ch'ing perio oral decoration on cra~~-e~ e. h.150 80-~ 128

A CHINESE BLUE AND WHITE LIDDED GINGER JAR Ch'ing period, floral decoration on crackled glaze. h.150 80-100 f:t.O

129 A CIDNESE EXPORT FAMILLE ROSE CANTON ENAMEL EXPORT CUP AND SAUCER 19th cent., finely decorated with overglaze enamels and gilding 150-200

<{D

130 A CHINESE BLUE AND WIDTE EXPORT PLATE late 18th cent., rim frits. dia.165 100-120 qo 131 A CIDNESE GINGER JAR early 20th cent., figure decorated in polychrome enamels. h.120 60-80 ·'30

132 THREE STORAGE JARS probably South East Asian, possibly Kmer. Dark brown/black glaze over buff biscuit falling short of the base. h.140, 95, 90 100-200 :x? 133 A CHINESE PIERCED JAR AND COVER modern, leaf and flower forms. h.235 60-100

qv

134 A SMALL CHINESE FOOTED DISH late 19th or early 20th cent., foliate border and floral decoration. dia.125 50-10 GU

14

135 A CHINESE LIDDED BOWL modern, with A SMALL CHINESE BRUSH POT early 19th cent. both h.60 40-60 4-(') 136 -~- A CHING BLUE AND WHITE SPICE JAR decorated in vivid blue with a fisherman beside a shore and with a hatched border. h.120 80-120 qo 137 another, similar. h.120 80-100 Cj,O / / 138 A CELADON CHARGER Yuan/early Ming period with impressed central design of a peony and incised floral motifs on fluted cavetto with foliated rim, sturdily potted and typical of the period; chip to underside of rim. dia.318 1200-1800 , ~ illustrated 139 A VERY RARE AMBER LEAD GLAZED JAR late Tang/Liao period having an hexagonally lobed rounded body with a defined narrow shoulder and neck and wide mouth, decorated with yellow foliage sprigs; minor restoration. dia.130 and h.122 1000-1500 ~et) illustrated 140 A "HARE'S FUR" TEA BOWL Sung dynasty of smallish size with typical glaze of good lustre and markings, the grey biscuit exposed on the outside and base. dia.104 500-800 '{'i_O illustrated 141 A SMALL BLUE AND WHITE SAUCER DISH Ming dynasty with "heaped and piled" decoration of flowers and grasses and an applied biscuit figure of a fish with the usual recessed base; small crack. dia.125 250-350 11:,'0 illustrated

142

148

A LARGE BLUE AND WHITE CHARGER Ming dynasty Swatow ware with exposed pontil ring and freely drawn decoration of large flowers and leaves on the cavetto and central section; cracks. dia.375 600-1000 ~ c illustrated

A STONEWARE LIDDED JAR c.1800 in imitation Tang style of green, yellow and aubergine splash glaze on a widening cylindrical body. dia.123. h.93 300-500 25o

'17 ,;

143 /

AN UNUSUAL SMALL CHING PAI VASE Sung dynasty, having a good pale blue glaze with irregular crackle, the mouth rim with brown slip wash, with elongated round body and wide flared mouth. h.130 800-1200 (;";'.<) illustrated

144 A CELADON JARLET Sung/Yuan period with twin lugs and relief shoulder decoration of peony scrolls and having the typical unctuous soft green glaze. dia.97. h.63 500-750 '1+15

145 A SMALL STONEWARE FOOTED BOWL Liao/Sung period with a high foot and residual interior yellow/ green glaze, having incised character decoration on the exterior rim and fluting running down to the foot, the grey biscuit exposed. dia.75.

~:-300

nv P f

146 A SMALL STONEWARE JAR Wudai dynasty with ovoid body and short neck and having incised lotus petal decoration to the shoulder and residual debased brown glaze around the waist. dia.86. h.660 Ar' 250-400 l I v-

147 A BLUE AND WHITE PORCELAIN DEEP BOWL K'ang Hsi, with finely drawn decoration of two dragons pursuing the flaming pearl below a ruyi pattern border, in underglaze blue of good colour, twin circles on base; chip to underside of rim. dia.230. h.139 1800-~00 illustrated

,, raM

149 A GOOD SMALL CHINESE IVORY TRAY Ch'ien Lung dynasty, with modelled figures of two boys beneath winding foliage which partially overlaps the rim; minor damage. L.139. w.113 1000-1400 ~

? r7

fixed. Ex. Winkworth Collection, sold Sotheby's, London, December 1972. h.119-'.~ J / 1000-1400 (;/)(j ( C . illustrated

'J

153 A FAMILLE VERTE PORCELAIN TEA POT late Ming/Transitional period, in typical famille verte palette of greens, yellow, aubergine and red, on a rounded rectangular form; some fritting and minor wear. h.128. L.173. W.83 500-750 4 cfJ-.el illustrated

150 A RARE AND UNUSUAL CHINESE SOFT-PASTE PORCELAIN JAR Cheng Hua six character marks but 18th cent., with finely detailed u~rglaze blue decoration of dragons amidst cloud scrolls and above breaking waves all in a clear bright blue beneath a finely crackled white glaze, the body of waisted and stretched ovoid form on a high pinched foot; small chip to inside of rim; acquired Christies, London, July 1985. h.154 900-1400 b{O illustrated

154 A CHINESE FAMILLE ROSE TEAPOT 19th cent., in an insulated cane carry basket 250-350 r' l u 0

if55'\

ttc·

"iCTUNESE MATCHED PAIR OF PEKING STITCHED SLEEVE CUFFS K'ang Hsi period, late 17th cent., joined to form a panel and mounted in a lacquer frame. The embroidered panel men ~s).,~ 180 500-700 \ - ~ J

156 151 A SUPERB CHINESE PORCELAIN BOWL Yung Cheng seal mark but Dao Guang period, bright yellow ground with polychrome enamel flower scrolls and four roundels reserved in alternating dragons and phoenixes with gilded details, and a central dragon; all finely drawn on an egg shell porcelain body having a gilded rim. The colour, form , glaze and body type of this bowl are all consistent with Imperial wedding bowls from this period. Acquired from Sotheby's, London, August 1985. dia.175. h.85 900-1400 J illustrated

q_f)tl,

152 A BLUE AND WHITE PORCELAIN WINE EWER Transitional period, showing scholars and attendants in the mountains, the body of tapered ovoid form with long curved spout and twin looped handle; spout re15

..,_, A CHINESE MATCHED PAIR OF SATIN STITCHED SLEEVE CUFFS late Ch'ien Lung period early 19th cent., joined to form a panel and mounted in an antique mahogany frame on cheval feet. The embroidered panel measures 300 x 480. The design comprises alternating bat and shou symbols on a black silk ground 750-1000 illustrated

6~

157 A VERY FINE CHINESE GOLD AND SILVER EMBROIDERED CUSHION CO VER, the gold and silver couch stitched onto red satin. The design features the Manchurian crane and the sacred fungus. Imperial quality. 720 x 720 3000-5000 ~~ 'j°) , illustrated

Lot 119 Lots 85, 9, 156

Lot 110

16

158 AN UNUSUAL LARGE NORTH INDIAN WALL HANGING c.1900, with extensive gold thread and pink silk infill design on black wool of the Tree of Life and a Cross; edging requires re-attaching in places. L.252. w.l20r7 600-900 ( ~ 159 A BURMESE BRONZE BUDDHA SEATED ON A RECLINING ELEPHANT late 19th c. h.181 150-200 'UJ-()

/

160 A GOOD CHINESE PORCELAIN BOTTLE VASE Dao Guang seal mark and of the period, of elegant form and finely decorated under a clear white glaze in iron red together with black and green enamels, with esoteric symbols and figures of maidens and a general with his attendant and horse. h.210 enamel 1500-2500 illustrated 3000 161 A FAMILLE ROSE PORCELAIN EXPORT WARE PLATE late 18th cent., with typical foliage and fence design in underglaze blue and enamels with spear point border in the cavetto; some fritting to the rim. dia.230 250-350 illustrated ~ ~

62 A FAMILLE ROSE PORCELAIN EXPORT WARE PLATE c.1800, with design of flowers and insects in underglaze blue and enamels with extensive gilding. dia.230 200-300 Jco

