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Contemporary Art/Modern Design, May 2008

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CONTEMPORARY ART /MODERN DESIGN

DAY 1 C NTEMPORAR

DAY2 BEA ES MEMORABILIA/ MODERN DESIGN

A T

TUESDAY 13 MAY 2008 , 6. 30PM

WEDNESDAY 14 MAY, 4PM & 6.30PM

VIEWING :

VIEWING :

EVEN ING PREVI EW WEDN ESDAY 30 APRIL 6 - 8PM

EVEN ING PR EVIEW W ED N ESDAY 30 APR IL 6 - 8PM

THURSDAY

1 MAY

9AM

-

S.30PM

T HURSDAY

1 MAY

9AM

-

FRIDAY

2 MAY

9AM

-

5.30PM

FRIDAY

2 MAY

9AM

-

SATURDAY

3 MAY

11AM

-

3PM

SATURDAY

3 MAY

11A M -

3P M

SUNDAY

4 MAY

11AM -

3PM

SUN DAY

4 MAY

11AM -

3PM

MO N DAY

5 MAY

9AM

-

5.30PM

M O N DAY

5 MAY

9AM

-

5.30PM

TUESDAY

6MAY

9AM

-

5.30PM

TUESDAY

6MAY

9AM

-

5.30PM

WEDNESDAY

7 MAY

9AM

-

5.30PM

WEDNESDAY

7 MAY

9AM

-

5.30PM

THURSDAY

SMAY

9AM

-

5.30PM

THURSDAY

8 MAY

9AM

-

5.30PM

FRIDAY

9MAY

9AM

-

5.30PM

FR IDAY

9MAY

9AM

-

5.30PM

SATURDAY

10MAY

11AM -

3PM

SATURDAY

10 MAY

11AM -

SUNDAY

11 MAY

11AM -

3PM

SUNDAY

11 MAY

11AM -

MONDAY

12 MAY

9AM

-

5.30PM

MONDAY

12 MAY

9AM

-

5.30PM

TUESDAY

13 MAY

9AM

-

12NOON

TUESDAY

13 MAY

9AM

-

5.30PM

5.30P M 5.30PM

3PM 3PM

IMPORTANT NOTE: BUYER 'S PREMIUM A buyer's premium

IMPORTANT NOTE: BUYER 'S PREMIUM A buyer's premium

of 12.5% will be charged on the contemporary art section of this catalogue. GST of 12.5% is payable on the buyer's premium

of 15% will be charged on the Beatles memorabilia and modern design section of this catalogue. GST of 12.5% is payable on the buyer's prem ium only.

only. CONDITION OF ITEMS The condition of items are not gener~ ally detailed in this catalogue. Buyers must satisfy themselves to the condition of lots they bid on and should refer to clause 6 in the Conditions of Sales for Buyers printed at the back of the catalogue. Webb's is pleased to provide intending buyers with condition reports on any lots.

SALE 294 LECTURE SERIES John Hurrell discusses Contemporary Art Sunday 4th May 1 pm Caroline Montague discusses Modern Design Sunday 11th May 1pm

IN FOCUS


CONTEMPORARY ART/ On February 27th this year, Sotheby's turned over £83.9 million

2007 was a rewarding year which brought many collectors and

in its London salerooms. The 56 lots sold set the highest total

collections into Webb's.

ever for an auction sale of contemporary art. Not so many years

The most notable auction trend of the past year was the focus

ago such a sale would have been unthinkable.

of collectors on contemporary works, especially photography

What has brought about this change in the market's willingness

and sculpture. Prices achieved for works by Bill Hammond,

to accept 'new art'?

Peter Robinson, Andrew Mcleod and Fiona Pardington in

In part it is that the new buyers are younger than those of

particular were indicative of keen market competitiveness.

twenty and thirty years ago. Money is made faster these days.

Webb's connections with the New Zealand art buying public,

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Entertainment, sport, I.T. industries all turn out millionaires in

made possible by its long established and comprehensive

their early twenties. There is also the matter of buying art at what

database and reach, both nationally and internationally, puts it

is hoped to be the beginning of its upward price incline. This

in the forefront of the auction business. The quality and variety

too is something that would not have happened in the past. New

of Webb's auctions saw a 20% growth in first time auction

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art by young and emerging artists was simply not recognised by

attendees during 2007 proving the continuing attraction of the

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the secondary markets' establishment art houses. The dealers,

drama and opportunity of buying at auction.

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auctioneers and public art galleries wouldn't consider buying

Since 1979, when Webb's held its first auction of contemporary

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new art until it had lodged itself in the national consciousness, a

art, interest in these sales has grown significantly. This sale

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process taking many years.

also brings together works from a varied and diverse group

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Today's new collectors are not of a mind to wait and see if an

of practitioners. The difference now, of course, is that many

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artist can build a reputation that will bring prestige and riches in

names in this catalogue are already widely collected or have

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the future. They are very much of their time and they respond to

been exhibited by major institutions. The number of collectors

the art that reflects their time. What they like they want today.

has risen correspondingly. Our May Contemporary Art sale

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Back in November 1979 some adventurous people were

offers collectors the chance to join that earlier group of clear

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keen buyers when Webb's held the first ever sale dedicated

sighted and courageous buyers mentioned by Peter Webb in

to New Zealand Contemporary Art. The modest black and

his introduction. The collectors of today, I am sure will also have

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white catalogue included the names McCahon, Hotere, Hanly,

few regrets.

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Mrkusich, Trusttum, Fomison, Clairmont, Smither, Walters, Sydney, Watkins, Woollaston and Illingworth. Today, when every one of these artists is well represented in public collections and almost a household name, it is worth noting that nothing in the catalogue then would have cost more than a few hundred dollars (the McCahon's achieved $700 and $800). And yet it was still a courageous and clear sighted collector who committed to

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the ·new art·. Those who did so will now have few regrets.

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With this May 2008 catalogue, Webb's offers today's far sighted collectors another excellent selection of our recent art to reflect on and enjoy.

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MAY4+11 LECTURE SERIES Webb's is pleased to announce two informal lectures to be held during the viewing for the Contemporary Art and Modern Design sales. Come along and listen to what the experts have to say. Webb's Fine Art and Modern Design Department Staff will be available throughout the viewing offering assistance.

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ART

SUNDAY 4 MAY 1 PM HI

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Artist, writer, critic and editor of EyeContact, a website built to encourage reviews and discussion about the art of Aotearoa New Zealand.

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SUNDAY 11 MAY 1 PM RO r A leading expert on modern and contemporary design. Manager of DeDeCe Design, Ponsonby, Auckland.

Josh W'lli ,ms

IN FOCUS


20TH CENTU RY DESIGN IN FOCUS There can be no denying that 'the now' has never been more

of Newson's most popular designs, the Wood chair (lot 268).

popular or in demand. In our increasingly last-paced and

This is a rare pre-production model from the first commercial

dynamic lives we are looking for things that reflect our current

production of the design.

culture and state of mind.

The incredible talent coming out of Europe at present cannot

A significant shift in the top end of the collectors' market has

be ignored either. Led largely by the fabulous Dutch company

seen Design explode in popularity. Renewed interest in Design

Moooi, who represent Maarten Baas, designer of the Smoke

and Designers has seen its status elevated into the realm of

chair which is included in the sale (lot 224), as well as the striking

Art and Artist. The work of top designers is now as relevant

Horse Lamp by progressive Swedish design group Front

and desirable as any contemporary artwork: examples of this

(lot 302) and a Hella Jongerius Polder Sofa (lot 294).

are the stellar prices achieved at auction: US$106,000 for Gio

For those looking to furnish their home with the very best

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Ponti's Executive Desk, US$253,000 for the Campana Brothers

of vintage design, our sale has a variety of Danish teak and

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Sushi Sofa and an impressive US$968,000 in 2006 for Marc

rosewood furniture by designers Finn Juhl, Arne Vodder, Omann

'£;

Lockheed Lounge which is an auction record for a

Junn, Peter Hvidt, Jens Ouistgaard and Kai Christiansen. There

Newson's

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living designer.

is also a selection of vintage Eames seating and other pieces

This development has led to the rise in profile of the designer.

by Herman Miller, Jean Prouve, lsamu Noguchi as well as a

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No longer the anonymous lace behind the chair or chest of

selection of modern design furniture and lighting from America,

drawers, now names like Charles Eames, Philippe Starck, Ron

Japan, Italy, Sweden and New Zealand, represented by a Garth

Arad and Marc Newson are as familiar as Damien Hirst, Banksy

Chester bentwood Art Deco chair (lot 322).

or Jeff Koons.

