Peter Webb Galleries Limited
Fine Art Auctioneers and Appraisers T & G Building Comer Wellesley & Elliot St PO Box 7008 Telephone 734-404 Auckland
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A rectangular vinaigrette engine turned decoration. Maker Joseph Wilmore. Birmingham 1827 W.3 6cm
Illustrated Page 4
A vinaigrette with engraved decoration. Maker Nathaniel Mills Birmingham 1844. W.3cm
Illustrated Page 4
6 A circular vinaigrette. Respousse decoration. Possibly French or Irish Circa 1830 Dia. 2.5cm.
Illustrated Page 4
7
Sterling Silver Objects Of Vertu
A collection of highly important objects of vertu, vinaigrettes and snuff boxes from the collection of Mr and Mrs C.M. Johnston, Dunedin
Auctioneer's Note
The following three lots warrant special attention to collectors because of rarity and condition
1 A Nathaniel Mills vinaigrette in pristine condition. The lid is decorated with a view of Windsor Castle Birmingham. 1839. W. 4.1cm Illustrated above.
2 Another superb vinaigrette again from an eminently collectable maker-John Betteridge. In the form of a cornucopia with fruit decorating the lid. Birmingham 1826. L.3.5cm.
Illustrated Page 4
3 A rare vinaigrette in the form of a richly decorated cornucopia - the top set with a yellow stone. Birmingham 1891. Illustrated Page 4
8
An oblong vinaigrette by John Betteridge . Cast floral relief border Birmingham 1828 W 4cm
Illustrated Page 4
An oblong vinaigrette by Edward Smith Shaped edges with engine turned decoration. Birmingham 1861. W. 4cm
9 An oblong vinaigrette with engraved decoration. Maker Hilliard and Thomson. Birmingham 1886 W 4cm
Illustrated Page 4
10
11
12
A rectangular vinaigrette with engine turned decoration. Maker John Betteridge Birmingham 1824 W 3.2cm
A cartouche shaped snuff box , with bulged lid decorated with musical instruments. Possibly early 19th century Irish. W. 7cm
Illustrated Page 3
An oblong shaped snuff box with engraved decoration. Maker Abraham Tuppy Birmingham 1855. W. 8cm
Initialled
Illustrated Page 3
13
An oblong snuff box with engraved border decoration and engine turned ground. MakerC.W.C. Birmingham 1848. W. 9 5cm
Illustrated Page 3
15
16
A fine Georgian snuff box Maker C.J.B. London 1815. W7.3cm
Illustrated below
An oblong shaped snuff box with engraved decoration. Initialled and repaired
Maker D.P. Birmingham 1852.
W 6.5cm
An oblong silver gilt snuff box with raised grapevine border decoration·. MakerT P & RM London 1814
W 6cm
Illustrated Pag e 4
17
An oblong engine turned decorated snuff box by Edward Edwards Interior regilded London 1841.
W . 7.8cm
A Georgian pocket snuff box Geometric decoration. Makers mark illegible. Repair. London 1805. W. 6.5cm
Illustrated Page 4
A Victorian oblon6snuff box possibly by Edward Barnett. ilded intenor with engraved and engine turned decoration. Birmingham 1848 W 9cm
Illustrated below.
An exquisite rectangular P.resentation snuff box by Nathaniel Mills Repousse floral decoration. Birmingham 1828. W 7 .5cm
Illustrated below
Lot 19
Lot19
Lotll
21 A rare sterling silver lancet case with two
25
A pair of sterling silver caddy spoons tortoise shell sheathed lancets . Repousse Naturalistic leaf design. Maker George decoration Maker George Cowler Unite. Birmingham 1850 London 1835
Illustrated Page 5 H. 6 5cm
Illustrated above
26
A sterling silver caddy spoon with scallop shell bowl. Maker Joseph Taylor.
22 A sterling silver cigar case with bright cut Birmingham 1747. decoration . Birmingham 1913
Illustrated Page 8
Illustrated Page 5
27
A sterling silver scoop shaped caddy
23 A sterling silver vesta case in the form of spoon. Maker Samuel Pemberton a miniature cigar case Birmingham 1906. London 1824. (Companion piece to the previous lot)
Illustrated Page 8
Illustrated Page 5
28 A fine sterling silver caddy spoon.
24 A sterling silver pocket cigar cutter. Pierced bowl with filigree decoration London 1942 Samuel Pemberton . Birmingham 1802
Illustrated Page 8
Illustrated Page 8
33a An extremely well decorated Victorian sterling silver sifting spoon Maker Elizabeth Eaton
Illustrated Page 4
29 An engraved sterling silver caddy spoon. Maker T & P Birmingham 1848 Illustrated
30 A sterling silver caddy spoon with fluted bowl. Maker RV J V & J.W Exeter 1846.
31 A fiddle and thread pattern caddy spoon. Makers William Eley and William Fearn. London 1820.
32 A sterling silver caddy spoon. Maker C.B. London 1857 .
33 A sterling silver caddy spoon with bright cut handle. Maker Samuel Wheat. London 1804.
34 A magnificent George III tapered cylindrical tankard by Hester Bateman . An exceptionally fine piece from one of the most sought after silversmiths.
Intaglio duty mark London 1784
Ht 19.5cm Wt. 775 gm
Illustrated
35
An ingenious and practical sterling silver device for serving Stilton cheese. Bone handle Maker Samuel Pemberton. Birmingham 1812.
Illustrated below
36 A pair of neo-classically styled sterling silver salt cellars by Paul Storr , of good weight oval shaped with gadrooned rims and on four winged paw feet. Crested London 1810 Wt. 375gm
Illustrated below
37 A sterling silver wine coaster with turned lignum vitae base . Maker Robert Hennell . London 1789 Dia. 12cm
Illustrated below
38 An elegant sterling silver sugar castor by James Mince in Adams style . London 1789 Ht 16cm
Illustrated below
39 A rare beaded edged lemon strainer Maker not traced Length overall from handle to handle 26 .5cm .
Illustrated below
40 A superb rare Irish silver hook ended basting spoon Maker John Pittar. Dublin 1776.
Illustrated below
41 A sterling silver brandy saucepan with wooden handle Mark rubbed. 300mls capacity. London 1817
Illustrated below
Lot41
42 A fine sterling silver presentation ink
45 A marked sterling tea infuser stand Ornate scroll base with ink and Illustrated Page 5 sand bottles and centre vessel for sealing wax. Detachable taper stick with snuffer.
