Conditions of Sale
1. The highest bidder to be the purchaser , subject to the Auctioneers having a right to refuse the bidding of any person. Should any dispute arise as to the biddings, the lot in dispute to be immediately put up for sale again at the preceding bidding , or the Auctioneers may declare the purchaser.
2. No person shall advance less at a bid than a sum to be nominated by the Auctioneer and no bid shall be retracted
3. All lots are sold subject to the right of the seller or his agent to bid or else to impose a reserve
4. The purchaser to give his name , address and to pay down 10 per cent of the purchase money in part payment thereof. In default of any of which matters the lot or lots purchased may be immediately put up again and resold
5. All lots are sold as shown and wi th all faults , imperfections , and errors to description. Th e Auctioneers act as agents; they have full discretion to refuse any bidding or to withdraw any lot or lots from the sale without in either case giving any reason; neither they nor the Vendor are responsible for errors of description or for genuineness or authenticity of any lot or fault or defect in it , and make no warranty whatever.
6 The lots are at the buyer's risk from the fall of the hammer and are to be taken away at the buyer's expense , in default of which the Auctioneers will not ho ld themselves responsible; if the same are lost , stolen, damaged, or otherwise destroyed , but they wi ll be left at the sole risk of the purchaser. If the lots are not c leared or paid for , they may then be sold immediately either publicly or by private treaty , without any notice being given to the defaulter
7. Upon failure of the purchaser to comply with any of the above conditions the money deposited in part payments shall be forfeited , and the defaulter shall make good any loss arising from the resale , together with the charges and expenses in respect of both sales
8. No goods are to be removed while selling is in progress. Receipted invoices must be produced prior to delivery of any lot. The auctioneers reserve the right to request identification in the case of any purchaser not known to the Auctioneer who pays by cheque. Charging to credit cards will not be accepted as means of payment.
" No per son being the purchaser of any item falling withi n the provisions of the Antiquities Act 1975 or the Arms Act 1958 shall be entitled to take possession of such item or to demand possession thereof from the Auctioneer unless and until such person produces to the Auctioneer a licence pursuant to the appropriate one of the two Acts referred to above."
Instruction to Bid
Instruction s to bid at sales are accepted by Peter Webb Galleries Limited and carried out free of charge Lots will be bought as favourably as is allowed by the bidding in the saleroom and :,my reserve imposed.
Notes on the Catalogue
Measurements: Measurements are sight size on ly. Height before width Dates: Dates for each artist are given in the first occurence only Idem: = refer to the authority or pub lication already given relevant to this artist
Special conditions pertaining to the sale of jewellery in this sale
1 The auct ioneers reserve the right to request identification in the case of any purchaser not known to the auctioneer who pays by cheque.
2 Purchasers should allow for a minimum of three working days for cheque clearance before collecting thei r purchases.
Prospective Buyers :
Prospective buyers should register at the reception desk on entering the sa leroom. They will be al located a number to which their purchases will be booked.
Cover Illustration : Lot 103
Catalogue of Fine Paintings and Jewellery
Paintings, drawings and an important Tiki
from the Estate of Onve Goldie the widow of Charles Fr ederick Goldie on behalf of the beneficiary , J ohn Cooper of Melbourne , Austral ia and
A large and important watercolour , A View of Lake Wakatipu , with Maori Figures in the Foreground, by J ohn Gully
A rare oi l painting , a Portion of the Mararoa River during its transit from the upper into the lower Mararoa Lake, in the province of Otago, New Zealand , by Nicholas Chevalier
An important repatriated oil painting, Mt Stewart, Waiau , North Canterbury , by Rita Angus
A fine large watercolour , Bob's Cove , Lake Wakatipu , Queenstown , and four others by J.C. Hoyte and three major works by Petrus van de r Ve lden and other important historical and contemporary New Zealand paintings and Australian, Dutch and English paintings to be sold on behalf of the Estate of John Seabrook , Mr and Mrs Otto Groen , Mr Laird Thomson , the Estate of E.L. Robinson , Mr Lance Crawford of Melbourne and other vendors
Jewellery
comprising an exceptionally fine 7.14 carat emerald ring a 50 diamond riviere necklace and a 22 diamond bracelet formerly the property of Lady Jessie Heaton Rhodes of Christchurch and other fine diamond and coloured stone jewellery on behalf of various vendors and estates to be held
ON WEDNESDAY 24TH JULY 1985 AT 6.00PM IN THE BALLROOM, THE REGENT AUCKLAND
Viewing: Th e Catalogue ca n be vi ewed in our Gallery Saleroom at the following times: Thursday and Friday July 18th and 19th 9am-5 30pm Sunday July 21st 11 am-4pm Monday July 22nd 9am-5.30pm Tuesday July 23rd 9am-7pm
NB : No Viewing on days of sale unless · by prior arrangement Adm ission to the Regent Sale is by Catalogue only (two persons)
Peter Webb Galleries Limited
Fine Art Auctioneers and Appraisers
T & G Building Corner Welle sle y & Elliot St P O Bo x 7008 Telephone 734-404 Auckland
THE CATALOGUE
9 A very fine gold , enamel , seed pearl and diamond watch and long chain by Tiffany and Co c 1900. The watch is
Jewellery decorated with a pink guilloche enamel and rose diamond centre rosette . The bow and clip are also set with rose
1 A good necklace of graduated flesh diamonds. The chain has matching coloured coral beads . The gold and enamel spindle lin ~s interspaced with silver clasp set with a brilliant cut natural pearls. £ / diamond · 45pts approx. Illustrated
Illustrated
10
A superb emerald dress ring , c 1930 ,
2 A cased set of four Art Nouveau set in platinum with a large step-cut design silver buttons and a buckle natural emerald of 7 14cts and flanked
Birmingham 1902 by two matching square cut emeralds of 35ct each and having a border of small diamonds. 13
3 A white gold stick pin The top is set with a 40pt brilliant cut diamond. Clarity VSI
11
Illustrated
A very fine 18ct gold dress ring with a large step-cut emerald of 5.40cts in yellow gold claws and surrounded by
4 A good silver vesta case in the shape twenty two brilliant cut white diamonds
Illustrated of the head of Edward VII Birmingham 1904
12 A very attractive Victorian necklace of
5 A large Victorian shell cameo brooch twenty six closely matched linked oval amethysts each set in a 9ct gold collet with classical scene and 9ct gold mount mount
Illustrated 57 x 52 mm
13 A fine quality 9ct gold muff chain of
6 A good 18ct white gold dress ring set trace and trombone link In excellent with a white brilliant cut solitaire condition d iamond of 1.25ct. Clarity WS Wt. 26 gms Length 142cms.