This is a fabulous opportunity to view, enjoy and purchase some

Marc Newson is at the forefront of a new generation of

unique design classics from the 20th century and beyond.

designers shaping the way we live. In his, as yet, brief career he has already designed numerous pieces of furniture, interiors such as the new Oantas Airbus fleet, a concept car for Ford and even a concept jet (!) the Kelvin 40 for the Fondation Cartier. Webb's is very proud to be offering a prototype of one

We look forward to seeing you there'

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Liste 08, Basel Hany Annanious, Simon Denny, Chris Lipomi 03/06/08-08/06/08 :reer:nesa

The Estate of L. Budd 15/04/08-17/05/08 Exhibition accompanied by a new publication Chris Lipomi Maa-Nupi Wakipi 05/03/08-05/04/08 Michael Parekowhai Maori Hall 19/02/08-23/02/08 Jacqueline Fraser Eve Armstrong 15/01/08-09/02/08 Juliette Blightman HURRY UP PLEASE IT'S TIME 15/11/07-22/12/07 Simon Denny Compression Club 10/10/07-10/11/07 Eve Armstrong Dressed & Shaken 07/09/07-06/10/07 Dan Arps Diena Georgetti Mary Teague 08/08/07-01/09/07

Michael Lett 478 Karangahape Road PO Box 68287 Newton Auckland 1145 New Zealand Phone +64 9 303 4211 Fax +64 9 303 4210 email contact@michaellett.com www.michaellett.com

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IMPORTANT WORKS OF ART

JUNE 30 MONDAY 6.30PM

Further entries are invited for Webb's major winter sale. Buyer competition in the December 07 and April 08 Important Works of Art sales, indicates strong demand for early, modern and contemporary works by New Zealand's leading practitioners. Webb's leads the market in the sale of important icons of New Zealand's art history and significant private collections.

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BEATLES MEMORABILIA Webb's is pleased to announce the sale of a large

cards, figurines and photographs.

private collection of Beatles' memorabilia amassed

The sale commences with a small offering

over a period of twenty years. The eclectic mix of

of lots from legendary New Zealand DJ, Keith

rare and unusual memorabilia will appeal to serious

Richardson, famous for hosting pop music shows

and casual fans alike. The catalogue includes

like Fabulous Fifty Hit Parade and Top Twenty.

autographed ephemera, records, books, trading

Listing available online at www.webbs.co.nz.

MAY14 WEDNESDAY 4PM

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!N FOCUS

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WINTER REALIST SEASON

Peter J. Wallers - 27 May Stephen Howard - 17 June Tom Folwell - 6 July Neil Driver - 22 July

7 4 FRANCE STREET I NEWTON AUCKLAND I NEW ZEALAND +64 9 529 0533 I WWW.SOGA.CO.NZ


CONTEMPORARY ABORIGINAL MASTERPIECES

JUNE5-14 OPENING FUNCTION THURSDAY 5TH JUNE 6 - 8 PM

ARTISTS INCLUDE: MINNIE PWERLE

EMILY KAME KNGWARREYE

Webb's is proud to announce a survey

GLORIA PETYARRE

ANGELINA PWERLE

exhibition of contemporary Aboriginal

KATHLEEN PETYARRE

WALALA TJAPALTJARRI

painting in conjunction with Dick Bet!

PEGGY NAPANGARDI JONES

ABIE LOY KEMARRE

of Bet! Gallery, Hobart. The exhibition

ROSELLA NAMOK

JUDY WATSON

includes an outstanding collection of

FIONA OMEENYO

NINGURA NAPURRULA

museum quality paintings from the Central

SAMANTHA HOBSON

RONNIE TJAMPITJINPA

and Western Desert region of Australia.

NGOIA POLLARD NAPALTJARRI

VERONICA BONNEY

Jc:,ndtl-an O, s n

369 Elizabeth Street

North Hobart Tasmania 7000 Telepho11e: 03) 6231 65JJ

Email: dick@bettgallery.com.a11 Web: www.bettgallery.com.au

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CAT AUBURN MICHELE BEVOORS BRIT BUNKLEY KEVIN CAPON MICHAEL CHAL CONOR CLARKE SCOTT EADY GILL GATFIELD SIMON GLAISTER YOUNG SUN HAN WILL HANDLEY SAM HARTNETT GEOFFREY HEATH SONIA KEOGH OWEN LEONG MATT MOLLOY MARYANN PENNINGTON CLINTON PHILLIPS

Level 1, 28 Lorne St, PO Box 1540, Auckland 114~www.cityartrooms.co.nz . ..,.~

ph +64 9 3089855

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FEATURING IN

AUTUMN/ SPRING 2008

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IMPORTANT VINTAGE & COLLECTORS'MOTORCYCLES

JULY 22 ENTRIES NOW INVITED

conjunction with Ray Pratt, CEO of AMPS.

Webb's is pleased to announce a sale of

highlight is a classic example of the famous

Important Vintage & Classic Motorcycles to

1963 Harley Davidson Sportster from the

Acting as specialist consultant is Hugh

be held in association with Auckland Motor

first year that renowned designer Willie G.

Anderson, four time GP world champion

Power Sports (AMPS.) Already consigned

Davidson led the design team.

and connoisseur of vintage motorcycles.

for the sale is an extremely rare 1915 Ariel

The sale also includes: an exquisite 1974

All entries to the sale will receive expert

Vee Twin. This bike, featured in Maureen A.

Ducati GT 750, a 1965 Vespa, 1966 AJS 500,

appraisal. Please contact Webb's for details

Bull's publication New Zealand's Motorcycle

1969 BSA Bushman, 1967 Yamaha DS6 250,

on how to participate in the auction or

Heritage, represents the height of

1980 Yamaha XT500, 2000 Ducati MH900E.

discuss, in confidence, any aspect of buying

Edwardian technology and the beginning of

Further quality entries are now invited. The

or selling motorcycles at our auction sales.

New Zealand's motorcycle history. Another

catalogue is being prepared by Webb's in

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IN FOCUS

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NADENEMILNEGALLERY.COM

Peter Peryer Eddie Clemens Elizabeth Thomson Fiona Pardington Gretchen Albrecht Heather Straka

Jason Hall Max Gimblett Tony Lane Neil Pardington Russell Moses Warwick Freeman

Ans Westra Ben Webb Rohan Wealleans Kobi Bosshard Et al ...

NADENEMILNEGALLERY.COM PH +64 3 442 0467 ARROWTOWN, NEW ZEALAND


PHOTOGRAPHY

JULY 24 FURTHER ENTRIES NOW INVITED

Webb's annual photography sale

Already consigned is an important

covers the full scope of this highly

collection of vintage New Zealand

photographer Victoria Ginn, presents

collectable medium including works

historical photographs including

this unique set of 34 vintage prints,

by modern and contemporary

images of Maori and large format

including character portraits and

photographers together with fine

early views of cities. Photographers

location shots.

historical and documentary images.

include Frank A. Coxhead, George

See www.webbs.co.nz for more

Works by all leading modernist and

Pu Iman, Henry Winkelmann and the

information.

contemporary photographers are

Burton Brothers. Also on offer are film

currently sought for the sale.

stills from the movie UTU, directed by

LAURENCE ABER HJ

VICTORIA GIN

Geoff Murphy in 1983. Chief film stills

Mount Victoria, gelatin silver print, 190mm x 470mm. Estimate $10,000 - $15,000

Anzac Wallace as Te Wheke, C-10 print, 250mm x 250mm. Estimate $400 - $600

EDWIN TANNER Queen Street, gelatin silver print, 310mm x 410mm. Estimate $500- $1,000 ELIZABETH PULMAN King Tawhio, gelatin silver print, 130mm x 92mm. Estimate $1,000-$1,500

!N FOCUS

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ABT WORLD A NEW ART MAGAZINE FOR AUSTRALIA & NEW ZEALAND

Ol'l'ICl.&L MEDI.& 1'4BTNEB 1'1ELBOVBNE 4BTl'41B

GENERAL EN'QVIBIES: INFO@ARTWORLDMAGAZINE.COM.AU

TO SUBSCRIBE: WWW.SUBSCRIBENOW/ARTWORLD/1001

.: : :/\······•·:··· .. ·. . ·.·,::: .-:-:· .

From lop lo bottom, left to right: portrait of Francis Uprilchard by Jetshot; Made in Switzerland 2007 (detail) by Peter Alkins; Second Empire (Observatory) 2008 (detail) by Gavin Hipkins; portrait of Daniel von Sturmer by Stephen Oxenbury; Tristian Koenig and Geoff Newton from Neon Pare photographed by Stephen Oxenbury; Therese 2008 (detail) by Fiona McMonagle; portrait of Jeff Koons by Todd Eberle; Carousel 1 2008 (detail) by Deborah Paauwe.


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An Aristocrat: Kamaka Te Matehaere, aged 90 years, oil on canvas, signed and dated 1920, title inscribed verso, 270 x 220mm. Estimate $150,000 - $200,000


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PAINTINGS & DRAWINGS 22 April - 10 May 2008 UPPER KHARTOUM PLACE KITCHENER ST PO BOX 6325 WELLESLEY ST AUCKLAND T 649 379 0588 E OREX@XTRA.CO .NZ WWW.OREXGALLERY.CO .NZ

OREXART OE o I P U S R E X G A L L E Ry


A stack of New Zealand Art worth Twenty Million Dollars in addi t ion to jewe llery, antiques and decorative arts, all t o be fou nd in Webb's eight cata logues each year. Subscribe t o New Zea land's finest auction catalogues and receive ten catalogues for the price of eight, your first two catalogues are free. A cat alogue subscription form can be found on page 101 of th is catalogue .

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VALUATION SERVICES Webb's offers a comprehensive

Auckland Museum

Wellington District Council

valuation service covering private,

University of Auckland

Dilworth School

corporate and institutional collections.

