Fine Paintings, Prints & Drawings

~ -I

Lot 214 -

GIROLAMO PIERI BALLATI NERLI Portrait of Melba

FINE PAINTINGS Prints & Drawings THURSDAY 25th AUGUST 1983

ESTIMATES Peter Webb Galleries Limited publishes its estimates of the prices likely to be realized for all the lots in the catalogue.

The estimates appear following each description.

The estimates are intended as a guide for prospective purchasers. Lots may be sold below or above estimates depending on the degree of competition for them.

If instructed, the auctioneers will carry out bidding for intending purchasers. The service is free and

all bids are treated in strict confidence. Lots will be bought as cheaply as the room bids allow and with regard to any reserves placed upon them by the sellers.

CONDITIONS OF SALE I. The highest bidder to the purchaser, subject to the Auctioneers having a right to refuse the bidding of any person. Should any dispute arise as to the biddings, the lot in dispute to be immediately put up for sale again at the preceding bidding, or the Auctioneers may declare the purchaser.

2. No person shall advance less at a bid than a sum to be nominated by the Auctioneer and no bid shall be retracted .

3. All lots are sold subject to the right of the seller or his agent to bid or else to impose a reserve .

8. No goods are to be removed while selling is in progress .

Receipted invoices must be produced prior to delivery of any lot. The Auctioneers reserve the right to request identification in the case of any purchaser not known to the Auctioneer who pays by cheque . Charging to credit cards will not be accepted as means of payment.

"No person being the purchaser of any item falling within the provisions of the Antiquities Act 1975 or the Arms Act 1958 shall be entitled to take possession of such item or to demand possession thereof from the Auctioneer unless and until such person produces to the Auctioneer a licence pursuant to the appropriate one of the two Acts referred to above."

4. The purchaser to give his name, address and to pay down 10 percent of the purchase money in part payment thereof. In default of any of which matters the lot or lots purchased may be immediately put up again and resold.

lnsurance:-

5. All lots are sold as shown and with all faults, imperfections , and errors to description . The Auctioneers act .as agents; they have full discretion to refuse any bidding or to withdraw any lot or lots from the sale without in either case giving any reason; neither they nor the Vendor are responsible for errors of description or for genuineness or authenticity of any lot or fault or defect in it, and make no warranty whatever .

Instruction to Bid:-

6. The lots are at the, buyer's risk from the fall of the hammer and are to be taken away at the buyer's expense, in default of which the Auctioneers will not hold themselves responsible; if the same are lost, stolen , damaged, or otherwise destroyed , but they will be left at the sole risk of the purchaser. 1f the lots are not cleared or paid for, they may then be sold immediately either publicly or by private treaty, without any notice being given to the defaulter.

7. Upon failure of the purchaser to comply with any of the above conditions the money deposited in part payments shall be forfeited, and the defaulter shall make good any loss arising from the resale, together with the charges and expenses in respect of both sales.

All lots are purchased at the risk of the purchaser from the fall of the hammer. Insurance can be arranged with the Sun Alliance & London Insurance Group on an " All Risks" basis for a premium of 1%.

Instructions to bid at sale are accepted by Peter Webb Galleries Limited and carried out free of charge. Lots will be bought as favourably as is allowed by the bidding the saleroom and reserve imposed.

lnspections:Inspections are made and advice given concerning the sale of Antiques and Works of Art free of charge in Auckland, and for a reasonable fee elsewhere.

Valuations:Valuations for insurance, probate or family division are undertaken on either a quotation basis or a small percentage plus travelling expenses. The charge is remitted on all property valued that is sold through Peter Webb Galleries Limited within a reasonable time.

Peter Webb Galleries Litnited Fine Art Auctioneers & Appraisers Corner Elliot & Wellesley Streets, Auckland 1 P.O. Box 7008, Auckland. Telephone 734-404 After Hours 32-520

Webb's Sale Number 51

Lot 80 - RAYMOND McINTYRE House, Cyprus Trees and two figures

Catalogue of Important Historical & Contemporary New Z,ealand & European Paintings Prints & Drawings

THURSDAY 25th AUGUST 1983 in two sessions commencing at 3.30 p.m. Lots 1-142* & 7.30 p.m. Lots 143-276 *Note: A supplementary catalogue of late entries and other paintings will be offered at the end of the first session.

Please note that there will be no general viewing SPECIAL VIEWING TIMES FOR THIS SALE: The sale is on view daily from Sunday 21st August until Wednesday 24th August, 9 a . m. - 6 p.m. except Sunday hours are 10 a.m. - 3 p.m.

NB: No general viewing day of sale . .Fme Art Auct10neers oc f-\.pprn.1.M:;u, Comer Elliot & Wellesley Streets, Auckland 1. P.O. Box 7008, Auckland Telephone 734-404

Books, Prints and Drawings ART NEW ZEALAND

1 A complete set to date.

Numbers 1-26 including out-of-print numbers 120 - 150 8, 9 and 15.

HUNDERTW ASSER

2 Catalogue of New Zealand Australian Exhibition 1973

20 - 30

GLOVER AND TRICKER

3 Arawata Bill

Poems by Denis Glover, etchings by Gary Tricker.

The Graphic Society of New Zealand 1981.

No. 50/ 100 autographed. Tall 8vo. with six 350 - 450 colour etchings, cased. Mint copy.

HEATHER CURNOW

4 The Life and Art of William Strutt

Alister Taylor, 1980. Numbered copy 367 from an edition of 1500 cased, mint copy. 300 - 350 THE OXFORD REFERENCE CLASSICS

5 OF THE ENGLISH LANGUAGE Lot 36 -

SIR WILLIAM NICHOLSON L is for Lady

Lot 31 -

GERALD LESLIE BROCKHURST Malvina

Set No. 3515. Anniversary Edition of 8 volumes issued by the Franklin Library 1971 limited to 7,500 sets. All volumes sumptuously bound in full dark blue leather gilt tooled, with accompanying magnifying glass and 500 - 800 wooden book rack.

AU'GUSTUS EARLE

6 A Narrative of a nine months residence in

New Zealand in 1827 1832, with folding plates. Rebound in green cloth and ½ calf gilt tooled. 8vo.

180 - 220 A fine copy.

Another copy, plates incomplete rebound

7 in brown cloth, ½ calf gilt tooled.

80 - 100

JOHN BRIGHT

8 Hand-Book of New Zealand and the Australian Continent.

2nd edit. 1841. sml. 8vo

40 - 60

LADY BARKER

9 Station Life in New Zealand 1886.

8vo. rebound in black morocco, gilt tooled.

50 - 60 ANDREW GARRAN

10 Picturesque Atlas of Australasia.

Vol. III 1886

75 - 100

SECHSTER BAND

11 Masterworks of Architecture, Sculpture

and Painting 1884 Text in German. Numerous engraved plates.

80 - 100 Folio and gilt cloth.

RUDYARD KIPLING AND

12 WILLIAM NICHOLSON

An Almanac of twelve sports.

William Heinman 1898. Twelve colour lithos from the original woodcuts.

120 - 150 lg. 4to. stained copy.

ADAM DE CARDONNEL

13 Picturesque Antiquities of Scotland.

Printed for the author, 1788 with .fifty etchings on buff paper tipped in. Some slight discolouration and staining to page edges; original cover boards soiled but firm, otherwise a fine copy of this rare work. 4to.

500 - 1000 REV. WILLIAM YATE

14 An account of New Zealand.

2nd edition 1835, plates and folding map.

Rebound in red morocco gilt tooled.

100 - 120 A fine copy.