Illustrated
14 A fine 18ct gold mourn ing style
7 Another 18ct white gold dress ring set pendant in the form of a wreath and heart drop held by a platinum gloved with a larger solitaire brilliant cut hand set with turquoise and small rose diamond of similar quality . 1.53ct. cut diamonds and suspended on an Il lustrated 18ct yellow gold chain with blue enamel snap clasp
8 Another 18ct white gold dress ring set with a smaller brilliant cut solitaire
15 A heavy 22ct Chinese gold curblink diamond of 83ct. The quality similar lo neckchain the above two lots Wt. 85gms Length 51cm
Top to bottom , left to right , lots 52 , 1, 16, 9, 17 , 37 , 24 , 49
A very fine platinum brooch profusely set with brilliant cut diamonds in a pierced geometric Art Deco-designed mount.
L. 53mm. Total Wt. approx 3.40cts
Illustrated
A good 19th Century French diamond floral spray brooch. The five leaves set with one hundred and fifty five old cut white diamonds in a gold and silver mounting around a centre cushion stone of approx. 50 pts French marks
Illustrated
A fine gentleman ' s 18ct gold
International Watch Company automatic wristwatch and strap. The face and case are of square design. Total gold wt. 68 gms
Illustrated
A very attractive ruby and diamond cluster ring. The large oval ruby at the centre within a double row border of brilliant cut diamonds (twenty four in all). Ruby size 1.81 ct.
Diamonds total 1.32ct.
Illustrated
A fine Victorian necklace of cultured pearls comprising four strings of varying length. Each pearl individually knotted and fixed to a large gold catch the centre of which is set with nine cushion-shaped diamonds surrounded by eighteen natural emeralds
Illustrated
A fine large mid 19th Century 18ct gold brooch designed as a butterfly with hinged outstretched wings and set with eighty mid blue sapphires The fourteen wing tip sapphires are surrounded by small diamonds (one hundred and twenty eight in all). The largest sapphire measures 11.5 x 9mm Total approx 20cts. Diamonds approx. 3 cts in total
Illustrated
22 An 18ct gold Albert chain with double paper clip links having seven attached gold mounted greenstone fobs. Worn as a bracelet.
Illustrated
23 A long rope of individually knotted large baroque cultured pearls. L.93cm
Illustrated
24 A very pretty 18ct gold Georgian brooch in the form of an eight pointed cross. Set with eight natural emeralds and rubies around nine central diamonds In original box
Illustrated
25 A very attractive platinum bracelet, c.1930 , with fifteen brilliant cut graduated diamonds in hinged box settings. Each stone is flanked with two crescent cut blue pastes in rub over mounts. Total estimated wt. of diamond 1.67ct
Illustrated
26 A good dress ring in 18ct gold set with a deep red oval ruby of 1.84ct and two modern cut 50pt diamonds
Illustrated
27 A very attractive long necklace of old pierced Chinese ivory beads each linked together with 18ct gold petal mountings. The catch in 9ct gold Length 90cm
Illustrated
28 An 18ct gold vesta case with stippled surface decoration and cobochon sapphire thumb catch wt 13 5gms
Illustrated
Top to bottom , left to right , lots 26 , 43 , 21 , 29 , 10 , 39 , 11 , 38 , 19 , 70
29
A very attractive cluster ring set with a 35 very fine and rare Victorian riviere cushion cut Ceylonese sapphire of necklace of fifty graduated white 4 .17cts surrounded by fourteen small diamonds each set in a linked brilliant cut diamonds Total 78ct in an individual silver and gold collet. Stone 18ct gold mount wt from .22ct-1 18ct. Total wt of Illustrated diamonds 22cts est. strated
3~o00
30 A fine platinum dress ring of flower design set with a large brilliant
36
A very attractive 18ct white gold diamond 1.40cts and fifteen smaller diamonds in five petals. Colour H I.
diamond set bracelet comprising twenty Clarity VS2 two old cut brilliant stones of graduated
Illustrated size 25ct down to 15ct mounted in hinged box settings each side of a centre stone of t est.
Illustrated 7 Z:JOO
31 A good wide 9ct gold bracelet with flexible diamond shaped links Wt 64gms. Maker Kutchinsky
Illustrated
32 A superb pair of diamond drop earrings in 18ct white gold Each earring is set with four graduated smaller stones, .75ct approx. The large brilliant cut bottom drop stones are
37 A cluster form pendant set with a centre pearl surrounded by twelve brilliant cut diamonds on an 18ct gold chain .60ct approx.
Illustrated
38
A 14ct white gold bar brooch set with 3.73cts and 4.23cts respectively. Colour top s;1ver cape O.}-,,___:, £-i ,( /6/ oifD'
a mid-blue Ceylonese step cut sapphire
Illustrated ' 6 7mm square and of approx 2 06cts
s-Du with six small diamonds in the shoulders
Illustrated
33 A very stylish 18ct white gold ring of marquee design set with three large brilliant cut diamonds and ten small.
39 A very fine Victorian jabot pin. One The total weight of the three centre stones is 1 71cts c 1930 end set with a large oval cabochon
Illustrated ruby and the other end set with a rectangular cushion cut ruby. Both stones are surrounded by small diamonds. Cabochon stone 8 04cts
Cushion cut stone 1-:!$ s
34 A very impressive 18ct white gold
Illustrated / O {f2fz) dress ring of square design set with / twenty one brilliant cut diamonds Having four centre stones of 40pts each surrounded by smaller stones
Total wt 3 35cts
40 A 9ct gold bracelet of meshed oval
Illustrated links Wt 27.4gms
Top to bottom, left to right , lots 35, 36 , 25, 32, 30, 33 , 42, 45 , 6, 7, 34
41
A very attractive late 19th Century red
47 An 18ct white gold dress ring set with enamel and diamond heart shaped a silver cape brilliant cut diamond of pendant. The centre, border and clip 50pt approx and twelve small shoulder set with forty four old cut brilliants and stones having a 9ct gold chain and mounting. Together with a 9ct gold bar brooch set with two small matching hearts and a rope love knot.
48 A platinum dress ring set with a gooc;l 38 small diamonds (2) brilliant cut white diamond of 88pts approx. VSI
42 A fine 18ct white gold ring set with three modern brilliant cut white f
49 A 14ct yellow gold dress ring set with diamonds . WSI 1.09ct , 1.12ct and /VJ 1.19ct respectively -j
Illustrated
43 A very attractive 18ct white gold square 50 cluster ring set with a fine large ruby
a cabochon pink coral and two small
diamonds in a Tiffany and Co box
Illustrated
A gentleman's 14ct white gold dress 3.18ct est. surrounded by 14 small ring set with a solitaire brilliant cut brilliant cut diamonds total ?Opts est. diamond of approx 75ct
Illustrated
51 An 18ct hand -made brooch in the form
44 A good long string of 7 5mm circular of an orchid with natural pearl. London cultured pearls with 18ct white gold 1958. wt. 10 gms clasp set with a small pearl cluster
Illustrated
52 A Victorian diamond spray brooch , the leaves and flowers set with fifty two
45 A very fine 18ct white gold dress ring cushion-shaped stones in a silver and set with a large modern brilliant cut gold mounting solitaire diamond of 3 18ct. WSI. L. 64mm. C.1880 Colour K
Illustrated p~>l--i\ \ v)
Illustrated
53 A fine large Georgian pair case pocket watch The outer case with tortoiseshell cover .and silver studs. The face
46 A superb mid-Victorian suite of painted with a scene of William , Prince amethyst jewellery comprising bracelet , of Orange inspecting his troups (Arabic earrings and pendant in a 15ct gold numerals) Verge movement by Jon mounting of gilt spirals , granulated Murray No 2430 . East Smithfield scrolls, rosettes and sprays. The London C.1812 bracelet has six large oval faceted Illustrated amethysts of fine match and colour
Total Wt. 87.62cts. The pendant dress earrings are set with a long tear-drop and two smaller stones. Total wt.
