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Fine Paintings, Prints & Drawings

Page 1


Prints & Drawings

THURSDAY 25th AUGUST 1983

Lot 214 - GIROLAMO PIERI BALLATI NERLI Portrait of Melba

ESTIMATES

Peter Webb Galleries Limited publishes its estimates of the prices likely to be realized for all the lots in the catalogue.

The estimates appear following each description.

The estimates are intended as a guide for prospective purchasers. Lots may be sold below or above estimates depending on the degree of competition for them.

If instructed, the auctioneers will carry out bidding for intending purchasers. The service is free and all bids are treated in strict confidence. Lots will be bought as cheaply as the room bids allow and with regard to any reserves placed upon them by the sellers.

CONDITIONS OF SALE

I. The highest bidder to the purchaser, subject to the Auctioneers having a right to refuse the bidding of any person. Should any dispute arise as to the biddings , the lot in dispute to be immediately put up for sale again at the preceding bidding, or the Auctioneers may declare the purchaser.

2. No person shall advance less at a bid than a sum to be nominated by the Auctioneer and no bid shall be retracted

3. All lots are sold subject to the right of the seller or his agent to bid or else to impose a reserve

4 The purchaser to give his name, address and to pay down 10 percent of the purchase money in part payment thereof. In default of any of which matters the lot or lots purchased may be immediately put up again and resold.

5. All lots are sold as shown and with all faults, imperfections , and errors to description The Auctioneers act as agents ; they have full discretion to refuse any bidding or to withdraw any lot or lots from the sale without in either case giving any reason; neither they nor the Vendor are responsible for errors of description or for genuineness or authenticity of any lot or fault or defect in it, and make no warranty whatever

6. The lots are at the , buyer's risk from the fall of the hammer and are to be taken away at the buyer's expense, in default of which the Auctioneers will not hold themselves responsible; if the same are lost, stolen , damaged, or otherwise destroyed , but they will be left at the sole risk of the purchaser. 1f the lots are not cleared or paid for, they may then be sold immediately either publicly or by private treaty, without any notice being given to the defaulter.

7 Upon failure of the purchaser to comply with any of the above conditions the money deposited in part payments shall be forfeited, and the defaulter shall make good any loss arising from the resale, together with the charges and expenses in respect of both sales.

8. No goods are to be removed while selling is in progress Receipted invoices must be produced prior to delivery of any lot. The Auctioneers reserve the right to request identification in the case of any purchaser not known to the Auctioneer who pays by cheque Charging to credit cards will not be accepted as means of payment.

"No person being the purchaser of any item falling within the provisions of the Antiquities Act 1975 or the Arms Act 1958 shall be entitled to take possession of such item or to demand possession thereof from the Auctioneer unless and until such person produces to the Auctioneer a licence pursuant to the appropriate one of the two Acts referred to above."

lnsurance:-

All lots are purchased at the risk of the purchaser from the fall of the hammer. Insurance can be arranged with the Sun Alliance & London Insurance Group on an " All Risks " basis for a premium of 1%.

Instruction to Bid:-

Instructions to bid at sale are accepted by Peter Webb Galleries Limited and carried out free of charge. Lots will be bought as favourably as is allowed by the bidding the saleroom and reserve imposed.

lnspections:-

Inspections are made and advice given concerning the sale of Antiques and Works of Art free of charge in Auckland, and for a reasonable fee elsewhere.

Valuations:-

Valuations for insurance, probate or family division are undertaken on either a quotation basis or a small percentage plus travelling expenses. The charge is remitted on all property valued that is sold through Peter Webb Galleries Limited within a reasonable time

Sale Number 51

Catalogue of

Important Historical & Contemporary New Z,ealand & European Paintings Prints & Drawings

THURSDAY 25th AUGUST 1983

in two sessions commencing at 3.30 p.m. Lots 1-142* & 7.30 p.m. Lots 143-276

*Note: A supplementary catalogue of late entries and other paintings will be offered at the end of the first session.

Please note that there will be no general viewing

SPECIAL VIEWING TIMES FOR THIS SALE: The sale is on view daily from Sunday 21st August until Wednesday 24th August, 9 a . m. - 6 p.m. except Sunday hours are 10 a.m. -3 p.m.

NB: No general viewing day of sale .

.Fme Art Auct10neers oc f-\.pprn.1.M:;u, Comer Elliot & Wellesley Streets, Auckland 1. P.O. Box 7008, Auckland Telephone 734-404

Lot 80 - RAYMOND McINTYRE House, Cyprus Trees and two figures

Books, Prints and Drawings

ART NEW ZEALAND

1 A complete set to date. Numbers 1-26 including out-of-print numbers 8, 9 and 15. 120 - 150

HUNDERTW ASSER

2 Catalogue of New Zealand Australian Exhibition 1973 20 - 30

GLOVER AND TRICKER

3

Arawata Bill Poems by Denis Glover, etchings by Gary Tricker.

The Graphic Society of New Zealand 1981. No. 50/ 100 autographed. Tall 8vo. with six colour etchings, cased. Mint copy. 350 - 450

HEATHER CURNOW

4 The Life and Art of William Strutt Alister Taylor, 1980. Numbered copy 367 from an edition of 1500 cased, mint copy. 300 - 350

5

THE OXFORD REFERENCE CLASSICS OF THE ENGLISH LANGUAGE

Set No. 3515. Anniversary Edition of 8 volumes issued by the Franklin Library 1971 limited to 7,500 sets. All volumes sumptuously bound in full dark blue leather gilt tooled, with accompanying magnifying glass and wooden book rack.

AU'GUSTUS EARLE

- 800

6 A Narrative of a nine months residence in New Zealand in 1827 1832, with folding plates. Rebound in green cloth and ½ calf gilt tooled. 8vo. A fine copy.

7 Another copy, plates incomplete rebound in brown cloth, ½ calf gilt tooled.

-

JOHN BRIGHT

8 Hand-Book of New Zealand and the Australian Continent. 2nd edit. 1841. sml. 8vo

LADY BARKER

9 Station Life in New Zealand 1886. 8vo. rebound in black morocco, gilt tooled.

- 60

ANDREW GARRAN

10 Picturesque Atlas of Australasia. Vol. III 1886

SECHSTER BAND

- 100

11 Masterworks of Architecture, Sculpture and Painting 1884 Text in German. Numerous engraved plates. Folio and gilt cloth.

- 100

12

RUDYARD KIPLING AND WILLIAM NICHOLSON

An Almanac of twelve sports. William Heinman 1898. Twelve colour lithos from the original woodcuts lg. 4to. stained copy.

