A Three Day Sale of Important Paintings, Jewellery & Decorative Arts 6th December - 8th December 2005 Day 1 Fine Paintings Tuesday 6th December 2005
6.30pm
Day 2 Fine Jewellery & Watches Wednesday 7th December 2005
2.00pm and 6.00pm
Day 3 Decorative Arts Thursday 8th December 2005
5.30pm
Viewing Times Thursday
1st
December
>>
9.00am
5.30pm
Friday
2nd
December
>>
9.00am
5.30pm
Saturday
3rd
December
>>
11.00am
3.00pm
Sunday
4th
December
>>
11.00am
3.00pm
Monday
5th
December
'>>
9.00am
5.30pm
9.00am
5.30pm
Tuesday
6th
December
,.,_
Wednesday
7th
December
>>
9.00am
5.30pm
Thursday
8th
December
·>
9 00am
12.00pm
VIEWING TILL 12 NOON ONLY ON DAYS OF SALES UNLESS STATED. CHECK SECTION TITLE PAGES FOR SPECIFIC VIEWING TIMES.
BUYER'S PREMIUM The buyer's premium charged on all ilems in this catalogue is 12.5% plus GST GST of 12.5% is payable on the buyer's premium.
CONDITION OF ITEMS The condilion of items is not detailed in this catalogue. Buyers must satisfy themselves as to the condition of lots they bid on and should refer to clause 6 in the Conditions of Sale for buyers printed on page 158. Webb's are pleased to provide intending buyers with condition reports on any lots.
Webbs © Peter Webb Galleries Ltd
18 Manukau Road, Newmarket, PO Box 99251, Auckland, New Zealand. P: (09) 524-6804 F: (09) 524 7048 E: auctions@webbs.co.nz www.webbs.co.nz
Illustrated front cover: Lot 49, Peter Stichbury, Piper Illustrated inside front and back covers: Lot 65, Sydney Lough Thompson , Wisteria, Bormes Les Mimosas
Fine Art Auction
Sale Highlights December 6th 2005 t
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Webb's 2005 December catalogue includes another fine and
paintings are his 1960s scenes of fami lial domesticity. As sen ior
varied offering of artworks by many of New Zealand's leading
curator of the exhibition , Ron Brownson points out, this body of
artists. Although perhaps not featuring the usual assortment of
work is "without local antecedent" .
high value works, as always Webb's has gone out of its way to produce an interesting selection with something for collectors of all persuasions. Michael Smither's major exhibition The Wonder Years, currently
Sarah with Flowers (lot 58) , is the most important work of this series to be offered to the market since Webb's set the record pri ce for a work by the artist when Sarah with Cat- painted in the same year as Sarah with Flowers - achieved $155,000. Also by Smither
on view at Auck land Art Gal lery Toi o Tamaki, has been met with
in this sale is the large and impressive Wave Pool (lot 67) and the
un iversal aclaim . It seems fitting then that Webb's should offer in
equally, if somewhat more bizarrely beautiful, A Pound of Butter
the December sa le three major - yet disparate - oil paintings by
(lot 68)
Michael Smither. Some of Smither's most unique and best loved
LOT 65 Syc1 Pv L ugh hor r,, r
2
IN FOCUS
LOT 56
101 y Fo 11s r
ECEMBER 6t
Tony Fomison is well-represented in this sale with two important paintings and a superb pencil drawing. These three works go a long way towards highlighting Fomison 's breadth and skill as a draughtsman and artist of the highest order. Sancho Panza and Don Quixote de la Mancha (lot 56), complete with artist's original frame and trademark thick hessian , is a mesmerising painting demonstrating the artist's profound skill and subtlety with colour. The Seer (lot 61) , is a softer, darker painting - nothing shor'. of a 'classic ' Fomison; whilst The Flutesman (lot 41) is a drawing of, almost, impossibly fine execution. Colin McCahon is also well represented with three particularly high quality works
LOT 67
Mrc hael Smither
- South Canterbury (lot 59) , Muriwai, Necessary
Protection and Oaia Island (lot 62) and Waterfall (lot 55). These three superb works amply demonstrate McCahon's ability across a range of subjects and media. Although all , ostensibly, are landscape paintings, thi s remains the case in only the loosest possible sense as each transcend veracity to become meditations on deeper spiritual and existential issues.
lily. As sen~r
th1slxxiy:·
Sydney Lough Thompson's paintings from Concarneau are among the strongest and most desirable he painted. Painted in the Impressions! en plein air manner, they marry thick daubs of pigment and distinct blocks of strong tone to abstract outlines and loose gestural brush
work o..·s
strokes. Webb's are lucky to be offering several quality works by
erecordprce
Sydney Lough Thompson in this sale , the strongest of which is the
~ nmesa:-e
delightful Wisteria, Bormes Les Mimosas (lot 65). This work features
so by Sm::,'
all the aforementioned artistic leitmotifs, but combines them with
ot 571andthe
that favourite subject of Monet and the French Im pressionists - the
ound of Burt
garden. New Zealand's contemporary art scene is the strongest and most diverse it has ever been. It is a market that Webb's continues to actively support. Recent auctions have witnessed record prices set for a raft of contemporary artists including Andrew Macleod , Judy Millar, Brett Graham , Jacqueline Fraser, Jude Rae and many others. Peter Stichbury is an artist whose work has been seen in several publ ic exhibitions in recent times including Measure of Strangeness at Artspace , and more recently, Small World, Big Town at Wel lington's City Gallery. His eerily slick and hyperreal paintings engage with the world of fashion , modelling and portrait photography whilst simultaneously neither celebrating nor critiquing the percieved superficiality of each . Piper (lot 49) is the first painting by Stichbury to be offered on the secondary market. Ben Plumbly
LOT 59 I ',olrr McCc..• on
IN FOCUS
3
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HIGHLIGHTS
''Art was
DECEMBER 7 th
Yuletide Treasures Abound In a spectacular offering of jewellery & watches that is our final offering of the season.
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RESULTS FROM THE SEPTEMBER SALE
HIGHLIGHTS IN THE DECEMBER SALE
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Highligh ts include a magnificent Riviere necklace of 11 5 square
A fabulous 2.7ct solitaire diamond of rare quality (D,VVS2) was
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"Tycoon" cu t fine white diamonds having a tota l weigh t of 30.0ct,
sulrt~Y.•negotiation with the highest bidder fo r $70, 000 plu s
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set in 18ct white gold (il lustration A). The presale estimate of
,1{ii~ium and the perpetual calen dar wristwatch by Patek Philippe
$95,000 - $ 125,000 suggests a rare opportunity to purchase below manufactu red cost when seen in the light of a current valuat ion for in su rance of $ 180,000.
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Also featured ar,e six fi ne tI mep1eces by Pateklhil1ppe that include the Gen tleman s white gold wristwatch (illvstrat1on B) estimate
.~.$-(illustration E) which realised a hammer price of $38,000.
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(illustration C) estimate $35,000 - $40,000.
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negotiation the next day.
Premiering
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A rare natural sol id gold nugget from Western Australia weighing
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$18,000 -$22,000, and the highly collectable 18ct rose gold •:,;~ ~~:·. automatic wri stwatch with moonphase, da te and power reserve
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'Decorative Royal Doulton The Decorative Arts component of the Christmas sale on December 8th 2005 includes the consignment of an excellent collection of Daulton Lambeth art pottery from the late 19th and early 20th centuries. The collection includes pieces by Hannah and Florence Barlow as well as a vase decorated by the well renowned Frank Butler. Many of the pieces were displayed in the 1992 Royal Daulton New Zealand Post Exhibition.
4
IN FOCUS
ER 7th
"Art washes away from the soul the dust of everyday life." Picasso
GET FRESH WITH THE BEST ON SKY CHANNEL 59 C l-1 .i\ /\l N E L
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Tina in Mexico
The Overcoat
Premiering Thurs 15th 8:35pm
Premiering Thurs 22nd 8:30pm
Premiering Sun 25th 8:30pm
Inside the Actors Studio - SERIES
Suzanne Vega
Bram Stoker's Dracula
Premiering Sat 3rd, I 0th, 17th, 24th, 31st 9.15pm
Premiering Fri 9th 9:25pm
Premiering Thurs I st 8:30pm
PremieringThur 1st 9.25pm
Masters of Architecture, Interiors & Design
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Two Ballerinas at the Royal Ballet School Tchaikovsky - The Nutcracker
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Solstrom - 6 PART SER IES
Premiering Tues 20th 8:45pm
Sat 3rd, I0th, 17th, 24th. 31st 8.30pm
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Cool Crooners of Bulawayo:Blue Sky
The War Symphonies
Leonard Bernstein: Serenade
Sutherland/Pavarotti/Bonynge Gala
Premiering Mon 19th 8:30pm
Premiering Weds 7th 8.30pm
Premiering Weds 28th 9:35pm
Premiering Fri 9th 8:30pm
:nment of ,r
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Sta ndard domestic SKY Digital insta llation applies . First month's subscription and joini ng fee payable in advance, joining fee no n-refunda bl e. M ulti-dwelling units may incur add itional installation costs.
IN FOCUS
CHRISTMAS CHEER For Every Palate ...
\IIVl(,N1..)N lllA
Champagne Charles Lafitte NV
Vavasour Awatea Valley 2004 Sauvignon Blanc
Collards Botrytised Riesling 1999
Ramos Pinto
A highly regarded brand
A Gold Medal prospect, this
A blend of Martinborough and
A typically concentrated wine
Aged for ti
that offers a wel l-rounded
sauvignon blanc has been highly
Wairarapa fruit, this wine is
of this variety, perfect to
wine comE
and thoroughly enjoyable
rated international ly: 90/100
great va lue and is ideal for those
accompany fruit salad and other
biblical la
Champagne wi t h an elegant
Wine Spectator, U.S.A; 4.5/ 5
who prefer a Iighter style red
desserts. Ray McVinnie suggests
from the s
fi nish, a great price for Webb's
Winestate, Aust. With screw
wine for summer drink ing. It
trying his wine jel ly recipe for
Highly en1
customers t his Christmas.
cap, t he fi nish is cr isp and dry
will also reward if cel lared.
the Ch ristm as tab le. The recipe
temperatu
> $219 per case of six.
and the wine is ready to enjoy now. Seize the opportunity as it will sell very quickly. An exceptionally good offer.
> $210 per case of twelve.
6
A2004 Pinot Noir Cleanskin
IN FOCUS
> $198 per case of twelve.
is available on the wine page at www.webbs.co .nz.
> $60 per case of six.
> 159.50 pert
Simon Mick leson, Webb's wine consu ltant, has sourced a group of wines and a malt whisky to de light even the most fastidious drinker this Christmas. Indeed , there is everyth ing needed to ensure a thorough ly convivial festive season. Who, but an incorruptib le teetotal ler, wou ldn't appreciate receiving from Santa any one of the excellent tipples on offer here, and we shou ld add, all at reasonable prices. Check them for yourself.
For further details and tasting notes see www.webbs.co.nz or email wine@webbs.co.nz
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ncemra:e: , pertec: ·; uit saladan, McVinniesugt
ne1ellirecpe'. astable. Tn,•,:. ..,~ nthewnep,i-·
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Grand Marnier
Bowmore Malt Whisky
Ramos Pinto Tawney Port
Cognac Marnier
Aged for ten years, this port
The V.S.O.P. Marnier Cognacs
Beautifully packaged in fabric for
A twelve year old malt whisky
wine comes from 'a mystical,
are aged in Limousin Oak vats
Christmas gifting, is this prince
with a long and satisfying finish.
biblical landscape, extracted
and come from the Charente
of liqueurs. Enjoy it straight or
Johnny Briggs on tasting it said ,
country near Champagne,
chilled with orange zest and
'Och, you'll not find a nicer wee
famed for the unique taste of its
flowers - perfect for Christmas.
from the schist for our delight.' Highly enjoyable now at room temperature or chilled .
> $59.50 per bottle.
brandies . Cognac lovers won't find a better buy than this .
> $65.50 per bottle.
> $56.50 per bottle.
drop than th is Peter. Save me a case.' (See page 13). Case lots on ly at this outstanding price .
> $417 per case of six
($69.50 per bottle.)
fsix.
IN FOCUS
7
Announcing... _,t\
NEW ZEALAND SALE
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Following the success of the New Zealand Sale in August,
century. Kiwi feather cloaks are a sign of chieftainship and
entries are now invited for a sale early in the New Year.
high birth in Maori culture, and have great significance
Many stunning entries have already been consigned .
as the feathers are thought to carry the spirit of birds in
Foremost amongst these is thi s magnificent full size Kiwi
them . This example is in outstanding condition and is
feather and flax cloak or Kahu-Kiwi , dating to the 19th
estimated at $45 ,000 - $60,000.
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Further entries are now invited. Please contact Ross Millar: (09) 529 5607 or rmillar@webbs.co.nz
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WEBB'S ANNOUNCES ASURVEY EXHIBITION OF CONTEMPORARY ABORIGINAL PAINTING
Curated by expatriate New Zea lander and well-known Australian Gallerist, Dick Bett.
February next year marks Peter Webb Galleries' thirtieth birthday and great celebrations are proposed! A renovation of the Manukau Road premises will commence in January and a big birthday party is being
30YEARS
planned that Webb's customers won't want to miss. Further details of the celebrations will be announced in the new year.
VERSA RY
2 0 0 6 THIRTIETH ANNIVERS A RY ART SALE A special catalogue of fine and decorative art and jewellery will be produced for a big celebratory sale in April 2006. Major works by Colin McCahon and Alfred Sharpe, and an important private collection of contemporary New Zealand paintings are already under negotiation for the catalogue. Contact Ben Plumbly on: (09) 529 5601 or bplumbly@webbs.co. nz to discuss having artworks entered into this special anniversary catalogue.
WEBB ' S IN WELLINGTON
for two weeks
20 memberso·
nChina,with J
1
Webb 's thirtieth ann iversary celebrations
Webb 's publications, catalogues, prints and
exists for a mature person with a broad art
are to
coincide with th e opening of a
multiples, and other works of art for retail
and collectables background to represent
Wellington Gallery. Works of art, artefacts,
sale. Webb 's professional valuation services
New Zealand 's leading auction house in the
Webb's contac access to man1
decorative arts, jewellery, rare books, wine,
will also be accessible to collectors in th e
lower North and South Islands. Applications
and collectables will be sourced from the
Wellington region.
are invited in writing to:
Wellington region and the South Island,
The timing for opening the Wellington
The General Manager,
for sales both in Wel lington and Au ckland.
Gallery will depend on the appointment
P.0 Box 99251, Newmarket, Auckland 1005.
The Wel lington Gallery wi ll also stock
of a qualified manager. A rare opportunity
or by email: auctions@webbs.co.nz.
The tour had
not have had warehouses ot filled an alleyw, tea ceremony where we sarr
morepurchase
FORTHCOMING
our shoes, clotl five story marb where Chinesi
Bethunes
@W~PoQ~
Rare Books, Maps & Photography
Bethunes@Webb's is pleased to an nounce the first major rare book, map and photography auction for 2006 to be held in March. This sale will include the pre-eminent book collection of a renowned industrial ist, which boasts titles such as Forster, A Voyage Round the World in II Volumes (1777) ; Barraud , New Zealand Graphic and Descriptive (1877); Anderson , A New Authentic and Complete Collection of Voyages Round the World (1784-6); Angas , The New
IN FOCUS
the isolated ci antique marke old lactones in
REGI The huge succ
Be11ing, Xian a
1n association 1
Zealanders Illustrated (1 846); Buller's Birds of New Zealand in II Volumes (1888) as well as
rise to asecon
Cook's 1st, 2nd and 3rd Voyages and Atlas.
of those ma kin
Further entries are now invited . Please contact Miriam Shaw on 09 529 5602
their recomme
or email: bethunes@webbs.co.nz
more than ha
Illustrated: Forster's, A Voyage Round the World in II Volumes (1777)
10
enIoyed by all.
CHINA 2005 zoo 5 ,r, 5 n 24 ! I
into modern art galleries. We stayed at a courtyard
greening of the cities, over a mil lion trees have
hotel in the Hudong area of Beijing where an early
been planted in Beijing in the past fifteen years
The tour had been organised by Francis Xu,
access to many places that we would otherwise not have had access to; the antique furniture warehouses outside Beijing, where the group filled an alleyway with their purchases, a beautiful
land 1005
.nz.
tea ceremony and a multi storied tea market where we sampled tea of such exotic beauty more purchases were made. We happily gave up our shoes, clothes and personal possessions in a
IPand ohG::;
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morning stroll amongst the old alleyways saw
and boxes of green shrubs are strapped to the
the residents preparing for their days with slow
outside of the Shanghai flyovers. We saw the
exercises, sweeping their doorways and hanging
sights we needed to see, the Forbidden City, the
their baskets of small song birds outside. The
Summer Palace, the Great Wall , the Terracotta
courtyard hotel, once the residence of one of the
Army, the Peking Opera and we ate, and we ate
Gang of Four, featured a beautiful garden and
and we ate.
tea room. In Xian we enjoyed some luxury in the "Peoples Hotel" which had previously been the government offices and in Shanghai we stayed at the art deco and totally idiosyncratic Peace
We never stopped laughing and we all realised how much we had seen, how much we bought, how little we had seen and how we all wanted to go back.
Hotel.
PICTURED ABOVE: Members of the travelling tour
five story marble and gilt encrusted gymnasium
On the way to the Great Wall we visited the
where Chinese therapies and massages were
architectural compound of houses designed
enjoyed by all. We visited a bronze museum in
by architects from throughout Asia, featured in
the isolated city of Bao Jei, the early morning
the book on 21 '' century architecture available
antique market in Xian and the vast complex of
from the Tate Modern in London. Everywhere we
old factories in Beijing that have been converted
were charmed by the people and amazed by the
pi ctured outside The Emperors Audience Hall.
REGISTER NOW FOR THE 2006 CHINA TOUR
1en:t)J; :: · Roucc •i
Chairperson, Museum Circle
For two weeks at the end of May I travelled with
Webb's contact in China. This gave the group
;p:a·
w·ntten by Lindy Sainsbury,
20 members of the Museum Circle Foundation in China, with James Parkinson from Webb's.
·,presc
)' ·;,,
The huge success of the cultural tour last June to
spoken for. However, the shadow of the Avian
a postponement, you will be given a priority listing
Beijing, Xian and Shanghai organised by Webb's
Bird Flu means travel to China is inadvisable until
for an alternative tour in September 2006.
in association with the Museum Circle was to give
the danger has passed. Because it is still hoped
51 Argas :
rise to a second tour in May/June of 2006. Some
to make the trip next May, we suggest you register
CONTACT ROZELLE EDWARDS:
es .1888 as -
of those making the first tour wish to repeat it, and
your interest with Rozelle Edwards of the Museum
Email: redwards@auck landmuseum.com
their recommendations to friends has resulted in
Circle and be sure of a place if the tour does
Phone : (09) 413 9212
more than half of the twenty-four places being
eventuate. By registering interest, in the event of
Mobile: 025 272 9604
5602
IN OC'JS
11
Introductory offer to New Zealand art collectors
Johi The Australian Art Market Report is now covering the New Zealand Art Market. Subscribe to keep up to date with trends in the Australian, New Zealand and international art market.
Antiqued birthday a En1oy1ng the di Briggs at ninety
-ART
-ART
-ART
MARKET REPORT
MARKET REPORT
-ART
MARKET REPORT
MARKET REPORT
specialized in at wih the patina
Although still he and now avails Webbs Cambri( Achartered c1vj the second wo medical inspeo 'IOW. given he
In 1951, lookl
Zealand Goverr immigrant to SE
experience 1n r
"The editorial slant of the Australian Art Market Report is sophisticated, no-nonsense and business orientated." Carmel Dwyer, Arts, The Financial Review Magazine
workers, John leave governm1 acceptable err
Cambridge, will
"The Australian Art Market Report is for serious art collectors and investors " John Wasiliev, The Australian Financial Review
had loved the I surprised at thE scouring the c1 shop 1n Cambi Ministry of Wor
took over the s
SUBSCRIPTION FORM
Over the years
Introductory offer including postage
dramatically. f
0 1 YEAR AUD$80 4 issues O 2 YEARS AUD$160 8 issues
cranberry glas epergnes, 1ustr country. John'i
NAME: Mr/ Mrs/ Ms
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Highland CattlE
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Please make cheque payable to The Australian Art Market Report or charge my
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century longca
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buyers. John r have found it almost total dii
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Their bottoms
Demand peak1
12 IN FOCUS
Post P.O. Box 245, Paddington NSW 2021 Australia. Subscribe on line at
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might be cons
John Briggs 1rt market,
Antique dealer and collector - ninety-two next birthday and still going strong. Enjoying the distinction of being Webb 's oldest active customer, John
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Briggs at ninety-one might be compared to the grandfather clocks he has specialized in at Alys' Antiques, 84 Duke Street, Cambridge; slim but robust with the patina of age and thoroughly dependable. Although sti ll hold ing a license, John avoids the two hour drive to Auck land and now avai ls himself of the good services of Jutta Mark, another of Webb's Cambridge trade customers, to bring him to Webb's on sale days. A chartered civil engineer in Scotland , John continued practicing throughout the second world war having been tc1rned down by the army because his
Illustrated : John Briggs at home and feeding oranges to his cattle (below) .
medical inspection detected a dilation of his heart, which seems funny
Loo tables, usually combined with a set of balloon backs, fe ll out of favour
now, given he is still running his shop and raising Highland Cattle.
at the same time; those that bought them for the ir unsuitable use as dining
In 1951, looking for a fresh start after the war, he answered a New
tables soon discovering the basic instability, their hinged ti lt-tops bei ng
Zealand Government advertisement for engineers and was selected as an
supported on ly on tripod bases.
immigrant to settle in Huntly where there was a need for an engineer with
John Briggs has no fear that the furniture he prefers wil l ever go out of
experience in mining. Housed at Rotowaro, in a cottage bui lt for cheese
fashion; the solid oak and mahogany English furn iture of the 17th and 18th
workers, John and his bride Alys were about to repay their bond and
centu ries, is so we ll proportioned and functiona l in contrast to Victorian
leave government employment when the department offered John more
excess of decoration and lack of util ity. It is strong enough to stand the wea r
acceptable employment in Hamilton. From Hamilton they discovered
and tear of our modern lifestyles, it fits admirably into a contemporary home
Cambridge, without doubt, the most British of North Island towns. Alys , who
where John remarks , 'it's a good bet, it will outlast most of the modern
had loved the country antique trade in Scotland, and who was pleasantly
furniture it cohabits with.'
surprised at the availability of stock in and around Cambridge, commenced scouring the countryside for antiques as a hobby. In 1964 Alys set up a shop in Cambridge and John joined her in 1978 upon retiring from the Ministry of Works. When Alys was incapacitated in the early eighties, John took over the shop completely. Over the years John Briggs has seen fashion in the antique trade change dramatically. He recalls vividly his wife's passion for the once popular cranberry glass, and their shop had one of the biggest selections of epergnes, lustres, centerpieces, vases and assorted bon bon dishes in the
After a pleasant lunch with John and a taste of a Bowmore 25 year ol d malt whisky, I return him to his shop where in the intervals between custome rs, he will mull over the bad luck he has had in recent yea rs with the progeny of his herd of Highland Cattle. 'Ni ne bu ll calves to on ly three heifers' he compla ins. At $600 for a bull calf against $3000 for a heifer, I offer my sympathy and enqui re as to his recipe for longevity, 'porridge for breakfast and whisky in the evening.'
I might
have anticipated that answer from a Scot.
country. John 's taste was rather more mascu line, preferring paintings of Highland Cattle, solid English oak furni ture and, in particular, the eighteenth century longcase clocks he came to specialize in. With changes in taste, Alys's ruby glass and al l th ings so redolent of the Victorian age fell out of favour. The sets of balloon back cha irs and loo tables that formerly were a highlight of antique sales, ceased to attract buyers. John remarks that had she lived beyond the eighties, Alys would have found it hard to accept the things she so admired were falling into almost total disfavor.
I
When asked if he can see Victoriana returning to fashion, he replies, 'I can't
J
Thei r bottoms get bigger as they eat more and they want wider chairs.'
see people ever wanting to sit formally in those little flimsy chairs again.
Demand peaked for balloon backs in the nineteen-sixties when individua l chairs in walnut fetched around the $1,500 mark. Today, a tenth of that might be considered a fair price at auction for the same chair. IN FOCUS
13
Going, Going, Gone .... The September sale might be best described as the 'nearly' sale ... Several works 'nearly' made reserve, New Zealand 'nearly' had a government, and the art department at Webb's 'nearly' had a melt down, before getting the total up to a wholly respectable final tally of $1 ,350,000. The total on the night was however, less than impressive , with many works falling shy of the reserve as a strange and collective aversion to hand-raising seemed to overcome all of those in attendance. However, one needn't have worried as norma l service resumed the fol lowing morn ing in the frenzied aftermath of post-sale negotiations wh ich seem to be becoming increasingly commonplace. There was some good buying and similarly some very good results for vendors. However, there seems little doubt that the market has steadied from its formerly heady heights and that now, for those buyers with the confidence and conviction , quality works can be purchased at reasonable levels. Bi ll Hammond's semina l Watching for Buller - Costume Design, 1994 (i llustration A), fell someway short of its estimate of $100, 000 - $ 150, 000 on sale night, but sold in the proceeding days for its lower estimate and reserve of $100,000. Ralph Hotere's resplendent Test Piece: Auckland Airport Mural: Grey/Orange, 1977 (illustration D), continued the 'nearly' tradition falling just shy of its estimate
of $95,000 - $125,000, before selling the very next day for $90,000. Alfred Sharpe's View of the Rock of Maketu, near Drury, 1880 (illustration E), was seen by the staff at Webb's as one of the freshest
and highest quality works by Alfred Sharpe ever offered to the market. However, bidding stalled below its estimate of $120,000 - $160,000 on auction night and a sale was negotiated the following day for $95,000. Col in McCahon's Muriwai No. 7, 1969 (i llustration B), was another 'nearly' painting. It sold subject to vendor approval on sale night to an absentee phone bidder, and was snapped up in a negotiated sa le the following morni ng for $67,500 - just shy of its lower estimate of $70,000. The important Frances Hodgkins oil, Three Roses (i llustration F), made $230,000 against an estimate of $250,000 - $350,000. There were several strong sales under the hammer including Russell Clark's Old Keta and Friend
Above ohr ""' ·11 0
(c 1949) $45,000 - $65,000 ($46,000), John Walsh 's God of the Foreshore (2003) $18,000 - $28,000 ($ 18,000), Ian Scott's Raquel (1969) $9,000 - $15,000 ($25, 000) and several new New Zea land record auction prices we re set including: Ian Scott ($25,000), Para Matchitt ($10,000) , Jude Rae ($ 10,500), Brett Graham ($ 12,000), Freddie Timms ($10,000), Minnie Pwerle ($2 ,900) and Thomas Benjam in Kenni ngton (illustration C) ($32,000).
14
IN FOCUS
r5e Below F
GOING, GOING, GONE
Simon Kaa n's inaugu ral exhibition in Auckland was a phe nomenal success.
All of the paintings were snapped
up prior to the exhibition opening, with works sel li ng to had
collectors as far afield as Hong Kong. Futhermore, three
"ad
editions of etchings - a medium in which Simon originally worked exclusively in - also sold out during the exhibition. The opening included live acoustic music by fellow Dunedin musician Hannah Howes. Around one hundred people seemed in no hurry to depart Webb's gallery where good music, great art, gorgeous food and fi ne wine combined to
owng
SIMON
:ions
:e. seers buy,5
KAAN
create a warm and splendid atmosphere. The impressive Workers ' Beds, conceived whilst the artist
Oil on Workers' Beds
was in Beijing undertaking his Creative New Zealand
EXHIBITON IN OCTOBER
going into substantial private collections.
i1111eway
Residency, were the hit of the exhibition with all four works
Twentieth Century Design and the Simon Manchester Collection NOVEMBE
3rd & 5th 2005
The November A2 auction featured Webb's fifth
1
nia1eu·
The
Simon
Manchester collection,
held
the
stand-alone Twentieth Century Design sale, and
fol lowing Saturday was one of the vastest and most
with a total of $175,000 it was the most successful
eclectic single vendor collections ever bought
yet. Numbers were high throughout the viewing
to auction. Everyth ing from Re ligious icons to
and such sustained interest continued on sa le
bakelite hair driers, a double headed sheep to a
night as around 150 people competed for just over
Papua New Guinean painted shield, jostled for
300 particularly high quality lots. Highlights were
the attention of about 50 determined collectors
Above : John Chricton designed mosaic wall
numerous and included $9,000, the top price
and auction goers in Webb's back saleroom. The
charger Below: Floor standing Carstens
of the evening, for the Eero Saarinen for Knoll
sale grossed over $70,000, some of the highlights
German pottery vase.
Tulip dining suite; $6,500 for the original Charles
included: $525 for the Geoffrey Baxter Whitefriars
1:l'era r,1
and Ray Eames, Herman Miller manufactured
Drunken Bricklayer's vase; $410 for the floor-
s1000:11
lounge chair and ottoman; $4,100 and $3,700
standing Carstens German pottery vase; $800 for
respectively for the two excellent Garth Chester
the double headed lamb; $825 for the NZPO fro nt
Curvesse chairs; $3 ,500 for the large mosaic John
winder green telephone; $1,530 for the tin plate
e1\29JJI
Crichton wall charger; and $2,600 for the pair of
Drugs sign; and $1 ,100 for the plaster
Grant Featherston contour armchairs. Webb's will
station of the cross (X111 Jesus
continue to hold annual Twentieth Century Design
taken from the Cross).
sales with the next in November 2006.
Right: Charles and Ray Eames lounge cha ir and ottoman.
Fine New Zealand Paintings, Prints, Sculpture & Foreign Paintings Tuesday 6th December 2005
6.30pm
6.30pm Lots
- 126
Fine New Zealand Art Works
Lots
127 - 136
Foreign Paintings and Prints
Viewing Times Thursday
December
>>
9.00am
2nd
December
..,...,
9.00am
Saturday
3rd
December
-
300pm
Sunday
4th
December
>> >,'>
11.00am 11.00am
-
300pm
Monday
5th
December
Tuesday
6th
December
Friday
1st
'>>
5.30pm 530pm
9.00am
530pm
9.00am
12 OOpm
VIEWING TILL 12 NOON ONLY ON DAY OF SALE.
Illustrated left: Lot 42, Elizabelh Thompson, The Black and Whites Ill
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
17
1
Wayne Barrar New Forest, Branch River, Marlborough silver gelatin print Wayne Barrar blind stamp applied verso; title inscribed and dated 1987 verso 160 x 213mm $800 - $1,400
2
Pat Hanly Awake Aotearoa screenprint 13/50 title inscribed, signed and dated '83 490 x 560mm $2,000 - $3,000
2
3
Merilyn Tweedie Solving Home mixed media and collage 300 x 150 x 60mm
5
$1,500 - $2,500
4
Michael Smither Sarah in Cardboard Box plaster on wooden block title partially inscribed and numbered 10 on original label affixed verso 220 x 210 x 147mm $500 - $800
7
18
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPT vRI::
ft
5
7
Michael Parekowhai
6
Michael Parekowhai
Omega Centauri c-type photograph, edition of 10 2001 original Michael Lett Gallery label affixed verso 555 x 555mm
Acturus c-type photograph, edition of 1o 2001 original Michael Lett Gallery label affixed verso 555 x 555mm
$1,800 - $2,800
$1,800 - $2,800
Jude Rae Still Life 73
oil on linen signed and dated 2000 verso and inscribed S.L. 73 713 x 840mm $5,000 - $7 ,ooo
FINE Nrw ZEALAND & FOREIGN PAINTINGS PRINTS & SCULPTURE
19
11 9
8
12
~-«.u.-; !.•,..,
13 8
10
n
Judy Millar Untitled oil on aluminium signed and dated 2004 verso 750 x 500mm
•
l-
$4,000 - $6,000
9
Richard Killeen The Difficulty of Drawing a Woman ... with the Language Given ink and acrylic on paper title inscribed, signed and dated 3/5/84 760 x 580mm $1,500 - $2,500
10
~
- ~.:se~
Richard Killeen Suprematist Women ... Women as Tools ink and acrylic on paper title inscribed, signed and dated 3/5/84 760 x 580mm $1,500 - $2,500
20
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
13
11
Jeffrey Harris
11
Landscape with 2 Crosses pastel on paper signed and dated 2001 verso 300 x 400mm $2,500 - $3,500
12
Jeffrey Harris Landscape with Cross pastel on paper signed and dated 2001 verso 300 x 400mm $2,500 - $3,500 12
13
Helen Brown Kawau Island oil on board signed and dated '70; original John Leech Gallery label affixed verso 212 x 900mm $1,500 - $2,500
13
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
21
17 14
15
18
19 16
14
John Pule Omonuo lithograph 5/30 title inscribed, signed and dated 2004 730 x 605mm
$2,000 - $3,000
15
John Pule
19
Mahina lithograph 5/40 title inscribed, signed and dated 2004 760 x 605mm
$2,000 - $3,000
16
John Pule Takaia lithograph 5/40 title inscribed, signed and dated 2004 725 x 593mm
$2,000 - $3,000
22
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
I
l
17
Robin White
17
On the Beach, Otago Peninsula screenprint 7/35 title inscribed, signed and dated Oct '72 533 x 356mm Illustrated: Alister Taylor (ed), Robin White: New Zealand Painter(Martinborough, 1981), p.97.
S3,ooo - S4,000
18
Robin White Allan's Beach screenprint 40/60 title inscribed, signed and dated '77 870 x 600mm Illustrated: Alister Taylor (ed) , Robin White. New Zealand Painter (Martinborough, 1981 ), p.111.
S4,000 - S&,ooo
19
Pat Hanly Golden Age screenprint 53/70 title inscribed, signed and dated '80 510 x 550mm
18
S3,ooo - S4,ooo
19
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
23
24 20
20
Peter Siddell 42 Bellevue Ave, Northcote Point acrylic on board signed 331 x 496mm
1111
$3,000 - $5,000
1111
21
Sydney Lough Thompson The Brown Mill, Cambridgeshire oil on board signed; title printed on label affixed verso 262 x 357mm $7,000 - $9,000
22 21
Dick Frizzell A New Landscape oil on board title inscribed, signed and dated 3/6/87 600 x 600mm $7,000 - $10,000
23
John Weeks Saint Germaine Church, Paris watercolour signed and dated 1926; title inscribed verso 310 x 245mm $1,000 - $2,000
22
24
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
23
25
24
Peter Robinson Evil Doers acrylic and oil stick on paper title inscribed, signed and dated 2002 1495 x 990mm Exhibited: Southland Museum and Art Gallery Niho o Te Taniwha, November 2003 - February 2004 Exhibited: Te Puawai o Ngai Tahu: Twelve Contemporary Ngai Tahu artists, May - August 2003, the inaugural exhibition at the new Christchurch Art Gallery Te Puna o Waiwhetu. Illustrated: In the catalogue for the aforementioned exhibition, p.78.
so
$12,000 - $18,000
25
Falu Feu'u Afio Mai Karika oil and oil stick on unstretched canvas title inscribed, signed and dated /ulai/2002 verso 1510 x 2035mm
$10,000 - $15,000
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
25
26
26
Shane Cotton Pararaiha lithograph 33/40 title inscribed, signed and dated 2004 570 x 765mm $2,500 - $3,500
27
Shane Cotton Kikorangi lithograph 29/40 title inscribed , signed and dated 2004 570 x 765mm $2,500 - $3,500
27
28
Ralph Hotere Pine No. 4: Without Singing monoprint title inscribed, signed and dated '74 and inscribed From Pine, a poem by Bill Manhire 540 x 405mm $4,000 - $6,000
29
Ralph Hotere Blue lithograph 19/24 title inscribed, signed and dated 1998 575 x 640mm
30
$5,000 - $8,000 28
r-- , - -
f
29
31
32
"
26
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
30
Gretchen Albrecht
31
Claritas Study II oil and acrylic on canvas title inscribed , signed and dated '98 - '00 verso; original Brooke Gifford Gallery label affixed verso 725 x 1200mm
$12,000 - $18,000
31
Tony de Lautour Land of Promise (Revisionist Painting) oil on board title inscribed, signed and dated 1999 verso 285 x 430mm
32
$3,500 - $4,500
32
Tony de Lautour Shore Party (Revisionist Painting) oil on board title inscribed, signed and dated 1999 verso 280 x 435mm
$3,500 - $4,500
l'INE NEW ZEALAND & FOREIGN PAINTINGS PRINTS & SCULPTURE
27
33
Luise Fong Thermo acrylic and gesso on canvas title inscribed, signed and dated '98 verso 515x610mm $3,000 - $4,000
34
Jude Rae Still Life with Jug and Glass Bottles oil on canvas signed and dated '98 verso 380 x 354mm $2,000 - $3,000
36
37
35
Don Binney Mount Donald McLean, Seaward charcoal on paper signed and dated 2002 410 x 585mm $4,000 - $6,000
28
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
36
Max Gimblett Weather acrylic polymer, metallic pigments and copper on linen canvas title inscribed, signed and dated 1995 verso 885 x 1520mm $10,000 - $15,000
37
Michael Smither Fishes oil on board signed with artist's initials M.DS and dated '00 354 x 740mm $15,000 - $20,000
37
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
29
41
TOI The grar
400 $15
42
Eli Thi cas
titlf 20( 65(
$11
38
Peter Robinson
39
Colin McCahon Kauri Tree lithograph 6/55 signed and dated '54 320 x 224mm Provenance: Gifted to the present owner by the late Rodney Kennedy, Dunedin
It's a Bit Late 4 Easter oil stick on brown paper title inscribed, signed and dated 2002 1190mm x 890 Provenance: Purchased by the present owner from Peter Mcleavey Gallery, Wellington
$3,500 - $5,000
$4,500 - $6,500
40
Toss Woollaston Landscape with Trees watercolour signed 243 x 340mm $2,500 - $3,500
30
FINE NEW ZEALAND ,0,. FORE GN PAINTINGS, PRINTS & SCULPTURE
41
Tony Fomison The Flutesman graphite on paper 400 x 350mm $15,000 - $20,000
42
Elizabeth Thompson The Black and Whites Ill cast metal and acrylic on board title inscribed, signed and dated 2005 verso 650 x 930mm $10,000 - $15,000
l=INE NfW ZEALAND & l=QREIGN PAINTINGS FAINTS & SCULPTURE
31
43
Rozi Demant The Bath oil on board title inscribed, signed and dated 2003 verso 900 x 1805mm
$18,000 - $25,000
44
Nigel Brown Living Here Aotearoa oil on board title inscribed, signed and dated '87; title inscribed, signed and dated verso 1200 x 2400mm Exhibited: 1984 and After: Nigel Brown at Manawatu, Manawatu Art Gallery, August - September 1988
$12,000 - $18,000
44
32
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
45
Hermina Arndt The Housekeeper oil on canvas signed verso; McArthur & Co original certificate of authenticity affixed verso 1070 x 680mm
$15,000 - $25,000
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
33
48
81 Th oil lith Viii
12
46
Ralph Hotere Dawn Water Poem mixed media on paper title inscribed and signed Hotere - Port Chalmers 390 x 590mm $18,000 - $28,000
47
Shane Cotton
~
Go Fe
Lakeside Baptism oil on canvas title inscribed, signed with artist's initials and dated 2003; signed and dated 2003 and inscribed L. B. verso 456 x 913mm
$1
$18,000 - $28,000
49
P
Pi
a1
til di 31
s 34
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
48
Brad Lochore The Fan oil on aluminium title inscribed, signed and dated 2003 verso 1265 x 2475mm Exhibited: Brad Lochore, Recent Painting, Gow Langsford Gallery 10th February - 6th March 2004 $10,000 - $15,000
3tS
dand
.,~
Brad
Lochore
is
an
expatriate
New Zealander who has lived in London since 1977
The exhibition at Gow
Langsford Gallery in 2004, from which this work was purchased, was his first solo exhibition in New Zealand. Lochore's work is represented in many significant collections including that of Charles Saatchi and works by Lochore have been included in important exhibitions such as Young British Artists IV, at The Saatchi Gallery, London.