54 A large 22ct gold brooch of circular 9.80cts each. There is a second pair of shape with an open work design and earrings with one oval stone. wt. centre star wt. 29 5gms Dia. 55mm 4.62cts and 5 15cts respectively
Together with a pair of similarly Illustrated designed earrings wt 14 8gms
Top to bottom , left to right , lots 64, 27 , 22 , 71 , 28
55 A spectacular dress ring set with a large Gilson emerald crystal cluster in a modern 14ct gold mounting and surrounded by fifteen small brilliant cut diamonds
56 A rare 18ct gold Swiss stem-wind hunter pocket watch with complicated multiple, day date calendar , moon phase movement and quarter repeater mechanism (needs some attention)
Illustrated
57 An unusual choker necklace of three strands of rubies and one of pearl beads The 18ct white gold clasp set with twenty one small diamonds
58 A very fine large unmounted cushioncut blue topaz. 57cts in weight
Illustrated
59 An Italian heavy 18ct gold bracelet of modern design in the form of a trail of lichen encircling the arm ; with sprung and hinged access. The front is set with forty seven brilliant cut diamonds simulating clusters of dew drops Total wt . 113gms Diamonds 2.40cts approx
60 An 18ct gold Omega Seamaster wristwatch with brown leather strap
61 A 14ct white gold dress ring set with a 2.03ct (est) brilliant cut diamond in a raised mount bordered by twenty four baguettes and twelve small brilliant cut shoulder stones 'Jj I
62 A heavy platinum and 18ct gold Albert chain with alternate metal open curb links L. 50cms wt. 18gms
63 An attractive 9ct gold chain-mesh bracelet. The rectangular clasp set with sixteen square cut amethysts. Birmingham 1964. wt 67.8gms Illustrated
64 A long 9ct gold rope-link muff chain with eight cut greenstone bar links. Length 140cm Illustrated
65 A white gold necklace of seven connected floral and ribbon links The petals are set with small diamonds , fifty two in all , each link having a brilliant cut diamond drop of approx 35pts (some inclusions) beneath another small diamond
66 A lady ' s 18ct yellow gold Omega wristwatch with fine mesh strap (automatic)
67 A pair of 18ct gold stud earrings each set with a brilliant cut diamond Total wt. 1.04ct
68 A good 18ct gold dress ring set with an oval Burmese ruby 1.1 ?ct and two brilliant cut diamonds .43ct each
69 A very good 18ct tri-colour, torque gold Cartier bracelet (signed) with stylised buckles wt . 36gms
70 An 18ct gold three stone ring set with an oval golden sapphire of 1 85ct and two brilliant cut diamonds 38ct each Illustrated
71 A good Georgian portrait miniature on ivory of a young gentleman, within an oval 15ct gold frame 72 x 66mm c.1800
Top to bottom , left to right , lots 31 , 56 , 18 , 53 , 63
Paintings
71a H. Grant Lloyd c 1830-1904
Auckland and Rangitoto pencil and watercolour title inscribed , signed and dated 1888 in brushpoint
31 x 44.5 cm
Lloyd arrived in Tasmania in 1840 and studied art under- Conrad Martens and J S Prout. He visited Auckland about 1881 and exhibited with Auckland Society of Arts Lloyd is listed as a Dunedin artist from 1889.
Illustrated
72 Cuthbert Clarke
Rangitoto from Central Auckland with Maori figures and bullock cart in foreground pencil on paper. c 1850 signed 23x34cm
Illustrated
73 Thomas Warner Mt Victoria and North Head from Grafton sepia wash drawing C.1850 signed T.W in ink 14 5 x 26 6 cm
Illustrated
74 J.C.A.P.
A View of Auckland with Maoris herding pigs in the foreground watercolour signed with initials on reverse 17 8 x 21 1 cm
Refer: Christie's , London Cat. No 124 March 31, 1978
Illustrated
75 19th Century Artist Unknown Rangitoto from the Eastern Bays coloured pencil on grey paper 14 x 23 5 cm
76 H.A.S. (Henry Scrivener)
Auckland from the Domain watercolour (panorama with folds) inscribed in pencil Auckland N.Z. (From the Domain) initialled H.A.S and dated 1862 27 3 x 88 6 cm
Inscribed in pencil on back ' Picture by Henry A. Scrivener see Sotheby ' s catalogue item 154 18/1/1978 Property Hugh Norwood '. Scrivener is an unrecorded artist and probably visited Auckland briefly , around 1862 Illustrated
77 Edmund Norman 1820-1875
Birds Eye View of the McKenzie Country
pen drawing signed and dated 1869 33 x 97 c m
This e xceptionally fine drawing is very c losely related to a pencil and wash drawing of the same subject commissioned by Thomas Teschemaker which is reproduced in Paintings of Canterbury 1840-1890, John Oakley p 44 The wash drawing lacks the tree stump on the right of this drawing , however Illustrated
78 Artist Unknown
Portrait of Pipi, Whakarewarewa inscribed in pencil and dated Oct 11 , 1903 36 x 28 5 cm
Illustrated
79 Joseph Jenner Merrett 1816-1854
The Warrior Chieftains of New Zealand (included in the left of the group are Heke's wife Harriet , Hone Heke and Kawati) pen and watercolour 22 x 28 2 cm
Merrett made numerous later copies of the earlier versions of this popular subject. This work , which shows a coarser technique is typical of these later copies A number of such copies are in the collection of the British Museum Anthony Murray-Oliver describes Merrett as ' one of New Zealand ' s few true primitive artists ' in a letter of authentication accompanying this work
Illustrated
80 Major-General Horatio Gordon Robley
Tu Ngarahu - Gathering of the Arawa Tribe for the war dance 'Peruperu'
October 1865
watercolour signed in brushpoint title inscribed in the artist's hand in ink on the original backboard with additional inscription: " viewed by the Detachment 68th Lt Inf - then in Fort Colvile (sic) Maketu , at this date the friendly Maori levies were commanded by Capt. Gilbert Mair N.Z.C. " 22 x 35 cm
Refer: New Zealand Heritage P.873 for a reproduction of another later version of this subject in the collection of the National Museum
Illustrated
81 John Barr Clarke Hoyte 1835-1913
Bob's Cove, Lake Wakatipu , Queenstown N.Z.
