Important Art, Jewellery & Decorative Arts, June 2005 by Webb's Auction House

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Important Paintings, Jewellery & Decorative Arts 28 June - 30 June 2005

Webb's Peter Webb Galleries Ltd 18 Manukau Road, Newmarket, PO Box 99251 , Auckland , New Zealand PH 09 5246804, Fax 09 5247048, auctions@webbs.co.nz www.webbs.co.nz Illustrated front cover: lot 371, John Walsh, Bi-Cultural Habitat Endangered (detail) Illustrated inside front & back covers: lot 347, Peter Robinson, Binary Code (details)

DOLPHIN ISLAND FIJI

GRANDE PROVENCE SOUTH AFRICA

A ll enquiries for: HUKA LODGE, DOLPHIN ISLAND & THE OWNER'S COTTAGE AT HUKA LODGE P.O. Box 95, Taupe, New Zealand Tel. +64-7-378 5791, Fox. +64-7-378 0427 Email: reservotions@hukolodge.com www.hukolodge.com www.dolphinislond.com ~rGRANDEPROVENCE P.O . Box 102, Fronschoek 7690, South Africa Tel.+ 27-21-876 8600, Fox.+ 27-21-876 8601 Emo i I: enq u i ries@g rondeprovence . co. zo

A Three Day Sale of Important Paintings, Jewellery & Decorative Arts Day 1 Fine Jewellery & Watches Tuesday 28th June 2005

2.00pm and 6.00pm

Day 2 Fine Paintings Wednesday 29th June 2005

6.30pm

Day 3 Decorative Arts Thursday 30th June 2005

6.00pm

Viewing Times Thursday

23 June

9.00am

Friday

June

9.00am - 5.30pm

Saturday

June

-.,

11.00am - 300pm

Sunday

26 June

11.00am - 3.00pm

Monday

27 June

9.00am - 5.30pm

Tuesday

June

9.00am - 530pm

Wednesday

June

,->

9.00am - 5.30pm

Thursday

30 June

9.00am

5.30pm

12.00 noon

LIMITED VIEWING ON DAYS OF SALES, CHECK SECTION TITLE PAGES FOR SPECIFIC VIEWING TIMES.

Buyer's Premium The buyer's premium charged on items in this catalogue is 12.5% plus GST on all items up to $49,999. Items with a hammer price of $50,000 and over will be charged at 12.5% for the portion up to $49,999 and 10% on the balance, on a per item basis. GST of 12.5% is payable on the buyer's premium.

Condition of Items The condition of items are not detailed in this catalogue. Buyers must satisfy themselves as to the condition of lots they bid on and should refer to clause 6 in the Conditions of Sale for buyers printed on page 176. Webb's are pleased to provide intending buyers with condition reports on any lots.

In Focus Highlights in this sale A collected sigh of relief was audible from the vicinity of 18 Manukau Road after the April sale finally closed , and it is with considerably less reticence that the art section of the June catalogue is presented. Although there is, both , less quantity and fewer high value works in this catalogue , it remains an interesting and varied selection of quality works nonetheless. As always we 've selected a few of our favourites. Philip Clairmont's Rachel Seated set the saleroom alight when it fetched $54,000

[El Richard KIiieen, lot 352

in the December sale last year, and we believe that Interior with Chair [Al lot 355 , is an equally strong example of Clairmont's signature style. In pristine condition , the work possesses the most wonderful luminosity that has caught everyone 's eye at Webb's over the past month. The sale features three particularly important, yet divergent, works by Ralph Hotere. Song of Solomon [Dl lot 358, is a monumental and sublime response to 'man's inhumanity to man ' displayed throughout The Gulf War in 1991 . It is rare for a work of such national and international significance to become available on the open market and it will , unquestionably, make a beautiful display in the gallery during the viewing . Lo Negro Sabre Lo Oro [Bl lot 356, is part of a rich and elegiac body of works which seldom appear on the market and which challenge and critique the Renaissance dictum that the two dimensional picture

[Cl Ralph Hotere, lot 381

plane should be treated as a window onto the three dimensional world. Hotere's window paintings are among the artist's finest and most desirable works and Lo Negro Sabre Lo Oro should be well sought-after by collectors . Vidyapati 's Song [Cl lot 381 , is one of the finest burnished steel works by Hotere that we 've seen at Webb's, sumptuously showcasing the skills of a master craftsman at the height of his powers. Richard Killeen 's iconic cut-outs, of which Destruction of the Circle [El lot 352 , is an excellent example , engage with similar conceptual issues to those of Hotere 's window pictures, critiquing the perceived privileged and isolated status of the art object in society. Killeen 's cut-outs, which are deliberately sold uninstalled , [Hl Frances Hodgkins, lot 384

[ll Adele Younghusband , lot 414

IN FOCUS

[Gl Peter Robinson, lot 359

[Jl Doris Lusk, lot 382

necessitate a level of engagment from the viewer that fundamentally calls into question notions of individual creativity and authorship. It is a long-held conviction of this author that the distinction between the primary and secondary markets remains too pronounced in this country. Thus , it is great to see more contemporary works by talented young artists, such as Andrew McLeod and Brendon Wilkinson , coming up at auction. Love Sick [F] lot 346 , by Andrew McLeod is a large and impressive work, loaded with content and personal anecdotes, it demands a level of engagement from the viewer beyond mere detached passive gazing. Peter Robinson is fast becoming one of the most important artists that this country has produced. His works are turning up increasingly on the secondary market where they continue to incite great interest. Peter Robinson is represented in this sale by several works from throughout his already-varied oeuvre, yet in particular, we believe, that SOS [G] lot 359 , is one of the most impressive and monumental works that the artist has produced. SOS comes from an important body of works which simultaneously parody, subvert and conflate the iconic 'wonky Koru' branding of - that beacon of New Zealand bi-cultural partnership - Te Papa , the Modernist borrowing/appropriation (dependant on which side of the fence one prefers) of Gordon Walters' uniquely cool abstraction , and the high-art signage of Colin McCahon, to produce , what Anna Miles terms , "a low-tech form of graphic agitation which encourages reflection on the fate of liberal criticism". This catalogue is perhaps however most blessed by a wealth of quality early and mature Modernist art by New Zealand 's most important female painters including Frances Hodgkins, [HJ lot 384 , Adele Younghusband , [I] lot 414, Doris Lusk, [J] lot 382 , and Louise Henderson [K] lot 351. Although they may seemingly share little stylistically there remains a warmth and softness of touch exhibited throughout these respective artist's works which suggests a woman 's touch - albeit a strong and independent one.

[F] Andrew Mcleod, lot 346

[K] Louise Henderson, lot 351

IN FOCUS

International Report Here at Webb's we sometimes shudder at the thought of introducing onto the market three or four million dollars worth of artwork on one evening , yet recent events in the world art market capital of New York suggest that maybe we needn 't. On three consecutive evenings - May 10th, 11th, 12th - Sotheby's, Christie's and Phillips sold a combined total of US $225 million (NZ $316,733,000) of Modern and Contemporary art, in the process setting numerous new auction

Nowhere more so than at Christie 's did the

records. In the afterlight of such seemingly

giant international contemporary art market flex

implausible figures, esteemed art critic Richard

its muscles. Christie's realized by far the most

Polsky commented , rather baldly, that this

significant sale total of US $133 ,700 ,000. Their top

signified the beginning of a 'period of stability,

lot was Edward Hopper 's Chair Car (1965) which

albeit at rather high price levels'.

sold for US $14,016,000 (listed with an 'estimate

The major highlight of Sotheby's sale was the Andy Warhol masterpiece Liz (1963) , [AJ with an estimate of US $9 ,000 ,000-$12 ,000 ,000. Competition is such among the secondary market triumverate, that Sotheby's purportedly had to guarantee the sale of the work at US

on request') . Other notable sales included Jasper Johns' classically subversive - yet at a tiny79 x 165 x 57mm wholly insignificant in size - The Critic Sees (1961) [DJ at US $3 ,936,000, and Franz Kline 's achromatic masterpiece Crow Dancer (1958) for US $6 ,400 ,000.

$10,000,000 . One can only imagine the

Phillips has been the biggest mover in the

relief when the work was eventually knocked

international scene over the last two years .

down for a whopping US $12,262,000.

Focusing in on art propduced after 1990, and

Other highlights included Roy Lichtenstein 's

more especially on photography, they have carved

late, ben-day dotted Blue Nude (1995) ,

out a significant niche in an already crowded

consigned by the family of fashion designer

marketplace. The fact that their sale total was a

Gianni Versace, which made US $5 ,280,000;

comparatively paltry US $23 ,700 ,000 shouldn 't

Robert Gober 's Untitled Leg (1990) [BJ (a

obscure the huge distance that they 've travelled

not altogether dissimilar example of which

or the nerves that the long-dominant Christie's

was seen recently at the excellent Mixed-

and Sotheby's must now be feeling in light of

Up Childhood exhibition at Auckland City Art

their advances. They set twelve new record

Gallery) which fetched US $912 ,000 ; and lastly,

prices including a whopping US $1 ,024,000 for

whilst we marvelled at Michael Parekowhai 's

the always-controversial , appropriation specialist

Elmer Keith making NZ $10,400 in the April

Richard Prince, as well as an impressive US

sale , it seems that although this result signified

$632,000 for current art market-darling Maurizio

a giant step forward for the New Zealand

Cattelan and his miniature pair of Working

photography market and its supporters, it will

Elevators (2001 ). Frank and Jamie [EJ , also by

be sometime before it matures to the levels

Cattelan , carriP.d an estimate of US $1 ,400,000-

shown at Sotheby's where Andreas Gursky's

$1 ,800,000 but failed to sell. Pitching themselves

monumental photograph May Day IV, [CJ made

at a younger, trendier audience, Phillips can now

a staggering US $632,000.

count Charles Saatchi , who consigned a significant sculpture by Ron Mueck, as one of many among their supporters. All and all keeping a close eye on the international market provides an interesting and fresh counterpoint to our national situation. It also has the added bonus, of course, of not making one feel so guilty about the next indulgence in the little old New Zealand secondary market!

The Peter O'Connor Collection of works by John Weeks August 10th 2005

When John Weeks passed away in 1965 he left his entire personal

e ,t flex

collection to his friend and partner, Hilda O'Connor. Upon Hilda 's death in

most

1997 the collection passed to her son John who, in turn, left it to his brother

Their top

Peter O'Connor. With Peter 's recent passing in August 2004, instruction

)which ,timate

was received that the works were to be sold and the proceeds used by the

JJasper y79 X

The Critic

·anz 1cer

Peter O'Connor Education Foundation. The purpose of the foundation is to provide assistance , in the way of educational scholarship, for disadvantaged children in the villages and squatter camps of Port Moresby in Papua New Guinea. The sale will include over 150 works in a wide variety of media including oils, watercolours , drawings and prints. Works in the collection span all periods of the artist's life and include a wide variety of styles and subjects employed by Weeks.

snd

Allan Swinton has had a life-long association with John Weeks. He was a

ecarved

personal friend and the artist's dealer. After Weeks ' death Allan assisted

led was a

with cataloging the works in the artist's studio , from which this collection

Jldnl

,veiled

comes , and promoting Weeks ' work. Although the works in this collection come with an impeccable provenance, some do not carry signatures. These will be accompanied by a certificate of provenance signed by Allan Swinton.

,tie's tof

ird JO for

ecialist

us 3urizio so by

0,000nselves an now ,ignificant among

irnational Jso has gone feel little old

A selection of worf<s by John Weeks to be Included In the auction. IN FOCUS

An Auction of Still and Moving Image Photography November 2nd 2005. Entries Now Invited Webb's is proud to announce this country's first stand-alone photographic and video art auction to be held on November 2nd. This new category of sale will become an annual event and an indispensible resource for all interested in photography. The catalogue will cover the broad spectrum of New Zealand photographic practice: from early images of Pakeha and Maori interaction and pioneering New Zealand by artists such as The Burton Brothers, William Meluish, George Valentine and Frank Coxhead , through to the nascent Pictorialism and Modernism of figures such as George Chance, Theo Schoon and Frank Hofmann, and onto the flowering of Contemporary photography, photo-media and video art by artist 's as diverse and accomplished as Anne Noble, Peter Peryer, Fiona Pardington, Laurence Aberhart, Gavin Hipkins, Anne Shelton and Michael Parekowhai. Many exciting entries have

Tracy Moffatt, Useless, $3,000 - $5,000

already been consigned including a major work from the widelyheralded Iranian artist, Shirin Neshat, whose breath-taking images of her post-revolution homeland were recently shown at Auckland Art Gallery to great acclaim. The catalogue will include a large and important selection of early New Zealand photography from the collection of Marshall Seifert. Marshall Seifert has been a long-standing supporter of photography in this country with an extensive

Burton Brother.;, Samoan Girls, $1 ,200 - $1 ,800

collection of early and important images of New Zealand procured over a period of thirty years.

To discuss the inclusion of further suitable entries into this exciting new catalogue please contact Ben Plumbly on (09) 52956901 or by email at bplumbly@webbs.co.nz.

Shlrln Neshat, Untitled (Rapture Series), $35,000 - $45,000

8 IN FOCUS

G.D. Valentine, Whakarewarewa,

Theo Schoon, Mudpool,

$1,800 - $2, 500

$800 - $1,200

Christine Webster, Flesh of Love, 1988, $1,500 - $2,500

Ani

Michael Parekowhai, Carais (Consolation of Philosophy), $7,000 - $10,000

IN FOCUS

20th Century Design & The Simon Manchester Collection 3 November 2005 Further Entries Now Invited It is with great pleasure that Webb 's announces the sale of The Simon Manchester Collection in the November A2 catalogue. A well-known

Fol

character from the Wellington collecting scene, Simon owned and ran

an pai

the sucessful collectibles shop Trash Palace in Cuba Street for many years. Like the store itself, Simon has an extensive collection with

to a smaller residence, Simon has decided to disband a large part of

Als Ta

the collection which will constitute over 1000 lots of retro pottery, glass

and furniture, Kiwiana, New Zealand art, photography and graphic

special focus on the quirky and unusual. Due to an impending shift

.. Ov

design, bakelite and plastics (illustarted right), New Zealand ceramics , ephemera, religious icons and popular culture.

A selection of bakelite and plastics from the Simon Manchester Collection

Also included in the catalogue will be Webb 's annual 20th Century

PLEASE CONTACT ROSS MILLAR ON 09 529 5607

design auction featuring objects ranging from the Art Nouveau period

or email rmillar@webbs.co.nz

right through to space age design from the 60s and on to post-modern design of the 80s.

Bethunes@Webb's Rare Book and Map Auction. 7 July 2005 Further Entries Now Invited The May 25th sale saw record prices of $5 ,750 achieved for a magnificent 1st edition of A.Hamilton 's Maori Art, 1901 and $4 ,200 for Robley's Moko or Maori Tattooing , 1896. The appearance of a small booklet attributed to Lady Mary Ann Martin entitled , Recipes for Remedies, Food and Beverages or He pukapuka whakaatu tikanga mo nga rongoa mo nga kai, 1869 caused quite a stir. Printed by Henry Hill on the press at St Stephen's School , Judge 's Bay, this is one of only six copies known to be in existence and is reputed to be New Zealand 's first cookery book. The booklet well exceeded its estimate with a hammer price of $1 ,850. Bethunes@Webb 's is currently preparing another major rare book and map auction. This sale will include a rarely seen title by Sydney Parkinson, A Journal of a Voyage to the South Seas , 1773. This unauthorised publication of Parkinson 's journal and illustrations preceded the publication of Cook's First Voyage .

FINAL ENTRIES ARE INVITED FOR THE JULY 27 RARE BOOK AUCTION. PLEASE CONTACT MIRIAM SHAW ON 09 529 5602 or email bethunes@webbs.co.nz 10 IN FOCUS

Aselection

s1udiopott

A Sale of Sporting Memorabilia

Together with a Collection of Militaria Thursday 7th July at 4pm

On View from 5th July Two major collections form the basis of an extraordinary offering to be sold during the British Lions Tour in Auckland . One , a collection initially formed by Bill Brian , renowned rugby supporter, Publican and Wellington Club Captain, which is to be sold without reserve, on instruction from McCallum Petterson , interim liquidators of the Wellington Working Men 's Club . The other is the personal collection of the late Freddie Lucas , an All Black and member of 'The lnvincibles' (the 1924 tour of England and France). These two substantial collections along with many other entries provide a catalogue presenting not only rugby memorabilia but also cricket, rugby league, boxing, climbing, horse racing , golfing and other sporting codes . Among the highlights are thirty mint signed photographic portraits of 'The lnvincibles ' [A] ; several large format, historic

[B] A signed team photograph of the 1924 lnvincibles, Estimate $8,000 - $12,000

team photographs [B]; historic jerseys including Freddie Lucas ' Irish opposite from 1924; autographed balls ; signed bats ; David Tua's boxing gloves; a pair of the 1924 tour miniature

Illustrated catalogue $12 on publication

commemorative boots ; gold medallions and much more.

[A] Three photographic portraits from the Freddie Lucas Collection of twenty-nine autographed photographs and other memorabilia from the famous 'lnvincibles' team of 1924 depicting George Nepia, Bert Cooke and Freddie Lucas. Three great All Blacks from the famous unbeaten 1924 team lo lour Great Britain and France. Estimate: $100 - $300 each.

12 IN FOCUS

A New Zealand Sale 11 August 2005 Further Entries Now Invited Please contact Ross Millar 09 5295607 rmillar@webbs.co.nz Taking a broad view of items relating to New Zealand and the Pacific, Webb's has gathered extensive entries to produce a catalogue reflecting the multifaceted nature of collecting in this exciting field. Although nationally entitled, the catalogue will include international artefacts along with those of the Maori and the Pacific Islands. The offering will also cover New Zealand cabinet making; colonial furniture; fern books; folk art; na"ive painting; Kiwiana; silversmithing; items of accoutrement; as well as topographical and early colonial subject paintings. Highlights include two important hei tiki - one nephrite, one bone, the latter formerly in the collection of Charles F. Goldie; a superb inlaid timber miniature cabinet from the Seuffert workshop; a combination em/photographic album mounted by Eric Craig; an important heavily carved Maori walking stick formerly belonging to Colonel Wynyard; and an important late 19th Century portrait by Joseph Gaut of a Maori woman in European Dress.

Wine@Webb's

In th

Announces the Sale of a

sere

Double Imperial Bottle of 1990 The Antipodean

Kiwi

Inter whet

Monday June 27th at 6.15pm

of th

"The Antipodean - New Zealand's Chateau Lafite..."

Instil Noir and

"The Antipodean is New Zealand 's Chateau Lafite" so

that

declared Count Jean de St.Charles after tasting the first

carp

release of The Antipodean in 1987, and renowned wine

columnist Nicholas Faith called it "the first real red wine to come out of New Zealand ."

Wet Since those initial commendations The Antipodean has

Pinc

continuously earned accolades from the world 's wine

savi

cogniscenti. This from Nicholas Bryant, "What immediately

Han

strikes you about the wines is that they pack less wallop,

at$:

but not less flavour than top local , Australian and other new

priC!

world reds. The wines have subtlety and finesse but are by

recc

no means fragile. Anyone who has drunk them will know what I mean. The wines have harmony, fragrance, length and seamless integration of character. " The Antipodean is made at Matakana, Northland. It is made

from a single vineyard planted in the mid 1970s and the blend is of Cabernet Sauvignon , Merlot and Malbec. Production is

Ad(

tiny, varying from 200 to 300 cases from a vineyard of around four acres , increasingly run on organic lines. The Antipodean was first released in New Zealand in

1987, in the same year Webb's sold the 1985 vintage in a rehoboam for a record national price of $5,100.

EtT

Following its release in New Zealand , the wine was tasted in

CIE

England and France where it received universal acclaim.

Al,

The rarity of the wine ensures that it will only be found in a

Pie

select few cellars, locally and internationally. Fortunate are

You

those able to enjoy it. The Antipodean is regarded as a wine of first growth quality, although not of first growth price . It is however New Zealand 's most expensive wine.

Del Simon Mickleson from Webb's wine department with the 12 litre bottle of 1990 The Antipodean. Estimate $12,000 - $14,000.

A double imperial , holding 12 litres, of 1990 The Antipodean is to be offered at Webb 's Wine Sale on June 27th with an estimate of $12 ,000 - $14,000.

Cn Ca

Si; 14 INFOCUS

New Zealand Pinot Noir praised In the April issue of Sotheby's glossy Preview publication , Serena Sutcliffe, Master of Wine and Head of Sotheby's International Wine Department writes in an article headed Kiwi Pinot Nair: "Early 2004 was always going to be the time when the wine trade judged, and made their first purchases of the 2002 vintage in Burgundy. By way of limbering up, The Institute of Master of Wine organized an international Pinot Noir seminar in London showing wines of Burgundy, Oregon and New Zealand where the latter triumphed. I do not think that these wines are necessarily Pinots to keep , but who is carping when they give so much pleasure now."

A Wine Offer to Subscribers Webb 's wine department is offering a 2003 Martinborough Pinot Noir "Clean Skin" at $19.50 per bottle , a considerable saving on the normal retail price. Also on offer is a Noble Late Harvest 2004 Riesling from the Alana Estate Martinborough at $38.00 per bottle, also priced well below the normal retail price. Simon Mickleson , head of Webb's Wine Department, recommends both these wines for drinking now.

Wine Order Form Name __________________________________________ Address--------------------------------------

Phone ____________________ Fax __________________ Email--------------------------------------Cleanskin Martinborough Pinot Noir 2003 @234 per case of 12_______cases required _ __ Alana Estate Noble Late Harvest Riesling 2004 @38 per 375ml bottle

bottles required _ __

Please fax this form to +64 9 5247048 or email wine@webbs.co.nz You will be called to confirm your wine is ready for collection or to confirm delivery Delivery changes: North Island $13 per case, South Island $16 per case, Auckland $5 per case

Cheque mailed for$ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ Credit Card: Amex /Visa/ Bankcard/ Mastercard I Diners (circle one) Card No. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ Name on Card _________________ Expiry Date ______________ Signed-------------------------------------

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IN FOCUS

Going Going Gone ... Fine Art in April

The quantity and quality of art which Webb 's presented to the market in the April catalogue resulted in an absolutely packed room on sale night, where even standing room was in short supply. Highlights and record prices were many, but perhaps the best place to begin is with The Venus Group who , after ten years of collecting and supporting Contemporary New Zealand art and artists, were reluctantly disbanding their collection. Of the thirty six works included in the collection , thirty five sold. There were many highlights

and many new record prices were set including: Heather Straka ($3,700), David Shennan ($3,800), Judy Millar ($5100), Saffronn Te Ratana ($5,000) , Kazu Nakagawa ($4,500) , Paul Dibble ($40,000) , Simon McIntyre ($16 ,500) , Leigh Martin ($3 ,000) , Neal Palmer ($3 ,250) and Elizabeth Thomson ($7,500). These results, coupled with the extraordinarily high clearance rate , resulted in fifteen very happy collective members! Record prices were , in fact, in abundance throughout the sale and further to the expansive list from The Venus Collection , new New Zealand auction records were established for Michael Parekowhai ($9 ,250), Jacqueline Fraser ($10,000) , Adele Younghusband ($38,000), Stephen Bambury ($20 ,000) , Dick Frizzell ($35,000) , Patrick Pound ($3,000), Jonathon Organ ($4,000), Allen Maddox ($37,000) , Richard McWhannell ($12 ,000) , Peter Peryer ($3,400), Laurence Aberhart ($4,600) and Anne Noble ($2 ,800). Works by New Zealand 's preeminent artist, Colin McGahan, remain eagerly sought after at 1. Michael Parekowhai

all price levels, but perhaps - and this could be seen as a broader reflection of the general state of the market at present - this is most so for works priced below the six figure level.

2. Allen Maddox

The two unsigned North Otago Landscape works on paper both sold considerably above

3. Dick Frizzell

their respective lower estimates for $28,000 and $60,000. The resplendent Kaipara Flats 17

4. Anne Noble 5. Colin McCahon

was similarly well-contested , eventually selling for $100 ,000. The collection of works by Rita Angus, from the family of the artist's sister in London , created much interest and they all sold well. In one of the most impressive results of the evening the

6. Colin McCahon

exquisite and much admired pencil drawing, Portrait of Jean Angus realized $28,000.

7. Michael Smither

The market for Ralph Hotere 's work has receded a little from the lofty heights it reached in 8. Michael Illingworth

2003 and 2004. However, strong works priced at reasonable levels remain highly desirable

9. Michael Smither

and sought-after by collectors. Two works, in particular, attracted frenzied bidding and sold

10. Shane Cotton

well beyond there estimates. Sold consecutively, Te Kaha and Working Drawing, realized $50,000 and $22,000 respectively.

11 . Adele Younghusband 12. Colin McCahon

In stark contrast to the early and late sections of the catalogue, it was a fairly tough night on the rostrum for the middle section - replete, as it was , with high-end paintings. However,

13. Jacqueline Fraser

in the frantic days which followed the sale the vast majority of the high value paintings

14. Bill Hammond

sold through negotiated sales, including Michael Smither's Hawkduns Evening ($85 ,000)

15. Paul Dibble

and Thomas on the Potty ($70,000), Shane Cotton 's 1964 ($90 ,000) , Bill Hammond 's Camouflage ($160,000) and Michael lllingworth 's Eve Fig in Landscape with Portraits

16. Stephen Bambury

($125,000).

IN FOCUS

Moonbear Madness Webb's Supports a Major Charity

Goinl Jewe

Animals Asia is a non-profit Hong Kong based organisation dedicated to rescuing Moonbears from bile extraction farming throughout Asia. When Animals

Diamonds c

Asia founder Jill Robinson, MBE, visited New Zealand

soughtatte1

recently, a fund raising "black tie" evening was held on

bUtalso be<

May 3rd at David Williams ' stunning new restaurant Opium. The event, titled 'Moonbear Madness', included A Moonbear - the focus of the charity auction

a parade of Kylie Minogue's new lingerie modelled by celebrities that included Rachel Huljich and Nicky Watson, both who generously donated their time, followed by the fund raising auction with the gavel in the hand of master auctioneer, Christopher Devereaux.

combined~ buying op~ areexpecte

wholesale c putting pres to increase 1oca1 curren

Some 26 items were offered , including ten spectacular

soon be OVI

pieces of new jewellery for which Webb's had arranged

aCfoss the I

consignment to further the cause. The generosity of all

becoming e

of the sponsors was matched by enthusiastic bidding

percentage:

from the crowd of some 250 guests who had already

m~or stone

paid around $200 a head , but who dug deeper for

been accus

a total raised of over $120,000. Highest price was $17,000 for a private dinner party for six at the zoo,

Chris Devereaux on the rostrum

while bids of $9 ,000 secured a diamond necklace for

AC01

one bidder and a half page advertisement in the Sunday

AnAnliq1

Star Times for another. To round off the spirited sale ,

19-2U

Chris offered a surprise lot for those who had been unsuccessful ..... nothing! Yes, for their winning bid the

Webb's are

buyer would receive absolutely nothing. Nothing that

Dealers' As

is, but the pleasure of making a donation. The novelty

lurnituret~

obviously appealed; the bidding opened at $500. Its

Webb's Ne•

sale, conducted amidst considerable hilarity and strong competition , saw it finally knocked down for $1,300!

Renowned

Campbell I fuisevent i

For further informatio11 on Animals Asia,

mcorporate

visit their website at www.animalsasia.org

Mr. Moons

exhibrnon, 1 ol asole~ Chris Devereaux with Jill Robinson and Annie Webb

He goes or sidebysid, different PE

Alloithe a olfueNZA

Wrthevery: 18

IN FOCUS

0PPDrtunify

Going Going Gone .... Jewellery in May from

Ice - A Hot Item

[D]

Animals iealand

Diamonds of significant size are still proving to be highly

held on

sought after, not only because of the dictates of fashion

urant

but also because exchange rates (a weak US dollar

included

combined with a strong NZ dollar) are presenting unique

llled

buying opportunities. While the relative exchange rates

Nicky

are expected to persist for some time , the fact that the

ne.

wholesale diamond market is conducted in US dollars is

svel in the

putting pressure on mining & manufacturing companies

eaux.

to increase their prices in order to maintain parity in their

Over the past couple of sales at Webb's , most of the major

local currencies. The net result is that the honeymoon will

stones have been snapped up. Highlights of the May sale

ectacular arranged isi~ of all

[A]

[C]

soon be over with prices set to show a steady increase

were a fabulous emerald-cut diamond of 1.89ct (F/G , VVS2)

across the board in the near future. This effect is already

[A] sold for a hammer price of $18,000, and a particularly

becoming evident with prices being quoted to merchants at

lovely 2.1 Oct brilliant cut estate solitaire ( I/J VS+) [B] that

bidding

percentages above the industry benchmark 'Rappaport' for

made $19,000 by negotiation with the highest bidder. An

already

major stones , whereas in the past substantial dealers have

oval cut of 1.91 ct (c] made $10,000 while an octagonal

,r for

been accustomed to percentages below Rappaport.

radiant cut of 2.5ct [D] made $8,500.

was

1e zoo. dace for

A Contemporary Look at Art, Antiques & Interiors

the Sunday

An Antique Dealers' Association of New Zealand Event

ed sale,

19 - 21 August 2005

Jbeen

gbid the ,ing that Ie novelty

500 Its

Webb 's are excited to be involved with the New Zealand Antique Dealers' Association (NZADA) in presenting an exhibition of antique furniture together with modern and contemporary art to be held at Webb 's Newmarket salerooms over 19th to 21st of August.

and strong

Renowned Wellington antiques expert and interior designer,

$1,300!

Campbell Moon has been invited to produce and co-ordinate this event with particular focus on showing how antiques can be incorporated with today 's art and design trends. Mr. Moon says he is "excited to be involved in this high quality exhibition , particularly as current world trends show a slowing down of a solely minimalist aesthetic and a revival of antique furniture". He goes on to say that he "firmly believes the two can happily sit side by side. There appears to be no boundaries when dealing with different periods as long as there is underlying quality throughout. " All of the art and antiques on display will be provided by members of the NZADA, including items from several South Island dealers. With everything exhibited being offered for sale, this will provide an opportunity not to be missed.

Going, Going, Gone ... Specialist A2 sales in May The high interest and demand for the Chinese furniture offered in May was a reflection of the quality and age of the pieces on offer. With so much modern and reproduction Chinese furniture now available in this country, it is pleasing to note that buyers can distinguish between the modern copy and the genuine article. The saleroom was bouyant, nearly every piece sold under the hammer and the prices were , in most cases, falling between the estimated range . Given the reasonably conservative estimates, these prices still represented excellent buying .

Temple doors

A rather special and unusual pair of temple doors, illustrated above , caught the imagination of buyers who could see them incorporating well into an interior, selling for $3,000 against an estimate of $1,600-$2 ,000. The pair of impressive black lacquer cabinets , one illustrated left, decorated with gilded dragons, a detail of which was used to illustrate the cover of the catalogue, were much admired and sold for $4,400 against an estimate of $3,000-$4,000 . The more useful Black lacquer cabinet

pieces were the most sought after with altar tables , cabinets and chests all selling well.

Taxidermy The staff at Webb's regularly handle the sale of all manner of items, from the commonplace to the rare and from the ordinary to the bizarre , and yet, an entire sale of taxidermy animals , skins and horns was certainly one of the strangest specialist sales in Webb's history. The huge demand and high prices achieved surprised us all. Given that some may find the process of taxidermy disagreeable and the result less than appealing , the viability of a specialist sale of this material was initially under question. We needn 't have worried as the scarcity and curiosity of the pieces together with their overall excellent condition , attracted buyers from far and wide. The larger full bodied animals were of particular interest; the leaping lion (lot 66) sold for $9,800 against an estimate of $4,000 - $6 ,000 and the Musk Ox sold for $6,700 against an estimate of $4,000 - $6,000. Across the board, almost all of the lots sold for within or above their estimates making for very pleased vendors indeed.

IN FOCUS

The Taxidermy viewing and auction day

New Zealand's Public Art Galleries and Museums Choose Webb's to Value Their Collections Aecent valuations have been undertaken for the following: Auckland Art Gallery, Toi O Tamaki Govett-Brewster Art Gallery, New Plymouth Sarjeant Art Gallery, Wanganui Bath House Museum, Rotorua Te Awamutu Museum Auckland Public Library Te Manawa Museum Wellington City Council New Zealand Historic Places Trust University of Auckland imagination

North Shore City Council

) against an ustrated let lecatalogue, more uselu!

.......

:Si! ftl

/:. ~'

(

.=-

.!! i;

Webb's offer New Zealand's only comprehensive (NZPI) Property Institute certified valuation service for

the fine and decorative arts. Whilst Webb's dedicated valuation department perform valuations for New

ftl

z~alands largest and most important public and private collections, no valuation is too s~ II. To discuss having your items or collection formally valued for insurance indemnity purposes contact

James Parkinson on 09 5246804 or 0274867265.

"Cl

c::

:52 u C

------ -~- ---·-·:::---

FINE JEWELLERY & WATCHES

Magnificent Jewels, Fine Antique and Modern Jewellery, Watches, Coins and Accoutrements Day 1 Tuesday 28 June 2005 Two Sessions 2.00pm and 6.00pm

2.00pm

Note start time

Lots 1000 - 1200

Affordable Antique, Estate & Modern Jewellery [on separate list available at viewing]

6.00pm Lots

1 - 25

Wrist &Pocket Watches

Lots

26 - 40

Accoutrements, Coins &Coin Jewellery

Lots

194

Magnificent Jewels &Fine Jewellery

Viewing Times 9.00am - 515pm

Thursday

June

Friday

June

Saturday

June

11.00am - 3.00pm

Sunday

June

'>>

11 .OOam - 3.00pm

Monday

June

9.00am - 5.15pm

Tuesday

June

9.00am - 1 OOpm sharp

'>,

9.00am

515pm

Illustrated left, from top:

Lot 135

Lot 146

Lot 139

Lot 142

Lot 136

Lot 143

Lot 147

Lot 145

Lot 140

Lot 137

Lot 141

Lot 7

Lot 144

FINE JEWELLERY & WATCHES

DAY ONE: TUESDAY 28 JUNE 2.00PM

AFFORDABLE ANTIQUE, ESTATE & MODERN JEWELLERY An interesting and varied selection. Separate list available free of charge at viewings.