49
Peter Stichbury Piper acrylic on linen title inscribed, signed and dated 2003 verso 306 x 402mm $9,000 - $14,000
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
35
50
Michael Hight
50
Oakley Creek oil on canvas title inscribed and dated 2.Vll.99; title inscribed, signed and dated on stretcher verso BOO x 2790mm
$20,000 - $30,000
51
Simon McIntyre
51
Motto II oil on canvas signed with artist's initials S.M and dated '93; title inscribed, signed and dated on label affixed verso 1653 x 1504mm
$10,000 - $15,000
52
Peter Robinson Whites Has Rights Too! oil stick and acrylic on cardboard mounted on found crate, 1997 title inscribed 990 x 1300mm
$15,000 - $20,000
36
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
52
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
37
53
Barry Lett Gallery 'Multiples' Complete set of twelve screenprints Don Binney Pacific Frigate Bird 560 x 460mm Robert Ellis Motorways 560 x 460mm Pat Hanly Inside the Garden 430 x 510mm Ralph Hotere Red on Black 560 x 460mm Michael Illingworth Tawera 440 x 460mm Colin McCahon North Otago Landscape 560 x 460mm Milan Mrkusich Passive Element 560 x 330mm Ross Ritchie Three 430mm diameter Michael Smither Wave Invading Rock Pool 560 x 460mm Gordon Walters Tawa 535 x 650mm Toss Woollaston Patrick Lucas 460 x 560mm Mervyn Williams Midas Finds His Soul 560 X 460 $10,000 - $15,000
38
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
54
Rob Twenl hand-1 lliean Fabria 14of Bound pag1ni Oligm, title ,n 455x
$12,0
Ultiples 1 i!iPrints
OONIO
OONIO l'il
54
Robin White Twenty-eight Days in Kiribati hand-made book consisting of 28 images printed by the artist from wood blocks on Velin Cuve Rives and Fabriano paper. 14 of the images are hand-coloured with watercolour. Bound by Boyd Book Binding Co. , Auckland. No pagination, pages rough cut, black cloth cover and original fabric pouch, edition 5/7 title inscribed, signed and dated July 1988 455 x 300 x 30mm $12,000 - $18,000
HNE NEW ZEALANC & FOREIGN PAINTINGS, PRINTS & SCULPTURE
39
55
Colin McCahon Waterfall oil and sand on board signed and dated Dec '64 ; signed and dated December 1964 verso 303 x 303mm $45,000 - $65,000
In the years 1964 - 1965 Colin McCahon, inspired by William Hodges' paintings on loan to the Auckland Art Gallery and most especially by the sublime Waterfall
at Dusky Bay, New Zealand (1775), painted numerous Waterfall paintings. The artist would later remark: "The waterfalls started flowing 1n 1964 and there were
Tony F
1
Sancho I olon Hes! tje1nscril onart1sl's
hundreds of them between 1964 and 1965". A trip to the McCahon database
350 X42:
however, suggests less than one hundred extant Waterfall paintings. This
$45,000
example, with its striking reduction of form to a fundamentally symbolic level, is a particularly successful and mature one. In many ways Waterfall serves to highlight much of the creative elation McCahon felt at the time: "I look back with joy on taking a brush of white paint and curving through the darkness with a line of white". The graceful arc of Waterfall is here offset by both the exposed triangle in the top right hand comer of the painting and the gritty col 1cision of sand and PVA. In earlier works such as The Virgin and Child Compared (1948), McCahon had investigated the metaphoric and spiritual associations of water, and the graceful arcs of the Waterfall series cut a swathe through the dark background of rock face and vegetation evoking McCahon's lifelong investigations into spirituality and life and death.
40
56
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
56
Tony Fomison Sancho Panza and Don Quixote de la Mancha oil on Hessian laid onto board in original artist's frame title inscribed, signed and dated 16.4.84 - 20.7.84 on artist's original label affixed verso 350 x 425mm $45,000 - $65,000
sa
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
41
57
Bill Sutton Land, Sea, Sky Synthesis oil on board signed and dated '64 3045 x 1350mm
$55,000 - $75,000
William (Bill) Sutton is best known today for his early regionalist landscapes of Canterbury such as Dry September, 1949. He was an artist who deliberately restricted himself to a relatively narrow range of subject-matter in which the characteristic dry landforms of Canterbury recur again and again. Trained in a conservative, almost academic fashion, Sutton had a technique grounded in careful preparation and construction of his compositions. Little was left to chance or accident - the very opposite of the intuitive approach favoured by his colleague Rudolph Gopas. Inevitably by the mid-1960s Sutton was seen by his students at the Canterbury School of Art, where he taught, as old-fashioned and out of touch . It was about this period that he became more experimental and attempted to reconcile his early realist works with more contemporary ideas.
Land, Sea, Sky Synthesis of 1964 Is important partly because it lies near the start of this process of reinvention that led on to the Landscape Elements and
Threshold series of the late 1960s and 1970s. In this work Sutton appears to have looked at the example of Colin McCahon who in the early 1950s had constructed semi-abstract Canterbury landscapes that culminated in the large work On Building Bridges of 1952. In these works McCahon introduced some Cubist elements that also appear in the present example of Sutton's painting. While Sutton was initially very sceptical about McCahon he came to see him as something of a rival and possibly a threat to his reputation as a landscape artist. In Land, Sea, Sky Synthesis Sutton dispenses with his realist spatial layout and introduces a number of fragmentary views of bits of sea, land and sky In a semi-abstract manner. The viewpoint is no longer at eye level but seems to be from above, as if seen from the air. Possibly the increasing availability of air travel at this period may have widened his scope for recording the landforms he had previously studied while travelling by motorbike. Sutton uses faceted planes running at angles to articulate the painting and keep some emphasis on the surface. By choosing a vertical format he encourages our eyes to traverse the painting from bottom to top rather than to look into an atmospheric space. All the forms of the painting appear relatively even In importance so that there is an overall feel to the composition that is new in Sutton's art. He has also made the brushwork broad and textural so that the whole surface is lively and animated. Despite the innovations the painting retains Sutton's hallmark features - the ochre foothills of Canterbury with shadows animating their surfaces beneath a grey blue sky suggestive of the nor-wester wind so characteristic of the region. The added feature of the sea at the lower margin is a bonus and completes his synthesis of a well-loved landscape.
Michael Dunn
42
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
,
·-
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
43
58
Michael Smither
To call Michael Smither's paintings of the 1960s illustrations, as has been done in a
Sarah with Flowers
recent review, is surely not the full story. Paintings like Sarah with Flowers, 1967, may
oil on board signed and dated '67; letters of correspondence between the artist and the original purchaser affixed verso
not fit neatly into the rules and regulations of modernist painting but they do have an
900 x 595mm $80,000 - $120,000
intensity and authenticity that much avant-garde practice lacks. What helps to make these pa1nt1ngs appear vivid and memorable is their clarity of vision and grounding in the artist's own expenence. By painting his then three year old daughter Sarah with flowers Smither is recording an actual event that he has seen and experienced rather than illustrating a story. He sees his subject as a pictorial fact without need of other justification This was somewhat unusual because it was a time when tired landscape compositions were displayed in art society shows and at the Kelliher art award. Smither was one of the first New Zealand painters to look at his friends and family for subject-matter, making in the process an invaluable record of a period and its lifestyle. The personal dimension distinguishes his figure compositions from the Pop Art imagery of Killeen and Ian Scott of the same period. Whereas they relied on photographs and popular imagery from magazines, Smither looked to his immediate environment and drew from first-hand knowledge. This gives what has been called a 'quirky' individuality to the works, though not one that is na'i've or uninfonmed. Smither had studied at the Elam School of Art and knew relevant works of the English 'Kitchen Sink School' of painters, one of whom, John Bratby was represented in the Auckland Art Gallery collection. He also refers to his interest in Stanley Spencer, widely regarded as one of Britain's greatest 2Q'h century painters. Like Spencer, Smither has a natural ability to paint everyday people and surroundings with an astonishingly clear, sharp focus. In Sarah with Flowers the pattern of her dress and the flowers in the vase are examples of this capability. There is a simplification of fonms, as in the arms of Sarah that appear anatomically impossible from a naturalistic viewpoint. But this adds rather than detracts from the effect of the figure who engages our attention by her direct gaze and outstretched hand, with flower held up in a way used for similar intention by Baroque realists like Caravaggio. His use of colour in the painting is noteworthy especially in the contrast between the cool palette of Sarah's dress and the background interior and the bright warm accents in the flowers. The domestic scenes of Smither often have, as in this example, a disturbing somewhat edgy quality as if some minor calamity has happened or is about to happen. By contrast the order and calm of Glenda Randerson's domestic interiors of the same period seem remote from Smither's unidealized record of childhood and suburban life. He undenmines the fantasy world of the women's magazines by showing the hyper-active life of young children, their constant quest for attention, and the amusement, mayhem and disorder they create. His often awkward relationships between figures and the spaces they inhabit and the choice of viewpoint help to reinforce the energy and instability of the real domestic world he knows. Sarah with Flowers typifies this enonmously creative and productive period of Michael Smither's career.
Michael Dunn
44
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
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Colin McCahon South Canterbury pva on board signed and dated '68; title inscribed, signed and dated July 1968 verso 605 x 601mm Reference: Colin McCahon database #cm000371 www.mccahon.co.nz
Whilst Colin McCahon painted many representations of the neighbouring North Otago region, South Canterbury was an area he painted comparatively seldom.
There is little to distinguish the two areas when travelling North
or South on State Highway 1 between Timaru and Oamaru and, it would seem, there is little to distinguish the two bodies of work In McCahon's oeuvre. The McCahon database suggests eight known examples exist. Although South Canterbury eschews the steeply descending curve which
$85,000 - $100,000
became the representative emblem of the North Otago series, it maintains the tripartite horizontal demarcation of hills, plains and sky. The latter features that unforgettable, lumionous, all-over glow which is as much the light of the spirit as it is of the sky. Like other works from this small series, such as the similarly proportioned
South Canterbury before a Storm (1968), South Canterbury witnesses a reduction of the landscape to a single irreducible, geological core stripped of all redundant or superfuos detail. Through an increasing interest in the physical features of the earth and the forces which shape it, McCahon encountered the work of scientist and geomorphologist, Charles Cotton. McCahon would later remark In correspondence to Ron O'Reilly: "I was interested in Cotton through having lived in North Otago for two years and having already started my love affair with the place. Cotton told me about it. Nobody told me about Cotton, I just found him on a bookshelf". There exists in the North Otago and South Canterbury works a chilling calmness, a distilled visual essence, which, despite its apparent and alarming starkness, should never be mistaken as simplicity. There is an allover uniformity to the paint in South Canterbury, suggestive of a wholeness missing in many of the other paintings of the North Otago region which often feature a scrubbier application of paint. The PVA feels almost caked on; these are landscapes suggested rather than depicted, they are landscapes of the mind, heart and soul. South Canterbury is, after all, the land of McCahon's birth place.
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Gordon Walters Untitled gouache on paper signed and dated '55 and inscribed 19 208 x 256mm Provenance: Private collection, Wellington
$25,000 - $35,000
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Tony Fomison The Seer oil on canvas board title inscribed, signed and dated 1975; original Bosshard Galleries stamp applied verso 300 x 225mm Provenance: Private collection, Dunedin Private Collection, North Island
$45,000 - $55,000
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Colin McCahon
One of an important series of sketches painted at Muriwai in 1971 this work is remarkable for its intense ultramarine blue and white palette as well as its confident breadth and
Muriwai, Necessary Protection and Oaia Island watercolour, ink and charcoal on paper title inscribed, signed and dated December '71 582 x 770mm Provenance: Private collection, South Island
friends like the art dealer Peter Mcleavey. In the process he adapted the land forms to
$110,000 - $150,000
his own purposes, extracting from them a symbolic language with which to express his
sureness of execution. The whale-like shape of Oaia Island is seen at the left in a simplified silhouette against the sky while in the foreground the tall column of Moturoa Island helps frame the view and give a sense of scale. The view from the cliffs above Muriwa1 Beach was very familiar to McCahon who often walked there alone or with
ongoing concerns about conseNation of the environment and the spiritual well-being of its human inhabitants. The painting belongs to his series of works called Necessary Protection. The title 1s broad enough to allow for a number of related meanings to enter our interpretation of the series. On one level there is the environmental meaning, the need to protect the islands shown in the painting from pollution allowing the gannet colonies based there to breed and nurture their young. McCahon wrote in 1971: 'In the early summer the young are taught how to fty and swim and gather their own food. This goes on 1n spite of our intrusions, the cliff-top parties, the broken bottles, the paper and plastic everywhere.' In this painting however we see only the forces of nature at work with the sea and sky clean and bright, untouched by pollution and the ravages wrought by man. The whalelike Oaia Island seems to swim in its element with no intrusions from the nearby city and its inhabitants. Keeping the environment clean is essential to the preseNation of life. On another level the artist was referring to our need for protection and guidance spiritually as well as materially. In his catalogue notes for the show Necessary Protection of 1971 he wrote of the paintings: 'They have to do with the days and nights in the wilderness and our constant need for help and protection.' In this example the light in the sky that dispels the dark clouds hovering ovemead is a metaphor for divine light and spiritual illumination.
By exaggerating the whale-like aspect of Oaia lslar,d McCahon could
encourage biblical associations such as references to Jonah and the whale where it is an instrument for his salvation. In creating a painting such as this McCahon introduced a different dimension into New Zealand landscape. While other painters such as Don Binney also included conseNationist meanings in their works, McCahon distilled the essence of the landscape 1n a way that recalls the approach of traditional Chinese painters rather than their Western counterparts. The achievement of classical Chinese landscapists was 'to fuse the spiritual and the material'. For example, the painter Kuo Hsi encouraged artists to study landscapes with great diligence by walking through them and gathering deep impressions before painting 'with utter freedom and courage'. The result from this approach is a personal response on a deeper and more contemplative level than that of the plein-a1r sketch. The present painting Muriwai, Necessary Protection and Oa,a Island has that breadth, boldness and immediacy achieved through long hours of personal contemplation of nature prior to the rapid execution of the work itself. The dashes and strokes of paint have the range and diversity we associate with Oriental calligraphy and have a comparable certainty in their combination of form and meaning.
Michael Dunn
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63
GotHried Lindauer Portrait of a Maori woman in Colonial Dress oil on canvas inscribed verso: Mareana Ngamai, Ngati Rauiri Tribe, Te Ani Awa Tribe, Taranaki. Robson family descendants 650 x 502mm Provenance: Purchased by the current owner from George Walker Ltd, Auctioneers, in the 1960s.
$45,000 - $65,000
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Got Portr oil on
G.U1
472 > $35,1
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Gottfried Lindauer Portrait of a Maori Woman in Traditional Dress oil on canvas, c. 1900 G. Lindauer inscribed verso 472 x 387mm
$35,000 - $45,000
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65
Sydney Lough Thompson
Painted in the South of France in the small town of Bormes-Les-
Wisteria, Bormes Les Mimosas
Mimosas, this work captures many of the qualities most associated with
oil on canvas signed; title inscribed and dated 1917-18 on original label affixed verso
the art of Sydney Lough Thompson (1877-1973) . The brilliant lilac-blue flowers of the wisteria in full bloom, spread across a pergola in a walled
565 x 700mm
garden, allow his colour sense full sway and set the key for this Joyous
$40,000 - $50,000
celebration of warmth and light. Although based in Brittany at the fishing village of Concarneau during the years 1916-18, Thompson travelled to the South of France in the springtime in search of the strong light and intense colour that had drawn Monet, Cezanne, Gauguin and Matisse there before him. This is a plein-air sketch painted spontaneously from the motif in a concentrated burst of energy. Thompson is well known for his studies of the related theme of almond trees in blossom, made in the same region, that he once said had to 'be painted in one go' if they were to succeed. Like Monet before him, Thompson used a multiplicity of small touches of paint to create an effect of shimmering light through colour juxtaposition and layering. Colour is everywhere 1n this jewellike sketch where there are no dark shadows or lines to be seen. The setting appears to be an old-world garden with masonry piers and walls flooded with a strong warm light. In such gardens wisteria - a popular climbing shrub of Japanese and Chinese origin - was prized for its brilliant blooms and fragrance. The painting has the charm of depicting an idyllic world, part myth, part reality that made the Mediterranean area then as now irresistible and an antidote to the harsh realities of the Great War devastating France at the time. The painting shows Thompson at his most fiuent, painterly and abstract with a perfect match between artist and subject. He uses bold brushstrokes varied in size and direction to structure the work where the forms are largely dissolved in light and heat. Garden settings with pergolas, flowers in bloom and bright sunshine were a familiar theme in French Impressionist art and one that Thompson greatly liked. As art historian Julie King has obseNed: 'He remained committed to a nostalgic belief in a pre-modern world which idealized the past and nature'. Today his art provides a perfect form of escapism into a world of peace, beauty and old-time painterly virtuosity.
Michael Dunn
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Milan Mrkusich
In the sixties Milan Mrkusich's Emblem paintings began to assume a more
Emblem XV oil on jute signed and dated '67; title inscribed, signed and dated verso 858 x 865mm
direct focus on the formal geometric elements of the line, square and circle. Initially these abstract emblems of mathematics were superimposed onto a coloured field with only slight structural purpose. Increasingly though, these mathematical motifs became more determinate structural forms, as is the case with Emblem XV.
$50,000 - $60,000 The increasing geometric focus of the Emblem paintings brought about a noticeable change from Mrkusich's earlier paintings, one Michael Dunn and Petar Vuletic described 1n temns of being, "The change from an asymmetrical format to a symmetrical one". What they had observed was a gradual process in which the paintings progressively took on a more regularised structure, ending up with paintings in which the geometrical elements determined a symmetrical outcome for the structure of the composition. In Emblem XV for instance, which comes toward the end of the Emblem paintings, the distinct geometric structures of the circle, square and rectangle and their centred placement do detemnine both the horizontal and vertical symmetry of the composition as a whole. The stability that results from such symmetry of structure enables the eye to perceptually expand the structural and coloured qualities of the painting more easily. When considered structurally, earth coloured and light purple bands frame the central circles in Emblem XV. Yet the geometric fomns fuse together in a way that creates a sense of transparency, as if the geometric forms were superimposed, each one laid over the others. For instance, the light purple hue appears to reveal the modulation and tone of the earth colour beneath, and similarly the circle reveals the colour of the underlying green square. This leads to the perception that rather than bands of colour surrounding the centralised squared circle, it is a light purple square superimposed on a larger earth coloured square that is seen. Mrkusich achieves this through his refined colour practice; a blending of colour that is characteristically subtle and precise. He generates a sense of continuity of colour and form across the field with his method - a continuity that is reinforced further by the constant infiection of the Jute surface - maintaining a sense of harmony and integration between the separate mathematical emblems and colours.
Chrissie Craig
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·oe ;, : . 88' ""€'4
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Michael Smither
We are told by reading this painting's title that here the artist has depicted a
Wave Pool
wave pool but I'm sure Michael Smither, who has himself said 'I believe it's
oil on board signed with artist's initials MD.Sand dated '75
best to let people have some room for interpretation of a work' would not mind us seeing something different - or indeed seeing nothing at all in this
1215 x 1825mm
painting. Whether the work is in fact representative is in itself a matter of
$90,000 - $120,000
interpretation, it could well be just a series of patterns and shapes painted in an abstract sequence. Repeating patterns feature in many of Smither's works. Yellow-eyed mullet are topped and tailed in a fish-tray in a work painted in 1993, mounds of rocks rise up to meet Mount Taranaki in paintings from the late 1960s and wispy clouds entwined like a line of dancers were the subject of explorations in the early 1990s. Smither's work pays particular attention to the delightful sequences that can be found in nature. Wave Pool could at once be a coral reef seen from the window of a plane, the play of sunlight on waves, a pool of squirming lavae, the shimmering notes of hot air rising from tar or the ripples in sand carved by the wind. Yet if we are to take the artist's word and see this painting as exactly what he tells us it Is, the clouds quite easily shrink down into bubbles of sea froth, the ridged sand dunes into water and ripples. There is a nod to the work of David Hockney in this painting.
In the
early 1970s Hockney was painting his well-known images of swimmers underwater, noting the effects of the moving and shimmering water as it distorted and fragmented his subject's submerged body. Though there is no human subject in Smither's painting, the play of light and shadow In the shallow depths of water echo the veined surface of Hockney's pools and similarly signal motion and tidal fiux.
Pennie Hunt
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68
Michael Smither
What could be more lacklustre than a pound of butter? A solid cube of
A Pound of Butter Verso: The Hickey Girls oil on board signed with artist's initials M. D. S. and dated '77; Ministry of External Relations and Trade 'Deaccessioned' sticked affixed verso 855 x 975mm
creamed dairy that calls to mind a fioured bench, the smell of baking and
$65,000 - $85,000
scones spread with the characteristic golden-yellow colour of this most basic of foods. How very domestic you might think. Yet Michael Smither is renowned for paintings that weave a sense of wonder into the everyday. His images of domestic disharmony are famous in New Zealand art - just think of Boys Fighting over a Pink Plastic Gun, 1978. Yet Smither also finds tender moments 1n elemental and often overlooked events - sleepy children sucking their fingers before empty porridge bowls in
Children at Breakfast Ttme, 1969- 70 or the simple delight of kids discovering fire in Blowing out Matches, 1969. The beauty of these paintings is that they celebrate and treasure a raw, unromantic view of family life. It is in the action of recording these simple delights in lustrous oils that we start to see them as something other than domestic, in fact as something quite marvellous. Similarly in this painting of a pound of butter Smither uses his brush to transform this most fundamental of grocery goods into something more exceptional. Is this a mere block of butter, or an image of the fat of the land ringed with ridges that resemble mountains? Perhaps this is a fanciful interpretation, but then Smither's paintings do fire the imagination. His still life's are never static Verso: The Hickey Girls
rather they seem to be charged, somehow animated by the scrupulous attention paid to them by the painter. Like Spent Balloon, 1979 and Yellow
Rubber Gloves, 1977 the object is no longer droll and homely but fascinating, even creepy. So why paint such plain objects? Smither has written: 'I find at times that my eye 1s captured by a seemingly mundane obJect. Some spirit demands that I pay it particular attention ... (it) is a response to my "mindless" eye'.
Clearly Smither's eye sees not the literal but the figurative thereby
transforming the mundane in life, into the magical in paint.
Pennie Hunt
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Alfred Sharpe A Summer Evening on the South Bluff, Waiwera New Zealand watercolour signed and dated 1870; title inscribed, inscribed £10.10.0 on artist's original label affixed verso 515 x 835mm $70,000 - $90,000
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Waiwera's thermal springs were as popular in the pre-European Maori world as they are today, but it was in the 1860s that the pioneer tourist entrepreneur Robert Graham developed a grand hotel and bath-house on the site. As with the great European spas on which it was modeled, Waiwera Hotel soon attracted an international clientele that exploited steam travel to enjoy what we recognize as the beginnings of modern tounsm. And the consumption was conspicuous, with Auckland's newspapers avidly reporting the names of the prominent foreign guests who mingled with the leisured colonial elite. Sharpe chose a high vantage point on the bluff overlooking the spa and its recently laid out gardens, characteristically framing the view with the mutilated remnants of native bush. Sharpe would have taken the tourist steamer from Auckland, climbing the hill to claim what would become an iconic view at the hands of photographers such as Alfred Burton. Other painters also followed, including the talented amateur John Kinder whose 1877 stay at Waiwera resulted in a charming group of watercolours in which he depicts guests relaxing on the verandah and in the grounds of the hotel. A handwritten label miraculously survives with the painting, revealing that Sharpe's asking price was ten guineas. This was a sizeable amount for the period, comparable to prices asked by the leading Auckland watercolourist. J. C. Hoyte, and the very existence of such a work heightens the mystery surrounding the early part of Sharpe's career. For while Waiwera is the earliest dated painting we know by Sharpe, it confirms that his distinctive style had developed during the 1860s. Note in particular the sophisticated washes he uses to provide depth of colour, in passages that range from the cool blue-greens of the foreground shadows on the left, to the warm oranges and ochres of the sunlit right-hand side. Golden evenings were to become Sharpe's leitmotif. The hotel has long gone but the place continues to exert an artistic mystique. In Paula Morris's recent novel, Hibiscus Coast, the Goldie-forging heroine takes refuge in a Waiwera bach, while the bluff road above plays its own dramatic role. In real life, the current incarnation of the famous hot pools has another connection with Goldie forgery, regularly hosting the picturesque Carl Sim - New Zealand's only convicted art forger. To my knowledge, however, Carl has yet to produce a view of Waiwera.
Roger Blackley
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70
Cl
HEC!Onf1L Pf../lTE R/10 GRRW OORT
In 1967 British writer Alan Garner wrote an adolescent fantasy novel
modernist position was the essay "Ornament and Crime" by the fin
called The Owl Service . The story revolved around a set of old
de siecle Viennese architect and designer Adolf Loos. Hammond's
crockery, which bore "an abstract design in green round the edge,
aesthetic is embedded in the very forms of structural, psychological
touched up with a bit of rough gilding". When the patterns where
and optical ambiguity that Loos regarded as sensualist snares along
traced, cut out and reassembled they formed stylized, floral owls.
the path to pure form and clarity of function.
These owl motifs, which proved to have strange transformational
And, rather than any ideal of rational society and social repression,
powers in Garner's reworking of Welsh myth, always come to mind
Hammond's decoration comes alive as a wild company of
when I think of Bill Hammond's fascination with decorative designs
karaokeing, greasily coiffured dinner guests partying on the edge of
on crockery such as the Willow Pattern and less famous variants.
the void. The long table, populated with wine bottles, glasses and
Hammond is not the only artist, with a strongly graphic sensibility,
scattered chicken drumsticks, breaks off in jagged facets on one side
who has been drawn to the almost hypnotic appeal of traditional plate
where it meets the body of dark water subject to the same extreme,
and ceramic tile patterning: - one could think of the Brazilian Adriana
funnelling perspective that operates in Uccello's 1450s fresco of the
Varejao, or Dutch artist Wim Delvoye and our own Ralph Paine.
Biblical flood. In scenes like this, as Hammond's patterns warp and
Like the floral patterning of fabrics, the repeating designs of wallpaper,
break up any sense of spatial and social coherence, clitic Juston
the digitised grids of the Playstation game, or the graphic improvisations
Paton's talk of Hammond's "apocalyptic wallpaper" is particularly apt.
of a comic book's feature page, 'he intricate patterns of decorated
Around the edge of the oval dish bits of Hammond's favourite waffle-
crockery are a key model for Hammond's visual multiverse. The way
pattern building facades fly 11ke fragments thrown outwards from
the artist returns to these motifs of repetition with variation show how
the crazy vortex at the dish's center. The sickly yellow-green of the
formative and inspirational they are for his whole artistic vision. The
painting's second colour seems well matched to all this dizzy tilting of
central place Hammond gives to such weirdly animated patterns puts
architectural and psychic space.
him firmly in the camp of postmodernism's rejection of the serious Modernist's antipathy to ornamentation. The classic statement of this
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Allan Smith
71
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70
Bill Hammond
71
Evelyn Page
Regional Plate and Gravy Boat title inscribed, signed and dated 1991 700 x 900mm
Country Bunch oil on canvas board signed; title inscribed, signed and dated 1982 verso 510 x 325mm
$35,000 - $45,000
$55,000 - $75,000
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72
Toss Woollaston Mcfedries Fann signed; title inscribed and dated 1979 verso; inscribed verso This work on loan and displayed at OE/I office of the National Trust WGTN, 1981 - 2000/ Also used as Christmas card by them. 1195 x 840mm $35,000 - $45,000
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Toss Woollaston Mcfredries Fann, Autumn - Winter oil on board signed and dated '79; title inscribed and signed verso 712 x 525mm
$20,000 - $30,000
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76
Dick Fri: umewOlis
74
John Barr Clarke Hoyte
75
Geoff Thornley
ml on tJoard
Auckland Harbour with North Head and Rangitoto in the Distance watercolour signed 299 x 627mm
Construction, rondo C oil on canvas on board signed and dated 1983 verso and inscribed C 580mm diameter
daied17/5/! 111ox 120(
$25,000 - $35,000
$10,000 - $15,000
title inscnbet
$20,000 · I
This small exquisite Tonda (1983) is one of a series of three executed by Geoff Thomley within the period of the larger Tondos; Constructions,
A/bas, and Dyads of 1977-1986. Tonda C is a fine example of Allan Smith's seminal discussion of Thomley's work, where he speaks of "separateness held together under pressure .. like carefully cut slabs tightly clamped." (Allan Smith, 'Geoff Thomley The Depth of Things Rise to the Light', in Art New Zealand 63, 1992, p.53)
Smith also goes on to explain that the
Tonda needs to be read from the side if its logic of assembly is to be understood (ibid., p. 57).
Tonda C is unique within the series
in that its logic is seen from the centre as well
View Frorr
considerations give Thomley's work is in a more
rn1 on canva
well as in the visual role of abstract painting.
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Sydney
as the sides. The resonance that such formal
complete satisfaction of the physical object as
68
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signed 490x600n
$18,000-
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Dick Frizzell Limeworks - Paki Paki oil on board title inscribed, signed and dated 17/5/87 1110 x 1200mm
$20,000 - $25,000
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77
Sydney Lough Thompson View From Bormes oil on canvas signed 490 x 600mm
$18,000 - $28,000
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
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79
78
Frances Hodgkins Cornish Window pencil and graphite on paper signed; title inscribed on original 'Lefevre Gallery, London' label affixed verso 465 x 355mm $20,000 - $30,000
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79
Gretchen Albrecht Mermaid (2) acrylic and oil on canvas (two quadrants) signed, 1987 900 x 1800mm $10,000 - $15,000
80
Nigel Brown Creation Flower oil on three canvas panels signed and dated '94; title inscribed, signed and dated verso 1375 x 2290mm $13,000 - $16,000
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FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
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81
Margaret Olrog Stoddart
84
J, lb ~I
Landscape with Toi Toi watercolour signed 380 x 521 mm
s1g
60 $4
$10,000 - $15,000
85
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Kai wal s1g1
431
$7,
82
John Weeks Mangaokewa Gorge, Near Te Kuiti oil on board original John Leech Gallery certificate of authenticity signed by Allan Swinton affixed verso 630 x 850mm $10,000 - $15,000
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Sydney Lough Thompson Devauchelles Bay oil on board signed 365 x 450mm $7,000 - $9,000
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86
Jo !bl wa 432
$6
84
James Fraser Scott
84
The Weaver oil on canvas signed 600 x 485mm $4,000 - $6,000
85
John Barr Clarke Hoyte Kauri Forest North of Auckland watercolour signed 434 x 332mm $7,000 - $12,000
86 uiti
John Barr Clarke Hoyte The Kauri Loggers watercolour 432 x 322mm
rte on
$6,000 - $10,000
86
85
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FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
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89 87
Ralph Hotere Abstract Study mixed media and collage on paper signed and dated '93 380 x 280mm
$15,000 - $20,000
88
Allen Maddox Abstract oil on canvas on board inscribed Cat 19, Crate 7, Tray 2 on Auckland City Art Gallery label affixed verso 1220 x 1220mm Provenance: From the CohnNernon Collection
$12,000 - $18,000
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Colin McCahon
89
89
South Island Mountain View together with South Island Coastal View verso watercolour 210 x 270mm Provenance: From the collection of the artist's solicitor, Michael Draffin. $8,000 - $14,000
89
90
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xiard Crate 7Tra1 2 ArtGaler/
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90
Toss Woollaston Mt Egmont from Huinga oil on board signed; title inscribed and dated and inscribed Bought 1517164 for 35 guineas on label affixed verso 595 x 800mm $15,000 - $20,000
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93 91
John Barr Clarke Hoyte South Island Lake and Mountain Scene watercolour signed 640 x 430mm
$10,000 - $15,000
94
92
Nigel Brown Kite Flyer Triptych acrylic on whakatane board title inscribed, signed and dated 1980; title inscribed, signed and dated verso 1100 x 2430mm
$10,000 - $15,000
95
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93 lain Scene
Sydney Lough Thompson Wellington Harbour No. 5 watercolour and acrylic on paper signed; title inscribed and signed verso and inscribed This picture is the property of Sydney L. Thompson 300 x 452mm
$7,000 - $10,000
94
Evelyn Page Female Nude Study together with Seated Female Nude Study verso watercolour signed 360 x 565mm
$7,000 - $9,000
ted 1980 \edverro
95
Ernest Buckmaster Warrington Station oil on canvas Sarjeant Gallery Touring Exhibition label affixed verso 820 x 1040mm
$4,000 - $6,000
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96
John Weeks The White Boat, Freeman's Bay pastel on paper title inscribed on John Leech Gallery label affixed verso 308 x 395mm $3,000 - $4,000
97
John Weeks African Village Scene ink and bodycolour signed 230 x 310mm $1,000 - $2,000
98
John Weeks Rural France tempera on board original certificate of authenticity signed by Allan Swinton affixed verso 310 x 410mm $2,000 - $3,000
99
Thomas Ryan Evening Glow, Lake Taupo watercolour signed and dated 1925; title inscribed and signed on mount 370 x 552mm $2,000 - $3,000
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Nigel Brown
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Nude Before Window oil on board signed and dated '82; title inscribed, signed and dated Thames 1982verso; Warwick Henderson Gallery label affixed verso 760 x 565mm $4,000 - $6,000
101
Tim Wilson The Silver Moon oil on canvas signed A.H.J Wilson and dated '95 450 x 550mm $2,500 - $3,500
102
Ralph Hotere Female Figure Study ink on paper signed and dated '61 560 x 370mm
101
$4,500 - $6,500
103
Peter Siddell People acrylic on board signed and dated 1980; title inscribed verso 386 x 218mm $2,000 - $3,000
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104
Ralph Hotere Black Rainbow at Matauri Bay lithograph 4/30 title inscribed, signed and dated '88 445 x 326mm
$4,500 - $6,500
105
Ralph Hotere Black Rainbow at Matauri Bay lithograph 4/30 title inscribed, signed and dated '88 550 x 440mm
$4,500 - $6,500
1 ~ ,1
106
Ralph Hotere Black Rainbow at Matauri Bay lithograph 4/20 title inscribed, signed and dated '88 and inscribed At Marian 's Studio 445 x 326mm
105
$4,500 - $6,500
107
Ralph Hotere Black Rainbow at Matauri Bay lithograph 4/30 title inscribed, signed and dated '88 445 x 326mm
$4,500 - $6,500
11
106
80
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
107
108
Jeffrey Harris Figures in a Landscape pastel on paper signed and dated 1988 1020 x 1525mm
$5,000 - $8,000
109
Stanley Palmer Landscape, New Lynn oil on board signed with artist's initials S.P and inscribed entry 566 S. Palmer 22 Queen Mary Ave verso 675 x 1200mm
$5,000 - $8,000
11 0
Alan Pearson The Hitchhiker oil on canvas signed and dated 1970 verso 710 x 710mm
$7,000 - $10,000
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
81
111
111
11
William Reed A Crown of Thorns pastel on paper signed 700 x 445mm $2,000 - $3,000
11fi 112
Raymond Ching Black Oyster Catcher pencil on paper title inscribed and signed; title inscribed on label affixed verso 475 x 350mm $2,000 - $3,000
117 113
Robin White E Aoraki Florence, Florence is ill lithograph 19/30 title inscribed, signed and dated 1985 360 x 290mm
112
118
$1,800 - $2,800
114
John Weeks Moroccan Hillside Dwellings pencil on paper signed; certificate of authenticity signed by Allan Swinton affixed verso 295 x 400mm $1,500 - $2,500
'8 113
82
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
114
115
Don Driver
115
Double Trouble mixed media and collage signed and dated 1990; title inscribed and dated verso 498 x 810mm $2,000 - $3,000
116
Jeffrey Harris By Definition sugar lift aquatint etching 13/18 title inscribed and dated 1988 685 x 970mm $2,000 - $3,000
117
116
Peter Siddell Window screenprint 3/150 title inscribed, signed and dated 1982 575 x 447mm $1,000 - $2,000
118
Ian Scott Small Lattice, No. 14 acrylic on canvas title inscribed, signed and dated '78 verso 815 x 815mm $4,000 - $6,000 117
118
FINE NEW ZEALAND & 'OREIGN PAINTINGS. PRINTS & SCUI.PTURI
83
119
119
123
Dick Frizzell Still Life with Scarf, Hat and Glasses screenprint 9/24 signed and dated 8/2/88 440 x 465mm $1,000 - $2,000
124 120
Peter Siddell Coast schminke pastel on archival paper title inscribed and signed on artist's label affixed verso 320 x 490mm
120
125
$2,500 - $3,500
121
Alvin Pankhurst
126
The Hounds oil on canvas signed and dated '92 1070 x 1360mm 121
$4,000 - $6,000
26
122
Alvin Pankhurst Cupids at Play oil on board signed and inscribed MCMXCLX 405 x 840mm $2,500 - $3,500
122
84
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
123
Austin Deans
123
Barley at Peel Forest oil on canvas signed and dated 1971 Sarjeant Gallery Touring Exhibition label affixed verso 860 x 1210mm $3,000 - $5,000
124
William George Baker North Fiord, Lake Taupo oil on canvas title inscribed and signed 600 x 900mm $1,200 - $2,000 124
125
William George Baker Houhora River oil on canvas title inscribed and signed 900 x 600mm $3,000 - $5,000
126
William George Baker Makuri Gorge oil on canvas title inscribed and signed 900 x 600mm $3,000 - $5,000
126
125
F NE N~½ ZEALAND & FOREIGN PAINTINGS PRINTS & SCULPTURE
85
Foreign Paintings and Prints
127
Edward Atkinson Hornel Boys Playing in a Meadow oil on canvas signed and dated 1882 500 x 400mm
$40,000 - $50,000
86
flNE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
128
Frederick Hall Gleaner's oil on canvas signed; title inscribed and signed on original Royal British Colonial Society of Artists label affixed verso 390 x 495mm
$8,000 - $14,000
129
Henry John Buddington (attributed} Watering Cattle oil on canvas 440 x 590mm
$5,000 - $7,000
130
Artist Unknown Classical Mediterranean Scene with Figures in Foreground watercolour 740 x 1030mm
$2,000 - $4,000
FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE
87
131
Alexander Jamieson Barges oil on board title inscribed verso and inscribed By Alexander Jamieson verso; original British Transit labels affixed verso 175 x 257mm $1,000 - $2,000
134
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$4,0
132
Henry Hainssellin Battle Scene watercolour signed and inscribed 23/8/82, Melbourne verso 130 x 190mm $1,000 - $2,000
135 Ho1 Girl ~
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$2,1
136 Syd Nam water sign~ 340X
$2,ot
133
A. Roland Knight Caught oil on board signed 395 x 592mm $1,500 - $3,000
88
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
lamieson
134
Dante Gabriel Rosetti
134
Design for a Stained Glass Window watercolour, ink and silver oxide on paper signed with artist's monogram; Morris and Co. stamp; title inscribed and inscribed From the collection of Canon Smythe on mount 195 x 146mm Provenance: From the collection of Canon Smythe. From the Vogtherr collection (label affixed verso) Exhibited: 18'" and 1[JI> Century English Watercolours, April - May 1969, Ryder Street, St. James, London Note: In the years 1861 - 62 Rosetti undertook several stain glass window design commissions for Morris and Co. , a company of which he co-founded. This work was produced by him in this brief period. Following the death of his wife, in 1862 the artist shifted his attentions to the larger scale paintings he is best known for.
