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FINE PAINTINGS JEWELLERY DECORATIVE ARTS SEPTEMBER 2005

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A Three Day Sale of Important Paintings, Jewellery & Decorative Arts 20 September - 22 September 2005 Day 1 Fine Paintings 6.30pm

Tuesday 20th September 2005

Day 2 Fine Jewellery & Watches 2.00pm and 6.00pm

Wednesday 21st September 2005

Day 3 Decorative Arts 5.30pm

Thursday 22nd September 2005

Viewing Times Thursday

15th

September

9.00am

5.30pm

Friday

16th

September

9.00pam

5.30pm

Saturday

17th

September

11 .00am

Sunday

18th

September

11.00am

3.00pm

Monday

19th

September

9.00am

5.30pm

Tuesday

20th

September

9.00am

5.30pm

Wednesday

21st

September

9.00am

5.30pm

Thursday

22nd

September

9.00am

12.00pm

3.00pm

VIEWING TILL 12 NOON ONLY ON DAYS OF SALES UNLESS STATED. CHECK SECTION TITLE PAGES FOR SPECIFIC VIEWING TIMES.

BUYER 'S PREMIUM The buyer's premium charged on all items in this catalogue is 12.5% plus GST. GST of 12.5% is payable on the buyer's premium. CONDITION OF ITEMS The condition of items is not detailed in this catalogue. Buyers must satisfy themselves as to the condition of lots they bid on and should refer to clause 6 in the Conditions of Sale for buyers printed on page 151. Webb's are pleased to provide intending buyers with condition reports on any lots.

Webb's © Peter Webb Galleries Ltd

18 Manukau Road, Newmarket, PO Box 99251, Auckland, New Zealand. P: (09) 524-6804 F: (09) 524 7048 E: auctions@webbs.co.nz

www.webbs.co.nz

Illustrated front cover: Lot 57, Ralph Hotere, Test Piece, Auckland Airport Mural: Grey/Orange (1977), detail Illustrated inside front and back covers: Lot 58, Nicholas Chevalier, South Island Lake Scene with Maori Travellers in Foreground (1878)

Fine Art Auction

Sale Highlights September 20th 2005

LOT 47 CF Goldie

More often than not our cata logues over the past few years have

considerations - is greatly contingent on the subject matter and

been increasingly dominated by Modern and Contemporary

the whereabouts of the scene.

artworks.

Barr Clark Hoyte and Charles Blomfield painted many works, it

The nature of auction is that we remain subject to

the whims of fashion and time and, ii would seem, historical

is the few which they painted of settler progress and indigenous

art has been somewhat neglected by contemporary society in

activity which remain the most eagerly sought-after by collectors

recent times. Of course, this is far from true at the top end of the

for the simple reason that they reveal something of ourselves as

historical market where records have continued to be set for artists

New Zealanders. In Australia artists such as Eugene van Guerard ,

such as Charles Goldie, Louis Steele, Gottfried Lindauer, Nicholas

Frederick Mccubbin and Arthur Streeton often painted scenes

Chevalier and Alfred Sharpe among others.

which were geographically- and thus, historically- specific, and it

Unlike an abstract Modernist painting which is likely to be admired

is these which the larger Australian market seems readily prepared

and valued primarily for reasons of authorship, virtuosity, formal

to part with upwards of one million dollars for.

and stylistic daring, scale and aesthetic merit, the value of a

heady prices for historical art seem some distance away in our

historical painting - although all of these factors remain obvious

humble homeland, recent renewed interest in our collective history

LOT 48 I A,fred SharpP

IN FOCUS

Although artists such as John

Although such

LOT 58 I Nicholas Chevalier

natter and is particularly strong at present, suggesting that prices for

Nicholas Chevalier's South Island Lake Scene with Maori

/ works, 1t

historical art maybe about to be on the rise once more.

Travellers in Foreground (1878) , is an exquisite little

ndigenous

Like Gordon Walters' Koru paintings or Colin McCahon's

watercolour. In the background is what looks to be Lake

collectors

Jump series, Charles Frederick Goldie's portraits of ageing

Wakatipu and The Remarkables mountain range, whilst in

rselves as

Maori subjects are unique and iconic representations of

the foreground is a whimsical scene of some weary Maori

1Guerard,

New Zealand history. Memories (1903), is one of the most

travellers resting and debating as to the future direction of

,d scenes

important Goldie paintings to be offered to the market in

their party.

:ific, and it

quite some time. The subject, Harata Rewiri Tarapata, is

1 as John

depicted in deep thought, downcast eyes suggesting a

1prepared

1ugh such

preoccupation with yesteryear and what once was.

1ay in our

Alfred Sharpe's View of the Rock of Maketu, near Drury

ivehistory

(1880) , is a very important painting and one rated by the author of the artist's retrospective catalogue, Roger Blackley, as among the finest works ever painted by the artist. Portraying the settlement of Te Maketu just south of Auckland , it is a painting which does much to explain the history of a region with great importance to both Maori and Pakeha. Girolamo Nerli 's sumptuous Portrait of an Actress (1890), with its painterly sketchiness can be seen as marking a

turning point in New Zealand art history, announcing the arrival of European Modernism and Impressionism to the antipodes.

With the recent launch of Michael Dunn's

monograph Nerti: An Italian Painter in the Pacific, long overdue recognition now seems imminent. LOT 59 I Girolamo Nerli

l IN FOCUS

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SEPTEMBER 21S'TI

Fine Jewellery,Watches Objects of Virtu

The Solid Gold Bull Statuette is a high light of the sa le. A spectacu lar piece, hand

crafted from some 2.3 kilos of 23ct gold and en hanced with over 7ct of diamonds set at the hooves and eyes. Sold by Webb's in September 1999 for a hammer price of $55,000 it was the subject of an episode of t11e television series Going.Going.Gone. Favoured with instructions from the current owner, a titled Gentleman, Webb's presen ts this item to the market once more. Since 1999 the bullion value has soared, with th e price of gold expected to maintain its upward momentum. A most realistic reserve should appeal to both investors and connoisseurs al ike. Estimate $60,000 - $70,000 The Jaeger- Le Coultre Minute Repeating Reverso Wristwatch. A rare and desirable

timepiece in 18ct rose gold. Numbered 39 1 from a limited 1997 production of just 500 pieces by this well respected manufacturer of complicated watches. Elegant design coupled with a minute repeat mechanism housed in a reverso case that is remarkably on ly marginal ly thicker than normal. Truly a delight for both eye and ear. Estimate $65,000 - $75,000

For more information please contact Chris Devereaux: (09) 529 5606 or email: cdevereaux(!:t:webbs .co .nz

Twentieth Century Design and the Simon Manchester Collection November 3rd and 5th 2005 bulk of the sale will be auctioned

for the Expo '70 International Design

on Saturday the 5th of November in

Exhibition in Osaka , Japan. A collection

tandem with The Simon Manchester

of Grant Featherston designed contour

Collection . Included in the Simon

furniture and a large

Manchester collection will be kiwiana,

quality 1950s ceramics.

Webb's fifth specialist auction for

photography,

Twentieth Century Design wil l include

pottery, bakelite and plastics, religious

taxidermy,

German

items ranging from the Art Nouveau

icons and popular ephemera.

period right through to Space Age

Highlights for these sales include

Design from the 1970s and onto

an extremely good marble-top Eero

Postmodern Design of the 1980s and

Saarinen tulip dining suite, an original

1990s.The auction will consist of two

Charles and Ray Eames Lounge Chair

components: a small sale of designer

and Ottoman , six Expo '70 chairs (to be

furniture and objects d'art will take

offered as three sets of pairs) designed

place on Thursday evening whilst the

by Wanganui architect Michael Payne

Further suitable entries invited. Entries close on October 14th. Contact James Parkinson on: (09) 524 6804 or

Announcing/or early 2006

A New Zealand Sale Following the success of the August Auction, Webb's announces 'A New Zealand Sale' for early 2006. Already consigned are several very interesting pieces: Two whare whakiro (carved houses) model fascias, one to accept an overmantel mirror; A carving of two figures making fire using the fire plough method, likely to be by the Ngati Tarawhai carving group from the turn of the century. These items have come from an estate co llection including other artefacts.

Further suitable entries now invited . Please contact Ross Millar on: (09) 529 5606 or email: rmillar@webbs.co.nz

New Zealand's first stand-a lone ca tal ogue of photography is already shaping as an excellent offering and a landmark event in the evolving history of the New Zealand art market. The sale will constitute a broad offering of photography dating from the mid-late nineteenth century right up to cutting-edge photomedia from the 21 st century.

Further suitable entries now invited . Entries close September 23rd. Contact Ben Plumbly: (09) 529 5601 or email: bplumblywebbs .co.nz

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Bethunes Rare Book, Map & Historical

@W~PoQ~ Photography Auction Bethunes@Webb's is delighted to announce

remained there until the 1980's when Alecto

the inclusion of the New Zealand section of Sir

Historical Editions collaborated with the British

Joseph Banks' Florilegium in the forthcoming

Museum in the enormous task of completing

September 28th auction. This extremely rare

the publication of the engravings from the

collection of coloured line engravings has been

original eighteenth century copperplates.

referred to as the finest botanical publication of

This first complete edition took nine years to

the 20th Century.

produce and was limited to 100 numbered

Joining Captain Cook's first voyage around the

sets to be sold to subscribers. We are pleased

world onboard the Endeavour, Bank's contingent

to be offering the New Zealand component of

which included Sydney Parkinson and Daniel

set number 60.

Carl Solander, collected and drew specimens

Est, $65,000 - $75,000

of flora and fauna which were used to produce 183 copperplates. Images from these form the

Outstanding results from our July 27th

New Zealand section of the Florilegium.

auction included :

On returning from the voyage there were

$18,000 for Parkinson's, A Journal of a Voyage

numerous delays in publication, and Banks

to the South Seas, 1773; $5,500 for Marra's

eventually bequeathed the unpublished

Journal of the Resolution's Voyage, 1775;

collection of copperplates to the British

$4,100 for a Collection of Maori War Glass

Museum before he died in 1820. They

Plate Negatives c.1860s

Florilegium Plate 445, Metrocideros excelsa. Entries are invited for the subsequent sale to be held November 23rd. Contact Miriam Shaw on (09) 529 5602 or email: bethunes@webbs.co.nz

SIMON KAAN

OIL ON WORKERS' BEDS

It is with great pleasure that Webb's will host an exhibition of new works by young Chinese/Ngai Tahu descended artist, Simon Kaan. It will be the artist's first solo exhibiton in Auckland and represents an excellent opportunity for Auckland collectors to view a substantial body of work by this exciting young artist. The show, entitled Oil on Workers' Beds, will feature new work completed whilst the artist was on a recent Creative New Zealand funded residency in Beijing. Judging by recent auction results for the artist, the works will be eagerly sought after. Due to time constraints the show will only run for a week from October 14th to the 21st. A preview will be held on Friday the 14th of October at 6:00pm which the artist will attend . Please note that some, or all works may sell prior to the preview. Prospective buyers should contact Ben Plumbly: (09) 529 5601 or email: bplumbly@webbs.co.nz IN FOCUS

What becomes of the Taxidermied? A frequently asked question following the successful sale of the Crofskey and Smart collection of taxidermy on May 21st 2005 was, who buys such things and what would one do with them 7 A stroll along Ponsonby's cafe and fashion mile provides part of the answer, with one of the street's most interesting shops displaying pieces formerly belonging in the Crofskey and Smart collection. A regular customer at Webb's, Mark Crane of Wunde rkammer, was a buyer of many of the more interesting specimens in the catalogue, and an underbidder of quite a few more. Mark Crane is a both a dea ler in objects exotic, strange and curious and a retailer of menswear, including the exclusive French fashion house, Comme des Garcons' range of men's clothing and fragrances. His shop at 76A Ponsonby Road is one of Auckland's most original and interesting, displaying an eclectic mix of nostalgic bric-a-brac and very contemporary male fashion, al l put together with great individuality and artistic flai r.

cA'gnes Curran Anothe r Ponsonby located regular buyer from Webb's sa les, Cameron Woodcock, is the owner of the delightful little cafe Agnes Curran at the top of Frankl in Road.

The cafe, named after Cameron's grandmother, stocks a range of kitchen bowls and jugs - both old and new, and serves a range of del icious cakes and biscuits including the best lamingtons in town. Here, Cameron shows off his latest acqu isition, a Frank Ca rpay 'Handwerk ' vase, purchased at Webb's sale of New Zealand Studio Pottery and Ceramics last month.

A letter received .. In Webb's June sale of Sporting Memorabilia , an autographed photograph of former All Black, S.F. (Tiny) Hill was purchased by Dianne Haworth and presented to the touring London Welsh Rugby Club Male Choir as a memento of their visit to New Zealand in support of the British and Irish Lions. Dianne Haworth writes, 'Cantabrians, led by Tiny Hil l showed them hospitality second to none - including an unforgettable day at a high county sheep station. The presentation of the photograph was made on their final night in Auckland. The choir was delighted and now Tiny Hill is in his new home on the other side of the world. Tiny's comment when told about this was a chuckle and "what a lot of bloody silly rubbish 1" I think this means he is pleased.'

IN FOCUS

TINY HILL

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Going, Going, Gone .... The June auction catalogue witnessed another fine and varied offering of interesting art works.

The sale featured neither the quantity nor the qua lity displayed in the April catalogue and, in retrospect, this probably wasn't a bad thing. Although the pass-in rate was relatively high on the evening of the sa le, severa l outstanding resu lts were ach ieved both under the hammer and in the frenzy of negotiations which ensued in the days following the sale. New auction records were set for Kathryn Madi ll ($3, 100), Peter Robinson ($43,000), John Walsh ($45,000), Ku ra Te Waru-Rewiri ($3,500), Andrew Mc Leod ($6,500), Doris Lusk ($50,000) , Ian Scott ($6,250), James F. Scott ($8,000) and Paul Beadle ($10,000). The trend by col lectors towards previously undervalued areas of artistic endeavour is something which we at Webb's have noticed building over the last year or so. One such area is print-making. The June sa le featured excellent examples of etch ings, linocuts and woodcuts by Robin White, E. Mervyn Taylor and Adele Younghusband respectively, all of which sold very wel l. Robin White's Sainimele Goes Fishing made an excellent $6,600, whilst E. Mervyn Taylor's Magical Wooden Head (Polynesian Legend) realized $3,600 and Adele Younghusband's Workers made $3,300. The market for contemporary Polynesian and Maori art is another which continues to expand rapidly. The record prices recorded for Robinson, Te Waru-Rewiri and Walsh were accompanied by strong prices for Simon Kaan ($10,000 and $14,000), John Pu le ($14,000) and Jacqueline Fraser ($3,500). Very strong prices were also achieved for works by New Zealand's pre-eminent female artists. Frances Hodgkins was represented in the sale by four works, all of which sold well. The resplendent Mill House, Ponterwyd was a fine example of her late works in gouache and it sailed

LEFT TO RIGHT FROM TOP: Peter Robinson, Money;

past its lower estimate to sell for a healthy $72,000. Malmain's Farm was

E. Mervyn Taylor, Magical Wooden Head (Polynesian Legend);

sim ilarly hotly contested, finally being knocked down for $62,000. Louise

Louise Henderson, Samoan Woman; Frances Hodgkins The

Henderson's Spring Comes to the Garden sold for its rese rve of $15,000

Millhouse, Ponterwyd; Doris Lusk, French Bay - Titirangi.

after the sale, whi lst Samoan Woman eventually sold well above its bottom

BELOW: Paul Beadle, Ship Figures.

estimate for $25,500. A. Lois White·s St Francis of Assisi sold for $30,000 in a negotiated sale. Doris Lusk's Banks Penisula Landscape ($30,000) was also well received as was her French Bay- Titirangi which set the new record price for the artist at $50,000.

Coninu and~a

Deman

nteres; Further post sale transactions of likely interest include Ra lph Hotere's

design

Song Of Solomon ($140,000), Shane Cotton's The Last Laugh ($50,000)

tne ·1n1

and Rib ($ 16,500), Colin McCahon's pastel, Wa terfall ($ 18,000) and

Wit/1se

Philip Clairmont's Amorphic Sink Head and Grate ($35,000).

Webb' Sales

IN FOCUS

The Peter O'Connor Collection of Works by John Weeks The large number of people through the door

rate and a final sale total of $256,725 highlights

eApril

during the viewing carried over into auction day

were , as you would expect, numerous. The top

with a pa cked saleroom for the 11:00am Sunday

lot was the oil painting Band and Dancers which

sale. A retrospective exhibition of Weeks'

realised $10,400 against an estimate of $8,000

work has yet to be held and the response to

- $14,000. The exquisite watercolour Standing

the auction suggests that one is certainly long

Nudes, which was used as a detail in the

overdue.

cata logue, sold for $5,200.

The auction catalogue of mostly unsigned and

The substantial amount of revenue achieved by

binson lndrew

S!IC

iver itured

unframed studies featured a broad survey of

the auction will go toward s the setting up of the

still -life's, landscapes, collages, animal studies,

Peter O'Connor Education Foundation , which will

abstraction s, nudes and architectural sketches

provide educational scholarship and assistance

- which meant there was something for all tastes

to the disadvantaged children of Papua

and interests. With a staggering 100% clearance

New Guinea.

Above left: The highest selling work, Band and Dancers. Left: The sale in ful l swing.

lite, , sold $6,600, I)

The New Zealand Sale A record price was paid for the small inlaid jewellery cabinet attributed to William Seuffert (pictured right) in last month 's New Zealand Sale.

' tch in, ;imon Fraser

Soaring above the estimate of $25,000 to $35,000, the cabinet's exceptional quality and aesthetic appeal ensured it attracted the attention of serious collectors. One such collector had to pay $68,000 in order to become its new custodian. Another highlight of the sale was the whalebone Hei Tiki (left) that once belonged to Charles Goldie and was depicted being worn by Patara Te Tuhi in his portrait by the famous artist. It sold for $27,000.

;e,

Entries are now invited for Webb's next specialist New Zealand

ailed

sale to be held in early 2006. Contact Ross Millar on:

was

(09) 529 5607 or email: rmillar@webbs.co.nz

.ouise ,r.JJJ

JOttom

New Zealand Studio Pottery & Ceramics

:o.tXXl

Continuing strong interest was shown by collectors both in the room

XX))

and via absentee bids for Webb's second specialist pottery auction.

he new

Demand for Crown Lynn ware remains high with particular

,r:ffJ)

interest shown in a Wharatana wall plaque with tiki design which realised $2,250. Len Castle's bowl from the 'Inverted Volcano' series fetched $1,200 which along with several other high prices confirmed his iconic status. Webb's will hold specialist New Zealand pottery & ceramic sales regularly with the next sale to be held in early 2006.

IN FOCUS

VIRTUAL MARKbTING IS Tl-IE;: WAY or: Tl-IE;: r:UTURE;: SUBSCRIBE TO MICHAEL'S WEEKLY NEWSLETTER AND GO IN THE DRAW TO WIN A TRIP FOR TWO PEOPLE TO QUEENSTOWN.

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ESTATE

LTDI

cA'ntique Dealers Association Exhibition Over the weekend of August 20th and 21st, the New Zealand Antique Dealers Association mounted an inaugural exhibition in Webb's gallery of antique furniture and accessories in combination with

EEKLY

contemporary paintings and sculpture.

AND

The champagne opening on Friday 19th attracted a large crowd and all the exhibitors made sales

AW PFOR TO N.

throughout the evening and over the fol lowing two days. Association president, Murdoch McLennan , declared the event a great success, hopefully to be repeated in the future. Bridget Saunders & Annie Webb.

Mr and Mrs Newland at the opening.

ation is

UP FOR GRABS ...

dinner

On Thursday 11th of August, Ben Plumbly was

that art's greatest va lue is not moneta ry,

avourite

invited to talk to approximately 200 of Kensington

but rather aesthetic and phi losophical .

Swan's top legal clients at The Northern Club, prior

His message was essentially a simple one.

to the opening evening of the Auckland Theatre

Those who buy art solely with an eye to

Company's new production Up For Grabs. The play

r is not

making money inevitably get it wrong.

fol lows the plight of an unscrupu lous art dealer

However, those who buy good art to enjoy

trends.

who will do nearly anything to secure the sale of a

and to enrich their lives, but also in the

Michael

painting by Colin McCahon.

expectation that if something goes wrong

ith who's

Ben's speech seemed particularly prescient in

and they need to sell , that they wou ld like

light of the play, as he focused on the increasingly

their artwork to look after them financially

tenuous relationship between the eye and the mind

- moreoften than not - get it right.

and the heart and the wallet, arguing persuasively

Ben Plumbly with the Alfred Sharpe watercolour painting on display at the Kengsinton Swan Up for Grabs opening night function.

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IN FOCUS

FINE NEW ZEALAND & FOREIGN PAINTINGS, PHOTOGRAPHY & SCULPTURE

Fine New Zealand Paintings, Prints, Sculpture & Foreign Paintings Tuesday 20th September 2005

6.30pm

6.30pm Lots

1 - 106

Fine New Zealand Art Works

Lots

107 - 112

Foreign Paintings and Prints

Lots

113 - 143

Further Fine New Zealand Art Works

Viewing Times Thursday

15 September

Fr iday

>'>

9.00am

- 5.30pm

16 September

-->

9.00am

Saturday

17 September

--,

11.00am

- 300pm

Sunday

18 September

11 .00am

- 300pm

Monday

September

9.00am

5.30pm

Tuesday

September

9.00am

12 00pm

5.30pm

VIEWING TILL 12 NOON ONLY ON DAY OF SALE.

ILLUSTRATED LEFT:

Lot 46, Bill Hammond, Watching for Buller (Costume Design), detail.

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE

Tony de Lautour

New Zealand oil on printed felt wall-hanging signed with artist's initials T. D. L. and dated 1999 800 x 275mm

New Zealand: Land of Promise oil on printed felt wall-hanging signed with artist's initials T. D. L. and dated 1999 800 x 275mm

New Zealand Co. oil on printed felt wall-hanging signed with artist's initials T. D L. and dated 1999 800 x 275mm

$1,000 - $2,000

Richard Killeen Interpretation acrylic on paper title inscribed, signed and dated 15-7-79 420 x 327mm

$4,000 - $6,000

Tony de Lautour

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

5 Oil Pol ~[I

t· 7& $1,

Dick Frizzell

Eileen Mayo

Politiki screenprint 29/39 title inscribed , signed and dated 2003 760 x 565mm

Mantis colour linocut 5/30 title inscribed and signed 560 x 355mm

$1,500 - $2,500

$1,200 - $1,800

Dick Frizzell Red Herring II screenprint 42/80 title inscribed, signed and dated 2003 790 x 592mm $1,500 - $2,500

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

Colin McCahon

North Otago Landscape screenprint from the Barry Lett Gallery Multiple Series 440 x 550mm

$2,000 - $3,000

Pat Hanly Golden Age screenprint 53/70 title inscribed, signed and dated '80 51 Ox 550mm

$3,500 - $4,500

1O Chris Heaphy The Poor Knights II oi I on canvas title inscribed , signed and dated 2000 verso 1215 x 1520mm

$2,000 - $3,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

•

Seraphine Pick Looking Like Someone Else, Portrait 21 oil on canvas signed and dated '97; title inscribed, signed and dated verso 398 x 297mm $2,500 - $3,500

Saskia Leek Pina Colada oil on vinyl title inscribed, signed and dated 1997 verso 1117 x 660mm $2,000 - $3,000

Bill Hammond Fish Finder 1 lithograph 35/45 title inscribed, signed and dated 2003 555 x 440mm $4,500 - $6,500

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS '& SCULPTURE

Bill Hammond Composition with Birds lithograph 25/30 signed and dated 2000 560 x 750mm $3,000 - $4,000

Seraphine Pick Looking Like Someone Else, Portrait 17 oil on canvas signed and dated '97; title inscribed, signed and dated verso 398 x 297mm $2,500 - $3,500

18 16

Michael Smither Coastal Scene gouache signed with artist's initials M. D. S. and dated '73 632 x 755mm $2,500 - $3,500

Tony Fomison Beethoven's Fidelio lithograph 3/14 title inscribed, signed and dated '86 400 x 408mm $1,200 - $1,800

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

18 Luise Fong /

Fathom Series, Onetangi: Anchor gesso, carborundum, acrylic and gouache on board, triptych title inscribed, signed and dated 1997 verso 405 x 325mm each panel 405 x 975mm overall

,__

$3,500 - $4,500

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19 Russell Clark Biomorphic Sculpture painted plaster on wood 210 x 130mm Provenance: From the collection of South Island potter, Rosemary Perry. Purchased from original solo show in Christchurch, 1966

$2,500 - $3,500

20 Brett Graham Te taniwha ma Oamaru stone in several sections 1545 x 700 x 700 mm Reference: James Ritchie, 'Through the Eye of the Needle: Recent work by Brett Graham ', Art New Zealand no. 76, Spring 1995, p.58 - 61. Illustrated: ibid , p. 60. Provenance: purchased by owner from New Work Studio, Wellington in 1995. Accompanied by certificate of aunthenticity.

$9,000 - $14,000

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Jude Rae Still Life #115

oil on canvas title inscribed , signed and dated 2002 verso 1065 x 1370mm $7,000 - $10,000

22 Para Matchitt Te Kooti at Ruatahuna pva on hardboard title inscribed, signed and dated '67 verso; inscribed work from the Te Kooti series verso 1220 x 1340mm $6,000 - $8,000

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Simon Kaan

2002verso 370mm

Waka Composition in Red and Black oil on board signed and dated '03 730 x 920mm

, $10,000

$10,000 - $15,000

#115 vas bed.signed

24 John Weeks watchitt at Ruatahuna udiXJard jbed, signed J'6?verso: 1" the TeKOOD

rso 340mm

Maori Motifs oil on board certificate of authenticity signed by Hilda O'Connor and Allan Swinton affixed verso 430 x 305mm

$8,000 - $12,000

. $8,000

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25 Reverend John Cowie Portrait of Hakaraia Te Heuheu oil on board signed with artist's monogram and dated 1887 268 x 195mm $15,000 - $20,000

26 Horatio Gordon Robley Head from the Archaeological Museum, Rome watercolour and ink on paper signed and inscribed The Head in the Archaeological Museum Rome was drawn in 1901, and copy placed as frontispiece to Mako, then presented to King Humbert ... Lacen Margharita accepted also a volume for her library, as the decoration of Maori women was shown therein 205 x 150mm $4,000 - $6,000

27 Girolamo Pieri Nerli Portrait of a Lady ink and bodycolour on paper title inscribed and signed 575 x 370mm Povenance: Private collection , Timaru $3,000 - $5,000

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Michael Parekowhai

29 Tony de Lautour

Bosom of Abraham screen printed vinyl on fluorescent light housing edition of three 1300 x 210mm

Body Corp 2 oil on canvas title inscribed, signed with artist's initials and dated 2000 1510 x 1005mm

$3,500 - $4,500

$10,000 - $15,000

Michael Stevenson Isolated Mass (Circumflex) acrylic and charcoal on paper title inscribed, signed and dated 1993 verso 570 x 755mm $3,000 - $4,000

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Peter Robinson Untitled - Abstract mixed media on builder's paper signed and dated 6/5/90 1675 x 1180mm $4,000 - $6,000

Luise Fong Meniscus Series acrylic on board signed; title inscribed and dated '93 verso 1200 x 800mm $4,000 - $6,000

Ralph Hotere Red on Black screenprint from the Barry Lett Gallery Multiple series 590 x 480mm $1,500 - $2,000

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Dick Frizzell

Grocer with Moko screenprint 20/120 title inscribed, signed and dated 2004 800 x 600mm

$1,800 - $2,800

35 Tony Fomison Head in Profile charcoal on paper inscribed Collection of R. O'Reilley verso 575 x 522mm

$3,500 - $4,500

36 Julian Dashper Abstract mixed media on paper 990 x 670mm

$4,000 - $6,000

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Peter Robinson Into the Void lamba digital print 1565 x 1060mm Illustrated: Hanna Scott (ed), Divine ComedY, Peter Robinson, (Gavett-Brewster Art Gallery, 2001), p. 11-12 $10,000 - $15,000

38 Peter Robinson Thumbs Down 4 the Return of the Hand of the Evil Doer mixed media on paper title inscribed, signed and dated 2002 1400 x 950mm $10,000 - $15,000

Ralph Hotere Window in Spain watercolour and coloured ink on paper title inscribed, signed and dated 4-78 325 x 240mm $12,000 - $18,000

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40 John Pule Untitled oil on canvas signed and dated 1999 verso 1520 x 1015mm $18,000 - $28,000

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Russell Clark Old Keta and Friend oil on board c.1949 signed 495 x 535mm Provenance: Private collection, Northern Ireland

$45,000 - $65,000

Old Keta, (Te Papa) is arguably Russell Clark's most famous painting of Maori and

was first exhibited in 1949. It marks the beginning of a series made after he visited the Urewera country that year to prepare illustrations for a special issue of the School Journal. The present painting includes Old Kela in the same pose as in the Te Papa work but includes an additional figure seated beside her. Both works would have been painted in his Christchurch studio from sketches made by Clark on location. He had not previously had much contact with Maori who lived in rural areas where they still preseNed their language and customs. He found his visit to the Urewera enormously stimulating and the Tuhoe people and landscape impressive. He later wrote, 'It is a fine country. The Maoris are almost completely unspoiled'. Old Kela led on to a number of paintings and sculptures of Maori subjects that preoccupied Clark well into the 1950s. By contrast with Old Kela in Te Papa, who appears as a solitary figure alone with her thoughts, the present work introduces another elderly woman, also with a pipe, seated closely beside her suggesting friendship and conversation. Keta's turned head now is directed towards her friend so that the figures are bonded together in a subtle transformation of the original pose. Both monumental figures are seated directly on the ground and are conceived as at one with the landscape of volcanic hills and overcast sky. By concentrating on the sculptural mass of the two figures Clark gives them a dignity and importance that transgresses their simple clothes and bare feet. He makes them belong to the land as tangata whenua and conveys something of their mana and cultural values. About this time, though, rural Maori began to move to the cities to find work and

Russell Clark Old Keta

oil on board (1949) 865 x 760mm Collection of Te Papa Tongarewa

better educational prospects for their children. In retrospect, Clark's paintings record a passing way of life embodied in the elderly women. He shows Maon in European rather than traditional dress and already different from the images of older artists who depicted Maon like Goldie and Linley Richardson . Clark's paintings depict the reality of rural Maori in the late 1940s but are not primarily concerned with documentation. Instead they relate to British art of the 1940s, especially the figure drawings of Henry Moore whose work Clark admired. In his drawings, one of which Clark bought, the figures are those of a sculptor, bulky and three-dimensional. Moore made the draperies heavy and simple in form and the limbs and feet of his figures large and strong. In this painting Clark follows the conventions of Moore and adapts them to his New Zealand subjects, using strong shadows to give substance to them. His skills as an illustrator and draftsman allowed him to express feelings and interactions between figures as is evident here. Like Moore his figures are conceived broadly and he handled paint with an enjoyment of texture, as is evident in the painting of the women's skirts. Clark did not take photographs but was able to use his compositional inventiveness and technical skills to freely arrange figures based on sketches from life. As this painting demonstrates, Clark could use a figure like Old Keta in more than one painting and create a different but related composition. He liked to paint in series so that he could experiment with a range of colours and textures as happens in this instance where Old Keta's skirt and shirt are red and green instead of white and red as In the Te Papa painting. Old Kela and Friend is an early and fine example of Russell Clark's images of Maori and must date to 1949. At the period Clark was seeking to achieve a New Zealand dimension in his art comparable to that of Russell Drysdale's paintings of Aboriginals in Australia. Michael Dunn

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Peter Siddell Constructed Auckland Cityscape from Ponsonby Road oil on canvas signed and dated 1994 345 x 1500mm

$55,000 - $75,000

Bill Hammond Meantime - Organ Donor Swappa Crate 3 acrylic on paper title inscribed, signed and dated 1989 505 x 1600mm

$35,000 - $45,000

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Pat Hanly White Model enamel on board title inscribed, signed and dated '77; title inscribed and dated verso; original printed Hanly label affixed verso 710 x 710mm

In 1967 Pat Hanly wrote a schema for his future work in which the iridescent palette of his paintings were to play a defining role. 'Colour' he wrote is 'not as suggested by appearance but by intuitive reaction to the purpose/function of the objects or things.' 1 Though it was painted some ten years later, White Model, (1977), still adheres to these principles in its miasma of poured enamel colour contained within a

Provenance: Private Collection, Christchurch

they are at the same time very carefully controlled, for the poured paint

$70,000 - $90,000

is directed and swirled about purposefully and authoritatively.

shapely silhouette. Though Hanly may claim the works are intuitive,

Like a MRI image of the head viewed in profile, Hanly's painting conveys an intimate anatomy normally concealed beneath the opal veneer of skin.

