Fine Art, Jewellery & Decorative Arts, June 2006 by Webb's Auction House

The Eames Lounge Chair and Ottoman are 50 years old Limited edition now available To celebrate, a special hand-numbered edition is available only in 2006. Each chair is medallion-stamped, made with sustainable Santos Palisander rosewood and is upholstered in exclusive Edelman black kid leather. The Eames Lounge Chair and Ottoman are considered among the most significant and widely recognized furniture designs of the 20th century. The rich veneer and supple leather suggest old-fashioned luxury translated into modern forms, setting an enduring standard for comfort and elegance. The Eames lounge chair is a treasured collector's item around the world.

This is a once only opportunity to invest in a special anniversary edition which will give pleasure and enjoyment for generations to come.

Contact our showrooms now and secure your own slice of design history.

matisse • AUCKLAND - 99 The Strand, Parnell T 09 302 2284

creating inspirational places to live and work

• WELLINGTON - 147 Thorndon Quay T 04 499 9892

• CHRISTCHURCH - 62 Victoria Street T 03 366 0623

- - - - - - -~ e HermanMiller E design@matisse.co.nz

www.matisse.co.nz

SALE 278

AThree Day Sale of Fine Art, Jewellery and Decorative Arts June 27th 28th 29th. 2006 Followed on July 13th by a sale of

Twentieth Century Design Day 1 - Fine Art 6.30pm

Tuesday 27th June

Day 2 - Jewellery 2.00pm & 6.00pm

Wednesday 28th June

Day 3 - Decorative Arts 6.00pm

Thursday 29th June

Twentieth Century Design 6.30pm

Thursday 13th July

GENERAL VIEWING TIMES Thursday

22nd

June

9.00am

5.30pm

Friday

23rd

June

9.00am

5.30pm

Saturday

24th

June

11.00am

3.00pm

Su nday

25th

June

11.00am

3.00pm

Monday

26th

June

9.00am

5.30pm

Tuesday

27th

June

9.00am

12.00 noon

Wednesday

28th

June

9.00am

1.00pm

Thursday

29th

June

9.00am

12.00 noon

PLEASE REFER TO THE TWENTIETH CENTURY DESIGN SECTION TITLE PAGE FOR VIEWING TIMES CHECK SECTION TITLE PAGES FOR SPECIFIC VIEWING TIMES

BUYER'S PREMIUM The buyer's premium charged on al l items in this catalogue is 12.5%. GST of 12.5% is payable on the buyer's premium only. CONDITION OF ITEMS The condition of items is not detailed in this catalogue. Buyers must satisfy themselves as to the condition of lots they bid on and should refer to clause 6 in the Conditions of Sale for Buyers printed in the back of this catalogue. Webb's are pleased to provide intending buyers with condition reports on any lots. PACKING RESTRICTIONS Webb's is unable to pack large or fragile item/s or any item/s for international dispatch. These item/swill require professional packing which Webb's will commission on behalf of the buyer. Webb 's are happy to provide advice to intending buyers, prior to sale, as to the frieght policy pertaining to individual item/s. Intending buyers should refer to Webb's guide for Buyers at the back of this catalogue.

Webb's © Peter Webb Galleries Ltd

18 Manukau Road, Newmarket. PO Box 99251, Newmarket, Auckland , New Zealand. Phone: 09 524 6804. Fax: 09 524 7048 auctions@webbs.co.nz. www.webbs.co.nz

Illustrated front cover: Lot 45, Rosalie Gascoigne, NYT (SR TO), retro reflective road signs on plywood (detail)

IN RETROSPECT

April 4th 2006, Sale Summary

Thirtieth Anniversary Sale of Fine Art

Art Market Bounces Back to Buck Trend of a Softening Economy A solid crowd of around 300 art collectors crowded into Webb's Manukau

4 IN FOCUS

Christian (DJ. Due to time constraints, the work was valued prior to

road showrooms on Tuesday night to ensure that, despite continued

conservation and re-presentation at $50,000 - $70,000; however, such

negativity around the New Zealand economy and lingering talk of a

was the success of the work undertaken that it became increasingly

recesssion, the art market remains buoyant and has even , in certain

evident to the staff at Webb's in the days leading up to the sale, that

instances, strengthened dramatically. From the evening's opening two

the vendor may well be in for a pleasant surprise. Yet, there was none

lots, E. Mervyn Taylor's Tane and Hine Ahu One ($2,509) and Michael

who couldn't be, at least a little surprised to hear that after a prolonged

Parekowhai's Bosom of Abraham ($5,930) , through to the last lot in the

bidding battle , a determined collector paid $179,648 - a price well over

sale, A. Sani's Grandpa's Darling($ll,405) , paintings frequently sold

double that ever paid previously for a McCahon scroll painting at auction.

to the upper end and beyond their top estimate. It was, without doubt,

The four Colin McCahon paintings from the Collection of Bob and Noeline

the strongest art sale of the last twelve months. Such a statement is

Chapman hung like monuments to McCahon 's radical formal innovations

easily reinforced through recourse to the sale's total gross turnover of

of the late 1950s and early 1960s in Webb's new gallery annexe. They all

$2,262,560.

sold very well. The top selling lot of the evening was Koru 3 [El, with an

A strong viewing and a quality offering hinted at the possibility of a

estimate of $350,000 - $450,000, bidding stopped slightly short of this at

good sale, yet only one thing was certain leading up to the sale: that it

$310,000. Koru 3was the most important McCahon to be offered on the

would provide the first true test of the year for where the art market was

open market since Webb's sold No. 2, almost three years ago to the day.

currently at, and in which direction it might be heading. That the market

The subject sale went through the following day to a delighted private

rebounded so strongly after a soft 2005, is testament to a positive outlook

collector who paid $353,590 - the highest price for an artwork at auction

from buyers and also to an increasing willingness on behalf of vendors to

in this country in the last three years. The Gate was also sold subject to

meet the market.

vendor's acceptance and went through the next day for $91 ,250, whilst

Highlights were numerous, but the evening really belonged to New

A Kauri Tree, Titirangi sold under the hammer for $85,546 as did

Zealand's pre-eminent artist, Colin McCahon. Represented by a diverse

Northland for a very strong $273,750.

but equally fine range of five works in the sale, ii was going to be these

Perhaps the most pleasing aspect of Tuesday nights auction was

that would provide the litmus test for the top-end of the market. The

however, the high degree of interest and bidding which took place across

absolute flyer of the evening was his resplendent, The Calling of a

all sectors of the market. The modern, contemporary and historical

IN RETROSPECT

markets all held up very well, and there were new record prices paid for Gretchen Albrecht ($46,765), Jeff Thomson ($6,155), Kingsley Baird ($3,878), Mary McIntyre ($21,670), Richard Lewer ($7,755) and John Reynolds ($12,660) Further strong sales from these sectors under the hammer included: Frances Hodgkins' Mother and Child ($91,250) [Cl, Brent Wong's Hill Cloud ($43,340), Gordon Walters' Study for Rewa ($68,437), Shane Cotton's Good Tree, Bad Tree ($13,687) and Tableau ($19,390), Don Binney's Pied Shag at Devonport Ferry ($14,828), John Walsh's The Fixer ($20,530), Peter McIntyre's Coastline near Tutukaka ($20,530) and John Barr Clark Hoyte's View of Auckland ($22,812).

Post auction sales of interest included: Charles Frederick Goldie's Complacency: Portrait of Takarea Te Heu Heu ($119,765) [Al, Russell Clark's Picking Corn, Hokianga ($79,843) [Bl, Milan Mrkusich's Meta Grey No.3 ($33,078) and Sydney

Lough Thompson's Morning on Market Square, Concarneau ($25,000). Seen in the context of the continued economic doom-and-gloom espoused from seemingly every corner of the New Zealand media, April's sale constituted a

•.

- ~' . , .

remarkable success. Outside of a seemingly depressed property market and a rapidly depreciating dollar, the art market appears, after nearly two years of softening, to be heading north again.

Please Note : Prices realised include buyer's premium of 12.5% + GST.

IN FOCUS

IN RETROSPECT

• Thirtieth Anniversary Celebrations

Webb's preview of its thirtieth anniversary sale on March 29th was to have been an occasion for guests to sample a variety of professionally mixed Martinis, but when the principal cocktail barman failed to materialise, it fell to Webb's staff to assist the lone barman in serving gin and tonics to the queuing multitude. About three hundred guests thoroughly enjoyed the evening and there was general approval of the newly renovated back sa leroom, in wh ich were displayed the Chapman Collection of important paintings by Colin McCahon. The sale of paintings on the following Tuesday was being watched with more than the usual interest by the local art market as it was expected to be a harbinger of market conditions for the year ahead. The saleroom was filled to overflowing, and buyers competed for the best works, sometimes cautiously, but willing to pay reserves and beyond for the majority of the catalogue.

RENAISSANCE MAN 1913-2006 With the passing away of Jim Holdsworth in Gisborne last February, Bethunes lost a passionate collector of New Zealand historical literature with whom it had enjoyed an association lasting more than six decades. Jim Holdsworth was something of a renaissance man, a rar<, breed in this country, and while his ambition as a young man was to study medicine, the depression of 1929 fo rced himio leave university and return to help out with the fami ly farm at Paringahau. Henceforth , he was la rgely self-educated , subscribing to international journals on such subjects as inorganic chemistry, cosmology, physics, geology, geomorphology, and botany as well as becoming fluent in the Maori language and knowledgeable of Maoritanga. He was the Gisborne chess champion for a number of years and in conversation, he was able to drop in frequent quotations from Shakespeare and the Bible. Jim died in February this year aged 92 having just climbed to the top tier of the Poverty Bay Racing Club's grandstand where he collapsed. His collection of New Zealand Historical Books, one of the largest and most comprehensive in the country, has passed to his grandson, Jasper, who with his parents, Peter and Bronwen , wil l maintain and add to the collection as opportunities arise .

IN RETROSPECT

A: Hal Chapman between two of his parent's McCahons. B: Professor Michael Dunn and Warwick Brown. C: Mr Gus Fisher and Mr. Michael Fisher. D: Mrs Rene Fisher with Louise Pether. E: Mr John Mowbray Snr., Peter \/\/ebb and James Nilsson. F: Qyeing for cocktails. G: Collectors,Jcnny and Andrew Smith.

NEARLY ABSTRACT A small but enthusiastic crowd of around 60 turned up to the opening at Webb's of the Nearly Abstract exhibition of paintings by Aboriginal Women from the Kiwirkkura, Utopia

and Ramingining communities on the evening of the 26th of May. Those who braved the weather were treated to an impressive array of museum-quality Aboriginal paintings and to a brief but enlightening speech by co-curator of the exhibition, Dick Belt. By the time of going to press on the Wednesday following the opening, news was filtering through the Auckland art's community about the strength of the exhibition and seven works had sold including both major Emily Kame Kngwarreye's, the striking achromatic Gloria Pitjara, the important Minnie Pwerle, the Margaret Turner Petjarre and contemporary works by Abie Loi Kemmare and Makinti Napangka. These sales, coupled with the positive reponse from all who attended, ensured a small but nonetheless important broadening of support for quality Aboriginal painting in this country.

Left: Gloria Pitjara, Leafs (2005)

IN FOCUS

IN RETROSPECT

Going... Going ... Gone! The highest price on the night for the April 7th Jewellery sale was $37 ,500 for lot 327 , a 3. 13ct solitaire diamond ring (illustrated left). The Franck Muller wristwatch , lot 218 (illustration right), was sold for $11,500 by negotiation after the sale. A necklace & earring suite by renowned New Zealand jeweller Ida Hudig was finally knocked down for $11,000 after very spirited bidding galloped past the pre-sale estimate of $5,000 - $7,000.

Bethunes@Webb's Rare Book, Map and Photography sale in March had New Zealand collectable titles

3cting strong interest. Four early New Zealand cookery books achieved $1 ,500 against a pre-sale estimate of )0. These books , all written by Mrs EB Miller, included the rarely seen 1st edition title, Improved Economic

Jokery Book, published by Mills, Dick & Co. in 1893 (illustrated ght). The New Zealand comic, Little Hongi, Adventures in

v1aoriland (illustrated left), published in Auckland in the 1950's fetched $375, further highlighting the demand for quirky local material. We are currently preparing another major auction to be held in August. This will include a stunning collection of ornithological titles by J. Gould, W.L. Buller and G.E. Shelley. Further quality entries invited. Please contact Miriam Shaw on : (09) 529 5602 or email:bethunes@webbs.co.nz.

An immaculate and interesting provenance influenced two bidders to compete strongly to take a Kahu Kiwi Maori Cloak above the cata logue top estimate and produce a national record, selling for $125,460 during The New Zealand Sale held on April 6th. Similar cloaks have sold close to this level, however the fulsome oral history from a direct descendant of the 1865 recipient of this cloak on her marriage day, proved to be the criti cal ingredient in lifting it to the top of the pile. The cloak 's sale was constrained under the Antiquities Act 1975, which has historically caused prices to be held below international value because of the restriction that registered items may not be sold overseas, however a new breed of collector is competing at a level that is seeing prices for the best artefacts realise sums in line with those achieved internationa lly. See page 18 for details of the next New Zealand sale on September 21st.

A Mintons Majolica Monkey Stool also attracted strong demand, with three overseas bidders competing

against the room to see it finally secured by an American from New York State. While concerns about the extensive restoration had caused the Decorative Arts Department to estimate the value of the stool very conservatively at $1,500 - $2,000 originally, as strong interest was expressed during the viewing this was revised considerably upwards. The stool eventua lly sold for $9,600.

8 IN FOCUS

... '

f eslive--'fo,t-rl~r1.<l""9 menus U'f""'r'lf'ru

bcfi bubble• rmen· markets . as visits £ranee

yto take ird,

ict itical

ii value

,wbreed 1s in

everybody's =--i

f avour1Le

d. h 1s

The judges liked Dish so much they awarded it

"Supreme Winner - Magazine of the Year 2006" at the Magazine Publishers Association Awards. Isn't it time you tried everyone's favourite magazine? Latest issue on sale now or subscribe at www.dish.co.nz

HEADS OF DEPARTMENTS In this issue of In Focus we introduce BEN PLUMBLY the first profile in a series of departmental heads at Webb's. Ben Plumbly abandoned a postgraduate scholarship in art history at Melbourne University to join Webb's as Head of the Art Department, two years ago. Ben grew up in an auction environment, his parents Trevor and Pam Plumbly owning the leading Dunedin auction business, Plumbly's. Ben began his own collection of New Zealand paintings and photography by bidding at his father's sales, and it was the cut and thrust of the marketplace that Ben worried he would miss if he pursued a career as an academic. From the consignment of a work, through to its sale from the rostrum, Ben Plumbly defines his role as striving to add value to the paintings he has accepted for sale on behalf of his vendors. He is acutely aware of developments in contemporary art through his regular visits to private galleric:s in Auckland and by his frequent visits to other centres. He has a particular interest in contemporary photography and last November produced Webb's first catalogue devoted entirely to New Zealand and foreign photography. In August Ben and fellow colleague Jessica Pearless will attend the Melbourne Art Fair. Ben is 31 years old and lives in Onehunga with his long-term partner Sarah, and their very new son, Samuel.

Left: Ben is pictured in front ofNingura Napurulla's Wirrulnga Counhy (2002) on display as part of the Nearly Abstract exhibition

he co-curated in J\1ay. Below: Ben (right) and colleague James Hogan in action during the KidsCan charity auction with James at the rostrum and Ben 'spotting'.

CHARITY AUCTIONS May was a busy month for charity auctions, Webb's being called upon to provide auctioneers for the auction segments of three big gala events. Ben Plumbly, James Parkinson, Ross Millar, James Hogan and Christopher Devereaux all donated their time and expertise at the podium to raise funds for KidsCan Charitable Trust, UNICEF and the Kendal Hutchings Trust.

Objects of Desire

lumbly n his ing at

Collections in funky and subtle colours to suit contemporary or classic settings, Hoglund Art Glass Gallery is a feast to the eye , offering timeless treasures for all budgets. Complemented by a collection of stunning jewellery.

ethat

ue to 1dors.

and by

I Two businesses of pure style - one destination

terest

Hoglund Art Glass Gallery & essenze 285 Parnell Road , Parnell , Auckland Phone: 09 300 6238 Open 7 days. Worldwide shipping, tax-free & insured. www.auckland.hoglund.co.nz www.essenze.co.nz

·ng the

Design store of elegant, stylish and functional, leading edge New Zealand designed furniture , lighting , contemporary glass, ceramics, jewellery, incorporating the David Trubridge Concept Store. inspired new zealand design

essenze™ tn~oired new ze.ilcir d des1gr

ART SALE AUGUST 8th 2006 FURTHER ENTRIES ARE NOW INVITED - ENTRIES CLOSE JULY 7th

Richard Lewcr: Speed Limit 50 oil on canvas. Est: $600 - $800

Basil Honour: Landscape with River Bed acrylic on board. Est: $1,500 - $2,500

Tom Mutch: Featured Figure acrylic on shaped board. Est: $1,800 - S2,500

Further suitable entries now invited. Please contact Jessica Pearless on: (09) 529 5609 or email: jpearless@webbs.co.nz

•

The St Cuthbert's College Old Girls' Associat ion and Webb's

Antiques Roadshow 2006

An enjoyable evening with experts from Webb's available to appraise your antiques, paintings, jewellery, wine and rare books. Date: Thursday, 17 August 2006 Time: 6.00pm - 10.30pm Venue : Clouston Hall, St Cuthbert's College, 122 Market Rd, Epsom Ticket Price: $65.00 (includes drinks, nibbles and one free item appraisal) To raise funds for the Old Girls' Scholarships. Auction items kindly donated by Continental Cars, Gow Langsford Gallery, Newmarket Holiday Shoppe and Terry Stringer. For more information, contact The Alumni Office on: (09) 520 4159 ext 7607 or go to: stcuthberts.school.nz/OGA Note: The appraisals given will be fair market values. Insurance valuations should be arranged independently with Webb's.

li=mtc!ii--il 12 IN FOCUS

( Continental Car Servic~

som

mappraisal

THE TOY SALE 10th & 11th July 2006

Webb's is pleased to announce the sale of one of the largest and most diverse private collections of toys to be offered to the market in many years. The sale includes Die-cast, Dinky, Corgi, Matchbox, 17n plate, Trains, General Toys and Plastic Vintage Kit Sets. This amazing sale will be held over two days on Monday 10th and Tuesday 11th of July. Viewing will be Friday 7th, Saturday 8th and Sunday 9th July. A fully illustrated catalogue will be available on Friday, June 16th ($12 including postage) and on our website www.webbs.co .nz the same day.

VINTAGE SALE Clothing, Accesories & Textiles ENTRIES INVITED FOR OCTOBER SALE Illustrated are two entries from a private ccllection of clothing already consigned .

Far Left: A 1920's heavily beaded and sequined dance dress.

Left: A 1920's black silk-satin and lace dress with diamante decoration.

FOR FURTHER INFORMATION PLEASE CONTACT ANN WEBB ON : awebb @webbs.co .nz

14 IN FOCUS

Dolphin Island FIJI

•

Spoilt for ch 01ce

• • • GRANDE PROVENCE SOUTH AFRICA

HUKA LODGE

Taupe, New Zealand www.hukalodge.com

c~ ltu10. woG~

NEW ZEALAND

HUKA LODGE AND SISTER PROPERTIES

THE OWNER'S COTTAGE

Saturday 19 August 2006

at Huka Lodge

The Big Red Dinner presented

www.hukalodge.com

by Penfolds and hosted by Chief Winemaker Peter Gago . Saturday 09 September 2006

Moet & Chandon Champagne Dinner presented at Huka Lodge by Damien Smith . Saturday 16 September 2006

DOLPHIN ISLAND

Guest Chef Guillaume Brahimi

Fiji Islands

from Sydney's Guillaume at

www.dol phi n islandfij i .com

Bennelong restaurant. Saturday 07 October 2006

The Famous Five Weekend for The Child Cancer Foundation. Famous chefs - Rex Morgan, Michael Lambie, Nathan Bates & John Allred . Five fantastic

wines and five indulgences .

GRANDE PROVENCE

South Africa www.grandeprovence.co.za

Saturday 14 October 2006

Literary Luncheon with Bryce Courtenay. These events at Huka Lodge are

For more information contact Hu ka Lodge T: 07 378 5791, F: 07 378 0427 E: reservations @hukalodge .co.nz

presented with our compliments and are included within the attract ive mid -season tariff, from $650.00 + CST per person , per night , until 30 September 2006 . The only exception to this being The Famous Five Weekend at $5 ,000 + CST per couple with

Spoi It from the moment you arrive.

the entire tariff going to The Child Cancer Foundation.

FORTHCOMING

September 21st

A NEW ZEALAND SALE Maori & Pacific Artefacts, Pottery & Glass, Furniture and Kiwiana Further quality entries invited for the catalogue. Please contact Ross Millar: rmillar@webbs.co.nz

Items already consigned include: A: 1-uwi fe" r pL r D: cphr"tc T .~,rt r " C,ud Rdng• E: C.ur

B: ' k.m hai hshir.~ l r . C: cph · re ~ c t1k 10d ",Jtl,.tc 'J, . F: C. nttct period f ~ur~l can LC toke toK0.

.:t

NOVEMBER 9th 2006

FROM THE

JIM FRASER

COLLECTION

Webb's is delighted to announce that it will offer the entire collection of well-known Auckland collector Jim Fraser, on November 9th. The collection offers a fascinating snapshot of much of the most risk-taking and exciting art produced in this country in recent times and includes leading works by artist's

ILLUSTRATED LEFT TD RIGHT:

as diverse as Gretchen Albrecht and et al, Mladen Bizumic

BILLY APPLE: From the Jim Fraser Collection, pastel on blackboard panel. 360 x 550mm.

and Jan van der Ploeg, Julian Dashper and Peter Peryer. The

BILL CULBERT: Small Glass Pouring Light, France, gelatin silver print 405 x 405mm.

collection will be presented as a stand-alone catalogue with an

PETER ROBINSON: Boy Am I Scarred Eh, oil stick and acrylic on hessian. 1400 x 1060mm.

extended viewing in Webb's main gallery.

16 IN FOCUS

/··?'.·::._ .. ,, .. ~:/-.-<.:~.~ ·_ '

...........·• <·. ;• ,. .,. ~· - ......... -;.~- .

• •• -., .......... v>,•

Screening from 18 Jun,e-2.00:s~ ·- - ·. -; ... ·..

...._

... •. ~--.

SUBSCRIBE NOW and receive your first month FREE. CALL SKY ON 0800 759 759 and quote offer 5615 www.theartschannel.co.nz Special conditions apply. To receive The Arts Channel you must be a SKY Digital domestic customer and subscribe to the Start Up package. The Arts Channel costs $12.76 per month . Offer expires 31st July 2006.

PREVIEW

Great Southern Land One of the most special things about living in New Zealand is the unique beauty and innate spirituality of the land. It has captured the hearts and minds of many of our greatest artists and writers and their respective interpretations of it have contributed greatly to our understanding of it. The respective approaches of artists towards the land varies greatly as does their gravitation toward particular regions. It is strange how, in our minds, certain geographies become, at least partial ly, colonized by the artist's interpretations of them: Michael Smither's many interpretations of Taranaki, Rita Angus' paintings of Canterbury, Toss Woollaston 's beloved and inspired renderings of the Nelson and Riwaka area , and Colin McCahon's blood , sweat and tears interpretations of areas as diverse as Otago, Muriwai and Northland, are just a few examples that readily spring to mind. Another artist whose inspiring interpretations of his beloved homeland seem indelibly etched in our collective consciousness is Grahame Sydney, and his on-going painterly investigation of the harsh Central Otago landscape, with its many changing faces. Sydney's output is notoriously limited. Like the seemingly divergent Gordon Walters, he is concise and meticulous , only releasi ng a work into public discourse at the point that he is 100% satisfied with the outcome. Sydney is represented by three paintings in this sale, two of which do much to capture the austerity and beauty of his beloved Central Otago region. Pond at Dusk II and Evening at

Top left: I ot., l, C r

the Turnoff are, if only ostensibly, similar renderings of the unique light and atmosphere

of the region as ii dances off the surface of a pond nearby the artist's home at St Bathans. Although Sydney is often tagged with the 'realist' moniker, perhaps most tangible in these works is the shift towards a more abstract sensibility. Similarly, taken together, the works can

Rauen Cathedral series, rendered the same or simi lar subjects in a completely different fashion, due to the profound differences to the human senses caused by changing light patterns.

18 IN FOCUS

lC 000

St),000.

Top right: 1 ot -!4 Gr .. f',lfll "' C''1C\, I t g Jf Ih [,,nz'!JJ. 840 x 11 ](, nrn [ t 65 000 $85,000. Above: 1 , 42, Gnb re ~rdr er, ·..,

also be viewed in light of the Impressionist tradition where artist's like Claude Monet in his

rr Svdr > I' ,,f t Duk I I

, 580 x 662 nr 1. E, t

n, ,1de Rotorua,

n ·ra on .e;e so, 478 x 47411' r Fst. $2~.ooo

$35,000.

PREVIEW

JUNE 28 JEWELLERY The jewellery offering includes a number of desirable diamonds, two of which are outstanding:

Lot 300 (illustrated top right) is an extremely rare internally flawless superbly cut stone of 2.53 ct with a GIA certificate stating it to be of faint pink hue. A truly magnificent and subtle stone that will appeal to the buyer who would seek a "D" flawless but who wants the added dimension of significantly greater rarity and an Internationally secure investment. Estimated at $145,000 - $165,000 . For further information on pink diamonds refer to the article published on page 10 of the catalogue for sa le 256, September 2003.

Lot 301 (illustrated below right), is an impressive and attractive solitaire of 5.3ct (assessed as KIL, Sll-2) which is very realistical ly estimated at $38,000 - $44,000. Other entries worthy of special mention are an oval cut natural fancy yellow stone of 2.32ct and a cognac oval of 2.72ct, both of which are set with white diamonds to enhance their character.

JUNE 29 DECORATIVE ARTS Among a good selection of estate silver to be offered in the Decorative Arts section of the catalogue is this early George Ill period tankard by William Shaw II. Made in London two hundred and forty-two years ago, this silversmith working in Wood Street, Cheapside was noted alongside his colleague William Priest to also be a goldsmith. Shaw's maker's mark is noted alone or in conjunction with Priest's on hollowware, coffee pots and tankards. The tankard exhibits characteristics of many examples from this period - the domed cover, a scrolling thumbpiece cast with an acanthus leaf design, a recurved scrol l handle with heart shaped lower terminal and a tapering cylindrical body capable of hold ing a quart of ale. Est: $4,500 - $5,500

JU LY 13 TWENTIETH CENTURY DESIGN ',\J ~

Amongst an offering of modern and retro furniture in the Twentieth Century Design section of this catalogue is this lounge chair and ottoman designed by Charles and Ray Eames and produced under license by Herman Miller since 1958. The chair is an extension of the 'aluminium group' which had it's design source in furniture commissioned for a private residence by the architects Eero Saarinen and Alexander Girard . This example upholstered in black vinyl utilizes the unique design of a continuous suspended stretched fabric to create a seating pocket raised on a four point cast aluminium base with glides, the ottoman completes the sophisticated line of the chair to provide a stylish and comfortable seating option for home or office.

Est: $2 ,250 - $3 ,000 IN FOCUS

<The ~useum Circ[e presents

Jfappy (}3irthday }lmadeus 11i.e :Museum Circ[e wi[[ ce(e6rate :Mozart's 250tfz anniversary witfz a piano recita( at tfie )f uclifana :Museum. (piano virtuoso (J)aviaWara, <Professor of :Music, (jq)ya( Co[(ege of :Music, Lonaon wi({ pe,fonn a sefection of :Mozart's ~y6oara masterpieces inc{uaing :Mozart's 'Variations on "Lison aormait" 1( 354 ana tfze sonata in C, 7( 309. Witfi. introauctions to tfie music ana readi"ngs from some of :Mozart's entertaining fetters, tfzis programme 6rings :Mozart to {ife 6y com6ining fzis own woras witfi fzis music. qatfier witfi. fn"enas arouna a ta6{e, comp{ementea 6y cfiampagne, coffee ana aessert!;~ enjoy tfze infomza( concert setting ana ce{e6rate tfi.e 6irtfi.aay of a genius.

~} . 1

.• .. ' ..II. .

'f.i.\ ~. :':-;· :,..

•r ' ~.

....,: ~.. !_ . ..

. .. ... •,

li . : Join tne (party 11i.e :Museum Cirde, an inaepenaent charita6{e trust, is the Patron ana(J3enejactor mem6ersfi.ip group of)fuclifana:Museum. 11i.e :Museum Circfe wisfies to p(ace a concert piano in the new 200-seat)fuaitorium wfzicfz is part of tfze :Museum's Stage I I aevefop111e11t. Proceeas from the e·vening wi{{go towaras the piano fund:

(}3ookjngs e,'f, <Enquiries: <1?,pze{[e 1£cfwarcfs ph: 09 413 9212 reawaras@auc,[anamuseum.com %is recita[ is proucf[y supported 6y

Webbs

\ t ~~

•<,_.

New Zealand's Public Art Galleries and Museums Choose Webb's to Value Their Collections Recent valuations have been undertaken for the following: Auckland Art Gallery, Toi O Tamaki Govett-Brewster Art Gallery, New Plymouth Sarjeant Art Gallery, Wanganui Bath House Museum, Rotorua Te Awamutu Museum Auckland Public Library Te Manawa Museum Wellington City Council New Zealand Historic Places Trust University of Auckland North Shore City Council Taupo Museum Buried Village, Rotorua The Elms Mission Station, Tauranga

' -~· ..;;.,.

·-

·' ·Y •· :..-. -'~ ;

.,..;-~-~ ~-

:s2 ca E

= ;§

::;;

Cl)

ca c,:,

c::c

"Cl

= ca

:; u ::a c::c

Webb's offer New Zealand's only comprehensive (NZPI) Property Institute certified valuation service for the fine and decorative arts. Whilst Webb's dedicated valuaUon department perform valuations for New Zealand's largest and most important public and private collections, no valuation is teo. small. ·~

To discuss having your items or collection formally valued for insurance indemnity purposes contact James Parkinson on 09 5246804 or 0274867265.

Fi $( TUI

6.3 lots lots lots lots loll lots lots

VII Tnu

Frid

Sat Su Mo Tue

Day 1 Fine New Zealand Paintings, Prints, Photography, Sculpture and Foreign Paintings Tuesday 27th June. 6.30pm

6.30pm Lots

Fine New Zealand Paintings and Prints

Lots

Four Works by Peter McIntyre from the Collection of the Artist's Family

Lots

New Zealand Photography

Lots

Five Paintings by John Weeks from a Private Collection

Lots

New Zealand Sculpture

Lots

119

Further Fine New Zealand Paintings and Prints

Lots

120 -

124

Fine Foreign Paintings

VIEWING TIMES Thursday

22nd

June

9.00am

5.30pm

Friday

23rd

June

9.00am

5.30pm

Saturday

24th

June

11.00am

3.00pm

Sunday

25th

June

11.00am

3.00pm

Monday

26th

June

9.00am

5.30pm

Tuesday

27th

June

9.00am

12 noon

Illustrated: Lot 63, Frank Hofmann, Untitled - Architectural Study, vintage gelatin silver print

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Gordon Walters Karaka screenprint, artist's proof title inscribed, signed and dated 1979 560 x 435mm $7,000 - $10,000

Richard Killeen Untitled - Birds and Triangles acrylic on paper signed and dated 14.9.78 578 x 396mm Provenance: From the collection of Professor Robert and Noeline Chapman

r r r

$3,500 - $4,500

Simon Kaan Tiki etching, artist's proof signed and dated 2005 670 x 445mm $2,000 - $3,000

Al~ •-

~~'J

.._

"-~

... ? __....___

24 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Pat Hanly

Vacation People screenprint, 11/16 with applied acrylic title inscribed, signed and dated '88 562 x 760mm

$3,000 - $4,000

Karl Maughan Garden Study oil on canvas signed and dated 25/10/89 verso 356 x 380mm

$2,500 - $3,500 5

Star Gossage Grey acrylic on board title inscribed, signed and dated 2002 verso 630 x 610mm

$5,000 - $8,000

Dick Frizzell The Prophet's Gift screenprint, 10/ 150 signed and dated '99 on the plate; original Ferner Galleries label affixed verso 350 x 445mm

$1 ,500 - $2,000

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Robin White Cross' Barn screenprint, 11/25 title inscribed , signed and dated '72 410mm diameter

$4,500 - $6,500

Robin White Tereweka, Otago Peninsula screenprint, 9/25 title inscribed , signed and dated April '72 410mm diameter

$4,500 - $6,500

Pat Hanly Wonder screenprint, 29/40 title inscribed, signed and dated '82; copy of purchase receipt affixed verso 520 x 630mm

$3,000 - $4,000

George Baloghy Rangitoto from Grafton Gully oil on canvas signed with artist's initials G.B and dated '95 662 x 1980mm

$5,000 - $8,000

26 FINt NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

!21 13

RAYMON b JHM-MK~H

PHTIBON BA'5QU1~1

COLIN

KflTH

MCCAMON TYSON

l 2 Ralph Hotere

AReturn to Sangro mixed media on paper , title inscribed , signed and dated 78

250 x 173mmGifted by the arris t to the present owner in 1983 Provenance: $7,000 - $10,000

Peter Robinson Axis of Evil oil stick on paper 1000 x 695mm $5,500 - $7,500

Pat Hanly Figures in light 1· d ·nt 6/10 with applied acry ic cardboar . pn '_ d dated '64 title inscribed, signed an

670 x 600mmF rom the collection of Professor Provenance: Robert and Noeline Chapman $7,000 - $10,000

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

18 .