watercolour signed and dated 1876 in brushpoint 56x96cm
Illustrated
82 John Barr Clarke Hoyte
Figures in South Island Landscape watercolour
signed with initials J C H in brushpoint
41 x 64 cm
Illustrated
83 John Barr Clarke Hoyte
The Remains of Keroopa's Pah Te Whetu Gorge p n t) watercolour c,L I
84 signed in brushpoint
34.5 x 62 cm
Illustrated
John Barr Clarke Hoyte
Mountain Landscape watercolour
signed twice and dated 1874 in brushpoint
41 x 65 cm
Illustrated
85 John Barr Clarke Hoyte Pink and White Terraces watercolour
35.5 x 46 cm oval
Illustrated
86 John Barr Clarke Hoyte Rushcutters Bay , Sydney 1865 watercolour signed J C H.
32 x 56 cm
Illustrated
87 John Gully
A View of Lake Wakatipu with Maori figures in the foreground watercolour signed and dated 1877 in brushpoint 74 x 128.5 cm
This major painting is based on sketches made by Gully on a trip through Central Otago accompanied by David Con Hutton in 1877 A somewhat similar view is reproduced in New Zealand Romantic Landscape , Paintings by John Gully : J S Gully p.80. This painting could possibly be the large watercolour shown at the opening of All Saints Hall, Nelson on February 26th , 1878 (see idem p.70 & Cat GU/16} Illustrated
88 John Gully
Mt Cook from the West watercolour C 1875
sig ned in brushpoint
48 .5 x 80 cm
The National Art Gallery has in its co ll ec tion a similar view to this fin e work (idem p 76) Illu strated
Lot 91
Lot 98
89 Nicholas Chevalier
A portion of the Mararoa River during its transit from the Upper into the Lower Mararoa Lake in the province of Otago, New Zealand oil on canvas signed and dated 1868 48 x 76 cm
In original frame by the notable Melbourne artist/framer , Isaac Whitehead
This important, rare and hitherto untitled oil is almost certainly that referred to in the Otago Witness of April 24 , 1868, p.4 in which the paper quotes from the Melbourne Argus review of the artist's New Zealand paintings just completed The painting is referred to as a ' cabinet picture ' and entitled as above
Refer: Melvin N Day Nicholas ChevalierArtist. His Life and Work with special reference to his Career in New Zealand and Australia Wellington , Milwood Press , 1981
90 James Crowe Richmond 1822-1898
Lake Rotoroa, one of the headwaters of the River Buller, early morning watercolour signed and dated 1884 in brushpoint
36 x 53 cm
The sight of Lake Rotoroa from this vantage point was a favourite view for Richmond.
Four drawings closely related to this view exist, the smallest dated 1864 is in the National Art Gallery's Richmond Collection (Pl.86)
The largest drawing which is a similar view to this watercolour has been squared to enlarge and transfer onto a canvas. The resulting oil painting (whereabouts unknown)
won a silver medal at the New Zealand Industrial Exhibition 1865 in Dunedin
Illustrated
91 James Crowe Richmond
Lake Wanaka with Mount Aspiring watercolour c.1870
44 x 67 cm
This watercolour is a smaller version of the subject by Richmond which is in the collection of the Auckland City Art Gallery
Illustrated
92 Charles Decimus Barraud
Landscape Wellington region with cattle and farmhouse
watercolour
signed and dated 1884
30 x 45 cm
Illustrated
93 Charles Decimus Barraud 1822-1897
North Island Mountain Stream watercolour
39 x 26.5 cm
Illustrated
94 William Mathew Hodgkins 1839-1898
Mount Cook from Lake Pukaki
watercolour
title inscribed and signed W M H in brushpoint
30 5 x 66 cm
Illustrated
Lot 93
95 John Elder Moultray 1865-1922
Attack on the British Encampment by Hau Haus at Nukumaru , 24th January 1865 oil on canvas signed and dated 1907 76 x 127 cm
In 1865 Lieut-General Cameron left Wanganui with 2000 Imperial troops, making his first camp at Nukumaru on 24th January Although on flat land dotted with small lakes , the tall reeds , flax and tutu bushes gave cover to a strong force of Maoris under the Hauhau leader Patohe. They mounted their attack in broad daylight - the first such surprise attack on a British camp During the first volley from cover and the charge that followed which took the Maoris well into the camp , 16 soldiers were killed and 32 wounded. Major Witchell and his mounted men , with swords drawn , charged (as shown in the painting) and drove the attackers back into cover. James Cowan, in the early part of chapter 5 , vol. 2 of The New Zealand Wars gives details of this and the later attacks, skirmishes and Cameron ' s resiting of the camp on safer ground
Illustrated
96 William George Baker 1864-1929
Entrance to Otira Gorge oil on canvas title inscribed and signed 76 x 111 cm
Illustrated
97 William George Baker Lake Manapouri oil on canvas titled and signed 91 x 137 cm
Illustrated
98 William George Baker Bradshaw Sound oil on canvas titled and signed 61 x 91 5 cm
Illustrated p.
99 William George Baker Maori Pah, Waikato River oil on canvas titled and signed 60 x 90 cm
Illustrated
100 William Joseph Wadham b 1866and Alfred Sinclair b.1866 Panorama Lake Tekapo , Mt Cook , Mt Tasman , Mt Sefton oil on canvas signed and dated 1899 135 x 227 cm
Illustrated
101 James Peel 1846-1905
A View of Mount Cook oil on canvas
signed and dated 1889
45 x 75 cm
102 James Peel Mitre Peak from the Sounds oil on board
signed and dated 1898
30 x 46 5 cm
Illustrated
103 Petrus van der Velden 1837- 1913
Three Women in National Costume in woodland setting near Scheveningen oil on canvas signed 113 x 90 cm
A watercolour and chalk study of this splendid early van der Velden is in the collection of the Auckland City Art gallery and Dr Rodney Wilson lists four related drawings.
Refer: van der Velden : Rodney Wilson p 52 , and , An Introduction to New Zealand Painting : Brown and Keith p 88 Illustrated and front cover
104 Petrus van der Velden
Marken Funeral Procession oil on canvas signed and dated 1872
52 8 x 75.7 cm
Refer : Art New Zealand No 1 1976 p 23
Illustrated : idem , col.pl. p23
Dr Rodney Wilson says of the six major funeral subjects , 'It was van der Velden ' s intention to remind us in the funeral works that life is an infinitesimally tiny drop in the oceam of eternal time , and that possession of it is a privilege to be enjoyed but ultimately surrendered'
Dr Wilson describes the painting here as 'smaller and more colourful with its figures closer to the picture plane ' than the larger work to which it is closely related titled , Dutch Funeral , Marken in the collection of the Robert McDougall Art Gallery He goes on , ' It was these works more than any others that gave van der Velden his local reputation '. (A year after this work was painted , the Rijksmuseum acquired a Marken Interior) . ' They also formed a decisive turning point in his career when Isaac Israels , the early leader of the Hague School invited van der Velden to join his group in 1875 Israel 's decision was motivated by a successful exhibition of Marken works including the funeral pieces
Van der Velden was to go on to paint other subjects ; but Marken rem ains the nucleus of his Dutch period and the earliest most profound man ifestation of the ideas present in the New Zealand Otira cycle .'