Yet rather than tracing the medical exactitudes of

his subject, Hanly maps the model in a different way by tracing her 'luminous interiority'.

As each of us is formed from a collection of

matter fused together distinctly, so are Hanly's portraits - colour and its application signals an aura of personal chemistry formed in response to the individual subject White Model was shown in Christchurch in August of 1977 at the Brooke/Gifford Gallery along with 15 other works. Two of these were torso paintings; three were colour note drawings while the remainder of the show was comprised of these pure painting pieces of which White Model is an example. For Hanly pure painting was defined as the ability to 'rejoice in all things'. The year before White Model was painted, Hanly showed a series of these works at the Barry Lett Galleries in Auckland. In an artist's statement that furnishes part of the catalogue, he describes his works as having the ability to 'celebrate Freedom and purity of perception and attempt to reach a graceful sophistication only possible through the realisation of the Essence of a Condition; Love, Pacific, Summer, Ecstasy, Spring'. Reading this idealist statement now it seems almost quaint It is hard to imagine any contemporary artist discussing his or her works in these terms. Yet Hanly was always an artist who sought to express his own voice. Unlike most painters of the human form Hanly sought not to paint the individual as a whole, but rather as the sum of his or her parts that are here filtered through his own observation, feeling and perception. Pennie Hunt

1 . Pat Hanly in Russell Haley, Hanly: A NAw Zealand Artist, Hodder & Stoughton; 1989) p.157

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Colin McCahon Muriwai No. 7 solpah enamel and sand on board title inscribed, signed and dated March 1969 and inscribed As there is a constant flow of light, we are born into a pure land; title inscribed, signed and dated March 19, 1969 and inscribed 7 verso 304 x 304mm Reference: Colin McCahon database #CM000348 $70,000 - $90,000

In 1969 McCahon established a studio at Muriwai, north of Auckland, where he painted many of his largest and most important works. The landscape and beach at Muriwai became increasingly a point of reference in his painting from that time on, but not in a literal sense. Muriwai No 7 is one of a series of related paintings abstracted from nature suggesting the alternation of sky, sea and shore In bands of tone of the utmost economy and breadth of handling. They are elemental landscapes that go to the essence of things at Muriwai as they were remembered and distilled by the artist back in his studio. They allow him to introduce symbolic and metaphorical dimensions to the paintings that greatly enlarge the meanings of these physically small works. These images connect back to slightly earlier landscapes, especially the small waterfalls of the mid-1960s in the austere, reductive treatment of landscape influenced by American minimalist abstraction of the period. The white of the surf in the Muriwai series becomes the redeeming light penetrating through the darkness of the material world as had the cuNe of the waterfall in the earlier series. Spiritual illumination is an important theme here rather than the conseNationist meanings of the colourful gouaches he painted at Munwai soon after, In 1971. Important in this context is the box at the lower left corner of the painting that contains a hand-written text with the following words: 'As there is a constant flow of light we are born into a pure land.' This text is used in other paintings of the series and provides a link between them. As usual with McCahon, the words are not his but are quoted from a Japanese Buddhist text that extols the virtues of one Amida who had attained Buddha-hood. The relevant section reads: 'As there is a constant flow of Light, He is known as the Buddha of Constancy; because of perceiving tho power of Light, with an uninterrupted faith, we are born into the Pure Land.' The appeal of the text to McCahon is obvious because he had often used light as a metaphor for spiritual enlightenment and had identified New Zealand with the biblical Promised Land. He was not the first New Zealand painter to turn to Eastern religions for inspiration as Rita Angus, a personal friend, had done so in the 1940s. McCahon's text is inserted in the painting in a manner that recalls Japanese and Chinese traditional landscape paintings where the calligraphic text is often painted in a corner of the scroll introducing a poetic or meditative dimension to the imagery. As Eastern artists painted calligraphic texts alongside or over their landscape paintings to augment their meanings, so did McCahon In his own individual manner. In Muriwai No. 7 McCahon has detached the text from the spatial continuum of his landscape so that it appears as if placed in front of it. Later, he would introduce the handwritten texts into the landscape space itself so that the words appear inseparable from them. In this case the separation is greater and the reading of the words requires a separate process when viewing the painting. A minor point should also be noted. McCahon changed the original words 'the Pure Land' into 'a Pure Land' enlarging the meaning and making 11 more inclusive.

Michael Dunn

36 FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

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Bill Hammond Watching for Buller (Costume Design) oil on canvas, triptych title inscribed, signed and dated 1994 450 x 300mm each panel 450 x 900mm overall illustrated: p. 14 of this catalogue detail

$100,000 - $150,000

Standing still and waiting for the inevitable - Bill Hammond's birds appear as if staged, like curious players in a mythical drama. Though they possess the elegance and refinement of marble statues, each is swathed in a fabric adorned with the swirling patterns of native fems which are woven upon a variety of rich and regal colours that glow eerily against the dark backdrop. Despite their fashion model repose, these colossuses occupy a barren landscape and look like trees soon to be felled. From the early 199Os Hammond has painted birds adorned in Chinoiserie fabrics, creating his own brand of iconography for the New Zealand landscape. The mention of Buller in the work's title refers to Walter Lawry Buller (1838-1906) author and artist of the lithographed compendium A History of the Birds of New Zealand. Though Buller's realistically documented subjects differ

in tone from Hammond's, the two share a sense of nostalgia in their winged depictions; Buller for the 'fast expiring' species he as an ornithologist helped to decimate and Hammond for the detrimental aspects of exploration and colonisation typified by Buller - and his ilk's - scientific practices. The tripartite arrangement, or triptych format of Watching for Buller seems to present scenes from recent history.

The triptych is

traditionally used by artists to portray significant and celebrated events, such as the labours of Christ that can then be elucidated in a sequence of scenes. Hammond doesn't go so far as to show the crucifixion or literal decimation of these birds, rather he holds them in a state of timeless suspension. Neither real nor fantasy, fact or fiction, they exist as spectres on the land, watching and waiting - a quiet and resolute presence. Pennie Hunt

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47 Charles F. Goldie Memories, Portrait of Harata Rewiri Tarapata, Nga Puhi, Widow of Chief Paora Tuhaere of Orakei oil on canvas signed and dated Auckland 1903 585 x 490mm Illustrated: Roger Blackley, Goldie (Auckland Art Gallery Toi OTamaki , 1997), p 99. Alister Taylor and Jan Glen, CF Goldie, His Life and Painting, (Alister Taylor, 1977) p 188. Reference: ibid. , p142. Exhibited Auckland Society of Arts, 1904. Price - thirty one pounds, ten shillings.

$200,000 - $300,000

Goldie's name and reputation are synonymous with paintings of old time Maori and Memories is a classic example of his best and most memorable work. Painted in 1903 some four years after his return from Paris where he studied at the famous Academie Julian, it is a breathtaking example of his academic technique of painting. No other artist in New Zealand could equal his highly finished yet effortless rendering of textures of skin, hair and fabric with illusionistic veracity. You can literally feel the difference between the wrinkled folds of the elderly sitter's skin and the cold shiny surface of the ear pendant with which he has skilfully contrasted it. This illusionism is reinforced by details like the shadow cast by the pendant that makes ii appear so real you want to reach out and hold it in your hand. Goldie had spent years studying from the life model in the competitive environment of Paris, then the art capital of the world, under demanding masters like the Salon painter William Bouguereau. The discipline he acquired in drawing from the life is very apparent in this portrait where the features are rendered and modelled with absolute sureness, yet with breadth and gravity. For Goldie has used a powerful effect of chiaroscuro (light/dark contrast) to cast one side of the face into partial shadow. The downcast turn of the eyes allows pools of shadow also to form around them reinforcing the emotional theme of the work, an old chieftainess alone with her thoughts of the past. By using a spare composition of head and shoulders centred on an oval Goldie gives the portrait simplicity and dignity. The sitter, Harata Rewiri Tarapata, was a favourite model of Goldie who sat for him on a number of occasions at his studio in Hobson's Buildings in Shortland Street. She was the widow of the chief Paora Tuhaere of Orakei and lived at the Maori Hostel at Mechanics Bay. She al30 sat the same year for a major painting The Widow that was presented to the wife of Lord Ranfurly, the Governor, who took ii back to Ireland. It is now in Te Papa. Whereas in The Widow, Harata is shown sitting in a whare surrounded by relics of her husband, in this portrait her loneliness and isolation are implied rather than spelt out. The portrait gains in emotional force from that fact. Harata's adornments are few - her fine moko painted with great skill and accuracy by Goldie, and her striking greenstone ear pendant. The colour of the greenstone contributes tellingly to the harmony of green and grey that is such a feature of the painting. Her dress is European, a smock and a plain neck-scarf. Portraits of aged sitters were popular at the time in Europe where there was a revival of interest in the psychological portraiture of Rembrandt. By adding the Maori sitter Goldie gave a local and distinctive dimension to the theme. There was added poignancy, too, because it was widely believed such sitters were the 'last of their race' to use the words of Richard Singer writing for the Thad magazine the year this work was painted. He also commented: 'from Mr Goldie one obtains a true and brilliant impression not only of the habits and customs, but of the very character, the very life, the idiosyncrasies of nature and of feature of Maori - characteristics that in a few short years it will no longer be possible to represent'. Michael Dunn

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Alfred Sharpe View of the Rock of Maketu, near Drury watercolour signed and dated NZ 1880 610 x 942mm Provenance: From the collection of Tui Mclauchlan, founder of Kapiti Arts and Crafts Society, former editor of the newsletter Watercolour New Zealand, winner of the Govenor General's art award in 1996 and subject of the book A Brush with Tui, Tui McLauchlan Artist, Writer, Teacher (Rainbow Print, Christchurch, 2003). Illustrated: On the cover of the exhibition checklist,

Golden Evenings: The Art of Alfred Sharpe (Auckland Art Gallery, 5 March - 16 May 1993) Roger Blackley, The Art of Alfred Sharpe (Auckland City Art Gallery, 1992), p. 48 $120,000 - $160,000

'Art unions' were raffles of works of art, providing vital opportunities for colonial artists to market their works. In a period before the existence of dealer galleries, when art society shows were infrequent and venues to exhibit were rare, art unions provided the possibility of a solo exhibition with guaranteed sales. But socalled 'art unions' also represented one of the dodgier sides of colonial business practice, which is why the institution came to be regulated under the Gaming and Lotteries Act of 1880. Artists needed to obtain official permission, the draw would occur under police supervision, and the names of prize-winners were published in the newspapers. This tight regulation can be regarded as a godsend for colonial art history, for the documentation allows us to trace the marketing and earliest ownership of some important works of art. View of the Rock of Maketu, near Drury, valued at 15 guineas, was the first prize in Alfred Sharpe's Christmas art union of 1880. The ten prizes, amounting to a total value of £50, were exhibited over December at Edward Wayte's stationery shop In Queen Street, where the numbered tickets were available at ten shillings each. The draw took place on 21 December, and the following morning's Herald announced that John Boylan, C.E., was the lucky first prize-winner. A civil engineer occupied with assessing the Waitakere Ranges' potential for supplying Auckland's water, Boylan must have been delighted by his win, with its distant prospect of the sun setting over the Waitakeres. The painting preserves much of the intense colour that Sharpe achieved with successive washes of diluted watercolour, a technique outlined in the series of 'Hints for Landscape Students in Watercolour' which he began publishing in the Herald in 1880. Sharpe explains his practice of transferring a careful colour sketch to a large, tightly stretched sheet of sized watercolour paper, capable of receiving the endless washes needed to achieve a suitably rich yet transparent colouring. Sharpe believed that his technique would render his paintings more permanent, capable of reaching a distant posterity, and the condition of many of his surviving works certainly confirms this conviction. The 'rock of Maketu' is an ancient pa of the Waiohua people, a site commanding a breathtaking view of the southern approach to the Auckland isthmus, under which nestles a settler's elaborate farmhouse. During the 1863 war, Maketu pa was fortified by Ngati Pou who executed guerilla raids around the Drury area. Seventeen years later, as part of the 144,000 acres of confiscated land around Franklin, Maketu was a thriving settler community complete with a school. The painting belongs to a series of works by Sharpe which embody an overt historical dimension, juxtaposing signs of a Maori past with those of a colonial present. The period around 1880 represents the peak of Alfred Sharpe's career, when he threw himself wholeheartedly into the artistic life of Auckland. In that year he held two art unions, published the first of his technical writings, and was elected to the committee of the newly established Auckland Society of Arts. He was also an avid contributor of anonymous and often vitriolic newspaper commentaries in which he lashed out at powerful bodies such as the City Council and the Acclimatisation Society. In combination with his profound deafness, ii was this disputatious temperament that inexorably led to Sharpe's social alienation and ultimate departure from Auckland in 1887. In 1880, however, every sunset still seemed rosy. Roger Blackley

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Alfred Sharpe Logging in the Coromandel watercolour signed and dated 1882 590 x 930mm Illustrated: Roger Blackley, The Art of Alfred Sharpe, (Auckland City Art Gallery, 1992), p. 69. Provenance: private collection, Auckland. $95,000 - $125,000

Alfred Sharpe was passionate about New Zealand's native trees, celebrating their special qualities in his large-scale watercolour paintings and in a series of essays and letters published in Auckland's newspapers during the 1870s and 1880s. There were also many poems, irreconcilable with modem taste but revealing in terms of Sharpe's characterisation of Nature as a place of escape from the ·sordid meanness ever pulsing .. in Mammon's mart'.' Out in the bush, the profoundly deaf artist rejoiced in an alternative society - There with friends I am surrounded/There no solitude I feel'. While In the poems he addresses the trees by their Maori names, on other occasions Sharpe hears them speaking in Latin - 'I never go into the forest without seeming to hear from every bosky covert of virgin greenery the sad, sad words, "Morituri te salutant" - 'Those about to die salute thee'".

It is Sharpe's awareness of both the enormity and the irreversibility of the ecological changes wrought by colonisation that informs so many aspects of his watercolours. Given the compelling example of colonial exploitation represented by Auckland's kauri milling industry, it was inevitable that Sharpe should produce a sequence of works commenting in various ways on the holocaust befalling his beloved kauri, whose ·round limbs so shapely' produced such unparalleled timber. The best known of these works is A jam in the lava cleft, painted in 1878, which depicts three kauri logs at rest in a creek bed near Papakura. Logging in the Coromandel shows us the higher altitude work that led to such log jams, always

a danger when the gigantic kauri logs were dispatched via flooded creeks. In place of the gloomy solitude of the log jam, Sharpe reveals the human side of the industry in the form of two timber workers and their Maori-built dwelling nestled among young kauri. In front of the house, taking up the right foreground, are the stumps of half a dozen giant kauri, while the left foreground is dominated by a pale stump and the skeleton of a dead tree. Michael Dunn's influential essay 'Frozen Flame and Slain Tree' examines how the mutilated ghosts of the forest haunted the romantic modernism of the 1930s and 40s.

There are

tree stumps to be found in the foregrounds of innumerable nineteenth-century landscape paintings but, as Dunn points out, their presence usually indicates colonial improvement of the landscape. Yet faced with Sharpe's poignant image, it is impossible to ignore a symbolic engagement with the processes then laying waste to vast stretches of provincial Auckland. Logging in the Coromandel is effectively a memento marl, or meditation on death. We confront

the end of the ancient kauri forests, systematically eliminated within a half-century, as well as the wider loss of an imaginary, 'uncontaminated' New Zealand that pre-existed colonisation. Sharpe was right to express disgust over the wanton nature of the exploitation, and he urged New Zealand to emulate America's landscape preservation initiative of Yellowstone Park. Referring to surviving stretches of kauri at Waitakere, Sharpe asked ·would it not be wise to reserve at least one of the best clumps there, so that the next generation may see what kauri were like?·• Such conservation appeals were ahead of his time, as was the stark realism of landscape watercolours which received short shrift from contemporary critics. Sharpe's solace was the melancholy realization that he was painting for posterity, for 'the hereafter, when .. people will arise and call us blessed for the botanical and ethnological records we shall leave behind us'." Roger Blackley

'The Poet's Lesson' Auckland Weekly News, 16 October 1880, p.10.

2. 'From Nature tc Nature's God', New Zealand Herald, 24 January 1885. 3. 'Frozen Flame and Slain Tree: The Dead Tree Theme ,n New Zealand Art of the Thirties and Forties', M New Zealand 13, 1979, pp. 40-45. 4

'The Kaun Trees at Wa,mauku' Observer and Free Lance, 2 January 1886, p.11 , repnnted in Roger Blackley, The M of Alfred Sharpe (Auckland, 1992) p.127.

5. 'The Art Exhibition', New Zealand Herald, 27 October 1885, p.6

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John Walsh God of the Foreshore oil on board title inscribed, signed and dated 2003 verso 1190 x 1190mm $18,000 - $28,000

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Tony Fomison Night and Day oil on canvasboard title inscribed , signed and dated 1988 verso

448 x 895mm

$65,000 - $85,000 Fomison's best paintings, during the last years of his life,

visage. This figure relates the work back to the artist's earlier

were reductive, refined meditations on the origins of life.

large-scale meditations on the earth-mother, Papatuanuku.

Night and Day offers a biblical sense of creation - with the

The sense of foreboding is reminiscent of one of the artist's

whiteness of the sky replacing the earthen darkness. Like

last great paintings The Fugitive (BNZ Collection).

McCahon's late paintings, the work is concerned with the

Fomison associated wisdom with the land. He also drew

juxtaposition of darkness and light, with life and death.

from the New Zealand landscape a sense of mystery and a

The painting is, essentially, a landscape dominated by an

hidden human past. (He glimpsed this obscure pre-history

assertive diagonal hill-line. Thinly painted, the landform is a

in the ancient cave paintings he studied). Maori, Polynesian

veil or curtain drawn across the picture surface. A mythical

and Western references are suggested in Night and Day, but

face typical of Fomison's late work is subtly incorporated into

there is also the sense that all of these have been washed

the edge of the earthen form - a dreaming, sleeping, waking

away forever.

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Pat Hanly Two Tamarillos oil on canvas signed and dated '68; original printed Hanly label affixed verso 1056 x 942mm Reference: Russell Haley, Hanly: A New Zealand Artist, (Hodder & Stoughton , Auckland, 1989), p. 157

$65,000 - $85,000

In an exhibition catalogue for his show 'Inside' the Garden at the Barry Lett Galleries in 1969 Pat Hanly quotes the English poet William Blake who once wrote the lines:

The Universe 1n a grain of sand and eternity ,n a flower Though Blake's words reflect upon the discoveries of his own age, wonders made apparent to the human eye through telescopes and microscopes, Hanly uses them to evoke a similarly resounding disruption of his own world-view that was to affect much of his painting In the late 1960's and one that Is strongly apparent in Two Tamarillos. As Blake's world was revealed to him as expanding universally out beyond the human body and inversely minutely within it, Hanly was to discover that the Universe itself - comprised of sand, flowers and many other things besides was in fact subject to certain properties of physics. The laws of molecular biology that reveal that solid matter is not in fact static but instead that minute particles are constantly in motion was to significantly alter Hanly's world view. In his diary the artist wrote 'everything living is full of colour activity of molecular happening and now I will make works on this new-found basis. Energy colours ... stationary nudes, eggs, seed ... I paint now perhaps to render my philosophical response.' It led him to paint both figure and ground in brightly lit crystals of colour that were also in keeping with the vibe of the late 1960's and ?O's. Looking at Two Tamarillos with its vigorous colours and minutely dotted atoms of paint. one can't help but think Hanly was perhaps under the influence. In the documentary

Pacific Ikon produced in 1998, Hanly spoke freely of the spirit of the age and his own participation in it. This was a time when many people's life experiences were engendered physically and so-called experimental thinking was often drug-induced. Similarly with the social influences of the sexual revolution Hanly began to express a more cosmic view of physical love as a kind of electrical energy, conveyed in works like Ecstasy Condition. Passion, (1975) In which whip-like filigrees of paint become evocative of neurons and axons. Biological metaphors also abound in Two Tamarillos whose oval shapes signal eggs and sperm, the essence of life's beginnings. When Hanly was later to paint his wife Gil's garden in all its unrestrained splendour, it is the garden as a source of life and energy that his work captures. Colours jostle against each other like the fragments of everyday matter and are constrained only by their object boundaries. Indeed In Two

Tamarillos the objects seem to hover like alien spacecraft above a densely populated ground, their boundaries marked by dark shadows. Despite their apparent two-dimensionality the fruit seem to teem with an energy that is enervated In colour which is laid on the canvas as if the artist were physically evincing organic chemistry. The two tamarillos are seen from the inside out, demonstrating Hanly's premise that even 'in the most humble and ordinary object can be found the most remarkable visual adventure.' Pennie Hunt

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53 Frances Hodgkins Three Roses oil on canvas signed; title inscribed on original label affixed verso; original Leister Galleries, label affixed verso 490 x 620mm Provenance: The Leister Galleries, London. Dr and Mrs F. Mein, Otago. Private collection, Auckland. Exhibited: The Leferve Gallery, London, Oct - Nov 1937, Frances Hodgkins, New

Zealand Paintings and Watercolours. Late Joys, The Dunedin Public Art Gallery, April - July 1977. Reference: Arthur R. Howell: Frances Hodgkins, Four Vital Years, (1951 ), pp. 105, 109.

$250,000 - $350,000

Frances Hodgkins painted Three Roses about 1937 when her personal style as a painter was fully developed. In 1928 she had been accepted by an avantgarde group of British artists as a member of the Seven and Five Society and had exhibited alongside painters like Winifred Nicholson, Christopher Wood and David Jones at the Society's annual show at the Leicester Galleries, London. But by 1935 she had cut her ties with the Seven and Five Society and struck out on her own, asserting her identity as a painter of individual character and development. Over the years her painting had become freer and less representational, more abstract and more lyrical, and as we see here more rhythmic. Her interest in child art encouraged her to allow intuition to enter the creative process and to give more spontaneity to her drawing and handling of space in her paintings. Three Roses was shown at the Lefevre Gallery, London, in 1937. A reviewer of her exhibition commented upon 'a gentle poetic melancholy' in the paintings, a phrase that applies to the present work.

Three Roses continues a prominent theme in her paintings of the 1930s - still life in a landscape. In fact, some of her most important works of the period like the well-known Wings over Water in the Tate Britain, London, bring together still life objects arranged in front of a backdrop of landscape elements. This allowed her to introduce two of her favourite themes into the one composition and to relate one to the other in novel ways. It also helped to domesticate the landscape that is viewed as if from within a room or from a terrace. She was familiar with this kind of subject matter from French painters she admired like Matisse and Bonnard, among others, and she also knew related works of British contemporaries like Winifred Nicholson and the Bloomsbury painters. She liked to use simple everyday objects in her still life groups, as we see in

Three Roses. In this case these include a tall blue vase, a copper bowl, possibly a jelly mould, and the brass bowl that contains the three roses which give the painting its name. Hodgkins has arranged the objects apparently casually across the foreground and has not composed them to fit inside the picture space, preferring to have some, like the brass bowl, cut off by the picture frame. She has tilted the objects towards the viewer, as often happens in her work, so that we look down at them and can see inside the bowls as happens with the bowl and the roses inside it. These roses are not prize blooms but appear somewhat shapeless and thrown together and not arranged for display. They are drawn freely and contrasted in colour, one being white, another orange/red and a third a salmon pink. Hodgkins used outlining to create an animated effect. and p:aces highlights here and there to enliven the subtle colour scheme based on blues contrasted with warmer tints of pink and the yellow accent of the central flower with its four distinct petals. She has connected the still life directly with the landscape behind by the introduction of leaf forms that appear to hang down from above and link up with the leaves of the roses in their bowl. From simple elements Hodgkins has created a painting that transforms the everyday world into something personal and subjective and in doing so aligns her work with Surrealism, then influential in Britain. It is a work of the highest quality and of the kind that has ensured her high place amongst English artists of the mid-twentieth century. Michael Dunn

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54 Gretchen Albrecht Lunette I Silken acrylic on canvas signed and dated '84 verso 1530 x 3060mm $22,000 • $30,000

55 Toss Woollaston Mt Egmont from Huinga oil on board signed; title inscribed verso; title inscribed and dated and inscribed Bought 1517/64 tor 35 guineas on label affixed verso 595 x 800mm

Provenance: Purchased by the present owner from an exhibition in Wellington in the year the work was painted. $20,000 • $30,000

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oollaston ittrom Huinga j

'inscribe<lverso:t;1 ~d dated and inscnre: !7/64 /0( 35 g~S ixed verso

,. Purchased ~ r, ;~er from an exll ;, on in theyear!OO id.

Allen Maddox It Doesn't Pay to be .... oil on canvas title inscribed; original Gow Langsford Gallery Label attached verso 1800 x 1600mm $20,000 - $30,000

• $30,0DD

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Ralph Hotere

Test Piece, Auckland Airport Mural: Grey/Orange (1977), is a starkly beautiful

Test Piece, Auckland Airport Mural: Grey/Orange

object of meditation and contemplation. The columns of finely inscribed

enamel on board title inscribed, signed and dated Port Chalmers '77 verso; inscribed BLG Cat No 7 verso 1055 x 795mm. Illustrated: Front cover of this catalogue.

lines, applied with small paint rollers, recall all manner of advanced American Modernist painters including Ad Reinhardt, Barnett Newman and Frank Stella. However, Hotere departs from these easy yet ultimately insufficient points of reference by virtue of the shiny, buffed and perfectly conceived, lacquer surface. Achieved through the utilization of car spray painting techniques, there is thus a strong element of the quotidian to Test Piece,

$95,000 • $125,000

Auckland Airport Mural: Grey/Orange which belies the lofty aforementioned company which Hotere stands so comfortably among. Content. that unmentionable and unwelcome black sheep of Modernist theory, leaps out from even the most minimal and austere Hotere works of the sixties and seventies. The thinly inscribed lines evoke, for many, the harmony and pitch of classical music. The polished surface serves to capture all who cross its path in its wake, importuning a reaction from them - antithetical to the hermeticism of Reinhardt, Newman et al. Finally, the two sanguine lines which punctuate the otherwise achromatic surface imbue the work with a humanistic element and serve to relate the work to Hotere's ongoing practice, itself punctuated with lashings of blood red - the Human Rights series, the Sangro works, and the large unstretched

Rosemary canvases. Test Piece, Auckland Airport Mural: Grey/Orange is a thing of rare and accomplished beauty, a nagging and selfish painting which continuously steals one's attention and demands our precious time in an age when, inevitably, we seem to have less and less of it to give. Ben Plumbly

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59 Girolamo Pieri Nerli

58 Nicholas Chevalier

Portrait of an Actress

South Island Lake Scene with Maori Travellers In Foreground

oil on canvas c. 1890 signed 620 x 470mm Reference: MichaP.I Dunn, Nerti:

watercolour signed and dated 1878 196 x 343mm Illustrated: Inside covers of this catalogue

An Italian Painter in the South Pacific ( Auckland University press, 2005), p.88. Illustrated: ibid , p.89

$25,000 - $35,000

Girolamo Pieri Nerli was a Tuscan painter born In Siena but trained

a modem look quite unlike the stiff dark portraits so common in

in Florence where he studied figure painting and portraiture. He

Victorian homes. His approach here with the cropped close-up view

immigrated to Australia in 1885 arriving in Melbourne. There he

of the sitter, reflects the style of the impressionists and the influence

came in contact with some of the Heidelberg painters such as

of photography. Nerli quite often shows a fleeting expression, such

Charles Conder and Arthur Streeton. Perhaps in response to their

as a smile, to give a more intimate quality to his rendering.

impressionistic approach and outdoor method of sketching he

This work was probably painted in Sydney in the early 189Os

broadened his brushwork and painted landscapes as well as figure

before Nerli came to New Zealand in 1893. In style it has affiliations

works in a lively fresh manner.

with the portraits of Tom Roberts who also made a number of

Nerli was an accomplished portrait painter who made many studies

memorable studies of young fashionable women in Sydney at that

of male and female sitters drawn from the world of art and theatre.

period. In Dunedin Nerli introduced his new approach to portraiture

These include his full-length portrait of the Australian actress Myra

to his most famous pupil, Frances Hodgkins. She in tum made a

Kemble. Nerli's portraits of young women, such as this example,

number of striking intimate portraits of young women drawn from

are some of his most popular and successful works. Using a

her family and social circle.

light palette and an informal method of composition he achieved

Michael Dunn

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lerli

1, Nerli:

5outh Pac1fc

ss, 2005), p.88

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61 R

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60 Tony Fomison Winters Walk: Her and the Puppet oil on canvasboard title inscribed, signed and dated 1987 verso; inscribed started 23.2.87 verso 460 x 380mm

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$35,000 - $45,000

Sur

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Rita Angus Moon (Leaf Series) oil on board signed; title inscribed, signed and dated 1965 on label affixed verso 310 x 378mm Illustrated: Vita Cochran and Jill Trevelyan , Rita Angus: Live to Paint & Paint to Live, Godwit/Random

$55,000 - $65,000

This work relates to a painting called Moon, August 1965, fomnerly

the entwined fish of Pisces, her birth sign, in the self-portrait and

in the John Money Collection that shows the moon with an aura

elsewhere in her art. At the time of making these paintings Angus

around it, set in a cloudy sky above the housetops of Thorndon.

was struggling with cancer and was increasingly aware of her

Paintings of the night landscape are very rare in New Zealand

mortality. The aura that surrounds the moon in the current example

painting but have a tradition in European art, especially in Dutch and

of her work is tinged towards the cold end of the spectrum, to blue

Flemish painting where some artists specialized in night scenes,

rather than gold. Angus was definitely interested in auras, which

often with effects of moonlight. In Angus's case she seems to have

some believe to emanate from each individual and tell us about

begun painting the night sky while in London on a trip in 1959. Her

their nature and spiritual aspects. It is possible that in this image

ambitious painting Journey, Wellington, of 1962-63 depicts the

the aura around the moon is intended to have some symbolical

cyclic progression from day to night, and shows the sun illuminating

significance for her life.

the day on the left side of the image and the moon lighting the night

The painting has been drawn from the veranda of her cottage in

sky on the right.

Thorndon and the leaf forms would have come from her garden that

In Angus's case her interest in the heavens is as much astrological

surrounded the dwelling. They resemble the leaves of a canna, a

as astronomical and concerns her beliefs in the influence of the

plant she may have grown there. She was very interested in natural

heavens and heavenly bodies on the affairs of humankind. In

forms and often made studies of plants and flowers, including those

astrology the moon has especial significance for women, and the

of the magnolia tree in her front garden. This is a fine example of

full moon is the time of maximum influence and power. For that

Rita Angus's late painting and shows it at its most personal and

reason in her late self-portrait with a palette of 1966 she shows

remarkable.

her face illuminated by the light of the full moon rather than the sun. She also believed strongly in astrological signs and depicted

Michael Dunn

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Dick Frizzell Limeworks - Paki Paki oil on board title inscribed, signed and dated 17/5/87 111 Ox 1200mm

$27,000 - $35,000

Colin McCahon Muriwai No. 1 water-based crayon and charcoal on paper title inscribed, signed and dated '71 765 x 577mm Reference: Colin McCahon database #CM000340

$65,000 - $85,000

In 1970 Colin McCahon resigned from his

Muriwai 1 (1971) - the other works in the

through the surrounding hills, headlands

teaching post at Elam and moved his studio

mini-series being Muriwai 11 and Muriwai

and sand dunes to the north of Muriwai

to Muriwai beach, northwest of Auckland.