DAY ONE: TUESDAY 28 JUNE 6PM

Important Conditions of Sale for Watches. Please note: as many of the timepieces are old,-or their history Is unknown, Webb's offers no guarantee as to mechanical condition or condition of seals etc. Atimepiece described as 'fine' or 'as new' is an opInIon as to appearance only. All watches are sold as viewed. It shall be assumed that all buyers have inspected the lots and that they are happy with them in all respects. Watches cannot be returned on the grounds that repairs or service have been carried out, or parts (including straps or bracelets) have been supplied, by anyone other than the named maker. Notwithstanding the foregoing condi!lon, named wristwatches are sold on the basis that the movement (or movement and case where beth would normally have been manufactured by the named maker) were manufactured by the named maker. It is recommended that buyers have watches serviced promptly to ensure that damage does not arise from faulty seals or any other aspect of mechanical cond1llon.

A Rare Early 19th C 18ct Yellow Gold Cased Repeating Chronometer Pocket Watch.

Open face, keywound fusee with spring detent escapement and helical balance spring. White enamel face with Roman numerals and subsidiary seconds. The repeat, for hour and half, operated by depressing plunger.Drum style case with hallmarks for London 1820, cuvette also of 18ct gold. Movement signed J.G. Fearn, Cornhill, London and numbered 876.John George Fearn (1800-40) is listed in Britten's "Old Clocks &Watches &Their Makers" at 14 Cornhill 1814.

$' st

~ ij

re ~

$10000-14000 see colour illustration page 26

24 FINE JEWELLERY & WATCHES

fa re

$3750-4250 see colour illustration page 26 11

CHOPARD, A Lady's 'Happy Diamonds' Wristwatch.

Ref. 20/3957 No. 667968-4097 in 18ct white gold. Two concentric lines of diamonds, five captured free-moving diamonds and two diamonds at the lugs. Black crocodile strap.Quartz movement. $7500-8000 see colour illustration page 26

ROLEX, A Lady's Cellini Wristwatch Set With Diamonds.

Circular case of 18ct yellow gold, oval gold face with diamond quarters. The bezel set with a line of brilliant cut diamonds with tapered baguettes at the quarters. Integrated yellow gold mesh bracelet strap. Manual mechanical movement. Ref. 2671-10, 187 No. 4318082 (C 1975). As new appearance. The bracelet and bezel appears to be non-factory additions.

Ref. 69078. Champagne face with diamond indexes, sweep second and date window. The bezel set with a line of diamonds to rectangular cut emeralds at each quarter. President bracelet.As new appearance.Valuation available.

$2000-2500 see colour illustration page 26

CARTIER, A Lady's Colisee Wristwatch Set With Diamonds.

$10000-12000 see colour illustration page 26

$3500-4000

Rectangular outline with geometric ajoure lugs, all set with diamonds of mixed cut to a twin silk cord strap.The back and sides of the case enhanced with floral and foliate engraving. Manual mechanical movement, silver face with Arabic numerals

PIAGET, A Gentleman's 18ct Yellow Gold Cased Dress Wristwatch.

18ct yellow gold with integrated gatelink mesh bracelet strap, deployant clasp. The bezel and lugs set with round modern brilliant cut diamonds. Cream face with Roman numerals, quartz movement. Numbered 810920344. Brand new "old stock", with original presentation box, papers and guarantee.

Ref 5513, #8659746 (C 1985), black face and matching bezel. With original box, guarantee and spare link.

A Lady's Good Art Deco Platinum Cased Wristwatch Set With Diamonds.

$4750-5250 see colour illustration page 26

ROLEX, A Gentleman's Stainless Steel Submariner Oyster Perpetual Wristwatch.

ROLEX, A Lady's 18ct Yellow Gold Oyster Perpetual Datejust Wristwatch With An Emerald And Diamond Bezel.

Pl ci

Elegant rectangular convex outline in vintage style, beveled silver face with Arabic numerals. Manual mechanical movement. Original crocodile strap and Piaget buckle.Ref. 9952/602783.

ROLEX, A Mid-Size Datejust Bimetal Wristwatch.

$3000-3500

Ref. 68273 No. 8180913 (C 1984), in stainless steel and gold with a champagne face and jubilee bracelet. Excellent appearance.

$2500-4500 see colour illustration page 22

$200-300

UNIVERSAL GENEVE, A Lady's Rolled Gold Wristwatch.

Rectangular outline case and integrated gatelink mesh bracelet. Gold face with Roman numerals. Quartz movement.Sapphire lens, water resistant.

Circular outline case and integrated bracelet of stainless steel. Cream face with sweep second, subsidiary chronometric dials and date window.Automatic movement. Brand new "old stock" with original presentation box and papers. Numbered AN 11748, ref. 8020.

se 7

$5800-6800 see colour illustration page 26

WRIST & POCKET WATCHES

GIRARD PERREGAUX, A Gentleman's "Ferrari" Chronograph Wristwatch.

Circular outline case, the bezel engraved with Roman numerals. Black face with polished batons, sweep second and date window. Quartz movement. Integrated 3 bar style stainless bracelet.

steel dialsam 1'wilil 48.re!

iating

inland umerals raleil l00001

$300-400 see also previous lot

PATEK PHILIPPE, A Gentleman's 18ct Yellow gold Cased Calatrava Wristwatch.

Ref. 3919. White face with Roman numerals and subsidiary seconds. Manual mechanical movement. Original black crocodile strap and 18ct clasp,both signed Patek Philippe. As new appearance. Engraving to case and back. With original box.

$450-550 22

ls"a:I1

SEIKO, A Gentleman's 18ct Yellow Gold Cased Wristwatch.

Circular outline case, gold face with polished batons. Quartz movement, water resistant, sapphire lens.Ref 7NOO-S007 No 451914. Brand new with original box and papers.

$10000-12000 see colour illustration page 26 14

CARTIER, A Lady's Wristwatch From The Must De Cartier Range.

Circular outline case of gold on sterling silver, black face, signed Cartier blue end-stone to crown.Quartz movement, black lizard strap.

$300-400 13

f.earn 1800-!Q

PEQUIGNET, A Stainless Steel Wristwatch.

JAEGER-Le COULTRE, An 18ct Yellow Gold Reverso Wristwatch.

CHOPARD, A Lady's 18ct Yellow Gold Tank Watch.

Ref. 5054 from their Classique range, numbered 94209. Quartz movement, white face with Roman numerals, blue end-stone to crown. Black leather strap with 18ct Cartier deployant clasp. With spare strap.

Ref 6.250.1.11 No. 1688812. Rectangular outline reverso case, integrated gatelink bracelet. Cream face with Arabic numerals, recessed seconds dial and date window.Quartz movement. As new appearance.

$800-1200 see colour illustration page 26

$5500-7500

ress

23 15

ed~t,er mt Ong ·

UNIVERSAL GEN EVE, A Lady's Rolled Gold Wristwatch.

Circular outline case with three colour gold stepped bezel and two colour gold lugs to yellow gold case. White face with Arabic numerals.Quartz movement. Blue end-stone to crown. 18ct yellow gold deployant clasp to black crocodile strap. With spare lizard strap.

Circular outline case and integrated gatelink mesh bracelet. White face with Roman numerals. Quartz movement.Sapphire lens, water resistant. As new appearance.

CARTIER, A Lady's 18ct Gold Cased Vendone Wristwatch.

$200-300

$800-1200 16 liamonds, strap,

ROLEX, A Gentleman's 18ct Yellow Gold Oyster Perpetual Date Submariner Wristwatch.

Ref. 16808 No. E 820992 (C 1991 /92), blue face with matching bezel, oyster flip-lock bracelet with box. As new appearance.

m lsquartz x:k' wi~

UJKjllJ iJdSWnil

$500-600 18

$850-1000

BAUME & MERCIER, A Stainless Steel And Gold Wristwatch.

Circular outline case of stainless steel with indexed gold bezel ring, matching bracelet. Silver face with Roman numerals.sweep second and date window Quartz movement. MV 045046 No. 2180111.

monds,

RAYMOND WEIL, A Lady's Wristwatch Set With Diamonds.

"Othello" model in stainless steel. Midnight blue face with Roman meridians. The lens enhanced with two overlay row of brilliant cut diamonds. Quartz movement.

An 18ct Yellow Gold Half-Hunting Case Fob Watch With Fob Chain And Seal.

The watch keyless cylinder, white face with Roman numerals, handset button in band. The chain of 9ct rose gold fancy links with higher carat wash highlights.fitted with a T bar and single clip. The dome back seal of 15ct gold set with an oval vacant carnelian.

$18000-22000 see colour illustration page 26 17

~mesh )71 -10 bracelel

An Eight Day Clock Watch.

Keyless lever 8-day movement in a carriage style case of silver plate and brass. The silver plate panels decorated with figure groups in repousse.Handset button by crown on case top. Silver face with exposed movement and "telephone dial" style Roman numerals. $300-400

$700-900 ;h, Two COIi·

~aoo rnovemenl

CARTIER, A Gentleman's Wristwatch From The Must De Cartier Range.

Circular outline case of gold on sterling silver, black face, signed Cartier. Blue end-stone to crown.Quartz movement, black crocodile strap. $400-600 see also following lot

FINE JEW ELLERY & WATCHES

FINE JEWELLERY & WATCHES

ACCOUTREMENTS, COINS & COIN JEWELLERY

1883.

Gal

An Edward VII Half-Sovereign.

1903, Sydney mint

A Pair Of 18ct And Pearl Cufflinks.

1915, Sydney mint

Bar and ball design, each set with a 9.5mm round white cultured pearl.

$80-100 A George V Half-Sovereign.

A Pair Of Half Sovereigns In Cufflink Mounts.

Victorian 1899 and George V 1916, Sydney mint in free-mounts of 9ct yellow gold. $250-300 A George Ill Guinea Pendant.

The coin dated 1785 with fixed scroll mount suspended by a flat curb link neckchain of 9ct yellow gold.

1898

1908, Sydney mint

cl1

$80-100

A Pair Of South Seas Cultivated Pearl And Diamond Earstuds.

48 Ila

hi ~

$1300-1800 42

n le

s 50

A Pair Of Pearl, Emerald And Enamel Earclips.

$150-180

Circular outline 'target' style set with a mabe pearl having a rub-over set emerald centre and bordered by a band of black enamel. 18ct yellow gold.

A George V Sovereign.

$250-450

1925, Sydney mint $150-180 35

A Victorian Half-Sovereign.

1893, Sydney mint $80-100

A Necklace Of South Seas Cultured Pearls.

Silver- white, 35 round/off-round graduated 13.7 - 10.5mm, secured by a circular clasp of 9ct yellow gold set with a mabe pearl. 450mm.Gemologist's report and valuation available on request

$2800-3800

53 28

FINE JEWELLERY & WATCHES

Each approximately 12.5mm round white pearl set in a clip/stud mount of 18ct yellow gold with a single round modern brilliant cut diamond of around 0.18ct Gemologist's report and valuation available on request

A Victorian Sovereign.

An Edward VII Sovereign.

1914, Sydney mint

Please note: where gemological reports are available these should be read together with the catalogue description. Should there be, through error, omission or introduction of better evidence, any significant difference between the catalogued description and that provided in the gemologist's report, it shall be assumed that the buyer has inspected the report and is buying in acceptance of it Unless otherwise stated, aII stones have been assessed for weight, colour or clarity mounted and the descriptions given in the catalogue or report are therefore based on estimates which are limited in accuracy. Where an actual weight is given the stone will have been weighed loose, however while the grading of a stone loose will minimise error margins it shall be accepted by the buyer that all reports and descriptions remain opinions and not matters of fact

$150-180 33

A George V Half-Sovereign.

MAGNIFICENT JEWELS & FINE JEWELLERY

$250-300 32

Ye 40

A Half-Sovereign Pendant.

$70-90

Al Tei

1915, Melbourne mint

$175-225

A Sovereign Case Of Sterling Silver.

The Victorian half-sovereign dated 1892 in a fixed foliate mount of yellow gold.

Al [k)

$6 A George V Half-Sovereign.

$80-100

$150-200

fol

$80-100

Circular outline enhanced with engraving. Hallmarks for Birmingham 1904.

$4 37

$200-300 see colour illustration page 27

A Silver Powder Compact Decorated With Enamels.

Engraved with foliate motifs about a central hand decorated polychrome enamel panel of a mandolin player entertaining two ladies in an Italianate landscape.Minor chips to enamel.

A Victorian Half-Sovereign.

A Muff Chain Of 15ct Yellow Gold With A 15ct Yellow Gold Fob Seal.

Cable links, the seal with vacant black (enamel?) plate. 1600mm, 34.5g.

The oval green and white layered pressed glass portrait cameo of a 1920's lady is set in a pendanVbrooch frame of 18ct yellow gold, the border enhanced with 20 round modern brilliant cut diamonds.

$450-650

A Muff Chain Of 15ct Yellow Gold.

Pierced cylindrical links with a single clip clasp. 1600mm 27.3g.

$650-750

$350-550

A Fashionable Bracelet Of 1Sct White And Yellow Gold.

$400-600

A Victorian Bracelet With A Carbuncle Garnet Set Clasp.

Yellow gold snake links (test approximately 14ct), the lock style clasp set with a large and two small cabochon garnets.Minor damage to bottom of clasp.

Uldbereao ·OIJJherror dtffe:eoce 1emocgs1s ljX)1800S

$400-500

A Bracelet Of 1Sct Yellow Gold.

Italian design, chunky curb links with a clip and ring clasp enhanced with an amethyst cabochon. Signed Signoretti. 38.3g.

liaveooin

J1Sgr,en enw~gool

1ormarg~s ons remain

$150-250

An Eight Row Necklace Of Cultured Pearls With A Leopard Motif Clasp.

The choker length rows of matched round 3.5mm pearls with leopard head finials forming a clasp of 18ct yellow gold.set with sapphires, diamonds and rubies, the leopards clutching a ring of diamonds. Gemologist's report and valuation available on request.

re mrtroITT

A Loose Emerald-Cut Aquamarine of 9.87ct.

$800-1200 60

Excellent clarity and brilliance.Gemologist's report and valuation available on request.

1ga black

$2000 (suite) see colour illustration page 31 52

A Heavy Bracelet Of 9ct Rose Gold.

Chunky solid curb links with a heart shaped padlock clasp. 99.5g . $800-1200 53

$650-850 see colour illustration page 30

A Stylish Necklace And Earrings En-Suite Of South Seas Cultured Pearls And Diamonds.

The necklace comprising an 18ct white gold bright cut mesh cable chain with a pendanV enhancer designed as a long articulated single row drop of 11 round links, each set with a diamond, falling from a hinged bale.set with further diamonds to an approximate 14mm baroque grey pearl. The earrings of matching design. Gemologist's report and valuation available on request.

A Bracelet Of 1Sct Yellow Gold Flat Curb Links.

A Stylish Necklace Of Black South Seas Cultured Pearls And Diamonds.

18ct yellow gold Belcher link chain to a rub-over set diamond at mid-section ; from which falls a line of three pearls of graduated size, each with a rub-over diamond set finial.

$750-1000 51

CARTIER, A Ring Of 1Sct Rose Gold.

The band engraved with Cartier's entwined "C" motif within ovals of varying size. Signed and numbered CK0379. With original box and Certificate.

$3000-4000 111d

A Good 19th Century Paste Brooch.

Convex rectangular outline in silver accented with gold set with a large cushion rose cut and border of old cut pastes.

$500-700 49

An 18th Century Girandole Pendant Set with Pastes.

Renaissance revival Byzantine style in silver gilt set with emerald coloured pastes. Hallmark possibly Italian for Lucca 18th Century. An interesting piece.

$375-475 48

A Mabe Pearl And Diamond Dress Ring.

The 19mm mabe pearl with pink overtones is set in a ring of 18ct yellow gold together with lines of diamonds to the shoulders that are enhanced with ajoure.

$900-1200

:RY

A Muff Chain Of 9ct Yellow Gold.

Doubled links 1600mm 40.5g.

Textured and polished links forming a flat strap. 38.2g.

A Cameo Brooch Set With Diamonds.

A Diamond Studded Ball Pendant On Chain.

The ball of 18ct yellow gold scatter set with 15 round modern brilliant cut diamonds having an estimated TOW 0.45ct suspended by a trace chain of 18ct yellow gold. $350-450 62

A Fashionable Neckchain Set With Diamonds.

18ct white gold in the manner of Tiffany's "Scatter Diamonds" with 19 round modern brilliant cut diamonds rub-over set in panels at uneven intervals. TOW approximately 1.33ct.Gemologist's report and valuation available on request. $1000-1500 see colour illustration page 30. See also following lot

63g. $1000-1400 FINE JEWELLERY & WATC HES

FINE JEWELLERY & WATCHES

79 63

A Fashionable Neckchain Set With Diamonds.

18ct white gold with 19 round modern brilliant cut diamonds rub-over set in panels at uneven intervals. TOW approximately 1.33ct.Gemologist's report and valuation available on request. $1000-1500

See also previous lot.

The

18ct yellow gold trace cable chain with 15 oval panels each rub-over set with an oval blue sapphire cabochon.Two panels fitted with clasps to allow use as long necklace or necklace with two panel drop. 620mm.

bird dror

$4l

$900-1200

ea 64

A Brooch Set With An Opal And White Sapphires.

Bar design in 18ct yellow gold with white gold accents, centred by an oval milk opal cabochon showing full spectrum colour play, bordered by round cut white sapphires.

18ct white gold open work heart design set with a continuous line of 20 round modern brilliant cut diamonds having an approximate TOW 1.6ct.Gemologist's report and valuation available on request.

$4! 81

l8C diar

$700-800

A Heart Motif Pendant Outlined With Diamonds.

Ribt rour

A Pair Of Pendant Earrings Set With Sapphires And Diamonds.

Each designed as a lobed circular domed panel of 18ct white finished gold set with 9 round blue sapphire cabochons on a ground of brilliant cut diamonds.to a round modern brilliant cut diamond surmount below a wire support with lock clip.

$550-650

A Necklace Of Cabochon Blue Sapphires.

$4( 73

A Signet Ring With An Intaglio Seal.

$1250-1650

18ct yellow gold , the bezel set with an oval bloodstone armorial seal intaglio.

see colour illustration page 31

$150-200

All 5,6

Des

set 66

A Necklace And Earrings En-Suite Set With Diamonds.

The necklace comprising an 18ct white gold neck wire suspending a pendant of white and yellow gold tapered crescent panels pave set with brilliant cut diamonds.The earstuds of matching design. Gemologist's report and valuation available on request.

A Tennis Style Line Bracelet Set With Diamonds.

diru

The 49 links of 18ct yellow gold, alternating circular and square outline, are each set with a round modern brilliant cut diamond. TOW estimated approximately 1.5ct.

53;

$1000- 1400

$1600-1800 (2) 75 67

An Elegant Necklace Set With Diamonds, A Ruby And A Sapphire.

The single row of 18ct white finished gold links, set with round modern brilliant cut diamonds over the lower half, is caught at mid section to provide two short drops of unequal length .one having a polished pendeloque ruby cabochon finial , the other a similar blue sapphire.Gemologist's report and valuation available on request. $2250-2750 68

$500-700 70

An Amethyst And Diamond Pendant.

Trefoil design in 18ct yellow gold set with three oval cut amethysts and four diamond brilliants, suspended by a trace curb link neckchain. $300-400

Dia

A Good Amethyst And Seed Pearl Brooch.

sap

cut

0.5

$71

$375-575 77

A Cross Pendant Set With Diamonds.

The Latin cross of 18ct white gold set with six round brilliant cut diamonds of approximately TOW 0.60ct is suspended by a trace 18ct white gold chain from a yellow gold bale.

$1200-1500

Oval outline in 9ct yellow gold set with an oval cut amethyst of deep colour, bordered by seed pearls.

$450-650 69

$4!

18c 76

A Spray Brooch Set With Diamonds And Pearls.

18ct white gold stylised sheaf design set with 11 round cut diamonds and three cultured pearls, tied with a ribbon set with a further three diamonds.

18c all

A Striking Flexible Mesh Ring Set With Diamonds.

18ct yellow gold frosted and polished diamond shaped flexible mesh set with 17 good quality round modern brilliant cut diamonds of approximate TOW 1.02ct.Gemologist's report and valuation available on request.

A Cross Motif Pendant Set With Diamonds And A Sapphire.

Edi

The Latin cross flory of 18ct white gold set with lines of brilliant cut diamonds to a central round cut blue sapphire.

olt dro

$300-350

rep

A Bracelet Set With Five Moving Diamonds.

$31 sei

esu

18ct yellow gold flat curb links to an I.D. style central convex slotted plate with diamond set palmate finials , in which slide five rub-over set good quality round modern brilliant cut diamonds of approximately 0.1 Oct each.Gemologist's report and valuation available on request. $1500-1800

Th,

I& bnl

sh(

Ge1

$8!

FINE J EW ELLERY & WATCHES

79 each

PMelsi[',j M~iv,u

And

A Necklace Of Seed Pearls.

The round modern brilliant cut diamond assessed as 1/J, Sl1 is mounted in a partial rub-over setting of 18ct white and yellow gold. Gemologist's report and valuation available on request.

$450-650

$2500-2800

A Spray Brooch Set With Diamonds.

t~t:,--.

$450-650

ld1anm1 81

$1250-1500

A Pair Of Scatter Set Diamond Bands.

18ct white gold, each set with 12 round modern brilliant cut diamonds. Gemologist's report and valuation available on request.

$400-600 (Pair) A Tennis Style Line Bracelet Set With Approximately 5.6Dct Of Diamonds.

Designed as a line of 41 articulated 14ct white gold box links, each set with a round modern brilliant cut light champagne coloured diamond.Gemologist's report and valuation available on request.

f!ISQUale

$3400-4200

dm.

$20000-24000 (3) 90

Jflexioe

A Pair Of Peridot And Diamond Drop Earrings.

$450-550

cutd<'.":VX:S

$3500-4000 91

~luaOCO

1elh),to'

o!IJ!iian:;.'.

18ct yellow gold flexible mesh to a mid section set with an oval sapphire cabochon flanked by two channel set lines of 5 square cut diamonds.Sapphire approximately 1.75ct, TOW approximately 0.50ct. $700-800

$1400-2400

An Attractive Necklace Set With Diamonds.

coo1ex

didvaluaiiW

A Blue Zircon And Diamond Cluster Ring.

A Stylish Necklace of Art Deco Design, Set With Diamonds.

18ct white gold, the mid-section of open geometric outline set with graduated lines of round modern brilliant cut diamonds having an approximate TOW 2.20ct.Gemologist's report and valuation available on request.

$3000-4000 see colour illustration page 31

ch~~me

An Impressive Necklace Of Sapphires With Diamonds.

The necklace of faceted blue sapphire beads, graduated from the centre and enhanced with two diamond set rondels, suspends a pendant drop set with a large faceted pentagonal sapphire bordered by small round cut sapphires with a joining sapphire and diamond cluster surmount to a diamond set hinged bale. 18ct black finished gold.Gemologist's report and valuation available on request.

A Flexible Ring Set With A Cabochon Blue Sapphire And Diamonds.

Edwardian influenced design in 18ct white gold, the mid-section of bows with floral festoons set with diamonds, suspending a drop terminating with a cushion cut diamond of fine quality and of estimated weight 0.50ct. TOW approximately 1.26ct.Gemologist's report and valuation available on request.

A Bangle Pave Set With Princess Cut Diamonds.

Hinged design in 18ct white gold, the upper section pave set with some 132 invisibly set Princess cut diamonds having a TOW approximately 2.40ct.Gemologist's report and valuation available on request.

18ct white and yellow gold, each set with a triangular peridot above a tassel fringe of diamond drops.

id~

An Exceptional Necklace, Bracelet And Earrings En-Suite Set With Diamonds.

Heavy polished chevron shaped links of 18ct white and yellow gold, the mid sections set with fine quality pave set diamonds to a close channel set panel of baguette cut diamonds also of fine quality. 216g TOW 9.19ct.Gemologist's report and valuation available on request.

' Wlfc

A Good Ruby And Diamond Cluster Ring.

18ct white and yellow gold centred by a round cut ruby of good colour within a border of eight round modern brilliant cut diamonds having an estimated TOW approximately 1.28ct..Gemologist's report and valuation available on request.

Ribbon bow and floral sheaf design in platinum set with lines of round cut diamonds.

~agrOUIIJ

A Ring Set With A Solitaire Diamond Of 0.84ct.

The mid section of articulated open foliate scroll work to a central bird motif clutching a flower and supporting a pendeloque amethyst drop.14ct yellow gold.

$2200-2600 see colour illustration page 31 93

An Attractive Ruby And Diamond Ring.

The emerald-cut blue zircon of lively appearance set in a ring of 18ct white and yellow gold within a border of 12 round modern brilliant cut diamonds.having an estimated TOW 0.48ct, the shoulders each enhanced with a further small diamond. Gemologist's report and valuation available on request.

The oval cut ruby of very good colour and lively appearance is set in 18ct white finished gold within a border of round modern brilliant cut diamonds.the two shoulder stones larger than the others and the shoulders set with lines of further diamonds.Gemologist's report and valuation available on request.

$850-1000

$2400-2800

FINE JEWELLERY & WATCHES

A Ring Set With A Solitaire Diamond Of 0.62ct.

102

A Stylish Dress Ring Pave Set With Diamonds.

10 API

AP~

1Bct white finished gold designed as a concave cartouche outline panel pave set with diamonds captured between the arms of a split shank,outlined with baguette and Princess cut diamonds TOW approximately 1.06ct.Gemologist's report and valuation available on request.

The round modern brilliant cut diamond, with Quazar certificate stating it to be H, Sl1 /2, very good plus make,is set in a handmade mount of 1Bct yellow gold and platinum.Gemologist's report and valuation available on request. $2000-2500

Tuel 0111

$221

$1500-1700 95

The emerald-cut tanzanite of approximately 2.5ct set in a band of 1Bct yellow gold.

103

A Pair of Solitaire Fine White Princess Cut Diamond Earstuds Of A Little Over 1ct Each.

The diamonds, assessed as 1.07 and 1.0Bct, E-G, 11, are set in mounts of 1Bct yellow gold.Gemologist's report and valuation available on request.

$2000-2500 see colour illustration page 30 104

$8250-9250 see colour illustration page 27. See also the following lot. 97

ASI

foil ~

olhe

valu

A Victorian Diamond And Pearl Pendant Brooch.

1Bct white gold, each set with a line of 5 round modern brilliant cut diamonds. TOW approximately 0.30ct. $450-550

$3000-3500

A Pair Of Hoop Earrings Set With Diamonds.

106

A Necklace Set With Diamonds.

AGI The

aoo byb Gan leQ(

$40

115 AD

The graduated line of articulated loops in 1Bct white finished gold encrusted with brilliant cut diamonds to an upper section of similar design in polished yellow gold. TOW approximately 3.88ct. Gemologist's report and valuation available on request.

$450-650

Ilk with

sill valu

$4250-5250 see colour illustration page 30

S1l

A Pair Of Jade, Diamond And Pearl Drop Earrings.

From each stud an articulated line of 3 diamonds suspends a jadeite circular panel centred by a diamond and having a three pearl fringe.1 Bct white and yellow gold.

101

diarr

$20

$90 105

Each set with an oval blue sapphire cabochon within a border of 14 round modern brilliant cut diamonds, suspended by a wire with lock clip.

100

'12 AD; !Bel

A Necklace Of 18ct Yellow Gold Set With A Solitaire Diamond.

Designed as an open ten petalled flower in silver-gold doublet set with good quality mine cut diamonds about a central pearl and suspending a pendeloque pearl drop. The detachable bale also set with diamonds.The brooch pin also detachable allowing the piece to be worn as a brooch or pendant. With box. Gemologist's report and valuation available on request.

A Pair Of Sapphire And Diamond Cluster Earrings.

$15

$3500-4500 see colour illustration page 41

$6500-7000 see colour illustration page 27. See also previous lot. 98

c«W

The line of cross-over cable links graduated from a centre panel set with a round modern brilliant cut diamond assessed as 0.70ct, H+, Sl2.Gemologist's report and valuation available on request.

A Pendant Set With a Solitaire Fine White Princess cut Diamond of 1.11ct.

The diamond, assessed as F-H Sl2 is set in a mount of 14ct yellow gold.Gemologist's report and valuation available on request.

arct

An Impressive Sapphire And Diamond Cluster Ring.

The oval cut dark blue sapphire of approximately 3ct is set in 1Bct white gold within a continuous border of 14 round modern brilliant cut diamonds of good quality, and TOW 0.96ct.Gemologist's report and valuation available on request.

$650-850 96

APi

A Ring Set With A Tanzanite.

107

A Bracelet Set With Diamonds.

$500-700

'Ladder' design in 1Bct white gold, the central section set with some 2.09ct of round modern brilliant cut diamonds to suit the design.Gemologist's report and valuation available on request.

A Stylish Citrine And Diamond Dress Ring.

$3000-3500 see colour illustration page 27

$7!

The cushion outline fancy cut citrine set in 1Bct yellow gold beneath a pierced geometric overlay outlined with brilliant cut diamonds.Gemologist's report and valuation available on request.

row diar

111 AR 108

A Dainty Bracelet Set With Diamonds. Tap

$2500-2800

Serpentine links of 1Bet yellow gold joined by circular links of white gold, each set with a round modern brilliant cut diamond.

1,itt

$750-850

d~r

S6l 109

A Pair Of Heart Shape Diamond Solitaire Earstuds.

The heart shaped diamonds assessed as 0.53ct each, H, VS2-Sl1 are set in rub-over mounts of 1Bct white gold.Gemologist's report and valuation available on request.

$3500-4000 see colour illustration page 31 INE JEWELLERY & WA C~ ES

The

and reqI

$4i

heOUline nsofa nonds mw avai~e

110

A Pair Of Solitaire Diamond Earstuds Of Total Approximately 1.50ct.

119

The round modern brilliant cut diamonds set in coronet mounts of 14ct yellow gold.Gemologist's report and valuation available on request. S2250-2500

in~

111

$3500-4500 see colour illustration page 41

A Pair Of Pearl And Enamel Earrings.

Circular outline in 9ct yellow gold bordered by sky blue enamel to a convex panel of abalone centred by a seed pearl. Screw fittings.

setinl&; ernbnliam JiSISiej)Jl1

120

$150-250 112

A Dainty Pair Of Creole Earrings Set With Diamonds.

1trepa11eise; 0./lktH-

$200-300 113

$800-1200 see colour illustration page 31 121

$375-475 122

$900-1200

IXXlbletse:

114

eai aoo glhe~oce i'sre(ll1

S2250-2750 see colour illustration page 31 123

$4000-5000 115 islied

ate~J.811C:

A Bracelet Set With Rubies And Diamonds.

Designed as a line of crescent shaped bars of 18ct white gold set with round modern brilliant cut diamonds, joined by 6 pendeloque outline clusters of diamonds.each centred by a heart shaped ruby of rich colour.Gemologist's report and valuation available on request.

A Dress Ring Pave Set With Diamonds.

18ct white gold centred by a rectangular convex panel pave set with brilliant cut diamonds and bordered by further diamonds.The shoulders also enhanced with diamonds.Gemologist's report and valuation available on request.

·secbOOO'

A Line Bracelet Set With Aquamarines And Diamonds.

Designed as a line of rectangular articulated links in 18ct white finished gold , alternately set with an emerald-cut aquamarine or 5 small brilliant cut diamonds.Gemologist's report and valuation available on request.

A Good Sapphire And Diamond Cluster Ring.

The oval cut Ceylonese blue sapphire set in a ring of 18ct white and yellow gold within a border of brilliant cut diamonds.accented by two pendelc,que cut diamonds at the shoulders. With box from Garrard's of London.Gemologist's report and valuation available on request.

~alsose:

A Stylish Pendant Set With Diamonds And Sapphires.

Designed as a circlet of brilliant cut diamonds that swings from an elongated bale bar set with two rows of round cut blue sapphires in 18ct white gold.

A Striking Pair Of Earclips Set With Diamonds.

Twin scroll panel design in 18ct white and rose, finished gold, one panel pave set with round modern brilliant cut white diamonds, the other with similar cognac diamonds.Gemologist's report and valuation available on request.

iest

A Pair Of 'Chandelier' Pendant Earrings Set With Diamonds.

18ct white gold girandole rlesign with two tiers of articulated drops fal ling from the studs. TOW approximately 1.3ct.

18ct yellow gold, each scatter set with 7 round modern brilliant cut diamonds.

aire

A Good Three Stone Diamond Estate Ring.

The bridge of 18ct yellow gold set with 3 early European cut diamonds, graduated from the centre, estimated 0.53/0.79/0.53ct, G/H/I VS1, together with 6 small accent diamonds.TOW approximately 1.93ct.Gemologist's report and valuation available on request.

S4000-5000 see colour illustration page 41

S1200-1400 124 116

$750-950

18ct white gold rectangular outline with geometric ajoure about 10 articulated rub-over set diamonds, and suspending an oval blue sapphire cabochon drop,the surmount of scalloped shape, all set with brilliant cut diamonds to a bale set with diamond baguettes. TOW approximately 1.9ct. With 18ct white gold trace neckchain. Gemologist's report and valuation available on request.

A Retro Style Ruby And Diamond Pendant.

S2000-2500 see colour illustration page 30

An Impressive Ruby And Diamond Cocktail Ring.

Art deco influenced ribbon swag design in 14ct yellow gold set with rows of caliber cut rubies and lines of round modern brilliant cut diamonds.

,setw,ih tosuit~e request. 117

Tapered design in 14ct white gold, with loops to form the bale, set with a central line of square cut rubies and two lines of brilliant cut diamonds.Suspended from a flat polished link necklace of 9ct white gold. Gemologist's report and valuation available on request.

f nkSOl1 ., MX!d

$650-850

rtudS,

~. H.IS2·SI' ogist'Sf~

118

A Plaque Pendant Set With Diamonds And A Sapphire.

A Solitaire Diamond Estate Ring Of Approximately 1.6ct.

The round early brilliant cut diamond set in a ring of 18ct white and yellow gold. Gemologist's report and valuation available on request.Gemologist's report and valuation available on request.

125

A Cinnamon Diamond of 1.91 ct Set With White Diamonds In A Three-Stone Ring.

The oval cut cinnamon coloured diamond rub-over set in 18ct white gold with two round modern brilliant cut white shoulder diamonds of TOW 0.47ct.Gemologist's report and valuation available on request. $6750-7750

S4500-5000 FINE JEWELLERY & WATCHES

126

An Elegant Jade, Diamond And Pearl Necklace.

133

The woven black silk choker necklace with 18ct white gold fittings, enhanced with two detachable diamond set cuffs, suspends at mid section a pendant.The pendant comprises a jadeite plaque carved as a stylized bat, that is suspended by flexible diamond set links from a diamond set hinged bale, and in turn suspends by diamond set links, a large baroque South Seas cultured pearl.Gemologist's report and valuation available on request. $5750-6750 (Suite) see colour illustration page 31 127

134

Designed as a line of alternate X and oval links in 18ct white finished gold, each oval link set with an oval cut ruby, the X links set with brilliant cut diamonds.Gemologist's report and valuation available on request.