SIR MAUI POMARE AND

15 JAMES COWAN

Legends of the Maori.

Illustrations and one original etching by Stuart Petersen. 2 vols 1930. No. 49 of the deluxe edition of 300. Autographed by the authors and the illustrator. Full leather g.s. cased. A 160 - 200 · fine set.

SIR JOHN WILSON BT.

16 The Royal Philatelic Collection.

Dropmore Press 1952. Colour plates, full 500 - 600 leather gilt stamped. Cased.

COL. G.C. MUNDY, after

11 Auckland, New Zealand

lithograph by W.L. Walton 1852 122 x 185mm

150 - 200

CHARLES HEAPHY, after

18 Mt Egmont from the North Shore

of Cooks Strait. lithograph by T. Allom 1841 410 x 560mm A good copy of this rare print.

400 - 500

CHARLES HEAPHY, after

19 Birdseye View of Port Nicholson

in New Zealand lithograph by T. Altom 1840 495 x 705mm A good copy.

Lot 83 -

A. LOIS WHITE Winter's Approach

400 - 500

NEW ZEALAND ARTIST UNKNOWN

20 Auckland Harbour with troop ships.

C.1902. (Probably ships unloading soldiers returning from the Boer War). watercolour. This monochromatic work could have been painted for reproduction as an illustration in English or local newspapers of the time . A number of artists produced such work including James Ingram McDonald, Kennett Watkins and the Wright brothers.

750 - 1000 19.2 x 62.4cm WILLIAM EASTWOOD

21 Emigrant's Home or depot, Freeman's

Bay, Auckland. pen drawing, signed W.E. and u-1ted 1863 and titled in ink.

250 - 300 170 x 245mm SIR MUIRHEAD BONE 1876-1953

22 Clyde Shipbuilders

drypoint 1899. Set No. 34 CD47, 1 signed on plate and titled and signed in pencil on margin. Edition approx 32.

287 x 215mm A little very light foxing, mostly to right margin, otherwise a fine strong impression.

450 - 600 JAMES ABBOTT McNEIL WHISTLER

23 1834-1903

The Little Putney No. 1. 1879 etching, third state with butterfly signature.

Ref: Kennedy, Cat. No. 179. A good print.

500 - 600 JAMES ABBOTT McNEIL WHISTLER

24 Hurlingham

etching, third state signed on plate with butterfly signature.

Ref: Kennedy 181/3 137 x 200mm 900 - 1200 A good clean impression.

WILLIAM STRANG 1859-1921

25 Title unknown.

A beggar kneeling before four peasants dividing a loaf of bread. etching, signed and dated on plate.

175 x 250mm A good impression but lightly foxed all over.

300 - 400

Lot 30 -

GERALD LESLIE BROCKHURST La Tresse

A folder containing eleven miscellaneous

26 etchings, engravings and lithos.

16th-20th Century.

200 - 300

MARCO RICCI 1676-1729

27 Hilly landscape with men leading horses down a path. etching 281 x 355mm

100 - 150

ARTIST UNKNOWN.

28 Italian 16th Century.

The Visitation. engraving with legend 182 x 132mm

150 - 200

ALEXANDER RUNCIMAN 1736-1785

29 The finding of Carbon Cargloss (small

version). etching, trimmed to plate, signed on plate.

141 x 84mm 200 - 300 A late impression.

GERALD LESLIE BROCKHURST

30 R.A. 1890-1979

La Tresse etching Oct. 1926, signed and dated 'G.L. Brockhurst 1926' (in reverse) and in pencil on margin, seventh and final state. Edition of III. Ref: Wright, Cat. No. 56 212 x 176mm Exhbt. Royal Academy 1927. No. 1116. The subject of this fine print is the artist's wife. A 1500 - 2000 fine impression. (Illustrated) GERALD LESLIE BROCKHURST

31 Malvina

etching Nov. 1929, signed and dated ' G.L .

Brockhurst 1929' (in reverse) and in pencil on margin, last state, Edition III Ref: Wright, Cat. No . 76 197 X 149mm Exhbt. Royal Academy 1930. No. 1077 A very fine impression. (Illustrated) 1000 - 1500 GERALD LESLIE BROCKHURST

32 Amanda

etching 1920, signed 'Brockhurst' (in reverse) and in pencil on margin.

Ref: Wright Cat. 19, only one state, edition 55 88 x 61mm 400 - 500 A good impression .

W. PEEK

33 Amsterdam

sepia etching, titled and signed in pencil 238 x 340mm with H.V . ROSSEN Amsterdam etching, titled & signed in pencil.

133 x 184mm 100 - 150 with two other prints (4) GRAHAM SUTHERLAND b. 1903

34 Latttce

paper collage 247 x 184mm Has original exhibition label on backboard.

300 - 400 GRAHAM SUTHERLAND

35 Avernus

gouache 242 x 193mm Has original exhibition label on backboard.

300 - 400 SIR WILLIAM NICHOLSON 1872-1949

36 L is for Lady

woodcut with watercolour added by the artist.

From the series "An Alphabet" signed in ink on the mount. The artist printed this series himself before the transfer of the images to lithographic stone for the book edition published by Heinemann, London 1898.

1000 - 1500 (Illustrated)

JAMES JAQUES TISSOT 1836-1903

37 Promenade dans la neige (A Winter 's

Walk) etching and drypoint 1880, first state signed and dated on plate 56 .8 x 26 .3cm Edition: about 100 (Dudley) . This fine print is from the first of three states with the title margin blank except for the signature and date and a few vertical test lines beneath the date.

The second and third states are as above but have an additional text by Keats printed in the title margin. (Illustrated) 4500 - 6000 JAMES JAQUES TISSOT

38 Histoire Ennuyeuse (An Interesting Story) etching and drypoint, 1878, signed and dated on plate 31.4 x 20.3cm Editon : About 100 (Dudley) States: One published, after a painting of the same title.

Ref: Tissot 28, Biraldi 25.

"Beraldi considered this to be amongst Tissot's most remarkable etchings, for example, in the manner in which the girl's magnificent hat and dress with their silky smooth surfaces are contrasted against the finely worked background . The setting for the study may well be the interior of the Falcon Tavern at Gravesend on the Thames which is also featured in the related painting 'An Interesting Story' belonging to the National Gallery of Victoria."

William Weston catalogue No. 9 1977 (Illustrated) 1200 - 1500 ERIC RAVILIOUS 1903-1942

39 Untitled, seated woodland figure woodcut, signed in pencil 150 x 76mm

200 - 300

ERIC RA VILIOUS

40 Seals

woodcut 197 X 300mm

50 - 100

P. ROIG

41 La repetition de cirque.

Plate XVIII, colour lithograph Edition of c.100 impressions 340 X 250mm

150 - 250

WALTER TITTLE b.1883

42 Portrait of Augustus John

drypoint 1933 Edition of 75 impressions, signed in ink.

253 x 220mm 300 - 350 ERIC GILL 1882-1940

43 Mother and Child

engraving Edition of 50 signed and numbered 57 x 98mm

250 - 300

EILEEN MAYO b.1906

Lot 258 -

44 The Water Carrier

colour woodcut, c.1930 Edition of 30 signed, titled and numbered 300 x 230mm

250 - 300

PAUL BERTHON 1872-1909

45 Les eglantines

colour lithograph, 1900 Edition of 200 impressions 390 x 537mm

1200 - 1500

FELIX BUHOT 1847-1898

46 Les Voisins de campagne

etching, drypoint & aquatint c.1880 Bourcard/ Goodfriend 148 iv/ 5 135 X 180mm 1000 - 1200 MARIE-CHARLES DULAC 1874-1898

47 Two figures on a Canal Bank. colour lithograph, 1892-3 Suite de Paysages, plate 1.

Trial proof before remarque 493 x 335mm

350 - 400

PATRICK HANLY Figure in Light No . I

MARIE-CHARLES DULAC

48 Two Figures on a Canal Bank with

Open Landscape colour lithograph, 1892-3. Suite de Paysages, plate 3. Edition of 120. Signed and numbered in pencil. Bearing the Monrocq Freres blindstamp.