Rudolf Gopas Celestial Pathway mixed media on paper signed and dated '52 470 x 335mm Provenance: Private collection , Dunedin $2,500 - $4,000

Rudolf Gopas Backyard Scene watercolour and ink on paper signed and inscri bed 12 360 x 445mm Provenance, Private col lection, Dunedin $2,500 - $3,500

Rudolf Gopas Self-Portrait at the Easel mixed media on paper 645 x 518mm Provenance: Private col lection , Dunedin. Gifted by the artist to the current owner's mother on the occasion of her th irty fifth bi rth day $3,000 - $5,000

28 FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Tony Fomison St. Anthony oil on canvas board title inscribed, signed and dated 13.5.75 - 23.12.75 verso 135 x 82mm Provenance: Purchased by the current owner from Barry Lett Gallery in 1976

$7,000 - $10,000

John Walsh God of the Foreshore oil on board title inscribed, signed and dated 2003 verso 1190 x 1183mm

$17,000 - $25,000

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

John Pule Lagamatai ink and oil on canvas title inscribed, signed and dated 2004 1500 x 1005mm $18,000 - $28,000

30 FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Peter McIntyre Battle Scene oil on canvas board signed 600 x 747mm $15,000 - $20,000

Michael Smither The Beach oil on board titled inscribed , signed and inscribed 200 Guineas verso 362 x 485mm Provenance, Purchased by the current owner's mother from a New Plymouth Art Society exhibition in the mid 1960s $11 ,000 - $16,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Ralph Hotere Drawing for a nn Roof Painting from 'Aramoana ' a Poem by Cilia McQueen mixed media on paper title inscribed , signed with artist's initials R.H and dated '80 560 x 760mm

.,.,

$20,000 - $30,000

()

Sina Ma Tuna oil on board title inscribed, signed and dated and inscribed Started December 1986 Lincoln St Finished January 1987 Grey Lynn verso; Fomison Estate sticker applied verso 450 x 300mm

)

I .,

....

.ff Ct... CK

,,,,,

Tony Fomison

$14,000 - $20,000

-::;

n.i.. .,,_ I

- .,..,, I1

Study ink and watercolour on paper title inscribed, signed and dated 1998 770 x 565mm

Tc.k

:;;

,....

IM~ A FTER i"I HI\

1 1} 1

t>-.......

\.,....fl

f-.,-·""' f'l-:~"'...........

Bill Hammond

,.........

......

$14,000 - $20,000

16 Bi A

en lit 77

32 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Bill Hammond

Through the 1980s the main players in Hammond's techno-pop surrealist paintings were manic rock singers,

AFitness (Dance Mix) enamel on board title inscribed, signed and dated 1987

guitarists and 'humanimals' stretching and twisting themselves through bone wrenching, skin splitting exercise routines and pursuing the shared fantasies of video arcades and gaming parlours. The excesses and pleasures

770 x 695mm

of public idiocy, the infamous live performances by rock icons, the stage divers, the guitar smashers, the lone

$25,000 - $35,000

singers in basements, the karaokeing multitudes, the home gym addicts, the preening health clubbers, the whole dumb and driven cartoon craziness of the public body in action - Hammond summed it up. In a similar spirit of programmed communal rhythm A Fitness (Dance Mix) joins the rhetoric of the dance floor with the giddy tyranny of exercise regimes. A maniacally benevolent reclining figure, with her pert and pointy sculptured nose, and the goose-stepping power walker in the background suggest a public gym setting. The dog-like companion of the main figure, however, could put the geometricised , vein popping routine in a large private living room as an instructor from the TV calls out the R&B dance moves. In typical Hammond style, the bodies of his protagonists are hybrid composites of organic and inorganic components. Flayed flesh, with bright red braids of blood vessels, wraps itself around sharp angles like pieces of modern furniture; an arm clicks itself through the 90° turns of a Greek scroll; a stretched torso opens up its grey interior like a gutted fish, while an oiled hairdo extends into space like a rigid aerial. These typically Hammondesque riffs on nervous patterning and texture continue in the curtain of receding bar codes at the far end of the room, and this is picked up by the alternating pattern of the fake bamboo picture frame that gives the work a look of glossy junk-shop Chinoiserie. Allan Smith

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Michael Smither Mountain Range oil on board signed with artist's initials M.D.S and dated '69 205 x 900mm $25,000 - $35,000

Richard Killeen Wind oil on board with hand-painted frame title inscribed, signed and dated September 1971 490 x 800mm Reference: Francis Pound, Cut-Outs Killeen (PhD. Thesis, 1991), p.138. Illustrated: ibid. $4,000 - $6,000

34 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Gretchen Albrecht Nightfall/Purple Sky acrylic on canvas signed and dated '73; title inscribed, signed and dated verso 1800 x 895mm $15,000 - $20,000

John Walsh Rest Here a While e Hoa oil on boa rd title inscribed , signed and dated 2004 verso; John Leech Gal lery label affixed verso 890 x 1185mm $18,000 - $25,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Pat Hanly Flower, Pot, Table enamel on board signed and dated '73; title inscribed , signed and dated verso 445 x 445mm $25,000 - $35,000

36 FINE NEW ZEAlAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Ann Robinson Cactus Vase cast glass signed and dated 2001 and inscribed #2 587 x 180 x 165mm Illustrated: inside back cover of this catalogue $25,000 - $35,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Richard Killeen Flying High and Away acrylic lacquer on eight aluminium pieces title inscribed, signed and dated October '78 on each individual cut-out Installation size: 1300 x 1500mm approx Provenance: Private collection, South Island $25,000 - $35,000

38 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Colin McCahon Van Gogh: Poems by John Caselberg four lithographs, 1957 title inscribed , signed and dated 'Auckland, September 1957' on the plate 357 x 251mm each Exhibited, Answering Hark: McCahon/Caselberg, Painter/Poet (Hacken Library, 1999) Reference, Peter Simpson, Answering Hark: McCahon/Caselberg, Painter/Poet (Craig Patton, 2001) Illustrated: ibid. , p.52.

$25,000 - $35,000

FINE NEW ZEAIAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Gordon Walters

Because Gordon Wa lte rs was a slow and fastidious painter, and a self-critical one,

Blue and Red Koru Composition gou ac he on pa per origi nal rece ipt from Peter Mcl eavey Gallery affi xed ve rso 305 x225mm

his output of large-scale works was relatively sma ll. This is especially the case with

$28,000 - $38,000

intimate scale. In fact, it can be argued that in this case he has intensified the image

his most striking achievement the koru series. However, his method of working out ideas on paper means that there are a number of highly resolved paintings, like the present example, that have all the characteristics of his larger canvases on a more

by presenting it in such a compressed space. As always with Wa lters, the composition of the work is deceptively simple at first glance and only reveals its subtlety on prolonged scrutiny. His art belongs to the category of geometric abstraction, a hard-edge style of European modernism developed by Mondrian and continued by French masters such as Auguste Herbin and Victor Vasarely and British exponents like Bridget Riley. In such works the execution of the painting is deliberately deadpan and without brushwork or signs of making. Instead the interrelation between limited numbers of forms provides the basis of the work, which is composed on the principle of dynamic equilibrium. That is noticeable in the way Walters makes the image appear at first to be symmetrical but then you discover that the upper red zone has fewer bands than the lower blue one or that the lower corner has two circles whereas the upper left has one. The artist encourages the eye to move across the surface on the diagonal as well as up and down. It becomes a kind of visual and perceptua l puzzle that keeps the eye and bra in intrigued. Because Walters applies his pigment evenly he can achieve a strong contrast without the softening effect of tonally modulated colour. In the blue, black, red combination Walters reveals himself as a painter able to handle colour as well as his u~ual black and white . This painting would have seemed uncompromisingly modern when painted in 1971 and does so stil l today. Michael Dunn

40 FINE NEW ZEAlAND & FOREIGN PAINTING PRINTS & PHOTOGRAPHS

.rt

:e ry

ly or

ie er er

:k jd

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Shane Cotton Whakakitenga II oil on canvas title inscribed, signed with artist's initials S.WC and dated 1998; original Gow Langsford Ga llery label affixed verso 500 x 600mm $28,000 - $38,000

42 FINE NEW ZEAL.ANO & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Shane Cotton 0 Taiamai oil on canvas signed and dated '96; title inscribed and dated verso 508mm diameter $35,000 - $45,000

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Frances Hodgkins Welsh Landscape 4 gouache signed; titled inscribed below mount

410 x 550mm $65,000 - $85,000

In her later works Frances Hodgkins frequently favoured gouache as a medium over oil or watercolour. In fact some of her finest and most characteristic late paintings are in gouache, a medium that combines the opacity of oil colours with the greater ease and convenience of a fast drying water-based medium . Gouache also allowed improvisation and correction through over-painting and building up layers of paint as can be seen in the present example. Recent analysis of her gouache technique by Sarah Hillary and Ute Strehle has revealed that she could use up to 19 layers of paint in a work giving it a heavily painted surface that made it appear rather like an oil painting. By applying the thick paint with a brush she could achieve a spontaneous effect and easi ly simplify and revise underlying areas as required without losing freshness. Hodgkins preferred to draw in gouache, as happens here with the tree forms in the foreground , rather than use pen and ink as did some of her friends like John Piper. She came to prefer a child-like innocence of vision to a technically accomplished rendering of subjects. Paintings like Welsh Landscape belong to what is called the Neo-Romantic school of English art. This kind of painting looked with nostalgia to the tradition of landscape going back to artists like Constable and Samuel Palmer. The rural and enduring values of British life and landscape took on an almost patriotic dimension, especial ly during the Second World War and its aftermath. Although Hodgkins earlier on had painted a lot in Spain and France her last paintings connect closely with Neo-Romanticism in Britain and her influential friends and colleagues at the time were associated with the movement. These artists and critics, while not rural people themselves, celebrated traditional country life and preferred subjects where modern technology played little part. Frances Hodgkins fitted into this mould often living far out of the major centres and painting subjects like this one that are essentially pastoral in character. It is an idyll of simple rural life with fields , trees and a cottage seen against background hills. The pastora l landscape is seen as a valuable heritage that endures amid change and has lasting value for the lifestyle and values it encapsulates. Hodgkins cared for the meanings and associations of the subjects she painted to the extent that she could not become an abstract painter. Her works, though, became highly subjective and allowed distortions of scale, perspective and colouring to achieve the vision she wanted.

She freely exaggerated colour, texture and light to give movement,

energy and drama to her subjects. It could almost be said that there is an element of escapism in these works as an antidote to the political and military forces of the time that effectively put an end to the old Europe that had so often provided Hodgkins with inspiration. In 1942 Hodgkins painted an important group of Welsh subjects in gouache to which this fine example can be related , though it is undated and may have been painted in the late 1930s. Michael Dunn

44 FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Milan Mrkusich Meta Grey, Orange (Dark) acrylic on canvas title inscribed , signed and dated 1998 verso 760 x 1530mm $40,000 - $60,000

46 FINE NEW ZEALANO & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Colin McCahon Hillside oil on board 400 x 330mm Provenance, Purchased originally from Barry Lett Gallery in 1972 $40,000 - $50,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

48 FINE NEW ZEAU\ND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Philip Clairmont Stairway with Light acrylic and collage on hessian, 1977 1490 x 870mm $35,000 - $45,000

Grahame Sydney Fa ~ade, Rotorua egg tempera on gesso signed and dated 1994; title inscribed, signed and dated June '94 Dunedin verso 478 x 474mm Provenance: Private collection, South Island Illustrated: Grahame Sydney et al, The Art of Grahame Sydney (Longacre Press, 2000) , p.68. $25,000 - $35,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Grahame Sydney

The mythical South. Does it really exist or is it purely the domain of poets, painters,

Pond at Dusk II

cinematographers, tourists and others who wish to frame a slice of the real New

oil on linen signed and dated 99 - 2000; title in scribed, signed and dated Ma rch 2000 ve rso

Zealand, to serve it up in rhyming couplets, picture postcards or on oil-painted

580 x 662m m Provenance: Private col lection, South Island

$40,000 - $50,000

canvases 7 What does Grahame Sydney present us with in this scene of almost total emptiness, in this landscape abstracted by da rkness 7 Perhaps the land is simply blushing red at its own quiet beauty - or perhaps it reddens for its cunning, for in dusk the land is eviscerated of its blemishes. There is certainly a sense of cinema here. It is easy to imagine th is painting as a scene from a gothic New Zealand film in which the landscape has the final word. In an age when much New Zealand art gazes internationally, Sydney's landscapes seem even more mired to an image of home. Yet he based his paintings here long before we learnt to be proud of our landscapes, before the Lord of the Rings cast Central Otago as the scenic jewel of Middle Earth , and well before Tourism New Zealand brandished it 100% pure. This scene, painted at Pig Root Pond , near the turn off to St Bathans is a subject that Sydney has returned to time and again like Monet's countless renditions of Haystacks or the Rauen Cathedral. But Sydney is no impressionist, and no opportunist. His aim is not to paint quickly - in order to catch the light as it falls - but rather to exemplify it so we can re live the moment (in its exactness) every time we look at the painting. Despite this picture-perfect framing of the landscape, you can 't help but return to that thought, to wonder at what the darkness might conceal. Though nothing extraordinary happens here , there is a suggestion it may have. Sydney's early still lives were oddly intriguing subjects, seemingly normal but on closer inspection not quite. A sprouting bu lbous carrot was rendered strange and incongruous, the fam ily doll sat perched on a chair, her unseeing hooded eyes presenting a blank stare , and even a simple leather boot was paid such a degree of attention that it became something other than an object, its worn leather seemed almost to emulate skin. If this painting was a framing shot for a film , we have some idea of how it might have played out - full of surface beauty, but hinting at an underlying drama.

Pennie Hunt

50 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

[

ly 1g

le er 35

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Grahame Sydney

The blue hour. That time of the evening when the sun and the moon dance across

Evening at the Turnoff oil on linen signed and dated 1996; title inscribed, signed and dated verso 840 x 1110mm Provenance: Private collection, South Island Illustrated, Grahame Sydney et al, The Art of Grahame Sydney (Longacre Press, 2000), p. 102. To be offered together with original workin g drawing for the painting (illustrated below).

the sky together, lighting the world below with streaks of silver and gold. It is an

$65,000 - $85,000

hour for bewitching and here, in Evening at the Turnoff Grahame Sydney holds the landscape to account, interrogating its deceptive light and shadow and its alluring glassy surfaces by holding them sti ll on the tip of his brush. The style might be called realist, but at the same time ii is not quite. Painters too maintain the right to edit thei r subjects and there is always the hidden question of what is not included and what the artist is not willing to give away. It is part of the reason why we keep looking. Light is all important in this work. Here we see a kind of natural patterning in the span of clouds which are mirrored in the pond below. Symmetry is staked by the

"ef.ff?-?:/, ( ~ . ,f<J!,,~'~ . , ·

lone central pole , which stands as a kind of axis point taking its shaky anchor in the pond below. This sense of symmetry, mirroring and repetition is as surreal as it is serene. These patterns seem to open a switch in the mind, one that makes us want to make sense of their order, to untangle the merging depths of light and shadow. In this repetition the eye returns as the sky darkens. There is the knowledge that these patterns would soon be erased; or at least they would have been before Sydney painted them. High in the sky, the evening clouds that are lit from a fading sun glow like floating fire embers. They are a reminder of James K. Baxter's poem High Country Weather in which he wrote: Alone we are born I And die alone; I Yet see the red-gold cirrus I Over snow-mountain shine. These clouds also signal another, more well-known piece

of rhyme: 'red sky at night, Shepherd's delight'. Today most of us live in cities and towns, but Sydney's work hints at someth ing we imagine we once were - perhaps closer to the land. His work stands as a testament to something other than the bare forms of the land rendered as a faithful depiction , and more like something we can feel; the land's amplification.

Pennie Hunt

52 FINE NEW ZEAlAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Rosalie Gascoigne

Though born in New Zealand, Rosalie Gascoigne (1917-1999) lived most of her life in

NYT {SR TO ) retro-reflective road signs on plywood title inscribed, signed and dated 1999 verso; original Roslyn Oxley9 Gallery label affixed verso 610 x 1215mm Provenance: Private col lection, New Zealand Illustrated: Cover of this catalogue

Australia and made her reputation as an artist there. Self-taught as an artist, she began

$260,000 - $340,000

work is a characteristic example of her mature style and is assembled from disused pieces

her career when she was 57; but her works soon attracted favourable critical attention and by 1982 she was selected to represent Australia at the Venice Biennale, the first woman to be so honoured. Subsequently she exhibited widely in Australia and internationally and her work is found in all major Australian collections. Until recently she was much less known in her homeland though a few examples have now entered public collections. The present

of Australian road signage. Gascoigne's use of found materials originates with the modernist interest in the objet trouve or found object, usually traced back to Marcel Duchamp. However, Duchamp distinguished between his own works, called ready-mades, consisting of one of a large number of indistinguishable mass-produced items, such as a bicycle wheel or bottle opener and the objet trouve which is selected for its aesthetic qualities and visual interest. Gascoigne's art clearly fal ls into the objet trouve category where she exercises her taste in the selection of the component pieces and how they are arranged and displayed. Her fina l product is unique and has a pronounced visual dimension that aligns it with modernist abstraction. This kind of work can be traced back to the collages and assemblages of artists like Kurt Schwitters who used torn tram tickets or pieces of newspaper in his creations. Subsequently ordinary things from the commercial world - especially those worn out and useless in utilitarian terms - have been incorporated into works of junk sculpture, Pop Art and Arte Povera . Gascoigne's work references some of these earlier examples but has its own distinctive, ordered character. In the present example her image is composed of pieces of lettering used in Australian road signage and has the fami liar black and yel low pa lette known to every motorist. With time and wear the surfaces of the letters used here have acquired a patina of abrasions and discolorations that contribute textural and tonal subtlety to the imagery while transforming its original character and purpose. Furthermore the fragmented nature of the letters, many of which are partial and displayed on their sides, cancels any clear message about destinations or topography. The work becomes indecipherable in those terms and takes on new meanings more visual than utilitarian. The road signage has been deconstructed by Gascoigne's art and recycled for new purposes without entirely losing its previous identity as part of the Austra lian landscape . Gascoigne once said: 'I use my eye as an instrument of pleasure, not an instrument of recognition. I want to see th ings I believe to be beautiful and interesting.' From disca rded fragments of road signs she has fashioned r1 new cultural artefact that acts as a signpost for the imagination. She once noted: 'I often think the broken shard is better than the pure vase. I mean, not all broken, but often pieces are much more informed with life.' That certainly applies here. Michael Dunn

54 FINENEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

lifein Jegan

nand

1anto

Id her

mown esent oieces

ouve

ished

~r of dthe

e'sart · nof Jnique (ind of

rswho thrngs -have 5 work

ter. nroad time

sand ingits

anyof nations iarnngs

,e'sart of the Jre, not esting.'

1at acts ; better

ed with

FINE NEW ZEAlANO & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Milan Mrkusich

Four Circles (Grey) possesses Mrkusich's iconic form of the squared circle that

Four Circles (Grey) acrylic on board, 4 pan els tit le in sc ribed , signed and dated 1977 verso 600 x 600mm each 1200 x 1200mm ove rall Prove nance: Private co llection, Wel lin gton

first made its appearance in his paintings in 1963 with the Emblem paintings and

$55,000 - $75,000

then again in the Element paintings that followed. While his early use of the form is sometimes discussed in connection with Jungian symbolism, the artist considers he began painting it 'intuitively', that the initial references to be made were to the geometries of form alone. Mrkusich refined his earlier use of the squared ci rcle in Four Circles (Grey), reworking it so that both the appearance of the painti ng and the title reveal his emphasis on the form itself. No longer does this pa inting refer to elements or emblems outside of the medium of painting, rather it is self contained, and as such can be considered more modernist in character. While this painting was made using four separate panels, Mrkusich worked specifically to provide his characteristic sense of wholeness in Four Circles (Grey). Our perception of the separation of the panels is muted: in the way the division between them is controlled, in the consistency of the colour of the stippled ground and in the repeated motif of the inscribed ci rcle. Each tactic serves to provide a sense of unity that is emphasised by the small bevelled edge frame. The close mounting of each panel within the slight frame provides a cohes ive element, in the form of a centra lly articulated cross, one that ensures our perception of unity through the symmetry created from the interrelationship between each of the inscribed panels. This is emphasised by the soft shadowy nature of the 'gap', as unlike a ha rd-edged inscribed line, the soft effect works to bind rather than separate the panels. The rigorously controlled surface of the panels, each articulated with the same meticulously fi ne stippled colour and flawlessly inscribed pale circ le, also acts to draw the panels togethe r. The eye perceives the stippled ground of each panel as a single coherent ground, while the inscribed circles provide an interest that encourages a sense of comparison and association between the placement and perfect nature of each. It is Mrkusich's rema rkable painting abi lity that enables him to maintain the consiste ncy of colour and form in each of the separate panels that in turn provides the perception of wholeness in Four Circles (Grey). It is th is abi lity and assuredness with the painted surface, his outstanding skill as an artist, that earned him the welldeserved award from the Arts Foundation in 2003, identifying and ce lebrating him as one of New Zealand's inaugural Living Icon Artists.

Chrissie Craig

56 FINE NEW ZEAlAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Bill Hammond

The legacy of inspired work resultant from artists being fortunate and talented

Living Large B

enough to participate in residencies and projects in far flung locations is a rich

acrylic on double bass case title inscribed, signed and dated 1995 2090 x730 x 360m m Prove nance: Purchased by the current owner fro m the artist's exh ibition Living Large, at Peter Mcl eavey Gal lery, Wel lington in 1995

$120,000 - $160,000

one. However, never before in New Zealand have the visual consequences been as rewarding as that of Bill Hammond 's trip to the Auckland Islands in 1989, as a result of his participation in the Art in the Sub Antarctic project. Auckland Islands, inhabited solely by a large bird population, served as the key stimulus for his already-iconic bird paintings; a sardonic yet aesthetically rich body of work which continues to evolve today. Works like Watching for Buller, Bar (1993) , All Along the

Heaphy Highway (1998) and Coast Watchers (1994), seeped into our collective cu ltural consciousness, arguably, faster that any artworks hitherto produced in this country. Of course , Hammond had been one of this country's most interesting and original artists for much longer than this. His 1980s works were in-your-face schizoid analyses of everything from rock n' roll and consumer culture to the gym and fitness craze so predominant throughout the 1980s. His bird paintings however manifested an entirely different cultural critique, one more concerned with deeper environmental and spiritual issues. There are, of course, continuities between the two bodies of works, one of which is the artist's proclivity for painting on all manner of supports and found objects - headboards, screens, partition board, and in this instance, a double bass case . Hammond spent many years as a wooden toy maker and this, coupled with a concern that finds parallel in near-contemporaries Ralph Hotere and Richard Killeen, to de-mystify the privileged status of the art object, would seem to play a key part in his decision to incorporate found objects into his painterly practice.

Living Large 8, is a work which is difficult to ignore. At over two metres tall this would come as little su rprise - its corporeal qual ities alone assure this. Moreover, the fact that it is heavily laden with the artist's tradema rk convocations of birds - repeated over and over on the front , sides and underside of the case - would further attest to this. In different scales, outfits, clusters and settings, these weird hook-beaked hybrids stand guard over their primordial world , aware but seemingly unconcerned by our presence. Has Hammond's spirit world ever been more populous? Safety in numbers appears the order of this day. As Allan Smith has highlighted , the more the artist's style has progressed, the more ways he has found of col lapsing and fusing figu res into surrounding space. Th is is true of Living large 8, as the outl ine of the double bass case with its irregular sides and sharp angles, provides literal coastlines, divides and boundaries for the birds to perch on and stand guard in all kinds of manifestations. This time, however, they guard something more literal and otherworldly. The affinities between the double bass case and a sarcophagus are too difficult to ignore and it is an association that the artist must have been attracted to. These birds, in their droves, stand guard over Deta il (s id e)

something more precious and unknown - perhaps Buller's number is finally up. Ben Plumbly

58 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Colin McCahon

Conceived as a commemorative tribute to the little-known water-colourist Daisy Le

Landscape Panels in Memory of Daisy le Cren

Cren (1881-1951) these four small panels were painted as a set, all the same size and

acrylic on four card panels each panel signed with arti st's in itials CMcC and dated '76 155 x 207 mm each 310 x 414mm ove rall

$80,000 - $100,000

designed to be seen together. Appropriately they have a nostalgic and reflective aspect to them. Viewed alongside McCahon's major series of the period, like his Noughts

and Crosses or his Teaching Aids, these panels are redolent of earlier landscape conven tions. For instance, the landscapes are atmospheric and tona l in conception, minimal in detai l and suggestive of evening when shadows strengthen and mist gathers merging forms together into dark masses. The elegiac dimension of the panels is surely indisputable as are the symbolic overtones of the imagery. While the dark grey tones and fading light in this context evoke death and mortality the golden glow of the sky suggests hope and the Christian belief in the afterlife. Perhaps the most optimistic of the panels is the last one where there appears only an area of light-filled space with a few smudges of grey evoking clouds and the heavens. Light-fil led space had been used extensively in European religious painting, especial ly in Italy, as a metaphor for spiritual life and salvation. Here the hopeful message of the painting in symbolic terms is most emphatic and sadness at death gives way to contemplation of its sequel seen as mysterious and otherworldly in nature. Pitched in a low tonal key, small in scale and intimate in conception these landscape panels are a series in miniature, designed for a meditative purpose rather than grand display. The sequence of the panels encourages reflection and allows for the passage of time necessary to contemplate the meaning of the work. Despite their small scale, the panels have a breadth of conception that gives a gravity and seriousness to them belying thei r actual physical size. Little is said about Daisy Le Cren in published material. She has a brief but helpful entry brief in Una Platts' Guide and Handbook to 19th Century New Zealand Artists. There we learn there that she was born in Timaru, McCahon 's own birth place, that she was the daughter of Albert Roberts of Ashburton and that she married Charles Le Cren. The Le Crens were a well-known and prosperous family in Timaru. Daisy Le Cren was the mother of Betty Curnow who was in the circle of McCahon while he was in Christchurch. It seems very likely that McCahon had met Daisy Le Cren at some stage and had seen some of her paintings. Indeed the 'retro' style of the commemorative panels may have been intended to evoke her era of landscape art as an appropriate tribute. But the gap between her date of death in 1951 and 1976 the year of McCahon's panels rules out a memorial tribute of the usual kind prompted by the decease of an admired friend or colleague. We know, too, that McCahon shifted to Auckland some years after Le Cren died there. The stimulus for the panels must have been of a subjective and personal origin. While in some ways a digression from McCahon 's main direction at the time these small panels gain in intensity and individuality by their emotional and reflective nature. Michael Dunn

60 FINE NEW ZEALAND & FOREIGN PAINTING PRINTS & PHOTOGRAPHS

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Pat Hanly Hibiscus oil on canvas signed and dated '68; title inscribed and inscribed Energy Series 68 verso; original Hanly label affixed verso 805 x 830mm Exhibited: Eight New Zealand Artists $60,000 - $80,000

62 FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Robin White Beginners Guide to Gilbertese set of five woodblocks and cover, 19/20 title inscribed , signed and dated 1983 on each print 170 x 200mm each Provenance: Private collection, South Island $5,000 - $10,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

ll fetr lbeO oon 11gn

!150 Prov

145,

l1 lir Imus

64 FINE NEW ZEALAND & FOREIGN PAINTING. PRINT!, & PHOTOGRAPHS

Petrus van der Velden The Old Cellist oil on canvas signed 1150 x 730mm Provenance: Private collection , South Island

$45,000 - $65,000

Girolamo Pieri Nerli Amused oil on panel signed; title inscribed, signed and dated on original Otago Art Society label affixed verso 335 x 600mm Illustrated: Peter Entwistle, Michael Dunn and Roger Collins, Nerti: An Exhibition of Paintings and Drawings (Dunedin Public Art Gallery, 1988), p. 108. Reference: ibid. Illustrated: Michael Dunn , Nerti, An Italian Painter in the Pacific (Auckland University Press, 2005), p. 10. Reference: ibid. Nole: The painting is also known as 'The La ughing Jackasses' and is listed in both aforementioned publications under that title Exhibited: Otago Art Society 1948 Centennia l Exhibition

$22,000 - $28,000

FINE NEW ZEAIAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Alfred Henry O'Keefe Tea is Ready oil on canvas signed and dated 1891; title inscribed and signed on original label affixed verso 675 x 480mm Provenance: Private collection, South Island $20,000 - $30,000

66 FINE NEW ZEALAND & FORllGN PAIWING PRINT~ & P~r·or;RAP'l

Phillip Trusttum

Untitled - Abstract oil on board signed and dated '64 2430 x 1220mm

$20,000 - $30,000

>IN[ NEIi/ ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS 67

~ lelerMc

Rocks and I ilonooard

s, 61~:loh1 ,o,lattix !:hl9J p.. ,,,1;e

/~;rt;~ 111,000-

Reverend John Kinder Picton watercolour, ink and bodycolour on paper title inscribed and dated Jan 11 '72; further notes on the subject inscribed in artist's hand (partial ly legible) 250 x 347mm

Eric Lee-Johnson Road Through Pumice oil on board signed; title inscribed on artist's original label affixed verso 685 x 1205mm $12,000 - $18,000

$12,000 - $18,000

" leter Thelngli Olonooa

IJOx6J[ ustra Pi\lish P•oie"a art1stsf· 111,000

68 FINE NEW ZEAlAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Four Works by Peter IV1cln:yre from tne Collection of the Artist's Family

Peter McIntyre Rocks and Mountains, Central Plateau oi l on board signed; John Leech Gallery label affixed verso 495 x 593mm Provenance: From the collection of the artist's family

$11,000 - $16,000

Peter McIntyre The Anglican Church and Old Smithy oil on board 530 x 630mm Illustrated: Peter McIntyre, Kakahi (Reid Publishing, 1972), plate 15. Provenance: From the collection of the artist's family

$12,000 - $18,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Peter McIntyre

Portrait of Charles Upham charcoal title inscribed and signed 395 x 392mm Provenance: From the collection of the artist's \amily

Outback, Australia oi l on board original John Leech Gallery certificate of authenticity affixed verso 500 x 597mm Provenance: From the collection of the artist's family

$1,500 - $2,500

$10,000 - $15,000

Peter McIntyre The Ballerina oil on board signed 565 x 443mm

$13,00 - $15,000

70 FINE NEW ZEALAND & FOREIGN PAINTING. PRINT5 & i'HOTO ,RAP~

Peter McIntyre

Photor,ra ohy 63

111

r 1.,./

.· ..