Illustrated
r105 Petrus van der Velden
Young Girl nursing a Cat watercolour c 1889 signed
72 x 54 5 cm
The subject of this fine watercolour is probably the artist's daughter Hendrika born in 1882, who would have been seven years old about the time this work was painted just prior to the artist ' s departure
for New Zealand in 1890 Illust rated
--3 I o-oiJ './
106 Petrus van der Velden
Self Portrait with Cello oil on canvas signed
116 x 74 cm
Refer: Van der Velden
Catalogue Raisonne Rodney Wilson
2 3 2 2.
Although listed in the catalogue Raisonne , the whereabouts of the painting were unknown at the time of writ ing and therefore no details were supplied The catalogue illustration was taken from an old photograph and hence titled ' An Old Cellist ' Illustrated
109 x 75
Illustrated
107 Petrus van der Velden Man with Pipe and Tankard oil on canvas signed
cm
108 Petrus van der Velden
Barge oil on canvas on board
56 x 38 cm
Refer: idem, 1.1 2.10
This painting was in the 1921 Public Trust sale of the artists' works , and is listed by Peter Tomory in the Auckland City Art Gallery exhibition catalogue , p.23
109 Petrus van der Velden
Seated G irl Reading oil on mahogany panel
17 x 12 5 cm
110 Charles Blomfield 1848-1926
The Kauris' Home; scene on the Thames Ranges near the Table Mountain oil on canvas
signed and dated 1881
title inscribed in ink in the artist's hand on faded stretcher label, which is also signed and ,priced (thirty one pounds and ten shillings)
77 x 110 cm
Illustrated
111 Charles Blomfield Creek at the Thames oil on canvas
signed and dated 1924
title inscribed in pencil on back of the stretcher and signed again and priced
£2 10 0
40 .5 x 61 cm
Illustrated
112 Charles Blomfield
Waterfall, Whangarei oil on board
title inscribed and signed in pencil on reverse in artist ' s hand
60 x 50 cm
Illustrated
113
114
Charles Blomfield
Buller River above the Lyell oil on board
title inscribed , signed and dated 1891
The reverse of the board has a pencil outline of another landscape with a cottage in the foreground and with notes by the artist
40 x 30.5 cm
Illustrated
Charles Blomfield
West Coast Road with Man leading a Horse oil on board
signed and dated 1891
40 x 30.5 cm
Illustrated
115 Charles Frederick Goldie 1870-1947
'A noble relic of a noble race' Portrait of Wharekauri Tahuna oil on canvas signed C.F. Goldie N Z 1938
The stretcher bears remnants of two inscribed labels in the artist' s hand reading :
(a) Wharekauri Tahuna. A Chieftain of the Arawa Tribe
(b) ' A noble rel ic of a noble race '. A Chieftain of the Arawa Tribe aged 102 years.
Wharekauri Tahuna was a Chief and Tohunga of the Tuhoe-Arawa Tribes and he was a favourite subject of the artist who painted several portraits of him
47 x 42 cm
Refer: C.F. Goldie His Life and Painting Alister Taylor & Jan Glen , 1977 , pp 120-121
116 Charles Frederick Goldie Portrait of Te Aho o te Rangi Wharepu
oil on canvas
signed and dated 1939
30.5 x 33 cm
Te Aho was a Chief of the Waikato Ngatimahuta Tribe. He was a favourite subject of Charles Goldie whom he sat for in Auckland on numerous occasions. The most famous of his portraits depicts him in his bowler hat in a painting titled 'A Good Joke'
Refer : idem , p 84
Illustrated
117 Charles Frederick Goldie Conversation in a Country Lane (France)
oil on canvas
signed and dated 1902 76 x 54 cm
Illustrated
118 Charles Frederick Goldie Group of Schnapper with Goldfish in Bowl
oil on canvas
signed and dated 1890 61 x 94 cm
This work was disqualified from an exhibition of ' Still-Life ' paintings at the Auckland Society of Arts in 1891 because it depicted two live goldfish At this time
Charles Goldie worked in his father ' s timber office as a clerk and took tuition in art from Louis John Steele Sir George Grey urged the artist 's father David Goldie to let Charles make art his profession after seeing ' Group of Schnapper ' and another still life ' A Study of Native Birds' at the Auckland Society 's 1891 exhibition
Illustrated
119 Charles Frederick Goldie ' Solitude, Smoke, Smiles and Shadows' Ena te Papatahi preparing flax oil on canvas signed and dated 1939 20 2 x 25.4 cm
Ena te Papatahi is the subject of a number of notable Goldie portraits in c luding the famous ' Memories ' in the collection of the Auckland City Art Gallery
Refer : idem , pp.69 ,87
Illustrated
120 Charles Frederick Goldie Rahapa. Ohinemutu , Arawa Tribe (peeling kumara) oil on canvas /. signed and dated 1841 6 '1 r- ./'('7"')/ I inscribed in ink in the artist 's hand on /---- V(U v V stretcher ' Rahapa Ohinemutu To Ol ive from Charlie 27 9.42 ' 25.4 x 35 3 cm Refer : idem , p.117
Illustrated
121 Charles Frederick Goldie Harata Rewira Tarapata , widow of Chief Paul Tuhaere of Orakei , Auckland oil on canvas signed and dated 1939 Harata was a cousin to Ena te Papat ahi (see Lot 119 above) Her husband , a paramount Chief of the Ngati -Whatua Tribe is depicted in a portrait by Gottfried Lindauer in the collection of the Au c kland City Art Gallery 35 5 x 25 5 cm
122
Charles Frederick Goldie
The past and the Present oil on canvas signed and dated 1939 inscribed in ink on stretcher in the artist's hand 'The Old Masters and the School of Today' 'The past and the Present ' with two additional pencil inscriptions 'The Old Master and the Present School ', ' The men of the past regarding the things of the present'
25 5 x 35.5 cm
Illustrated
123 Charles Frederick Goldie Study of Te Rerehau Kahotea , wife of Te Heu Heu Tukino M.H R. of Takaanu oil on wood panel c 1940
Title inscribed in ink on back in artist ' s hand with additional inscription 'Given O G (Olive Goldie) Mar. 19th 1942'
15.4 x 13 cm
Refer: idem , p 291
Illustrated
124 Charles Frederick Goldie Maori woman washing clothes in warm pool. Whakarewarewa oil on wood panel. c.1938 13 x 14.6 cm
125
Charles Frederick Goldie
The Story of the Arawa Canoe oil on wood panel
title inscribed in pencil on back in the artist ' s hand
12 2 x 20 7 cm
Illustrated
126
Charles Frederick Goldie
Maori woman washing clothes oil on wood panel
11 5 x 12 2 cm
Illustrated
127
128
Charles Frederick Goldie Pipi Haerehuka pencil on paper
20 x 12 cm
inscribed bottom left ' To A F Sharp with best wishes from C.F. Goldie '
This drawing is illustrated on idem p.238. It was sold at a Bethune ' s auction in Wellington on June 18 1975 for $2000
Charles Frederick Goldie Anahe te Rahui
pencil on paper
inscribed ' Anaha - to Olive from Charlie C.F. Goldie Dec 1931 ' in pencil
17 5 x 11.5 cm
Refer : idem , pp 139 , 140
129 Charles Frederick Goldie
Hori Pokai, Chief of the Ngatimaru Tribe red chalk on paper signed with initials C F.G.