Auckland Art Gallery

Kings College

are accurately valued and insured.

Canterbury Museum

Te Tuhi - The Mark

Webb's has carried out valuations for

Te Papa Tongarewa

Rotorua Energy Trust

Assets are only truly protected if they

both publ ic and private collection for over thirty years. Recent valuations have been carried out for:

22

Webbs

Gavett-Brewster Art Gallery South Waikato District Council


Webb's has important works for sale by Private Treaty including:

Webb"s


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THE PHYSICS

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ACONTEMPORARY ART PROJECT SPACE

2nd Floor 209 Tuam Street, Christchurch, New Zealand Tel +64 3 379 5583 www.physicsroom.org.nz

THE BLUE OYSTER GALLERY Dunedin, NZ +64 3 4790197

www.blueoyster.org.nz blueoyster@blueoyster.org.nz

~so great

Rare


www.CELLARDOOR.co.nz as,

Lovers of good wine should take note

now available include Chateau Margaux

of these recent additions to Ce ll ardoor's

1983 and Chateau Petrus 1985, the latter

and being offered under the Cellardoor

Fine Wine stocks including a great

in magnums. Fine New Zealand wines

Selection label. For price details and

selection of the Australian Shiraz,

available include Te Mata Coleraine,

Joelle Thompson's tasting notes,

Penfold's Grange, in the following

2000, 2001, 2005 and Stonyridge Larose,

visit www.cellardoor.co.nz.

vintages, 1993, 1994, 1995, 1996, 1997,

1999, 2002, 2003 and 2004. Also newly

1998, 1999, 2000, 2001 and 1998 in

arrived on Cellardoor is an award winning

magnums. Also great Bordeaux wines

Sauvignon Blanc and an award winning

Chardonnay both from Marlborough

mer Mc I s n

www.cellardoor.co.nz is a division of

Webb's Fine Wines.

Rare Wines from the Fine Wine Cellar at www.cellardoor.co.nz

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IN FOCUS

25


4

AUCTION REVIEW The quality of the offering in the April 7th sale of

the works sold with many achieving well above

Important Works of Art was the finest the market

estimates. Whilst the larger works by Smither fell

has seen in recent years. The response from

short of expectation, the superb Dolphin and

collectors was tremendously positive and the

Lovers sold the next day under a negotiated sale

sale night attracted the largest audience seen at

which ensured the family received the original

Webb's for some time. The highlight of the evening

reserve of $80,000.

was the sale of the Bill Hammond, Fortified Gang

Over $1 .4m worth of art sold with many works

Headquarters, which set an auction record price

achieving excellent prices including those by Colin

for a living New Zealand artist when it sold for

McCahon, Don Binney, John Pule, Paul Dibble, Toss

$290,000 plus premium, totaling $322,600.

Woollaston, Michael Smither, Nigel Brown, Dick

A very important ANZAC painting depicting

Frizzell, Pat Hanly and Ralph Hotere.

Simpson and his Donkey by Horace Moore-Jones

The week prior Webb's had sold the Richard and

received extensive national media attention during

Rhoda Patton Collection, a private collection

the viewing. It is a rare and important icon of the

of historical New Zealand works. This sale also

Gallipoli campaign. The work sold for $110,000 plus

generated considerable interest, with a 99% sale

premium totaling $122,375.

rate and a total of over $800,000 confirming growth

It was an honor for Webb's to manage the sale of

in interest from collectors for important early New

Maurice Shadbolt's collection of paintings, works

Zealand works.

on paper and prints. The collection comprised 25

These two offerings, and the resulting successful

lots by artists Michael Smither, Colin McCahon,

sales, confirm Webb's once again as the clear

Don Binney, Eric Lee Johnson and others. 83% of

market leader for fine works of art at auction.

J.

26

-


IMPORTANT WORKS OF ART APRIL2008 ich 1el ,m her

Landforms, oil, 215mm x 490mm Achieved $12,500*

Railway Station in a Landscape - 1972, oil, 225mm x 215mm Achieved $12,000*

Bosom of Abraham, vinyl and acrylic, 1300mm

x 220mm x 80mm Achieved $6,200* 4 Mi

S

Dolphin and Lovers, oil, 900mm x 900mm Achieved $80,000

Fortified Gang Headquarters, acrylic, 2110mm x 1805mm Achieved $290,000*

Choreograph Screen, acrylic on four-panel screen, 1590mm x 1420mm Achieved $130,000* 11 •l'

1ter

Untitled (Study for National Bank Mural), brolite lacquer, 600mm x 905mm Achieved $80,000* He Simpson and His Donkey, watercolour, 340mm x 280mm Achieved $11 0,000*

Torso, enamel, 540mm x 580mm Achieved $48,000* 10.

Ohr i'ul

Tutakiaga, acrylic and ink, 2000mm x 1800mm Achieved $50,000*

Standing Figure, bronze, 1980mm x 350mm diameter Achieved $46,000*

Three Ferns, acrylic, 1670mm x 900mm Achieved $16,000* 13. o, n Binney

Tui in a Landscape, pastel and acrylic, 390mm x 310mm Achieved $16,000*

* Plus 12.5% buyer's premium and GST on the buyer's premium.

Webos

IN FOCUS

27


CULTURAL TOUR OF CHINA

2008 TOUR SEP rEMBE:.R 5 - 26

Webb's invites you to a cultural

Summer Pa lace, The Forbidden

Indicat ive cost NZ$5,650 excludes

tour of China. This twenty-one day

City, The Buried Army, The Water

international travel but includes

tour taking place in September

Village, The Peking Opera, The Li

inland air and coach travel, 5 star

has been expanded from the two

River Cruise, The Longji Mountain

accommodation and most meals.

previous tours to include Guilin and

Villages, The Amazing Yangshuo Light

Six places remain to fill the tour

Yangshuo. The tour includes the

Show. The Hutongs of Beijing and

group. Full details and itinerary are

popular archeological and cultural

great museums, art gal leries, ancient

available on www.webb s.co.nz/ china

destinations; The Great Wall, The

gardens and shops.

X

w

~o~er ireat resul

28

Webb!;

IN FOCUS

i~erecentWorld uiverimentof f'IJIG " •'leririsinn, ach·1ev,


Another great result for our clients. Hesketh Henry advised Amalgamated Telecom Holdings in the recent World Bank facilitated commercial mediation and historic agreement with the Government of Fiji on the deregulation of the country's telecommunications industry. For more enterprising achievements call Erich Bachmann on 09 375 8709 or visit www.heskethhenry.co.nz

HESKETH HENRY The Art of Law


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DAY 1 E

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TUESDAY 13 MAY 2008 , 6.30PM

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'1")

c

VIEWING: EVENING PREVIEW WEDNESDAY 30 APRIL 6 - 8PM 1 MAY

9AM

-

5.30PM

FRIDAY

2 MAY

9AM

-

5.30PM

1J .D

SATURDAY

3 MAY

11AM -

3PM

~

SUNDAY

4 MAY

11AM -

3PM 5.30PM

·g_

THURSDAY

"'

E

·;;; 1i,

MONDAY

5 MAY

9AM

:g_

TUESDAY

6 MAY

9AM

-

5.30PM

Q)

WEDNESDAY

7 MAY

9AM

-

5.30PM

THURSDAY

8 MAY

9AM

-

5.30PM

FRIDAY

9 MAY

9AM

-

5.30PM

1J

E

"' >JC 1i,

SATURDAY

10MAY

11AM -

1:1'

SUNDAY

11 MAY

11AM

Ti <! u

MONDAY

12 MAY

9AM

TUESDAY

13MAY

9AM

0

'2)

3PM 3PM

-

5.30PM 12NOON

~

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IMPORTANT NOTE: BUYER 'S PREMIUM A buyer's premium of 12.5% will be charged on the contemporary art section of this catalogue. GST of 12.5% 1s payable on the buyer's premium only.

r

...z

SALE 294

<! .:i

John Hurrell discusses Contemporary Art Sunday 4th May 1pm

~

s

IES

"' "' CONTEMPORARY ART

31


1

1 RACHE

A -ERS

Rabbit-Rabbit 2/3 (2006),

c-type print, from an edition of 3, accompanied by an original certificate of authenticity signed by the artist, 490mm x 400mm $700 - $900 DS If It Were Better It Wouldn't

RE

Be As Good, oil paint marker, oil and acrylic on canvas,

title

inscribed; title inscribed, signed

and dated 2007 verso, 405mm x 300mm $3,000 -

$4,000

n::-s1soo A TC

3

Fui),

fibreglass

L

Untitled Bust (Sarah

S

and acrylic,

380mm x 300mm

together with Untitled #30, mother of pearl, sterling silver and waxed thread, 70mm diameter $3 ,000 -

$5,000 E

E

Frozen Bunny (2006), cast

bronze, 5/6, accompanied by an original certificate of authenticity signed by the artist, 190mm x 115mm x 120mm $1,000 - $1,500

32

Webb!;


f

' GO A, Untitled, black and white diorama photograph and mixed media, 235mm x 335mm $300 - $500

ere8errer ·~:. ero a'l(J::" e ~scree:: •

.,m-·Sl:X·

SI I/ION KAAN Tane Mahuta #5, monoprint, 111, title inscribed, signed and dated Summer 1999, 530mm x 370mm $ 1,000 - $2,000

7

•A 'ID TH

AS Southern Cross, archival film,

gel and lightbox, $1 ,500 - $2,500

450mm x 320mm x 120mm

u,::ro:.r ,. ' JKr· omero:µer r: mda'"'e:erS3rJJ:

,zenBunny~ yanorigra ct··_:.

arrs: l\1)1;'' ...