;'l

''·.~ A

Frank Hofmann

Form vintage gelatin silver print, 1945 Frank Hofmann blind stamp applied verso 245 x 190mm Illustrated: William Main and John B. Turner, New Zealand Photography from the l 840s to the Present (Photoforum , 1993), p.48. Reference, ibid. $3,000 - $4,500

Frank Hofmann Untitled Architectural Study vintage gelatin silver print Frank Hofmann blind stamp applied verso 380 x 300mm Illustrated: p.22 of this catalogue. $3,000 - $4,000

Les Cleveland Hong Kong Cafe, Taranaki Street, Wellington, 1957 vintage gelatin silver print title inscribed , signed and dated verso and inscribed Vintage Print, Printed 1957, verso; Les Cleveland blind stamp applied verso 193 x 143mm $600 - $900

f NE NI WZEALANC & OREIGN PAINTING. PRINTS & PHOTOGRAPHS

I ow• thH• photogreph• to Diana . Thi• Diana b not a woman I know or tha Godden of tha Hunt but a little plastlc camua that I bought In a toyshop for •1 .29. A Diana tlkas to maka picture. that are derk end blurred around th• edge, which WH much the way I f•lt et the time that I took the.• ,o it wH ,ort of I hippy marrl1g1 for II whl111 . Thare Is one lm11ge H yet urn1k1n that for me would catch the essence of th\, ,equence. Just ,ovth of Ng11ruew11h\1 ther9 ls e cometery right alortgllde a rallway tlrte. O na day I ,hall be there with • cemere durln& • hmanil and with • lot of luck at th• very moment when the coffin 11 beirtg lowered irttO th• ground (I tnilnwitl come poundln9 peat. And perh1p1 then I 1hall c.aptuf41 that moment with my time m1chln1 , A monumeni.l plC1ure • bit like those tr1n1port mural, of the fiftie, with• train, a truck. a •hip. and a pl•rt• flying ov•rhHd with IH propellon drawn lika circl••· Only much b•n•r I hozi'.,. ,. ~

~ ( ," T" -~

Peter Peryer Gone Home boxed portfolio of 10 vintage gelatin silver prints, 3/20 signed and dated Easter 1976, on introduction sheet 176 x 176mm each Published: Photoforum #33 (Aug/Sept 1976), cover and pp. 13-14.

$10,000 - $20,000

72 FINE NEW ZEAlAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Fiona Pardington

Pearls and Kiss gelatin silver print title inscribed and signed verso 260 x 260mm $1,000 - $2,000

,., ..

ll ... .. .:· ,.•··.•·~... _,,,.,,...,•.,-. ... ..... ..• .. ..-.~:.-. ..iV.. ~ ....., . ~ J • -...4 •......• .

Peter Peryer

•

Christopher H., Kerikeri Inlet gelatin silver print title inscribed , signed and dated January 1993 verso 545 x 360mm

...

$2,500 - $3,500 68

Les Cleveland Lee Quing's Shop, Haning Street, Wellington, 1957 vintage gelatin silver print title inscribed , signed and dated 1957 and inscribed Printed 1957, vintage print verso; Les Cleveland blind stamp applied verso 250 x 291mm $700 - $1,000

Les Cleveland John Angas 'Opo' in his 1928 Model AFord Truck at Haas!, South Westland, 1966 gelatin silver print title inscribed , signed and dated verso and inscribed Printed 2006 verso; Les Cleveland blind stamp applied verso 193 x 234mm $600 - $900

FINE NEW ZEAlANO & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Les Cleveland Chan Goon Laundry, Majorie Banks St., Wellington, 1957 vintage gelatin silver print title inscribed, signed and dated verso and inscribed Vintage Print verso; Les Cleveland blind stamp applied verso 150 x 192mm $600 - $900

Laurence Aberhart Hauhau Flag, Nelson gelatin silver print title inscribed and dated 1983 and inscribed Courtesy Nelson College for Boys verso 135 x 230mm $2,500 - $3,500

Robin Morrison Portrait of Frank Sargeson vintage gelatin silver print title inscribed and dated 1978 on label affixed verso 260 x 376mm $1,800 - $2,800

Robin Morrison Sydney, 1991 vintage gelatin silver print title inscribed on label affixed verso 320 x 480mm Illustrated: Sydney in Black and White, Cities of the World Series (Weldon Publishing, 1992), cover. $2,200 - $3,000

74 FINE NEW ZEAlANl, & ORltl,N PAIN' NG PRINT" & ep~ JGRAP~o

ror 1 a i-:>riv tc Colle .iu

John Weeks Afternoon on the Seine oil on canvas signed; title inscribed verso 380 x 440mm Provenance, Private collection , North Island

$8,000 - $12,000

John Weeks Abstracted Farm Composition with Pat Heath oil on board original certificate of authenticity signed by Allan Swinton affixed verso; inscribed Pat Heath, Main portrait. Lived next door to Weeks in Northcote verso 600 x 592mm Provenance, Private collection, North Island

$8,000 - $12,000

John Weeks Limpid Pool, King Country oil on canvas official certificate of authenticity signed by Allan Swinton affixed verso 525 x 345mm Provenance: Private collection, North Island

$7,000 - $10,000

'IN[ N[W /[ALAND & FJRE GN PAINT'NG. 'RINTS & PHOTOGRAPH\

John Weeks Persian Fantasy oil on board original certificate of authenticity signed by Allan Swinton affixed verso 410 x 645mm Provenance: Private col lection , North Island $8,000 - $12,000

John Weeks Underwater Forms oil on board signed ; original certificate of authenticity signed by Allan Swinton affixed verso 410 x 520mm Provenance: Private collection, North Island $6,000 - $9,000

76 FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

New Lec1lc rid Sc u pture

Para Matchitt Composition with Guitar acrylic on board signed and dated 5/2001 1200 x 650mm

$6,000 - $9,000

Alison Duff Colin McCahon bronze sculpture, 1/12 stamped 'M' 395 x 270 x 220mm

$5,000 - $8,000

Gregor Kregar Traffic cast glass light box and steel 950 x 1225 x 400mm

r,ticrt'j

ixe1he~c

$10,000 - $15,000

on,Nortlil,r/

Andrew Drummond Support for Stationary Limbs papier mache, copper, gold leaf, acrylic, wood 1930 x 410 x 120mm (main sculpture) 190 x 120mm (small sculpture)

$7,000 - $10,000

of aut~enticify iixedverso

FINE NEW ZEALAND & FOREIGN PAINTING, PRINTS & PHOTOGRAPHS

Charlotte Fisher She Shrine mixed media sculpture 3000 x 2000 x 300mm approx $10,000 - $15,000

Charlotte Fisher Working Drawing for She Shrine pastel on paper signed and inscribed 190 650 x 1000mm $1,500 - $3,000

Para Matchitt

, Julia Mo

Untitled steel wall sculpture signed and dated 7/90 1350 x 720mm

Umilled : ;~:~r 2

[dted:

t,!1,

$7,500 - $9,500

rnun1g (·11!:IU

Gretchen Albrecht

lheexhb

Untitled acrylic paint on Arne Jacobsen design Ant chair, 1/1 signed and dated 1995 820 x 460 x 500mm

!1!0xl1 ~.000 -

$1,500 - $2,500

Gretchen Albrecht Untitled acrylic paint on Arne Jacobsen design Ant chair, 1/1 signed and dated 1995 820 x 460 x 500mm $1,500 - $2,500

Julia Unti11

INl NEW ZEALAND & F REIGN PAINTINI

INT ~ PHOTOGRAP~S

ne I\E. w f pala 'C P I rt r gs J 1 Pnnb

Julia Morison Untitled plaster and acrylic on board , 1975 Exhibited: Brooke Gifford Gallery, Christchurch 1975 Note, Julia Morison will be the subject of a major retrospective touring exhibition curated by Justin Paton opening at Christchurch Art Ga llery, Te Puna OWaiwhetu in Ju ly. The exhibition will be accompanied by a monograph 1210 x 1210mm $6,000 - $9,000

Julia Morison Untitled plaster and acrylic on board , 1975 Exhibited: Brooke Gifford Gallery, Christchurch 1975 Note: Julia Morison will be the subject of a major retrospective touring exhibition curated by Justin Paton opening at Christchurch Art Gallery, Te Puna OWaiwhetu in Ju ly. The exhibition will be accompanied by a monograph 1210x 1210mm $6,000 - $9,000

FINE NI 1// lEALANl, ~ OREIGN 'AINTING PRINTS & PHOTOGRAPH!

Mervyn Williams Elegy acrylic on ca nvas title inscribed, signed and dated 1986 verso 1220 x 1220mm

$10,000 - $15,000

Billy Apple Untitled Shopping Bag found shopping bag with screenprint signed and dated '65 572 x 278mm Note: This work was conceived in the year after Billy Apple moved from London to New York and exhibited with Andy Warhol and Roy Lichtenstein in 'The American Supermarket' at Bianchini Gallery, New York

$10,000 - $15,000

Ralph Hotere Biko dyed silk scarf title inscribed , signed and dated '88 290 x 1970mm

$10,000 - $15,000

80 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Allen Maddox

Couples I Have Known oil on linen title inscribed, signed with artist's initials A.Mand dated 3.6.76; inscribed Judy and I; Denis Cohn Gallery blind stamp applied verso 490 x 343mm

$1,500 - $2,500

Pat Hanly The Artist and the Model screenprint, 1/10 signed and dated '88 540 x 600mm

$2,000 - $3,000

Mary Mcfarlane Orpheus and Eurydice mixed media diptych title inscribed, signed and dated August 2000 verso 830 x 230mm each panel 830 x 460mm overall

$4,500 - $6,500

97 er81y

Noel Ivanoff Violet/Pale II oil on board, oil on tracing paper mounted over board, diptych title inscribed, signed and dated 2000 on left panel , signed and dated 2000 on right panel 900 x 900mm each 900 x 1800mm overall

ihibitea

e New Yo~

$4,500 - $6,500

FINE NEW ZEAlANO & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Pat Hanly Paradise Bird Escapes Bather screenprint, proof title inscribed , signed and dated '77 480 x460mm $3,500 - $4,500

Ralph Hotere Blue lithograph 10/24 title inscribed, signed and dated 1998 585 x 640mm $3,000 - $4,000

100 Pat Hanly

New Age Woman 2 lithograph , artist's proof 2 title inscribed , signed and dated '88 725 x 592mm $5,000 - $7,000

101 Rata Lovell-Smith Poerua and Te Kinga oil on board signed ; tilled inscribed and dated 1964 verso 341 x445mm $2,500 - $3,500 100

82 FINE NEW ZEALAND & FOREIGN PAINTING PRINTS & PHOTOGRAPHS

101

102 William Dunning

102

History Painting acrylic on canvas signed and dated 1999 580 x 1000mm

$5,000 - $8,000

103 Ralph Hotere

103

An Art Political Statement ink on xerox print taken from George O'Brien's Port Chalmers from Lower Anchorage (1863) title inscribed, signed and dated '89 and inscribed Detail - Xerox Print - From George O'Brien's 'Port Chalmers from Lower Anchorage 1863' (Ota go Early Settlers Museum, Dunedin) 297 x 420mm Illustrated: Gregory O'Brien, Hotere: Out the Black Window (City Gallery, 1997), p.75. Reference: ibid.

$5,000 - $7,000

104 Toss Woollaston

104

Taramaku watercolour signed and dated '63; inscribed 69b, Toss W 11.4.85 Hill on Right is Hohonu verso; original Ferner Galleries label affixed verso 265 x 360mm

$4,000 - $6,000

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

105 Richard McWhannell

105

Coronation on the Stony Bay Road oil on canvasboard title inscribed, signed and dated 1990 verso 425 x 600mm $4,000 - $6,000

106 Michael Smither Back Beach, New Plymouth acrylic on board signed with artist's initials M.D.S and dated 1964 Provenance: Purchased by the current owner from the artist in 1965 680 x 810mm $3,000 - $5,000 106

107 Peter Siddell View of Manukau Harbour pastel signed 335 x 500mm $2,000 - $3,000

108 Phillipa Blair Hybrid 1 & 2 acrylic and collage on canvas, diptych title inscribed , signed and dated '96 verso 1150x 1150mm each canvas 1150 x 2300mm overall $3,000 - $5,000

107

84 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

108

109 Grahame Sydney

109

Turn-Off Pond lithograph, artist's proof title inscribed, signed and dated May 1999 455 x 640mm Provenance: Private collection, South Island

$1,500 - $2,500

110 Grahame Sydney Nightfall on Ridge Road , Maniototo lithograph 14/75 title inscribed, signed and dated 2000 450 x 650mm Provenance: Private collection, South Island

$1 ,500 - $2,500 110

111 Peter Robinson The Queen is Dead Long Live .. . oil stick and acrylic on paper title inscribed and signed 900 x 1130mm

$6,000 - $9,000

112 Peter Robinson Thumbs Down 4 the Return of the Hand of the Evil Doer mixed media on paper title inscribed, signed and dated 2002 1400 x 950mm

$7,000 - $9,000

112

111

FINE NEW ZEAlAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

113 Attributed to John Gully

113

West Coast Landscape watercolour signed 215 x 360mm

$2,000 - $3,000

114 Sydney Lough-Thompson The Brown Mill, Cambridgeshire oil on board signed; title printed on label affixed verso 262 x 357mm

$4,000 - $6,000 114

115 Garth Tapper The Owner oil on canvas signed ; title inscribed and signed verso 605 x 440mm

$6,000 - $9,000

116 Peter McIntyre Portrait of a Boy pastel on pa per signed 740 x 530mm

$1,500 - $2,500

115

86 FINE NEW ZEAlANO & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

116

119

117 Peter Robinson

117

Abstract Composition mixed media on paper signed and dated 1990 verso 1425 x 900mm Provenance: Purchased from Timurid Gallery, Wellington, 1990

$4,000 - $5,000

118 Eric Lee-Johnson Piha watercolour and ink on paper signed and dated '46 425 x 550mm $5,00Q - $8,000

119 Dennis Knight-Turner Stock Food oil on canvas board title inscribed on Sarjeant Gallery label affixed verso 700 x 1005mm Provenance: From the collection of Professor Robert and Noeline Chapman Exhibited: Here There Here 1943 - 1993, Sarjeant Gallery touring exhibition

$6,000 - $9,000

119

118

FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

Foreign Paintings

120

122

121

120 Thomas Cowlishaw Mantua watercolour title inscribed and signed 265 x 340mm $1, 000 - $2,000

121 Thomas Cowlishaw Rome watercolour title inscribed and signed 265 x 340mm $1, 000 - $2,000

122 Thomas Cowlishaw Malines watercolour title inscribed and signed 545 x 380mm $1,500 - $2,500

1M Wa

s1gr

49l p

hre Wa

15,

88 FINE NEW ZEALAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

123 Thomas Benjamin Kennington Ladies on the British Foreshore oil on canvasboa rd signed 348 x 260mm $10,000 - $15,000

124 Walter Wallor Caffyn Sussex Farm watercolour signed and dated 1881 493 x 740mm Provenance, Formerly in Canterbury Society of Arts hire collection. Purchased by the current owner from Watson's Auctions in March 1999 $5,000 - $8,000

FINE NEW ZEAlAND & FOREIGN PAINTING. PRINTS & PHOTOGRAPHS

~~re&V,

~~inific~ i~eMti!

1000 ·

Wl . 111 ·

&Wl~G ll ·.11011 ;,:lj

· .'oaj

.''.lj

:lj

90 FINE JEWELLERY & WATCHE >

Day 2 Rare & Valuable Watches Magnificent Jewels Fine Antique & Modern Jewellery Wednesday 28th June. Two Sessions 2.00pm & 6.00pm 2.00pm Lots

1000 - 1200

Affordable, Estate and Modern Jewellery A list will be available free of charge at viewings.

6.00pm Lots

201 - 220

Wrist and Pocket Watches

Lots

221 - 348

Magnificent Jewels, Fine Antique & Modern Jewellery, Loose Diamonds and Accoutrements

VIEWING TIMES Thursday

22nd

June

9.00am

5.15pm

Friday

23rd

June

9.00am

5.15pm

Saturday

24th

June

11.00am

3.00pm

Sunday

25th

June

11.00am

3.00pm

Monday

26th

June

9.00am

5.15pm

Tuesday

27th

June

9.00am

5.15pm

Wednesday

28th

June

9.00am

1.00pm

Viewing strictly until 1.00pm on day of sale. ....................... , ...

··········•••·········•··"············

Delivery: As the sale is in one session , we regret there can be no delivery of purchases during the sale. Illustrated Left Lot 300, 2.53ct Flawless Faint Pink Diamond Lot 305, Emerald and Diamond Ring Lot 301, 5.3ct Solitaire Diamond Ring Lot 266, 2.3ct Fancy Yellow and White Diamond Ring Lot 210, Audemars Piguet Wristwatch Lot 302, 2.7ct Cognac and White Diamond Ring Lot 246, 19th C. Demi-Parure

FINE JEWELLERY & WATCHES

DAY 2: WEDNESDAY 28th JUNE 2.00pm AFFORDABLE ANTIQUE, ESTATE AND MODERN JEWELLERY An Interesting and varied selection. Separate list available free of charge at viewing.

DAY 2: WEDNESDAY 28th JUNE 6.00pm HAGELSTROM ESTATE Lots marked with an asterisk(*) are from the Estate of Victor and Vera Hagelstrom. Victor Hagelstrom, original ly of Danish descent, graduated from the University of St. Petersburg in 1905 and then entered the Imperial Diplomatic Service, where he was highly decorated. He married Vera, the daughter of a Russian Supreme Court judge, around three years before the Bolshevic revolution, and shortly after was appointed Ambassador to China (cl914) taking up the post in Peking. Little is known of their history between the Revolution in 1917 and their immigration to New Zealand in 1926. They lived in reduced circumstances in Christchurch until his death in 1964 and hers in 1968. See Christchurch Press February 10 1979.

Wrist and Pocket Watches Important Conditions of Sale for Watches. Please note: as many of the timepieces are old ,-or their history is unknown, Webb's offers no guarantee as to mechanical condition or condition of seals etc. Atimepiece described as 'fine' or 'as new' is an opinion as to appearance only. All watches are sold as viewed. It shall be assumed that all buyers have inspected the lots and that they are happy with them in all respects. Watches cannot be returned on the grounds that repairs or service have been carried out, or parts (including straps or bracelets) have been supplied, by anyone other than the named maker. Notwithstanding the foregoing condition , named wristwatches are sold on the basis that the movement (or movement and case where both would normally have been manufactured by the named maker) were manufactured by the named maker. It is recommended that buyers have watches serviced promptly to ensure that damage does not arise from faulty seals or any other aspect of mechanical condition .

205 ROLEX, ALady's 18ct Yellow Gold And Diamond Oyster Perpetual Datejust Wristwatch With AMalachite Face. Ref 69178, sin 8565641 (cl985). All 18ct with President bracelet. Ma lachite face with date window, sweep second and Rolex crown at the meridian. Bezel ring (non factory) close channel set with round modern brilliant cut diamonds. $6,500 - $8,500 see colour illustration page 94

AUDEMARS P rerietual Ci

·ouanliemePerp ca~Creamfao ,onthand moor strapwrth !Sci ,agnific1ntt1m1

11),500-132,5 .,ec:,,1,ustn

206 TISSOT, ALady's 'Ballade' Stainless And Gold Wristwatch. Circular outline stainless case with gold bezel and matching bracelet. Automatic 25 jewel movement. Silver face with polished batons, sweep second and date window. $450 - $550

207 AU DEMARS PIGUET, A Lady's 18ct Yellow Gold Wristwatch. Ref: BA78780 / 460BA movement No 208490. Cushion outline case with gadrooned border and lugs to tapered herringbone mesh strap. Manual mechanical movement. Frosted silver face with bead work gold border. As new, unblemished condition. With original papers dated May 111996. $5,500 - $6,500

see colour illustration page 99

208 AUDEMARS FRERES A 14ct Yellow Gold Hunting Case Minute Repeating Chronograph Pocket Watch. Keyless lever, white enamel face with Arabic numerals, recessed subsidiary seconds and sweep seconds. Chronograph stop and return operated by button in band. The repeat, on two gongs, also operated by a button in the band. The heavy case enhanced with engine turning, the front cover further decorated with a monogram engraved on a shield-shaped cartouche enclosed by oak leaves with a coronet surmount. The movement protected by a glazed viewing cover, in turn protected by a dust-cover and the outer case. A splendid time piece cl885 from the renowned house of Audemars. $12,000 - $15,000 see colour illustration below

IA!EK PHllll W ristwatch I

Golden Ellipse n i'itegoldbract crown fitted toe

lll,500 -119,5 511 colcuri/lustn iYl6ARI, Al ::.'aroutl1ne :,nntWhil ~ina;oox pa1

11,000- 12,500

A~lfs Goo Wrth0iamo1 R~ta1gu1arout :~rnatwm s1 rllo a!eeng1 ·.-,,als

11,400 -11,801

imX,Alal Wristwatch

201 LONGINES, ALady's Stainless Steel Cased Wristwatch.

Rel691)8~n! SK,ndand fal lr,silenlbrace ,:o Gdem b

Rectangular outline case. Black face with Roman numerals and subsidiary seconds. Quartz movement. Black leather strap. $200 - $300

ll.l00 -18,5~

202 An 18ct Yellow Gold Cased Open Face Pocket Watch.

Sc€(;,; us

Keywound cylinder. Decorative gold face with Roman numerals and subsidiary seconds. Face and movement signed BAFFIN, Geneve. Replacement rolled gold bow. With key.

imX,Ala

latejustWn

$300 - $400

R,16911.~n) SW~!S!COnd,

203 ROLEX, AGentleman's Oyster Perpetual Stainless Steel And Gold Wristwatch.

U,180 -14,001

Reference numbers worn, but appears to be ref 1005, serial number indistinct. Stainless with gold milled bezel. Champagne face with polished batons and sweep second. Dark brown leather strap. (cl965?). $2,600 - $3,000

204* BOREL, ALady's 14ct Yellow Gold Hunting Cased Fob Watch. Keyless cylinder with handset button in band . White face with Arabic numerals. Swiss, but probably made for the Russian market as stamped 56 (for 56 zolotniks) as wel l as 14K. Cuvette also gold . Front cover with applied monogram. Deficient of bow to stem. $250 - $350

209 PATEK PHILIPPE, A Gentleman's Golden Ellipse Wristwatch In 18ct Yellow Gold. Ref 3848, case 2865240 movement 1337254. Classical shape, blue gold face with polished yellow gold batons. Manual mechanical movement. Original black crocodi le strap with 18ct Golden Ellipse Clasp. Papers wi ll be available to the purchaser. $7,500 - $8,500 see colour illustration page 103

i!eSSiever.8

·.-;•,s.exlll Ul5- 14)5

imx,Avi1

Wriitwatch. i:16114,CAL '.bsandsw, 1:i•101Jed~

usoo .14,oo Si!~/our ust

92 FINE JEWELLERY & WATCHES

iyster 1face.

:elel. Mai,:':, mendian.8m nlcutdiai,·:,

21 D AU DEMARS PIGUET, AGentleman's 1Bct Yellow Gold Cased Perpetual Calendar Wristwatch. 'Quantieme Perpetual' Ltd Edn No 41. Ref c39210BA. Rectangular curvex outl ine case. Cream face with gold batons and four subsidiary dia ls for: day, date, month and moonphase. Manual mechanical movement. Original black crocodile strap with 18ct AP clasp. Unblemished. With papers dated August 1992. A magnificent timepiece.

$27,500 - $32,500

•istwatcl. brace~. ns,sweei11::·:

see colour illustration title page

211 PATEK PHILIPPE, AGentleman's Automatic 1Bct White Gold Wristwatch With Blue Face And Rare Back Winder. Golden Ellipse model from the mid 1970's. Cushion outline case with integrated while gold bracelet. Blue face with polished batons. Self winding movement with crown fitted to case back.

$17,500 - $1 9,500 .Manu, oorder.l!·,

l%.

see colour illustration page 98

212 BVLGARI, ALady's "B Zero I" Wristwatch Set With Diamonds. Circular outline stainless steel case, the bezel set with diamonds. Quartz movement. White face with polished indexes. White leather strap. As new. With original box, papers and certificate from Partridge Jeweller's dated 15.12.04.

Case Minme

seisubs1di,1

ieraled~h.::· inlheband.Th: therdecoia:::

closed~oi• aglazedl:1·; lsple:!d ·,

213 ALady's Good Art Deco Platinum Cased Wristwatch Set With Diamonds. Rectangular outline with geometric ajoure lugs, all set with diamonds of mixed cut to a twin silk cord strap. The back and sides of the case enhanced with floral and foliate engraving. Manual mechanical movement, silver face with Arabic numerals.

$1,400 - $1,800

Ref 69278 s/n 984 3496 (cl987/88). White face with polished batons, sweep second and date window. Textured indexed bezel and textured mid links to President bracelet. With alternative non-factory bezel channel set with a line of round modern brilliant cut diamonds together with a baguette cut ruby at each quarter.

$7,500 - $8,500 see colour illustration page 99

215 RDLEX, ALady's Stainless Steel And Gold Oyster Perpetual Datejust Wristwatch. Ref 6917 , s/n 7231888 (cl982). White face with Roman numerals, gold indexes, sweep second and date window.

$3,500 - $4,000

216 HEBDDMAS, ARolled Gold Hunting Cased Pocket Watch. Keyless lever, 8 day movement. White enamel face with oval dial, Arabic numerals, exposed balance wheel. The case decorated with hunting motifs.

pl, bluegoldlai:

en1.0ngma_1 I ,· ;willbeava1P

"Super Sports", cushion outline case to mesh link bracelet also of 9ct yel low gold. Cream face with Arabic numerals and subsidiary seconds. Manual mechan ica l movement.

$400 - $500

219 CHOPARD, ALady's 1Bct Yellow Gold Cased 'Happy Diamonds' Wristwatch. Ref 20/5405YG s/n 231149. Circular outline, the glazed bezel with 3 captured free moving diamonds. Bow motif lugs, each set with a baguette cut diamond. Quartz movement. Black leather strap. With original box and warranty dated 17-8-05. As new appearance.

$2,800 - $3,400

220 ALady's 1Bct Yellow Gold And Enamel Half-Hunting Cased Fob Watch. Keyless cylinder with handset button in band. White enamel face (hairline fault) with Roman numerals. Outer numerals blue enamel Roman on salmon pink guilloche ground. Case further enhanced with floral and foliate engraving, cuvette also 18ct gold.

$600 - $700 see colour illustration page 94

$2,000 - $2,500

214 RDLEX, ALady's 1Bct Yellow Gold Oyster Perpetual Datejust Wristwatch With Alternative Ruby And Diamond Bezel.

Wristwatcnln

218 ROTARY, AVintage 9ct Yellow Gold Cased Wristwatch.

$375 - $475

217 RDLEX, AVintage Oyster Perpetual 'Bubble Back' Wristwatch. Ref 6284, CAL A296, case marked 1st quarter 1955. Silver face with polished batons and sweep second. Black crocodile strap. Bi metal case, stainless with gold indexed bezel and gold crown.

$3,500 - $4,000 see colour illustration page 96

Magnificent Jewels, Fine Antique & Modern Jewellery, Accoutrements, and Loose Diamonds. Please note: where gemological reports are available these should be read together with the catalogue description. Should there be, through error, omission or introduction of better evidence, any significant difference between the catalogued description and that provided in the gemologist's report, it shall be assumed that the buyer has inspected the report and is buying in acceptance of it. Unless otherwise stated, all stones have been assessed for weight, colour or clarity mounted and the descriptions given in the catalogue or report are therefore based on estimates which are limited in accuracy. Where an actual weight is given the stone will have been weighed loose, however while the grading of a stone loose will minimise error margins it shall be accepted by the buyer that all reports and descriptions remain opinions and not matters of fact.

221 AScottish Hardstone Bracelet. Designed as a line of 8 hinged panels of gilded metal, each set with an oval panel of polished hardstone (banded agate, bloodstone (heliotrope), jasper etc.), each with one inverted crescent end set in an alternating left/right sequence. One panel cracked.

$250 - $350

222 ABracelet Of 9ct Yellow Gold. Solid chunky curb links. 55.9g.

$450 - $650

223 AVictorian Emerald and Diamond Bangle. Yellow gold (tests approx. 18ct) plain tapered rail edge design to a central oval panel with scroll and scalloped border enclosing a domed centre that is enhanced with wire vine tendrils about four emerald-cut emeralds to a central rectangular/ cushion mine cut diamond. The diamond measuring approx. 4.4 x 3.4 mm (depth unobtainable) estimated at around 0.25ct of good quality for the period. Fine condition. No maker's or assay marks.

$2,500 - $3,000 see colour illustration page 99

224 AVictorian Cameo Brooch. The 50x4lmm oval carved shell cameo of a 19th C. Gentleman, bust length in profile, set in an oval frame of yellow gold (tests approx. 18ct) enhanced with bead & ropework, no maker's or assay marks. Cameo signed on reverse (Barbarti Sculpt. ?) . Fine condition. With fitted box.

$700 - $900 see colour illustration page 94 FINE JEWELLERY & WATCHES

225 An Unusual Early 19th Century Faiding Swivel Seal / Watch Key Fob Pendant. Navette outline in rose gold (tests approximately 9ct) decorated recto with floral motifs, verso with a sunburst. Afolding panel rotates to a swivel sea l with an oval vacant carnelian seal or to a watch key for which the panel can be locked in place by means of a hinged flap to the band. $300 - $400

226* ARussian Desk Seal. The handle of green layered hardstone to an octagonal outline head with a silver band enclosing a metal intaglio seal of a monogram below a crown and 'Hagelstrom ' rendered into Cyrillic equivalent. $150 - $250

227 * A Chinese Order Decoration Star. The silver rayed star enhanced with white enamel to a circular central panel with Chinese characters on red enamel ground verso and polychrome golden grain sheaf decoration recto. (7 Order of the Precious Brilliant Golden Grain cl912). Ribbon deficient. $100 - $200

233 ASingle Row Necklace Of Cultured Pearls. Uniform semi-round 8.5 mm , secured by a bal l clasp of 9ct yellow gold. 560 mm. $550 - $650

234 ATwo Row Necklace Of Cultured Pearls With A Jewelled Clasp. The semi round 7-8 mm white / cream cultured pearls of uniform size secured by a rosette clasp of yellow gold (tests approximately 18ct) set with round cut rubies, sapphires and pearls in concentric borders to a central ruby. 360 mm. $600 - $800

235 ABangle Of 9ct Yellow Gold. Plain tub ular design , 31.2g. $300 - $400

236 An Attractive And Interesting Necklace Of Tsavorite Garnets. The necklace of 9ct yellow gold beads suspending at even intervals a line of 31 pendeloque briolette cut tsavorites graduated in size from the centre and well matched for colour. Gemologist's report and valuation available on request. $1,500 - $2,000

228 ASuite Of Jewellery In Platinum And 18ct Yellow Gold Set With Diamonds. Exceptional quality, mainly platinum (total weight 181.62g) set with some 165 good qua lity round modern brill iant cut diamonds having a TOW approx l.90ct. The suite comprising a 'v' shaped diagonal bar link necklace, with matching clip earrings and dress ring. With original box from Labhart of St Gallen (Labhart Princesse). Gemologist's report and valuation available on request. $8,000 - $9,000

229 An Elegant Bangle Set With Diamonds. Five row hinged design in 18ct white finished gold, the bands of diamonds opening at uneven intervals. The diamonds, some 170, all brilliant cut with an estimated TOW 3.45ct. Gemologist's report and valuation available on request. $6,350 - $6,850 see colour illustration page 98

230 A 19th C. Snake Motif Gold Enamel and Pearl Bracelet. Yellow gold (tests approx.18ct). The body designed as an articulated line of links graduated from the centre with a tongue clasp to the head. The head , with further coiled tail motif, is enhanced with deep blue vitreous enamel together with ruby cabochon eyes and lines of half-pearls. Suspended from the head is a memoriam locket drop, similarly enamelled (slight bruising) ,set with pearls and with glazed compartment verso. No maker's or assay marks. With fitted box from Hunt & Roskell of London (hinge requires attention). $2,250 - $2,500

237 ASilver Necklace Set With Pearls Possibly Made By REUBEN WATTS. Designed as a graduated line of 9 flowerheads , each centred by a pearl (possibly natural) , the flowerheads joined by oval links. With a letter from the vendor stating that the necklace was once the property of Reuben Watt 's wife who was her mother's sister and that it has come to her by direct descent. Four flowerheads bearing impressed stamp "silver" and one impressed "STORY". Reuben Watts (1869-1940) was a renowned New Zealand jeweler and silversmith . $200 - $300 see colour illustration page 96

238 AThree Row Necklace Of Natural Pearls. The 3.5 - 4.5 mm pearls of natural off round shape and matched size, some 292 in all , strung in three rows of simi lar length, secured by a clasp of silver set with rose and Swiss cut diamonds. 450 mm . Gemologist's report and valuation available on request. $2,000 - $2,500

239 ANecklace Of Citrines And Pearls. Designed as a line of seed pearls with festoon loops, each suspending one of 15 briolette cut citrines, graduated in size from the centre. Gold barrel clasp. 390 mm. $300 - $400

see colour illustration page 96

240 ATwo Row Necklace Of Cultured Pearls. 231 A 19th C. Bracelet of Amethysts. Five panels of cast metal of Pinchbeck type, each with rococo borders enclosing stippled ground to a central 19xl6 mm oval cut amethyst. Good condition. 19th C. $650 - $850

Round, cream , graduated from the centre (8.5-5.5 mm) to a clasp of white and yellow gold (tests approximately 14ct) set with a cabochon blue sapphire and single cut diamonds. The thumb-piece also set with a diamond. 390 mm. $750 - $850

see colour illustration page 99

232 ATwo Row Bracelet Of 14ct Yellow Gold Reeded Rope Links. 364g $450 - $650

241 ATwo Row Necklace Of Cultured Pearls With ARuby And Diamond Clasp. The semi-round 7-8 mm white/ cream cultured pearls secured by a rosette clasp of 9ct yellow gold/ silver doublet set with radial rows of senaille cut diamonds and square cut rubies to a central round modern bril liant cut diamond of around 0.25ct. Minor faults. 550 mm. $700 - $1,000

94 FINE JEWELLERY & WATCHES

mns•res,::,: tth IOL'.OCi· 160 m.

rite barnelt emlsa ne:' lcentrero, eonr .~:

bya~rll~11 mthrnnooc

att'swilewt·rn nt.four'': ,· . Reub!n!t; mith.

cheos11e,so11 aclaspol11,e.r portanovaJ'

spenoingn1';'

barrelcla1pl:'

c1aspo11·:er' luesapphreri ond.J90rnrn

dbyarosettec1;, 11e . "I ailleculo1ai , [rtdiamonoolo'.