111 - shares geographical, media, vertical

and Waioneke, of which he remarked:

McCahon made the connection between

orientation and a directness of approach

"North again from Kaipara Flats harbour a

this move and the vibrant body of works

with the Kaipara Flats works. However,

dry and North Otago like area happens "

he produced the following year explicit

each of the works in the Muriwai series

The simplified structural form of an arc

in a letter to Maureen Hitchings: "All this

departs from the better known Kaipara

bisected by a diagonal line has its obvious

colour and fun is a direct result of leaving

Flats series of the same year through the

genesis in the North Otago series from 1967, to which McCahon alludes; an area

Indeed, seen in the context

smaller size of the paper on which they're

of McCahon's oeuvre, the water-based

conceived - 760" x 560mm, versus 1020

to which, it would seem, the artist had a

crayon works of 1971, appear somewhat

x 670mm approximately - and through

similarly intense and fecund relationship with.

the school".

anomalous in their joyful exhuberance. Of

the structural form which predominates in

this year, it is The Poem of Kaipara Flats

each. This form, essentially an arc bisected

outline of a hill ridge with the slope of the

works which are most commonly seen. A

by a diagonal line, differs markedly from the

hill representing an entrance or a gully.

trawl through the Colin McCahon database

simple horizontal division that demarcates

On a deeper level it suggests a spiritual

(www.mccahon.co.nz) however shows a

land and sky and which predominates

affinity and respect for two areas with which

mini-series of three works completed in the

throughout the Kaipara Flats series.

McCahon felt represented sacred place of

same year which display similar concerns

As well

yet which diverge from the Kaipara Flats

the Kaipara Flats harbour to the north,

geological order".

series in a few fundamental respects.

McCahon undertook numerous excursions

Ben Plumbly

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extensivley exploring

the

The form suggests, ostensibly, the

"greater permanence..

and a classical

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64 Ralph Hotere

66 Michael Shepherd

Biko handpainted silk scarf title inscribed and signed 1960 x 285mm

Still Life oil on board inscribed '90 1200 x 1900mm

$7,000 - $10,000

$25,000 - $35,000

Fatu Feu'u Untitled oil on unstretched canvas signed and dated 2002 1510 x 2130mm $8,000 - $12,000

Shane Cotton Uluru Light oil on canvas signed with artist's initials S. WC and dated 2004; title inscribed , signed and dated verso 300 x 400mm $14,000 - $18,000

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erd

als S.WC 1scnbed,

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John Gully Solitary Figure Before the Southern Alps watercolour signed and dated 1882 725 x 1270mm Provenance: Private Collection, Auckland $80,000 - $100,000

The best of Gully's paintings are not so much representations ... as glimpses of some romantic poet's country of the mind, suffused with the serene colours of a mildly soaring imagination. Dr E. H McCormick

Born and raised in Bath, England, John Gully emigrated to New Zealand in 1852 where, later in his life, he would go on to produce unique, large-scale Romantic interpretations of the New Zealand landscape. Working exclusively in the watercolour medium, Solitary

Figure Before the Southern Alps (1882), is among the most successful and impressive that Gully completed. After initially settling in New Plymouth, Gully moved to Nelson in 1860 and it was here in 1878 that he would retire in order to devote himself full-time to painting. It was also here that Gully met J.C Richmond who would go on to become a lifelong friend and fellow travelling and painting companion. The two undertook numerous excursions deep into the heart of the South Island and it is likely that one of these trips resulted in the painting of Solitary Figure Before the Southern Alps.

Solitary Figure Before the Southern Alps is a fine example of the Romantic approach to landscape painting, of which, Gully was this country's foremost practitioner. Adhering to the John Ruskin dictate "that a painting must tell a story", the watercolour does much to convey the wonder which would have greeted many an English settler, for whom the grandeur and challenges presented by the New Zealand landscape must have made a stark contrast to the consistency of the English landscape. Gully's emphasis is firmly on atmosphere and light effects. The solitary figure in the foreground serves to heighten the latent drama and adds a lonely beauty to the scene as well as providing the vital narrative element to which Ruskin stipulated. Although at one stage a draftman's apprentice, Gully's late feathery watercolours depart abruptly from the clarity of outlines and conventional approach which was the hallmark of the topographical watercolourists who preceeded him. The watercolour medium is ideally suited to such Sublime displays of man's insignificance in the full glory of nature and Gully grants equal importance to the soft misty clouds and sky of the heavens, as he does to terra firma itself. Gully was, and remains, a somewhat controversial painter. He was a highly prolific artist - painting Mount Cook alone 57 times - and in terms of quality his works can vary. However, his best works, to which Solitary Figure Before the Southern Alps unquestionably belongs, played a key role in facilitating self-belonging for nineteenth century New Zealand settlers and go a long way to capturing the majestic beauty of our land .

Ben Plumbly

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70 Allen Maddox Grid oil on linen 1400 x 1310mm

$6,000 - $9,000

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1 Ian Seo~ Raquel OIOOOOlfd

~3/Mlilc

1360x136f.t

19,000,111

Dick Frizzell Cloud Shadow oil on canvas title inscribed, signed and dated 14/01/99 900 x 3000mm $20,000 - $30,000

Ian Scott Raquel oil on board signed and dated '69 1360 x 1360mm

Maddox

1310mm

$9,000 - $15,000

• $9,000 I•

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.. ,,,.'

72 Shane Cotton Pararaiha, A Walk in Paradise, Welcome, Veil, Kikorangi, Moerewa a suite of 6 lithographs printed at the Australian Print Workshop in Melbourne and published by Gow Langsford Gallery lithographs 3/40 titles inscribed, signed and dated 2004 on each lithograph 560 x 760mm each $14,000 - $20,000

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73 Tony Fomison Vulcan the Ugly, Making Something Beautiful oil on hessian on board title inscribed, signed and dated 1982 on original frame moulding affixed verso; inscribed started 13/6/81, finished 28/1/82 verso 368 x 262mm

$35,000 - $45,000

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Colin McCahon Flower water-based crayon on paper signed and dated Nov '70 565 x 442mm $25,000 - $35,000

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Michael Smither Tai Chi Lesson in Argentina oil on board signed with artist's initials M D. Sand dated 2001 642 x 947mm

$25,000 - $35,000

John Gully Lake Wakatipu watercolour signed and dated 1882 660 x 500mm

$20,000 - $30,000

•

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Stephen Bambury Co-ordinates (Study) acrylic on canvas, diptych title inscribed, signed and dated 1977-78 verso 265 x 535mm

$6,000 - $8,000

Ralph Hotere Woman in Bath ink and wash on paper signed 310 x 377mm

$8,000 - $12,000

Max Gimblett Homage to Max Beckmann - 2 gesso, black clay, water gilded silver, palladium silver, moon gold, acrylic polymer, lacquer, shellac on wood panel title inscribed , signed and dated 1993/96 alongside numerous notes on the artist's working process verso; Gow Langsford Gallery label affixed verso 630 x 370mm

$10,000 - $15,000

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dium

llery

80 Bill Hammond Bird Study acrylic on paper signed and dated 2004 770 x 580mm $28,000 - $35,000

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Seven Russian officers captured by Nazis are

Colonel Tretyakov, the senior officer, discovers after

After eleven days, a unanimous decision is taken to

stripped and locked in the cellar of the monastery

the Nazi forces have withdrawn that the party is

draw lots, in turn, to be killed for toed. The first lot

of St. Peter Rabinovich.

looked in the cellar, without food or water.

falls to Colonel Tretyakov; he is smothered and the first cannibal meal begins.

Lubianko, gravely ill, refuses to eat the

Rubin kills Lubianko, to put an end to his

flesh of Blok, offered to him by Vukhov

agony. On the 54th day a bird enters the

Rubin and secretly sharpens the

., 'oil);'

cellar throwing Rubin into a frenzy. He

thighbone of Lubianko to use to kill

~l.\'ale

drives it out and lapses into insanity.

Rubin in the last resort.

Pauline Thompson The Judgement Series oil on canvas board 13 panels each with text plaque each panel signed with artist's initials P T. and dated '87 640 x 6260mm (variable) overall Illustrated: Art New Zealand, no.59, Winter 1991, p. 68-69 Reference: 'Wendy Viagra, Narratives of the Heart: Recent Paintings by Pauline Thompson' , ibid., p. 68-71

$35,000 - $45,000

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Vukov and Rubin are left. Vukov comforts

The Judgement Series 1 (1987), is one of the most significant

pson h1

artworks executed by Pauline Thompson , and is one of two

Nal~MI Radi

versions, the other being executed on large unstretched canvases and purchased by the Auckland Art Gallery Toi

rlie~nle'ell'H amaier cycle

0 Tamaki, as part of their permanent collection. In the

'"@orO'!llllf

Judgement Series 1, Thompson recasts the story told in

pa, irooips

Barry Collins' play Judgment, of Russian officers captured by the German army and subsequently abandoned in a locked cellar of a monastery in Southern Poland, in thirteen panels which track the tragic events in the narrative.

o~ lar \\001 Untsthemsi

are ll)Ow1g, c

arrjll)O(aJfy.

1imousdecisoo1~, ..

After the meal Banishevsky declares his

Lysenko, to whom the second lot falls,

All realise the impossibility of another

liledloricoo.Th;·~

shame at eating the Colonel and refuses

protests and struggles and is put to death

lottery. Otticer Blok offers himself to feed

·he1sS!ll'.llll!rooa~·,

to participate any more in the lottery or

at his will. Banishevsky, at the same time ,

at his will. Banishevsky, at the same time,

his brother officers.after praying he lies

the eating of the Colonel..

has ended his life by cutting his wrists

down to sleep and is discovered to have

with a loose tooth pulled from his head.

dies naturally in his sleep.

,ubm are left.V1•j '°

;ecreuyshafil81"!•' JfLubiankOIO~·,,

On the 60th day the door of the

Scriabin takes the insane Rubin, anaesthetised,

Officer Scriabin lays charges in the cellar

cellar is opened by Lieutenant

and Vukhov, from the cellar.

and destroys the Monastery.

Scriabin, a fellow Russian.

,lastresort.

ie of the most s~~':t

fl pson, and is one j on large uns:re::':

Thompson heard the monologue play broadcast on the National Radio, and was so moved by the story and the inherent elements of humanity that she felt moved to create a major cycle of paintings dealing with the events. Rather

,UC kland /ill Gae'

than providing answers to the questions posed by Collins'

ent co11ec:KJ11 ' 111

play, Thompson prompts further questions of the viewer:

3easts the sior\ ·:, .

ca:::

How far would we go in order to survive? Although the

Jssian offiCBfS uently abandOr!i'l ,

events themselves are terrible and gruesome, the paintings

twn Poland, (.~

and morality.

. h 111ia'

are moving, dealing with fundamental issues of humanity ,N,1,ltJ(

Furn~"'

vents in t e

FINE NEW ZEALAND & FOREIGN PAINTINGS , PRINTS & SCULPTURE

Nigel Brown

Two Cyclists Passing acrylic on paper title inscribed, signed and dated '78 440 x 295mm

$1,000 - $2,000

Gordon Walters Kura screenprint 48/150 title inscribed, signed and dated '82 610 x 492mm

$5,000 - $8,000

Philip Clairmont Chair Study mixed media on paper signed and inscribed 16 595 x 452mm

$6,000 - $8,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

Peter Robinson Abstract Composition mixed media on paper signed and dated 1990 verso 1425 x 900mm Provenance: Purchased from Timurid Gallery, Wellington , 1990

$4,000 - $6,000

Nigel Brown Kite Flyer Triptych acrylic on whakatane board title inscribed, signed and dated 1980; title inscribed, signed and dated verso 1100 x 2430mm

$14,000 - $20,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

87 Euan Macleod Four Views with Rain oil on canvas on four panels title inscribed and signed verso 380 x 510mm each panel 1520 x 510mm overall

$7,000 - $9,000

88 Ralph Hotere Abstract screenprint 8/1 0 signed and dated '65 725 x 1100mm

$6,000 - $9,000

oo Jona 6eOl11E

aci)1CI

Mei~ 1140X

16,00I 88

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

89 Allen Maddox Untitled (Yellow Crosses) oil on canvas c. 1990 1250 x 1250mm

$14,000 - $20,000

90 Jonathan Organ Geometrical Necessity acrylic and gesso on canvas title inscribed and dated 1998 verso 1140 x 2850mm

$6,000 - $9,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

Emily Karaka Hinewa oil on canvas title inscribed, signed and dated '96 1900 x 3000mm $8,000 - $14,000

Nigel Brown I Am/ We Are Aotearoa oil on canvas, 4 sections signed and dated 2000; title inscribed, signed and dated 2000 on each panel verso 750 x 1520mm overall $10,000 - $15,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

einscribed. eachpanel~

Evelyn Page

Governor's Bay oil on canvasboard signed E Polson Exhibited: Evelyn Page, Seven Decades Touring Exhibition, Robert McDougall Art Gallery, 1986 345 x 430mm $12,000 - $1 B,000

94 John Weeks Summer on the Avon oil on board signed and dated 1921; certificate of authenticity signed by Hilda O'Connor and Allan Swinton affixed verso 355 x 255mm $5,000 - $8,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

95 E. Mervyn Taylor

• ross w ,o:traHI i:11((1;,

Wrybill Plover etching, edition of 50 title inscribed and signed 105 x 66mm

·~

:~,JC( 14.IMMI·

$1,000 - $1,500

~ ross i ,o:tratt f:1-

96 E. Mervyn Taylor

J.!Di1l

Fantail etching, edition of 30 title inscribed and signed 80 x 103mm

14,iMMl

$1,200 - $1,800

100 mivia

~, 9;'~

2!~X j l

14,liXI

97 Pat Hanly Carri bean watercolour, pencil and pastel on paper title inscribed, signed and dated '87 410 x 580mm $5,000 - $7,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

98 Toss Woollaston

Portrait of a Seated Woman watercolour signed 455 x 300mm

$4,000 - $6,000

99 Toss Woollaston Portrait of Jeremy Claasen watercolour signed 340 x 270mm

$4,000 - $6,000

100 Olivia Spencer-Bower Home from School in the Far North watercolour signed; title inscribed verso 348 x 470mm

$4,000 - $6,000

100

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

101 Allen Maddox Grid oil on canvas mounted on board inscribed Cat 19, Crate 7, Tray 2 on Auckland City Art Gallery label affixed verso 1220 x 1220mm Provenance: From the CohnNernon Collection

$20,000 - $30,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE

102 Toss Woollaston Interior View Through a Door oil on board signed 840 x 910mm

$15,000 - $20,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

lM tony L !aSlel · 1)1

..,'&i 11JJ198

$10,

106

103 Louis John Steele Wife of Rauparaha, Waihi oil on board title inscribed and signed; label affixed verso reads:

The painting of the wife of Te Rauparaha by the late L.J. Steele, was painted according to Mr C. F Goldie at the artist's best period. The subject of the picture was one of the Albino type of Maori 285 x 227mm Provenance: Formerly in the collection of Dr Neville Hogg. Sold by Webb 's in August 2003, lot 51.

Wife of Rauparaha, Waihi is an accomplished but unpretentious likeness of a young Maori woman who has chin moko, a greenstone tiki suspended from a necklace, a greenstone ear pendant and huia feathers in her hair; she also wears a fine cloak. All these items suggest a person of high rank and importance and an inscription added to the background of the painting states that she was the wife of Rauparaha, presumably the great warrior chief Te Rauparaha of the Waikato, though this is not certain. Conservation staff have checked the inscription which appears to be genuine and under the layers of varnish. The work is undated

$15,000 - $25,000

but would have probably been executed after 1890; it is signed and shows Steele's ability at working on a small scale with a high degree of detail. Michael Dunn. Excerpt from an essay formerly published in Webb's catalogue, December 2004.

FINE NEW ZEALAND & FOREIGN PAINTINGS PRINTS & SCULPTURE

104

105

Tony Lane Easter oil on gold and silver leaf on board title inscribed, signed and dated 1995-6 verso 980 x 980mm $10,000 - $15,000

105

Raymond Ching Stewart Island Brown Kiwi pencil on paper title inscribed, signed and dated 3-6-87 Illustrated: Kiwis, A Monograph of the Family Apterygridae, (Seto, Auckland, 1990), p. 67 $3,000 - $5,000

unpretentoos ;hin moko, a

reenstone ear

rsafine cloak nportance and ing states that

3t warrior chiel

tain.

ich appears 10 ork is undated

,o; ii issigned

3lewith ah~ h

Geoff Thornley No. 5. 83

oil on board title inscribed, signed and dated '85 verso 1300 x 1300mm $12,000 - $18,000

;hed in Webb's FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

Foreign Paintings and Prints

.........................·--····-·-···-·····--··-······-···-·-·····---··--··...,_ _

.... ;.;~\,c-1•

.,.::-•·

107 Freddie Timms

,Jo~·

Bow River on Lissadell Station

. ,c:-·· I ,f·

natural clay pigments on canvas signed and inscribed FT999.95 verso 1220 x 1350mm

V r-

$12,000 - $18,000

.. i

........••····----·-··--········::~':'.::::......... -._·•... ...::.-.":.......

•!.

.....-:;:::::.........

! :

..... ....

......-:.•·· .....-,.-··

I.:,

.,.....-:::--•···· ~~

•••.-:;•••••

. z::

~~-

···'.', ·-._;

....

.......

, : : : ,...

......;.•·:=-··· .

_, ....,,..

....... -----~·.

110 John

Sydne

......

a:~~ signed

385x

.......

=:-..•

......., ..

13,00

....... ···•···•

108 Minnie Pwerle Awelye, Atnwengerrp acrylic on canvas title inscribed, signed and dated 2001 and inscribed DG03757 verso 610 x 910mm Provenance: Purchased by the present owner from Gallery 2021 , Auckland in 2002 $3,000 - $5,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE

ldie Timms River on Ussadell !ttfQ

ii clay pig men~ oo rz •. Iand inscnoo:1 FTmi x1350mm 100 · $18,000

109 Thomas Benjamin Kennington Summer Day at the Beach oil on canvasboard signed 292 x 340mm

$6,000 - $9,000

11 O John Henry Young Sydney Harbour watercolour signed 385 x 705mm

$3,000 - $6,000

1ie Pwe~e e, Atnwengenp on canvas cribed, signoo aoo~:<: cribed 0603757 1rt l10mm lflC(l PurcllaSOO~·, 'rom Galle~ 2021 1d in 2002

). $5,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

Ill

111 Edwin Hayes Fishermen off the coast in Stormy Seas oi I on canvas signed Edwin Hayes R. H. A 605 x 1160mm

115

$12,000 - $18,000

112 Willem Cornelis Rip Dutch Landscape Scene with Windmill oil on canvas signed 480 x 700mm $2,000 - $4,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

Further Fine New Zealand Paintings and Prints 113

114

115

113 Christopher Perkins Venice oil on board accompanied by certificate of authenticity from Ferner Galleries 495 x 395mm

$6,000 - $9,000

114 Leo Bensemann Portrait of John L. Moffatt oil on canvas title inscribed and signed verso 520 x 440mm

$8,000 - $12,000

1 comelis Ri~

115 Tom Esplin

1ndscape~ne 1drnill vas

Lubeck oil on board signed 264 x 170mm

Jmm

$3,000 - $4,000

$4,000

FINE NEW ZEALAND & FOREIGN PAINTINGS PRINTS & SCULPTURE

116

116 Philip Trusttum Untitled (Horse Series) mixed media on unstretched canvas signed and dated '88 2100 x 1370mm $4,000 - $6,000

117 Toss Woollaston Study of Man's Head pencil signed and dated '80 310 x 240mm $1,500 - $2,500

118 Rata Lovell-Smith Early Post Office, Bealey oil on canvasboard signed 345 x 440mm $3,500 - $4,500

117

119 Alan Pearson Standing Nude oil and pastel on paper signed and dated '87 420 x 295mm $2,000 - $3,000

119

118

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE

120 Doris Lusk

120

Waterlilies watercolour signed 365 x 540mm

$3,000 - $4,000

121 Toss Woollaston

121

Landscape watercolour and pencil signed and dated '57 230 x 290mm

$1,400 - $1,800

122 John Kinder

122

The Mission Station, Oreti, Lake Taupo watercolour title inscribed, signed and dated (date illegible) 310 x 475mm

$4,000 - $6,000

123 Tony Fomison

123

The Question lithograph on handmade paper signed and dated 1986; inscribed to Denis Cohn and Bill Vernon verso 380 x 535mm

$1,000 - $2,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE

124 Jeffrey Harris Abstract oil on canvas signed and dated 1991 and inscribed Untitled verso 720 x 1200mm $4,500 - $6,500

125 Jeffrey Harris Figure in an Interior acrylic and pastel on paper signed and dated 1970 verso 433 x 692mm $2,800 - $3,800

126 Pat Hanly Abstract Figures ink on paper signed and dated '88 295 x 303mm $7,000 - $9,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

127 Billy Apple

127

PAID. The Artist has to Live Like Everybody Else mixed media, silkscreen and ink on paper 420 x 295mm

$2,000 - $3,000

128 Charles Tole Fish in a Landscape oil on board signed and dated '75 290 x 490mm

$4,000 - $6,000

129 Philip Clairmont

THE ARTIST HAS TO LIVE LIKE EVERYBODY ELSE

Self Portrait and Dream oil on collage on board title inscribed , signed with artist's initials PC. Tand dated '76 - '77 645 x 400mm

$6,000 - $9,000

128

130 Ralph Hotere Winter Solstice, Carey's Bay pastel on card title inscribed, signed and dated 7- '91 387 x 265mm

$5,000 - $7,000 129

130

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE

131

131 Margaret Stoddart The Loaded Cart watercolour signed 250 x 352mm

$5,000 - $8,000

ll~ Andrei CitJVeinl ~I~

r,;:elO 132

•·, witx :!!x186(

132 Trevor Moffitt

15,000 •!

Man with Bullock and Dog oil on board signed and dated '66 538 x 770mm

$6,000 - $9,000

ll6

133

133 Jeffrey Harris The Turning Point oil on canvas title inscribed , signed and dated 1999 verso 305 x 410mm

$3,000 - $4,000

134

134 Justin Summerton Waiheke Island oil on canvas signed and dated '05 700 x 835mm

$4,000 - $6,000

FINE NEW ZEALAND & FOREIGN PAINTINGS. PRINTS & SCULPTURE

135

135 Andrew Drummond City Vein Print lithograph with collage and applied pastel 10/15 title inscribed, signed and dated May '84 440 x 1860mm $5,000 - $8,000

136 Nigel Brown Damaged Landscape No. 3 oil on board signed and dated 1989; title inscribed, signed and dated 1989 verso 1200 x 715mm

137 Peter Robinson Abstract mixed media on paper 1200 x 800mm $3,500 - $4,500

$6,000 - $9,000

136

I•

137

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

I~ 1y~neY U

138 John Barr Clarke Hoyte

!\1111

South Island Lake and Mountain Scene watercolour signed 640 x 430mm

~-~

i x~'.-nn

$15,000 - $20,000

Ill ~~neY LI Notreoame

:a'ilS

IU ~retchen taT!ffl(l!tW ;s•\'00!

·;'" :-.'.'1 15,IMMl·Sll

iu John~nl OalheRhiM ,-- are xi

139 Wilhelmus C. Ruifrok Natural Cataclysm oil on canvas 1670 x 2000mm Exhibited: Stairway into the Sun, McDougall Art Annex, Christchurch 1991 $10,000 - $15,000

FINE NEW ZEALAND & FOREIGN PAINTINGS, PRINTS & SCULPTURE

140 Sydney Lough Thompson

140

Stone Archway and Cobbled Street Scene oil on canvas signed 450 x 540mm

$5,000 - $7,000

141 Sydney Lough Thompson Notre Dame oil on canvas signed 365 x 445mm

$5,000 - $7,000

142 Gretchen Albrecht Current (From H. D) mixed media and collage on paper title inscribed, signed and dated '87 1590 x 2400mm

141

$5,000 - $7,000

143 John Kinder On the Rhine pencil and bodycolour on paper title inscribed, signed and dated 1844; inscribed Painted in England in 1844. Brought to New Zealand in 1855 when invited by Bishop Selwyn to Auckland. Gifted to Lloyd Laycock 162 x 253mm

$4,000 - $5,000 143

142

IUS C, Ruilro~

taclysm

Jmm

imvayinrottS: .

1Annex.C1111s'.C",

;15,000

FINE NEW ZEALAND & FOREIGN PAINTINGS . PRINTS & SCULPTURE

100

FINE JEWELLERY & WATCHES

Rare and Valuable Watches Objects of Virtu, Accoutrements, Coins Fine Antique and Modern Jewellery Day Two Wednesday 21st September 2005 Two Sessions 2.00pm and 6.00pm

2.00pm

Note start time

Lots

1000 - 1200 Affordable Antique, Estate & Modern Jewellery [on separate list at viewing]

6.00pm Lots

200 - 227

Wrist & Pocket Watches

Lots

228 - 229

Objects of Virtu

Lots

230 - 239

Accoutrements & Gold Coins

Lots

240 - 344

Fine Antique & Modern Jewellery, Diamond Solitares

Viewing Times Thursday

15 September

9 OOam

5.15pm

Friday

16 September

900am

5.15pm

Saturday

17 September

11.00am

3.00pm

Sunday

18 September

11.00am

Monday

19 September

9.00am

Tuesday

20 September

9.00am

5.15pm

Wednesday

9.00am

1.OOpm sharp

September

3.00pm -

5.15pm

VIEWING TILL 12 NOON ONLY ON DAY OF SALE.

ILLUSTRATED LEFT, FROM TOP:

Lot 229 The Gold and Diamond Bull Statuette Lot 228 The Gold Animal Puzzle Map of Africa Lot 209 The Jaeger-Le Coultre Minute Repeating Reverso Wristwatch

FINE JEWELLERY & WATCHES

101

DAY TWO: WEDNESDAY 21 SEPTEMBER 2.00PM

206

AFFORDABLE ANTIQUE, ESTATE & MODERN JEWELLERY

TISSOT, A Gentleman's 'Ballade' Rolled Gold Dress Wristwatch.

Circular outline case with milled bezel, integrated bracelet. Gold face with Roman meridians, polished batons, sweep second and date window.Quartz movement. Sapphire crystal, water resistant 30m.

An interesting and varied selection. Separate list avaliable free of charge at viewing.

$250-350

DAY TWO: WEDNESDAY 21 SEPTEMBER 6.00PM 207

WRIST & POCKET WATCHES Important Conditions of Sale for Watches. Please note: as many of the timepieces are old, -or their history is unknown, Webb's offers no guarantee as to mechanical condition or condition of seals etc. A timepiece described as 'fine' or 'as new' is an opinion as to appearance only. All watches are sold as viewed. II shall be assumed that all buyers have inspected the lots and that they are happy with them in all respects. Watches cannot be returned on the grounds that repairs or service have been carried out, or parts including straps or bracelets) have been supplied, by anyone other than the named maker. Notwithstanding the foregoing condition, named wristwatches are sold on the basis that the movement (or movement and case where both would normally have been manufactured by the named maker) were manufactured by the named maker.

Keyless lever, white face with Roman numerals and subsidiary seconds. Engine turned decoration to case, vacant cartouche to cover. A very good example. $500-600 see colour illustration page 105 208

It is recommended that buyers have watches serviced promptly to ensure that damage does not arise from faulty seals or any other aspect of mechanical condition.

200

$400-500 see colour illustration page 105 209

$250-350 201

$375-475 ROLEX, A Gentleman's Stainless Steel And Gold Oyster Perpetual Datejust Wristwatch.

Reference; 16233, serial No. E421620 (c 1991 ). Cream face with Roman numerals in gold relief, sweep second and date window. Jubilee bracelet. Excellent appearance with box.

$65,000-75,000 see colour illustration 210

LONGIN ES, A Gentleman's Rolled Gold Cased Wristwatch.

Cushion outline, burnished gold face with Roman numerals. Quartz movement. Black crocodile strap.

$11,000-13,000 see colour illustration page 103

$200-250 204

An 1Bct Yellow Gold Ring Watch.

211

Oval outline, silver face with Arabic numerals. Manual 16 jewel Swiss movement with winder concealed as one of the bezel supports. Signed Marvin.

CARTIER, A Gentleman's 1Bct Yellow Gold Cased Pasha Wristwatch.

Circular outline case, white face with Arabic quarters, sweep second and date window. Automatic movement. Water resistant to 1OOm. Reference; 1987.0650/820901. Blue sapphire end stone to crown.Green crocodile strap. With original box and papers. Valuation available on request. $10,000-12,000 see colour illustration page 105

1 02

FINE JEWELLERY & WATCHES

ROLEX, A Gentleman's 1Bct YP.llow Gold Oyster Perpetual Day Date Wristwatch With Onyx Dial.

Reference; 18238, serial No. E778903 (c 1991). Plain black onyx face with sweep second and windows for day and date. President bracelet. Excellent appearance with box.

$350-450 see colour illustration page 105 205

JAEGER - LE COULTRE, A Gentleman's 1Bct Yellow Gold Cased Reverso Moonphase Power Reserve Wristwatch.

Classical rectangular outline case. Reference 270.2.63 and numbered 1956921. Silver face with Arabic numerals and subsidiary seconds. Indicator dials for moonphase, nighVday and power reserve.Crystal back, exposed movement. Black crocodile strap with deployant 18ct clasp. With original box.

$4500-5000 see colour illustration page 105 203

JAEGER - LE COULTRE, A Gentleman's 1Bct Rose Gold Cased Minute Repeating Reverso Wristwatch.

Reference 270-200-732, limited edition 391/500. The classical rectangular case with silver face, Arabic numerals and window exposing minute repeat governor. Repeat operated by a slide in the band. Black crocodile strap with 18ct deployant clasp.With original birdseye maple presentation box, certificate dated 1997 and instruction books. A rare opportunity to purchase a magnificent timepiece that is a 'delight for eye and ear'.

OMEGA, A Gentleman's Stainless Steel Cased Wristwatch.

Tonneau outline case with gatelink bracelet. Circular face with Arabic numerals, sweep second and date window. Manual mechanical movement. With original box and papers dated 1989.

202

LONGINES, A 14ct Yellow Gold Cased Open Face Pocket Watch.

Keyless lever, white face with Arabic numerals and subsidiary seconds. Handset button in band. Inscription on cuvette dated 1923. Engine turned back with vacant cartouche. A nice example.

LONGIN ES, A Stainless Steel Cased Wristwatch.

Unisex design, rectangular outline case and gatelink bracelet. Black face with polished batons and subsidiary seconds. Quartz movement.

WALTHAM, An 1Bct Yellow Gold Hunting Cased Pocket Watch.

$15,500-17,500 see colour illustration pag~ 105 212

An 1Bct Yellow Gold Hunting Cased Chronograph Pocket Watch.

Keyless lever, white face with Roman numerals, subsidiary seconds and sweep second. Deficient of lens, chronograph mechanism requires attention. $475-675

Dress Wrist, acelet Gold second and vaterresistanl

!d Pocket

subsidiary cartouchelo

ice Pocket bsidiary vette dated nice example

ise Gold

fhe classical 1d window iy aslide inlhe ,pWrthooginal 997 and 'llagrnlicenl

!IIOW Gold instwatch,

.63and us and 1ighVdayand ick crocooile

Irperpetual

iinblackllllr

tie. Presidel11

aph pocket

idiaiysecoods iechanism

FINE JEWELLERY & WATCHES

103

213

PIAGET, A Gentleman's 18ct Yellow Gold Cased Dress Wristwatch.

220

Stainless case and integrated strap. Grey face with sweep second and date window. Quartz movement. Water resistant to 200m. With original box and papers dated Dec 1999.

Elegant rectangular convex outline in vintage style, beveled silver face with Arabic numerals. Manual mechanical movement. Original crocodile strap and Piaget buckle. Ref. 9952-602783. $4500-5000 see colour illustration page 105 214

$350-400 221

ROLEX, A Gentleman's Oyster Perpetual Stainless Steel And Gold Cosmograph Daytona Wristwatch.

$22,000-25,000 see colour illustration page 105

$10,000-11,000 see colour illustration page 105 222 TIFFANY & CO, A Rolled Gold Cased Wristwatch.