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$4,000 - $6,000
;sellin
135
Howard Hodgkin Girl at Night lithograph 42/75 signed and dated '66 498 x 650mm
2318'82.
$2,800 - $3,800
136
Sydney Long Narrabean watercolour signed; title inscribed and signed verso 340 x 478mm
$2,000 - $3,000
night 136
FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE
89
90
flNE JEWELLERY & WATCHES
Rare and Valuable Watches Magnificent Jewels Fine Antique and Modern Jewellery Accoutrements, Coins and Gold Nuggets Day Two Wednesday 7th December 2005 Two Sessions 2.00pm and 6.00pm
2.00pm
Note start time
Lots
2000 - 2200 Affordable Antique, Estate & Modern Jewellery together with a Substantial Collection of Pocket watches from a South Island Collection [List available at viewing]
6.00pm Lots
200 - 251
Wrist & Pocket Watches
Lots
252 - 257
Gold Nuggets, Gold African Animals Puzzle Map
Lots
258 - 271
Accoutrements, Coins, NZ Medal
Lots
272 - 430
Magnificent Jewels & Fine Jewellery
Viewing Times Thursday
December
9.00am
5.15pm
Friday
2
December
9.00am
5.15pm
Saturday
3
December
11.00am
3.00pm
Sunday
4
December
11.00am
3.00pm
Monday
5
December
9.00am
5.15pm
Tuesday
6
December
9.00am
5.15pm
Wednesday
7
December
9.00am
1.00pm sharp
VIEWING STRICTLY UNTIL 1.00PM ON DAY OF SALE.
ILLUSTRATED LEFT:
Lot 347 Solitare Diamond Earstud (One of a pair) Lot 352 Magnificent Diamond Riviere Necklace
FIN: JEWELLERY & WATGHE
91
DAY TWO: WEDNESDAY 7 DECEMBER 2.00PM
205
Keyless lever, decagonal case. Engine turned silver face with Roman numerals and subsidiary seconds. 15 jewel movement.
AFFORDABLE ANTIQUE, ESTATE & MODERN JEWELLERY
$300- $400 see colour illustration page 95
An interesting and varied selection. Separate list avaliable free of charge at viewing.
DAY TWO: WEDNESDAY 7 DECEMBER 6.00PM
206
WRIST & POCKET WATCHES Important Conditions of Sale for Watches. Please note: as many of the timepieces are old.or their history is unknown, Webb's offers no guarantee as to mechanical condition or condition of seals etc. A timepiece described as 'fine' or 'as new' is an opinion as to appearance only. All watches are sold as viewed. It shall be assumed that all buyers have inspected the lots and that they are happy with them in all respects. Watches cannot be returned on the grounds that repairs or service have been carried out, or parts (including straps or bracelets) have been supplied, by anyone other than the named maker. Notwithstanding the foregoing condition, named wristwatches are sold on the basis that the movement (or movement and case where both would normally have been manufactured by the named maker) were manufactured by the named maker.
OMEGA, An 1Sct Yellow Gold Cased Open Face Pocket Watch.
Keyless lever, white face with Roman numerals and subsidiary seconds. Going. $450- $550 207
ROLEX, A Lady's 1Sct Yellow Gold Oyster Perpetual Datejust Wristwatch With Diamond Indexed Dial.
It is recommended that buyers have watches serviced promptly to ensure that damage does not arise from faulty seals or any other aspect of mechanical condition.
Ref 79178 s/n K116189 with 18ct yellow gold President bracelet. Gold face with diamond indexes, sweep second and date window. Circa 2002, as new with original box and valuation from Mansors Jewellers, Rolex suppliers.
200
$12,500 - $15,000 see colour illustration page 93
OMEGA, A Gentleman's Rolled Gold Cased Seamaster Wristwatch.
Circular outline case with stainless back. Manual mechanical movement. Silver face with polished batons and sweep second. Engraving verso dated 1961. Black leather strap.
208
201
A Sterling Silver Open Face Pocket Watch With An Interesting History.
Keyless lever, white face with Roman numerals and subsidiary seconds by Rotherhams, case hallmarks for Birmingham 1907. The cuvette engraved with the name of its original owner: John Allan Newton. We understand that he was a trooper in the Wellington Mounted Rifles and was at the famous ANZAC engagement at Chunuk Bair, Gallipoli. Both he, and the watch, survived the battle to return to New Zealand. Going.
$7,500 - $8,500 see colour illustration page 93 209
I.W.C (International Watch Company) Schaffhausen, A Gentleman's 1Bct Yellow Gold Automatic Wristwatch.
$18,000 - $22,000 see colour illustration page 93 210
Integrated textured 18ct yellow gold case and bracelet. Cushion outline textured gold face with polished batons. Ref 9116 s/n 2.255.302. With original papers dated 1.1.1980.
204
$6,750 - $7,750 see colour illustration page 93
ROLEX, A Gentleman's 1Sct White Gold Oyster Perpetual Day Date Wristwatch.
Ref 18239 s/n R706501 (c1987) with matching 18ct white gold President bracelet. Silver face wnh polished batons, sweep second, day and date windows. As new appearance with presentation box and spare bracelet link.
PATEK PHILIPPE, An 1Sct Yellow Gold Cased Wristwatch With Black Onyx Face.
Golden Ellipse, manual wind ref 37 48/900 sin 1326758 (c1975). Plain black onyx face, black onyx end-stone to crown. Black crocodile strap with Patek 18ct ellipse buckle. With original presentation box. An elegant timepiece in excellent condition.
$2,500 - $3,500 see colour illustration page 93 203
PATEK PHILIPPE, A Gentleman's Automatic 1Sct White Gold Wristwatch With Blue Face And Rare Back Winder.
Golden Ellipse model from the mid 1970's. Cushion outline case with integrated white gold bracelet. Blue face with polished batons. Self winding movement with crown fitted to case back.
$250- $350 202
CHOPARD, A Lady's Happy Sapphires And Diamonds Boutique Wristwatch.
18ct yellow gold double circlet design bordered by sapphires and diamonds to glazed compartment with moving sapphires and diamonds and inner watch with blue face. Quartz movement, brown leather strap. With original box.
$275- $375
211
A Lady's Good Art Deco Platinum Cased Wristwatch Set With Diamonds.
$19,000 - $22,000 see colour illustration page 93
Rectangular outline with geometric ajoure lugs, all set with diamonds of mixed cut to a twin silk cord strap. The back and sides of the case enhanced with floral and foliate engraving. Manual mechanical movement, silver face with Arabic numerals.
A Sterling Silver Cased Open Face Fob Watch.
$1,400 - $1,800 see colour illustration page 93
Keywind fusee lever. Decorative engine turned face enhanced with gold, Roman numerals in gold relief, subsidiary seconds. Case hinges gold, case hallmarks for London 1872. Movement signed Adam Burdess, Coventry. Going. $250- $350
92
ROLEX, A Rolled Gold Cased Open Face Pocket Watch.
FINE JEWELLERY & WATCHES
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93
212
A William IV Period 1Sci Yellow Gold Cased Open Face Verge Pocket Watch.
219
Reference; 69158, serial No. E940572 (c 1991 ). Gold face with Roman numerals in rel ief on diamond ground. Diamond set bezel and lugs. Sweep second, date window. President strap. Unblemished appearance. With original box.
Keywound through face aperture, fusee with verge escapement. Engine turned gold face with Roman numerals. Case hallmarks for London 1830. Serial No 8372. $650- $750 see colour illustration page 95 213
A Mid 19th Century 1Sci Yellow Gold Cased Open Face Fob Walch.
$20,000 - $24,000 see colour illustration page 93 220
Keywound fusee full plate lever, decorative engine turned gold face with Roman numerals. Nicely decorated case back. Hallmarks for London 1855. With key. Going.
ROLEX, A Gentleman's Oyster Perpetual Stainless And Gold Submariner Wristwatch.
$450- $650 221
Ref 16613 s/n U168977 (c1998). Blue face with luminous indexes and hands, sweep second and date window. Blue rotating bezel. Matching Oyster fliplock bracelet. Excellent condition.
A Silver Cased Open Face Fob Walch Enhanced With Enamel Decoration.
Keywound cylinder, white face with Roman numerals, gold decoration and faux rubies at the quarters. 935 silver case, the back enhanced with polychrome enamels.
PATEK PHILIPPE, A Gentleman's 'Gondolo' 1Sci Yellow Gold Cased Wristwatch.
Manual wind. Ref 5009 s/n 1.840.291. Rectangular outline case with stepped bezel. Silver face with Arabic numerals and subsidiary seconds. Black crocodile strap fitted with 18ct Patek buckle. With original box and Archive Extract from Patek Philippe stating that the watch was both manufactured and sold in 1994. As new appearance.
$7,500 - $9,000 see colour illustration page 93 215
OMEGA, A Lady's 1Sci Yellow Gold Cased De Ville Wristwatch.
Circular outline case with knot motif lugs. Quartz movement. White face with Roman numerals. Pigskin strap. With original box.
$350- $550 214
ROLEX, A Lady's 1Sci Yellow Gold Oyster Perpetual Datejust Wristwatch Set With Diamonds.
$11,000 - $13,000 see colour illustration page 93 222
ROLEX TUDOR, A Lady's Stainless And Gold Princess Oyster Dale Automatic Wristwatch.
Ref 92413 s/n 141457. Textured gold face with polished batons, sweep second and date window. With original papers dated 1986.
$200- $300 see colour illustration page 95
$1,000 - $1,400 216
BUCHE GIROD, A Gentleman's 1Sci Yellow Gold Dress Wristwatch.
223
Circular outline case with integrated herringbone mesh bracelet. Herringbone texture repeated on face. Quartz movement. Excellent appearance with little sign of wear.
Ref B 12223. Oval outline case and integrated 18ct yellow gold mesh bracelet. Black face with AP at noon, date window at 3, baguette diamond at 6 and round diamond at 9. Self winding movement. With a presentation box.
$1,000 - $2,000 217
ROLEX, A Gentleman's Rose Gold Cased Oyster Perpetual Wristwatch.
Ref 1024 s/n 1415855 (c1960), 14ct top shell, smooth bezel. Rose face with polished batons and sweep second. Brown leather strap. Plastic lens with small fault. $1,600 - $1,800 218
An Unusual Silver Hunter Cased Pocket Watch With Built-In Compass.
Keywound cylinder, white enamel face (faults) with Roman numerals and subsidiary second3. The back plate pierced , engraved and set with a compass which is also visible through aperture in cuvette. Going but would benefit from service. $200- $300
AU DEMARS PIGUET, A Gentleman's 1Sci Yellow Gold Automatic Wristwatch.
$10,000 - $12,000 see colour illustration page 93 224
AUDEMARS FRERES A 14cl Yellow Gold Hunting Case Minute Repeating Chronograph Pocket Walch.
Keyless lever, white enamel face with Arabic numerals, recessed subsidiary seconds and sweep seconds. Chronograph stop and return operated by button in band. The repeat, on two gongs, also operated by a button in the band. The heavy case enhanced with engine turning , the front cover further decorated with a monogram engraved on a shield-shaped cartouche enclosed by oak leaves with a coronet surmount. The movement protected by a glazed viewing cover, in turn pr'.ltected by a dust-cover and the outer case. A splendid time piece c1885 from the renowned house of Audemars. $14,000 - $16,000 see colour illustration page 95
94
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225
PATEK PHILIPPE, A Gentleman's 18ct Rose Gold Cased Automatic Complicated Wristwatch.
Ref 5054 R-001 s/n 3112362 / 4086200. Circular outline case, white face with Roman numerals and subsidiary dials and window for: power reserve, seconds, date and moonphase. Case back hinged, opening to reveal movement under crystal cuvette. Black crocodile strap with 18ct Patek buckle. With original cherrywood presentation box, setting styles and papers dated February 2000. Unblemished condition, rare in rose gold, and a fine investment timepiece.
226
231
A 19th Century Sterling Silver Cased Open Face Pocket Watch.
Keywound fusee lever. Decorative silver face with gold Roman numerals in relief on stippled 'telephone dial' ground. Subsidiary seconds. Case hallmarks for London 1870. Going. With short curb link silver fob chain, medallion and key. $225 - $325 232
GUCCI, A Lady's Stainless Steel Dress Wristwatch.
$35,000 - $40,000 see colour illustration page 96
Circular outline case with solid bracelet to buckle clasp. Quartz movement, plain black face. With spare link, original box and papers dated 2002. As new.
TECHNO MARINE A Lady's Stainless Steel Wristwatch Set With Diamonds.
$400- $500
Circular outline case with integrated stainless bracelet. Pave diamond face and twin row diamonds to the rotating bezel. Quartz movement. With original presentation box.
233
A Sterling Silver Cased Open Face Pocket Watch.
Keywound fusee, engine turned decorative silver face with gold Roman numerals in relief. Case back with vacant cartouche within gold garter. Movement signed John Hawley, London. Hallmarks for Chester 1902.
$2,750 - $3,750 see colour illustration page 93
$275-$375 227
PATEK PHILIPPE & CO, A Gentleman's Vintage Wristwatch, Circa 1938.
234
Rectangular outline curvex case in 18ct yellow gold. Matt silver face with Roman quarters and subsidiary seconds. 18 jewel mechanical tonneau shaped movement. No 832302, calibre 9. Black leather strap.
Keywound fusee with verge escapement. White enamel face (fault) with Roman numerals and key aperture. Original lens. Case back also fitted with lens to expose movement. Signed Capt. Davis, Plymouth and numbered 416. Going, with key.
$9,500 - $10,500 see colour illustration page 93 228
PIAGET, A Gentleman's 18ct Yellow Gold Cased Dress Wristwatch.
An Early 19th Century Brass Cased Open Face Verge Pocket Watch.
$250- $350 235
Elegant rectangular convex outline, bevelled silver face with Arabic numerals. Manual mechanical movement. Original crocodile strap and 18ct Piaget buckle. Ref 9952/602783.
A Sterling Silver Cased Open Face Pocket Watch With A Leather Half-Hunting Outer Case.
Keyless lever. Bow, handset button, hinge, and thumb piece all finished in gold. White face with Roman numerals and subsidiary seconds. Swiss, manufactured for W. Littlejohn & Son, Wellington. With an unusual leather half-hunting outer case "Etui de Poche" stamped 1881. Hallmarks on watch, London Import 1908. Going.
$4,500 - $5,000 see colour illustration page 93
$200-$300 229
OMEGA, A Gentleman's Stainless Steel Cased Wristwatch.
Tonneau outline case with gatelink bracelet. Circular face with Arabic numerals, sweep second and date window. Manual mechanical movement.
236
A Hamilton Military Issue Open Face Pocket Watch.
800 silver case, keyless 22 jewel lever. Black face with 24 hour Arabic numerals and sweep second. Screw down back. With original fitted cardboard box. Going.
$375 - $475
$200-$300 230
MAURICE LACROIX, A Lady's Rolled Gold Wristwatch.
Circular outline case with gatelink mesh bracelet. Quartz movement. White face with Roman numerals, sweep second and date window. $300- $400
237
An 18ct Yellow Gold Cased Open Face Pocket Watch.
Keywound fusee lever. White face with Roman numerals and subsidiary seconds. Signed Joseph Player, London No. 13241. Case hallmarks for London 1874. With folding watch key set with sard-onyx and bloodstone. Going. $550- $650
l'INE JEWE~LERY & WATCHES
97
238
An 18ct Yellow Gold Hunting Cased Fob Watch.
246
ROLEX, A Vintage Oyster Wristwatch.
Keyless cylinder, decorative gold face with Roman numerals, signed D. Murel. Handset button in band. The case richly decorated with engraving, vacant cartouche. Going.
Ref 5053, stainless case with gold indexed bezel. Manual 17 jewel Precision movement ref 710 c1940. Silver face with Arabic quarters and sweep second. Black leather strap with Rolex buckle.
$375- $475
$1,500 - $1,800
see colour illustration page 93 239
An 18ct Yellow Gold Hunting Cased Fob Watch With Night Stand.
247
Keyless cylinder, decorative gold face with Roman numerals, signed C. Mathey. Hand set button in band. The case richly decorated with engraving, vacant cartouche. With Morocco leather nightstand. Going.
ROLEX, A Lady's Vintage 9ct Rose Gold Cased Wristwatch.
Circular outline case, engine turned silver face with Arabic numerals. Manual 15 jewel movement. With matching expanding gatelink 9ct bracelet. $375 - $475
$400- $450 248 240
PATEK PHILIPPE, An "Aquanaut" Automatic 18ct Yellow Gold Wristwatch.
Rectangular outline case with matching 18ct yellow gold bracelet (brand new replacement). Square silver face with engine turning , sweep second, date window and Roman numerals. As new appearance. With original box and papers.
Ref 5066J sin 3033827 I 4252050. Brand new, liquidation stock. Cushion outline case, black face with Arabic numerals, sweep second, date window, luminous indexes and hands. Crystal back exposing self-winding movement. "Tropical" composite strap with 18ct deployant clasp. Water resistant to 120m. With original box and papers. $15,500 - $17,500
$18,000 - $20,000
see colour illustration page 93 249
see colour illustration page 93 241
A Collection Of Six Fancy Watch Keys,
seal topped and other motifs. $100-$200
A Mid 19th Century Sterling Silver Cased Open Face Pocket Watch.
Keywound fusee lever. Engine turned silver face with floral decoration, applied Roman numerals in gold and subsidiary seconds. Hallmarks for London 1854.
CARTIER, An 18ct Yellow Gold "Tank Fram;aise" Automatic Wristwatch.
250
A Collection Of Six Fancy Watch Keys,
seal topped and other motifs. $100-$200
$250 - $350
see colour illustration page 95 242
251
seal topped and other motifs.
A 14ct Yellow Gold Cased Open Face Chronograph Pocket Watch.
Keyless lever, white face (hairline fault) with Roman numerals and sweep second. Handset button and stop lever both in band. Going. $300- $400
$100 - $150
GOLD NUGGETS, GOLD AFRICAN ANIMALS PUZZLE MAP 252
243
A Metal Cased Open Face Pocket Watch By ROSKOPF.
$9,500 - $10,500
$175-$275 A Russian Pilot's Watch.
see colour illustration page 95 253
Plated brass case with strap lugs. Oversize to be worn over a flying jacket. Manual with lever escapement. White face with 12/24 hour Arabic numerals and subsidiary seconds. Soviet era. Going.
An 18ct Yellow Gold Cased Open Face Fob Watch With French Fob Chain.
Keyless cylinder, decorative gold face with Roman numerals. Handset button in band. The case richly decorated with engraving. With 9ct two strand 'French Albertina' fob chain and medallion enhanced with varicoloured gold decoration. $450- $650
see colour illustration page 95
98
FINE JEWELLERY & WATCl-tFC,
A Natural Gold Nugget Of 34.1 g.
The nugget with identification by Pacific Coin Co as being from the South Island (of New Zealand). $600- $700
$100- $200 245
A Natural Gold Nugget Of 438.51 g.
The Western Australian nugget still showing traces of host rock. With original sales certificate from the Gold Shop in Arrowtown, New Zealand.
Keyless lever, white enamel face with Roman numerals on red enamel "Telephone dial" panels. Handset button in band. Cuvette glazed to expose movement. Going.
244
A Collection Of Six Fancy Watch Keys,
see colour illustration page 95 254
A Natural Gold Nugget Of 55.85g.
The nugget showing traces of host rock - probably Western Australian. $1,100 - $1,200
see colour illustration page 95
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FINE JEWELLERY & WATCHES
99
255
A Cased 18ct Yellow Gold Animals of Africa Puzzle Map.
One of only two commissioned by the vendor in 18ct yellow gold. Comprising 36 hand finished pieces, each in the form of an animal found in Africa. Weighing a total of some 11 oz. (360g) the pieces interlock to form a map of Africa when placed in a fitted case. In addition, 24 of the pieces can be worn as a pendant suspended from a neck chain. Gemologist's report and valuation available on request.
264
9ct white and yellow gold with blue enamel enhanced with diamonds. Hallmarks for Birmingham 1971 .
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265
A Sterling Silver Sovereign Case.
$
Circular outline decorated with floral engraving, vacant cartouche. Hallmarks for Birmingham, 1901.
A
$175 - $275
A Nugget Motif Pendant.
Approximately 18ct gold (or higher) set with a brilliant cut diamond 15.6g.
0
$350- $450 see colour illustration page 107
$7,750 - $8,750 see colour illustration page 96 256
A New Zealand Artillery Regimental Sweetheart Brooch Set With Diamonds.
266
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A Lapel Pin Set With A Semi-Baroque Pearl.
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The approximately 11 mm pearl set in gold. With shaped fitted box.
$350-$450
ar
$250-$300 257
Approximately 18ct yellow gold (or higher) set with oval cut garnets and a brilliant cut diamonds. 13.8g.
267
ACCOUTREMENTS, COINS & NZ MEDAL 268 An Auckland Exhibition Gold Prize Medallion.
Awarded at the Auckland Exhibition 1898-9. Engraved on reverse "First Award, Covered brown Bread Crocks & Jars, Garden Chairs & Garden Rollers (to) Carder Bros & Co". Struck by A. Kohn (signed) of Auckland in yellow gold (tests approximately 12ct) with 18ct over-gilding. $450-$650 see colour illustration page 95 259
269
A Folding Lorgnette.
Rolled gold decorated with blue and white enamels, spring release in handle.
$1,750 - $2,000 see colour illustration page 95
$l
A New Zealand Masonic Jewel.
A
9ct yellow gold mitre and Pythagoras' proof suspended from blue ribbon with gold bars. Inscription dated 1954, St Cuthbert's Lodge 144. In original box from Louis Kerr, gold also marked L.K.
s~
$200- $250
$8
An
18ct gold nib, with original box, papers and ink cartridges. Appears unused.
Tei $41
A Dutch 10 Guilder Gold Coin.
271
$750- $850 TIFFANY & Co, A Pair Of 14ct Yellow Gold Cufflinks.
Oval outline with diagonal bright cutting, toggle design. With original Tiffany & Co Box. As new.
Queen Whilhelmina, dated 1932. $140 - $160
gol(
A Canadian 'Maple' $50 Gold Coin.
$5! see
1 oz fine gold.
MAGNIFICENT JEWELS & FINE JEWELLERY Please note: where gemological reports are available these should be read together with the catalogue description. Should there be, through error, omission or introduction of better evidence, any significant difference between the catalogued descnption and that provided in the gemologist's report, it shall be assumed that the buyer has inspected the report and is buying in acceptance of it. Unless otherwise stated, all stones have been assessed for wPight, colour or clarity mounted and the descriptions given in the catalogue or report are therefore based on estimates which are limited in accuracy. Where an actual weight is given the stone will have been weighed loose, however while the grading of a stone loose will minimise error margins it shall be accepted by the buyer that all reports and descriptions remain opinions and not matters of fact.
$375-$475 272
GEORG JENSEN, A Silver Bangle.
CARTIER, A Rolled Gold Cigarette Lighter.
Signed and numbered 142B. 68g. With original box.
From the 'Must de Cartier' range. With original box, guarantee and spare flints.
$250 - $350
$200-$300 FINE JEWELLER~ "'W,-,, ~t-lES
Al The Bae
A Tie Slide Set With A Diamond.
Handmade in 14ct yellow gold in the form of a reclining woman, the head set with a pear shaped brilliant cut fancy cognac coloured diamond of reported weight 0.53ct. Gemologist's report and valuation available on request. With box.
100
arn
S.I. DUPONT, A Rolled Gold Fountain Pen.
$600-$650
263
Ycl
2) 270
$175-$275
262
St ex
S.I. DUPONT, A Rolled Gold Cigarette Lighter.
Rectangular outline with sinuous engine turned decoration.
261
A
$150 - $200
$175-$275 260
A Heavy Cigarette Case DI 18ct Yellow Gold.
Textured and bright-cut herringbone mesh to provide a soft surface. Rectangular outline. Approximately 170g.
$375-$475
258
s·
A Nugget Motif Pendant Set With Gemstones.
1
An The worl ace COIi, nee~
$2,l
see( AVi1
The1 diam nugg
$10(
281 A15, With
GradL of var 1ntag1
$750
iWeethea,tBIOOcl
273
lenhn€d~
JAN LOGAN, A Highly Fashionable Necklace And Pendant Earrings Suite.
The three row necklace of round cultured black pearls with turquoise bead keepers, separated by pendeloque emerald cabochon drops strung on brown thread with silver catch fittings. The pendant earrings of similar design in three drops. With original box. Jan Logan has established an international reputation from Australia to London and her pieces have been the choice of many celebrities.
'lgvaca:·c<':
282
A Bracelet Of 18ct Yellow Gold.
Entwined hollow rope links, 23.6g. $375 - $475 283
A Necklace Of 18ct Yellow Gold.
Collar style band of flexible cross-over motif links with ribbed joiners. 49.8g. $700- $800
$450-$650 284 274
Pean,
A Necklace Of 18ct Yellow Gold Set With A Solitaire Diamond.
$1,500 - $1,700
16old,
or~:;,:·
Three tapered greenstone bars capped with 9ct gold, the central bar suspending at mid-section a greenstone and gold drop. With extension chain of plain oval gold links to a clip clasp.
Figure-of-eight pattern flat links, graduated from the centre panel which is set with a round modern brilliant cut diamond of approximately 0.33ct. 42.2g.
lll~sllared '·:
275
$300- $400 285
The 9ct yellow gold scroll frame enclosing an articulated drop, with further drop finial , set with faceted amethysts and half pearls.
Seven flat oval greenstone bars capped with 9ct gold with extension chain of plain oval gold links to a clip clasp.
$275 - $375 286
A Gold Charm Bracelet.
64.SiCti ~'-
~ar,,:;.•
$800 - $1,000 277
$2,000 - $2,400 see colour illustration page 107 see also following lot
An Elegant Bracelet Of 18ct Yellow Gold.
Textured bar links with polished borders. 33.8g.
nkca"G,~
287
$450- $650 278
$1,800 - $2,000 see colour illustration page 99 288
$550-$750 see colour illustration page 11 1
JEWELLERY
$650-$850 see colour illustration page 111 289
A Victorian Double Tiger Claw Brooch.
The opposed claws set in 15ct yellow gold with a central old cut diamond. The mount further enhanced with wirework, beading and nugget motifs. $100-$200
inalOJX
281
A 15ct Yellow Gold Single Albert Chain Of Bracelet Length With A Seal Fob.
Graduated solid curb links with T bar, clip and seal fob . The seal of varicolour gold grape and vine motif, the stone with monogram intaglio. 50g. $750 - $1,000
A Ring Set With A Solitaire Marquise Cut Diamond Of Approximately 1.18ct.
The diamond set in a ring of 18ct white gold. Gemologist's report and valuation available on request.
$2,200 - $3,200 see colour illustration page 103 280
A Sapphire And Diamond Cluster Estate Ring.
The cushion cut dark blue sapphire set in 18ct white and yellow gold within a border of 1Dold cut diamonds.
An Exceptional Victorian Necklace Of Tiger's Claws.
The eight claws graduated from the centre, capped with ornately worked 18ct yellow gold, held by links and festoon chain, support a central tiger mask and are in turn supported by a fancy link collar of 18ct gold with a removable section to allow alteration of necklace length. A rare opportunity for collectors.
A Pair Of Creole Earrings Set With Princess And Brilliant Cut Diamonds.
Designed as companions to the previous lot in 18ct white gold. Gemologist's report and valuation available on request.
A Large Cameo Brooch.
The 61 x 45 mm oval carved shell portrait cameo of a Bacchanalian woman with a satyr is set in a frame of 18ct yellow gold. Very minor hairline fault.
279
A Stylish Ring Set With Princess And Brilliant Cut Diamonds.
The band of 18ct white gold with a central line of 10 close set Princess cut diamonds, the borders and outer edges set with lines of small brilliant cut diamonds. TDW approximately 1.53ct. Gemologist's report and valuation available on request.
Yellow gold solid curb links (tests approximately 15ct) suspending 9 charms including a jewelled hand, spinner fob seal and half sovereign. 73.9g.
SIISf!)roo;'; :
An Edwardian Pendant Set With Amethysts And Pearls.
A Necklace Of Greenstone And Gold.
$375- $475 276
A Necklace Of Greenstone And Gold.
$3,750 - $4,750 290
A Large Black Opal Set In A Ring With Diamonds.
The 28 x 23 mm oval flat opal cabochon showing a good green / blue / violet colour play with substantial flashes of red /yellow / orange is set in a ring of 18ct white gold, the shoulders enhanced with diamonds. Gemologist's report and valuation available on request. $5,000 - $6,000 see colour illustration page 103
FINE JEWELLERY & WATCHES
101
102
FINE JEWELLERY & WATCHES
FINE JEWE'LLERY & WATCHES
103
A
291
A Ring Set With Three Light Champagne Coloured Diamonds.
299
292
300
301
303
A Pair Of Creole Hoop Earrings Set With Rubies.
$250-$350
Ali
$3,500 - $4,500 see colour illustration page 107
Des dian
·s
wn req
$1 ,!
see 1
312 Ali Artie
of2i
mw
305
A Flower Motif Ring Set With Diamonds.
$1 ,5
Designed as a bunch of eight flowerheads in 18ct yellow gold, each centred by a round modern brilliant cut diamond. TOW approximately 0.50ct.
An E
306
W'rlh
$500-$800
Thet
A Ring Set With A Solitaire Princess Cut Diamond Of 1.31 ct.
dialll{ circul oorde cienl.
$5,500 - $6,500 see colour illustration page 111
FINE JEWELLERY o. WATCH
$1,
A Ring Set With Baguette And Brilliant Cut Diamonds.
$3,750 - $4,750
$3,000 - $4,000
18c witl
The tonneau outline Brazilian cut Tanzanite of intense and vibrant appearance is set in 18ct white gold with two lines of four Princess cut diamonds at each shoulder (TOW for the 16 diamonds approximately 1.15ct). Gemologist's report and valuation available on request.
The diamond, with Gemlab certificate stating it to be G, Good make, Sl3 (Sl2 / 11 ) is set in a ring of 18ct white and yellow gold. With manufacturer's valuation.
Oval outline in 18ct yellow gold, set with a cushion outline black opal cabochon of approximately 8.67ct showing a full spectrum colour play, above which is an accent row of 15 round modern brilliant cut diamonds. Together with a foxtail link neckchain of 18ct yellow gold. Gemologist's report and valuation available on request.
104
A Ring Set With A Tanzanite And Diamonds.
The round modern brilliant cut diamond with Quasar report stating it to be D, Sl2, very good make, is set in a ring of 18ct yellow gold and platinum. Gemologist's report and valuation available on request.
A Black Opal And Diamond Pendant With Chain.
rep
$2, see
requ,
Black finished 18ct gold, the inner and outer surfaces set with lines of round cut rubies.
298
mo op(
$1,750 - $2,000 see colour illustration page 11 0 304
A Ring Set With A Solitaire o. 76ct 'D' Colour Diamond.
An
At
A Pair Of Earrings Set With Princess Cut And Pave Brilliant Cut Diamonds.
The slightly tapered band of 1Bct white gold set with a central line of baguette cut diamonds bordered on either side by a slightly raised and graduated line of round modern brilliant cut diamonds. TOW approximately 1.43ct. Gemologist's report and valuation available on request.
A Line Bracelet Set With Aquamarines And Diamonds.
$2,000 - $2,400 see colour illustration page 99
297
'
Al 302
18ct white finished gold articulated rectangular and X motif links in an alternating sequence. The cross links each set with four round modern brilliant cut diamonds, the rectangu lar links with emeraldcut aquamarines. Gemologist's report and valuation available on request.
296
$2
$1,800 - $2,000 see colour illustration page 102
Designed as an articulated line of 18ct yellow gold box links, each set with a round modern brilliant cut diamond. Gemologist's report and valuation available on request.
295
Ge
1Bct white gold, designed as companions to the previous lot. Gemologist's report and valuation available on request.
A Tennis Style Line Bracelet Set With Diamonds.
$1,600 - $1,800 see colour illustration page 103
Th et/
$2,000 - $2,400 see colour illustration page 102 see also following lot
Designed as a line of crescent shaped bars of 18ct white gold set with round modern brilliant cut diamonds, joined by 6 pendeloque outline clusters of diamonds, each centred by a heart shaped ruby of rich colour. Gemologist's report and valuation available on request.
294
A Ring Set With Princess Cut And Pave Brilliant Cut Diamonds.
The broad band of 1Bct white gold set with a central line of 7 Princess cut diamonds within raised rounded borders pave set with diamond brilliants. Gemologist's report and valuation available on request.
A Bracelet Set With Rubies And Diamonds.
$3,800 - $4,200 see colour illustration page 102
A
Cl
Designed as a line of articulated chenier links in 18ct yellow gold, slightly graduated from the centre, each set with a round modern brilliant cut diamond. Gemologist's report and valuation available on request.
293
$1
$1,000 - $1,200
A Tennis Style Line Bracelet Set With Diamonds Of Approximately 6.65ct Total.
$3,500 - $4,500 see colour illustration page 107
1 lo
The pendeloque outline briolette cut citrine with circular diamond set surmount is suspended by a rectangular diamond set bale. 18ct white finished gold.