CONTEMPORARY ART

33


8 MICHAEL PAREKOWHAI Bosom of Abraham, fluorescent light fitting and screenprinted vinyl, from an edition of 7, 1300mm x 220mm x 80mm $5,000 - $7,000

Clubrooms: Carnival Park, oil on board, signed and dated 24.9.88; title

9 IVIICHAEL STEVENSON

inscribed, signed and dated 24 September 1988 verso, 690mm x 890mm $9,000 - $12,000


:Hl

SERAPHINE PICK Untitled (Stag Man), graphite and acrylic on board, signed and dated '93 verso, 200mm x 200mm $1,000 - $1,500

11 KATE WOODS Whirlpool (Oppenheim, Whites

Aviation), c-type photograph, $500 - $700

410mm x 500mm

12 SAM HARTNETT Wyndham Street, chromira print mounted on dibond aluminium, from an edition of 6, title inscribed, signed and dated 2007 verso, 990mm x 990mm $2,000 - $3,000

CO N TEMPORA RY A RT

35


et a

If I Move Forward I Will Destroy Myself,

objects, like 'blended' book covers. Also apparent

mixed media, found objects, acrylic and graphite,

are the endeavours of C.J. (Arthur) Craig and Sons,

title inscribed, signed and dated 1995, 570mm x

a provider of wrought iron furniture

500mm x 500mm diameter $8,000 - $10,000 The

When

title of this piece of free standing sculpture refers

sculptures such as this are particularly poignant

to the intrinsic nature of the et al artist collect1ve's

The blue 'shoes' are in fact feet sawn off a clothing

continually

dummy and the stand 1s made from the painted iron

evolving

identity.

Originally

made

the

creative

team

is

always

changing,

thirteen years ago and signed by the group's founder

legs of a glass table. Dummy and table have been

member L. Budd, that person was already in the

mutilated so old feet can be connected to new legs

process of 'moving forward' and 'self-destructing',

Destruction of identity has been necessary to bring

while being replaced by others who had long been

about progress.

working 1n close proximity anyway. So looking at this et al. production, one can speculate about the contribution of members like Merit Grating whose work is characterised by the application of white paint as a means of symbolically obliterating a readymade obiect's history. We can also see evidence of the labours of the late L. Budd, who specialised in writing ruminative texts over flat


u

Ed Brown (from the

Beverly Hills Gun Club series), taxidermied sparrow, powder coated aluminium, 155mm x 100mm x

100mm, $5,000 - $ 10,000 This is a small sculpture, but one that would be eye-catching in any domestic environment, particularly at night when one does not expect to see sparrows up and about - least of all in a house. For Parekowhai a sparrow is not a cute little bird but an insidious colonial invader, an unwanted intruder with a propensity to breed rapidly and ravage natural resources. One sparrow by itself looks innocuously individual; calling 1t Ed Brown makes it a winged symbol for Pakeha. Parekowha1 also made large photographic portraits of these taxidermy birds

with the same bright orange in

the background. The photographs have unnerving detail but the sculptures intrigue because of their ambiguity. The birds could be alive but sleeping They seem sweet but are also an expression of anger

CONTEMPORARY ART

37


15

38

TEPHEN BAMtlURY "And the Fundamental

beneath, pencil marks and scored ruled lines

Reality", rust and acrylic on two aluminium panels,

revealing the artist's hand. In this work the velvety

title inscribed, signed and dated '02 verso, 390mm

texture of the rust pigment contrasts with the fiat

x 780mm $12,000 - $18,000 Stephen Bambury's

sheen of the acrylic. Saturated pigments absorb

ongoing commitment to abstraction continues to

the light while the lustre of acrylic reftects it This

produce works of material and conceptual beauty.

absorption and reflection changes according to

The Cartesian Circle series of which this is an

light conditions, concealing and revealing different

example, pairs rust pigment with resin and acrylic

aspects of the surface. Close examination of the

on aluminium panels. Polymer is applied to the

composition reveals that Bambury's geometry is

aluminium, the artist then allowing some natural

invariably skewed. Angles are oblique, crosses

settling before pushing it into place across both

rarely line up and are off centre. With his continual

panels. This gives physical depth to the painting

and concentrated exploration within the seemingly

while at the same time creating a surface for the

tight confines of geometric abstraction, Bambury

upper pigments to adhere to. Often in these

manages to renew and enliven his core ideas of

resin works, the working drawing is clearly visible

duality and opposition

\M!bb!;


Crush, mixed media on lacquered board, signed; title inscribed, signed and dated 2004 verso, 710mm x 795mm x 160mm 16 PETER MADDEN

$3,000 - $5,000 17 JOHN REYNOLDS

Study for the Useless

Pursuit of Shadows Ill, oil paint marker, oil and acrylic on canvas, title inscribed, signed and dated 2003 verso Provenance: originally purchased from Sue Crockford Gallery, Auckland, 600mm x 450mm $5,500 - $7,500

IN FOCUS

39


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22 OAI

:, colo

People Are Too Well to Make Art, acrylic and ink on three pegboard panels, inscribed Yes God You Are The Answer, verso, 620mm x 1630mm $6,000 - $7,000

tonoon

. Untitled (Our Nation's Story), mixed media, 330mm x 390mm $2,000 - $3,000

UNG TR

OUR N \TION'S STORY 11

i,e m

wv. cte \

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that

The Temptation of St Anthony (Aphorism #62), oil stick, oil paint marker, found image and pins on two canvas panels, title inscribed, signed and dated 1997 verso, 380mm x 560mm $3,000 - $5,000

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2

JEF

00

Balloon Dog (Blue), cast porcelain

coated with a blue reflective finish, attached to a porcelain plate also coated with a silver reflective finish, from an edition of 2300, dated 2002, 265mm x 265mm x 114mm $6,500 - $8,500 2

D

~

E

RST Lysergic Acid, Diethylamide,

full colour gloss finish lambda print on archival paper,

31/300,

accompanied

by

an

original

certificate of authenticity from Eyestorm Media, London, 1050mm x 1255mm $18,000 - $25,000

~

--- ----- -- - - ---- - - - ------ ------ ----- - ------ - --- -- ---- - --- - - - ~ --- -- - - - ------

CONTEMPORARY ART

41


01111001011011110110111001100101 00100000011010010111001100100000 01110100011010000110010100100000 01101111011101000110100001100101 01110010001000000110000101101110 01100100001000000110111001101111 00100000011011110110111001101111 00100000011010010111001100100000 01101000011010010110110101110011 01100101011011000110011000101110 PET"R RO Binary Code, lambda print, 1200mm x 1800mm $12,000 - $18,000

42

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om I01

00~ 000~ 0IOI 11 rn 1111

III I 000~ 0011 11 rn ~ MISERY Untitled, ink, watercolour and glitter on

paper, signed. 730mm x 545mm $ 1,800 - $2,800 The Beyonders (from the invAsian' series), chromira print, fuji crystal archive mounted on dibond aluminium, from an edition of 3, title inscribed, signed and dated 2007. 1265mm x 1010mm $2,000 - $3,000

2§ YOUNG SUN HAN

2§

REUBEN PATERSON

The Only Lips I Want

To See Are the Ones that Sing, glitter on canvas

paper, title inscribed, signed and dated 2003 verso. 400mm x 480mm $4,500 - $5,500

CONTEMPORARY ART

43


SAR,

UGHES Nimda, acrylic o n gessoed

results 1n an immaculate painted surface.

Belgian linen, original artist's label affixed verso,

Sara Hughes has said that,

800mm x 1800mm $12,000 - $18,000 Sara Hughes

our understanding of a world that has become

investigates relationships between painting and

dominated by speed and a desire for information" explores

the

the digital image. She deals with a two dimensional

Nimda

surface and the way that a flat surface can create

env1ronment" 2 1n snapshots of visual imagery similar

of

a

"mult1ply1ng

sensations of space and illusion. She uses optical

to an infinite piece of data or code. "Cyberspace ,s not a physical space

through

computer technology.

there are no co-ordinates

working with computer programmes and paint

of length, height, or depth - and it only exists ,n

to create paintings by making links between the

time" 3 For the last six years pattern has been an

handmade and the electronic. Hughes' main studio

integral part of Hughes painting practice She is

tool is a computer linked to a sign-writing, vinyl

inspired by chinoiserie fabrics, herringbone textiles

cutting machine. Sophisticated abstract patterns

as well as Optical Art giants, Victor Vasa rely, Bridget

are created on sheets of semi-permanent sign

R,ley, Josef Albers and Frank Stella.

then la,d down onto a pristinely gessoed canvas. Once all the masking components are registered and sealed with a coat of gesso, brightly coloured acrylic paint 1s applied. Once the paint has fully cured, the masking is removed. This precise process

-

idea

effects created

writing film. These complex masking sheets are

44

My paintings quest,, ,n

1 www chdrtwe!l.org nz .c.