26 2 x 5 cm
Refer: idem, p 11 0
130 Charles Frederick Goldie
Ngaheke or Perira te Kahikura
pencil on paper signed with initials C F G. in pencil
20 5 x 26 cm
This drawing is a study for the painting ' An anxious moment - The last match ' in the collection of the Aigantighe Art Gallery , Timaru
Refer: idem , p.278
131 Charles Frederick Goldie
A pocket sketch book, cloth covered , containing thirty two penc il and watercolour studies of flowers , landscapes - including Mt. Egmont and the Auckland waterfront , French architectural subjects and portraits , some signed with initials and dated from April 1889 to April 1890
132 An important 19th Century whalebone Tiki with inset paua shell eyes
Length 10 9 cm
(Nat. Registration No 967)
This fine old Tiki from the estate of Olive Goldie can be seen worn by Patara Te Tuhi in his portrait by C.F. Goldie in the collection of the Auckland City Art Gallery This portrait is reproduced in colour in C.F!/ //) /\ Goldie , His Life and Paintings , by Taylor ") vV and Glen 1977 , p.95
Illustrated
133 A 19th Century double sided whalebone Tiki
Length 13 cm
There are only three genu ine Maori doublesided Tikis recorded This Tiki is similar to one of the three which is in the collection of the British Museum It is possibly a copy after t hat Tiki; perhaps of German origin or the work of a whaler. Many 19th Century sailors being adept at carving whalebone for trading purposes when in port
Illustrated
134 Charles Frederick Goldie Reverie - Rakapa, an Arawa Chieftainess oil on canvas signed and dated 1913 23.4 x 18.2 cm
Collection: The late John Seabrook , , n ( L; l) '--' Auckland c;I--..., A later 1918 version of this painting is illustrated idem , p.250
Illustrated
135 Gottfried Lindauer 1839-1926
Mrs Hane Rupene and her daughter Huria in Manaia Pah , Hauraki district NZ oil on canvas signed and dated 1879 title inscribed in brushpoint on back of canvas in the artist's hand 87 x 70 6 cm
Although this subject was a favourite of the artist ' s , records are scarce and the version here has the earliest date on record so far. The full inscription on the back suggests an early , if not original version.
Hane Rupene and Child was awarded the Grand Prize at the World ' s Fair in St Louis in 1904 and the artist was awarded a gold medal
Refer : Maori Paintings from the Partridge Collection by Gottfried Lindauer. A.H. & A.W Reed 1965 p.104. The Maori in European Art Leonard Bell. Reed 1980 pp.4 and 5
Illustrated
136 Henry William Kirkwood 1854-1925
George Sound oil on board signed and dated 1887 39 x 64 cm
Illustrated
137 Henry William Kirkwood Lake Scene with cattle oil on board signed H.W.K. 25.5 x 45 5 cm
138 Thomas Reginald Attwood c 1865-1926
Mountain and Lake Scene with Huts and figure oil on canvas 35 x 60 6 cm
139 Thomas Reginald Attwood
Mountain and Lake Scene oil on board signed 35 x 59 cm
140 John McIntosh Madden 1856-1923
Mountain Peaks and Lake watercolour signed in brushpoint 20 x 26 cm
Illustrated
141 William Henry Raworth 1821-1904
A Romantic view of Mt Cook and Mt Tasman watercolour signed in brushpoint
39 x 67 cm
Illustrated
142 William Henry Raworth
A romantic view of a South Island Lake with two foreground figures watercolour signed in brushpoint
33 x 63 cm
143 William Henry Raworth
Port Nicholson from the mast above watercolour
signed , title inscribed (end of title illegible) and dated 1840 in brushpoint
26.5 x 35.5 cm
This interesting early Wellington view from the hills above Thorndon shows the Kaiwharawhara Stream and looks along the shoreline towards Petone with the Tararuas in the distance Una Platts gives 1850 as the year of the artist's arrival in New Zealand so , unless Raworth made an earlier unrecorded visit , this painting must be a reconstruction
Illustrated
144
Claus Edward Fristrom 1864-1942
Maori Girl in Mission Dress , Bethlehem , Wanganui oil on board
signed 28 x 17 5 c m
Illustrated
145 Claus Edward Fristom
Sunlight and Shadow , Landscape oil on board
signed 19 x 29 c m
Illustrated
146 Louis James Steele 1843-1918
Young Country Gentleman in a Tavern oil on board c 1880
signed Louis Steele
34 5 x 28 5 cm
Illustrated
147 Margaret Olrog Stoddart 1865-1934 Landscape Surrey, England oil on canvas signed and dated 1897
49 x 65 cm
This fine and rather rare oil painting by Stoddart dates from her first year in England
Illustrated
148 Margaret Olrog Stoddart Haystack watercolour signed and dated 26 12 94 in brushpoint 24 5 x 34 5 cm
Illustrated
149 Margaret Olrog Stoddart Woodland Scene with Cottages , Winter watercolou r signed in brushpoint
25 x 35 cm
Illustrated
150 Margaret Olrog Stoddart Kaikoura Coast watercolour signed in brushpoint
25 .5 x 36 cm
Illustrated
151 Margaret Olrog Stoddart
A view of the Southern Alps watercolour signed in brushpoint
23 5 x 34 5 cm
Illustrated
152 Frank Wright 1860-1923
The Rees Valley and the Richardson Range , Otago watercolour signed in brushpoint
title inscribed on backboard probably in the artist's hand
30 5 x 45.6 cm
Illustrated : New Zealand Painted by F & W Wright , Black , 1908 , facing p 58
Illustrated
153 Girolamo Pieri Ballati Nerli 1863-1926
Girl with Tambourine oil on board signed
30 x 22 cm
Illustrated
154 Anthony Dattilo Rubbo 1870-1955
The Boat Shed , Little Manly oil on board signed and dated 1917
30 x 35 cm
Illustrated
155 Norman Alfred William Lindsay 1879- 1970 lmperia oil on board signed 25 5 x 20.2 cm
Illustrated
156 Sydney Long 1878-1955 River, Poplars and Bridge watercolour signed in brushpoint
22 5 x 24 5 cm
Illustrated
157 William Lister Lister 1859-1943 Road beside a Bay Sydney watercolour. c.1920 signed in brushpoint
50 x 32 5 cm
Illustrated
158 Sydney Lough Thompson 1877- 1973
Tunny Boats, Concarneaux
oil on canvas