FINE JEWELLERY & WATCHES

Ilolio Bangle 1,nrcuidcross-s IJ~-1850

i5511-l150

1Pair mRuss 1,iiluretankar :; n~.maker mo-11so 11i

!Particularly lellow 60l0. ,,1nc11cular : ::· (14d)

::ig.Gw:og 11,1-11,500

,w:nustr

!Ve~ fine lrne~istsa

r,'.·1slsel r:li~lsetpa 'i'.:'ngdes1 ci1reth~tto •i!wlanl :,'eln1a1cut

··,nlhjsts. 2ssa1rnksf 111000-116

~Hegant The woven bl lli~delacl :,·:rlcompr 'atediamor :,·:·dsel thi.aton ~-~-16.5( :1,:::Jr JS

lNeavy Ne l12nti:he1 aingn~klat 11150-11,)! siecc·our•Js

Alewelleo

h ~B-izan'

a-oac rcula 96 FINE JEWELLERY & WATCHES

11~ -~50

242 ASolid Bangle Of 18ct Yellow Gold.

250* ARussian Gold Bow Brooch Enhanced With Half-Pearls.

Plain round cross-section, 42.5g.

With dog-clip to suspend a watch or pendant. 56 zolotn ik (14ct) mark.

$750 - $850

$150 - $250

243 ARussian Imperial Period Silver Belt.

251 AFour Stone Diamond Bridge Ring.

Designed as a line of 22 rectangular panels of silver of geometric and bead motifs enhanced with niello and gilding, fitted to a leather belt. The terminal panels fitted with a pommel and hooks to one and eyelets to the other which also bears a crown above a Cyrillic monogram A (A.G.). Maker's mark M. . (M.G.) and assay mark for Moscow 1908-1917.

The round modern brilliant cut diamonds of matched size and estimated TOW l.03ct, assessed as G/H, VS, are set in a bridge of 18ct white and yellow gold, the shoulders accented with a further four small diamonds. Gemologist's report and valuation available on request.

$550 - $750

see colour illustration page 99

244* APair Of Russian Imperial Period Silver Toasting Cups. Miniature tankard shape with Cyril lic engraving. District mark 1896-1908. 84 zolotniks, maker C. $150 - $250 (2)

245* AParticularly Good Russian Imperial Period Muff Chain Of Yellow Gold. Five ring circular spiral design links secured by a bolt clasp and dog-clip. 56 zolotniks (14ct). Maker's mark AA, Assay mark for Moscow 1908-1917. 1950 mm, 62.8g. Gemologist's report and valuation available on request. $1,000- $1,500 see colour illustration page 99

246 AVery Fine 19th C. Demi-Parure in Yellow Gold Set With Amethysts and Half-Pearls, comprising a necklace with detachable cross motif pendant and a pair of drop earrings. Yellow gold (tests approx. 18ct or better). The necklace of fancy textured rope links to a mid section of five closed-back (foiled?) panels graduated from the centre, each set with an oval cut amethyst, separated by six flowerhead motif panels set with half-pearls. The chain terminals of similar flowerheads to a further amethyst set panel concealing the clasp. The flowerheads of quatrefoil filigree, the amethyst set panels bordered by scal loped beading and canneti lle.The earrings of matching design each set with a pendeloq ue cut amethyst to the drop and an oval cut amethyst to the suspension panel with wire hook. The detachable Latin cross motif pendant also of matching design , set with a round cut amethyst to the hook bale, 5 oval cut amethysts to the arms and a cushion cut amethyst to the centre. The amethysts, all of fine rich colour, of Brazilian type. Fine condition. No maker's or assay marks.Fitted box from S.Shepard of London. Gemologist's report and valuation available on request. $14,000 - $16,000 see colour illustration title page

247 An Elegant Jade, Diamond And Pearl Necklace. The woven black si lk choker necklace with 18ct white gold fittings, enha nced with two detachable diamond set cuffs, suspends at mid section a pendant. Th e pendant comp ri ses a jadeite plaque carved as a stylized bat, that is suspended by flexib le diamond set links from a diamond set hinged bale, and in turn suspends by diamond set links, a large baroque South Seas cultured pearl. Gemologist's report and valuation available on request.

$2,750 - $3,750

252 ARing Set With ASapphire And Diamonds. The marquise cut Ceylonese blue sapphire of very good colour and approximate weight l.28ct is set in platinum above a two tiered fan of channel set baguette cut diamonds of very good quality, and approximate TOW 0.80ct. Gemologist's report and valuation available on request. $2,000 - $2,500

253 ARing Set With AFine White Diamond Of Approximately 1ct. The round modern brilliant cut diamond assessed as F/G, Sl2 is set in a ring of 18ct while and yellow gold. Gemologist's report and va luation available on request. $6,250 - $7,250

254 ARing Set With ALine Of Seven Princess Cut Diamonds. The bridge of 18ct white finished gold close-set with the diamonds in an arc. TOW approximately l.2ct. Gemologist's report and va luation avai lable on request. $3,000 - $3,500 see colour illustration page 96

255 ABrilliant And Baguette Cut Diamond Cluster Ring. Oval outline domed design the border of brilliants enclosing a fan of tapered baguettes to a pave brilliant set centre. 18ct wh ite and yellow gold. TOW approximately 2.3ct. Gemologist's report and va luation avai lable on request. $3,000 - $3,500 see colour illustration page 99

256 ADainty Cross Motif Pendant Set With Diamonds. The Latin cross of 18ct yellow gold, set with six round modern brilliant cut diamonds having a TOW around 0.40ct, suspended from a trace snakelink chain of 18ct yellow gold . $400 - $500

257* An Impressive Pendant Set With Two Amethysts. The upper oval cushion cut stone of around 38ct set in a frame of 14ct yellow gold suspends by knife-edge bar a drop set with a pendeloque cut amethyst of around 23ct. Gemologist's report and valuation available on request.

$5,500 - $6,500

$600 - $1,000

see colour illustration page 96

see colour illustration page 94

248 AHeavy Necklace And Bracelet En Suite Of 18ct Yellow Gold. Plain belcher links with ring bolt clasps. Designed to be joined for alternative use as a long necklace 430 + 200 mm. 145.2g. $2,250 - $2,750 (2) see colour illustration page 94

249 AJewelled Pendant/ Enhancer. Ornate Byzantine crown design set with circular lapis lazuli, turquoise cabochons and a circular cut blue topaz. Hinged bale ring.

258 An Elegant Necklace Set With Over 1Oct Of Brilliant And Baguette Cut Diamonds. Continuous line of articulated 18ct white finished gold links, each set with a round modern brilliant cut diamond to a mid section of arced design links graduated from the centre and set with a line of baguette cut diamonds within borders of brillia nt cut diamonds. Gemologist's report and valuation avai lable on request. $14,000 - $16,000 see colour illustration page 98 see also following lot

$250 - $350 FINE JEWELLERY & WATCHES

98 FINE JEWELLERY & WAT"HES

FINE JEWELLERY & WATCHES

11ennis S~le

259 AStriking Ring Set With Baguette And Brilliant Cut Diamonds. Th e wide tapered band of 18ct white finished gold set with a central line of baguette cut diamonds within slightly raised borders of round modern brilliant cut diamonds. The diamonds, some 30 in all having a TDW approximately 3.00ct. Gemologist's report and valuation available on request.

268 APair Of Ruby And Diamond Cluster Earstuds. Oval outline in 18ct white gold, three tier design . Each set with an oval cut ruby within a double border of round modern bril liant cut diamonds. Gemologist's report and valuation available on request.

$1,500 - $1,800

260 AFlowerhead Motif Pendant Set With Diamonds. 18ct yellow gold set with a cluster of 9 round modern brilliant cut diamonds to a bale set with a further diamond. With 18ct white gold bobble link neckchain.

$450 - $650

261 * ABrooch Of Art Nouveau Influenced Design. Ribbon scroll design in satin finished 14ct yellow gold set with a round cut synthetic ruby. Gemologist's report and valuation available on request.

$175 -$275

262 Two Heart Motif Pendants, Each Set With A Ceylonese Blue Sapphire. 18ct yellow gold, each rub-over set with a vibrant heart shaped Ceylonese blue sapphire. Suitable for use as pendants to earrings, finials to chain or on a bracelet.

$450 - $650 (2)

263 An Attractive Sapphire And Diamond Cluster Ring. The approximately 1.3ct oval cut Ceylonese blue sapphire of very good colour and lively appearance is rub-over set in 18ct white gold within a close channel set border of baguette cut diamonds of fine quality. Gemologist's report and valuation available on request.

$2,000 - $2,500

264 AThree Stone Diamond Ring. Th e round modern brilliant cut diamonds, graduated very slightly from the centre, with an approximate TDW 1.63ct, assessed as H/J, SI are set in a bridge of 18ct white and yellow gold. Gemologist's report and valuation available on request.

$5,500 - $6,500

265 ADress Ring Pave Set With Diamonds. The cushion outline folded octagonal dome pave set with some 98 round modern brilliant cut diamonds having an approximate TDW 1.34ct. 18ct white gold. Gemologist's report and va luation available on request.

$2,000 - $2,500 see colour illustration page 98

266 AFive Stone Diamond Ring. The round modern brilliant cut diamonds of matched size and estimated TDW 1.00ct, assessed as F/G, 11, set in a bridge of 14ct white and yellow gold. Gemologist's report and valuation available on request.

$1,500 - $1 ,800

267 ARing Set With AFine White Solitaire Diamond Of 1.17ct. The round modern brilliant cut diamond assessed as E/F, Sl2/11, good make is set in a crossover ring of 14ct yel low gold.

$6,500 - $7,000

pooo-14,ooo ~~aur,1ustrall

see colour illustration page 103

$5,000 - $6,000 see colour illustration page 103 see also previous lot

,.·•·•asaline ,~i·'" around modern br i;r : og1st'srepor

269 APair Of Victorian Pendant Earrings. Hollow balls with wire hooks, each suspending a pendeloque drop with a ball finial , enhanced with a pearl set star motif outlined with deep blue enamel, and further decorated with wire work and beading. Very minor faults to back of each of the suspension balls and small crease to back of one, but otherwise in fine condition.

$400 - $600 see colour illustration page 94

270 AStylish Pair Of Drop Earrings Set With Diamonds.

!Pair OI Earc ·,ACreolescr ·::w"tediamor

::-:·dsGemolr lt!IO· \3,250

I Pair 01 Solil [a:ldesignedas iprub~versel ;,-:,61srs1e~

Each designed as a leaf motif panel pave set with diamonds suspending by collet set diamond link a concentric pair of articulated open leaf motif pendants outlined with diamonds. 18ct white gold. The diamonds, all round modern brilliant cut have an estimated TDW 2.Sct. Gemologist's report and valuation available on request.

11-11,100

$3,000 - $3,500

,10;,ipenfol~

see colour illustration page 103

! :lieflnverteil

271 ABracelet Set With Diamonds.

cnnhtha

:01 :;r ,str~

!Pair O! Pen

atr·eedroplnn Designed as a line of figure-of-eight links with quatrefoil joiners in 18ct white finished gold set with some 238 round modern brilliant cut diamonds having a stated TDW l.79ct. Gemologist's report and valuation available on request.

]l~Uesl 11.100-\1,800

$2,750 - $3,250

!Pair 01 Crf

see colour illustration page 98

iaguette C[

272 KUTCHINSKY, An Enamelled And Jewelled Lion Motif Brooch. 18ct yellow and white gold with amber-red enamel, set with caboc hon emeralds and diamonds. The lion with legs and claws extended appearing to have just leaped to its current resting place. Minor bruising to enamel on tail. Signed Kutchinsky and with London hallmarks for 1969.

$2,800 - $3,400

:1:1,trre•ni :,;.,ttecutdii

mo-1350 Sil,iM·,ustr !Pair 01 So •,ia~onds1

273 ALoose Round Modern Brilliant Cut Diamond Of 2.33ct. The diamond assessed as N, VS2. Gemologist's report and valuation available on request. Gemologist's report and valuation available on request.

$10,000 - $12,000

· ·t,nlll ,~.::!1onava1

M .000 -15,00 :::::,,,

see colour illustration page 98

274 ARing Set With AGood Solitaire Diamond Of 1.71ct. The round modern brilliant cut diamond of reported weight 1.7 lct and assessed as G, Sil is set in a ring of 18ct wh;te gold. Gemologist's report and val uation available on request.

$17,500 - $20,000

l!ressRin ft,rorotels\j •::embrill1a1

lva1es.Jot1 jnoids.Ge1

1rno -12,11

not received in time for illustration

275 ANecklace Set With Approximately 8.6ct Of Diamonds.

IRing Set '·,ro.1dm

Designed as a continuous line of arced links in 18ct white finished gold, joined by flowerhead clusters, all set with round modern brilliant cut diamonds. The necklace designed to be worn with the flowerheads resting inward or outward. Gemologist's report and valuation available on request.

'.e::ourH G ,-:cg11i's

$15,000 - $18,000

IParticuli

see colour illustration page 98

1!,210-IJ,2

Th,hndgeo , s iM~grad ta•onds titler,oJ ";.,st

100

FINE JEWELLERY & WATCHES

ll,OOO -\g s~cc,uril

276 ATennis Style Line Bracelet Set With Diamonds.

ivalculru~ 1ologisl'sre~rt

Designed as a line of 29 circular links of 18ct yellow gold , each rub-over set with a round modern brilliant cut diamond of around O.lOct (TDW approximately 3ct). Gemologist's report and valuation available on request. $3,000 - $4,000

At each flowerhead motif stud of 18ct white gold are set 7 rou nd modern brilliant cut diamonds, the stud suspend ing by articulated bar a simi lar larger flowerhead finia l set with diamonds. TDW approximately 0.88ct. Gemologist's report and valuation available on request.

see colour illustration page 99

$1,250- $1,500

277 APair Of Earclips Set With Cognac And White Diamonds. irthaba iena~, r: baclolea:h 61se 1ni1e

ml&lwh!e ondsha,1°ga mrequesl.

The Latin Knight's cross in 18ct white gold pave set with round modern brilliant cut diamonds suspended by an "anchor" cable link chain also of 18ct white gold. Gemologist's report and valuation available on request.

$2,850 - $3,250

$4,500 - $5,000

ochonerne1ad1 lohave1usl tail Sign~

The round modern brilliant cut diamond of reported weight 1.505ct and assessed quality H, Sil is set in a ring of 18ct white and yellow gold of simple traditional design. Gemologist's report and valuation available on request.

$800 - $1,200

$12,750 - $14,750

see colour illustration page 94

279 APair Of Pendant Earrings Set With Diamonds. An open pendeloque outline panel at each stud suspends by chenier diamond link a larger inverted open pendeloque drop enclosing a further drop and supporting a three drop fringe. 18ct white gold set with some 154 round modern brilliant cut diamonds with a reported TDW 1.72ct. Gemologist's report and valuation avai lable on request. $2,200 - $2,800

18ct white finished gold , each with an arced panel to the front set with a line of baguette cut diamonds within borders of brilliant cut diamonds. $750 - $850

see colour illustration page 96

281 APair Of Solitaire Oval Cut Fine White Diamond Earstuds.

!.33ct.

The diamonds of estimated TDW approximately 1.12ct and assessed quality G (or higher) Sll/2 are set in mounts of 14ct yellow gold. Gemologist's report and valuation available on request.

aliona,alal'!:'

$4,000 - $5,000

see colour illustration page 94

282 ADress Ring Set With Cognac Coloured And White Diamonds.

let. Iclandasse1iil 4andva,al:'

The coronet style band of 18ct white and black finished gold pave set with round modern brilliant cut cognac coloured diamonds to a fan on one side compris ing 5 vanes, 3 of which are set with further cognac diamonds and two with white diamonds. Gemologist's report and va luation available on request. $2,250 - $2,750

283 A Ring Set With AGood Quality Solitaire Diamond Of 1.01 ct. 11onas. shed gold.~•,; diamond1n,e ardoroutward

287 ARing Set With ADiamond Of Approximately 1.5ct.

Each designed as a solid dome backed circular panel of 18ct yellow gold centred by a rub-over set round modern brilliant cut diamond of approximately 0.33ct. Gemologist's report and valuation available on request.

280 APair Of Creole Style Earrings Set With Brilliant And Baguette Cut Diamonds. Broocl.

286 AFashionable Cross Motif Pendant Pave Set With Diamonds.

Tapered Creole scroll design in 18ct white and black finished gold, each pave set with white diamonds about an openwork series of arches set with cognac coloured diamonds. Gemologist's report and valuation available on request.

278 APair Of Solitaire Diamond Drop Earrings.

ndng~~,: ~nfanlsou1":: rt1Ea1lc~•,,, bleonre;.o!

285 APair Of Drop Earrings Set With Diamonds.

The round modern brilliant cut diamond with Japanese certificate stating it to be colour H, clarity VS! and of good make is set in a ring of 18ct yellow gold. Gemologist's report and valuation available on request. $6,250 - $7,250

284 AParticularly Attractive Five Stone Diamond Ring. The bridge of 18ct white gold set with three round modern brilliant cut diamonds, slightly graduated from the centre, the terminal stones each trilliant cut. The diamonds estimated to have an approximate TDW 2.00ct are assessed as G(or better) to J with clarity VS to I. Gemologist's report and valuation available on request.

see colour illustration page 99

288 ASplendid And Highly Fashionable Necklace Of Black And White Diamonds. Art Deco influenced design in 18ct white gold. The necklace of sl ightly gradu ated round cut black diamond beads, with white diamond set rondelles at even intervals, suspends a pendant- enhancer brooch of white gold ajou re, set with bri lliant cut white diamonds, and briolette cut black diamonds to a tassel fringe of white diamond set drops with black diamond finials. Black diamonds TDW approximately 30ct, white diamonds TDW approximately 2.28ct. With a matching pair of single drop pendant earrings. Gemologist's report and valuation available on request. $6,500 - $7,500

see colour illustration page 96

289 APair Of Princess Cut Diamond Cluster Earstuds. Each designed as a square outline in 18ct white gold invisibly set with 9 Princess cut diamonds in a 3 x 3 pattern. The diamonds, 18 in al l for the pair with an approxim ate TDW 0.61ct, are of good quality (E/H, Sl-11 ). Gemologist's report and va luation available on request. $1,400 - $1,600

see colour illustration page 96

290 APair Of Pendant Earrings Set With Diamonds. Each designed as a single line drop of 12 articulated links of 18ct white gold, each set with a round modern brilliant cut diamond. TDW around 0.50ct. $350 - $550

291 ARing Set With ASolitaire Diamond_Of Approximately 1.30ct. The round modern brilliant cut diamond of reported weight 1.30ct and assessed to be H/1, 11 is set in a ring of 18ct yellow gold and platinum with discreet heart motif detai l to the under bezel. Gemologist's report and valuation available on request. $5,500 - $6,500

see colour illustration page 99

292 ASouth Seas Cultured Pearl And Diamond Ring. The semi-baroq ue 13-lSmm si lver-wh ite pearl set in 18ct white gold above a tiered ground of baguette and bril liant cut diamonds. Gemologist's report and valuation avai lable on request. $1,000 - $1 ,500

$7,000 - $8,000

see colour illustration page 103 FINE JEWELLERY & WATCHES ) 0)

293 APair Of 19th Century Silver Pendant Earrings Set With Pastes. Flowerhead, scroll and articulated drop motif set with old mine cut pastes. Stud post of more recent date. $200 - $300

294 AVery Good Three Stone Diamond Ring Of Approximately 1.50ct Total. The round modern brilliant cut diamonds of matched size and assessed quality F/G, VS2 are set in a bridge of 18ct white and yellow gold. Gemologist's report and valuation available on request. $7,500 - $8,500 see colour illustration page 94

295 ABangle Set With Princess And Baguette Cut Diamonds. Hinged design in 18ct white finished gold, the upper section set with 17 panels of 4 invisibly set Princess cut diamonds bordered by diamond baguettes. TDW approximately 3.90ct. Gemologist's report and valuation available on request. $5,500 - $6,500 see colour illustration page 103

296 ARing Set With ANatural Fancy Yellow Diamond Of 2.32ct Together With White Diamonds. Th e fa ncy yellow oval bri lliant cut diamond, of Argyle origin, with certificate stating it to be 'Natural Fancy Yellow VS2' is set in a ring of 18ct white and yellow gold within a border of round modern brilliant cut white diamonds bisected by a line of 3 stepped baguette cut diamonds at each shoulder. TDW 3.40ct. Gemologist's report and valuation available on request. $36,000 - $40,000 see colour illustration title page

297 ARing Set With ASolitaire Diamond Of Approximately 2.02ct. The round modern brilliant cut diamond assessed as being a good make, G/H, 11 is set in a ring of 18ct wh ite and yellow gold. Gemologist's report and valuation available on request. $14,000 - $16,000 see colour illustration page 94

298 APendant Set With AFancy Yellow Diamond Together With White Diamonds. The long tapered octagonal cut yellow diamond of stated weight l.Olct is set in 18ct white gold within a border of channel set white brilliant cut diamonds to the bale which is set with a tapered baguette. With 18ct white gold neckchain. Gemologist's report and va luation available on request. $6,250 - $6,750 see colour illustration page 96

299 AGood Estate Brooch Set With ALightning Ridge Black Opal Cabochon. The 22 x 11 mm oval opal cabochon showing an excellent full spectrum rolling / pinfire colour play, with an estimated weight of 6.65ct is set in a brooch of 15ct yellow gold within three concentric oval rings. Gemologist's report and valuation available on request. $5,000 - $6,000 see colour illustration at right

102 FINE JEWELLERY & WATCHES

300 AMagnificent Solitaire Diamond Of Exceptional Rarity. The 2.53ct diamond with G.I.A. certificate stating ii to be Internally Flawless, natura l faint pink, of excel lent make is set in a ring of 18ct white and rose gold within a continuous border of brilliant cut accent diamonds, the shoulders set with further lines of diamonds. The colour is very subtle, so th is stone will appea l to the buyer looking for a 'Dflawless ' but who is also seeking a rare and exciting added dimension that will ensure that a significant investment will be internationally secure. Gemologist's report and valuation available on request. $145,000 - $165,000 see colour illustration title page

301 ARing Set With AMagnificent Solitaire Diamond Of Approximately 5.3ct. The round bri lliant cut diamond assessed as KIL, Sll/2 is set in a ring of 14ct yellow gold. Gemologist's report and valuation ava ilable on request. $38,000 - $44,000 see colour illustration title page

302 A Ring Set With ACognac Coloured Diamond Of 2. 72ct Together With White Diamonds In A Cluster. Oval outline in 18ct white gold centered by the oval brilliant cut cognac coloured diamond, set within a border of round modern brilliant cut white diamonds enhanced with a Princess cut diamond at each shoulder. Stated TDW 4.47ct. Gemologist's report and valuation available on request. $15,000 - $18,000 see colour illustration title page

303 AStriking Bangle Set With Baguette And Brilliant Cut Diamonds. Broad tapered hinged design in 18ct white finished gold, the upper section of openwork with randomly orientated baguette cut diamonds within continuous borders of diamond brilliants. TDW approximately 5.7ct. Gemologist's report and valuation available on request. $8,250 - $9,250 see colour illustration page 98

304 AStylish Cross Motif Pendant Centred By ACognac Coloured Diamond Of 1.25ct. The Latin cross of satin finished 18ct white gold, with a row of five white brilliants in polished channel settings at the ends of each arm , is centred by the round modern brilliant cut cognac coloured diamond. With 18ct white gold neck chain. Gemologist's report and valuation available on request. $7,500 - $8,500 see colour illustration page 103

lrity.

·~" :: eaioru~

sno,''.i!!;' w a;;;;•·

e.::·si.~:cr.2'. :·:

1nngoll c

2ct nae~:.-,: 1aminh''" Gem;,5111 ;

sectco(' ntmuu::·:-

andvalu,'.

Colourei wniteon :"i

round~::,• am.G,,:\f!

FINEJEWELLERY & WATCHES

103

INecklace Of

305 An Exceptional Emerald And Diamond Cluster Ring. The un usual ci rcu lar mixed cut emera ld of very good colour, vibra nt appeara nce and of estim ated weight approximately 3.28ct is set in a platinum rin g of Art Deco influenced design enhanced with lines of diamonds and ajoure. Gemologist's report and va luation avai lable on request.

314 ARing Set With ASolitaire Old Cushion Cut Diamond Of Approximately 1.89ct. The diamond of un usually good clarity for the period funct ions well and is set in a more recent ring of 18ct white gold. Gemologist's report and val uation ava ilable on request.

$16,000 - $18,000

$8,000 - $9,000

see colour illustration title page

see colour illustration page 96

306 APair Of Princess Cut Solitaire Diamond Earstuds. The diamonds, of approximately TDW 0.85ct and assessed quality H/J, 11/2 are set in 14ct yellow gold. Gemologist's report and valuation ava ilable on request. $700 - $1 ,000 see colour illustration page 96

307 ADainty Pair Of Solitaire Princess Cut Diamond Earstuds. The diamonds estimated to weigh approximately 0.43ct for the pair, assessed as G/1 Sl2, set in platinum. Gemologist's report and valuation available on request. $700 - $800

308 An Eternity Style Ring Set With Baguette And Brilliant Cut Diamonds. The scal loped profile band of 18ct white gold set with a central line of baguette cut diamonds within borders of brillia nt cut diamonds. TDW approximately 0.78ct. Gemologist's report and va luation available on req uest. $1 ,500 - $1,700

309 ARing Set With AMarquise Cut Diamond Of Approximately 1.35ct. The diamond assessed as KIL, Sil is set in 18ct white gold and platinum together with 6 further bril lia nt cut diamonds and 16 baguette cut diamonds at the shoulders. Gemologist's report and valuation avai lable on request. $6,000 - $7,000

310 AGood Sapphire And Two Diamond Ring. The ova l cut blue sapphire of stated weight l.25ct rub-over set in a bridge of 18ct white and yellow gold with two claw-set round early modern brilliant cut diamonds of stated TDWl.53ct. Gemologist's report and valuation available on request. $7,000 - $8,000

311 APair Of Pendant Earrings Set With Diamonds. Each designed as a flowerhead cluster at the stud suspendi ng two concentric pendeloq ue articu lated open pendants, each with three tassel fringe drops. 18ct wh ite fin ished gold set with lines of brill iant cut diamonds. TDW approximately 2.Sct. $3,000 - $3,500

312 AVery Stylish Pendant Set With Baguette And Brilliant Cut Diamonds. Rectangular outline in 18ct white finished gold set with pairs of baguette cut diamonds in a 3 x 5 lattice, al l bordered by brilliant cut diamonds to a tapered bale set with further baguettes and bril lia nts. TDWapproximately 2.3ct. Gemologist's re port and val uation avai lable on request. $3,200 - $3,800 see colour illustration page 103

313 ADainty Tennis Style Line Bracelet Set With Diamonds. Designed as an articulated line of chenier links each set with a round modern brilliant cut diamond. TDW approximately 0.9lct. $1 ,250 - $1,500

I 04 FINE JEWELLERY & WATCHES

315 A'Happy Diamonds' Style Pendant Enhancer Set With Diamonds. Designed in the manner of Chopard's Happy Diamonds. Circular outline, the glazed compartment with 5 captured free moving diamonds, continuous lines of diamonds to inner and outer borders and to cross-over ba le. 18ct white finished gold, TDWapproximately 2.2ct. With five strand 18ct white gold fine chain necklace. Gemologist's report and valuation ava ilable on request. $4,500 - $5,000 see colour illustration page 103

316 APair Of Solitaire Diamond Earstuds. The round modern brilliant cut diamonds of light champagne colour, estimated to weigh approximately 0.75ct for the pair, set in 14ct yellow gold. Gemologist's report and valuation available on request. $750 - $850

317 APair Of Earstuds Set With Brilliant And Baguette Cut Diamonds. Rectangular outline in 18ct white finished gold set with five baguette and four round brilliant cut diamonds. Gemologist's report and valuation available on request.

f,da nks,4601 1110-1810

isilendid Sn tITT mamonds 1~1gnedasalini dcenteredbY ;;n antc~dia ,:){!andvaluat1 111000-112,00 ;;;:,Jr ,,strat

IPair Of Pen Ind Diamond: Q::ignedasafa Jiwliileandb ias;:ondfallo ~00-11,000 s::~:ir Jstfa

.I !StrikingSIi 10redastwo sl1mssetwith Ii : ;1;nds.Ach1 ~\Jell.

~.)50 -15,750 sec:: r 1stn

$850 - $1,000

Hoose [mE

see colour illustration page 96

··qghtbn ,,a,'.eonrec

318 ARing Set With An Orange / Yellow Jade And Diamonds.

11.800-12,5~

The pendeloque cabochon orange/ yel low jadeite is set in 18ct yellow gold with in a continuous border of rou nd modern bril liant cut diamonds. Gemologist's report and val uation available on request.

liangle Se

$3,800 - $4,800 see colour illustration page 99

319 An Attractive Ring Set With Princess And Baguette Cut Diamonds. The band of 18ct white finished gold set with seven central panels of four invisibly set Princess cut diamonds, each panel bordered by two diamond baguettes. TDW approximately l.98ct. Gemologist's report and valuation available on request.

'.i:twMefinu a·,cfround ;,-::isls~

13150-13.75 52:~.il U

In [legant

see colour illustration page 103

•~l,igularij ,twthafOUI se1wrthrnes hog1st's1

320 APair Of Diamond Earrings.

~)50 -19,J s:: == ~J(

$2,750 - $3,250

After the manner of Cartier's "Wish Knot " design in 18ct white gold geometric fret motif set with lines of brilliant cut diamonds and each suspending by silk cord two turquoise coloured bead drops. Gemologist's report and valuation available on request. $2,000 - $2,500

1! Uiamond -::.at:d ;:iset~th iuNl4ct Gt

~.150-~,

321 AGood Ruby And Two Diamond Ring. The sq uare cut ruby of approximately l.60ct is set in a ring of 18ct yellow gold and platinum with two round modern bril liant cut shoulder diamonds of a little over 0.50ct each. Gemologist's report and valuation available on request. $6,750 - $7,750 see colour illustration page 94

s~~lou,111

nona

322 ANecklace Of 18ct Yellow Gold.

swella·!1il!I nivalla:,oo

Foxtail links, 460 mm 40.3g. $650 - $850

323 ASplendid Bracelet Of Brilliant, Baguette And Princess Cut Diamonds. Designed as a line of articulated rectangular links of 18ct white finished gold, each centered by a Princess cut diamond, bordered by 4 baguettes and with a brilliant cut diamond at each corner. TOW approximately 7.3ct. Gemologist's report and valuation available on request.

laro~l'e.1·, contnuous 1:!

al&!wlrte wiilegcl!h onrequ~t

$10,000 - $12,000 see colour illustration page 103

324 APair Of Pendant Drop Earrings Set With Rubies And Diamonds. Designed as a fall of three articulated open circlets graduated from the stud in 18ct white and black finished gold, set with lines of round cut rubies, over which is a second fall of two circlets set with brilliant cut diamonds in white gold. $800 - $1,000

1colour,

4ct~!ui 1,l

see colour illustration page 98

325 AStriking Strawberry Motif Brooch. Designed as two strawberries in 18ct yellow gold set with oval cut rubies, the stems set with lines of square cut rub ies and the leaves set with bri lliant cut diamonds. A charming piece. Gemologist's report and valuation available on request.

tie baguettea !':: lonava ate~ 0

$4,750 - $5,750 see colour illustration page 94

326 ALoose Emerald Cut Diamond Of 1.1 3ct. The top light brown diamond assessed as Sil. Gemologist's report and valuation available on request.

amonas. cl~llow diamonds.