- 150

ADAM DE CARDONNEL

13 Picturesque Antiquities of Scotland. Printed for the author, 1788 with .fifty etchings on buff paper tipped in. Some slight discolouration and staining to page edges; original cover boards soiled but firm, otherwise a fine copy of this rare work. 4to. 500 - 1000

REV. WILLIAM YATE

14 An account of New Zealand. 2nd edition 1835, plates and folding map. Rebound in red morocco gilt tooled. A fine copy.

- 120

15

SIR MAUI POMARE AND JAMES COWAN

Legends of the Maori. Illustrations and one original etching by Stuart Petersen. 2 vols 1930 No. 49 of the deluxe edition of 300. Autographed by the authors and the illustrator. Full leather g.s. cased. A fine set. · 160 - 200

SIR JOHN WILSON BT.

16 The Royal Philatelic Collection. Dropmore Press 1952. Colour plates, full leather gilt stamped. Cased. 500 - 600

COL. G.C. MUNDY, after 11 Auckland, New Zealand

lithograph by W.L. Walton 1852 122 x 185mm 150 - 200

CHARLES HEAPHY, after 18 Mt Egmont from the North Shore of Cooks Strait.

lithograph by T. Allom 1841 410 x 560mm

A good copy of this rare print.

CHARLES HEAPHY, after 19 Birdseye View of Port Nicholson in New Zealand

lithograph by T. Altom 1840 495 x 705mm

A good copy.

400 - 500

400 - 500

NEW ZEALAND ARTIST UNKNOWN

20 Auckland Harbour with troop ships. C.1902. (Probably ships unloading soldiers returning from the Boer War). watercolour. This monochromatic work could have been painted for reproduction as an illustration in English or local newspapers of the time A number of artists produced such work including James Ingram McDonald, Kennett Watkins and the Wright brothers. 19.2 x 62.4cm 750 - 1000

WILLIAM EASTWOOD

21 Emigrant's Home or depot, Freeman's Bay, Auckland.

pen drawing, signed W.E. and u -1ted 1863 and titled in ink.

170 x 245mm 250 - 300

22 SIR MUIRHEAD BONE 1876-1953 Clyde Shipbuilders drypoint 1899. Set No. 34 CD47, 1 signed on plate and titled and signed in pencil on margin. Edition approx 32 287 x 215mm

A little very light foxing, mostly to right margin, otherwise a fine strong impression. 450 - 600

23 JAMES ABBOTT McNEIL WHISTLER 1834-1903

The Little Putney No. 1. 1879 etching, third state with butterfly signature. Ref: Kennedy, Cat. No. 179. A good print. 500 - 600

24

JAMES ABBOTT McNEIL WHISTLER Hurlingham etching, third state signed on plate with butterfly signature. Ref: Kennedy 181/3

137 x 200mm

A good clean impression. 900 - 1200

2 WILLIAM STRANG 1859-1921

5 Title unknown.

A beggar kneeling before four peasants dividing a loaf of bread. etching, signed and dated on plate

175 x 250mm

A good impression but lightly foxed all over. 300 - 400

Lot 83 - A. LOIS WHITE Winter's Approach
Lot 30 - GERALD LESLIE BROCKHURST La Tresse

A folder containing eleven miscellaneous etchings, engravings and lithos.

MARCO RICCI 1676-1729

27 Hilly landscape with men leading horses down a path. etching 281 x 355mm

ARTIST UNKNOWN.

28 Italian 16th Century The Visitation. engraving with legend 182 x 132mm

ALEXANDER RUNCIMAN 1736-1785

29 The finding of Carbon Cargloss (small version). etching, trimmed to plate, signed on plate. 141 x 84mm A late impression.

30

GERALD LESLIE BROCKHURST

R.A. 1890-1979

La Tresse

etching Oct. 1926, signed and dated 'G.L. Brockhurst 1926' (in reverse) and in pencil on margin, seventh and final state. Edition of III.

Ref: Wright, Cat. No. 56

212 x 176mm

Exhbt. Royal Academy 1927. No. 1116. The subject of this fine print is the artist's wife. A fine impression. (Illustrated) 1500 - 2000

31

GERALD LESLIE BROCKHURST

Malvina

etching Nov. 1929, signed and dated ' G.L Brockhurst 1929' (in reverse) and in pencil on margin, last state, Edition III

Ref: Wright, Cat. No 76

197 X 149mm

Exhbt. Royal Academy 1930. No. 1077

A very fine impression. (Illustrated) 1000 - 1500

GERALD LESLIE BROCKHURST

32

Amanda etching 1920, signed 'Brockhurst' (in reverse) and in pencil on margin. Ref: Wright Cat. 19, only one state, edition 55 88 x 61mm A good impression

W. PEEK

400 - 500

33 Amsterdam sepia etching, titled and signed in pencil

238 x 340mm with H.V ROSSEN

Amsterdam etching, titled & signed in pencil. 133 x 184mm with two other prints (4) 100 - 150

34

GRAHAM SUTHERLAND b. 1903

Latttce paper collage 247 x 184mm

Has original exhibition label on backboard.

300 - 400

35

GRAHAM SUTHERLAND

Avernus gouache

242 x 193mm

Has original exhibition label on backboard.

300 - 400

SIR WILLIAM NICHOLSON 1872-1949

36 L is for Lady woodcut with watercolour added by the artist. From the series "An Alphabet" signed in ink on the mount. The artist printed this series himself before the transfer of the images to lithographic stone for the book edition published by Heinemann, London 1898. (Illustrated) 1000 - 1500

JAMES JAQUES TISSOT 1836-1903

37 Promenade dans la neige (A Winter 's Walk)

etching and drypoint 1880, first state signed and dated on plate

56 8 x 26 3cm

Edition: about 100 (Dudley) This fine print is from the first of three states with the title margin blank except for the signature and date and a few vertical test lines beneath the date The second and third states are as above but have an additional text by Keats printed in the title margin. (Illustrated) 4500 - 6000

JAMES JAQUES TISSOT

38 Histoire Ennuyeuse (An Interesting Story) etching and drypoint, 1878, signed and dated on plate

31.4 x 20.3cm

Editon : About 100 (Dudley)

States: One published, after a painting of the same title

Ref: Tissot 28, Biraldi 25. "Beraldi considered this to be amongst Tissot's most remarkable etchings, for example, in the manner in which the girl's magnificent hat and dress with their silky smooth surfaces are contrasted against the finely worked background The setting for the study may well be the interior of the Falcon Tavern at Gravesend on the Thames which is also featured in the related painting 'An Interesting Story' belonging to the National Gallery of Victoria."