Circular outline case, white face with Roman numerals, sweep second and date window. Quartz movement. Black lizard strap. With original box.

$14,000-16,000 see colour illustration page 103

BAUME & MERCIER, A Stainless Steel And Gold Wristwatch.

Circular outline case of stainless steel with indexed gold bezel ring, matching bracelet. Silver face with Roman numerals, sweep second and date window. Quartz movement. MV 045046 No. 2180111.

223

TISSOT, A Gentleman's PR 100 Stainless Steel Sports Watch.

Circular outline case and matching stainless bracelet. Light blue face with Arabic quarters, luminous batons, sweep second and date window. Quartz movement. Sapphire crystal, water resistant 100m.

$11,000-12,000 see colour illustration page 103 224

DUNHILL, A Gentleman's Stainless Steel Cased Triple Calendar Moonphase Chronograph Wristwatch.

Circular outline case, white face with Roman numerals, stoppable sweep second, dials for moonphase, continuous seconds, elapsed time, 24 hour and windows for day, date and month.Tachymetric outer scale. Automatic movement exposed under crystal to case back. Stop and return buttons in band. Water resistant to 30m. As new (appears to have never been worn).With original box.

$45,000-55,000 see colour illustration page 103

$3000-3500 see colour illustration page 105 225 219

ROLEX, A Gentleman's Stainless Steel And Gold Oyster Perpetual Submariner Wristwatch.

Reference; 16613, serial No. N4t.1165 (c 1991-2). Black face with luminous indexes, sweep second and date window. Black rotating bezel. Oyster lock bracelet. With original box and papers. $10,000-12,000 see colour illustration page 105

104

FINE JEWELLERY & WATCHES

PATEK PHILIPPE, A Gentleman's 18ct Yellow Gold Cased Perpetual Calendar Wristwatch.

Reference 3940, movement 773549, calibre 240 Q, case No 2910215. Cream face with subsidiary dials for: moonphase, day, date, month, 24 hour and leap year. The complication automatically corrects for 30/31 day months as well as 28/29 day February according to leap year.Automatic movement exposed under crystal back with interchangeable solid back if desired. Brown crocodile strap. The watch is supplied with a motorized leather case that rotates the watch whilst not being worn to ensure it remains wound and 'current' as to time and date. With papers. An exceptional opportunity with our estimate a fraction of replacement cost.

$250-350 218

PATEK PHILIPPE & CO, A Gentleman's Vintage Wristwatch, Circa 1938.

Rectangular outline curvex case in 18ct yellow gold. Matt silver face with Roman quarters and subsidiary seconds. 18 jewel mechanical tonneau shaped movement. No 832302, calibre 9. Black leather strap.

$450-650 217

PATEK PHILIPPE, A Gentleman's 18ct Yellow Gold Case Calatrava Automatic Wristwatch.

Classical plain circular outline case. Reference 3998, 3005864-2996398, Cal 315SC aut. Burnished silver face with polished batons, sweep second and date window. Black crocodile strap.A pristine example with original box and papers.

$200-250 216

ROLEX, A Lady's 18ct Yellow Gold Oyster Perpetual Datejust Wristwatch Set With Diamonds.

Reference; 69158, serial No. E940572 (c 1991). Gold face with Roman numerals in relief on diamond ground. Diamond set bezel and lugs. Sweep second, date window. President strap. Unblemished appearance. With original box.

Reference; 16523, serial No. U426816 (c 1998). Silver face with gold batons, sweep second and chronometric dials. Tachymetric scale on bezel. Oyster lock bracelet. With original box.

215

TAG HEUER, A Lady's Professional Diver's Watch.

ROLEX, A Lady's Stainless Steel And Gold Oyster Perpetual Datejust Wristwatch.

Reference; 69173 serial No. L400048 (c 1990). Silver face with polished gold batons, sweep second and date window. Jubilee strap. $3500-3800 see colour illustration page 105

latch, sweepSOCixlJ ntto2oom.

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FINE JEWELLERY & WATCHES

1 05

226

ROLEX, A Gentleman's 1Bct Yellow Gold Oyster Perpetual GMT Master II Wristwatch.

232

Circular outline with engraved monogram to front cover. Hallmarks for Birmingham 1899. A very good example.

Reference; 16758, serial No. 8922026 (c 1985). Black face and matching rotating bezel. Luminous indexes, sweep second, date window and 24 hour hand (dual time zone). President strap. With original box. $16,000-18,000

$450-650

see colour illustration page 105 233

see colour illustration page 105 227

$120-180 234

see colour illustration page 105

228

$700-800 235

$7750-8750

$150-200 236

$150-200 237

$60,000-70,000

see colour illustration

ACCOUTREMENTS & GOLD COINS 230

A Sterling Silver Vesta Match Container.

A Pair Of Cufflinks Set With Diamonds.

Yellow gold (test approximately 14ct) cushion outline toggle design, each set with a central round cut diamond. Continental marks.

A Magnificent Gold Statuette of a Bull with Diamond Set Hooves and Eyes.

Exquisitely hand crafted in the style of Carrera y Carrera from some 2200g of yellow gold (stamped 950 ie 23ct) The hooves of 14ct white gold set with 132 round modern brilliant cut diamonds (est. 6.28ct), the eyes set with a further two diamonds (est. 0.59ct each). TOW approximately 7.46ct. Height 185, length 340, 2330g. The exceptional attention to life-like detail and overall finish can only have been achieved using techniques and skills at the highest level of craftsmanship Sold by Webb's in September 1999 for a hammer price of $55,000. since which lime the price of gold bullion has soared with a momentum anticipated to continue. A most realistic reserve will appeal to investors and connoisseurs alike. Marks; lower right loot above hoof; fineness stamp 950 (twice) and unidentified circular maker's mark (see inset to illustration).

A New Zealand Motif Enameled Brooch.

The 9ct bar suspending a lobed disc decorated with a hand painted enamel of a view of Hamilton, New Zealand.

see colour illustration 229

S.I. DUPONT, A Rolled Gold Fountain Pen.

18ct gold nib, with original box, papers and ink cartridges. Appears unused.

The 1Bct Yellow Gold African Animals Puzzle Map.

One of only two commissioned by the vendor in 18ct yellow gold. Comprising 36 hand finished pieces, each in the form of an animal found in Africa.Weighing a total of some 11 02. (360g) the pieces interlock to form a map of Africa when placed in a fitted case. In addition, 24 of the pieces can be worn as a pendant suspended from a neck chain.A unique opportunity. Gemologist's report and valuation available on request.

A 9ct Yellow Gold Cigarette Case.

Curvex rectangular outline. Hallmarks for Birmingham 1919, 143g.

$3000-3500

OBJECTS OF VIRTU

A Sterling Silver Sovereign Case.

Circular outline decorated with foliate engraving. Hallmarks for Birmingham 1903.

CARTIER, A Lady's Stainless Steel Panthere Wristwatch.

Rectangular outline case, cream face with Roman numerals. Quartz movement. Brand new 'old stock', with box and papers. Reference; 1320, serial No. 601557UP

A 15ct Yellow Gold Sovereign Case.

$250-350 238

A George V Sovereign.

1917 Perth mint. $150-180 239

A US $10 Eagle Gold Coin.

1894 coronet type, new head. $500-600

FINE ANTIQUE & MODERN JEWELLERY, DIAMOND SOLITARES Please note: where gemological reports are available these should be read together with the catalogue description. Should there be, through error, omission or introduction of better evidence, any significant difference between the catalogued description and that provided in the gemologist's report, it shall be assumed that the buyer has inspected the report and is buying ,n acceptance of it. Unless otherwise stated, all stones have been assessed for weight, colour or clarity mounted and the descriptions given in the catalogue or report are therefore based on estimates which are limited 1n accuracy. Where an actual weight is given the stone will have been weighed loose, however while the grading of a stone loose will minimise error margins 1t shall be accepted by the buyer that all reports and descriptions remain opinions and not matters of fact

Rectangular outline richly engraved with foliate decoration. Hallmarks for London 1890. $60-80 231

An Unusual Bracelet Of 9ct Rose Gold And TurquoiseBeads.

S.I. DUPONT, A Gold Plated Cigarette Lighter.

Designed as a line of seven balls, linked by chain, set with turquoise beads and suspending a similar larger ball.

Rectangular outline with engine turned finish. With spare flints.

$300-400

$150-200

1 06

240

FINE JEWELLERY & WATCHES

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FINE JEWELLERY & WATCHES

107

241

A 9ct Yellow Gold Torah Chann.

251

The cylinder set with turquoise and ruby pastes containing a vellum scroll with Hebrew text.

Hinged design in yellow gold (tests approximately 14ct), the upper section decorated with scroll work of a higher carat about a central oval cut amethyst, itself centred by a gold inlay set with seed pearls. Continental mark.

$150-200 242

A 19th Century Eight Row Necklace Of Faceted Garnet Beads.

The strands of beads caught in pairs and secured by a clasp of yellow gold (tests approximately 14ct) decorated with applied beading and wire work. Continental mark. 420mm.

$700-1000 see colour illustration page 107 252

A Victorian Brooch Set With A Sapphire.

Octagonal outline in 15ct yellow gold, stepped to an oval panel set with a round cut blue sapphire. The steps enhanced with floral , foliate and rope decoration. Verso a glazed compartment.With original box.

$2500-3000 see colour illustration page 109 253

$450-550 244

Paperclip links with T bar and two clips. 41 .4g 430mm .

A Double Albert Chain Of 9ct Rose Gold With A Citrine Spinner Fob.

A Pair of Solitaire Fine White Princess Cut Diamond Earstuds Of A Little Over 1ct Each.

The diamonds, assessed as 1.07 and 1.08ct, E-G, 11 , are set in mounts of 1Bct yellow gold.Gemologist's report and valuation available on request.

A Double Albert Chain Of 9ct Yellow Gold.

$8000-9000 see colour illustration page 107

$300-400 245

A Pair Of Solitaire Diamond Earstuds Of Total Approximately 1.32ct.

The round modern brilliant cut diamonds assessed as G/I, 11 are set in coronet mounts of 14ct white gold.Gemologist's report and valuation available on request.

$350-550 243

A Good 19th Century Amethyst And Seed Pearl Bangle.

254

Figaro style curb links with T bar, two clips and citrine spinner fob in beaded frame. 365mm.

A Pair Of Drop Earrings Set With Blue Topaz And Diamonds.

The double step-cut rectangular blue topaz set within a foliate border of diamonds, suspended by three articulated diamond set chenier links from the stud. 1Bct white finished gold.

$300-400

$1000-1400 246

A Sterling Silver Buckle Bangle

Hallmarks for Chester 1952.

255

$50-80 247

A Two Strand Albertina Chain With Vari-Colour Gold Slides.

Herringbone link mesh chain with vari-colour gold terminals and two slides. With T bar and single clips. Tests approximately 9ct. 350mm.

$2500-3000 see colour illustration page 112 256

A Ring Set With A Blue Topaz And Diamonds.

The double step-cut rectangular blue topaz set in 1Bct white finished gold within a border of small round modern brilliant cut diamonds, the shoulders each enhanced with further diamonds in flowerheads.

$300-400 248

A Tanzanite and Diamond Ring.

The oval cut tanzanite set in a ring of 14ct yellow gold with two lines of 4 Princess cut diamonds at each shuulder.Gemologist's report and valuation available on request.

A Chann Bracelet.

9ct yellow gold curb links suspending 15 gold charms. 63g.

$1000-1400

$600-700 257 249

1Bct white finished gold, the flared crossover shank pave set with brilliant cut cognac coloured diamonds bordered by lines of white diamonds. TOW approximately 3.41ct.Gemologist's report and valuation available on request.

Curb links (tests approximately 15ct). 39.4g. $400-500 250

A Crossover Ring Set With Cognac And White Diamonds.

A Yellow Gold Bracelet.

An Amethyst and Seed Pearl Brooch.

$2750-3250 see colour illustration page 112

The rectangular cut amethyst with central gold and seed pearl inlay, set in a frame of yellow gold (tests approximately 9ct). 258 $250-350 see colour illustration page 107

A Foliate Spray Brooch Set With Diamonds.

The open spray of 1Bct white burnished and polished gold set with lines of round diamonds of mixed cut to suit the design.The diamonds, some 30 in all have an estimated TOW approximately 1.??ct.Gemologist's report and valuation available on request. $1750-2250 see colour illustration page 109

108

FINE JEWELLERY & WATCHES

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FINE JEWELLERY & WATCHES

109

259

260

A Line Bracelet Set With Aquamarines And Diamonds.

268

A Bracelet Set With Yellow Sapphires And Diamonds.

The 14 articulated links of 18ct white finished gold each set with a rectangular cut aquamarine and 5 small round modern brilliant cut diamonds.Gemologist's report and valuation available on request.

The line of 18 articulated links of 18ct white finished gold each set with an oval cut yellow sapphire and 4 diamonds in a butterfly motif.Gemologist's report and valuation available on request.

$2000-2400 see colour illustration page 112

$2250-2750 see colour illustration page 112

A Cross Pendant Set With Diamonds.

269

A Bangle Scatter Set With Diamonds.

18ct yellow gold, set with some 50 round modern brilliant cut diamonds having an estimated TOW approximately 1.26ct. Gemologist's report and valuation available on request.

The Latin cross of platinum channel set with 17 Princess cut diamonds having an approximate TOW 0.85ct. $1250-1500

$1000-1400 261

An Elegant Jade, Diamond And Pearl Necklace.

The woven black silk choker necklace with 18ct white gold fittings, enhanced with two detachable diamond set cuffs, suspends at mid section a pendant.The pendant comprises a jadeite plaque carved as a stylized bat, that is suspended by flexible diamond set links from a diamond set hinged bale, and in turn suspends by diamond set links, a large baroque South Seas cultured pearl.Gemologist's report and valuation available on request. $5000-6000 see colour illustration page 109 262

270

$1250-1500 271

$750-850

$20,000-25,000 see colour illustration page 109

A Pair Of Earstuds Set With Diamonds.

Circular outline in 18ct white gold, each set with a pair of baguettes within a border of brilliants. TOW approximately 0.50ct.

272

A Pair Of Pendant Earrings Set With Diamonds.

Designed as a line of five articulated 1Oct white and yellow gold graduated links forming a drop from the stud, each having a rub-over set brilliant cut diamond and a pair of baguette cut diamonds.

$5500-6500 see colour illustration page 112 273

$750-850 265

A Good Quality Eleven Stone Line Bracelet Of Traditional Design Set With Approximately 3.4ct Of Diamonds.

The line of engraved convex links of platinum with mid section of 11 box links, each set with a round modern brilliant cut diamond of around 0.30ct, assessed as G/H VS/SI.G3mologist's report and valuation available on request.

$700-800 264

A Ring Set With A Good Solitaire Diamond Of Approximately 2.62ct.

The round modern brilliant cut diamond assessed as G/H, Sl1 is set in a ring of 14ct white gold within a sunburst radial border of 14 tapered baguette cut diamonds.Gemologist's report and valuation available on request.

A Pair Of Cluster Diamond Earstuds.

Each set with four Princess cut diamonds in a square pattern in 18ct yellow gold. TOW approximately 0.59ct.

263

A Three Diamond Pendant.

The diamonds of similar size, approximately 0.25ct each (TOW 0.75ct approximately), assessed as G/H Sl1/2, good cut, are set in an elegant bar drop of 14ct white gold.Gemologist's report and valuation available on request.

A Necklace Set With Diamonds.

18ct white gold circular links to a mid section line and festoon of similar links, each collet set with a round modern brilliant cut diamond of good quality. The diamonds, some 101 in all, have an estimated TOW of 3.15ct.Gemologist's report and valuation available on request.

An Impressive Jade And Diamond Ring.

The oval cabochon of apple green natural jadeite set in 18ct white finished gold, the border and shoulders set with round modern brilliant cut diamonds.Jade report and Gemologist's report and valuation available on request.

$6750-7250 see colour illustration page 109

$2800-3400 274 266

A Striking Aquamarine And Diamond Ring.

The pendeloque cut aquamarine set in 18ct yellow gold, the under bezel pave set with diamonds, the shoulders and a second band that overlays the aquamarine b::md set with lines of diamonds.The diamonds all round modern brilliant cut of good quality. Gemologist's report and valuation available on request. $1400-1800 267

A Cocktail Ring Set With Diamonds And Sapphires.

Open fold-over design in 18ct white gold, the upper level pave set with round modern brilliant cut white diamonds, the lower level pave set with round cut blue sapphires.Gemologist's report and valuation available on request. $1250-1750

110

FINE JEWELLERY & WATCHES

A Bracelet Set With Diamonds.

Dainty serpentine links of 18ct yellow gold with tubular white gold spacers each collet set with a round modern brilliant cut diamond. $750-850 275

A Good Ruby And Diamond Bracelet.

Solid 18ct yellow gold curb links to a mid-section set with an oval cut ruby of fine quality bordered by mine-cut diamonds, with a further 3 diamonds on either side at the lugs. The lugs and cluster panel removable for use with an alternative brooch pin.A useful and versatile piece.Gemologist's report and valuation available on request. $3800-4800 see colour illustration page 107

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FINE JEWELLERY & WATCHES

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112

FINE JEWELLERY & WATCHES

276

277

A Stylish Pair of Earrings Pave Set With Princess Cut Diamonds.

283

Convex cushion outline in 1Bct white gold, each panel invisibly pave set with Princess cut diamonds, some 72 for the pair, having an approximate TOW of 2.25ct.Gemologist's report and valuation available on request.

The band of 1Bct white and yellow gold set with pairs of baguette and brilliant cut diamonds in an alternating sequence. TOW approximately 1.21 ct.Gemologist's report and valuation available on request.

S2750-3250 see colour illustration page 109

$1850-2250 see colour illustration page 111

A Ring Set With A Solitaire Diamond Of 0.50ct.

284

The round modern brilliant cut diamond rub-over set in a modern ring of 1Bct white and yellow gold. Sales certificate from Stewart Dawson's (2004) available on request.

$3700-4200 see colour illustration page 111

A Ring Set With A Solitaire Diamond Of Approximately 1.01ct.

The round modern brilliant cut diamond assessed as G/I, Sl1, is set in 1Bct white and yellow gold.Gemologist's report and valuation available on request.

285

An Impressive Three Stone Diamond Ring.

Centred by a round modern brilliant cut diamond of around 1.1 Oct with diamonds of around 0.50ct on either side, set in 1Bct white and yellow gold.Gemologist's report and valuation available on request.

$3400-3800 see colour illustration page 109 286

A Belle Epoque Period Diamond Set Panel And Matching Clasp.

The panel of oval outline in approximately 14 / 1Bct white and yellow gold enhanced with floral openwork and white enamel, set with 9 major old cut diamonds (0.49ct to 0.13ct) together with further old cut, senaille and pendeloque diamonds.The matching clasp similarly set and centred by an old cut diamond of around 0.52ct. TOW around 4ct. From the estate of a prominent Viennese family.

$3000-4000 see colour illustration page 109 287

A Tennis Style Line Bracelet Set With Approximately 4.5ct of Diamonds.

$1600-1800 288

282

A Pair Of Pendant Earrings Set With Diamonds.

The seven diamond flowerhead cluster at the stud suspending by articulated knife-edge as larger drop of similar design. 1Bct white gold.Gemologist's report and valuation available on request. $1250-1500

A Stylish Pair Of Diamond Earrings.

1Bct white gold open geometric motif in the manner of Cartier's 'wish knot' style, set with round modern brilliant cut diamonds and having detachable silk cord drops with black onyx bead finials.

Designed as a line of 35 'S' shaped links, graduated from the centre and each set with a round modern brilliant cut diamond. Gemologist's report and valuation available on request. $3500-4500 see colour illustration page 107

An Edwardian Diamond And Pearl Pendant.

Openwork foliate scroll design in platinum/yellow gold doublet set with senaille cut diamonds, one old cut diamond, and suspending a pearl drop.The trace chain of 14ct white gold having a spreader bar set with a further three diamonds.

$4000-5000 281

A Pair Of Diamond And South Seas Pearl Drop Earrings.

Each designed as an articulated line of 4 Marquise outline links falling from a pendeloque stud, all set with a shaped diamond to suit in 1Bct white gold, terminating in a 16 x 12mm pear shaped pearl drop with a diamond set cupola.Gemologist's report and valuation available on request.

$9500-10,500 see colour illustration page 111 280

A Stylish Ring Set With A Lattice Of Brilliant And Baguette Cut Diamonds.

The bridge of 1Bct white finished gold set with round modern brilliant cut diamonds and baguette cut diamonds in a line of square arrangements.Gemologist's report and valuation available on request.

$5800-6800 see colour illustration page 112 279

A Bangle Set With Diamonds.

Hinged design in 1Bct white gold, the upper section channel set with a row of round modern brilliant cut diamonds having an approximate TOW of 1.72ct.Gemologist's report and valuation available on request.

$2000-2400 278

An Attractive Ring Set With Brilliant And Baguette Cut Diamonds.

$1850-2250 289

A Fashionable Pair Of Cognac And White Diamond Earrings.

Tapered domed design in 1Bct white finished gold pave set with white diamond brilliants about an open mid line of pierced arches set with cognac coloured diamonds. TOW approximately 1.5ct. Gemologist's report and valuation available on request. S2500-3000 see colour illustration page 111

FINE JEWELLERY & WATCHES

11 3

290

A Ring Set With A Fine While Solitaire Diamond Of Approximately 0.90ct.

297

A Bracelet Set With Baguette Cut Diamonds Of Approximately 4.5cl Total.

The round modern brilliant cut diamond assessed as G+ (reported as E), SI2 is rub-over set in a ring of 1Sct white and yellow gold. Gemologist's report and valuation available on request.

The 20 convex links of 1Oct yellow gold each with two channel set rows of diamond baguettes, some 280 in all.Gemologist's report and valuation available on request.

$3250-3750

$2000-2500

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291

A Good Three Slone Diamond Ring.

298

A Bracelet Set With Approximately 7.5cl Of Diamonds.

Designed as an articulated line of 14ct yellow gold square links, each set with four round modern brilliant cut diamonds in a square pattern.Gemologist's report and valuation available on request.

$72,500-77,500 Not received in time for illustration, however only personal inspection could hope to do Justice to such an outstanding piece

298a

The round modern brilliant cut diamond of reported weight 1.13ct, assessed as G-H, 11 is set in platinum.Gemologist's report and valuation available on request. $4800-5400 293

$2750-3250 see colour illustration page 109 294

299

The round modern brilliant cut diamond with G.I.A. report stating it to be H, WS1 is set in a ring of 20ct yellow gold, raised above a ballerina border of fine quality tapered diamond baguettes. TOW approximately 3.53ct.Gemologist's report and valuation available on request.

295

300

$6500-7500 see colour illustration page 112

FINE JEWELLERY & WATCHES

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A Bracelet Set With Rubies And Diamonds.

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A Ruby And TWo Diamond Ring.

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The oval cut ruby of approximately 3.55ct is set in 14ct yellow gold with two brilliant cut shoulder diamonds of approximately 0.20ct each.Gemologist's report and valuation available on request.

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301

$10,0

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A Good Ruby And Diamond Cluster Ring.

The oval cut ruby of good colour and estimated to weigh 3.3ct is set in 1Bct white gold within a border of 14 round modern brilliant cut diamonds of good colour.Gemologist's report and valuation available on request. $7500-8500 V

302

r u_'trat n

A Necklace of Rubies and Diamonds With Matching Earrings.

A single strand of graduated faceted ruby beads suspends an enhancer/pendant of ribbon bow and drop design in 1Sct white finished gold set with some 118 round modern brilliant cut diamonds to 5 pendeloque polished ruby drops.The single drop earrings of matching design.Gemologist's report and valuation available on request. $2000-2500 see colour illustration page 111

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A Splendid And Highly Fashionable Necklace Of Black And While Diamonds.

Art Deco influenced design in 1Sct white gold. The necklace of slightly graduated round cut black diamond beads, with white diamond set rondel les at even intervals, suspends a pendantenhancer brooch of white gold ajoure, set with brilliant cut white diamonds, and briolette cut bla~k diamonds to a tassel fringe of white diamond set drops with black diamond finials.Black diamonds TOW approximately 30ct, white diamonds TOW approximately 2.28ct. With a matching pair of single drop pendant earrings. Gemologist's report and valuation available on request.

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$1000-1400 see colour illustration page 111

$2750-3750 296

0,95cl

$2400-2800 see colour illustration page 111

A Good Emerald And Diamond Pendant/Enhancer.

The hinged twin bale set with diamond baguettes to a pave diamond cuff below which is set a pendeloque cut emerald of good colour and clarity.Gemologist's report and valuation available on request.

&1XC

Designed as a line of articulated circlet, bar and oval links in 1Sct white finished gold. The circlets and bars set with brilliant cut diamonds, the ovals each set with an oval cut ruby.Gemologist's report and valuation available on request.

A Ring Set With A Solitaire Diamond Of 1.85cl.

$14,500-16,500 see colour illustration page 107

$3500

APair

A Magnificient 2. 70ct. Solitaire Diamond Graded "D"WS2. The round modern brilliant cut diamond, with Gemlab report stating that it was graded loose and assessed as: cut good+, colour D, clarity WS2, set in a ring of 1Bct white and yellow gold. An exceptionally rare opportunity to acquire a diamond of almost perfect quality that will appeal to the buyer for whom only the best will do.

A Ring Set With A Solitaire Diamond of 1.13ct.

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$5800-6800 see colour illustration page 107

$8250-9250 see colour illustration page 111 292

A Striking Yellow Sapphire And Diamond Cluster Ring.

The 12.6 x 9.5mm oval cut golden sapphire set in a ring of 1Sct yellow gold within a border of round modern brilliant cut diamonds, with further diamonds set in foliate motifs at the shoulders. Gemologist's report and valuation available on request.

The round modern brilliant cut diamonds centred by the longest stone are set in a traditional bridge of 1Sct white and yellow gold. The diamonds, weighed and assessed loose: 0.658ct I, SI2, VG; 0.758ct H, SI1, VG; 0.676ct I, SI2, VG. TOW 2.092ct.Gemologist's report and valuation available on request.

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A Bracelet Set With Rubies And Diamonds.

htwo channel set 1ologist'sreixxt

Designed as a line of crescent shaped bars of 18ct white gold set with round modern brilliant cut diamonds, joined by 6 pendeloque outline clusters of diamonds, each centred by a heart shaped ruby of rich colour.Gemologist's report and valuation available on request.

:luster Ring,

$3800-4200 see colour illustration page 111 A Ceylonese Blue Sapphire And Diamond Cluster Ring.

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304

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311

Approximately 1.2ct.

The round modern brilliant cut diamond assessed as G/H, Sl2, good make is suspended as a free-moving drop within a loop outline pendant of 18ct yellow gold.Gemologist's report and valuation available on request.

312

The cushion cut sapphire set in 1tlct white and yellow gold within a rectangular 'cut corner' border of round modern brilliant cut diamonds.Gemologist's report and valuation available on request.

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A Pair Of Solitaire Diamond Earstuds Of Approximately 0.95ct Total.

$1750-2000 313

$2500-2800

$6800-7400 see colour illustration page 109

A Ring Set With A Fine White Solitaire Princess Cut Diamond of Approximately 1.07ct.

The diamond, assessed as E/F, Sl2/11 , very good make is rub-over set in a ring of 18ct white and yellow gold.Gemologist's report and valuation available on request.

QllalinspectKXI

314

307

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308

$2750-3250 see colour illustration page 109 see following lot 316

A Bar Brooch Set With Diamonds.

$1500-2000 see colour illustration page 107

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310

A Heart Motif Line Bracelet Set With Diamonds.

Designed as a line of 26 18ct yellow gold puff heart links, each set with a round modern brilliant cut diamond.Gemologist's report and valuation available on request.

A Pendant Set With Diamonds.

Designed as a companion to the previous lot, 18ct white gold set with some 61 round modern brilliant cut diamonds having an estimated TOW of O.92ct. With trace 18ct white gold chain. Gemologist's report and valuation available on request.

$7500-8500 see colour illustration page 112 309

A Pair Of Chandelier Style Drop Earrings Set With Diamonds.

18ct white finished gold, articulated loop and lozenge panels with chain tassel drops, all set with brilliant cut diamonds. TOW approximately 1.84ct.Gemologist's report and valuation available on request.

A Ring Set With A Solitaire Diamond Of Approximately 2ct.

18ct yellow gold, designed as a line of 6 intersecting circles set with diamonds about a line of larger stones set at the centre of each circle.Gemologist's report and valuation available on request.

iendsan 1Bctw11ite ntcut )ngle drop valuation

315

$10,000-11,000 see colour illustration page 111

The round modern brilliant cut diamond set in a coronet mount of platinum.Gemologist's report and valuation available on request. eigh3.3ctis odem bnll~t valuatioo

$2500-3000 see colour illustration page 112

A Good Cluster Ring Centred By A Diamond Of Approximately 1.3ct, With Further Diamonds.

The central round modern brilliant cut diamond assessed as HVS1 is surrounded by ten smaller round modern brilliant cut diamonds of matching quality and estimated to be O.15ct each. TOW approximately 2.8Oct.Gemologist's report and valuation available on request.

A Five Stone Diamond Bridge Ring.

The round modern brilliant cut diamonds of matched size and estimated TOW of 2.OOct are set in a bridge of 14ct yellow gold. The diamonds of good cut are graded KIM Sl2/11.Gemologist's report and valuation available on request.

$5000-6000 see colour illustration page 112

lllin~in18ct irilliantcut Gemologist's

An Elegant Bangle Set With Diamonds.

Hinged design in 18ct white finished gold with the 5 separated bands of diamonds opening at varied intervals along their lengths. The diamonds, 177 in all, brilliant cut having an estimated TOW of 3.45ct.Gemologist's report and valuation available on request.

The good quality round modern brilliant cut diamonds set in platinum.Gemologist's report and valuation available on request.

306

$6750-7250 see colour illustration page 107 A Four Stone Diamond Ring.

The light champagne coloured round modern brilliant cut diamonds of similar size and estimated TOW 1.6Oct are set in a bridge of 14ct yellow gold.Gemologist's report and valuation available on request.

$3500-4000 see colour illustration page 111 305

A Pendant Set With A Good Quality Diamond Of

$1400-1600 317

A Pair Of Pendant Earrings Set With Diamonds. A pendeloque loop at the stud suspends another, within which is an articulated drop, and from which hang three tassel drops; 14ct white gold set with lines of round modern brilliant cut diamonds having an approximate TOW 2ct for the pair.Gemologist's report and valuation available on request. $1000-1400

$2500-3000

FINE JEWELLERY & WATCHES

115

Jll ARin!I 318

319

A Pair Of Earrings Set With Diamonds.

Designed as an alternating line of bar and demi-lune links of 14ct white gold, each bar channel set with 3 round modern brilliant cut diamonds; the demi-lune links each set with 2 side mounted diamonds. TOW approximately 1.95ct.Gemologist's report and valuation available on request.

''leliil,KJ

$700-800

$3000-3500 see colour illustration page 109

1Rin9~ ll!telY~

An Art Deco Period Ring Set With Diamonds. 326

$650-850 see colour illustration page 111 A Ring Set With A Solitaire Diamond Of Around 1.60ct.

$5000-6000

327

$7750-8750 see colour illustration page 107 328

A Fashionable Ruby And Diamond Heart Motif Pendant With Chain.

The pendant/enhancer of brushed 18ct yellow gold scatter set with round modern brilliant cut diamonds about a central oval cut ruby of good colour and estimated weight 1.40ct,suspended by beaded rope link chain of 18ct polished yellow gold.Gemologist's report and valuation available on request.

329

330

$14,500-16,500 see colour illustration page 112

!l! i19tliC ''l''.fl 125D-35

JI IBracel

•· -a

A Pair Of Diamond Cluster Earstuds.

A Pair Of Creole Style Earrings Set With Brilliant And Baguette Cut Diamonds.

18ct white finished gold, each set with a central line of baguette cut diamonds bordered by lines of brilliant cut diamonds. TOW approximately 1.0ct. Gemologist's report and valuation available on request.