163 A LARGE CHINESE BLUE AND WHITE PORCELAIN CHARGER Ming style and marks but 20th cent., with a central design of fish and a floral border in the cavetto. dia.349 250-500 JJ;c 164 A SMALL CHINESE PORCELAIN VASE 19th cent., with polychrome figures of sages

modelled on a reticulated body having a green, cloud scroll ground design, the whole a copy of a K'ang Hsi original. h.124 100-200 l.i)

165 A LARGE EUROPEAN PORCELAIN HORS D'OUVRES DISH 19th cent., probably of English origin and decorated in Chinese style with polychrome enamels and having a large imitation bamboo handle. L.315. w.265 250-400 I "(~

171 A GROUP OF MODERN CHINESE PAINTINGS 20th cent., ink and watercolour of various subjects together with three reproductions of Sung master landscape paintings (8) 60-100 ft°C 172

/

166 A CHINESE PORCELAIN CENSOR mid 19th cent., having a lustrous tea dust glaze over a squat body with twin lug handles and standing on three short feet, a dark brown wash on the mouth and interior. dia.130. h.62 250-400 150

173 A CHINESE PORCELAIN NARCISSUS BOWL early 19th cent., celadon glaze with splashed red and blue decoration to the sides, rectangular in form. L.230. w.165. h.47 125-200 l's-0 174 A CHINESE PORCELAIN NARCISSUS BOWL mid 19th cent., blue and white with floral decoration and reticulated sides, rectangular in form. L.232. w.162. h.54 l,, 100-150 D0

167 A SMALL CHINESE PORCELAIN WATER DROPPER 19th cent., in the form of an animal's head and mostly covered in a clear yellow glaze. L.60. w.67 125-200

qc

175 A CHINESE CARVED JADE BUCKLE 19th cent., well carved in the form of a flowering plant within a niche, the jade of the mutton fact variety; some wear. L.67. w.42 1.,,,,,_ 100-200 f vv

168 A SMALL CHINESE SWATOW PORCELAIN SAUCER DISH 19th cent., with exposed pontil ring and single character decoration in underglaze blue. dia.178 C:1) 80-120 v 169 AN UNUSUAL CHINESE JADE FLOWER BOWL Ch'ien Lung period, of rectangular shape and carved taotie masks on all sides, the jade colour of stnking deep green and gold; small chip to one corner. L.175. w.94. h.59 800-1200 f ·{oc ~ INESE LANDSCAPE SCROLL c.1900, of unusual length depicting village, mountain and river scenes in muted watercolou~ n paper, u~ncd 500-1000 r-1~-

L~ .

17

A LARGE CHINESE BRONZE CASH 19th cent., circular with square hole and four characters on one side, the reverse with two characters and a horse. dia.114 125-200 ~

0

76 A CHINESE SMALL AGATE SNUFF BOTTLE 19th cent., of tapered ovoid form and having excellent varied markings, jade stopper. L.56 200-300 ,µ..o

t,/177 A CHINESE TIGER'S EYE SNUFF BOTTLE 19 /20th cent., of typical form with carved decoration of a flying crane above waves. L.690 ,., ,(\ 200-300 o<cPJ

178 A CHINESE MOTHER-OFPEARL PICTURE. 18th cent., framed, finely executed garden scene with p_a_goda. 135 x 85 200-300 :,L.:> 0

187 A CHINESE BLUE AND WHITE BOWL Ming dynasty. Blue/grey glaze over a coarse buff biscuit. dia.110 150-200 1!Xl

179 A JAPANESE SATSUMA LIDDED KORO WITH TWO MINIATURE SATSUMA VASES Taisho period, simple figure decoration (Koro with faults) 60-100 iO

188 A CHINESE BLUE AND WHITE BOWL Ming dynasty. Clear crackled glaze over a buff biscuit, floral decoration. dia.95. chip to rim 200-250 1IHJ

180 A PAIR OF JAPANESE PORCELAIN VASES late Meiji/early Taisho period, decorated with overglaze enamels. h.110. small rim chip on one 40-60 1-0 181 A CHINESE PORCELAIN VASE modern, decorated with overglaze enamels. h.190. repaired 40-60 ?>() 182 TWO JAPANESE MINIATURE SATSUMA VASES late Meiji period. h.60 and 40 40-60 :;'o 183 TWO SWANKALOK JARS, one with small lug handles. h.70 and 55 uO 60-100 /

184 A CHINESE BLUE AND WHITE JAR c.1800, scenic decoration over a coarse buff biscuit 150-200 /JO 185 A SOUTH EAST ASIAN WATER JAR 18th/19th cent., dark brown glaze over a coarse buff biscuit. hi 30. dia.130 300-350 ~t)

,r;,- 186 A CHINESE CELADON GLAZED RIBBED BOWL early Ming dynasty, on a short foot, carved floral pattern under the glaze. dia. 130. small repair to rim 120-160 illustrated

"2$0

195 A CHINESE FINE CELADON BOWL Song dynasty, green/grey celadon glaze over cream buff biscuit. dia.260. h.65. small firing crack 600-800 '79-V 196 A CHINESE LARGE STORAGE JAR with well rounded sides decorated in overglaze enamels showing a family group. Cracked and chipped. h.180. d.210 100-150 't7

189 A CHINESE BLUE AND WHITE BOWL Ming dynasty. Stylised floral decoration. dia. 110. repair to base and fine crack 500-600 ;;u.£;

197 A CHINESE BLUE AND WHITE BOTTLE VASE late Ch'ing period, stylised prunus on a blue ground. h.125 80-100 'f

190 A CHINESE MINIATURE CELADON BOWL early Ming dynasty., with side lug, dia.53. Fine glaze cracks 75-100 ~ 191 A CHINESE FOOTED BOWL early 19th cent., with floral decoration on exterior and simple fruit and leaf decoration in the centre. dia.180. hairline cracks 100-150 .;i.; 192 A CHINESE BUDDHIST FIGURE IN LOTUS POSITION early Ch'ing dynasty bronze with traces of gilding. h.325 /COO 1000-1500 193 A CHINESE LARGE CELADON DISH 14th cent., clear glaze over stylised incised patterns in the biscuit which is grey/buff, the glaze short of the foot. dia.24£7 350-500 \ " 194 A CHINESE LARGE CELADON DISH 14th cent., clear glaze over a grey /buff biscuit, the glaze well short of the foot. dia.~. h.70 250-400 L

18

198 A CHINESE CELADON DISH c.15th cent., clear glaze on a buff/grey body. d.115 200-300 \So /

199 A CHINESE CRACKLE GLAZED DISH late 15th cent., fine grey biscuit. d.55 200-300 1 ~0

200 A CHINESE SONG CELADON DISH c.15th cent., fine quality crackled glaze. d.210 400-600 ?7 201 A KOREAN PORCELAIN DISH Yi dynasty c.1400, incised decoration under the glaze which is buff/brown over a reddish biscuit 1 r "'5 500-700 .'"r" 202 A LARGE SOUTH EAST ASIAN FOUR LUGGED STORAGE JAR age unknown, possibly from Semarang, degraded olive-green glaze over a sandy biscuit. h.280. dia.260 250-300 ·i~ 203 ANOTHER SIMILAR but unglazed, orange buff biscuit. h.225 100-125 / fJ:'.U

Lot 224

19

204 A LARGE FOUR LUGGED MARTABAN 18th/19th cent., typical brown glaze over sandy grey biscuit. ~-140. dia.330 120-150 1~

205 A CHINESE FUNERARY JAR Ming Dynasty, thick grey, crackled glaze over coarse biscuit. h.175 200-300 ')t-0 206 A CHINESE FUNERARY JAR Ming Dynasty, fine crackled grey glaze over a cream biscuit. h.155 200-250 Ilf 0 207 A CHINESE LARGE JAR Sung Dynasty, simple incised decoration, degraded olive/brown glaze. The underglaze slip falls well short of the base and is over a coarse grey/buff body, with six lugs. h.385. dia.320 1000-1250 {/;fJ 208

212 A SATSUMA BALUSTER SHAPED VASE late Meiji period, the decoration of Samurai and Ashiguru warriors in battle. h.480 500-700 "le-() 213

A CANTON SUGAR BASIN AND COVER mid-19th cent., with two strap handles and decorated in famille rose enamels and gilt. h.2125 with a saucer dish to match, damaged (2) 250-400 (1'?