46 A rare sterling silver picture back and Makers Barnard Bros London 1837 Wt 605gm front teaspoon Maker Ebenezer Coker Illustrated above and Thomas Hannan London 1759
43 A pair of salvers. Aoreate scroll border
47 A Victorian sterling silver small baluster with engraved central field. Each on shaped christening mug Maker H & T. three cast floreate feet. Makers Rebecca Birmingham 1884 Emes and Edward Barnard London 1825. D . 22cm Wt. 575gm each
48 A sterling silver bright cut tea spoon This
44 A sterling silver toddy ladle with horn spoon has the rare mark of Peter and handle Maker Aird and Thompson Jonathan Bateman Jonathan 's mark was Glasgow 1869 onl y used for 3 months London 1790
48a A miniature Patu Wahaika in 15 ct gold. Inscribed on the back " N Z R. Free Pass Mr Warren King " . These were given at the inception of the New Zealand Railways to Members of Parliament and civic dignatories to bestow free transport and to be worn as a fob on the watch chain. c.1880. Examples are now extremely rare.
Illustrated
48b An 18ct gold case key wind full hunter pocket watch . The watch in working order. Movement by John Donegan Dublin The case exquisitely chased and inlaid with an enamel amorial and shamrock leaves Assayed Dublin 1881. Accompanied by a 15ct gold chain on which is mounted the key and a 15ct gold mounted shark tooth In original case.
Illustrated
Porc~lain & Pottery
51 A Clarice Cliff posy bowl of basket form with detachable holder. Bizarre design.
Collections of Royal Worcester, Mason's Ht. 32cm. c 1940 Ironstone & Clarice Cliff hand-painted Illustrated ceramics
49
52 A Clarice Cliff octagonal jug. Fantasque )) A Clarice Cliffjardiniere. Fantasque design. Ht. 18cm. c 1940 design. Ht. 9cm. c.1940 Illustrated Illustrated
50 A Clarice Cliff fruit bowl.
53 A Clarice Cliff teapot. Bizarre design. Dia . 19cm. c.1940 Fantasque design. ht. 14cm c.1940 Illustrated Illustrated
54
A Mason's dessert dish decorated with polychrome and gilt floral sprays Relief moulded body c 1820.
55 A Mason ' s porcelain sauce tureen and cover , relief moulded and gilded with cows head handles and a calf surmounting the lid c.1815.
56 A Mason ' s platter decorated with Chinese figures in a garden . Printed mark c . 1830. L. 31 cm.
57 A pair of soup plates in the Moghul pattern (Internationally the most collectable of the Mason ' s patterns) Excellent quality. Printed and Impressed marks c.1818 D 24cm.
58 A Mason ' s side plate in the Moghul pattern Printed mark c .1820 . W 20 5cm
59 A large covered hall vase with dragon handles . Decorated with formalised oriental designs Printed mark (Ref Godden's Guide to Masons China and the Ironstone Wares ' - Plates 279 and 280) c 1815
Illustrated at right
60 An extremely rare vase in Mazarin blue and gilt with floral panels probably painted by Samuel Bourne The two handles in the form of a bearded man ' s head Impressed mark to base . c 1815 H 38cm
Illustrated Page 13
61 A rare form of mug in the orange scale pattern Printed mark c.1825. H . 9cm
62 A jug of rare ovoid form in the orange scale pattern Circa 1820 H . 15cm
63 A shaped dessert dish in Mazarin blue with fine border decoration of birds and flowers. c.1820 L. 25cm.
64 A richly decorated and gilded dinner plate on a Mazarin blue ground. Printed mark c 1825 D 23cm
Lot59
65 A large and rare pot pourri gilded with leaves and flowers on a Mazarin blue ground. c.1820 (Reference Goddens Guide to Masons China and the Ironstone Wares)-Plate 254. Illustrated above
66 A most unusual Ironstone lidded bread container with two dragon handles. Decorated with gilded butterflies on a Mazarin blue ground c.1820 Ht 36cm Repair.
67 A platter in ' Ducks in the Pond ' pattern Extremely well decorated and marked Stanes c.1835 W . 20cm.
68 A rare wine cooler. Imari pattern surmounted by a pair of snake head handles. Circa 1815 H. 22cm Repair.
69
An impressive Coalport porcelain, covered cup. The whole richly gilded and decorated in Mazarin blue with an oval panel painted with an Italian lake scene and signed I.H Plamn Repaired. Ht. 49cm c.1920.
Illustrated
70 A ' Coalbrookdale ' procelain vase. Apple green ground with two panels of handpainted flowers and overlaid in realistic relief with cornflowers, roses and carnations. Rustic gilded handles. c.1840 Ht. 32cm
Illustrated
71
A rare limited edition Royal Worcester statuette depicting Her Majesty the Queen, when Princess Elizabeth, mounted on her favourite police horse Tommy. This statuette was made at the request of the Queen Mother to commemorate the Princess' first Trouping of the Colour in honour of the King's Birthday June 12th, 1947. Of 100 models made, this is number 32. Model No 1 was presented to the Queen
It is accompanied by a Certificate signed by the Managing Director of the Worcester Royal Porcelain Company Limited. Modelled by Doris Lindner with colour by Harry Davis. Henry Sandon, in his standard reference "Royal Worcester Porcelain" cites the statuette as being 'the most sought after of Worcester's equestrian models'.
Ht. 38cm. L. 28cm
Illustrated
A Royal Worcester semi-lustre glazed parian figure of Joy Decorated in shot enamels c 1914. Ht 25cm
Illustrated above
A Royal Worcester figure of Sorrow Companion to the previous lot.
Illustrated above
74
75
A Royal Worcester ( Grainger and Co) vase. Pierced neck and handles. Decorated with a hen and cock in flight Background colour of lemon with eau de nil and gold highlights. Ht. 35. 7cm c.1900
A Royal Worcester glazed parian 'ivory porcelain' figure of a girl skipping (the skipping rope , which was probably silk , is missing) Delicately applied colour to the body and hair. c.1910. Ht. 30.8cm.
Illustrated Page 10
76 An extremely well modelled Meissen
porcelain figure group . Four children
dancing around a cherry tree Ht. 31cm.
Illustrated at right
77 A Royal Worcester glazed Parian ' ivory
porcelain ' vase in the form of five 1i& amphora surrounding a central larger
amphora Painted with naturalistic birds , lql bugs , flowers etc. Probably by John Hopewell . c . 1879. Ht 17cm Dia 14cm
Illustrated Page 10
78 A fine pair of Royal Worcester amphora vases. The matt black painted porcelain amphora vases each supported by three linked swans on charcoal and gilt decorated triform bases Some pressure cracking Ht. 21.5cm
Illustrated Page 10
79 A Royal Worcester figure group in semi lustre glazed parian ' ivory porcelain' A young couple gathering water from an amphora decorated in pastel tones highlighted with gold . c.1900 Ht. 24cm W. 20 5cm . Illustrated Page 15
80 A set of three very rare and amusing hand sculpted Japanese Tanukis (Badgers) The badgers are in various stages of intoxication. Signed Dohachi IVth . This family of famous craftsmen originated and worked in Kyoto. Early Taisho period. c.1912
Illustrated below
Furniture & Rugs
81 A pair of 19th Century French Louis Quinze-style walnut and kingwood veneered parquetry commodes , each with shaped and moulded rosa norvegia marble top surmounting two long drawers each with ormulu handles of a canthus form , pierced ormulu mounts at side with rocaille and acanthus decoration , each commode on high squared legs. Illustrated
82 An outstanding Louis XVI bureau plat in rosewood and kingwood. Three drawers to frieze with a further drawer on each side. The drawers handsomely veneered with diagonally laid rosewood and mounted with ormolu swags and key escutcheons. On cabriole legs with green tooled , inset leather top.