William Weston catalogue No 9 1977 (Illustrated) 1200 - 1500

ERIC RAVILIOUS 1903-1942

39 Untitled, seated woodland figure woodcut, signed in pencil 150 x 76mm 200 - 300

40 ERIC RA VILIOUS Seals woodcut 197 X 300mm 50 - 100

P. ROIG

41 La repetition de cirque. Plate XVIII, colour lithograph

Edition of c 100 impressions 340 X 250mm 150 - 250

WALTER TITTLE b.1883

42 Portrait of Augustus John drypoint 1933

Edition of 75 impressions, signed in ink. 253 x 220mm 300 - 350

43 ERIC GILL 1882-1940 Mother and Child engraving Edition of 50 signed and numbered 57 x 98mm 250 - 300

EILEEN MAYO b.1906

44 The Water Carrier colour woodcut, c.1930 Edition of 30 signed, titled and numbered

300 x 230mm

45 PAUL BERTHON 1872-1909

Les eglantines

colour lithograph, 1900

Edition of 200 impressions

- 300 390 x 537mm 1200 - 1500

FELIX BUHOT 1847- 1898

46 Les Voisins de campagne etching , drypoint & aquatint c.1880 Bourcard / Goodfriend 148 iv / 5 135 X 180mm 1000 - 1200

47 MARIE-CHARLES DULAC 1874-1898

Two figures on a Canal Bank. colour lithograph, 1892-3 Suite de Paysages, plate 1

Trial proof before remarque

493 x 335mm 350 - 400

Lot 258 - PATRICK HANLY Figure in Light No I

MARIE-CHARLES DULAC

48 Two Figures on a Canal Bank with Open Landscape colour lithograph, 1892-3. Suite de Paysages, plate 3. Edition of 120. Signed and numbered in pencil. Bearing the Monrocq Freres blindstamp. 416 x 340mm

- 400

MARIE-CHARLES DULAC

49 Deserted Terrace with Tree lithograph, 1892-3 Suite de Paysages, plate 4. Edition of 100 Signed and numbered. 340 x 490mm

- 400

MARIE-CHARLES DULAC

50 Park with Terrace and Lake colour lithograph, 1892-3. Suite de Paysages, plate 7. Edition of 109. Signed and numbered. Bearing the Monrocq Freres blindstamp 344 x 493mm 350 - 400

MARIE-CHARLES DULAC

51 Park with Trees, Lake and Two Figures colour lithograph, 1892-3. Suite de Paysages, plate 8. Edition of 122. Signed and numbered.

- 400

52

ALEXANDRE LUNOIS 1863-1916

La Corrida colour lithograph, 1897

ALEXANDRE LUNOIS

53

La Corrida colour lithograph, 1897 450 x 600mm

ALEXANDRE LUNOIS

54

La Corrida colour lithograph, 1897 450 x 600mm

55 MANUEL ROBBE La Neige colour aquatint, 1901 Merrill Chase 61. Edition of 64. signed in pencil, published by Sagot

368 x 496mm

56 19th CENTURY FRENCH SCHOOL

La Valse etching, 130 x 200mm

WILLIAM NICHOLSON

57 Portrait of James Pryde colour woodcut, 1899 Signed and dated on block

JUDITH CARMEL KELLY

58 Figure and -head studies

Conte drawings (2). Signed and dated 1966

59 ISRAEL SILVESTRE 1621-1691

Arch of Constantine etching, 68 x 153mm

A good impression.

60

ADRIAEN VAN OSTADE 1610-1684

Three Rustic Figures etching, signed on plate A. Ostade f. Ref: Bartsch 28 80 x 58mm A good impression

CORNELIS BEGA 1620-1664

- 80

- 300

61 Old woman sitting on a stool holding a jug etching. Ref: Bartsch 12 65 x 58mm Torn top right corner, otherwise a good print.

62

TEODORO FILIPPO DI LIAGUO D.1625 · Soldier wearing hat with feather. etching, signed on plate. Ref: Bartsch 7 114 x 93mm

A good impression. 150 - 200

HANS SEBALD BEHAM 1500-1550

63 Village Nights and Two Dancing Couples engravings, trimmed to platemark signed with monogram. Ref: Bartsch 156 49 x 77 and 49 x 70mm

Both good impressions

CLAUD DUFLOS 1662-1727

- 1200

64 Landscape with fortified bridge and ferry etching, trimmed to plate signed on plate

-

93 x 157mm

JOHN LAPORTE AFTER 65 THOMAS GAINSBOROUGH Landscape 1802

soft ground etching, trimmed to plate 241 x 312mm

- 200

66 AUSTRALIAN, 19TH CENTURY ARTIST UNIDENTIFIED Scene on Watts River, Fernshawe lithograph, signed with initials on the stone 370 x 528mm 150 - 200

67

JEAN-LOUIS FORAIN 1852-1931

Les Socia/isles Francois pencil and ink drawing with Chinese white signed and dated 1917 370 x 510mm

JEAN-LOUIS FORAIN

68 La Visitea a l'usurier pencil and ink drawing, signed 322 x 490mm

69

JEAN-LOUIS FORAIN

A la Sante pencil and ink drawing, signed 352 x 466mm

EDOUARD MANET 1832-1883

- 1000

- 1000

- 1000

70 Portrait of Baudelaire, 1865 etching, signed on plate, with engraved text 'Peint et Grave par Manet 1865' Imp. A. Salmon 91 x 82mm 300 - 400

70A JACQUES VILLON 1875-1963 Study of a woman's head pencil and wash, signed in pencil with a collector's stamp in red, lower right margin. 160 x 115mm 800 - 1000

HANS BURGKMAIR 1473-1531

71 Lust embracing a lover (Unkeisch) From the Seven Vices series woodcut. A Derschau impression without ornamental border

169 x 76mm

Provenance: Chr isti es, London

JACQUES CALLOT 1592-1635

200 - 300

72 Les Exercises Miliataires etchings, frontispiece and set of twelve second state (final)

61 x 81mm (13) 1200 - 1500

73

GARY TRICKER

Arawata Bill colour etching. Artist's proof signed and dated 1981 in pencil. 111 x 77mm 100 - 130

74

GARY TRICKER

The Scene

colour etching. Artist's proof titled, signed and dated 1981 in pencil.

130 x 150mm 100 - 130

GARY TRICKER

7

5 The End colour etching. Artist's proof titled, signed and dated 1981 in pencil.

x 100mm

6 LOUISE HENDERSON

7 The lost world sepia etching 9/20, titled, editioned and signed in pencil.

ARTHUR C. HIPWELL

77 Figure group in abstract watercolour, signed and dated 1955 in brush point.

8 TREVOR LLOYD 1864-1937

7 The Bridge drypoint

TREVOR LLOYD

79 Rendey-vous drypoint, titled and signed in pencil

x 180mm

RAYMOND McINTYRE 1879-1933

80 House, Cyprus Trees and two figures lino-cut, signed and monogrammed in pencil.

x 140mm. Rare. (Illustrated)

JOHN WEEKS 1888-1965

81 The Low-gate, Edinburgh etching, signed in pencil

150 x 100mm

One of only two known impressions of the only etching the artist is believed to have made.