214 A matching cream jug 250-350 (W 215 A matching miniature teapot and cover 150-200 l ~ c 216 A matching rectangular dish, L.210 (with crack) 100-150 ~

, R' AN ANAMESE JARLET 16th

cent., with simple stylised blue cloud form decoration under a cream/buff glaze. h.55 200-250 1yo

209 A CHINESE LIDDED JARLET Sun Dynasty, Celadon glaze over orange biscuit with sculptured floral decoration under glaze on lid. h.55 9-µ; 250-300 210

A CHINESE MINIATURE JAR Ming Dynasty, c.15th cent., grey glaze over cream biscuit. h.63 250-300 ~

217 A matching coffee cup and saucer 100-130 go

3000-5000

Prints from the Collection of the late Martin Roosma of Tasmania, Australia. Martin Roosma studied etching in Paris where he was friends with Picasso and other famous artists. Later he held the post of Curator of Prints at the Tatto Museum in Estonia, his birthplace. He has related that during the Second World War he was conscripted into service with the German Secret Service where his expertise was utilized to restore war damaged works of art. Rossma also related that he worked on engraved forgeries of English pound notes which the S.S. proposed to use to destabilize the British economy. During his life he amassed a large collection of works of art, some of which he bequeathed to the Tatto Museum in Estonia. He died in Hobart in 1991 aged 83 and the following prints comprised part of his Estate.

221 Jean Francois Janinet 1752-1814

218 Another cup and saucer 100-130 f6 219 A matching teapot with strap handle lacks lid 200-300 5"o 220 A PAIR OF GLAZED EARTHENWARE TORQUAY PANTHERS 19th cent., in the Oriental style. h.50.9,, I,.. 700 1500-2000 ,o'-D r (

211

A JAPANESE FOUR PANEL FOLDING SCREEN Edo period, each panel depicting Samurai warriors against a wooded background, hand-painted and gilded and inlaid with ivory, tortoiseshell and mother-of-pearl. Top and bottom fretwork panels decorated with birds and chrysanthemums. each panel 1800 X 550 /-600

Old Master Prints

9th July at 3pm

Please note: This section of the sale will conclude with an uncatalogued selection of lower value pieces

after Lawrence La Comparaison aquatint printed in colours 1787 495 x 375 plate size, with margins. lightly foxed 700-1200 222 Louis Philibert Debucourt 1755-

1872 La Rose mal defendue aquatint printed in colours 476 x 376 plate size, with margins 500-800

223 EJ. Dumee fl. late 18th cent. after R. West Young Girls with Cupids a pair of aquatints printed in colours 240 X 275 200-300

?

20

Lot 284

Lot 230

21

224

229

Hendrick Goltzius 1558-1617 The Holy Family with the Infant St John the Baptist (B.20) 1593, in the style of Federico Borocci; from the set entitled The Masterpieces (B.15-20) lettered, Praecursor Domini lactantis ... numbered 6 engravmg 475 x 356 with small margins A superb copy of this important engraving 6000-10,000 illustrated front cover

Claude Melian 1598-1688 The Imitation of Christ engraving 312 x 211, with small margins, lettered, Parisiis anno MDCXL E Typographica Regia. some light foxing 600-1000

225

231

Hendrick Goltzius The Visitation (B.16) 1593, in the style of Francesco Parmigianino, from the set The Masterpieces Lettered, Plena Deo Virga .... Numbered 2 engraving 476 x 355 with small margins. some scattered light foxing 4000-5000 illustrated

Claude Melian The Visitation engraving 337 x 207 with small margins 600-1000

226

230 Claude Melian Virgin with Child engraving 232 x 346, with small margins 600-1000 illustrated

232 Claude Mellan The Infant Jesus with Mary and Joseph engraving 356 x 244, lettered, Aeternae Rationis Parenti Virtutis Exemplo Divinarum Rerum Consorti. some light foxing 500-800

Hendrick Goltzius Portrait of Johannes Zurenus (Holl.220) engraving 165 x 108 with the mark of the collection of S.Wagner (Lugt 2380) a fine impression (Christies 29 Nov.1988 1,100 pounds) 2000-3000 illustrated

Rembrandt Harmensz von Rijo The Woman with the Arrow, 1661 (B.202) etching 215 x 128 with margins, on light brown paper 1000-2000

227

234

Van Dyck, Sir Anthony 1599-1641 Francois de Moncada, Marquis of Aytone, engraved by Lucas Vorstermann (W.117) from the Iconography of Anthony Van Dyck engraving 265 x 179, with margins with the marks of the collections of S.Wagner (Lugt.2380) and an unrecorded collector, Baron Schaffer of Schonbrun 2000-3000 illustrated

Jacob Isaaksz van Ruisdael 16281682 Les Voyageurs etching on buff paper 180 x 267 40mm tear to left centre border. small scratch to upper right corner 700-1000 illustrated

228

(W.46)

Rembrandt Harmensz van Rijo 1606-1669 Christ on the Cross (B.80) etching, third state 95 x 66 with margins, collector's stamp on reverse. some light foxing 1000-1500 illustrated

etching 396 x 263 500-800

233

and top right corner missing 400-600

237 Jan Georges Wille 1715-1808 Le Concert de Famille after Gottfried Schalken 1643-1706 engraving 482 x 367, lightly foxed, small margin tear 400-600

238 Jan Georges Wille Bons Amis engraving 1773 after Adrien Ostade 287 x 223, watermark 500-800

239 Giovanni Battista Tiepolo 16921770 The Adoration of the Kings (De Vesme 1, 4th State?) etching, probably from the reprint of 1775 422 X 282 700-1000

240 Claes Nicolaes Berchem 16201683 Animalia etching 100 x 104 with the mark of the Collection of Carl Ritter Von Zepharovich (Lugt 1653) 600-800 illustrated

241 Charles Emile Jacque 1813-1897 Two Figures at a Window etching 153 x 136 after Adrien van Ostade 300-500

242 Philippe Galle 1537-1612 Paul reviving a Child engraving after J.O. Strada 270 x 200, right bottom margin corner missing 300-500

235 Jaques Bellange c.1575-1616 The Three Women at the Tomb

236 Aegidus Sadeler 1570-1629 fl. Lepida Sergii Galbae Uxor engraving, Marcus Sadeler excud. 353 x 245, with crease, small tear

22

243 17th cent. Italian School Adoration of the Magi engraving monogram VA. or A.V. on hexagonal plate 145 x 250 300-500

244 Jan Joris van Vliet c.1610-1635 'Byt. geeue Bestaet Ons Leeue' etching 1632 91 x 65, small tears and two corners missing 200-300 245 Giovannie Domenico Tiepolo Three Young Men kneeling on Steps below a Mask, to the right a Parrot etching after J .B. Tiepolo 220 x 260 500-800

253 Christiano Rugendas 1708-1781 Scene of the Battle, Waterloo mezzotint, hand coloured after Georg Philipp Rugendas 16661742 190 x 272 with margins, foxed 200-400 254 Giovanni Battista Tiepolo La Femmeaux bras enchaines etching 140 x 178 700-1000 illustrated

246 18th cent. Dutch School Landscape with Figures and Cows etching 120 x 176 200-300

255 Raphael Lamar West 1769-1850 Hercules Slaying the Hydra etching 1785 published by J .P. Thompson 1801 385 x 298 500-800

247 Daniel Nicholas Chodowiecki 1726-1801 Book Illustration etching 165 x 99 small stain 200-300

256 Jan Schenk fl.1735 Mantua Virgilio gandet Verona Catullo ... engraving 101 x 61 200-300

248 Daniel Nicholas Chodowiecki Portrait of Carl Gottfried von Thile engraving 1773 157 x 105 200-300

257 17th cent. Dutch School Monument and houses after Rembrandt? etching 84 x 161 200-300

249 17th cent. Dutch School Landscape etching after Rembrandt? 55 x 55 200-300

258 18th cent. Dutch School Old Woman etching 162 x 120 150-250

250 Salvatore Castiglione 17th cent. Pan with Satyrs (B.16) after G.B. Castiglione engraving 286 x 398 700-1000

259 George Vertue 1684-1756 Portrait of Isaac Newton 1726 engraving after I. Vanderbauk 223 X 160 400-500

251 Lorenzo Tiepolo 1736-1776 The Vision of Saint Anne etching after G.B. Tiepolo 368 x 182 with inscription and margins 800-1200

260 Pieter Dupont 1870-1911 L'attelage (Hing.p.212) etching 1901 160 x 201 350-450

252 Johann Friedrich Bause 17381814 Portrait of G.W. Leibnitz 1775 after A. Scheits engraving 270 x 193 300-500

261 Franz Edmund Weirotter 17301771 Fisherman at the mouth of a Cave and an Arch of Rock (B.77) etching 149 x 219, small hole bottom right margin 400-600