350 - 400 416 x 340mm MARIE-CHARLES DULAC

49 Deserted Terrace with Tree

lithograph, 1892-3 . Suite de Paysages, plate 4.

Edition of 100. Signed and numbered.

350 - 400 340 x 490mm MARIE-CHARLES DULAC

50 Park with Terrace and Lake

colour lithograph, 1892-3. Suite de Paysages, plate 7. Edition of 109. Signed and numbered.

Bearing the Monrocq Freres blindstamp .

350 - 400 344 x 493mm MARIE-CHARLES DULAC

51 Park with Trees, Lake and Two Figures

colour lithograph, 1892-3. Suite de Paysages, plate 8. Edition of 122.

350 - 400 Signed and numbered.

ALEXANDRE LUNOIS 1863-1916

52 La Corrida

colour lithograph, 1897 597 x 450mm

350 - 450

ALEXANDRE LUNOIS

53 La Corrida

colour lithograph, 1897 450 x 600mm

350 - 400

ALEXANDRE LUNOIS

54 La Corrida

colour lithograph, 1897 450 x 600mm

350 - 400

MANUEL ROBBE

55 La Neige

colour aquatint, 1901 Merrill Chase 61. Edition of 64. signed in pencil, published by Sagot 1000 - 1200 368 x 496mm 19th CENTURY FRENCH SCHOOL

56 La Valse

etching, 130 x 200mm

50 - 80

WILLIAM NICHOLSON

57 Portrait of James Pryde

colour woodcut, 1899. Signed and dated on block 100 - 150 200 x 145mm JUDITH CARMEL KELLY

Lot 38 -

JAMES JAQUES TISSOT Histoire Ennuyeuse

58 Figure and-head studies Conte drawings (2).

Signed and dated 1966

50 - 70

ISRAEL SILVESTRE 1621-1691

59 Arch of Constantine etching, 68 x 153mm A good impression.

100 - 150

ADRIAEN VAN OSTADE 1610-1684

60 Three Rustic Figures

etching, signed on plate A. Ostade f.

Ref: Bartsch 28 80 x 58mm 200 - 300 A good impression CORNELIS BEGA 1620-1664

61 Old woman sitting on a stool holding a

jug etching. Ref: Bartsch 12 65 x 58mm Torn top right corner, otherwise a good print.

80 - 100

TEODORO FILIPPO DI LIAGUO · Soldier wearing hat with feather. etching, signed on plate. Ref: Bartsch 7 114 x 93mm A good impression.

150 - 200

62 D.1625

HANS SEBALD BEHAM 1500-1550 Village Nights and Two Dancing Couples engravings, trimmed to platemark signed with monogram. Ref: Bartsch 156 49 x 77 and 49 x 70mm Both good impressions 800 - 1200

63

CLAUD DUFLOS 1662-1727

64 Landscape with fortified bridge and ferry etching, trimmed to plate signed on plate 93 x 157mm

250 - 350

JOHN LAPORTE AFTER

65 THOMAS GAINSBOROUGH

Landscape 1802 soft ground etching, trimmed to plate 241 x 312mm 150 - 200 AUSTRALIAN, 19TH CENTURY

66 ARTIST UNIDENTIFIED

Scene on Watts River, Fernshawe lithograph, signed with initials on the stone 370 x 528mm 150 - 200 JEAN-LOUIS FORAIN 1852-1931

67 Les Socia/isles Francois

pencil and ink drawing with Chinese white signed and dated 1917 370 x 510mm 800 - 1000 JEAN-LOUIS FORAIN

68 La Visitea a l'usurier

pencil and ink drawing, signed 322 x 490mm

800 - 1000

JEAN-LOUIS FORAIN

69 A la Sante

pencil and ink drawing, signed 352 x 466mm

800 - 1000

EDOUARD MANET 1832-1883

70 Portrait of Baudelaire, 1865

etching, signed on plate, with engraved text 'Peint et Grave par Manet 1865' Imp. A. Salmon 91 x 82mm 300 - 400 JACQUES VILLON 1875-1963

70A Study of a woman's head

pencil and wash, signed in pencil with a collector's stamp in red, lower right margin.

160 x 115mm 800 - 1000 HANS BURGKMAIR 1473-1531

71 Lust embracing a lover (Unkeisch)

From the Seven Vices series woodcut. A Derschau impression without ornamental border 169 x 76mm 200 - 300 Provenance: Christies, London JACQUES CALLOT 1592-1635

72 Les Exercises Miliataires

etchings, frontispiece and set of twelve second state (final) 61 x 81mm (13) 1200 - 1500 GARY TRICKER

73 Arawata Bill

colour etching. Artist's proof signed and dated 1981 in pencil.

111 x 77mm 100 - 130 GARY TRICKER The Scene colour etching. Artist's proof titled, signed and dated 1981 in pencil.

130 x 150mm 100 - 130

74

GARY TRICKER

75 The End

colour etching. Artist's proof titled, signed and dated 1981 in pencil.

100 - 120 112 x 100mm LOUISE HENDERSON

76 The lost world

sepia etching 9/20, titled, editioned and signed in pencil.

300 - 400 500 X 810mm ARTHUR C. HIPWELL

77 Figure group in abstract

watercolour, signed and dated 1955 in brush point.

80 - 100 257 x 166mm TREVOR LLOYD 1864-1937

78 The Bridge drypoint 325 x 185mm

150 - 200

TREVOR LLOYD

79 Rendey-vous

drypoint, titled and signed in pencil 340 x 180mm

100 - 150

RAYMOND McINTYRE 1879-1933

80 House, Cyprus Trees and two figures

lino-cut, signed and monogrammed in pencil.

400 - 500 170 x 140mm. Rare. (Illustrated) JOHN WEEKS 1888-1965

81 The Low-gate, Edinburgh

etching, signed in pencil 150 x 100mm One of only two known impressions of the only etching the artist is believed to have made.

400 - 500 Collection: Minnie F. White.

GORDON WALTERS b.1919

82 Untitled Koru based abstract. ink drawing 61 x 46cm

500 - 800

A. LOIS WHITE b.1903

83 Winter's Approach

pencil and watercolour, titled and signed in pencil.

500 - 700 27 x 21.5cm. (Illustrated)

Lot 216 Lot 232 -

CHARLES FREDERICK GOLDIE 'Drowsy' Wiripine Ninia JAMES COOK Ghent Skyline

A. LOIS WHITE

84 Panther

pencil and watercolour, titled and signed on mount.

500 - 700 I 95 x 246mm TONY LANE

85 Untitled drawing pastel 29 x 35cm

100 - 150

JOHN L. MOORE

86 A Dead Totara

drypoint, signed and dated 1932 on plate and again in pencil.

75 - 100 14 x 18cm TREVOR LLOYD

87 Fairy Lovers

etching, hand coloured 16 x 8cm

150 - 200

J.C. FISHER

88 Girl with Lyre

pencil drawing, signed 29 x 26cm

600 - 800

W.A. SUTTON b .1917

89 Down the Valley

watercolour, signed and dated 1944 in ink.