The round modern brilliant cut diamonds assessed as K-M, 11, of similar size and estimated TOW approximately 2.30ct are set in a bridge of 14ct yellow gold. Gemologist's report and valuation available on request. $2,200 - $2,600
A Pendant Set With A Citrine And Diamonds.
A Pair Of Solitaire Diamond Earstuds Of Total Approximately 1. 75ct.
The round modern brilliant cut diamonds assessed as H/I, 11 /2 are set in 14ct white gold. Gemologist's report and valuation available on request. $3,000 - $3,500 see colour illustration page 111
$2,5( see ex 31
ASty 1&11 mesh of app availat
$1,50
mds,
:horeu1a,j,·
307
A Good Buckle Motif Bangle Of 18ct Yellow Gold.
315
Hinged design with buckle clasp, the wide band decorated with foliate engraving. 60g.
~se:ooi,
Designed as a line of bar and solid box links in 18ct white gold, the lower sections set with some 124 round modern brilliant cut diamonds having an approximate TDW 2.4ct, to a central two row drop of unequal length. Gemologist's report and valuation available on request.
$800 - $1,000
l rilliantCut
308
A Wedding Or Eternity Ring Set With Fine Quality Princess Cut Diamonds.
The band of platinum with a close channel set line of 8 Princess cut diamonds of reported TDW 1.27ct and assessed quality H+, VS. Gemologist's report and valuation available on request.
ntral neolJ
ders~e,r ~uatooa,oc
$4,000 - $5,000 see colour illustration page 11 o 316
$2,000 - $3,000 ~10i
309
e~e 1 'eiiuil51
310
inds.
$6,000 - $7,000 see colour illustration page 99 see also following lot 317
$1,400 - $1,800 see colour illustration page 99
$1,250 - $1,500
'6ifll"C'~a1-
311
A Long Pair Of Sapphire And Diamond Pendant Earrings.
318
$1,500 · $2,000 see colour illustration page 107 312
$1,800 - $2,200 319
$375 - $475 320
313
a;u,v
An Edwardian Period Diamond And Sapphire Bow Brooch With Drop.
The bow of white gold (tests approx 9ct) set with round cut diamonds and lines of calibre cut blue sapphires suspends a circular drop centred by a brilliant cut diamond of around 0.80ct bordered by calibre cut blue sapphires. Two small sapphires delicient. Gemologist's report and valuation available on request.
MDia1110ndm
$4,000 - $5,000 see colour illustration page 102 321
$1,250 - $1,500
A Stylish Flexible Mesh Ring Set With Diamonds.
18ct yellow gold frosted and polished diamond shaped flexible mesh set with 17 good quality round modern brilliant cut diamonds of approximate TDW 1.02ct. Gemologist's report and valuation available on request. $1,500 - $1,800
A Ring Pave Set With Diamonds.
The band of 18ct yellow gold pave set with brilliant cut diamonds in a cartouche outline panel. Gemologist's report and valuation available on request.
$2,500 - $3,000 see colour illustration page 110 314
A Good Bangle Pave Set With Diamonds.
Hinged design in 18ct yellow gold with five cartouche outline panels on the upper section, each pave set with round modern brilliant cut diamonds of good quality. The diamonds, some 77 in all, having an approximate TDW 3.14ct. Gemologist's report and valuation available on request.
$1,500 - $1,800 ds,
111e:1~ ·
A Bangle Of 14ct Rose And White Gold.
Hinged design key pattern, one half in rose gold, the other in white. 28.8g.
A Line Bracelet Set With Diamonds.
Articulated 18ct white gold "ladder" design set with a central row of 27 round modern brilliant cut diamonds having an approximate TDW 1.40ct. Gemologist's report and valuation available on request.
A Pair Of Solitaire Diamond Earstuds.
The round modern brilliant cut diamonds assessed as G/I, 11 /2 with an approximate TDW 1.24ct are set in 14ct white gold four claw studs. Gemologist's report and valuation available on request.
Designed as 8 articulated drops joined by bar links, set with diamonds and blue sapphires in flowerheads and clusters. 18ct white finished gold. Gemologist's report and valuation available on request.
ICulDiamo~
A Ring Of Platinum And 18ct Yellow Gold Enhanced With Diamonds.
Designed as a companion to the previous lot, the 57 round modern brilliant cut diamonds of very good quality set in rows. Weight 23.92g. Gemologist's report and valuation available on request.
A Dome Ring Pave Set With Diamonds.
18ct white finished gold, 20 mm circular design dome pave set with brilliant cut diamonds.
1n:enseanl nlnesollwr~ ·· ~iJl'"I
An Elegant Emerald And Diamond Bangle.
$2,000 - $2,500 see colour illustration page 102
A Very Stylish Necklace Of Platinum And 18ct Yellow Gold Enhanced With Diamonds.
Designed as a 'v' outline collar of diagonal platinum bars with yellow gold accents, the mid-section enhanced with some 76 round modern brilliant cut diamonds of very good quality set in rows. 135.8g. With presentation box. Gemologist's report and valuation available on request.
At the centre the oval cut emerald is flush rub-over set into a heavy cylinder base, on either side the band is flush set with a round modern brilliant cut diamond. The 18ct yellow gold band swings open from the centre where it is held by tension. Gemologist's report and valuation available on request.
rt And Pave
An Elegant Necklace Set With Diamonds.
322
A Long Pair Of Drop Earrings Set With Diamonds And Pearls.
Designed as an articulated line of 18ct white finished gold bars set with diamonds with round cultured pearls in diamond set cupolas at intervals, falling from a wire hook and diamond set panel. Gemologist's report and valuation available on request. $1,000 - $1,500 F NE' JEWELLERY & WATCHES
105
323
324
A Crossover Ring Set With Cognac And White Diamonds.
331
18ct white finished gold, the flared crossover shank pave set with brilliant cut cognac coloured diamonds bordered by lines of white diamonds. TOW approximately 3.41ct.Gemologist's report and valuation available on request.
Bow and flowerhead motif links of 18ct white finished gold in an alternating sequence, the bows set with diamonds, the tlowerheads with tour oval cut rubies and a central diamond. Gemologist's report and valuation available on request.
$2,500 - $3,000 see colour illustration page 111
$4,500 - $5,000 see colour illustration page 110
A Pair Of Earstuds Set With Pearls And Diamonds.
332
$400- $600
$2,500 - $3,500 see colour illustration page 102
A Pair Of Solitaire Diamond Earstuds.
The round modern brilliant cut diamonds of around 0.25ct, each are rub-over set in domed mounts of 18ct white and yellow gold.
333
$600- $800 326
$1,750 - $2,250 see colour illustration page 99 334
$1,600 - $1,800 see colour illustration page 103 327
328
$4,000 - $5,000 see colour illustration page 111 335
A Striking Sapphire And Diamond Ring.
$5,750 - $6,750 see colour illustration page 99
The large (12.5 x 10 mm) oval cut deep blue sapphire set in 18ct yellow gold with a trilliant cut diamond at each shoulder. Gemologist's report and valuation available on request.
A Ring Set With A Diamond Of Approximately 1.02ct.
$4,000 - $5,000 see colour illustration page 107
The round modern brilliant cut diamond set in 18ct white gold with two Princess cut shoulder diamonds. TOW approximately 1.45ct. Gemologist's report and valuation available on request.
336
An Exquisite Necklace Of Rubies And Diamonds.
Designed as a line of forked ribbon links set with diamonds in 18ct white gold, suspending oval faceted ruby drops with oval cut ruby and diamond cluster tlowerheads at even intervals over the lower section. The rubies having an approximate total weight of 29.4ct, the diamonds 3.3ct. Gemologist's report and valuation available on request.
$7,250 - $8,250 see colour illustration page 107 329
A Particularly Good Art Deco Marquise Outline Ring Set With Emeralds And Diamonds.
Centred by a row of three emerald-cut emeralds in raised rub-over 18ct yellow gold mounts, bordered by old cut diamonds in a scalloped mount of platinum. Gemologist's report and valuation available on request.
A Ring Set With A Princess Cut Diamond Of 0.89ct Graded D,WS2.
The diamond, with G.IA Certificate stating it to be D, WS2 of excellent finish and good symmetry is set in a ring of 18ct yellow gold and platinum with two trilliant cut shoulder diamonds of approximately 0.26ct total assessed as G/I, SI. Gemologist's report and valuation available on request.
An Attractive Ruby And Diamond Ring.
The oval cut ruby of very good colour and lively appearance set in a ring of 18ct white gold within a quatretoil border of round modern brilliant cut diamonds, with additional diamonds in lines at the shoulders. Gemologist's report and valuation available on request.
A Fashionable Cross Pendant Set With Coloured Sapphires And Diamonds.
Designed as 6 rectangular sections in 18ct yellow gold, each set with a radiant cut pink, blue or green sapphire bordered by diamond brilliants. With 18ct yellow gold trace neck chain. Gemologist's report and valuation available on request.
An Art Deco Brooch Set With Diamonds.
Designed as mirror image dress clips in platinum titted to a brooch mount. Fan, circlet and bar geometric motifs enhanced with ajoure and set with round and baguette cut diamonds to suit the design. Gemologist's report and valuation available on request.
The semi-baroque 10 mm pearls set in 18ct white gold within borders of single-cut diamonds.
325
A Bracelet Set With Rubies And Diamonds.
A Ruby And Diamond Ring Of Art Deco Design.
Stylised bow outline in 18ct yellow gold ajoure set with lines of calibre cut rubies to the border enclosing three lines of brilliant cut diamonds to a central oval cut ruby.
$6,500 - $8,500 not received in time for illustration
$800-$900 337 330
A Victorian Opal And Diamond Heart Motif Brooch / Pendant.
Heart outline in yellow gold (tests approx 9ct) and silver doublet. Centred by a heart shaped crystal opal cabochon bordered by old cut diamonds to an outer garland border of small heart shaped opal cabochons separated by foliate motifs set with further diamonds. Brooch pin removable when in use as a pendant. Gemologist's report and valuation available on request. $2,250 - $2,750 see colour illustration page 110
106
FINE JEWELLER & II IAT '-'ES
A Pair Of Solitaire Diamond Earstuds.
The round modern brilliant cut diamonds assessed as G/I, Sl2/I1 with an estimated TOW approximately 0.95ct are set in 14ct white gold four claw studs. Gemologist's report and valuation available on request. $2,200 - $2,600
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;e Outline Ring!!! a111s11a&ll •• I 1maJ1'0C§ i
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FINE JEWELLERY & WATCHES
107
338
A Pair Of Emerald And Diamond Cluster Earstuds.
346
18ct yellow gold, each set with an approximately 9.8 x 7.8 mm oval cut emerald within a border of round modern brilliant diamonds. Gemologist's report and valuation available on request.
The round modern brilliant cut diamond set in a simple ring of platinum. Gemologist's report and valuation available on request. $12,500 - $15,000 not received in time for illustration
$2,250 - $2,750 see colour illustration page 103 339
A Heart Motif Pendant Pave Set With Diamonds.
347
18ct white and yellow gold pave set with brilliant cut diamonds, suspended by a ball link neck chain of 18ct yellow gold. Gemologist's report and valuation available on request.
$16,000 - $18,000 see colour illustration
A Ruby And Diamond Dress Ring.
18ct white gold, the upper section designed as a curved panel divided into eight truncated pyramids, each set with round modern brilliant cut diamonds on the sides and a square cut ruby at the top, to create a bevelled lattice. Gemologist's report and valuation available on request.
348
$13,500 - $15,500 see colour illustration page 111
A Ring Set With A Diamond Of Approximately 1.01 ct.
The round modern brilliant cut diamond assessed as I/J, Sl1 set in 18ct white gold within a border of small brilliant cut diamonds, the split shank set with further lines of diamonds. Gemologist's report and valuation available on request.
349
343
A Ring Set With An Emerald Cut Diamond Of Approximately 1.21 ct.
$4,800 - $5,800 see colour illustration page 110
Olli
$21 not
AB Des byk bri" The
Gerr
$5,! see1
ARi Di~
The I ~mp onre
$18,
seec APa Ears
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A Loose Diamond Of 3.18ct.
ava a
Round modern brilliant cut. Gemologist's report and valuation available on request.
see a
$7,250 - $8,250 see colour illustration page 102
$13,000 - $15,000 see colour illustration page 99
ARin
A Stylish Bracelet Of 18ct White And Yellow Gold Set With Diamonds.
The di G,S1I report
A Bracelet Of Invisibly Set Sapphires And Diamonds.
350
351
Designed as a flexible line of semi-conical textured links in 18ct yellow gold , the upper section having 6 white gold links in an alternating pattern , each pave set with round modern brilliant cut diamonds. The diamonds, some 114 in all, having an estimated TDW 3.99ct. 85.4g. With presentation box. Gemologist's report and valuation available on request. $4,750 - $5,750 see colour illustration page 102
A Good Quality Eleven Stone Line Bracelet Of Traditional Design Set With Approximately 3.4ct Of Diamonds.
The line of engraved convex links of platinum with mid section of 11 box links, each set with a round modern brilliant cut diamond of around 0.30ct, assessed as G/HVS/SI. Gemologist's report and valuation available on request.
352
A Magnificent Riviere Necklace Set With 30ct Of Fine White Diamonds.
$5,000 - $6,000 see colour illustration page 99
The 115 square tycoon cut diamonds graduated from the centre, assessed as very good make and symmetry, F/G, WSNS (one S1 ) are set in an elegant necklace of simple 18ct white gold box links. Gemologist's report and valuation available on request.
An Exceptional Emerald And Diamond Ring.
$95,000 - $125,000 see colour illustration title page
The fine quality creme-de-menthe emerald-cut emerald of 7.13ct is set in a hand made mount of platinum, the shoulders of fleur-de-l is ajoure enhanced with 20 round modern brilliant cut diamonds of fine quality and estimated TDW 0.50ct. Gemologist's report and valuation available on request. $18,500 - $22,500 see colour illustration page 96
108
ThE
ina acI Rer
The diamond set in an elegant ring of 18ct white gold with two modified Princess cut shoulder diamonds. Gemologist's report and valuation available on request.
$5,000 - $6,000 see colour illustration page 107
345
An 1,1
roou
Articulated links of 18ct yellow gold designed as three long panels, each invisibly set with square cut vivid Ceylonese blue sapphires, the terminal and joining links set with rows of diamond brilliants. Gemologist's report and valuation available on request.
344
A Diamond Bracelet Of Art Deco Design.
Articulated plaque and half-circlet links with oval joiners in 18ct white finished gold, set with lines of round modern brilliant cut diamonds having an estimated TDW 3.4ct. Gemologist's report and valuation available on request.
$7,000 - $7,500 342
A Ring Set With A Solitaire Diamond Of Approximately 2.7ct.
The round modern brilliant cut diamond rub-over set in a fashionably heavy mount of 18ct white and yellow gold. Gemologist's report and valuation available on request.
$1,000 - $1,400 see colour illustration page 110 341
A Particularly Attractive Pair Of Solitaire Diamond Earstuds Of Approximately 1.3ct Each.
The round modern brilliant cut diamonds assessed as good make, J, Sl1 /2 are set in mounts of 18ct white gold. Gemologist's report and valuation available on request.
$1,100 - $1,400 340
A Ring Set With A Solitaire Diamond Of Approximately 2.5ct.
FINE JEWELLER
WAT
$8,0(
$24,0 seero,
An h11
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Circula enhanc bn ant Gemo~
$7,00( seeeo1;
APair
frlalout ~nksap buttertly
$650. 353
A Striking Bracelet Set With Approximately Set Of Diamonds.
Articulated 18ct white gold entwined loop and crossover links encrusted with brilliant cut diamonds. Gemologist's report and valuation available on request. $4,500 - $6,500 see colour illustration page 11 O
APair (
Slighllyc diamond available
S1,40o
lpprorjmate1y
354
a~m~e ., ab , 1)1'(t,
362
The diamond assessed loose as G, Sl1 , very good make is set in a hand made band of platinum that is close channel set with a continuous line of diamond baguettes of matching quality. Reported TOW 3.01 ct. Gemologist's report and valuation available on request.
Diamond
JSSedasl'Xll, Giroti,;;s .
An Elegant Ring Set With An Emerald Cut Diamond Of 1. 70ct Together With A Full Band Of Baguettes.
The pendant of open oval outline in 14ct white gold, designed as a double border of diamond brilliants enclosing a pendeloque and wire spray motif set with further diamonds, suspends a tassel fringe of seed pearls. The bale set with further diamonds and a single seed pearl. With three strand 14ct gold chain. The pendant earrings of matching design fitted with wires and notched clips. The diamonds (187 in all, with one small stone deficient) have an approximate TOW 3.1 ct. Gemologist's report and valuation available on request.
$20,000 - $24,000 not received in time for illustration 355
A Bracelet Set With Diamonds.
'Approximately
Designed as a line of four arced links in 18ct yellow gold joined by lobed buckle motif links, all set with some 99 round modern brilliant cut diamonds of estimated TOW approximately 4.40ct. The clasp concealed in one of the links. With a presentation box. Gemologist's report and valuation available on request.
iOlers.i a
$5,500 - $6,500 see colour illustration page 99
$2,800 - $3,800 see colour illustration page 11 0 363
$5,000 - $6,000 356
A Ring Set With A Fine White Solitaire Emerald-Cut Diamond Of 1.89ct.
364
The diamond assessed as F/G, WS2, very good make is set in a simple ring of platinum. Gemologist's report and valuation available on request.
~· emoo ,: •
$3,000 - $4,000 see colour illustration page 111
,eWOOJSISir.'.' 357
aj)Xiand~ ·•
358
A Pair of Solitaire Fine White Princess Cut Diamond Earstuds Of A Little Over 1ct Each.
365
The round modern brilliant cut diamonds with an approximate TOW 1.85ct are set in two rows of five in a bridge of 18ct white and yellow gold. Gemologist's report and valuation available on request.
$8,000 - $9,000 see colour illustration page 111
$2,400 - $2,800 see colour illustration page 102
A Ring Set With A Solitaire 2.2ct Ascher Cut Diamond.
366
359
111\'Qici
Ge~·;,
An Impressive Bracelet Of Art Deco Design Set With Diamonds.
$5,750 - $6,750 see colour illustration page 11 0 367
Circular and convex panel links in 18ct white finished gold enhanced with geometric ajoure set with some 348 round modern brilliant cut diamonds having an estimated TOW 5.25ct. Gemologist's report and valuation available on request.
360
A Pair Of Pink Sapphire And Diamond Cluster Earstuds.
Oval outline in 18ct white finished gold, each set with an oval cut pink sapphire within a border of brilliant cut diamonds. Substantial butterflys of 18ct yellow gold. $650- $750 361
rimate~ sci m
and~.-
inot'J~isiw::
A Pair Of Earrings Set With Diamonds.
Slightly convex panels, each set with six rows of two channel set diamonds, in 18ct yellow gold. Gemologist's report and valuation available on request.
A Tennis Style Line Bracelet Set With Approximately 4.5ct of Diamonds.
Designed as a line of 35 'S' shaped links, graduated from the centre and each set with a round modern brilliant cut diamond. Gemologist's report and valuation available on request.
$7,000 - $8,000 see colour illustration page 99
W rth3octmf'ule
A Brooch Designed As A Pair Of Parrots Encrusted With Diamonds.
18ct white finished gold enhanced with ajoure, pave set with some 357 brilliant cut white and cognac coloured diamonds to suit the design. Gemologist's report and valuation available on request.
$24,000 - $26,000 see colour illustration page 96
1extured ·~ ,e ~'~
An Attractive Ten Stone Diamond Bridge Ring.
The diamonds, assessed as 1.07 and 1.08ct, E-G , 11 , are set in mounts of 18ct yellow gold. Gemologist's report and valuation available on re~uest.
The diamond of reported weight 2.21 ct and of estimated quality G, Sl1 is set in an elegantly simple ring of platinum. Gemologist's report and valuation available on request.
YellowGoldSel~
An Emerald And Diamond Dress Ring.
The emerald-cut emerald of reported weight 2.50ct, good colour and lively appearance is set in a signet style ring of 18ct yellow gold within an octagonal border of small brilliant cut diamonds. Gemologist's report and valuation available on request.
$18,500 - $20,000 see colour illustration page 96
1Ni111)11e!S"
rroJtr~
A Three Stone Diamond Ring.
The round modern brilliant cut diamonds with an estimated TOW 1.59ct, graduated from the centre, are rub-over set in a bridge of platinum. Gemologist's report and valuation available on request.
lkJl'lgDd
reqi.;es~
A Pendant And Earrings En-Suite Set With Diamonds And Seed Pearls.
$3,250 - $4,250 see colour illustration page 107 368
An Art Deco Plaque Brooch Set With Diamonds.
Geometric marquise outline in approximately 9ct white gold, with ajoure to suit the design , set with lines of round early brilliant and single cut diamonds. Fitting to back would have allowed original alternative use as a pair of dress clips. Gemologist's report and valuation available on request. $3,800 - $4,800 see colour illustration page 107
$1,400- $1,800 FINE JEWELLERY & WATCHES
109
110
FINE JEWEL,.ERV & WATCHES
FINl: JEWELLERY & WATCHES
111
369
A Good Ceylonese Blue Sapphire And Two Diamond Ring.
376
The cushion cut sapphire of actual weight 2.7ct is set in a ring of 18ct white and yellow gold with two round modern brilliant cut diamonds of 0.50ct each (TOW 1 004ct). Gemologist's report and valuation available on request.
A Striking Black Opal And Diamond Cluster Ring.
$3,000 - $3,500 377
The oval black opal cabochon of reported weight 7.69ct, showing a good green / blue/ violet colour play is set in a ring of 18ct yellow gold within a border of 18 round modern brilliant cut diamonds of fine quality and approximate TOW 1.20ct. Gemologist's report and valuation available on request. $6,000 - $7,000 see colour illustration page 107 378 371
A Cinnamon Diamond of 1.91 ct Set With White Diamonds In A Three-Stone Ring.
372
379
G
$5,000 - $6,000 see colour illustration page 111
SI
A Good Three Stone Diamond Ring.
A
A Pair Of Creole Style Earrings Set With Diamonds.
380
381
A Bangle Scatter Set With Diamonds.
382
A Bangle Set With Princess Cut Diamonds.
18ct white gold hinged design, the upper section invisibly pave set with three rows of Princess cut diamonds having an estimated TOW 2.4ct. Gemologist's report and valuation available on request.
A Cross Pendant Set With White And Black Diamonds.
$1 ,400 - $1,800 see colour illustration page 99
A Cocktail Ring Set With Diamonds And Sapphires.
$1 ,200 - $1 ,800
A Pair Of Diamond Cluster Earstuds.
The 18ct white gold Latin cross enhanced with lines of round modern brilliant cut diamonds, the centre set with a cross over binding set with round cut black diamonds. Suspended by an 18ct white gold trace chain. Gemologist's report and valuation available on request.
rot i'li1 haI val $3
$475- $675
Open fold -over design in 18ct white gold , the upper level pave set with round modern brilliant cut white diamonds, the lower level pave set with round cut blue sapphires. Gemologist's report and valuation available on request.
$1 ,200 - $1 ,500 375
1li 00
Al
A Pair Of Earclips Set With Diamonds.
Rectangular outline in 18ct yellow gold, each set with four round diamonds of mixed cuts and TOW approximately 1.20ct for the pair.
DI
~
1Bct yellow gold, set with some 50 round modern brilliant cut diamonds having an estimated TOW approximately 1.26ct. Gemologist's report and valuation available on request.
$1,200 - $1,500 374
s
18ct white gold , each set with a line of 7 brilliant cut diamonds. TOW approximately 0.50ct.
$1 ,200 - $1 ,500
1Bct white gold tapered 3-bar design, each bar set with a line of round modern brilliant cut diamonds. TOW approximately 0.56ct for the pair. Gemologist's report and valuation available on request.
g ~
s~
$6,500 - $7,500 see colour illustration page 102 373
385
The 12.6 x 9.5mm oval cut golden sapphire set in a ring of 18ct yellow gold within a border of round modern brilliant cut diamonds, with further diamonds set in foliate motifs at the shoulders. Gemologist's report and valuation available on request.
$8,500 - $10,000 see colour illustration page 111
A Necklace Set With Diamonds.
18ct white gold circular links to a mid section line and festoon of similar links, each collet set with a round modern brilliant cut diamond of good quality. The diamonds, some 101 in all , have an estimated TOW of 3.15ct. Gemologist's report and valuation available on request.
A Striking Yellow Sapphire And Diamond Cluster Ring.
Centred by a round modern brilliant cut diamond of around 1.02ct with diamonds of around 0.50ct on either side, set in 1Bct white and yellow gold. Gemologist's report and valuation available on request.
The oval cut cinnamon coloured diamond rub-over set in 18ct white gold with two round modern brilliant cut white shoulder diamonds of TOW 0.47ct. Gemologist's report and valuation available on request. $6,500 - $7,500 see colour illustration page 103
384
The broad band of 14ct yellow gold set with three lines of channel set baguette cut diamonds and four lines of round modern brilliant cut diamonds. Gemologist's report and valuation available on request.
$4,750 - $5,750 see colour illustration page 99 370
A Striking Ring Set With Baguette And Brilliant Cut Diamonds.
$2,750 - $3,250 see colour illustration page 102 383
A South Seas Cultured Pearl And Diamond Ring.
The semi-baroque 13-15mm silver-white pearl set in 18ct white gold above a tiered ground of baguette and brilliant cut diamonds. Gemologist's report and valuation available on request. $1,250 - $1 ,750 see colour illustration page 102
18c 0.11
$1~
Anl The weIg rou pane qua valua
$11,
see a ANet
lliegi encru: desigr
GelllQ $4,50
seem APair Screw ! mooern logelhe brilliant valuatio
$700.
112
FINE JEWELLERY & WATC"iE~
BrilliantCut~ 384
ir~ neso•~, llndOIXle!Jl~
A Channing Pair Of Pendant Earrings Set With Diamonds.
391
Each stud set with an oval cut diamond suspends a pendeloque outline frame set with a line of diamond brilliants, suspending by chain festoons a further four pendeloque cut diamonds. TOW approximate 1.90ct, 18ct white finished gold.
a1~®•
18ct white gold hinged design with faux screw-heads and rub-over set round modern brilliant cut diamonds at even intervals around the circumference. TOW approximately 0.47ct. Gemologist's report and valuation available on request.
$2,500 - $3,500 see colour illustration page 99
~Cluster Hin~ 385
$1,700 - $1,900 see colour illustration page 102
A Bracelet Of Circlet Links Set With Diamonds.
Designed as a line of circlets joined by arced links in 18ct yellow gold, set with some 194 round modern brilliant cut diamonds having an estimated TOW 5.06ct. With a presentation box. Gemologist's report and valuation available on request.
392
386 0
A Necklace With A Heart Motif Pendant Set With Diamonds.
$3,400 - $3,800 see colour illustration page 102 393
$3,800 - $4,800
hDiarnonds,
$1,800 - $2,200 394
'artlJ·... ·
387
[frjciiS·
$3,000 - $3,500 see colour illustration page 107
$1,250 - $1,750 388
An Impressive Emerald And Diamond Cluster Ring.
395
The emerald-cut emerald of vibrant appearance and estimated weight 8.0ct is set in 18ct yellow gold within a two row border of round modern brilliant cut diamonds further enhanced with two panels of diamond baguettes. The diamonds, 40 in all, of good quality, have an approximate TOW 2.04ct. Gemologist's report and valuation available on request.
~ Sapphires.
$2,000 - $2,500 see colour illustration page 103 396
111d~
A Necklace Set With Diamonds.
'MnganCt 1lableooreQLIS'
$4,500 - $5,500 see colour illustration page 107
nondRin~ earlset~ 11" IJri ~ntcut:lt ooreque51
390
A Pair Of Earrings Set With Diamonds.
Screw design in platinum, each set with a good quality round modern brilliant cut diamond of approximately 0.25ct at the stud together with a small baguette and a further small round modern brilliant cut diamond on the support bar. Gemologist's report and valuation available on request.
A Pair Of Circular Domed Earclips Set With Diamonds.
18ct yellow gold with rope-edge border enclosing a central pave diamond panel. Gemologist's report and valuation available on request.
The graduated line of articulated loops in 18ct white finished gold encrusted with brilliant cut diamonds to an upper section of similar design in polished yellow gold. TOW approximately 3.88ct. Gemologist's report and valuation available on request.
(IOOl1S
A Black South Seas Cultured Pearl And Diamond Cluster Ring.
The approximately 11 mm round pearl set in a cushion outline ring of 18ct yellow and white gold pave set with round modern brilliant cut diamonds of approximate TOW 0.49ct. Gemologist's report and valuation available on request.
$11,000 - $14,000 see colour illustration page 103 389
A Pair Of Pendant Earrings Set With Diamonds.
At each stud a flowerhead cluster of diamond brilliants suspends two articulated concentric pendeloque frames set with diamonds and in turn each suspending three diamond fringe drops. 18ct white finished gold. Gemologist's report and valuation available on request.
A Dainty Emerald And Diamond Pendant.
The intense green pendeloque cut emerald of approximately 0.96ct suspended as an articulated drop by a diamond set link to the bale. 18ct yellow gold, the diamond estimated to weigh approximately 0.18ct. Gemologist's report and valuation available on request.
)lembr r' a'., . 2&:
A Five Band Dress Ring Set With Diamonds.
The splayed bands of alternating diameters in 18ct white finished gold each set with a line of round modern brilliant cut diamonds. TOW approximately 1.22ct. Gemologist's report and valuation available on request.
The flexible 18ct yellow gold wire link necklace suspending a detachable 18ct white gold open heart motif pendant bordered by round modern brilliant cut diamonds about an articulated drop set with an approximately 0.50ct diamond. The diamonds all H-1, Vs have an approximate TOW 1.80ct. Gemologist's report and valuation available on request.
tJooa~ate
A Bangle Channel Set With Diamonds.
18ct white gold hinged design, the upper section channel set with a single row of round modern brilliant cut diamonds having a TOW approximately 1. ?Oct. Gemologist's report and valuation available on request.
$5,000 - $6,000 see colour illustration page 111
ooJolarc/" . . set 1&:
A Stylish 'Techno-Mechanical' Design Bangle Set With Diamonds.
$1,400 - $1,600 see colour illustration page 111 397
A Pair Of Drop Earrings Set With Rubies And Diamonds.
At each stud a flowerhead cluster of 7 round modern brilliant cut diamonds suspends an articulated line of 4 collet set diamonds to an oval drop centred by an oval cut ruby within a border of further diamonds. Gemologist's report and valuation available on request. $1,500 - $1,700 see colour illustration page 110
$700-$800
•IN' JI:: WELLERY & WA, CH
11 3
A
398
A Rhodolite Gamet and Diamond Ring.
407
1Sct yellow gold set with two rectangular cut plum coloured rhodolite garnets separated by a row of three round modern brilliant cut diamonds. $400-$500 399
A Traditional Three Stone Diamond Ring.
The bridge of 18ct white and yellow gold centred by a round modern brilliant cut diamond of approximately 0.68ct with side stones of around 0.32ct each. TOW approximately 1.32ct. Gemologist's report and valuation available on request.
A
$1,500 - $2,000
TI
The Ultimate "Bling" Cocktail Ring.
w
~
ff
s
0. $1
4'7 A
$1,000 - $1,500
0,
An Impressive Necklace Of Sapphires With Diamonds.
11M
de
409
$1,750 - $2,000
The large emerald-cut green tourmaline set in 1Sct yellow gold, the six baguette cut shoulder diamonds rub-over set in white gold. Gemologist's report and valuation available on request.
The necklace of faceted blue sapphire beads, graduated from the centre and enhanced with two diamond set rondels, suspends a pendant drop set with an approximately 14ct faceted pentagonal cut sapphire bordered by small round cut sapphires with a joining sapphire and diamond cluster surmount to a diamond set hinged bale. 1Sct black finished gold. Gemologist's report and valuation available on request.
$2,000 - $3,000
$1,500 - $2,000
see colour illustration page 111
see colour illustration page 107
see colour illustration page 103
401
~
The hoops of 1Sct white finished gold set with lines of brilliant cut diamonds on inner and outer surfaces (approximately 1.25ct TOW for the pair). Detachable drops designed as a cluster of chain falls of unequal length from a wire ring suspending tear drop shaped black onyx and briolette cut white sapphires. Gemologist's report and valuation available on request.
Completely over the top substantial ring of 1Sct white gold set with an approximately 29 x 20 mm oval cut citrine in a four pillar claw setting, each pillar chenier set with a round modern brilliant cut diamond. Gemologist's report and valuation available on request.
A Ring Set With Fancy Coloured Sapphires And Diamonds.
Trefoil design in 1Sct yellow gold set with a pink, yellow and apricot oval cut sapphire within a shaped border of diamond brilliants. Gemologist's report and valuation available on request.
1
r 408
$1,750 - $2,000 400
A Pair Of Creole Hoop Earrings Set With Diamonds With Detachable Multistone Drops.
A Particularly Good Green Tourmaline And Diamond Ring.
cu 68 $5
Al
Di;
Fig b~ $1
402
A Nine Diamond Cluster Estate Ring.
410
A Pair Of Earclips Set With Pearls And Diamonds.
Each of circular outline in 18ct yellow gold centred by an 11.5 mm cultured white half-pearl, the satin finished borders with eight rub-over set round modern brilliant cut diamonds at even intervals. Gemologist's report and valuation available on request.
The old cut diamonds with a TOW of around 1.2ct are set in a rosette cluster, centred by the largest stone, in 9ct rose gold. $1,200 - $1,400 see colour illustration page 103
419 Al Gill
$4'
$1,400 - $1,600 403
A Bracelet Set With Diamonds.
Designed as a line of elongated figure-of-eight links in yellow gold (tests approx 1Bct), joined by eight round links, each set with a round modern brilliant cut diamond.
411
A Pair Of Madeira Citrine And Diamond Pendant Earrings.
The ne wi~ wh1I reqt
$500- $700
A "Rolex" Style Bracelet Set With Diamonds.
18ct yellow gold 'President' style links, each central panel set with 6 rou nd modern brilliant cut diamonds, some 252 in all, with an estimated TOW approximately 1.89ct. Gemologist's report and valuation available on request.
An Ku1
Sinuous design in 18ct black finished gold set with a line of cognac coloured diamonds to an articulated drop set with a pendeloque cut deep tangerine "Madeira" citrine.
$850 - $1,000 404
see colour illustration page 111
412
$2,000 - $2,500
$2,1 see
A Rhodalite Gamet And Diamond Cluster Ring.
The circular cut rhodalite garnet set in 1Sct white and yellow gold within a border of brilliant cut diamonds.
AL.
$650- $850
An I bya oute1 afoL appn yeio,
Gen
see colour illustration page 103
405
A Bracelet Set With Nine Ceylonese Blue Sapphires of TDW Approximately 12ct.
413
An Impressive Sapphire And Diamond Cluster Ring.
The 13 x 10 mm oval cut blue sapphire set in a ring of 1Sct white finished gold within a border of 12 round modern brilliant cut diamonds having an approximate TOW 1.6ct. Gemologist's report and valuation available on request.
The line of oval cut sapphires graduated from the centre stone of around 2.3ct, set in silver. Gemologist's report and valuation available on request. $1,000 - $1,400
$6,000 - $7,000
see colour illustration page 11 0
$551
42
APa
see colour illustration page 11 0
406
A Bracelet Set With Diamonds.
Dainty serpentine links of 18ct yellow gold with tubular white gold spacers each collet set with a round modern brilliant cut diamond. $750- $850 114
r NE JEWELLERY & vvAT1..,Hr.,
414
A Ring Set With A Fine White Solitaire Princess Cut Diamond of Approximately 1.07ct.
The diamond, assessed as E/F, SI2/I1, very good make is rub-over set in a ring of 18ct white and yellow gold. Gemologist's report and valuation available on request. $4,750 - $5,750
Each SWin( Wilh1 lhree Gemc
$3,8! 5eeC(
lDiarnondsW-illl 415
An Emerald And Diamond Dress Ring.
423
The octagonal outline bezel set with an emerald-cut emerald bordered by diamonds, the shoulders each set with two rows of square cut emeralds within pave diamond borders. Gemologist's report and valuation available on request.
A Bracelet Set With Five Moving Diamonds.
18ct yellow gold flat curb links to an I.D. style central convex slotted plate with diamond set palmate finials, in which slide five rub-over set good quality round modern brilliant cut diamonds of approximately 0.1 Oct each. Gemologist's report and valuation available on request.
$2,500 - $3,000
$1,250 - $1,500 416
A Ring Set With A Row Of Nine Diamonds.
The heavy tapered band of 18ct yellow gold set with a graduated line of round modern brilliant cut diamonds within raised shoulders. With original box from Hartfields of Parnell. TOW approximately 0.35ct.
!ct ~e::v~~·
'naf!l;~" mwbra~ •
$650- $850
ava11abeoore1c,:·
417
graO,Zi'"' [Gi:S~::·
face:ecce-: h•:;.5
418
425
18ct yellow gold, the inner and outer surfaces set with lines of round cut yellow sapphires. $400- $500 426
Figaro pattern links, the long links each set with six diamond brilliants. 700 mm 80.7g.
$750-$850 427
A Double Albert Chain Of 9ct Rose Gold.
ma:,i
$475-$675
·eouBS:
420
An Unusual Pair Of Pendant Earrings Set With Pink Kunzite, Red Tourmalines And Diamonds.
The studs each set with a cushion outline kunzite swagged with a line of diamonds suspends by diamond links a triangular drop set with a triangular cut tourmaline within a border of diamonds. 18ct white finished gold. Gemologist's report and valuation available on request.