Ibid

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28

•

• 0 Smashed Microscope, black and white photograph, Illustrated: Midwest May p.25 240mm x 305mm $200 - $400 '9 GIOVANN INTRA Installations, three cibachrome photographs, approximately 185mm x 255mm each $200 - $400 CHA Old Dog Track, oil on board, signed and dated 12 December 1988; title inscribed, signed and dated 12 December 1988 verso, 685mm x 885mm $9,000 - $12,000

CONTEMPORARY ART

45


31

33

______.,_""--______..,_________.. j

-

=

34

Study No.2 (Ashes) 2/3 (2006), c-type print, from an edition of 3, accompanied by an original certificate of authenticity signed by the artist, 490mm x 400mm $700 - $900 Visitation, gelatin silver print, dated c.1993, 70mm x 98mm $1,000 - $1 ,500 Rejoice, gelatin silver print, dated c.1993, 70mm x 98mm $1 ,000 . $1,500 Behold, gelatin silver print, dated c.1993, 70mm x 98mm $1 ,000 • $1,500

46

'l.li!bll!I


5 Mountain Range oil on canvas, title inscribed, signed and dated 2000, 1010mm x 1010mm $20,000 - $30,000 Mountain Range represents one of several works in which

document such significant events. It 1s no surprise

de Lautour uses such immediately

recognisable

These images are maps of geographical colonisation

that 'family restaurants' tend to do this too. In using these numerals, de Lautour emphasises the mountain climber/restauranteur's pride in conquest.

symbols as the aeroplane, the Nike Swoosh logo,

both in the old sense of exploratory conquest

the@ symbol and 111, the New Zealand emergency

and the new sense of commercial conquest by a

services telephone number. Here, the McDonalds M

sprawling corporation.

is used to represent the capitalist giant which has conquered every country (Antarctica opening soon

with NEW ICEburger™ ). The mountain ranges within the formation are numbered and mapped out, seeming to reference their geographical positioning as well as the respective year of their colonisation or ascent and emphasising man's subsequent desire to

CONTEMPORARY ART

47


36 SHANE COTTON The Maori Route Across the

The

Great Divide 1, acrylic on canvas. title inscribed,

painstakingly laid out to create alliances and

elements

of

this

painting

are

signed with artist's initials and dated 2001, 700mm

oppositions Able to be read like a narrative, this

x 1000mm $25,000 - $35 ,000 Shane Cotton (Ngati

painting employs symbols and landscape forms

Rangi, Ngati Hine, Te Uri Taniwha) 1s a contemporary

that have become instantly recognisable. Carvings,

artist of dual Maori and Pakeha descent. Cotton's

native plants, skulls, leering mouths are like icons

work explores aspects of his bi-cultural heritage and

afloat on a black screen. The artist gives viewers

by extension, examines issues such as land, spirit and

all the clues, but leaves them to interpret the

identity. His work focuses on relationships between

meaning.

Maori and Pakeha both current and historical. First emerging during a period of growing awareness of such issues, Cotton's paintings have illustrated that journey for a whole generation of collectors.

48

formal

Webb!;


37 JUDE RAE Detail IX (Window Frame & Corner),

oil on linen, title inscribed, signed and dated 1996 verso, 380mm x 405mm $3,000 - $5,000 38

JUDY MIL_LAR

Untitled, acrylic on paper,

signed and inscribed 007335P, 770mm x 570mm $3,500 - $5,500 SERAPHINE PICK Kami-Kaze Pilot, oil on canvas, signed and dated 2003; original Michael

39

Lett label affixed verso, 250mm x 200mm $4,000 $6,000

CONTEMPORARY ART

49


0 111 0 100 100 100 10 00000 100 10 11 0 11 0 10000 11 000000 100 100100 1000000 100 0 100 1 10 10 1000 10 000 10 1000 10 111 0 1111 0 10 10 11 0 11 0 10000 1000000 100 00 IOI IOI I I IOI I0 0 111 0 1000000 100 IOI IO IOI0000 I I0 00000 00 100 100 10 00000 0000 10 111 0 I I00 I IOI00 IOI I0 000 11 10 10 1000 10 00000 00 100 100 10 so

-

Informational Space #7, EDU paint on 30 foamex panels, signed and dated '99 verso on each panel Illustrated: Simon Ingram Sampler, Selected Work 1995-2002, 510mm x 2850mm t og eth e r w ith signed and edition artist's book Simon Ingram Sampler, 1995-2002, 2/20 $7,000 - $9,000

Selected Work

I Exist I Am Not Another, lambda print, 720mm x 380mm $6,000 - $8,000

Arapuni (Flower), archival inkjet print, 1/8, 830mm x 830mm $2,500 - $3,500


are' ac,:ed 'ngra!l'

mX artsrs

Wort 3 C Pace, bronze, inscribed onore and cuore, 1700mm x 300mm each $7,000 - $9,000

O\\il'

Matsu Modoki, handpainted plastic soldiers on perspex base, 200mm x 370mm x 300mm $1 ,000 - $1 ,500

525(11

CONTEMPORARY ART

51


45 DICK FRIZZELL Women Looking at a Map, oil on canvas, title inscribed, signed and dated

19/8/2002, 1000mm x 1000mm $25,000 - $35,000

'.i?

webbS


4

A

HO

A

Aotearoa Whariki, archival

film, gel, lightbox and viewing loupe, title inscribed, signed and dated 2006 on original plaque, 350mm x 370mm x 175mm $1 ,800 - $2,800 IC B Untitled (from the No Matter series), adhesive vinyl on board, signed and dated '04 verso, 1205mm x 1205mm $2,500 - $3,500

Knight, water gilded silver and lacquer on gesso panel, title inscribed, signed and dated 9/94 and 1994 verso, 505mm x 300mm $8,000 - $12,000

CONTEMPORARY ART

53


9

50

Escape Act, lambda prints mounted on aluminium (diptych), s,gned by Paul Johns and Dan Arps verso, 1000mm x 2000mm $4,000 - $6,000 Marilyn, acrylic on aluminium, 1200mm x 1200mm $7,000 - $9,000

54

-


52

DR'V R

Pathways, assemblage, title

inscribed, signed and dated 1999 verso, 2150mm x 2430mm $6,000 - $9,000 DE

A '1

111 Plan, acrylic on canvas,

title inscribed, signed with the artist's initials TdL and dated 2002; original Brooke Gifford Gallery label affixed verso, 450mm x 350mm $3,500 -

$5,500

CONTEMPORARY ART

55


lcG Rachael (ACE), charcoal on paper, title inscribed, signed and dated '95, 900mm x 2110mm $2 ,000 - $3,000 E

Christchurch Particles 5,

ink on paper map, title inscribed verso, Exhibited: 64zero3 Gallery, Christchurch, 875mm x 1055mm $3,000 - $4,000 Maxwell Demon and the Lipstick Elbow Glove, inkjet on venus satin, 3000mm x 1200mm $3,500 - $4,500

56

-


56 SERAPHINE PICK

23rd May 1995, mixed media on canvas, signed and dated 1996, 1670 x 1215mm $20,000 - $30,000

CONTEMPORARY ART

57


Mr Apple, oil on vinyl, title inscribed, signed and dated '97 verso, 1115mm x 660mm $6,000 - $9,000

AT WOOD' Flood and Flare, enamel and acrylic on board, title inscribed, signed and dated 2007 verso, 410mm x 600mm $1,000 - $1,500

<;t

5c PA

Untitled 2003, lambda print mounted on aluminium, 1/3, 500mm x 500mm $6,000 - $9,000

58

webb!i


The Forage, oil on canvas, signed and dated '07; title inscribed, signed and dated 2006/7 verso, 1S20mm x 1S20mm $2,500 $3,500

,O,..,A ~ [

,H

Twilight, polymer clay and

mixed media, signed with the artist's initials SK and dated '03, 19Smm x 190mm x 290mm $4,500 - $6,500 C

Z

Spring Rain, oil on linen,

910mm x 1220mm $3,000 - $4,000

E,_2

CONTEMPORARY ART

59


kil/10, No Whawhaimo Te Tumua n rints on symtex, 6 o, three scree p h work, te ora /10' Ka Ora . 5/1 d and date d 9/2007 on0 eac title inscribed, s,gne h $12,000 - $15,00 1630mm eac 1200mm x amel on

•En Whanau Ora, en 000 "LIA D x 400mm diameter $3 ,000 - $ 5 , steel, 335mm


fill SIMON KAAN Chinese Workers Beds 1, oil on board, signed and dated 04-05, 890mm x 1900mm $20,000 - $25,000

CONTEMPORARY ART

61


67

•

R c GE Q Niger/Nikera, oil on canvas, title inscribed, signed and dated 2004 verso, 400mm x 400mm $2,000 - $4,000 ST Reverence, oil on canvas on board, title inscribed, signed and dated 2003, 1220mm x 600mm $4,500 - $6,500