: Minnie F. White.

GORDON WALTERS b.1919

82 Untitled Koru based abstract. ink drawing

83 A. LOIS WHITE b.1903 Winter's Approach pencil and watercolour, titled and signed in pencil.

LOIS

TONY LANE

85 Untitled drawing pastel 29 x 35cm 86 JOHN L. MOORE A Dead Totara

drypoint, signed and dated 1932 on plate and again in pencil. 14 x 18cm

TREVOR LLOYD

87 Fairy Lovers etching, hand coloured 16 x 8cm

J.C. FISHER

88 Girl with Lyre pencil drawing, signed 29 x 26cm

89 W.A. SUTTON b 1917 Down the Valley watercolour, signed and dated 1944 in ink.

ERIC LEE-JOHNSON b.1908

90 Dead trees, North Auckland watercolour, signed and dated 1947 in ink.

37 x 55cm 1000 - 1200

91

ERIC LEE JOHNSON Cement Works peri and watercolour, signed in ink.

325 x 450mm 900 - 1200

92

DENIS KNIGHT TURNER

The Flooded Farm crayon drawing with gouache, signed and dated 1953 in ink.

51.5 x 62cm

JOHN DRAWBRIDGE

250 - 400

93 Alice in Somewhere etching and aquatint, inscribed on margin 'unique state', titled and signed in pencil.

352 x 549mm

94 SIR MOUNTFORD TOSSWILL WOOLLASTON b.1910

300 - 400

A Musical Entertainment 1938 Verso Four Musicians. ink drawing, signed and dated 1938 12 x 19cm

500 - 700

TERRY STRINGER

95 Portrait of Lois White after a self portrait of the twenties. Bronze, from an edition of twelve, signed and dated 1978.

Height: 23.2cm plus painted wooden base. Illustration: Art New Zealand No. 7. P. 74

GRAHAME C. SYDNEY

96 Study of a dead magpie.

Lot 247 - FRANCES HODGKINS Barges on the Seine Lot 248 - FRANCES HODGKINS Portrait of May Kenyon

500 - 700 watercolour, signed and dated 1975 in pencil. 18 x 29cm

COLIN McCAHON b.1919

500 - 700

97 Poems by John Case/berg. oil crayon on paper, signed and dated 1971 in pencil.

35.5 x 27cm

COLIN McCAHON

200 - 300

98 Puketutu from my boat three lithographs framed together from an edition of 100 published in 1957 by Peter Webb.

each 215 x 265mm

DICK FRIZZELL

200 - 300

99 Sketch for Self Portrait as Cannibal Chief pen, crayon and watercolour 20 X 30cm

100 - 150

RALPH HOTERE

100 Drawing for Ian Wedde's "Pathway to the Sea" watercolour, titled, signed and dated 1975 in ink.

55 x 75cm

101

MICHAEL SMITHER b.1939 Black Rock

500 - 70Q

screen print

70 x 58cm 150 - 200

TIM GARRITY

102 One Summer c.1964 watercolour, gouache with gold paint signed and titled in brushpoint

75 x 55cm

NIGEL BROWN

150 - 200

103 This small tree bears one lemon like a sun for bitter man.

acrylic on paper, signed N.R. Brown 77 Titirangi

60 x 45cm

350 - 450

DALi b.1904

DUNCAN GRANT b.1885

113

PETER PERYER

Erica

HERMANUS KOEKKOEK THE ELDER Dutch coastal scene

119 IAN SCOTT

Lattice colour screenprint 1978 39 / 65 titled, editioned and signed in pencil. 99 x 75cm 100 - 150

120 GORDON WALTERS

Arahura colour screenprint 60/ 125 editioned, titled and signed in pencil.

54 x 44cm 150 - 200

121 MINNIE F WHITE

The Brick Kiln linocut, signed in pencil. Title inscribed on back of mount, signed and numbered 10/ 6 120 x 135mm with Play

ink drawing (slightly torn), signed 165 x 135mm with a mechanical print (3) 50 - 75

TREVOR LLOYD

122 The Nikau Palm sepia etching, titled and signed in pencil 300 x 155mm 100 - 150

TREVOR LLOYD

123 His Majesty the Kauri sepia etching, titled and signed in ink 330 x 215mm 150 - 200

124

TREVOR LLOYD

Bush Fairies etching, titled and signed in pencil. 255 x 140mm 100 - 120

125

PHILIP CLAIRMONT b.1949

Okraschoten

pen and charcoal drawing, titled, signed and dated 1973

260 x 370mm 150 - 200

PHILIP CLAIRMONT

126 Magic Theatre (for madmen only) ink drawing, titled, signed and dated 1974 370 x 270mm 150 - 200

PHILIP CLAIRMONT

127 Untitled drawing mixed media 150 x 220mm

IVY M. COPELAND

128 Minnie White making coffee watercolour, signed in brushpoint

21 x 16cm

-

-

129 A.S. COATES Wanaka acrylic on board, signed 24 x 39cm 1000 - 1500

130 JOHN WEEKS O.8 E. 1885-1965 Stucco House watercolour 200 x 170mm Collection: Minnie F. White 300 - 500

131 JAMES L. YOUNG A.R.E. Untitled , etching, signed in ink on margin 245 x 300mm

- 150

132 DOUGLAS McDIARMID b 1922 Lands cape near St Trope z verso: Sketch of same subject gouache, signed in ink 26 x 36cm 800 - 1200

DOUGLAS McDIARMID

133 Chinese g irl at the window of a train , Paris watercolour C.1948, titl e in sc ribed on back in ink in the artist' s hand 30 x 23 5cm 800 - 1200

Lot 215 - CHARLES FREDERICK GOLDIE Te Aotiti Tumai

EVELYN PAGE b.1899

134 Female nude study watercolour, signed in pencil

x 49cm

-

135 SIR MOUNTFORD TOSSWILL WOOLLASTON Erua Brown ink drawing for the illustration on p.46 of 'Erua' by M.T Woollaston, Blackwood and Janet Paul 1966. 36.6 x 27cm

with autographed copy number 680 of 'Erua'.