IPendant~ITin~
~twrtha ~e:· • ·caperJ!i: ·
$2,000 - $3,000 see colour illustration page 11 O
!er Rin~
421
;ealll '
ciusterRin~
a"lF'·:·
$550- $750
kJernC' :" Gef~Jfi''
422
pnncessc~D~·
~nil~.'.
Gen'OIIP1' •
$10,000 - $14,000 see colour illustration page 111 428
A Pair Of Aquamarine And Diamond Pendant Earrings.
Each set with a large pendeloque cut aquamarine in a free swinging mount within a frame of 18ct white finished gold outlined with round modern brilliant cut diamonds to a graduated line of three diamonds in articulated collet mounts at the stud. Gemologist's report and valuation available on request.
A Good Muff Chain Of 9ct Yellow Gold.
Cotton reel links. 1550 mm, 26.4g. $375- $475 429
A Large Heart Motif Pendant Set With An Opal And Other Gemstones.
An inner frame of yellow gold (tests approximately 9ct) centred by a large heart shaped milk opal cabochon is separated from an outer frame by three bridges set with round cut blue sapphires and a fourth illusion set with a round modern brilliant cut diamond of approximately 0.20 ct. The frames joined to the bale by a round cut yellow sapphire surmount.
A Necklace And Earring Suite Set With Approximately 11.5ct Of Diamonds.
The necklace of flexible 18ct yellow gold snake links to a curved spiral twist mid section set with round modern brilliant cut diamonds and diamond baguettes. The Creole style earrings of similar design. Gemologist's report and valuation available on request.
Curb links, 360 mm, 50.7g.
00':i'S
A Pair Of Pendant Earrings Set With Diamonds And South Seas Cultured Pearls.
A gadrooned 14ct yellow gold leaf motif panel at the stud highlighted with two diamonds suspends an 11 mm round white South Seas cultured pearl with diamond set cupola and diamond surmount.
$1,500 - $2,000 419
A Pair Of Large Creole Hoop Earrings Set With Yellow Sapphires.
A Heavy Necklace Of 18ct Yellow Gold Enhanced With Diamonds.
Diamonds.
ll''eJca:<
Flat curb links. 80g.
$500- $700
a.
d1al'Uld~· e1X11anO, '
A Heavy Bracelet Of 18ct Yellow Gold.
$1,000 - $1,200
A Victorian Double Photograph Locket With Chain.
Oval outline in 18ct yellow gold (tested), the front cover beautifully decorated with two lines of pierced and engraved floral and foliate motifs together with two raised circles, each centred by a senaille cut diamond. With faceted oval link neckchain of 9ct yellow gold 680 mm
~Ith Diamonds.
424
A Cross Pendant Set With Diamonds Together With A Neckchain.
The Latin cross trefle of 9ct rose gold set with five round modern brilliant cut diamonds of around 0.55ct TOW is suspended by a belcher link necklace of 9ct rose gold and length 580 mm. $800 - $1,000 see colour illustration page 103 430
An Amethyst And Diamond Pendant With Neckchain.
The large pendeloque cut amethyst of stated weight 32. 22ct set in a frame of 18ct yellow gold accented with a panel of pave set diamonds and suspended by a 9ct yellow gold belcher link chain. Certificate from Partridge Jewellers. $1,500 - $1,800
$3,850 - $4,250 see colour illustration page 99 FINE JEWEL ERY &. WATCHES
115
Decorative Arts
Thursday 8th December 2005
5.30pm
5.30pm Lots
431 - 491
Miscellany
Lots
492 - 510
Glass
Lots
511 - 546
Royal Worcester Porcelain
Lots
547 - 581
Daulton Wares
Lots
582 - 684
Other Pottery and Porcelain
Lots
685 - 827
Sterling and Foreign Silver
Lots
828 - 872
Studio Pottery
Lots
873 - 883
Clocks and Instruments
Lots
884 - 981
Oriental Arts
Lots
981A - 1034
Furniture and Decorators Items
Viewing Times Thursday
1st
December
Friday
2nd
December
Saturday
3rd
December
Sunday
4th
Monday
-,
9.00am
5.30pm
9.00am
5.30pm
>,,>
11.00am
3.00pm
December
>>
11.00am
3.00pm
5th
December
>>
9.00am
530pm
Tuesday
6th
December
>>
9.00am
5.30pm
Wednesday
7th
December
>>
9.00am
5.30pm
Thursday
8th
December
>'
9.00am
12.00pm
VIEWING TILL 12 NOON ONLY ON DAYS OF SALES.
Illustrated left: Acollection of Sopde Parian Busts.
DECORATIVE ARTS
11 7
AVil
MISCELLANY 431
444
A Set of Twenty-Eight Bone and Ebony Dominoes $90 - $130
432
A Fifty-Three Piece Set of Bone Dominoes
445
$90 - $130
A Copper Embossed Vesta Case Rectangular, the sides decorated with raised oak boughs and a couple sitting on a fence. L75mm
mool Mark Work
$60 - $100
$17!
A Brass Vesta Case,
AHi!
games embossed. W.35mm .50mm
of err Sevre
$40 - $70 433
$90 - $130 434
dePIC
A Set of Bone and Ebony Dominoes 446
$60 - $100 447
$150 - $200 435
An Art Nouveau Brass Bound and Wood Note Book Holder The hinged cover inlaid with brass Art Nouveau design. L180mm
436
A Double Stamp Box
$60 ·
$80-$120
ACro
A Victorian Scottish Agate Brooch Large bonded oval polished brown stone set into a pierced foliate boder frame W.60mm x L.75mm . Note stone crack
An Arabian Flintlock Pistol
$20 - $40
Deep blue carbochon stamped 925
451
A Group of Eight Scarab Beetles
Wax Seal In Treen Circular Box and Four Seals
452
ut
A Cased Kiwi And Egg
$500 ·
the egg nestled in dried tussock, punga log and dried punga fronds ground cover. W.620mm H. 485mm Dep.325mm
A19tti
Three New Zealand Hand Tinted Maori Portrait Prints
riveAr two par
An Unframed Engraving by George Baxter.
$100-
H.35mm L50mm
From the 'Gems Of The Crystal Palace, No 1, The Exterior' Engraved, printed and published June 10, 1854. 318 x 452mm
AMeiji
$40- $60
$60 - $90
453
A Small Ivory Carved Elephant
An Elephants Molar Tooth Section
454
A Hand Tinted Lithograph by William Hogarth An Ame
Plate 6 of the series The Industrious Prentice ' entitled 'Out of Time and Married To His Masters Daughter' Unframed. 340 x 480mm. Edge tears and fold.
Celadon rli£squa
Three Unframed H Alken Lithographs
$150- !
The tapering shaft spiral carved decorated two thirds of its length carved eagle head grip in Inuit style. L865mm
Plates I, II and Ill of 'The First Steeple Chase On Record ' W.415mm. L.500mm note; some tears extending into the titles.
ARegen
$1200 - $2000
$60 - $90
$50 - $80
443
Hand
$30 -$
L.185mm
442
$900-
$75 - $150
$60 - $100
441
Gesso f
aworn, frame.!
Mounted unframed, featuring 'The Head of A New Zealander', 'Bay of Islands' and 'Types Des Naturel De La Nouvelle Zelande'
A Chinese Ivory Carved Needle Case Screw cap dragon relief. L90mm
440
ARus
A large royal arms red wax seal in turned circular treen box. Along with four black portrait seals
$800 - $1,200
Various species
439
ASou Acosb
$120 450
$300 - $400
$40 - $60
ACro
A Silver Celtic Brooch
$20 - $40
438
$45 •
$40 • 449
A Vizagapatnum Sewing Box Rectangular casket shape, the sandal wood lined interior fitted with a lift out compartment tray, ivory and micro mosaic inlay, ivory accessories.L.315mm D228mm H.110mm Note: some distress,mirror broken
pain!E Recla
tti~ 448
$125 - $175 437
APOI
Square section each hinged lid set with a cobalt blue banded agate, piereced and foliate embossed walls, gilded.
$200 - $300
Steel mounts and steel ramrod, the rounded butt decorated with inlaid silver pieces. L480mm
$250
Together with a small matching jewelry box, velvet lined.
A Cased Pair Silver Framed Spectacles With extending arms. Hallmarks. Maker MH
A Moroccan Leather Traveling Vesta Case
A Whale Bone Carved Walking Stick
A Nickel Plated Niagra Falls Souvenir Vesta Case Raised in relief. L.72mm H.6mmW40mm $60 - $100
455
456
Six Small Handcoloured Late Victorian Lithographs Five of which are laid down thick paper, unframed, possibly book plate origin. The largest measuring 297 x 224mm $60 - $90
rasw tl1
$150 -l
AFine o Ille deep decan!ers 1 iside !he
$1400. 118
ECORATIVE ARTS
l€doakiX]u~·
457
458
A Victorian Cast Metal Portrait Plaque of Wellington.
470
A Pair of Mail Coaching Engravings.
moulded painted, circular framed, surmounted by a coronet Marked Jobson's Patent Process 13th November 1854, Litchurch Works, Derby. D.280mm
'The Royal Mails Departure from the General Post Office, London' and 'West Country Mails at the Gloucester Coffee House, Piccadilly'. In one frame 470 x 418mm
$175 - $225
$200 - $300
A Highly Decorated Jewellery Casket
471
A Selection of Four Coaching Engravings.
I Case
of embossed and etched gilt metal with inset panels resembling Sevres porcelain however of enamelled metal. The panels depicting summer flowers. Red velvet lined. W155mm
In one frame, including 'Sunday trip to Richmond Hill' and 'Making a Dash with Gay Tilbury ... '. 378 x 528mm
ox ,e,e: ~;:.,
$2500 - $3000
$200 - $300
459
tcooalloli:eo. s.gloo:1 460
A Portrait Miniature
472
painted on oval ivory panel, of a woman after Gainsborough. Rectangular purple velvet easel frame
four scenes of the first Steeplechase on record (Vide the Sporting Review, No.1 January 1839). Hand tinted. 436 x 372mm
$60 - $100
$80 - $120
A Crocodile Skin Handbag
473
with kangaroo skin lining
A Rare Pre-Columbian Colima Terra Cotta Dog,
standing on all fours with tail raised. Incised facial detail. Produced as funerary offerings, Circa 1OOBC - $250AD
$45 - $90
sei1ntow:e:
looecra,i
A Framed Steeple-Chase Engraving,
$900 - $1,100 461
A Crocodile Skin Handbag $40- $80
474
A 19th Centruy Bronze Lamp Base
Modeled as two sailors standing in a coracle. Lamp absent 462
A South Indian Bronze Monkey Deity.
$125 - $200
A costumed monkey holding a dog. H.220mm $120-$150
IFow Sea~
Jarc,ne.
463
anor;i'. etp32r
Randomly set with white tiles, along with a another walled dish by Crichton D.190mm
oil on board; Chri3t in Benediction. 265 x 310mm
$100 - $150
of~~., Zr
1~ee11
465
. ,,ff'
Signed KC Bing 27.5.53. Totally handbuilt W.610mm $400 - $500 477
Five Arabian Silver Bangles
$240 - $300 478
$240 - $300
$30 - $45
imHogarth
467
An American Porcelain Vase
479
erll,''tti
$600 - $800
$150 - $200
~s
468
iaseOnRoc:ro extellirll 131, 469
·anljttiogta~ unframed~ x224mm
A Regency Mahogany Small Sarcophagus Tea Caddy,
A Large Wooden and Composite Figure of Madonna,
gesso painted orange gown under a pale blue robe; both with red borders. Some paint re-touching. H.1125mm
Celadon glazed , decorated with a waterlily applied in low relief to the squat circular walls. H.140mm
entieeer",
A Late 18th Century Sampler by Hannah Maria Holloway.
Oct 20th 1796. Alphabetical and a proverb 'Learning is better than .. .' 262 x 531 mm
A Meiji Period Satsuma Brooch
Handpainted with flowers, gilded details. D.28mm
,18~3') ..
A Framed Early 19th Century Sampler.
Of 'Precept' verses and a prayer in black silks, with border panels and motifs including flowers. M. M. Young 1825. 345 x 442mm
two pairs and one slender single
466
A Kauri Cased Half Model of a WWII Destroyer,
Gesso painted; Jesus with two saints and three disciples including a woman which could be Mary, within a vine relief painted gesso frame . Some minor pigment flakes. 308 x 440mm
$100 - $150
eaxter,
476
A 19th Century Cretan Icon
$900 - $1,200
1oriPortraH'1intS
A John Crichton Circular Pebble Mosaic Bowl
A Russian 19th Century Icon,
$500 - $600 464
475
480
A 19th Century Carved Wood and Gesso Crucifix
raised on brass bun feetW202mm
H.790mm
$150 - $200
$400 - $600
A Fine Old Mahogany Decanter Case,
the deep hinged lid revealing an interior fitted with three glass decanters with gilt decoration to their shoulders, two tin caddies. Inside the lid a keyhole frame accepts two glasses. W245mm
481
A Hand Carved and Painted Religious Figure.
Wearing a papal tiara and yellow robes. H.320mm $200 - $300
$1400 - $1,700 DECORA":WE ARTS
119
An u,
482
483
A Hand Carved and Painted Religious Figure.
494
A robed and tonsured monk. H.320mm
Modeled in the manner of Picasso as a profile visage. H.320mm
!hee: finishe
$200 - $250
$800 - $1200
$300
A Hand Carved and Painted Religious Figure.
495
$200 - $300
AnAr1
A Hand Carved and Painted Religious Figure
The bowl and flared base of pale yellow flecked with yellow and gold, the stem modeled as a stylized dolphin, clear glass with gold flecks within. W.108mm. H.232mm.
With gesso finished robes detailed with gilded floral designs. raised on an octagonal plinth base. H.380mm
$200 - $300 see illustration page 141 497
The stem modeled as a stylized swan, clear glass with gold flecks within. W.70mm H.130mm
shaven faced , glass eyed, painted cross falling to the waist; foliate painted robe over white garments. Hemispherical base. H.455mm
$100 - $175
$180 - $300 see illustration page 141
$350 - $400 500
$40- $50 A Murano Art Glass Vase by Achimede Suguso
Ovoid shaped, tangerine coloured with cobalt trailed as incipient handles to either side. Bears original label. H.300mm
501
A companion to above in shades of aquamarine, emerald and ruby. H.330mm
A Giant Murano Glass Perfume Bottle
Dapple< elched
$650 ·
502
elched I H.250m
$200 ·
An Art Deco Period Malachite Glass Vase
ARoyal
Tapering octagonal form, the exterior surface moulded with four semi-clad female figures in matt finish , polished geometric panels with fluting. W.155mm. H.253mm
~lh pei wilhmm aoo pien Black m,
A 1950s Art Glass Tall Oval Section Vase
$300 - $500 A Studio Orange Satin Glass Vase
With black trellis pattern moulded satin glass frill encircling the shoulder. H.185mm. D. 115mm
GLASS 492
AMulf
ROYA
The iridescent blue/ purple/ green flashing to gold, rough textured exterior surface decorated with broken horizontal purple glass tube lines. H.345mm
A Giant Murano Glass Perfume Bottle
$1,200 - $1,500
$450 ·
$400 - $600 see illustration page 141
$400 - $600
$600 - $1000 491
An Art Nouveau Decanter with Silver Collar
The surface decorated with seven glass globules applied at the shoulder each with a raised trailing tail curving down to the base, applied arching handle, similarly decorated stopper. Hallmarked for Birmingham 1906. JG&S. Note; moulded decoration chip
gesso painted white garment edged in faded red, black and yellow bordered robe. H.420mm
490
withs Mule,
AKost 499
A Hand Carved Wooden Saint Figure,
A Chalkware Statuette of the Infant Jesus of Prague.
A Set of Six Victorain Turquoise Port Glasses
Each on clear glass stem and circular foot. H.114mm
gesso painted; the garments decorated with moulded flowers, raised on octagonal plinth. Some minor age stress cracks. H.470mm
489
AMull
5C
498
A Hand Carved Wooden Saint Figure,
$350 - $400
$100 ·
A Small Murano Ruby Glass Vase Or Candlestick
A Wooden Hand Carved Figure of a Monk,
$350 - $400
488
$40 •
t11esh, cherub
$350 - $400
487
1~thfa
A Murano Glass Vase
496
$250 - $300
486
ARij
$200 - $300 see illustration page 141
A Hand Carved and Painted Figure of a Monk.
With tonsured head, a rosary and cross on his chest. H.380mm
485
see il/i
A Murano Glass Candlestick
Swirled pale blue tinted candle holder, drip tray and flared foot, the stem modeled as a dragon. Gilded effects. H.222. D.112
Wearing black biretta and star patterned red robe. H.390mm
484
A Murano Glass Bust
$1,250 see1/lust
ARoyal
Wilhhigh al~nelig Qil looln acanlhus mail{and
$5,000. 503
$250 - $350 A Kosta Boda 'Delight' Glass Vase by Gunnel Sahlin
Signed, numbered #49727, yellow ribbon spiral decorated on a pale lime/ lemon green ground. In original box. H.256mm
Of multi layered cased glass with conforming massive stopper, in shades of cobalt, emerald and ruby tints. Etched signature to base. H.330mm
see 1/lustJ
ARoyal I Vi1lillJnl
$100 - $175
bemes1o 1
An Etling Large Shallow Opaline Glass Bowl
~s.m
ll'Oi~I~
$1,200 - $1,500 493
A Murano Art Glass Vase by Barbini
Ovoid shape, graduated ruby to emerald tinted. Original label to side. H.300mm $600 - $800
120
DECORATIVE ARTS
504
Bluish tinted, the exterior a large moulded flower head with textured petals, encircling a web-like centre. 0.300mm $400 - $600 see illustration page 141
~Blc $3,000. see iilustr,
·orlefflage~t
505
An Umarked French Clear Glass Bowl
514
the exterior decorated with three cast doves wings outspread, finished in frosted glass. H.115mm D.270mm
With apples, peaches and grapes on a mossy ground. The baluster shaped pot with gilded spout and handle lidded with a domed cover with gilded bud finial. All pieces signed. Black mark, all date coded for 1951. H.125mm
$300 - $450
ptrayar~•.ret ect "222e --,
see illustration page 141
506
A Regency Square Foot Wine Glass,
$1,000 - $1,400
with facetted conical bowl. AF Chip
see illustration page 133
$40 - $60 OC1ell
Jt..
507
hnclearg~
515
An Art Nouveau Iridescent Green Bowl on Figural Stand,
$1,200 - $1,800
$100 - $200 508
A Muller Freres Domed Opalescent Hanging Light Shade,
see illustration page 133
516
with stylised Art Deco motifs complete with fittings etched mark 'Muller Freres Lunevilles'. D.350mm
gas1 •.
\s1asses H.1 14~ 0
$975 - $1,200
A Muller Freres Dome Fonn Hanging Lamp Shade
Dappled opaque.giving way at the edges to yellow and blue. Acid etched factory mark. D.360mm
see illustration page 132
517
510
A Kosta Clear Glass Vase
etched with a design of butterflies. Teardrop shaped on stem H.250mm
$200 - $250
A Royal Worcester Two Handled Vase by Harry Davis.
With highland sheep in a misty and rocky landscape Ovoid body with acanthus moulded handles issuing from the shoulder. Shape 2425. Puce mark. Date code for 1907. H.200mm
$650 - $850
rCol~r
A Royal Worcester Cabinet Plate by John Freeman
With peaches, grapes and cherry on a mossy ground. Serpentine rimmed, with gilded moulded border. Signed. Black mark, c.1973. D.220mm.
$450 - $550 509
A Royal Worcester Vase Painted by J Reed
With peaches and cherries and berries. The cylindrical vase raised on four acanthus scroll feet, the pierced neck highlighted with gilding. Signed. Back mark, c 1973. Shape G42. H.142mm.
the shallow fluted bowl mounted supported on a stem with a cherub clambering to escape a crocodile. Faults. H.290mm.
caoolestick
A Royal Worcester Miniature Coffee Service Painted by Roberts and Freeman
$4,750 - $7,000 518
A Pair of Royal Worcester Urn Vases
Shape 1572, squat cicular, raised on square bases, mask and acanthus scroll handles at the shoulder. painted with sprays of summer flowers on a blush ivory ground. Date code 1898. H.225
ROYAL WORCESTER PORCELAIN
$4,500 - $6,000 Vase
511
A Royal Worcester Jar and Cover by William Roberts
With peaches and black cherries. The ovoid shouldered shape with mouldings dividing the jar into four panels. The cover gilded and pierced , surmounted by a cupola finial. Signed. Shape H.279. Black mark, date coded 1950. H.135mm
'acel!IOO~
ol1shedgoo:'.'
519
With a medallion of summer flowers within a broad cobalt border heavily gilded in the Art Nouveau manner. Signed. Gilt mark, date code for 1951. D.270mm
$1,250 - $1,750
$1 ,250 - $1 ,500 ~;o~'. ·.. 'J'].'I: ;.i•
512
~ass!Til eOC
A Royal Worcester Two Handled Um Vase by John Stinton
513
520
A Royal Worcester Urn Vase and Cover by Peter Leaman
With highland cattle in a misty landscape with loch and peaks. An alpine vignette to the reverse. The ovoid body raised on a circular gilt foot moulded with acanthus, gilded trumpet neck flanked by acanthus capped handles at the shoulder. Signed. Puce factory mark and date coded for 1930. Shape H.313. H.340mm
With apples and grapes on a mossy ground. The ovoid body raised on a gilded circular spreading foot, square scroll handles at the shoulder with hop swags. Domed gilded lid with bud finial. Signed. Black mark, c.1973. H.210mm
$5,000 - $7,000
see illustration page 132
see illustration page 132
iyGunnelSa)JII
see illustration page 132
see illustration page 132
vase
A Royal Worcester Cabinet Plate by John Freeman
A Royal Worcester Potpourri Jar by Brian Leaman
$3,000 - $4,000
521
A Royal Worcester Two Handled Vase in the Manner of Christopher Dresser
Of distinctive Art Nouveau style, decorated with a stork amongst reeds on a turquoise ground. Attributed to Thomas Shaw, circa 1870. Ref. Similar works illustrated: Royal Worcester Porcelain by Henry Sandon. pg 35. Fig 53. H.285mm.
~ llJX H25o"
With plums and raspberries on a mossy ground. A group of three berries to the reverse. The ovoid body with raised gilt highlighted mouldings descending from the shoulder and dividing the jar into four panels. The cover finely pierced and surmounted by a cupola finial. Signed. Black factory mark, c.1969. Shape H.169B. H.190mm
$4,000 - $5,000
ass sow!
$3,000 - $4,000
see illustration page 133
B(I~ ~c
see illustration page 132
,wraJI'-'"'•;
treD~" DEGOF ATIVE AWS
121
522
A Royal Worcester Miniature Cup, Saucer and Plate Painted by John Freeman
530
With apples, peaches and grapes on a mossy ground. The cup painted to the interior and exterior. All signed. Black mark, date coded for 1952. 0.86mm $350- $600 see illustration page 133 523
531
532
Painted in the manner of Millie Hunt with roses. Squat spherical shape with piercing at the neck. Small chip on the foot edge. Shape H.278. Green mark, date code for 1908. H.92mm $200- $300 see illustration page 133 525
$3,000 - $5,000 526
533
528
535
536
Shape G.461. Gold rimmed mouth and base, Painted with apples and grapes on a mossy ground, signed. Black mark. H.102mm $450 - $600
DI ...,QRAT'VE ARTS
sha!Ml surtac ·cane grou~ $160
ARo1
A Royal Worcester Miniature Jug
slWl vroha IOOJkl
reg~te
A Royal Worcester Fruit Miniature Sugar Bowl
ARoy
Signed, the well painted with peaches and blackberries on an all over mossy ground, berry fruits on a mossy ground decorate the exterior. Black mark. H.30mm D.51 mm
incctl Rased
$400 - $550
$200
A Royal Worcester Miniature Cup And Saucer
' No lot ARoy Sj)herK
~rees
$500- $750 537
A Royal Worcester Cabi11et Plate painted by P. Love)
with fruit. Cracked $50 - $100 538
A Pair of Royal Worcester Plates
Serpentine rims gil~ed trim and fluted walls, the surface decorated with delicately shaded flower sprays and sprigs with gilded effects on a dry ivory ground. Puce marks. 0.215mm $200- $350 539
blackn pattern
A Royal Worcester Plate painted by John Freeman
A Worcester Ke1T & Binns Period (1852-62) Ovoid Vase
Painted Lorenzo subject after the painting by Vasari in the Florence Museum, on a gilded ground. Coat of arms vignette decorates the reverse. Printed shield mark, dated 1858. H.205mm. Restoration $200 - $300
122
ARO!
A Royal Worcester Miniature Teapot by John Freeman.
The well painted with flower grouping on a mossy lemon and apricot ground within a circular giolded band, the outer well decorated with gilded printed pattern on an ox blood ground. Black mark. 0.235mm
A Royal Worcester Rose Jar and Cover
A Royal Worcester Vase by D Wilson
Paintf
$300
$275 - $350
$1,000 - $1,750 529
AWO
The saucer signed Harry Ayrton, painted peaches and grapes on amossy ground in the saucer well and cup exterior and handle finished in gilt, gilded trims. Black mark.note; cup cracked. Saucer 0.98mm, cup height 35mm
A Royal Worcester Covered Vase by Harry Stinton
Shape 1927. Ovoid form supported on a flared and gilt trimmed circular foot, the body deccrnted with delicately shaded flowers with gilded effects on a matt blush ivory ground, pierced neck , applied foliate handles arching from the shoulder with gilding. Circa 1897. H.230mm
A Royal Worcester Vase by Millie Hunt
$160 534
Signed. Shape 2710 ovoid with acanthus moulded and gilded handles, the body featuring painted pair of highland cattle amoungst the heath on a mossy ground , the rear panel painted with heath landscape vignette. Black mark. H.320mm $3,750 - $4,500 see illustration page 133
$550
$250 - $350
Signed. Shape H.314. A grouping of three highland cattle amoungst purple heather, painted on a mossy ground to the front and rear. The pedestal base, handles, neck and shoulder and pierced cover decorated with moulded mounts of ivory and gold. Black mark. H.275mm Note; restored
527
$375 - $450
k1J<le(
With tapering walls, signed painted peaches and blueberries on a all over mossy ground, gilded handle and rim. Black mark. H.35mm
A Royal Worcester Covered Urn by Ernest Townsend
$2,500 - $3,500 see illustration page 133
atit'e
$475 - $600
A Royal Worcester Figure, Bacchante with Tambourine
marked with model number 1441 and registration number 145171 indicating original production in 1890. Puce mark with 'shot silk enamel' banderol and date code for 1897. This model number is normally associated with the study Bacchante with cymbals, evidently the modeller has reconfigured the subject with alternate instrument. The dancer stands poised with tambourine raised, wearing an iridescent gown sculpted to reflect movement and drape. Restored at the fingers. H.605mm
Shape 2491 /11 , painted apples and brambles on a mossy ground. Black mark. H.70mm
The cover with an applied moulded and gilded flower with leaf finial, the body fruit painted with damsons and vine fruits on an all over mossy ground. Gilded handle and spot supported on a gilded ring foot signed. Black mark. H.75mm
A Royal Worcester Jar
ARo lfOJK
$375 - $450 see illustration page 133
With peaches, gooseberries and blackberries. Gilded, gadrooned moulded rimmed. Signed. Black mark. Coded for 1954. 0.112mm
524
5,1
squat circular shape 2491 , painted with roses. Black mark. H.70mm
A Royal Worcester Demitasse Cup and Saucer Painted by Peter Love
$575 - $850 see illustration page 133
A Royal Worcester Wide Mouth Vase by Brian Leaman
$150 •
DOU 47
ALarg Circa 1
Wl~tul rnarolec
$1,500 see illu1
AMas: Ba~ow 1891-1 landscai along w
thetrurr 93. L44 $3,250 see illus
by Brian lea111a1
iles oo a~
540
A Royal Worcester Ovoid Vase
549
moulded, painted and gilded with a floral design in Japanese kakiemon manner on a celadon ground. Moulded gilded ring handles at the shoulder. Crowned wheel mark, dated 1869. H.250mm
int
~Barba
541
$550 - $700
1885. Baluster shape, decorated with Persian style flowers and leaves, incised and beaded on an ochre ground. Exhibited NZ Post Royal Daulton Exhib 1992-93. L56. H.320mm. Assistant's marks: Rosina Brown; Ernest Bishop; Annie Askew
A Worcester 'Gloucester Cathedral' Plate by A Wallcraft
$1,500 - $2,000 see illustration page 129
Painted on a mossy ground, the rim trimmed in gilt. D.270mm
550
$300 - $400 :byJohnf!eema&
542
A Doulton Lambeth Stoneware Vase by Frank Butler.
A Pair of Doulton Lambeth Salt Glazed Stoneware Ewer Vases by Hannah Barlow.
Circa 1887. Decorated sgraffito with recumbent and standing cattle on encircling bands of white slip between panels of incised foliate designs. Exhibited NZ Post Royal Daulton Exhib 1992-93. L41a-b. H.385mm. Assistant's marks: Louisa Russell; A Hays?
A Royal Worcester Bamboo Basket Vase,
shape 858, c.1905-1906; moulded bent bamboo cane form, the surface decorated with embossed bamboo leaves below a curved 'cane' shaped handle. Painted in pale matt green on matt salmon ground, trimmed in gilt. Puce marks. W. 210mm
$5,000 - $6,000 see illustration page 129
$160- $200 551 543
A Royal Worcester Ewer,
shape 1004, the body surface and shaped neck hand painted with a butterfly and blossom boughs on an ivory ground, applied moulded and gilded handle to the indented sidewall. Green mark with registered number 29115. Also painted "Tess" Xmas 1890. H. 735mm
Salli &;~
lllaci(r~,,-
$160 - $200
1891-1902. Ovoid, raised on a circular foot and with wide trumpet neck. Decorated sgraffito through cream slip with an encircling scene of donkeys and sheep. Incised and beaded foliate designs to the shoulder and foot. H.270mm. Assistant's marks: script monogram unidentified.
A Royal Worcester Shell Shaped Dish by A Markowski
$2,000 - $2,500 see illustration page 129
ijgarBowl Jbla6bemesr ;igrouniliw··,
544
in cobalt blue and gilt with an attractively simple floral design. Raised on three gilded shell feet. Gilt mark, date code for 1952
552
545 546
No lot A Royal Worcester Japan Inspired Vase,
spherical with a short tapering neck, applied handles, raised on three spherical feet. Decorated with Japanese motifs including black maple leaves, russet bamboo cane section of diaper patterns on a white ground. Aqua mark 1877. H.85mm Johnfreeman
$150 - $250
a~iler •
DOULTON WARES
6nil l)ieo:" · anoxlliCG'.
547
1intedbyP,ll!I)
$1,200 - $2,000 see illustration page 129 553
$900 - $1,100 see illustration page 129 554
a1s. es1iJ:' ~1s•1~
marrso:·
iss2-62l ovo~vase ~byla,an, ., )la!Oiari115_, iiiJa!ediBib
A Massive Doulton Lambeth Stoneware Vase by Hannah Barlow and Eliza Simmance.
1891-1901 . Decorated with a herd of stags and hinds in a landscape, sgraffito through creamy slip encircling the ovoid body, along with incised foliate bands at the foot and shoulder and to the trumpet neck. Exhibited NZ Post Royal Daulton Exhib 199293. L44. H.440mm Assistant's mark: A Hays $3,250 - $4,000 see illustration page 129
A Rare Doulton Lambeth 'lsobath' Inkstand.
This unusual item was produced by Daulton for the firm De La Rue from 1888. The reservoir supplied ink to the spout on the outside wall as it was taken up by a dip pen. The amount delivered is controlled internally be a pivoted vulcanite hemisphere. Ref: 'The Dou/ton Lambeth Wares' D Eyles pg258. Exhibited NZ Post Royal Daulton Exhib 1992-93. L9. H.163mm. Assistant's marks: Kate Russell; Helena Pennell; Emily Wood.
$1,500 - $2,000 see illustration page 129 548
A Pair of Doulton Lambeth Beakers by Emily E Stormer.
Impressed date 1881. French silver rimmed. Decorated with carved and beaded foliate decoration on a random white slip trailed background Exhibited NZ Post Royal Daulton Exhib 199293. L47a-b. H.163mm Assistant's marks: Olive Dale; Mary Atkin; Mary Davis.
A Large Doulton Lambeth Vase by Frank Butler
Circa 1902. Inverse baluster shape with trumpet neck. Decorated with tulip flowers and foliage with incised outlines and details on a marbled background. Assistant's mark: Rosina Brown.
A Pair of Doulton Lambeth Vases by Jane Hurst
1891-1902. Ovoid shaped, decorated with scrolling foliate tendrils incised and beaded, on a slip trailed and whorl impressed background. Each sinuous beaded line terminates in an applied flower. H.245mm. Small chip under foot of one. Assistant's mark: Miss Felton.
$200 - $300
nd Saucer
A Doulton Lambeth Stoneware Vase by Hannah Barlow and Eliza Simmance
$1,250 - $1,750 see illustration page 129 555
A Doulton Ware Vase by Eliza Simmance
1902-1914. Decorated with tube lined and impressed decoration of stylized Art Nouveau flowers on a mottled ground. No factory mark. Exhibited NZ Post Royal Daulton Exhib 1992-93. L66. H.400mmAssistant's marks: Jane Hurst: Louisa Russell. $2,000 - $3,000 see illustration page 129 DE-l,RAT vE AWS
123
556
A Doulton Fa"ience Based Oil Lamp.
565
557
71
A Pair of Doulton Ware Candlesticks by Bessie Newbery. Circa 1885. Baluster columns with wrythen flutings and acanthus leaf mouldings supporting simple nozzles. H.180mm $450 - $600 see illustration page 129
558
567
560
$40 ·
$30 ·
A Doulton Lambeth Stoneware Vase.
1980
$10 · ,81
Antiq, Club
19781 570
A Pair of Doulton Ware Vases.
$30 ·
Circa 1902. Inverse baluster shape with whorl moulded and gilded shoulders above four tube lined panels enclosing carved flowers. H.280mmAssistant's mark: Minnie Forster
0TH
$800 - $1000 see illustration page 129
A Doulton Silicon Ware Jardiniere.
582 571
A Doulton Stoneware 'Kia Ora' Jug
$475 - $575 see illustration page 129
Circa 1902. Squat circular shape, decorated with applied frieze and tiki head motifs in green on natural ground.
A Doulton Ware Art Nouveau Jug.
$575 - $650 see illustra tion page 129 572
$1100 see il/u
A Doulton Silicon Ware Jug
AnAttJ rnooelle supporj note:o~
$250 - $300 573
Decorated with an Art Nouveau floral design spilling from the shoulder. Possibly Bessie Newbery. H.130mm. Assistant's mark unidentified
A Pair of Doulton Prunus Blossom Decorated Plates
$200-
With shaped rims, blue/yellow/green blossom bougs on a black ground, Diamond diaper border, plate D.265mm and 250mm printed and impressed marks together with registration numbers
see illus
ATum1 Impress nole;cro
$150 - $250 574
A Doulton Ware Three Piece Condiment Set.
A Royal Doulton Dickensware Vase 'The Artful Dodger'.
$300,
Foot rim chip H.120mm
see illus
$50 - $80 575
ACop, MIXlele Palace dressin
Decorated with applied foliate sprigs on the natural ground. H. 180mm
A Doulton Ware Tankard.
~'15
ACopel
A Royal Doulton Figure: 'The Captain'
lmpressE
He clutches a telescope in one hand the other resting on a map draped over a plinth. #HN2260. H.235mm
Feb 11tr
$275 - $350 CORATIVE ARTS
1978
The C 569
$300 - $400 see illustration page 129
124
The A
$350 - $450 see illustration page 129
$375 - $425 see illustra tion page 129
$250-$350 see illustra tion page 129
Auturr
copie! I0Spr
1891-1902. Decorated with applied leaves and beads on a leathered surface. Cylindrical. H.120mm
A Pair of Doulton Chine Ewer Vases.
Circa 1885. Incised and beaded decoration. Silver plate mounted and rimmed.
Roya
A Doulton Ware Tobacco Jar and Cover.
Circa 1902. Ovoid on circular foot. Decorated with a Nouveau encircling frieze of salamanders and beetles on a trefoil leafy tendril. H.175mm
$300 -$400 see illustration page 129
578
A Doulton Ware Wax Vesta Holder /Striker.
$500 - $800 see illustration page 129
Circa 1905. Decorated with trefoil leaves on sinuous tendrils framing flower heads on a mottled ochre ground. H.140mmAssistant's marks: Lilian Curtis; script monogram unidentified.
564
$200 - $275 see illustration page 129
$60 • 568
A Doulton Lambeth Stoneware Vase by Florence Barlow.
1882. Decorated with a repeat pattern of applied floral motifs in blue on the natural ground. H.175mm
563
cante Zeala
$150 - $200 see illustration page 129
$500 - $700 see illustration page 129
562
Decorated with applied floral sprigs on a dip glazed ground . H.100mmm
1881-1899. Ovoid. Decorated with a moulded and blue glazed band of anemones on a mottled green ground. Assistant's mark: Olive Dale
Daulton & Slater's Patent mark. Impressed lace pattern and painted chrysanthemum decorated ovoid bodied. H.265mm. Assistant's mark: L Rawlings
561
zeal,
Circa 1890. Squat spherical. Decorated with applied motifs.
1891 -1902. With pate-sur-pate decoration of pheasants rendered on a stippled ground. Tall ovoid shaped with flaring mouth. restored at the rim. H.385mm
'Roy,
A Doulton Lambeth Harvest Jug.