From Infinite Connections 1995, beeswax, hair and acrylic, title inscribed, signed and dated 10. 11. 98. on original label affixed verso, 225mm x 345mm $1,800 - $2,500

62

-


69

1r

Nger,\ea

eo a~c :n~ ····

Q,SOII

• ; Talaga Bay at Ferguson Wharf, oilstick and conte on three canvas panels, title inscribed, signed and dated 86/87, original artist's label affixed verso, 450mm x 830mm $2,500 - $3,500

=-==~

The Pacific, graphite, pastel and collage on paper, title inscribed, s,gned and dated 1991, 490mm x 635mm $1 ,800 - $2,800

CONTEMPORARY ART

63


71 JESSICA PEARLESS The Marquet, adhesive

vinyl on tinted safety glass, title inscribed, signed and dated 2005 verso, 735mm x 1060mm $1,500 $2,500 72 HOWARD MATIL Untitled (from Welcome to

the 21st Century series), vinyl on acrylic perspex, 760mm x 600mm $400 - $800 73 NEIL DAWSON SOFA Dart, digital print, 2/24,

from the SOFA series, title inscribed, signed and dated 04, 380mm x 560mm $500 - $700 74

JILLIAN KARL

Breath>Mind/Body/Other

AAP00G.21, acrylic on aluminium on perspex, title inscribed and signed verso, 365mm x 410mm $1,000 - $2,000

1,4

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ll

The Phantom, unique screenprint and acrylic on paper, 1/1, title inscribed, signed and dated 2006, 740mm x 525mm $1,500 $2,000 •A US, ink on three sheets of paper, signed and dated 2006, 880mm x 1860mm $2,200 - $2,600

s· 0

OTIS

z

A 1

Or Tutu, Featuring Tame /ti, acrylic and enamel on four canvas sections and found objects, together with a CD soundtrack, 715mm x 1820mm $2,200 $2,600 G Dollars and Sense, giclee print, title inscribed, signed and dated 1992, 395mm x 265mm $1,200 - $1,800

CONTEMPORARY ART

65


D Eclipse, feathers, board, stainless steel clips and acrylic, 600mm diameter $1 ,500 · $2,000 Coins, six works of argi/lite, aluminium and copper, editioned and dated 1993 1996, aluminium works 88mm diameter; copper and argi/lite works 53mm diameter $2,500 - $3,500

66

-


81

AN HELTON Portrait of Giovanni Intra, cibachrome photograph, 500mm x 610mm $500 - $700 12 GREGORY BURTON Untitled, acrylic and ink on canvas, signed 1400mm x 1500mm $3,000 $4,000 SO GREIG Theros (from the SOFA series 2004), etching, 2/24, title inscribed, signed and dated 2004. 550mm x 380mm $700 - $1 ,000 ARD K,LLE N Butterfly Fork, screenprint, 12/20, title inscribed, signed and dated 2007. 450mm x 320mm $700 - $900

CONTEMPORARY ART

67


,

Suspended Straight Jacket Escape, polystyrene and mixed media, 650mm x 720mm x 250mm $1,500 - $2,000 Father to Son, the artist's father's neckties and spray paint, signed, 2000mm x 2000mm $2,000 - $3,000 Departed, acrylic emulsion on linen, title inscribed, signed and dated 2007, 605mm x 455mm $1,500 - $2,000

68

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90

Untitled, acrylic on mylar, 590mm x 620mm $2,000 - $3 ,000 The Approval, digital print AP, title inscribed and signed and dated 95, 420mm x 330mm $800 - $1 ,200 Tututables, enamel on aluminium, 17122, title inscribed and signed, 395mm x 1395mm $1 ,000 - $1,500 Abstract, mixed n media on paper, signed with the artist's initials GB and dated '03, 590mm x 415mm $600 - $800

CONTEMPORARY ART

69


92

C A Happiness, acrylic, pencil and copper leaf on canvas, title inscribed, signed and dated 2006, 1210mm x 1520mm $3,000 $4,000

A D Myth~Fact, acrylic, pencil, collaged newspaper, mask on canvas, title inscribed, 560mm x 720mm $2,500 - $3,500 AR HATAn/1 Havoc, wood, acrylic and graphite on panel, 1400mm x 1200mm $2,500 $3,000 ·1100

70

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J-53500

A Round with Cheleken Zorro, u mixed media video installation, dated 2006, 180mm x 190mm x 165mm $700 - $900

New Educational Series, 2007,

unlimited edition DVD, duration 3:15 minutes, $70 - $100 Milk Ring, 2006, DVD, 2/5,

duration 10:35 minutes $150 - $200 Te Putahitanga o rehua,

t:

2005, DVD, 8/70, duration 4:22 minutes $150 $200 Blog, papier mache, mixed media and light fittings,

1700mm x 1500mm x

40mm $1 ,200 - $1 ,800

CONTEMPORARY ART

71


DAY2 cEA LES

MORABILIA

WEDNESDAY 14 MAY, 4PM

G WEDNESDAY 14 MAY, 6.30PM VIEWING:

EVENING PREVIEW WEDNESDAY 30 APRIL 6 - 8PM

§

,,.,-

"'

~

w

THURSDAY

1 MAY

9AM

-

5.30PM

FRIDAY

2 MAY

9AM

-

5.30PM

SATURDAY

3 MAY

11AM -

SUNDAY

4 MAY

11AM -

MONDAY

SMAY

9AM

-

5.30PM

TUESDAY

6MAY

9AM

-

5.30PM

WEDNESDAY

7 MAY

9AM

-

5.30PM

THURSDAY

8MAY

9AM

-

5.30PM

FRIDAY

9 MAY

9AM

-

5.30PM

SATURDAY

10MAY

11AM -

3PM

SUNDAY

11 MAY

11AM

3PM

MONDAY

12MAY

9AM

-

5.30PM

TUESDAY

13 MAY

9AM

-

5.30PM

3PM 3PM

NO VIEWING ON DAY OF SALE.

0 0 0

2 >,

We request that all phone or absentee bids be placed by

_()

12noon on the day of sale. All lots illustrated online at

ci

www.webbs.co.nz.

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IMPORTANT NOTE: BUYER 'S PREMIUM A buyer's premium of 15% will be charged on the memorabilia and modern design section of this catalogue. GST of 12.5% 1s payable on the buyer's premium only.

SALE 294

E

U F

E

Caroline Montague discusses Modern Design Sunday 11th May 1 pm NOTE: Beatles Memorabilia at 4pm. Separate listing available on line

at www.webbs.co.nz. from May 1st. MODERN DESIGN

73


A tiers. $300 - $400

I< Coffee T

with curved sides and two

A P, ::, one orange, the other green with black wire frames and plastic mesh. $550 - $750

20

'02 A Ch r s

n,

,v1· lei upholstered in brown vinyl on a four point swivel base with

castors. Note: split to seam. $350 - $500 with 'radiator' lined back and ebonised wood legs. $500 - $700 2

AP·

B.l!y E:--nes ShP' Chairs

$350 - $500 with

AP•

two tiers, lower tier with rattan base. John Stuart Inc. label to base. $400 - $600 206 A

o, rour ,I

Ch 1ir•

,y Herman M,

209

,c'

upholstered in purple fabric. $800 -

$1 ,200 O" o with a bucket seat and teak arms, upholstered black and white houndstooth fabric. $500 - $700

Fo, '0! H.730mm. $1 ,800 - $2,200

ro Cou<

L.2220mm. 0.820mm.

,a oo with a central bank r A, 11 of four drawers flanked by sliding doors with internal shelves and baize lined drawers. Finished back for freestanding option. L.1830mm 0.430mm. H.815mm. $2 ,500 - $3,000

20!> A Te, k Dani f

2 0

with tapering vertical back slats and blue upholstered seats. Manufacturers stamp to base. $1 ,800 - $2,200 with three cupboard doors, full

length handle pulls and a bank of three drawers to the side on a four point stretcher base. L. 1965mm. 0.450mm. H. 730mm. $2,400 - $2,800

MODERN DESIGN

75


n, A e o Th g Chai g with white lacquered wood frames, upholstered in Florence Broadhurst Ikeda pattern. The circular coffee table has matching white lacquer finish and two tiers of smoke glass. $2 ,000 $2,500 21

k A, ,e ·;, n Ches A D av r• with three banks of three flush drawers on a four point base. L.1610mm. 0.485mm. H.760mm. $1 ,200- $1 ,600

2

with highly figured rosewood veneer. Note: small fault to veneer L.1825mm. 0. 515mm. H.640mm. $600 - $900

s

R

0

four sliding doors with knife blade handles opening to re veal

a bank of rosewood drawers and shelves on a four point base. W2000mm. 0.455mm. H.1100mm. $4,500 - $6 ,000 ha

6

SI

lt

c,

le upholstered in black vinyl with a white armrest $350 - $550

E,

2

C

tv'!

on a black base. $200 - $300

aMC

Shell Chair ID' Her'Tian

s

2

Note: /CF is an Italian company producing aluminium group chairs to original specification. $4,000 - $6,000 C

9 1i 01 Bl 1e1 C with buttoned back cushions on round teak swivel bases. $2,500 - $3,000