128

A Bracelet Set With Blue Topaz And Diamonds.

136

The oval cut blue sapphire of vibrant appearance is set in 18ct white gold within a scalloped border of round modern brilliant cut diamonds.

$1250-1650 see colour illustration page 27 132

A Three Stone Diamond Ring.

The round modern brilliant cut diamonds of similar size, pale champagne colour and of estimated TOW 2.30ct, are set in a bridge of 14ct yellow gold.Gemologist's report and valuation available on request. $2300-2600

A Ring Set With A Flawless Emerald Cut Diamond Of 1.02ct.

a ar I)(

s· SI

ar re

s· SI

A Ring Set With A Solitaire Diamond Of Approximately 3.44ct.

~ TI

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a1 SI

A Magnificent Art Deco Period Diamond And Emerald Ring.

Rectangular outline in platinum and 18ct white gold set with 8 fine quality early European brilliant cut diamonds of TOW approximately 3.62ct, together with 6 pairs of pendeloque emerald cabochons to suit the design.Gemologist's report and valuation available on request.

A Necklace Of Sapphires, Diamonds And Pearls.

The single row of graduated round cut blue sapphire beads with two round cultured grey 9mm pearls, captured between hexagonal diamond set rondelles, suspends at mid section a pendant/enhancer of 18ct white gold set with diamonds and round Ceylonese blue sapphires together with a baroque 13mm grey cultured pearl.Gemologist's report and valuation available on request.

An Attractive Ruby And Diamond Cluster Ring

The oval cut ruby of good colour and lively appearance, estimated to weigh approximately 1.01 ct is set in 18ct white and yellow gold within a border of 8 round modern brilliant cut diamonds, having a TOW 0.87ct with a further 2 diamonds at the shoulders. Gemologist's report and valuation available on request.

s: 137

$1800-2200 see colour illustration page 27 131

$22000-24000 see colour illustration page 22

A Pair of Diamond, Pearl And Blue Topaz Pendant Earrings.

18ct white gold, the pearl set studs suspending by 4 diamondset articulated leaf motif panels, a briolette cut blue topaz drop. Gemologist's report and valuation available on request.

$3800-4800 see colour illustration page 41

The round modern brilliant cut diamond assessed as N, VS2 and of very good make is set in a ring of 18ct white and yellow gold with four tapered baguette cut shoulder diamonds.Gemologist's report and valuation available on request.

$500-600 130

$8500-10000 see colour illustration page 22

$750-1000 A Sapphire And Diamond Cluster Pendant.

The diamond graded as I, I.Fis set in a bridge of platinum with 2 Princess cut side stones of approximately 0.25ct each, graded as H and F WS2.Gemologist's report and valuation available on request.

The line of articulated box links of 18ct white gold set alternately with a rectangular cut blue topaz or a pair of brilliant cut diamonds. Gemologist's report and valuation available on request.

129

$2400-2800 see colour illustration page 41 135

cu a

The early European brilliant cut diamond assessed as approxi mately 1.41ct, L, Sl1/2 is set in a traditional mount of 18ct white gold.Being sold on account of an Insurance company.

A Line Bracelet Set With Rubies And Diamonds

$2250-2750 see colour illustration page 31

An Estate Ring Set With A Solitaire Diamond Of Approximately 1.4ct.

$16000-20000 see colour illustration page 22

143

sl (c

$' SI

138

A Good Quality Line Bracelet Of Traditional Design Set With Approximately 3.4ct Of Diamonds.

144 A

The line of engraved convex links of platinum with mid section of 11 box links, each set with a round modern brilliant cut diamond of around D.30ct, assessed as G/H VS/SI.Gemologist's report and valuation available on request.

$6000-7000 see colour illustration page 31

~ ~

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~ ~

s Q

FINE JEWELLERY & WATCHES

139

An Exceptional Pendant Set With A 2ct Diamond.

145

Pendeloque outline in 14ct white gold centred by a fine pendeloque cut diamond of approximately 2.04ct assessed as F/G VS+, within a border of round modern brilliant cut diamonds of matching colour(TDW approximately 3.29ct), suspended by a neckchain of platinum.Gemologist's report and valuation available on request.

lPIOij-

8ctwhite

The oval cut ruby of reported weight 2.08ct, of rare colour, clarity and brilliance is set in a ring of platinum with 2 trilliant cut side stones of fine quality (D/E, SI1) and TOW 0.62ct.Gemologist's report and valuation available on request. $8000-10000 see colour illustration page 22

$22500-27500 see colour illustration page 22 146

,estimaied yellowgoo Jsha~l'lja s.

140

A Ring Set With A Solitaire Diamond Of 1.85ct.

$35000-40000 see colour illustration page 22 147

tnd Of 141

numw!l!l2 ,graded ash !£on leQOOS'.

Designed as a line of box links in white gold with 6 stepped geometric panels at even intervals, all set with old cut diamonds and bordered by French cut black onyx baguettes.Gemologist's report and valuation available on request.

ximat~y NVS2a'llr lowgijd~· l)Jist'srew:

142

$15500-17500 see colour illustration page 22 148

$27000-30000 see colour illustration page 22

$1500-1800 see colour illustration page 30 149

143

ava11ablefli

$4500-5000

A Ring Set With A Fine White Solitaire Radiant Cut Diamond Of 1.77ct.

The diamond assessed (graded loose) as F, SI2/I1 , good (+) mabe, is set in a handmade ring of platinum with two baguette cut shoulder diamonds of total 0.53ct.Gemologist's report and valuation available on request.

Jca\:OCliJIS

150

midseGDOII~ tcutdiarnc,il srsre(»'la""

144

A Splendid And Highly Fashionable Necklace Of Black And White Diamonds.

Art Deco influenced design in 1Bct white gold. The necklace of slightly graduated round cut black diamond beads, with white diamond set rondelles at even intervals, suspends a pendanV enhancer brooch of white gold ajoure, set with brilliant cut white diamonds,and briolette cut black diamonds to a tassel fringe of white diamond set drops with black diamond finials. Black diamonds TOW approximately 30ct, white diamonds TOW approximately 2.28ct. With a matching pair of single drop pendant earrings.Gemologist's report and valuation available on request. $7500-9500 (2) see colour illustration page 22

A Stylish Diamond Full Eternity Design Dress Ring.

1Bct white gold after a Tiffany design with yellow gold X motif overlay at intervals, set with 16 round modern brilliant cut diamonds of very fine quality and estimated TOW 1.26ct. Gemologist's report and valuation available on request.

$15000-16000 see colour illustration page 22

iesignSet

A Solitaire Diamond Estate Ring.

The cushion cut diamond of around 1.4ct set in 1Bct white and yellow gold.Gemologist's report and valuation available on request.

emerald

setw,W"1 /approijm,;,

A Pendant Set With Three Diamonds.

Designed as an articulated drop of three circular panels, each rubover set with a round modern brilliant cut diamond of approximately 0.30ct in 1Bct white gold, suspended by an 1Bct white gold neck chain.Gemologist 's report and valuation available on request.

A Ring Set With A Good Solitaire Diamond Of Approximately 2.62ct.

The round modern brilliant cut diamond assessed as G/H, SI1 is set in a ring of 14ct white gold within a sunburst radial border of 14 tapered baguette cut diamonds.Gemologist's report and valuation available on request.

A Splendid 3ct Cognac And White Diamond Cluster Ring.

The round modern brilliant cut cognac coloured diamond of stated weight 3.17ct is set in 1Bct white gold within a border of round modern brilliant cut white diamonds of stated total 1.66ct. TOW 4.83ct.Gemologist's report and valuation available on request.

An Exceptional Art Deco Period Bracelet Set With Diamonds And Black Onyx.

$7500-9500 see colour illustration page 22

A Ring Set With A Fine White Solitaire Diamond of 2.30ct.

The round modern brilliant cut diamond with I.G.I. certificate stating it to be F, VS2 is set in an Etruscan style hand made mount of 1Bct yellow gold, accented with 4 small diamond baguettes.Gemologist's report and valuation available on request.

The round modern brilliant cut diamond with G.I.A. report stating it to be H, WS1 is set in a ring of 20ct yellow gold , raised above a ballerina border of fine quality tapered diamond baguettes.TOW approximately 3.53ct.Gemologist's report and valuation available on request. $18000-20000 see colour illustration page 22

An Exceptionally Fine Ruby And Diamond Ring.

$1500-2000 151

A Pendant Set With A Peridot And Diamonds.

The oval cut peridot centred in a fol iate motif pendant of 1Bct white gold enhanced with 30 round modern brilliant cut diamonds having a TOW approximately 0.45ct. $750-850 152

A Striking Bracelet Set With Diamonds.

1Bct white gold, the mid section of open lobed design pave set with brilliant cut diamonds, supported by split shoulders set with baguettes to twin lines of further diamond brilliants and baguette semi-rondel terminals.TOW approximately 2.2ct.Gemologist's report and valuation available on request. $3000-4000 see colour illustration page 27 FINE JEWELLERY & WATCHES

AP 153

A Tennis Style Line Bracelet Set With Diamonds.

160

The 45 articulated links of 18ct white gold each set with a round modern brilliant cut diamond. TOW approximately 5.50ct, G-I colour.Gemologist's report and valuation available on request. $3850-4250 see colour illustration page 30 154

A Highly Fashionable Circlet Motif Pendant Set With Diamonds.

155

162

163

$3750-4250 see colour illustration page 31

FINE JEWELLERY & WATCHES

$31 An 11'1

fini bnl Villi

A Four Stone Diamond Ring.

112 Al 1& pa\

dia

$1 164

A Ring Set With A Solitaire Diamond Of Approximately 0.88ct.

The round modern brilliant cut diamond assessed as H, VS is set in a high profile mount of 18ct white gold below lines of round cut diamonds.Gemologist's report and valuation available on request.

11'1 em

~e em

$4000-5000

$2 165

A Pair Of Earclips Set With Pink Tourmalines and Diamonds.

Flowerhead design in 18ct white and black finished gold, the domed centres pave set with brilliant cut diamonds, the petals set with lines of round cut pink tourmal:nes.Gemologist's report and valuation available on request.

frru

mo 00(

$1400-1600 see colour illustration page 41 166

A Pair Of Pendant Earrings Set With Diamonds.

Each stud/clip comprising a sunburst panel of 18ct yellow gold set with brilliant cut diamonds, suspending an articulated oval outline panel of white gold ajoure also set with diamonds.Gemologist's report and valuation available on request. $1800-2600 see colour illustration page 41

A Line Bracelet Of Diamond Cluster Flowerheads.

Serpentine links of 18ct white gold separated by 11 flowerhead clusters of 7 round modern brilliant cut diamonds having an estimated TOW approximately 3.5ct.Gemologist's report and valuation available on request.

vali

$2000-2400

$2200-2600 159

D~ ~tl

A Blue Zircon And Diamond Pendant.

The round modern brilliant cut diamonds of champagne colour and estimated TOW approximately 2.11 ct, are set in a bridge of 14ct yellow gold.Gemologist's report and valuation available on request.

A Pair Of Pendant Earrings Set With Emeralds And Diamonds.

Each designed as a three diamond drop from the stud to a pendeloque outline frame set with diamonds, within which hangs a large free-moving pendeloque cut emerald.18ct white finished gold.Gemologist's report and valuation available on request.

6,5

$21

$3000-3500 see colour illustration page 30 158

$3500-4500 see colour illustration page 41

A Necklace Of 22ct Yellow And White Finished Gold Set With Diamonds.

Designed as a line of mildly convex panels of triple row rope-twist, joined by circular panels, the mid section 7 each set with a round modern brilliant cut diamond of approximately 0.25ct. TOW approximately 1.75ct.Gemologist's report and valuation available on request.

A Pendant/ Enhancer Set With An Emerald And Diamonds.

The pendeloque cut blue zircon of approximately 31 ct is set in 18ct yellow gold with a round modern brilliant cut diamond of 0.22ct as a surmount.With fine 18ct yellow gold neckchain.Gemologist's report and valuation available on request.

$600-800 157

Chi

$2750-3250 see colour illustration page 41

A Pair Of Sapphire And Diamond Pendant Earstuds.

Articulated twin pendeloque drop design, each having an inner panel set with a briolette cut blue sapphire bordered by brilliant cut diamonds, the outer frame also set with diamonds to a diamond flowerhead at the stud.18ct black finished gold.Gemologist's report and valuation available on request.

18ct white finished gold, set with a pendeloque cut emerald of rich colour together with brilliant and baguette cut diamonds to the split hinged bale.Gemologist's report and valuation available on request.

The round modern brilliant cut diamond assessed as KIL, Sl1 is set in a ring of 18ct white gold, the shoulders enhanced with brilliant and baguette cut diamonds, the band decorated with yellow gold pierced work detail.Gemologist's report and valuation available on request.

156

$21

$31 161

A Very Attractive Ring Set With A Diamond Of 1.69ct.

$6500-7500

1&'.

18ct white finished gold articulated openwork plaque links with oval joiners, all encrusted with some 245 round modern brilliant cut diamonds having an approximate TOW 3.4ct.Gemologist's report and valuation available on request. $5750-6750 see colour illustration page 27

Designed as three articulated concentric circles of 18ct white gold suspended by a bar with a bale finial, and centred by a flowerhead drop. All set with round modern brilliant cut diamonds having an estimated TOW 1.83ct.Gemologist's report and valuation available on request. $2250-2450 see colour illustration page 30

A Diamond Bracelet Of Belle Epoque Design.

set ~

Al f gra

$2 167

A Pair Of Solitaire Diamond Earstuds.

The round modern brilliant cut diamonds of around 0.25ct each are rub-over set in domed mounts of 18ct wh ite and yellow gold. $700-800

set

168

A Pair Of Earstuds Set With Peridots.

nllwrth Dbnlliantc.;

1Bct yellow gold, each set with a 10 x 8mm oval cut peridot.

srsre~

$200-250 169

176

The line of 35 articulated serpentine links of 1Bct yellow gold each set with a round modern brilliant cut diamond.Gemologist's report and valuation available on request.

A Pair Of Creole Earrings Set With Diamonds.

$3500-4000 see colour illustration page 41

Chunky design in 1Bct yellow gold, each scatter set with six round modern brilliant cut diamonds. Diamonds,

$300-400

177

eald~•··

sto~,sr ooreques-

170

Designed as a line of 47 articulated 14ct yellow gold links, each set with a round modern brilliant cut diamond.Gemologist's report and valuation available on request.

$450-650 178

sse: 1&: Jf0.22ct !OOO]isls

171

JCOO,Jlar.J

The oval cabochon of apple green natural jadeite set in 1Bct white finished gold, the border and shoulders set with round modern brilliant cut diamonds.Jade report and Gemologist's report and valuation available on request.

172

~0'1!:'. OOleQIIS'.

A Pair Of Earrings Set With Fire Opals And Diamonds.

Convex hexagonal outline in 1Bct yellow and white gold, each bordered by brilliant cut diamonds about a central oval fire opal cabochon.

An Impressive Jade And Diamond Ring.

$2800-3400

A Pair Of Earrings Set With Smoky Quartz And Diamonds.

Each designed as a rectangular panel of 1Bct yellow gold set with six rows of round modern brilliant cut diamonds as a ground to a central, raised, pendeloque cut smoky quartz and suspending a similar quartz drop.

A Tennis Style Line Bracelet Set With Approximately 6.55ct Of Diamonds.

$3800-4400

A Tennis Style Line Bracelet Set With Approximately 5.35ct Of Diamonds.

$600-800 see colour illustration page 41 179

A Pair Of Solitaire Diamond Earstuds Of TOW 1.53ct Approximately.

The round modern brilliant cut diamonds set in 14ct white gold. Gemologist's report and valuation available on request.

A Ruby And Diamond Cocktail Ring.

1Bct white finished gold designed as two interlocking panels, one pave set with round cut rubies, the other pave set with brilliant cut diamonds.Gemologist's report and valuation available on request.

$2000-2500 see colour illustration page 30

$1800-2400 180

mately 173

VSissi:

An Emerald And Diamond Ring.

The round modern brilliant cut light champagne diamonds set in 14ct yellow gold coronet mounts.Gemologist's report and valuation available on request.

The broad tapered band of 1Bct yellow gold centred by an emerald-cut emerald bordered by diamonds in an octagonal bezel, the shoulders enhanced with lines of diamonds and square cut emeralds.Gemologist's report and valuation available on request.

rooooof meque~

A Pair Of Solitaire Diamond Earstuds Of TOW Approximately 1.00ct.

$1200-1400

$2750-3750 181 ~

174

1Bct yellow and white gold outlined with brilliant cut diamonds and each set with a pendeloque cut ruby.

An Impressive Opal And Diamond Pendant.

The trapesium cut cabochon opal of 16ct showing a good full spectrum colour play, with excellent fire and brilliance is set in a frame of 14ct white and yellow gold, accented with lines of round modern brilliant cut diamonds.suspended by a 14ct yellow gold double cable link chain.Gemologist's report and valuation available on request.

Oe ipeirussel iiJ::llaoo

$400-600 182

ll)dsel

175

A Necklace of Faceted Green Garnets.

Fringe design, the pendeloque briolette cut tsavorite garnets, graduated from the centre, suspended by a necklace of gold beads. Gemologist's report and valuation available on request. $2000-2500 see colour illustration page 27

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A Cocktail Ring Set With A Heart Shaped Ruby And Diamonds.

The heart shaped ruby of very good colour and of stated weight 1. 72ct is rub-over set in a domed band of 1Bct white and yellow gold with 18 pave set round modern brilliant cut diamonds. Gemologist's report and valuation available on request.

$5500-7500 see colour illustration page 31

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A Pair Of Butterfly Motif Earrings.

$3000-3500 see colour illustration page 41 183

An Attractive Diamond Dress Ring.

1Bct white finished gold, centred by a close channel set line of 24 baguette cut diamonds bordered by panels of pave set brilliant cut diamonds. TOW approximately 1.46ct.Gemologist's report and valuation available on request. $2600-3000

v~d. FINE JEWELLERY & WATCHES

184

A Blue Topaz And Multi Gemstone Cocktail Ring.

190

A graduated line of round cut ruby beads secured with a 14ct white gold clasp suspends at mid section a detachable pendant enhancer of square open lattice design in 1Sct black finished gold set with lines of brilliant cut diamonds about articulated collet set round cut ruby and diamond drops.Gemologist's report and valuation available on request.

The substantial setting of 18ct white finished gold set with a cushion outline fancy cut blue topaz, the floral motif bezel set with blue sapphires, rubies, fancy coloured diamonds, and tsavorite garnets.Gemologist's report and valuation available on request. $2500- 2800 see colour illustration page 27 185

$1500-1800 see colour illustration page 27

A Pendant And Earrings En-Suite Set With Diamonds And Seed Pearls.

The pendant of open oval outline in 14ct white gold, designed as a double border of diamond brilliants enclosing a pendeloque and wire spray motif set with further diamonds, suspends a tassel fringe of seed pearls.The bale set with further diamonds and a single seed pearl. With three strand 14ct gold chain. The pendant earrings of matching design fitted with wires and notched clips. The diamonds (187 in all, with one small stone deficient) have an approximate TOW 3.1 ct.Gemologist's report and valuation available on request.

191

A Panther Motif Ring Set With Diamonds.

A Necklace And Pendant Earrings En-Suite Set With Sapphires, Aquamarines And Black Diamonds.

The necklace of round cut blue sapphire beads, graduated both in size and colour from the centre, suspends a pendant/ enhancer of black finished gold set with a pendeloque cut aquamarine.within a border of black diamonds, the bale set with white diamonds and the joining links set with champagne diamonds. The pendant earrings of matching design.Gemologist's report and valuation available on request. $1500-1800 (2) see colour illustration page 27

$3000-4000 (Suite) see colour illustration page 30 186

A Necklace of Rubies And Diamonds.

192

A Ring Set With Baguette Cut Diamonds.

The band of 1Bct yellow gold close channel set with a line of baguette cut diamonds of TOW 0.75ct.

The broad tapered band of 1Sct yellow gold with a central panther motif pave set with diamonds on a satin ground to diamond set borders.

$750-1000

$750-850 193 187

A Nine Diamond Cluster Ring.

A Ring Set With A Cognac Diamond Together With White Diamonds.

The oval cut cognac coloured diamond of ap~roximately 0.88ct is set in a ring of 14ct white gold within a rectangular border of brilliant cut diamonds.the shoulders also set with diamonds. TOW approximately 1.38ct.Gemologist's report and valuation available on request.

The round modern brilliant cut diamonds, centred by the largest stone of approximately 0.34ct, and having an estimated TOW 0. 74ct,are set in a traditional flowerhead of 1Bct white and yellow gold. Gemologist's report and valuation available on request. $750-1000

$1500-1800 188

A Ring Set With A Fine White Solitaire Diamond Of Approximately 0.90ct.

The round modern brilliant cut diamond assessed as G+ (reported as E), SI2 is rub-over set in a ring of 1Sct white and yellow gold. Gemologist's report and valuation available on request. $3500-4500

194

A Ring Pave Set With Approximately 2.5ct of Diamonds.

The broad band of 1Sct yellow gold with upper section pave set with 52 round modern brilliant cut diamonds of good quality (D-H) and estimated TOW approximately 2.55ct.Gemologist's report and valuation available on request. $2500-3000

189

A Necklace, Bracelet, Ring And Earrings En-Suite Set With Diamonds.

Each piece having a pave diamond set panel in 1Sct yellow gold bordered by white gold cuffs to articulated cross-cut patterned gold links. The diamonds, all brilliant cut, some 575 in all have an estimated TOW approximately 4.6ct for the suite.Gemologist's report and valuation available on request. $5000-6000 (Suite) see colour illustration page 41

FINE JEWELLERY & WATCHES

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FINE JEWELLERY & WATCHES

Fine New Zealand Paintings, Prints, Sculpture & Photography Day 2 Wednesday 29th June 2005 6.30pm Lots

300 - 479

Fine New Zealand Art Works

Lots

480 - 496

Foreign Paintings and Prints

Viewing Times Thursday

June

9.00am - 530pm

Friday

June

9.00am

Saturday

June

Sunday

June

Monday

June

9.00am - 5.30pm

Tuesday

June

9.00am - 530pm

Wednesday

June

9.00am - nooam

5.30pm

nooam - 3.00pm ',

nooam - 3.00pm

VIEWING CLOSES AT 11.00am ON DAY OF SALE.

Illustrated Left: Lot 301, E. Mervyn Taylor, Magical Wooden Head (Polynesian Legend)

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

300

303

301

304

302

300

E. Mervyn Taylor Lintel Figure etching, edition of 10 title inscribed and signed; inscribed Korupe or Lintel Figure, No. 1171 verso 117 x 91mm $1,200 - $1,800

301

E. Mervyn Taylor Magical Wooden Head (Polynesian Legend) etching, edition of 25 signed; title inscribed verso 227 x 175mm $2,500 - $3,500

302

Dick Frizzell Hot Squares screenprint 37 /80 title inscribed, signed and dated 2004 695 x 495mm $1,500 - $2,500

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

305

303

Pat Hanly

303

Awake Aotearoa screenprint 22/50 title inscribed, signed and dated '83 493 x 575mm

$2,500 - $3,500

304

Adele Younghusband

304

Workers linocut title inscribed and signed 170 x 235mm

$1,500 - $2,500

305

Dick Frizzell

305

Pop Duck screenprint 71/75 title inscribed, signed and dated 2002 565 x 760mm

$1,500 - $2,500

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

306

307

J~ Michael Palea , oocanlaS

•·eirwibed JOOxl4

$1,000 •$1

308

306

E. Mervyn Taylor Maori Girl charcoal and bodycolour on paper signed and dated 1954 260 x 200mm

$3,000 - $4,000

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Grey Lynn I

ooien iteinscnbei ilOx 760m

$6,000 · $

307

E. Mervyn Taylor Maori Boy charcoal and bodycolour on paper signed and dated 1954 260 x 200mm

$3,000 - $4,000

308

Nigel Brown The Wood Chopper mixed media on paper signed and dated 1976 365 x 268mm

$1,500 - $2,000

J11 Toss W1 Kumara

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IPet 100x35 12.[MlO-!

FINE NEW ZEALAND & FOREIGN PAINTINGS , PHOTOGRAPHY & SCULPTURE

309

Michael Hight

310

Patea oil on canvas title inscribed, signed and dated 1999 verso 300 x 1400mm

$1,000 - $10,000

310

Richard McWhannell Grey Lynn Morning oil on linen title inscribed, signed and dated 2003 verso 710 x 760mm

$6,000 - $9,000

311

Toss Woollaston Kumara ink and watercolour on paper title inscribed, signed and dated 1961 ; original Peter McCleavey Gallery Stamp verso 266 x 355mm

$2,000 - $3,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

312

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314

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Shifting oil on canvas signed with artist's initials S.M and dated '98; title inscribed, signed and dated on label affixed verso 1600 x 1250mm

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$10,000 - $15,000

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313

Stanley Palmer Harbour Scene oil on linen signed and dated '03 445 x 1205mm

, . _ -~ -

313

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

$7,000 - $10,000

clntyre

314

Tony de Lautour

314

New World screenprint on canvas with hand colouring in acrylic title inscribed, signed and dated 2001 990 x 950mm

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$7,000 - $9,000

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315

Jacqueline Fraser A Portrait of that Dotted Boy Prancing Along Again mixed media on brocade fabric support title inscribed and dated 9/11/2002; inscribed The Presence of Land Mines Erodes the Level of Trust .. A hand signed certificate of authenticity accompanies this work 1000 x 650mm $3,500 - $4,500

316

Kathryn Madill George Elliot Waits in the Wings pastel on paper title inscribed, signed and dated 1993 370 x 310mm $1,200 - $1,800

315

316

ed '03 1,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

317

l20 All

Teuane Tibbo

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Mulinuu oil on board signed and dated 1965; title inscribed and signed verso 597 x 892mm

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140 $11

$3,500 - $4,500

l21

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318

Simon Kaan

319

Jeffrey Harris

Composition with Wakas oil on board signed and dated '04 985 x 750mm

Two Figures ink on paper signed 238 x 170mm

$7,000 - $10,000

$1,200 - $1,800

318

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rlNE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

319

SI(

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l21

1e Tibbo

320

Allen Maddox

320

Grid oil on linen 1400 x 1310mm

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$10,000 - $15,000

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•$4,500

321

Dick Frizzell Politiki lithograph 17/34 title inscribed, signed and dated 2003 800 x 570mm $1,500 - $2,500

322

Tony Fomison Portrait of Philip Clairmont with his Children pencil on paper signed and dated 'October 1973 - November 2nd 1973' ; original photograph from which the portrait was taken affixed verso 130 x 100mm

322

$7,000 - $12,000

321

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

325 Hi

323

wa sig

13 $1

326 K Pl

327

324

323

John Pule Utaga moe na e (Direction - and also here) oil on canvas title inscribed, signed and dated 1999 verso 1015 x 1520mm $12,000 - $18,000

324

Neil Frazer Red Shift oil on canvas title inscribed, signed and dated '90 verso; original Gow Langsford Gallery label affixed verso 1830 x 1830mm $12,000 - $18,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

326

325

Rita Angus

325

Botanical Study of Kowhai Flower watercolour signed 135 x 120mm $7,000 • $10,000

326

Karl Maughan Painting from the Garden Series oil on canvas title inscribed and dated 1990 on Gow Langsford Gallery label affixed verso 610 x 660mm $3,000 - $4,000

327

J.S Parker Small Fugue in Light oil on canv8S signed and dated '99 765 x 765mm $4,000 - $6,000

326

jd '90V~SO

label

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

330

328

330 329

328

Allen Maddox Grid oil on synthetic canvas laid onto board signed with artist's initials A.M. and dated '79 808 x 835mm $15,000 - 20,000

331

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332

329

Ralph Hotere A Black Union Jack? 1981

lithograph 35/50 title inscribed, signed and dated '95 382 x 295mm $5,000 - $8,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

330

331

Ralph Hotere

332

Pine No. 8. With Your Bruises Furious and Cold, Waving Your Testicles lithograph title inscribed, signed and inscribed No. 1 From a Poem by Bill Manhire 640 x 450mm

oard

~daled 79

$7,000 - $10,000

331

Ralph Hotere Pine No. 12. Discovered in Throats lithograph title inscribed, signed and dated 74; inscribed No. 12 From Pine, a Poem by Bill Manhire 640 x 450mm

$7,000 - $10,000

332

Ralph Hotere Pine No. 1. In a Dream of Snow Falling lithograph title inscribed, signed and dated 74; inscribed No. 1 From Pine, a Poem by Bill Manhire 640 x 450mm

$7,000 - 10,000 '95

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

333

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334 B

335

336

334

337

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

333

Ian Scott

336

Lattice No. 149 acrylic on canvas title inscribed and signed verso 1525 x 1525mm $9,000 - $14,000

334

Basil Honour A Winter Landscape oil and acrylic on canvas signed and dated 76; title inscribed and signed on artist's label affixed verso 500 x 600mm $2,000 - $3,000

335

John Kinder Te Papa, Tauranga pencil, wash and bodycolour on paper title inscribed and dated 1858; inscribed J. K Jany Reference: Michael Dunn, John Kinder: Paintings and Photographs (Seto, 1985), catalogue no. 240 197 x 298mm $6,000 - $9,000 337

336

Gordon Walters Kura silkscreen 102/150 title inscribed, signed and dated 1992 600 x 490mm $5,000 - $8,000

337

Pat Hanly Paradise Bird Escapes Bather screenprint A/P title inscribed, signed and dated '77 495 x 475mm $3,000 - $4,000

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FINE NEW ZEALAND & FOREIGN PAINTINGS , PHOTOGRAPHY & SCULPTURE

338

339

338

Shane Cotton Stelliferous Biblia 21

oil on canvas title inscribed, signed with artist's initials 5. W Cand dated 2001 ; title inscribed, signed and dated 2001 verso 355 x 355mm $20,000 - $30,000

339

Ralph Hotere Reclining Nude

ink and watercolour on paper signed and dated '70 360 x 290mm $12,000 - $18,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

341

340

Simon Kaan

341

Charles Tole

Composition with Wakas oil on board signed and dated '03 740 x 920mm

Fish in a Landscape oil on board signed and dated '75 290 x 490mm

$8,000 - $12,000

$5,000 - $7,000

341

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

342

Gretchen Albrecht

342

Oval I watercolour, collage and acrylic on paper title inscribed, signed and dated '90 400 x 605mm

$2,000 - $3,000

343

Gretchen Albrecht Oval II watercolour, collage and acrylic on paper title inscribed, signed and dated '90 400 x 605mm $2,000 - $3,000

343

344

Gretchen Albrecht Oval Ill (Desert) watercolour, collage and acrylic on paper title inscribed, signed and dated '90 400 x 605mm

346

$2,000 - $3,000

345

Louise Henderson Pigeons mixed media on paper signed and dated '82 480 x 630mm

344

$6,000 - $9,000

346

Andrew Mcleod Love Sick diptych, mixed media on canvas title inscribed, signed and dated 2003 1695 x 2200mm overall

$8,000 - $14,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

FINE NEW ZEALAND & FOREIGN PAINTINGS , PHOTO GRAPHY & SCULPTURE

347

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Peter Robinson Binary Code lambda digital print mounted on aluminium 1195 x 1810mm $10,000 - $15,000

348

Peter Robinson Us and Them oil stick on paper title inscribed, signed and dated 2002 1190 x 895mm Provenance: Purchased from Peter Mcleavey Gallery, Wellington 2002 $4,500 - $6,500

349

Shane Cotton Rib oil and encaustic on plywood title inscribed, inscribed with artist's name and dated 1992 on label affixed verso 2440 x 1420mm $20,000 - $30,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

349

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349

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FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

350

Jo1

louise Samoan

$22,000

350

Colin McCahon Waterfall water-based crayon on paper signed and dated '64 263 x 187mm $25,000 - $35,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

351

Louise Henderson Samoan Woman oil on canvas signed and dated '54 520 x 1005mm Provenance: Purchased by the present owner's mother from the artist's solo exhibition at the Architectural Centre, Wellington (May - June 1955) Exhibited: Louise Henderson: The Cubist Years (1946- 1958), Auckland City Art Gallery, August 1991 $22,000 - $30,000

Louise Henderson's contribution to New Zealand Modernism is a fu ndamental and invaluable one. In fact, Henderson is one of the key figures in a 195Os flowering of the Modern. McCahon, not an individual easily prone to hyperbole, remarked in a 1950 Home and Building essay, that although her works might seem strange at first... "we should look at them as the scientist looks at the minute world in a drop of water, prepared to accept the new aspects of reality, rather than turn away from discovery, fearful that past theories may now be invalid." Cubist-inspired painting featured predominantly in the Auckland art scene of the 195Os with works such as McCahon's On Building Bridges (1952), Milan Mrkusich's City Lights (1955) and Henderson's accomplished Samoan Woman - before you now, heralding the belated arrival of French Analytical Cubism and international Modernism with great style and lucidity. In the years preceeding the painting of Samoan Woman, Henderson, at the behest of her mentor John Weeks, travelled to London and on to Continental Europe and Paris where she studied under renowned Cubist, Jean Metzinger. Upon her return, she conflated her new-found formal and structural concerns with local subject matter in a small and highly sought-after series depicting Maori and Polynesian subjects. Perhaps however, Samoan

Woman shares most in common with the resplendent Portrait of Betty Curnow painted in the same year. Both employ non-specific lighting and a rythmic interplay of shapes and forms to create an inherent sense of fl ux, harmony and balance . Moreover, in both paintings the sense of space is dependent on the profile of the subject, who is the ostensible focus of both compositions. Henderson's style of Cubism has been labelled decorative, and although her concern is not with breaking down forms to the unrecogniseable extent of much Analytical Cubism, such a comment should not be construed negatively. Rather, we should celebrate, indeed as Samoan Woman does, Henderson's uniquely successful marriage of subject matter, design and form. Ben Plumbly

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

352

353

352

Richard Killeen Destruction of the Circle Part II acrylic and collage on 20 aluminium pieces title inscribed, signed and dated 9 November 1990; instruction labels affixed verso of each piece 1200 x 1200mm approx

$25,000 - $35,000

354 353

Stephen Bambury Brown/Blue Crossover (Area Series) oil on canvas title inscribed, signed and dated 1979 verso 457 x 457mm

$3,000 - $5,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

354

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Philip Trusttum Orange Bush (Garden Series) oil on board signed with the artisits initials PL. T.; title inscribed verso 1385 x 1215mm Provenance: Purchased from Bosshard Galleries Exhibition in 1975 at Akaroa.