$2,000 - $2,500

327 A Bangle Set With ALine Of Diamonds. 18ct white finished gold hinged design, the upper section channel set with a line of round modern brilliant cut diamonds having an approx TOW l.70ct. Gemologist's report and valuation available on request. $3,250 - $3,750 see colour illustration page 103

1anelsofloi two diamond rdvalua!ion

328 An Elegant Fringe Collar Necklace Set With Diamonds. Rectangular box links of 18ct white finished gold, the centre section of 20 each set with a round modern brilliant cut diamond and separated by curved bar links, set with lines of bril liant cut diamonds, to form a fringe. TOW approximately 4ct. Gemologist's report and valuation available on request. $8,750 - $9,750 see colour illustration page 103

egoldge1n:1c uspendinglr/ 5 andvalual1oi

329 A Diamond Bracelet Of Art Deco Design. Articulated plaque and half circlet links with oval joiners in 18ct white finished gold set with lines of round modern brilliant cut diamonds having an estimated TOW 3.4ct. Gemologist's report and valuation available on request. $4,250 - $4,750 see colour illustration page 98

330 ALavalier Style Necklace Set With Diamonds. The flat Figaro link chain of 14ct yellow gold enhanced with bright cut white gold is centered by a scroll 'wing' mid section that suspends an articulated drop, all set with diamonds about the major old European cut stone of approximately 0.60ct. Gemologist's report and va luation avai lable on request. $2,500 - $3,000

331 APair Of Pendant Earrings Set With Cognac And White Diamonds. Each designed as a fall of three articulated pear-shaped loops of graduated size in 18ct white finished gold outlined with round modern brilliant cut diamonds. The largest, terminal, loop enclosing a free moving drop set with a cognac colourer pendeloque cut diamond. TOW approximately !.Set for the pair. Gemologist's report and valuation ava ilable on request. $3,400 - $4,200 see colour illustration page 98

332* ARussian Imperial Period Horseshoe Motif Brooch Set With Sapphires And Diamonds. The horseshoe of 14ct yellow gold set with lines of senaille cut diamonds alternating with lines of calibre cut blue sapphires to a central round old cut diamond and articulated diamond drop. 56 zolotnik mark for 1908-1917 on pin catch. Gemologist's report and va luation available on request. $500 - $800

333 ABlack South Seas Cultured Pearl And Diamond Ring. The 10.8mm round black pearl with peacock overtones is set in a ring of 18ct yellow gold with a semi-rondelle line of brilliant cut diamonds at each shoulder. $650 - $7 50

334 ASapphire And Diamond Dress Ring. Designed as 4 bands in 18ct white finished gold, the outer two raised above the inner two, which are centred by an oval cut vibrant blue sapphire. Set with lines of round modern bri lliant cut diamonds to su it the design. TOW approximately 0.98ct. Gemologist's report and valuation available on request. $3,000 - $3,500 see colour illustration page 96

335 ARing Set With ARadiant Cut Diamond Of Approximately 0.82ct And Other Diamonds. Hand finished contemporary design in platinum and 18ct yellow gold centered by the radiant cut diamond , assessed as H/I, VS2+, good make. The shoulders set with 12 channel set baguette cut diamonds. Gemologist's report and valuation available on request. $3,500 - $4,000

336 ARing Pave Set With Diamonds. The band of 18ct yellow gold pave set with brilliant cut diamonds in a cartouche outline panel. Gemologist's report and valuation available on request. $1,000 - $1,400

337 An Impressive Diamond Cluster Ring. The broad, heavy band of textured 18ct yellow gold flowing up to a rectangu lar panel of 12 free form col let settings, each set with a round modern bril liant cut diamond of around 0.15-0.20ct, the shoulders set with a further eight smaller brilliants. 29.9g, TOW excess of 2ct. Gemologist's report and va luation available on request. $2,200 - $3,200 see colour illustration page 94

FINE JEWELLERY & WATCHES

105

338 ACross Pendant Set With Multi Coloured Diamonds. The 14ct white gold Latin cross set with 15 round modern brilliant cut diamonds of assorted fancy colours having an approximate TDW !.Set. Gemologist's report and valuation available on request.

346 AStriking Ring Of Geometric Openwork Set With Princess Cut Diamonds.

$1,250 - $1,500

The broad band of 18ct white finished gold with three rows of five Princess cut diamonds individually rub-over set to form a lattice. TDW approximately l.80ct. Gemologist's report and valuation available on request.

see colour illustration page 98

$3,600 - $4,200 see colour illustration page 98

339* APendant Set With Citrines. A round cut citrine of approximately 19ct, set in a frame of 14ct yellow gold, suspends by knife-edge bars of unequal length two drops each terminating in an oval cut citrine of around 8ct. Gemologist's report and valuation available on request. $450 - $650

340 ARing Set With AGood Princess Cut Diamond Of 1.02ct. The diamond of reported weight l.02ct assessed as very good make, G/H , VS2 / SI 1 is set in a ring of 18ct white gold with a tapered baguette cut diamond at each shoulder. TDW approximately l.35ct. Gemologist's report and valuation available on request.

347 ARing Set With Three Light Champagne Coloured Diamonds Of Approximately 2.35ct Total. The round modern brilliant cut diamonds of matched size are set in a richly engraved ring of 14ct yellow gold. Gemologist's report and valuation available on request. $2,000 - $3,000 see colour illustration page 99

348 ARing Set With ASolitaire Diamond Of Approximately 0.64ct. The round modern brilliant cut diamond assessed as H/1, 11, good make set in 18ct white gold. Gemologist's report and valuation available on request.

$7,500 - $8,500 see colour illustration page 103

341 ACollar Style Necklace Set With Diamonds. Designed as a line of articulated 18ct white finished gold flowerhead motif solid paired links, grad uated from the centre. The mid-section set with some 221 diamonds having an approximate TDW 3.37ct. Gemologist's report and valuation avai lable on request. $9,000 - 10,000 see colour illustration page 103

342 ANecklace Of Yellow Gold With AMicromosaic Clasp. Fine belcher links to an oval clasp set with a mother of pearl and floral bouquet motif micromosaic panel. Tests approximately 18ct. $350 - $450

343 A 19th.C Cross Motif Pendant. Modified cross urdy design in yel low gold ( tests approx. 18ct or higher) cannetille enhanced with beadwork. The arms of the cross each closed-back set with a pale oval cut amethyst, the cross centred by a small emerald-cut emerald. Ropework bale ring. Good condition. No maker's or assay marks. $800 - $900 see colour illustration page 99

344 ASapphire And Diamond Ring. The oval cut rich blue Ceylonese sapphire of approximately l.lOct set in a ring of 14ct yellow gold, each shoulder channel set with a line of Princess cut diamonds having a TDW approximately l.20ct. Gemologist's report and valuation ava ilable on request. $1,250 - $1,500

345 ACluster Ring Of Champagne Coloured Diamonds. Signet style in 18ct yellow gold set with a central round modern brilliant cut diamond of approximately 0.46ct within a continuous border of smaller brilliants of matching colour. Gemologist's report and valuation available on request. $1 ,000 - $1,400

106 FINE JEWELLERY & WATCHES

$2,000 - $2,400

1Princess

fivePn::11 appro11ma!e\

liamon~

seimae:I\ rualionml,'.,

ANNOUNCING AN UNCATALOGUED

ANTIQUEt~ COLLECTABLES SALE INCLUDING THE CONTENTS OF A GRACIOUS CAMBRIDGE HOMESTEAD.

ialeli i.i4cl ioodma~sc' · Jnrequ~I

TO BE HELD 2pm, THURSDAY 29th JUNE (PRIOR TO THE DECORATIVE ARTS SALE) A PRINTED LIST OF THE CONTENTS OF THIS SALE WILL BE AVAILABLE AT THE VIEWING IN THE FIRST FLOOR SALEROOM. SEE DECORATIVE ARTS TITLE PAGE FOR VIEWING TIMES

FURNITURE bamboo hallstand, revolving bookcase, carved hall settle, chiffonier bookcase, walnut wardrobe, Edwardian piano stool, Victorian chairs, baby grand piano, Scotch chest, Colonial dressing table, butlers tray.

COLLECTABLES wall telephone, alligator handbag, vintage clothes, old books, travelling dressing case, Victorian plate camera, Chad Valley cat, all-over floral china, Victorian paintings, Bretby, Daulton, Wedgwood, Suzie Cooper china, scent bottles and sterling silver.

VIEW THE CATALOGUE ONLINE AT: WWW.WEBBS.CO.NZ

E.AU .DE.

c::

•L:::a

Cl C;;i

N E:

[I] PARIS

~~~ j

~~torativ i~ijr~~a~ Lg , 1.iiimfirst fli J WOO on~ i.iiim .::I

400 ·

.::I

416 ·

.::1

456 ·

463 · 1

.:'.I

416 · (

m. 5 .::1 m- 5

.::1

514 · 6

iltWl~GTl~ '"jilfaj

111

1rl!j

~turli1

14"

:.·iai

:·:11

·.:ijai

,:,esoai 18 \11ia1 11

malei:lot6

607

108

DECORATIVE ARTS

Day 3

Decorative Arts Thursday 29th June. Two Sessions 2.00pm & 6.00pm 2.00pm First Floor Gallery Lots

2000 onwards

Uncatalogued Antiques and Collectables A list will be available free of charge at the viewing and on www.webbs.co.nz

6.00pm Lots

400 - 415

Miscellany

Lots

416 - 442

Antiquities

Lots

443 - 455

Religious Items

Lots

456 - 462

Musical Instruments

Lots

463 - 475

Fishing Items

Lots

476 - 526

Pottery and Porcelain

Lots

527 - 572

Silver, Sheffield Plate and Pewter

Lots

573 - 593

Orienta I Arts

Lots

594 - 6~6

Furniture and Decorator's Items

VIEWING TIMES Thursday

22nd

June

9.00am

5.30pm

Friday

23rd

June

9.00am

5.30pm

Saturday

24th

June

11 .00am

3.00pm

Sunday

25th

June

11.00am

3.00pm

Monday

26th

June

9.00am

5.30pm

Tuesday

27th

June

9.00am

5.30pm

Wednesday

28th

June

9.00am

5.30pm

Thursday

29th

June

9.00am

12 noon

Illustrated: Lot 607, An Alabaster Bust

601

DECORATIVE ARTS

109

MISCELLANY 400 ARare Butterfield-style Compass Sundial by Macquart, Paris. 18th century. Semi-universa l brass octa gonal dial ma rked to the obverse with th ree standa rd hour scales in Roman and Arabic numerals, indica ted for latitudes 42, 45 and 49 degrees. Signed Macquart AParis. Fold ing gnomon lacking bird indicator. The latitudes of twenty-three European cities are engraved to the reverse. 63 x 60mm 400

$1 ,250 - $2,000

401 AMiniature Painted in Oils of Cleopatra after the work by Guido Reni, in the Plazza Pitti, Florence. The queen holds an asp to her breast in the act of suicide. Later frame. 130 x92mm $400 - $500

,··

~-111

Hemin Yellow Pe, 'ita~f with moul l'~ -1\10

ee ltems of lndi ....s··,,-:,ssedwth 1100-1110

with wh ite enamel dial , Roman nu merals, spade hands, lever movement, hinged hand le. H.135mm

11,irouis of Jade , t;irgreen \hesml

$200 - $250

\100-11~

402 ABrass Cased Carriage Clock

with white enamel dial, fine cracks, Roman numerals, lever movement, hinged handle. H.135mm

11woerm1Aquatj ,·-';;,~lucked

$200 - $250

~-l500

403 ABrass Cased Carriage Clock

404

lieWalled Sill 1iiu -'~i1tenora nd

404 ARare Lehmann Tin Plate 'Man-Da-Rin' Toy

11i!\ll[~

a bearded yel low coated manda rin carried in a palanqu in by two cool ies reaches out to pull the pigtail of the front figure (one arm missing) $650 - $700

see illustration

405 An Early 19th Century Tortoiseshell and Ivory Tea Caddy The sarcophagus hinged lid lifting to reveal two compartments with tortoiseshell veneered covers with ivory knobs. Ivory clashing to the interior edges, stringing to the exterior edges and bun feet. Silver monogrammed plaque to the lid and conforming keyhole escutcheon. Slight faults. W. 190mm. $1 ,000 - $2,000

see illustration

ldncientfaienc1 .··;ac:Jceser~ :. t-!100BC ~

-~rn

. : .::re·

btmeoStonef / -,~ngdom I ::-, Lli1mm ~ -11.000

406 ATortoiseshell Spectacles Case inlaid with gold pique work and monogrammed cartouche engraved with date 1871. 405

$200 - $300

see illustration

MitteringYesse ·:~ ~ •:2: m~ .. ·- :::1,1Kt1w . -1\11)0

407 An Old Rajistani Brass Caddy modeled as a casket raised on four wheels, the hinged lid and sides all decoratively pierced and worked. L.190mm $100 -$150

408 ADutch Tobacco Pipe 406

Delft pottery bowl on horn and ivorine sectional stem.

- .i'•at :~

llerracotta Stat ··,:,'lnoand :,·;·m'orrnrfy -;· tja:nesti

11!-ll!O

$175 - $200

409 ARegency Tea Caddy Stationery compendium conversion. Rectangular with lion , mask refitted to accept envelopes and paper. $200 - $300

see illustration

410 ARegency Tea Caddy maple veneered with rosewood corner clashings. $250 - $325

409

l~olomeiclerr •• : :~ '2 :·:e "t - ·:: ig:-] ~-1100 ·0 -~ral1on

lilact ltone C, ··,,:,·,\Judea ·11,IOO ": .l''i::

411 ADouble Walled Silvered Glass Goblet with gilded interior and two exterior bands. The bel l bowl etched with a vine pattern. H.135mm

1reestand,1! ldegr!!Sliir,l -threebrc~t•·,

$50 - $75

412 ALemon Yellow Pearline or Vaseline Glass Flower Trough canoe shaped, with moulded anthemion decoration. L.207mm

$100-$150

ptoh,roreas:, ..,

413 Three Items of Indian Silver Jewellery A bangle embossed with a yogi and acolyte, ganesh and another deity; along with a necklace and a ring

422

418

421

416

425A

424

$100 - $150

handle HJ]:--

414 Two Groups of Jade Table Grapes the larger green , the smaller reddish coloured

$100-$150

415 ATaxidermy Aquatic Turtle andleH.tJi--

the front flippers tucked in under the shell, the rear flippers out to the sideW.510mm L. 800mm

$450 - $600

ANTIQUITIES ,outlopuillhip;,,

416 An Ancient Faience Bust of Queen Merytmum wearing a double serpent head dress, probably a portion of a plaque, turquoise glazed. Egypt 1300 - 1200BC, New Kingdom period. W.95mm H.180mm

425

426

$500 - $800 ieneeredc:,01 indounieetl,:· ltsW. !!Irr]

see illustration

417 An Carved Stone Face of Seti Egypt, New Kingdom , 19th Dynasty, 1295-1186BC, remnants of turquoise and purple pigments. W.95mm. L.152mm

$600 - $1,000

811

418 An Offering Vessel With ram 's head mount, thrown clay, faience glazed with black painted decoration to the flattened rim. Egypt, possibly Khnum , 500 - 400 BC . Stylistically 27th dynasty, upper Egypt. H.132mm L.255mm

$800 - $1200

see illustration

419 ATerracotta Statuette Group

429

434

431

430

432

The dwarf Seneb and his fami ly showing the two children substituting the legs of their father in making his deformity less conspicuous. Seneb a high official , head of the textile works under King Pepi II and a priest in the funerary cults of the fourth dynasty kings. Gaza 2475 - 2000BC. H.80mm

$300 - $500

420 APtolomeic Terracotta Stem Footed Urn Turquoise faience with applied amulets of goddess Sekhmet along with flowers and lotus. c.330 - 300BC. H.90mm

$500 - $800

see illustration

421 ABlack Stone Carved Head of Pharaoh Shishak The invader of Judea. 22nd dynasty 945- 924 BC. H.ll0mm

$900 - $1,500

see illustration

433

1wooden Relig

422 AStone Bust of Ancient Egyptian Mother Goddess Mut

432 ARoman Glass Handled Jug

•1,~ungrnan.ra1: ,. I'

Black pigment decorated. Late period 25th dynasty 690 - 664 BC lower Egypt later cut to base. W.l lOmm, H.120mm

With trailing zig zag encircling the shoulder, fluted exterior surface, iridescent green with sedimentary encrustations. 200BC - 200AD. Found Lebanon , off Tya.H.132mm

~,,.1soo

$800 - $1,500

$800 - $1,200

see illustration

itarved Wood

see illustration

423 APtolomeic / Grecian Sarcophagus Stone Mask of a Female With forelocks visible under headdress, white pigment remnants. C.SOOBC $1,100- $2,000

433 ARoman Iridescent Blue Glass Small Amphora With trailed spiral to the neck and bulbous terminal with some sedimentary encrustation. c.200BC- 200AD.H.125mm $800 - $1,200

424 AJudaic Wine Amphora 2nd bronze age later period 1350 -1450 BC found Hebron . Slight repair. H.1 55 $600 - $1 ,000

see illustration

425 ARare Judaic 1st Iron Age Period Terracotta Sphinx Jug

see illustration

434 ARoman Glass Vessel

see illustration

425A ARoman or Judaic Terracotta Perfume Bottle Herodian Period, c.100 - 80BC. H.115mm

itarved Wood . ,;, 1wathed ind, 1 :l'.'~sedpaintfinr

~,0-11.200

1Wooden Chris

$1 ,600 - 2,000

;i 1,Jonahexagon

see illustration

., ,i 111nfoliatepa1

lll00- 12,000

435 Three Copper /Bronze Rings 19.- 14th Century. Origins Turkey or North Africa. $150 - $200

436 A12th Century Crusaders' Metal Ring

$250 - $350

Cruciform decoration .

see illustration

$70-$100

426 AJudaic Early 2nd Bronze Period Amphora

11001-lt.500

With two handles and zig zag trailed mal let body, iridescent green with sedimentary encrustation. H.155mm

With double lug handles, circa 1200BC. Found Tilkitsea in Galilee. H.750mm $350 - $500

·1ir~sedparntfini ;_;;ortingbabyJes1

HarvedWoode ,ii-OGWilCUlarl •,•alunicdecorat,

1rn1H2,100

437 A12th Century Crusaders Metal Ring

Typical clay body. c 1700BC. Found Megiddo ( Armageddon). H.195mm

with cruciform decoration

$1,000 - $1,800

$100 - $150

see illustration

438 ARoman Small Finger Ring 427 AJudaic Later 1st Bronze Age Period Small Jug

1st Century AD

Terracotta body. c.2000BC. Found Jericho. H.77mm

$50-$100

$450 - $800

439 AConstantine 'Hand of God' Coin 428 ARoman Pottery Four Handled Wine Amphora Slight colour band at the shoulder, the surfaces marine encrusted. One handle replaced. c.200AD. Found in the ancient port of Acco, Israel. H.240mm $1,200 - $2,000

D.15mm $20 - $40

440 APersian Bronze Inkwell circular with smal l hinged cover. Metal tear in base. 0.75mm

429 ARoman Glass Bottle with sedimentary encrustation, iridescent green body with trailed glass spi ral. From Lebanon. H.155mm

$40 - $60

441 ASilver Metal Mid Eastern Amulet

$1,000 - $1 ,800

red and deep blue inlay, bead dernated, metal tassels.

see illustration

$40 - $60

lnlitn Centu~ ',,:wiJd.theh~ ··:·:: HJOOm

QUOO

ll!th Century I ::c,:,·::d,Jesus ···werel,efp

11:1-11100

HmedWood \,1,i1esd

430 ARoman Glass Wine Amphora and Bulbous Terminal Iridescent green with sedimentary encrustation remnants 200BC - 200AD. Found Lebanon, off Tya . H.205mm

442 Three Bronze Antiquities $100 - $140

$1,500 - $2,000

see illustration

1'00-11.000

including a Persian dress pin, c.600 - 800BC, a spear point and an adze head. IWooo Carved

>-··;1;.1u1w~

RELIGIOUS ITEMS

,·:",'eav,ns ~-~OD

431 ARoman Glass Twin Wall Vessel

Carved in wood, draped in red , green and cream robes. In one hand he holds the keys to the pearly gates whilst pointing heavenward with the other.. H.860mm

$800 - $1,200

see illustration

112

443 AChristian Religious Statue of St Peter

With spiral overlay, green with some iridescent and sedimentary encrustation. Found Lebanon , off Tya 200 BC - 200AD. H.160mm

DECORATIVE ARTS

!o· 1s1Iat1on

ICa~eoWood "l:ls:Sliipa . ~.!~j~'I'

~ ·1150

444 AWooden Religious Statue of Jesus

e,1ndescenl;:,f ,ottT1aHlJ1-

as a young man , raised on wooden base. Swathed in red and cream robes .H .650mm $500 - $800

445 ACarved Wood Christian Religious Statue of Mary and Baby Jesus distressed paint finish , raised on a circular base, Mary clothed in robes of blue, cream and ochre, supporting baby Jesus on her hip as he gestures heavenward. H.950mm d1menla~

$1,000 - $1,500

446 ACarved Wood Christian Religious Statue of Joseph and Jesus Joseph swathed in deep red and ochre robes supports baby Jesus dressed in a bright pink tun ic. Distressed paint finish. H.800mm some losses to base. $800 - $1,200 wilhredimemar1

447 AWooden Christian Religious Figure of Madonna Raised on a hexagonal base, dressed in deep red, cream and light blue robes decorated in carved relief with foliate pattern. H.lOOOmm. Some finger tips absent. $1,500 - $2,000 see illustration

448 ACarved Wooden Christian Religious Statue of Mary raised on a circular base, with hands crossed over her chest, draped in teal , gold and yellow robes over a tunic decorated with a fleur del is pattern in gold. H.1300mm $2,000 - $2,500

449 An 18th Century European Religious Statuette carved wood with painted gesso face and remnants of pigment to robes. H.260mm $250 - $300

450 An 18th Century European Statuette of a Monk carved wood, the head separately carved, remnants of pigment to robe and cloak. H.305mm $250 - $300 447

451 An 18th Century European Statuette of a Monk carved wood, the head separately carved, portrayed standing on a globe, remnants of pigment to robe and cloak. H.300mm $250 - $300

452 A19th Century Cretan Icon gesso painted; Jesus with two saints and three disciples including a woman which could be Mary, within a vine relief painted gesso frame. Some minor pigment flakes. 308 x 440mm $900 - $1,200

453 ACarved Wood Bust of a Saint The glass eyes down cast, adorned with a wig. Some minor paint loss. H.310mm $600 - $1,000

Janad1eheal

454 AWood Carved and Plaster Plaque Depicting Jesus wearing the crown of thorns, gesso painted surface including would effects, eyes cast toward the heavens. Old breaks rejoined and old wood splits. H. 325mm $500 - $800 see illustration

andhehold,lhM

~86011

455 ACarved Wood Figure of a Priest in robes, gesso painted, his right hand resting on his chest, supported on a shaped plinth. Some paint loss. H.435mm $400 - $750

454 DECORATIVE ARTS

113

458 AViolin Attributed To Matthew Furber of London, C.1 810. single piece maple back with soft curl, maple sides and scroll, the top of straight grained spruce, the varnish of a deep orange-brown color, length of back 13 7/8 in. , 352 mm . This violin with associated certificate of authenticity, insurance appraisal for US$20,000 and notes on the attribution to Furber from Philip J Kass, American expert, appraiser and author* on stringed instruments. Additionally there are copies and transcripts of correspondence dated 1862 and 1882 that apparently relate to this instrument. *Kass is a member of the Appraisers Association of America and has contributed columns and articles to The Strad and Strings magazines as well as writing books on vio lin makers. $20,000 - $30,000

114

DECORATIVE ARTS

,1m~

ohnmai,,1

DECORATIVE ARTS

115

11nrnr AND PO~

MUSICAL INSTRUMENTS

FISHING ITEMS

456 AGerman Cello labeled Geigenbauerort, Mittenwald, Karwendel, 1983

463 WH Tisdall Ltd Catalogue

1MasonsS~le maple two piece back with faint flame, ribs, neck and scroll of similar wood, spruce belly of medium to broad irregular grain. Spirit varnish - warm orange fading to yellow. Back L.753mm. Complete with Hiscox Liteflite hard carry case. $5,000 - $6,000

457 ACello Bow fernambuco round stick, fully lined ebony frog with Parisien eye, nickel silver mounts, plated wire and black leather lapping $450 - $500

458 AViolin Attributed To Matthew Furber of London, C.1810. single piece maple back with soft curl, maple sides and scroll, the top of straight grained spruce , the varnish of a deep orange-brown color, length of back 13 7/8 in., 352 mm. This violin with associated certificate of authenticity, insurance appraisal for US$20,000 and notes on the attribution to Furber from Philip J Kass, American expert, appraiser and author* on stringed instruments. Additionally there are copies and transcripts of correspondence dated 1862 and 1882 that apparently relate to this instrument. *Kass is a member of the Appraisers Association of America and has contributed col4mns and articles to The Strad and Strings magazines as well as writing books on violin makers. $20,000 - $30,000

'Fishing Tackle 1931-1932' Soft cover 120 pages.

,~agonal,decorate ,·.J ieHothes1de

$1 50 -$17 5

µio -1sso ,;1.Jslra/Jon

464 RSanderson Ltd (Turangi) Catalogue c.1960

Harian Ware I

Soft cover 24 pages including short essays on fishing the area and notes on the pools and river following the 1958 flood $40 - $60

~C:~andatterR :r:aidmanufact

1uoo -11,200

465 'Trout Flies in New Zealand' by Keith Draper

;.1,ustral1on

hard cover with DJ. 1971. 182 pgs. $60 - $75

Hairof Statto

:·~-~nV1cto11aa1

466 'Fly Fishing in New Zealand' by George Ferris

1100-1150

hard cover with DJ. 1972. 116pgs. $60 - $75

467 AHardy Bros Fly Reel.

Hair of Ooult1 iannanBarlow

"The Perfect" Duplicated, Mark II , size 3 7/8". Circa 1935

:i~l decorated: ·te,lipbltween

$450 · $550

[N i991-9J.l41

see illustration

M.000- 14,500

468 AHardy Bros Fly Reel. 459 AViolin by John DSelby of Athens, Ohio, USA. Two piece quarter cut maple back with narrow curl , maple sides and scroll. Two piece straight grain spruce top. Guarneri inspired design. Medium orange-brown varnish. Length of back 14", 356mm. Original label, numbered #140, dated 1911 to the interior and stamp JD Selby to the bottom rib. This violin with associated insurance appraisal for US$6,500 from Philip J Kass. $6,000 - $11 ,000

"The St John" size 3 7/8". With spare spool. Circa 1938

UoultonWari

$350 · $450

:1)1-191. w1thtr

469 AHardy Bros Fly Ree l. "The Perfect" size 3 7/8". With two spare spools and original case. Circa 1970 $450 - $550

see illustration

470 AHardy Bros Fly Reel. 460 AViola by Edward JSmith, USA Single piece maple back with broad curl, maple quarter cut sides and figured maple scroll. Two piece spruce top. Golden yellow varnish. Length of back 16", 411mm. Inscribed to interior Rose/ Edward J Smith/ Aug., 1974. With case. This viola with associated insurance appraisal for US$3,500 from Philip J Kass.

"The Viscount 130", size 3 ¼". With spare spool and original case. Circa 1970. $200 - $250

471 AHardy Bros Fly Reel

$3,000 - $6,000

"The Perfect" 3 5/8". Circa 1930s, grey agate line guide, rim mounted regulator.

see illustration

$350 - $450

··,c:ttllligrou ·,'\SlnHu~t

~00-11,000 1 Uoultonfaie

;rlEll~Ehzabe •:·\Caslbrass

·11111 IU!i-11,250

: Hair of Ooul ::::i&!1aten

:,:,,'.Ellorotd b

UI0 -1400

461 AViolin By Jean Baptiste Paquotte, Two piece quarter cut maple back with medium curl, maple sides and scroll. Four piece spruce top. Golden orange varnish. Length of back 14", 355mm. Original label Jean Baptiste Paquotte / 99 Fauberg St Germain, 1884. Well repaired sound post crack to back. $3,000 - $5,000

see illustration

462 AViolin Bow Pernambuco, with ebony frog with Parisienne eye. Silvered mounts, wire and leather lapping. $1,500 - $2,000

472 An Aluminium Fly Tin containing approximately 60 flies. $160 - $200

473 AHardy Bros Fly Rod , c.1 960 #1 "The Salmon Deluxe" Hollokona . Three piece. 9'6". With Hardy's labeled green cloth bag. Spare tip with tip guide absent. $425 - 525

474 AHardy Bros Fly Rod, c.1948

UlS -1415

lioulton la1 ;,:Oo:oraeil i::'i':.id As

"00-14)5

lioultonw,

"The Belmont" 202 "Scottie" two piece, in canvas cloth bag.

1~raledwrtht i:'-eground ::,:trnei1

$200 - $250

llll-SJoo

475 An AJS Sharpe, Aberdeen Fly Rod

DECORATIVE ARTS

:~11litorated r:tHJJ5mn

"The Knockabout" Palakona. Two piece 9'6". With Hardy's labeled cotton bag. $250 - $300

116

HouttonSili•

POTTERY AND PORCELAIN

486 ADoulton Ware Tankard decorated with an Art Nouveau floral design spi lling from the shoulder. Possibly Bessie Newbery. H.130mm. Assistant's mark un identified

476 AMasons Style lmari Jar and Cover Hexagonal, decorated all over with fulsome floral lmari pattern, lion mask handles moulded to the sides, cover with a restuck foo dog finial. Restoration to rim. H.390mm $400 - $650

see illustration Jnotesc--,::.

$240 - $300

487 APair of Doulton Silicon Ware Candlesticks decorated with applied blue flowers on a natural ground. H.95mm. Assistant's mark: Elizabeth Gillman $1 20 -$1 60

477 AParian Wa re Figure 'Lady Godiva ' by Copeland after Rafael le Monti. Impressed signature to the rear along with the date 1870 and manufacturer's marks and copyright. Two chips on robe edges. H.550mm $1,000 - $1,200

see illustration

478 APair of Staffordshire Figures of Queen Victoria and Albert. Faulted. H.170mm $100 - $150

479 APair of Doulton Lambeth Salt Glazed Stoneware Ewer Vases by Hannah Barlow. c.1887 , decorated sgraffito with recumbent and standing cattle on encircling bands of white slip between panels of incised fo liate designs. Exhibited NZ Post Royal Dau lton Exhib 1992-93. L4la-b. H.385mm. Assistant's marks: Louisa Russell and A Hays. $4,000 - $4,500

480 ADoulton Ware Vase by Eliza Simmance 1902-1914, with tub~ lined and impressed decoration of stylized Art Nouveau flowers on a mottled ground. No factory mark. Exhibited as above L66. H.400mm. Assistant's marks: Jane Hurst and Louisa Russel l. Hairline crack running in the body. $600 - $1,000 .Ci[al910

488 ADoulton Lambeth Harvest Jug decorated with ap~lied floral sprigs on a dip glazed ground. H.lOOmmm $150 -$1 90

489 ADoulton Ware Tobacco Jar and Cover 1891-1902. Decorated with applied leaves and beads on a leathered surface. Cylindrical. H.120mm $280 - $320

490 ADavenport 'Flying Bird' Design Large Lidded Soup Tureen on Stand of oblong form with fluted walls raised on moulded acanthus feet, ornate gi lded handles to the sides, repeated on the lid finial, the stand of oval form with shaped rim and raised conforming well. The three pieces trimmed in pa le ora nge lustre. Blue 'DAVENPORT' printed mark #13 to the blue glazed base. c.1830. Tureen H.280mm, base L.400mm $1,000 - $1,500

491 ADavenport 'Flying Bird' Design Meat Drainer of curved oblong form , bright enamels, the rim trimmed in pale orange lustre. Brushpoint #6 in burnt orange.W.243mm, L.340mm $750 - $1,000

481 ADoulton Fa'ience Based Oil Lamp, Circa 1885. painted by Elizabeth Shelley and others to the ovoid body with clematis vine and a moth. Cast brass base and brass fittings supporting a white glass shade. Overa ll H.610mm

Circa!9l0

$1,000 - $1,250

482 APair of Doulton Chine Ewer Vases. Daulton & Slater's Patent mark. Impressed lace pattern and painted chrysanthemum decorated ovoid bodied. H.265mm. Assistant's mark: L Rawlings

ntedregulal~

$350 - $400

483 ADoulton Silicon Ware Jardiniere 1882. Decorated with a repeat pattern of applied floral motifs in blue on the natural ground . H.175mm $375 - $425 r·

slabeledgraenc.

484 ADoulton Lambeth Quart Jug by Elizabeth Atki ns. 1881 -1899 Ovoid. Decorated with a moulded and blue glazed band of anemones on a mottled green ground. Assistant's mark: Olive Dale $400 - $475

cottonbag

485 ADoulton Ware Art Nouveau Jug. Circa 1905 decorated with trefoil leaves on sinuous tendrils framing flower heads on a mottled ochre ground. H.140mm. Assistant's marks: Lilian Curtis and script monogram unidentified.

492 ADavenport 'Flying Bird' Design Oval Sauce Boat on stand with fluted walls and shaped rims pa le lustre trimmed, the boat raised on a flared oval foot, gilded effects. Impressed upright anchor and "Davenport" mark together with blue printed mark. Impressed date marks for the stand 1830. Stand L.218mm 12mm hairline crack on the rim plus another smaller. $250 - $400

493 ADavenport 'Flying Bird' Design Deep Dish of oblong form, fluted walls with conforming rim trimmed in pale orange lustre, mou lded thumb support in low relief with gi lded outlines, raised on four acanthµs mou lded feet. Impressed name and anchor mark dated '36' for 1836, impressed shape number 14 together with blue "Davenport" mark.W.232. $350 - $700

494 Eight Pieces Davenport "Flying Bird " Design Comprising four soup bowls (Dia 265mm) and four dinner plates (Dia 260mm) pale orange lustre trims. Impressed anchor and name marks, various dates 1836 &1840 $400 - $800

495 ABlue And White Small Meat Drainer of square form with curved corners, rural vil lage landscape includ ing a church manor house, thatched cottage by a lake and boat painting.W.180mm D.180mm $100 - $150

$240 - $300 DECORATIVE ARTS

117

IweagWOOO FI 496 APair of Walter Moorcroft Candlesticks

..,n~decoratedw aima1,andbirds: .

Decorated with the anemone design on a blue green grou nd. Impressed factory mark c. 1949- 1986. li ny rim glaze frit. H. 85mm

11JOmm ~0-1120

$450 - $600

497 An Impressive Royal Daulton Limited Edition Loving Cup

1110-1160

$1 ,800 - $3,000 see illustration

1ooultonlaml

498 APair of Sevres Style Porcelain Urns, Supported in Ormolu Mounts. Each decorated on coba lt grounds with gilt framed reserved pa nels of cherubs and exotic birds hand pa inted in enamels. Similar smal l floral and bird reserves encircle the short neck. Ormolu caryatid handles issue from the mounted rim. Raised on ormolu baluster stems from cornucopia moulded domed bases. Concealed rim frits. Restoration to body of one. H. 236mm

476

477

, Hair of Royal

Issued for the coronation of George VI and Elizabeth. Designed by Charles Noke and Harry Fenton. Decorated to the front in low relief modeling with the sovereigns, trumpeters and the scenes of pomp and ceremony, the rear with St George, mounted before a castle. Number 433 of edition 3000. H. 262mm

$800 - $1 ,200

:,:,a:edwithprui ·:·--11

:,::a:edwithenc1 'litnng.lnc1sedart IWO-IJOO ~ Jstration

Hair of frenc :,··,j ,enamels, 7

499 ASet of Six Swiss Porcelain Plates, circa 1810. Each painted 'en grisa ille' with three Homeric portraits reserved on a cobalt border, interspersed by foliate festoons framing a gilt stellar meda llion. The majority ma rked with a ducal coronet, monogram and green fish ci pher. D. 232mm

l!oial Ooultor

$400 - $800

:,::·a!edwi!haW!

500 An English Porcelain, Chelsea Style Figured Candelabra Modeled as a shepherdess playing a lute before a floral bocage supporting two candle arms from a rococo base. Under glass dome. Small chips. H.260mm 497

!l~ -1300

$900 - $1 ,200 see illustration

,. H.110mm !LOI0-11,200 .,, .s/ra/Jon

l!o1alWorce1 :,··;;~Robes

1100 -1300

501 AQuirky German Porcelain Biscuit Barrel modeled as a bass drum with a 'one man band' seated astride it accom panied by his dog. AF. H.240mm

uo,al Worce!

$70 - $100

ll!H150

502 ADelft Pottery Deep Bowl Circular, fluted , decorated undetrglaze blue with flowers. D.250mm $100 - $125

:,·'.~bjMtyBla

Uo1alOoulto1 :.:' -:lig1lded

, .• ,.,,,'S€·Mo

1111-1200

503 APoole Pottery Charger Decorated With The 'The Golden Hind' 500

inscribed verso 'This Dish was made and painted at the Poole Pottery in the yea r 1954, Ship drawn by Ma rga ret Holder, painted by Nel lie Blackmore'.

Uo1alOoulto1

Sha pe 528. D.395mm. Nel lie Blackmore (nee Bishton) was head decorator at Poole. The Golden Hind under Sir Francis Drake circumnavigated the globe c. 1577.

1m.1100

$500 - $900 see illustration

l!oial Doulto1

··,: BlactGrouS(

'",: ~:,rCatc

504 AFalconware Table Lamp Base

1115-1100

gi nger jar shape, decorated with sailing ships. H.200mm $100 - $150 see illustration

l!oial Doulto1 · ,:Pt,asant

1111-1100

505 ACarlton Ware Jug

503

decorated with Mandarins Chatting, pattern 3654. The cha racters portrayed on a black ground between bright green borders top and bottom. Shape 496. H.170mm

' lioialOoulto

$250 - $350

IIH .1100

1 '- ,rtndge

~c rnii-1%1.

506 AWedgwood Folk Tales Bowl the rim decorated with portraits of characters from the tale of Ivanhoe interspersed with game animals and birds; the well with a hand-coloured scene titled 'Urfried relating her story to Cedric'. 0.210mm

e.·~

$80 -$ 120

lHanyf,·;:, nescen~ofi:·· ionJOOl

507 APair of Royal Doulton Plates decorated with prunus blossom boughs on a black ground framed by a trellis border. D.265 and 250mm.

$1 10 -$1 60

508 ADoulton Lambeth Jardiniere nts. 1eioticbirdshr;

Ormolucal)aij e-0p1amot1:~

decorated with encircling bands of raised floral motifs and rosettes. Squat circular shape on small footring. Incised artists and impressed factory marks. H.140mm

504

$200 - $300 see illustration

509 APair of French Bisque Porcelain Figures painted in enamels, of a dandy and his companion. She attempts to read the contents of a sealed letter. r,rnterspirse1~ coronetmontill

$250 - $300

510 ARoyal Doulton Blue and White Jardiniere decorated with a woman and a young girl in a wooded landscape. Squat circular shape with everted rim. H.170mm

ndlearm1lrn1a

$1,000 - $1,200 see illustration

508

511 ARoyal Worcester Miniature Cup and Saucer painted by Roberts and Freeman with peaches and grapes. Black mark dated 1952.

$200 -$300

1hisdogAf.

512 ARoyal Worcester Small Dish painted by Kitty Blake with blackberries. Black mark. D.86mm

$100 - $150

513 ARoyal Doulton Bone China Plate Painted by Joseph Hancock circular with gilded scalloped rim , painted to the centre and signed by the artist in brushpoint. Titled to the reverse 'Mountain Partridge'. Puce mark, circa 1915. 0.230mm

$175 - $200

\%4.lhipdrain~ elleGoMentt·:

514 ARoyal Doulton Plate as above

510

titled 'Black Grouse'

$175 - $200

515 ARoyal Doulton Plate as above titled 'Oyster Catcher'

$175 - $2 00

516 ARoyal Doulton Plate as above titled 'Pheasant'

$175 - $200

517 ARoyal Doulton Plate as above titled 'Partridge' 1blackglound

$175 - $200 522

111erling Silver

518 ARoyal Doulton Plate as above titled 'Killdeer Plover' $175 - $200

519 ARoyal Doulton Plate as above

$4,500 - $5,500

$175 - $200

see illustration

titled 'Plover' $175 - $200

521 ARoyal Doulton Plate as above titl ed 'Partridge'

titled 'Canvas Back Duck'

11.iii-11,000 :, Jstrat1on

1Matcned Pair

:~·,lam 1946 V

529 ACharles II Period Sterling Silver Trifid Spoon London 1683. Stamped with maker's initials SH. (no register of pre 1687 maker's marks has been found , however this maker's mark appears in Jackson's for the same year on a spoon held in the authors collection). Attractively ribbed rat-tail backed oval bowl, the fin ial engraved with initials EP. L.185mm $3,000 -0 $3,500

see illustration

$175-$200

522 ARoyal Doulton Plate as above

London 1764. Tapering cyl indrical with encircling band and spreading foot, quart capacity, domed lidded with acanthus cast scroll thumbpiece at the top of a recurving hollow handle, scratch engraved with initia ls EEi, a heart shaped tailpiece forms the hand le terminal. Hal lmarked to side and inside cover. H.185mm. Cf In Focus section for additiona l detai ls.

titled 'Woodcock'

520 ARoyal Doulton Plate as above

.,,n 1860. )heov, :;mmedwith aca --~,es and castors i ;;il'lewisetotheci

528 AGeorge Ill Sterling Silver Tankard by Willaim Shaw II

530 An Important Norwegian Sterling Silver Centrepiece by David Anderson.

·--:~Oet:oratedi 1

11.100 -11,JOO

IWilliam IV Ste .~am\Minsona ,l:atescrollandh ,·ra,1iw1thacrei !!00-IUOD

titled 'Hooded Merganser'

modeled as a Viking longboat detailed with classic dragon prow and stern piece with intricately interlaced sinuous ribbon creatures engraved to the keel fore and aft. The hull is detailed as riveted clinker built and lined with 16 shields at the gunwales, each with conforming stylized decoration. The vessel is raised on an X legged support with serpentine scrolli ng stretcher. The firm of David_Anderson was started in 1875 and is most renowned now for it's silver jewellery and enamelwork. Two similarly modeled bonbon dishes accompany the longboat. Stamped marks c.1888-1925. L.465mm

$175 - $200

$7,500 - $10,000

HairolSterlir

see illustration

:.tif,iattemw1tt

$175 - $200

see illustration

523 ARoyal Doulton Plate as above

524 ARoyal Doulton Plate as above titled 'Pintail Duck' $175 - $200

525 ARoyal Worcester Cabinet Plate Painted by John Freeman painted with a medallion of summer flowers with in a broad cobalt border heavily gilded in the Art Nouveau manner. Gilt mark, date code for 1951. D.270mm

$350 - $500

SILVER, SHEFFIELD PLATE, PEWTER AND OTHER METALS 527 AGeorge Ill Period Sterling Silver Sauce Boat by Daniel Smith and Robert Sharp. London 1762. This pair of silversm iths are noted in Grimwades that, through the Royal Goldsmiths Jeffery's, "One imagines.[. .. ], that the plate at Carlton House [the palatial London residence of George] may largely have come from their hands. Generously proportioned oval shaped with gadrooned rim, acanthus capped recurved scroll handled, raised on scrol l and shell feet. Engraved with a coat of arms divided per pale, dexter with three lion rampant, sinister a crescent chief, six batons divided wavy fess sable. Scratch weight 13oZ:7d. $1,200 - $2,000

see illustration

llOO- IJDD

~Ht40 by Fordham and Faulkner. Baluster columns with knops raised on stepped serpentine square bases, supporting capstan nozzles with removable drip pans. Sheffield 1903. H.305mm

I~ctorian Ste1

$2,600 - $3,000

l!00 -1150

;::·184L~ng!

see illustration

532 APair of Candlesticks Matching Above painted with flowers on a mossy lemon and apricot ground within ivory and maroon concentric borders both decorated with fine gilt tracery. Black mark, circa 1954. D.235mm

n am[leyand '.1~ils~1thanu1

531 APair of Georgian Style Sterling Silver Candlesticks

$900 - $1,250

526 ARoyal Worcester Plate Painted by John Freeman

Hairolbeorg1

Hterling Silve

~·::• 184L~ng1

by Fordham and Faulkner. Of smaller scale. Sheffield 1905. H.240mm

'~::t,Je.L19

$2,000 - $2,400

~ll-1450

533 An Early George Ill Sterling Silver Salver

ISleningSilve

by Ebenezer Coker. Piecrust rimmed with husk, shell and scroll border. Engraved to the centre with a rococo cartouche. London 1762. D.290mm

c·::·1861.~nt

$1 ,900 - $2,300

U15 -~0D

·,:.·ist1cacanth

see illustration

534 APair of Sterling Silver Pedestal Salts by J Charles Edington. London 1840. Each filigree bowl with cast husk and scroll rims raised on short pedestals similarly filigree. Crested with a dexter arm with armour em bowed , the hand throwing a dart ppr. H.80mm

Ilair of Scott :'.·:.,hc1rcal ...:i'a"medon

·1100

$300 -$400

see illustration

liairoflsrae '::·:'·ocococas

535 APair of Sterling Silver Asparagus Tongs Kings pattern, by Joseph and Albert Savory London 1836. The blades with foliate and star pattern piercing. $350 - $450

see illustration

::·:·gtegs.the ll~0 -11,0DD

lSterlingSilv .:·::il84L~u :·:,:;,h1th ·:.:•i

120

DECORATIVE ARTS

11W-13so

II gloot.1uart topolarecu~rr• lpiecelorm,11/ nfocu11eclion

536 ASterling Silver Eight Bottle Cruet Stand By Robert Hennell London 1860. The oval stand , crested with a stallions head erased above monogram JFC rimmed with acanthus and husk border raised on fou r conformi ng feet. The crysta l bottles and castors al l matched, where fitted with silver tops conforming hallmarks and likewise to the condiment spoon. W.170mm

$1,000 - $2,000

see illustration

537 AMatched Pair of Sterling Silver Chocolate Pots 681 malers in's for the .ane 11-tailla,iedoia'

Birmingham 1946. Vase shaped with conical lids with boxwood finials and boxwood handles. Decorated with raised lineal mouldings. H.195mm

$1,100 - $1 ,300

538 AWilliam IV Sterling Silver Coaster by Hyam Wilkinson and Co. Sheffield 1832. With tall sides and everted rim bordered by a foliate scroll and husk border. Turned fruitwood inset base set with a silver rondel engraved with a crest of a demi-stallion vulned through the breast with an arrow. D.175mm

$800 - $1 ,000 Jsternpim,' fore and aft.~: thegunwa,~~:· igedsupportwili leoinl815and ,imilar~modei~ 125. L465mm

539 APair of George IV Sterling Silver Sauce Ladles by William Eley and William Fearn. Queen's pattern, double struck, each engraved to the bowls with an unusual crest of a fishes tail erased and erect.

$500 - $700

540 APair of Sterling Silver Sugar Tongs Queens pattern with shell backed bowls, by Johnathon Hayne. London 1883.

547 ASterling Silver Milk Jug by RPearce and GBurrows. London 1837. Chased and engraved with husk and foliate decoration , the handle with acanthus moulding.

$150 - $200

548 An Irish Sterling Silver Sugar Basin by Richard Garde. Dublin 1834. Embossed and chased with floral designs and eagles surmounting cartouches. The rim floral moulded and the handles with acanthus mouldings.

$200 - $300

549 AGeorge Ill Sterling Silver Salver by William Stevenson London 1817. Deep piecrust rimmed with husk, shell and scroll border. Deco rative rococo engraved centre surround ing a stag rampant crest beneath a banderole engraved SPEPOraised on four splay feet. D.28lmm

$800 - $2,200

550 APair Of Old Sheffield Plate Candlesticks Baluster and knop columns, raised on spreading circular bases, supporting capstan nozzles with removable pans. H.270mm

$250 - $350

551 An Impressive Silver Plated Serving Ensemble Quatrefoil shaped, with four hot water jacketed entree dishes surroun ding a lidded tureen, four conforming baluster pepper pots and four blue glass lined open salts. All raised on a 'lazy susan' revolving pedesta l base. D.700mm H450mm

$650 - $800

$80-$140

552 ASterling Silver Three Piece Teaset leppedserp,11·, s.Sheffieldl9il

541 AVictorian Sterling Silver Soup Ladle by James Beebe London 1841. King's pattern, double struck, with scallop shell to the oval bowl back. L.340mm

$600 - $750

542 ASterling Silver Fish Slice by James Beebe London 1841. King's pattern , double struck, with comma anthemion and fleur delis pierced blade. L.290mm

]ITT

by Messers Barnard. London 1884. Ovoid with gadrooned fluting and bead rims.

$500 - $650

553 ASterling Silver Tray by Atkin Brothers. Sheffield 1929. Circular with serpenti ne rim and fil igree ga lleried wal ls. D.320mm

$300 - $550

see illustration

$375 - $450

554 ASterling Silver and Glass Inkwell 543 ASterling Silver Fish Slice rder.Engm~lo

London 1862. King's pattern, double struck with blade pierced and engraved with naturalistic acanthus leaves. L.317mm

$325 - $400

544 APair of Scottish Sterling Silver Sauce Ladles by Alex Henderson Edinburgh , circa 1797 - 1820. Old English pattern with round bowls, each monogrammed on the finial 'H'. ustand~roln!> rmwitharrn:ur

$500 - $600

545 APair of Israeli Sterling Silver Caddies each of rococo casket shape with swollen floral embossed bodies raised on four scrolling legs, the hinged lids surmounted by floral finials. W.145mm

$1,500 - $2,000 je5WI

thiolraleaid

546 ASterling Silver Teapot by the Barnard Family London 1841. Squat circular, raised on four scrolling legs. The body chased engraved and applied with foliate decoration, the lid with floral finial , the handle with acanthus moulding.