700 - 1000 32 x 47cm

ERIC LEE-JOHNSON b.1908

90 Dead trees, North Auckland

•'

watercolour, signed and dated 1947 in ink.

37 x 55cm 1000 - 1200 ERIC LEE JOHNSON

91 Cement Works

peri and watercolour, signed in ink.

325 x 450mm 900 - 1200 DENIS KNIGHT TURNER

92 The Flooded Farm

crayon drawing with gouache, signed and dated 1953 in ink.

51.5 x 62cm 250 - 400 JOHN DRAWBRIDGE

93 Alice in Somewhere

etching and aquatint, inscribed on margin 'unique state', titled and signed in pencil.

352 x 549mm 300 - 400 SIR MOUNTFORD TOSSWILL

94 WOOLLASTON b.1910

A Musical Entertainment 1938 Verso Four Musicians. ink drawing, signed and dated 1938 12 x 19cm 500 - 700 TERRY STRINGER

95 Portrait of Lois White after a self

portrait of the twenties.

Bronze, from an edition of twelve, signed and dated 1978.

Height: 23.2cm plus painted wooden base.

Illustration: Art New Zealand No. 7. P. 74 500 - 700 GRAHAME C. SYDNEY

96 Study of a dead magpie.

watercolour, signed and dated 1975 in pencil.

18 x 29cm 500 - 700 COLIN McCAHON b.1919

97 Poems by John Case/berg.

oil crayon on paper, signed and dated 1971 in pencil.

35.5 x 27cm 200 - 300 COLIN McCAHON

98 Puketutu from my boat

three lithographs framed together from an edition of 100 published in 1957 by Peter Webb. each 215 x 265mm 200 - 300 DICK FRIZZELL

99 Sketch for Self Portrait as Cannibal Chief pen, crayon and watercolour 20 X 30cm

100 - 150

RALPH HOTERE

100 Drawing for Ian Wedde's "Pathway

to the Sea" watercolour, titled, signed and dated 1975 in ink.

55 x 75cm 500 - 70Q MICHAEL SMITHER b.1939

101 Black Rock

screen print 70 x 58cm

150 - 200

TIM GARRITY

102 One Summer c.1964

watercolour, gouache with gold paint signed and titled in brushpoint 75 x 55cm 150 - 200 NIGEL BROWN

103 This small tree bears one lemon like a

sun for bitter man. acrylic on paper, signed N.R. Brown 77 Titirangi 350 - 450 60 x 45cm

Lot 247 Lot 248 -

FRANCES HODGKINS Barges on the Seine FRANCES HODGKINS Portrait of May Kenyon

SALVADORE DALi b.1904

104 colour woodcut from 'Heaven, Hell and Purgatory' series artist's proof, signed in red pencil on margin.

253 x 176mm 250 - 350 DUNCAN GRANT b.1885

105 Falcon

lithograph, signed in ink on margin.

365 x 282mm 120 - 160 MICHAEL SMITHER

106 Untitled screen print 50 x 50cm

100 - 150

MICHAEL SMITHER

107 Mt Egmont

screenprint, signed with initals and dated '71 in pencil.

48 x 56cm 120 - 150

l

l

MICHAEL SMITHER

108 Skyscape Lot 143 -

HERMANUS KOEKKOEK THE ELDER Dutch coastal scene

screenprint, signed with initials in pencil, edition I/ 41 / 78-179 63 x 44cm JOO - 120 DICK FRIZZELL b .1943

109 Spinks

etching, signed Frizzell and dated /78 in pencil.

24 x 19.5cm 80 - 120 DENYS WATKINS b.1945

110 Semi-Detached

colour screenprint 1980, artists' proof 4/ 6 editioned and signed in pencil 120 - 150 56.5 x 63.5cm GRETCHEN ALBRECHT

111 Sundial

colour screenprint 82/ 125 editioned, dated March 10 and signed in pencil.

100 x 75cm 300 - 400 JOHN PIPER B.1903

112 Gates of Petworth Manor colour lithograph 47/75 editioned and signed in pencil on bottom margin.

400 - 600 PETER PERYER

113 Erica

black and white photograph 17 .5 x 17 .5cm

Lot 236 -

ALFRED SHARPE Coromandel from the West

r -

50 - 75

JOHN LETHBRIDGE

114 Full Circle

colour lithograph and graphite 87 / 150 editioned, titled and signed in pencil.

658 x 313mm 40 - 50 MICHAEL SMITHER

115 Untitled

colour screenprint 1978, 3/ 40 editioned and signed in pencil 63.5 x 46cm

30 - 40

NIGEL BROWN

116 Land and Family 1979 lithograph, hand coloured 9/20 titled, editioned and signed in pencil.

82 x 64cm 150 - 200

117

Another copy with colour variation .

150 - 200 MICHAEL SMITHER

118 Walnut

colour screenprint 1976, 1/ 50 editioned and signed in pencil.

64 x 90cm JOO - 150

l

IAN _SCOTT

119 Lattice

colour screenprint 1978 39/ 65 titled, editioned and signed in pencil.

99 x 75cm 100 - 150 GORDON WALTERS

120 Arahura

colour screenprint 60/ 125 editioned, titled and signed in pencil.

54 x 44cm 150 - 200

MINNIE F . WHITE

121 The Brick Kiln

1

l

linocut, signed in pencil. Title inscribed on back of mount, signed and numbered 10/ 6 120 x 135mm with Play ink drawing (slightly torn), signed 165 x 135mm with a mechanical print (3) 50 - 75 TREVOR LLOYD

122 The Nikau Palm

sepia etching, titled and signed in pencil 300 x 155mm 100 - 150 TREVOR LLOYD

123 His Majesty the Kauri sepia etching, titled and signed in ink .

330 x 215mm 150 - 200 TREVOR LLOYD

124 Bush Fairies

etching, titled and signed in pencil.

255 x 140mm

100 - 120

PHILIP CLAIRMONT b.1949

125 Okraschoten

pen and charcoal drawing, titled, signed and dated 1973 260 x 370mm 150 - 200 PHILIP CLAIRMONT

126 Magic Theatre (for madmen only) ink drawing, titled, signed and dated 1974 370 x 270mm 150 - 200 PHILIP CLAIRMONT

127 Untitled drawing

mixed media 150 x 220mm

100 - 150 Lot 215 -

IVY M. COPELAND 128 Minnie White making coffee watercolour, signed in brushpoint 21 x 16cm

l

A.S. COATES Wanaka acrylic on board, signed 24 x 39cm

75 - 100

129

1000 - 1500

JOHN WEEKS O.8 .E. 1885-1965

130 Stucco House

watercolour 200 x 170mm Collection: Minnie F. White

300 - 500

JAMES L. YOUNG A.R.E. , etching, signed in ink on margin 245 x 300mm

100 - 150

131 Untitled

DOUGLAS McDIARMID b.1922

132 Landscape near St Tropez verso: Sketch of same subject gouache, signed in ink 26 x 36cm

800 - 1200

DOUGLAS McDIARMID

133 Chinese girl at the window of a train,

Paris watercolour C.1948, title inscribed on back in ink in the artist' s hand 30 x 23 .5cm 800 - 1200

CHARLES FREDERICK GOLDIE Te Aotiti Tumai

EVELYN PAGE b.1899

1

134 Female nude study

watercolour, signed in pencil 38 x 49cm

w p, It

800 - 1000

SIR MOUNTFORD TOSSWILL

135 WOOLLASTON

1

Erua Brown ink drawing for the illustration on p.46 of 'Erua' by M.T . Woollaston, Blackwood and Janet Paul 1966.