$22,000 - $28,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

355

Philip Clairmont Interior with Chair oil on unstretched canvas signed and dated '78 930 x 1495mm

$50,000 - $60,000

In the essay which made him joint winner of the 2004 Landfall Essay Competition Martin Edmond talked about the way certain art and literary reputations act as haunted houses within the New Zealand psyche. Edmond regards the late Philip Clairmont's art, along with the Taranaki gothic fiction of Ronald Hugh Morieson , as having a capacity to stir dark and hidden depths within the supposedly familiar and normative. The more time that elapses since the artist's tragic death by suicide in 1984, the more the weird intensity and mannered stylistics of his paintings appear as fierce and brittle crystallisations of a social and cultural era whose imaginative life compels us by its glaring difference from our own. The counter-cultural lifestyles, manifestoes and mythologies of the 1960s and 1970s, so easily sloughed off and patronised by more worldly and 'knowing' versions of 1980s and 1990s social and economic philosophy, are now being revisited. In the current era of exponential globalisation and the persistent assertion of system and efficiency over the local and the individual , paintings such as Clairmont's appear as almost forbidden reminders of syncretic fantasies and an anarchic individualism. Overtly or implicitly, Clairmont made images that look back at us, and his paintings of objects look back at us with as much disturbing intent as do his portraits. Many of his works are ful l of eyes, sometimes they are small and spread through the painting like seeing vents, what Jackson Pollock called 'eyes in the heat' . In Interior with Chair the eye is large with yellow !ashes and a labial iris, as if the gaze of an ancient sun-goddess has been miniaturised within a domestic landscape of ecstatic, psychedelic transformation. The chair, an art deco item with zig-zag and slash patterns and relic of the archetypal bohemian student flat, bucks and twists its tubular steel frame and fluted upholstery. The looping, dry-brushed gleam of the chair frame's chromed steel is a modest homage to the painting of Francis Bacon, which Clairmont had fervently admired since receiving a book on Bacon from his mother at the age of 15. Rather than a tortured figure caught in the shudderings of some private drama, as we find suspended between bars and rails in numerous Bacon paintings, Clairmont gives the animistic chair the title role. Like other great paintings by Clairmont such as The Scarred Couch: The Auckland Experience, Butterfly Mirror with Violet Flowers, various Fireplace paintings, Staircase Triptych 36 Roy Street, and Don't Look, Interior with Chair is a wonderfully paranoid painting of the world of things

endowed with prescient intelligence and rapacious energy. Allan Smith

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

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355

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FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

356

Ralph Hotere Lo Negro Sobre Lo Oro colonial sash window, gold leaf and acrylic on glass title inscribed, signed and dated '92 1095 x 475mm $130,000 - $160,000

Ralph Hotere is one of the most sophisticated and international of our artists, a fact often obscured by the fertile mingling of an advanced Modernist aesthetic with a do-it-yourself, nuts and bolts Kiwi practicality. His infatuation with materiality and the nature of materials similarly transcends the Modernist obsession with form to engage extraneous political, social and environmental issues. Lo Negro Sabre Lo Oro translates as 'the black over the gold' and is a particlarly fine example of the manner in which Hotere's seemingly most abstract and non-mimetic works enagage with the world around us. As Louise Wilton writes: "Hotere's work, although a style of Modernism, moves beyond the latter's usual retreat from social and worldly affairs". Despite the apparent literalness of the title, Lo Negro Sabre Lo Oro is replete with such social and worldly concerns. Black and gold are two colours rich in both metaphor and history. Black is a colour which Hotere has spent decades dredging , refining and extrapolating all manner of philosophical, scientific , moral, political and aesthetic meaning from. Similarly gold - and it is the material itself which is present in this work - has a chequered history with a habit of bringing to the fore some of the less appealing aspects of human kind. In Lo Negro Sabre Lo Oro it is the gold which provides the richest of contrasts to the black; it serves to make darkness visible, granting it texture, depth, tone and substance, in a manner not disimilar to the primary coloured crosses of the i,ermetic Black Paintings (1968), which were also painted on glass.

Both the cross and the x of negation feature heavily in this work. The cross is made visible through the quadrants of gold leaf and reappears alone in the upper right hand area of gold leaf. However, it is most heavily felt in the numerous black on black crosses in the centre of the work which appear like a series of grave sites viewed from afar through the drunken murkiness of night. A window is an object whose express purpose is for looking through, yet Hotere leaves such conventions behind - just as he does, the standard conventions of abstraction - instead adding a trademark vernacular dimension. The warm tones and grain of the wood and the quotidian essence of the brass finger lifter provide a rich counterpoint to the velvety darkness of the black and to the opulence of the gold. Moreover, the window frame serves to echo what seems to be one of the artist's primary and most reccurring concerns: to disrupt the facile distinctions between art and life, subject and object, secular and religious, and the eye and the mind. Ben Plumbly

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

1n!erna:~.

11nglngo1an

356

I, nuts a"(! i~ andtre

istoosess~• den1 ror•<"·,

black~,e· anner ~ m1~t w:,, onwntes ovesbeyc«I";

. Des ,e'~ oOro isreoe·i

if gold :ea: aic ~Id leaf. Hol',e ,

1ck crosses n"· rave srtes vre, ro

sforioOki!lJ ind -1us:as·, instead aoo "l Jnes and gra·

rass 1nge1 it~ JSS of theblacwindowfralll: ist's pnrnafy cile dislinct~•;

rand re'~0,,s

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357

Shane Cotton The Last Laugh acrylic on canvas title inscribed, signed and dated 2002 verso 1410 x 1410mm

Pared down and enigmatic, The Last Laugh exemplifies a bold and timely shift in Shane Cotton's work. It was one of seven new paintings included in Cotton's ten-year survey exhibition in 2003, demonstrating rather importantly that the artist wasn't about to rest on his stylistic laurels.

$65,000 - $85,000

With their brighter colours, schematic compositions and repeated motifs placed on uncompromisingly black backgrounds, the new works jettisoned many familiar features of what had become an established oeuvre. Critics commented on the slick, hardedged technique and 'Pop' references . Their imagery - targets , silhouettes of native birds and moko mokai (preserved Maori heads), sometimes used in conjunction with camouflage and rainbow-stripe patterns - is calculatedly sparse, almost opaque in meaning and yet highly provocative. The implications of using 'culturally sensitive' or tapu material such as the image of moko mokai, particularly, shows the degree of confidence with which Cotton works delve into concepts of sacredness and cultural identity. Preserved heads, whose appearance of a manic grin is probably the inspiration for this work's title, were topical at the time the work was painted because of the recent repatriation of many of these grotesque human relics from museums around the world. The Museum of New Zealand, Te Papa Tongarewa, holds many moko mokai in its collection but does not display them, primarily because this would be distasteful to Maori. Museums elsewhere have also removed them irom display in recent years. As the only specific sign of Maoridom in this painting, the tattooed moko mokai has an ambiguous status, raising complex questions of cultural ownership, colonial legacies and the renegotiation of meanings through history. Wh ile the heads may be locked away in the museum, hidden from sight, Cotton takes the liberty of bringing them to light in a different kind of context. Ben Curnow

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. ~1

1p1mesaoo eo! seven

1ibrtion

357

2': ~

isn'taboi•··

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r C\Jiura amancgr· opie@a!•~ repatna!Kxl . rums aroulll arewa, ool IIBplaytlie!i!

on. disp@) oussiatus. colonial :ega ~-Wllilethe en from sigll' ·nadffierent <

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358

Ralph Hotere

358

Song of Solomon mixed media on fourteen sheets of paper each individual sheet signed with Ralph Hotere's initials R. H. and with Cilia McOueen's initials CM.O. ; title inscribed, signed by Hotere and McOueen and dated '91 on each panel verso Reviewed: Keith Stewart, Ambushed by a Masterpiece, Sunday Star Times , April 1997 Exhibited: Hotere, Out The Black Window:

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Ralph Hotere's Work with New Zealand Poets, June-July 1997. Illustrated: Gregory O'Brien, Hotere, Out The Black Window: Ralph Hotere 's Work with New Zealand Poets (Godwit, 1997), p.410- 411 630 x 490mm each 1324 x 3675mm overall

$180,000 - $280,000

Created in response to the 1991 Gulf War, this is a haunting

sequence of panels. The word strings act as fixed horizon

SIO!lgreet

multi-panel painting full of paradoxes. It operates like an

lines amidst a plurality of graphic levels that jump and drop in

b~~ngsai

antiphonal project, a choral work built on statement and

syncopated order. The plain-text or 'courier' font of the printed

response , between monochromatic chord structures and

words holds the communications technology of earlier wars

printed text and between opposing levels of textual content.

with their typewritten despatches from the front together with

Wedged into 14 panels the painting unfolds through an

the plain-text of contemporary data screens and email systems.

alternation of thick bands or blocks of sprayed black paint with

This is Cilia McQueen 's text at work in the Hotere matrix.

glaring white-paper blanks. The tragic grandeur of the work's

McOueen's lexical collage functions like a reality principle to

major tonal progression is m0dulated by a host of bleedings,

Hotere's broodingly romantic graphic and painterly rhetoric. It

scuffs, speckles, arcs of silver dots, and scripted annotations.

is as if, through breaks ir, battlefield smoke or post-war toxic

The improvisational diversity of these playful surface effects

haze, and shown up by detonations and muzzle flashes on the

appears to go against the painting's overridingly bitter and

skyline, McQueen 's chains of words tear through the aesthetic

melancholy pall. A staccato string of words , 'cut out ' one

dazzle of the military sublime. Photographs and videos that we

might guess, from military reports and press releases covering

followed on CNN at the time seduced us with their telemetric

the Gulf War, run like two through-lines in the top and bottom

and optical wizadry. Tracer bullet tattoos of white across night -

-,easyntai earothe snu!downt

unmanag0< sense, ha~

~ebepc can acco111

m:iWledge ,'/Orksthr(i

re',saJ tor chrllfliat

f•eu(j aJud

The McQu

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•

I-

. .

•

-.... ,... ...,... ... -·

. . . . .. . '

sf~ed nor::" jump and d':1

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rr _

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vision green, slow exfoliations of black and grey from destroyed buildings and bridges became familiar imagery in the living room.

shift communications schrapnel [sic] jam chamber' and 'smart blood break count bodybag holymilk operations kill strategy factory reprisal' is answered in a dreamlike manner by Hotere's

· font o"I-€~

The asyntactical repetition of McQueen's words, following

JYOlearl~rv,~

one another randomly and dumbly mimics the kind of psychic

~ant togeti!B'

shutdown that can act as one form of defense against

Hebrew text of seduction and lament for an elusive lover who

, and e!111' s11"

unmanageable trauma. Perhaps McOueen and Hotere, in a

approaches in the night. The lover calls, "Arise my love, my fair

1oteremallll

sense, have responded to Adorno 's rhetorical question, "Can

one and come away", "For lo, the winter is past and the rain is

there be poetry after Auschwitz?" What sort of art and poetry

over and gone".

3alrty princip~·;

1aintertyrhel()'!C · or post-war 10 uzzleftashes c' rough the aes.. · and ~deos .,,· th their t0&"'..

handwritten fragments from the Song of Songs, the ancient

can accompany our contemporary and all too extensive

The work therefore talks to itself, and thus becomes many works

knowledge of war and atrocities? Perhaps only something that

in one, but whether its borrowing of the new testament stations

works through a sort of affectless enumeration, a machinic

of the cross format or the old testament poetry of desire and

refusal to play with delectations of word choice and tonal

lament provide the work with the confidence of redemptive

chromatics. This is the sort of protection from trauma that

purpose amid desolation has deliberately been left unresolved .

Freud alluded to in his discussion of 'the compulsion to repeat'. The McOueen vocabulary which cites 'main gambit box airburst

Allan Smith

whrte across

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359

JOO

359

Johr

Kupe l

Peter Robinson

er ~,ro ~

sos

ext

oil stick and tape on builder's paper 3340 x 3870mm Illustrated: Metro Magazine, October 1997, p.107.

103Gl

110,0

$20,000 - $30,000 The relationship between Maori art, contemporary art and

Robinson's work, even when appearing cooly abstract and

This. the

corporate design has been a long-standing, polemical and

amorphous, has consistently been informed by politics; more

comm~

increasingly political one. Reaching a head in the mid 1990s

specifically, by the politics and inequities of trade and exchange

'ounder

in a series of vociferous debates involving leading academics ,

in all its permutations - economic, disease, bloodlines and ,

S Henr

artists and cultural luminaries, the debate served in many ways

of course, identity. SOS is a major example of the kind of

,ma,wa

as a broader reflection of problems emerging in our nascent

agitated , unruly and deliberately 'primitive ' surfaces Robinson

DBlioie

bi-cultural society and in the forging of a collective national

employs as a means of subverting and disrupting the clinical

'Olllhis

identity. Also rising up through the murkiness of the 1990s

minimalist white spaces of the art museum for which many of

was a monument to our collective identity in the form of 'Our

his works are ultimately destined. Spaces such as, of course,

Place' , Te Papa Tongarewa. Another, and closely interrelated,

Te Papa. SOS cuts straight to the heart of Te Papa's populist

emergence was that of important politically-inspired bodies of

attempt at corporate branding, making explicit the affinity

work from Peter Robinson. SOS relates, and was produced

between museums, corporate sponsorhip and the business

in the same year, to a major body of work entitled 'One Love'

of exchange. It exposes the 'wonky Koru ' of Saatchi and

which the artist sucessfully submitted to the inaugural Seppelt

Saatchi's stylized thumbprint as a victory for marketing over

contemporary art awards and showed, as a result , in Sydney's

management.

Museum of Contemporary Art.

Ben Plumbly

ukema byHolrr coronal and his ie,elop 11'()dem

Tiem

acorn and 1ntl l 'Oder ando! works

,E N!:N LEA,ANI & FOi Ell>f'. F,0..1".T

Gf PHOTOGF.AP' Y Ix [GUI PTU,lE

360

John Holmwood Kupe Mural (Maori mythology) acrylic and pencil on four panels signed and dated '68; original Sarjeant Gallery touring exhibition label affixed verso 2030 x 3220mm $10,000 - $18,000

,straci and lOlitics: 11X1re i and exchan~

dines ano

This, the most accomplished of them, is one of five murals

It has been recalled by those who attended the openings

commissioned from John Holmwood by Sir Henry Kelliher,

of the various DB hotels to which Holmwood contributed

founder of DB Breweries. The distinctively Maori theme reflects

murals that the artist was invariably on hand with paint and

Sir Henry's desire to put something appropriately local into

brush to add final touches to the mural should the completed

what was to be the largest hotel in the city of Rotorua. The

decorative scheme require such further attention to detail.

6 ~no of

DB hotel was also hung with oil paintings, many of them drawn

ices RobinSO"

from his personal purchases at the annual Kelliher Art Award.

gthecln~ ihich many of as. of course. apa's pop~s: 16 affinity 16 business

gesturing figure of the great Polynesian navigator, giving

Like many Aucklanders, Sir Henry had been impressed

Michelangelesque visual expression to the now disputed

by Holmwood's decoration of Queen Street for the 1953

tradition that he literally 'founded' Aotearoa, an uninhabited

coronation year royal visit. During the 1950s John Holmwood

land.

and his wife Nola were noted commercial artists, a skill they developed as a means of making a living in a period when modern art was frequently regarded with suspicion.

1atchi and r\<6ting over

Kupe (Maori Mythology) is dominated by the dramatic

During 2003-2005 this mural was widely seen and admired in art galleries throughout New Zealand as a prominent feature of the exhibition toured by the Sarjeant Gallery, Wanganui

The mural Kupe undoubtedly draws both on his ability as

entitled Representation and Reaction: Modernism and the

a commercial artist and equally so on his understanding of

New Zealand Landscape Tradition 1956-1977. The exhibition

and interest in contemporary painting, particularly English

juxtaposed modernist paintings from the Fletcher Trust

modernism. He was a fervent admirer of the work of Paul Nash

Collection with representational landscapes from the Kelliher

and of Christopher Wood whose influence can be observed in

Art Trust, originally collected by Sir Henry Kel liher. Interestingly,

works by Holmwood collected by the Auckland Art Gallery.

John Holmwood's mural Kupe has a foot in both camps.

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362 361

361

Michael Illingworth Rangi and Papa (Creation Series) oil on canvas signed and dated '71 verso 355 x 460mm

$35,000 - $45,000 This concise, elegant and potent painting by Michael Illingworth combines several key themes of his life and art: a keen eye for the

forms of phallus, pudenda, breasts, and an eye which may be

landscape as a poetic site which the artist reads as a configuration

also vulva or anus, leave no doubt as to the artist's desire to stage

of symbolic motifs; an abiding interest in sexuality as providing a

the sexual act as a type of hinge between primal creative forces

doorway to the deep time of cultural consciousness and continuity;

and the generational power of artistic creation. Land and body

an admiration and respect for Maori custom and folklore which he

exchange initiative, back and forth as figure becomes ground then

believed the legal, political and religious machinery of European

takes the role of figure again. The naked confrontation of loving

colonialism had blindly ignored at its peril. lllingworth's aspiration to always r':ltain the vision of a child, to be able to look with the eyes of a child even when he was ninety years old was not just about resisting the cynicism and loss of wonder that accompany the passage to adulthood. That one might retain the eyes of youth in one's dotage suggests valuing an interior vision more than fidelity to perceptual optics. Illingworth also wanted his art to open onto the infancy of the world, to a paradisiacal freshness newly minted, untainted by all the superficial fai;:adism he believed characterised the modern western world: "I am painting a little world of my own .. . In the paintings I am building a fai;:ade for my own world, against the

establishment fai;:ade, the fai;:ade of hypocritical suburbia." The

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equals in an embrace, and at one with the natural environment symbolises the type of integrated world that Illingworth believed New Zealand Maori were able to hold to more closely than most Europeans. His appropriation of the Rangi and Papa story in this painting chimes with his occasional use of the three-fingered hand from Maori carving and what has been referred to as the spiral of

l62 D,

a bone pendant in another work. The time Illingworth spent with

a Maori community at Matauri Bay in the early 1950s had made

a significant impact on him and inculcated him into a communal

Si] Si]

vision of land and people that would always haunt his later images

14'

of alienated suburbia.

Allan Smith

362

cal suburbia ewhdl ,na, ~ mist's (lesre" ,·

al creat~e'· ·

. Land and ~ontation oi '-

ituraJ enwonrw· Illingworth bel ,.~ eclose~ thar

id papa stor, '

ethree-nf196'B

,dtoastlieSc ngworth srier·

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362

Dale Frank Untitled

acrylic and varnish on canvas signed with artist's initials DF. and dated 2001; signed and dated 2001 verso 1400 x 1100mm $15,000 - $20,000

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363

Shane Cotton

l64 Ri

Ahika, Blue Dream oil on canvas title inscribed, signed with artist's initials S.C. and dated '04; title inscribed, signed and dated verso 300 x 400mm

$15,000 - $20,000

Shane Cotton's Ahika - Blue Dream, is part of a number of

ghoulish trophy exhibits for early Eurpoeans. The seemingly

works that the artist exhibited in 2004 that witnessed the

oblique juxtaposition of these Maori symbols of loss and

extension of his already-extensive visual lexicon, both beyond

spirituality with the many, many centuries-old image of

Aotearoa and back in time to ancient history. Despite this

Stonehenge, a landmark shrouded in mystery and religious

shift Cotton's work contines to engage with issues of land

wonder, constitutes a wonderfully rich and discursive dialogue

and identity. The new-found image of Stonehenge that

which extends and continues Cotton's on-going investigation

predominated throughout these new works was moreoften

of past histories.

than not posited with preserved Maori heads that served as

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Ben Plumbly

364

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Raymond McIntyre Berkshire Landscape watercolour signed with artist's initials R.M 220 x 280mm

$20,000 · $30,000

1eseeming~ lossand ageof

id religious irswe dia[ll)ue ,nvestigation

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367

365

368

369

_____ 11

366 /'

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365

Ralph Hotere Drawing for Ian Wedde's Pathway to the Sea watercolour and ink on paper title inscribed , signed and dated Port Chalmers '75 555 x 755mm

I/ I ',.____

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$15,000 - $25,000

366

Pat Hanly Observation and Vacation Bathers pencil on paper title inscribed, signed and dated '88 460 x 600mm

. '

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$8,000 - $12,000

369

367

Eric Lee-Johnson

367

Abstract Landscape oil on board, 1963 signed 600 x 805mm

$5,000 - 8,000

368

Eric Lee-Johnson Northland Abstract gouache on paper, 1956 signed 302 x 475mm

$2,500 - $3,500 368

369

Tom Esplin Saturday Market oil on board signed ; title inscribed and signed on label affixed verso 268 x 392mm

$6,000 - $9,000

369 de's Pathway

:ation Bathers

1d dated 88

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Adel Still ~100

s~ 531x

s12,o

370

John Walsh

371

John Walsh

Nga Manu A Wha oil on board title inscribed, signed and dated 2004 verso 175 x 850mm

Bi-Cultural Habitat Endangered oil on board title inscribed, signed and dated 2003 verso 730 x 1185mm

$5,000 - $8,000

$9,000 - $15,000

m Ja

313

FINE NEW ZEALAND & FO11EIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE'

372

Adele Younghusband

372

Still Life with Jugs oil on board signed and dated 1953 532 x 395mm $12,000 - $18,000

373

James Fraser Scott Landscape with Cattle and Girl in Blue Dress oil on canvas signed 600 x 740mm $7,000 - $10,000

373

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Bill Hamm 374

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waP'IIJ? ffl)1W!· ··x455ffirn

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woman,R, M ~ ns:nC\111

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Gretchen Albrecht Grey Ledge acrylic on canvas title inscribed, signed and dated 1977; inscribed Barry Lett Gallery Exhibition on original label affixed verso 1380 x 1810mm

$15,000 - $20,000

375

Neil Dawson Coastline wire mesh and Perspex sculpture 1300mm diameter

$14,000 - $20,000

r1NE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

376

Bill Hammond Fish Finder 2 lithograph A/P title inscribed, signed and dated 2003 570 x 455mm $5,000 - $8,000

377

Ralph Hotere Woman, R. M lithograph title inscribed, signed and dated '90 405 x 285mm $5,500 - $7,500

378

Pat Hanly Panama Woman lithograph 9/38 title inscribed , signed and dated '87 680 x 540mm

I 3d 1977 ~1/Ji/JOOOO

$8,000 - 12,000

378

377

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379

Sydney Lough Thompson Blossom Tree in Spring oil on canvas signed 600 x 485mm $20,000 - $30,000

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380

A. Lois White St Francis of Assisi oil on board signed 765 x 420mm

$40,000 - $50,000

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381

Ralph Hotere Vidyapati's Song burnished steel title inscribed, signed and dated Port Chalmers '83; signed and dated Port Chalmers '83 verso 690 x 690mm $120,000 - $160,000

Burnished steel warped and buffeted, split with a T-cross seam and inscribed with the most sumptuous of lyrics . This is Ralph Hotere's Vidyapati's Song, 1983, which uses words from Bill Manhire's poem to pay tribute to the work of the famous fourteenth-century Indian poet Vidyapati, known for his sensuous love songs written to honour Radha and Krishna. There is a beautiful juxtaposition between Manhire's poem to love and loss and the method of Hotere's inscription, for these words are etched with a blowtorch onto a surface that is cool and hard. It is almost as if Hotere had incited the poem to a challenge - charging the words with the sole task of transforming the plain matter upon which they are inscribed, deploying the subtle beauty of metaphor to make it sing with the fiery memory of its creation . The combination of these burnished words and the surface play of the work provide an inescapable context for reflection - both literally and metaphorically. Standing in front of Hotere's work is like glimpsing oneself in a hall of mirrors - the warped steel reflects but simultaneously distorts the viewers image and yet this reflection implicates us - if not the self we might be used to seeing then a parallel self inscribed with words describing lovers limbs, lovers eyes and lovers darkened hair. How can we not be seduced and transfixed by the work? Part of a series entitled Baby Iron these stainless steel works were described most eloquently by Janet Paul :n Art New Zealand in 1983 as works that 'gleam, effloresce, grow quietly grey ... Hotere has found an animating way to free the gesture with a poetic chemistry, allowing the flame to augment his marks and engage our spirit.' More than twenty years later Paul's words still ring true. As many readers of Vidyapati's poems to Radha and Krishna have found, good poetry filters its way into our hearts and minds. Similarly, Hotere's work does just this. It stands as an enduring song reflecting both humans and lovers. Pennie Hunt

f NE NEW ZEALAND & FORE GN PAINTINGS, PHOTOGRAPHY & SCULF-TU"'lE

oss ,s Thisis

381

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llOem to ,,

lenge gthe plrun subtle~" ' itscrea;ioi

,urtace pa1 •tion - botr re·s work

ed stee

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FINE NEW lEALANC & F')REIGN PAINT NGS PHC T JG>'!APHY P,

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382

Doris Lusk Landscape - French Bay, Titirangi oil on board title inscribed and signed on artist's original label affixed verso; inscribed Entry No. 142 760 x 930mm

French Bay, Titirangi is a landscape more commonly associated with the work of Colin McCahon. McCahon painted the bay and its surrounds in the early years after he and his wife Anne (nee Hamblet!) first shifted into a house in the area in 1953. Lusk's work, painted following a visit to her long time friends immediately recalls McCahon 's works of this period. The kauri trees that Lusk

$55,000 - $75,000

perches in the foreground of the painting , as if they were hovering on an easel in front of the bay, have affinities with some of the first kauri trees McCahon painted before their bulbous branches and upright trunks were fragmented and transformed, cubist style. Yet Lusk's composite painting is also characteristic of her landscape style. The bay, which curves around the outside of the work, gripping the interior bushscape with its cupped and sandy paws has a high frontal vantage point that veers up to the hills in the far off distance. Similarly, in Lusk's earlier landscapes - including her well known Tahunanui, Nelson, 1947, the artist displays a tendency to tilt and flatten the perspective, allowing her to paint blocks of colour and to focus on graphic details as well as capturing the effects of pattern, such as those seen in the waves of the bay and in the rounded clumps of foliage. The visit to Colin and Anne that resulted in Landscape - French Bay, Titirangi was certainly not Lusk's first visit to the couple nor the only one resulting in productive and artistic parallels with McCahon's own painting . In the early 1940's Lusk, McCahon and Toss Woollaston painted and sketched together in Pangatotara, Nelson resulting in Lusk's views of the region's tobacco fields now held in the collections of the Auckland Art Gallery and the Hocken Pictorial Collection in Dunedin . While McCahon 's views of the Pangatotara hills and landscape were pared down, concentrated on the landforms and oblivious to fragi le human settlements and interventions, Lusk's record these details faithfully and revel in their details. Landscape - French Bay, Titirangi depicts the environment with its prevalent nikau, ponga and kauri trees as well as its settlement. From the shore-bound dinghies that loaf at the waters edge to the protruding hut in the foreground , Lusk demonstrates an unwillingness to depart from illustrative elements than McCahon was to dispense with. Not the poorer for this, her landscapes articulate a New Zealand wrought with an observer's careful eye, a vision clear and unclouded Pennie Hunt

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~ aSSOc~too

dthe bay a-:

382

llvlne 1~

l53. Lusks ,ds iml11€C,';,

trees •: ..:

,were 1,·g

lOIOOof ·r,' .. br~resa-<

;ubists ,e : ol her eouts~o: rupperja'ld

eers upto•·e er iandsca:€5

7, thearas: e, aiOlll"Q cdela sas 1

seseenm·; 1age. , pe - Frercli ecoupercv le~wrtn

, McCahor,' cco fi~ds 0c

ittlementsaro and rev~ ITT

ironmer· we1:as,,s oaf at the 1d, LUSK

:tratNe ele~:s )ferlorthis.~ 1an observers

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383

Toss Woollaston Evening Landscape with Half Moon oil on board signed 1180 x 900mm $50,000 - $60,000

Toss Woollaston once said: 'What I look at I paint. What I look at longer I paint better.' Indeed the hills of Riwaka in Nelson - where the artist lived for the majority of his life - were looked at intensely and painted with veracity. This landscape so familiar to Woollaston never lost its ability to inspire and challenge him . Like Cezanne, an artist greatly admired by Woollaston, who painted and re-painted views of Mount St. Victoire in Southern France, Woollaston returned time and time again to the problem of painting encapsulated here in the hills of Evening Landscape with Half Moon, namely to penetrate the landscape rather than to simply represent it. The painting grapples with a sense of the land's mass and volume whilst remaining painterly and modern. The background hills, marked out with panels of pigment. have a sculptural quality that conveys something of the landscapes gravity and yet this perceived depth is purely imaginative, its perspective illogical. Profoundly affected by the few lessons in painting and perspective he received from Flora Scales, a former student of the German painter Hans Hofman, Woollaston's interest in the more distant aspects of the landscape demonstrates the results of his painterly enquiries. Foreground objects, trees and grasses are reduced to sweeping forest and golden coloured brushmarks, while in the distance the hills and the moon, depicted with less apparent vigour, are mapped with brushstrokes that become like visible particles of light illuminating a landscape soaked in the warmth of a palette of ochres . Woollaston was often quoted as saying: 'I wished to paint sunlight but after it had been absorbed by the earth.' In Evening Landscape with Half Moon the sky and hills lit with the sun's reflected glow sheds light upon a work in which nature is not imitated but explored. This is a painting that, by the artist's own definition, was of a landscape truly looked at. Pennie Hunt

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383

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FINE NEW ZE.ALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

384

Frances Hodgkins The Mill House, Ponterwyd gouache signed; original Leferve Galleries label affixed verso Provenance: Originally purchased from Lefevre Galleries in 1935 395 x 540mm $55,000 - $75,000

The Mill House, Ponterwyd was first exhibited in London at the Lefevre Galleries in October and November of 1937. The Lefevre Galleries were known for their regular shows featuring contemporary French art by noted painters such as Seurat and Rousseau , as well as early British Abstraction from the likes of Ben Nicholson. Frances Hodgkins was linked to this gallery from 1931 until the end of her life in 1947. Though Hodgkins' works were not at this time as highly regarded as those of her contemporaries - and indeed their prices were significantly lower (The Mill House, Ponterwydwas modestly priced at only £15) this was not always to be the case. After a life of struggling to define her place as a modern artist, in the 1940s Hodgkins' work was finally given its due. During the period in which The Mill House, Ponterwyd was painted, many British artists were working in an abstractionist vein whilst Hodgkins herself clung tenaciously to the figurative aspects of painting. In 1934 she resigned from the Seven and Five Society (whose members included Barbara Hepworth , Ben Nicholson and Henry Moore) when it became apparent that the non-figurative style was becoming the new doctrine to which the group would adhere. Unable to fully dispense with depicting nature, Hodgkins' brushmarks may be animated, at times even kinetic, but they always coalesce into identifiable forms - here in

The Mill House, Ponterwyd the landscape is painted expressively, its wild tendrils encroaching on the foreground and surrounding the house with neuron-like branches. Paint is freely used in the work - and in many respects Hodgkins' style has affinities with Impressionism; the flurry of stained and bleeding brushstrokes is one indicator, but more obviously it is the artist's affinity with the natural environment so regularly depicted in her works which speaks of a sympathy to paint en p/ein air and as Hodgkins herself described it "get the character and essential spirit of the place in the simplest manner". This Hodgkins does most eloquently. The foreground house is covered in the dark daubs of creeping vines that are perhaps regenerating after winter, and is surrounded by hopeful trees in blossom and verdant pastures that illustrate something truly alive in the landscape and more importantly in the artist's act of painting. Pennie Hunt

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCLLPTURE

Jndona1

1937. ¾

384

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FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

386 385

385

Edward Bullmore Erosion (Transition Series) oil on board signed and dated 1961; title inscribed and signed verso 730 x 518mm $20,000 - $30,000

F IE NEW ZEALAND & FOREIClN PAINTINGS, PHOTOGRAPHY & SCULPTURE

386

Frances Hodgkins Mother and Child watercolour signed; original purchase receipt from Redfern Galleries, London affixed verso Provenance: Purchased by the vendor 's mother from the aforementioned gallery in 1945 522 x 350mm

$22,000 - $30,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTUR

387

Colin McCahon Northland ink on paper title inscribed, signed and dated April 1959 620 x 500mm Provenance: Gifted to the present owners in 1962 $45,000 - $55,000

100

FINE NEW ZEALAND & FOREIGN PAINTINGS PHOTOGRAPHY & SCULPTURE

388

Philip Clairmont Amporhic Sink Head and Grate

oil on unstretched canvas title inscribed, signed and dated July '76 1580 x 835mm $45,000 - $65,000

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101

390

389

Toss Woollaston Mcfedries Farm oil on board signed; title inscribed and dated 1979 verso; inscribed verso This work on loan and displayed at OE/I office of the National Trust WGTN, 1981 - 2000/ Also used as Christmas card by them 1195 x 840mm

$40,000 - $50,000

102

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l90

390

Toss Woollaston Mcfredries Fann, Autumn - Winter oil on board signed and dated '79; title inscribed and signed verso 712 x 525mm $25,000 - $35,000

HNl NEW Z' A,AND Ii FORE IG!IJ PAl!IJTINGS, PHOTOGRAPHY & SCL l PTUI :E

103

391

Louise Henderson

392

Doris Lusk

: eiooo:ICOO!l ,.,. arfyl"KIM

Spring Comes to the Garden oil on on six hessian board panels title inscribed, signed and dated 1978 verso 600 x 600mm each panel 1800 x 1200mm in hanging formation

$15,000 • $20,000

Banks Peninsula Landscape oil on board signed 480 x 650mm Provenance: Formerly in the collection of Dennis Donovan , who worked at the Cax1on Press, Christchurch

$25,000 · $35,000

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104

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

392

In the early 1940s, after studying at the King Edward Technical

Several major site-specific oil paintings of Akaroa Harbour,

College in Dunedin in the 1930s, Lusk married and moved

Okains Bay, Barrys Bay, and adjacent Lyttelton Harbour resulted

to Christchurch. There she found valuable, and ongoing,

from such excursions. In Banks Peninsula Landscape c 1952-3

artistic support. She became a member of The Group,

(as in Akaroa Harbour, Banks Peninsula, painted some three

developed connections with artistic and literary circles,

usk

years earlier), Lusk created an almost geomorphic interpretation

particularly individuals associated with the Caxton Press and

of Lyttelton Harbour. The elevated viewpoint, encompassing

1insula

began one of the most furtile periods of her career. On her

vista, tilt of horizon and verticality of picture plane are

arrival in Christchurch Lusk was captivated by the impossing

quintessential Lusk of the period . In the foreground the winding

landforms and rugged terrain of Banks Peninsula. Although

road of Governors Bay is visible; part way up the hill furrows

this sparsely populated region, and other regions further afield

on the left is the port of Lyttelton and to the right Quail Island.