24

262 Alphonse Legros 1837-1911 Portrait of Edgar Degas? etching 266 x 180 400-500 263 James A. McNeill Whistler 1834-

1903 Old Battersea Bridge etching 135 x 206 264 Early 20th cent. French School? Mediterranean Harbour Scene etching 4/25, signature illegible but looks like J abrenharst 200-400 265 17th cent. Italian School Joseph riding a Bull restrained by Zephirach and lnvidia engraving 210 x 261 foxed 200-300 266 Early 18th cent. Italian School A Saint kneeling before a Crucifix etching printed in sepia 368 x 230 200-300 267 Thales Fielding 1793-1837 Mill at Ambleside aquatint 1822, 225 x 175 150-250 268 Joseph Pennell 1857-1926 Approach to Pittsburgh 1908 etching 282 x 181 signed in pencil 500-700 269 Joseph Pennell Steel Mill, Pittsburgh (inscription on plate illegible) etching 1909? 176 x 280 signed in pencil 500-700 270 Charles Oliver Murray 1842St Marks, Venice etching 283 x 176 printed in sepia 100-200 271 William Strang 1859-1921 A Group of Peasants etching 1883 173 x 250 300-500

Lot 290

Lot 225 Lot 286

25

272

281

Robert Charles Goff 1837-1922 The Old Chain Pier, Brighton etching and dry-point 123 x 225 150-200

William Gilpin Two Landscapes aquatints, 1810 211 x 293 (2) 80-120

273

282

Sir John Gilbert 1817-1897 Soldiers at a Table with a Map etching 1881, 190 x 247 150-200

David Young Cameron Arran etching 125 x 252 100-150

274

283 Francesco Bartolozzi 1725-1815

800-1200 illustrated 288 Heinrich Adegrever 1502-1555 Absalom before David engraving 1540 (B VIII, 369, 26) 120 x 79. National Art Gallery of New Zealand Loan Collection 1982-1992 2000-3000 illustrated

289 Sir David Young Cameron Perth Bridge etching 178 x 263

400-600

Tranquillity engraving in the 'crayon manner' 1802, 342 X 232 150-200

275 Lucas Vorstermann 1595-1675 Portrait of Deodatus Delmont engraving after Anthony van Dyck 233 x 150 from the Iconography of Anthony van Dyck 1000-1500

Prints from other collections

290 284

Lucas Vorstermann Portrait of a Lady engraving 162 x 116 after Palma Vecchio 162 x 116 500-800

Lucas van Leyden 1494-1533 Adoration of the Magi engraving 1513 (B.37, Vo! VII, p.357) 300 x 420 fold to centre of print, some early repairs to margins. National Art Gallery of New Zealand Loan Collection 19821992 4000-6000 illustrated

277

285

Hans Bol 1534-1593 The Baptism engraving 211 x 251 lion watermark 600-900

Georgio Ghisi c.1520-1582 Mythological Scene 1556 after Luca Penni engraving 341 x 251 crease across centre of print. National Art Gallery of New Zealand Loan Collection. 1982-1992 3000-5000 illustrated

276

278 Wenzel Hollar 1607-1677 etching, from the four seasons 1632, 258 X 195

400-600

279 G. Benedetto? Drunken Satyr etching inscribed on plate, Jo.lac.Rossi form. Romae 1642, 230 X 185 250-350

286 Cornelis Visscher 1629-1658 Perseus and Andromeda after

Hendrik Goltzius engraving 251 x 180 with watermark. light horizontal crease 60mm above bottom margin. National Art Gallery of New Zealand Loan Collection. 19821992 1500-2500 illustrated

280 Thomas Rowlandson 1756-1827 Tis Strange but true ...... together with In this world all our comforts o'er ... Two aquatints printed in colours 141 x 226 D& 136 x 226 pubd. by R. Ackerman, 1815 & 1816 300-500

Heinrich Aldegrever after Death of a Martyr engraving (copy of B.VIII,387,7) 111 x 71. National Art Gallery of New Zealand Loan Collection. 1982-1992 500-800 illustrated

287 Schelte Adams Bolswert 15861659 Portrait of Adriaen Brouwer engraving 242 x 160 after Anthony van Dyck. National Art Gallery of New Zealand Loan Collection. 1982-1992

26

Auguste Pierre Renoir 1841-1919 Femme nue couchee (tourne a droite) etching, second state 1906 (D.14) 137 X 196 1500-2000 illustrated

291 Rembrandt Harmensz van Rijo Three Studies of an Old Man's Head (B.374) etching, restrike 101 x 80 800-1200 illustrated

292 Rembrandt Harmensz van Rijo Beggar leaning on a Stick (B163) etching, restrike 77 x 55 800-1200 illustrated

293 Adriaen Jansz van Ostade 16101685 Man at a Window blowing a Horn etching, restrike 106 x 89 300-500

294 Rembrandt Harmensz van Rijo Old Man in Turban and Eastern costume with Figure of a Child etching, signed and dated 1637 on plate upper right, 19th cent. restrike 133 x 104 500-800

295 Hans Grien Baldung 1485-1545 Saint Martin woodcut after Durer 235 x 159 800-1200

Lot 289

Lot 288

Lot 240

Lot 285

27

296 Antonio Giovanni Faldoni 16831733 Four engravings of Horses published for subscribers in 1730, each 425 x 325 approx. (4) 2000-2400 297 Claude Lorraine Beauties of Claude Lorraine 15 engravings in sepia after Claude Lorraine, each 220 x 230 approx. 500-1000 298 Axel Herman Haig 1835-1921 The Cathedral of Chartres, North Porch etching 1882 inscribed in pencil to F. Goulding from Axel H. Haig 610 X 457 300-500 299 Axel Herman Haig A Cathedral Facade etching 1898 520 x 342 together with Arthur J. Turrell Facade of a Cathedral etching, signed in pencil 665 x 455 (2) 300-500

300 John Ferris Bromborough Road etching with pencil 1879, signed in pencil 150 x 200 100-150 301 Two 18th cent. engraved Portraits Rabbi Aaron Hart and Pascal Paoli after paintings by Dandridge and Gambalini (2) 100-150 302 Peter Paul Robes 1577-1640 after Young Woman at Clavier with Putti engraved by Gillis Hendrix 385 x 300 framed 500-800 303 Francesco Solimena 1657-1747

after The Flight out of Egypt engraved 1724 by B. Baron 350 x 500-800 380 framed

304 Sir Thomas Lawrence 1769-1830

after mezzotint by C. Turner 370 x 275 framed 350-500

310 William Hogarth Mr Garrick in the Character of Richard III engraving 1746, 421 x 530 300-500

305 Twelve 18th cent. English engravings of Classical Frescoes and Architectural Ornament etc. sheet size 414 x 497 250-400

311 William Hogarth To His Majesty the King of Prussia ... engraving 1750-1761, 487 x 640 200-400

306 Thirty four 18th cent. English engravings of Classical Statuary and Architectural Ornaments etc. sheet size 410 x 250 150-250

312 William Hogarth The Devil to Pay ... engraving 1738, 485 x 640 200-400

William Hogarth holds a unique position in English art. He overcame the domination of taste in England by Continental artists, succeeding to the extent that he was commissioned to paint the Royal Family in 1731. The most famous of his 'Morality' paintings caused a great demand for the engravings he produced after them, and through the next fifty years innumerable editions were published and sold. The best known of these are 'Harlot's Progress', 'The Rake's Progress' and 'Marriage a-la-mode'. The following engravings are from Hogarth's plates re-worked for republishing in 1822. For convenience the sizes given are of the sheets and not the plates. 307 William Hogarth 1697-1764 Self Portrait at an Easel engraving 1764, 410 x 355 300-500 308 William Hogarth Shrimps, engraved by F. Bartolozzi 1782, 275 x 205 200-300 309 William Hogarth The Roast Beef of Old England 1749, 386 X 460 300-500

28

1

313 William Hogarth A Midnight Modern Conversation engraving, 490 x 640 150-200 314 William Hogarth Marriage-a-la-Mode six engravings, plates I to VI, 1745, 484 X 640 500-700 315 William Hogarth Morning, Noon, Evening and Night four engravings 1738, 640 x 486 200-400 316 William Hogarth First Stage of Cruelty, Second Stage of Cruelty, Cruelty in Perfection, The Reward of Cruelties four engravings 1751, 640 x 485 250-400 317 William Hogarth The Distressed Poet and the Enraged Musician two engravings 1740, 1741, 360 x 411, 365 X 415 (2) 300-500 318 William Hogarth Six Biblical subjects and Credulity, Superstition and Fanaticism seven engravings 1751-1762, 640 x 486 (7) 400-700

l

I OHANNES Z VR,E.NVS .