signed
45 x 60 cm
Illustrated
159 Robert Johnson 1890-1934
Rangitikei Landscape
oil on board
signed
37 x 45 cm
Illustrated
160 Robert Johnson
Rangitikei Landscape with Farm
Buildings
oil on board
signed
14 x 22 5 cm
Lot 168
Lot 170
161 Hermina (Mina) Arndt 1885-1926
Peasant Woman carrying Onions oil on canvas
Although unsigned , this work is undoubtedly that of Mina Arndt. Attached to the bac k is a certificate of attribut ion signed by Neil Roberts , Curator , Robert McDougall Art Gallery 62 x 32 cm
Illustrated
162 Charles Nathaniel Worsley
R.B.A.-d.1923
A view of the Eastern Bays from Howick , Auckland watercolour c 1920 signed in brushpoint 24 x 71 cm
Illustrated
163 Frances Hodgkins 1869-1947
Two Girls in Conversation watercolour c.1912
signed F Hodgkins in brushpoint
46 x 55 cm
This very attractive work is closely related to 'The Convalescent', a watercolour of the same size in the collection of the Whitworth Art Gallery, Manchester. ' The Convalescent' has a different arrangement of the two figures. 'The Convalescent' is reproduced in Ascent 1969 ; Caxton Press p.31
Illustrated
164 Frances Hodgkins
4 Drying Sheets. Treboul. 1940 pastel and watercolour title and date inscribed in pencil in the artist's hand
42 x 55 cm
Illustrated
165 Frances Hodgkins
Fishing Boats, Douarnenez gouache 1921 signed in pencil
33 x 38 5 cm
Refer : The Works of Frances Hodgkins in New Zealand F H McCormick Cat. No 277
Formerly in the collection of W.G.H Field, Waikanae , a nephew of the artist
Illustrated
166 Frances Hodgkins
Idlers
watercolour signed with initials F.H. and dated 1905 in brush point
23 x 21 cm
Refer : idem cat. 226
Illustrated
167 Frances Hodgkins
Arrangement of Jugs colour lithograph 1937 from an edition of approx. 500 signed in pencil
46 x 61 cm
This lithograph was published by " Contemporary Lithographs Limited " in 1938 and was number 16 in a series which included prints by Graham Sutherland, Edward Bawden , Vanessa Bell , Edward Wadsworth and others Its original price was 25 shillings , unframed
Illustrated
168 Dorothy Kate Richmond 1861-1935
Street Scene on the Continent oil on canvas
signed D.K.R and dated 1901
42 x 45 cm
In 1901 Richmond was joined by Frances Hodgkins and the two toured Europe and North Africa together
Illustrated
169 Artist Unknown
Head of a young Maori woman oil on canvas c 1930
39 5 x 29 5 cm
Illustrated
170 Francis McCracken 1879-1959
Fishing Port
watercolour
signed in brushpoint
24 x 27.5 cm
Illustrated
171 Maud Winifred Sherwood 1880-1956
Sky and landscape
watercolour
signed in brushpoint
23.5 x 25 cm
172 Maud Winnifred Sherwood
An Italian Hillside Town oil on board signed 41 x 52 cm
Illustrated
John Weeks
Landscape near Te Kuiti oil on board
81 5 x 91 cm
This is a particularly fine large version of a subject to which Weeks returned on a number of occasions in 1892 Week's parents had bought a farm near Te Kuiti and it was to this area which he returned to paint in the 1950's with Frances Hunt , whose family had also bought a farm in the area .
Weeks also encouraged members of the
Rutland Group - Helen Brown, Bessie
Christie , Jack Crippen , Vida Steinert and Jocelyn Harrison-Smith to paint in the area .
Illustrated
174 John Weeks
Roses oil on board c.1956
signed 51 x 40 5 cm
Collection : The late Archie Gifford, Auckland Illustrated
175 John Weeks
Italian Waterway
mixed media signed J Weeks in pencil
45 x 45.5 cm
Illustrated
176 John Weeks
Animal Fantasy
watercolour signed in brushpoint
29 x 23.5 cm
Illustrated
177 John Weeks
Rof Kleber , Algier II
pastel on grey paper
27 x 22 cm
Bears on backboard a John Leech Gallery
certificate of authentication signed by the artist ' s executors, Hilda O'Connor and Allan
Swinton
Illustrated
178 Rita Angus 1908-1970 Mt Stewart , Waiau , North Canterbury oil on board c 1931-32 signed Rita Cook in pencil and aga in on reverse in brushpoint 40 x 50 5 cm
This very important landscape was painted between the years 1931 and 1932 and has long been considered lost. For this reason it was not included in the National Gallery's 1982 Rita Angus Exhibition though its existence was known from photographs and exhibition records. It can be regarded as the artist's first major landscape in oil after leaving art school for it comes five years earl ier than her painting Cass (1936-7) in the Robert McDougall Art Gallery and Otago Landscape (1940) in the Auckland City Art Gallery Its whereabouts have been unknown until recently when it was returned to New Zealand from aboard. Of these three paintings the late Professor Frederick Page wrote in Landfall Vol. IV , No. 3 (1961) " They were something new in New Zealand pa inting , compared with the scenes being churned out at Society of Arts Shows ." Illustrated
179 Raymond Harris Ching
The Gumdigger's Waistcoat oil on board 1969 signed title inscribed on backboard in the artist 's hand
48.5 x 43 cm
This rare oil painting is of an adult North Island kiwi painted life size
Illustrated: Raymond Ching , The Bird Paintings , Collins 1977 , P168
Illustrated
180 Thomas Arthur McCormack O.B.E. 1883-1973
Geraniums in a Glass Jug watercolour signed in brushpoint 40 x 25 cm
Illustrated
181 Thomas Arthur McCormack
Clouds and Seascape , Wellington watercolour signed in ink 31 x 48 5 cm
182 Lois White 1903-1984 The Flight into Egypt oil on canvas
signed 60 x 75 cm
Illustrated
183 Alison Pickmere d c 1968 Coromandels oil on board
signed and dated 1967 120 x 84 cm
184 Louise Henderson b.c.191 O The Blue Bird oil on canvas
signed and dated 1953 80 x 99 cm
Illustrated: New Zealand Herald, Nov 10, 1953
Illustrated
185 Louise Henderson Still Life oil on canvas
signed and dated January 1954 53 x 85 cm
Illustrated
186 Sir Mountford Tosswill Woollaston b.1910