(Waikaremoana in the North Island and Golden Bay, near

In characteristic Lusk style, the hill forms across the harbour

,f00iiei1r -, f Oennis!mlf

Nelson) were to continue to fascinate her throughout her life,

almost apear to lift out of the water. The contrasting tone of

;tchurcli

her acute observations during the 1940s and 1950s created

these hills, bathed in late afternoon sunlight, with the broodingly

$35,000

haughtingly impressive images. These oil landscapes, now

JatireCaxil)l

acknowledged amongst Lusk's most important contribution to mid-twentieth century New Zealand painting, demonstrate a consolidation of her interests - in the formal structures of the land, its habitation and transformations, and a growing interest in abstraction. Also of significance here was the the removal of unnecessary detail. Family holidays at Takamatua, near Duvachelle on Banks Peninsula, with friends Margaret and

dark, shadowed foreground add a sense of drama to the composition. In the centre of the painting the textured support - Swedish hardboard - shows through. Here, Lusk 1 s lightness of execution suggests not only a shimmering breeze skudding across the blue-green water but perhaps a determination to maintain a vibrant freshness . This painting was formally in the collection of Dennis Donovan, Christchurch, who worked at the Caxton Press.

Selwyn Hamblet! (fellow Dunedin art student Anne Hamblett's brother), provided access to fertile subject matter for Lusk.

Grant Banbury

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

105

393

,:'a'll::

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393

Frances Hodgkins Portrait of a Spanish Gentleman watercolour signed with artist's initials F H. and dated April 26~ '95 290 x 240mm

$20,000 - $30,000

394

Frances Hodgkins

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Malmains Farm gouache title inscribed Exhibited: Recent Watercolours and Gouaches, Lefevre Galleries, London, 1937. Catalogue no. 142. 400 x 530mm

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$40,000 - $50,000

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FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

394

Of Frances Hodgkins' use of colour, one of her earliest critics

The cubic forms of the buildings and the viewpoint from which

Mfanway Evans noted that it 'has the same quality as some fine

they are painted, as if one was looking out of a window and

poetry ... She has no formula, but the colour of each picture is as

down upon the work, are strongly reminiscent of the works of

indicative of a mood as a blushing and sensitive skin. ' Evan 's

Picasso from his Analytic Cubist phase but without Picasso's

words, poetic in themselves, beautifully capture what it is like to

monochrome use of colour. Unlike many other of Hodgkins'

look at a work like Malmains Farm and to read its warm and cool

paintings , where lines are fluid and the forms of the landscape

colours as if checking the body for vital signs, where colour and

are bulbous and curvaceous, some of her works in the late

temperature might signal a sense of artistic mood and feeling.

1930s become angular, perhaps - as Art Historian Elizabeth

It is easy to feel both intrigued and puzzled by Malmains Farm,

Eastmond has noted - as a response to a Picasso show that the

lured by its colour and absorbed by negotiating with the eye, its

artist viewed whilst she was in Barcelona in 1935. Working now

block-like forms .

in the gouache medium in which she became more and more

When looking at this work a farmyard is not the first thing to come to mind. The warm reddish-ochre of some of the buildings and their rooftops convey a sense of the Mediterranean, whilst the 1es.

, no 142

star-like trees in the background are reminiscent of the artist's use of decorative patterning in her works from the mid to late 1920's when she had worked as a fabric designer for the Calico Printers

accomplished, the work seems at once familiar - conveying a sense of place using a modern idiom and expression - and yet at the same time it is made fresh with Hodgkins' unique ability to take the pulse of the place and animate it - transforming the everyday into a tapestry of the magical. Pennie Hunt

Association . Yet decoration is not the main impression the work asserts. Rather the stark simplicity of the painted forms have a na'i've quality that is expressive and modern.

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

107

395

• 397

395

Dick Frizzell Crockery Stack oil on canvas title inscribed, signed and dated 12/2/97; original Gow Langsford label affixed verso 1345 x 900mm $14,000 - $20,000

108

396

Gretchen Albrecht

397

Charles Tole

Untitled Abstract oil on canvas signed and dated '73 1450 x 790mm

Landscape 1 conte on paper signed and dated '72 250 x 465mm

$12,000 - $16,000

$3,500 - 4,500

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

398

Ralph Hotere and Mary Mcfarlane

399

Ralph Hotere and Mary Mcfarlane

Torre de la Vela IV mixed media title inscribed, signed and dated Port Chalmers '99 223mm diameter

Torre de las Damas II mixed media title inscribed, signed and dated Port Chalmers '99 242mm diameter

$1,800 - $2,800

$1,500 - $2,000

400

Ralph Hotere Drawing from 0. E Middleton's The Loners lithograph ,md pencil title inscribed, signed and dated '7 4; inscribed Printed on the Royal Colombian Handpress, Bibliography Room, University of Otago 323 x 492mm

400

$6,000 - $9,000

401

Seraphine Pick Sketch Book mixed media on resin coated sketch book signed and dated '93 verso 177 x 220mm $2,500 - $3,500

401

les Tole ~pe 1 1papei 111d dated '2 65mm . 4,500

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109

402

Ralph Hotere Abstract screenprint 8/10 signed and dated '65 725 x 1100mm

$6,000 - $9,000

403

Peter McIntyre Tahitian Girl charcoal on paper signed; title inscribed on original gallery label affixed verso 545 x 392mm

$4,000 - $6,000

404

Toss Woollaston Portrait of a Seated Woman watercolour signed 455 x 300mm

$6,000 - $9,000

403

404

406

110

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

405

Don Binney

406

Rita Angus

Lion Rock with King George Ill oil on board signed and dated 1984 580 x 640mm

Woodville Landscape oil on board signed 298 x 451 mm

$20,000 - $30,000

406

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

111

407

Louise Henderson Still Life with Lilies oil on board signed and dated '82 790 x 590mm

110 Evel take oll)I sigll€0

260X

112,0

$4,000 - $6,000

408

Seraphine Pick Nude with Woman on Bentwood Chair oil on canvas signed and dated '87 1535 x 1090mm

$9,000 - $14,000

409

Toss Woollaston Portrait of Erua ink on paper signed with artist's initials T. W 365 x 265mm

$2,000 - $3,000

m Rud can11 g:iJOC Sl9

408

409

m Ton

112

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

410

Evelyn Page

410

Lake Front with Boat Sheds oil on board signed 260 x 310mm $12,000 - $18,000

411

Rudolf Gopas

411

Canterbury Landscape gouache signed and dated '52 470 x 595mm $3,000 - $5,000

412

Tom Esplin

412

Near Lagos, Portugal oil on board signed 200 x 320mm $5,000 - $6,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

11 3

Iii

413

Pat Hanly Brown Model screenprint 14/20 title inscribed , signed and dated '88 420 x 555mm

$3,500 - $4,500

414

Adele Younghusband Nautical oil on board signed and dated 1952; title inscribed and signed on label affixed verso 572 x 495mm

$7,000 - $10,000

415

Robin White Sainimele Goes Fishing colour woodcut 17/20 title inscribed , signed and dated 1995 565 x 760mm

$3,500 - $4,500

414

415

~imo Tied IJ1(~ Sll"OO

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·:ix~ 11,800

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~1! Mic~ Cloud!

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FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

416

ii 1/20 ~9iieilardila'llJ I

,500

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416

Simon McIntyre

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Tied acrylic on paper . signed; title inscribed signed and dated 1989 verso 700 x 350mm

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$1,800 - $2,800

417

Ralph Hotere Sapwood and Milk ink on paper . . title inscribed and signed; inscribed Graphics - Published by Caveman Press 760 x 420mm

418

$28,000 - $35,000

418

Michael Smither Clouds oil on board signed with artist's initials M S. and dated '91 165 x 300mm $3,000 - $4,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOG RAPHY & SCULPTURE

115

~ Ralph H rurterSOI~ ·JS'..~[$ 11SJ1tid ·:•,2fi5m ~,IMM)·$11

l.jl MerYYl1 i ~Ing 1(CII

--·&11t.oo ·· 1997

··:i512mm ~,IMMl -$8

420

419

Gretchen Albrecht Dawn acrylic on canvas signed and dated 1988 vArso; original Gow Langsford Gallery label affixed verso 900 x 1800mm

$14,000 - $20,000

420

Peter Robinson Money! acrylic and oil stick on paper title inscribed, signed and dated 2002 Exhibited: Te Puawai o Ngai Tahu: Twelve Contemporary Ngai Tahu Artists, May - August 2003. Illustrated: In the catalogue for the aforementioned exhibition , p. 81. Exhibited: Southland Museum and Art Gallery, lnvercargill, November 2003 - February 2004. 1500 x 1000mm

$10,000 - 15,000 116

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~,IMMl-$7

421

Ralph Hotere Winter Solstice, Carey's Bay pastel on card title inscribed, signed and dated 7-'91 387 x 265mm $7,000 - $10,000

422

Mervyn Williams Greening acrylic on canvas title inscribed, signed and dated 1997 verso 765 x 612mm $5,000 - $8,000

423

Ralph Hotere February/March lithograph 3/14 title inscribed, signed and dated '93 525 x 525mm $5,000 - $7,000

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FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

117

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424

Ralph Hotere

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0tago Peninsula from the Studio at Port Chalmers ink on paper title inscribed, signed and dated 3-'72; inscribed To Maree from Ralph 440 x 685mm

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$12,000 - $16,000

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425

Ralph Hotere Oputae lithograph with hand colouring title inscribed, signed and dated '89 on the plate 272 x 370mm $5,000 - $8,000

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428

426

Ralph Hotere Round Midnight, August lithograph A/P title inscribed, signed and dated 2000 563 x 760mm $5,000 - $7,000

118

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

427

Creation oil on canvas signed and dated 3/94 verso 1740 x 1200mm

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Kura Te Waru-Rewiri

$5,000 - $10,000

000

428

Jeffrey Harris Man and Woman ink on paper signed 21 3 x 145mm

$1,200 - $1,800

429

Jeffrey Harris Male Figure ink on paper signed 203 x 133mm $1,200 - $1,800

428

429

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FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

119

~~iliP TrUI 430

430

Peter Beadle Mt Pembroke, Harrison Cove oil on board signed; title inscribed on gallery label affixed verso 595 x 900mm

$4,000 - $6,000

431

Peter McIntyre River Scene watercolour signed 240 x 355mm

$3,000 - $5,000

432

Henry Mount Langton Atcherley Maori Canoes watercolour title inscribed and signed 330 x 507mm

$5,000 - $8,000

120

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

fllOl«seS

~ro

'!Ji, tarlf .:·10051'1m

ll,500· IJ,5

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Philip Trusttum

433

Karnson Cove

Two Horses oil on board signed with artist's initials P T.; title inscribed verso 627 x 905mm

$2,500 - $3,500

434

Philip Trusttum Untitled (Horse Series) mixed media on unstretched canvas signed and dated '88 2100 x 1370mm

$7,000 - $10,000

435

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Jeffrey Harris

434

Portrait of Jillian oil on canvas title inscribed, signed and dated June 1972 verso 390 x 384mm

$3,500 - $4,500

435

int Lan~onA

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12 1

436

Tim Wilson Coromandel Landscape oil on canvas title inscribed, signed and dated '91 590 x 890mm $4,500 - $6,500

437

Margaret Stoddart By the River, Christchurch watercolour signed ; title inscribed verso 245 x 345mm $9,000 - $12,000

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113,l»J

438

Nicholas Chevalier Mountain Pass, Southern Alps watercolour signed and dated 1874 372 x 652mm $10,000 - $15,000

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"35 €18,IMX)

122

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

439 ndscape

iloddart hristchurch jbedverso

439

Leo Bensemann

440

Mount Grey oil on board signed and dated '64; title inscribed verso 432 x 633mm $13,000 - $18,000

:hevalier ;, Southe!11~P5 J1874

,ooo

440

Leo Bensemann Coastal Landscape oil on board signed and dated '64 565 x 640mm $8,000 - $12,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

123

441

Peter Robinson Abstract Composition signed and dated 1990 verso 1425 x 905mm Provenance: Purchased from Timurid Gallery, Wellington, 1990 $3,000 - $5,000

442

Colin McCahon A Hand Painted Kauri Coffee Table 900 x 900 x 510mm Note: This is one of a number of tables from the Auckland Public Library which were decorated by McGahan for use in the Auckland City Art Gallery's first coffee shop when ii opened in the mid-fifties

443

$6,000 - $9,000

443

Anne Noble Offerings - IV silver gelatin print title inscribed, signed and dnted 1978 verso 170 x 258mm $1 ,200 - $2,000

124

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

444

liO

446

444

Seraphine Pick 23rd May 1995 mixed media on canvas signed and dated 1996 1670 x 1215mm

~tteelable Je[Ollables ibrarywlidl

$10,000 - $15,000

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445

Brendon Wilkinson Basics Can with Contained Island mixed media sculpture and plinth signed and dated '99 AD on underside of can 220 x 135mm $1,000 - $2,000

446

Ralph Hotere Drawing for John Caselberg's Maori is My Name pencil on composite title inscribed, signed and dated '7 4; inscribed (After Charles Meryon) 385 x 285mm $14,000 - $20,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

125

447

448

447

Philip Trusttum Abstract (Tennis Series) oil on unstretched canvas 1800 x 625mm

$5,000 - SB,000

448

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Robin White Remembering Childhood Nightmares woodcut 27 /30 title inscribed, signed and dated January '86 570 x 380mm

!6,0

$2,500 - $3,500

449

~1 lei Paul Beadle Ship Figures bronze on recycled timber base inscribed with artist's initials P B. and dated '78 120 x 870 x 60mm

llil1c

6" 13,(

$4,000 - $6,000

Ro:

12,1

126

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450

451

450

Gretchen Albrecht Current (From H. D.) mixed media and collage on paper title inscribed, signed and dated '87 1590 x 2400mm $6,000 - $9,000

452

451

Leon van den Eijkel Hidden Square C_021 acrylic on canvas title inscribed, signed and dated 2002 verso 610 x 810mm $3,000 - $4,000

452

Robin White E aoraki Florence, Florence is Ill woodcut 22/30 title inscribed, signed and dated 1985 565 x 380mm $2,000 - $3,000

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127

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453

Francis McCracken Nude Study pencil signed and dated 1913 495 x 210mm

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$3,200 - $4,000

~,OOII·

454

Toss Woollaston Landscape watercolour and pencil signed and dated '57 230 x 290mm

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$2,000 - $3,000 12,0C!J·

455

William Matthew Hodgkins Hodgkins Family Home, Ravensbourne, Dunedin watercolour title inscribed, signed with artist's initials W M. H and dated 1880's verso 155 x 347mm $4,000 - $6,000

455

128

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

456

Philip Clairmont

456

Wing Mirror mixed media on paper National Art Gallery, Wellington label and November Club label affixed verso 270 x 210mm $2,000 - $3,000

457

Toss Woollaston Bayly's Hill watercolour signed; original purchase receipt affixed verso 315 x 390mm $4,000 - $6,000

458

Richard Killeen Grid mixed media on canvas signed and dated '74 500 x 400mm $2,000 - $3,000

459

Adele Younghusband 457

Pohutukawa Tree, Waiheke watercolour and ink on paper signed; title inscribed and signed verso 230 x 290mm $2,000 - $3,000

din

458

459

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

129

Ga~n Cl 460

460

Jeffrey Harris

fami~~ ci,1110:

Akaroa Harbour mixed media on paper signed and dated 1969; title inscribed and dated verso 435 x 682mm

~w ·•i5xll~

$2,500 - $3,500

mckFri 461

461

John Kinder

~!Ii WlC'13

On the Rhine pencil and bodycolour on paper title inscribed, signed and dated 1844; inscribed verso Painted in England in 1844. Brought to New Zealand in 1855 when invited by Bishop Selwyn to Auckland. Gifted to Lloyd Laycock 162 x 253mm

11,500·

$5,000 - $8,000

Iii Rona f lteSlldii 462

462

Peter McIntyre St Marks Square, Venice oil on board signed 600 x 750mm $7,000 - $10,000

130

FINE NEW ZEALAND 6 FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

463

Gavin Chilcott

463

Family Group oil on canvas title inscribed, signed and dated 1980 verso 1755 x 1755mm

Jedand

$4,000 - $6,000

464

Le Tiki lithograph 39/40 title inscribed , signed and dated 2003 570 x 760mm

14,!· nscnlll! ,r-~

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Dick Frizzell 464

$1,500 - $2,000

to!w!aM

465

Fiona Pardington The Sudden Fall Triptych Three silver gelatin prints title inscribed verso 335 x 750mm

$2,500 - $3,500

465

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

131

francis I 466

466

Doris Lusk Imagined Views VI: Landscape with Trees and Ruins oil on board signed and dated '84; title inscribed, signed and dated verso 595 x 775mm

!llllJsianHill

"Jifieca1 •g)!

,:.ere~ ~Jx ~35rrm 14i1MM1·S6

$4,000 - $6,000

~retcher '3nlen

467

William George Baker Otira Gorge oil on canvas title inscribed and signed 540 x 797mm

467

$2,500 - $3,500

468

$5,000 - $8,000

469

George O'Brien Woodhaugh, Dunedin pencil and bodycolour signed with artist's initials G. 0. B. 174 x 224mm

$6,000 - $10,000

132

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

,1S(ITl:eil

'!5x525mn

~,IMMl•$1

,n ~retcher

Petrus van der Velden Interior - The Fisherman's Home oil on board title inscribed and signed by the artist's son on official original Petrus van der Ve Iden Art Collection label affixed verso 388 x 247mm

468

_:,-~JIO

~,IXMl·I!

rees

470

Francis McCracken

470

Tunisian Hill Fort oil on Jute canvas C. 1974 signature reproduced with studio stamp 445 x 435mm

land

$4,000 - $6,000

Gretchen Albrecht

471

Garden watercolour on paper title inscribed, signed and dated '70 745 x 525mm $7,000 - $10,000

472

Gretchen Albrecht Duality oil on paper title inscribed, signed and dated March '81 1100 x 690mm $6,000 - $9,000

100

471

~lll::,00 472

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

133

473

John Barr Clarke Hoyte Rural Landscape with Maori Woman Seated watercolour 220 x 315mm

$2,500 - $3,500

474

11,200•51

Michael Smither Rusty Kerosene Tin oil on board title inscribed, signed and dated 1975 verso 330 x 293mm

m ~ic~ard Ru\llHan c.'W/i

$3,500 - $4,500

475 474

r\11:fi!'l

Margaret Stoddart

14,000·~

Hukariri, Near Gisborne watercolour C. 1925 certificate of authenticity from John Leech Gallery affixed verso 165 x 315mm

$3,000 - $4,000

476

Frederick V. Ellis The South Road, Waiwera oil on board signed and dated '39; title inscribed and signed on label affixed verso 550 x 640mm

S2,500 - S3,500

476

475

134

FINE NEW ZEALAND & FOREIGN PAINTINGS PHOTOGRAPHY & SCULPTURE

~,ti))·

11!

ated

477

Ans Westra

477

Newtown Street Scene, Wellington, March 1986 silver gelatin print signed and dated verso 305 x 412mm $1,200 - $1,500

478

Richard McWhannell Ruth Hannah oil on canvas title inscribed , signed and dated 1995 verso 605 x 503mm $4,000 - $6,000

479

Ralph Hotere and Mary Mcfarlane Mero 3 mixed media title inscribed, signed and dated Port Chalmers 1998 verso 408 x 600mm

478

$7,000 - $10,000

Jdoo 479

FINE NEW ZEALAND & FORE GN PAINTINGS, PHOTOGRAPHY & SCULPTURE

135

Foreign Paintings and Prints Jan Jae 480

145,000·

481

reJ

.i4Mil 135,COO

136

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

480

Jan Jacob Spuhler

Jan Jacob Spohler

A Frozen Winter Landscape with Villagers and Windmill at Dusk oil on canvas signed 425 x 655mm

(1811 - 1866)

Jan Jacob Spohler was born on 7th November, 1811 . He studied under Jan Willem Pieneman (1779-1853) at the

$45,000 - $65,000

Amsterdam Academy and devoted his life to the portrayal of the Dutch landscape. Spohler was painting during the height of the Dutch Romantic movement in Holland (18301870) and he followed in the footsteps of the great master Andreas Schelfhout (1787-1870). As with Schelfhout, Spohler was a master of depicting both summer and winter landscapes, capturing the atmosphere of both with equal skill. The two beautifully detailed ice scenes included in this catalogue, depicting frozen waterways with many figures on the ice, demonstrate his strength in depicting the picturesque winter landscape. The fresh colours and subtle distribution of the light render a great clarity to the scenes . Firmly in the Dutch Romantic School, Spohler embraces nature as his model with an impulse to describe the activities of everyday life. The inclusion of many figures , some gathered around a refreshments stall , others cheerful ly skating on the glassy ice or at work pushing sleighs, provides us with a delightful

481

Jan Jacob Spohler A Frozen Winter Landscape with Skaters and Village Folk oil on board signed 340 x 490mm

$35,000 - $45,000

insight into the life of the times. With sensitivity to nature and a feeling for the national tradition of landscape painting, Spohler demonstrates in these works great technical sophistication and attention to detail. Spohler traveled extensively throughout Holland during his working life, living in Amsterdam, Harlem, Brussels, The Hague, Leiden and Rotterdam at one time or another. He finally returned to Amsterdam again in 1861, where passed away 5 years later. Spohler's work sold well during his lifetime and he often competed for commissions with contemporaries such as Frederick Marianus Kruseman (1816-1882) and Charles Leickert (1816-1907). Spohler had two sons who were both artists; J.J.C. Spohler, who was very much influenced by his father in his style and subject matter, and J.F. Spohler who chose the Dutch townscape as his genre.

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

137

482

~ Uola feeding! r:a

,r · x2

!2,000·

uo~ lbeNetl

!2,000·

1 Robe

482

Frederick William Scarborough

Andre Lhote

The Tower Bridge, London watercolour title inscribed and signed 340 x 525mm

French Cubist Landscape watercolour signed 370 x 560mm

$6,500 - $8,500

$10,000 - $15,000

483

138

483

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

484

A. Roland Knight

484

Caught oil on canvas signed 395 x 592mm $4,000 - $6,000

485

A. Roland Knight Feeding Time oil on canvas signed; title inscribed verso 193 x 244mm $2,000 - $3,000

486

A. Roland Knight

485

The Net Result oil on canvas signed; title inscribed verso 193 x 244mm $2,000 - $3,000

487

Robert Sanderson The Old Buoy Painter watercolour signed with artist's monogram and dated 1883 355 x 230mm

!scape

$1,200 - $2,000

487

FINE NEW lEALAND & FOHEIGN PAINTINGS Pf OTOGRAPHY & SCULPTURE

139

488

Frank Brangwyn City Through a Canal Bridge etching signed 300 x 380mm

$1,000 - $2,000

489

Russell Drysdale Randy John ink and wash on paper title inscribed, signed and dated '56 410 x 310mm

$5,000 - $8,000

490

George Hay Peter Peebles oil on canvas signed; title inscribed, signed and inscribed C. M. Reid, March 1913 verso 218 x 192mm

&Ii (~omain -~lroy . Jf:I

$2,500 - $3,500 ~,OCIJ·~,000

489

140

FINE NEW ZEALAND & FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

490

491

492

493

IRalBridge

dale per ~anddaled 56

jj.~g~.')J

491

492

Erte (Romain de Tirtoff)

March/913~

Erte (Romain de Tirtoff)

493

Erte (Romain de Tirtoff)

Helen of Troy serigraph XUC'XXV signed 825 x 720mm

The Emerald Vase serigraph 118/295 signed 980 x 670mm

Contessa serigraph 49/300 signed 555 x 950mm

$1,000 - $2,000

$1,500 - $2,500

494

495

496

494

David Hockney Male Lovers etching 95/100 signed; original Railings Gallery Label affixed verso 200 x 132mm

495

David Hockney

496

David Hockney

French Shop etching 497/500 signed and dated '71 535 x 450mm

Standing Male Nude etching 32/75 signed and dated 1969 685 x 535mm

$2,000 - $3,000

$1,200 - $1,800

FINE NEW ZEALAND I> FOREIGN PAINTINGS. PHOTOGRAPHY & SCULPTURE

141

Decorative Arts

Day 3 Decorative Arts Thursday 30th June 2005 6.00pm Lots Lots Lots Lots Lots Lots Lots Lots Lots Lots

- 525 556 596 671 681 742 759 771 780 805

500 526 557 597 672 682 743 760 772 781

Miscellany & Boxes Needlework & Accoutrements Miniatures Sterling & Foreign Silver, Sheffield & Electroplate Glass Pottery & Porcelain Oriental Arts Religious Figures & Icons Books & Clocks Decorator's Items, Furniture & Rugs

Viewing Times 530pm - 730pm

Wednesday

June

Thursday

June

Friday

June

9.00am - 530pm

Saturday

June

11.00am - 3.00pm

Sunday

June

11.00am - 3.00pm

Monday

June

9.00am - 5.30pm

Tuesday

June

>·

9.00am - 5.30pm

Wednesday

June

9.00am

Thursday

June

9.00am - 12.00 noon

9.00am - 530pm

5.30pm

VIEWING TILL 12 NOON ONLY ON DAY OF SALE.

BBl 18EJ 568

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570

[ 590 :] DECORAT'VE ARTS

143

MISCELLANY 501

with hinged lid and brass handle; the walls dimpled with use. H.80mm L.305mm

with Pantar 1:2,8 f=45mm lens; in ever-ready case.

$80-120 513

Leitz Elmar F=5cm I: 35 lens [no cap] and ever-ready case.

A Good Fossil Cluster of Fossilized Scallop-Like Shells,

$240-260 514

$20-40

$150-225 A Brass Marine Barometer,

515

$350-425

$120-140

A South India Bronze Monkey Deity,

a larger costumed monkey holding a dog. The dog 's tail being held by a smaller monkey sitting on the larger's left shoulder. W.155mm H.220mm

516

507

BOXES 517

two fitted blue cloth lined lift-out trays revealing more storage. W.360mm H.130mm l.470mm

A Papier Mache Victorian Standish,

$80-120 518

A Regency mahogany Small Sarcophagus Tea Caddy,

$120-140

raised on brass bun feet. Escutcheon absent, interior non-fitted. W. 118mm H.130mm L.202mm

A Solid Brass Railway Bell,

$200-275

traces of nickle-plate and red paint to the interior; complete with brass danger, ring and "D" clip for suspension. H.150mm 0.202mm

519

A Fine Mid 19th Century Brass on Walnut Tea Chest,

the slightly domed lid and base sides decorated with pierced brass foliate motifs, with matching escutcheon plate, the hinged lid revealing a pair of fitted compartments housing two removable wood caddy boxes, each with hinged lids, and decorated with pierced brass tea labels. 'Black' and 'Green'. W.150mm H.138mm L.202mm

$125-200 509

A Brass Bound Oak Cutlery Canteen (Empty),

$180-220

set with a single inkwell to the oval stand decorated with floral painting and gilding.

508

$120-140

A Victorian Period Cast Metal Plaque,

a moulded painted portrait of a gentleman on a stippled ground, within a circular frame; moulded crown above. Gilded finish , rear marked Jobson 's Patent Process 13th November 1854, Litchurch Works, Derby. H.340mm 0.280mm

A Norwegian Knife and Scabbard,

straight single edged blade, hilt of compressed leather washers with walnut patina, embossed leather scabbard with silver plate mounts. L.205mm

$150-225 506

Commando Knife - First Pattern,

double edged blade marked J. Nowill & Sons, Sheffield, England. Star over D and crossed keys. Brass guard, plated ferrule and pommel; stag horn handle. L.265mm

painted dial. Portuguese reproduction. L.945mm

505

27 Catalogues: Military,

Manions, USA; c.1988.

from the King Country area. W.155mm 0.60mm l.325mm

504

North American Indian Knife,

with cylindrical fine bone hilt pinned, tanged steel single edged blade; copper ferrule. L.285mm

A Leica Camera #420101,

$400-600 503

An Old Heavy Copper Kettle,

A Zeiss-Ikon Contina Camera,

$50-80 502

512

A Pair South American Bullock Homs,

ink etched decoration of figures including a gowned woman; a rider on horseback. Late 19th r:entury. L.395mm

$450-600

$400-500 520 510

Two Heavy Copper Lidded Saucepans,

A Chinoiserie Draughts and Backgammon Set,

the case unfolding to form draughts and back gammon boards; contains twenty-seven bone/ivory carved counters and two similarly carved dice cups (One AF] W.420mm L.424mm

with an extra lid; 19th Century. $80-220

$350-450 511

A Late 18th Century Early 19th Century Brass Lyre Trivet,

with wooden handle, telescope brass extension and cast iron supports fitted to the rear. W.148mm L.330mm $140-200

521

A Georgian Mahogany Knife Box,

with serpentine front; the hinged, sloping cover enclosing a fitted interior with boxwood stringing, inlaid stars decorate the lid exterior and interior; on ball and claw feet. Some loss of exterior stringing and woodsplits. $500-600

144

DECORATIVE ARTS

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ierwashera ~tier prate

estorage

aGaddy, 1noo-Fmed

aChest, pierced

l,thehingid

1\1111-~' atedw,ih

Jmm H.13811m

;losi~a@ed ethe lid )SSO!e~ell(I

538

554

658

146

DECORATIVE ARTS

522

A Fine Old Mahogany Decanter Case,

530

the deep hinged lid revealing an interior fitted with three glass decanters with gilt decoration to their shoulders, two tin caddies. Inside the lid a keyhole frame accepts two glasses. W.245mm

by Hannah Maria Holloway, Oct. 20th 1796; alphabet letters and a proverb 'Learning is better than ... ' Some stitch wear. W.262mm H.537mm

$1500-1700 see illustration

$300-400 531

523

A Framed Late 18th Century Sampler,

A Rare 19th Century Apothocary's Travelling Case,

mahogany with hinged lid enclosing a fitted interior holding 14 bottles. A secured drawer in the base holds glass mortar and pestle, scales, etc. along with a tin container with old label for T. Hazeldine's Health Preserving Pills. The drawer and lid with inset folding brass handles. H.200mm

An Early 19th Century Framed Sampler,

stitched alphabet letters and numbers, samples of flower, peacocks and hearts. Date of 182(?) obscured in lower right hand corner. W.202mm H.430mm $500-700 532

$2300-2500 see illustration

A Framed Pair Woven Silk Fox Hunt Scenes,

'Breaking Cover' and 'In Full Cry'. W.235mm H.93mm $80-120

524

A Regency Rosewood Small Sarcophagus Tea Caddy,

with barrel vault pediment, bun footed, m.o.p. escutcheon. Interior with twin division with loose lids.

533

A Framed Early 19th Century Sampler,

'Precept' verses and a prayer in black silks, with border panels and motifs including flowers. M. M. Young 1825. Fabric age distress. W.345mm H.442mm

$180-240 see illustration

$300-400 525

A Victorian Period Rosewood Writing Slope,

the lid and box front decorated with foliate brass inlay, brass recessed handles to the sides, interior contains secret drawer. Some internal attention required. W.240mm H.150mm L.350mm

534

Two Needlework Pictures and Verse,

one framed "... January Born .. ", the other unframed "November's child ... " H.235mm L.405mm $30-45

$300-400

NEEDLEWORK

ACCOUTREMENTS

526

535

A Pair of 19th Century Wood and Gilt Framed Embroidered Pictures,

one of General Tom Thumb, the other of Jim Crow. Probably embroidered by a young girl. 200mm x 205mm and 190mm x 172mm

the pendant of silver plate with solid foliate engraved back, the front of pierced foliate and scrolls encrusted with diamantes and a single pearl, spring loaded plate glass frames. W.30mm L.80mm

$700-1000 see illustration

$80-140 536

527

An Early 19th Century Framed Sampler,

embroidered by Mary Ann Russell aged 9 January .... ; the year date later unpicked by the embroiderer, may have been made to celebrate Christmas, depicting stars, deer and decorated trees, the threads in soft muted blues, ecru and olive. Verse "when this remember me ..

$150-200 537

A Miniature Wax Doll,

in a seated pose [AF]; together with a porcelain miniature pipe; ivory/bone holder.

An Early 19th Century Framed Sampler by Mary Ann Russell,

dated 1834, cross-stitched pink-red flowers, birds and urns, with a short verse 'Father of Lights we sing thy name ... " in olive thread. Note that the age numbers have been unpicked. This was frequently done by the embroiderer in later life so no-one could work out how old they were. W.428mm H.480mm

Two Seals,

one bears engraved initials on silvered metal. Carved clenched fist ivory handle. H. 748mm ; the other of circular with a dragon crest, ebony turned handle. Age wood splits. H.85mm

$800-1000 528

An Art Deco Period Diamante Encased Pendant Lorgnette,

$30-45 538

An Early Enamelled Oval Pill Box,

pale blue fluted walls, brass rims, the hinged lid with the old script "A Present from Chepstow" , internal mirror. L.40mm W.30mm H.22mm; together with a "Halcyon Days" enamelled pill box of oval shape. Minor enamel wear. W.30mm H.22mm L.40mm

$600-800

$75-100 529

An Early 19th Century Framed Sampler,

worked by Mary Russell, stitched letters of the alphabet and flowers, c.1830's. W.176mm H.186mm $400-500

539

Four Magnifying Glasses,

including one of yellow and rose gold (not tested); set with pearls (some pearls absent); another mounted in a gilded frame. Glass rim chips to one glass. $300-400

148

DECORATIVE ARTS

lettemaooa W262mm

Ver,

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Novembers

i-----

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1m L80mm

clenched t

607

600

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..4omm

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DECORATIVE ARTS

149

150

DECORATIVE ARTS

DECORAT 1VE ARTS

151

ilO

AHOf11 3

~!OCUS ~ ,~Me

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1(e~

1250-32! ~I 1tar;el

:;ed( ;:ciiar

!75-125

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~50-300 9;t

~ IGoldM

152

DECORATIVE ARTS

llo-120

540

A Horn and Ivory/Bone Encased Monocular,

551

A Sterling Silver Vesta and Snuff Box Combined,

of oblong form with rounded ends, foliate engraving to the sidewalls, machined decoration, two integral hinged lids. Birmingham 1870. Maker C.C. W.26mm L.54mm

with focus extension. L.52mm 0.30mm; together with a boxed miniature brass and bone/ivory handled folding magnifying glass of unusual construction with a central sight. H.51 mm L.80mm extended.

$100-150

$250-325 552 541

A Large Royal Arms Red Wax Seal,

A Silver Vesta,

engraved with acanthus scrolls and flowers, monogrammed, Birmingham 1901.

in turned circular treen box; together with four black portrait seals in circular tin.