136

DORIS LUSK b.1916

Head of a Girl brown ink and wash drawing signed and

ROBERT ELLIS b.1929

137 Churchyard, Holy Trinity oil on canvas, C 1954, signed.

x 76.5cm

Exhibited: Royal Academy, London, 1955

-

NIGEL BROWN

138 Mother & Child with tree No. 3

Lot 154 - DELPHIN ENJOLRAS On the Terrace

140 JEFFREY HARRIS Landscape

141 GRAHAM JOHNS Interior

on canvas, signed

LOUISE HENDERSON

European Paintings - New Zealand Historical Paintings

143 HERMANUS KOEKKOEK THE ELDER 1815-1882

Dutch coastal scene with fishing boats and figures oil on canvas, signed H Koekkoek and dated 1863

x 58cm (Illustrated) 15,000 - 25,000

ALFRED VICKERS 1786-1868

144 At Compton , Lincolnshire oil on canvas, signed Alfred Vickers 30 x 61cm (Illustrated) 2500 - 3500

145 G !"- PROSSER active C.1828 Wm chester watercolour, signed G F. Prosser and inscribed 'Winton ' in brushpoint.

CHARLES CATTERMOLE 1832-1900

146 Untitled watercolour depicting a party of mounted noblemen and soldiers in armour travelling through a wooded landscape watercolour, signed in brushpoint

x 74cm

CARLTON ALFRED SMITH b.1853

147 Interior with young man and young woman watercolour, signed and dated 1890 in brush point. 43 x "57cm (Illustrated) 1500 - 2000

- JOHN GULLY Lake Tarawera

148

THOMAS COLLIER R.I. 1840-1891 Arundel Park watercolour study, signed and dated 1877 in pencil.

16 x 24.5cm 500 - 750

149 THOMAS SIDNEY COOPER R.A. 1803-1902

Study of a Collie Dog watercolour, signed in full and dated 1878 in brush point.

12 x 21cm 750 - 1000

150 WILLIAM LUKER SNR. fl. 1851-1889 Langley watercolour, signed and dated 1855

21 x 39cm 500 - 700

151

WILLIAM LEIGHTON LEITCH 1804-1883

Stepping Stones on the Llugwy watercolour, signed and dated 1856 in brush point.

21 .5 x 32.5cm 800 - 1200

THOMAS ROPER fl. 1749-65

152 Landscape with stream, cattle and fishermen. watercolour, signed in brushpoint.

15.5 x 32.5cm 350 - 500

DAVID ROBERTS R.A. 1796-1864

153 Cathedral interior with figures. watercolour, signed and dated 1831 in brush point.

26 x 20cm 500 - 700

154 DELPHIN ENJOLRAS b.1857 On the Terrace oil on canvas

72 x 59cm (Illustrated) 2000 - 3500

1 PIET MONDRIAN 1872-1944

55 Moored Barges watercolour C. 1900

31.5 x 46.5cm 5000 - 7000

Provenance: This work was purchased at Sotheby Mak Van Waay, Amsterdam 1932. Catalogue available to purchaser.

156 CECI~ BEATON 1904-1980 Fusch1as watercolour design for fabric, signed in brush point.

58 x 71cm 400 - 500

157 THOMAS REGINALD ATTWOOD c. I 865-1926

Doubtful Sound oil on canvas, signed

61 X 91cm 2500 - 3500

W.G. BAKER 1864-1929

158 Waikato River with Maori Village oil on canvas, titled and signed 46 x 66cm 1000 - 1600

W G. BAKER

159 Blind Bay, Great Barrier Island oil on canvas, titled and signed 45 x 67cm 1000 - 1600

W G. BAKER

160 Pukawa Lake oil on canvas, titled and signed 65 x 44.5cm 1000 - 1600

H W KIRKWOOD 1854-1925

161 Nelson Landscape with Fisherman oil on board, signed 44 x 29cm I 200 - 2000

162 NUGENT WELCH 1881-1970 Takako watercolour, signed in brushpoint.

28.5 x 22cm 500 - 600

Lot 250 - J.B.C. HOYTE Lake Wanaka
Lot 240 - GEORGE W CARRINGTON Otago Harbour from Mt Cargill

163 MABEL HILL 1872-1956

A Street in Ama/fi watercolour, signed and dated 1932

x 29.6cm

MABEL HILL

164 Horshoe Bay, Blenheim watercolour, signed and dated 1893

165 JAMES McINTOSH MADDEN 1856-1923

Mt Earnslaw, Lake Wakatipu watercolour, signed in brushpoint

166

PETRUS VAN DER VELDEN 1837-1913

Eye of the Storm gouache, signed in brushpoint

L.W. WILSON

167 Doubtful Sound watercolour, titled and signed and dated 1890 in brushpoint. 23 x 48cm

JAMES McINTOSH MADDEN

-

168 Routeburn Valley, Martins Bay Track watercolour, signed and dated 1901 in brush point.

x

169 FRANK WRIGHT 1860-1923

Te Whaiti watercolour, signed and dated 1912 in brush point.

x

-

170 THE REVEREND JOHN KINDER 1819-1903

Chateau d'Argues entrance watercolour, inscribed in pencil and dated Oct 7, 1840 175 x 255mm

171 JAMES McLAUGHLIN NAIRN 1859-1904

Farm House and figure (Rangitoto in background)? pencil drawing, signed J.M Nairn in pencil. 282 x 200mm

GOTTFRIED LINDAUER 1839-1926

172 Portrait of Huria Metenga (Julia Martin, the New Zealand Grace Darling)

An interesting crayon drawing over a photograph of the artist's painting of Huria Matenga which hangs in the collection of the Suter Art Gallery, Nelson Signed and titled in faded ink on reverse 36 x 29cm

173 J.F. PASSMORE (Mrs) fl. 1860-1880

The Lovers oil on board 33 x 25cm

JOSEPH LINDAHL (U.S.A )

174 Mexican huts and saddled horse oil on board, signed 45 X 61cm

JOSEPH LINDAHL

175 Autumn Landscape oil on canvas, signed 45 x 50cm

6 PETRUS VANDERVELDEN

- 1200

17 Harbour Scene watercolour, signed in brushpoint 15 x 22cm 1000 - 1500

Ref: 1979 Dr T.L. Rodney Wilson Cat. Raisonne 1.3.1.10

177

HENRY WILLIAM KIRKWOOD

Milford Sound oil on board, signed H.W K. 21.5 x 28.7cm

- 1000

178 HENRY WILLIAM KIRKWOOD Mitre Peak oil on board, signed H. W K and dated 1887 750 - 1000

179 W. BASIL HONOUR b.1897 Lake Wanaka oil on board , signed 32 x 42cm

180 DA YID EDWARD HUTTON 1866- 1946

A Leisure house, midday, Orari oil on board, signed and dated 1894 44 x 60cm

181

GWYNETH RICHARDSON Floral Still Life watercolour, signed in brushpoint 46 5 x 55cm