Mt Egmont oil on board
signed and dated 1965
60 x 80 cm
Illustrated
187 Sir Mountford Tosswill Woollaston
Portrait of a Man oil on board c 1965 signed 80 x 60 cm
Illustrated
188 Peter McIntyre b.191 O Pierrot oil on canvas signed 82 x 56 cm
Illustrated
189 Patrick Hanly b.1932
Showgirl and Gentleman oil on canvas signed and dated 1961
150 x 100 cm
Exhibited : Young Contemporaries
Exhibition , Auckland City Art Gallery 1962
Illustrated
190 Patrick Hanly
New Order 46 Part II oil on canvas
inscribed , signed and dated 1963 title inscribed and signed again on reverse 64 x 75 cm
Illustrated
Lot 192
Lot 188
191 Patrick Hanly
New Order 10 oil on canvas on board signed and dated 1963 73 x 59 cm
Illustrated
192 Robert Ellis b .1929
City by the Sea
193 oil on board signed and dated 1963 120 x 90 cm
Illustrated
Michael Smither B 1939
Hamilton Diggings Central Otago oil on hardboard
titled on back of frame in the artist ' s hand ~ 88.5 x 122 cm
With accompanying letter from the artist dated 5 5 73 and addressed to the owner agreeing to sign the painting when ne xt in
Auckland
Illustrated
194 Brent Wong
Industrial Town watercolour
titled , signed and dated 1967 in ink 28 x 37.5 cm
Illustrated
195 Peter Siddell b.1935
Passing Clouds oil on canvas signed and dated 1977/85 101 x 136 cm
Illustrated
196 Philip Trusttum B 1940
Untitled Painting
197 oil on jute canvas signed and dated 1976 93 x 60 cm
Dick Frizzell b .1943
Intergalactic Pudding
Three-fold floor screen of hinged panels
painted in enamels titled , signed and dated 1976 172 x 137 cm
Illustrated
198 Philip Clairmont b 1949-1984
The Face (Self Portrait) /
oil on board with collage
signed and dated August 1978 I 99 x 78 cm
Illustrated
199 Geoff Thornley
Two Figures oil on canvas on board signed and dated 1967
47 x 135 cm
Illustrated
200 Billy Apple Art for Auction
A unique serigraph on chromolux board 100 x 70 cm
The work to be completed with permanent felt-tip marker by the purchaser and the auctioneer if and when sold at auction Illustrated
Lot 190
Lot 191
201 James Webb 1825-1895
Heidelberg oil on canvas
signed and dated 1875
A faded label on the stretcher bears the following inscription in ink and signed by the artist; 'Heidelbergh , painted for. H Koekoek Jnr by me James Webb 1972-. With red wa x seal.
60 x 101 5 cm
Illustrated
202 George Armfield 1840- 1875
Contemplating his dinner oil on board
signed
39 x 56 cm
Illustrated
205 206
George Charles Haite R.B.A. 1855-1924
River and Landing with Figures waiting for the Fishing Boats (Holland?) oil on canvas signed and dated 1893 33 x 76 cm
Illustrated
George Haite In an English Fishing Port. Kent oil on board sign ed 40 x 25 cm
George Haite Laleham Ferry oil on canvas on board signed 30 x 45 cm
Anthony Oberman 1781 - 1845 Still Life with Fruit and Flowers oil on mahogany panel signed 46 x 38 5 cm
Illustrated
Lot 218
Lot 201
207 James Jacques Joseph Tissot 1836-1902
La Mystereuse - The Mystery Lady original etching with drypoint 1885 signed J.J Tissot on plate from the series La Femme a Paris (No 4)
37.5 x 25 cm
a very fine clean impression of this rare print
208 Sir Godfrey Kneller 1646-1723
Portrait of a Gentleman oil on canvas
125 x 100 cm
209 J.G.R. Fisher
Old Woman and Girl preparing for Market oil on canvas
82 x 65 cm
Illustrated
210 Sir Ernest Albert Waterlow A.A. 1850-1919
A Cottage in a Clearing oil on board
signed and dated 1894
40.5 x 50 5 cm
211 James Coutts Michie A.R.S.A. 1861-1919
Portrait of a young Woman in Black Dress oil on canvas
61 x 45 5 cm
orig inal gilt frame and label
212 John Frederick Herring Snr. 1795-1865
The Retired Chaser oil on canvas signed and dated 1832 36 x 49 cm
213 Ebanezza Wake Cook 1843-1926
Punting on a River watercolour
signed and dated 1885 in brushpoint 25 x 35 cm
E. Wake Cook accompanied Nicholas Chevalier on a pa int ing trip t hrough t he South Island c 1865
214 E. Wake Cook
Cattle at River Edge watercolour signed and dated 1885 in brushpoint 27 x 36 cm
215 Miss A.B. Handcock
The Gamekeeper oil on canvas
signed
A torn and faded label on stretcher provides a few details of subject etc.
45.5 x 38 cm
signed and dated 1896
Torn and faded label on stretcher
45.5 x 40.5 cm
F. Sydney Muschamp fl.1870
Highland Lake and Cattle scenes
a pair of oils on canvas
28 5 x 49 cm
216 Miss A.B. Handcock oil on canvas 217 218 219
A pair of Highland landscapes were sold at Bonhams , London for £700 on 16 Aug 1979 one signed and dated Dec. 23 1867
Constant Artz 1870-1951
Ducks in a Pond oil on panel signed 24 x 18 cm
Illustrated
Simon de Heer View of Hattem near Zwolle oil on canvas signed 39 x 49 cm
220 Johannes Korthals (Dutch School)
A little Street in old Amsterdam oil on canvas signed 58 x 38 cm
221 G. van der Laan Fishing Boats oil on canvas signed 64 x 104 cm
222 19th Century Flemish School
River with Town and Figures oil on wood panel 19 x 25 cm
223 Johan F. Scherrewitz 1868-1951
Shepherd with Flock of Tex else Sheep oil on canvas signed 76 x 96 cm
224 Adrianus J. Croenewegen
A view of the Meuse (Mags) by Cuyk , Holland
watercolour
signed
29 x 39 cm
225 H. Berend
A Winter Landscape in Holland oil on oak panel
signed 21 x 31 5 cm
226 Jan Simon Knikker Jnr b 1911
A river scene in Holland oil on canvas
signed
27 x 40 5 cm
227 Jacob Abraham Zon 1872-1932
Mediterranean Hillside village pastel
signed
33 x 46 cm
Refer : Lot 665 Sotheby Mak van Way , Amsterdam Nov/Dec 1982
228 Ezechiel Davidson 1792-1870
A Portrait of a Gentlema n oi l on oak panel
signed and dated 1826
29 5 x 24 cm
229 Ezechiel Davidson
A Portrait of a Gentleman oil on oak pane l
unsigned
24 x 20 cm
230 19th century Dutch School
A River Scene around Dordrecht Lot 224 o[I on canvas
52 x 67 5 cm
Peter Webb Galleries Limited
and