An Impressive 3ct Cognac And White Diamond Cluster Ring.

The round modern brilliant cut cognac coloured diamond of stated weight 3.17ct is set in 18ct white gold within a border of round modern brilliant cut white diamonds of stated total 1.66ct. TOW 4.83ctGemologist's report and valuation available on request.

iJ4 AD~ntf

:~cfrj

$1250-1500

$1500-1800 see colour illustration page 111 324

11750-~

18ct yellow gold flat curb links to an 1.0. style central convex slotted plate with diamond set palmate finials, in which slide five rub-over set good quality round modern brilliant cut diamonds of approximately 0.1Oct each.Gemologist's report and valuation available on request.

Rectangular outline in 18ct yellow gold , each set with four round modern brilliant cut diamonds. TOW approximately 1.20ct for the pair.

A Dainty Art Deco Period Bracelet Set With Diamonds.

The central panel, designed as three intersecting circles in 18ct white and yellow gold doublet, enhanced with ajoure, and the tapered lugs all set with old cut and senaille cut diamonds to a two bar gatelink bracelet.Gemologist's report and valuation available on request.

A Bracelet Set With Five Moving Diamonds.

$1250-1500

$3000-4000 see colour illustration page 107 323

A Pendant Set With A Vivid Yellow Solitaire Diamond Of Approximately 2.09ct.

The round modern brilliant cut diamond assessed as colour enhanced, VS2, good make is set in a pendant of 18ct yellow gold suspended by an 18ct yellow gold snake link chain .Gemologist's report and valuation available on request.

The circular outline cluster centred by the largest stone, set in 18ct white and yellow gold. The diamonds, all round modern brilliant cut diamonds, having an approximate TOW of 1.6ct.Gemologist's report and valuation available on request.

322

131so-4i

$4750-5750 see colour illustration page 112

An Eleven Diamond Signet Style Cluster Ring.

$4750-5250 see colour illustration page 112

arlln

"'~

An Elegant Necklace Set With Diamonds.

Negligee style, the two strands of unequal length designed as lines of box links with square links at intervals all set with some 2.4ct of round modern brilliant cut diamonds to the upper section of polished square and burnished bar links.Gemologist's report and valuation available on request.

The early modern brilliant cut diamond assessed as light fancy (champagne) SI1 is set in 9ct white gold within a tapered swirl of small diamonds.Gemologist's report and valuation available on request.

321

o.¢.

A Line Bracelet Set With Diamonds.

Screw design in platinum, each set with a good quality round modern brilliant cut diamond of approximately 0.25ct at the stud together with a small baguette and a further small round modern brilliant cut diamond on the support bar.Gemologist's report and valuation available on request.

Lobed Marquise outline in 18ct yellow and white gold doublet, enhanced with ajoure and set with old cut and senaille cut diamonds

320

325

$1350-1550 see colour illustration page 112

·,-,je 1650-15

ll1 !Cross

·•,~·

t r·c i650-a!

lJI INectli

\'",

a0 ...w· ...::, 0

~".'.

IPaiD ~; .

:"]-

331

A Pair Of Drop Earrings Set With Diamonds.

The quatrefoil stud suspending , by articulated chenier link, a concentric double pendeloque drop; all set with round modern brilliant cut diamonds in 14ct white gold.Gemologist's report and valuation available on request. $600-700

S&00-11 IQ IPairO

1.lOctl

~- ._ f:' •;;,e

122110,;

116 FINE JEWELLERY & WATCHES

melinklo114c1 dembnlliant ! sidemoonted t'srel)0,'131111

332

A Ring Set With A Solitaire Diamond Of Approximately 0.88ct.

341

Each designed as two articulated concentric oval rings of diamonds, the inner most centred by an oval cut ruby, suspended by a line of three rub-over set diamonds from the stud. Gemologists report and valuation available on request. $3000-3500

The round modern brilliant cut diamond assessed as H, VS is set in a high profile mount of 18ct white gold below lines of round cut diamonds.Gemologist's report and valuation available on request. $3750-4750 333

A Ring Set With A Solitaire Oval Cut Diamond Of Approximately 0.50ct.

see colour illustration page 111

342

The diamond of good cut and assessed quality G/H, Sl2, is set in a rub-over mount of platinum. Gemologist's report and valuation available on request.

Jesignedasiines thsome2.4ct arsectionol st'sreportand

A Crossover Ring Of Contemporary Design.

Designed as two intersecting bands of 18ct white gold, set with approximately 0.46ct of round modern brilliant cut diamonds. $400-450

$1750-2000 343 334

A Dainty Victorian Five Stone Diamond Ring.

The bridge of 18ct yellow gold set with a line of round cut diamonds graduated from the centre stone. The centre stone round modern brilliant cut, the others old cut. Hallmarks for Birmingham 1892.

Diamond Of as colour IBctyeloogcld 1.Gemollljists

A Pair Of Ruby and Diamond Pendant Earrings

$350-450

335

A 19th Century Spray Brooch Set With Diamonds.

The foliate spray of silver set with senaille cut diamonds. Gold pin. $250-350 336

A Ring Set With A Champagne Coloured Diamond Solitaire Of Approximately 1.2ct.

The round modern brilliant cut diamond rub-over set in a ring of platinum.Gemologist's report and valuation available on request. $2000-2500 344

An Edwardian Pearl And Diamond Cluster Ring.

The pearl bordered by 10 old cut diamonds, with a further 2 diamonds at each shoulder. 18ct yellow gold.Gemologist's report and valuation available on request. $700-1000 see colour illustration page 111

A Bracelet Of Blue Zircons And Diamonds.

Designed as a line of articulated links of 9ct white gold alternately set with a round cut blue zircon, slightly graduated from the centre link, or two collet set round cut diamonds also graduated from the centre.Gemologist's report and valuation available on request.

ral convex hichslidefNe tdiamools 10dvalua001

$650-750 337

A Cross Pendant Set With Diamonds.

The Latin cross of 18ct yellow gold set with eleven round modern brilliant cut diamonds of approximately TOW 0.85ct. $650-850

ithlourround 1.2iltlOCthe 338

lian!And

$6000-8000 see colour illustration page 107

8of baguette

1onds TOW oonavailable

A Necklace Of South Seas Cultured Pearls.

The single row of round 15.3-11. 7mm white pearls secured with an oval clasp of 9ct yellow gold set with an oval black onyx cabochon bordered by pearls.Gemologist's report and valuation available on request.

339

A Pair Of Solitaire Diamond Earstuds.

The round modern brilliant cut diamonds of around 0.25ct, each are rub-over set in domed mounts of 18ct white and yellow gold. $600-700

ierrnk.a nd rnooern t'S re(Xil afKI

340

A Pair Of Solitaire Diamond Earstuds Of Approximately 1. 70ctTotal.

The round modern brilliant cut light champagne coloured diamonds set in 14ct yellow gold.Gemologist's report and valuation available on request. $2200-2600

FINE JEWELLERY & WATCHES

117

652

653

649

636

11 8

DECORATIVE ARTS

Decorative Arts

652

Day Three Thursday 22nd September 2005

5.30pm Lots

400 - 458 Objects de Vertu, Miscelley & Snuff Boxes

Lots

459 - 475 Miniatures

Lots

476 - 492 Glass

Lots

493 - 555 Silver

Lots

556 - 596 20th Century Ceramics

Lots

597 - 630 18th & 19th Century English Ceramics

Lots

631 - 646 18th & 19th Century Continental Ceramics

Lots

64 7 - 666 Worcester & Other Fine Porcelain

Lots

667 - 67 4 Clocks

Lots

675 - 699 Japanese Arts

Lots

700 - 742 Chinese Arts

Lots

743 - 796 Furniture & Decorator's Items

Viewing Times

636

Thursday

15 September

9.00am

5.15pm

Friday

16 September

9.00am

5.15pm

Saturday

17 September

11.00am

Sunday

18 September

3.00pm

11.00am

3.00pm

5.15pm

Monday

19 September

9.00am

Tuesday

20 September

9.00am

Wednesday

September

9.00am

1.00pm

Thursday

September

9.00am

12.00 noon

5.15pm

VIEWING TILL 12 NOON ONLY ON DAY OF SALE.

DECORATIVE' ARTS

119

fi'le

OBJECTS DE VERTU, MISCELLANY AND SNUFF BOXES 400

411

An Australian Silver Cane Top

413

414

415

416

406

417

$180-220 see colour illustration page 127 418

419

$280-320

409

420

A Pair of Ivory Skull Beads $50-100

410

A Miniature Doulton Lambeth Mug

with tavern and hunting scenes to the wal ls.H.42mm $80-120

DECORATIVE ARTS

seet 121

111 I

$5~

see l

Alo

421

$20 see AS!

w·:

probably a Black Forest souvenir. $80-120

A Pair of Scrimshaw Spenn Whale Teeth

.. $50 see

A 1920s Chinese Jade Brooch

circular, pierced with designs of reishi fungus, bats, lotus flowers and auspicious char~cters. 0.77mm

:I<'

$125-175 see illustration page 143

,S::

A Large Royal Anns Red Wax Seal,

in turned circular treen box; together with four black portrait seals in circular tin. $40-70

120

$80 see

$2500-3500 see illustration page 143

A North Country Treen Weavers Shuttle and spindle $300-500

A 19th Century Carved Wood Stamp Box

19th Century, one depicting a huntsman in 17th Century costume, the other a woman. Both images framed by flowers and pendant foliage. the ivory considerably yellowed by age. H.165mm

set with enamel shield plaque depicting a bowler, presentation engraved verso, dated 1931.

408

A 19th Century Chinese Silver and Enamel Box Mirror

with cloisonne enamel applied decoratio~ to the lid and sides. W.60mm

A Macabre Italian Lava Skull Pendant

A Sterling Silver Cricketing Medallion

0 AHO

$200-300

$80-120 407

A Chinese Jade Pendant with 14K Gold Mount

Carved as a ruyi sceptre and fruit.

modelled in the shape of a knife box, veneered in tortoiseshell, lined and fitted with ivory compartments, stamped Lund, London with two paper packets of needles. H.51 mm $800-1200 see colour illustration page 127

A Victorian Mother of Pearl Card Case

$100-150

$300-400 A Particularly Fine 19th Century Needle Case

$60(

with diamond shape veneering. AF. H.102mm

The tiki marked 9ct and initialled verso EAH, dated 15 .. 11.26, suspended from a bar link chain.

405

rtJ!

A Colonial 9 Carat Gold Sovereign Case

$400-500 see colour illustration page 127

A Nephrite Tiki Fob

A Gold Tiki On Gold Fob Chain

ArK

stamped to base. With hinged domed lid and attached chain ring. To accept approximately 15 Sovereigns. H.54mm

$200-300 404

A Victorian Wood and Brass Seal

$100-150 see colour illustration page 127

$100-150

Suspended from a plaited leather watch chain with gold plated mounts.

ASII

A Set of Georgian Pocket Guinea Scales

engraved with a monogrammed GAP within a triangle with leopards heads at the corners. H.90

Heavily foliate chased and engraved with the name: A Harding French 1881 Brisbane. H.57mm

403

t23

$400-500

$300-500 402

5170

folding in a mahogany box, automatically setting up on opening. Instructions for use and makers label. 'A Wilkinson, Ormskirk near Liverpool' affixed inside. L.135mm

A Victorian Stud Box

made from timbers of King's College Chapel roof of 1513. Capstan shaped, the press fit lid pierced about a monogram KCC. The origin of the oak timber stamped underneath . Velvet lined. W.126mm

engraved with a steeplechase vignette to the side. H.92mm W.54mm

412

$150-250 401

·.o

$100-150

A Georgian Period Etui

oval hinged lidded with blue velvet fitted interior enclosing a pair of small cut steel scissors and a mother of pearl handled awl. Other pieces absent. AF W110mm

A Victorian Equestrian's Cigar Case

~ iX.

$90

:le.H92mm

422

Five Arabian Silver Bangles

431

two pairs and one slender single

made from two pedicle sections of a stags antlers, lathe turned to make one the base the other the press fitting lid. The lid set with a small silver plaque engraved with initials. 0.75

$170-220 423

A Sterling Silver Vinaigrette

the hinged lid with rose border and trellis patterning. The interior gilt washed including the hand cut pierced grille

I up on openillJ

on, Orms~~

$400-600 see colour illustration page 127 432

$300-500 424

3/lglel'li~

A Huntsman's Snuff Box

as the previous lot, but without initials.

A Victorian Pull Along Toy Cow

with voice box moo activated by moving the head. Suede covered , mounted on wooden trolley with metal wheels. Glass eyed, natural horned. L.390mm

A Huntsman's Snuff Box

$400-600 see colour illustration page 127 433

A Turned Lignum Vitae Table Snuff Box

squat circular shape

$600-800

$100-200 425

A Horn Snuff Mui!

with horn lid mounted with silver hinge and cartouche engraved with monogram 1chedchainn1JJ

434

A Georgian Paper Snuff Box

The top set with a reverse painted glass inset panel depicting a woman in a landscape. The interior fitted with a mirror inside the lid.

$400-500 see colour illustration page 127

$180-220 426

An Early 19th Century Snuff Box

of elongated shell shape, wooden with integral hinge, gesso finished with hand coloured transfer decoration including a hound to the lid. Tartan patterned underneath, tin paper lined. W90mm

435

Dated 1708 inside the hinged lid, oval shaped, engraved all over with foliate scrolls. W100mm $180-220

$500-700 see colour illustration page 127 436

1unt 427

A Tortoiseshell Snuff Box

$150-200

$200-300 see colour illustration page 127

Jandsides

437 428

A Small Tunbridge Snuff Box

429

438

$700-900 see illustration page 127 439

$900-1500

A Highly Decorated Jewellery Casket

of embossed and etched gilt metal with inset panels resembling Sevres porcelain however of enamelled metal. The panels depicting summer flowers. Red velvet lined. W155mm

A Horn Table Snuff Box

with the arms of Sir Francis Drake to the lid. This early and rare example is one of four variants known of boxes so decorated by John Obrissent in 1712. Obrissent was the son of an ivory carver who emigrated from Dieppe to London. A similar box was displayed at the London museum and was detailed in Claire Le Cobellier's European and American Snuff Boxes 1730 -1830. This example is decorated with Drake's arms as well as the ships of his voyages. Slight damage to edge. W105

A Black Forest Wooden Boar

A Swiss-German Black Forest Caved Wood Boar by Peter Buri of Ringgenburg. The beast stands upon a rocky outcrop, stamped with the carver's name. Slight chips. H275mm

A Pressed Box Wood Snuff Box

$500-700 see colour illustration page 127 430

lotusllowe~

$125-200

the lid with horse, fallen rider and dog in relief underneath with a spirographic pressed pattern and medallion. The interior tortoiseshell linedW 100mm

,nturycoslume ; and pendanl 65mm

A Treen Snuff Box Carved as a Boot

decoratively studded with brass nails. The top slides to reveal the open cavity. W66mm

with rosewood walls and mahogany lining. Oblong shaped. W55mm $80-120 see colour illustration page 127

A Silver Snuff Box,

of rectangular section; embossed foliate exterior walls, the base marked 930, the lid of embossed figures in a landscape, marked 925. W21mm H.15mm L.72mm

of oblong shape, the lid decorated with metal wire inlays. Wear to corners and hinge loose. W95mm

Box Mirror

A Continental Brass Lidded Tobacco Box

$2500-3000 see illustration page 123 440

An Anglo-Indian Basket

octagonal with sloping walls, the fine grained timber frame set with parquetry designs in hardstone, bone and ebonyW220mm $200-300

<portranseals

DECORATIVE ARTS

121

782

122

DECORATIVE ARTS

795

769

768

777

DECORATIVE ARTS

123

441

Four South East Asian Small Jars

453

A Framed Late 18th Century Sampler,

by Hannah Maria Holloway, Oct. 20th 1796; alphabet letters and a proverb 'Learning is better than ... ' Some stitch wear. W.262, H.531mm

including a Sawankhalok lidded squat spherical jar and a Sukothai double gourd jarlet. AF. $100-200

$150

$240-300 442

Three South- East Asian Small Jars

including a celadon lug eared squat circular jarlet, a provincial sung underglaze blue floral decorated pot and a Thai treacle brown glazed ovoid, lug eared jar.

454

A Regency Mahogany Small Sarcophagus Tea Caddy,

A191

c·a

raised on brass bun feet.W.202mm

',a~

$150-200

$150

A Rare 19th Century Apothecary's Travelling Case,

An ij

$100-200 455 443

Four Provincial Chinese Porcelain Dishes

mahogany with hinged lid enclosing a fitted interior holding 14 bottles. A secured drawer in the base holds glass mortar and pestle, scales, etc. along with a tin container with old label for T. Hazeldine's Health Preserving Pills. The drawer and lid with inset folding brass handles. H.200mm

one a pale caladon shallow bowl , the others a piece of sung qingpai, a wine cup and a duck egg blue bowl. $100-200 444

Four South-East Asian or Provincial Chinese Boxes $100-200

445

456

A Greco-Roman Pottery Oil Lamp

Moulded to the top with a chariot scene, along with a small two handled cup.

1, ·j)

$300

$2,300-2,500

AnB

A Fine Old Mahogany Decanter Case,

":.

the deep hinged lid revealing an interior fitted with three glass decanters with gilt decoration to their shoulders, two tin caddies. Inside the lid a keyhole frame accepts two glasses. W.245mm

$3(( 167 AYN

$1400-1700

$100-200

12"1 457

448

447

Three Pieces of Meso-American Pottery

and a selection of pottery beads, one piece an anthromorphically modelled jar

a larger costumed monkey holding a dog. The dog's tail being held by a smaller monkey sitting on the larger's left shoulder. W.155mm H.220mm

$100-200

$120-150

Five lsnik Pottery Tiles

458

variously decorated, along with selection of miscellaneous jars.

$100-200 449

$1000-1250

Four lsnik Tiles

with majolica type glazed decoration of equestrian hawking.

An African Angolan Wedding Doll,

459

460

$250-325 461

of wood carved in relief with figurative and animal designs. 560x450mm

$400-500

A Framed Early 19th Century Sampler,

'Precept' verses and a prayer in black silks, with border panels and motifs including flowers. M. M. Young 1825. Fabric age distress. W.345mm H.442mm $240-300

An Early 19th Century Miniature Portrait

painted on ivory. The oblong image of a man portrayed with a self- satisfied air. Inscribed verso on mount 'Thomas Taylor'. Gilt metal matt and ebonised framed. Image 75x62mm

$200-400 452

An 18th Century Miniature Gennan Portrait

painted on ivory, oval image of a man with powdered wig , wearing a blue frock coat. Later gilt frame. Image 36x31 mm

$200-250 An Unusual African Dogon Tribe Granary Door

462

A Portrait Miniature in Russian Silver Frame

the oval image behind bevelled glass held within a blue enamelled and fol iate moulded easel frame. Marked with Russian makers mark and 88 zolotnik assay. Image 41 x32mm $250-350

124

DECORATIVE ARTS

169

An j

Cos!

e"..at

-:.

$50

$250-325

H.280mm

451

$5l1

An 18th Century Miniature Gennan Portrait

painted on ivory, oval image of a woman with ribbon bedecked bonnet. Later gilt frame. Image 36x31 mm

$2000-2250 An African Hemba/Bembe Carved Wood Male Figure

ARI

rc:ss

MINIATURES

circa 1950; decorated with beads and bells, sewn onto bark cloth. H.500mm

450

$31X

A Rare Pre-Columbian Colima Terra Cotta Dog,

standing on all fours with tail raised. Incised facial detail. Produced as funerary offerings , Circa 1OOBC-250AD

$100-200 448

A South Indian Bronze Monkey Deity,

·c3 $60

AP1 u· ~

IT':" $50 AM

,a :a$15

Jhabet letteisano,

463

A 19th Century Portrait Miniature

473

of a man, painted on paper, inscribed indistinctly verso. Oval image with convex glazing, gilt metal mount and ebonised papier mache frame Image: 72x56mm

1wear.W262

An Italian Porcelain Miniature

after a renaissance fresco depicting a saint in ascension. Oval in giltwood easel frame. Image: 75x55mm $150-250

$150-250

ISTea Caddy,

474 464

A 19th Century Portrait Miniature on Ivory

mounted in rectangular ivorine and pierced gilt frame; 20th Century. Glass cover broken. W.180mm L.200mm

of a young man in a black frock coat (cracked). Oval image in gilt frame, glazed at the back as well. 70x52mm

$60-100

$150-200

ling Case,

inor holding 14 ss mortar and ith oldlabelfffiand lid with inset

475 465

An Edwardian Portrait Miniature of a Man

466

$60-100 475A

wearing a white lace bonnet. Oblong image in giltmetal easel frame. Image 68x52mm log's tail being left shoulder

468

1Dog,

469

A Regency Portrait Miniature of a Woman 477

$300-400 see illustration page 127

An 18th Century Miniature Portrait of a Man in Military Costume

A Portrait Painting

478

$100-200 479

A Portrait Miniature by Henry Farrar

$150-200 see illustration page 127 480

me I ablue enamelled ussian makeffi

$250-350 see illustration page 127

$500-600 472

A Miniature Portrait Painted on Porcelain

A Pair of Regency Rummers

with fluted facet cut bell bowls raised on annular knopped stems from domed feet. H.119mm

of Lady Hamilton copied from Ramsey's oil painting. Oblong image mounted and convex glazed but unframed. 90x75mm rtrayed witha mas Tafl)'-~1 nm

A George Ill Wine Glass

with single knopped stem supporting a simple bucket bowl, from a domed circular, folded edge. H.130mm

$600-800 471

A George Ill Wine Glass

Conical bowled on solid stem raised from domed circular foot. H.185mm

in plaster gilt moulded frame. Initialled RHG. Annotated with various inscriptions verso regarding the sitter who died aged 42 in 1839. Image :180x135mm

A Pair of George Ill Wine Glasses

with facetted, knopped stems and conforming bucket shaped bowls raised from domed angular feet. H.140

$500-750 470

A Georgian Cut Glass Basket On Stand

oval shaped with fan castellated rim. AF H.120mm

$500-600

Jered l'ig. \\Wll'l mm

476

$250-350 see illustration page 127

possibly German, he is portrayed wearing a green jacket with epaulettes, a Maltese cross decoration pinned to the cream lapel. Initialled E.P. Foliate moulded gilt metal frame surmounted by a ribbon pediment. Image: 59x49mm )boll bedociell

GLASS

$300-400

portrayed with her hair tied back with a scarf wearing a pearl necklace and dress with lace trimmed collar. Engraved gilt metal framed. Image: 90x75mm ial detai '50AD

$700-900

$300-400 A Victorian Portrait Miniature of a Lady

A 19th Century Miniature Portrait of a Man

Oval image in gilt metal mount with suspension longer. Image 70x59mm

An Edwardian Portrait Miniature of a Woman

framed and cased as above.

467

A Portrait Miniature,

painted on oval ivory panel, of a woman after Gainsborough. Rectangular purple velvet easel frame

in blue leather covered display case. Oval gilt framed. The blue velvet and satin lined case with an easel leg at the back to stand it up. Image: 85x68mm $300-400

n1h llireeglas, ;, twolncadile; ,es W245mm

An Oval Shaped Miniature Portrait,

481

A Regency Rummer

oval, of a woman with red gown. Framed in an ornate giltwood carved frame. Image: 45x35mm

with facet cut bowl on squat knopped stem and heavy foot with ground pontil. H132mm

$150-250

$180-220 see illustration page 127

DECORATIVE ARTS

125

126

DECORATIVE ARTS

510

509 517

700

567

479

789

744

579

632

477

482

580

476

632

480

481

565

561

560

566

559

558

556

557 DECORATIVE ARTS

127

A$telfiil

482

A Regency Rummer

with facet cut bucket bowl raised on a short stem with annular knop from a circular domed foot with ground pontil. H.152mm

SILVER 493

$180-220

London 1797 by William Hall. In the Adam style, chased with a fruiting vine rim applied flower and hop swags and a cartouche of amorini in a mastiff drawn carriage. Raised on a circular spreading foot with fan fluting and laurel leaf and berry border. The lid with scale ground border, stiff leaves rising to a bud- like finial. The arching handles capped and cased with acanthus leaves. Original gilt finish. Weight 2575 gm (90oz) H.450mm

see illustration page 127

483

A Georgian Glass Decanter

mallet bodied, etched , patterned, stopper absent. H230mm $60-80 484

A Magnificent George Ill Silver Gilt Urn and Cover

A Set of Four Early Victorian Wine glasses

.+\111~

~lt

Ill 1n~N ~~~

st«'l

!250-35

$16000-20000

with green bowls and clear stems and feet. H132mm

AYJcinri

see illustration page 118

rrei:oo-

$220-260 494 485

A 19th Century Bohemian Glass Tumbler

etched with a scene of a huntsman, hound and game birds in a wooded landscape. Press moulded patterned foot. $150-220

A Good Weighty George II Sterling Silver Salver

werqa

London 1753 by William Peaston. Piecrust rimmed with shell and scroll border, raised on three pad feet. Clearly hallmarked on underside, along with engraved monogram 'H' over 'H * A' and affixed BADA sticker. 0.290mm

!220'25 A191hl ;,J)Se'

$3500-4000 486

A Sterling Silver Rimmed Oil and Vinegar Bottle Combination

495

by Mappin and Webb, London, 1899. Biggen shaped, raised on four pad feet. with serpentine rimmed top, domed hinged lid, boxwood handle and finial.H.220mm

the two wrythen moulded flasks united at their crossed necks. Birmingham 19005 marks. $110-150 487

A Victorian Sterling Silver Coffee Pot

I IStri ~i

$350-450

a;a;are a'.rrek

A Victorian Sterling Silver Framed Easel Mirror

!200-Z

An Orrefors 'Graal' Vase by Eva Englund

Spherical with flaring neck, decorated with cased cameo wrythen banded and foliate pattern in an inky blue body. Etched factory marks and signature. H.110mm

496

The pierced embossed frame with cherubs amongst scrolls and foliage laid over velvet ground, framing a bevel edge glass. H.310 W254

$100-200

:c!alc'I

II li'd11

$700-900 488

A Weighty and Sizeable Webb Corbett Crystal Vase

ovoid bodied, cut with a wavy fresnel design interspersed by circular concave rondels. Etched factory mark. H300mm

497

with short spike rondels. London 1852. Makers mark C.W.

A Pair of Crystal Goblets

mo-1

$1000-1500

$300-400 489

A Pair of Victorian Sterling Silver Spurs

498

An Egyptian Silver Salver

•

circular, piecrust rimmed, ribbon and flower border. D.210mm

with facetted bowls, three panels cut with grapes and leaves, multiple knopped stems, high domed feet.

$350-400

$100-200 499 490

A Georgian Jelly Glass,

A Sterling Silver Tea Caddy

of octagonal lozenge section with conforming press fit lid to use as a measure. Birmingham 1901 by Dean & Francis Ltd. H.95mm

c.1800. Short, broad conical bowled raised on a high domed foot. H.65mm 500

492

A Regency Square Foot Wine Glass,

A Sterling Silver Tea Caddy

with facetted conical bowl. AF Chip

of cylindrical shape with conforming measure as a press fitting lid. Chester 1914 by WM Hutton & Sons Ltd. H.105mm 0.70mm

$40-60

$200-300

A Late Georgian Jelly Glass,

petal moulded, c.1800. $40-60

•

Ill Eft

$200-300

$45-65 491

ln!Q

501

!250-1 Sletii

hi IS!al ,ll'

A Pair of Sterling Silver Bon Bon Dishes

$35&,

circular with pierced walls and rims moulded with roses. 0.105mm

Sle

ht lPa,

$250-350

$200, Sle

128

DECORATIVE ARTS

502

512

with tortoiseshell pique a jour work to the hinged lid. The capstan shaped body with a cast foliate scroll rim . Birmingham 1924 by H Matthews. 0.114mm

and Cover Ile, chasedwnha sandacartlll;OOO: 1aarcular and berry l'clder 1sing!oa1Jud. \e wilhacan!hus

A Sterling Silver Inkwell

London 1812 by Thomas Wallis and Jonathan Hayne. Old English Pattern. Monogrammed 'H' $225-300 see illustration page 143

$400-500

503

An Art Nouveau Sterling Pin Dish

513

$225-300 see illustration page 143

$250-350 504

1med wnh slie,1 a"d hallmarkedoo over'H• A'aro 505

A Victorian Sterling Silver Inkwell

506

1011gstscm~a10 edgeglass.H.3I0

$220-250

$150-250 see illustration page 143

A 19th Century French Folding Silver Spoon and Fork

,marHW

$350-450 A Sterling Silver Gravy Boat

$125-200 516

A Victorian Sterling Silver Goblet

$500-800 see illusration page 127 517

An Edwardian Silver Teapot

$400-475 509

$100-150 see illustration page 127 518

rancislldH~-

$250-300 see colour illustration page 127 510

asa pressfitTiriJli smm 071)1111

$140-200 see illustration page 143 519

$200-250 see illustration page 127

Georgian style, octagonal shaped with quatrefoil and comma pierced top. Birmingham 1936 by Barker Bros. H157mm

511

A Victorian Sterling Christening Mug

by J,E,W & J Barnard, London 1871. Tapering cylindrical shape with foliate engraving and a vacant oval cartouche. H.8Dmm

A Sterling Silver Sugar Castor

$350-400 see colour illustration page 127

A Sterling Silver Cake Slice

with ivory handle. Sheffield 1924 by Mappin & Webb.

An Edwardian Silver Sugar Castor

Georgian style baluster vase shaped with diaper patterned top. London 191 D

iress fit lid to use

A Pair of Victorian Scottish Sterling Silver Sugar Tongs

Glasgow 1852 by John Muir jnr. Albert pattern with anthemion scroll decorated bowls

Sheffield 1919 by Aitkin Bros. Oblong section, foliate engraved. ebony handled.

ider 0.2I1xnif

A Silvered Metal Chalice

of highly ornamented design, hexagonal lobed baluster shape raised on a stem moulded with ram's head masks issuing from a tripod foot cast with lowly creatures. The body with bas relief cartouches depicting six scenes from classical mythology to the rim and six lower on the body with cherubs beneath virtuous mottos. H.23Dmm

$120-180 508

A Pair of Victorian Fish Servers

with silver plated blade pierced with a dolphin and scallop amongst scrolls. The handles of ivory etched with garter crest engraved 'Deus Providerbit' (God will provide) and monogrammed 'T'

London 1873 by JN Mappin & GWebb. Plain conical bowled raised on a slender stem with beaded annular knop from a spreading circular foot again bead eyed. The bowl foliate engraved. H.135mm

jroses

515

$200-250 see colour illustration page 127 507

A William IV Sterling Silver Fish Slice

London 1835 by James Hobbs. Fiddle pattern, the blade decoratively pierced. Monogrammed JJM

Sheffield 1930 by Walker and Hall. Classical boat shape raised on a square foot by a short pedestal. The rim and foot decorated with a Greek key fret.

IMirror

514

The oblong glass body with hinged silver lid with leather seal. The top engraved with a vacant, garter framed, cartouche. W.84mm

each set fiddle and thread pattern piece hinged on the stem with a sprung steel hinge. Assay marks. Circa 1838. ,haped.raisroCI' led hmged ~-

A Victorian Sterling Silver Soup Ladle.

London 1851 by George Angel. Fiddle and thread pattern. Crested with an eagle's head erased.

Birmingham 1904. The rim moulded with a woman's head with swirling hair and repeating shield bosses with whiplash stemmed tulips. W.86mm

r Salver

A George Ill Sterling Silver Pie Spoon

520

A Victorian Sterling Christening Mug

A Pair of Edwardian Sterling Silver Salad Servers

London 1866 by Robert Harper. Tapering cylindrical shape with beaded edges. Engraved with classical borders, monogrammed EKL and named to Julian. H. 75mm

London 1904. Maker's mark GJ over OF. The handles decorated with scroll patterned finials, the fork's bowl pierced.