.A' J£.TAT. 71 -~omm,,83.,

1

Grpons d/ijtr/11 cxyefsit qu//m !joltzi!!J r;rn:,.~ J-{__m1!f~ft1s _f';!!Pf r:f ante_ Mt//ftU.

doer

(Jll11,· 111eratfin11te.J!vrenti gmtta malilr:

, G-RYLLORVM PICTOR A )I TV E l~ PI.£. A.,f.,,.111 :J3i· _Z,""··· NATION.£ li'LANDER.

:J>l11n111a mmvflcrem ruaaJeni/i's amt-'

S,&_lf-'/,;,j

Lot 287

Lot 226

l

Lot 254 f.XCFJ.! "''~ D.FRA:-JCfSC\',.; Of. M0N..::\D.-\,,\1ARCH IV .....YTON.+: COMES OSSON.t:. VJCI:: ,..,''-lf.S c..\r.RF.R.E. ET BAA.5. ;\\ .\(;:,.;,~<; .SEN"E:t..:::Al,CV.'i REGN! ARRAGONf£. PHTLIPPO J\" ~li"P•W/,\R ]~l)!AR\".\IQ Jff.~;J \ l.'~'"\,•11.11:- -T.\T\".5.EIV.5DEMQ,_l.EGATV.S £XTRAC'RDlX l·."J .'V"RE\IV.~ "I ., 1 '"RP\ .\\,\J\11.1 IX 1m1.c.;J,.') rR ✓EFECTVS.

Lot 227

29

319

328

William Hogarth

William Hogarth

Louis Le Breton

Ten Caricatures and Portraits ten engravings 1743-1802, 640 x 487 (10) 400-700

France and England two engravings 1756, 480 x 640 100-200

Vue de L'Observatoire, awe Iles Auckland Plate 177 Atlas Pittoresque 1846 lithograph, hand coloured 300 x 465 400-600

320 William Hogarth 'f

Twenty two sheets of forty five 18th cent. engravings, various subjects, 637 x 482 400-600

329 Analysis of Beauty two engravings, plates I & II, 485 X 640 120-160 330 William Hogarth

321 William Hogarth

Industry and Idleness Seven sheets of twelve engravings, 1747, 638 X 484 350-500

Electioneering engraving by Reipenhausen c.1790 with two other prints (3) 60-90

Danvin & Lesueur

323

200-300

New Zealand and Pacific Prints, Maori Artefacts and Works of Art & New Zealand Furniture

9th July at 5pm

324

333

William Hogarth

Charles Meryon 1821-1868 Nouvelle Zelande, Presquile de Banks 1845 etching 1863, 156 x 327 with stamp of collector Otto Gerstenberg (Lugt 2785), framed, rare 2000-3000 illustrated

325 William Hogarth The Rake's Progress

eight engravings plates I to VIII, 490 X 640 500-800

326 William Hogarth

Beggar's Opera, Act III; and three others four engravings, 485 x 640 200-300

327 William Hogarth

Don Quixote six engravings on three sheet, 486 X 640 150-300

400-600

Nouvelle-Zelande, Les Chefs Chongui et Touai ... engraving, hand coloured 180 x 125 together with Naturels executant une Danse a bord engraving, hand coloured 120 x 170 with three others (5)

332 Nine various prints, 19th cent. 50-100

Electioneering engraving 1733, 490 x 639 100-150

Grotte sur L'ile Enderby, Iles Auckland Plate 179 Atlas Pittoresque 1846 lithograph, hand coloured 335 x 525

William Hogarth

Hudibras Adventure eleven engravings on six sheets, 640 X 482 500-600

A Harlot's Progress six engravings, plates I-VI, 486 x 640 300-400

Louis Le Breton

338 eight engravings, 240 x 386 80-160

William Hogarth

337

331

William Hogarth

322

336

339 F. J. Hogan

Auckland, New Zealand 1852 (No.1) lithograph, stained and torn and creased, laid down on board 185 x 430 together with Auckland, New Zealand 1852 (No.2) lithograph, poor copy as above 205 X 430 (2) 200-300

340 334 Louis Le Breton

Louis Claude Desaulses de Freycinet 1779-1842

Debarquement sur Jes Iles Powell, Le 20 Fevrier 1838 Plate 26, Atlas Pittoresque 1846 lithograph, hand coloured 300 x 465 400-600

Nouvelle-Zelande plate 107 from Voyage autour du monde six studies of tattooed faces, handcoloured engraving by E. Forget after Leroy and Pellion 236 x 321 1000-1500

335

341

Louis Le Breton

Louis Isidore Duperrey 1786-1865

Fond de la Baie Sarah's Bosom, Iles Auckland Plate 175 Atlas Pittoresque 1846 lithograph, hand coloured 300 x 465 400-600

Nouvelle-Zelande plate 41 from Voyage de la Coquille hand-coloured engraving by Ambrose Tardieu 329 x 237 framed 1000-1500 illustrated

Lot 291

Lot 228

Lot 234

Lot 292

32

342

348

357

George French Angas 1822-1886 New Zealand Ornaments and Decorations plate 34 The New Zealanders Illustrated 1847 lithograph in tints, hand coloured 445 X 296 500-800

John Webber Poulaho, King of the Friendly Islands drinking Kava engraving, hand coloured 275 x 424 framed 150-200

C.D. Barraud & Charles Blomfield Five views 75-100

343 George French Angas Weapons and Implements of War

The following fourteen lots are all coloured-litho reproductions in folios, published by the Alexander Turnbull Library 1970 to 1979

344 George French Angas Ornamental Canoe Heads, Paddles etc.... The New Zealanders Illustrated 1847 lithograph in tints, hand-finished in colour 435 x 294 500-800

345 George French Angas Whatas, or Patukas, Storehouses for Food Plate 30 The New Zealanders Illustrated 1847 lithograph in tints, hand-finished in colour 460 x 335 500-800

346 Pretre & Migneret Voyage de l' Astrolabe Plate 17 Grimpereau heteroclite femelle (Nouvell-Zelande) engraving, hand coloured 400 x 264 350-500

Christopher Aubrey Eketahuna in the W airarapa, 1891; Te Aro and Wellington Harbour 1889; Masterton in the Wairarapa 1891; Brougham Street Wellington 1889 (4) 80-120

John Webber R.A. 1750-1793 Auslicht der Bay Karakakua auf der Insel Owaihi, vo Capitain Cook erschlagen ward engraving by J.G. Schumann. c.1790 245 x 215 framed 400-500

H. Maplestone & Alfred J. Cooper Nine views 50-80

360 A small grey stone pounder with pecked surface. h.97 (Y5506) 150-200

350 Lt. General E.A. Williams Four Views of the Wanganui Campaign 1865 60-100

361

351

362

Charles Heaphy Seven subjects in two folios 100-200

A polished grey stone adze. L.125 (Y5521) 100-150

352

363

Col. Charles Gold Three subjects 50-80

A small greenstone Tiki with red sealing wax inset in the eyes. L.35. Suspended from a 9ct gold bar brooch. c.1900 200-250

353 Barraud, Brees & Wallace Colonial Wellington, three views 50-80

354 John Gully The Southen Alps, three views 60-100

355 347

Geo. French Angas & Augustus Earle Six subjects 80-120

359 349

Plate 58 The New Zealanders Illustrated 1848 lithograph in tints, hand-finished in colour 455 x 295 500-800

358

Capt. W. Mein Smith Five views of the Hutt & Wairarapa William Fox six VIews 80-100

A small grey stone adze. L.120 (Y5505) 60-80

364 A small greenstone adze. L.64 (Y5516) 150-180

365 Two small grey stone adzes. L.66, 68 (Y5530 and Y5532) 50-70

366 A small grey stone adze. L.96 (Y5517) 50-70

367 356 Cyprian Bridge Two scenes of the War in the North, with Von Tempsky Encampment of Forest Rangers 50-80