$60-90

$75-125 553 542

A Lacquer Oblong Snuff Bottle,

A Victorian Mother of Pearl Handled Sterling Silver Fruit Knife,

etched foliate decoration Sheffield 1889, maker JYC. L.130mm blade open

the hinged lid decorated with metal beading bordering inlaid mother-of-pearl pieces. An oval shaped mother-of-pearl inlaid at the centre. W.42mm H.25mm L.78mm

$80-120

$60-100 554 543

A Tortoise Shell Carte Visite Case,

of rectangular section; embossed foliate exterior walls, the base marked 930, the lid of embossed figures in a landscape, marked 925. W.21mm H.15mm L.72mm

metal stringing decoration with foliate engraved monogram area (vacant), blue satin-lined interior; ivory interior borders. Some minor shell loss. W.86mm 0.16mm L.112mm $250-300 see illustration 544

$200-300 555

$160-240

rope twist yellow gold. Clasp marked 9ct. L.1560mm

545

546

An Edwardian Sterling Silver American Owl Bookmarker,

with glass eyes. Birmingham 1901, maker SM & Co. L.90mm

A Gold Muff Chain,

$320-360

A Silver Snuff Box,

556

A 19th Century Silver Snuff Box,

with sterling silver gilt hinge; together with an onyx table lighter. W.95mm H.40mm. L.120mm

mounted into an antler section; fol iate engraved hinged lid, with gilded interior, moulded acorns and oak leaves encircle box rim. Engraved and machine decorated flat silver base shaped to the antler section. No marks. H.18mm 0.50mm

$20-40

$250-325

A Rectangular Onyx Box,

A Rose Quartz Ashtray,

MINIATURES

of octagonal form with circular well. W.70mm L.70mm $50-70 547

557

An Ivory Carved Visiting Card Case,

$80-120 see illustration

Dicksonson, London 1903; with some account of those who practised in America in the 18th Century. Vol 1: explores missal painting, early British portrait painters and 10 specific artists. Vol II: discusses miniature painting in America, foreign schools, collections and collectors, painting methods and care of miniatures. Well illustrated; along with Foster J J 'Chats on Old Miniatures' London 1908.

An Art Nouveau 950 Silver and Enamel Pendant,

$300-450

depicting groups of figures conversing in a temple complex; shaded by trees. Re-glued side walls to the lid W70mm H.116mm 0.12mm

548

the enameling of emerald green-cobalt blue. W.20mm L.40mm

558

$180-240 549

$100-160 An Ivory Bladed Paper Knife,

dragon monogram, the silver plate fluted handle in need of repair. L.305mm

A Framed Early 19th Century Wax Cameo Portrait of a Lady,

she in a bonnet tied at the chin with ribbons, shawl about her shoulder. Frame Height 235mm W.210mm Split in figure. Rejoined by glue.

A Sterling Silver Pig Pincushion,

the pig moulded in a stance pose; the cushion inserted along its back, Birmingham 1906; maker S & Co. AF minus one ear H.34mm L.55mm

550

Foster J J 'Miniature Painters - British and Foreign' 2 vols.,

$100-150 559

An Ebony Framed Oval Female Portrait Miniature,

in a seated pose, her head resting against the back of her left hand, shawl draped around the shoulders. W. 109mm H.140mm $300-400 see illustration

$80-120 DECORATIVE ART'

1 53

!11 A~

560

An Ornate Gilt Framed Portrait Miniature on Ivory,

568

of either Isabella Roby or Joanna Isabella Harper (see verso), her auburn hair swept back, decorated with a gold pin, a pearl encrusted choker tied at the throat; ruffled pink lace at her breast. Oval moulded gilt bezel. Some frame moulding loss. W.185mm H.218mm

A Pair Hand Carved Framed German Miniature Portraits,

1~n

titled to the rear Grossmutter Koster, and Grossvater N. 0. 0. Koster 1837(?) frames heavily gilded. W. 125mm H.150mm

seale

$550-700 see illustration

~eev nbl:O

$251

$400-550 569 561

A Framed Painted on Ivory Portrait Miniature,

similar in the manner to Sir William Charles Ross, of a lady; ringlets peeping out from under a lace-ruffled cap, tied at the throat with a yellow ribbon, lace shoulder shawl over a black gown. Green ribbon mount. W.178mm H.206mm $450-600 see illustration 562

570

in gilded oval mounts, of a young man and a young woman painted on ivory she with fashioned hair, wearing a low-cut black gown trimmed with lace and red ribbon; he in a black waistcoat and jacket, head turned slightly to the right. Black lacquer frames with embossed rose and thistle suspension rings, c.1830's. W.110mm H.138mm

563

571

572

574

$450-600 see illustration 154

DECORATIVE ARTS

An Oval Framed Portrait Miniature of an Elizabethan Costumed Man,

A Black Lacquer Rectangular Framed Ivory Portrait,

of a classical reclining nude; resting on red cloth below a rock face , castle background. Gilt metal bezel, embossed bird suspension ring. Signed Cornelius. W.108mm H.128mm $200-300 see illustration 575

An Oval Wood Framed Portrait Miniature on Ivory,

of a lady with powdered hair; wearing an elaborate pink-laced cap, matching the lace trimming on her yellow dress. Gilt-metal bezel , c.1790. W.88mm H 105mm

A Pair of Framed Portrait Miniatures After Holbein,

each of a lady, each in Elizabethan period costume with beaded head dress, within a gold coloured mount, and a rectangular fabric covered frame within a gold coloured metal border with suspension ring. Some age wear to velvet covering. W.96mm H.120mm

An Oval Framed Portrait Miniature of an Elizabethan Costumed Lady,

$250-325 see illustration

$200-350 see illustration 567

11! AGit

da1 19111

$250 !18 AnOI Ce1

l81H

An Oval Portrait Miniature on Ivory of an English Officer,

painted on copper. W.100mm H.115mm

A Metal Framed Portrait Miniature,

painted on porcelain of a classical lady, her hair dressed with grape or ivy leaves. W.58mm H.BOmm

$200

181

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(.plf H158

$25~ 182 ASql

:'a learn ~ea,

$3~ 573

$450-600 see illustration 566

A Rectangular Framed Study of Diana on Ivory,

$250-325 see illustration

An Oval Framed Portrait Miniature,

depicting a man in elaborately embroidered dress with white silk scarf tied at the neck and hair tied to the back with a black ribbon; his head turned slightly to the right. Bears the signature Leotard. Suspension ring. W.58mm H.76mm

see~

painted on copper. W.100mm H.115mm

$300-400 see illustration 565

$300-400

$250-325

A Square Wood Framed Circular Portrait Miniature,

of a Regency Lady in fine silken costume, a large bow at the breast, pearls in her hair. Initialled. L(?) P H.400mm

:'Mr

his head turned to the right, with powdered hair, wearing a red uniform with white collar. Gilded metal bezel , black lacquer rectangular frame , c.1800. W.72mm H.83mm

$400-600 see illustration 564

Mini

$350-450 see illustration

A Gilt Framed Painted Portrait on Porcelain,

Lady Arbuthnott, wife of Admiral Sir Arbuthnot!; she in a blue lace trimmed gown, the bodice pinned with a large ruby. Matching the ruby earrings, elaborately dressed hair, sky background, c.1830's. W.160mm H.182mm

lll APa

Continental allegorical interior scenes of early 19th Century costumed women attending their pet birds, elaborate gilded mounts, brass suspension rings. W.128mm H.145mm

her hair elaborately decorated with flowers. She wears a white dress loosely draped below her shoulders, a broken strand of pearls falls over her left shoulder; she bearing a bow and a quiver of arrows. Metal bezel with traces of gilt, black lacquer rectangular frame with embossed thistle suspension ring . W.130mm H.143mm

A Framed Pair of Portrait Miniatures,

$400-550 see illustration

A Pair Carved Wooden Framed Hand Coloured Lithographs,

$250-325 see illustration 576

A 19thC Oval Mounted Portrait Miniature on Ivory,

of a young girl wearing a coral necklace, her blue low-cut dress edged in lace, her hair swept back from her face held with a black bandeau black lacquer rectangular frame, oak embossed suspension ring. W.114mm H.131 mm $250-325 see illustration

183 ACas

Edwal

ad1 "iliml ··& $250, l84 A~ro

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ISO.so

Portraits,

577

10, 0, 0mm

A Framed Portrait on Ivory of a Lady,

587

inscribed verso: Purser Ritchie May 1854 Hong Kong. Painted in a seated pensive pose; she wearing a low-cut blue gown, the sleeves inset with ruffled lace, pinned with jewels, a blue silk ribbon tied to the back at the waist. Blue background, in a gilded mount. Some pigment loss to the hair. W.198mm H.23

A Framed Portrait on Glass of a Lady,

her curled and plaited hair dressed with two pink feathers, painted in an outdoor scene, in an ebonised frame with brass acorn suspension ring. W.134mm H.158mm $250-350 see illustration

$250-350 588

:ntury gilded

578

A Pair of Early 19th Century Oval Framed Portrait Miniatures,

her head covered in bejewelled diaphanous veil, she wears a necklace of pearls and a ruby within an oval mount and inlaid ivory pierced framed, each corner decorated with ink-filled etched flowers. W.113mm h.1 :J7mm

of Mr and Mrs David Stott. Ink en paper. W.93mm H.121 mm $200-300 see illustration

,a white

579

andaqUN~ :r 580

$250-350 see illustration 590

$80-100

ish Officer,

581

$300-450 see illustration

Capt R'd Richardson, Royal Lancashire Vol 'rs 1781 W.120mm H.158mm

582

591

$80-120 592

$300-450

bethan

583

under glass. H.126mm L.162mm

593

584

$250-350 A Circular Framed Portrait Miniature,

$40-75

of a uniformed man wearing gold epaulets and red sash; within a wood and brass bound frame. D.80mm

594

585

A Framed Miniature Painting of a Pair of Cherubs,

$20-30 595

in a circular mount within a cherrywood frame. W.105mm H.115mm

iink•laced ·Gilt-metal

Ivory, ,w-cutdress :Id With a :em~ed

A Pair Framed Portraits,

A Blue Enamelled Oval Framed Watercolour Portrait Photograph,

of a young woman with auburn hair. Some enamel loss. W.60mm H.70mm

$100-175 see illustration 586

A Miniature Tin Type Portrait,

swivel memorial brooch of a man. AF. W.42mm H.51 mm

$80-120 see illustration

vory,

A 20th Century Portrait Miniature,

signed CAppel, of a middle aged woman with curly hair, wearing cameo earrings, rectangular gilded metal frame with suspension ring. W.88mm H.111 mm

ortra~ ow arock bird mm

A Framed Miniature of 'The Awakening of Deus',

$50-75 see illustration

A Cased Oval Male Portrait Miniature from the Edwardian Period,

a distinguished elderly gentleman sporting a large bushy moustache, head turned slightly to the left. Case measurements 116mm x 90mm W.55mm H.80mm

A Portrait Miniature,

painted on oval ivory panel, of a woman after Gainsborough. Rectangular purple velvet easel frame.

A Square Wood Framed Circular Portrait Miniature,

of a Regency Lady, her hair elaborately styled with ostrich feathers; she wears pearl earrings and a flower sprays at her breast. Signed Dumont.

A Framed Portrait of Louis V Heimrich,

Captain in Garde Reserve Regiment 1876, in an octagonal mount within a gilded rectangular frame. W.190mm H.215mm

An Oval Wood Framed Portrait Miniature,

$250-350

A Pierced Metal Framed Portrait After Rembrandt,

of an Older Man with a fine head of grey hair and a thick bushy beard and moustache, under convex glass; within an elaborate metal frame, traces of gilding. W.115mm H.15Dmm

An Oval Shaped Miniature Portrait,

mounted in rectangular ivorine and pierced gilt frame; 20th Century. Glass cover broken. W.180mm L.200mm

belhan

589

$250-325

ing.

ingared :quer

$250-350 see illustration

A Gilt Framed Watercolour on Paper,

of a young woman; her brown hair arranged in loose ringlets. 19th Century. W.235m;n H.278mm

frand of

An Ivory Framed Portrait Miniature of Josephine,

$50-80 596

A Portrait on Ivory of a Woman,

Robert Browning and Elizabeth Barrett Browning, mounted in ebonised oval frames. Water damage to Robert Browning. W.144mm H.172mm

seated, winding balls of wool while a cat endeavours to interrupt; in a modern table frame. Lengthwise split through ivory. W.66mm H.90mm

$50-80

DECORAT 1VE ARTS

155

615

PRINTS AND PAINTINGS 597

A Framed Pair of Bird Watercolours,

STERLING AND FOREIGN SILVER 608

fine detailing to feathers. Some foxing. W.498mm H.560mm

the seven piece tea set comprising of a tea pot, covered sugar basin, milk jug, a slop bowl a pair small dishes (each raised on a pedestal base); squat circular shape with fluted walls, finely engraved acanthus capped handles, moulded foliate finials and spout decoration. Fine engraved on leaf and paw feet, and a tea strainer. AF Together with a fifty-nine piece fiddle pattern twelve place cutlery set, including a tablespoon and an oval bowled soup ladle. Bone handled knives with steel blades. All silver items monogrammed, 1850's dates; 84 zolotniks, A.M. assay, Petrograd sceptre and two crossed anchors; various makers marks. Fitted into a chamois lined and moulded wooden case. Measurements for case. Three dessert spoons absent plus another unidentified

$200-300 598

A Framed J Pollard Hand Tinted Equestrian Print,

titled 'G. Osbaldeston E SQR. Extraordinary March of 200 Miles Against Time'. W.620mm H.520mm $150-225 599

A Signed Watercolour,

John L Moore 1929, trees in a snowy landscape. W.516m H.416mm $100-150 600

$5000-7000 see illustration

Four Framed Indian Military Period Costume Prints,

three under glass; including Subadar, Hawuldar, Light Infantry Sepoy and Grenadier Sepoy. Some foxing and water marks. W.215mm H.290mm

609

Three Small Framed Watercolours,

c. 1920's-30's; including Rabbits and Blue Bells. FW Everard, a coastal scene, and a cottage.

$12000-14000 see illustration

$80-120 602

610

Three Framed Fox Hunt Prints,

$120-200

A Framed Steeple-Chase Engraving,

Urn form , engraved with encircling flat-chased frieze, C-scroll handled, raised on a shaped circular pedestal base. Maker's mark F.H. Edinburgh 1799. Engraved with presentation inscription. H.280mm. Weight 1037gms.

four scenes of the first Steeple-chase on record (Vide the Sporting Review, No.1 January 1839). Hand tinted. W.436mm H.372mm

$2600-3000 see illustration

A Framed Selection of Four Coaching Scenes,

$475-550 see illustration 613

London 1803; maker R.C. L.285mm

two hand-tinted scenes; the Royal Mails Departure from the General Post Office, London; the other, West Country Mails at the Gloucester Coffee House, Piccadilly. W.470mm H.418mm

$425-500 see illustration

including 'Yeomanry of England Paying a Visit', 'Fancy - View near Ci rays Inn Road'. Scenes from early 19th Century. All framed underglass. W.346mm H.310mm $240-300

156

DECORATIVE ARTS

Al Ill

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12: 619 AV

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$50

see ilO A~

eact

sa~ 1o\ C61

$57! see,

614

A Cased Set of Four Dutch Silver Gilt Apostle Spoons,

Each of a good weight, case handles with peacock and flower decoration below barley twist stems; terminating into the Apostle forms. Hallmarked, c.1900; fitted satin and velvet case. $440-480 see illustration

ASc

11,,1

S2~ i22 lwo

A George Ill Sterling Silver Skewer,

A Royal Mail Coaches Framed Engraving,

A Set of Six Henry Alken Hand Tinted Equestrian Prints,

618

A George Ill Sterling Silver Marrow Scoop,

$250-325

607

Sfi s&

with elongated bowl, hallmarks for London 1776, maker I.I. L.225mm

engravings; including Sunday Tip to Richmond Hill, H. Bunbury; making a Dash with Gay Tilbury, H. Alken; hand tinted. W.378mm H.528mm

$250-325

Ill

121

612

606

617

A George Ill, Scottish Coffee Pot by Fraser Howden,

$100-150 605

Spo

611

$80-120 604

A Rare 17th Century Sterling Silver Apostle Spoon,

$3000-3500 see illustration

A Pair Framed H. Alken Hand Tinted Prints,

titled 'Game Keepers' and 'Poachers'; published 1823. W.271 mm H.333mm

the figural terminal with traces of gilding , bearing a large cross in his left hand. Prick engraved with initials 'IB ZL' and dated '1636' to the rear of the bowl. Exeter hallmark of 1585 to c.1630 and maker's mark for Edward Anthony. L.186mm

from a set of four painted by Sir John Dean Paul. Produced in eight colour litho. offset. W.362mm H.215mm

603

616

A Fine Set of George Ill Sterling Silver Flatware by Paul Storr,

comprising 44-pieces, double struck fiddle, thread and shell pattern; the set includes 12 soup/table spoons; 8 smaller spoons, 12 large table forks and 12 smaller forks; all monogrammed London hallmarks. Various date marks.

$100-150 601

A Cased Mid 19th Century Russian Sliver Tea Set and Cutlery Set,

8 ~":)

~00 il3

AGei

i.~..

~-,. ·o00

H200

S2oo.

615

624

$475-575 see illustration 616

A George Ill Sterling Silver Skewer,

London 1800; maker S (obscured). L.252mm

$200-300 625

$275-350 see illustration 617

monogrammed VAE VICTUS. London Hallmarks. Makers WE,WR WC. L.315mm

618

eby Paul lshell l erspoo1S mmed

$200-275 626

$400-500 627

A Victorian Sterling Silver Teapot of Oval Form,

$300-400 628

the serpentine walls decorated with foliate swags tied with tasseled bows, beaded rims, fluted spout and scroll handle with ivory/bone heat resisters. Hallmarks for London 1872, maker R.H. W. 730mm H. 740mm L.280mm

oon, ·gecrossm lied 1636 630aoo

$500-700 see illustration 620

,den,

iption.

$200-300 629

$80-100 630

$40-60

A Scottish Silver Sauce Ladle,

An Irish Silver Spoon,

single drop joint, monogrammed. Dublin 1772, maker L&B. L.76mm

Glasgow 7834-35; fiddle pattern with circular bowl, initialed. Maker JM JR. L.70mm

$100-175

$200-300 632 622

llNo George Ill Sterling Silver Tablespoons,

$100-150 623

$30-45 633

dflower theA!XJSlle

$200-300

Six Sterling Silver Teaspoons,

five Sheffield 1898, maker JR; together with one London 1822, maker WC.

A Georgian Cruet,

frame only; of boat shape with tall central ring handle, co-joined by shaped bottle divider, wood floor, raised on four feet. London 1800; together with two silvered decanter labels, Sherry and Brandy. Handle requires attention. Some age stress. W.155mm H.260mm L.240mm

A Pair Sterling Silver Table Forks,

fiddle pattern, London 7841. L.204mm

old English pattern. London hallmarks. 7804 and 7806. Matching monograms. L.215mm

;poons,

A Pair Birmingham 1921 Rat Tail Bowl Mustard Spoons,

one initialed; both with traces of gilding in the bowl. Maker E & Co. L.85mm

631

erll.

A Silver Cream and Sugar,

squat circular, scroll handles, each raised on four shell feet. Dimple on the sugar bowl. Chester 1921.

$575-700 see illustration 621

An Edwardian Sterling Silver Toast Rack,

four sectioned with handle. Raised on four ball feet. Hallmarked Birmingham 1902, maker JS & S. W.61 mm H.100mm L.89mm

A Pair Georgian Period Silver Cauldron Salts and Spoons,

each with a bird on snail shell monogram , and gilded interiors, the salts set on three moulded spreading feet. London hallmarks, maker CH; the matching spoons with gilded oval bowls. H.40mm D.61mm

;.scroll aker'sma~

A William IV Sterling Silver Pie Spoon,

Fiddle pattern, engraved initials. London hallmarks 1834, maker WE. L.306mm

$2200-3000 619

A Pair of Sterling Silver Candlesticks,

hallmarked Birmingham 1963; maker B & Co., reeded circular stepped base and stem knops. H.211 mm

A Sterling Silver Three Piece Tea Set,

comprising pear shaped teapot and sugar bowl, the sugar and ewer shaped milk with acanthus-capped handles; each elaborately embossed with a profusion of rambling roses, gadrooning to the rims. Teapot has a wooden scroll handle. Makers C&S Co. Ltd. London Vacant monogram areas.

A Victorian Sterling Silver Ink Stand,

the ball footed oblong tray decorated with embossed foliate border; the ink bottle of faceted glass and silver hinged cover, fits neatly into the tray socket. Birmingham 1895. Maker GEF. Minor lid dents. W. 102mm H.65mm L.175mm

A George Ill Silver Old English Soup Ladle,

$600-700 see illustration

Three Sterling Silver Dressing Table Items,

comprising of an oval section faceted glass box with sterling silver lid, mask and gadrooned decoration, Birmingham 1907. L.136mm; together with two non-matching sterling silver pin dishes, both of oval shape, embossed foliate decoration, Birmingham 1905 and 1903.

London 1762; with elongated bowl, bearing an engraved 'P' initial. Maker mark obscured. L.236mm

iet and

ed sugar •aised on a finely nialsilfld and atea imnvelve IOV!edSOOp rtems y, Petrl)Jrad 1\1.Fitted mmenls Iidenified

A George Ill Sterling Silver Marrow Scoop,

$100-140 634

A Set Six Sterling Silver Teaspoons,

Sheffield 1945, M.W. makers. L.110mm $50-80

DECORATIVE ARTS

157

635

636

637

Three George Ill Fiddle Pattern Teaspoons,

647

maker WN. L135mm

London Hallmarks, 1826. L.82mm

$30-50

$110-150

A Pair of Georgian Period Sugar Tongs,

648

A Mermod & Jaccard Spoon,

ill A1icll KJlife,

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ill APaW

bright cut decoration with pointed grips. maker WS or SM. Old surface stress line. L40mm

raised foliate decoration spilling into the bowl. Marked Sterling. L.144mm

$40-50

$30-50

;?"~

An Edwardian Sterling Silver Tea Set,

135°'

A Pair of William IV Sugar Tongs,

649

chased decoration and monogrammed London 1834.

of squat oval form ; heavily embossed foliate walls and lower spout; gadrooned rims; the teapot with hinged conforming lid, embossed decoration and ebony finial. Ebony handle. Birmingham 1903; maker M&B

$50-60 638

A George IV Silver Fiddle Pattern Sauce Ladle,

Two Dressing Table Items,

one being a rectangular faceted glass box, the other a rouge pot, the glass cut to a close match; both with sterling silver covers decorated with angel heads. Birmingham hallmarks, 1908 and 1910. Box length 86mm ; rouge pot H.32mm

650

$200-300

· ce

~~m1~1 ii! AWMI

$650-750

"lS1

A Pair of Victorian Silver Sauce Ladles,

..,,s

Fiddle pattern with engraved matching initials. London 1860. Maker WS. L80mm

:,:I

$220-300 639

i$J !Pair

An Assortment of Sterling Silver,

comprising tour circular napkin rings; various makers and dates; together with a circular bone napkin ring. AF and a sterling silver circular dish, Birmingham 1902.

651

circular, piecrust rimmed with husk and floral scroll border. Monogrammed GCT and engraved "From His Friends of the Wellesley Club, April 19th 1910." Maker's mark RM(over)EH , Sheffield 1909. Weight 1340gms. 0.385mm

$120-160 640

An Assortment of Fourteen Thimbles,

including sterling silver, brass, silver plated and an enamel decorated with elephants; together with a dress-makers encased measuring tape.

$1200-1400 652

642

643

Edinburgh and London, early 19thC. Various dates and makers. $20-30

$350-450

Three Georgian Period Teaspoons,

Three George Ill Teaspoons,

$20-30

$1000-1300 see illustration

A Twist Horn Handled Silver Toddy Ladle, 654

pear shaped with moulded rib encircling the widest part, set on a moulded toot, circle and dot piercing. H.185mm

Six Edwardian Sterling Silver Handled Knives,

$200-300

re! ~

mo, ii A~ ~-Sie

!160-i

~I iii rwoa

ooe~! ·'!,!i

~50,j

ill ISliet

~1~1 656

A Model of the Coronation Coach by Toye, Kenning & Spencer,

cast and built. Maker's mark TK&S Birmingham 1952. L.75mm

including some sterling; various marks and makers.

$300-400 see illustration

DECORATIVE ARTS

i61 APai'

$110-150

Five Assorted Small Spoons,

$20-30

158

A Selection of Seven Late 19th Century Russian Silver Small Spoons,

84 zolotniks, Moscow marks; together with three bone salt spoons. One with solder repair.

A Georgian Period Kings Pattern Egg Spoon,

$80-120

!100-1

.··~. 655

double-struck, maker I.B., monogrammed, the bowl with traces of gilding L 127mm

646

A Gump's Sterling Silver P. Revere Reproduction Caster,

$150-250

$40-60 645

a{li({

~'.?m

A Pair of Silver Candle Sticks,

of columnar shape with Corinthian capitals, on gadrooned square bases. Sheffield, 1893, maker HA H.230mm

five of which are matching, Sheffield 1902; L.165mm Surface rust to the blades.

C.ndk

li3 ALng

653

Old English pattern with E.J. initials, London 1812. Maker's marks obscured.

the oval bowl set with a Georgian coin.

644

A George Ill Period Sterling Silver Mustard Pot,

of oblong form with handle; the walls stepped and curved decorated with foliate embossing and repousse, gadrooned border. Raised on four ball feet, domed lid with finial and thumb piece. Newcastle hallmarks. Together with a Sterling Silver mustard spoon, Kings Pattern, hall marks tor London 1855. No Liner. H.100mm L.92mm

$120-160 641

An Edwardian Salver by Martin Hall,

[!/~

ii! lwlPa

!40,o

657

A Victorian Sterling Silver Handled Steel Bladed Carving Knife,

667

with hinged lid, decorated with encircling key motif and diaper pattern; reeded oval base rim, beading at the upper rim . W.110mm H.125mm L.165mm

indistinct hallmark - could be London 1866. Maker GH. L.330mm $30-50

erting

$80-140 658

A Pair Gorham Sterling Silver Two Branched Candelabra,

with central candle holder, the swirling branches reeded, construction of "Fit together Come Apart Sections" to make other candlesticks. Foil sticker on each base. H.290mm

wer 19lid, mingham

668

SHEFFIELD AND ELECTROPLATE

$150-200 669

$300-350 see illustration 660

er. the

$50-75 670

$100-150 661

662

Ier 155 No

A WMF Chrome Plated Over Copper Vase,

of tall tapering shape; wide border of embossed stylized foliate motifs encircle the shoulder; stepped neck. Stamped WMF #94. Some dimples at the lower base. H.395mm D.160mm

A Pair Ornate Foliate Decorated Silver Plate Candlesticks,

$200-275

all-over repousse covering the wide circular base and tall tapering stem; the shoulder to the candle holder rim. H.274mm

·)EH,

A Victorian Silver Plate Bound Oak Tankard,

with tapering external walls, silver plate handle and internal cylindrical walls. Trophy shield engraved RM Academy 1886. Second Prize Pole Jump. Metal splits to two circular bands. H.200mm

A WMF Silver Plated Art Nouveau Dish,

of asymmetric outline framed by reeded whiplash borders, decorated to the well with a scene of Diana, huntresses, hounds and a stag. W.400mm

860.

A Pair Sheffield Plate Decanter Coasters,

each with solid sides and gadrooned rim, wooden , baize-covered base. H.50mm D.160mm

$350-450

659

led Jthumb

A Silver Plate Biscuit Barrel or Humidor,

671

A Pair of Early 20th Century Continental Pewter Chamber Candlesticks,

A Pair of Old Sheffield Plate Decanter Coasters,

Art Nouveau. W.154mm

lobed walled, gadrooned rimmed, wood inset bases, with silver bosses. D.150mm

$200-250

$160-180

GLASS

A Silver Plated Biggin Coffee Pot,

672

Baluster shape on domed circular foot, ebony handled.

A Georgian Jelly Glass,

c.1800. Short, broad conical bowled raised on a high domed foot. H.65mm

$160-220

$60-80 663

A Large Silver Plate Trophy Cup,

embossed oak leaf and acorn reserves framing vacant monogram areas, knopped stem above a circular stepped base; decorated with encircling embossed acorns and oak leaves, the side handles modelled as Greek or Roman classical woman. Mounted on a turned circular wooden plinth. H.470mm

:id SQUMe

673

A Silesian Wine Glass c.1765,

the facetted conical bowl decorated in gilt with a tent, figure and palm tree, on a facetted inverse baluster stem and domed foot. (AF) H.140mm $160-180

$900-1100

, caster,

674 664

t,setO!la

Two Chambersticks,

one of Sheffield plate with beaded borders and armorial; the other of silver plate with gadrooned borders; each with its conical extinguisher held on a lug.

petal moulded, c.1800. $40-50 675

$150-225

$110-150 see illustration

ling&

666

Two Pairs Silver Plated Knife Rests $40-60

L.75rnrn

$50-60

A Sheffield Plate Sauce Ladle,

fiddle pattern with engraved initials. L.190mm

salt

A Regency Square Foot Wine Glass,

with facetted conical bowl. AF Chip

1Silver

665

A Late Georgian Jelly Glass,

676

A Good German Crystal Ale Glass,

curved walls with globular base; star cut under the base, a medallion of the 'Hoftheater in Dresden', gilded rim, the rear decorated with six circular dimples encircling a slightly larger. H.124mm D.100mm $200-300 see illustration

DECORATIVE ARTS

159

693

677

A Pair of Victorian Decanters,

685

in the version of the so-called silver-shape; decorated with swags and painted with simple floral motifs. Pattern number 596 painted on the base, c.1790's. H.155mm L235mm

with finial stoppers. H.325mm $100-150 678

687

A Pair of Commemorative Wedgwood Crystal Goblets,

For the occasion of the Royal Silver Wedding 1972. Each applied with applied jasperware portrait cameos of the Queen and the Duke of Edinburgh. Limited edition #21 /60 for New Zealand.

689

A 19th Century Majolica Centrepiece,

690

$500-600 see illustration

DECORATIVE ARTS

·tt fra

A 19th Century Continental Forty Six Piece Dinner Set, 697

Al deb MX

-ill

!71 see

A Victorian Earthenware Covered Tureen,

A Fine New Hall Hard-Paste Porcelain Chinoiserie Punch Bowl,

691

A Georgian Grainger Worcester 17-Piece Part Tea Set,

comprising six cups and saucers, large sugar basin, milk jug and two large plates; the interiors decorated with a stylized foliate pattern in apple green and gilt encircling the rim, with a gilded band above the well; the band repeated to the exterior, all on a white ground. Circular black base mark. Rim chip and crack in basin.

692

i98

IP;

$275-325

~~er

Four Chinese Redware Tea Set Pieces,

toe

comprising two teapots, milk jug and sugar basin, metal rims and spouts, decorated metal dragon and urn motif pierced overlay. AF

t.lse.

$80-100

160

:!1

$2000-3000

An 18th Century Austro-Hungarian Faience Jug,

dated; of ovoid form with short tapering neck, polychrome decorated heraldic lions bordering a wreath enclosing a boot maker's symbols, foliate borders, a double row of text encircling the shoulder. Fragile - Old repairs but complete. H.265mm D.200mm

i96 A!

"Lady in the Window" design; the interior and exterior walls elaborately decorated with repeat figures in a garden scape with in diaper patterned borders; the well painted with two women and child in a garden which is repeated on the underside base, washed over in crude bright colours, raised on a plain circular foot H.130mm D.324mm

$500-600 see illustration 684

$100-140

A 17th Century Sicilian Majolica Syrup Jar,

from a pharmacy; ovoid form with loop handle; standing on a circular base. A spout at the shoulder, wide tapering neck. Painted with yellow flowers on a deep blue ground. Overglazed rim chip at time of manufacture. Handle breaks - reglued. H.220mm

of oblong form, moulded reeded and anthemion rims, painted pink roses and daises to the lid and dish-well on cream ground , moulded lid handle, gilt trims raised on four paw feet W230mm H.170mm L.288mm

$150-200 see illustration 683

$800-1200

POTTERY AND PORCELAIN modelled as a boat-shaped urn, the exterior surface decorated with moulded masks, fruits and vines, on slate-grey ground, turquoise glazed interior, supported on an oval majoilica plinth. Impressed JM; pattern number 2211. AF Old re-glue glaze flakes.

695

Two Parian-Ware Baluster Parian-Ware Ewers,

comprising of four graduated oval ashettes, oval vegetable dish, oval lidded sauce boat on stand, nine large circular dinner plates, eighteen small dinner plates and eleven soup plates, diaper pattern rims, oriental foliate motifs in imari and gilt, gilded trims. Red 'oriental' mark back stamp with #147 in red glaze.

H. M. Queen Elizabeth II; hand cut goblet in amethyst and clear glass, bearing a royal blue and white jasper cameo portrait of H. M. Queen Elizabeth IL Limited edition, number 940 of 1,000. Etched base marks. H.134mm D.102mm

682

'.J

Sl 688

A Boxed Wedgwood Silver Jubilee Goblet 1952-1977,

$50-75

painted dots within diamonds in pink interior borders; painted simple rose and daisy motifs on hard-paste porcelain, c.17851810. Not marked. Dish Dia.116mm H.35mm ; Jug H.96mm

$80-140

$40-60 681

one with a loosely-fitted metal dust cover; ram mask moulded scroll handle. The walls decorated with moulded cherubs within foliate panels in deep relief. Height 220mm Reg. Diamond; together with serpentine handled and spout Parian jug , with Bacchanalian. Height 178mm. Staple repair to covered jug. Rim chip to the other.

$300-450 see illustration 680

A New Hall Cream or Milk Jug and Matching New Hall Circular Dish,

$175-250

An Art Nouveau iridescent Aurene Glass Fluted Bowl,

shaded in iridescent gold-green at the base deepening to rich cranberry and purple flashing gold at the rim. Unsigned. H.125mm D.265mm

i94 686

$650-850 679

$350-450

An Art Nouveau Iridescent Green Bowl on Figural Stand,

the shallow serpentine-rimmed bowl mounted above an Art Nouveau figural and gilded metal vine supporting a clambering cherub escaping the jaws of a crocodile, both in brass, verdigris finish. Two leaves broken. H.290mm D.210mm

A New Hall Hard-Paste Porcelain Tea Pot,

1121 see

693

iswags painted

Hall

694

A Victorian Turkey Plate and Matching Soup Plate,

699

oriental decoration of a bird and chrysanthemums painted in the well, fruit/flower bowl and leaf panels on pink ground encircle the borders. Ashette L.548mm W.450mm

pair decorated in Chinese tree pattern in polychrome. 0.218mm; two matching earthenware plates, oriental inspired diaper and foliate designs in polychrome. 0.240mm

$200-300

$100-175

A Masons "Chartreuse" Vegetable Dish,

700

together with Ashworth oriental plate, in imari red, black and turquoise with gilded highlights.