Made by B Stern , Brussells for the brother of the King of Belgium and inscribed to that effect
Illustrated
Lot82
83 A 19th Century French Louis Quinze style kingwood bureau plat, the veneered top of serpentine form with leather writing surface framed with bronze moulded mounts, ormolu cartouches at each corner , surmounting three small drawers each with acanthus ormolu escutcheons and handles , the side aprons with ormolu faces in relief , the obverse with three false drawers with the same decoration, the whole on cabriole veneered legs with caryatid at knee , the legs with ormolu mounts surmounting scroll ormolu decoration on sabot feet
Illustrated
84 A set of three 19th Century French Louis Quinze-Style Kingwood and Satinwood veneered ormulu mounted sidetables, each with cartouche shaped top with central cartouche panel of crossbanded chequered form framed with simple strung decoration, the whole framed with ormulu at knee with leaf and flower decoration, the ormulu spine and leafy form., small scrolling sabots of similar form at foot.
85 An unusual 17th century English Charles II style Walnut veneered sidetable, the top inlaid with elaborate satinwood foliate scroll motifs of stylized form , the moulded edge with bone inlay alternating with ebonized wood, containing single long concealed drawer, on turned barley twist spiral ebonized legs with central base 'X' stretcher with moulded edge of bone inlay alternating with ebonized wood, the whole on small bun feet.
Illustrated
Lot85
86
A pair of late 19th century seven armed bronze candleabra in the form of a Japanese Ibis which surmount stylized tortoises
87 An 18th century English Oak sidetable , the plank top with simple moulded edge, surmounting one long drawer with two brass drop handles, the sides with carved recessed panel, standing on carved turned bobbin legs, side stretcher system, the whole on small bun feet.
Illustrated
88 A good late 17th century English Charles II Oak with ivory inlay chest of drawers in two parts , the rectangular top with mitred , butted ends and moulded edge , the upper section with a long drawer with two panels containing chequered ivory inlay above a deep drawer with two fielded panels with cushion fronts and geometric ivory inlay; the lower section with two confronting long drawers each with two panelled , cushion fronts and simple geometric inlay; each drawer flanked by side panels of inlaid ivory feathering , the motif repeated at central panel of each drawer, the whole on bun feet; with turned knob handles with incised spiral motif.
Lot87
89 A Pair of Louis Seize style gilded Walnut medallion-backed chairs , each with serpentine apron carved with guilloche decoration and central floral motif , the back surmounted by carved floral trophy on straight legs c 1820
Illustrated
90 An 18th century French Louis Seize gilt wood canape, the gently arched toprail guilloche moulded with central relief floral and ribboned festoon , scroll roundels at comers surmounted by leaf finials , the guilloche moulded arms down swept with scroll endings , the serpentine arm supports with acanthus leaf at base the seat rail with guilloche punctuated by scrolling floral medallion s, patera at terminals , the straight legs moulded , the whole on scroll fe e t. Illustrated
Lot90
91 A two seater canape in the Louise Quinze style , the moulded shaped back with floral motif in relief , moulded scroll upholstered arms , serpentine seat , seat a pron with floral decoration , the whole on moulded cabriole legs with scroll decoration Illustrated
92 An 18th century English black lacquered cabinet on stand, the arched lintel surmounting two arched doors , each with relief gilt pagoda landscape scenes, decorative escutcheon, the doors
concealing numerous drawers decorated with relief gilt landscape and figure scenes, each with drop handles , the front apron with figure, boat and pagoda scenes, the whole on straight legs Illustrated
Lot92
93 A large late 17th century English Charles II style walnut marquetry table, the top with elaborate satinwood inlaid and central stylized foliate cartouche of acanthus form, floral motifs to comers of banded section , with stylized flora motifs and cartouches at border , containing single long draw below central acanthus inlaid motif, foliate sprays to either side, the sides with this decoration repeated , on barley twist/spiral legs with large flattened scalloped 'X' base stretcher at centre with inlaid medallion from which run foliate sprays, the whole on bun feet.
Illustrated
Lot93
94 Four late 18th Century French Louis Quinze gilded chairs upholstered backs surmounting upholstered scroll arms with acanthus motifs , shaped seat, seat apron of serpentine form with central rocaille motif framed with acanthus motifs , the whole on cabriole legs with acanthus motifs at knee and scroll feet, the whole in Louis Quinze aubusson tapestry of scenes from Fables of La Fontaine after Oudry 1686-1755. Oudry was a French Animal Painter , he became painter to the Beauvais Tapestry Factory in 1726 and director in 1734. The work Fables of La Fontaine was executed in 1736.
one Illustrated
A pair of early 17th Century Dutch Marquetry Chairs each with shaped back, the central um shaped splat surmounted by scrolling shell motif , the padded seat of drop-in form , the serpentine seat rail shaped at front , the who!~ with cabriole legs at front on pad feet , the back legs of chamfered, type , the whole inlaid with various exotic woods , tulip , harewood and holly in the form of flower s, vase s and foliate spray s. o ne Illustrated
96
A Pair of 19th Century English Blackamoors on stand , draped figures arms upraised , holding a bowl with carved floral decoration , surmounting a painted tasseled cushion. One painted with simple decoration in low relief. Illustrated
97
A 19th century tortoiseshell and brass inlaid bracket clock with bracket possibly of earlier date. The clock is supported on four ormolu caryatid legs, further ormolu decoration encrusts the case culminating in an ormolu figure of Father Time on the dome. The numerals are of blue and white enamel The bracket is inlaid with oak branches and decorated with ormolu eagles, eagles ' claws and a lion mask Ht. 188 cm. W. 60cm
Illustrated
98 A very fine large Chinese hand knotted carpet in excellent condition. Main field colour soft blue with borders in biege. A central medallion of stylised fish and flowers. The main field is relieved by sprigs offlowers and bamboo c.1920. 780 X 641cm
98b A pair of late 19th century Louis Quinze fauteils. ' Antique ' grey paint over gesso decoration. Walnut frames
Lot97
Lot99
99 A superb example of an Ispahan Court Workshop rug. This rug displays the marvellous free arbesque style, reminiscent of the great ' early period' in Persia which was lost by the 1900's. The fresh rich juxtaposition of colour is characteristic of these early pieces. Note
especially in this example the delightful green cloud bands and deep blue arabesques ranging the central field, a central ivory medallion flanked by two pendant medallions with geometric polychrome flower heads and tendrils set in rich burgundy field of deep blue 32
arabesques and interlacing flower heads and tendrils- quartered in an ivory field with similar motifs. One main vibrant blue border with flower and tendril motif flanked by two guard borders. In excellent condition. Woven circa 1870: 158cm x 257cm.