A Doulton Lambeth Quart Jug by Elizabeth Atkins
$600 - $700 see illustration page 129 559
$40
$250 -$250 see illustration page 129 566
ARo 'Mth oluel
Decorated with applied blue flowers on a natural ground. H.95mm Assistant's mark: Elizabeth Gillman
Circa 1885 . Painted by Elizabeth Shelley and others to the ovoid body with clematis vine and a moth. Cast brass base and brass fittings supporting a white glass shade. Overall H.610mm $1,250 - $1,750 see illustration page 141
76
A Pair of Doulton Silicon Ware Candlesticks.
S6oo. see illus!
esticks,
1aluraJgroor11iE;
576
A Royal Doulton P&0 Deep Circular Ash Dish
586
With circular pedestal raised in the well. Impressed marks P&O in blue lettering on the base. H.6Omm 0.150mm
Of a female figure with an oak garland in her hair. Impressed mark 'Ceramic and Crystal Palace Art Union, pub Aug' with the Copeland factory mark. Sculptor's name indistinct. H.34Omm
$40- $60 577
ipglazoog,1v:
$1,000 - $1,500 see illustration page 136
'Royal Dou/ton, Illustrated with Treasures from New Zealand and Australia' by Jennifer Queree.
Canterbury Museum 1993. Incorporates the CourierPost New Zealand Royal Doulton Exhibition 1992-93 catalogue.
587
578
th;iwl1edmo1's
$800 - $1200 see illustration page 136
Royal Dou/ton International Collectors Club Magazines
Autumn 1980 (Vol 1, No 10 to Winter 1984 (Vol 4 No 4) [14 copies]; Spring 1985 to Spring 1991 [22 copies]; Summer 1991 to Spring 1996 [20 copies].
588
lafllooadlwa
579
A Josiah Wedgwood & Sons R Stephenson Bust
Modeled by LWW Wyon F, published March 1858. plinth absent. H.3O5mm $300 - $400 see illustration page 136
$60 - $100
er,
A Well Modelled Parian Bust of Charles Dickens
Impressed character name with the number 995. H.395mm
$40 -$60
biker,
A Copeland Parian Bust
The Antique Dealer & Collectors Guide Magazine.
1978 to 1982 [57 copies]
589
A Parian Ware Hop Vine Embossed Jug,
tapering cylindrical shape. H.2OO
$30 - $60
$60 - $100 580
The Collector (NZ) Magazines
1980 to 1983 (20 copies]
1ed111thalt1/i~, 1sooatrel~llei,
590
one with ram masks and cherub mouldings The other with Bacchanalians. Both AF
$10 - $20 581
$60 - $100
Antique Collecting, Journal of The Antique Collecting Club
1978 to 1983 [45 copies]
591
clOOi11,1ca,,iJ ··.,
OTHER POTTERY AND PORCELAIN
e;1111tha~oo~,:; -ouoo
583
llina;ura:·--
iecoratedP~les ~[11a0
~ 65111ffiali~r-i ~ 1egsrra-i'
A Copeland 'May Queen' Parian Bust
585
A Moorcroft Vase Inverse Baluster Shape
Modeled and signed J. Durham. Impressed Ceramic and Crystal Palace Art Union. Pub. April 1 1868, she with an oak garland dressing her hair. H.338mm
decorated with anemones encircling the shoulder on a graduated green -blue ground. Painted initials and facsimile signature along with factory marks. H.26Omm
$1100 - $1500 see illustration page 136
$1,500 - $2,000 see illustration page 140
An Attributed Copeland Parian Bust
593
A Moorcroft Anemone Pattern Baluster Vase
modelled classical figure of mercury wearing a winged helmet, supported on a reeded column plinth. No marks. H.335mm. note;one wing absent
inverse baluster shape, decorated with anemones encircling the shoulder on a graduated green -blue ground. Painted initials and facsimile signature along with factory marks. H.26Omm
$200 - $300 see illustration page 136
$1600 - $2000
A Turner & Wood Parian Queen Victoria Jubilee Bust
A Rare Moorcroft Hazeldene Biscuit Box And Cover
$300 - $400 see illustration page 136
Signed W Moorcroft with impressed Burslem marks Square section with slab sides. The two main panels decorated with restrained tube lined blue-green trees in a landscape with smaller 1rees decorating the handled sides. Conforming lid with arcing handle. W.182mm H.165mm 0.120mm
A Copeland Bust of Alexandra Modeled by F Miller
$3000 - $4500 see illustration page 140
Impressed mark 'Crystal PalaceArt Union , FM Sculpt Pub Feb 11th 1863' with Copeland mark. H.3OOmm otherreslniJllla-·
592
Impressed 'Turner and Wood Stoke Jubilee Bust'. H.3OOmm note;crown pieces absent, old firing crack
'lbeArtfUI DOd!'·
n'
$1250 - $2000 see illustration page 136
594 584
A Large German Pate Sur Pate Porcelain Vase
in green jasper and white, the amphora- like vase with relief decoration of various seaweeds is supported by three mer-children above a circular domed foot embellished with shells. H.375mm
$30 - $55 ooilOOJOOl~ ..
582
Two Parian Ware Baluster Ewers
$600 - $800 see illustration page 136
595
A Moorcroft Advertising Ashtray For Marstons Ales
Of triangular form embossed brown with an autumn leaf and flower on a cream ground. 0.135mm $60 - $100 DECORAT VE Arr
125
'6 596
A Matt Green Keith Murray Shoulder Vase.
606
A Shelley Golfing Box A Shelley Golfing Biscuit Boxof oblong section The flaring walls and the lid decorated with golfing caricatures. AF.
Shape 3605. Lathe turned tapering cylindrical. Marked with Wedgwood factory backstamp, colour-way and facsimile signature. H.295mm.
$150 - $250
•1
$2,500 - $3,500 607 597
A Moonstone Keith Murray Shoulder Vase With lathe turned horizontal bands to the exterior. KM Wedgwood stamp to the base, together with Bates Wellington foil sticker. Shape 3805 circa 1940. H.290mm
In Art Deco manner. $150 - $190 608
$1600 - $2400 see illustration page 140 598
$250 - $350 609
$500 - $600 599
A Keith Murray Matt Green Cider Jug
610
A Wedgwood Skeaping Lion Dragging An Antelope On an integral rectangular base mounted on a conforming stepped ebony stained plinth. Glossy ivory glazed plinth L405mm
611
A Clarice Cliff Lotus Jug decorated with the uncommon 'Sunrise; pattern in a celadon green and orange colour way. The encircling pattern is painted between bands of solid orange above, yellow and green below. Printed 'Fantasque' back stamp. H.285mm
A
~
91
to ta ~
621
A
er
A wide border of painted perching sparrows and boughs on a slightly mottled blue/green/yellow ground with gilded effects, moulded cellular decoration to the lower body and neck trimmed in gilt, impressed amphora mark, No 37690. H.425mm
Br
$l
A H.
$l 612
An Art Deco Period Crown Devon Rouge Royale Dish Ar
Painted in the 1935 tent pattern on an ivory ground. H.130mm
With everted rim decorated with moulded tendrils gilded finish , enameled flower groupings with gilded effects descending into the well. Pattern #5002 and signed FK ? with impressed A166. H.46mm. 0.250mm
$7
$1100 - $2000
$220 - $300
AI
A Clarice Cliff Bizarre Octagonal Shoulder Teapot
A Clarice Cliff Bizarre Pattern Octagonal Shoulder Teapot
613
Deep blue russet and purple geometric shapes painted with green borders on anivory ground, russet rim, deep blue glazed lid with ivory glazed finial. H.140mm
Art Art Deco Period Crown Devon Rouge Royale Ewer decorated as for the bowl listed, impressed #434 US pearl lustre interior H.305mm $375 - $450
$900 - $1500 614
A Carlton Ware Mikado Pattern Vase
$400 - $500
DECORATIVE ART~
An Aynsley Orange Lustre Sugar Bowl The exterior with gilded foliate motifs, the well with a gilded butterfly and bird on an opalescent lustre ground, gilded foliate pattern on cobalt blue glaze decorates the well centre. H.45mm.
W&R backstamped, ovoid vase with dished mouth. The body painted in bright enamels with Chinoiserie vignettes and motifs on a matt black ground. A gilded patterned orange-red border at the rim is further patterned similarly.H.150mm
126
610
Am Impressive Amphora Ovoid Vase
$1800 - $2400 see illustration page 136
$4,000 - $5,000
605
~
An Art Nouveau Amphora Vase
$400 - $600 see illustration page 140
$500 - $700 see illustration page 140
604
$
Of ovoid form raised on shaped square foot, moulded and gilded stem handle arching to the mouth, specled moulded yellow/ brown lustre leaves and gilded fruits decorate the body. Impressed amphora marks, no 3436. h.215mm
$400 - $600 see illustration page 140
603
I(
s
A Wedgwood Skeaping Figure of A Polar Bear Sitting on it's hauches on an integral rectangular base. white matt glaze. H.195mm. L260mm
602
An Art Nouveau Amphora Vase
$400 - $600 see illustration page 140
$375 - $425
601
A
Four gilded leaf stems arch from the mouth rim to rejoin at shoulder forming moulded, speckled yellow brown lustre lily leaves which descend to the flared foot, on a bluish green ground. Impressed amphora, no 3458. H.185mm
lathe turned rings at the base. Facsimile signature marke
600
A Fielding's Devon Lustrine Vase ovoid with a small trumpet neck, decorated in bright enamels and gilt with four butterflies on a petrol blue iridescent ground. Printed factory backstamp.
A White Keith Murray Designed Vase for Wedgwood, c.1940. KM backstamp. Flaring form with fluted walls. Shape 3808.Frit to rim. H.180mm
'
A Naundorf China (Thuringia) Dancer Figure
$50 - $75 615
Mi
the
ova ti har
$7!
AS squ $8(
AO
A Grimwades Maori Ware Bowl
The
decorated with a scene of women cooking in a steam pit, entitled 'Maori Kitchen '
smo alph
$120 - $180
$80
616
ellanngwill~
A Grimwades Pink Lustre 'Maori Ware' Soup Bowl,
627
featuring the 'Te Hongi ' design. 0.230mm
A Grimwades Pink Lustre 'Moari Ware' Cup And Saucer
The rim decorated with game animals and birds and portraits of the Ivanhoe characters; the well features Urfried relating her story to Cedric, handcoloured pinks, greens and browns on a white background. 0210mm
featuring the pattern 'Maori Carver'
$80 - $120
$80 - $120 617
$75 - $125 618
628
0:
A Maling Harebells Tango Pattern Octagonal Sided Plate
$140 - $180
$400 - $600 619
A Charlotte Rhead Wall Charger
629
ustre, shgreer
$550 - $800 see illustration page 140
An Earthenware Tongue Stand
The raised centre displaying black transfer decoration bordering the bold word "Tongue" . 0.265mm
With a wide tube lined flower and foliate border of muted autumn tones on an ivory ground encircling a pale mud glazed centre. Signed rhead #4318.D.364mm
01 nai
An Advertising Plate For Pearson's Dip
circular with a shaped rim, foliate embossed the centre decorated with a black faced sheep. 0.240mm. together with a small circular dish advertising Pearson's Dip (pacolin), decorated with a horned sheep
The blue harebells contrasting against a rich orange ground, lozenge shaped enameled dottecl border pattern in reds, yellows, white and green on a black ground. 0.226mm
~htena~~sar lgrooii1Prr
A Wedgwood Ivanhoe Soup Bowl,
$80 - $120 630
A Rare Crown Lynn Advertising Figural Ashtray
For Beechey and Underwood. Crown Lynn marks. H.115mm 620
A Charlotte Rhead Small Jug
1ldedandgldro dediern
Painted with a stylized foliate freize on a mottled ivory/grey ground, bordered by pale blue bands, the handle, upper rim and foot pale green glazed. Impressed #634. Foot rim glaze firing fault. H.95mm.
etxxlfls~~t
$90 - $150 621
IJJUghsooa ettec:s
$300 - $400 631
$50 - $100
A Pilkington's Royal Lancastrian Vase,
cylindrical with inverted mouth and small foot ring. Red-orange glazed with underglaze painted Persian inspired foliate panels encircling the body. Impressed factory marks and 3034. Brushpoint monogram of William S. Mycock. H.155mm
632
$250 - $350
633
loyaleDish
622
623
~g ded'":
decorated with an India Tree hand coloured pattern.
H.75mm D.130 $200 - $300
$180 - $250
An Art Nouveau Period Four Handled Gourd Vase
634
624
A Crown Lynn 'Handwerk' Bowl,
the interior wall free-hand brushed with a border of green outlined ovals and burgundy pods between encircling black lines. Green tiki back stamp brushed #781-7; the work 'werk' with a stylized hand. H.55mm 0.227mm
RoyaleEwer
'us~~·r,
$1800 - $2500 see illustration page 136 635
A Small Royal Copenhagen Fajance Vase
square section with cruciform pattern. H.125mm t11agki<l ~.gi~',":t centreHl5r
A Decorative Allertons Small Alphabet Nursery Plate
The wel decorated with punch and judy, holding the child, toad smoking a pipe, in teal/ blue on a white ground, letters of the alphabet encircling the rim. 0176mm steamiJi ec
$3,500 - $4,500 see illustration page 141
$80 - $120 626
A Superb Hugo Lonitz Majolica Mirror Circa 1885
An elaborate frame of branches entwined with ivy three applied blue and green birds and abrown speckled plae blue lizard caught in the act of raiding a bird's nest. Impressed double fish marks. W.400mmH.520mm. Note: some minor and small restoration
$750 - $1,000 625
A Wedgwood Majolica Centre Piece
A pair of modeled entwined fish, the tails supporting a modeled mottled brown nautilus shell bowl (detachable) supported on a shaped oval base. impressed marks. H.420mm Note; small chip on fish tail and rim
$75 - $125
pressl!IA'lli
A Majolica Bread Platter
oval form decorated with fox hunt scene, embossed the rim with the raised wording 'Eat thy bread with thankfulness'. No makers mark. W.270mm H.50mm L.320mm Note: old rim chip.
A Zsolnay Green Lustre Squat Circular Vase
Majolica green /brown glazed. Maker unknown. H.310mm
esce~f; ..,
A Graduated Pair of Pinder and Bourne Ashets
$400 - $600
'KJll€d("m ~
125mm
A Circular Bread Platter
The rim decorated with embossed wheat sheaves encircling gilded wording 'ye shall serve the lord your God and he shall bless thy bread and thy water' No makers marks. 0.310mm
636
A Wedgwood Majolica Table Match Striker
Circular mottled majolica glazed cone pedestal striker with well for vestas. H.80mm.D.115mm $200 - $250
$80 - $120 DECORA, IVE ARTS
127
637
638
A 19th Century Majolica Jug
646
with floral design moulded in high relief to the cylindrical walls. The handle as a naturalistically modelled branch. H.210mm
The straight sides in polychrome Chinoiserie figures in a courtyard. Below a rim border freize of diaper patterns, birds and bamboo leaves, moulded cross over handles, gilded effects. H.128mm.
$150 - $200
$800 - $1 ,200 see illustration page 137
An Early Wedgwood Lidded 'Piecrust Ware' Dish.
Oval, with glazed insert. The exterior decorated with moulded game birds hung on vines. The lid finial as a moulded rabbit, moulded game animals decorate the lid surface with pie crust rims. Impressed mark. W.260mm. H.190mm.L.360mm. note: Hairline cracks and old internal rim chip
647
A Late 18th Century/ Early 19th Century Blue & White Plate
$500 - $750 see illustration page 136 648
$70 - $140 see illustration page 137
$100 - $150 1BthC Marseilles Veuve Perrin Faience Lidded Circular Box
Tin glazed earthenware, the domed lid Chinoiserie painted after Pillement, green diaper border, hinged metal rims, the base painted withboulders and plants. Painted V.P signature C.17 4095. H.75mm. 0.130mm
649
$80 - $100 650
Painted with figures. 0.75mm Note; hairline crack rim chip
651
A Pair Creamware Basketweave Oval Plates
$60 - $75 652
643
653
$80 - $120 see illustration page 136 654
$100 - $150 see illustration page 136 644
$300 - $400 see illustration page 136 655
$220 - $260
128
$225 - $300 see illustration page 136
A George Grainger Worcester Tea Set,
comprising six cups and saucers, sugar basin, milk jug and two plates; decorated with a stylised foliate pattern in apple green and gilt encircling the rim. Black mark. Faults to basin.
lECORAT VE ARTS
A Spode Eight Piece Part Teasel
Comprising two cups, sacuers and side plates, a shallow dish and slop bowl, richly painted foliate pattern in a deep blue russet, greens and pinks witl I gilt effects on a pale blue/ grey ground. Blue SPODE printed mark. Note; cup hairline crack
$2,500 - $3,000 see illustration page 136 645
A 19th C Porcelain Blue And Polychrome Decorated Mug
painted conifer tree , bamboo and flowers in the Chinese manner below a diaper frieze encircling the everted rim, raised on short curved foot. H.100mm. 0.78mm. note; old rim chip
A Welsh Natgarw Porcelain Plate
Serpentine rim with gilded trim, the well decorated with a posy of summer flowers in pinks, orange and blue, together with two flower sprigsan orange butterfly painted on a white ground raised on a short circular rim foot. Impressed "NANT-GAWR" mark over the initials CW. H.30mmD.215mm
Small Masons Jug
with floral design, small chip to rim. Snake handled octagonal bodied. H.102mm
A Pair of 19th C Creamware Moulded And Pierced Baskets
Circular with shaped rims, raised on a short circular foot rim. H.38mm. 0.238mm
A Porcelain Teabowl,
Monochrome painted foliate freize raised on a short ring foot. $60 - $75
Moulded with deep blue glaze ribbon decoration, pierced rims. W.235mm.L.278mm $125 - $200 see illustration page 136
A Porcelain Teabowl
painted with flower motifs. 0.80mm. Minor rim chips.
$150 - $250 see illustration page 137 642
A Small Chinese Style Polychrome Teabowl $60 - $75
A Pair of Stoneware Jasper Flasks
One brandy the other whisky, foxhunt scene on a brown purple ground. Metal capped cork stoppers. H.170mm
An Early 19th Century Teabowl
painted in famille rose style with fluted rim , raised on a short circular ring foot.D.85mm
$100 - $250 641
A Masons Ironstone Chinoiserie Jug
Painted in polychrome, a figure group attending court in a courtyard, diaper patterns encircle the neck, repeated on the internal neck wall. Impressed and black printed marks. H.170mm.
The well decorated with Persian type scene of merchant figures with mosque in the background rose and crown decorated border. Unmarked. 0245mm
640
An 18th Century Porcelain Sparrow Beak Jug
Four Chinoiserie figures in a courtyard scene overlooking a lake, painted in polychrome with remnants of gilding supported on a small ring foot. Note; old foot rim chip
$1100 - $1600 639
An 18th Century Large Porcelain Tankard
656
A Porcelain Cream Or Milk Jug
Painted pink rose motifs on an ivory ground, gilded foliate decoration. H.122mm $40 - $75
5!
~1naC11Jityar,
aoo-
1
H.128mm
Jug ~oo~ngalaKe.
~PIX1rtedooa 553
557
568
563
567
569
562
554
court ina
aaledoo~e Tiarks.HFO••
ooaslw
NI
knmchv
561
566
565
564
571
tliips.
552
551
570
558
560
oecorated Mu1
e()liilese t·
rasedOC~~ ciljl
ashal)ICS __. 111eeP!ilJ€'ffe
gre'/g0, ck
dedlola'e
550
548
549
547
555
559 DECORATIVE ARTS
129
678 657
An Attributed Minions Yellow Ground Oval Shallow Dish
668
The shaped rim trimmed with bands of gilt, a freize of gilded leaves decorates the interior wall, a posy of roses, harebells, columbine and for-get-me-nots on a white ground decorates the centre. W.258mm
circular in ebonised frames. Moulded in relief with figures of bacchantes and putti. In one the putto bedecks the bacchante's hair with flowers, in the other he tempts her with grapes. Blue crowned N mark. D.170mm
$500 - $750 658
$350- $550
A Belleek Openwork Basket of Circular Form
Decorated with applied roses and violets, impresses marks 'Belleek Co Fermannagh'. One arching handle intact, the other partially broken with the separated piece present for restoration. D.225mm
669
A Fine Pair Sampson Copies of Chelsea Hounds
Each modeled in the act of pursuit, supported on tree stumps moulded ground cover plinth. Handpainted in restrained tones of green and brown, black on white ground. Gold anchor marks. L324mm
A 19th Century Continental Forty Six Piece Dinner Set.
679
Comprising four graduated ashets, vegetable dish, lidded sauce boat on stand, nine large dinner plates, eighteen luncheon plates and eleven soup plates, diaperpattern rims, oriental foliate motifs in lmari trims. Red 'Oriental' mark back stamp with #147 in red glaze
$600 - $800 659
A Pair of 19th Century Naples Porcelain Plaques
$650 - $800 670
680
A KPM Porcelain Shallow Dish
painted with three maids beside a stream. Marked verso by the paintress indicating that the dish was a blank painted in 187 4.
$2,500 - $3,500 see illustration page 136
$200- $300 660
A Belleek Sugar Bowl
moulded fluted walls. Sepia mark. H.50mm D.98mmt
671
$50 - $70 661
A 19th Century Staffordshire Cottage
662
681
$250 - $350
flat backed; with cobalt blue roof, flower borders. Old hairlines to the base. W.132mm H.165mm D.50mm $180 - $220
A Pair of Figurines in the Manner of Meissen
She playing a stringed instrument , underglaze blue mark. H.115mm, together with an umarked male putti chiseling an urn. H.122mm. note; old chip
672
A Meissen 19th Century Porcelain Tray
painted to the centre and in vignettes around the walls with scenes of romanticcouples, reserved on a ground moulded in low relief and embellished with gilding floral sprays. Erased crossed swords mark. AF. W.370mm
A Set of Three Staffordshire Copper Lustre Jugs
Each with embossed figures. Tallest 200mm $180 - $250
682
$400 - $600 663
683
An Early Porcelain Figure of a Woman
A green robe decorated with flowers draped about her body, a large basket urn festooned with applied flowers. No marks. H.235mm. note; old restoration, petal loss and broken hand
673
A Pair of Large Continental Porcelain Figures
bisque porcelain, hand coloured. AF $500 - $600
$300 - $400
684 674
664
A Sampson Armorial Porcelain Punch Bowl,
decorated in Chinese lmari style with an armorial cresting amongst scattered flowers to the exterior; similar sprigs and blooms to the interior. Faux Chinese mark under the base along with 'Made in France'. D.290mm $200 - $300 665
each lightly clad woman reclines beside a pond. One with impressed artist's signature to mound plinth. W.185mm $275 - $375 675
An 18th C Worcester Porcelain Blue & White Cup And Saucer
666
$500 - $600 676
Decorated with orange and yellow, green floral reserves. Square foot or fret mark, handpainted in underglaze blue. C1755-75. D.226
667
A Late 18th C Early 19th Century Blue And White Plate
Moghal figures amoungst fortification ruins, impressed Rogers mark. D.248mm $100 - $150
130
DECORATIVE ARTS
A Sevres Porcelain Plate
decorated with the cipher of Louis Philippe flanked by cherubs with bleu celeste Jorder. Marked verso with Chateau de Tuileries and Sevres backstamps. D.245mm
An 18th C Worcester Deep Blue Scale Ground Plate
$100 - $175 see illustration page 136
A Pair of French Bisque Porcelain Figures
carved with hand painted e~amels, of a dandy and his companion She attempts to read the contents of a sealed letter.
Fluted walls rising to scalloped rims, foliate and bird motifs painted in blue, crescent marks c.1755-90. AF $120 - $175 see illustration page 136
A 'Pair of Art Nouveau, Neo-classically inspired figures marked L&M ( possibly for Leboeuf et Milliet)
686 A l, ~
$600 - $800 677
A French Porcelain Rouleau Vase
oval section raised on four gilded ball feet and with moulded ring handles to the sides. Painted with a bird in flight above a lake scene, flanked by trailing clematis flowers. Impressed factory mark under base E.P & C. H.270mm $350 - $550
I
A Lt
hi
s·
St
Iin Plaques
lfl'llthfigureso'
678
ck.lthebaccmn:e;
·withgrapes L!
$220 - $260
Piece Dinner Sit. d~ Kkll:1&11£1 :efllUOCOOJlp~·~
A George Grainger Worcester Tea Set,
679
Yrth =14) '00.2:
$600 - $1,000 see illustration page 140 689
680
$1,000 - $1,500 see illustration page 140 690
$250 - $400 691
681
$1,200 - $2,000 see illustration page 140
A Good Drab Olive Jasperware Cheese Dish and Cover
with cylindrical cover decorated with creamy sprigs of farm animals in a wooded landscape between bands of fruiting vines. the circular dish decorated to the everted rim with similar fruiting vine.
692
London 1807. The frame holds four original cut glass bottles.
693 Jl!le11a S '
A Royal Copenhagen Porcelain Dish,
$100 - $150 683
figures
A Sterling Silver Tazza by Charles S Greene & Co.
Birmingham 1905. Two handled, shallow bowl raised on a stem from a circular domed foot.
painted to the well with a view of Langelinie Harbour and the statue of the Little Mermaid. D.215mm
wndrrooiled J% ErasedCT[WJ
A George Ill Sterling Silver Cruet Stand by John Eames. $200- $400
$300 - $400 682
A Sterling Silver Coffee Set by Joseph Taylor.
London 1846. Three piece, baluster shaped, foliate engraved. Crested with a leopard's head erased.
$400 - $500
leissen
A George Ill Sterling Decanter Coaster by Thomas Daniel.
London 1783. Bead rimmed and with vertically pierced walls interspersed by foliate motifs.
An 18th Century Austro-Hungarian Faience Jug,
dated; of ovoid form with short tapering neck, polychrome decorated heraldic lions bordering a wreath enclosing a boot maker's symbols, foliate borders, a double row of text encircling the shoulder. Fragile - Old repairs but complete. H.265mm
rkedvellO~~ pamled~18i'.
A George Ill Sterling Waiter, Probably by John Beldon.
London 1783. Piecrust rimmed with husk and scroll edge, raised on three pad feet. An engraved cartouche to the centre. D.170mm
A Pair of 19th Century Wier & Son Ironstone Plates
$50 - $80
A Stet1ing Silver Art Deco Tea Set by S Blanckensee & Son.
Birmingham 1934. Four piece, with catlin handles and finials. Tapering cylindrical shape with guilloche engraved encircling bands.
Chinoiserie decorated in flo blue and imari russet with famille pink. Back marks. D.268mm Note; one plate hairline in well
nenta1 f~@:e ~-,
bltIB~arx mchisqan•
688
comprising six cups and saucers, large sugar basin, milk jug and two large plates; the interiors decorated with a stylised foliate pattern in apple green and gilt encircling the rim, with a gilded band above the well; the band repeated to the exterior, all on a white ground. Circular black base mark. Rim chip and crack in basin.
$100 - $200 694
A Porcelain Shallow Dish with Crowned Monogram,
A Similar Smaller Tazza $90 - $140
with puce border. Hairline at rim. D.235mm $160 - $200
695
A Similar Smaller Tazza $90 - $140
684
tinspiredfigullS Millie!)
A Gouda Wall Plate,
circular, painted with an abstract design on black ground. D.260mm
696
Birmingham 1907. Bell bowled with acanthus capped handles. Engraved: Lord Roberts's Boys / The Onehunga New Zealand / Challenge Cup / Presented by / Her Grace The Duchess of Marlborough / 1909. To the cover: Dominie Dirige Nos
$100 - $150
llld One • . W185111.~
An Elkington & Co Sterling Covered Cup with N.Z Interest
STERLING & FOREIGN SILVER
$1,000 - $1,500 see illustration page 140
ures
685
A Sterling Silver Teapot by The Barnards.
London 1846. Melon shaped, engraved with foliate panels and with melon finial.
il)andhsw-nf:e · ~letter
697
London 1762. Baluster shaped on spreading circular foot. Double scroll handle engraved with owner's initials. H.120mm
$500 - $750 see illustration page 140 686
~nked~~e·-~x QJamaudel,, •
687 \'ll~!OC!Jld(li1r
ighl aOJ'/ea~te wressedlaclCiY
A Sterling Silver Milk Jug
An Early George Ill Sterling Mug by William Soame.
$900 - $1,300 see illustration page 140 698
A Pair of Victorian Parcel Gilt and Silver Candelabra,
London 1846. Melon shape, embossed with foliate panels, raised on acanthus feet.
Incorporating chinoiserie square ribbon scrolls and lion dog masks along with pine cone finials. Registered design circa 1886. H.350
$180 - $240
$800 - $1,100
A George Ill Sterling Silver Tankard by Thomas Ollivant.
London 1802. Tapering cylindrical with two bands of ribbing. Flat hinged cover with pierced thumb piece. H.190mm $1000 - $1250 see illustration page 140
699
A Pair of Sterling Gilt Beaker Vases by Charles S Harris.
London 1899. Tall beaker form pierced and embossed with birds and foliate designs. Fitted with deep green glass liners. H.195 $750 - $1,000
DECORATIVE ARTS
131
522 511
519
516
513
514
520 132
DECORATIVE ARTS
522
523
514
515
533
535
534
527
521
530
529
526 DECORATIVE ARTS
133
An I
700
A Shelley Porcelain Demi Tasse Coffee Set With Sterling Silver Mounts by Adie Bros.
711
Birmingham 1926. The cased puce coloured set complete with six sterling liquer goblets and coffee spoons.
A Sterling Silver Sugar Castor
~
London 1964. Baluster vase shaped with trellis engraved cover. H.155mm
S10
$50 - $100
An I
$600 - $900 712 701
A Fine Set of George Ill Sterling Flatware by Paul Storr.
London, circa 1813. Forty-four pieces of double struck fiddle , thread and shell pattern. The set includes a dozen each table spoons; table forks and luncheon forks along with eight dessert spoons.
713
C/lel
A Silver Toddy Ladle.
The bowl set with a Georgian silver coin. The handle of twisted horn.
$40
$140 - $190
ASI
A Cased Sterling Condiment Set by Adie Bros.
Birm
$12,000 - $14,000
$60
$75 - $125 702
A Set of Sterling Silver Flatware by Various Makers.
London circa 1860s. Fiddle pattern. Three table spoons, two table forks, twelve luncheon forks, seven teaspoons, along with six later pistol grip handled dinner knives and eleven luncheon knives.
714
API
A Silver Victorian Christening Set by George Angel.
The (
London 1868. A knife, fork and spoon in Albert pattern.
S11ll
$100 - $200
$1,600 - 2,000 715 703
Eight George Ill Scottish Table Spoons by William Davie
Moscow 1867. Fiddle and thread pattern .
Edinburgh 1783. Old English pattern. Engraved with crest: an armoured arm holing a sword, with the motto: by Sea and Land.
$120 - $200
$800- $1200 704
716
A Pair of George Ill Irish Sterling Table Spoons by S Neville
Dublin 1808. Fiddle pattern. Crested with a demi-wolf pierced by an arrow.
717
$250 - $400 705
A George IV Sterling Silver Table Spoon by Issac Parkin.
Exeter 1829. Fiddle pattern.
706
718
Birmingham 1901. Cased. With pierced finials.
G~
$60-$100
$80
A Cased Silver Baby's Spoon and Pusher.
AP~
Sheffield 1940.
LOO!X
$100 - $150
$60 .
An American Silver Dish by Birks.
Tc
AS!t
$80-$120
$80 ·
A Silver Plated Pocket Watch In Sterling Easel Stand.
Two!
Birmingham 1913. Engraved with guilloche concentric lines framing the opening which displays the watch face.
Bi11111r
719
A George II Sterling Silver Salver by William Peaston.
$80 •
$150 - $200
Two! 720
An Unusual Sterling Silver Shell Shaped Butter Dish and Conjoined Toothpick Holder by Martin Hall.
1903
$3000 - $3500
Sheffield 1893.
$20,
A Sterling Silver Salver by Walker & Hall.
$175 - 200
Two S
A Pair of Sterling Silver Presentation Scissors From A Ribbon Cutting Ceremony In 1929
$20,
721
$1600 - $2000 An Edwardian Sterling Silver Salver
Birmingham 1910. Circular with the rim moulded with flowers and scrolling ribbon work. The centre delicately engraved with arcanthus leaves, scallop shells and trellis cartouches. 0.252mm
722
AStet
$100 - $150
Slien
A Sterling Tobacco Box by C S Greene & Co for Hardy Bros
Birmingham 1907. Oval , hip pocket shaped, integral hinged lid, gilt lined.
A Sterling Silver Small Salver by Harrison Bros.
$125 - $200
$125 - $200
723
A George IV Sterling Silver Christening Mug.
London 1831 Tapering cylindrical with two bands of encircling ribbing . $60 - $90
DECORATIVE ARTS
·902,
Birmingham 1927. Ornate cast acanthus scroll handled. Engraved blades.
$1000 - $1200
Sheffield 1907. Piecrust rimmed, bead edged, claw footed. D.200
134
APal
A Sterling Silver Photograph Frame.
Sheffield 1934. Piecrust rimmed raised on three acanthus feet. Presentation engraved inscription to the centre. 0.312mm
710
r,
Bi1111u
London 1753. Piecrust rimmed with shell and scroll border, raised on three pad feet. Engraved monogram 'H' over 'H * A' and affixed BADA sticker. 0.290mm
709
$40
Circular with pierced rim and engraved swags. 0.205mm
$170- $200
708
A Set of Sterling Teaspoons and Tongs by Marples & Co
LIXlil
$80-120
London 1920. Plain rectangular. Oak backed. 270 x 190mm
707
ASt
A Cased Russian Silver Christening Set.
$400 , AStet
lonil::I\ ~al
$100, AGeo1
lll'm'I
$100.
724
engraved Cilifil.
An Edwardian Sterling Silver Christening Mug.
738
A Sterling Butter Knife by Elizabeth Eaton.
London 1847. Fiddle thread pattern with all-over engraved detailing and crest of hand holding a dagger.
Chester 1917. $100 - $125
$40 - $80 725
An Edwardian Silver Christening Mug.
Chester 1912.
ldleoftw~edll!n
739
A George IV Sterling Sifter Spoon by Walter Jorden
London 1824. King 's pattern. Oval bowled with fine piercing.
$40 - $80
$100 - $150
Bros,
726
A Sterling Silver Sauce Boat by Alex Clark & Co.
Birmingham 1909. Oval , serpentine rimmed, raised on pad feet.
~eAngel,
727
pattern
740
$60 - $100
Birmingham 1901. With unusual bowl modeled as a snail 's shell with comma piercings.
A Pair of Unmarked Silver Salt Cellars and a Pepperette.
$100 - $200
The cellars embossed with elephants and other animals.
741
$100 - $150 728
$90 - $120 742
$40-$60
rMarples&Co
$90 - $120 743
$80 - $120 730
$80 -$120
London 1798. Old English pattern.
731
732
$30 - $60 745
$80 - $120 733
$350 - $500 746
Two Sterling Pepperettes.
$20 - $40 734
$30 - $50 747
$75 - $125
$20 - $40 748
handled Engralld
:otor HaitfllrUS
A Sterling Silver Pill Box.
Birmingham 1876. With relief flowers in coloured gold applied to the hinged top
Two Sterling Small Oval Trays.
1902 and 1911 .
ssors from A
A Pair of Silver Handled Steel Scissors
With blade cover
1903 and 1906.
eutteroishand II,
A Sterling Baby's Rattle and Teether.
Birmingham 19th century.
Two Sterling Shell Shaped Dishes.
Birmingham 1909 and 1913.
centnc'ines ace
A Mother of Pearl Bladed Sterling Handled Letter Knife
Birmingham 1901.
A Sterling Topped Cut Glass Dressing Table Jar.
$80 - $120
Easel Stand,
744
Birmingham 1908.
0.205mm
A Sterling Jam Spoon.
London 1866. With mask finial and engraved crest. The circular bowl with flowerhead motif.
A Pair of George Ill Sterling Tongs by George Foster.
$60 - $100
A Pair of Sterling Sugar Tongs.
London 1856. Fiddle, thread and shell pattern.
A Pair of Wm IV Scottish Silver SaH Spoons by Peter Arthur
Glasgow 1832. Queen's pattern.
A Sterling Sifter Spoon by Charles Lias.
London 1840. Fiddle pattern, oval bowled.
A Sterling Silver Hand Mirror.
London 1896
729
A Sterling Silver Sifter Spoon.
735
736
A Sterling Silver Dish On Stand by Mappin & Webb.
Sheffield 1950. Circular with scale ground and pierced rim. D.225
With Dutch import mark. Pale pink enameled. Circualr, the hinged lid fitted with a mirror. (cracked)
$400- $500
$100 - $150
A Sterling Fish Slice by William Eley.
749
London 1845. Fiddle pattern with foliate pierced blade. Crested with a seated hound.
egralhi~;
A French Silver and Enamel Pill Box.
$100 - $150
A Perfume Bottle With Sterling Cover.
London 1891. Cylindrical with wrythen fluting 750
An Edwardian Silver Brooch
a woman 's head moulded in relief, flat back Birmingham 1908 1ug,
dsolerJ:irDITT'l
737
A George IV Sterling Fish Slice by William Eley.
$40 - $60
London 1828. Fiddle pattern with pierced blade. $100 - $150 :JECORATIVE ARTS
135
587
586
584
583
665
647
634 136
DECORATIVE ARTS
588
642
666
908
659
582
585
644
653
591
643
654
659
655
611
935
934
898
901
942
880
933
646
950
924
928
902
948
891
648
927
904
926
905
893
949
641
879
DECORATIVE ARTS
137
i1 751
752
B1rm
The cup nestled in a sterling pierced holder. Sheffield 1927. Saucer 0.112mm
The bowl marked with a Dutch tax mark post 1814. The stem decoratively worked and surmounted by a figure of a saint.