1ted 785lm

H.94mm $40-60 701

A 19th Century Staffordshire Cottage,

lded within

$225-300 696

th J. Rim

A Sampson Porcelain Punch Bowl,

decorated in Chinois lmari style with an armorial cresting amongst scattered flowers to the exterior; similar sprigs and blooms to the interior. Faux Chinese mark under the base along with 'Made in France'. 0.290mm

$120-140 702

697

A Martinware Stoneware Grotesque Bird,

detachable head and hollow body; brown saltglaze. Mounted on a wood turned circular base. Incised name-mark and dated 1889, London -Southall. Small base rim chip H.180mm

A Pilkington's Royal Lancastrian Vase,

cylindrical with inverted mouth and small foot ring. Red-orange glazed with underglaze painted Persian inspired foliate panels encircling the body. Impressed factory marks and 3034. Brushpoint monogram of William S. Mycock. H.155mm

$360-440

r Set,

A Meissen Style Figure Table Centre Piece,

a semi-reclined moulded figure, his coat and breeches finely decorated with pale blue foliate motifs and gold trims, the bonbon holder in teh shape of pierced basket shows a handpainted lake and building scene in the well; the exterior decorated with applied vine and flowers, raised on a shaped base, trimmed in blue and gold. Restoration. Blue marks under base. L.280mm H.190mm

flatbacked; with cobalt blue roof, flower borders. Old hairlines to the base. W.132mm H.165mm 0.50mm

Jdish, •plates, er ltnms.

A 19th Century Stoneware Copper Lustre Jug

$100-150 695

Two Pairs English Plates,

$320-340 703

$7000-8000 see illustration

An Amphora Vase,

of tall tapering form with everted rim, the cream body decorated with press-moulded thistle-like flowers and leaves in shades of green and purple, gilt highlights gilded rim. Red oval mark. Hairline crack upper rim. H.260mm 0.105mm

ntedpink d, 230mm

$400-600 see illustration 704

An Art Deco Carlton Ware Rouge Royal Decorated Moderne Jug,

i Punch

painted with gilded and enamelled stylized flowers, gilded handle and trims. Pearl lustre interior. Base marks. H.136mm

Jls

$300-450 see illustration

jleWilh

,men and

705

No Lot

706

A Walter Moorcroft Clematis Design Vase,

£,

·cular

of ovoid form ; the encircling clematis flowers painted under rich flambe glazes graduating to cobalt blue at the foot. Impressed Royal Order marks and blue painted signature together with Royal Potter to the Queen Paper Label. Dated 1950. H.265mm

1Set,

.jugand iliate gilded JI on a ackin

$1500-2000 see illustration 698

A Pair of Staffordshire Figures,

one of a capped young man, the other of a young woman; each posing next to a donkey one arm resting on the mane, the other holding a riding crop on a modelled and painted green and red base. Possibly the Royal children. H.260mm L.210mm

rimsand ierlay.Af

$1200-1800 see illustra tion

707

A Royal Dux Bohemia Figure,

of a young boy embracing his mother; her left arm supporting his head . Impressed signature at the rear; Royal Dux Bohemia (impressed) applied pink triangle mark, impressed numerals 1272. H.355mm $600-800 see illustration

DECORATIVE ARTS

161

708

A Pilkington's Royal Lancastrian Monochrome Shoulder Vase,

716

with fluted walls, on a wide circular foot, the surface painted with pink and yellow roses, buds and leaves. On a mossy ground, moulded foliate and beaded decoration encircles the lower body, acanthus capped scroll handles, gilt trims. Green mark c.1905. Shape 268/10.38. H.120mm D.110mm

turquoise glazed with subtle riven surface effect. Impressed factory marks and 2555. H.260mm $240-260 709

A Pair Austrian Ceramic Female Figurines,

in Art Nouveau style; speller and bronze painted, one holds a bird in her hands, the other a rose. Impressed pattern numbers. Finger re-glued H.294mm

717

$600-800 see illustration 710

A Royal Worcester Two Handled Vase of Squat Baluster Fonn,

A Large Royal Copenhagen Group Figurine,

of two naked lovers; he with his bound wrists tied to a rock, she emerging from the sea to receive a kiss. Pattern number 1132; impressed initials MN. W.300mm H.465mm

n4 Al ai1 g SIii

$1 125

$375-450 see illustration

A Royal Worcester Ewer,

shape 1004, the body surface and shaped neck hand painted with a butterfly and blossom boughs on an ivory ground, applied moulded and gilded handle to the indented sidewall. Green mark with registered number 29115. Also painted "Tess" Xmas 1890. H.135mm

121

Tl\l

J $1

$1200-1500 71 1

A Royal Worcester Vase,

shape 858, c.1905-1906; moulded bent bamboo cane form , the surface decorated with embossed bamboo leaves below a curved 'cane ' shaped handle. Painted in pale matt green on a matt salmon ground, trimmed in gilt. Puce marks. H.118mm 0.60mm L.210mm

signed Roberts (1944-85), shape G461 , painted with plums and grapes on a mossy ground a grape vignette to the rear, gilded trims. Black mark. H.105mm 0.60mm $300-400 see illustration 712

713

A Royal Worcester Bamboo Basket Vase,

$200-300 see illustration

A Royal Worcester Highland Cattle Vase,

signed Edward Townsend, shape G42, of tall tapering cylindrical form , raised on four scroll feet below acanthus moulded designs, pierced and gilded neck decoration, the body painted with a cattle grouping on the heath in muted bluish tones on a white ground, the rear painted with a landscape vignette. Black mark. H.225mm 0.85mm

719

$1900-2250 see illustration

720

$800- 1000 721

722

A Royal Worcester Japan Inspired Vase,

$160-225 see illustration

"ii :lei

$11 129 Al

ell i:r

$11

130 Al

circular with gilt serpentine rim , painted to the centre with a fuchsia throated orchid on a backaround of various small ferns. Signed. Entitled illegibly verso .... Hybrida Factory backstamps. 0.240mm

$200-275 see illustration

spherical form with a short tapering neck and applied handles either side of the shoulder raised on three spherical feet, all finished in gilt the main body surface decorated with Japanese motifs including black maple leaves, russet bamboo cane section, of diaper patterns on a white ground. Aqua mark 1877. H.85mm

rn Al

A Royal Doulton Plate Painted by David Dewsberry,

$800-100

715

S!i

A Royal Doulton Plate Painted by David Dewsberry,

A Royal Worcester Small Dish,

signed L. Maybury; painted apples and black cherries on a mossy ground; gilded trim. H.18mm 0.115mm

circular gilt serpentine rimmed painted to the centre with cattleya mendelii orchids issuing between maiden hair ferns. Signed entitled verso, factory stamped. 0.230mm

$1000-1400 see illustration 714

pal

with embossed serpentine border rim , decorated with gilded flower sprays encircling a pair of delicately painted Braize Fishes, on an ivory ground. Puce mark and Rd. No.184626. 0.225mm

A Royal Worcester Highland Cattle Pot Pourri,

black mark signed ETownsend (Edward), shape H169A, ovoid with gilded flared foot and neck, the front shows a scene of a pair of highland cattle at waters edge in a mountain landscape, the rear a landscape vignette, neck shoulder and lower body decorated with moulded and gilded designs. Pierced cover with finial. H.160mm 0.85mm

m Al

A Royal Doulton Cabinet Plate painted by S Wilson,

$500-650

$11 131

Cl! A Royal Doulton Plate Painted by David Dewsberry,

art

circular with gilt serpenti1e rim, painted to the centre with a stem of white moth orchids on a background of its large leaves and small leaf fernery. Entitled verso: Phalaenopsis Grande. Signed . Factory backstamps. 0.240mm

$800-1000 723

Al llll

$150-225 see illustration 718

A Belleck Sugar Basin,

$11

13! Al ,: ~

Si:'

moulded fluted walls. Sepia mark. H.50mm 0.98mm

I,,~

$60-80

$11

133 AP ~

1 62

DECORATIVE ARTS

S1, see

1luster 724

A Poland China Cup and Two Saucers,

apple blossom decoration on apple green ground; together with a gilded cup and saucer on green ground with another matching smaller cup.

ItedWith Jnd,

Jrlxxly, 1905.

734

A Plichta Piglet,

painted with shamrock leaves; base stamped Plichta. H.62mm L.11Omm $125-200

$75-125

see illustration 725

inted applied ,nmark : 1890.

irm,lhe l curved att .60mm

A Wemyss Cat by Plichta,

a slipware model of a seated cat, applied glass eyes; the body decorated with sprigs of red flowering clover, c.193Os. Base printed green script England mark with incised "11" and "7". H.255mm

735

spherical form, painted with red cherries and green foliage; black and lemon detail. The lid finial modelled as a stylized cherry. Green script mark. Hairline on lid surface. 0.95mm $100-150

$1500-2000 726

727

A Wemyss Piglet Pomander by Plichta,

A Wemyss by Plichta Preserve Pot and Cover,

736

A Wemyss by Plichta Sugar Bowl,

painted with red flow8ring clover sprigs. Base green script. Plichta marks. A small manufacturing ear chip glazed over. H.122mm L225mm

painted with three yellow chickens and green grass; the rim trimmed in green. Base script marks. Some exterior staining. H.5Omm 0.90mm

$1000-1500

$50-100

A Plichta Pig Figurine,

737

A Lomond/Lamont Preserve Pot and Cover,

of cylindrical shape and decorated in the style of Wemyss; strawberries and green foliage with green rim trims. The lid finial of a modelled and applied sprig of strawberry fruits and leaves. Unmarked. Minor exterior staining. H.1OOmm 0.95mm

painted with shamrock leaves. Plichta London backstamp, with Eunice Chick Gift Shoppe foil sticker. H.13Omm L.225mm $400-550

see illustration

$40-80 728

A Wemyss Muffin Dish and Cover by Plichta,

the lid painted with a sprig of three strawberries, the green foliage detailed in lemon and black. Green trim decorates the base rim. Green script base marks. H.?Omm 0.126mm

n, led Rshes '5mm

738

painted to the well with a view of Langelinie Harbour and the statue of the Little Mermaid. 0.215mm $120-140

$150-225 729

A Wemyss Muffin Dish and Cover by Plichta,

739

cattleya ed

$200-240

$150-225 740 730

A Wemyss Honey Pot and Cover,

1a fems imps.

$150-225 731

ry,

$160-180 741

$300-340 742

$100-160 732

A Clarice Cliff Bizarre Jug of Crown Shape,

decorated in the rare Red Flower design; a flower with geometric leaves and stems running behind and through ii, c.193O. Crack in handle base. Minor flecks of paint loss. H.88mm

A Wemyss Preserve Pot and Cover by Plichta,

of spherical form, painted with purple brambles and autumn leaves, purple brambles and autumn leaves; purple glazed spherical lid finial. Green script mark. Crack in the pot wall. Lid frits. H.115mm 0.95mm

A Clarice Cliff Spill Vase,

My Garden pattern. Celadon glaze with polychrome enamelling to the moulded flowers at the base. H.23Omm

AWemyss Plichta Preserve Pot and Cover,

cylindrical form, painted with cherries and green foliage; black and lemon detail, the lid rim trimmed in green. Green script mark. H.?Omm 0.52mm

A Clarice Cliff Delecia Salad Bowl,

squat circular form decorated in bright rainbow dribbles. Silver plate rim collar. H.84mm 0.210mm

cylindrical, painted with a bee-skep (beehive made of straw), the lid decorated with encircling bees, the rim trimmed in green. Impressed obscure marks. Early 19OO's. H.11Omm 0.94mm

-y,

1astem :and gned

A Porcelain Shallow Dish,

with puce border incorporating a crowned monogram. Hairline at rim. 0.235mm

the lid painted with orange fruit and green foliage. Details of lemon and black, the circular dish trimmed in green. Base green script marks. H.?Omm 0.126mm

-y,

A Royal Copenhagen Porcelain Dish,

$400-500

ORIENTAL ARTS

$100-150 743 733

A Plichta Piglet,

A Chinese Porcelain Charger,

painted with green shamrock leaves. Base marked Plichta. H.62mm L.110mm

polychrome painted flowers and lantern panels, encircling diaper border and leaves painted in the well. Dia.3O5mm; together with a small Chinese plate, similarly decorated to the above. Dia.82mm

$125-200

$150-225

see illustration

DECORATIVE ARTS

163

744

A Pair of Small Japanese Blue and White Baluster Vases,

755

A Chinese Kuan-Type Glazed Vase,

164

dragon handles; hexagonal section, grey-blue ground. Ex-Denys Hadfield Collection, Christchurch pottery; purchased on visits to China/Asia 1970's/80's. H.380mm

each decorated with two male figures in a landscape. Base marks. Neck and rim cracks to one. H.190mm $200-275

!4 ~

$300-400 745

A Chinese Porcelain Bowl,

1930 copy Oing long mark; the exterior and interior curved walls fully decorated with enamelled Buddhist lions and symbols; the well painted with a dragon, all on yellow enamelled ground and bordered with stylised flowers and symbols on red ground. H.67mm $100-120 746

756

;a $9

$80-120 757

the rim encircled with painted and enamelled panels of bird, foliate and butterflies; the well decorated with flowers and butterflies. Rim Chip H.45mm 0.212mm

747

165

typical red bodied with raised entwined leaf decoration. L.180mm H.110mm

A Chinese Tongzhi Export Bowl,

$50-80

A Melon Shaped Chinese Yixing Tea Pot,

758

A Chinese Carved Rose Quartz Lidded Jar,

116

of oval section; dogs chasing balls amongst the clouds. Carved dog finial; the jar sitting on a carved and pierced rosewood stand. AF Lid stuck to the base W.180mm H.335mm

all

$750-900

A Japanese Bone Carved Scabbard/Hilted Sword,

'.i)

7il Al

the bone sections carved in sunken low relief of Japanese figures in interiors, costume, facial and foliate details in scrimshaw, black and plum inks; steel blade. Collected Formosa, c.1912. 0.41 mm L.848mm

A Tang Dynasty Style Pottery Horse Figure,

Sancai glazes; collected by Denys Hadfield, Christchurch pottery; purchased on visits to China/Asia 1970's/80's. H.750mm L465mm

$700-950

!4 118 Al

$500-600 759 748

A Carved Jade Tablet or Plaque

A Jade Iconic Carving,

possibly Dagen Zenji the Buddhist Zen teacher. The figure stands with an image of the Buddha raised in his right hand; at his feet two karako, one with hands together in prayer the other with an alms bowl. The Buddha image head broken off. Signed on red inlaid tablet under base. H.315mm

with drilled suspension hole. W.40mm L.80mm

$900-1100

W.45mm L.72mm $40-80 749

$100-150 750

$400-600 see illustration

she holding a Peony rose in her left hand, on carved wooden stand. Height includes stand. H.162mm

752

A Carved Wooden Saint Figure of Madonna with Child,

child held in her left hand; gesso painted. Floral decorated garments, her face with glass eyes, painted eye details to the child. H.410mm

A Bowenite Carved Figurine of a Lady,

$60-80

761

A Wooden Hand Carved Figure of a Saint,

A Carved Jade Dragon Plaque or Tablet on Wooden Stand,

clean faced with glass eyes, painted cross falling to the waist; foliate painted black robe over white garments. Hemispherical base. Some wood/paint distress at the rear. H.455mm

fret worked pair of dragons, one above the other. Plaque height 50mm H.95mm including stand W.40mm

$400-600 see illustration

$40-80 762 753

A Carved Jade Figurine of a Lady,

$400-600 see illustration

$100-150

A Rose Quartz Carved Female Figurine,

in a dancing pose, on a wooden stand. Crack in lower torso. H.138mm $80-120

164

A Wooden Hand Carved Saint Figure,

gesso painted floral robes in muted olive-brown and black with green trims; bearded face with glass eyes. Traces of gilding , supported on an octagonal base. Minor hand damage. H.385mm

holding a large Peony rose, supported on a carved and fret worked wooden stand. Measurement includes stand. H.195mm

754

119

$4( 760

$50-70 751

$4(

RELIGIOUS FIGURES AND ICONS

A Carved Amethyst happy Buddha Figure,

supported on carved wooden stand. H.52mm L.80mm

A Good Japanese Carved Ivory Figure,

763

A Hand Carved Wooden Saint Figure,

gesso painted; moulded floral garment decorations. Yellow bordered black robe; he holding a book in his left hand. Bearded face with glass eyes. H.425mm $400-600 see illustration

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DECORATIVE AWS

~50

Denys sitsto

.180mm

764

765

A Carved Wood and Gesso Moulded Religious Figure,

774

with a floral patterned robe, on an octagonal base, distressed finish, the black bearded face with glass eyes. H.475mm

Lawrence & Bullen, London 1919. 'The Age of Walnut'; 'The Age of Mahogany'; 'The Age of Satinwood'. Colour illustrations.

$400-600 see illustration

$150-250

A Large Wooden and Composite Figure of Madonna,

gesso painted orange gown under a pale blue robe; both with red borders. Some paint re-touching. H.1125mm

CLOCKS 775

766

A Dresden Three Piece Clock Garniture,

the clock with an enamelled dial displaying Arabic and Roman numerals in blue, bell striking 8-day movement. H.39Dmm A pair of three branched candelabra to complete the set, H.495mm. The porcelain garniture elaborately decorated with modelled cupid figures, applied rambling roses, painted in pastel colours; gilt trims. Impressed Germany, blue mark. Some restoration.

$900-1200

:arved Jdstand.

Macquoid P 'A History of English Furniture' 3 vols.,

A Hand Carved Wooden Saint Figure,

gesso painted white garment edged in faded red, black and yellow bordered robe; he holding a book in his left hand; a saintly ring about his head. Some minor paint distress. H.420mm

$4000-5000

$400-600 776 767

efigures 1w,black 1.41mm

A Hand Carved Wood and Gesso Saint Figure,

the clock with an enamelled dial; signed Nicaud Fab a Toulouse with both blue Roman and arabic numerals; the gilt metal case cast overall with diaper and scroll work, garlands a covered urn surmount. Bell-striking 8-day movement. H.520mm

Saint Paul; with painted ornately decorated robes, traces of gilt, his face with a painted brown beard and glass eyes. H.48Dmm $400-600 768

islands hisfeet Nithan nred

$4000-5000 see illustration

A Hand Carved Wooden Saint Figure,

gesso painted; the garments decorated with moulded flowers, he holding a book in his left hand; raised on octagonal plinth. Some minor age stress cracks. H.470mm

777

A Wooden hand Carved Gesso Painted Saint Figure,

his right hand bearing a palm leaf; yellow bordered black robe over white garments; a clean shaven face with glass eyes. Some minor distress. H.410mm $400-600

Child,

770

:d ithe

$3200-4000 see illustration 778

oil on board; Christ in Benediction. 265 x 310mm

$140-200 779

A 19th Century Cretan Icon,

$1500-2000 see illustration

BOOKS 772

;kwilh ing. 1.385mm

773 JW

Bearded

A Gennan Alann Clock,

in the form of an oversize pocket watch; brass cased, printed dial with Deutches Reich Patent marks; Roman numerals; subsidiary alarm dial at XII, blued steel hands. The back opening with easel support arm to stand upright. Repair at lever wind knob on top. 0.140mm

gesso painted; Jesus with two saints and three disciples including a woman which could be Mary, within a vine relief painted gesso frame. Some minor pigment flakes. W.308mm H.440mm

mist: erical

An Oak Cased Bracket Mantel Clock,

decorated with gilded mounts; not tested, with key. Bevelled glass pendulum window; raised on four wood bun feet. W.210mm H.312mm 0.115mm

A Russian 19th Century Icon,

$600-900 see illustration 771

An English Mahogany Bracket Clock,

the painted convex dial with Roman numerals and inscribed Russell London, strike/silent lever above, bell - striking, pull repeat, the movement marked Rufselle London, open brass fish scale side plate, on brass ball feet, c.1820. W.285mm H.42Dmm 0.167mm

$400-600 769

A French Onnolu Mantel Clock,

$120-160 780

A Brass on Satinwood Veneer Bracket Mantel Clock,

not tested; with brass carry handle, 19th Century. W.185mm H.232mm 0.95mm

Mulliner H H 'The Decorative Arts in England During the Late 17th & 18th Centuries',

$100-175

Batsford, London 1923; an overview represenating examples of various decorative items produced in England during this period; illustrated.

DECORATOR'S ITEMS, FURNITURE, RUGS

$100-150

781

Macquiod P & Edwards R 'The Dictionary of English Furniture' 3 vols.,

Hudson & Kearns, London 1927. A Dictionary of English Furniture from the Middle Ages to the Late Georgian Period. $150-250

A Pair French Wall Mirrors with Candle Brackets,

of oblong form, each bevelled mirror mounted into an ornate embossed co-joined leaf scroll and mask plaque, mask decorated; two projecting arms each to hold a candle, gilded brass. Metal split in one plaque. W.262mm H.45Dmm $550-700 see illustration lE (,ORATIVE ARTS

165

1!8

782

783

A Small Basket Chandelier,

790

brass framed with attached floral garlands and lustre beads fixed into the basket 'weave'. Requiring some restoration. H.590mm

with carved pediment above two glazed doors and two panelled doors. Veneered in figured fruitwood.

$750-900

$1200-2200

A Pair of French Ormolu Five Branch Candelabra,

791

$200-300 see illustration

$500-800 A Carved Wooden Oblong Foot Stool,

792

with two half width drawers above three full width drawers of graduated depths. Raised on bun feet. 19thC. W.970mm, H.1000mm

$100-150 see illustration

$1200-1800

A Needle-Worked Covered Mahogany Oval Foot Stool,

A Pair of Decorative George II Style Dining Chairs,

12!

ei.

H~ 111 all IP lab

$800-1000 see illustration

$120-180 A Pair of Rustic Garden Urns,

1!! Al

decorated with chinoiserie lacquers on a black ground to the broad splat. Overstuffed upholstered seat; raised on cabriole legs.

on four wood bun feet. 19th Century with later cover. W.270mm H.105mm L.380mm

786

A 17th Century Style Fielded Panelled Chest of Drawers,

with six acanthus and scroll legs; woolen needlework covered (distressed), straw filling, c.1900 W.235mm H.165mm L.460mm

793 785

A Mahogany Bedside Cabinet,

Ill

gallery back and sides; small drawer above a cupboard; tapering legs. AF Front leg broken. W.350mm H.780mm 0.345mm

raised on triangular plinths set on ram horned mask supports, below three mermaids supporting the ornately decorated column. One nozzle insert absent. H.465mm

784

A Cabinet in Bedermeier Manner

794

An Oak Small Proportioned Oak Refectory Table,

modelled as tree trunks. Australian, attributed to Bendigo Pottery, circa 1900. Restorations to rims. H.900mm

with gun barrel legs united by square section stretchers. W.550mm L.1830mm

$1000-1500

$1600-2200 795

$300-400 A Black Lacquered Chinoiserie Patterned Corner Cabinet,

wall hanging; decorated with figure and birds in a landscape; green painted shaped shelves to the interior. H.920mm $1600-1800 797

.ii A~

A Wrought Iron Based Occasional Table,

with oblong steel top.

796

112

132 Ill Alli

12~ all Afil

A Fine Victorian Mahogany Framed Fire screen,

with wool worked tapestry panel of a cavalier spaniel seated on a cushion in arched glazed frame , supported on turned arms from a stretcher base. W.740mm H.1060mm

.~ llli

$1000-1250 1111

787

An Elegantly Turned and Spirally Fluted Tochere, c.1800

possibly Continental, fruitwood. With baluster and annular sections raised from a fluted foot and cavetto, ringed turned base. H.930mm $800-1200 see illustration 788

A Continental Parquetry Bedside Cabinet,

ormolu mounts and sabot feet, cabriole legs, two floral marquetry veneered drawers above another with conforming parquetry. $500-800 see illustration 789

An Edwardian Mahogany Oval Work Table,

the hinged lid over a simple apron raised on slender tapering legs, united by a stretcher, and enclosing a suspended fabric work well. $300-500

166

DECORATIVE ARTS

I 16o ,,.j 1C' ~

""~-

798

Ielled

A Three Piece Louis XVI Style Salon Suite,

comprising a two seater canape and pair of bergeres. The frames gilded and carved with foliate designs. Raised on cabriole legs. $2500-3000 799

pertng

A 1\No Piece Louis XVI Style Salon Suite,

comprising a canape and bergere with double, hand woven; caned backs and in-filled arms. Gilded, carved framed. $2500-3000

1wers,

800

A 19th Century Mahogany Bow Front Hanging Comer Cupboard,

with two doors inlaid with boxwood; enclosing three shelves. H.965mm 0.515mm

000mm

$1100-1300 801

e 1le legs.

A Practical and Attractive Georgian Extension Dining Table,

with patent scissor action extension. In deep brown Cuban mahogany; the table with small drop ends fold down to a small 59 x 109cm size; when opened extends to a generous 240 x 109cm to seat eight to ten. The concertina action conveniently moves the centre supports inwards allowing diners unobstructed legroom. $12000-13000 802

A Georgian Walnut Lowboy,

cross banded top above three frieze drawers furnished with brass handles. Turned legs joined by flattened stretchers, raised on bun feet. W.485mm H.730mm L.965mm $3200-3400 803

An Iranian Hamadan Region Village Rug,

decorated with a central stylized medallion on a floral field with old brick red ground. W.150cm L.250cm pe;

$200-250 804

A Fine Old lsphahan Carpet,

with densely knotted wool pile, hand knotted on silk weft and warp. Decorated with a sixteen pointed foliate central medallion and a field of islimi tendrils on an old ivory ground. All framed by five narrow and one broad border with various floral motifs and medallions. W.213mm L.230mm

edona sfrom a

$17000-20000 805

A Good Old Iranian Saruk Carpet,

hand knotted wool pile on cotton weft and warp; decorated with a profusion of floral sprays on a terracotta ground, and bordered by a broad band framed by smaller guards. W.270mm L.360mm $12000-15000

DECORATIVE ARTS

167

l~~r)

INDEX OF ARTISTS Albrecht, Gretchen Angus, Rita Atcherley, Henry Baker, William George Bambury, Stephen Beadle, Peter Bensemann, Leo Binney, Don Brangwyn , Frank Brown, Nigel Bullmore, Edward Chevalier, Nicholas Chilcott, Gavin Clairmont, Philip Cotton, Shane

Dawson, Neil De Lautour, Tony Drysdale, Russell Ellis, Robert Esplin, Tom

Fomison , Tony Frank, Dale Fraser, Jacqueline Frazer, Neil Frizzell, Dick Gopas, Rudolph Hammond, Bill Hanly, Pat Harris, Jeffrey Henderson , Louise Hight, Michael Hockney, David Hodgkins, Frances Hodgkins, William Matthew Holmwood, John Honour, W. Basil Hotere, Ralph

Hoyte, John Barr Clarke Illingworth, Michael Kaan, Simon Killeen , Richard Kinder, Reverend John Knight, A Roland Lee-Johnson, Eric Lhote, Andre

168 CATALOGUE INFORMATION

342, 343, 344, 374 396, 419, 450, 471 , 472 325, 406 432 467 353 430 439,440 405 488 308 385 438 463 355, 388, 456 338,349, 357, 363 375 314 489 476 369, 412 322 362 315 324 302, 305, 321 , 395, 464 411 376 303,337,366, 378,413 319,428, 429,435,460 345,351 , 391,407 309 494, 495, 496 384, 386, 393, 394 455 360 334 329 - 332, 339, 356, 358 365, 377, 381, 398 - 400, 402 417, 421, 423 - 426, 446, 479 473 361 318, 340 352, 458 335, 461 484, 485, 486 367,368 483

Lusk, Doris

382, 392, 466

Maddox, Allen Madill, Kathryn Maughan , Karl McCahon, Colin McCracken, Frances McFarlane, Mary McIntyre, Peter McIntyre, Raymond McIntyre , Simon McLeod, Andrew McWhannell , Richard

320, 328 316 326 350, 387, 442 453, 470 398, 399, 479 403, 431 , 462 364 312, 416 346 310,478

Noble, Anne

443

O'Brien, George

469

Page, Evelyn Palmer, Stanley Pardington , Fiona Parker, John Shotton Pick, Seraphine Pule, John Robinson , Peter Romain de Tirtoff, Erte Sanderson, Robert Scarborough, F.W Scott, Ian Scott, James F Smither, Michael Spohler, Jan Jacob Stoddart, Margaret Taylor, E. Mervyn Te Waru-Rewiri , Kura Thompson , Sydney Lough Tibbo, Teuane Tole , Charles Trusttum, Philip

Van Den Eijkel , Leon Van Der Velden, Petrus Walsh, John Walters, Gordon Westra, Ans White, A Lois White, Robin Wilkinson, Brendon Williams, Mervyn Wilson, Tim Woollaston, Toss

Younghusband , Adele

410 31 3 465 327 401 , 408, 444 323 347, 348, 359, 420, 441 491 , 492, 493 487 482 333 373 418, 474 480, 481 437, 475 300, 301 , 306, 307 427 379 317 341 , 397 354, 433, 434, 447

Nil!Chl Gn /ili~q~ 1~eie1 5aia ~

aamoo~.

~eDfe

-f

Ber.emaM ~rllj,OJ;

iroWIIN!~ irnlmMe[(

1!1~~

~m:,n foollOll~ fral1Uiae

fraw,~ frazer,'. fmz~I J

lmmood 8 11an~.1o: 11.rris~fue

H e~rronl ffijn[l' if

Hoc!ne1Ja. fk,ji!MIS~ ilxg,jns' l~oc(i' ~ ~

451 468

~::ere:-

370, 371 336 477 380 41 5, 448, 452 445 422 436 311 , 383, 389, 390, 404 , 409, 454, 457

lilgwooh

304, 372, 414, 459

Hcr,te

~1!!11 =:c.

~l!fO, .

lee-M-ior, lilJte .,.,

UIS()r 11.doox ,,..

INDEX OF ARTISTS DATES

28 16 26 42 70 79 62 64 16 46 78 43

Albrecht, Gretchen Angus, Rita Atcherley, Henry Baker, William George Bambury, Stephen Beadle, Peter Bensemann, Leo Binney, Don Brangwyn , Frank Brown , Nigel Bullmore, Edward Chevalier, Nicholas Chilcott, Gavin Clairmont, Philip Cotton, Shane

b. b.

b. b. b. b.

1943 1908-1970 1901

(NZ) (NZ) (NZ)

1864-1929 1951 1933 1912-1986 1940 1867-1956 1949 1933-1978

(NZ) (NZ) (NZ) (NZ) (NZ) (GB) (NZ) (NZ)

1828 -1902 1950 1949-1984 1964

(R) (NZ) (NZ) (NZ)

b. b. b.

1951 1964 1919-1987 1879-1959 1960 1910-1995 1879-1933 1955 1976 1952

(NZ) (NZ) (NZ) (E) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ)

1954

(NZ)

1821 -1888

(E)

1899-1988 1936 1961 1944 1969 1962

(NZ) (NZ) (NZ) (NZ) (NZ) (NZ)

Madill , Kathryn Maughan, Karl McGahan, Colin McCracken, Frances Mcfarlane, Mary McIntyre, Peter McIntyre, Raymond McIntyre, Simon McLeod , Andrew McWhannell , Richard

b. b.

Noble, Anne

O'Brien, George

10 13 65 27 44 23

Dawson , Neil De Lautour, Tony Drysdale, Russell

b. b.

1948 1965 1950-1981

(NZ) (NZ) (A)

Page, Evelyn Palmer, Stanley Pardington , Fiona Parker, John Shotton Pick, Seraphine Pule, John

Ellis, Robert Esplin , Tom

b. b.

1929 1915

(NZ) (NZ)

Robinson , Peter Romain de Tirtoff, Erte

1965 1892-1990

(NZ) (R)

41 93

Fomison , Tony Frank, Dale Fraser, Jacqueline Frazer, Neil Frizzell, Dick

b. b. b. b.

1939-1990 1959 1956 1961 1943

(NZ) (A) (NZ) (A) (NZ)

Scott, Ian Smither, Michael Spohler, Jan Jacob Stoddart, Margaret

b. b.

1945 1939 1811-1866 1865-1934

(NZ) (NZ) (E) (NZ)

1917-1983

(NZ)

1906-1964 1950 1877-1973 1892-1984 1903-1988 1940

(NZ) (NZ) (NZ) (NZ) (NZ) (NZ)

87 82 J3 ,73 74 81 -75 :07 27 :79 117 197 147 151 168

Gopas, Rudolph

1947 1932-2004 b. 1949 1902-1994 1961 b. 1937 b. 1869-1947 1833 - 1898 1910-1987 1897-1988 1931 b. 1835-1913

(NZ) (NZ) (NZ) (NZ) (NZ) (GB) (NZ) (GB) (NZ) (NZ) (NZ) (NZ)

1932-1988

(NZ)

1971 1946 1819-1903 19th Century

(NZ) (NZ) (NZ) (GB)

Lee-Johnson , Eric Lhote, Andre Lusk, Doris

1908-1994 1855-1962 1916-1990

(NZ) (E) (NZ)

Maddox, Allen

1948-2000

(NZ)

Hammond, Bill Hanly, Pat Harris, Jeffrey Henderson, Louise Hight, Michael Hockney, David Hodgkins, Frances Hodgkins, William Matthew Holmwood, John Honour, W. Basil Hotere, Ralph Hoyte , John Barr Clarke

Illingworth, Michael l71 l36

177 l80 152 145 122 136 :90, 457

Kaan, Simon Killeen, Richard Kinder, Reverend John Knight, A Roland

b. b.

Taylor, E. Mervyn Te Waru-Rewiri , Kura Thompson, Sydney Lough Tibbo, Teuane Tole, Charles Trusttum , Philip

b. b. b. b. b.

Van Den Eijkel , Leon Van Der Velden , Petrus

1940 1837-1913

(NZ) (E)

Walsh, John Walters, Gordon Westra .Ans White, A. Lois White, Robin Wilkinson, Brendon Williams, Mervyn Wilson , Tim Woollaston , Toss

1954 1919-1995 1936 1903-1984 1946 1974 1940 1954 1910-1998

(NZ) (NZ) (E) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ

1878-1969

(NZ)

Younghusband, Adele

b. b. b. b. b.