Illustrated
100 A rare Baluchi tribal carpet This piece expresses a subtle colour gradation and intricacy of design which is seldom achieved by these tribes. Twenty eight tribal repetitive guls cover the field creating an harmonious display in colours ofterra cotta , deep blues and browns. A serrated leaf main border . The white tufts woven into the rug were to 'avert the evil eye ' (a reversion to pre-Islamic practices).
Woven in lustrous wool. circa 1900. 204x290cm
Lot 100
Lot 101 101 Albert Schroder Relating His Adventures oil on canvas
Lot 102
102 Franz Richard Unterberger
The Haymakers oil on canvas signed and inscribed ' Bruxelles ' 71xll0
103
103 William Lee Hankey
A Landscape in Brittany watercolour signed and dated 1897 62 X 1()()
W Lee Hankey was a British artist who , enjoyed considerable success during the last years of the 19th and the early years of the 20th Centuries. He is represented in several New Zealand Art Gallery Collections. Illustrated
104 Louis Le Breton Coastal Scene with Ships pencil signed 14x22
On the verso is a penceil drawing of an out-rigger canoe . An artist with the French explorer Dumont d ' Urville, Le Breton was in the Pacific 1837-40.
Illustrated
105 Samuel Charles Brees Mount Victoria , Wellington watercolour , heightened with white body colour and egg white titled and dated 1842 on face of painting. Inscription in brown ink on verso with description of subject of painting "From Pictorial Illus. of N .Z. " (p.29) and the note " More figures natives ". Framing instructions with Brees ' s initials , in pencil on verso 21 X 31
S.C. Brees , Surveyor and Engineer to the New Zealand Co. 1842-6 , produced watercolours , some of which were engraved by Henry Melville for Brees ' s Pictorial Illustration of New Zeland published in London 1847 of which this is the original for illustration No . 50 on Plate 17
In the foreground is Messrs Simmons & Hoggart's windmill much as shown in the engraving , but the man with two dogs walking towards the mill has become , in the engraving a Maori family coming toward the viewer. The engraver has taken some liberties with the landscape which , in the water-colour , is somewhat vague in its definition of landscape fe a tures
Thi s important work was not avail a ble for illu stration
Lot 106
106 John Corker Symons
Road through Goldfields at Thames oil on canvas
107 John Corker Symons ( attributed)
A View in the Hauraki Gulf watercolour
32x45
Lot 108
108 John Alexander Gilfillan
The Emigrants' Departure oil on canvas with The Immigrants' Arrival oil on canvas each57x75
Provenance: Collection of Dr Neville Hogg, North Auckland.
A pair, the paintings were originally located in Wellington and traced back to the artist's time in Wanganui They were probably painted in Scotland before
Gilfillan emigrated to New Zealand in 1842. In both pictures the subject relates to Australia , as the notice on the wall of the inn in the first picture and the aborigines in the second indicate. It is known that Gilfillan produced subject pictures while still in Glasgow , usually for the purpose of illustrating books. He did not to to Australia until after members of his family were killed by Maoris on his farm near Wanganui in April , 1847 . First he stayed in Sydney , moved to Adelaide , then to the goldfields before settling in Melbourne in 1856 .
109 John Alexander Gilfillan
Untitled Landscape oil on canvas
61 x92
Painted before Gilfillan came to New Zealand in 1842 , the treatment of the figure and other details in the picture are consistent with the paintings by Gilfillan in the Sarjeant Gallery , Wanganui.
The subject of the picture is probably the Wharfe where it flows through the Strid Gorge , not far from Bolton Abbey , North Yorkshire. Illustrated.
110 Petrus van der Velden
A Young Fisher Girl Net-mending watercolour signed 62x46
This fine large watercolour depicts the
young subject having the same thoughtful regard for her future as do the subjects in the series of works under the title, "Disillusioned".
Ref: Van der Velden. T.L. Rodney Wilson. Reed 1976. p.157. Illustrated
LotllO
111 Petrus van der Velden
Head Study for "Disillusioned " watercolour 70x52
From van der Velden's Marken period , this is one of several studies he used for a large oil painting "Disillusioned or The Sorrowful Future "
112 Gottfried Lindauer
Portrait of a Young Girl with a posy basket oil on canvas signed and dated 1876 98x71.5 Illustrated •
Lot 112
Maori Girl in a Canoe with Native Pah on Hillside oil
canvas signed and dated 1880 90 X 149
Chevalier painted three versions of this work, one dated 1879 which is in the Rix Nan Kivell Collection, National Library
of Australia, and is reproduced in colour in Leonard Bell, The Maori in European Art, 1980. plate XIV. The work presented here is larger in size and darker in its tonal qualities, and differs in several details. A smaller version is in the collection of the National Gallery of Australia, Canberra. Illustrated
Lot 113
113 Nicholas Chevalier
on
114 Louis James Steele A Maori Tattooing Ceremony oil on canvas signed and dated 1894 77x 101
Steele arrived in New Zealand about 1886 and had a studio in Victoria Avenue, Auckland in 1887. He was the first artist to produce narrative paintings based on pre-European Maori life Lindauer ' s large paintings on similar subjects were begun later. Illustrated.
Lot 114
115 Charles Frederick Goldie
' Memories' a portrait of Hara ta Rewiri Tarapata oil on canvas signed and inscribed , Auck.land 1903 59x49oval
Harata (Charlotte) Tarapata was descended from two very famous chiefs , Tamati Waaka Nene and Eru Patuone
She was famous for her beauty and she married the Orakei Chief Paora Tuhaere When her husband died in 1892 she moved to the Maori Hostel at Mangere. Goldie painted Harata on at least nine different occasions between 1903 and 1908.
Refer : C.E. Goldie; His Life and Paintings Taylor & Glen 1977. p.142 . Illustrated idem p. 188
Provenance: Purchased from the artist by W.B. Leyland, a founding director of Leyland O'Brien Ltd. , which company competed in the timber industry with the Goldie family. By descent to the present owners. Illustrated
Lot 116
116 Charles Frederick Goldie
'Thoughts of Tarawera' The Guide
Sophia Grey oil on canvas
signed and dated 1938
An original exhibition label on the reverse is inscribed
' Thoughts ofTarawera, Eruption of Mt Tarawera 1886 (June 10th) Sophia was a famous half caste guide at the Pink & White Terraces' 41 X 31.8
Ref : C.F. Goldie: His Life & Painting Taylor & Glen 1977 p.282
Illustrated
117 Charles Frederick Goldie
' Thoughts of a Tohunga ', Wharekauri Tahuna oil on canvas signed and dated 1939 27.5x22.3
Wharekauri Tahuna wa s a Chief and Tohunga of the Nga ti M a nawa (Tuhoe)
Tribe . He died c 1908 in his nineties. Elsdon Best records that Wharekauri was the last fully tattooed Maori to be seen in the Urewera area . Goldie painted Wharekauri Tahuna on many occasions.