400 - 500 36.6 x 27cm with autographed copy number 680 of 'Erua'.

S, w b1 1:

1

DORIS LUSK b.1916

136 Head of a Girl

w 2

brown ink and wash drawing signed and dated 1967 in ink.

200 - 300 44 x 32cm

Lot 249 -

JOHN GULLY Lake Tarawera

ROBERT ELLIS b.1929 137 Churchyard, Holy Trinity oil on canvas, C .1954, signed.

600 - 800 64 x 76.5cm Exhibited: Royal Academy, London, 1955

1

s. ~

NIGEL BROWN

w b 2

1

138 Mother & Child with tree No. 3

Ji

oil on hardboard, signed and dated 1976 450 - 600 52 x 55.5cm

w L

NIGEL BROWN

139 One. Tree

1

oil on hardboard, signed and dated 1972 450 - 600 53.5 X 64cm

Lot 154 -

DELPHIN ENJOLRAS On the Terrace

w

b 2,

JEFFREY HARRIS

140 Landscape

oil on hardboard, signed and dated 1973 400 - 500 40 X 40cm

1 0

7.

GRAHAM JOHNS 141 Interior oil on canvas, signed 66 X 94cm

1

300 - 400

\\

3 p

LOUISE HENDERSON

142 Untitled Abstract

oil on canvas, C.1960 114 x 76cm

s

C

500 - 600

First Session Ends Supplementary Catalogue to follow

1

\\

b 5

European Paintings - New Zealand Historical Paintings HERMANUS KOEKKOEK THE

]

143 ELDER 1815-1882

Dutch coastal scene with fishing boats and figures oil on canvas, signed H . Koekkoek and dated 1863 15,000 - 25,000 38 x 58cm (Illustrated) ALFRED VICKERS 1786-1868 144 At Compton, Lincolnshire oil on canvas, signed Alfred Vickers 2500 - 3500 30 x 61cm (Illustrated) G.!"- PROSSER active C.1828

145 Wm chester

watercolour, signed G .F. Prosser and inscribed 'Winton ' in brushpoint.

1000 - 1500 39 x 75cm CHARLES CATTERMOLE 1832-1900

146 Untitled watercolour depicting a party

of mounted noblemen and soldiers in armour travelling through a wooded landscape. watercolour, signed in brushpoint 1000 - 1500 34 x 74cm CARLTON ALFRED SMITH b.1853

147 Interior with young man and young

woman watercolour, signed and dated 1890 in brush point.

1500 - 2000 43 x "57cm (Illustrated)

1 0

.

.

6

]

0

4

J

C

4

C

f

THOMAS COLLIER R.I. 1840-1891

148 Arundel Park

watercolour study, signed and dated 1877 in pencil.

16 x 24.5cm 500 - 750 THOMAS SIDNEY COOPER R.A.

149 1803-1902

Study of a Collie Dog watercolour, signed in full and dated 1878 in brush point.

12 x 21cm 750 - 1000 WILLIAM LUKER SNR. fl. 1851-1889

150 Langley

watercolour, signed and dated 1855 21 x 39cm

500 - 700

WILLIAM LEIGHTON LEITCH

151 1804-1883

...

Stepping Stones on the Llugwy watercolour, signed and dated 1856 in brush point.

21 .5 x 32.5cm 800 - 1200

Lot 250 -

J.B.C. HOYTE Lake Wanaka

Lot 240 -

GEORGE W. CARRINGTON Otago Harbour from Mt Cargill

THOMAS ROPER fl. 1749-65

152 Landscape with stream, cattle and

fishermen. watercolour, signed in brushpoint.

15.5 x 32.5cm

350 - 500

DAVID ROBERTS R.A. 1796-1864

153 Cathedral interior with figures.

watercolour, signed and dated 1831 in brush point.

26 x 20cm 500 - 700 DELPHIN ENJOLRAS b.1857

154 On the Terrace

oil on canvas 72 x 59cm (Illustrated)

2000 - 3500

PIET MONDRIAN 1872-1944

155 Moored Barges

watercolour C. 1900 31.5 x 46.5cm 5000 - 7000 Provenance: This work was purchased at Sotheby Mak Van Waay, Amsterdam 1932.

Catalogue available to purchaser.

CECI~ BEATON 1904-1980

156 Fusch1as

watercolour design for fabric, signed in brush point.

58 x 71cm 400 - 500 THOMAS REGINALD ATTWOOD

157 c. I 865-1926

.

Doubtful Sound oil on canvas, signed 61 X 91cm

2500 - 3500

W.G. BAKER 1864-1929 Waikato River with Maori Village oil on canvas, titled and signed 46 x 66cm 1000 - 1600

158

•

W.G. BAKER 159 Blind Bay, Great Barrier Island oil on canvas, titled and signed 45 x 67cm 1000 - 1600 W.G. BAKER

160 Pukawa Lake

oil on canvas, titled and signed 65 x 44.5cm

1000 - 1600

H .W. KIRKWOOD 1854-1925

161 Nelson Landscape with Fisherman oil on board, signed 44 x 29cm

I 200 - 2000

NUGENT WELCH 1881-1970

162 Takako

watercolour, signed in brushpoint.

28.5 x 22cm

500 - 600

MABEL HILL 1872-1956

163 A Street in Ama/fi

watercolour, signed and dated 1932 36.2 x 29.6cm

350 - 500

MABEL HILL

164 Horshoe Bay, Blenheim

watercolour, signed and dated 1893 15.2 x 24.3cm

250 - 300

JAMES McINTOSH MADDEN

165 1856-1923

Mt Earnslaw, Lake Wakatipu watercolour, signed in brushpoint 10 x 17cm

400 - 500

PETRUS VAN DER VELDEN

166 1837-1913

Lot 144 -

ALFRED VICKERS At Compton, Lincolnshire

Eye of the Storm gouache, signed in brushpoint 53 x 36 .5cm

2500 - 3000

L.W. WILSON

167 Doubtful Sound

watercolour, titled and signed and dated 1890 in brushpoint.

1500 - 2000 23 x 48cm JAMES McINTOSH MADDEN

168 Routeburn Valley, Martins Bay Track watercolour, signed and dated 1901 in brush point.

1500 - 1800 37.5 x 22.2cm FRANK WRIGHT 1860-1923

169 Te Whaiti

watercolour, signed and dated 1912 in brush point.

750 - 1000 16.7 x 24.2cm THE REVEREND JOHN KINDER

170 1819-1903

Chateau d'Argues entrance watercolour, inscribed in pencil and dated Oct 7, 1840 1000 - 1500 175 x 255mm JAMES McLAUGHLIN NAIRN

171 1859-1904

Farm House and figure (Rangitoto in background)? pencil drawing, signed J.M . Nairn in pencil.

500 - 700 282 x 200mm GOTTFRIED LINDAUER 1839-1926

172 Portrait of Huria Metenga (Julia

Martin, the New Zealand Grace Darling) An interesting crayon drawing over a photograph of the artist's painting of Huria Matenga which hangs in the collection of the Suter Art Gallery, Nelson . Signed and titled in faded ink on reverse .

1000 - 1200 36 x 29cm J.F. PASSMORE (Mrs) fl. 1860-1880

173 The Lovers oil on board 33 x 25cm

1000 - 1200

JOSEPH LINDAHL (U.S.A .)