$200-250 see illustration page 127

$200-275 see illustration page 143

DECORATIVE ARTS

129

ill ASbl 521

A Georgian Style Mustard Pot

531

of small proportion . Cylindrical dome lidded, pierced rimmed, blue glass lined (faulted). Birmingham 1915 $100-140 522

A Silver Plate Biscuit Barrel or Humidor,

'M~

with hinged lid, decorated with encircling key motif and diaper pattern; reeded oval base rim, beading at the upper rim. H.125mm

5100,

~us

1\No Chambersticks,

~00,

A Georgian Sterling Milk Jug

Helmet shaped with patterned frieze and wreath framed cartouche. Newcastle, circa 1830 by Thomas Watson (lacking date letter) H.103mm

532

one of Sheffield plate with beaded borders and armorial; the other of silver plate with gadrooned borders; each with its conical extinguisher held on a lug.

$375-450 see colour illustration page 127

.~~

$50-75

Ml AMet ,a@'.!

$120-160 $26-4

523

A Victorian Sterling Christening Mug

533

The ball footed oblong tray decorated with embossed foliate border; the ink bottle of faceted glass with silver hinged cover. Birmingham 1895. Maker GEF. W. 102mm

Birmingham 1873, by Hilliard & Thomason. Cylindrical raised from a reduced foot and short stem. Engraved with arching ferns splaying across the mug and forming a cartouche area for engraving. H.82mm $150-225 see colour illustration page 127 524

534

535

$125-175 525

·ree, $30-l

Three Sterling Silver Dressing Table Items,

II H,as :3;"0

an oval glass box with silver lid, Birmingham 1907; together with two silver pin dishes, Birmingham 1905 and 1903.

'.)l;)'l

$150-200

A Georgian Cruet Frame;

''\Iii~

111

boat shaped, London 1800, AF; together with two silvered decanter labels, Sherry and Brandy. W.155mm

A Sterling Salver

Birmingham 1935 by Barker Bros Ltd. Square shape with serpentine outline, piecrust rimmed, raised on four pad feet marked with commemorative duty mark for George's and Mary's silver jubilee. W.160mm

II f«i!\

$160-200

A Edwardian Sterling Christening Mug

Birmingham 1902, by William Devonport. Hand engraved with arching ribbons and foliate designs. The handle with arcanthus capping. H.75mm

A Victorian Sterling Silver Ink Stand,

'-OJei "'!•..

$150-200 536

A Sterling Silver Statue of Nonnan Kirk (P.M. 1972-74)

Modelled walking holding the hand of a young Maori boy. Labelled with details of limited edition.

$900-1100

$200-

II Hai £

$300-500 526 527

$40-60 538

An Edwardian Sterling Silver Salver

539

530

A Pair Gorham Sterling Silver 1\No Branched Candelabra,

Five Assorted Small Spoons,

with central candle holder, the swirling branches reeded, construction of "Fit together Come Apart Sections" to make other candlesticks. Foil sticker on each base. H.290mm

including some sterling; various marks and makers.

$200-300

$15-20

540

A Gump's Sterling Silver P. Revere Reproduction Caster,

pear shaped with :noulded rib encircling the widest part, set on a moulded foot, circle and dot piercing. H.185mm

A Georgian Period Kings Pattern Egg Spoon,

double-struck, maker I.B., monogrammed, the bowl with traces of gilding. L.127mm $50-75

$900-1200

$1100-1400 529

An Edwardian Salver by Martin Hall, circular, piecrust rimmed with husk and floral scroll border. Monogrammed GCT and engraved "From His Friends of the Wellesley Club, April 19th 1910." Maker's mark RM(over)EH, Sheffield 1909. Weight 1340gms. 0.385mm

$1800-2200

Birmingham 1910. Circular with the rim moulded with flowers and scrolling ribbon work. The centre delicately engraved with arcanthus leaves, scallop shells and trellis cartouches. 0252mm

A Sterling Silver Napkin Ring

II IR11$

A Sterling Silver Salver

Sheffield 1934 by Walker & Hall, piecrust rimmed raised on three arcanthus feet. Presentation engraved inscription to the centre. 0312mm

528

mo-

No lot 537

ASet

$180-220 541

:ar'T'i

moo 11 Anns

'uc, ~

:r~ 5200-l

Ill ASil!e

A Victorian Sterling Silver Handled Steel Bladed Carving Knife,

oltee

indistinct hallmark - could be London 1866. Maker GH. L.330mm

Sit!~

$20-40

E~.,

$200,3 130

DECORATIVE ARTS

1idor,

key ITIObf aajdlpil the UpPernm.

542

A Sheffield Plate Sauce Ladle,

553

fiddle pattern with engraved initials. L.190mm

A Sterling Silver Pap Boat

of typical oval shape with distended lip. Indistinctly hallmarked circa 1810. W.102mm

$100-120

$400-600 543

A Silver Plated Blggin Coffee Pot,

Baluster shape on domed circular foot, ebony handled

,andilIT001aJn-e., ;Ii l'lith rts an.; 544

545

A Russian Silver Beaker

$100-200

Moscow 1893 hallmarks. Engraved with a cottage fascia framed cartouche and leafy patterns.

A Mennod & Jaccard Spoon,

$150-200

raised foliate decoration spilling into the bowl. Marked Sterling. L.144mm em~,~~le siwerhingedoo.ir.

554

555

A Norwegian Silver Salt Cellar and Pepperette

$20-40

the former modelled as a Norse longboat, the later as a drinking horn.

Four Victorian Fiddle Pattern Teaspoons,

$300-400

three London 1849, '53, '59, one Exeter, 1856

546

$30-30

20th CENTURY CERAMICS

A Cased Set of Four Dutch Silver GiH Apostle Spoons,

556

Each of a good weight, cast handles with peacock and flower decoration below barley twist stems; terminating with Apostle finials. Hallmarked, c.1900; fitted satin and velvet case.

TI 1007:l(9€uff -

d1003.

with horizontal bands lathe turned to the body. Shape 3805. Wedgwood backstamp applied twice. Circa 1940. H.290mm $3000-3500 see illustration page 127

$450-600

thl\\U~wered nm

tll(P.M.1972-14)

547

546

ng Maoo OJf. latt 1:

A Set of Six 19th Century Russian Teaspoons,

557

with lathe turned horizontal bands to the exterior. KM Wedgwood stamp to the base. Shape 3805. Circa 1940. H.290mm

$200-250

$2400-2600 see illustration page 127

A Pair of Russian Silver Table Knives, 558

A Russian Knife and Fork Set,

embossed silver handles decorated with foliate motifs, the blade of sickle form terminating into three prongs; gilded over a base metal. Russian marks, 84. L.190mm

3rkRM(111W8i,

550

551

'O(luctiotl caster,

' Bladed car\'inl ~kerGHL~

560

552

$3000-3500 see illustration page 127 561

$200-300

A Rare Basalt Keith Murray Beaker Vase

with five chevroned incised bands to exterior. Printed Wedgwood facsimile signature to base, along with impressed factory marks. Shape 3888. Circa 1940. H.105mm $2000-3000 see illustration page 127

A Silver Gilt Replica of Coronation Annointing Spoon

Birmingham 1952 by Deakin and Francis Ltd. The original spoon has been used in coronation ceremonies of the British Monarchy since the 12th Century. This replica dates to the crowning of Elizabeth II.

A Matt Green Keith Murray Squat Shoulder Vase

Wedgwood KM stamp to base .Shape 3820. Circa 1940. H180mm

$200-300

~des! jllrt sel iJI a m

$1500-2000 see illustration page 127

An Irish Sterling Silver Anointing Spoon

Dublin 1877. Makers mark JS, possibly John Smyth. the hammer finished oval bowl on an ornately worked handle surmounted by an apparent rabbinical figure.

A Duck Egg Blue Keith Murray Squat Shoulder Vase

Wedgwood KM stamp to base. Shape 3820 . Circa 1940. Small fault to rim restored. H.180mm

$1000-1250

,es reeded, Jmm

559

A 19th Century Silver Apostle Spoon

apparently Dutch silver, bearing indecipherable assay marks to the back of the bowl. The stem decoratively worked and surmounted by the obligatory figure of a saint. The bowl marked with a Dutch tax mark post 1814.

,ched candelabra, ions'!orrokeoll'I!

$2400-2600 see illustration page 127

$100-120

:Fneoos~ioo

A Moonstone Keith Murray Shoulder Vase

with lathe turned horizontal bands to the exterior Facsimile signature to base and Wedgwood stamp. Shape 3805 variant. Circa 1940. Small factory flaw to foot ring. H.290mm

$150-200

lro-~IIKIOOI-

A Moonstone Keith Murray Shoulder Vase

fiddle pattern, stamped foliate design, overworked. 84 zolotniks, maker's marks, 1886. L.130mm

each with a curved gilded blade, one terminating in three prongs. marked 84 zolotniks, along with maker's initials. Pt. L.190mm

548

A Duck Egg Blue Keith Murray Shoulder Vase

562

A White Keith Murray Shoulder Vase

Wedgwood KM stamped to the base. Lathe turned body. Shape 3805. Circa 1940. H.290mm $1800-2800 DECORATIVE ARTS

131

563

A Moonstone Keith Murray Spherical Vase

574

A Maling Lustre Sugar Bowl decorated with two galleons under sail and seabirds on a blue iridescent ground. A border of stylised dolphins inside the rim.

Shape 3765, lathe turned KM/ Wedgwood backstamp. H180mm $1600-2000

$80-120 564

with signature stamped to base. Overall crazing to exterior. Shape 3801. Circa 1940. H.160mm

575

A Moonstone Keith Murray Grenade Vase

566

576

577

578

579

A Jim Grieg Leaf Shaped Pottery Dish

$200-300

!89 ~

A Carlton Ware Mikado Pattern Vase

Al :J $3( AP

580

A Clarice Cliff Gravy Jug

$8(

A Pottery Teapot by Mirik Smisek

$450-550 see illustration page 127

581

A Grimwades Pink Lustre 'Maori Ware' Soup Bowl, featuring the 'Te Hongi' design. D.230mm

A DouHon Lambeth Kia Ora Jardiniere 582

$80-120

$30

A Poland China Cup and Two Saucers,

AW;

$2400-2800

blossom decoration on apple green ground; together with a gilded cup and saucer on green ground with another matching smaller cup.

A Fielding's Devon Lustrine Vase

$60-80

ovoid with a small trumpet neck, decorated in bright enamels and gilt with four butterflies on a petrol blue iridescent ground. Printed factory backstamp.

583

A Grimwades Maori Ware Bowl decorated with a scene of women cooking in a steam pit, entitled 'Maori Kitchen ' $120-180

!SI

$50-70 584

A Pilkington's Royal Lancastrian Monochrome Shoulder Vase, turquoise glazed with subtle riven surface effect. Impressed factory marks and 2555. H.260mm $180-220

DECORATIVE ARTS

$le

A Belleek Sugar Basin, moulded fluted walls. Sepia mark. H.50mm D.98mm

$250-350

132

painted with the Trees and House pattern. Orange colour way. Fantasque backstamp.

Circa 1925. Applied with typical Maori motifs and symbols in brown and green with a sponge blue cobalt band above. Deep cobalt at the base. H.1 ?0mm

573

A Moorcroft Vase

$500-600 see illustration page 127

$125-150

572

588

$250-350

spherical with cane loop handle. Speckled olive glazed. Along with three coffee mugs by Smisek. Impressed edelweiss cipher to each

571

An Amphora Two Handled Vase

A Jim Grieg Leaf Shaped Pottery Dish with thickened lip edge. W265mm

570

W&R backstamped, ovoid vase with dished mouth. The body painted in bright enamels with chinoiserie vignettes and motifs on a matt black ground. A gilded patterned orange-red border at the rim is further patterned similarly. H.150mm

with thickened edge to one lip. Small rim chip. W.260mm

569

$50-80

$1600-2000

$2000-2500 see colour illustration page 126 568

inverse baluster shape, decorated with anemones encircling the shoulder on a graduated green -blue ground. Painted initials and facsimile signature along with factory marks. H.260mm

A Very Good Sculptural Jim Grieg Pottery Vase of multi- angular shouldered shape with ash-like glaze .. W.310mm

'The Artful Dodger'. AF.H 120mm

$125-175

$600-800 see illustration page 127 567

A Royal Doulton Dickensware Vase

decorated in cloisonne like effects with roses on a mottled ground. Print factory mark.

A Moonstone Keith Murray Fruit Bowl with lathe turned bands to the base and rim. Wedgwood/KM stamp to base . Shape 3806. Circa 1940. Some discoloured spots to interior. D.265mm

$150-250

with eight horizontal bands to exterior. Shape 3801. Circa 1940. H.160mm $800-1000 see illustration page 127

A Maling Oblong Cake Plate and Five Side Plates decorated with a landscape in a moonlit landscape on an iridescent blue background

$600-800 see illustration page 127 565

586

A Green Keith Murray Grenade Vase

$170

585

,eabirdsooa~ue isinside~fil.

A 19th Century Stoneware Copper Lustre Jug

595

H.94mm

A Royal Daulton Stoneware Kia Ora Jug

Squat circular shape with applied Maori borders and tiki head motifs in green on the natural brown ground. H.120mm

$30-50

$700-800

,ide Plates

586

A Porcelain Meiping Shape Vase

decorated with a printed design of Buddhist lion dogs on a cloud ground, hand coloured with pastel enamels and gilded to the background. Faux Chinese seal mark under the foot.

3Cape on an

596

decorated with the uncommon 'Sunrise; pattern in a celadon green and orange colour way. The encircling pattern is painted between bands of solid orange above, yellow and green below. Printed 'Fantasque' backstamp. H.285mm

$150-250 587

A Shelley Golfing Biscuit Box

of oblong section. The flaring walls and the lid decorated with golfing caricatures. AF.

A Clarice Cliff Lotus Jug

$4000-5000

18th & 19th CENTURY ENGLISH CERAMICS

$300-500 597

ooarnowoo

588

A Pilkington's Royal Lancastrian Vase,

decorated with moulded flowers and rope work arches framing stiff leaves. Crack to side and chip to base. 19th Century. H.240mm

cylindrical with inverted mouth and small foot ring. Red-orange glazed with underglaze painted Persian inspired foliate panels encircling the body. Impressed factory marks and 3034. Brushpoint monogram of William S. Mycock. H.155mm neseoorciir1,111le Jainted inilalsan1 1260mm

$250-350 589

A Majolica Cheese Dome

$400-600 598

A Georgian Miles Mason Teapot

Oblong 'silver' shape decorated with chinoiserie print and borders. Faux Chinese seal mark underneath. Circa 1800-1816 H.160mm

A Clarice Cliff Delecia Salad Bowl,

squat circular form decorated in bright rainbow dribbles. Silver plate rim collar. H.84mm D.210mm

$220-300 see colour illustration page 126

$160-200 IUlh. The lxxlf

599 590

ettes and rooti:Soo i-red l»'deratllle

591

A Plichta Pig Figurine,

painted with shamrock leaves. Plichta London backstamp, with Eunice Chick Gift Shoppe foil sticker. H.130mm L.225mm

with novelty inscriptions printed to the interior and exterior, along with gawping frog modelled to the interior wall. Both handles restored. H.135mm

$300-400

$600-800

A Plichta Piglet,

600

painted with green shamrock leaves. Base marked Plichta. H.62mm L.110mm

A Staffordshire Cow Creamer

decorated with sponged yellow and black in the manner of Felix Pratt. Modelled with a maid milking seated beside. Considerably faulted. 19th Century. H.135mm

$80-120

Ige colourwai.

An Early 19th Century Chamber Pot

$400-600 592

A Walter Moorcroft Anemone Vase,

of squat ovoid form, encircled by flower heads and leaves, the lower body deep midnight blue, the neck and shoulder mottled blue-green. Painted signature partly obscured by printed paper Royal Warrant label. Rim glaze frit and hairline. H.125mm

oup Bowl,

601

Probably Coalport with gadrooned moulded rim and body moulded with summer flowers, painted in polychrome enamels with flowers. Handle faulted. H.175mm

$300-350 593

ether with aQi~ natchingsmaller

594

srnrn

rome Shoulder

A Walter Moorcroft Vase,

A 19th Century Bone China Milk Jug

$200-300 602

A 19th Century Majolica Jug

African Lily pattern encircling the ovoid shape, on a pale bluegreen ground. Impressed marks and blue painted Walter Moorcroft initials, c.1953. H.160mm

with floral design moulded in high relief to the cylindrical walls. The handle formed as a naturalistically modelled branch. H.210mm

$900-950

$150-200

A William Moorcroft Inverse Baluster Shaped Vase,

Pansy design on a midnight blue ground; the neck and shoulder of a mottled blue. Impressed factory mark and signed in green W. Moorcroft. H.275mm

603

An Early 19th Century Ironstone Masons Tureen

lacking cover, lozenge shaped, decorated with hand coloured chinoiserie character prints. Circa 1825.H.92. $400-600

$1700-1800

.Impressed DECORATIVE ARTS

133

Ill A1 604

An Early 19th Century Masons Sauce Tureen with Cover and Stand

615

decorated in the lmari palette with chrysanthemums and foliage The cover restuck. Circa 1840. H.160mm $250-350 see colour illustration page 126 605

617

618

A Small Masons Jug

619

620

Ill A! :c:1 ~

:a'

$180-220 see colour see colour illustration page 126

A Small Staffordshire Fairing

121 A1

;: 't£

An Early 19th Century Staffordshire Figure Group

$11

$120-180 621

A Small Staffordshire Figure Group $3(

$40-60

a Scottish boy and girl with woollen shawls across their shoulders. AF. H.95mm

A Georgian Blue and White Pickle Dish

$120-180

18111~

An 18th Century English Porcelain Coffee Pot

roNTI~

622

decorated with the Worcester 'Fence Pattern'. Crescent marked, probably by Caughley. Baluster shaped with domed cover surmounted by a flower bud finial. (Some chips to petal edges) H.245mm

A Georgian Blue and White Pickle Dish

$280-320 see colour illustration page 126

623

Leaf shaped with veined back, serrated rim and decorated with an Italianate landscape. W133mm 624

A Victorian Earthenware Tureen,

IJl

$21 file

Two Pairs of English Plates,

decorated with oriental inspired designs. 0.240mm

Ill

$80-120

Leaf shaped serrated edged, decorated with hand drawn veining to the well and with yellow splash glazed stem. W.156

A Georgian Blue and White Fan Shaped Pickle Dish

-2 $2(

$80-120

A Georgian Blue and White Pickle Dish

$160-200 see colour illustration page 126

oblong, moulded reeded and anthemion rims, painted roses and daises to the lid and dish on cream ground, moulded lid handle, gilt trims raised on four paw feet. W.230mm

A Georgian Blue and White Pickle Dish

$220-250 see colour illustration page 126

ll1 A!

$700-1200 see colour illustration page 126

similarly moulded and decorated with serrated rim. W.140mm

614

A Copeland (Late Spode) Blue and White Plate

on mound base, of gardeners beside a spring. H.120mm

$220-250 see colour illustration page 126

613

$80-120

A Blue and White Rectangular Pickle Dish

of leaf shape, moulded with veining to the back and printed with a 'Willow Pattern ' design to the well. W.126mm

612

Ill Al

A Graduated Pair of Pinder and Bourne Ashets

of lovers beneath a bower. H.87mm

A Georgian Creamware Maritime Interest Jug

decorated with a print of the 'Willow Pattern' .W.152mm

e,ll

marked underneath. 'Common Wolf Trap ' and depicting an Asiatic scene with wolves baited by a suspended pig above a concealed pit trap. 0.213mm

$200-300

611

$400-600

with decoration including a trophy group incorporating the statement 'Success to Trade' and a quatrain entitled " Jack Spritsail Coming On Shore". AF. H.212mm

610

An Early Victorian Blue and White Sauce Tureen

A Pair of Early 19th Century Ironstone Jugs

$80-120

609

' 11

decorated with an India Tree hand coloured pattern.

with floral design, small chip to rim. Snake handled octagonal bodied. H.102mm

606

$60-80

$250-350 see colour illustration page 126

$80-120 607

printed with a pictorial design and rose border. W.201

$150-200

decorated with convolvulus and hollyhocks. Both faulted. H.127mm

'1f

with cover and stand, decorated with an Italianate landscape.

A Pair of Wedgwood Tureen Stands

decoratively printed in blue with floral patterns. 'Ningpu' pattern. D.205

606

616

A Victorian Blue and White Tureen Stand

625

Two Parian-Ware Baluster Ewers,

one with ram masks and cherub mouldings. The other with Bacchanalians. Both AF $60-100

decorated with a floral print design. W.100mm $60-80

~ ~

134

DECORATIVE ARTS

and

derW201

626

A 19th Century Continental Forty-Six Piece Dinner Set,

ice Tureen

comprising four graduated ashets, vegetable dish, lidded sauce boat on stand, nine large dinner plates, eighteen luncheon plates and eleven soup plates, diaper pattern rims. Oriental foliate motifs in lmari trims. Red 'oriental' mark back stamp with #147 in red glaze

'ianate1an~

$650-800

635

A Pair of Figures by Gille Jeune of Paris

modelled in bisque porcelain, hand painted made and marked for The Crystal Palace Exhibition London 1851. Each figure of a woman sits with a spinning staff, one daydreaming , the other playing with a kitten. The subjects modelled on moulded bases, which form covers for shallow plinth box bases. $1000-1500

827

eAshets

A Good Drab Olive Jasperware Victorian Cheese Dish and Cover

636

with cylindrical cover decorated with creamy sprigs of farm animals in a wooded landscape between bands of fruiting vines. the circular dish decorated to the everted rim with similar fruiting vine.

pattern.

One painted with a panel depicting Jupiter and Callista after the painting by Angelica Kaufmann. The other with a Greco-roman mythological scene. Each reserved on a plum ground highlighted with gilding. The urns with two handles at the shoulder, domed lidded and raised on square plinth bases. H.33Omm

$300-400

He Plate

628

ddepiCbrKJ3111.\.a'; J aboveao:oce.~

A George Grainger Worcester Part Tea Set,

comprising six cups and saucers, large sugar basin, milk jug and two large plates; the i~teriors decorated with a stylised foliate pattern in apple green and gilt encircling the rim, with a gilded band above the well; the band repeated to the exterior, all on a white ground. Circular black base mark. Rim chip and crack in basin.

$800-1200 see illustration page 118 637

$1250-2000 see illustration page 118

A 19th Century Staffordshire Cottage,

Jure Group

flat backed; with cobalt blue roof, flower borders. Old hairlines to the base. W.132mm H.165mm 0.50mm

.H.120mm

$180-220

carved with hand painted enamels, of a dandy and his companion. She attempts to read the contents of a sealed letter.

639

A Pair of Large Continental Porcelain Figures

bisque porcelain, hand coloured. AF

$300-500

:ross~eirs/ruil'S

$500-600

18th AND 19th CENTURY CONTINENTAL CERAMICS 631

640

A Rouen Faience Candlestick

Painted in bright enamels with floral designs to the glazed surface. Baluster shaped, raised on a quatrefoil footed base. H.25Omm

632

$200-300 641

$350-550 642

No lot

634

A Fine Gennan Porcelain Tray

A Meissen 19th Century Porcelain Tray

painted to the centre and in vignettes around the walls with scenes of romantic couples, reserved on a ground moulded in low relief and embellished with gilding floral sprays. Erased crossed swords mark. AF. W.37O

$275-375 see illustration page 127 633

A Pair of 19th Century Naples Porcelain Plaques

circular in ebonised frames. Moulded in relief with figures of bacchantes and putti. In one the putto bedecks the bacchante's hair with flowers, in the other he tempts her with grapes. Blue crowned N mark. 0.170mm

A Pair of Art Nouveau, Neo-classically Inspired Figures

marked L&M ( possibly for Leboeuf et Millie!) each lightly clad woman reclines beside a pond. One with impressed artist's signature to mound plinth. W. 185mm

iainted rosesard iulded id Mnd~

A KPM Porcelain Shallow Dish

painted with three maids beside a stream. Marked verso by the paintress indicating that the dish was a blank painted in 1874.

$200-300

$400-600

IITTITT

30~erwi~

A Pair of French Bisque Porcelain Figures

A Group of Six Jackville Ware Jugs

19th Century black glazed with various decorations.

Crescentmrulied imedcover sto pelal e&Jes 1

638

$500-600 630

ee Pol

A Large German Pate Sur Pate Porcelain Vase

in green jasper and white, the amphora- like vase with relief decoration of various seaweeds is supported by three mer-children above a circular domed foot embellished with shells. H.375mm

$220-260 629

A Pair of Berlin Porcelain Lidded Urns

painted by F Boucher for the Koenigliche Porzellan Manufactur (KPM) factory. Oval scalloped shape overlaid with a fine applied silver filigree of rococo inspired design. Four reserved cartouches painted with landscapes surround the central panel portraying two sleeping cherubs along with another bearing a basket of flowers. Signed, blue sceptre print mark, circa 1890. W. 365mm

643

A French Porcelain Rouleau Vase

oval section raised on four gilded ball feet and with moulded ring handles to the sides. Painted with a bird in flight above a lake scene, flanked by trailing clematis flowers. Impressed factory mark under base E.P & C. H.27Omm $350-500

$950-1500 see colour illustration page 126 DECORATIVE ARTS

135

159

644

An 18th Century Dutch Delft Charger

6111

tin glaze chips over-painted at the rim. Painted with vase of foliage. Marked PVMV to back. 0.350mm

A Sampson Porcelain Punch Bowl,

decorated in Chinese lmari style with an armorial cresting amongst scattered flowers to the exterior; similar sprigs and blooms to the interior. Faux Chinese mark under the base along with 'Made in France'. 0.290mm

A Sevres Porcelain Plate

,,, ' SI

$3000-5000

$200-300 646

marked with model number 1441 and registration number 145171 indicating original production in 1890. Puce mark with 'shot silk enamel' banderol and date code for 1897. This model number is normally associated with the study Bacchante with cymbals, evidently the modeller has reconfigured the subject with alternate instrument. The dancer stands poised with tambourine raised, wearing an iridescent gown sculpted to reflect movement and drape. Restored at the fingers. H.605mm

$150-300 645

A Royal Worcester Porcelain Figure, Bacchante with Tambourine

see colour illustration page 118

652

decorated with the cipher of Louis Philippe flanked by cherubs with bleu celeste border. Marked verso with Chateau de Tuileries and Sevres backstamps. 0.245mm

A Royal Worcester Cabinet Cup and Saucer

painted by Albert Shuck and Harry Price with apples, grapes and blackberries. Date coded 1941. Puce factory mark. The cup raised on a gilt foot, serpentine rimmed, gilded to the interior and with acanthus moulded gilded to the handle

$600-800

si;

$450-550 see illustration page 118

WORCESTER AND OTHER FINE PORCELAIN 653

647

648

A Flight Barr Period Worcester Plate

A Royal Worcester Cabinet cup and Saucer

decorated with the 'Royal Lily' Pattern. Circa 1800. Serpentine, scalloped rimmed with gilded border design. Central iron red lotus motif. Incised 'B' verso. W.200mm

painted by George Moseley with apples and blackberries on a mossy ground. The cup raised on a gilt foot and with gilt loop handle. The interior additionally painted. Puce mark, date coded 1937/38

$300-400

$500-600

see colour illustration page 126

see illustration page 118

A Royal Worcester llNo Handled Urn Vase

654

A Royal Worcester llNo Handled , Lidded Urn

Sl 112

51 Ill

painted by Harry Price with peaches, apples, grapes and blackberries on a mossy ground. Shape 2701. Puce mark, date coded 1937. Crack to foot. H210mm

painted by Harry Ayrton, shape 1969. Signed black mark, date code for 1950. The ovoid body painted with peaches and grapes on a mossy ground to the front, a bunch of grapes to the rear. The gilded trumpet neck repeating the form of the stem, which is raised from a square plinth base.