33

A polished grey stone adze. L.115 (Y5512) 100-150

368

381

389

A long polished greystone adze

another three similar (Y5519, 31, 33) 100-120

A pre-European stone patu-onewa with three carved grooves to the butt-end. L.29 (Y5542) 700-1000 illustrated

curved along its length. L.235 (Y5515) 200-300

382 369 A polished greystone adze. L.162

(Y552)) 120-150

A packet containing a small adze and eight other Pacific Island small tool fragments (9) (adze Y5318) 80-100

370 A broad greystone adze. L.182

383

(Y5526) 120-150

Twelve Pacific Island shell bracelets 50-80

371 A blackstone adze of unusual depth, all sides curved. L.165 (Y5523) 100-150

384 A hafted adze, Pacific Islands 100-150

385 100-150

A 19th cent. bone needle, Maori. L.131 (Y5507) 80-120

373

386

A blackstone adze. L.126 (Y5525)

A fragment of carving, Maori. L.470 80-100

372 A greystone adze. L.204 (Y5522)

100-120

374 A broad speckled grey basalt

387

adze. L.170 (Y5514) 200-250

A fine 19th cent. Fijian Club with

375 A stone adze (Y5524) 80-120

376 A stone adze (Y5534)

80-120

377 A greystone adze. L.171 (Y5503) with a small adze (Y5504) 100-120

378 no lot

379 A small oval stone bowl formed from a natural buff ochre pebble. L.80 with a stone of adze shape (2) 100-150

380 Three small adzes (Y5527, 28, 29) 100-120

decorative cocoanut fibre binding to the handle. L.1182 400-500 The following six lots are all from the collection of the late Ken Highnan of Cambridge. Ken Highnan was a well known antique dealer in the fifties and sixties based in Cambridge. Although an Englishman, he took a keen interest in New Zealand history and a particular interest in Maori art and artefacts 388 A 19th cent. whalebone patu with a 9ct gold band around the butt, engraved Col. Greer from 68th Reg. Battle Gate Pa April 1864 L.342 Colonel Greer commanded the 68th Regiment at the battle of Gate Pa in April of 1864 and the suburb of Greerton in Tauranga is named after him. (5545) 1000-1500 illustrated

34

390 A 19th cent. Wahaika of

pohutukawa, the carved figure decorating the concave edge has eyes inlaid with paua-shell. L.363 (Y5544) 500-700 illustrated 391 A fine 19th cent. Tewhatewha with carved tiki heads in a relief banding to the lower end of the shaft. The blade with a hole for attaching the usual feather ornament. L.1315 (Y5545) 800-1000 illustrated 392 An Important pair of early 19th

cent. Epa (house boards) from the East Coast region of the North Island each carved in relief with a central female tiki figure, one having given birth, the eyes inset with paua shell; possibly stone tooled, the backs of these boards clearly display the marks of the hand adzing used to form them. Left board L.1300. w.280. Right board L.1165. w.295 (Y5538 & Y5539) estimate on request illustrated

393 A 19th cent. part Epa (house board) painted red, decorated with a relief carving of a Mania figure facing left, with eye inlaid with paua shell. Rotorua region. L.1160., w.390. (Y5541) 3000-4000 illustrated

394 A fine and rare Pre-European Tiheru (canoe bailer) of typical form, the phallic shaped handle terminating in a mania head. Typical splitting to bowl has early repair holes to either side for fibre lashing. L.500 (Y5537) estimate on request illustrated

Lots 411, 416, 412, 402, 403

Lots 62, 67, 66

35

395

403

A fine pair of early 19th cent.

A Royal Doulton two-tone brown stoneware decanter with raised

Rice Gods called bulol, from Ifugao in the mountains of Luzon in the Philippines. The dark patination comes from dried blood. The holes at the top of the heads formerly held human hair. To the people of Ifugao, the rice crop is of the utmost importance and the bulol which are passed down from generation to generation and guard the granaries are their most treasured possessions. Only on becoming converted to Christianity will these people part with their bulol. h.565 and 520 1500-2000 illustrated 396 Another pair of later 19th cent. Rice Gods. h.200 and 195 1500-2000 illustrated

tiki masks and kia ora motifs. h.240 300-400 illustrated

404 A large Staffordshire crearnware jug with printed decoration to each side, The Death of Captain Cook and The World in Planisphere. h.225. repaired 500-700

405 A collection of 122 19th cent. small format sepia photographs of New Zealand subjects, Maori

portraits, Colonial groups, Buildings and Towns etc. all mounted (122) 2000-3000

406 397 A standing Male Figure with

Three 19th cent. oval format sepia photographs of African natives

folded arms. Ifugao early 20th cent. h.710 600-800 illustrated

posed with sporting paraphenalia. framed 100-150

398 A seated Male Figure with

407

crossed arms. Ifugao early 20th cent. h.613 500-700 illustrated 399 A fibre storage pot. Ifugao. h.215

C.F. Goldie. His Life and Paintings. Alister Taylor 1977.

boxed 300-400

408

50-80

C.F. Goldie. Prints, Drawings & Criticism. Alister Taylor 1979.

400

boxed 250-350

A carved wooden storage bowl. Ifugao. h.135 50-80

The Journal of H.M.S. Endeavor

401 A kneeling female figure with

shell inset eyes and fibre skirt. African. h.575 350-500

402 other Maori motifs in relief on blue ground. dia. 211 500-700 illustrated

It has been noted that a number of Seuffert's inlaid wine tables have supports not made by his workshop, for example the tops that were sent to England as presentations usually had tripod bases of English woods. Some of the Seuffert tables in New Zealand have bases that do not fit well with their inlaid tops. A probable explanation is offered by the following lot, a wine table by Albert Dachenhausen. This table, which can be accurately attributed, has a base almost identical to that of the Seuffert table. As Albert Dachenhausen had his workshop established in Auckland by 1896, when he won First Prize for his furniture at the Auckland Exhibition, he may have provided Seuffert with bases for his tables. He may even have worked in the Seuffert workshop at an earlier date.

409 by Lieutenant James Cook. no.145 of 500 copies, leather spine and covers, gilt stamped. slip case. Genesis 1977 50-70

There can be little doubt, however, that the bases in these two tables have a common source of origin estimate on request illustrated

412 410

A Royal Doulton stoneware jardinier decorated with Tikis and

bordered by a hexagonal band of parquetry. The support consists of three turned and reeded columns on a circular inlaid vase shelf, a scalloped skirt and supported on three square section splayed legs. dia.572 William Aitken was a well known and prosperous land agent, established 1864 in Elliot Street, Auckland. His neighbours in Elliot Street were Anton and William Seuffert who had their workshops there. This table has remained with William Aitken's decendents until the present.

J.C. Beaglehole. The Life of Cptn. James Cook. A. & C. Black 1974

50-70 411 The Aitken Wine Table from the Seuffert workshop, c.1875., with a

profusion of native timbers inlaid into kauri. The central motif is of a Star of David within a hexafoil within a larger Star of David 36

A circular wine table by Albert Dachenhausen of New Zealand

timbers with a central motif consisting of a twelve pointed star inlaid in puriri and kahikitea into a burr kauri ground. The base consisting of three turned and reeded columns on a circular vase shelf with a scalloped skirt, standing on three splayed square section feet. c.1890 2000-3000 illustrated

Lot 394

Lots 392, 393

37

413

420

Two small souvenirs in native woods, a napkin ring and a pin

J J Audubon

Nicholas Chevalier

Blue Heron print 530 X 760 300-500

The Grampian Hills, Victoria watercolour, heightened with bodycolour signed and dated 1879 330 X 460 8000-12,000 illustrated

tray both with printed decoration, by Albert Dachenhausen, with his stamp 100-200

428

421 414

J J Audubon

A souvenir cigar box of kauri with

Carolina Turtle Dove print 730 X 590 300-500

an applied sepia photograph of Bum's Cottage, with the stamp of Albert Dachhausen, Ponsonby, Auckland 150-250

422 J J Audubon

415 A sepia photograph. Miss Lizette

Dachenhausen, daughter of Albert Dachenhausen, together with a silver bracelet inlaid with a floral design in red and yellow gold as worn by Miss Dachenhausen in the photograph and a small shell purse and another purse (4) 250-300

Louisiana Heron print, handsomely framed 530 X 640 500-800

423 J J Audubon

Snowy Heron print 640 X 540 200-400

429 Petrus van der Velden

Self Portrait as a cello player oil on canvas signed 1150 X 740 18,000-20,000 illustrated