DA YID EDWARD HUTTON

182 Portrait of a Young Maori Woman oil on canvas, signed 65 x 50cm

MINNIE F. WHITE

-

- 800

- 700

- 1000

183 The Mangaotaki River, King Country oil on board, signed 40 x 50cm

- 500

184 ARMEN ALFRED SCHMIDT 1886-1957

A Portrait Study oil on board 47 X 31cm

DOUGLAS BADCOCK b.1922

185 Winter Afternoon, Arrow River oil on board, signed and dated 1980 47 x 68cm

DOUGLASBADCOCK

186 Golden Poplar, Arrow River oil on board, signed and dated 1962 48 x 60cm

PAUL BERTRAM

187 Landscape with sheep and heather watercolour, signed in brush point 35 X 50cm

-

- 350

- 800

188 WILLIAM A YERST INGRAM R.B.A. 1855-1913

Harbour scene with old wooden warship oil on canvas, signed 30 x 61cm 800 - 1200

J. CLASSENS

189 Fishing boats oil on board , signed and dated 1880 49 x 75cm

190 BRITISH SCHOOL C.1800 Horse and jockey oil on board 37 x 46cm

191 HENRY CHARLES FOX R.B.A. tl. 1879-1913

English landscape and river watercolour, signed in brushpoint

X 100cm

192 R. PURVES FLINT 1883 - 1947

A Grey Day, Scarborough watercolour, signed in pencil 23 x 38cm

-

-

- 350

Lot 238 - LAURENCE W. WILSON Mt Sefton
Lot 211 - WILLIAM MATHEW HODGKINS Lake Takapo and the Southern Alps
Lot 220 - CHARLES BLOMFIELD Whangaroa Harbour

193 CHARLES DECIMUS BARRAUD 1822-1897

South Island lake and mountain scene with figures watercolour, signed and dated 1875 in brushpoint. 28 x 49cm

- 3500

194

EDWARD AUGUSTUS GIFFORD 1819-1894

Lumsden Hills from behind Castlerock Homestead. watercolour , signed E A.G. and dated 1880 in brush point. 16 5 x 37cm

- 2000

H M.L. ATCHERLEY

195 Maori Village, Waikato region watercolour, signed and dated 1877 in brush point. 37 x 62cm

96

- 2000

SYDNEY L THOMPSON, attrbtd.

1 Portrait of a Man oil on board C 1900, with letter of attribution from the Robert McDougall Art Gallery. 29.4 x 35cm

- 600

E. ROSA SAWTELL d 1940

197 Wild Roses, Still life watercolour, signed and dated 1905 in brush point. 67 x 53cm

- 2000

198 EDMUND GOULDSMITH R B.A. 1852-1932

Bush and Mountains New Zealand watercolour, signed E.G in pencil. 28 x 38cm

FRANK WRIGHT

199 Timber Scows aground, Auckland watercolour, signed in brushpoint 22 X 34cm

FRANK WRIGHT

200 Cecil and Walter Peaks watercolour, signed in brush point. 24 x 36cm

-

- 1400

Reproduction: 'New Zealand', F. & W. Wright and W.P. Reeves, 1908 p.176

CHARLES BLOMFIELD 1848-1926

201 Chinese Diggings near Lake Mapouriki, Westland oil on board, signed and dated 1903 30 x 48cm

- 2500

CHARLES BLOMFIELD

202 Hagley Park? with figures oil on board, signed and dated 1910 44 X 30cm

A. ALDIS fl.1880-1900

- 1200

203 Unidentified North Island Mountain Landscape with township oil on canvas, signed and dated 1890

VERA CUMMINGS 1891-1949

204 Double Portrait, two young Maori Girls in feather cloaks oil ori canvas, signed

x 45cm

JAMES COOK 1904--1960

205 Street Scene, South of France oil on board C.1938, signed 32 X 40cm

- 1200

206 MARGARET OLROG STODDARD 1865-1934

Landscape with cottage watercolour, signed in brushpoint 24 x 34cm 2000 - 3000

- SYDNEY LOUGH THOMPSON Portrait of a young woman in Japanese costume

JOSEPH JENNER MERRETT

20

7 1816-1854

Three wash drawings framed together of standing Maori figures wearing kiwi feather cloaks.

Each drawing is inscribed in f~ded pencil with the subject's name Rarataka, Maharoa, Mata Merrett seldom signed his works and it is of particular interest that these drawings are named.

28.5 x 17cm each 3000 - 4000

Provenance: Purchased Christie's New York 1978 ex The Burlington Trust, Lynnfield, Massachusetts. A rare and important set with accompanying letter of positive authentication, signed Anthony Murray-Ol iver.

JOHN GULLY 1819-1888

208 Lake Rotoiti watercolour, signed and dated 1864 in brush point.

49 x 73 5cm 5000 - 7000

Provenance: Pharazyn Collection Wellington. (This is a major early work by the artist but was not available for illustration)

208 CHARLES DECIMUS BARRAUD 1822-1897

Mount Pembroke and Milford Sound watercolour , signed C D.B. title inscribed and dated 1880 in pencil.

36 x 52cm 3500 - 4500

210 JOHN DOUGLAS PERRETT 1859-1937

South Island Lake Scene pastel, signed in pencil

40 x 60cm 1500 - 2000

211 WILLIAM MATHEW HODGKINS 1839-1898

Lake Takapo and the-Southern Alps watercolour, signed in brushpoint.

40 x 73cm (Illustrated) 7000 - 8000

WILLIAM MATHEW HODGKINS

212 A Peak in Doubtful Sound watercolour, title inscribed and signed with initials in brushpoint.

33 x 16cm 1000 - 1200

213 ISOBEL JANE HODGKINS 1867- 1950 Landscape with farm gate watercolour , signed and dated 1893 in brush point.

25 x 35cm 2000 - 3000

214 GIROLAMO PIERI BALLATI NERLI 1863-1926

Portrait of Melba pastel, signed

74 5 x 52.5cm (Illustrated) 8000 - 10,000

This fine portrait is possibly that catalogued 'Portrait of a Lady' and brought to Dunedin by Nerli in the New Zealand and South Seas Exhibition 1889-1890.

Provenance: The collection of A.E Usherwood, an original Council Member of the Otago Art Society and by descent to the present owner.