Ref : C.F Goldie : His Life and Paintings , Taylor & Glen 1977 p.288 Illustrated
118 Charles Frederick Goldie 'No
te Cigaretti' Portrait
oil
canvas signed and dated 1912 23x 18
Refer: C.F Goldie His Life and Paintings Taylor & Glen pp.225-227 for other portraits of Mihipeka Wairama who is invariably depicted smoking. Illustrated
Lot 118
Koora
of Mihipeka Wairama
on
Uilll9
The Senator oil on canvas signed and inscribed , Paris '97 92x73
Goldie was awarded second prize from
the Academie Julien for this portrait study which he completed in five and a half days. A brass plaque on the frame records this fact.
Ref : Colour plate 3. C.F. Goldie Hili Life and Painting, Taylor & Glen 1977 p.45
119 Charles Frederick Goldie
A Mail Coach in the Otira Gorge watercolour signed and dated 1880 31 X 36.5
river bank and Whare watercolour signed and dated 1887 34x62
Illustrated
120 John Gully
121 John Gully Wanganui River with Maori figure on
signed 40x65 Illustrated
Lot 122a
122 Lawrence William Wilson Wet Jacket Ann, Dusky Sound watercolour inscribed, signed and dated 1886 27x37
122a J.C. Hoyte A view of Rangitoto from Parnell, Auckland watercolour
A View of Mount Cook in the Southern Alps New Zealand watercolour 1876 signed and dated in ink 38.5 X 64 5 Illustrated
Lot 123
123 J.C. Hoyte
Illustrated
Lot 124
124 Frank Wright The Waikato at Taupiri watercolour signed 50x75
Lot 125
125 Charles Blomfield
Gumdiggers oil on canvas signed and dated 1905 151 X 9()
This exceptionally large canvas , one of the largest the artist ever painted and
clearly one of his most important works appears to have been unknown to Muriel Williams, the artist's grand-daughter and author of the principle work on the artist. It relates closely to 'Natures Cathedral' 1921 which is referred to in Charles
Blomfield, Muriel Williams , H . & S . 1979, pp169-171 Illustrated
]l'mJws Aratiati
Lot 126
126 Charles Blomfield
Aratiatia Rapids , Waikato River oil on canvas
At
watercolour signed and dated 1889 67 X 125 Illustrated
Lot 127
127 Jenny Wimperis
the Head of Lake Wakatipu
Lot 128
128 E.W. Christmas
South Island Mountain Landscape oil on canvas
129
129 Petrus van der Velden
Two Sailing Craft and a Steam Boat at Sea watercolour 28x44
The reference code to this Dutch period work in Rodney Wilson ' s catalogue is 1.1.2.16. Illustrated
Lot
LotlJ
signed and with title in ink on back of
50x75
Frank Wright painted several works of a similar subject, of which this one can be dated about 1916.
Illustrated
130 Frank Wright
The Close of an Autumn Day
Waikato River oil on canvas
stretcher
Lotl31
131 Frank Wright Morning Mists
watercolour signed,and with title from original backing paper newly attached to back of mount 35x52
This watercolour is similar in style to those produced around the tum of the century. Illustrated
Lot 132
132 Petrus van der Velden Shed in Meadow oil on panel signed 26x40 illustrated
Lot 133
John Gully In Milford Sound watercolour signed and dated 1874 40x74
133
A view of Whangarei Heads signed and dated 1873 38x54
Illustrated
A View in the Bay of Islands watercolour signed 25 x36
Illustrated
Lot 134a
134a J.C. Hoyte
Lot 134
134 J . C.Hoyte
watercolour signed 70x50
Illustrated
Lot 135
135 J.C. Hoyte Isle d ' Beaumont , West Coast, N Z.
Lot 136
136 James Peele
137 George O'Brien Hall's Arm , Pelorous Sound watercolour signed and dated 1887 (very faintly) 30x45
Illustrated
Lot137
lotll8
inscribed , signed and dated 1901 25 x58
Illustrated
Lot 138
138 Lawrence William Wilson Lake Manapouri from Fernhill watercolour titled
Lot 139
139 Girolamo Pieri Nerli
Amused oil on wood
signed title on !able on verso 34x60
The story is that Nerli based this painting on sketches he made of the front row audience at Fuller's Theatre, Sydney Nerli was resident in Sydney between 1886 and 1889, when he accompanied exhibits for the New Zealand and South Seas Exhibition in Dunedin. The painting was exhibited with the Otago Art Society's 1948 Centennial Exhibition of Art in Otago Illustrated
140 Girolamo Pieri Nerli Lion Rock, Piha oil on canvas signed painted on canvas prepared by J. Leech, Auckland 30x46
Although Nerli produced a number of paintings of New Zealand landscapes , they were rarely as large as this one. Most were in oils and quite small; some painted on cigar-box lids. After some years in Dunedin, Nerti travelled to Auckland where in April 1897 he exhibited nine paintings at the Annual Exhibition of the Society of Arts Illustrated
Lot140
Lot 141
141 Charles Condor
A Fishing port oil on canvas signed 56x76
Provenance: Collection of the Gisbome Museum & Art Centre Inc.
Purchased in 1965 for the Gisbome Arts Society Inc (forerunner to the present museum) by Peter Tomory then director of the Auckland City Art Gallery firm Roland Browse et Delbanco, London. Illustrated
142 Frances Hodgkins
Willy Lott ' s Cottage oil on canvas signed 72x71
This painting was first exhibited by the St George 's Gallery , London , in October 1930 (cat. no. 10) Frances Hodgkins was living at Flatford Mill , East Bergholt , Suffolk prior to the exhibition , and in letters to the gall e ry refers to canvases
The work is named in an undated letter shortly before the exhibition Arthur Howell , Four Vital years, p.58. The painting appears in a publicity photograph of the artist for the exhibition , E H. McConnick, Portrait of Frances Hodgkins,p.lll. The painting was exhibited at the Leicester Gallery in 1956 from where it was purchased by the present owner.
Illustrated
Lot 143
143 FrancesHodgkins
Cornish Landscape watercolour signed on work, titled on mount 42x54
Exhibited at The Lefevre Galleries, London, October-November 1937 in Frances Hodgkins "New Paintings and Watercolours". Although inscribed on the mount No 14, this work was no 16 in the catalogue.
Provenance: Collection Mr Simon Curnow, Auckland. Acquired from London dealer Basil Jonzen in 1955.