combined with a paper/envelope rack. All held in a filigree frame . London 1904.

$200 - $300

555 ASterling Silver Cigarette or Cigar Box London 1901, maker's mark FH. The hinged lid presentation engraved to Capt. Va lentine Blake 1902.W.200mm

$325 - $375

556 AVictorian Sterling Silver Salver by Hawksworth, Eyre & Co. Sheffield 1842. Piecrust rim with husk and scroll border, engraved to the centre with a design of acanthus and ribbon work. Raised on three scroll feet. D.225mm

$1,000 -$1,500

557 ASterling Silver Tray by A & J Zimmerm an. Sheffield 1912. Oval with fluted wa ll s and pierced handles. W.450mm

$300 - $500

$250 - $350 DECORATIVE ARTS

121

~·

'•

, \

...

527

....

528

529

9' ,...,...._

-¾-

-1 -~ _r--. ~.-·

1 558

DECORATIVE ARTS

123

!Ding Period fa 558 ASilver Mounted, Stemmed Horn Cup, possibly Russian the silver rimmed bell bowl inlaid with a vacant oval silver plaque, raised on slender stem and spreading circular foot from a square si lver base. Marked AR, silver untested. $500 - $700 see illustration

559 AGeorge Ill Four Piece Tea Set by Robert and Samuel Hennell. Comprising a teapot on stand, sugar basin and milk jug. Of oval section with gadrooned serpentine rims, engraved with ribbon and leaf bands. 'Unite' crest upon all pieces. Teapot with wooden handle and ebony finial. London 1804-05. $1,000 - $2,000

571 ALate 18th Century Pewter Tobacco Box Cylindrical shape, complete with inner lid. The cover with a bust finial. 0.120mm

.,•ocal~inpanelsr :::,,nsbeSrdeteah s'·

$150-$250

~00 -11.000

572 A19th Century Bronze Centrepiece Basket

.,.. ,1~wrthrohan ::::.'. ~a~ed Dai .<s·.5

$200 - $400

!UOO ·l1,000

ORIENTAL ARTS

llaianese Kaki

560 ASilver Plate Mounted Glass Centrepiece Bowl and Cover The cover with a stag finial (one antler absent) the bowl in a stand raised on acanthus scroll supports with goat's head capita ls, united by fruit swags (unattached). H. 330mm $400 - $600

561 APair of Sterling Silver Column Candlesticks by J Gloster Ltd. the plain columns raised from circular spreading bases supporting everted rimmed nozzles. Birmingham 1902. H.160mm $600 - $750

562 ASterling Silver Tobacco Box Oblong, hip shaped Maker's mark H.C.F. Birmingham 1908. W.80mm $100-$200

573 AChinese Bronze Mirror serpentine petal outline, embossed with eq uestrian figures and deer along with stylized motifs surrounding a central frog shaped lug for cord attachment. 0.170mm $250 - $300

Birmingham 1920, complete with amber cigarette holder with 9ct gold rim. $100-$125

564 ASterling Silver Propelling Pencil

574 ACinnabar Lacquer Dish circular, scalloped rimmed , deeply carved with a scene of sages and attendants in a garden. 0.365mm $120 - $200 see illustration

rectangular, the lid decorated with prunus and bamboo in gold and silver Makie and Nashiji lacquers. The interior lid decorated with butterflies, the contents an inkstone and a water dropper in a compartmentalized frame. Some faults. 240 x 200mm $300 - $400 see illustration

Birmingham 1897, maker's mark A.D Ld. $50 - $100

565 ASterling Silver Oval Patch Box Bi rmingham 1918. $40 - $80

566 APair of Sterling Silver Pepperettes, Birmingham 1900, along with a plated mustard pot. $60 - $80

One cube shape, decorated in famille rose enamels with figures and calligraphy, the other oblong, painted with beauties to the sides. Faults. $100 - $200 see illustration

577 AChinese White Jade Teapot. of sq uat spherical melon shape squat with fine fluting with small conforming lid

567 ASterling Silver Two Handled Tray 578 Three Porcelain Bowls

$400 - $500

569 An 18th Century Pewter Deep Dish Probably German. Touch marks of an angel and a rose to base and initials SHpunched to rim. 0.310mm $200 - $300

uaianese Mini1 ,;-~OoHachi.Pea

~~ -~OD

minese lade ' ::,i·gearlyQing

1100-11,000

ltloisonne Bah :,:xa1ed~~hgrap1

~-1130

ltloisonne lidr ~-110

llalotloisonn1 ·,·1.:entemerald :·:,,2rdchl)Sa

Dl5-"15

ltloisonne lidl ···rndfc1a

IIHS!

recovered from the Tek Sing shipwreck of 1823. Two blue and white with decoration to the exterior, one palest celadon.

Thmthinese f

$80-$130

111111donelarge

~-IW

568 A19th Century Pewter Tureen Circular, domed lidded, raised on four ball and claw feet and with two turned wooden handles to the sides. 0.275mm

~1H1,100

-m 1:a oral er

576 Two Chinese Exportware Porcelain Teapots

$400 - $500 Sheffield 1902. Oblong with foliate mouldings at the corners and fretwork piercing to the everted border. The centre engraved with a rococo inspired pattern. W.600mm across handles. $1 ,000 - $1,500

r11nilfof 181h Cer

··:cyW!bbs 1992,

575 AJapanese Lacquer Box to hold Calligrapher's Items 563 ASterling Silver Cigarette Holder Case

jlalsuma,Meiji

Rococo inspired trellis walled with acanthus, floral and husk handles and embellishments. W.460mm

579 ATang Style Provincial Jar well potted baluster form with wide shoulders set with small loop handles, flanking a short cylindrical neck with an everted rim. Olive/brown glaze terminating just below halfway with dribbles showing the greyware beneath. $60 - $100

580 AString of Tibetan Bone Mala Beads carved as skulls. $275 - $325

lwo tiinese Pn .. ,ncy·dnca

L-mo lilancae thiQ

:,t::u1,iaphoe 1

~~-M il

570 An 18th Century Pewter Plate With broad rim. Justice figured touch mark to base marked Fein Zin. 0.315mm $100-$150

lhir ru~rge ·:r,dwihca

~~-1410

124

DECORATIVE ARTS

D.lWmm

581 AQing Period Famille Rose Porcelain Bowl and Ewer decorated in panels reserved on gilded and underglaze blue floral patterned ground, with figures in gardens beside tea houses. Alternate panels of various birds decorate both pieces. Jug H.26Omm AF $800 - $1 ,000

582 ASatsuma, Meiji Period Scalloped Rimmed Dish decorated with rohan and disciples, a dragon and kylin in gilt and enamels. The back decorated with two dragons. Marked Dai Nihon, Satsuma and with artist's signature, along with Shimazu man . 0.210mm $1,200 - $2,000

583 AJapanese Kakiemon Dish First half of 18th Century. decorated with a ho-a bird in flight above a screen and flowering prunus. $800 -$1,200

longwilh ent 0l)0mm

584 AJapanese Miniature Flower Form Porcelain Dish

574

signed Do Hachi . Peach blush glazed and with gilding to the centre and rim. 0.61mm. Sold by Webb's 1992, from the Gilbertson Collection ttendantsina

$600 -$800

585 AChinese Jade 'Mountain, late Ming early Qing period, carved I the round with a landscape, figure and pavilion. W.1O2mm $700 - $1,000

lverMakieand 1tsaninkstone x200mm

586 ACloisonne Baluster Vase decorated with grape vines and prunus blossom on a blue ground. H200mm $90 - $130

587 ACloisonne Lidded Cylindrical Jar with stylized floral enamel decoration the lid with an inset pierced jade panel. Faulted . H.8Omm $40 - $70 :alligraph1,lhe

588 ASato Cloisonne Baluster Vase translucent emera ld green enamel over a carved and punch decorated meta l base further decorated with prunus and chrysanthemums in coloured enamels. H.19Omm $375 - $425 575 lforminglid

589 ACloisonne Lidded Urn Vase with flower and foliate decoration on a russet ground . H.14Omm $70 - $90

,ithdeiorationto

59D Three Chinese Blue and White Vases a pair and one la rger, decorated with fu dogs on a cloudy background. Some fau lts. Tallest. H.21Omm $90 -140

591 Two Chinese Provincial Zuchou Type Pottery Jars ndles,flankinga !lingjuslbelow

of swollen cylindrical shape decorated with painted characters and flowers. H.21Omm

576

$200 - $250

592 ABlanc de Chine Porcelain Figure of Kuanyin the Goddess of Mercy seated upon a phoenix, with an attendant standing to one side, on a base modeled as clouds. H.27Omm $250 - $400

593 APair Of Large Lidded Baluster Urns decorated with camellias and songbirds. H.42Omm $350 - $400

576

613

594 ARare and Important 18th Century Chinese Export Black and Gold Lacquer Cabinet raised on an English Regency period , chinoiserie stand with 17th century caryatid figures to the front. The cabinet with two hinged doors decorated with buildings in a landscape opens to reveal a complex fitted interior with compartments and drawers, concealed drawers, pierced sliding doors and columns. The 18th Century cabinet is raised on a later English chinoiserie stand , probably 19th century, with panel back and platform base decorated in complementary lacquers. The stand incorporates two caryatid giltwood figures of a man and woman. These figures are important in their own right and date to the 17th century. Probably originally supports from a side table, they derive from designs by Daniel Morot, and may be compared to his drawings, dated to 1700, for a pier glass, table and candlestand for Het Loo, the royal residence built for William of Orange. H.1730mm , W.950mm. Ref: PThornton 'Seventeenth-Century Interior Decoration in England France & Holland ' 1978, fig 51. 'Christies, London , Important English Furniture' 1985, lot 161 $50,000 - $60,000

126

DECORATIVE ARTS

598 DECORATIVE ARTS

127

IJliakand Mat 595 AGeorgian Period Mahogany Sideboard Th e shaped upstand decorated with reeded ha lf columns each surmounted by brass finials, the cabinet housing a deep cupboard either side of the central drawer, each with period brass fittings, raised on spira l turned legs, four to the front ,two to the rear. L.1O8Omm

604 ARare Framed Copperplate Engraving from Bank's Florilegium. Plate 502 'Styphelia Junipernia ' drawn by Sydney Parkinson in 1769, published 1980-90 from the original never before printed plates. Colour printed with additional watercolour. 810 x 645mm overall

r,anithe inlaid d()( ~ooo-lJ,500

$100 - $200

$5,500 - $7 ,000

see illustration

liictorianWa

605 Another as previous

r,Jeslaltnpod ba

Plate 497 'Lobelia Alata Labillardiere', details as previous lot

596 AGeorge Ill Period Walnut Chest on Chest The upper section with plain cavetto pediment above a freize of two drawers over graduated drawers of full width feathered crossbanding decorating the veneered fronts. Brass pierced back plates with bail handles, oak carcase, oak lined, the later lower section comprising of two freize drawers above a shaped apron to the front and sides, raised on four tal l legs.W.lOOOmm H.153Omm 0.540mm

~oo-1750

$100 - $200

606 Another as above

!Walnut Cred

Plate 498 'Lobelia Angulata GForster', details as previous lot

f/dhshapedglaze ialln!IOOlineml,

$100 - $200

ll,i00 -11,000

$4,500 - $6,000

607 An Alabaster Bust 597 APair of Decorative Brass Based Table Lamps

- AMuse, carved with a laurel wreath in her hair. Raised on pyramidal plinth base. H.63Omm

Each with green painted shades. Concealing the three lights in branched candelabra style.

$2,500 - $3,000

$400 - $600

see illustration

598 ALate 19th Century Rectangular Two Tier Table

608 ACarrara Marble Sculpture By P Barranti, Florence

Selected burr walnut veneered top and lower tier supported on three slender turned col umns and splaying legs. 900 x 480mm H.7OOmm

Aphrodite after the antique. 19th/20th century. Signed to the reverse. H.38Omm

$800 - $1 ,200

see illustration

$1,000 - $1,500

1iosewood S ridnollongfoldo ,~~lour splay ca 11100 -11,i00

In [dwardian

Manoganywrth m 1100 -11,000 ,ee1//vstrat1on

see illustration

599 AVictorian Burr Walnut Card Table Oblong fold over swivel top with beige inset rose on four tapering fluted legs united by an Xstretcher. The top and frieze decoratively inlaid with porcelain castors with satinwood stringing. 1010 x 530mm H.7OOmm

609 An Alabaster Column

.! ltontinental

cylindrical, raised from a circular step on an octagonal plinth, capital absent. H.92Omm

•ffnmahogar ..,ara!t!SWllh 1;i,jnhoes.Ra

$400 - $600

lt000 -~,000

610 AMarble Column

IMaiogany l

$1,200 - $1,600

see illustration

cylindrical, raised from a vase shaped base on an octagonal plinth. H.1O7Omm

600 AFrench Bureau Plat The serpentine top inset with brown tooled leather. With central frieze drawer flanked either side by pairs of shaped drawers. raised on cabriole legs .W.lllOmm H.75Omm $1,600 - $2,000

see illustration

$600 - $900

11,W0 -11,800

611 ARococo Style Giltwood Framed Mirror gilt gesso finish , the mirror with decorative cut beveling and flutings , the frame with blossom trellis, acanthus and Cshaped scrolls. H.127Omm $500 - $900

601 An Outstanding ' Jade' Tree The tree supports at least 115 stone peaches symbolic of wealth and longevity borne on the branches of an ancient fruit tree amongst over 500 individually carved greenstone leaves. H.12OOmm

612 An Impressive Victorian Mahogany Sideboard

$1,500 - $2,000

With carved framed mirror back, the base serpentine break fronted with two carved fronted cupboards flanking a double paneled doored cupboard surmounted by a conforming serpentine frieze drawer. H.22OOmm W.254O

see illustration

$3500 - $6,000

see illustration

602 AVictorian ' Gossip' Seat The three seats arranged back to back in a trefoil pattern , upholstered in red buttoned velvet. The frame a combination of natural and ebonized Rimu. Acarved vase finial at the apex. $2,500 - $3,000

613 AContinental Walnut Bonheur du Jour With inlaid drum front opening to reveal a leather writing surface and three small drawers. A single drawer in the frieze with shaped apron, the superstructure raised on cabriole legs. H.147Omm W.8OOmm $550 - $750

603 A19th Century Rosewood Music Canterbury With scrol l carved dividing racks, raised on a base with single drawer above turned legs with brass castors. $600 - $800

see illustration

614 AVictorian Walnut Chess Table The circular top with satinwood and kingwood game board flanked by husk designs. Raised on a quatrepod pedestal base. H66Omm 0.540mm $550 - $750

128

DECORATIVE ARTS

~sicreta11edn ,llwillitumed hi

Ilmi tentu1 "'l:!ilsec1on ·*fce.lhesul 1·1/.ateildrawe t1il.8elmdthi Slupeslidlrt 11500-\3,000

ln[arly19U lirnt1ww1dedr ,1:Jicnoon.abi1 '- Wl4J0mm U.500-14,000

HarePairt tlairs and A inuanghuali(j ~egentfycuNe tlinled,closeto C.cnasedin 19

~.lDl-19,500 lf:e us/ration

legium.

lished hadditional

615 An Oak and Mahogany Grandfather Clock by Hurt and Wray, Birmingham The arched face painted with a hunting scene and cottages. white dial with Roman numerals, subsidiary second dial , date aperture, filigree hands. Arched pi lastered flank the inlaid door to the trunk. H.235Omm

625 AGeorge II Style Oblong Stool upholstered with needle worked tapestry depicting two hounds surrounded by foliate designs on a redd ish ground, rai sed on six double curved cabriole legs. L.1O5Omm

$400 - $600

$3000 - $3,500

626 AFrench Gilt Metal and Porcelain Mantel Clock 616 AVictorian Walnut Teapoy Converted to a Work Box Pedestal tripod based, curved walled box with hinged lid. H.7OOmm

$600 - $750

the case decorated with various leaf mouldings including acanthus handles. The face and inset panels painted with flowers and cherubs on a bleu celeste ground in the manner of Sevres. Bell striking movement. H.4OOmm

$1,200 - $2,000

617 AWalnut Credenza With shaped glazed doors to either side, flanking a central paneled door with fine satinwood line inlays. The serpentine top of highly figured veneer. W.17OOmm

$1,600 - $2,000

627 ASmall Proportioned Mahogany Commode Chest The fascia of four drawers hinged with the top two to open to reveal an empty interior. W.66Omm H. 730mm

$1,000 - $1,500 ilinthbase.

618 ARosewood Supper Table With oblong fold over top with bead edged apron raised on a tapering fluted column from four splay carved legs. 870 x 430mm H.74Omm

$1,200 - $1,600

628 An Old French Stained Pine Plank Top Table With three frieze drawers in one side framed by cock beaded moulding. Raised on tapering square section legs. 274Ox88Omm

$3,000 - $3,500

619 An Edwardian Revolving Bookcase U80mm

Mahogany with inlaid top. The sides with fretwork panels. 540 x 540mm H.81Omm

$700 - $1,000

Mid 19th Century with decoratively pierced splats

see illustration

$250 - $350

620 AContinental Bombe Bureau absent.

629 APair of Northern European Fruitwood Side Chairs

In flame mahogany, t~e fall front inlaid with a satinwood shell. The fall , the top and the drawers with a chequered line inlay. The interior fitted with small drawers and pigeon holes. Raised on bracket feet. W.1O7Omm H.98Omm.

$2,000 - $3,000

630 ASet of Three Regency Mahogany Side Chairs With curved blade backs and foliate splates, raised on sabre legs.

$450 - $550

631 An Old, Worn, Persian Sumak Woven Wool Rug Decorated with medallions and stylized floral meander border. 120 x 210cm

621 AMahogany Secretaire Chest .10/0mm

The secretaire drawer opening to reveal a fitted interior above three graduated drawers al l with turned handles. The secretaire front with veneer panels. W.122O, H.11 3Omm

$1,400- $1,800

,theframewith

622 A19th Century Mahogany Twin Pedestal 'Dickens' Desk The lower section of two banks of four drawers and a single frieze drawer above the kneehole. The superstructure - a leather inset writing slope flanked by banks of small graduated drawers, each locked by a hinged sidebar in the manner of a Wellington chest. Behind the slope a shelved cavity is surmounted by a turned spindled gallery. The slope's lid lifts to reveal an interior of pigeon holes and sma ll drawers. W.154Omm

1ithtwocaNe-O ountedbia

$2,500 - $3,000

623 An Early 19th Century French Buffet With two wide drawers flanking a small central drawer with brass shield shaped escutcheon, above two doors with conforming escutcheon, both locks with original keys. W.143Omm H.98Omm

$3,500 - $4,000 ndthreesma11 ;tructurera1se-0on

624 ARare Pair of Chinese, Ming Dynasty Period, Horseshoe Back Chairs and Accompanying Table in huanghuali (yellow huali) hardwood. Carved in low relief with stylized dragons to the gently curved back panels. The construction fol lows the conventional mortise jointed, close tolerance design of the 17th century. This suite of furniture was purchased in 1991 in Taiwan. (Please refer to department for provenance)

bjhuskdesigns

$500 - $600

632 AFrench Three Piece Clock Garniture The onyx case with gilt rococo mounts supports a bronzed zinc statuette by A-J Scotte entitled 'Manon'. The clock has a hand painted enamel dial. Two conforming side pieces with smaller statuettes accompany the clock. H.66Omm

$3,000 - $3,500

633 AFrench Sofa mahogany framed with carved detail to the scrolling arm fronts . Serpentine front rail and gently arcing back rail frame the upholstered seat and back. W.192Omm

$1 ,500 - $2,000

634 AMahogany and Chequer Strung Veneered Stick Barometer by GFurcone, Manchester. The brass scale with spirit thermometer and sliding vernier, Sheraton inlay cistern cover, break-arch pediment and brass finial. H. 980mm

$1,200 - $1,800

635 ASet of Six William IV Rosewood Framed Dining Chairs with drop in upholstered seats, bar back and with carved midd le bars. C.183O

$2,000 - $2,750

636 AFrench Ebonized Four Pillar Portico, Eight Day Clock, c.1830

$6,500 - $9,500

with gilt metal mounts and simulated coral beads and blister pearls. Striking movement by Japy Freres, 4419, grid iron pendulum with trophy motif bob. H.515mm

see illustration

$900 - $1,200 DECORATIVE ARTS

129

rwentiet~ ~~la~eDes

~~ramies,L

~\[WING Tl tnaii

lituraai

l.naai

·iaai

'.:1aai

@1esaai liursaai ----..:

26 ustraled:Lot

130

TWENTIETH CENTURY DESIGN

SALE 899

Twentieth Century Design Vintage Designer Furniture, Studio and Art Glass, German and New Zealand Ceramics, Lighting and Posters

Thursday 13th July. 6.30pm

6.30pm Lots

1 - 177

VIEWING TIMES Friday

7th

July

9.00am

5.30pm

Saturday

8th

July

11.00am

3.00pm

Sunday

9th

July

11.00am

3.00pm

Monday

10th

July

9.00am

5.30pm

Tuesday

11th

July

9.00am

5.30pm

Wednesday

12th

July

9.00am

5.30pm

Thursday

13th

July

9.00am

2.00pm

Illustrated: Lot 26

TWENTIETH CENTURY DESIGN

131

j l!iOS Chron

~ arelubesteell :J~~tructureofc

TWENTIETH CENTURY DESIGN

:168\mm. Left h,

APair of Rocking Chairs Designed by Ernest Race.

Restored white finished steel framed with upholstered seats and tab cushioned backs, mahogany arms.

$800 -$1000

see illustration

AThree Seater Sofa in the Style of Ernest Race white painted metal rod frame with ash arms and loose cushioned seat and ba ck, upholstered in new grey woven upholstery. Ref:1000 Chairs pg 332.

$1 ,200 - $1,500

ATeak and Cane Two Tiered End Table

1!50-11.000

In the manner of Grete Jalk, circa 1970s. The aerofoil shaped upper tier raised on supports pierced through the lower tier from tapering legs. The square lower tier inset with a woven rattan cane panel. Branded makers cipher and Made in Denmark along with inset importer's rondel for John Stuart NY and Grand Rapids. 740mm Sq H.640mm

111 'Aluminium

$600 - $800

11J50-IJ,000

i;sig~ed by Chari•

:,,is Herman Mil

see illustration 1

AMassive Venini Kukinto Handkerchief Vase designed by Tino Sarpaneva in 1992. broad blue and green striped. Stickered 'MADE IN ITALY, VENINI MURANO' and engraved 'Venini 92 Sarpaneva'. H.400mm

!lite\nishedalU!

AKartell Componobili 'Round-Up'

$1,500 - $2,000

~l0-1900

see illustration

,•,iatetop.D.11

$150 - $225

14 4

AKartell Componobili 'Round-Up'

Hair Of loun

AWedgwood Vase Designed by Keith Murray

matching above.

Shape 4315, white, tapering conical with five lathe turned bands. KM Wedgwood mark. H.245mm

$150 - $225

$400 - $500

:.'., ;ytubform, : .~basis. m1 11,000 -11.400

see illustration

In Original Ch anl 'ill' Otto

An Italian Arc Standard Lamp with large alum inium shade. Raised from a black metal forked base.

AWedgwood Vase Designed by Keith Murray

$450 - $600

Windsor grey, spherical with ogee lathe turned bands and cylindrical neck. Facsimile signature and Wedgwood mark. Hairline at rim and small frits. H.210mm

APhillipe Starck Bubu Stool

$450 - $550

~Herman Mil er. ;J00-11,500 ;;; us/ration

see illustration

in opaque grey, the tooth shaped stool or table comes with removeable top. H.435mm

' !Mil 1!o0s s \::rusewood1 ro.,gs91M mo -11so

$100 - $150

16 7

$600 - $700

$60 - $80

ALarge German Floor Vase mandarin orange glazed at the shoulder and brown at the base. H.520mm

ALow Line Teak Sideboard Buffet On four point base, configured with a two door cabinet to the left, three graduated drawers, (the top one with penciled date 25/10/71) and fall front liquor cabinet to the right. W.1980. H.7 40m m

see illustration

IMalching $1 :1o 11lvenefr\

AWhitefriars 1960s Teardrop Vase

II00 -~00

Clear cased ruby glass , oval section teardrop shape .H20lmm

$120-$140

AWedgwood Vase Designed by Keith Murray Matt straw colour. Shape 3868, barrel with five bands of fine lathe turning. Small edge chip and frits. H.165mm

AKartell Table Lamp with white plastic squat circular shade held in orange cutaway frame

$110-$160

ln inusual ar ··~ndmap

AStromberg Amethyst Glass Ice Bucket

1151-1100

Tapering squa re section, thick walled. Engraved mark and original paper label. Chromed metal swing handled and conforming drainer insert. H.127mm

ln [ero Saari

$600 - $700

$1 ,500 - $2,200

t1,1metaltuhp ::~eunoerside

see illustration

20 10

AWedgwood Vase Designed by Keith Murray

ASet of Five Teak Dining Chairs

Matt green, shape 3808, fluted tapering. Crack to rim. H.185mm

in the manner of Peter Hvidt with crescent backs raised on tapering trumed supports and with conforming legs. Unknown branded mark to cross-brace.

$120 - $160

$2,500 - $3000

1tircularSid1 for Herman M

short cylindrical with cut-away foot. Decorated with deep incised designs decorated with red and turquoise glazes. H.l!Omm

ARosewood Veneer Dining Table

$250 - $300

$400 - $700

1laMe lamp ·•t i'tsc1pt

APoole Delphis Vase

see illustration

probably Jansen design. The rectangular top raised on tapering mahogany legs who's tops terminate in cut outs level with the table top. 910 x 1830mm

1100-1,000

see illustration

..:?:igaha j

,-~'I'

llensQuislg •1011 ijjisQuare

·:,-siesw11 1100 .1100 :;; JS/ration

132

TWENTIETH CENTURY DESIGN

aisedon wertier inDenma~ 140mm~

A1980s Chrome Mirror And Glass Cabinet

Square tube steel framed the lower cabinet with two black doors supports a superstructure of clear glass doored smaller cabinet with mirror backs . W.lOOOmm H.1685mm. Left hand side panel absent. $850 - $1,000

see illustration

An 'Aluminium Group' Chair and Ottoman

$125 - $225

Designed by Charles and Rae Eames for Herman Miller. Black vinyl on four point swivel bases. Herman Miller impressed mark under.

1ered'MAil[IN

ACircular Side Table Designed by George Nelson For Herman Miller

manufactured by Dansk designed in Denmark branded mark to base. H.39Omm

see illustration

$800 -$ 1,100

$650 - $900

APair Of Lounge Chairs by Overman, Sweden

$500 - $600

$1,000 - $1,400

An Original Charles and Ray Eames '670' Lounge Chair and '671' Ottoman

$6,000 - $6,500

see illustration

$2,000 - $3000

ARay Eames and George Nelson 'Modern Management L-Shaped Executive Desk for Herman Miller. c.1957-1962. With walnut veneered tops, olive green steel drawer units, brushed chrome frame and pulls. The desk unit has a bank of three drawers, the right hand return has two sliding doors and two drawers.

AMid 1960s Swedish Coffee Table figured rosewood veneered over mahogany rectangular top on solid rosewood frame and legs. 910 x430mm . H.39Omm

jng.Smalledge

ABeautifully Proportioned Swedish Rosewood Sideboard with two sliding doors and five central drawers. Superb colour and patination.

by Herman Mil ler. Origina l label to base of ottoman. Upholstered in black leather

ct facsimile m

An American Lane Circular Coffee Table with segmented walnut veneered top with ash banding and base. An unusual key pattern to the top. c.196O

Cutaway tub form , black vinyl upholstered , raised on moulded white plastic tulip swivel bases. ( moulded mark under base)

ledgwood

APair of Original Eero Saarinen Armchairs upholstered in yellow vinyl, set on four bent walnut legs. Made by Knol l Intern ationa l c.196O. Ref: 1000 Chairs by Charlotte and Peter Fiell pg 320.

Wh ite finis hed alum inium four point pedestal base, supporting the teak edged white laminate top. D.72Omm H.56Omm (origina l label to underside)

AJens Ouistgaard Ice Bucket in Teak $225 -$300

$2,250 - $3,000

ATeak Jens Ouistgaard Lattice Tray with original aquamarine tinted glass dishes. Stamped mark to underside 'JHQ DANMARK'. 470 x 350mm

$3,500 - $4,000

$250 - $350

39 28

AMatching Swedish 1960s Coffee Table

ARare Arne Jacobsen Design Armchair

rosewood veneer with solid rosewood stretcher base. Square 760 x 760mm. H.39Omm

made in Denmark by Fritz Hansen. Chrome framed with bent ash plywood arms, reupho lstered in black woven fab ric. Ref: '1000 Chairs' pgs 344-345.

$400 - $500

$600 - $700

see illustration

An Unusual and Rare Pressed Brass Table Lamp and Shade with stained maple base. Labeled to the base 'Co [copyright] JERE'. c.1965

rerlabel. m

ATeak Finn Juhl Designed Arm Chair

$550 - $700

with loose cushioned seat and back separated from the frame which has wooden arms resembling slung leather straps

An Eero Saarinen Design Side Table

$1,650 - $2,400

black metal tulip base with circular rosewood veneered top. Knoll International label to the underside.

40a AKevi Office Chair Designed by Jorgen Rasmussen for Fritz Hansen, c.1975. In original red fab ric upholstery.

$700 - 1,000

$225 - $275

ATable Lamp by lsamu Noguchi for Gifu Akari light sculpture model with single bamboo rod issuing from a cast iron base suspending a handmade washi paper shade marked with Noguchi signature. H.70Omm

195Os/6Os, mahogany, with unusual cantilevered aerofoil upper tier supported over the lower shelf raised on short legs.

$500 - $600

gnsdecoratel

AJens Ouistgaard Teak Tray ova l with squared off ski jump ends pierced with ha nd holds. Bra nded mark to underside 'STAVED TEAK DANMARK JHQ, DANSK DESIGN' 520 x 250mm

AScandinavian Style Cocktail Trolley

$250 -$350

A1960s Mahogany Framed Day Bed with white buttoned vinyl upholstery, raised on tapering legs $1,375 - $1 ,575

$100 - $200

see illustration TWENTIETH CENTURY DESIGN

133

34 146

134

TWENTIETH CENTURY DESIGN

•

151

. 147

146

•

151

145

124 TWENTI ETH CENTURY DESIGN

135

AChrome ~

AFornasetti Sun Chair

1950s design featuring the Sun motif to the seat, back and rear of the backrest. Apiece epitomizing Piero Fornasetti's lifelong obsession with sun motifs and representing theh classic Fornasetti aesthetic. Number 7/40. Wooden chair with black metal legs. Early 90s example. $1,500 - $1,800

see illustration

$500 - $1000

ANorwegian Rosewood Cantilevered Armchair

JurKosta,c.1 9 6/9and6121

with slung seat. Made by Wesnofa Furniture. c.1965

1250-1350 WIIHDRAWI

ASet of Four Warren McArthur Machine Age Dining Chairs made from tubular aluminium with McArthur's famous hockey puck feet. Green vinyl upholstered. c.1950. Ref: '1000 Chairs' pg 305 $1,200 - $1,500

$150 - $225

A1!50s fly Redfreeforms

see illustration

~oo-1soo

APair of Kartell White Plastic Modular Side Units

A1!50s Mu

each with three drawers raised on swivel castors.

H,m1sphencal muranomade

$550 - $700

see illustration

,: rwo !hick C

APorcelain Plate by Piero Fornasetti, Typically flat patterned with three dimensional musical instruments on a faux wood grain background. Fornasetti Milano mark to back. D.270mm

1no-1-100

$900 - $1,000

$27,000 - $29,000

Wi~domedsh

oblong, green, with crackling surface. H.330mm

AFornasetti 'Architecture' Trumeau One of the landmark mid-20th century designs by Gio Ponti with decoration by Piero Fornasetti The cabinet features a fold out writing desk, glass internal shelves and backlit central architectural feature. A rare piece of recent manufacture in perfect condition. H.2200mm, W.810mm

APair of Double-Sommerso Table Lamps, Attributed to Seguso Dalla Venezia

APorcelain Plate by Bucciarelli

AMagnificent Set of Four Graduated 'Kluk-Kluk' Decanters by Per Lutken

Decorated with hand coloured transfer designs of musical instruments. Bucciarelli , Milano mark to back. D.260mm

for Holmegaard. The pinched bottles in transparent blue with clear spherical stoppers. H 150mm - 330mm

$50 - $90

$400 - $600

A1970s Dining Suite

1110 -1300

A1!50sNil: lldwalled,!

1150-1400

:i Hreeform 57

With oval smokey glass topped table on chrome tulip base and a set of four Lucite - type bucket seats on conforming bases, each with white velvet cushion. 1520 x 1175mm

ATapio Wirkkala AVENA Vase for iittala late 60s/early 70s design. Riven icicle finish. Acid etche~ 'TAPIO WIRKKALA' to the base H.240mm

ttnbute\ltoC dramatical1ys

1115-1350

$600 - $1,000

$2,000 - $2,750

A1!50s Nil

ACircular Black Glass Coffee Table

In the manner of Florence Knoll. Raised on bronze anodized metal Xframe base. D.1 210mm

ATeak 1970s Sideboard Buffet

1150- 1350

Mid-century Antonio da Ros Cenedese Cat Sculpture signed 'Cenedese' H.250mm

Low line base section surmounted by sliding door cupboards, flanked on the left by a full height cupboard enclosing two shelves. All raised on four point base. W.2260mm H.1350mm

$1,800 - $2,200 see illustration

~·mmosrrn

mid-1960s (Note: shown on cover of 1965 Weil Ceramics & Glass import catalog). L.460mm $600 - $1000

$500 - $750

An Alfredo Barbini, Murano Winged Centrepiece

$800 - $1,300

WllHDRAW

AVe~ Tall cl955. H.510

11100-11,00

AVicke Lindstrand Elephant Sculpture for Kosta Mid-20th century. Signed 'Kosta LH' H.295mm

WITHDRAW

$400 - $600

ADanish 1970's Teak Office Desk Designed by Torben Strandgaard for Pacific Overseas Inc, San Francisco. Rectangular top raised on exposed legs supporting a bank of three suspended drawers to the right and an open shelf to the left, these united by a woven cane modesty board. The drawers with brass wire handles. Manufacturers mark underneath. 1820 x 920mm

'I ibreenBo

ALicio Zanetti Murano Bull Sculpture

Hche\l'HOLH

in clear crystal. Signed . L.190mm

1150 -1150

$500 - $800

Alngeaorg

$2,000 - $2,500

62 51

An Eames Style Lounge Chair and Ottoman

Si"e-O'ORR[

An Original Eames Black Wire Office Chair

oak veneered and upholstered in black leather. Raised on four point chrome bases.

IIJ00- 1180

set on an early 'aluminium group' star base

$1,550 - $2,000

$425-$525

63 51a A1970s Chrome Tube Framed Coffee Table inset with a black glass top. Possibly Italian. 940 x 940mm square. H.390mm $400 - $500

136

TWENTIETH CENTURY DESIGN

APair of 'Expo 70' Chairs Developed by Michael Payne and nova interiors for the NZ pavilion restaurant at Osaka , Japan 1970 Expo. Bent plywood with Tawa veneer, Chrome star base, black vinyl upholstered . $1,000 - $1,500

guso

AChrome Moderne Table Lamp

76 AFratelli Toso 1950s Latticino Bowl

With domed shade rai sed on a flaring stem from a circular base. H.390mm

with red and green spiral twists alternating with white lattcino. L.215mm

$320 - $400

$250 - $400

Two Thick Cased Glass Bowls by Vicke Lindstrand

for Kosta , c.1950s. Deep red ochre. Each etched "Kosta LS" to the base and numbered 679 and 672. L.190 and 140mm

AMiss Balu Table by Stark for Kartell black moulded resin. Impressed mark. H.720mm, D.670mm $600 -$800

$250 - $350

WITHDRAWN

A1950s Flygsfors Table Lamp

A1960s 'Banana' Suite three seater and pair of chairs, all framed with blonde wood and upholstered with green and white 1•inyl

,reenvin~

$3,500 - $4,000

Red freeform sommerso with red fabric original hand made shade. H.165mm. $300 - $600

A1950s Murano Art Glass Bowl by Seguso Dalla Venezia

$550 - $700

Hemispherical with wrythen walls, deep cobalt coloured at the rim. Stickered "sdv murano made in italy" W.160mm $200 - $300

A1950s Nils Landberg Designed Vase for Orrefors

$1,500 - $2,000

Thick walled, grey green coloured , ovoid. Etched Orrefors 3538/6 to the base H.160mm

icalstoppers.

An American 'Plycraft Armchair and Ottoman green vinyl upholstered, raised on black steel four point bases. The chair tilts and swivels.

rs bi 69

A1970s/80s Telefunken Television concealed in wood veneer and painted cabinet with two doors. Complete with corded remote

$250 - $400

81 70

light rosewood veneered frame, black vinyl upholstery. Canadian manufacturer

AFreeform Glass Centrepiece Vase

$1,750 -$2 ,250

Attributed to Chalet. Lime green and clear glass buttressed conical form with dramatically spreading mouth.W.600mm

.A'tothe

$275 - $350

An Eames Style Armchair and Ottoman

APottery Table Lamp and Matching Vase by Tony Bacon Mt Eden Pottery. Each slab built, square section, glazed with a green olive at the shoulder running over a clawed surface to unglazed burnt umber at the base. Impressed marks. The lamp with cane drum shade.

A1950s Nils Landberg Orrefors Vase Sommerso smokey grey-green. Etched Orrefors NU 3538/5 to the base H.120m

$175 - $225

$150 - $350

catalog).

WITHDRAWN

AVery Tall Antonio da Ros Cenedese Bittern Sculpture

ALarge Photographic Exhibition Poster for Daum, Nancy Glass for Ga lerie Wuehre 9 -Art Deco in Zurich 1986. Framed 1290 x930mm $200 - $400

c.1955. H.510mm

WITHDRAWN

A1950s/60s Nils Landberg Vase for Orrefors

$1200 - $2,000

WITHDRAWN

AGreen Bottle Shaped Holmegaard Vase

Smokey brown sommerso. Etched "Orrefors N39(7?)36/118" to the base H.145mm $200 - $300

Etched "HOLMEGAARD 17797" and an indecipherable monogram (Bang?). H.240mm

An Interesting Decanter Designed by lvo Rozsypal

$150-$250

for Crystalex, Novy Bar, Czechoslovakia, c.1977. Lime green stoppered on hammer finish baluster bottle. H.300mm

AIngeborg Lundin 'Ariel' Bowl for Orrefors

$400 - $600

signed "ORREFORS Ariel nr 205 A Ingeborg Lundin. W.175mm $1300 - $1800

WITHDRAWN

imebases.

urantat iase,blaci

TWENTIETH CENTURY DESIGN

137

;1 An unusual

ASmall Per Lutken for Holmegaard Vase Ice-blue. Etched "HOLMEGAARD 15387" and Per Lutken monogram to the base. H.llOmm

chromed tube steel framed, with black plastic knurled locking handles to the sides. Tan leather upholstered

eonsislsof'. ·champagne chairshasocc

$150 - $200

$500 - $600

1100-1600

APer Lutken Holmegaard Rondo vase Etched "HOLMEGAARD 1959" and Lutken monogram to the base W.150mm

$200 - $300

100 ANorwegian Made Cantilever Armchair and Matching Ottoman

ASpun Vase Bengt Edenfalk for Skruf of Sweden, 1963 Purple. Stickered 'SKRUF SWEDEN FULL CRYSTAL' and 'KJELLKYIST OPTIK UR GULD TEL. HORBY 10285' Etched mark 'Edenfalk Skruf Spun 63' H.260mm

$500 - $1 ,000

101 An Art Deco Sideboard

:J A1!40s W,

blond oak quarter cut veneered. With curved doors to either end flanking a cupboard with sliding glass doors and two drawers. W.1290mm

Wrththreefull W.8JOmm

$400 - $500

1400-1500

102 ALate 1950s Standard Lamp

ASet offo

with squat circular pod shade in the manner of George Nelson, raised on swan necked black tube steel column

Chromecantil

1500-IJOO

$450 - $550

A1950s Monica Bratt Moulded Sculpture for Reijmyre a deep cobalt blue figure. H.llOmm

$100 - $200

103 An Art Deco Black Glass Occasional Table

11 Afable lar

Wrthetchedal awrought11or

the circular top raised on a chrome pedestal base with circular stepped plinth

$300 - $375