430 Russell Clark

Sumner, Christchurch watercolour signed 240 X 300 950-1200

431 C E Clinkard

416

Elmey Castle, Worcestershire Old Cottages, Cropthorne, near Evesham watercolours, a pair signed 150 X 220 500-700

A small rectangular foot-stool of Kauri, the top inlaid in parquetry

424

with native timbers. c.1880. L.295. w.215. h.171 500-600 illustrated

417

Strange Interior, Languedoc Collotype signed, limited edition of 500 440 X 590 1000-1500

A rectangular box of New Zealand native timber, the decorative

425

Herbert R Cole

Blythe Fletcher

Off Tilbury gouache signed and dated 1923 260 X 770 750-850

motif to the hinged lid being a sixteen pointed star. 19th cent. L.326. w.275. h.66 400-600

Sir William Russell Flint

432 Grazing sheep, Canterbury gouache signed 350 X 280 500-800

433 New Zealand Historical and European Paintings

426

Herbert R Cole

Charles Blomfield

9th July at 6pm

W anganui River oil on canvas signed and dated 1922 390 X 300 1500-2000

Towing up from Gravesend gouache signed and dated 1923 260 X 770 750-850

418 JI Domus

Trompe l'oeil of newspapers, etchings and maps ink on paper signed and dated 1880 470 X 600 2000-2600 illustrated

419

434 427

T J Donnelly after John Gully

Edwin Bartley

Mt Egmont oil on canvas laid on board signed 410 X 500

A Canal in Middlesex watercolour signed 360 X 530 1600-1800

J J Audubon

American Flamingo print 960 X 640 700-900

38

500-600

Lot 533a Lot 525

39

435

442

449

Charlton Edgar The Road In, Mackenzie Country oil on board signed 270 X 360 500-600

J Fowler Scene in Cheshire oil on panel unsigned 210 X 310 1800-2200

John Barr Clarke Hoyte South Island scene watercolour initialled 280 X 450 12,000-14,000 illustrated

436

443

450

James Arundel Field near Bradford, 1947 oil on panel signed and dated 1947 500 X 600 300-700

18th century Continental School Study of A European city square Ink and sepia wash unsigned 200 X 280 400-500 illustrated

M Duportal Rowing boat moored off a continental coast at evening watercolour signed 350 X 500 500-700

437

444

19th century Italian School after a 16th century original Study of a young gentleman oil on canvas unsigned 460 X 370 1000-1500

After Bartholomew Spranger probably 17th.century Study of the Holy Family? oil on canvas laid on panel with signature on verso 240 X 170 1000-1300

Benjamin William Leader Reclining figure by a small lake oil on canvas signed and dated 1896 260 X 360 1000-1500 illustrated

438

445

452

Louis Apol Winter scene with wagon, horses and figures oil on panel signed 180 X 240 1200-1500

John Barr Clarke Hoyte Mitre Peak watercolour signed 320 X 520 8000-8500

? Hills Australian outback oil on board signed 250 X 300 700-800 illustrated

439 Charles Reyne Villeneuve St Georges gouache signed 200 X 270 400-600 illustrated

440 Charles Reyne Mortagne gouache signed 200 X 270 400-600 illustrated

441 Ida Eise Camp Life, 1930 oil on board signed and dated 1930 230 X 320 1500-1700

451

446

453

Henry Kirkwood Mount Egmont oil on board initialled 310 X 470 2000-2500 illustrated

John Kinder Extensive landscape with hills and river in foreground signed and inscribed indistinctly 270 X 450 15,000-20,000 illustrated

447

454

Henry Kirkwood Wet Jacket Arm oil on board initialled and inscribed with title 300 X 220 600-800

A Morice English cottage garden with figure watercolour signed and dated 1892

280 X 480 3000-4000

448

455

John Kinder Te Aroha, Thames watercolour (stained) signed and inscribed with title 190 x 330 together with another by Frank Wright signed FW faintly 1200-1500 the pair

Arthur Joseph Meadows On the Scheidt near Antwerp oil on canvas signed and dated 1880 350 X 610 20,000-22,000 illustrated

456 Ida Eise Putiki Bay, W aiheke oil on board signed 300 X 370 1000-1200

40

Lots 388, 389, 390

Lot 395 Lot 92a

41

Lot 522

Lot 418

43

Lot 481

44

Lot 529

Lot 531

45

471

457

464

George O'Brien

Margaret Olrog Stoddart

Gustavus Ellinthorpe Sintzenich

Lake Hayes watercolour signed and dated 1888 300 X 450 7000-8000

The Giant's Playground watercolour signed 490 X 580 6500-7000

458

465

Historical figure studies on common mount pencil and watercolour some initialled 140 x 90 and smaller together with a Highland loch scene by the same hand 230 X 300 750-1000 the pair

Auguste Mennesier

Mary E Tripe

Farm house with figures, horses and cattle in a landscape oil on canvas signed and dated 1839 530 X 750 5000-8000

Study of a young girl in a Dutch bonnet oil on canvas monogrammed 360 X 250 1700-2500

459

466

Edward W Payton

F Tennebresque

Cottage garden oil on board initialled with a device 770 X 560 1500-2000

Three Graeco-Roman figures in relief oil on board signed and dated 1871 290 X 240 400-600

460 James Peele

South Island lake scene with cottage oil on canvas signed 500 X 920 3000-3500

467 K Airini Vane

Southern Alps on a Frosty Morning gouache signed and dated 1944 390 X 560 400-500

461 Charles Rochussen

Noblemen and women on a balcony oil on panel initialled 190 X 280 3500-4000 illustrated

468 Continental School

Study of young woman in Egyptian costume before a temple entrance oil on canvas 1850 X 1050 1500-1700

462 Dorothy Kate Richmond

D'Urville River, Rotoroa watercolour signed and dated 1931 250 X 350 1500-2000 illustrated

463

469

Six head and shoulder studies of young girls watercolour initialled and inscribed RI 200 x 180 and smaller 800-900

473 Gustavus Ellinthorpe Sintzenich

Study of bearded gentleman, head and shoulders watercolour unsigned 240 X 200 together with another by the same hand 200-300 474 John Absolon

Study of a church watercolour unsigned 170 X 120 together with 2 studies of girls head and shoulders and three figure studies by the same hand, some initialled and inscribed RI 280 x 140 and smaller 400-500

Gustavus Ellinthorpe Sintzenich

Selling the family portraits, from Sheridan's A School for Scandal watercolour initialled 120 X 200 500-700

Dorothy Kate Richmond

In the Southern Alps watercolour signed and dated 1921 270 X 370 950-1200

472 John Absolon

470 Gustavus Ellinthorpe Sintzenich

Study of a young girl, head and shoulders, wearing white bonnet watercolour initialled 180 X 130 and five other watercolour portraits by the same hand 600-800

46

475 John Absolon

Beach scene with house and figures by boats pencil and watercolour unsigned 120 X 220 together with two others similar, by the same hand 100 x 240 and smaller 800-900

476 John Absolon Peasant girl and galante flirting at roadside watercolour unsigned

240 X 170 together with four others, assumed by the same hand 260 x 150 and smaller 400-600

489

260 X 380 1200-1300 illustrated

482 Sir Charles Wheeler Farm House, Yarra Valley oil on board signed

300 X 400 2000-2500

490

483 477 Gustavus Ellinthorpe Sintzenich Interior with four figures based on Goldsmith pen and ink signed verso

120 X 180 together with four other works watercolour, pencil and ink by the same hand some initialled 110 x 150 and smaller 400-600

478 Gustavus Ellinthorpe Sintzenich Study of David with slingshot watercolour initialled, inscribed with title and dated June 1856

270 X 180 together with two other watercolours by the same hand 150 x 150 and smaller 100-150

British School Study of a young girl in Greek classical costume oil on canvas unsigned 660 X 510 1300-1500

484 Kennett Watkins Northland river scene gouache signed and dated 1916 270 X 180 900-1100

Attributed to Louis Absolon Peasant girl, head and shoulders, wearing a white bonnet watercolour heightened with white unsigned