Illustrated
144 John Weeks
Richard Wallwork . The following year large work with its traces both of his own North Island Landscape with Rural Town he left for Edinburgh, studied there and (then recent) French landscapes and of Buildings in Paris , visiting North Africa and Italy "Canterbury" painters like A.F. Nicoll oil on canvas before returning, via London , to New and Cecil Kelly , suggests that this signed Zealand in 1929 In 1930 Weeks began landscape belongs to the early 1930's, 92 x 106 teaching at the Elam School of Art , before he had developed the darker When John Weeks returned to New Auckland. tonality and more cubistic characteristics Zealand after World War I he studied at The mixture of styles in this exceptionally of his King Country or North Auckland the Canterbury College School of Art landscapes during 1921-22 under A F Nicoll and Illustrated
Lotl44
145 John Weeks AtHuia oil on plywooct signed in pencil and in brush-point 40x51
As Weeks had the use of a hut at Little Huia during the later period when he was an instructor at the Elam School of Art , the dark wooded hills at the Southern end of the Waitakere Range became a frequent subject for his paintings . Illustrated
Lot 145
oil
title on authenticity !able , verso
41x30
Although Weeks visited Venice in 1928 , 77
and probably made drawings there which he used as the basis for this painting, the work was likely to have been produced quite some years later. The painting was in Week's studio when he died in 1965
Illustrated
146 John Weeks
Venetian Sails
Lot 146
147 IdaG. Eise Begonias oil on board signed with title on backing board 29x26
Frances
Street Scene, South of France watercolour 23x 15
The style of this watercolour suggests the period 1901-1903
Illustr a ted
Lot 148
148
Hodgkins
148a John Weeks Early Morning Street Scene, London watercolour signed 25x34
Illustrated
149 Harry Linley Richardson Azalea Tree, Esplanade Palmerston North watercolour signed 22.5 X 30
Illustrated
Lot 149
Lotl48a
Lot 150
150 Sydney Lough Thompson Trees in Blossom, Concameau oil on canvas
31 x37
Lot 151
151 Sydney Thompson A Still Morning oil on canvas signed 38x46
152 John Gully Otira Gorge watercolour signed and dated 1880
153 Margaret Olrog Stoddart
Shirley Poppies in a Blue Vase watercolour signed 59x47
A fine example of Stoddart ' s freely handled , suggestive watercolour paintings of flowers. The treatment of the
reflective surface on which the vase stands suggests a work from the beginning of her mature style. This makes her, with A.H., O'Keeffe and D.K. Richmond, one of the most important painters of flower subjects in New Zealand this century. Illustrated
Lot153
Lot154
154 John Weeks
A North African Street Scene by Moonlight oil on canvas
and dated 1922
Lot 155
155 Maud Burge
Lot 156
156 Maud Sherwood Summer Landscape watercolour signed 24x25 lllustrated
157 Margaret Olrog Stoddart On Banks Peninsular watercolour signed
A label on reverse with printed heading 'E. Murray Fuller, Studio, 190 Lambton Quay, Wellington, representing the leading New Zealand Artists' has inscribed in ink the title and is dated 3 Nov.1922. Illustrated
Lot157
Lot 158
158 Margaret Olrog Stoddart Study of Berries oil on board signed 53x90
A Cornish Lane , Spring watercolour signed with initials and dated 1907? 35 x25
Lot 159
159 Margaret Olrog Stoddart
160 Raymond McIntyre
London Street with Five Figures oil on canvas signed with monogram 59x48
With its high vantage point, strong design, vigorous brush work and short-
hand imagery, this painting is typical of the London street scenes Raymond McIntyre produced between 1917 and 1919. Some of these are more solidly painted, others more sketchy. The work shows the artist's interest in what was then seen in London as "the more
advanced painters of Paris" (Frank Rutter, Oct. 1918)
The painting is reproduced in colour in Raymond McIntyre: A New Zealand Pamter, 1984, p.60
Illustrated
Lot 161
161 Raymond McIntyre Self Portrait oil on canvas 61 x51
Although the sombre tones of this portrait are typical of Raymond McIntyre ' s early portraits , the stylistic tenor of the work suggests a date of about 1920 Its tonality can be compared with the unsigned " Self-portrait" reproduced in colour in Raymond McIntyre : A New Zealand Painter, 1984 , p.96 Illustrated
162 Christopher Perkins Dock Workers unloading Sacks oil on board signed with initials 50x60
163 Rita Angus
Portrait of Bernice Cole oil on canvas signed "Rita Cook" and dated 1946 40x32
This work is not mentioned in the National Art Gallery book on Rita Angus. The painting was reproduced under the title " Bernice " in the Second Year Book of the Arts in New Zealand , 1946 , p.61. Later in 1946 the artist changed her signature to Rita Angus. Illustrated
Lot 165
Lot163
164 Rita Angus Boats , Island Bay oil on hardboard
signed on painting , and signed and dated 1968 on verso
61 x61
Rita Angus made drawings of the fishing boats at Island Bay Wellington between 1960-63 and 1967-68. From these she produced a number of paintings of which this is a major one of the subject. The work was included in the retrospective exhibition of her work at the National Art
Gallery, Wellington, 1983, cat. no 112. The note to the catalogue entry in the book published for the exhibition should be read This gives the date as 1962-1963 The work is illustrated page 123 & 183. Illustrated
Lot164
Lot 166
165 Rita Angus Leaf. c.1963 charcoal and watercolour signed 47x31
This work is related to ' Spring' (Leaf series) Hocken Library ref. " Rita Angus ", National Art Gallery , 1981 cat. no 110 Illustrated page 92
166 Rita Angus Manganui Harbour watercolour signed and dated 1959 28x38 Illustrated 16'
40x27
Illustrated
167 Evelyn Page
Ball Hut, Tasman Glacier oil on canvas board
signed in pencil , E Polson titled on backing paper
Lot 167
Lot 168
168 Evelyn Page The Museum Auckland oil on canvas board signed E. Polson title on backing paper 35 x47
In January 1934 Evelyn Polson visited her aunt in Auckland and while there produced this painting. Illustrated
169 Colin McCahon
He calls for Elias oil on hardboard signed and dated August 1959 inscribed on the back by the artist in black paint: " No 27, Colin McCahon He Calls for Elias Aug '59. Solpah 12 gns"
78x67
McCahon painted the Elias series at his Titirangi home during 1959. It is a large series of which several paintings are major works , including this painting. The
Elias series is one of several important series which occupied McCahon in the productive years following his trip to America in 1958. The series is about the inhibiting effect doubt can have on the actions of people. The text uses the ambiguous interpretation of the words Jesus cried out just before He died on the Cross, as recorded in St Matthew's Gospel. The painting was first exhibited
at Gallery 91, Christchurch, October 1959, and was included in the Colin McCahon, A Survey Exhibition, Auckland City Art Gallery, March 1972: cat.no 35. Refer: Gordon H. Brown. Colin McCahon. Artist 1984, p.117 with illustrations.
Provenance: Collection of William McCahon. Auckland. Illustrated
170 Colin McCahon
A Song for Rua: Prophet- Dreaming of Moses.
set of three works acrylic on paper each titled , signed with initials and dated 1. Oct-Dec 79 Muriwai
2. Oct-Nov 79 . Muriwai
3. October-Dec. 79 each 73 x 100
Refer: Gordon H Brown. Colin McCahon Artist, 1984 p.163 and 187
In this three-part painting, the top of the black Tau cross can be read as a landscape across which the dark pillar of cloud moves nearer , hence the sub-title's reference to "Dreaming of Moses" as the dream Rua had of deliverance for the Maori.