$500-1000

see illustration page 118

$3500-4500 see colour illustration page 118

649

6115

moulded, painted and gilded with a floral design in Japanese kakiemon manner on a celadon ground. Moulded gilded ring handles at the shoulder. Crowned wheel mark, dated 1869. H250mm

650

$750-1250 see illustration page 118

656

A Royal Worcester Cabinet Plate

see colour illustration page 118

painted by P Love with fruit. Faulted

A Royal Worcester 1\No Handled Vase

$50-100

the blush ivory ground decorated with gilded and painted ferns to the ovoid body. Lion mask and architectural handles at the shoulder issue from foliate bas relief panels. Puce mark. Shape 1399, circa 1890. H.260mm

1M Al

painted by Peter Love with peaches, grapes and blackberries on a mossy ground. Gilt gadroon moulded rimmed. Black mark, date coded 1954. 0.270mm

A Royal Worcester Ovoid Vase

$550-700

A Royal Worcester Cabinet Plate

657

1\No Miniature Royal Worcester Flat Back Jugs

painted by Kitty Blake. Along with a Worcester printed small dish $175-125

Si II

S6 Al

$750-1000 see colour illustration page 118

658

A Royal Worcester Shell Shaped Dish

painted by A Markowski in cobalt blue and gilt with an attractively simple floral design. Raised on three gilded shell feet. Gilt mark, date code for 1952 $200-300 $4' ~

136

DECORATIVE ARTS

CChante With 859

ition number 1Puce maikl'!!h 1897 lhiSf!KOe: Bacc11an1e w,!h ·ed lhesubjocl~m JWithiambounre 1refleclfl1Crlel l!rli

A Royal Worcester Bamboo Basket Vase,

CLOCKS

shape 858, c.1905-1906; moulded bent bamboo cane form , the surface decorated with embossed bamboo leaves below a curved 'cane' shaped handle. Painted in pale matt green on matt salmon ground, trimmed in gilt. Puce marks. W.210mm

667

The ebonised case with ormolu mounts and grilles to the sides. The arched face behind an echinus framed , bevelled glazed door. Silver chapter ring with Roman numerals, blued steel hands, framed by applied gilt metal spandrels and surmounted by a mask. Gong striking eight-day movement. The domed top hinged to secrete the key. H.380mm

$160-200

660

A Royal Worcester Ewer,

shape 1004, the body surface and shaped neck hand painted with a butterfly and blossom boughs on an ivory ground, applied moulded and gilded handle t0 the indented sidewall. Green mark with registered number 29115. Also painted "Tess" Xmas 1890. H.135mm

cer

$2000-2750 see colour illustration page 126

668

$160-200

pples, grapes and iark.lhecupra~ intenorandY111h

661

signed Roberts (1944-85), shape G461 , painted with plums and grapes on a mossy ground a grape vignette to the rear, gilded trims. Black mark. H.105mm D.60mm

:er 662

ckberriesooa l~lhgilikx:j) 1ark,dateoml

$100-150

669

A Royal Worcester Japan Inspired Vase,

An Incline Plane Clock

Brass cased with an enamel dial with Roman numerals. The cylinder sits counter-intuitively on a wooden slope and imperceptibly rolls down it giving the movement its drive power

spherical with a short tapering neck, applied handles, raised on three spherical feet. Decorated with Japanese motifs including black maple leaves, russet bamboo cane section of diaper patterns on a white ground. Aqua mark 1877. H.85mm $150-250

A German Alarm Clock,

in the form of an oversize pocket watch; brass cased, printed dial with Deutches Reich patent marks; Roman numerals; subsidiary alarm dial at XII , blue steel hands. The back opening with easel support arm to stand upright. Repair at lever wind knob on top. D.140mm

A Royal Worcester Vase,

$250-350

A Georgian Style Bracket Clock With Bracket

$650-800

670

A Brass on Satinwood Veneer Bracket Mantel Clock,

with brass carry handle, 19th Century.H.232mm 663

A Royal Doulton Plate Painted by David Dewsberry,

circular with gilt serpentine rim, painted to the centre with a fuchsia throated orchid on a background of various small ferns. Signed . Entitled illegibly verso .... Hybrida. Factory backstamps. D.240mm

ipes and "uce mark, dale

$80-100 671

with gong striking movement as -is. Enamelled annular chapter ring with Arabic numerals on gilt face. Handle absent

$600-800

664

A Royal Doulton Plate Painted by David Dewsberry,

$200-300

circular with gilt serpentine rim, painted to the centre with a stem of white moth orchids on a background of its large leaves and small leaf fernery. Entitled verso: Phalaenopsis Grande. Signed . Factory backstamps. D.240mm

blackberriesooa ackmark.dale

$600-800

665

$1100-1300

673

666

A Massive Caverswall Urn

made to commemorate the wedding of HRH the Prince of Wales and Lady Diana Spencer on 29 July 1981. Number 2 of an edition of 1Opainted by R Shufflebotham Painted with views of St Paul 's Cathedral, Buckingham Palace, Caernarvon Castle, etc. along with the coats of arms of Windsor and Spencer. Some hairline cracks to the base restored. H.1020mm

ti ana1tracti'le\

'eet Gitt mark

$4000-5000 see illustration page 143

A French Rosa Aurora Marble and Gilt Metal Clock,

the stepped base raised on scroll and husk feet; housing enamel faced timepiece with striking movement. The case surmounted by a gilt metal statuette of a woman with a dove perched on her outstretched hand. H.460mm

A Royal Doulton Plate Painted by David Dewsberry,

$500-600

$600-800

nledsmall dish

An Art Nouveau Spelter Bronze Mystery Clock

modelled as a woman standing holding a baton, which supports the Meiko pendulum clock. H.300mm

circular gilt serpentine rimmed painted to the centre with cattleya mendelii orchids issuing between maiden hair ferns. Signed entitled verso, factory stamped . D.230mm

Jugs

A French Brass Corniche Cased Carriage Clock

674

A French Gilt Metal and Sevres Style Porcelain Clock Garniture,

19th century, Japy Freres movement, bell striking, the Louis XVI style case decorated with various leaf mouldings, including acanthus, laurel and hop, surmounted by an urn finial with ram 's mask handles. The urn, clock face, side panels and plinth panels of porcelain decorated with Egyptian inspired motifs on a bleu celeste ground. Two conforming urns complete the garniture. $1000-1250

DECORATIVE ARTS

I '

137

JAPANESE ARTS 675

684

decorated with rohan seated in a landscape with Buddhist temples and pagodas. Signed under the foot. 0.120mm

A Japanese Lidded Box decorated with a maki-e gold lacquer technique on a nashi-ji bronze ground depicting a peacock perched on a rock outcrop, it's tail feathers inlaid with iridescent shell, above a peahen, against a background of chrysanthemums. H.47mm

S300-350 685

A Large Japanese lmari Porcelain Bowl painted to the exterior and interior with landscapes, animals and fish within variously shaped panels. The centre of the well decorated with a chrysanthemum mon framed by three bats in underglaze blue. 0.300mm

S300-400 678

A Satsuma Earthenware Bowl

A Japanese Circular Enamelled Metal Box Cover

S400-600

with applied shibuichi figure of a boy with a kite. AF. W.195mm S160-120

68&

possibly Dogen Zenji the Buddhist Zen teacher. The figure stands with an image of the Buddha raised in his right hand ; at his feet two karako, one with hands together in prayer the other with an alms bowl. The Buddha image head broken off. Signed on red inlaid tablet under base. H.315mm

A Good Japanese Ivory Netsuke depicting the god Hotei reclining while a karako and a young oni cavort on his corpulent belly. Signed under the base with a two character mark. ( An object missing from Hotei 's left hand)

S500-800

S300-500 678

679

A Japanese Bronze Based Table Lamp

8811A

the bone sections carved in sunken low relief of Japanese figures in interiors, costume, facial and foliate details in scrimshaw, black and plum inks; steel blade. Collected Formosa, c.1912. L.848mm

$400-500

$550-750

A Three Piece Kutani Porcelain Garniture

S650-750 see colour illustration page 126

887

S225-275 888

S550-700

689

Ovoid shape with small trumpet neck, decorated with irises and a butterfly on a soft pink ground. H.180mm

882

683

A Satsuma Earthenware Cup and Saucer, painted with a mother and child at leisure with the child 's play things, bordered with black and gold geometric band; trimmed in gold. Signed

A Japanese Cloisonmi Vase

$100-150

Fine Satsuma Earthenware Plate, painted with seven sages conversing in a bamboo grove, enamelled details and gilded outlines. Signed to back. 0.217mm

A Japanese Silver Flask

S300-400 see illustration page 143

A Small Satsuma Earthenware Plate, a double brocade and geometric border encircling a group of seven woman at leisure in pavilion gardens; their robes and pavilion details richly outlined in gilt. Back marked. 0.157mm

heavily embossed with irises to the front, the back with hammered finish. Hinged cap /cover. H.115mm

681

A Japanese Bone Carved Scabbard/Hilted Sword,

the base formed as a squat shishi lion dog who supports a towering column on his back decorated with a section of a lotus flower and another cast with a dragon. Overall Height 700mm

comprising a lidded koro and pair of vases. Each piece painted with panels depicting figures in various pursuits, exotic birds and flowers. the panels reserved on typical iron red and gilt ground. Two legs of the koro repaired.

880

A Good Japanese Carved Ivory Figure,

$90-120 690

A Pair of lmari Porcelain Vases

A Soko Satsuma Vase,

ovoid bodied with facetted walls and octagonal mouths. Decorated with floral Panels in typical iron red and underglaze blue.

the ovoid form decorated with birds and enamelled and gilded chrysanthemums, prunus and daises. Gilded trims bordering encircling diaper bands. H.120mm

$375-450

$40-60

A Pair of Japanese Satsuma Earthenware Vases each decorated with numerous figures of Rohan and a dragon. A dragon moulded in partial relief to the shoulder of each. Inscription and signature in painted tablet under the foot of each. $500-700

1 38 DECORATIVE ARTS

691

A Satsuma Ovoid Vase, the shoulder decorated with brocade panels above a continuous scene of female figures at a lakeside temple and pagoda complex, before a forested mountain backdrop. Signed Ryusan and with the Shimazu mon. H.185mm $90-120

i97

th Buddhisl

692

1.120mm

A Satsuma Slender Rouleau Vase,

CHINESE ARTS

painted with gold iris silhouettes issuing from the foot of the vase, on a finely crackled ground. Signed with four character signature in gilt, lot H.188mm

700

of outstanding size and uniform colour, carved to the head with a shou character surrounded by bats. The arching length carved and pierced with a border of reishi fungus framing a line of threaded cash. This substantial piece is presented on a later blackwood rectangular stand.

$100-140 lpes, animals aoo

693

of the well 1Ythree balsITT

A Satsuma Brush Pot,

tapering cylindrical shaped, the finely crackle surface painted with a maple bough in autumnal tones, outlined in gilt Signed under the foot with a four character gilt signature on black tablet H.153mm $70-100

rhefigureslaoos 1and: alhisleel 1eolher1'1111ian

694

$2500-3500 see illustration page 127 701

$2000-3000 see illustration page 143

$100-140 695

Sword,

A Satsuma Vase,

702

ovoid shape, decorated with chrysanthemum sprays with restrained gilded outlines. Unsigned. Restored faults. H.195mm

Japanese ~ures tnmshaw.~ack

$35-50 A Satsuma Vase,

$700-1000 703

squat ovoid form, painted with a spray of chrysanthemums and summer flowers. Small rim chip. H.95mm agroop of ro/Jes and . 0.157mm

A Satsuma Earthenware Bowl by Seizan,

grove,

circular; the interior well and walls painted with five women conversing beneath a cherry tree, in a lakeside setting. Bordered by key diaper, which is repeated to the exterior. The outer wall divided into four panels painted with irises and summer flowers. Signed with two character signature and Shimazu mon. 0.155mm

1ck. 0.217mm

$275-325 698

A Satsuma Cabinet Plate,

$500-700 704

child'sp~y

d;tnmmedin

$180-220 699

A Qing Dynasty Qianlong Mark and Period Vase

painted in wucai enamels and sgraffiato anhua designs to the shouldered baluster shape. Moulded gilded swastika and bat pendant handles to the neck. The decoration principally stylised florals and stiff leaf borders is depicted in bright pastels. Blue six character seal mark under the foot H.225mm $2000-3000 705

painted with a lavishly gilded temple complex in a rugged landscape, partially framed by an autumnal maple bough and bordered by encircling geometric pattern. Back marked with two character signature. Rim chip. 0.215mm

A Yuan Dynasty Pottery Tea bowl

the wheel turned stoneware body with phosphatic splashed glaze to the interior. Conical shape with small footring. D100mm

$35-60 697

An Early Ming Period Chinese Pottery Bowl

with oil spotted black hare's foot glaze heavily applied and running treacle-like down over the foot Shallow conical shape.D.190mm

1912.l.84Smm 696

A Chinese Red Cased Glass Vase

18th/19th Century. Baluster shape, decorated with stiff leaves to the neck above a trefoil border on the shoulder. Chrysanthemums encircle the body, all cut through the blood red overlaid glass to reveal the milk white body underbody. Provenanced to a private Sydney collection. H.265mm

A Satsuma Slender Rouleau Shape Vase,

painted in a restrained manner with mauve and gilt irises and a single butterfly, on a finely crackled ground. Base signed with four character signature in gilt on black tablet H.188mm

3igned oo red

An Impressive Chinese Mutton Fat Jade Ruyi Sceptre

Four Piece Chinese Redware Tea Set Pieces,

comprising two teapots, milk jug and sugar basin, metal rims and spouts, decorated metal dragon and urn motif pierced overlay. AF $60-100 706

An Unusual Cinnabar Lacquer Box

of butterfly outline , deeply carved to the lid with figures in the landscape.

No Lot

and gilded

$100-150

~rdering 707

A Chinese Exportware Porcelain Plate

painted in famille rose enamels with various exotic flowers and fruit 18th Century. 0.265mm $70-120 C()lltinUOOS

Joda ,dRyusan

DECORATIVE ARTS

139

708

A Chinese Exportware Porcelain Ashet

718

lozenge shape, painted underglaze blue with a scene of a lake with island pavilions, sampans, pagoda and bridge. W.390mm

A Carved Hardwood Small Figure of Kuanyin,

some losses $75-100

$150-250 719

709

A Large Chinese Porcelain Blue and White Charger

A Chinese Glass Snuff Bottle,

internally painted with magpies and roosters; agate capped. H.72mm

painted underglaze blue with a floral design (Hairline at rim). 0.3990mm

$40-60

$150-250

720 710

A Chinese Porcelain Ginger Jar

A Chinese Interior Painted Glass Snuff Bottle,

agate capped; decorated with an eagle, a hawk and two other birds; signed. H.72mm

decorated with characters to the sides on a ground of foliate tendrils. H.210mm

$40-60

$125-175

721 711

712

An Old Chinese Exportware Porcelain Charger

painted to the shallow well with a study of two deer on a landscape. Hairlines and rim frits. 0.390mm

internally painted with a wolf in a landscape to one side and a cat beneath blossom to the other; signed. Agate capped stopper. H.70mm

$100-200

$40-60

A Chinese Bronze Koro

722

The vase form body with decorative panels to the walls and ho-o bird handles is raised on three legs from a circular plinth. The cover is surmounted by a lion dog finial through whose open mouth the smoke issues. H.420mm $200-300 713

$40-60

723

$40-60

724

A Melon Shaped Chinese Yixing Tea Pot,

$40-60

725

$40-60

with drilled suspension hole. W.40mm L.80mm

716

726

727

$120-160

140

DECORATIVE ARTS

A Glass Snuff Bottle,

signed; the internal walls decorated with storks and finches. Green glass capped stopper. H.72mm

A Chinese Porcelain Bowl,

1930 copy Oianlong mark; the exterior and interior curved walls ful ly decorated with enamelled Buddhist lions and symbols; the well painted with a dragon, all on yellow enamelled ground and bordered with stylised flowers and symbols on red ground. H.67mm

$40-60

$60-100 717

A Good Chinese Glass Snuff Bottle,

with agate capped stopper; the walls internally painted with two tigers and waterfall. Signed and inscribed. H.85mm

Chinese Tongzhi Export Bowl,

the rim encircled with painted and enamelled panels of bird foliate and butterflies; the well decorated with flowers and butterflies. Rim chip H.45mm 0.212mm

A Good Chinese Glass Snuff Bottle,

internally painted with a deer in a wooded river landscape, signed and inscribed. Pale jade capped stopper. H.82mm

A Jade Iconic Carving,

$80-120

A Glass Snuff Bottle,

internally painted with a pair of Pekinese pups and a pair of kittens. Signed and inscribed. Agate cappP,d stopper. H.76mm

$70-100 715

A Glass Snuff Bottle,

the internal walls painted with various dogs, including Pekinese. Signed. Agate stone stopper. H. 70mm

$350-500

typical red bodied with raised entwined leaf decoration. L.180mm H.110mm

A Glass Snuff Bottle,

internal walls painted with children playing blind-mans-buff and chase. Crack in sidewall H.75mm

A Pair of Chinese Ancestor Portrait Paintings

Oing dynasty period, he wears a black trimmed pufu overcoat without puzi rank badge, she wears a red robe with overscarf and collar trimmed with golden pheasant puzi. 870 x 470mm

714

A Glass Snuff Bottle,

$40-60

728

A Glass Snuff Bottle,

internally painted with three lions and a lioness; signed. Agate capped stopper. H.60mm $40-60

731

1yin, 729

3lecap~,

730

Ille, indlwoother

731

A Glass Snuff Bottle,

740

with handles and finial and decoration to the walls of fu dogs and dragons. Seal mark to the base.

$100-150

$200-250

A Chinese or Tibetan Bronze Buddha.

741

variously inscribed with names and locations along with foliate designs. 410mm square

$1000-1500

$700-900

A Rare Antique Chinese Brown Jade Axe Pendant

742

A Chinese Carved Dog Figure

with provenance as above and attribution to the Han dynasty. One leg broken off and absent

A 19th Century Chinese Vase and Cover

with Qianlong, Qing Dynasty four character reign mark under the foot. Painted in polychrome enamels with a scene of a nobleman equestrian greeting a woman on the veranda of a building. Chips to cover edge. H.343mm

$800-1200 732

A Late Ming or Early Qing Period Stone Tablet,

A study of the Buddha Shakyamuni, in Ming period style of the 16th/17th century

with provenance to an American collector's estate. Attributed to the early Tang dynasty or earlier.

1esideand aca1 iedslopper.

A Chinese Bronze Censer,

of squat ovoid shape, internal walls painted with pairs of cats on a pale green ground with agate capped stopper. Signed. H.88mm

$200-300

FURNITURE AND DECORATORS ITEMS

$250-500 733

nans-buff and

A Chinese Langyao Porcelain Bowl

734

$1800-2400 744

$800-1000

er. H76mm

735

$300-600

An Old Chinese Bronze Mirror,

of unusual square form, with cord attachment lug to the back. Boxed

see illustration page 127

745

736

A Chinese Ming Period Porcelain Bowl,

$3500-5000

decorated to the interior with a lotus flower and tendrils. The exterior uniform cobalt. Raised on small footring. 0.145mm $200-250

ntedwitht;l1)

737

see illustration page 123

748

$650-800

$300-350

ined.Agate

738

A Chinese Blue Hare's Foot Glazed Pottery Censer.

747

739

A Needle-Worked Covered Mahogany Oval Foot Stool,

on four wood bun feet. 19th Century with later cover. W.270mm

Squat circular shape, the upper walls moulded in high relief with two dragons. 0.250mm $250-300

An Elegantly Turned and Spirally Fluted Torchere,

possibly continental fruitwood, circa 1800. With baluster and annular knopped sections raised from a fluted foot and cavetto, ringed turned based. H.930mm

A Chinese Porcelain Ox Blood Glazed Vase,

slab sided with swollen bellied form. Animal handles to the sides. H.210mm

j finches.

A Very Good Walnut Wellington Chest

of twelve drawers of graduated depth, locked by the conventional hinged pilaster to the right hand side. The drawers with turned handles. W.610mm x H1430mm

$200-300

idscape,signed

An Art Deco Alabaster Carved Figure

by Ferdinando Vichi. A female nude seated on sand modestly covers her breast. Signed F Vichi, Firenze. This sculptors known works date through the Nouveau and Deco periods, he along with other Florentine sculptors have works marked Galleria Bazzanti, a gallery that catered primarily to foreigners experiencing their Grand Tour. Some staining. W.240mm

A Chinese Jade Plaque,

Oing period, late 19th early 19th century. Probably a ruyi sceptre head piece mounted on a wooden base. The inscription various forms of the character Shou

J apair of

A Regency Mahogany Cellarette

of sarcophagus shape, raised on squat bun feet with concealed brass castors. H.480mm W.460mm

with Chenghua reign mark, however probably dating to the Qing dynasty. Pale oxblood glaze with anhua designs of dragons to the interior and the curved exterior walls. 0.190mm $600-800

JingPe~nese

743

$100-150 748

An Old Heavy Copper Kettle,

A Chinese Blue and White Vase,

with hinged lid and brass handle; the walls dimpled with use.

along with two ginger jars, complete with stands

$60-100

$100-150

DECORATIVE ARTS

141

749

Three Framed Fox Hunt Prints,

761

An Art Deco Glass Shallow Bowl,

moulded and frosted with a design of a flower head and central star motif flanked by four eagle's wings. Monogrammed mark to back AP. 0.370mm

from a set of four painted by Sir John Dean Paul. Produced in eight colour litho offset. W.362, H.215mm $90-120

$250-350 750

A Set of Four Framed Indian Military Period Costume Prints,

762

Subadar, Hawuldar, Light Infantry Sepoy and Grenadier Sepoy. Some foxing and water marks. W.215, H.290mm

A Muller Freres Dome Fonn Opalescent Hanging Light Shade,

with stylised Art Deco motifs complete with fittings etched mark 'Muller Freres Lunevilles'. 0.350mm

$80-100

$450-550 751

A Signed Watercolour by John L Moore

dated 1929, of trees in a snowy landscape. W.516m H.416mm

763

$80-120 752

A Framed Pair of Woven Silk Fox Hunt Scenes,

giving way at the edges to yellow and blue acid etched factory mark. 0.360mm

'Breaking Cover' and 'In Full Cry'. W.235mm H.93mm

$650-850

$60-80 753

A Muller Freres Dome Fonn Hanging Lamp Shade of Dappled Opaque,

764

A Fine Victorian Mahogany Framed Firescreen,

with wool worked tapestry panel of a cavalier spaniel seated on a cushion in arched glazed frame, supported on turned arms from a stretcher base. W.740mm H.1060mm

A Pair of 19th Century Black Slate Urns

with bronzed metal handles and mounts. Raised on tabular plinth bases. H.310mm

$800-1200

$100-150 765 754

An Etching by Trevor Lloyd

A Large Hand Knotted Persian Kennan Carpet

made by Rashid Farrochi, signed in the middle of the top border. This semi-antique carpet from circa 1950s of 15.5 square metres is worked with approximately 5.5 million individual knots. Wool pile on cotton weft and warp.

a portrait of a Maori woman, seated before a carved doorway smoking a pipe. Unsigned. 300 x 175mm $700-900

$4500-5000 755

A Royal Mail Coaches Framed Engraving,

two hand-tinted scenes; the Royal Mails Departure from the General Post Office, London; the other, West Country Mails at the Gloucester Coffee House, Piccadilly. W.470mm H.418mm

766

from the series of four entitled 'Quatre Proverbs Par Tito' French circa 1925. Each titled: Qui Trap Embrase M(oi)' and 'Les Paroles S'envolent, Les Ecris Restent'. 21Ox150mm

$200-300

758

$200-300

A Framed Selection of Four Coaching Scenes Engravings

including Sunday Trip to Richmond Hill, H. Bunbury; making a Dash with Gay Tilbury, H. Alken; hand tinted. W.378mm H.528mm

767

A Framed Steeple-Chase Engraving,

$4000-5000

four scenes of the first Steeplechase on record (Vide the Sporting Review, No.1 January 1839). Hand tinted. W.436mm H.372mm $80-120

758 759

A Good Quality French 19th Century Louis XVI/Transition Style Commode

In kingwood and rosewood marquetry with sepentine front. Original grey marble top and all original hardware. W900 x H840 x 0520mm

$200-300 757

Two Art Deco Lithographs by Ettore nto

see illustration page 123

768

No lot

A Pair of 19th Century Venetian Painted Demi-Lune Consoles

with their original polychrome decoration . W1200 x 0580 x H800mm

A Persian Tribal Bedding Bag

$7000-9000

decorated with three medallions. 500 x 1000mm

see illustration page 123

$75-125 769

760

A Bronze Allegorical Statuette,

In oak with original rush seats. H920 x W450 x 0410mm

raised on a tall fluted column from a stepped square plinth base. H.520mm

$450-600

$300-350

142

A Pair of French Early 19th Century Directoire Chairs

DECORATIVE ARTS

see illustration page 123

wierheadandc..., ~ll()Jram11l€(111oi1:

mtHangingUgM

.amp Shade of 1c1detchedfactllj

esueen,

spaniel sea:oor, 1turnedarms'·,·;

carpet

10fthel(lloc!de< 15 5square metres jualkno!sWoo

; ParTrto freoc/1 'and 'lesPar~es

; xwrransilion 1tine frool

774

emi-LUne

ire Chairs 10mm

420

DECORATIVE ARTS

143

770

771

A French Louis XVI Style Carved Giltwood Mirror,

779

of a young gentleman wearing a black jacket and scarf. W.650mm. H.710mm

$1000-1500

$300-500

A Late 18th century Parisian Trumeau (mirror with decorative panel above),

780

$3000-3500

A Victorian Portrait Oil Painting

ostensibly of a 17th Century gentleman but actually a historicized study. Gilt framed. W.470mm. H.625mm.

featuring its original pale blue paint and gilded decoration. Original mercury glass. H1735 x W7 45mm

772

A Georgian Portrait Oil Painting

the pediment featuring musical instruments. Circa 1900 H1000mm x W615mm

$300-500

A Good Oak Victorian Bookcase Sideboard

with simple Directoire-inspired inlays and stringing, and all its original hardware including four locks with keys

in honey quartered oak. the superstructure wit three glazed doors enclosing adjustable shelves. the base with two drawers flanking a secretaire drawer in a frieze above three cupboard doors. W.1750mm H2350mm

$$3000-3500

$5000-7000

A Mid-19th Century Cherrywood Buffet

see illustration page 122

773

An Italian Bow Fronted Commode

with burr walnut veneered fascia of two drawers detailed with ormolu mounts and handles. Rosa antiqua marble topped. Splay legs terminating in ormolu sabot feet. W.1110mm. H.880mm

774

782

A Twin Pedestal Flat Top Desk

each base section with three graduated drawer, the top inset with red leatherette above a frieze of three drawers.

$2000-3000

$2000-2500

see illustration page 123

see illustration page 122

An Italian Alabaster Statuette

783

A Continental Long Case Clock

in the Art Nouveau manner of a standing woman her hand raised upon which alights a butterfly.H.1000mm

with highly ornate brass pendulum visible through the glazed door. Pine cased.

$800-1200

$2000-2500

see illustra tion page 143 784 775

A French 19th Century Flat Fronted Commode

A 19th Century Oak Fall Front Bureau

ll3

with decoratively fielded front panels in the 17th Century manner. The fitted interior with a sliding covered well compartment. the base with two half width and two full width drawers. W.890mm

with flame mahogany veneered fascia of four graduated drawers. Marble topped. Bun footed. With three of four original keys. W.1240mm H.965mm

$2500-3500

$2000-3000

see illustration page 122

see illustration page 122 785

776

An Adams Style Neo Classical Torchere

Meiji period, circa 1900. A particularly large and imposing example used to display utensils for the tea ceremony and curios. Configured with open shelves; two compartments with sliding doors, one with hinged doors and three apron frieze drawers all with retrained design detail. Tenon joint construction throughout and evident high quality workmanship. W.1090mm H.1400mm

inspired by Grecian braziers, the cloven footed, four legged stand with a dished plateau supported by four ram 's heads carvings. H.1230mm $1000-1500 see illustration page 122

$750-1250 786

see illustration page 123

$1750-2250

A Turn of the Century French Pier Glass

the giltwood frame with an oval section to the centre enclosing an oil painting depicting a romantic couple. W.450mm. H1800mm

A Most Unusual Table

of ebony carved with a base of six elephants. Each animal faces out, their closely paired legs forming the solid table structure. H.720mm. 0780mm

$500-700

144

ll5

A Giltwood, Marble Topped Occasional Table

with plaster moulded decorative apron, four fluted legs united by a stretcher. H.750. 0430

778

A Japanese Zelkova Wood Tana (Display Shelves)

A Pair of Carved Ebony Seats as Elephants

$800-1000

unusually decorative and quirky, the seats are formed in the backs of the animals.

see illustration page 143

$700-1000

DECORATIVE ARTS

lrt.

788

789

1historicized

A Provincial Chinese Low Kang Table

798

An Arabian Miquelet

suitable as a coffee table, the top inset with woven rattan cane panel. Raised on four legs. 173Ox7OOmm

Long stocked steel barrel with numerous metal sleeves. Steel lock mechanism (at fault). Bone inlaid decorated breech.

$800-1200

$300-400

A Pair of Chinese Lacquered Boxes

with hinged lids, the fascias painted with rondels of lotus flowers and butterflies. W.45Omm $400-500 see colour illustration page 126

Jlazed doors irs flan~ng Joors.

790

A Mid 19th Century Chinese Alter Cabinet

In rosewood and blackwood, intricately carved with panelled doors and frames depicting peopled landscapes, pavilions, mythological beasts and deities. W.67Omm. H.82Omm $3750-4500 see illustration page 123

791

inset with

A Pair of Chinese Wooden Tables

with tenon jointed construction, inward curved feet, stretcher joined legs $400-500 see colour illustration page 126

792

glazed door.

A Pair of Provincial Chinese Yoke Back Chairs

with decorative green painted finish $400-600 see illustration page 122

793

with distressed black painted finish

Irymanner. tent. the '.890mm

$400-600 see illustration page 143

794

nal faces Icture.

1the backS

An Extremely Ornately Carved Chinese Display Cabinet

with two glazed doors enclosing further carved drawers and cabinet. The exterior exuberantly carved with dragons flanking the doors and surmounting the cabinet as a pediment. The whole sits on a plinth base with three drawers raised on fu dog lion feet. W.138O. H.22OOmm

!S) ing and curios. sliding iwers all ·oughout 400mm

A Pair of Provincial Chinese Yoke Back Chairs

$4000-5000 see illustration page 122

795

A Pair of Chinese Painted Wood Occasional Tables

with crackled finish, fluted aprons and turned legs. W.42Omm $360-420 see illustration page 123

796

A Provincial Chinese Rustic Stool

with curved seat raised on splaying legs. W.49Omm $120-200 see colour illustration page 126

A Wm IV Period Truncheon

decoratively painted with a crowned logo with garter inscribed ... Dock Commission' and 'Superintend'. $250-350

DECORATIVE ARTS

145

l~D~

AUCTION DEPARTMENTS

DOI

MOBILE

E-MAIL

AA9USR

,wle 5

Managing Directors: Peter Webb Ann Webb

524 6804 529 5603

Administration Reception Manager: Sharlene Reily Financial Manager: Trish Shann Administration Manager: Virginia Green Assistant: Suzanne Stevenson

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Fine Arts General & Fine Arts Manager: Sophie Coupland Head of Department: Ben Plumbly Assistant: Jessica Pearless Assistant: Leyla Xanthos Design Manager: Nikki Harmer

021 867 263 021 522 366

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sreily@webbs.co.nz tshann@webbs.co.nz vgreen@webbs.co.nz sstevenson@webbs.co.nz

llalllbtl!Y

1)'£\'aliel

[l!ilg?a Clairmonl

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529 5605 529 5601 529 5609 524 6804 524 6804

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scou pland@webbs.co. nz bplumbly@webbs.co.nz jpearless@webbs.co.nz lxanthos@web bs .co. nz nharmer@webbs.co.nz

[le[airtlj

1K11mm«

flli~ ·o flti'U; foollSOII

foog~

Decorative Arts Head of Department: Ross Millar Administration Manager: Fiona Innes

f!1llei 1

529 5607 529 5608

021 529 560

rmillar@webbs.co.nz finnes@webbs co.nz

lial1all1

Jewellery Consultant: Christopher Devereaux

529 5606

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Wine Consultant: Simon Mickleson

529 5600

027 277 8777

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021 529 560 021 613 645

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Estate Clearances, Colonial Sales & Collectables Manager: James Hogan Floor Manager: Steve Galpin

524 6804

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jhogan@webbs.co. nz

Valuations & Commercial Head of Department: James Parkinson Assistant: Kate Williams

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Bethunes@Webb's Rare Books Head of Department: Ross Millar Manager: Miriam Shaw Consultant: Brendan Waters Cataloguer: Jan Dickens

Peter Webb Galleries Ltd

146

CATALOGUE INFORMATION

Kaan~

Maci.eoo

For all general enquiries please phone 00 64 (09) 524 6804, e-mail auctions@webbs .co.nz or freephone 0800 22 00 77

Webb's

Qmblett &)me

18 Manukau Rd, Newmarket, PO Box 99251 , Auckland, New Zealand ph 09 524 6804 , fax 09 524 7048 www.webbs.co.nz

Maddox

MatcMt Mayo[ ll:r,alKHi

.nz .nz

INDEX OF ARTISTS DATES Albrecht, Gretchen Angus , Rita Apple , Billy

Bambury, Stephen Bensemann, Leo Brown, Nigel

1943 1908-1970 1935

(NZ) (NZ) (NZ)

Moffitt, Trevor

1951 1912-1986 1949

(NZ) (NZ) (NZ)

Organ , Jonathan

.nz .nz s.co.nz

.co.nz :o.nz :o.nz o.nz o.nz

Chevalier, Nicholas Ching, Raymond Clairmont, Philip Clarke, Russell Cotton , Shane

Dashper, Julian De Lautour, Tony Drummond, Andrew

1828-1902 1939 1949-1984 1905-1966 1964

(R) (NZ) (NZ) (NZ) (NZ)

b. b. b.

1960 1965 1951

(NZ) (NZ) (NZ)

Esplin , Tom

1915

(NZ)

Feu 'u, Falu Fomison, Tony Fong, Luise Frizzell , Dick

1946 1939-1990 1964 1943

(NZ) (NZ) (NZ) (NZ)

Gimblett, Max Goldie, Charles Frederick Graham , Brett

1935 1870-1947 1967

(NZ) (NZ) (NZ)

Hammond, Bill Hanly, Pat Harris, Jeffrey Hayes, Edwin Heaphy, Chris Hotere , Ralph Hoyte, John Barr Clarke

1947 1932-2004 1949 1819-1904 1965 1931 1835-1913

(NZ) (NZ) (NZ) (E) (NZ) (NZ) (NZ)

Kaan , Simon Karaka , Emily Killeen, Richard Kinder, Reverend John

b. b. b.

1971 1952 1946 1819-1903

(NZ) (NZ) (NZ) (NZ)

Lane, Tony Leek, Saskia Lovell-Smith, Colin Lusk, Doris

b. b.

1949 1970 1894-1960 1916-1990

(NZ) (NZ) (NZ) (NZ)

Macleod, Euan Maddox, Allen Matchitt, Para Mayo, Eileen McGahan, Colin

1956 1948-2000 1933 1906-1994 1919-1987

(NZ) (NZ) (NZ) (NZ) (NZ)

b. b.

,.co.nz

o.nz

;o.nz o.nz

b. b. b.

1936

(NZ)

1863-1926

(E)

1973

(NZ)

b. b. b.

1899-1988 1968 1929 1891 -1968 1969 1962 1922

(NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (A)

1956

(A)

1856-1922 1965 1840-1930 1952

(E) (NZ) (NZ) (NZ)

1945 1836-1908 1950 1935 1939 1905-1982 1843-1918 1964 1865-1934 1968

(NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ) (NZ)

1906-1964 1942 1877 -1973 1940 c.1947 1903-1988 1940

(NZ) (NZ) (NZ) (NZ) (A) (NZ) (NZ)

1954 1919-1995 1888- 1965 1910-1998

(NZ) (NZ) (NZ) (NZ

Nerli , Girolamo Pierli

Page , Evelyn Parekowhai , Michael Pearson, Alan Perkins, Christopher Pick, Seraphine Pule, John Pwerle, Minnie Rae,Jude Rip, Willem Cornelis Robinson, Peter Robley, Horatio Gordon Ruifrok, Wi lhelmus

Scott, Ian Sharpe, Alfred Shepherd, Michael Siddell , Peter Smither, Michael Spencer-Bower, Olivia Steele, Louis John Stevenson, Michael Stoddart, Margaret Summerton , Justin Taylor, E. Mervyn Thompson, Pauline Thompson, Sydney Lough Thornley, Geoff Timms, Freddie Tole, Charles Trusttum, Philip Walsh , John Walters, Gordon Weeks, John Woollaston , Toss

b. b.

b. b. b. b. b. b.

b. b.

b. b. b. b. b.