" with a bentwood frame, upholstered in brown velvet. $1 ,200 - $1 ,800

76

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MODERN DESIGN


221

221

An El gant A, the minimalist design consists of an

interlocking tapered column and table top. Part of the Eros series,

designed in 1971. Oiam.1450mm H.720mm. $8,000 - $12 ,000

s, special edition finished in grey. $750 - $900

a tubular chrome steel frame with black leather seating. Stamped 'Marcel Breuer' to leather back strap. Manufacturer's sticker to base 'Gavina Made in Italy'. Circa 1968. The B3 is an iconic chair, originally designed in 1925 for Wassily Kandinsky's quarters at the Dessau Bauhaus. It was particularly revolutionary in its use of tubular steel and its method of

construction. In 1962 Italian manufacturers Gavina began to re-issue the Model B3 chair and marketed the chair as the Wassily. Gavina was acquired by Knoll International in 1968. $3,500 - $4,500 the Smoke chair has the beauty and character of burnt wood, finished with an epoxy resin and upholstered in black leather. Designed in 2002. $4,000 - $6 ,000

78

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225

22.!l

•

consisting of a two person love seat, grandpa and grandma armchairs with teak frames. $2,500 - $3,000

constructed from turned blocks of solid toulipier wood in a natural finish with a felt base. Oiam.400mm. H.505mm. $800 - $1,200 a frame of lacquered sheet and tubular steel in black and seat shell in oak. Vitra label to base. Designed at the beginning of the l950's for the Cite Universitaire in Antony near Paris, this chair was one of Prouve's

last efforts at furniture design. $1,600 - $1,900

including six side chairs and two carvers upholstered 1n tan leather. $2,500 - $3,500

MODERN DESIGN

79


229 A Teak Ice Bucket with lucite handle, chrome lid and glass

240 A Set of_Three Teak Lidded Boxes $65 - $95

interior. $150 - $200

241 A Chr9me ,Standard Lamp with a chrome and wood base,

230 A Liddecl Teak Ice Bucket with 'space rocket' handles and

chrome column and white shade. H.1680mm. $ 150 - $250

aluminium lining. $100 - $150

242 A Vintage Teak Standard Lamp with a circular teak base,

231 A Ceram.ic:.German Studio Lamp of ovoid form, textured

teak column and cream shade. H. 1500mm. $400 - $600

abstract pattern in a mix of greens and gold with a teak column and turquoise drum shade. $200 - $300

243

232 A Conto.ured Teak Ice Bucket $90 - $120

An Unusual Driftwood Sculpture in a gnarled abstract shape and weather worn, resembling a Rorschach ink-blot test. Mounted on a black plinth. H.820mm. $400 - $600

233 A Teak Lidded Ice Bucket of cylindrical form, aluminium

244

interior and lug handles. $85 - $100

H.760mm $200 - $300

234 A Teak Danish Fruitbowl by Dansk $1 60 - $220

245 A Retro /<rt Deco Style Teak Lamp $180- $220

235

246 A Teak. and Brass Retro Standard Lamp with a rocket

A J.

H . Quistgaard Teak Ice

Bucket by Dansk

$ 100 - $150 236 A Retro Teak Table Lamp with an arched teak body, central brass and wood column, cream drum shade. $400 - $600 237 A Large_Teak Bowl $80 - $ 120 238 A Teak Square Coffee Table $100 - $200 239 A Lucite Ice Bucket by Cameleon $50 - $70

A Large Teak Candlestick of cylindrical tapering form.

ship base, alternating teak and brass column and a turquoise drum shade. H.2000mm. $200 - $350 247 An Abstract Art .Glass Vase with a floating amethyst glass

bowl supported by branches of trailed glass on a circular base. H.375mm. $80 - $ 120 248 A Rocket Ship Standard Lamp with a black metal tripod base and white George Nelson globe shade. Cica 1955. H.1220mm. $550 - $700

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24 ~

on a five point aluminium base. Manufacturers label to base. Diam.1150mm. H.710mm. $700 - $900 to I ur

by \I

,t . Chairs

with grey stacking bases. $1,200 - $1,600

2~

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•

with an lroko frame and upholstered in pale blue fabric.

$3,500 - $5,000 of generous proportions with teak sides, faux slate top on a floating base. Sq. 1220mm. H.385mm. $1,200 - $1,800

MODERN DESIGN

81


Scarpa was 1nsp,red by the Gatto Cocoon lamp and the Fantasma 1s his imaginative take on the classic light. $5 ,000 - $6,000

H.560mm. $750 - $900 white with blue graduated aluminium reflector shade, includes ceiling rose. $500 - $800

with two drawers and brass handles on a floating stretcher base. L.605mm. D.460mm. H.580mm. $800 - $1 ,200 ~~~~;..;;:;:.; upholstered in black vinyl. Manufactured by Ploycraft (USA) circa 1970. $1 ,000 - $1,400 ~f;fl':i(!!..P,ITT,;,,_ a frame of lacquered

sheet and tubular steel in black and seat shell in oak. Vitra label to base. Designed at the beginning of the 1950's for the Cite Un,versitaire in Antony near Paris, this chair was one of Prouve's last efforts at furniture design . $1,600 - $1 ,900 . constructed in oak with black lacquered fittings. Designed by Prouve for the University of Paris 1949-50. Diam.950mm. H.715mm. $1,700 $2,000 . Noguchi himself called the Coffee table his best furniture design, its success was in capturing the bio-morphic designs of his bronze and marble sculptures of the time. Constructed of two interlocking black ash supports and a kidney shaped glass top. $3,000 - $4,000 Constructed in Marine plywood, hand assembled. H. 1135mm. W490mm. D.610mm. $600 - $800


upholstered in blue fabric with

h

teak armpads and legs. $650 - $850 26

A Set of r-our A, thur Umanoff Slat Dining_ Chairs by

RaymQr [l S,

$800 - $1 ,000

D M<10; with a central bank of four drawers flanked by two pull out cupboards with interior shelving and baize lined drawers on a four point base. Finished back for freestanding option. L.2030mm. 0.490mm. H.805mm. $2,500 - $ 3,000 265

An

M, der

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i

.tion

y one

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y

with a black laminated top and chrome plated

steel wires set into black powder-coated base. Diam.1070mm. H.730mm. $800 - $1 ,200

06

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A •air of Floren :e Br,

IOI

with high backs and surfboard armrests, upholstered in Kabuki pattern. Note: fault to cushion. $800 - $1 ,000 1

A ·r,

dhu

in Kabuki pattern. $800 - $1 ,000

84

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with high backs and surfboard armrests, upholstered


68 A

e

p,

p,

-,

Chair of slatted celery topped pine

strips steam bent to form a double curve or 'alpha' shape. The backrest extends down, around and back to form the seat and supports, the strips strengthened with horizontal bracing at the top (missing to base), and at three points around the curve of the seat. Approximately twelve strips missing. L. 905mm. D.1000mm. H.660mm. $30,000 - $40,000

Marc Newson is one of the most accomplished and influential designers of his generation. In a career spanning a little over twenty years he has managed to carve out a distinct design identity in a competitive and critical international mar-

ket. His work is known for its bio-morphic futuristic vision and technically rigorous approach to design. Newson grew up by the beaches in early 1960's Sydney, in an Australia that he claims was a country without a local design tradition. This he believed to be an advantage, 'coming from Australia and studying jewellery and sculpture, my design was self taught and instinctive'. * (Designing Modern Britain - Design Museum Exhibition 2006) This lack of design tradition allowed him to look at design with fresh eyes, enabling him the freedom to create his signature style which would ultimately have a wide international appeal. Not long after graduating from art school he began to work on his break-through piece of

between a giant blob of mercury, an aeroplane fuselage and an 18th Century chaise longue, this startling design created an effortless blend of past, present and future - it was a design sensation. After the 'Lockheed Lounge' was exhibited at a Sydney Gallery, photographs of it appeared in magazines all over the world. Following the success of the 'Lockheed Lounge', the Crafts Council of New South Wales in 1988 commissioned Newson to create a chair for an international travelling exhibition called 'The House of Fiction: domestic blueprints in wood'. Curated by Craig Bremner, the exhibition was intended to encourage interaction between crafts practice and industry. The result of this was the 'Wood Chair' which also exhibited at the 1988 Milan Furniture Fair to wide acclaim. Created that year was another important Newson design, the 'Embryo' chair. The 'WoodChair' further refined the hourglass shape of the 'Embryo' to a simple almost abstract, double curve form. Although not originally designed for series production, the success of the chair at the international exhibition meant efforts to produce it for the wider market were begun. Lot 268 is one of two prototypes made of steam bent celery top pine by a factory in Launceston, Tasmania that produced the first commercial models of the 'Wood Chair' for Marc Newson . This was an incredibly prolific and productive period for Newson and also a watershed in terms of his international appeal.

furniture, the stunning 1986 'Lockheed Lounge'. Created from a fibreglass body and hand riveted, polished sheets of aluminium, the Lounge looked like a cross