$30
$60 - $90
$1000 - $1250
Aca
A 930 Silver Snuff Box,
763
764
Brml
A Sterling Silver Handled Steel Bladed Carving Knife,
$30
London 1866 Indistinct hallmark - could be Maker GH. L.330mm
of rectangular section; embossed foliate exterior walls, the base marked 930, the lid of embossed figures in a landscape. L. 72mm
$20 - $40
ASb
A Sheffield Plate Sauce Ladle.
Birmi cover
$150 - $200 765 753
A Sterling Silver Ink Stand by G E Hawkins.
Fiddle pattern with engraved initials. L.190mm
Birmingham 1895. The ball tooted oblong tray decorated with embossed foliate border; the ink bottle of faceted glass with silver hinged cover. W.102mm
$100 - $120 766
$160 - $200 754
767
$150 - $200
LOIIIX
framll $80 •
APal
$50 •
$100 - $120
APai
An Egyptian Silver Salver
19th( pastel
$300 - $500
circular, piecrust rimmed, ribbon and flower border. 0.210mm
$100
11/vo Sterling Silver and Greenstone Coffee Spoons,
$350 - $400
768
A Sterling Silver Vinaigrette
769
ASte 770
A Sterling Oval Hinged Lidded Box by Mousley Bros
$200 - $250
Birmingham 1904. Foliate embossed all over. W.65mm
A Sterling Silver and Greenstone Butter Knife,
$50 - $90
$60 •
A Sterling Heart Shaped Box.
large
Chester 1905. The top inset with a blue jasperware tablet
$200
$100 - $150
A Sterling Silver and Greenstone Jam Spoon $110 - $140
PJOllg
AnAr 771
$120 - $150
760
ASI!
A Russian Silver Beaker.
LOIIOO
with tiki finial.
759
$130 - $180
embossed with foliate motifs, the gilt metal blade of sickle form terminating in three prongs. Russian marks, 84 zolotniks.
the bowls engraved 'NZ'.
758
$150
A Russian Silver Handled Knife and Fork Set.
the hinged lid with rose border and trellis patterning. The interior gilt washed including the hand cut pierced grille
757
llllllX
$150 - $200
$150- $200 756
ASII
A Gump's Sterling Paul Revere Reproduction Castor.
Moscow 1893 hallmarks. Engraved with a cottage fascia framed cartouche and leafy patterns.
A Georgian Cruet Frame.
London 1800. Boat shaped, AF; together with two silvered decanter labels, Sherry and Brandy. W.155mm
$10!
Pear shaped with moulded rib encircling the widest part, set on a moulded toot, circle and dot piercing. H.185mm
Three Sterling Silver Dressing Table Items,
Birmingham 1903, '05 and '07. An oval glass box with silver lid, together with two silver pin dishes.
755
A!:a
A 19th Century Silver Apostle Spoon.
An lmari Coffee Can and Saucer
772
the former as a Norse longboat, the later as a drinking horn.
Birmingham 1908. Serpentine shape, raised on four legs, the hinged lidded top with acanthus scrolls and ribbon swag engravings
$300 - $400
$60 - $100
A Norwegian Silver Salt Cellar and Pepperette
ACas
A Sterling Dressing Table Box
londoc
$40. ADou
Emlxli: 761
A Silver Gilt Replica of Coronation Annointing Spoon by Deakin and Francis Ltd.
773
Birmingham 1906. Tl ,e top set with an earlier cameo of an angel carrying two infants in her arms
Birmingham 1952. The original spoon has been used in coronation ceremonies of the British Monarchy since the 12th Century. This replica dates to the crowning of Elizabeth II. $200 - $300 762
$80 - $120 774
$400 - $600
A Sterling Silver Circular Dressing Table Box.
Birmingham 1931. Raised on three legs, chamois lined. 0.82mm
A Sterling Silver Pap Boat
Indistinctly hallmarked circa 1810. Of typical oval shape with distended lip. W. 102mm
A Sterling Oval Pill Box by John Hayes.
775
IOI
An Ind
Ctiaseo
$25- i ADute
$30 - $60
Y,1iflen
A Cased Pair of Sterling Napkin Rings
$20-S
Birmingham 1904. $30 - $60
1 38 DECORATIVE ARTS
$125 •
776
Uliestem fasaint.
A Cased Sterling Napkin Ring
789
Birmingham circa 1875
A Silver and Enamel Small Card Case.
London import assay marks for 1928. The hinged cover with an Arabian scene.
$30 - $60
$100 - $150
ring KnH~
777
A Cased Sterling Napkin Ring
Birmingham 1897
rGH.L33Cmm
778
Castor,
779
part, set on a
Early 19th century. Husk and scroll moulded rimmed. Blue glass lined
A Sterling Silver Tea Caddy by Deakin & Francis
$80 - $140 791
London 1963. Cauldron shape, raised on pad feet, with blue glass liners.
A Sterling Silver Capped Double Ended Perfume Bottle.
$80 -$120 792
$150 - $225
A Pair of Hungarian .800 Silver Cauldron Salts.
Foliate engraved and raised on acanthus feet.
A Sterling Cased Spirit Burner To Heat Curling Tongs.
London 1899. Heavilly embossed with scrolls and cherubs framing a vacant cartouche.
ifasciarramed
A Pair of Sterling Mustard Pots and Spoons.
$100 - $160
London 1895. Clear glass with facetted walls. L.155mm
780
An Old Sheffield Plate Mustard Pot and Silver Spoon.
$30 - $60
Birmingham 1911 . Octagonal section , plain with conforming cover. H.100mm
111
790
$100 - $120 793
A Pair of Sterling Salt Cellars.
Birmingham 1847. Scroll embossed.
$80 - $120
$30- $60 781
ll,
A Pair of Sterling Lidded Eau de Toilette Bottles
London 1894. Square section, clear glass with screw on lids.
af sic~e foon lolni~
794
A Pair of Sterling Mustard Pots.
Birmingham 1906. With blue glass liners
$50 - $90
$60 - $100 782
A Pair of Sterling Silver Buckles.
19th century. Maker's mark script JS. Facet cut frames simulating pastes, with Sheffield plated tongues. o.21omm
795
London 1885. Circular wrythen fluted.
$100- $200 783
A Sterling Silver Graduated Kerb Link Fob Chain
A Pair of Sterling Salt Cellars.
$50 - $75 796
,ley Bros
Along with a sterling ring.
An Egyptian Silver Niello Work Three Piece Condiment Set
imm
$60 - $100
Decorated with Nile scenes $30 - $60
784
An Art Deco Crystal Perfume Bottle with Sterling Collar.
Large plaque form stopper with conforming cutting $200 - $250
~tablet 785
urlegs. JbOIISWag
ieoof an angel
IX,
linedD82mm
797
786
787
788
A Cased Sterling Napkin Ring
Three Various Silver Napkin Rings $60 - $90
798
A Sterling Batchelor's Tea Set by S W Smith & Co.
London 1886. Floral bright cut
London 1898. Three piece, half lobed oval bodys with rope twist rims.
$40 - $80
$1,000 - $1,200
A Douwe Egberts Dutch Silver Metal Tea Caddy.
799
A Sterling Hot Water Pot
Embossed with scenes of peasant revelers. H.105mm
Ovoid shape.
$125 - $200
$80 - $90
An Indian Silver Cigarette Case.
800
A Sterling Sauce Boat and Sugar Bowl
Chased and engraved with floral sprays and tendrils.
Faulted
$25 - $50
$75 - $100
A Dutch Silver Circular Pill Box.
With engraved hinged lid. $20-$40
801
An Art Deco Sterling Sauce Boat by Naylor Clark & Co.
Birmingham 1939. Along with a sterling creamer, Birmingham 1932. $80 - $120
DECORATIV• AWS
139
623
691
140
DECORATIVE ARTS
689
597
601
619
600
500
610
609
594
592
697
688
499 495 504
,,
I '
498
505
498
496
97
556
1021
1010
DECORATIVE ARTS
141
802
803
A Sterling Sauce Boat
815
s
A Continental Silver Framed Velvet Purse.
Birmingham 1937. Oval with serpentine rim , raised on pad feet
Ornately cast and foliate decorated.
$60 - $100
$80 - $100
I~
A 0e on
A Silver Framed Chain Mail Purse
95
Chester 1911. With stippled finish to the tapering body. H.23Omm
London import mark 1916.
1n
$50 -$90
$200 - $250
Al Kai
Twelve French Silver Souvenir Coffee Spoons.
IO!
A Sterling Trumpet Vase.
816
nat 804
805
A Sterling Trumpet Vase
817
Birmingham 1908. With bead edged ovolu shaped mouth. H.13Omm
Each with various town names engraved to the bowls and with finials as shields bearing the town 's coat of arms.
$30 - $60
$30 - $60
A Sterling Powder Compact by J Gloster Ltd.
818
OOE
1/liS ~e
$3,
Twelve Various Souvenir Spoons.
AB
The majority silver.
Birmingham 1945. Square with canted corners. Machine engraved finish
whE
$90 - $120
"11
lac, i
$50 - $70 819 806
A Three Piece Sterling Silver Art Deco Dressing Table Set by C & R Comyns
807
808
820
London 1919. Old English Pattern. $50 - $100
$300 - $400 821
$60 - $90
822
Four Various Mother of Pearl Handled Knives $20- 30
811
823
Each glaze
$50 - $90
$80(
A Large Sterling Shoe Shape Pin Cushion by S Blackensee & Son
AM,
Birmingham 1909
ciphe
$350 - $450
$1,0I ALer
Dublin 1828. Fiddle pattern, rat tail back.
$250 - $300
BullXJ arxlo $800
824
A Sterling Butter Knife
A Duck Shape Sterling Pin Cusion
Birmingham 1922
An El
$250 - $300
0/lnd1
$600 825
A Small Pig Shape Sterling Pin Cusion ASet
A William IV Sterling Mustard Spoon.
Birmingham 1909
London 1836. Fiddle shell pattern. Crested.
$250- $300
fO:l g, lllerg~
A Silver Plated Biggin Coffee Pot.
$800,
$30 - $50
826
Baluster shape on domed circular foot, ebony handled.
A Sterling and Nephrite Coffee Spoon with Frank Hyams (Dunedin) mark.
Birmingham 1901 . Kiwi finial on greenstone stem. $100 - $140
$100 - $200 827
A Mermod & Jaccard Spoon,
raised foliate decoration spilling into the bowl. Marked Sterling. L.144mm $20 - $40
142
APa
Birmingham 1903
$10 - $20
814
Ill
Rectangular with scalloped corners, framed by a simulated bamboo gallery.
An Irish Sterling Teaspoon.
London 1892
813
si~ $451
A Swan Shape Sterling Pin Cusion by Levi Salamon
$10 - $20 812
An! \\!Ill(
W11/1
$50 - $75 810
A Victorian Silver Plated Tray by John Dixon & Sons.
Three Early 19th Century Sterling Forks.
London 1810, '3O.Fiddle pattern. Chawner. Crested.
num
$3,!
A WMF Art Nouveau Silver Plated Dish
Of asymmetric outline framed by whiplash borders, decorated to the centre with a scene of Diana, huntresses, hounds and a stag. W.4OOmm
London 1822,'24. Fiddle Pattern, various makers. Monogrammed.
809
196 ~
$80 - $120
Two Sterling Sauce Ladles and Soup Spoon
Three George IV Sterling Table Spoons.
un<I
Tall tapering shape; a wide border of embossed stylized foliate motifs encircle the shoulder. Stamped WMF #94. H.395mm
London 1929. A rectangular backed brush, a hand brush and a hand mirror. $125 - $150
A WMF Chrome Plated Vase.
DECORATIVE ARTS
ALen
Giog te Silral ~ saturate
$400.
STUDIO POTTERY 828
Xll~sillldwm
A Len Castle Earthenware 'Sea Secret'
oval form, supported on a short and small textured foot, blue glazed wel l. W.250mm. Firing crack from the well to the rim
A Slab Sided Bottle Vase by Takeichi Kawai (1908 -1989)
Decorated in gosu blue , shinsha red, and tetsu brown brushwork on a chun type glaze, tenmolu at the neck. This pot was one of 95 the master potter bought with him on his visist to new Zealand in 1964-65, sponsored by the New Zealdn Society of Potters. At an evening in Auckland attended by around 30 potters 19 of Kawai's vessels were sold; other pieces were destined for other national and international exhibitions. Because of the high demand to acquire a pot lots had to be drawn among the attendees. This one was purchased by a local potter. Labeled under the base '28' this sticker refers to the Kawai/John Chappell Exhibition listing: [Decorated press moulded bottle 12 guineas] H.250mm
IOnS,
837
$225 - $350 838
A Len Castle Stoneware Cylindrical Vase
The straight walls decorated with horizontal incised bands of iron, matV glossy ash. Impressed cipher. H.176mm D.88mm $180-250 839
A Len Castle Press Moulded Earthenware Bowl
The rough textured exterior and rim unglazed, the interior wall blue glazed pooling to a deeper hue in the well. Impressed cipher. D.410mm
$3,750 - $4,250
$600 - $1,000 829
A Bottle Vase by Shoji Hamada (1894-1978),
wheel thrown with pan shaped mouth on a short neck; tapering cylindrical body with two rings at the waist; the lower body facetted with eight boldly cut sides, flat bottomed. Overall Tenmoku turning to tesshu on the edges. An affixed label underneath reads "Made and Sold in NZ by Shoiji Hamada 1965/66". This refers to Hamad's visit for the Pan Pacific Exhibition in Christchurch in 1965. Hamada subsequently visited a number of local potters. Glaze chip on shoulder. H.260mm
scy,~edflJ~ie H.395mm
840
With looped handle, iron underglaze, green grey ash overglaze. Impressed cipher. H.215mm $500 - $700 841
830
mlsaooaslag
$300 - $450
An Stoneware Lidded Crock by Andrew Van Der Pullen,
wheel thrown; squat ovoid form with wide mouth; two lugs to the sides, shino and tenmoku glazed. H.370mm
842
831
simulated
A Pair of Len Castle 'Pacific' Series Lipped Bowls
Each press moulded pigment rubbed exterior and lip, the well blue glazed. Impressed ciphers. H.90mm. D.225mm
A Len Castle Shino Lidded Circular Pot.
Impressed cipher. H.115mm. D.115mm
$450 - $600
on &Sons.
A Len Castle Stoneware Circular Vase
With a short curved neck, tenmoku glazed rim iron underglaze, mottled grey ash overglaze impressed cipher. H.220mm
$3,500 - $4,000
lfSdecoraledto
A Len Castle Stoneware Ceremonial Pourer
$250 - $325 843
A Len Castle Stoneware Stopperd Pouring Bottle
Squat ovoid shape with small everted mouth and short side spout, matt iron glazed. Impressed cipher. H.145mm. Spout nibbles.
$800 - $1,200
$300 - $450
by S
832
A Massive Len Castle Earthenware Conical Bowl
With a moulded interior rim, glossy barium blue glazed. Impressed cipher. H.140mm D.555mm. note; firing stress crack on the rim
844
Clustered pinched cane sections of various lengths reach with a mouth, iron wash. Impressed cipher not identified. H.112mm
$1,000 - $2,000
ri Salamon
833
$250 - $350
A Len Castle Stoneware Bottle Vase
Bulbous corrugated bodied with vertical flutings. semi matt calcite and cobalt partial glazes impressed cipher. H.275mm
845
835
indled
A Len Castle Stoneware Shino Glazed Conical Bowl
Raised on a small ring foot. Unmarked. H.55mm. D.176
A Set of Seven Small Len Castle Stoneware Bowls
$275 - $350 847
A Len Castle Stoneware Shallow Circular Bowl
$800 - $1,000
On a small ring foot, wax resist quince branch decorating saturated iron and grey ash glazes. H.35mm. D.154mm
A Len Castle Stoneware Circular Platter
$140 - $180
Grog textured clay body, the centre decorated with slightly moulded spiral within a roughly textured encircling border, toffee overglaze, saturated iron underglaze. c.1960. Impressed cipher. D.306mm $400- $650
rkedSlerliKJ
846
$600- $700
Iron glazed rims, iron underglaze speckling through to grey ash overglaze . impressed cipher marks. H.56mm D.135mm
836
$200 - $300
An Early Jim Grieg Pottery Vase
Cylindrical with pierced walls. Incised initials to side
A Len Castle Grass Pot
Pinched organic form with horizontal indents, iron wash. Impressed cipher. H.92mm
$800 - $1,000 834
An Earthenware 'Cane' Sedge Pot
848
Two Len Castle Shlno Small Storage Pots
Mallet form, each cork stoppered, and a small shino pot, indented walls, everted mounths. Jar H.11 Bmm. lmperessed ciphers. AF $260 - $320
::JECORATIVE ARTS
143
849
850
851
852
853
854
5
A
.,
A
U1
$1 A Tn
Sil $2
Al C
1/i/i
$21
• Al Dre gr~ $2(
AL S,tlj
982 144
DECORATIVE ARTS
Sile(
$16
849
850
A Len Castle Stoneware Medium Jug
861
A Pair of Len Castle Small Squat Circular Bowls
of baluster form, iron underglaze speckled deep grey overglaze, speckled pale grey ash interior. H.155mm
With everted rims, Saturated iron underglaze, matt-talc overglazed wells, brown grey ash overglaze exteriors.W.110mm. H.70mm
$140 - $200
$200- $300
Two Len Castle Stoneware Small Jugs
862
Iron and ash glazes. H.105mm. Impressed ciphers. Rim chip
A Len Castle Stoneware Sedge Pot
Pinched discoid form with a narrow short neck, crackled surface rubbed with ochre wash, impressed cipher. H.52mm 0.85mm
$200 - $300
$100 - $175 851
A Len Castle Shino Glazed Small Deep Bowl
With an everted rim supported on a small ring foot. Impressed cipher. H.83mm. 0.147mm
863
supported on a small ring foot. Impressed cipher.D.148mm
$150 - $250 852
853
854
A Len Castle Stoneware Deep Medium Bowl
A Len Castle Small Tenmoku Russet Glazed Bowl
$140 - $200 864
Three Len Castle Stoneware Containers
Saturated iron undergla,e, with grayish semi matt talc overglaze. Impressed cipher. H.100mm. 0.230mm
A bowl (cracked), a squat circular bowl (rim chips) and a cork stoppered bottle, (unmarked) all with saturated iron underglaze.
$250 - $350
$140 - $175
A Len Castle Earthen Ware Small Deep Bowl
865
A Len Castle Stoneware Small Bowl
Tenmoku glazed exterior, the interior of grey semi matt talc. Impressed cipher. H.82mm. 0.175mm
The exterior saturated iron glazed, the interior iron speckled grey ash overglaze. Impressed cipher. 0.140mm. Small rim glaze frit
$100 - $220
$120 - $160
A Len Castle Tenmoku Glazed Small Conical Bowl
866
Wax resist well with a thick matt talc over pouring. Impressed cipher. H.62mm. 0.135mm AF
A Warren Tippet Cylindrical Coffee Mug
Tenmoku glazed. Impressed cipher. H.118mm.D.75mm $40 - $60
$75 - $125 867 855
A Len Castle Stoneware Small Bowl
Three Len Castle Stoneware Small Bowls
Comprising of two sugar bowls and a circular shallow dish. Impressed ciphers. Sugar bowl height 70mm
Everted rimmed, the well wax resist saturated iron and grey ash glazes. Iron speckled ash exterior. Impressed cipher. 0.158mm
$160 - $220
$140 - $200 868 856
A Set of Three Len Castle Small Circular Bowls
shino glazed, two stoneware with crackled wells, the third withan etched wave pattern decorating the well, porcelain body. Unmarked. H.38mm 0.95mm Note; plate foot rim chip $180 - $250 857
$200 - $300 869
An Australian Stoneware Bowl
A Len Castle Stoneware Small Circular Dish And Cover
Incised 'Boyd' everted rim supported on a small ring foot, the well wax resist decorated with two sketched semi -nudes
The cover conical form with a small opening on the finial, iron and speckled grey/brown glazes. Impressed cipher. 0.175mm
$300 - $450
$240 - $300 858
A Graeme Storm Stoneware Vase
The exterior surface decorated with an incised foliate pattern, manganese slip glazed. Impressed name stamp. H.225mm.
870
A Len Castle Earthenware Shallow Bowl
Supported on a ring foot, the exterior glossy black glazed, the interior wall rim textured under cooling lava glaze. H.45mm 0.196mm. note; hairline crack in the well.
A Len Castle Stoneware Lidded Casserole
Circular with lug handles, saturated iron underglaze, speckling through the grey ash overglaze. Impressed cipher. 0.175mm
$100 - $200
$240 - $300 871 859
A Len Castle Stoneware Lidded Storage Jar
A Warren Tippet Stoneware Covered Sugar Bowl
Raised on a small ring foot, wax resist decorated, saturated iron underglaze, grey ash overglaze. Impressed cipher.D.130mm
Circular with everted rim, saturated iron underglaze, speckled ash grey overglaze. Impressed cipher. H.170mm 0.170mm
$40 - $75
$200- $300 872 860
A Len Castle Stoneware Squat Circular Vase
Short narrow neck, everted rim, saturated iron glazed under speckled brown/grey glaze. Impressed cipher. H.140mm
A Len Castle Stoneware Bowl
Black iron underglaze, copper red overglaze with fine spray of chun glaze. W50mm.D.200mm $200- $350
$160 - $200 DECORATIVE ARTS
145
CLOCKS AND INSTRUMENTS 873
874
877c
A Late 18th-19thC Ebony and Brass Lacquered Octant
In Louis XVI style. The balloon case inset with cut brass and mounted with ormolu embellishments. The dail with enamel plaques and centre, blued steel hands. Bell striking mechanism. H.310mm
with inlaid ivory maker's plate stamped B Wood, Liverpool. Pinhole sight, six coloured shades and mirrors, horizon mirror on an adjustable turntable able to be rotated by two knobs. The index arm with Vernier tangent screw and clamp. Arc with ivory scale - 250mm radius. In shaped mahogany case with trade label H G Blair & Co. Cardiff.
$2,000 - $4,000 see illustration page 144
$1,200 - $2,000 see illustration page 140
A French Green Tortoiseshell Boulle Cased Mantel Clock
A Magnificent Monumental French Late Louis XIV Period Mantel Clock In The 'Grand Style',
878
An Admiralty Pattern 'Husun' Sextant #36529
Made by Henry Hughes & Son London c.1943. Black crackle enameled finish waith laquered brass arc with silvered scale, six shades, telescope socket and mirrors, the vernier adjusted by ivorine wheel, quick release with tommy-bar. Provision for night lighting for the arc batteries stowed in handle, in fitted mahogany carry case with trade label.
The arched top carries a large pediment figure; three further figures ornamentally front the visible pendulum, bearing rope in an allegorical attempt to capture time. The face with blue Roman numerals on white enamel plaques on an engraved gilt dial plate. The case veneered red tortoiseshell and cut brass with gilt ornamenting including bacchic masks, caryatid heads and a shield showing a youth and a mature man. Requires restoration. H.1150mm
886
887
$1,200 - $2,000 see illustration page 140
$10,000 - $12,000 875
A Rare Pocket Sextant Circa 1918
879
With white enamel dial and Roman numerals, the dial marked with 'Jackman and Son Paris', the back plate stamped 'EM & Co' with key and original morocco leather case
by Troughton and Simms, no 6180, brass encased .leather case. H.41 mm.D.72mm $500 - $700 see illustration page 140 876
888
$400 - $600 see illustration page 137
A Wall Mounted Brass Framed Sextant
With silvered scale seven shades, mirror and handle. Fitted into a mahogany plinth mounted on mahogany tray for hanging. Maker unknown. Radius 255mm
880
An Early 19th Century Ebony And Brass Octant
With inlaid ivory makers plate stamped Thos Jones Liverpool, with handle telescope socket, six shades, mirror, the index are with tangent screw and clamp. 230.mm radius. The arc with ivory scale in shaped mahogany carrying case with the trade label for William Weichert. Chronometer watch and clock manufacturers .. Cardiff. Case 280mm
A French Brass Cased Carriage Clock With Key
Roman numerals on white enamel dial , makers name indistinct, raised on four spool feet. Note; crack in upper right enamel dial.
889
$200 - $300 see illustration page 137
$900 - $1,200 see illustration page 140 877
A Good Late 19thC French Brass Cased Carriage Clock
881
An Art Nouveau Spelter Bronze Mystery Clock
modelled as a woman standing holding a baton, which supports the Meiko pendulum clock. H.300mm $600 - $900 882
A Continental Long Case Clock
891
with highly ornate brass pendulum visible through the glazed door. Pine cased.
$1,600 - $2,250 see illustration page 140
$800 - $1,200 877a
An Early 19th Century Ebony And Brass Octant
With ivory maker's plate stamped Gray& Co liverpool. lacquered brass fittings including pinhoe sights, five shades and mirrors. The index arm 260mm radius with Vernier tangent screw and clamp. The arc with an ivory scale. Mahogany stair step cased, with trade label for John Parkes & Sons, Liverpool
883
brass cased, printed dial with Deutches Reich Patent marks; Roman numerals; subsidiary alarm dial at XII, blue steel hands. The back opening with easel support arm to stand upright. Repair at lever wind knob on top. 0.140mm $100 - $150
$1,600 - $2,200 see illustration page 140 877b
$1,400 - $2,000 see illustration page 140
146
ORIENTAL ARTS
A Rare Troughton & Simms Double Frame Sextant
the lacquered brass frame with adjustable telescopic socket, seven shades and mirrors. The index arm with Vernier and magnifier, tangent screw adjustment with clamp. Radius 288mm. The arc engraved silver. With accessories in shaped mahogany case. With trade label George Lee & Son, Portsmouth.
DECORATIVE Al-lTS
A German Alarm Clock, of Pocket Watch Form;
884
A Rose Quartz Lidded Chinese Jar On Wooden Stand.
Oval section; dogs chasing balls amongst the clouds. Carved dog finial; the jar sitting on a carved and pierced rosewood stand. AF Lid stuck to the base. H.335mm $600 - $800
894
J
ctant
ll Pinhole an :index tscale lbel HG
885
A Chinese Red Cased Glass Vase 18th/19th Century.
$1,500 - $2,000 886
$50 - $100 896
A Pair of Chinese Tonzhi Plates
Each painted with five roosters in a garden, foliate and diaper reserves decorate the rim. Back marks.D. 261 mm $80 - $120 897
An Octagonal Sided Porcelain Dish
The well painted with eight enameled figures on a russet red ground. 0.146mm. Rim chip
$1,500 - $2,000
lah~any
A Chinese Pewter Lidded Cauldron
Tri-footed box, with fitted bowl insert (signed) the exterior engraved with blossoms and Chinese characters. Stone inlaid side handles and moulded foliate figural finial.W.135mm H.120mm
An Impressive Chinese Mutton Fat Jade Ruyi Sceptre
of outstanding size and uniform colour, carved to the head with a shou character surrounded by bats. The arching length carved and pierced with a border of reishi fungus framing a line of threaded cash. This substantial piece is presented on a later blackwood rectangular stand.
IC~e cale, SIX ,dby lrnighl
$60 - $90 887
A Large Japanese lmari Porcelain Sowl
painted to the exterior and interior with landscapes, animals and fish within variously shaped panels. The centre of the well decorated with a chrysanthemum framed by three bats in underglaze blue. 0.300mm
, Clock
898
A Set of Three Pale lmari Plates
Each within a scalloped rim. H.40mm.D.212mm $175 - $250 see illustra tion page 137
$400- $600
1m EM&Co
895
Baluster shape, decorated with stiff leaves to the neck above a trefoil border on the shoulder. Chrysanthemums encircle the body, all cut through the blood red overlaid glass to reveal the milk white body underbody. Provenanced to a private Sydney collection. H.265mm
899 888
A Chinese Porcelain Ginger Jar
A 20th Century Japanese Porcelain Plate
Inky blue /black and russet oriental decorated with gilded effects 0.270mm
decorated with characters to the sides on a ground of foliate tendrils. H.210mm
$30 - $50
$125 - $175 900
1distiri:I. meldial.
889
A Graduated Set of Ten Casi Bronze Opium Weights
The exterior flower and foliate decorated, the well painted with resrves of stylized butterflies, birds and flowers encircling a flower decorated well, supported on a deep ring foot. unmarked
$150 - $225 890
supi;orts
$250- $350
A Pair of Ivory Carved Horses
Each carved in a rearing stance, supported on carved rosewood base. H.104mm
901
A Pair of Ivory Carved Fu Dogs
$100 - $175 see illustration page 137
Mounted on rosewood plinths, black stained mane, whiskers and collar features. H.63mm
Jlazed de«
$200 - $300 see illustration page 137 892
902
ilhands ighl. Repair
$250 - $400 see illustra tion page 137
$90 - $150 893
An Ivory Carved Fish Snuff Bottle
903
The carved spoon inserted into the mounth of the fish, carved lotus leaves and buds. H.88mm Note; possibly replaced spoon part $200 - $300 see illustration page 137
stand, carvedOO!I Jstand Al'
894
A Japanese Brass Milk and Sugar
The sugar of circular bowl form, the milk avocado shaped, with polished interiors, japaned exteriors
A Good Quality Japanese lmari Deep Jardiniere
Richly painted flower and diaper reserves encircling the rim, free style storks flying over enameled waves supported on a diaper patterned ring foot. No marks. H.142mm D. 156mm
A Chinese Soapstone Carved Frog on a Lily Pad
W.90mm L.95mm 1arkS:
Two Chinese Porcelain lmari Plates
Tree and rocky landscape motifs within diaper reserves, base marks together with Chinese porcelain imari shallow bowl with a wide evereted rim, foliate and roof top decorated with gilded effects. Back marks
$100 - $175 see illustration page 137 891
A 19th Century Japanese lmari Bowl
A Cantonese Porcelain Lidded Barrel Pol
Painted in enamels in the traditional manner, figures in a courtyard scene, birds amoungst foliage. H.95mm. D. 75mm $100 - $200 904
An 18th Century Chinese Famille Rose Plate
The well painted with a rooster amoungst peonies, the rim border decorated in enameled florals, small restoration. H.26mm 0.228mm. Restored with rim nibbles $100 - $175
$80 - $120
DECORATIVE ARTS
14 7
926 905
An 18th Century Chinese Famine Rose Plate
916
The well painted with a garden landscape, diaper and flower reserves in enamels. H.28mm. D.225mm
A Porcelain Meiping Shape Vase.
Decorated with a printed design of Buddhist lion dogs on a cloud ground, hand coloured with pastel enamels and gilded to the background. Faux Chinese seal mark under the foot.
$250 - $350
$150 - $250 906
Three Assorted Chinese Famine Rose Plates
Decorated in the usual manner. D. 234 Note; two with restoration
907
917
$100 - $175
A study of the Buddha Shakyamuni, in Ming period style of the 16th/17th century
Four Chinese Porcelain Miniature Blue And White Cups
$1000 - $1500
One decorated with figures
918
$30 - $60 908
910
$700 - $1,000 919
A Small Chinese Pique-a-Jour Bowl
$700 - $1,000 920
A Chinese Porcelain Ox Blood Glazed Vase,
$200 - $300
slab sided with swollen bellied form. Animal handles to the sides. H.210mm
Two Chinese Vases
$275 - $350 921
A Late Ming or Early Qing Period Stone Tablet,
930
variously inscribed with names and locations along with foliate designs. 410mm square
$100 - $175 A Chinese Pewter Tea Caddy
928
A Chinese Qing Period Jade Plaque.
Late 19th, early 20th century. Probably a ruyi sceptre head piece mounted on a wooden base. The inscription various forms of the character Shau
Painted with figures, one with mounted warriers engaged, The Great Wall in the background. H.234mm. The other with a mounted warrier and two female figures in a landscape. H.285mm
911
A Rare Antique Chinese Brown Jade Axe Pendant
$200 - $300 see illustration page 136
with good floral design, mounted with silver raised on a small ring foot. H.48mm D.95mm
927
with provenance to an American collector's estate. Attributed to the early Tang dynasty or earlier.
A Chinese Kangxi Period Batavian Ware Sparrow Beak Jug and Cover
of European form , reserve panels floral decorated on a white, relived by brown coffee ground. H.140mm
909
A Chinese or Tibetan Bronze Buddha.
$650 - $900 922
Moon flask form with fitted lid cover and ring handles, the front and rear decorated with warrior figures on a circular cream ground under glass. H.175mm
A Satsuma Earthenware Bowl
decorated with rohan seated in a landscape with Buddhist temples and pagodas. Signed under the foot. D.120mm
931
$300 - $350
$75 - $150 923 912
A Soko Satsuma Vase,
painted in polychrome with equestrian warriors in an encircling battle scene. Qianlong mark but 20th Century.
the ovoid form decorated with birds and enamelled and gilded chrysanthemums, prunus and daises. Gilded trims bordering encircling diaper bands. H.120mm $40 - $60 913
$800 - $1,000
$550 - $700 A Small Satsuma Earthenware Plate,
$2,000 - $2,500 see illustration page 137
$225 - $275 915
A Satsuma Earthenware Cup and Saucer,
painted with a mother and child at leisure with the child's play things, bordered with black and gold geometric band. Signed $90 - $120 148
A Blanc-de-Chine Grotto with Kuanyin and Acolytes
The Goddess of Mercy sits enthroned on a rock flanked by Aancai and LongnO. The group probably represents Kuanyin's shrine on the island of Putuoshan. Massively potted the figure sits crosslegged hands in anjali-mudra framed by surrounding rock grotto. Impressed potter's seal mark to the rear. H.330mm
Fine Satsuma Earthenware Plate,
a double brocade and geometric border encircling a group of seven women at leisure in pavilion gardens; their robes and pavilion details richly outlined in gilt. Back marked. D.157mm
DECORATIVE ARTS
932
933 924
painted with seven sages conversing in a bamboo grove, enamelled details and gilded outlines. Signed to back. D.217mm
914
A Pair of Chinese Porcelain Rouleau Vases,
925
934
A Large Blanc-de-Chine Kuanyin
The Goddess sits in position of royal ease, her right foot cross over her left knee. Her right elbow rests on two boxes as she pours froma slender flask a stream of heavenly dew. Two fish symbolizing wealth flap at her feet. Tow seal marks impressed to back. H.520mm $800 - $1,000
935
ona c~ tolhe
926
A Blanc-de-Chine Figure of Kuanyin, in the manner of He Chaozong of the 17th Century
936
The Goddess sits with hair en chignon, upon a rock with waves crashing at it's base. She holds a rolled scroll of wisdom. Impressed seal marks to the rear. H.32Omm $800 - $1,000 see illustration page 137
$50 - $75 937
nt
$50 - $70
A Blanc-de-Chine Figure of Kuanyin on the back of a Lion Dog.
The Goddess sits, hair in tresses, one knee raised and holding a ruyi sceptre. Two seal marks impressed to the rear. H.22Omm
938
928
A Large Tusk Ivory Figure of Shao Lao
$125 - $175 939
$800 - $1 ,000 see illustration page 137 929
$150 - $200 940
A Chinese Blue and White Ginger Jar and Cover.
Decorated with children in a fenced garden. H.215mm $200 - $250
A Chinese Jade Vase and Cover.
Baluster shape with captured ring handles to the side of the neck. A sprig of fruiting twigs issues from the foot. The cover surmounted by a bud finial. On wooden stand. H.1 ?Omm
thesides
A Good Monochromatic Blue Glazed Ginger Jar.
With carved pierced wooden cover and stand. H.23Omm
The God of Longevity stands leaning on a reishi staff holding a branch of peaches with a stork at his feet, all symbolic of long life. Seal mark under the base. H.36Omm
eadpiece TIS0flhe
A Chinese Rosewood Carving of Shao Lao
The God, portrayed riding a stag along with other attributes of longevity. H.35Omm
$450 - $600 see illustration page 137
butoo to
A Chinese Soapstone Figure of Shao Lao.
Standing with reishi staff and peach. H.15Omm
eof lhe 927
A Chinese 'Goldstone' Figure of a Woman.
Wearing flowing robes and holding a massive chrysanthemum bloom. On carved wood stand. H.1 ?Omm
941
A Japanese Meiji Period Bronze Vase.
Decorated in relief with birds and flowers. ovoid shape with spreading circular foot. H.24Omm
$400 - $500
$100 -$150 930
An Old Japanese Ivory Amitabha Buddha.
Seated in meditative pose with hands joined in a dhyana-mudra attitude peculiar to Amitabha. Remnants of BADA sticker verso. H.92mm
foliate
942
The God of wealth sits holding a rosary in his right hand. On wooden stand. H.11Omm
$200 - $300 see illustration page 137 931
isl
$40- $80 see illustration page 137
A Japanese Ivory Figure Group of a Puppeteer and Child.
The man stands holding a puppet dressed as a geisha, whilst the child stands at his feet. His robe patterned with leaves, the child's with diaper. H.12Omm $750 - $1,000 see illustration page 137
943
932
No Lot
933
A Blanc-de-Chine Figure of Kuanyin on Lotus Throne.
The Gocdess sits with cowl fomning a halo above her head, above a lotus flower and leaves, holding in her hands a small infant. H.22Omm
byAancai 1nne ,its 19 rock
$50 - $70 944
1rn
A Blanc-de-Chine Figure of Kuanyin with Infant.
The Goddess sits on a rocky throne holding a child on her knee, to her left stands a vase of heavenly dew. Two seal marks to the rear. H.19Omm $50 - $100 see illustration page 137
cross ;she 10fish essed to
935
A Heavy Jade Figure of Putai.