174 Mexican huts and saddled horse oil on board, signed 45 X 61cm

400 - 500

JOSEPH LINDAHL

175 Autumn Landscape oil on canvas, signed 45 x 50cm

400 - 500

PETRUS VANDERVELDEN

176 Harbour Scene

watercolour, signed in brushpoint 1000 - 1500 15 x 22cm Ref: 1979 Dr T.L. Rodney Wilson Cat. Raisonne 1.3.1.10

HENRY WILLIAM KIRKWOOD

177 Milford Sound

oil on board, signed H.W .K. 21.5 x 28.7cm

750 - 1000

HENRY WILLIAM KIRKWOOD

178 Mitre Peak

oil on board, signed H. W .K. and dated 1887 750 - 1000 W. BASIL HONOUR b.1897

179 Lake Wanaka

oil on board, signed 32 x 42cm

700 - 800

DA YID EDWARD HUTTON

180 1866-1946

A Leisure house, midday, Orari oil on board, signed and dated 1894 500 - 700 44 x 60cm GWYNETH RICHARDSON

181 Floral Still Life

watercolour, signed in brushpoint 46 .5 x 55cm

500 - 700

DA YID EDWARD HUTTON

Lot 238 -

LAURENCE W. WILSON Mt Sefton

Lot 211 -

WILLIAM MATHEW HODGKINS Lake Takapo and the Southern Alps

Lot 220 -

CHARLES BLOMFIELD Whangaroa Harbour

182 Portrait of a Young Maori Woman

oil on canvas, signed 65 x 50cm

750 - 1000

MINNIE F. WHITE The Mangaotaki River, King Country oil on board, signed 350 - 500 40 x 50cm

183

ARMEN ALFRED SCHMIDT

184 1886-1957

A Portrait Study oil on board 47 X 31cm

250 - 350

DOUGLAS BADCOCK b.1922 Winter Afternoon, Arrow River oil on board, signed and dated 1980 700 - 800 47 x 68cm

185

DOUGLASBADCOCK

186 Golden Poplar, Arrow River

oil on board, signed and dated 1962 700 - 800 48 x 60cm PAUL BERTRAM

187 Landscape with sheep and heather

watercolour, signed in brush point 35 X 50cm

150 - 200

WILLIAM AYERST INGRAM R.B.A.

188 1855-1913

Harbour scene with old wooden warship oil on canvas, signed 800 - 1200 30 x 61cm J. CLASSENS

189 Fishing boats

oil on board , signed and dated 1880 600 - 800 49 x 75cm BRITISH SCHOOL C.1800

190 Horse and jockey oil on board 37 x 46cm

450 - 600

HENRY CHARLES FOX R.B.A.

191 tl. 1879-1913

English landscape and river watercolour, signed in brushpoint 60 X 100cm

300 - 500

R. PURVES FLINT 1883- 1947

192 A Grey Day, Scarborough watercolour, signed in pencil 23 x 38cm

250 - 350

CHARLES DECIMUS BARRAUD

193 1822-1897

South Island lake and mountain scene with figures . watercolour, signed and dated 1875 in brushpoint.

2500 - 3500 28 x 49cm EDWARD AUGUSTUS GIFFORD

194 1819-1894

Lumsden Hills from behind Castlerock Homestead. watercolour, signed E.A.G. and dated 1880 in brush point.

1500 - 2000 16.5 x 37cm H .M.L. ATCHERLEY

195 Maori Village, Waikato region

watercolour, signed and dated 1877 in brush point.

1500 - 2000 37 x 62cm SYDNEY L. THOMPSON, attrbtd.

196 Portrait of a Man

oil on board C.1900, with letter of attribution from the Robert McDougall Art Gallery.

450 - 600 29.4 x 35cm E. ROSA SAWTELL d.1940

197 Wild Roses, Still life

watercolour, signed and dated 1905 in brush point.

1500 - 2000 67 x 53cm EDMUND GOULDSMITH R.B.A.

198 1852-1932

Bush and Mountains New Zealand watercolour, signed E.G . in pencil.

28 x 38cm

350 - 450

1

~

FRANK WRIGHT 199 Timber Scows aground, Auckland watercolour, signed in brushpoint 1200 - 1600 22 X 34cm

L

FRANK WRIGHT

Lot 221 -

SYDNEY LOUGH THOMPSON Portrait of a young woman in Japanese costume

200 Cecil and Walter Peaks

watercolour, signed in brush point.

1000 - 1400 24 x 36cm Reproduction: 'New Zealand', F. & W. Wright and W.P. Reeves, 1908 p.176 CHARLES BLOMFIELD 1848-1926

201 Chinese Diggings near Lake Mapouriki, Lot 259 -

PETER SIDDELL Time Regained

--------------~ ~-~~~-,

Westland oil on board, signed and dated 1903 2000 - 2500 30 x 48cm CHARLES BLOMFIELD

202 Hagley Park? with figures

oil on board, signed and dated 1910 ]000 - 1200 44 X 30cm A. ALDIS fl.1880-1900

203 Unidentified North Island Mountain

Landscape with township oil on canvas, signed and dated 1890 1200 - 1500 25.5 x 35.5cm VERA CUMMINGS 1891-1949

204 Double Portrait, two young Maori Girls in feather cloaks oil ori canvas, signed 34.5 x 45cm

1000 - 1500

JAMES COOK 1904--1960

205 Street Scene, South of France oil on board C.1938, signed 32 X 40cm

1000 - 1200

MARGARET OLROG STODDARD

206 1865-1934

Landscape with cottage watercolour, signed in brushpoint 2000 - 3000 24 x 34cm

18

C

V

i1

JOSEPH JENNER MERRETT

207 1816-1854

Three wash drawings framed together of standing Maori figures wearing kiwi feather cloaks.

Each drawing is inscribed in f~ded pencil with the subject's name Rarataka, Maharoa, Mata.

Merrett seldom signed his works and it is of particular interest that these drawings are named.

28.5 x 17cm each 3000 - 4000 Provenance: Purchased Christie's New York 1978 ex The Burlington Trust, Lynnfield, Massachusetts. A rare and important set with accompanying letter of positive authentication, signed Anthony Murray-Oliver.

JOHN GULLY 1819-1888

208 Lake Rotoiti

watercolour, signed and dated 1864 in brush point.

49 x 73 .5cm 5000 - 7000 Provenance: Pharazyn Collection Wellington.

(This is a major early work by the artist but was not available for illustration) CHARLES DECIMUS BARRAUD 1822-1897 Mount Pembroke and Milford Sound watercolour, signed C .D.B. title inscribed and dated 1880 in pencil.

36 x 52cm 3500 - 4500

208

JOHN DOUGLAS PERRETT

210 1859-1937

South Island Lake Scene pastel, signed in pencil 40 x 60cm

1500 - 2000

WILLIAM MATHEW HODGKINS 1839-1898 Lake Takapo and the-Southern Alps watercolour, signed in brushpoint.

40 x 73cm (Illustrated) 7000 - 8000

211

WILLIAM MATHEW HODGKINS

212 A Peak in Doubtful Sound

watercolour, title inscribed and signed with initials in brushpoint.

33 x 16cm 1000 - 1200 ISOBEL JANE HODGKINS 1867-1950

213 Landscape with farm gate

watercolour, signed and dated 1893 in brush point.

25 x 35cm 2000 - 3000 GIROLAMO PIERI BALLATI NERLI

214 1863-1926

Portrait of Melba pastel, signed 74.5 x 52.5cm (Illustrated) 8000 - 10,000 This fine portrait is possibly that catalogued 'Portrait of a Lady' and brought to Dunedin

by Nerli in the New Zealand and South Seas Exhibition 1889-1890.

Provenance: The collection of A.E. Usherwood, an original Council Member of the Otago Art Society and by descent to the present owner.