215 CHARLES FREDERICK GOLDIE 1870-1947

Te Aotiti Tumai. Chieftainess of the Ngatitura Tribe oil on canvas, signed and dated 1912

34.5 x 26.7cm (Illustrated) 15 ,000 - 20 ,000

• With an accompanying two page manuscript letter from the artist to Wesley Spragg Esquire, as follows:-

Studio, Auckland Sept. 19th '16

Wesley Spragg Esquire

Dear Sir , In regard to the subject of the picture you purchased from me , have a few details just to hand. the name of the woman is Te Aotiti Tumai She was a Chieftainess of the Ngatitura T ribe and was the wife of a finely tattooed old warrior who fought at the battle of Tumu. At the time of her death in 1914 she was about 80 years of age. This is the only information concerning her that I have at

Lot 252 - COLIN McCAHON Kauri Tops

present. Should I hear anything further I will write to you. Regretting the delay, I am, Yours faithfully, C.F. Goldie

Another posthumous 1939 portrait of this subject titled 'Wife of Tumai Tawhiti, is illustrated on page 288 of C.F. Goldie, His Life & Painting, Alister Taylor I 977, and in colour retitled 'Te Aotiti, the wife of Tumai Tawhiti, facing p.128 C.F. Goldie, Prints, Drawings & Criticism Alister Taylor 1979.

Provenance: Private collection Auckland by descent from Wesley Spragg Esquire, the recipient of the letter which accompanies this painting.

CHARLES FREDERICK GOLDIE

216 'Drowsy' Wiripine Ninia, Chieftainess of the Ngatiawa Tribe oil on panel, signed and dated I 91 I. Label on back of original black stained kauri frame has title inscribed and is signed in the artist's hand 24 x 15cm (Illustrated)

10,000 - 15,000

Illustrated page 219 'C.F. Goldie His Life & Paintings', Taylor & Glen I 977

CHARLES FREDERICK GOLDIE

217 Nude Self Portrait C.1895 oil on canvas, signed 41 x 76.5cm

5000 - 7000

This work was probably painted in Paris during his period of study at the Academie Julian.

GOTTFRIED LINDAUER

218 The Penitant Magdalen oil on canvas, signed and dated 1910

61 .5 x 51.5cm

1500 - 2000

This is an early version of a subject that Lindauer painted more than once.

219 ALFRED HENRY O'KEEFFE 1858-1941

Portrait of a Lady oil on canvas, signed and dated 1933. Inscribed in brushpoint on back of canvas 'A.H. O'Keeffe, 1933 Dunedin, N. Zealand.' 66 X 51cm 1000 - )500

CHARLES BLOMFIELD

220 Whangaroa harbour oil on canvas

35.5 x 61cm (Illustrated) 4000 - 5000

Original faded label on back of stretcher inscribed in ink "Whangaroa Harbour (painted?) from Nature, Charles Blomfield.

SYDNEY LOUGH THOMPSON

221 1877-1973

Portrait of a young woman in Japanese costume oil on canvas. C.1925, signed 6 I x 51 cm (Illustrated) 5000 - 7000

SYDNEY LOUGH THOMPSON

222 A Sunny Afternoon, Brittany oil on board, signed 32 x 40cm (Illustrated) 2000 - 3000

CECIL F. KELLY d.1954

223 Blossoms on the bank of the Avon, Gloucester Street, Christchurch. oil on board, signed 40 x 50cm

500 - 800

RATA LOVELL-SMITH

224 Landscape, Central Otago C.1950 oil on board, signed 36 x 45cm

600 - 800

SYDNEY LOUGH THOMPSON

225 Bridge on the canal, Grasse oil on panel, signed

26.5 x 35cm (Illustrated) 2000 - 3000

SYDNEY LOUGH THOMPSON

226 Devauchelles Bay, Akaroa oil on panel, signed 36.5 x 44.5cm 2000 - 3000

- SYDNEY LOUGH THOMPSON A Sunny Afternoon, Brittany Lot 256 - DON BINNEY Te Henga

..

JOHN WEEKS

227 The Meeting gouache, signed

35 x 40cm (Illustrated) 3000 - 4000

A very similar unsigned version of this subject is in the collection of the National Gallery, Wellington and is illustrated in the catalogue 'The works of John Weeks in the National Collection p.9.

JOHN WEEKS

228 Winter Rooftops, London oil on paper, signed and dated 1926

33 x 27cm 2000 - 2500

229 PETRUS VAN DER VELDEN

The Culprit oil on panel

25 x 20cm (Illustrated) 6000 - 8000

Collection: Mrs Anthony Holcroft, Canterbury

Provenance:· R.L. Clarke, Ch ristchurch

Re: 1959 Auckland City Art Gallery, Catalogue p.24

1976 Petrus van der Velden

Dr T.L. Rodney Wilson No. 66, p.139, Col. plate 18.

1979 Petrus van der Velden, Cat. Raisonne Vo! I, Col. pl. p 29, Vo! II, 1.4 2.27

Exhibitions: 1%3 Robert McDougall Art Gallery, Cat. No. 59

1976 Auckland City Art Gallery, Cat No 44.

230 PETRUS VAN DER VELDEN

Little girl in pink oil on canvas

44.5 x 34.3cm (Illustrated) 16,000 - 20,000

Ref: 1976, Art New Zealand No. 1, p.21

1979, Dr T.L. Rodney Wilson.

Van der Velden Catalogue Raisonne Vol. II

L.4.2.27. Vol. I. Col. pl.29

231 EDWARD FRISTROM 1864-1942

Landscape Maturangi

oil on board, signed

25 x 33.5cm 1200 - 1600

JAMES COOK

232 Ghent Skyline oil on board, signed 25.5 x 33.5cm (Illustrated) 1200 - 1600

233 ARCHIBALD FRANK NICOLL 1886-1952

Akaroa Coach Road oil on canvas, signed

35 x 50cm 2000 - 2500

Attached to the back is H. Fisher & Sons' original faded exhibition label c.1920 with details recorded plus title and price of 15 guineas.

234 ARCHIBALD FRANK NICOLL Road to Akaroa oil on board, signed 29 x 39cm 1500 - 2000

ARCHIBALD FRANK NICOLL

235 Town square with figures oil on board, signed c .1912 30 x 39xm 1500 - 2000

ALFRED SHARPE c.1830-c.1912

236 Coromandel from the west with a view of Waiheke and adjacent islands in the distance.

watercolour, inscribed in brushpoint 'Coromandel, Alf. Sharpe N.Z 1881' 41 x 25 5cm (Illustrated) 7000 - 8,000

Exhibitions: Auckland City Art Gallery 1973, The watercolours of Alfred Sharpe. Cat 16 p.20

LAURENCE W WILSON

237 Mt Earnslaw, Wakatipu oil on canvas, titled, signed and dated 1893 61 x 92cm 7000 - 10 ,000

Lot 225 - SYDNEY LOUGH THOMPSON Bridge on the canal, Grasse
Lot 267 - ROBIN WHITE Mt Eden Landscape

Lot 229 - PETRUS VAN DER VELDEN The Culprit

238 LAURENCE W. WILSON Mt Sefton watercolour, inscribed in brushpoint, 'Mt Sefton from G Camp', and signed and dated 1895. 33 x 51cm (Illustrated) 4000 - 5000

E.W. CHRISTMAS

239 The Valley of the Dart on the Routeburn oil on canvas, signed and dated 1907 96 x 122cm

240 GEORGE W. CARRINGTON 1855-1940

- 7000

Otago Harbour from Mt Cargill oil on canvas, signed with initials and inscribed and signed in full on back of stretcher 75 x 151cm (Illustrated) 3000 - 4000

241

JOHN WEEKS O.B.E. 1888-1965

Notre Dame, Paris oil on canvas on board, signed 48.5 x 59cm

- 4500

An important European painting by this artist demonstrating the influence of Cezzane and Andre Lhote.