Dates for artists in this catalogue are given when known Abbreviations: A E NZ R

Austral ia Europe New Zealand Russia

I77

CATALOGUE INFORMATION

147

BIDDING SLIP

~nt fi

FOR ABSENTEE BIDDERS ON LOTS IN WEBB 'S SALE NO. 272 20 - 23 SEPTEMBER 2005

BUYER NO.

Please bid on my behalf at the above sale for the following lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids, or reserves if any. I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successful bid, on items in sale 272, a buyers premium of 12.5% will be added to the hammer price and that G.S.T is charged on the premium. On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb 's carry out at no charge.

~-i&Br, Lot No.

Catalogue Description

Bid*

Lot No.

Bid*

Catalogue Description

i:coon!Ni ~DLn!Wc

ARRANGEMENTS FOR PAYMENT. I agree to pay immediately on receipt of notice from Webb's of my successful bid. Payment will be by cash, cheque or bank transfer. I will arrange for collection of my purchases or I agree to pay for packing and freight costs incurred by Webb 's in having any purchases forwarded to me. In order to avoid delay in clearing purchases Buyers who are unknown to us are advised to make arrangements for payment before the sale or for references to be supplied. If such arrangements are not made cheques will be cleared before purchases are delivered. Mr/Mrs/Ms

Initials

Home Ph.

Bus. Ph.

Postal Address:

Surname/Company

Mobile

Facsimile

Email address

Street Address:

Contact Name:

I Webb's will do its upmost to carry out bidding instructions for absentee bidders. It will not be responsible however, if circumstances prevent it doing so.

148

CATALOGUE INFORMATION

18 Manukau Rd, Newmarket PO Box 99251, Auckland, New Zealand ph 09 524 6804 fax 09 524 7048 auctions@webbs.co.nz www.webbs.co.nz

SIGNED

lile.

BANK ACCOUNT DETAILS - PAYMENT BY DEPOSIT Important: Fax this form to Webb's at +64 9 524 7048 so that payment can be confirmed and your purchases released. Buyer Number: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Sale Number: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

bids.or

Buyer Name: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Balance owing for purchase/s: NZ$ _ _ _ _ _ _ _ _ _ __

mof

*Please include a sale number and buyer ~umber as reference for direct credits to enable us to dispatch your items. WEBB'S BANK ACCOUNT FOR A DEPOSIT:

Bank:

Bid'

WESTPAC, 79 QUEEN ST, AUCKLAND Bank & Branch Number: 03 0104 Account Number: 0448184 00 Account Name: PETER WEBB GALLERIES LIMITED For international deposits, Swift Code: WPACNZ2W Amount transferred: NZ$ _ _ _ _ _ _ _ _ __ (including freight if applicable)

Date transferred: _ _ _ _ _ _ _ _ _ _ __

Signed: CONFIDENTIALITY: The information contained in this facsimile is legally privileged and/or confidential. If you are not the addressee listed below you are notified that except as authorised agent to the addressee any use, disclosure, copying or distribution of any of the contents of this facsimile by you ,s prohibited. Recipients other than the addressee listed below are asked to notify us immediately and return the original facsimile to us.

FREIGHT DISCLAIMER Please sign and return by fax or post with payment. Once received, your goods will be dispatched to you as arranged with the relevant department. Name Address - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - be

The following goods are to be despatched to me from Webb's.

Lot No.

Catalogue Description

Lot No.

Catalogue Description

n I understand and accept that Webb's has no responsibility for these goods whilst they are in transit and they are not covered by Webb's insurance once they leave Webb's premises. I have made my own arrangements regarding insurance for these goods. I do not hold Webb's or its staff liable for any loss or damage that may occur in transit.

signed _ _ _ _ _ _ _ _ _ _ _ _ _ __ Note: Webb's suggest that you do not sign for received packages without first opening the package in front of the deliverer and establishing that the contents are in good condition. Failure to do so may result in problems should you need to make a claim from your insurers.

------

18 Manukau Rd, Newmarket PO Box 99251, Auckland, New Zealand ph 09 524 6804 fax 09 524 7048 auctions@webbs.co.nz www.webbs.co.nz

CATALOGUE INFORMATION

149

A GUIDE FOR BUYERS I, 8idd~9 Webb's have set out the following information for the benefit of first time buyers and those who are unfamiliar with auction procedures. Important note: Please refer to full conditions of sale for buyers printed in the reverse of this catalogue and displayed in the saleroom. Registration All intending buyers must complete a bidding form available from the reception desk Buying at Auction 1, Floor Bidders Ensure that you have registered and obtained a buyer number before bidding on the lot or lots you have chosen Be aware that a buyer's premium of 12.5%+GST on the premium, a total of 14.06%, is payable by all buyers in addition to the hammer price. At some sales the amount of the buyers' premium may be more or less than 12.5%. Please make sure that you are aware of the amount of the buyer's premium. Make your bids clear, preferably by holding up your buyer number card. If you make a mistake e.g. the auctioneer takes a bid from you at a higher level than you had intended, or you realise that you had bid on the wrong lot, call out to the auctioneer immediately so that the bidding can be adjusted. Waiting until after the hammer falls is too late. If your bid is the highest and the lot is knocked down to you then you have entered a binding obligation to pay for that lot. 2. Sales Subject to Vendor's Consent Where your bid is the highest, but still below the reserve, the Auctioneer may declare you to be the "buyer subject to Vendor's consent". This means that your bid is held as binding and will be communicated to the Vendor at the earliest opportunity. If the vendor accepts then there is a contractual obligation for you to pay for the lot. If the vendor does not accept, you are released from any obligation, however you will have first right to negotiate with the vendor through Webb's until an agreement is reached, and Webb's will not present other offers to the vendor until your negotiations are ended. J. Absentee Bids

Webb's will endeavour to ensure that your bidding instructions are executed, but accept no responsibility or liability for failure to do so. Lots will be bought as favourably as is allowed by bidding in the sale room and any reserve imposed by the vendor. Please note that Webb's cannot guarantee that another bidder will not be successful at your limit if, in the course of competitive bidding, someone else bids your limit first. Absentee bids are accepted by written instruction which can be sent by fax (e-mailed absentee bids are not accepted) up to I hour before the commencement of the sale. Absentee bids will be executed on the following basis: If your bid limit is equal to or above a reserve , the Auctioneer may open the bidding at reserve on your behalf and will bid thereafter only in response to competition for the lot. If your bid limit is below a reserve, the Auctioneer may open the bidding at your limit and if there are no further bids in the room may sell to you "subject to vendor's consent". In the absence of a reserve the Auctioneer may exercise your bid in advance of any opening bid or may open the bidding on your behalf at the Auctioneers estimate, at the Auctioneer's sole discretion.

150

CATALOGUE INFORMATION

Telephone Bids The same conditions as above apply to telephone bidders. Webb's will telephone the number you have given several minutes before the lot you have request comes up for sale. If your phone is engaged or we are unable to make contact the auction will proceed without your bidding. Our staff will ask you to hold when we have made contact. They will then tell you

that your lot is about to come up. The bids will be relayed to you and you can enter the bidding at any time by making your call. Please note that the bidding at many auctions can be fast and furious. The auctioneer will not favour a phone bidder over and above buyers who are attending the auction by giving them more time to bid. You will need to establish your limit and make sure that you bid clearly and promptly. Telephone bids are only accepted for catalogued sales and on items with estimates over $500. Pre-Sale Estimates Estimates printed in the catalogue or given verbally are intended as a guide only and can be subject to revision nearer to the time of a sale. Webb's staff are available during pre-sale viewing times and by appointment to assist prospective bidders with estimates and any aspect of the auction procedure. Condition Reports Webb's staff will provide condition reports for out of Auckland buyers. However, please note that no 6 in the Conditions of Sale for Buyers will still apply despite the obtaining of a condition report.

..::~' .:,~

;,:i;ara -re:;.

1Registri --~q

!,$11 ';"''''~!

5,Pa)111111

;z-·-s ·tr. -7".iJ,

Payment Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on •he day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. Packing and Freight Webb's do not pack goods in house. However, we will arrange for your items to be packed and shipped by a professional agent. All costs associated with packing and freight are payable by the purchaser. Insurance In Transit Webb's insurance does not cover any pieces while in transit. Insurance must be organised by the purchaser. If insurance is required it can be purchased through Webb's broker but must be negotiated prior to the item leaving Webb's. Valuation Service Webb's provide free market appraisals on Monday mornings from 9am-1 pm or at other times by appointment. Webb's appraisers will come to your home to view and appraise larger items.

Webb's will provide valuations for insurance, matrimonial division, family division etc. Please enquire at reception for charges. Valuation charges are refundable on occasion when goods are subsequently offered for sale within a reasonable period.

1, Webb's

CONDITIONS OF SALE FOR BUYERS

iforethelot re unable to hen tell you

inytimeby unous. The ·eattending hyourlimit items with

guideoo~ 'sstaffare irospective

;, However, ply despite

yfollm~ng , adeposit 1e balance utmustbe epled.

iritemsto th pac~ng

emust be :{I through

1. Bidding. The highest bidder shall be the purchaser, subject to the auctioneer having the right to refuse the bid of any person. Should any dispute arise as to the bidding the lot in dispute will be immediately put up for sale again at the preceding bid, or the auctioneer may declare the purchaser, which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted. 2. Reserves. All lots are sold subject to the right of the seller or his agent to impose a reserve. 3. Registration. Purchasers shall complete a bidding card before the sale giving their own correct name, address and telephone number. It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud . 4. Buyers' Premium. The purchaser accepts that in addition to the purchase price Webb's will apply a buyer's premium of 12.5% of the hammer price (unless otherwise stated) together with GST on such premium. 5. Payment. Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. 6. Lots sold as Viewed. All lots are sold as viewed and with all errors to description, faults and imperfections whether visible or not. Neither Webb's nor its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever. Buyers proceed upon their own judgement. Buyers shall be deemed to have inspected the lots, or to have made enquiries to their complete satisfaction, prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in all respects. 7. Webb's Act as Agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason. 8. Collection. Purchases are to be taken away at the buyer's expense immediately after the sale except where a cheque remains uncleared. If this is not done Webb 's will not be responsible if the lot is lost, stolen, damaged or destroyed. Any items not collected within seven days of the auction may be subject to a storage and insurance fee. A receipted invoice must be produced prior to delivery of any lot.

its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies: a. To issue proceeding against the purchaser for damages for breach of contract. b. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction. c. To resell the lot by public or private sale. Any deficiency resulting from such resale, after giving credit to the purchaser for any part payment, together with all costs incurred in connection with the lot shall be paid to Webb's by the purchaser. Any surplus over the proceeds of sale shall belong to the seller and in this condition the expression "proceeds of sale" shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction. d. To store the lot whether at Webb 's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal , storage, and all other costs connected to the lot. e. To charge interest on the purchase price at a rate 2% above Webb 's bankers' then current rate for commercial overdraft facilities , to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale. f. To retain possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due. g. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb's or it's vendor. Webb 's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under this contract. h. To apply any payment made by the purchaser to Webb 's towards any money owing to Webb 's in respect of any thing whatsoever irrespective of any directive given in respect of, or restriction placed upon, such payment by the purchaser whether expressed or implied. i. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in full by cleared funds. Where any lot purchased in held by Webb's pending i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit, the lot will be held by Webb's as bailee for the vendor, risk and title passing to the purchaser immediately upon notification of clearance of funds or upon completion of purchase. In the event that a lot is lost, stolen damaged or destroyed before title is transferred to the purchaser, the purchaser shall be entitled to a refund of all monies paid to Webb 's in respect of that lot, but shall not be entitled to any compensation for any consequent losses howsoever arising. 11. Bidders deemed Principals. All bidders shall be held personally and solely liable for all obligations arising from any bid, including both "telephone" and "absentee bids". Any person wishing to bid as agent for a third party must obtain written authority to do so from Webb's prior to bidding.

1pmorat 18 to ~ew

~dMsilll1 1sequenW

9. Licences. Buyers who purchase an item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 cannot take possession of that item until they have shown to Webb's a license under the appropriate Act. 10. Failure to make Payment. If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to the purchaser, at

12."Subject Bids" Where the highest bid is below the reserve and the auctioneer declares a sale to be "subject to vendor's consent" or words to that effect, the highest bid remains binding upon the bidder until the vendor accepts or rejects it. If the bid is accepted there is a contractual obligation upon the bidder to pay for the lot.

CATALOGUE INFORMATION

151

PRICES REALISED

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FINE ART, JEWELLERY & DECORATIVE ART SALE 270 28 - 30 JUNE 2005

111

Lot

JEWELLERY 2,500 2 10,000 4 3,500 7 15,000 9 11 6,000 14 7,250 325 15 14,500 16 20 300 22 700 23 900 24 900 450 25 400 26 27 275 28 200 29 60 250 30 31 225 32 150 140 33 150 34 35 70 70 36 37 70 70 38 39 80 40 85 1,100 41 43 2,400 46 900 48 600 49 3,000 51 1,500 52 850 53 1,100 400 55 56 400 57 400 58 200 60 500 61 275 62 800 64 500 69 500 72 700 74 900 76 400 79 450 80 400 82 3,000 83 300 2,750 85 87 2,600 88 1,200 92 2,000 94 2,000 98 530 100 450 104 3,500 108 750 111 170 112 120 116 750 119 3,000 120 1,200 122 2,200 124 1,750

152 CATALOGUE INFORMATION

Lot

133 135 136 137 139 143 145 147A 148 150 153 154 155 156 157 163 169 170 176 178 179 180 187 189 190 192 193 194 FI NEART 300 301 302 303 304 305 308 309 310 311 313 314 315 316 318 321 323 325 329 331 332 333 334 335 336 337 339 340 342 345 346 347 348 349 350 351 353 357 358 360

4,000 7,000 18,000 10,000 20,000 12,000 7,000 8,000 1,200 1,250 4,000 2,200 6,000 600 2,700 1,750 300 3,500 3,750 500 1,900 950 700 6,250 1,500 700 1,600 2,200

361 364 367 368 369 370 371 373 376 379 380 382 384 386 387 388 391 392 393 394 396 398 400 408 410 411 412 413 415 419 420 422 423 427 428 430 435 436 441 442 443 448 449 452 455 456 457 458 460 462 464 467 468 473 475 477 480 481 482 485 486 487 488 489 490 491 492 493 494

3,000 3,600 1,300 2,600 3,300 1,350 2,000 7,000 5,500 1,800 5,000 6,500 3,500 3,100 10,000 1,700 14,000 7,500 6,000 6,000 6,000 6,250 2,500 6,000 4,800 3,000 8,000 14,000 1,800 6,000 6,500 8,750 5,250 16,500 18,000 25,500 3,000 50,000 140,000 10,000

23,000 20,000 4,000 1,800 6,400 5,000 45,000 8,000 4,500 15,000 32,000 50,000 72,000 14,000 45,000 35,000 15,000 30,000 20,000 62,000 9,000 1,800 5,000 9,000 10,000 3,000 3,500 3,750 6,600 11,500 43,000 4,000 3,500 3,500 1,100 2,350 2,800 3,900 8,500 3,500 1,000 4,100 10,000 2,200 3,400 1,800 4,000 1,700 2,600 5,000 2,500 2,500 3,500 1,000 3,200 2,100 30,000 30,000 8,200 2,000 2,000 1,200 1,100 4,000 1,500 900 850 1,200 3,200

Lot

495 2,100 1,600 496 DECORATIVEARTS 501 35 400 502 504 400 507 80 125 508 510 80 140 511 513 300 125 515 516 110 110 517 700 519 520 320 521 1,000 180 524 525 425 526 500 527 500 400 528 45 534 150 535 195 536 537 22 175 538 539 300 540 300 542 45 543 350 544 305 545 14 547 160 548 250 549 130 550 60 551 300 40 552 553 65 555 310 556 320 559 300 561 400 562 500 400 563 564 275 565 375 568 450 571 250 574 245 575 225 576 250 577 270 581 250 582 275 584 80 586 40 588 310 589 255 590 470 592 40 597 200 598 200 601 80 603 60 607 200 608 5,400 610 4,900

Lot

611 612 613 615 616 617 619 621 622 626 627 628 629 630 632 633 635 636 637 638 639 640 641 642 644 647 649 650 652 653 655 656 660 661 663 668 673 676 677 679 680 681 682 683 685 686 690 693 694 697 701 703 704 706 707 709 710 712 713 714 716 719 725 734 737 741 743 744 748

3,250 425 400 425 260 925 430 300 160 275 275 150 160 65 45 80 45 55 45 170 100 260 22 34 60 110 425 220 440 700 60 125 180 160 500 160 110 475 75 275 40 40 180 500 420 355 1,900 200 60 14,000 120 290 420 2,200 1,250 600 2,200 1,950 1,650 225 1,350 400 1,100 120 20 320 120 140 22

Lot

750 752 760 763 764 767 769 772 773 774 775 776 777 778 783 784 786 788 789 790 791 792 793 794 795 798 800 801 802 803 806

15 25 400 325 400 400 400 155 220 170 2,800 3,500 3,900 200 850 175 1,000 600 200 1,200 175 1,100 3,800 2,150 300 2,100 1,000 8,500 2,500 300 4,500

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PRICES REALISED A2 ART, A2 JEWELLERY, THE NEW ZEALAND SALE, AUGUST 9 - 11 2005 $

15 25 400 325 400 400 400 155 220 170 2,800 3,500 3,900 200 850 175 1,000 600 200 1,200 175 1,1 00 3,800 2,150 300 2,100 1,000 8,500 2,500 300 4,500

Lot

A2 ART

1 2 3 4 5 6 8 10 11 12 13 14 15 17 21 23 28 29 33 35 36 37 38 39 41 42 45 46 47 48 49 50 52 53 55 56 57 58 59 60 61 63 64 65 66 68 69 70 72 73 74 75 79 80 82 85 86 91 93 95 96 98 99 100 101 106 107 108 109 110

850 1,550 1,300 1,000 570 800 300 550 450 700 500 650 700 600 850 700 1,100 900 500 1,500 2,200 2,800 1,800 2,400 1,500 4,500 1,000 6CO 200 350 250 400 200 425 450 40 1,500 1,200 3,100 200 1,200 200 200 150 400 700 200 400 1,100 1,000 4,700 2,650 400 650 1,000 3,600 2,400 450 800 800 1,200 650 700 250 500 640 1,800 240 1,100 200

Lot

113 114 115 116 117 118 121 122 123 124 128 130 131 132 133 134 135 136 137 138 139 140 141 142 147 148 149 150 153 154 156 157 158 159 160 161 162 163 166 168 169 170 172 175 176 177 178 180 181 185 186 187 188 189 190 191 192 193 196 198 199 202 203 207 208 209 211 213 214 215 217

275 1,200 2,700 300 1,000 280 750 80 100 60 100 385 400 160 500 220 400 300 250 240 480 375 100 240 300 350 100 175 300 100 300 180 1,200 80 400 250 900 950 700 400 800 500 200 140 1,000 160 40 80 650 350 50 600 320 75 800 950 100 80 300 250 425 500 225 100 100 250 60 350 800 100 80

Lot

219 130 220 500 221 275 222 375 223 160 325 226 228 140 229 75 230 200 231 125 232 100 233 120 234 600 236 200 237 1,150 242 640 243 650 244 700 248 1,450 249 850 250 1,150 251 900 252 50 253 400 255 275 A2 JEWELLERY 501 200 1,000 502 4,100 503 504 3,550 12,000 505 7,000 506 507 300 510 800 515 230 518 400 520 550 521 550 522 500 524 300 525 150 526 450 527 200 529 100 1,700 533 1,800 534 2,400 536 537 3,750 539 550 540 2,100 543 1,900 544 5,000 545 2,300 2,000 550 552 2,800 700 553 554 300 1,450 561 4,000 568 3,200 570 572 500 577 800 578 3,500 579 900 5,000 584 587 250 2,000 588 589 625 591 700

1,700 600 350 3,500 1,750 250 700 900

650 651 658 663 664 666 667 668 669 670 673 674 676 678 683 684 685 686 687 688 689 690 691 693 694 695 700 701 702 707 708 709 710 711 712 712B 713 717 718 719 720 721 722 723 724 725 726 727 728 729 730 732 733 734 735 736 737 738 739 740 741

2,500 3,500 500 10,250 1,350 1,000 4,750 2,750 1,900 740 700 850 75 300 68,000 900 2,750 5,750 3,000 6,500 500 420 525 3,500 750 300 300 350 750 24,000 1,700 440 1,600 300 3,250 150 1,100 190 90 100 60 10 280 220 240 70 100 225 325 500 100 50 480 1,700 700 3,100 2,100 950 1,300 1,600 450

THE NZ SALE

Lot

592 593 595 596 597 601 602 603

743 744 745 746 747 748 749 751 752 755 756 757 765 766 767 768 769 770 771

772 773 774 776 777 778 779 780 781 783 784 785 786 787 788 789 790 791 793 794 795 796 797 800 801 803 804 8O4A 805 806 807 809 810 811 812 813 814 815 817 818 819 820 821 822 823 824 825 826 827 828 829 832

Lot

600 2,000 1,400 2,100 750 750 400 375 575 3,700 2,900 2,050 150 140 300 350 200 825 600 1,550 250 400 45 200 100 160 150 80 180 175 200 660 350 450 450 200 110 100 55 80 325 470 20 500 400 170 180 40 750 110 1,250 52 40 220 45 100 200 200 300 150 130 110 150 300 125 800 50 500 640 200 150

837 839 841 842 843 844 845 846 847 848 849 851 853 855 858 859 860 861 863 864 866 867 868 869 870 871 872 873 874 875 876 877 880 883 884 885 887 888 889 890 891 892 893 894 896 897 898 899 901 903 904 905 907 908 909 911 912 914 915 916 917 920 922 926 927 928 930 931 932 933 934

725 300 425 300 175 400 500 1,000 450 500 300 200 55 50 24 125 125 300 150 300 750 200 300 80 500 380 170 125 160 20 35 70 150 100 40 20 1,000 400 60 50 50 26 20 50 100 375 1,425 115 20 60 10 110 150 75 35 80 80 275 30 35 60 280 75 350 180 120 150 140 350 10 20

CATALOGUE INFORMATION

153

I Lot 936 937 938 939 940 943 947 948 949 950 951 952 953 955 956 957 958 959 960 962 963 964 965 970 971 974 976 978 979 980 981 986 991 992 994 996 997 998 999 1000 1001 1002 1005 1007 1011 1013 1014 1015 1016 1017 1018 1024 1026

20 100 20 60 70 50 35 30 60 10 75 70 30 150 30 125 280 200 100 350 60 35 30 60 60 15 45 12 30 20 20 80 40 150 95 350 200 200 70 240 40 20 10 10 80 100 30 300 425 500 500 2,000 120

JOHN WEEKS

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

200 750 550 3,500 1,150 1,150 425 325 225 1,300 800 5,200 700 1,200 1,400 600 900 500

154 CATALOGUE INFORMATION

I Lot 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90

1,700 1,500 2,700 325 525 425 3,300 1,250 3,450 1,800 6,400 5,400 4,000 3,600 750 1,700 3,900 2,200 2,500 3,000 8,000 2,350 3,200 1,400 10,400 2,700 1,550 200 725 1,200 1,000 3,400 1,800 3,800 2,000 900 900 400 850 1,050 2,600 1,900 5,400 1,200 1,100 1,600 900 900 2,000 800 1,800 2,800 1,000 500 700 450 3,000 600 750 325 350 1,300 3,800 500 3,700 1,000 1,700 900 1,100 1,500 2,200

Lot

91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159

1,100 1,000 1,300 1,200 1,350 700 700 1,200 1,000 1,500 2,000 500 3,400 900 300 300 700 2,200 300 650 1,700 2,200 1,200 2,000 800 600 450 1,000 2,600 2,500 7,000 4,600 400 250 600 400 950 250 600 500 350 900 350 350 750 350 800 1,900 1,800 1,900 1,000 1,000 1,000 1,400 2,700 525 2,700 1,800 450 1,000 550 3,900 1,100 650 800 5,500 350 900

STUDIO POTTERY

201

900

Lot

204 205 207 209 210 211 212A 213 214 215 216 217 218 219 220 221 226 227 228 229 230 232 233 234 235 237 239 240 241 242A 249 250 252 254 256 257 258 259 260 261 262 263 264 265 266 268 269 271 272 274 275 282 283 284A 285 286 288 289 290 292 293 294 295 298 299 302 305 306 308 309 312 313

1,20 500 900 300 200 100 180 225 240 260 180 100 180 145 140 110 140 240 280 20 400 200 100 280 550 74 150 400 1,600 400 100 30 20 400 80 100 350 900 400 100 60 30 100 2,250 50 275 125 450 60 120 40 110 125 80 900 400 120 130 500 775 20 375 150 150 110 775 150 350 360 1,200 1,600 450

Lot

316 318 322 323 324 325 327 330 331 333 334 336 337 338 339 339A 341 343 346 347 348 349 350 352 358 360 361 363 364 365 367 368 369 370 373 375 376 377 378 379 380 381 383 384 385 389 391 392 393 395 398 399 400 407 409 410 412 413 415 417 421 422 423 424 425 426 427 428 429 430 431 433

55 700 275 85 140 360 80 115 300 275 100 1,600 320 400 290 105 400 200 90 200 50 50 100 120 50 65 50 450 150 500 3,000 400 50 300 40 240 170 75 20 100 50 80 170 210 290 130 60 65 110 150 60 50 250 30 30 100 75 320 40 15 400 70 50 320 40 200 45 150 675 300 200 200

434 435 440 445 449 450 451 458 460 461 462 464 465 466 467 469 470 471 474 475 477 480 481 483 484 486 487 488 492 494 496 498 499 501 505 506 508 509 :511 513 514 515 516 517 518 523 524 525 526 527 530 535 536 538 542 545 546 548 549 551 552 553 554 555 557 558 559 561 562 564 565 566

120 125 60 40 30 15 40 60 80 40 15 50 210 45 45 40 35 145 25 70 80 210 110 100 35 65 50 70 60 80 75 275 60 240 110 80 45 220 55 140 145 100 50 210 200 30 50 25 45 50 110 175 200 460 30 30 20 40 30 50 25 25 52 52 25 125 100 75 130 50 1,250 2,000

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CATALOGUE SUBSCRIPTION FORM 120 125

A subscription to our comprehensive art and antique catalogue will keep you in touch with the market and fully informed regarding current prices. All catalogues have estimates and prices realised for previous sales. There are eight catalogues per year containing Jewellery, Decorative Art and Fine Art. The price of $120 for eight catalogues including GST and postage within New Zealand represents a substantial saving on counter prices. Many of the finest collectors' pieces in New Zealand are found in these catalogues.

60 40 30 15 40 60 80 40 15 50 210 45 45 40 35 145 25 70 80 210 110 100 35 65 50 70 60 80 75 275 60 240 110 80 45 220 55 140 145 100 50 210 200 30 50 25 45 50 110 175 200 460 30 30 20 40 30

If you wish to take out a subscription please complete the form below and return with your payment. We hope you will enjoy receiving our catalogues.

FINE ART, JEWELLERY & DECORATIVE ART CATALOGUES TICK BOX

Within New Zealand Eight catalogues which include Art, Jewellery and Decorative Arts Include wine catalogue at no extra cost YES/ NO please circle option

• • • • ••

$120 including postage

Australia and the Pacific Eight catalogues which include Art, Jewellery and Decorative Arts

$200 including postage

UK/USA/Asia/Other Eight catalogues which include Art, Jewellery and Decorative Arts

$320 including postage

BETHUNES CATALOGUES Three catalogues

Within New Zealand

$30 including postage

Australia and the Pacific

$39 including postage

UK/USA/Asia/Other

$42 including postage

OVERSEAS POSTAGE IS BY FIRST CLASS AIRMAIL. FOR A DOOR-TO-DOOR COURIER SERVICE, WHICH WILL GUARANTEE ARRIVAL BEFORE THE SALE, PLEASE ENQUIRE BY EMAIL TO LXANTHOS@WEBBS.CO.NZ. NAME..

ADDRES~ - - - -

FAX

eH.11.Hf__ _ _ _ __

Che_qwumclo,"'se...,.d' -- -

_ _ _ _ _ _J:[edit Card: Amex/Visa/Bankcard/Masterca..,r_..d/u.D... in....e...,rs, __ _ _ _ __ Expiry Date

Card Number

25 25 52 52 25 125 100 75 130 50 1,250 2,000

S.lGNEIL

18 Manukau Rd, Newmarket PO Box 99251 , Auckland, New Zealand ph 09 524 6804 fax 09 524 7048 auctions@webbs.co.nz www.webbs.co.nz

GST Reg No 28-578-903

CATALOGUE INFORMATION

155

INDEX OF ARTISTS Albrecht, Gretchen Angus, Rita Apple, Billy

54,142 61 127

Bambury, Stephen Bensemann, Leo Brown , Nigel

114 82,86,92, 136

Chevalier, Nicholas Ching, Raymond Clairmont, Philip Clarke , Russell Cotton , Shane Cowie, Reverend John

58 105 84,129 19, 41 67, 72 25

Dashper, Julian de Lautour, Tony Drummond, Andrew

36 1,2,3,29 135

Esplin, Tom Feu'u, Fatu Fomison , Tony Fong , Luise Frizzell, Dick Gimblett, Max Goldie, Charles F. Graham, Brett Gully,John Hammond, Bill Hanly, Pat Harris, Jeffrey Hayes, Edwin Heaphy, Chris Hodgkins, Frances Hotere, Ralph Hoyte, John Barr Clarke

Macleod, Euan Maddox, Allen Matchitt, Para Mayo, Eileen McGahan, Colin Moffitt, Trevor Nerli, Girolamo Pieri Organ, Jonathan

120 87 56, 70,89, 101 22 6 8,45,63, 74 132 27, 59 90

Page, Evelyn Parekowhai , Michael Pearson , Alan Perkins, Christopher Pick, Seraphine Pule, John Pwerle, Minnie

93 28 119 113 11, 15 40 108

Rae.Jude Rip, Willem Cornelis Robinson, Peter Robley, Horatio Gordon Ruifrok, Wilhelmus C.

21 112 31,37,38,85, 137 26 139

Scott, Ian Sharpe, Alfred Shepherd, Michael Siddell , Peter Smither, Michael Spencer-Bower, Olivia Steele, Louis John Stevenson, Michael Stoddart, Margaret Summerton, Justin

71 48,49 66 42 16, 75 100 103 30 131 134

Taylor, E. Mervyn Thompson, Pauline Thornley, Geoff Timms, Freddie Tole , Charles Trusttum , Philip

95,96 81 106 107 128 116

115 65 17,35,51,60, 73,123 18, 32 5, 7,34,62,69 79 47 20 68, 76 13, 14,43,46,80 9,44,52,97, 126 124, 125, 133 111 10 53 33, 39,57,64, 78,88, 130 138

Kaan, Simon Karaka, Emily Kennington , Thomas Benjamin Killeen, Richard Kinder, John

23 91 109 4 122, 143

Lane, Tony Leek, Saskia Lough Thompson, Sydney Lovell-Smith , Rata

104 12 140, 141 118

156 CATALOGUE INFORMATION

Lusk, Doris

Walsh, John Walters, Gordon Weeks, John Woollaston , Toss

50 83 24,94 55, 98, 99,102,117,121

Young , John Henry

110

120 87 89, 101 22 6 , 63, 74

132 27, 59 90 93

28 119 113 11 , 15 40 108 21 112 85, 137 26 139

71 48, 49 66 42 16, 75 100 103 30 131 134

95, 96 81 106

107 128 116 50 83 24, 94 17, 121

110

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