CHARLES FREDERICK GOLDIE 1870-1947 Te Aotiti Tumai. Chieftainess of the Ngatitura Tribe. oil on canvas, signed and dated 1912 34.5 x 26.7cm (Illustrated) 15 ,000 - 20,000 • With an accompanying two page manuscript letter from the artist to Wesley Spragg Esquire, as follows:Studio, Auckland . Sept. 19th '16 Wesley Spragg Esquire Dear Sir , In regard to the subject of the picture you purchased from me, have a few details just to hand. the name of the woman is Te Aotiti Tumai . She was a Chieftainess of the Ngatitura Tribe and was the wife of a finely tattooed old warrior who fought at the battle of Tumu. At the time of her death in 1914 she was about 80 years of age. This is the only information concerning her that I have at

215

Lot 252 -

COLIN McCAHON Kauri Tops

present. Should I hear anything further I will write to you. Regretting the delay, I am, Yours faithfully, C.F. Goldie Another posthumous 1939 portrait of this subject titled 'Wife of Tumai Tawhiti, is illustrated on page 288 of C.F. Goldie, His Life & Painting, Alister Taylor I 977, and in colour retitled 'Te Aotiti, the wife of Tumai Tawhiti, facing p.128 C.F. Goldie, Prints, Drawings & Criticism Alister Taylor 1979.

Provenance: Private collection Auckland by descent from Wesley Spragg Esquire, the recipient of the letter which accompanies this painting.

CHARLES FREDERICK GOLDIE 'Drowsy' Wiripine Ninia, Chieftainess of the Ngatiawa Tribe oil on panel, signed and dated I 91 I. Label on back of original black stained kauri frame has title inscribed and is signed in the artist's hand 10,000 - 15,000 24 x 15cm (Illustrated) Illustrated page 219 'C.F. Goldie His Life & Paintings', Taylor & Glen I 977

216

CHARLES FREDERICK GOLDIE

217 Nude Self Portrait C.1895

oil on canvas, signed 5000 - 7000 41 x 76.5cm This work was probably painted in Paris during his period of study at the Academie Julian.

Lot 222 -

SYDNEY LOUGH THOMPSON A Sunny Afternoon, Brittany

GOTTFRIED LINDAUER The Penitant Magdalen oil on canvas, signed and dated 1910 1500 - 2000 61 .5 x 51.5cm This is an early version of a subject that Lindauer painted more than once.

218

ALFRED HENRY O'KEEFFE

219 1858-1941

Portrait of a Lady oil on canvas, signed and dated 1933.

Inscribed in brushpoint on back of canvas 'A.H. O'Keeffe, 1933 Dunedin, N. Zealand.'

1000 - )500 66 X 51cm CHARLES BLOMFIELD Whangaroa harbour oil on canvas 4000 - 5000 35.5 x 61cm (Illustrated) Original faded label on back of stretcher inscribed in ink "Whangaroa Harbour (painted?) from Nature, Charles Blomfield.

220

SYDNEY LOUGH THOMPSON 1877-1973 Portrait of a young woman in Japanese costume oil on canvas. C.1925, signed 5000 - 7000 6 I x 51 cm (Illustrated)

221

Lot 256 -

DON BINNEY Te Henga

SYDNEY LOUGH THOMPSON

222 A Sunny Afternoon, Brittany oil on board, signed 32 x 40cm (Illustrated)

2000 - 3000

CECIL F. KELLY d.1954

223 Blossoms on the bank of the Avon,

Gloucester Street, Christchurch. oil on board, signed 40 x 50cm

500 - 800

RATA LOVELL-SMITH

224 Landscape, Central Otago C.1950

oil on board, signed 36 x 45cm

600 - 800

SYDNEY LOUGH THOMPSON

225 Bridge on the canal, Grasse

oil on panel, signed 26.5 x 35cm (Illustrated)

2000 - 3000

SYDNEY LOUGH THOMPSON

226 Devauchelles Bay, Akaroa oil on panel, signed 36.5 x 44.5cm

2000 - 3000

.

JOHN WEEKS

227 The Meeting

gouache, signed 35 x 40cm (Illustrated) 3000 - 4000 A very similar unsigned version of this subject is in the collection of the National Gallery, Wellington and is illustrated in the catalogue 'The works of John Weeks in the National Collection p.9.

JOHN WEEKS Winter Rooftops, London oil on paper, signed and dated 1926 33 x 27cm 2000 - 2500

228

PETRUS VAN DER VELDEN

229 The Culprit

.

oil on panel 25 x 20cm (Illustrated) 6000 - 8000 Collection: Mrs Anthony Holcroft, Canterbury Provenance:· R.L. Clarke, Christchurch Re: 1959 Auckland City Art Gallery, Catalogue p.24 1976 Petrus van der Velden Dr T.L. Rodney Wilson No. 66, p.139, Col. plate 18.

1979 Petrus van der Velden, Cat. Raisonne Vo! I, Col. pl. p .29, Vo! II, 1.4.2.27 Exhibitions: 1%3 Robert McDougall Art Gallery, Cat. No. 59 1976 Auckland City Art Gallery, Cat No . 44.

PETRUS VAN DER VELDEN

230 Little girl in pink

oil on canvas 44.5 x 34.3cm (Illustrated) 16,000 - 20,000 Ref: 1976, Art New Zealand No. 1, p.21 1979, Dr T.L. Rodney Wilson.

Van der Velden Catalogue Raisonne Vol. II L.4.2.27. Vol. I. Col. pl.29

Lot 225 -

SYDNEY LOUGH THOMPSON Bridge on the canal, Grasse

Lot 267 -

ROBIN WHITE Mt Eden Landscape

EDWARD FRISTROM 1864-1942

231 Landscape Maturangi oil on board, signed 25 x 33.5cm

1200 - 1600

JAMES COOK

232 Ghent Skyline

oil on board, signed 25.5 x 33.5cm (Illustrated)

1200 - 1600

ARCHIBALD FRANK NICOLL

233 1886-1952

Akaroa Coach Road oil on canvas, signed 35 x 50cm 2000 - 2500 Attached to the back is H. Fisher & Sons' original faded exhibition label c.1920 with details recorded plus title and price of 15 guineas.

ARCHIBALD FRANK NICOLL

234 Road to Akaroa oil on board, signed 29 x 39cm

1500 - 2000

ARCHIBALD FRANK NICOLL Town square with figures oil on board, signed c .1912 30 x 39xm 1500 - 2000

235

ALFRED SHARPE c.1830-c.1912

236 Coromandel from the west with a view of Waiheke and adjacent islands in the distance. watercolour, inscribed in brushpoint 'Coromandel, Alf. Sharpe N.Z. 1881' 41 x 25 .5cm (Illustrated) 7000 - 8,000 Exhibitions: Auckland City Art Gallery 1973, The watercolours of Alfred Sharpe. Cat 16 · p.20

·• ••

-

LAURENCE W. WILSON

237 Mt Earnslaw, Wakatipu

oil on canvas, titled, signed and dated 1893 61 x 92cm 7000 - 10,000

21

LAURENCE W. WILSON

238 Mt Sefton

watercolour, inscribed in brushpoint, 'Mt Sefton from G ......... Camp', and signed and dated 1895.

4000 - 5000 33 x 51cm (Illustrated) E.W. CHRISTMAS

239 The Valley of the Dart on the

Routeburn oil on canvas, signed and dated 1907 5000 - 7000 96 x 122cm GEORGE W. CARRINGTON

240 1855-1940

Otago Harbour from Mt Cargill oil on canvas, signed with initials and inscribed and signed in full on back of stretcher 3000 - 4000 75 x 151cm (Illustrated) JOHN WEEKS O.B.E. 1888-1965

241 Notre Dame, Paris

oil on canvas on board, signed 3500 - 4500 48.5 x 59cm An important European painting by this artist demonstrating the influence of Cezzane and Andre Lhote.