Exhibited: McCahon , Solo Exhibition, Peter Webb Galleries , 1980 Illustrated
Lot 170
172 Colin McCahon
Weeping Madonna watercolour 51 X 39
This work came about mid-way in McCahon ' s first sequence of religious works. The most noticeable aspect of the painting is the uncompromising cubist character given to the facial features of the Madonna. Illustrated
171 Colin McCahon
Necessary Protection
acrylic on paper signed and inscribed in pencil.
October 1971 Muriwai , Necessary Protection 59x42 Illustrated 100
Lot 171
Lot 172
173 Sir Mountford Tosswill Woollaston
Bayley ' s Hill in Summer , Nelson oil on board signed 91 X 121
Bayley's Hill has been a landscape feature Woollaston has repeatedly returned to since the early 1930 ' s The style of this work suggests the early 1970 ' s Illustrated
174 Sir Mountford TosswiU WooUaston Blackball , Westcoast oil on board signed 91 X 122
Woollaston painted other works of this subject with houses in the foreground, in 1964, one being included in M T. Woollaston works ' 1933-1973Exhibition, Manawatu Art Gallery , 1973 cat. no. 75 Illustrated
Lot 174
signed 91 X 121 title on small label attached to back Illustrated
Lot175
175 Sir Mountford Tosswill Woollaston Cloud on Mountain oil on board
176 RudolfGopaz
Landscape with Houses watercolour 44x56
Provenance: Collection of Sylvia Ronayne , the artist's daughter
Exhibited: RudolfGopaz
Retrospective Exhibition John Leech
Gallery 1984
Illustrated
177 Ida H. Carey
The Edith Collier Dress oil on canvas 91 x70
With certificate of authentication signed by D Carey , the artist 's brother. Exhibited : The Ida Care y Collection . Hamilton 1981 cat.no. 40
Illustrated
Lot176
Lot 177
Loi
178 Cecil Kelly Karitane Bay , Otago oil on canvas signed 70x90
Illustrated
179 James Jacques Tis.sot ' Sans Dot- Without Dowry' etching signed and dated 1885 on plate 400 x 254mm (plate size) On pale cream laid Van Gelder paper with full margins
William Weston in his Tissot catalogue No 183 1984 cat. no 35 describes this etching' as a ' very rare possibly unique working proof of the third state' From the series La Femme a Pans
Illustrated
Lot 179
180 Ray Bethers Hills and Houses oil on canvas c . 1930 signed inscribed on verso Ray Bethers 7 E 75 Street New York. 46x56
Illustrated
181 Cedric Savage Boats in Harbour , Kos , Greece oil on board signed 44x60
Illustrated
182 RudolfGopaz 'First then Let us honour the Atom , so lively so wise and so small' PV A on hardboard signed and dated 1971 61 x69
183 Major General Ferdinand Gustavus VonTempsky
A pair of very rare bullock horn powder horns c :1865 with scrimshaw decoration of Maoris performing a Haka and three costumed ladies by Gustavus Ferdinand von Tempsky.
The Waikato Art Museum ' s catalogue description from its 1978 Gustavus Ferdinand Von Tempsky , The Man and the Artist records that these horns (cat. no. 117) were reputedly given by the artist to his friend and rival , William Jackson from whose descendants the present owner acquired them.
L , 42.Scms approx
Illustrated
184 An exceptionally fine large pair of bullock horn powder horns with finely etched scrimshaw decoration of a Maori Haka , (after Robley) manned war canoes , a soldier with his horse and dogs , and other subjects , attributed to G V von Tempsky in which case the soldier might well be a self portrait L. SOcms approx Illustrated
Lotl84
185 Horatio Gordon Robley
Portrait of Tuari Netana watercolour titled and signed 22x 18
inscribed on verso : "Tuari Netana Ngatimaku Tribe Hauraki Gulf
As a Major during the New Zealand land wars of the 1860 ' s Robley was one of the best of the professional soldier artists who drew scenes of military action against the Maori for whom he showed considerable sympathy. Illustrated
186 Charles Blomfield
The White Terrace, Buttresses Rotomahana oil on canvas , signed and dated 1890 50x76
Provenance: Collection of Mr Maurice Lennard.
Lot 185
Lot 186
190 Charles Henry Howorth Italian Scene watercolour signed 39x28
191 Rev. Francis Russell Nixon
Posolippo from th e Scoglio di Birgilio. pencil and watercolour c 1841 16x25
Title inscribed in a small label attached to back of frame With a letter of authentication and provenance signed by William Dennis
192 Kennet Watkins Bush Scene watercolour
193
R.Reid
194
195
196 signed and dated 1914 35x25
Two watercolours of Auckland: Sketch in Grey Street and The Old Mill (Partingtons) each signed and dated 1902 23x 14
Eric Lee-Johnson
A View of the Bay of Islands watercolour signed and dated 1946 37x53 Illustrated
May Smith Hills and Trees watercolour signed and dated 1969 35x43
John Weeks A Market , Nice pastel signed 22x30 illustrated
Lot194 Lot
Lot 198
197 W. Menzies Gibb Torpedo Bay, The North Head and Waitemata Harbour watercolour signed 24x36
198 Henry William Kirkwood In the Sounds oil on canvas signed 120x 90 Illustrated
199 Blythe Fletcher Relics of the Past gouache signed 26x40
Illustrated
200 Blythe Fletcher
Harbour Scene with Fishing Boats gouache signed 67 X 103 Illustr a ted
Lot200
Lot 199
201 James Peele
The Otira Gorge oil on board signed and dated 1894 47x30
Illustrated
202 James McIntosh Madden
The Southern Alps from Tekapo oil on board signed and dated 1907 30x46
Illustrated
L o t201
Lot202
Lot204
203 Peter McIntyre Morning in the King Country c ., 1964 oil on canvas on board signed title on label attached to backing board 63x75
204 Peter McIntyre The Shotover , Central Otago oil on cloth on board signed title on verso (and on label) 50x70
Lot 203 114
205 George O'Brien
Half Moon Bay watercolour signed and titled, (but almost illegible 29x44
Although this painting has been inscribed on the backing board: Entrance to Blueskin Bay , Waitati ", there is another almost identical watercolour clearly inscribed: Half Moon Bay , Stuart's Island ". This is reproduced in the publication Pavillioned in Splendour. George O'Brien 's Vision of Colonial New Zealand , 1986 , p .99. This work is in the Hocken Library Collection and has been dated late 1860 ' s to mid 1870's.