140 X 110 together with another assumed by the same hand 180 X 150 500-600

480

485 Kennett Watkins Aorangi gouache initialled, inscribed and dated 23.1.17 140 X 190 500-700

Cora Wilding Poultry Market, Spain watercolour signed 340 X 430 3000-3500

487

660 X 1000 800-1200

380 X 450 400-500

Richard Wallwork Kaikoura Coast oil on board signed 300 X 400 500-700

481 Frank Wright The Last Gleam, Whangarei watercolour signed

300 X 360 2500-3000 illustrated

491 A Drysdale Scottish lake scene watercolour signed and dated 1929 150 X 240 200-400

Dora Meeson Corn stacks at evening oil on board signed 280 X 380 500-600

493 EE Langley The River Wye, Herefordshire gouache signed 240 X 350 200-300

494

Anton Windmaier Wooded landscape with cottage at evening oil on canvas signed

Hilda Wiseman Magnolia in blue glass bowl watercolour signed

Ted Mostyn Woodland Pool oil on canvas signed

492

486 479

Charles Worsley Fittleworth Mill Codmore Farm watercolour, doublesided signed, inscribed and dated 1921 140 X 220 500-600

E B Lattey Ruapehu, Ohakune Mountain Road oil on canvas signed

400 X 500 300-500

495 E B Lattey Mt Tutoko from near Milford oil on canvas signed 400 X 500 300-500

488

47

Lot 533

Lot 333

48

Lot 443

Lot 451

Lot 511

496

504

Mayclair Milford Sound oil on board signed and inscribed 280 x 410 400-500

B Bieleska Cattle in a watermeadow oil on canvas signed and dated 1905 650 X 930 500-800

511 I R Stitchbury 2 Maori women on a river bank watercolour signed 230 X 350 400-600 illustrated

505

512

English School 19th century Study of two dogs oil on canvas unsigned 330 dia. 300-500

I R Stitchbury Cattle on a country road oil on canvas unsigned 300 X 500 500-600

506

513 I R Stitchbury Collection of ten works including sketches, watercolours and an oil signed and unsigned 400-500

497 MC Smith Road to Khandallah watercolour signed and dated 1900 330 X 180 300-500

498 John Russell Miniature portrait of a gentlewoman watercolour signed 85 x 70 oval 100-200

English School Extensive landscape with cottages oil on canvas unsigned 470 X 820 300-500

507 499 Joseph Jenner Merrett Study of two Maori watercolour unsigned 300 X 190 900-1200

Edmund Gouldsmith The Bushland Glade watercolour monogrammed and dated 1886 260 X 360 500-600

Martin Stainforth Maori study mixed media signed 350 X 250 400-500

Continental School Study of a semi-nude male youth oil on canvas laid on board unsigned 750 X 500 300-500

J BC Hoyte Coastal scene watercolour unsigned 210 X 310 250-300

516 509

501 Walter Tynedale Scene outside a Moroccan tavern watercolour unsigned 250 X 330 1750-1950

502 CJ Norton Petergate, York watercolour signed 260 X 180 350-550

Collection of works including five oils, watercolours and sketches signed and unsigned 300-400

515 508

500

514 I R Stitchbury

Blomfield - attributed South Island river scene oil on board unsigned 29() X 450 100-200

Salvador Dali Study of three figures, 2 hooded coloured etching signed 330 X 240 250-300

517 510 ? Jacobi Watermill, Grasmere, Westmorland oil on canvas signed and inscribed with title verso 300 X 460 700-1000

503 Henry Kirkwood George Sound oil on board initialled and inscibed 160 X 230 500-700

51

G H B Holland Northampton oil on board signed 170 X 250 300-400

518 Set of six military prints published by Thomas Kelly 270 X 210 800-1000 the set

Lot 439

...

Lot 440

52

519 Sir Alfred Mannings The Belvoir Hunt print 460 X 570 350-450

520 Early 19th cent. British or American School Portraits of Andrew and Harriet Glass married at Calcutta Dec.1792 pastels, a pair each 530 x 400 The word 'Limner' refers to works by untrained but talented itinerant artists who specialised in portraiture 1200-1800

520a Continental School Cottage by a Stream with a Moored Punt oil on canvas signed illegibly inscribed Munchen 710 X 1170 1200-1500

Contemporary Paintings

521 Colin McCahon Helensville Series No 5 watercolour signed, inscribed and dated 1971 1030 X 680 20,000-22,000 illustrated

522 Colin McCahon Untitled oil on board unsigned 700 X 860 This painting from the Estate of the late Tom Maude of Otago formed the back support for the canvas North Canterbury Landscape and was separated from it in order that the latter could be entered into Webb's sale of July 15th 1987. (lot 60). The outstanding price of $160,000 was achieved for North Canterbury Landscape in that sale. One can assume that this interesting experimental painting was never completed to the satisfaction of the artist but on examination of

his major triptych On Building Bridges in the Auckland City Art Gallery will demonstrate that this painting is a preliminary and experimental work towards that great triptych. As this painting was used as a backing to the North Canterbury canvas, it must pre-date it by perhaps a year 15,000-25,000 illustrated

523 Colin McCahon French Bay. 1955 oil on hardboard signed and dated in brushpoint lower left: McCahon, July 55. This painting belongs loosely to a large group of paintings done at a time when McCahon was beginning to paint in "series" (i.e. "Towards Auckland" 1953-4) as well as "Themes" which appear in a less consistent way. Thus, houses among kauri trees appear and reappear in McCahon's paintings from 1953 to 1959. Most, like this painting, are derived from the artist's own or neighbouring houses, set among the kauri trees in the Titirangi hills overlooking French Bay. This particular work should not be confused with the several series of 1956 and 1957 titled "French Bay" 505 X 760 Provenance: Estate of Ena Scholes 60,000-80,000 illustrated 524 Colin McCahon Drawing for chapel window to be carried out in coloured and sandblasted glass signed and dated 1970 454 X 580 500-800

526 Brent Wong Clouds-Coast-Island acrylic on hardboard signed and inscribed verso 410 X 600 8000-10,000 illustrated

527 Christopher Perkins Summerfields oil on panel signed and dated 40 500 X 600 7000-9000

528 Doris Lusk In the Pines, Queenstown watercolour signed and dated 1977 300 X 450

2800-3200 529 Jeffrey Harris Family Icon 1974 oil on board initialled and dated 240 X 520 3000 x 3500 illustrated

530 Jeffrey Harris Two Figures 1974 oil on board initialled and dated 74 300 X 360

2500-3000

531 Jeffrey Harris 'I'm Not the Best' pencil signed and dated 1980 570 X 750 1800-2000 illustrated

532 525 Louise Henderson Bush Scene oil on board signed and dated 1971

1200 X 900

Patricia France Flowers I oil on board signed 360 X 400 2000-2300

8000-9000 illustrated

533 Olivia Spencer Bower Warm Day, Waimakariri, 1976 watercolour signed and dated 350 X 400 2000-2500 illustrated

53

533a

540

548

Ralph Hotere Untitled oil on canvas signed and dated '69 verso 1120 X 910 6000-8000 illustrated

Pat Hanly Head of a girl 2 print 610 X 510 400-600

Eana B Jeans Shag River oil on board unsigned, bears exhibition invitation verso 400 X 560 1200-1500

541 534 Robert Nettleton Field Still life, bottle, flowers and potatoes oil on board unsigned 580 X 460 2000-2500

535 Jane Evans Still life, mixed flowers in a vase with bird oil on canvas on board signed 460 X 405 800-1200

536 Nigel Brown One Tree Hill watercolour signed with initials 420 X 350 300-400

537 Garth Tapper Kotanui Island and Tourist oil on board signed 230 X 300 750-850

538 F Thorpe Old shop at top of Victoria St. East watercolour signed 240 X 320 300-500

539 Mrya Thompson Deserted cottage (Central Otago) oil on board signed and dated 1962 410 X 510 400-500

Rodney Fumpston Egypt 4 etching 7 / 40 signed 540 X 530 200-300

542 Rodney Fumpston Egypt 6 etching signed 530 X 540 200-300

543 Elva Bett Winter landscape with tower oil on board signed 950 X 740 100-200 544 Russell Jackson White Fronted Tern pencil and watercolour signed and inscribed 104 X 104 100-150

545 Helen Mason Torso mixed media signed and dated 1973 550 X 480

546 Helen Mason Torso mixed media signed and dated 1973 550 X 480

547 Christian Muller Tableau No7 oil on canvas unsigned 500 X 600 100-150

54

549 G Ockleford The Bridal Party oil on canvas signed and inscribed verso triangular 200-300

550 Sylvia Siddell Battleground' pencil on cartridge paper signed 29() X 370 150-250

551 Peggy Spicer Bush Scene oil on board unsigned - authenticated verso 440 X 600 100-150 End of Sale