Unavailable for illustration.

LOUIS JOHN STEELE 1843-1918

242 Narrative painting depicting mother

and two children in the doorway of a barn or tavern in which men and women are drinking. oil on canvas, signed 2000 - 3000 22 x 30cm

Lot 227 -

JOHN WEEKS The Meeting JOHN WEEKS

243 Landscape with Haystacks Lot 229 -

PETRUS VAN DER VELDEN The Culprit

oil on board, signed 29.5 X 34cm

2000 - 3000

JOHN WEEKS

244 Tlemcen

pastel 1000 - 1500 30.5 x 39.5cm Certified on back as being from the artist's estate, by his dealer, Alan Swinton, Director, John Leech Gallery JOHN WEEKS

245 North Island river landscape

oil on panel 1000 - 1500 63.5 x 86.5cm An unfinished painting of the Auckland waterfront is on the reverse.

FRANCES HODGKINS 1869-1947

246 Poet resting under a Tree, Spain 1932

oil on canvas, signed 12,000 - 15,000 57 x 70cm (Illustrated) Collections: Mattei Radeu Esq. London; Private collection, Auckland Exhibited: British Art and the Modern Movement 1930-40 Art Council of Great Britain 1962 Cat. No. 6, p.11 Illustrated: Art New Zealand No. 1, p.11 FRANCES HODGKINS

247 Barges on the Seine gouache, signed in pencil 34 x 39cm (Illustrated)

4000 - 5000

FRANCES HODGKINS

248 Portrait of May Kenyon

watercolour, signed with initials and dated '96 in brushpoint, inscribed 'May' on back. May Kenyon was a close friend of the artist and a fellow painter in Dunedin. She was sometimes a model for Frances Hodgkins.

Ref: Portrait of Frances Hodgkins by E.H. McCormick p.27 4000 - 5000 20 x 15cm (Illustrated) JOHN GULLY 1819-1888

249 Lake Tarawera with canoes and figures

watercolour, signed and dated 1882 in brush point.

6000 - 8000 35.5 x 63.5cm (Illustrated)

J .B.C. HOYTE 1835-1913

250 Lake Wanaka

watercolour , signed in brush point 32 x 67cm (Illustrated) 6000 - 8000

PHILIP TRUSTTUM

264 Untitled painting

acrylic on hessian on hardboard, signed P .S.T. and dated 1976 49.5 x 44.5cm 450 - 600

J .B.C. HOYTE

251 Auckland from Parnell

watercolour, signed in brushpoint 29 .5 x 57cm 5000 - 7000

Contemporary New Zealand Paintings COL~N McCAHON b.1919

252 Kaur, Tops

oil on board, inscribed 'Titirangi May ' 57, June' arid signed McCahon 60.5 x 43cm (Illustrated) 10,000 - 12,000 First exhibited Argus Gallery, Auckland 1958 Collection: Private collection Auckland Provenance: available to purchaser.

COLIN McCAHON

253 Jesus Falls a second Time

oil on hardboard, from the Stations of the Cross, title inscribed .

30 x 30cm 1000 - 1200 COLIN McCAHON

254 Small Landscape

oil on hardboard, signed and dated Jan Oct 1966 30 X 30cm 1000 - 1200

PHILIP TRUSTTUM

265 Cars, Fountain

oil on canvas, signed and dated 1975 33 x 24cm 350 - 450 MICHAEL SMITHER

266 Self Portrait

oil on hardboard, signed MDS and dated 1976 58 x 90cm 1500 - 2000 ROBIN WHITE b.1946

267 Mt Eden Landscape

oil on canvas, signed, titled and dated 1971 122 x 75.5cm (Illustrated) 2000 - 2500 ROBERT ELLIS

268 Motorway, City No . 28 oil on hardboard, signed and dated 1969 123 x 107cm 1500 - 1800 Exhibitions: Auckland Festival 1969 MILAN MRKUSICH

269 Painting Red Orange 1968

oil on hardboard, signed and dated on reverse 46.6 x 47cm 1000 - 1500 RICHARD KILLEEN b.1946

COLIN McCAHON 255 Small Landscape oil on hardboard, signed and dated Jan Oct 1966 30 x 30cm 1000 - 1200

270 Mirror in the Sky 1973

oil on hardboard, titled, signed and dated May 1973 on label on reverse 67.5 x 45.7cm 1000 - 1500 PHILIP CLAIRMONT b.1949

DON BINNEY b.1940 256 Te Henga oil on hardboard 1971, signed, titled and dated Feb. 1971 73.5 x 110cm (Illustrated) 4000 - 5000

271 Untitled painting 1971 oil on jute, signep and dated 140 x 74cm

1000 - 1500

PHILIP TRUSTTUM

272 Back View

DON BINNEY

257 Te henga

oil on hardboard 1969, signed, titled and dated 38 x 49cm 1500 - 2000

oil on paper, initialled and dated 1974 32.5 x 24.6cm 350 - 450 PHILIP TRUSTTUM

273 Ticket 258 Figure in Light No. 1

acrylic on canvas 312 x 188cm

oil on canvas, signed and dated 1964 11.5 x 76.5cm (Illustrated) 5000 - 7000 Exhibited : Contemporary N.Z. Painting 1965, Commonwealth Institute London Cat. No . 34

274 Paper whistle & Balloon

PATRICK HANLY b.1932

PETER SIDDELL b.1935 259 Time Regained , acrylic on hardboard, signed and dated 1977 89.5 x 120cm (Illustrated) 4000 - 6000 ROBERT ELLIS b.1929

260 Motorway/ City No. 12

oil on hardboard, signed and dated 1968 45 x 45cm 700 - 900 Exhibitions: Auckland Festival 1969 PATRICK HANLY

261 Two Tamarillos

oil on canvas, signed and dated 1968 107 x 96cm 2000 - 3000 PATRICK HANLY

262 Summer Garden Energy oil on hardboard, signed and dated 1972 44 x 44cm 1000 - 1500 PHILIP TRUSTTUM

263 Mounted Trike

acrylic on hessian on hardboard signed P .S.T. and dated 1976 49.5 x 45cm 450 - 600

700 - 1000

MICHAEL SHEPHERD

oil on canvas 13 x 22cm

400 - 600

DON DRIVER

275 Down the Drain acrylic on canvas with assemblage, signed and dated 1976 115.5 x 92cm 600 - 800 DON DRIVER

276 Untitled hanging

218 x 155cm

600 - 800

End of Sale NEXT SALE OF PAINTINGS Thursday 24th November 1983

Webb's FORTHCOMING SALES Japanese & Oriental Items English Silver & Porcelain Estate Jewellery, Antique Furniture Rugs & Collectors' Items THURSDAY 1ST SEPTEMBER Illustrated catalogue $4 post free

Victorian & 20th Century Costume Linen & Old Lace, Dolls & Collectors' Items from the collection of Mrs. Molly McKenzie of Christchurch. l(XX) lots FRIDAY 9TH SEPTEMBER Illustrated catalogue $4 post free A FURTHER SALE OF FINE PAINTINGS WILL BE HELD ON THURSDAY 24th NOVEMBER 1983

Peter Webb Galleries Li01ited .Fine Art Auctioneers & Appraisers Comer Elliot & Wellesley Streets, Auckland 1. P.O . Box 7008, Auckland. Telephone 734-404