An Ivory Netsuke
Of a dog caught in the coils of a snake $120 - $180 945
An Ivory Netsuke
An old man playing with two children
$50 - $100 see illustration page 137 934
A Coroza Nut Netsuke
An old man riding on the back of a locust.
circiing
~es
A Chinese Amethyst Quartz Stone carving of Putai
$40- $60 946
An Ivory Okimono
A man standing holding aloft a gourd. $100 - $140 947
An Old Marine Ivory Netsuke
Of unusual form and incorporating miscellaneous objects and figures in incongruous scale. Signed Gyokuzan. $120 - $200
The God of Wealth sits exposing his corpulent belly, holding an offering bowl. H.13Omm $750 - $1,000 see illustration page 137 DECORATIVE ARTS
149
971 948
A Chinese Enamel Snuff Bottle
959
Of a red bridge and blue river mounted in a black frame. W.350mm H.484mm
In the form of a moon flask. Finely painted in cobalt blue in panels to either side with landscapes and buildings. Reserved on a ground of foliate tendrils. Marked with Qinglong reign mark $300-$400 see illustration page 137
949
$150 - $250 960
of four beauties promenading, one holding a rice paper parasol. Mounted and framed. Note; some foxing H.425mm
A child climbing upon the distended head of Fukorokuju, the god of wisdom.
$80 - $120 961
see illustration page 137
An Old Fine Bone Netsuke
$100 - $150
962
954
963
With serpentine rim, deeply carved with figures in a landscape
$150 - $250 964
'Red Fuji In A Lighting Storm' W.522mm H. 398mm
Seated in meditative pose on a double lotus throne, framed by a large floral nimbus
$90 - $150 965
A Massive Chinese Bronze Vase
966
Depicting a courtyard scene. W.435mm H.325mm
967
An Old Chinese Scroll Print
$300 - $450 968
A Japanese Cloisonne Vase
969
No Lot
970
A Cloisonne Cylindrical Vase.
Decorated with chrysanthemum on a black cloud scroll patterned background. H.155mm $100 - $150
150
DECORATIVE ARTS
980
$100 - $150
A Lemon Yellow Ground Cloisonne Vase
$600 - $700
979
Ovoid shape with small trumpet neck, decorated with irises and a butterfly on a soft pink ground. H.180mm
An Old Chinese Scroll Print
With silver wire outlined decoration of roses. Along with an old Japanese pine box. H.210mm
978
A Japanese Silk Kimono With Obi Sash
$1 ,200 - $2,000
A view of women in a garden and interior
958
A Framed Early 19th Century Chinese Pith Painting
Lilac ground with foliate print, silk and gold thread embroidered flowers and leaves; the obi sash machine embroidered floral and temple motifs in pale autumn and silver tones on a golden sand ground.
$100 -$200
977
$150 - $250
$100 - $200 957
976
$150 - $250
Baluster shape, moulded to the sides with fruiting leafy boughs with parcel gilt and painted finish. Raised on a wooden stand. H.600mm
A coastal landscape and market town
975
Utagawa Kuniyoshi (1797-1861) Woodblock
Four samurai in combat. Mounted and framed. W. 338mm H.458mm
A Pair of 19th C Chinese Framed Paintings on Glass
$500 - $800
956
A Japanese Katsuchika Hokusai Print
A Massive Colourful Cloisonne Buddha
each painted with bird figures, including peacocks, crows , storks, and fowls, trees in blossom , on various blue grounds, within a silver and gold painted foliate border, carved rosewood frames. W.412mm H.556mm. note; one has broken glass lower right corner mainly under the frame.
955
A Framed Oban Ukiyo-e by Hiroshige
A Cinnabar Lacquer Plate
$1,200 - $1,700
974
$150 - $250
'Seba' one of the stations on the kisokaido Road. W.530mm H.405mm
$80 -$120 953
Oban Ukiyo-e by Hiroshige 'Mitsuke'
one of the fifty-three stations on the Tokaido road. Mounted and framed. W445. H.337mm
A Pair of Old Cinnabar Lacquer Vases
Deeply carved with figures in a landscape. Losses to one. H.160mm
952
973
$150 - $250
see illustration page 137
$40- $80
Oban Ukiyo-e by Hiroshige Bridge At Nihonbashi
911
Wityha view of Mt Fuji in the background. Mounted and framed. w.308mm H.440mm
Carved as a mask of a demonic oni.
951
A Japanese Shonsho Print
An Ivory Netsuke
$125 - $200
950
A 20th Century Japanese Woodblock Print
981
ne.
971
A Cloisonne Shoulder Vase.
Decorated with three Manchurian cranes in flight, on a clear high polished black ground. Silver at the rime and foot. H.180mm
FURNITURE AND DECORATOR 1S ITEMS 981a
$250 - $300 i parasrn.
972
A Chinese Porcelain Offering Bowl and Stand.
Finely potted and glazed in the palest celadon , in the manner of the Song period, incised with lotus flowers. $100 - $200
hi Id framed.
973
$600- $700 982
$225 - $300 974
An 18th Century Walnut Bureau Bookcase.
Figured walnut veneers and feather banded inlays on an oak carcass. The base with fall front opening to reveal an interior fitted with pigeon holes and small concave fronted drawers surrounding a covered well. Below the fall, two half width drawers sit above two full width, all with brass bail handles. On bracket feet. The upper section with arched, architectural concave moulding framing two panelled doors which open to reveal four shelves. The base English circa 1720, the top Dutch circa 1730.
A Cloisonne Shoulder Vase.
Patterned under the emerald green translucent enamel with bamboo leaves on a stippled ground. H.120mm
1nted and
A Small Brasss Basket Chandelier, circa 1900
The frame with garlands, lustre beads fixed into the basket 'weave' , metal strung glass beads twisted around the metal supports. H.590mm
A Cloisonne Shoulder Vase by Ando.
Silver wired cloisonne design of frilled petaled flowers on a clear pale celadon green ground. H.240mm
$9,000 - $12,000 see illustration page 144
$1,000 - $1,200 983 975 0mm
976
A Cloisonne Squat Circular Vase.
Apple green jade coloured, decorated with silver wired framed cloisonne chrysanthemums. H.175mm
With decoratively fielded front panels in the 17th century manner. The fitted interior with a sliding covered well compartment. The base with two half width and two ful l width drawers. W.890mm
$1,200 - $1,400
$2,000 - $3,500
A Thai Bronze Standing Bodhisattva.
984
$120 - $180 977
$1,900 - $2,300 985
One spherical with everted rim, the other baluster form on spreading footring.
$4,000 - $5,000 986
ing 978
A Large, Good Quality Hand Knotted Tibetan Carpet
Commissioned for the London Rug Co. in silk and wool, in an olive colour, the field divided into symmetrical lineal patterning. 460 x 525cm
Two Early Filipino Pottery Vessels.
$100 - $150
An Iranian Kashan Hand Knotted Carpet
9 sq metres
Portrayed wearing a flaming headdress and sash wrapped waist. H.315mm
1m
A 19th Century Oak Fall Front Bureau.
An Art Deco Satinwood and Walnut Desk and Chair
A Pair of Japanese 19th C Studies of Fighting Cocks.
Tooled leather topped above a single frieze drawer. The chair with cream leather upholstery raised on tapering legs. W.930mm
Cast iron , mounted on wooden bases. H.270mm
$2,000 - $2,500
$700 - $800 987
uidered 1ofaland
979
With shelf to the bottom section. W. 700mm
Archaic shaped MO handled base, sunnounted by a pagooa-like six tieied and ho-o birds on a red ground. H.450mm
$500- $700
(XJV8f. Derorated with dragons
en sand
$700 - $800 980
988
989
$500- $600 981
$1,500 - $2,000
A 1940s Walnut Veneered Chest of Drawers
With three full width drawers with chrome plated handles, raised on a platform base. W.830mm
A Japanese Koransha Porcelain Umbrella Stand
Circa 1880. Decorated in underglaze cobalt and lmari palette enamels with prunus, bamboo and chrysanthemums to the cylindrical body. Banded at the top and foot with a
An Art Deco Circular Side Table
The top with a starburst pattern in vitrolite and mirror, with a facet mirrored frieze, raised on a conforming pedestal and plinth base. Along with a similarly mirrored lamp AF
A Large Red Wireless Cloisonne Vase.
Squat shoulder shape, decorated with flowers in rich ruby red enamel. H.210mm
,esanda
iiltterned
An Art Deco Side Table
A Chinese Cloisonne Koro
$500 - $700 990
A George Nelson Designed 'Marshmallow' Sofa,
tube steel framed with black, white and red circular pads. Designed in 1956, this later re-issue purchased in the '80s from Decomania, Greenwich, London. W.1530mm $2,500 - $3,000
DI C ORAIIVE ARTS
151
991
An Edwardian Card Table
1003
Burr walnut veneered, fold-over top raised on square section tapering legs
An Italian Bow Fronted Commode
1013
with burr walnut veneered fascia of two drawers detailed with ormolu mounts and handles. Rosa antiqua marble topped. Splay legs terminating in ormolu sabot feet. W.1110mm. H.880mm
$350 - $550
$2,000 - $3,000 992
An Aesthetic Period Occasional Table
Circular with partial ebonized top with inlaid decoration
993
1( 4 1004
A Georgian Portrait Oil Painting
$100 - $200
of a young gentleman wearing a black jacket and scarf. 650 x 710mm
A Pair of Old Continental Candle Stands
$300 - $500
Probably Italian. Later wired and with ivory shot silk lamp shades, the shaped stems each gesso painted with gilded effects raised on tri-knuckle feet. H.1010mm (Including shade).
1005
1:•s
A Giltwood, Marble Topped Occasional Table
with plaster moulded decorative apron , four fluted legs united by a stretcher. H.750mm, 0430mm.
$400 - $600
$500 - $700 994
A Mahogany Framed Toilet Oval Swing Mirror
W.330mm H.460mm
1006
A Pair Chinese Side Tables
Each top inlaid with square cut greem stone slab starved leaves above each of the four turned legs, supported by two turned stretchers 996
$650 - $800 1007
the interior with one fixed shelf, only dark brown painted, the door exterior decorated with three figures at a pond. The sides with hoo birds in flight. H.820mm
997
1008
1009
A Bronze Sculpture of Hercules Wrestling Antaeus.
From the Labours of Hercules, the hero overcame the son of Poseidon by holding him off the ground preventing him from gaining additional strength. H.590mm
with ornamental iron grille inserts, the lower body panel carved with flower motifs bordering carved flowers in an urn within an oval frame, cornice decoration above the iron inserts. Stripped with remnants of original paint. W.720mm H.2858mm
999
1019
$800 - $1,000
A Pair of French Entrance Doors
$3,000 - $4,500
A Cased Naive Ship Model,
hand built, three masted ship moored before a quay set with quaint wooden block buildings. Red painted glazed case. Glass cracked.
This example with an open shelf superstructure above the cabinet whose door is decorated with a bird and figures.
998
'018
$500 - $700
A Similar Chinoiserie Patterned Corner Cabinet,
$1,250 - $2,000
'017
A Pair French Gilt Brass mirrored Wall Sconces,
each bevelled mirror mounted in an ornate embossed conjoined leaf scroll and mask plaque, with projecting arms to hold candles. H.450mm
An 18thC Chinoiserie Patterned Hanging Corner Cabinet,
$1,250 - $2,000
1.'6
possibly continental fruitwood, circa 1800. With baluster and annular knopped sections raised from a fluted foot and cavetto, ringed turned based. H.930mm
$50-$100 995
An Elegantly Turned and Spirally Fluted Torchere,
1020
$750 - $1,000 1010
A Very Good Bronze Sculpture by Jules Moigniez
Step decorated. H.220mm Deep 100mm L. 1320mm
An eagle with wings raised, perched by one claw on a branch, the other claw outstretched with talons spread. Standing on verde alpe marble plinth H.780mm
$100 - $200
$2,000 - $3,000
A Pair of Pine Pelmets
1021
see illustration page 141
1000
A Pair of Provincial Chinese Yoke Back Chairs
with decorative green painted finish
1011
Of a woman wearing a wrap skirt carved decoratively with flowerhead motifs and foliate borders. Mounted on wooden plinth base. Overall H.670mm
$400 - $600 1001
A Pair of Chinese Painted Wood Occasional Tables
1002
152
1012
A Good, Large French Gilt Framed Mirror
with hinged lids, the fascias painted with rondels of lotus flowers and butterflies. W.450mm
The rectangular glass framed by a pennent and dart moulding , surmounted by a foliate scroll pediment incorportating fruiting leafy boughs. Swags of summer flowers drape from the top frame section to loop across the mirror. H.250cm, W.115cm
$400- $500
$2,000 - $3,000
A Pair of Chinese Lacquered Boxes
DECORATIVE ARTS
1022
$3,000 - $4,000
with crackled finish , fluted aprons and turned legs. W.420mm $360 - $420
A 13th / 14th C Carved 'Greenstone' Khmyer Torso.
1023 ,
JWith ,d. Splay
1013
A Pair of Chinese Side Tables
Square tops raised on square section legs with in turned feet, a single drawer in the frieze above a pierced apron
0mm
1023A A Large 19th C Portrait Oil Painting A young German peasant woman standing in a field holding a sickle. Ornate plaster gilt framed. 820 x 600mm
$1,100 -1,300 1014
650x
A French Casi Steel Fireplace and Mantelpiece
1016
and :avetto.
Upholstered in green leather. With cerved detail to the splat. Cabriole legged.
A French Gill Framed Mirror
$200 - $300
A Napoleon Ill Period Ovennanlel Mirror
$3,750 - $4,500 1026
1019
With single drawer in the frieze
A Set of Three Regency Mahogany Side Chairs
$800 - $1,200 1027
A Mahogany Circular Supper Table
1028
A French Rustic Four Paneled External Door
Raised on tapering triangular section pedestal from a triform plinth base supported on claw feet.
Fitted with two letter platesW 1000mm H.2090mm
$800 - $1,000
$300- $600
An Impressive Stoneware Grey Sall Glaze Garden Urn
$1,000 -$2,000 1020
A Framed Hand Coloured Print of a Horse Race $150 -$200
1029
$200- $350 1030
A Regency Sofa
A Pair of Oak Carved Amoire Doors
Carved flower decoration with beading, arching tops, iron escutcheons. Each W.530mm H.1860
Upholstered in self patterned plum brocade, with a selection of loose cushions and bolsters. Scroll armed, raised on turned legs with brass castors $1,800 - $2,200
A Pair of Green Painted Bi- Folding Shutters
Each with two panels. W.580mm total H.2040mm
Mounted on a square section plinth base the panels decorated with moulded olive leaf wreathes. Maker unknown H.1115mm.
~ol rom
A Georgian Mahogany Fold-over Top Supper Table
$600 - $800
$700 - $800 1018
A Mid 19th Century Chinese Aller Cabinet
$700 - $1,000
With curved blade backs and foiate splates, raised on saber legs.
JS,
1025
In rosewood and blackwood, intricately carved with paneled doors and frames depicting peopled landscapes, pavilions, mythological beasts and deities. W.670mm. H.820mm
With moulded parcel yilt and ebonized frame
1017
An Oak Framed Arts and Crafts Period Carver Chair
$2,000 - $2,500
Carved with laurel leaves and surmounted by a ribbon pediment. The old two section glass framed by a beaded moulding. H.1100mm
mrted~a
with Glass
1024
Of architectural form with acanthus moulding
1015
1njoined 1candles.
$3,000 - $4,000
$600 - $1000 1031
A Pair of Painted Amoire Doors
Each with three shaped panels.W.500mm each. H.1035mm 1021 ranch, onverde
A Burr Walnut Card Table
The fold-over serpentine fronted top with inlaid panel of floral marquetry. A single drawer in the apron, raised on cabriole legs with applied ormolu mounts.
$300 - $450 1032
Stripped with paint remnants W.500mm each. H.1935mm
$2,500 - $3,000 see illustration page 141
1h
1022
enplinlh
A French Interior Painted Door
W.760mm H.2080mm
A Good Mahogany Fold-Over Top Regency Supper Table
The rectangular top raised on a gun barrel pedestal with acanthus carving at the base, issuing from a quatrefoil plinth supported on claw feet. $1 ,200 - $2,000 see illustration page 141
Jldin!, uiting top frame
$400 - $600 1033
;o,
A Pair of Cedar Shutters
$400 - $600 1034
A Flemish 17th Century Style Walnut Annchair
With tapestery upholstery, on cup detailed legs joined by a scrolled X stretcher. $1,200 - $1,800
1023
A French Directoire Period Fauleuil
With green and gold painted frame and distressed rose sillk upholstery
DECORATIVE ARTS
153
BID
INDEX OF ARTISTS DATES
FORA!
6· 8[ ~easeb
rese~es Albrecht, Gretchen Arndt, Hermina Baker, William George Barrar, Wayne Binney, Don Boddington, Henry John Brown, Helen Brown, Nigel Buckmaster, Ernest
b.
b. b.
b.
1943 1885-1926
(NZ) (NZ)
1864-1929 1957 1940 1811-1865 1917-1986 1949 1897-1968
(NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (A)
Maddox, Allen McCahon , Colin McIntyre, Simon Millar, Judy Mrkusich , Milan Page, Evelyn Palmer, Stanley Pankhurst, Alvin Parekowhai , Michael Pearson, Alan Pule, John
b. b. b.
1948-2000 1919-1987 1955 1957 1925
(NZ) (NZ) (NZ) (NZ) (NZ)
b. b. b. b. b.
1899-1988 1936 1949 1968 1929 1962
(NZ) (NZ) (NZ) (NZ) (NZ) (NZ)
1956 1908-1996 1965 1828-1882 1864-1927
(A) (NZ) (NZ) (GB) (NZ)
1945 1877 - 1932 1836-1908 1935 1939 1865-1934 1917-2000
(NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ)
1955 1877-1973 1940
(NZ) (NZ) (NZ)
1919-1995 1888-1965 1946 1954 1910-1998
(NZ) (NZ) (NZ) (NZ) (NZ)
Ching, Raymond Cotton , Shane
b. b.
1939 1964
(NZ) (NZ)
de Lautour, Tony Deans, Austen Demant, Rozi Driver, Don
b. b. b. b.
1965 1915 1984 1930
(NZ) (NZ) (NZ) (NZ)
Feu'u, Fatu Fomison , Tony Fong, Luise Frizzell, Dick
b. b. b.
1946 1939-1990 1964 1943
(NZ) (NZ) (NZ) (NZ)
Gimblett, Max
b.
1935
(NZ)
1860-1948 1947 1932-2004 1949 1961 1932 1869-1947 1864-1933 1931 1835-1913
(GB) (NZ) (NZ) (NZ) (NZ) (GB) (NZ) (GB) (NZ) (NZ)
Walters, Gordon Weeks, John White, Robin Wilson , Tim Wool laston , Toss
1873-1937
(GB)
Dates for artists in this catalogue are given when known.
1946 19th Century
(NZ) (GB)
Abbreviations:
1839-1926 1960 1871-1955
(NZ) (GB) (A)
Hall, Frederick Hammond, Bill Hanly, Pat Harris, Jeffrey Hight, Michael Hodgkin, Howard Hodgkins, Frances Horne!, Edward Atkinson Hotere, Ralph Hoyte, John Barr Clarke
b. b. b. b.
b.
Jamieson , Alexander Killeen , Richard Knight, A. Roland Lindauer, Gottfried Lochore, Brad Long, Sydney
b.
b.
Rae. Jude Reed , William Robinson , Peter Rossetti, Dante Gabriel Ryan , Thomas
b.
Scott, Ian Scott, James Fraser Sharpe, Alfred Siddell , Peter Smither, Michael Stoddart, Margaret Sutton , William
b. b.
Thompson, Elizabeth Thompson , Sydney Lough Thornley, Geoff
b.
A GB NZ
b.
b. b.
b.
b. b.
,agree
125%¥
onm~o
Lol l
f-----,
ARRAN6
Australia Great Britain New Zealand
~ 154
CATALOGUt: INFORMATION
BIDDING SLIP FOR ABSENTEE BIDDERS ON LOTS IN WEBB 'S SALE NO. 274 6 - 8 DECEMBER 2005
BUYER NO.
Please bid on my behalf at the above sale for the following lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids, or reserves if any. I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successful bid, on items in sale 27 4, a buyers premium of 12.5% will be added to the hammer price and that G.S.T is charged on the premium. On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb's carry out at no charge.
Lot No.
Catalogue Description
Bid*
Lot No.
Cata logue Description
Bid*
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~
(Al
(Nli 1NZ1
(GB)
1Nli
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_J
1Nli (Nli
ARRANGEMENTS FOR PAYMENT. I agree to pay immediately on receipt of notice from Webb's of my successful bid. Payment will be by cash, cheque or bank transfer. I will arrange for collection of my purchases or I agree to pay for packing and freight costs incurred by Webb's in having any purchases forwarded to me. In order to avoid delay in clearing purchases Buyers who are unknown to us are advised to make arrangements for payment before the sale or for references to be supplied. If such arrangements are not made cheques will be cleared before purchases are delivered. Mr/Mrs/Ms
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Webb's ©Peter Webb Galleries Ltd
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SIGNED CATALOGuE INFORMATION
155
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Important: Fax this form to Webb's al +64 9 524 7048 so that payment can be confirmed and your purchases released.
/,eblJ°sha
Buyer Number: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
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a111mose
Buyer Name: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Balance owing for purchase/s: NZ$ _ _ _ _ _ _ _ _ _ __
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int!terel
*Please include a sale number and buyer number as reference for direct credits to enable us to dispatch your items. WEBB'S BANK ACCOUNT FOR A DEPOSIT
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Account Name: PETER WEBB GALLERIES LIMITED For international deposits, Swift Code: WPACNZ2W Amount transferred: NZ$ _ _ _ _ _ _ _ _ __ (including freight if applicable)
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CONFIDENTIALITY: The information contained in this facsimile is legally privileged and/or confidential. If you are not the addressee listed below you are notified that except as authorised agent to the addressee any use, disclosure, copying or distribution of any of the contents of this facsimile by you is prohibited. Recipients other than the addressee listed below are asked to notify us immediately and return the original facsimile to us.
rt~1al
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ale<:net
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a~'!lng Please sign and return by fax or post with payment. Once received, your goods will be dispatched lo you as arranged with the relevant department.
2,Sales 1i!iere)1l
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tlec~e~ bld1shel
Address - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
CW)'tu pa)IOCIII
The following goods are to be despatched to me from Webb's.
00/leie<\ Loi No.
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anagreer intyoor 3, Abser We!Jb's
aa:eptnc
lolsl\ill I understand and accept that Webb's has no responsibility for these goods whilst they are in transit and they are not covered by Webb 's insurance once they leave Webb's premises. I have made my own arrangements regarding insurance for these goods. I do not hold Webb's or its staff liable for any loss or damage that may occur in transit. signed _ _ _ _ _ _ _ _ _ _ _ _ _ __ Note: Webb's suggest that you do not sign for received packages without first opening the package in f-ont of the deliverer and establishing that the contents are in good condition. Failure to do so may result in problems should you need to make a claim from your insurers.
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anyrese1 ihat anot
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156 CATALOGUE INFORMATION
A GUIDE FOR BUYERS Webb's have set out the following information for the benefit of first time buyers and those who are unfamiliar with auction procedures. Important note: Please refer to full conditions of sale for buyers printed in the reverse of this catalogue and displayed in the saleroom. Registration All intending buyers must complete a bidding form available from the reception desk Buying at Auction
eilllressie
tliiooginal
1. Floor Bidders Ensure that you have registered and obtained a buyer number before bidding on the lot or lots you have chosen Be aware that a buyer's premiu'Tl of 12.5%+GST on the premium, a total of 14.06%, is payable by all buyers in addition to the hammer price. At some sales the amount of the buyers' premium may be more or less than 10%. Please make sure that you are aware of the amount of the buyer's premium. Make your bids clear, preferably by holding up your buyer number card. If you make a mistake e.g. the auctioneer takes a bid from you at a higher level than you had intended, or you realise that you had bid on the wrong lot, call out to the auctioneer immediately so that the bidding can be adjusted. Waiting until after the hammer falls is too late. If your bid is the highest and the lot is knocked down to you then you have entered a binding obligation to pay for that lot.
relevant 2. Sales Subject to Vendor's Consent Where your bid is the highest, but still below the reserve, the Auctioneer may declare you to be the "buyer subject to Vendor's consent". This means that your bid is held as binding and will be communicated to the Vendor at the earliest opportunity. If the vendor accepts then there is a contractual obligation for you to pay for the lot. If the vendor does not accept, you are released from any obligation, however you will have first right to negotiate with the vendor through Webb's until an agreement is reached, and Webb's will not present other offers to the vendor until your negotiations are ended.
1ve
1ayoccur
yovr
3. Absentee Bids Webb's will endeavour to ensure that your bidding instructions are executed, but accept no responsibility or liability for failure to do so. Lots will be bought as favourably as is allowed by bidding in the sale room and any reserve imposed by the vendor. Please note that Webb's cannot guarantee that another bidder will not be successful at your limit if, in the course of competitive bidding, someone else bids your limit first. Absentee bids are accepted by written instruction which can be sent by fax (e-mailed absentee bids are not accepted) up to I hour before the commencement of the sale.
Absentee bids will be executed on the following basis: If your bid limit is equal to or above a reserve, the Auctioneer may open the bidding at reserve on your behalf and will bid thereafter only in response to competition for the lot. If your bid limit is below a reserve, the Auctioneer may open the bidding at your limit and if there are no further bids in the room may sell to you "subject to vendor's consent". In the absence of a reserve the Auctioneer may exercise your bid in advance of any opening bid or may open the bidding on your behalf at the Auctioneers estimate, at the Auctioneer's sole discretion.
Telephone Bids The same conditions as above apply to telephone bidders. Webb's will telephone the number you have given several minutes before the lot you have request comes up for sale. If your phone is engaged or we are unable to make contact the auction will proceed without your bidding. Our staff will ask you to hold when we have made contact. They will then tell you that your lot is about to come up. The bids will be relayed to you and you can enter the bidding at any time by making your call. Please note that the bidding at man~· auctions can be fast and furious. The auctioneer will not favour a phone bidder over and above buyers who are attending the auction by giving them more time to bid. You will need to establish your limit and make sure that you bid clearly and promptly. Telephone bids are only accepted for catalogued sales and on items with estimates over $500. Pre-Sale Estimates Estimates printed in the catalogue or given verbally are intended as a guide only and can be subject to revision nearer to the time of a sale. Webb's staff are available during pre-sale viewing times and by appointment to assist prospective bidders with estimates and any aspect of the auction procedure. Condition Reports Webb's staff will provide condition reports for out of Auckland buyers. However, please note that no 6 in the Conditions of Sale for Buyers will still apply despite the obtaining of a condition report. Payment Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. Packing and Freight Webb's do not pack goods in house. However, we will arrange for your items to be packed and shipped by a professional agent All costs associated with packing and freight are payable by the purchaser. Insurance In Transit Webb's insurance does not cover any pieces while in transit. Insurance must be organised by the purchaser. If insurance is required it can be purchased through Webb's broker but must be negotiated prior to the item leaving Webb's. Valuation Service Webb's provide free market appraisals on Monday mornings from 9am-1 pm or at other times by appointment. Webb's appraisers will come to your home to view and appraise larger items.
Webb's will provide valuations for insurance, matrimonial division, family division etc. Please enquire at reception for charges. Valuation charges are refundable on occasion when goods are subsequently offered for sale within a reasonable period.
CATALOGUE INFORMATION
157
CONDITIONS OF SALE FOR BUYERS 1. Bidding The highest bidder shall be the purchaser, subject to the auctioneer having the right to refuse the bid of any person. Should any dispute arise as to the bidding the lot in dispute will be immediately put up for sale again at the preceding bid, or the auctioneer may declare the purchaser, which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted. 2. Reserves. All lots are sold subject to the right of the seller or his agent to impose a reserve. 3. Registration. Purchasers shall complete a bidding card before the sale giving their own correct name, address and telephone number. It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud. 4. Buyers' Premium. The purchaser accepts that in addition to the purchase price Webb 's will apply a buyer's premium of 12.5% of the hammer price (unless otherwise stated) together with GST on such premium. 5. Payment. Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. 6. Lots sold as Viewed. All lots are sold as viewed and with all errors to description, faults and imperfections whether visible or not. Neither Webb's nor its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever. Buyers proceed upon their own judgement. Buyers shall be deemed to have inspected the lots, or to have made enquiries to their complete satisfaction, prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in all respects. 7. Webb's Act as Agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason. 8. Collection. Purchases are to be taken away at the buyer's expense immediately after the sale except where a cheque remains uncleared. If this is not done Webb's will not be responsible if the lot is lost, stolen, damaged or destroyed. Any items not collected within seven days of the auction may be subject to a storage and insurance fee. A receipted invoice must be produced prior to delivery of any lot. 9. Licences. Buyers who purchase an item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 cannot take possession of that item until they have shown to Webb's a license under the appropriate
Act 1o. Failure to make Payment. If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to the purchaser, at
158
CATALOGUE INFORMATION
its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies: a. To issue proceeding against the purchaser for damages for breach of contract. b. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction. c. To resell the lot by public or private sale. Any deficiency resulting from such resale, after giving credit to the purchaser for any part payment, together with all costs incurred in connection with the lot shall be paid to Webb's by the purchaser. Any surplus over the proceeds of sale shall belong to the seller and in this condition the expression "proceeds of sale" shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction. d. To store the lot whether at Webb's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal, storage, and all other costs connected to the lot. e. To charge interest on the purchase price at a rate 2% above Webb's bankers' then current rate for commercial overdraft facilities, to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale. f. To retain possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due. g. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb's or it's vendor. Webb 's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under this contract. h. To apply any payment made by the purchaser to Webb 's towards any money owing to Webb 's in respect of any thing whatsoever irrespective of any directive given in respect of, or restriction placed upon, such payment by the purchaser whether expressed or implied. i. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in full by cleared funds. Where any lot purchased in held by Webb's pending i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit. the lot will be held by Webb 's as bailee for the vendor, risk and title passing to the purchaser immediately upon notification of clearance of funds or upon completion of purchase. In the event that a lot is lost. stolen damaged or destroyed before title is transferred to the purchaser, the purchaser shall be entitled to a refund of all monies paid to Webb 's in respect of that lot, but shall not be entitled to any compensation for any consequent losses howsoever arising. 11 . Bidders deemed Principals. All bidders shall be held personally and solely liable for all obligations arising from any bid, including both "telephone" and "absentee bids". Any person wishing to bid as agent for a third party must obtain written authority to do so from Webb's prior to bidding. 12."Subject Bids" Where the highest bid is below the reserve and the auctioneer declares a sale to be "subject to vendor's consent" or words to that effect. the highest bid remains binding upon the bidder until the vendor accepts or rejects it. If the bid is accepted there is a contractual obligation upon the bidder to pay for the lot.
PRI rlNE
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050 053 057 1165
070 GI' 172 J/5
J76 179 082 083 084 087 095
096 097 098 099
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105 107 108
PRICES REALISED FINE ART, JEWELLERY & DECORATIVE ART SALE 272 20 - 22 SEPTEMBER 2005 or remedies ngnghlsor
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Lot
s
FINE ART 001 600 002 600 003 600 004 3,700 005 2,000 006 960 007 1,500 010 2,400 011 2,000 012 1,500 013 3,700 016 2,900 017 1,200 020 12,000 021 10,500 022 12,000 023 13,500 026 4,000 027 2,000 028 2,750 033 1,500 034 1,400 035 3,800 036 3,600 037 7,500 040 16,000 041 46,000 045 70,000 046 100,000 047 160,000 048 95,000 050 19,000 053 230,000 057 90,000 8,000 065 070 6,000 071 25,000 072 10,000 075 24,000 076 15,000 079 8,000 082 4,200 4,800 083 084 6,000 087 6,000 095 880 096 900 097 4,500 098 2,500 3,000 099 4,000 100 103 10,000 105 2,500 107 10,000 2,800 1 108
Lot
s
109 32,000 110 3,000 114 10,000 115 2,300 116 2,500 118 3,500 121 1,200 122 4,000 123 2,000 126 5,000 131 5,000 132 8,000 133 3,800 136 5,500 140 2,200 141 2,600 JEWELLERY 200 300 203 200 206 220 207 625 208 425 210 9,250 212 600 216 400 220 560 224 38,000 226 15,500 227A 1,500 230 60 231 145 232 650 160 233 234 750 237 260 238 150 240 275 241 100 242 300 243 400 244 260 245 260 246 90 247 400 249 375 250 140 251 870 252 2,100 1,050 258 263 900 2,600 265 268 1,550 270 1,100 275 2,500 276 3,100 5,800 278
Lot
s
282 1,150 283 2,000 284 3,400 287 2,200 289 3,000 290 3,800 293 2,300 294 14,000 298A 70,000 301 7,000 305 2,100 307 7,500 308 7,000 313 6,000 319 1,050 323 2,200 324 15,500 1,400 330 331 550 333 1,750 334 300 337 550 338 5,000 344 850 DECORATIVE ARTS 402 140 404 310 407 250 410 70 413 70 414 430 417 145 419 1,800 420 200 424 600 434 240 437 190 438 650 441 60 100 442 443 45 444 45 445 250 446 85 447 260 448 220 451 200 455 2,200 459 210 460 210 461 310 467 225 468 300 469 475 472 360 473 125
Lot
s
Lot
s
Lot
s
474 477 479 480 481 483 485 487 488 489 490 492 495 497 499 501 503 504 506 507 511 512 513 514 515 517 518 519 520 522 523 524 529 530 531 532 537 538 539 545 547 548 551 557 559 560 562 565 566 568 569 570 571 574 575 577
60 220 145 200 130 30 130 75 550 140 50 40 275 900 230 190 220 145 320 180 270 410 530 410 110 100 180 200 200 375 150 205 42 70 50 100 40 850 240 60 145 140 590 2,200 1,200 3,200 1,800 1,000 900 200 200 110 2,200 100 135 130
580 584 589 590 591 597 598 599 600 603 608 614 615 616 618 622 623 634 635 636 644 647 648 652 653 654 655 657 661 663 664 665 666 667 669 670 671 673 674 677 678 679 680 683 686 686A 691 692 693 694 695 696 697 698 702 703
350 180 120 220 100 300 220 400 310 335 120 40 40 200 150 450 100 950 750 650 160 300 4,600 450 1,500 550 750 155 270 425 425 425 3,500 2,200 925 80 260 500 1,000 200 390 650 725 500 850 850 80 100 60 110 40 35 275 75 600 325
704 706 707 708 709 711 712 713 714 715 716 717 718 721 727 728 732 733 735 736 738 739 740 742 743 744 745 748 750 751 753 754 759 760 761 764 766 772 774 775 776 778 780 781 782 785 786 787 788 791 793 794 796 797 798
1,500 110 200 200 120 170 275 350 75 40 40 120 60 25 25 25 250 400 250 175 250 90 200 160 1,100 700 5,000 100 110 70 270 700 60 300 250 1,000 250 2,000 1,000 2,000 900 900 300 4,000 2,900 1,500 2,500 2,900 800 700 425 3,750 110 250 300
CATALOGUE INFORMATION
159
INDEX OF ARTISTS Albrecht, Gretchen Arndt, Hermina
30, 79 45
Baker, William George Barrar, Wayne Binney, Don Boddington, Henry John Brown , Helen Brown , Nigel Buckmaster, Ernest
124, 125, 126 1 35 129 13 44,80,92, 100 95
Ching, Raymond Cotton , Shane
112 26,27,47
de Lautour, Tony Deans, Austin Demant, Rozi Driver, Don
31,32 123 43 115
Feu'u , Falu Fomison, Tony Fong, Luise Frizzell, Dick
25 41,56,61 33 22, 76, 119
Gimblett, Max
36
Hainssellin , Henry Hall, Frederick Hammond, Bill Hanly, Pat Harris, Jeffrey Hight, Michael Hodgkin , Howard Hodgkins, Frances Horne!, Edward Atkinson Hotere, Ralph Hoyte, John Barr Clarke
132 128 70 2, 19 11, 12,108,1 16 50 135 78 127 28, 29, 46, 87, 102,104,105,106,107 74,85,86,91
Jamieson, Alexander
131
Killeen, Richard Knight, A. Roland
9, 10 133
160 CATALOGUE INFORMATION
Lindauer, Gottfried Lochore, Brad Long, Sydney Maddox, Allen McCahon, Colin McIntyre, Simon Millar, Judy Mrkusich, Milan
63,64 48 136 88 39,55,59,62,89 51 8 66
Page, Evelyn Palmer, Stanley Pankhurst, Alvin Parekowhai , Michael Pearson, Alan Pule, John
71,94 109 121, 122 5,6 110 14, 15, 16
Rae , Jude Reed, William Robinson , Peter Rosetti , Dante Gabriel Ryan , Thomas
7,34 111 24,38,52 134 99
Scott, Ian Scott, James Fraser Sharpe, Alfred Siddell, Peter Smither, Michael Stichbury, Peter Stoddart, Margaret Olrog Sutton , Bill
118 84 69 20,103, 117, 120 4,37,58,67,68 49 81 57
Thompson, Elizabeth Thompson , Sydney Lough
42 21, 65, 77,83,93 75 3
Thornley, Geoff Tweedie, Merilyn Walters, Gordon Weeks, John White, Robin Wilson , Tim Woollaston, Toss
60 23, 82 , 96, 97 , 98, 114 17, 18, 54,113 101 40, 72, 73,90
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