Unavailable for illustration.

LOUIS JOHN STEELE 1843-1918

242 Narrative painting depicting mother and two children in the doorway of a barn or tavern in which men and women are drinking. oil on canvas, signed 22 x 30cm

- 3000

JOHN WEEKS

243 Landscape with Haystacks oil on board, signed 29.5 X 34cm

244

pastel

JOHN WEEKS Tlemcen

30.5 x 39.5cm

-

- 1500

Certified on back as being from the artist's estate, by his dealer, Alan Swinton, Director, John Leech Gallery

JOHN WEEKS

245 North Island river landscape oil on panel 63.5 x 86.5cm 1000 - 1500

An unfinished painting of the Auckland waterfront is on the reverse.

FRANCES HODGKINS 1869-1947

246 Poet resting under a Tree, Spain 1932 oil on canvas, signed 57 x 70cm (Illustrated) 12,000 - 15,000

Collections: Mattei Radeu Esq. London; Private collection, Auckland

Exhibited: British Art and the Modern Movement 1930-40 Art Council of Great Britain 1962 Cat. No. 6, p.11

Illustrated: Art New Zealand No. 1, p.11

FRANCES HODGKINS

247 Barges on the Seine gouache, signed in pencil 34 x 39cm (Illustrated)

FRANCES HODGKINS

248 Portrait of May Kenyon

4000 - 5000 watercolour, signed with initials and dated '96 in brushpoint, inscribed 'May' on back. May Kenyon was a close friend of the artist and a fellow painter in Dunedin. She was sometimes a model for Frances Hodgkins.

Ref: Portrait of Frances Hodgkins by E.H. McCormick p.27

20 x 15cm (Illustrated) 4000 - 5000

JOHN GULLY 1819-1888

249 Lake Tarawera with canoes and figures watercolour, signed and dated 1882 in brush point.

35.5 x 63.5cm (Illustrated)

6000 - 8000

2 0

J B C. HOYTE 1835 - 1913

5 Lake Wanaka watercolour , signed in brush point 32 x 67cm (Illustrated) 6000 - 8000

J B.C. HOYTE

251 Auckland from Parnell watercolour, signed in brushpoint

29 5 x 57cm 5000 - 7000

Contemporary New Zealand Paintings

252 COL~N McCAHON b 1919 Kaur, Tops

oil on board, inscribed 'Titirangi May ' 57, June' arid signed McCahon

60.5 x 43cm (Illustrated) 10,000 - 12,000

First exhibited Argus Gallery, Auckland 1958 Collection: Private collection Auckland Provenance: available to purchaser.

COLIN McCAHON

253 Jesus Falls a second Time oil on hardboard, from the Stations of the Cross , title inscribed 30 x 30cm 1000 - 1200

COLIN McCAHON

254 Small Landscape oil on hardboard, signed and dated Jan Oct 1966 30 X 30cm 1000 - 1200

COLIN McCAHON

255 Small Landscape oil on hardboard, signed and dated Jan Oct 1966 30 x 30cm 1000 - 1200

256 DON BINNEY b.1940 Te Henga oil on hardboard 1971, signed, titled and dated Feb. 1971

73.5 x 110cm (Illustrated) 4000 - 5000

257 DON BINNEY Te henga oil on hardboard 1969, signed, titled and dated 38 x 49cm 1500 - 2000

258 PATRICK HANLY b 1932 Figure in Light No. 1

oil on canvas, signed and dated 1964 11.5 x 76.5cm (Illustrated) 5000 - 7000 Exhibited : Contemporary N.Z. Painting 1965, Commonwealth Institute London Cat. No 34

259 PETER SIDDELL b.1935 Time Regained , acrylic on hardboard, signed and dated 1977 89.5 x 120cm (Illustrated) 4000 - 6000

ROBERT ELLIS b.1929

260 Motorway / City No. 12

oil on hardboard, signed and dated 1968 45 x 45cm 700 - 900

Exhibitions: Auckland Festival 1969

PATRICK HANLY

261 Two Tamarillos oil on canvas, signed and dated 1968 107 x 96cm 2000 - 3000

PATRICK HANLY

262 Summer Garden Energy oil on hardboard, signed and dated 1972 44 x 44cm 1000 - 1500

PHILIP TRUSTTUM

264 Untitled painting

acrylic on hessian on hardboard, signed P S T. and dated 1976

49.5 x 44 5cm 450 - 600

PHILIP TRUSTTUM

265 Cars, Fountain oil on canvas, signed and dated 1975 33 x 24cm 350 - 450

266 MICHAEL SMITHER

Self Portrait oil on hardboard, signed MDS and dated 1976 58 x 90cm 1500 - 2000

267

ROBIN WHITE b.1946

Mt Eden Landscape oil on canvas, signed, titled and dated 1971 122 x 75.5cm (Illustrated) 2000 - 2500

ROBERT ELLIS

268 Motorway, City No 28 oil on hardboard , signed and dated 1969 123 x 107cm

-

263

PHILIP TRUSTTUM Mounted Trike

acrylic on hessian on hardboard signed P S.T. and dated 1976

49 5 x 45cm 450 - 600

Exhibitions: Auckland Festival 1969

MILAN MRKUSICH

269 Painting Red Orange 1968 oil on hardboard, signed and dated on

46.6 x 47cm

270 RICHARD KILLEEN b.1946

-

Mirror in the Sky 1973 oil on hardboard, titled, signed and dated May 1973 on label on reverse 67.5 x 45.7cm

271 PHILIP CLAIRMONT b.1949

Untitled painting 1971 oil on jute, signep and dated 140 x 74cm

272

PHILIP TRUSTTUM

Back View oil on paper, initialled and dated 1974 32 5 x 24.6cm

273 PHILIP TRUSTTUM Ticket acrylic on canvas 312 x 188cm

MICHAEL SHEPHERD

274 Paper whistle & Balloon oil on canvas 13 x 22cm

DON DRIVER

275 Down the Drain

- 1500

-

acrylic on canvas with assemblage , signed and dated 1976 115.5 x 92cm

-

DON DRIVER

276 Untitled hanging 218 x 155cm

End of Sale

-

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