AMassive PO Strom Vase, Probably for iittala clear glass cylindrical swelling dramatically at the centre, etched signature 'PO Strom ' to the base H.340mm

$400 - $600

AModern Metropolis Vase by Bertil Vallien for Kosta Boda in original box. Stickered 'KOSTA BODA SINCE 1742' and etched 'Kosta Boda B Vallien 40221' to the base H.230mm $400 - $650

95 96

A1970s Tauno Wirkkala bowl for Humppila of Finland

104 An 1950s/60s NZ Designed Desk and Desk Chair

Cl:arcasedw

$650 - $800

1180-1220

An Art Glas

105 ASpun Aluminium and Copper Adjustable Standard Lamp on chromed rod supports.

u"knownma

$150 - $200

150-1100

106 A1960s Ceramic and Mahogany Table Lamp

J ACrown ly

ochre and amber cloured flowerhead shape, etched 'Tauno Wirkkala Humppila Finland' to the base W.320m m

0~1gned byO iaceisH.135

$200 - $300

$70 - $100

1100-1160

WITHDRAWN AKjell Engman 1980s/90s Sculpture for Kosta Boda

107 ALarge French Lithographic Poster for Champagne Davesne

108 AFramed Invitation to a British Museum Event designed by Piero Fornasetti in the manner of a classical architectural fa~ade and presented as an eight panel folding screen.

A1960s Nils Landberg Blue Sommerso vase for Orrefors

$100-$200

1300-~00

I ! AClarice C ia ite-0 'n bn1 011o~m.

11,000-11,21 11

109 A1960s Studio Pottery Lamp Base mosaic tile effect patterned. H.420mm

AStained Wood Framed Cantilever Armchair

Sl1waresag1

$400 - $600

$150 - $300

$250 - $350

i AWedgwo(

(avai lable by the glass in all cafes and restaurants). Published by La Lithographie Parisienne. Framed. Overall size 1520 x 1100mm

Stickered 'ORREFORS SWEDEN' and etched 'Orrefors NU 3952/2' to the base H.150mm

Amos

the Aframe suspended desk with frieze cavity enclosed by sliders, the matching boomerang sided chair with patterned vinyl upholstered seat

with squat circular base moulded and 'feathered ' glazed supporting a knopped turned column with tapering cylindrical shade.

Modelled as a standing red-amber ring incorporating a clear section modelledas a stallion's head. Stickered 'KOSTA BODA SINCE 1742' and etched 'Kosta Boda K Engman 99759' to the base H.125mm

11,000-11,51

$40 - $60

1AClarice c C'J1ind11calw1t !9l6H115m

11,000-12,21

with matching ottoman, upholstered in black leather. $450 - $550

ASet of Four Italian Contemporary Bar Stools chrome legged and black vinyl upholstered.

110 ASusie Cooper Dinner Service parchment coloured with magnolia flower head decoration. Six place setting complete with lidded tureens, ashets, sauce boats and jugs.

$800 - $1,000

AClarice c ':iagonalsec ~a;e,sGold

11,400-11,61

$400 - $500

111 ANoritake Porcelain Dinner Service 'Diana' pattern with simple foliate design in black and gold. $100 - $200

1AClarice c q ndncal~1t b.eGoldbacl

11,100.11.~

138

TWENTIETH CENTURY DESIGN

1man hesides.

112 An Unusual NZ-Made 1960s Table And Chairs Consists of a glass-top table on chrome base and four unusual Lucite-type 'champagne' bucket chairs on four point swiveling bases. Some splitting to the Lucite chairs has occurred

123 AClarice Cliff Honolulu Pattern, Bizarre Bowl decorated with a band incorporating the pattern at the rim above encircling green and black bands. Black stamped marks. D.185mm

$725 - $825

$500 - $600 cupooard

113 A1940s Walnut Veneered Chest of Drawers With three full width drawers with chrome plated handles, raised on a platform base. W.830mm

$400 - $500

;wannecied

114 ASet Of Four 1970's 'Habitat' Dining Chairs Chrome cantilever framed light wood and Wycombe caned , one with arms

124 An Acrylic Thick Walled Vase clear with yellow tinting. Laminated asymmetrical monitor screen shapes.

$100 - $200

125 AModerne Silver Plated Tea and Coffee Set of slightly taperir,g octagonal lozenge section, fitted with rosewood handles and finials. Five piece including matching tray. Impressed unknown manufacturers mark.

$600 - $800

$600 - $700

115 ATable Lamp With etched and frosted conical glass shade, marked Muller Freres Luneville, raised on a wrought iron column base. H.490mm

126 AWMF lkora Silver Plated Dish of symmetrical wave outline, with numerous converging flutings to the well. Impressed marks and paper label. W.200mm

$60 - $100

$1,000- $1,500

tching

116 A1970s Murano Sommerso Glass Vase

127 A1960s Brentleigh Ware Vase

Clear cased with aquamarine conforming interior. H.156mm tiny chip on top edge

slip cast, decorated with orange and green medallions on a brown matt ground. H.335mm

$180 - $220

$60 - $100

117 An Art Glass Vase unknown maker, thick cased walled, dark mottled green. H.150mm

$50 - $100

128 AJim Greig Pod Form Dish asymmetrical 'eye' shape with an inverted flattened rim , ash glazed , circa 1980. Incised with initials. W.202mm

$100-$150

117a ACrown Lynn Hand Crafted Vase oppedtumed

129 AJim Greig Dish as above. $100-$150

$100-$160

130 Two John Crichton Circular Mosaic Bowls

isne 1ographie

118 AWedgwood Vase Designed by Keith Murray Slip ware sage green and white, cylindrical with cut bands to the walls. H.182mm

one randomly set with white pebble tiles, the other a mosaic wa lled dish. Both labeled. D.190mm (largest)

$300 - $400

$100-$150

119 AClarice Cliff Original Bizarre Octagonal Bowl painted in bright enamels to the exterior and interior. Some scratching in the well. D220mm.

130a AJohn Crichton Mosaic Charger spun copper with mosaic tiling in mustard, black and white. Labeled verso.D.403mm.

$1,000 - $1,200

131 AMosaic Plate 120 AClarice Cliff Original Bizarre Vase cylindrical with everted rim, painted in bright enamels. Black printed marks c.19251936. H.225mm

$2,000 - $2,200

in the manner of John Crichton. Set with grey and black pebbles

$90 - $120

131 a AFrench Table Lamp with brushed aluminium spherical shade held in a blue enameled steel arched frame.

121 AClarice Cliff Original Bizarre Vase ingcomplete

hexagonal section swelling at the base, painted in simple geometric in bright enamels. Gold stamped marks, c.1925-1936. H.225mm

$2,400 - $2,600

122 AClarice Cliff Original Bizarre Vase

$120-$160

131 b ASelection of Midwinter Modern China Chequers pattern circa 1957 by Terrance Conran based on a 1951 David Whitehead fabric design.

$100-$150

cylindrical with everted rim , painted in bright enamels between bands of green and blue Gold back stamp, c.1925- 1936. H.160mm

$1,200 - $1,400

TWENTIETH CENTURY DESIGN

139

JJ !WO OeCOI

131 c ASet of Six Mirek Smisek Stoneware Sgraffito Decorated Tumblers manganese underglaze; one pair yellow overglazed; another pair powder blue/grey, the third pai r, dusky pink. Incised 'MS' initials. H.97mm. $1,200 - $1,400

144 AMahogany Lowline Buffet by Otto Larsen With a bank of four drawers to the left with recessed handles, sliding doored. Cupboards to the right. Raised on a four point base. Branded mark to rear. W.1680mm H.790mm $1250 - $750

132 ALarge German Pottery Vase shouldered shape with bone glaze spilling over brown. H.410mm $100 -$140

133 AGroup of Three German Vases,

elcnedma~e

140-1so

11 An Oalong

withdeeP 1111

1130-150

145 ACrown Lynn Hand Crafted Vase Designed by Daniel Steenstra Baluster shape, painted with vertical black wavy lines side shadowed with colours: crimson, aqua, ochre, yellow, lilac and green. Small crack under footring H.230mm

·1 ADaum Cr

$500 - $600

siuare.fros!I

see illustration

1140-160

all similarly decorated, variously shaped. $$120 - $160

134 Two Small German Pottery Ewer Vases

146 ACrown Lynn Hand Crafted Vase Designed by Daniel Steenstra

Iii AHolmgaa

Ovoid shape, painted with drop shadowed colour splashed panels on a faux grained background. Small flake chip under footring. H.240mm

orange glazed

$500 - $600

$40 -$60

see illustration

1ape11ngcylin

1350-1415 j

135 Two German Pottery Vases with flared mouths $60 -$80

136 Two German Pottery Vases one blue ewer shape, the other bright red and yellow $80-$100

137 AGerman Pottery Vase bongo drum shaped . $50 -$70

138 ALarge German Pottery 'Keramik' Vase painted with banded decoration $100 - $125

139 AGerman Pottery Wall Plate

147 ARosewood Dining Suite Designed by the Late Claude Megson Atable and eight chairs for his award winning Norris Home (Ref, NZIA NZ National Award 1978 Ref, NZ Arch 1978 Pg 25) the rectangular table floated on chromed steel flats and angles. The chairs of matching gauge chromed steel bent to cantilever the red/bronze striped whale cord upholstered seats and backs. 2135 x 985mm $4,500 - $6,000

see illustration

AMmae mosSom1111 -;~edStron

149 AWedgwood Bowl Designed by Keith Murray $300 - $400

150 AMurano Glass Vase

151 AMurano Art Glass Vase by Achimede Suguso Ovoid shaped, tangerine coloured with cobalt trailed as incipient handles to either side. Bears original label. H.300mm

152 AWhitefriars Amethyst Glass Small Vase Trailed spiral decorated, small frit on trailing. H.91 $80-$120

143 An Amber Art Glass Vase

153 ASet of Four Sasaki Wine Glasses

Antlmuni :,,I.mould! -iressednu 1m-1200

An 01ales1 unlnownmal 1115-1175

Alalique I 14Do-~oo

ASetoffi,

$80-$120

1,uldedw1ti

1110-ltso

Moulded large petal shaped rim.W.180mm H206mm L.238mm $200 - $300

~00-1750

:'asa!yran1

142 ALarge Burnished Pottery Branch Pot by Robyn Stewart $100 - $200

J1 ARene lal

clear mould 1

141 ALarge German Pottery Vase

spherical, with incised broad textured band encircling the mouth. H.330mm

1140-1100

white glazed, shape 3753 conical with six lathe turned bands to the walls. H.140mm

$325 - $425

$100-$120

reclangular,Y Mirrored and

$110-$160

$200 - $300

baluster shaped, moulded patterned, brown glazed. H.550mm

;i An Art Dec

Cased aquamarine colour , baluster shape with beaked mouth.H.200mm

$30 -$50

$120-$150

1300-1350

148 AWhitefriars Glass 1960s Beak Vase

painted with shield and spear design

decorated with a moulded leaf pattern on a cross-hatch background.

0 erscotch .495mm

1410-1500

tall squarish section with moulded ridges trailing down the exterior wa lls, clear deep blue, and cranberry hues.H.230mm.

140 AGerman Pottery Dish

An Italian

154 AWhitefriars Pale Sapphire Blue Glass Bowl trailed with spiral glass to the exterior. D.310mm

APair of p

$200 - $300

"•lclinga~ ~0-110

140

lWENTIETH CENTURY DESIGN

d. Wl680mm

155 Two Decorative Glass Fruits by lndustria Vetraria Valdarnese

· 168 ASmall Tiffany Iridescent Glass Dish

etched marked IVV. H.115mm

circular with inverted castellated scalloped rim. Engraved mark 'LCT'. 0.70mm

$40 - $60

$400 - $450

156 An Oblong Glass Ashtray 1nstra

with deep ruby washed well. L.125mm

colou~, ,230mm

$$30 - $50

169 ACrystal Bowl Attributed to Clyne Farquarson for Royal Brierley. Circular raised on conforming foot with fine line cutting interspersed with lanceolate cuts. $200 - $300

157 ADaum Crystal Ashtray square, frosted and clear, etched marked. 150 x 150mm $$40 - $60

'Knobbly' series in electric blue. H. $250 - $300

mstra xgrained

170 AWhitefriars Vase Designed by Geoffery Baxter

158 AHolmgaard Smokey Glass Vase tapering cylindrical, thick walled with acute angled rim. Etched mark. H.255mm $350 - $425

171 AWhitefriars/Powell Glass Cocktail Pitcher in quartz, of refined big bamboo shape. H270mm $100 - $150

159 An Italian 'Erika' Glass Vase gson National omedsleel lileverthe

butterscotch ca sed over white, triple gourd shape with tall neck. original paper label .. H. 495mm $300 - $350

160 An Art Deco Glass Table Tray

172 ASwedish Glass Kingfisher Blue Vase ovoid , flattened section. Stickered 'MADE IN SWEVDEN' H.1 80mm $175 - $225

173 ASwedish Bottle Vase

rectangular, with four dishes deeply etched in the corners forming a cruciform design. Mirrored and beize backed. 540 x 330mm

ovoid with dimpled wal ls, smokey quartz colour. Stickered J WUIDEART &Co Ltd LONDON (importers).

$400 - $500

$150 - $200

161 AStrombergshyttan Glass Ashtray and Cigarettes Container 1950s Sommerso smoky brown grey submerged colour each with with cut rims, both marked Stromberg and numbered H95 and H94.

174 ATapio Wirkkala 'Ultima Thule' Carafe along with Thule turquoise beaker. Designed 1968. H.220mm $250 - $350

$140 - $200

175 ASwedish Glass Vase

.H.l40mm

162 ARene Lalique 'Poissons' Bowl

,clear deep

clear mou ld pressed glass with opalescence. Etched mark R Lalique France, D.240mm

made for Jones & Co, Birmingham c.1969. Stickered 'MADE IN SWEDEN JC'. Turquoise, bark finish, moulded. H.230mm. Tiny ch ip

$500 - $750

$90-$120

163 An Edmund Etling & Cie Opalescent Glass Vase ovoid , moulded with an encircling fruiting grape vine. Raised mark Etling and impressed number 153. H.135mm

176 APair of Swedish Orange/White Cased Glass Lampshades vase shaped . H.275mm $50-$100

$125 - $200 ,lo either

177 Five Hoya Crystal Tumblers 164 An Opalescent Glass Vase unknown maker, ovoid, mou lded with dahlia flowers. H.115mm

smokey grey, plain bowled $40 - $60

$125-$175

165 ALalique Frosted Glass Statuette Group of a satyr and female nude. Engraved mark Lalique France. H.140mm $400 -$500

[lchedma~

166 ASet of Five Opalescent and Frosted Glass Dishes moulded with stylized coral branches and scallop shell feet. D.145mm $120 - $160

167 APair of Pale Blue Tinted Glass Dishes matching above. $50 - $70 TWENTIETH CENTURY DESIGN

141

BIDDING SLIP FOR ABSENTEE BIDDERS ON LOTS IN WEBB'S SALE NO. 278 . 27 - 29 MAY 2006

BUYER NO.

Please bid on my behalf at the above sale for the followin g lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids, or reserves if any. • I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successful bid, on items in sale 278, a buyers premium of twelve and a half percent (12.5%) will be added to the hammer price and that G.S.T is charged on the premium. On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb's carry out at no charge.

Lot No.

Catalogue Description

Lot No.

Bid*

Catalogue Description

ARRANGEMENTS FOR PAYMENT: I agree to pay immediately on receipt of notice from Webb's of my successful bid. Payment will be by cash, cheque or bank transfer. I will arrange for collection of my purchases or I agree to pay for packing and freight costs incurred by Webb 's in having any purchases forwarded to me. In order to avoid delay in clearing purchases Buyers who are unknown to us are advised to make arrangements for payment before the sale or for references to be supplied. If such arrangements are not made cheques will be cleared before purchases are delivered. --

MR/MRS/MS

INITIALS

HOME PH.

BUS. PH.

SURNAME/COMPANY

MOBILE

FACSIMILE

EMAIL ADDRESS

POSTAL ADDRESS:

STREET ADDRESS

·-

CONTACT NAME:

* Webbs will do its upmost to carry out bidding instructions for absentee bidders. It will not be responsible however, if circumstances prevent it doing so.

Webbs Peter Webb Ga lleries Ltd

142

CATALOGUE INFORMATION

18 Manukau Rd, Newmarket PO Box 99251 , Auckland, New Zea land PH: 09 524 6804 Fax: 09 524 7048 auctions@webbs.co.nz www.webbs.co.nz

SIGNED

Bid*

BANK ACCOUNT DETAILS - PAYMENT BY DEPOSIT

Webb's

IMPORTANT: Fax th is form to Webb's: •64 9 524 7048 so payment ca n be confirmed and purcha ses released.

Buyer Name: ________________ Buyer Number: _ _ _ Sale Number: _ __ Balance owing for pu rc ha se/s: NZ$ __________ *Please include a sale number and buyer number as reference for on direct credits to enable us to dispatch your items efficiently.

BANK ACCOUNT DETAILS Bank: WESTPAC, 79 QUEEN ST, AUCKLAND

Name: PETER WEBB GALLERIES LIMITED

Account Number: 03-0104-0448 184-00

For intern ational deposits, Sw ift Code: WPACNZ2W Am ount transferred (including frei ght if applicable): NZ$ ________

Date tran sferred: _ _ _ _ _ __

Signed , _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ CONFIDENTIALITY: The information contained in this facsimile is legally privileged and/or confidential. If you are not the addressee listed below you are notified that except as authorised agent to the addressee any use, disclosure, copyin g or distribution of any of the contents of this facsimile by you is prohibited. Recipients other than the addressee listed below are asked to notify us immediately and return the ori ginal facsimile to us.

INSURANCE, PACKING AND FREIGHT DISCLAIMER Please sign and return by fa x or post with payment. Once recei ved, your goods will be dispatched to you as quoted. Name, - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Delivery Address, _____________________________________ Postal Address ,- - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - Telephone, ____________ Ema il: ___________ _ _ ____________ I would prefer to be contacted by:

Lot No.

• Phone • Em ail

Catalogue Description

Lot No.

Catalogue Description

PACKING 0 I INSTRUCT WEBB'S TO PACK MY ITEM/S: (Office only, DA to cross out if item falls outside our criteria ) If I have instructed Webb's to pack my goods, I understand and accept that, • Webb's accepts no responsibil ity for these goods whilst they are in transit. • These items are not covered by Webb's insurance in transit. • I do not hold Webb's, or its staff, liable for any loss or damage that may occur in transit. • Webb's does not provide a professional packing service and as such goods packed by Webb's are unlikely to be covered by any insurance cover including cover personally organised through my own insurer or through a courier or freight agent.

0 I INSTRUCT WEBB'S TO COMMISSION APROFESSIONAL PACKING AGENT TO PACK MY ITEM/S: If I have instructed Webb's to commission a professional packing agent to pack my goods, I understand and accept that, • Webb's accepts no responsibility for these goods whilst they are in transit. • These items are not covered by Webb 's insurance in transit. • Webb's has employed , in good faith , a professional packing agent to pack these items but Webb's, or its staff, are not liable for the quality of that packing and/or any subsequent loss or damage that may occur in transit. • Onus is on myself to arrange transit insurance for the goods. • If I arrange transit insurance, I will not sign for received packages without first openi ng the package in front of the del iverer and establ ish that the contents are in good condition. • If the item/shave been damaged in transit, I wi ll record this with the delivery agent and retain the packing in order to pursue a claim. • In the event of loss or damage, I wi ll not hold Webb's responsible for persuing any claim with an insu rance agent and I agree that I will personally make a cla im aga inst the insurer. Signed, _ _ _ _ _ _ _ __ _ _ _ __ _

Date, _ _ _ _ _ _ _ _ _ __ _ __ _ CATALOGUE INFORMATION

143

AGUI[

PRICES REALISED * Indicates gross price

FINE ART, JEWELLERY & DECORATIVE ART SALES 276 4 - 6 APRIL 2006

144

LOT

FINE ART 1 3 4 6 7 8 9 10 11 13 14 15 16 18 19 20 22 24 26 28 29 30 31 34 35 36 37 38 39 41 46 47 49 50 52 53 54 55 56 57 58 59 60 62 63 65 66 69 71 72 74 78 80 81 84

2,200 5,200 2,000 5,700 2,500 2,200 1,100 3,600 3,200 4,200 4,600 2,200 2,500 4,000 6,800 5,000 3,300 1,000 7,000 4,900 8,000 13,000 12,000 3,400 19,000 12,000 18,000 11,100 10,000 16,000 1,500 8,000 6,000 20,000 60,000 157,500 70,000 240,000 75,000 310,000 80,000 10,000 15,000 12,000 17,000 80 ,000 105,000 29 ,000 38,000 25,000 19,000 2,300 4,900 4,000 3,400

LOT

86 88 89 90 91 92 95 96 97 98 99 101 105 107 110 111 112 114 115 116 117 118 120 121 122 124 125 127 130 131 135 141 145 147 148 150 152 153 154 155 156 157 158 159 160

1,600 4,250 6,500 5,500 8,000 1,700 1,500 850 2,100 2,000 2,500 20,000 16,000 18,000 3,000 2,200 2,000 2,200 1,500 4,500 5,400 4,700 5,800 4,500 6,000 5,400 1,000 41,000 5,000 6,300 8,000 4,000 6,000 8,000 2,000 10,000 50,000 30,000 10,000 29,000 13,000 6,500 4,000 500 10,000

227 228 229 230 231 232 233 234 235 236 238 240 241 242 243 244 245 246 247 248 249 249A 250 251 252 253 254 256 258 259 260 260A 261 262 263 264 265 266 267 270A 271 275 278 279 281 282 283 284 287 288 290 291 292 294 295 297

180 60 70 80 600 160 60 70 200 260 625 90 975 100 450 700 210 140 150 300 800 1,100 300 11 ,000 300 950 1,900 500 1,000 550 750 2,000 2,150 650 425 1,000 350 1,500 300 1,400 200 450 300 650 1,700 1,600 2,250 500 800 2,450 700 900

301 302 306 308 309 310 311 311A 312 313 315 318 319 323 324 325 326 327 329A 332 335 336 338 339 341 342 343 348 349 350 356 359 362 363 364 365 372

5,700 7,000 8,000 6,500 7,000 1,000 25,000 260 19,000 500 4,700 7,500 1,650 6,750 5,500 7,500 4,000 37,500 7,500 3,500 1,800 1,500 5,200 3,250 2,200 1,100 1,000 1,800 2,400 3,000 1,400 400 1,200 1,200 1,750 2,250 300

423 424 425 426 427 428 430 431 432 433 434 435 437 438 439 440 441 442 443 444 444A 445 446 447 448 449 450 451 452 453 454 456 457 458 459 460 461 462 463 464 465 466 468 469 470 471 472 475 476 478 479 480 481 483 484 486

560 440 420 220 725 500 325 260 240 250 140 1,250 475 950 700 210 850 310 320 660 80 225 740 115 450 300 450 1,300 320 375 400 500 600 560 2,250 120 675 520 2, 500

JEWELLERY

201 202 204 205 207 209 215 219 222

CATALOGUE INFORMATION

160 550 1,200 14,000 225 1,100 3,800 1,000 500

775 3,600 800 7,500

DECORATIVE ART

400 401 402 404 405 406 409 411 412 413 414 415 418 419 420 421 422

3,000 1,400 110,000 4,500 2,500 6,500 3,200 15,000 1,500 850 1,500 2,000 625 1,750 750 1,750 5,100

725 300 300 200 625 575 440 1,300 110 90 110 170 70 250 70 210 80

487 488 489 490 491 493 494 495 497 498 500 501 502 503 504 506 507 509 510 512 514 515 517 518 523 524 526 530 532 533 535 537 538 539 540 541 542 544 546 548 550 551 554 555 556 557 558 559 560 563 564 570 571 573 574 576

210 850 650 125 400 900 3,200 906 600 350 70 75 150 150 250 200 80 160 110 300 300 400 100 60 100 105 900 1,500 350 70 4,300 950 250 700 250 55 150 220 90 125 400 300 3,750 9,600 2,000 440 150 2,500 70 540 1,300 900 600 600 250 500

LOT

577 578 579 580 581 582 583 584 585 586 587 590 591 592 594 595 596 597 598 599 600 605 606 608 609 610 611 612 613 614 616 617 619 620 621 622 623 624 625

100 3,600 300 26,500 3,100 2,100 3,300 7,600 800 400 2,400 1,500 2,000 800 2,500 3,700 1,000 350 300 400 1,450 1,000 500 160 160 400 175 125 600 300 220 400 240 500 420 600 130 1,400 210

Webb's have thosewhoari

1rnportantnc reverseoftt

Re~stration ru1 intending Buying at Au

1. Floor 8id1 Ensurethat1 orlots)l)Uhi Be aware th, payable by a b~rs·prem of the amour Make)llur bi lf)1Jumake, hadintende1 immediately 1stoolate. lf~rbidi: bmdingobli1 2.SalesSub

Where)11ur I )1lulobeth1 bindingand accepts th~ doesnotac1 to negotiate wil not prei 3.Absentee

Webb's WIii ooresponsil ols WIii be reserve imp bidder will someone el: which cant thecomme1 Absentee bi lf)1lurbidl resi:Neony )11urb1dlim lhereareni lntheabs1 o~mngbil Auctioneer'i

AGUIDE FOR BUYERS Webb's have set out the following information for the benefit of first time buyers and those who are unfamiliar with auction procedures. Important note: Please refer to full conditions of sale for buyers printed in the reverse of this catalogue and displayea in the saleroom. Registration All intending buyers must complete a bidding form available from the reception desk Buying at Auction 1. Floor Bidders Ensure that you have registered and obtained a buyer number before bidding on the lot or lots you have chosen Be aware that a buyer's premium of 12.5%+GST on the premium, a total of 14.06% , is payable by all buyers in addition to the hammer price. At some sales the amount of the buyers' premium may be more or less than 12.5%. Please make sure that you are aware of the amount of the buyer's premium. Make your bids clear, preferably by holding up your buyer number card. If you make a mistake e.g. the auctioneer takes a bid from you at a higher level than you had intended , or you realise that you had bid on the wrong lot, call out to the auctioneer immediately so that the bidding can be adjusted. Waiting until after the hammer fa lls is too late. If your bid is the highest and the lot is knocked down to you then you have entered a binding obligation to pay for that lot. 2. Sales Subject to Vendor's Consent Where your bid is the highest, but still below the reserve , the Auctioneer may declare you to be the "buyer subject to Vendor's consent". This means that your bid is held as binding and will be communicated to the Vendor at the earliest opportunity. If the vendor accepts then there is a contractual obligation for you to pay for the lot. If the vendor does not accept, you are re leased from any obligation, however you will have first right to negotiate with the vendor through Webb 's until an agreement is reached , and Webb 's will not present other offers to the vendor until your negotiations are ended. 3. Absentee Bids Webb's will endeavour to en sure that your bidding instructions are executed, but accept no responsibility or liability for failure to do so. Lots will be bought as favourably as is allowed by bidding in the sale room and any reserve imposed by the vendor. Please note that Webb's cannot guarantee that another bidder will not be successful at your limit if, in the course of competitive bidding, someone else bids your limit first. Absentee bids are accepted by written instruction which can be sent by fax (e-mailed absentee bids are not accepted) up to I hour before the commencement of the sale. Absentee bids will be executed on the following basis: If your bid limit is equal to or above a reserve, the Auctioneer may open the bidding at reserve on your behalf and will bid thereafter only in response to competition for the lot.If your bid limit is below a reserve, the Auctioneer may open the bidding at your limit and if there are no further bids in the room may sell to you "subject to vendor's consent". In the absence of a reserve the Auctioneer may exercise your bid in advance of any opening bid or may open the bidding on your behalf at the Auctioneers estimate, at the Auctioneer's sole discretion .

Telephone Bids The same conditions as above apply to telephone bidders. Webb's will telephone the number you have given several minutes before the lot you have request comes up for sale. If your phone is engaged or we are unable to make contact the auction will proceed without your bidding. Our staff will ask you to hold when we have made contact. They will then tell you that your lot is about to come up. The bids wi ll be relayed to you and you can enter the bidding at any time by making your cal l. Please note that the bidding at many auctions can be fast and furious. The auctioneer will not favour a phone bidder over and above buyers who are attending the auction by giving them more time to bid. You will need to establish your limit and make sure that you bid clearly and promptly. Telephone bids are only accepted for catalogued sales and on items with estimates over $500. Pre-Sale Estimates Estimates printed in the catalogue or given verbally are intended as a guide only and can be subject to revision nearer to the time of a sale. Webb's staff are avai lable during pre-sale viewing times and by appointment to assist prospective bidders with estimates and any aspect of the auction procedure. Condition Reports Webb's staff will provide condition reports for out of Auckland buyers. However, please note that no 6 in the Conditions of Sale for Buyers will still apply despite the obtaining of a condition report. Payment Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques wi ll be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. Packing and Freight Webb's do not pack goods in house. However, we will arrange for your items to be packed, insured and shipped by a professional agent. All costs associated with packing and freight are payable by the purchaser. Valuation Service Webb 's provide free market appraisals on Monday mornings from 9am-lpm or at other times by appointment. Webb's appraisers will come to your home to view and appraise larger items. Webb 's wil l provide va luations for insurance, matrimonial division, family division etc. Please enquire at reception for charges. Valuation charges are refundable on occasion when goods are subsequently offered for sale within a reasonable period.

CATALOGUE INFORMATION

145

co~

INDEX OF ARTISTS DATES Aberhart, Laurence

Albrecht, Gretchen

Apple , Billy

Baloghy, George

Blair, Philippa

Clairmont, Philip Cleveland, Les

Cotton, Shane

Drummond, Andrew

Duff, Alison Dunning, William

Fisher, Charlotte

Fomison, Tony Frizzell, Dick

Gopas, Rudolph Gossage, Star

Gully, John

1949 1943 1935 1950 1945

Nerli, Girolamo Pierli

1863-1926

(E)

(NZ)

O'Keefe , Alfred Henry

1858 - 1941

(NZ)

Pardington, Fiona

Peryer, Peter

Pule, John

1961 1941 1962

(NZ)

Robinson, Ann

1944 1944

(NZ)

(NZ) (NZ)

(NZ)

Robinson, Peter

1951 1914 - 2000 1959

(NZ)

Siddell, Peter

(NZ)

Smither, Michael

(NZ)

Sydney, Grahame

1935 1939 1948

1959 1939 - 1990 1943

(NZ)

Tapper, Garth Thompson , Sydney Lough

(NZ)

Trusttum, Philip

1927 - 1999 1877 - 1973 1940

(NZ)

1917 - 1983 1973 1819 - 1888

(E)

van der Velden, Petrus

1837 - 1913

(E)

Wallor Caffyn, Walterr

Weeks, John

(NZ)

White, Robin

(E)

Williams, Mervyn

(NZ)

Woollaston, Toss

Ivanoff, Noel

1963

(NZ)

Kaan , Simon

1971 1856 - 1916 1946 1819 - 1903 1924 1972

(NZ)

1908 - 1994 1894 - 1969

(NZ)

1948 - 2000 1933 1964 1919 - 1987 1960 1810 - 1995 1952 1952 1944 - 1993 1925

(NZ)

Kennington , Thomas Benjamin Killeen , Richard

Kinder, Reverend John Knight-Turner, Dennis

Kregar, Gregor

Lee-Johnson, Eric Lovell-Smith, Rata Maddox, Allen Matchitt, Para

Maughan, Karl

McCahon, Colin Mcfarlane, Mary

McIntyre, Peter McWhannell, Richard Morison, Julia

b. b.

Morrinson, Robin Mrkusich, Milan

146

Walters, Gordon

(NZ)

Hofmann, Frank

CATALOGUE INFORMATION

(NZ)

Hotere, Ra lph

Hodgkins, Frances

(NZ)

(NZ) (NZ)

1845 - 1898 1954 1919 - 1995 1888 - 1965 1946 1940 1910 - 1998

1.Rese1 impose

3. Re~: giving I bybidd1 mterpre

4.Buye pnce W (unless

(NZ) (NZ)

(NZ)

1947 1932 - 2004 1869 - 1947 1916 - 1989 1931

Hanly, Pat

(NZ)

Walsh , John Hammond, Bill

(NZ)

1949 - 1984 1921 1964

(NZ)

l.Biddi1 having! thebidd precedir shallbe No pers auctioni

(E) (NZ) (NZ)

5.Pay1 immedl lffull1 totalsu within Payme, mustb accept1

(NZ) (NZ) (NZ) (NZ

6.loti descri1 norits o,autt whate1 Buyers tothei deeme

(E) (NZ)

l.Wel thesa

(NZ) (NZ)

8.Co imme1 isnot 01de1 Any it stora1 Aiec1

(E)

(NZ)

(NZ) (NZ)

9.Lic the~ item

(NZ) (NZ) (NZ)

Dates for artists in this catalogue are given when known.

10.f,

(NZ) (NZ)

Abbreviations:

(NZ)

E NZ

(NZ)

anyl discr Europe New Zealand

CONDITIONS OF SALE FOR BUYERS 1. Bidding. The highest bidder shall be the purchaser, subject to the auctioneer having the right to refuse the bid of any person. Should any dispute arise as to the bidding the lot in dispute will be immediately put up for sale again at the preceding bid , or the auctioneer may declare the purchaser, which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted. 2. Reserves . All lots are sold subject to the right of the seller or his agent to impose a reserve.

3. Registration. Purchasers shall complete a bidding card before the sale giving their own correct name, address and telephone number. It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud . 4. Buyers' Premium. The purchaser accepts that in addition to the purchase price Webb's will apply a buyer's premium of 12.5% of the hammer price (unless otherwise stated) together with GST on such premium. 5. Payment. Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given . Credit card s are not accepted. 6. Lots sold as Viewed. All lots are sold as viewed and with all errors to description, faults and imperfections whether visible or not. Neither Webb's nor its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever. Buyers proceed upon their own judgement. Buyers shall be deemed to have inspected the lots, or to have made enquiries to their complete satisfaction, prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in all respects.

7. Webb 's Act as Agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason. 8. Collection. Purchases are to be taken away at the buyer's expense immediately after the sale except where a cheque remains uncleared. If this is not done Webb's will not be responsible if the lot is lost, stolen , damaged or destroyed. Any items not collected within seven days of the auction may be subject to a storage and insurance fee. A receipted invoice must be produced prior to delivery of any lot. 9. Licences. Buyers who purchase an item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 cannot take possession of that item until they have shown to Webb 's a license under the appropriate Act.

be entitled to exercise one or more of the following rights or remedies: a. To issue proceeding against the purchaser for damages for breach of contract. b. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction. c. To resell the lot by public or privat3 sale. Any deficiency resu lting from such resale, after giving credit to the purchaser for any part payment, together with all costs incurred in connection with the lot shall be paid to Webb 's by the purchaser. Any surplus over the proceeds of sale shal l belong to the sel ler and in this condition the expression "proceeds of sale" shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction. d. To store the lot whether at Webb 's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal , storage, and all other costs connected to the lot. e. To charge interest on the purchase price at a rate 2% above Webb's bankers' then current rate for commercial overdraft facilities, to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale. f. To reta in possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due. g. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towa rd s settlement of money due to Webb's or it's vendor. Webb 's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under this contract. h. To apply any payment made by the purchaser to Webb 's towards any money owing to Webb's in respect of any thing whatsoever irrespective of any directive given in respect of, or restriction placed upon, such payment by the purchaser whether expressed or implied. i. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in full by cleared funds. Where any lot purchased in held by Webb's pending i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit, the lot will be held by Webb's as bailee for the vendor, risk and title passing to the purchaser immediately upon notification of clearance of funds or upon completion of purchase. In the event that a lot is lost, stolen damaged or destroyed before title is transferred to the purchaser, the purchaser shall be entitled to a refund of all monies paid to Webb 's in respect of that lot, but shall not be entitled to any compensation for any consequent losses howsoever arising. 11. Bidders deemed Principals. All bidders shall be held personally and solely liable for all obligations arising from any bid, including both "telephone" and "absentee bids". Any person wishing to bid as agent for a third party must obtain written authority to do so from Webb's prior to bidding. 12."Subject Bids" Where the highest bid is below the reserve and the auctioneer declares a sa le to be "subject to vendor's consent" or words to that effect, the highest bid remains binding upon the bidder until the vendor accepts or rejects it. If the bid is accepted there is a contractual obligation upon the bidder to pay for the lot.

10. Failure to make Payment. If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to the purchaser, at its absolute discretion and without prejudice to any other rights or remedies it may have,

CATALOGUE INFORMATION

14 7

INDEX OF ARTISTS Aberhart, Laurence Albrecht, Gretchen Apple , Billy

72 29, 87, 88 92

Mrkusich, Milan

94 80, 86 5 34, 40, 48 96 21, 58, 59, 60, 61 , 62, 116 105 89, 90 73, 74 39, 46

Nerli, Girolamo Pieri

O'Keefe , Alfred Henry

Pardington, Fiona

67 66, 68 20

Maddox, Allen Matchitt, Para Maughan, Karl McCahon, Colin

Baloghy, George Blair, Ph ilippa

11 108

McFarlane, Mary McIntyre, Peter McWhannell, Richard

Clairmont, Philip Cleveland, Les Cotton, Shane Cowlishaw, Thomas Drummond, Andrew Duff, Alison Dunning, William Fisher, Charlotte Fomison, Tony Frizzell, Dick

41 65, 69, 70, 71 36, 37 120, 121 , 122 83 81 102 84, 85 18, 24 7

Morison , Julia Morrison, Robin

Peryer, Peter Pule, John Robinson , Ann

Gascoigne, Rosalie Gopas, Rudolf Gossage, Star Gully, Attributed to John

45 15, 16, 17 6 113

Robinson , Peter Siddell, Peter Smither, Michael Sydney, Grahame

Hotere, Ra lph

25, 26, 47 4, 10, 14, 31, 49, 95, 98, 100 38 63, 64 12, 23, 93, 99, 103

Ivanoff, Noel

Kaan , Simon Kennington, Thomas Benjamin

3 123 2, 28, 33 56 119 82

Hammond, Bill Hanly, Pat Hodgkins, Frances Hofmann, Fra nk

Killeen, Richa rd Kinder, Reverend John Knight-Turner, Dennis Kregar, Gregor Lee-Johnson, Eric Lovell-Smith, Raia

148

CATALOGUE INFORMATION

57, 11 8 101

32 13, Ill , 112, 117 107 22, 27, 106 42, 43, 44, 109, 110

Trusttum , Philli p

115 114 54, 55

van der Velden , Petrus

Wallor Caffyn, Walter

124 19, 30 I, 35 75, 76, 77, 78, 79 8, 9, 50 91 104

Tapper, Garth Thompson , Sydney Lough

Walsh, John Walters , Gordon Weeks, John White , Robin Williams, Mervyn Woollaston , Toss