Abbreviations: A E GB R

Australia Europe Great Britain Russia

459

CATALOGUE INFORMATION

169

A GUIDE FOR BUYERS Webb's have set out the following information for the benefit of first time buyers and those who are unfamiliar with auction procedures. Important note: Please refer to full conditions of sale for buyers printed in the reverse of this catalogue and displayed in the saleroom. Registration

All intending buyers must complete a bidding form available from the reception desk Buying at Auction 1. Floor Bidders

Ensure that you have registered and obtained a buyer number before bidding on the lot or lots you have chosen Be aware that a buyer's premium of 10%+GST on the premium, a total of 11.25% , is payable by all buyers in addition lo the hammer price. Al some sales the amount of the buyers' premium may be more or less than 10%. Please make sure that you are aware of the amount of the buyer's premium. Make your bids clear, preferably by holding up your buyer number card. If you make a mistake e.g. the auctioneer lakes a bid from you al a higher level than you had intended, or you realise that you had bid on the wrong lot, call out lo the auctioneer immediately so lhal the bidding can be adjusted. Wailing until after the hammer fal Is is too late. If your bid is the highest and the lot is knocked down lo you then you have entered a binding obligation to pay for that lot. 2. Sales Subject to Vendor's Consent

Where your bid is the highest, but still below the reserve, the Auctioneer may declare you to be the "buyer subject lo Vendor's consent". This means that your bid is held as binding and will be communicated lo the Vendor al the earliest opportunity. If the vendor accepts then there is a contractual obligation for you lo pay for the lot. If the vendor does not accept, you are released from any obligation, however you will have first right lo negotiate with the vendor through Webb's until an agreement is reached, and Webb's will not present other offers lo the vendor until your negotiations are ended.

In the absence of a reserve the Auctioneer may exercise your bid in advance of any opening bid or may open the bidding on your behalf at the Auctioneers estimate, at the Auctioneer's sole discretion. Telephone Bids

The same conditions as above apply to telephone bidders. Webb's will telephone the number you have given several minutes before the lot you have request comes up for sale. If your phone is engaged or we are unable lo make contact the auction will proceed without your bidding Our staff will ask you lo hold when we have made contact. They will then tell you that your lot is about to come up. The bids will be relayed lo you and you can enter the bidding at any time by making your call. Please note that the bidding al many auctions can be fast and furious. The auctioneer will not favour a phone bidder over and above buyers who are attending the auction by giving them more time to bid. You will need to establish your limit and make sure that you bid clearly and promptly. Telephone bids are only accepted for catalogued sales and on items with estimates over $500.

ia!H~

Pre-Sale Estimates

Estimates printed in the catalogue or given verbally are intended as a guide only and can be subject to revision nearer to the time of a sale. Webb's staff are available during pre-sale viewing times and by appointment to assist prospective bidders with estimates and any aspect of the auction procedure. Condition Reports

Webb's staff will provide condition reports for out of Auckland buyers. However, please note that no 6 in the Conditions of Sale for Buyers will still apply despite the obtaining of a condition report. IAAAIIGEMI

Payment

Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted.

n-:1l

·,·,.:im1

3. Absentee Bids

Webb's will endeavour to ensure that your bidding instructions are executed, but accept no responsibility or liability for failure to do so. Lois will be bought as favourably as is allowed by bidding in the sale room and any reserve imposed by the vendor. Please note that Webb's cannot guarantee that another bidder will not be successful at your limit if, in the course of competitive bidding, someone else bids your limit first. Absentee bids are accepted by written instruction which can be sent by fax (e-mailed absentee bids are not accepted) up lo I hour before the commencement of the sale. Absentee bids will be executed on the following basis: If your bid limit is equal to or above a reserve, the Auctioneer may open the bidding at reserve on your behalf and will bid thereafter only in response to competition for the lot. If your bid limit is below a reserve, the Auctioneer may open the bidding at your limit and if there are no further bids in the room may sell to you "subject to vendor's consent".

Packing and Freight

Webb's do not pack goods in house. However, we will arrange for your items lo be packed, insured and shipped by a professional agent. All costs associated with packing and freight are payable by the purchaser. Valuation Service

Sb!et1

Webb's provide free market appraisals on Monday mornings from 9am-1 pm or at other times by appointment. Webb's appraisers will come to your home to view and appraise larger items. Webb's will provide valuations for insurance, matrimonial division, family division etc. Please enquire at reception for charges. Valuation charges are refundable on occasion when goods are subsequently offered for sale within a reasonable period.

170

CATALOGUE INFORMATION

BIDDING SLIP

l0lany llimale.

FORABSENTEE BIDDERS ON LOTS IN WEBB'S SALE NO. 270 27-30 JUNE 2005 BUYER NO.

Please bid on my behalf at the above sale for the following lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids, or reserves if any.

* I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successful bid, on items in sale 264, a buyers premium of

'111£ lol

lablelo

ten percent will be added to the hammer price and that G.S.T is charged on the premium. I understand that in the case of a successful bid, on items in the McClenaghan Collection Sale, a buyers premium of twelve and a half percent will be added to the hammer price and that G.S.T is charged on the premium. On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb's carry out at no charge.

lellyou

Lot No.

Catalogue Description

Lot No.

Bid*

lime by JS.The

tending ,ur imil ;!imales

deonly vailable bidders

towever. despile ARRANGEMENTS FOR PAYMENT. I agree to pay immediately on receipt al notice lrom Webb's of my successlul bid. Payment will be by cash, cheque or bank transfer. I will arrange lor collection al my purchases or I agree to pay lor packing and freight costs incurred by Webb's in having any purchases lorwarded to me. In order to

illowing deposil 1cemusl musll:e

avoid delay in clearing purchases Buyers who are unknown lo us are advised to make arrangements lor payment before the sale or for references lo be supplied. II such arrangements are no! made cheques will be cleared belore purchases are delivered. ,-

Mr/Mrs/Ms

Initials

Home Ph.

Bus. Ph.

Surname/Company

Email address

Facsimile

Mobile

Postal Address:

ilemslo 1!edwllh Street Address:

moral

Contact Name:

, 10 view

Webb's will do its upmost to carry out bidding instructions for absentee bidders. II will not be responsible however, ii circumstances prevent it doing so. division ;equenllY

18 Manukau Rd, Newmarket PO Box 99251 , Auckland, New Zealand ph 09 524 6804 lax 09 524 7048 auctions@webbs.co.nz www.webbs.co.nz

SIGNED CATALOGUE INFORMATION

171

BANK ACCOUNT DETAILS - PAYMENT BY DEPOSIT Important: Fax this form to Webb's at +64 9 524 7048 so that payment can be confirmed and your purchases released.

r~l~t~

:',)RIJb ~

310

Buyer Number: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Sale Number: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Buyer Name:_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Balance owing for purchase/s: NZ$ _ _ _ _ _ _ _ _ _ __

450,

10, 315, -::! 2400,

...

1•1•

*Please include a sale number and buyer number as reference for direct credits to enable us to dispatch your items.

HOO,

WEBB'S BANK ACCOUNT FOR A DEPOSIT

,! !001

WESTPAC , 79 QUEEN ST, AUCKLAND Bank: Bank & Branch Number: 03 0104 Account Number: 0448184 00 PETER WEBB GALLERIES LIMITED Account Name: WPACNZ2W For international deposits, Swift Code:

: ·~ 2700,

•

J 0011

Amount transferred: NZ$ _ _ _ _ _ _ _ _ __ Date transferred: _ _ _ _ _ _ _ _ _ _ __ (including freight if applicable)

400 300,

••.•:

3.500

......

5511

...

iOO

::J3

500

:ffil

5511

425

:,s

5511

Jl 850

::i'l

Signed:

oOO

.. l,

CONFIDENTIALITY: The information contained in this facsimile is legally privileged and/or confidential. II you are not the addressee listed below you are notified that except as authorised agent to the addressee any use, disclosure, copying or distribution of any of the contents of this facsimile by you is prohibited. Recipients other than the addressee listed below are asked to notify us immediately and return the original facsimile to us.

FREIGHT DISCLAIMER Please sign and return by fax or post with payment. Once received, your goods will be dispatched to you as arranged with the relevant department.

i. 1.300

00l1 i.!00

~1A 2.000

JOO

~!8

3((

.\I~ ..

40C

)]53 5.00: ))14

41!

Xi9 3.2~

ml 2.~ Name

::t-!

!ll

::ii 100:

Address-------------------------------------------

:m 5~

The following goods are to be despatched to me from Webb's.

OCII

OC!8

Catalogue Description

Lot No.

Catalogue Description

:009 1.411

:'.'I 3.00 ::w

2~ 17 OC!1 1.00 l:14 1.20 Xi1

::ii li0

Xii 3.:-0 I understand and accept that Webb's has no responsibility for these goods whilst they are in transit and they are not covered by Webb's insurance once they leave Webb's premises. I have made my own arrangements regarding insurance for these goods I do not hold Webb's or its staff liable for any loss or damage that may occur in transit. signed _ _ _ _ _ _ _ _ _ _ _ _ _ __ Note: Webb's suggest that you do not sign for received packages without first opening the package in front of the deliverer and establishing that the contents are in good condition. Failure to do so may result in problems should you need to make a claim from your insurers.

172

CATALOGUE INFORMATION

18 Manukau Rd, Newmarket PO Box 99251, Auckland, New Zealand ph 09 524 6804 fax 09 524 7048 auctions@webbs.co.nz www.webbs.co.nz

j:Jg 2.20 [004

31 orn1 45 u1Q2 2.00

i:~ 1,1 ulOO I. 01W

Pl)

0110

4'.

0115

8,~

0116 1.7( u111 1.1( )118 0119

2i I.~

PRICES REALISED FINE ART, JEWELLERY & DECORATIVE ART SALES 268 5-7 APRIL 2005

iddressre

original

levant

ibb's ·ansil

'JU(

Lot

0001 0003 0006 0007 0009 0015 0018 0019 0022 0023 0025 0030 0031 0033 0034 0036 0037 0038 0039 0040 0042 0042A 0047 0048 0052 0053 0054 0059 0063 0064 0065 0066 0067 0068 0069 0071 0080 0081 0082 0084 0085 0087 0089 0094 0101 0102 0106 0108 0109 0110 0115 0116 0117

370.00 450.00 7000 375.00 2,400.00 4,000.00 1,400.00 2,700.00 400.00 300.00 3,500.00 550.00 700.00 500.00 550.00 425.00 550.00 850.00 600.00 1,300.00 1,800.00 2,000.00 500.00 300.00 400.00 5,000.00 475.00 3,250.00 2,600.00 900.00 1,000.00 525.00 250.00 225.00 1,400.00 3,000.00 250.00 175.00 1,000.00 1,200.00 1,700.00 3,500.00 2,200.00 320.00 450.00 2,000.00 1,100.00 1,600.00 800.00 450.00 8,500.00 1,700.00 1,100.00 275 .00 1,500.00

I 0118 0119

Lot

0125 5,000.00 0127 3,250.00 0128 4,000.00 0131 275.00 0132 450.00 2,750.00 0133 0134 1,400.00 0136 17,000.00 0139 2,500.00 0140 5,000.00 0143 4,500.00 0146A 7,000.00 0146C 8,500.00 0148 7,500.00 0149 325.00 0150 280.00 1,000.00 0156 0157 750.00 0160 300.00 0161 450.00 0163 1,300.00 0165 275.00 0166 2,750.00 0167 800.00 0173 750.00 0174 900.00 0177 425.00 700.00 0180 0181 750.00 0182 300.00 0185 2,000.00 0187 1,400.00 0190 1,900.00 0194 800.00 500.00 0195 0196 475.00 1,500.00 0203 0301 2,200.00 5,750.00 0303 2,500.00 0304 6,000.00 0305 4,500.00 0306 4,500.00 0307 8,250.00 0309 7,500.00 0310 0311 4,250.00 0312 4,250.00 2,800.00 0313 7,200.00 0314 6,000.00 0315 8,000.00 0316 2,100.00 0317 2,000.00 7,750.00 0319 I '''" 0320 15,500.00

Lot

0321 0322 0323 0324 0326 0329 0330 0331 0332 0333 0334 0335 0337 0338 0340 0341 0345 0346 0350 0351 0352 0353 0354 0355 0356 0357 0358 0359 0360 0361 0362 0363 0364 0365 0366 0368 0369 0370 0371 0372 0373 0374 0375 0376 0377 0378 0379 0380 0381 0382 0383 0384 0385 0386 0390

10,000.00 11 ,000.00 7,000.00 13,500.00 5,500.00 10,000.00 28,000.00 6,000.00 38,000.00 19,000.00 20,000.00 17,000.00 18,000.00 18,000.00 6,500.00 35 ,000.00 85,000.00 70,000.00 6,000.00 4,000.00 4,500.00 5,000.00 16,500.00 1,800.00 2,000.00 11 ,000.00 18,500.00 3,900.00 4,000.00 4,000.00 7,500.00 5,000.00 3,000.00 50,000.00 20,000.00 10,000.00 1,800.00 40,000.00 4,500.00 3,000.00 9,000.00 3,800.00 1,200.00 3,250.00 2,400.00 2,000.00 1,500.00 5,750.00 4,000.00 6,000.00 5,500.00 2,100.00 3,700.00 15,000.00 10,000.00

0391 0392 0394 0395 0396 0398 0399 0402 0403 0404 0405 0406 0408 0409 0411 0412 0415 0416 0418 0420 0424 0425 0428 0429 0430 0431 0432 0433 0434 0435 0436 0437 0438 0439 0440 0441 0443 0445 0446 0447 0449 0451 0452 0454 0455 0456 0457 0459 0460 0462 0463 0464 0465 0467 0468

s 6,000.00 7,000.00 10,000.00 2,500.00 2,600.00 1,000.00 3,000.00 5,500.00 1,800.00 2,500.00 3,500.00 1,000.00 1,000.00 1,500.00 4,500.00 14,500.00 10,000.00 15,500.00 10,500.00 37,000.00 20,000.00 60,000.00 40,000.00 28,000.00 30,000.00 30,000.00 20,000.00 28,000.00 12,000.00 8,000.00 90,000.00 160,000.00 125,000.00 170,000.00 100,000.00 32,000.00 130,000.00 60,000.00 6,000.00 6,000.00 5,000.00 25,000.00 14,000.00 19,000.00 12,000.00 10,500.00 7,500.00 6,000.00 6,000.00 50,000.00 22,000.00 12,000.00 15,500.00 14,000.00 1,600.00

Lot

0469 0470 0474 0475 0476 0477 0479 0480 0482 0484 0485 0486 0489 0490 0491 0492 0493 0494 0496 0499 0501 0502 0503 0507 0508 0509 0512 0520 0524 0526 0527 0532 0535 0536 0543 0544 0545 0546 0547 0548 0549 0550 0553 0554 0556 0557 0559 0560 0561 0563 0564 0565 0566 0600 0601

9,000.00 22,000.00 2,500.00 600.00 1,500.00 6,600.00 4,000.00 12,500.00 10,000.00 3,200.00 9,250.00 2,800.00 3,400.00 1,000.00 1,500.00 2,500.00 4,600.00 2,600.00 3,200.00 700.00 800.00 1,000.00 2,000.00 1,500.00 1,300.00 5,000.00 4,500.00 4,000.00 5,500.00 7,500.00 8,000.00 2,400.00 5,000.00 3,600.00 1,300.00 2,300.00 1,700.00 2,000.00 2,100.00 1,400.00 1,200.00 600.00 2,550.00 5,200.00 3,400.00 2,600.00 1,900.00 2,000.00 1,500.00 4,000.00 6,000.00 1,20000 8,000.00 5,400.00 275.00

0602 0603 0606 0607 0611 0613 0614 0617 0619 0621 0623 0627 0628 0629 0630 0631 0632 0633 0636 0638 0639 0640 0641 0642 0643 0645 0646 0647 0648 0649 0650 0651 0654 0656 0657 0659 0660 0661 0662 0666 0667 0668 0670 0671 0672A 0673 0674 0677 0678 0680 0681 0682 0683 0684 0685

260.00 7,200.00 160.00 2,700.00 1,000.00 1,000.00 600.00 350.00 1,350.00 1,500.00 1,000.00 1,000.00 1,000.00 3,100.00 2,100.00 1,600.00 950.00 300.00 150.00 6000 300.00 65.00 340.00 65.00 175.00 325.00 80.00 130.00 220.00 100.00 120.00 160.00 100.00 120.00 275.00 350.00 2,000.00 100.00 150.00 150.00 560.00 720.00 520.00 125.00 350.00 1,400.00 250.00 250.00 100.00 1,850.00 225.00 500.00 325.00 150.00 100.00

CATALOGUE INFORMATION

173

r~l[f

PRICES REALISED

~J[Wf

FINE ART, JEWELLERY & DECORATIVE ART SALES 278 5-7 APRIL 2005 Lot

Lot

0686 0687 0688 0690 0691 0692 0693 0694 0695 0696 0697 0698 0699 0700 0701 0702 0703 0704 0705 0706 0707 0708 0709 0710

300.00 260.00 360.00 290.00 220.00 65.00 340.00 150.00 90.00 180.00 90.00 110.00 85.00 100.00 210.00 300.00 180.00 270.00 130.00 100.00 80.00 80.00 65.00 85.00

0712 0713 0714 0715 0716 0717 0718 0720 0721 0722 0723 0726 0727 0728 0729 0730 0731 0732 0733 0734 0735 0737 0738 0739

70.00 25.00 45.00 30.00 50.00 50.00 25.00 105.00 100.00 320.00 60.00 1,000.00 210.00 180.00 200.00 90.00 110.00 70.00 300.00 310.00 330.00 55.00 50.00 40.00

0741 0742 0743 0745 0746 0747 0748 0749 0751 0752 0753 0754 0755 0756 0757 0758 0759 0760 0761 0762 0763 0766 0769 0770

45.00 140.00 240.00 120.00 50.00 210.00 180.00 20.00 190.00 85.00 40.00 45.00 170.00 180.00 160.00 160.00 130.00 70.00 25.00 30.00 25.00 40.00 130.00 50.00

0771 0772 0773 0774 0775 0776 0777 0778 0779 0780 0781 0782 0783 0784 0785 0786 0791 0792 0793 0794 0795 0796 0797 0798

160.00 105.00 330.00 120.00 180.00 120.00 410.00 350.00 180.00 480.00 200.00 250.00 840.00 170.00 30.00 280.00 450.00 460 .00 280.00 3,550.00 380.00 800.00 220.00 550.00

Lot

0800 0801 0802 0803 0804 0805 0806 0807 0808 0809 0814 0816 0817 0819 0821 0822 0822A 0823 0824 0825 0826 0827 0828 0833

Lot

550.00 300.00 480.00 50.00 950.00 1,425.00 800.00 550.00 660.00 100.00 325.00 420.00 1,500.00 425.00 725.00 200.00 340.00 275.00 210.00 140.00 200.00 420.00 800.00 1,500.00

0837 0839 0841 0842 0843 0846 0847 0848 0849 0850 0851 0852 0853 0855 0856 0858

575.00 1,300.00 900.00 1,150.00 450.00 1,100.00 3,500.00 900.00 7,300.00 900.00 1,500.00 1,000.00 3,200.00 1,800.00 2,600.00 500.00

la! )JOI

~12 !~3 o:M 1, :600 ~,Ji

::~ ~10 ~12 2. 0113 [611 I,'

I I

~i; :018 ;519 0521 0524 0511

M ~18 0519 0530 0531 05J.3

u534 ]535 0536

053) 0538

,il9

PRICES REALISED

;i11

A2 JEWELLERY, A2 ART & ORIENTAL PAINTED FURNITURE SALE 26917-19 MAY 2005

IS!I 10

Lot

0201 0203 0206 0207 0211 0212 0214 0221 0224 0226 0228 0234 0241 0242 0244 0248 0249 0250 0251 0258

I 0260 0261

17 4

s 400.00 4,500.00 1,400.00 1,550.00 3,800.00 350.00 325.00 1,300.00 350.00 1,100.00 600.00 150.00 2,000.00 300.00 1,400.00 3,800.00 19,000.00 18,000.00 9,000.00 10,000.00 8,500.00 150.00

CATALOGUE INFORMATION

Lot

0146 LO )

1,500.00 2,100.00 1,600.00 850.00 800.00 700.00 750.00 1,100.00 2,000.00 150.00 300.00 1,300.00 1,750.00 2,250.00 1,750.00 350.00 1,800.00 140.00 500.00 300.00 1,600.00 775.00

0357 0358 0360 0361 0362 0363 0365 0366 0368 0369 0370 0371 0373 0374 0375 0376 0377 0378 0381 0382 0383 0386

475.00 150.00 600.00 550.00 200.00 350.00 700.00 150.00 600.00 600.00 200.00 750.00 250.00 250.00 500.00 250.00 100.00 200.00 100.00 320.00 400.00 200.00

0387 0389 0390 0391 0392 0395 0396 0397 0398 0399 0400 0401 0404 0405 0407 0409 0410 0411 0412 0413 0414 0419

300.00 150.00 350.00 400.00 150.00 300.00 700.00 300.00 300.00 300.00 350.00 600.00 150.00 2,100.00 700.00 700.00 2,200.00 1,000.00 1,400.00 2,000.00 1,000.00 1,200.00

0420 0422 0423 0426 0427 0429 0430 0431 0435 0437 0438 0441 0443 0444 0445 0446 0447 0448 0452 0455 0456 0457 0459

1,500.00 1,300.00 1,200.00 5,000.00 2,000.00 300.00 2,000.00 1,400.00 2,400.00 4,400.00 1,500.00 4,300.00 1,800.00 1,700.00 750.00 750.00 2,200.00 1,900.00 1,500.00 850.00 1,700.00 2,600.00 2,800.00

0461 0462 0464 0465 0466 0467 0469 0470 0471 0472 0474 0475 0479 0480 0486 0489 0490 0491 0493 0498 0499 0500

400.00 650.00 600.00 1,200.00 250.00 1,000.00 250.00 150.00 450.00 500.00 400.00 100.00 150.00 100.00 400.00 450.00 1,800.00 1,500.00 1,100.00 80.00 100.00 1,100.00

0262 0267 0271 0274 0275 0279 0280 0281 0285 0287 0294 0296 0297 0298 0306 0309 0350 0351 0352 0353 0354 0355

l)jjg

;ij )jjj

ui51

1153 1151

'.iii jjj)

'.i58

ui59

05W

'.~I

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9l ,:/,6 l ~)

:iii

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PRICES REALISED A2 JEWELLERY, A2 ART & ORIENTAL PAINTED FURNITURE SALE 269 17-19 MAY 2005 Lot

00 .00 00 .00 00 .00 .00 .00 .00 .00 1.00 1.00 1.00 1.00 1.00 100

JOO J.00 )00 J.00 JOO JOO JOO JOO JOO JOO JOO JOO JOO JOO JOO JOO JOO JOO JOO 100 J.00 0.00

0501 0502 0503 0504 0506 0507 0508 0510 0512 0513 0515 0517 0518 0519 0521 0524 0525 0526 0528 0529 0530 0532 0533 0534 0535 0536 0537 0538 0539 0541 0542 0545 0546 0548 0549 0550 0551 0552 0553 0554 0555 0557 0558 0559 0560 0561 0562 0563 0565 0566 0567 0568 0569 0570 0572

$ 600.00 800.00 1,200.00 1,000.00 700.00 700.00 500.00 450.00 2,500.00 650.00 1,700.00 320.00 100.00 650.00 175.00 280.00 500.00 200.00 400.00 400.00 130.00 400.00 450.00 120.00 160.0G 175.00 140.00 600.00 80.00 160.00 100.00 1,000.00 1,000.00 700.00 650.00 400.00 4,200.00 650.00 160.00 250.00 175.00 475.00 250.00 300.00 400.00 700.00 200.00 600.00 950.00 300.00 850.00 1,800.00 200.00 600.00 500.00

Lot

0573 0574 0577 0578 0581 0582 0583 0585 0586 0587 0588 0704 0706 0707 0708 0709 0710 0713 0714 0715 0717 0718 0719 0720 0721 0722 0725 0726 0727 0728 0729 0730 0731 0732 0734 0735 0737 0738 0739 0741 0742 0745 0747 0748 0750 0751 0752 0757 0758 0759 0761 0762 0764 0765 0766

$ 350.00 225.00 850.00 525.00 160.00 260.00 550.00 225.00 80.00 2,100.00 2,500.00 1,050.00 700.00 1,500.00 900.00 1,300.00 400.00 190.00 240.00 250.00 350.00 70.00 75.00 350.00 65.00 1,100.00 550.00 900.00 360.00 800.00 500.00 250.00 425.00 3,000.00 400.00 600.00 250.00 80.00 40.00 115.00 60.00 50.00 70.00 120.00 80.00 200.00 40.00 500.00 225.00 900.00 650.00 250.00 50.00 135.00 650.00

Lot

0768 0769 0771 0772 0773 0774 0775 0777 0778 0779 0780 0781 0782 0783 0785 0788 0790 0791 0796 0798 0800 0801 0802 0807 0812 0815 0816 0817 0819 0820 0821 0822 0823 0825 0827 0828 0829 0830 0831 0832 0833 0834 0835 0836 0837 0838 0845 0846 0851 0852 0856 0858 0859 0860 0862

$ 250.00 850.00 800.00 350.00 1,000.00 700.00 600.00 400.00 600.00 750.00 300.00 60.00 120.00 275.00 75.00 400.00 450.00 400.00 2,000.00 500.00 55.00 60.00 55.00 50.00 40.00 35.00 110.00 80.00 145.00 130.00 125.00 60.00 80.00 275.00 500.00 900.00 1,200.00 400.00 2,200.00 325.00 1,400.00 400.00 275.00 325.00 50.00 350.00 140.00 60.00 50.00 100.00 30.00 40.00 20.00 50.00 250.00

Lot

0863 0865 0867 0868 0869 0870 0871 0874 0877 0878 0879 0880 0884 0887 0888 0890 0891 0892 0893 0894 0895 0896 0897 0898 0901 0904 0905 0906 0907 0908 0911 0912 0916 0917 0919 0920 0921 0922 0923 0924 0925 0926 0927 0928 0930 0931 0934 0935 0937 0938 0939 0940 0941 0943 0944

Lot

320.00 100.00 125.00 100.00 200.00 400.00 140.00 20.00 80.00 50.00 45.00 160.00 150.00 20.00 470.00 300.00 100.00 120.00 80.00 130.00 420.00 750.00 1,450.00 1,500.00 800.00 800.00 550.00 100.00 50.00 125.00 240.00 185.00 900.00 800.00 750.00 4,400.00 450.00 450.00 600.00 1,300.00 350.00 400.00 350.00 650.00 600.00 1,250.00 250.00 950.00 300.00 550.00 400.00 550.00 250.00 270.00 30.00

0945 0946 0947 0948 0950 0952 0955 0957 0959 0963 0965 0966 0967 0968 0970 0971 0973 0976 0977 0978 0979 0980

20.00 30.00 40.00 30.00 20.00 35.00 20.00 15.00 35.00 20.00 425.00 300.00 370.00 140.00 1,000.00 400.00 500.00 250.00 150.00 140.00 300.00 450.00

CATALOl UE NFOHMAT 0

175

CONDITIONS OF SALE FOR BUYERS 1. Bidding. The highest bidder shall be the purchaser, subject to the auctioneer having the right to refuse the bid of any person. Should any dispute arise as to the bidding the lot in dispute will be immediately put up for sale again at the preceding bid, or the auctioneer may declare the purchaser, which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted. 2. Reserves. All lots are sold subject to the right of the seller or his agent to impose a reserve. 3. Registration. Purchasers shal I complete a bidding card before the sale giving their own correct name, address and telephone number. It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud. 4. Buyers' Premium. The purchaser accepts that in addition to the purchase price Webb's will apply a buyer's premium of 10% of the hammer price (unless otherwise stated) together with GST on such premium. 5. Payment. Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. 6. Lots sold as Viewed. All lots are sold as viewed and with all errors to description, faults and imperfections whether visible or not. Neither Webb's nor its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever. Buyers proceed upon their own judgement. Buyers shall be deemed to have inspected the lots, or to have made enquiries to their complete satisfaction, prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in al I respects. 7. Webb's Act as Agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason. 8. Collection. Purchases are to be taken away at the buyer's expense immediately after the sale except where a cheque remains uncleared. If this is not done Webb's will not be responsible if the lot is lost, stolen , damaged or destroyed. Any items not collected within seven days of the auction may be subject to a storage and insurance fee. A receipted invoice must be produced prior to delivery of any lot. 9. Licences. Buyers who purchase an item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 cannot take possession of that item until they have shown to Webb's a license under the appropriate Act.

176

CATALOGUE INFORMATION

10. Failure to make Payment. If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to the purchaser, at its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies a. To issue proceeding against the purchaser for damages for breach of contract. b. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction. c. To resell the lot by public or private sale. Any deficiency resulting from such resale, after giving credit to the purchaser for any part payment, together with all costs incurred in connection with the lot shall be paid to Webb's by the purchaser. Any surplus over the proceeds of sale shall belong to the seller and in this condition the expression "proceeds of sale" shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction. d. To store the lot whether at Webb's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal, storage, and all other costs connected to the lot. e. To charge interest on the purchase price at a rate 2% above Webb's bankers' then current rate for commercial overdraft facilities, to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale. L To retain possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due. g. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb's or it's vendor. Webb's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under this contract. h. To apply any payment made by the purchaser to Webb's towards any money owing to Webb's in respect of any thing whatsoever irrespective of any directive given in respect of, or restriction placed upon, such payment by the purchaser whether expressed or implied i. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in full by cleared funds. Where any lot purchased in held by Webb's pending i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit, the lot will be held by Webb's as bailee for the vendor, risk and title passing to the purchaser immediately upon notification of clearance of funds or upon completion of purchase. In the event that a lot is lost, stolen damaged or destroyed before title is transferred to the purchaser, the purchaser shall be entitled to a refund of all monies paid to Webb's in respect of that lot, but shall not be entitled to any compensation for any consequent losses howsoever arising 11. Bidders deemed Principals. Al l bidders shall be held personally and solely liable for all obligations arising from any bid, including both "telephone" and "absentee bids". Any person wishing to bid as agent for a third party must obtain written authority to do so from Webb's prior to bidding. 12."Subject Bids" Where the highest bid is below the reserve and the auctioneer declares asale to be "subject to vendor's consent" or words to that effect, the highest bid remains binding upon the bidder until the vendor accepts or rejects it. If the bid is

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> More Horses. Bigger Engine. ·.;•, ........ "¾. ·...

268 Horsepower, 3.5 Litre V6, 7-Speed. •

It pleases the senses in so many ways. Feel

looks that it gets. Those eyes you'll sense star ing at

the excitement of the more powerful 3.5 litre,

you ... wi ll be green .

V6 engine with its advanced 7G-TRONIC ?-speed

•

The New E 350. Performance. Un like any other.

automatic transm ission. See how the opt iona l AMC

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For more details on alI our cars please visit us at

Sports Package not only changes its looks, but the

www.mercedes-benz.co. nz

'Avantgarde' model shown with optional 18" AMG alloys.

Mercedes-Benz

LATE ENTRIES, SALE 270:

DECORATIVE ARTS JUNE 30TH 2005

806

790

A Good Georgian Style Walnut Chest on Chest,

A Cabinet in Bedermeier Manner

the upper section with three frieze drawers above three full width drawers of graduated size with figured walnut veneer fascias, inlaid with feathered lines and crossbanded mounted with engraved detailed brass handles and escutcheons. The cornice a simple architectural cove. The lower section of three conforming graduated drawers, raised on bracket feet

of useful small proportions. With carved shell and leaf pediment and scrolling cornice above two glazed doors and two panelled doors; flanked by corner pilasters. The keyholes with bone escutcheons. Veneered in figured fruitwood. H.1790mm, W1030mm

$7000-900

$1200-2200

CONSIGNED FOR SALE 272 SEPTEMBER 22nd 2005 A Georgian Sterling Silver Urn and Cover,

in the Adam style, hallmarked for London 1797, maker's mark WH for William Hall, originally an apprentice of Jonathon Bateman and subsequently his widow Ann. This superb piece, with original gilding, is beautifully chased with a fruiting vine rim, applied with flower and hop swags and a cartouche of amorini in a mastiff drawn carriage. 'Neigh! 2575gm (90oz); H.450mm

$16000-20000

further entries are sought for this sale of Decorative Arts and Antiques Contact Ross Millar nnillar@webbs.co.nz

09 524 6804

2004 Vintage Lunar Year Collector Series

Ballot Forni Name: Address:

Phone: Mobile:

Hm:- - - - - - - Wk: - - - - - - - - - - - - -

Lunar Year Collector's Series Alana Estate Martinborough Pinot Noir 2004 @$330 per case of six ($55 per bottle) plus $10 courier charge. Credit Card: Visa / Mastercard Card Number: Expiry Date: Name On Card: Total Value:

Signature:

Please fax this form to: +64 9 524 7048 Or post to: Simon Mickleson Peter Webb Galleries PO Box 99-251 Newmarket, Auckland

Super Premium Pinot Noir 2004 Vintage Lunar Vear Collector Series

This is a very limited wine offer with real investment potential. Six bottles

The Facts • Only 888 six-bottle cases have been made and Webb's have secured 300 of these.

"I have found this wine to be ve,y enjoyable and an excellent example of Pino/ Nair from Martinborough and I would thoroughly recommend it. " Peter Webb Managing Director Peter Webb Galleries Ltd

"This is a superb Pino/ Nair from Alana Estate who have combined, site, grape variety, rigorous viticultural regimes and the winemakers

• Each case contains six 750ml bottles, each with a unique number. • All six bottles are presented in a special wooden case with a 'Year of the Monkey' symbol on the label and box. • The wine is a Super Premium Single Vineyard Alana Estate 2004 Pinot Noir. • Due to expected high demand for this wine we must limit sales to one case (6 bottles) per customer • The wine will initially be offered by Ballot. Webb's involvement • The Wine Department at Webb's has secured 300 of the 888 cases to be issued.

• This is being offered initially to 4000 of our customers. • The total price of each case is $330, equates to $55 per bottle. • This is a top Martinborough wine produced by a top Martinborough vineyard. Most of the other best Pi nots from this area retail between $65 to $100+, when you add the investment potential of the wine it is a "Must Buy" Guaranteed Buy Back

We are so confident of the quality of this wine and the investment potential we are willing to offer an unconditional full money back guarantee of the complete purchase price of $330 for 12 months from date of purchase. Note - Box and bottles must be 'as originally sold' to qualify for the buyback.

art to produce a unique and highly desirable wine. " Simon Mickleson Manager Webb's Fine and Rare Wine Auction's

To enter the Ballot Ballot closes 30 June 2005. Email: wine@webbs.co.nz or fax Webb's on +64 9 524 7048. Please include your Name, Address, Contact phone numbers (home, work, mobile), Credit card

number, expiry date and name on the card. Limit one case, six bottles. Card only charged if you are successful in the ballot.