Illustrated
206 William George Baker
Head of George Sound oil on canvas title inscribed and signed 59x90
207 Girolamo Pieri Nerti
Spanish Dancer with Tambourine oil on board signed 32x24
Illustrated
Lot205
Lot207
208 James Peele In Nancy Sound oil on canvas signed and dated 1898 49x75 Illustrated
209 Henry William Kirkwood Nelson Bays oil on board signed 29x45 Illustrated
Lot209
Lot208
Lot210
210 James McLachlan Nairn Sunset at the Stream oil on board signed and dated 1897 26x36
Illustrated
211 James McLachlan Nairn Wellington Harbour watercolour signed & dated 1902 24x35
Illustrated
212 James McLachlan Nairn Entrance to Wellington Harbour watercolour signed and dated 1902 26x37
The rocks in the centre of this picture mark the eastern end of Island Bay and shows sheds and huts used by the fishermen of the Bay.
Illustrated
Lot 211
Lot212
213 Charles Blomfield
The White Terraces oil on canvas 35 x44
214 Blythe Fletcher
The Port of London gouache signed 40x62
215 Jane Evans Seated infant ink drawing signed and dated 1970 18x 17
216 James McIntosh Madden South Island Lake Scene pastel 36x63
217 T .A. McCormack
Design from Gladioli watercolour signed
Title on backing board 26x 18
Illustrated
218 Maud Sherwood
Vase of Flowers Colour Lino cut ln5 ? signed with monogram on print and in pencil beneath print with edition no . 240x208 Illustrated
219 John Weeks
London Street Scene watercolour signed 25x34
220 T.A. McCormack
Sunlit Cliff Ohinepaka watercolour signed title on backing board 19x26 Illustrated page 11 9
Lot 2 18
Lot217
221 Samuel Cairncross Pine Plantation , Wellington Hills signed and dated 'Sam' 1950 oil on board 22x57
222 James Peele Halls Arm, Smiths Sound oil on canvas signed and dated 1902 75 X 126
222a John Douglas Perrett ' From Wet Jacket Arm' signed and dated 1890 50x75
223 Peter Siddell Young Boy turning away from the Past acrylic on hardboard signed and dated 1971 60x80
Lot220
224 Thomas Selby Cousins 225 Artist's camp beneath Mount Cook watercolour signed with initials 33x24 Illustrated
signed 38x56
226 J.W.N.
oil on canvas inscribed and initialled and dated 1894 on stretcher 28x40
Lot224
Jesse Hollobon Akaroa Harbour, Evening oil on board
Pukiteraki
227 John Douglas Perrett South Island Mountain and Lake Scene oil on board 44x74
228 John Weeks Fortress Town Tunisia sepia drawing signed 20x26
229 Lawrence William Wilson Mount Avalanche, Matukituki River, Otago oil on canvas title inscribed, signed 50x75 Illustrated Lot229
230 JohnDo I An E ug as Perrett astemH b ~il on canvas ar our Scene signed 34x60
231 Tom Peerless
LakeScene . ~atercolourwith Mt Cook signed 51x76
!9th CentOtahu Ho%y Artist Unknown :,vatercolour estead mscrib d 35 x 50e and dated 1861
Petrusvand Boats moor eJ Velden c~arcoal e at canal edge
signed 21 X 14
C Mharles Blomfield ountai La oil on ca~vas ndscape 50x70
Archib Th aldNicoll eOldAk ~atercolour aroa Road signed 22x29
Illustrated Chr' wa:op her Perkins Ii em Gove _tho~raph mment Nurseries
title mscrib d stone e and signed with 395 x 495mm lillhals on Illustrated (sight size)
Lot237
237 Peggy Spicer
River Landscape , North Island watercolour signed 57x55
Illustrated p
238 Francis I. Hunt
Central North Island Landscape oil on board signed and dated 1936 38x56
Illustrated
239 James McLauchlan Nairn Rocky Coast , Wellington watercolour signed and dated 1892 22x29
240 Adele Younghusband A view in Albert Park , Auckland oil on board signed and dated 1937 35x40 Illustrated
241 Charles Blomfield Army Bay , Whangaparoa oil on board signed and dated 3 1.96 29x40 Illustrated
Lot241
Lot2L
Lot240
242 Dorothy
Landscape with Cattle watercolour signed and dated 1931 25x35 Illustrated
243 John
Moroccan Market sepia wash signed 27x36 Illustrated
Lot242
Kate Richmond
Weeks
Lot243
244 Lawrence William Wilson
The Philip Laing coming up the Harbour (Otago) oil on canvas title inscribed and signed with initials 30x45
Illustrated
245 E.D. Drake
The Waiohine River from Woodside oil on board title inscribed and signed and dated 1897 32x55
Illustrated
246 Alfred Wilson Walsh
A Scene in the Southern Alps watercolour signed and dated 1889 31 x45
Illustrated
Lot245
Lot246
247
signed 60x75 Illustrated
248
signed 52 x 75 Illustrated
249 Rudolf Gopaz Mountain Twilight pastel signed 41 x57
Lot247
Peter McIntyre Piazza di Camidaglio , Rome oil on board
Peter McIntyre Ghost Trees , Ti Point , Northland oil on board
250 Doris Lusk
Demolition , Christchurch acrylic on board signed and dated 1981 85x63
251 Jack Crippen Manukau Harbour oil on board signed 40x69
252 Olivia Spencer Bower Diamond Harbour watercolour signed and dated 1945 41 x56
253 May Smith Cattle under a Pohutakawa Tree pen and watercolour signed and dated 1971 49x70
254 T .A. McCormack Seated Woman pen drawing signed 23x 18
255 Trevor Lloyd Tree Ferns etching signed
David Barker Fog acrylic on board signed and dated 1977 70x75
19th Century Italian School A North African Scene gouache 30x48
John Douglas Perrett
Blueskin Bay oil on board 30x46
Russell Clark
Spanish Dancers ink drawing signed 14x20
Maud Sherwood
The Discussion woodblock print initialled on block , titled and signed in pencil 250 x 250 (sight size)
John Weeks
James Peele Mitre Peak and Milford Sound oil on canvas signed and dated 1897 44x75
G.E.Purdon In the Sounds
A pair of oils on board each signed and dated and measuring 74 x 59
Charles Blomfield
Mt Cook from the West Coast oil on canvas
Title inscribed and signed on stretcher in the artist ' s hand
Maori Settlement at Lake Taupo oil on canvas 35x 15
256 Garth Tapper
Interior pen and wash drawing inscribed in ink on reverse in the artist's hand 'To Miss White with best wishes for 1950, Garth Tapper 30x30
257 Russell Jackson South Piha acrylic signed and dated 1972 18x 18
258 Rix Carlton
Mountain Landscape signed and dated 1914 24x33
South of Marakesh pen and watercolour signed 16x26
EnaB. Jeans Matatapu Wanaka watercolour signed 25x27
EnaB.Jeans Bannockburn Otago watercolour signed 25x28
EnaB.Jeans Bannockburn watercolour signed 23x30
signed and dated 1891 36x60
J.C. Hoyte On the Shotover , Otago N.Z. watercolour
Title inscribed in pencil in the artists hand 32x21
Pietro Gabrini
Herdsmaid with goats signed 52x36
Wynards
Sheep in Landscape oil on panel signed 20x25