MODERN DESIGN

85


271

t ·ed f r 01 of 69 A"'' generous proportions, upholstered in Egret pattern on four point

wood legs. L.1500mm. 0.860mm. H790mm. $800 - $1 ,200 lste, d s, 70 r L Cl of generous proportions, upholstered in Egret pattern on four point

wood legs. L. 1500mm. 0.860mm. H790mm. $800 - $1 ,200


271

AHighly Figured Burr Dining Table in the style of Milo

Baughman for Thayer Coggin. Maple veneer, extendable with two leaves. L.1 540mm. Ext.1540mm. 0.990mm. H.745mm. $1,500

- $2,000 272

A

Sonna Rosen Spindle Chair with a bentwood birch

frame, dowel back and upholstered seat. Originally designed in 1948, manufactured in Sweden by Nassjo Stolfabrik. $450 - $650

273

An. Charles and Ray Eames Style Surfboard Table of

e/iptica/ shape, white laminated top with bevelled edges and two wire mesh bases. $700 - $900 274 A .Set of Four Rare Charles and Ray Eames La Fonda Chairs by Herman Miller with distinctive /ow back, upholstered

in yellow vinyl on a four point chrome base. Designed 1951. Note:

tear to one seat. $1,200 - $1,800 275 A Pair of Vintage Barcelona Style Chairs upholstered in

dark brown vinyl. $1,800 - $2,200 276

A .. Three Piece Black Corduroy C_orner Sofa

fully

upholstered with curved sides and wide ski-jump arms. Circa 1980. $1,500- $1 ,800 277

A Floating Milo Baughman Style Coffee Table square

sectioned with teak sides, faux slate top on a floating base. Sq.760mm. H.485mm. $700 - $900 278

.f\ _Black Leather Three Seat Sofa with floating base,

recessed sides and wide padded arms. Circa 1985. L.2050mm. $1,200 - $1,800


279 A Pair of Orange Charles and Ray Eames Shell Chairs $ 350 - $500 A Set of Six Danish Dining Chairs by Dansk with teak frames, blade backrests and black vinyl seats. Note: backrest

280

repaired. $800 - $ 1,200 281 A French Teak Credenza with a large drop down cupboard

above two drawers, beside a pull out cupboard door, on a six point meta/ base. L.1830mm. D.450mm. H.840mm. $1,800 - $2,200 282 A Rare Hans Wegner Teak Coffee Table by Andreas Tuck

a two tiered rectangular table, top with ski 1ump edges and a magazine rack below in woven rattan. Stamped 'Fabrikat: Andr Tuck Arkitekt: Hans J. Wegner Denmark'. Circa 1960. $1,800 $2,200 283 A Set Of Four Danish Teak Dining Chairs by Dansk with

a curved plywood backrest, upholstered in original green striped fabric. Stamped 'Dansk Design Made in Denmark' to base. $500 - $700

284 A Rosewood American Dining Table in the style of Milo

Baughman with a recessed rosewood veneered top, ebonised frame and legs. Extendable but missing leaves. L. 1730mm. D.1020mm. H.725mm. $1,200 - $1 ,800 285 A Vintage Finn Juhl 'Model 137' Sofa by France & Son in

a teak frame and re-upholstered khaki leather with raised brass mounts to float the seat. France & Son label to base. Original

retailers 'John Stuart Inc. Grand Rapids New York' label to base, designed in 1953. The 137 Model sofa is a perfect example of Finn Juh l's signature style. Also known as the 'Japanese Model', it was inspired by a 6th century shrine constructed partially over wa ter on ltsukushima Island. John Stuart Inc. was New York's p remier modern design showroom and distributer of France &

So n. $4,000 - $6,000 286 A Jhree_Piece Upholstered Lounge Suite consisting of a

two seat sofa, two singles and an ottoman. All with rounded teak and aluminium frames, buckled leather straps and canvas slung backs, upholstered in a brown buttoned fabric. Circa 1985. $1,500 - $2,000 287

An Arne Vodder Teak Sideboard by Poul_ Pine son

consisting of a lower sideboard with two sliding cupboard doors

and a bank of six drawers below a raised bookcase with sliding glass doors. L. 1825mm. D.495mm. H.1580mm. $3,000 - $4,000

M ( JD ER N DE SI GN

P/f


manganese underglaze, one pair yellow overglazed, another pair powder blue/grey, the third pair dusky pink. H. 95mm. $1,000-$1,400 with two banks of three drawers, white circular handles on a four point stretcher base. L.1335mm. D.505mm. H.790mm. $800 - $1,200 teak frame with elegantly curved arms and re-upholstered in a taupe fabric. $1,200 - $1,800

upholstered in butterfly pattern fabric. $800 - $1,200

with highly figured rosewood veneer top on a turned four point stretcher

of multi-layered lowline profile, upholstered in a mix of green

base. l. 7500mm. D.680mm. H.480mm. $700 - $1000

fabrics with shell and wood buttons attached by pink thread. Designed 2005. He/la Jongerius is a Dutch designer who works on the cusp of design, craft, art and technology to fuse traditional and

four sliding doors with knife blade handles opening to reveal a bank of rosewood drawers and shelves on a four point base.

contemporary influences and unususaf materials and techniques.

W2000mm. D.455mm. H.1100mm. $4,500 - $6,000

l.2270mm. D.920mm. H.770mm. $6,500 - $8,000

294

•

•

MODERN DESIGN

91


295 A Set Of_ Six American Oak Thone! Dining Ch_airs with

cross-hatched back supports and original beige vinyl seat upholstery Circa 1950. $1 ,500- $1 ,800 296 A Teak Scottish Sideboard by McIntosh with two central

pull out cupboards flanked by three baize lined drawers to the left and a drop down door to the right. With fitted internal shelving and beautifully carved handles on a four point base. L.2050mm. 0.460mm. H.750mm $2 ,000 - $2,500 A Teak _Scottish Dining Suite by McIntosh with an extendable oval dining table four side chairs and two carvers with curved backrests and upholstered seats. L. ext. 1980mm. 0.950mm. H.765mm. $1 ,200 - $1,600

297

298 A Well Proportioned Teak Cocktail Cabinet ,_ Si_deboard with diagonally opposite cupboards and shelves set within a wide bevelled frame and chinese character handles . L. 1520mm. 0 .440mm. H.805mm. $2000 - $2,800

299 A Pair of Harry Bertoia White_ Wire Side Chairs_by Knoll $700 - $1,000 300 A Georg_el'lelson Side_ Tab_le with a circular white laminate

top and white metal base on four swag legs . Diam .430mm. H.530mm. $400 - $600 301

A White Eero Saarinen Tulip_ Coffee Jable__by_ KnoJI

International Diam.920mm. H.400mm. $900 - $1 ,200 302 A Front Designed Horse Lamp by Moooi constructed of

black polyester with light fitting and black drum shade. Designed 2005. L.2300mm. 0.900mm. H.2100mm . $4,000 - $5,000 303 A Rectangular Teak Coffee Table on a floating four point

teak base. $200 - $300 304 A Pair ot_Alexander Begge__Armchairs by C:<1J;aJa made

from in1ection moulded cream coloured plastic . $200 - $300

305 An Enrico Pellizoni Lullaby_Al_ta Chair with high backed

bucket seat in brown leather, black leather cushions and chrome swivel base. $ 3,500 - $5,000 306 An Emaf Progetti Barooco _S_ofa by Zanotta of generous

proportions, quilted back and arms, upholstered in (removeable)

dark grey cacron on a chrome four point base. $3,500 - $5,000 A Jasper Morrison 'Morrison_'Sofa by Vitra Morrison's contemporary take on the Chesterfield, a two seater with round arms in dark grey fabric on four point chrome legs. L. 1680mm. 0.730mm. H.780mm $ 1,500 - $2,000

307

308

A Four__Seat Buttonback_V_ir,tage Oak Framed_ Sofa

upholstered in brown leatherette with an exposed oak frame and floating seat. L.2500mm 0.900mm H.680mm. $1 ,800 - $2,500 309 A TEAL Promotional Screenprint featuring a Beefeater and Tahitian beauty leaning against a coconut tree, 'Stopover in Tahiti

on your way to London'. Circa 1965. $800 - $1 ,200


. ;<1100·

sp~~ aum ,'1/<'COOu'eda

with a copper colour spun aluminium base, chrome colu mn and adjustable coppe r coloure d aluminium shade. H.1400mm. $180. $220 $300 - $500 consisting of tray and three fitte d serving dishes with black trim. $120 - $180

of elongated shape with a rim of amber nodules. $50 - $80 $20 - $40

in white oak with raised glass top on three legs. Note: repaired leg. $300 $400

of rectangular shape with a central glass top above a magazine rack. Note: lower shelf missing. $200 - $300 cube sectioned with bevelled aluminium framing and a matching side cabinet with a blue upholstered Robin Day bucket seat on a five point swivel base. $600 • $900

in white oak with

matching glass top on three legs. $200 - $300

with a triangular frame and two circular trays. $80 . $120


320 A J qn Prouv

$2,000 - $2,500

I with a dark wood stain finish and brass capped legs. $200 - $400

of ovoid form with ribbed sides and irredescent frosted interior. $50 - $70

with suspended shaped seat, hooped 'D' shape armrests, tubular stretchers, art deco claw feet. Note: old veneer repair. Circa late 1930s. L.610mm. 0.600mm. H.690mm. $1,000 - $2,000

of ovoid form with a waisted neck and flared rim with included reds, browns and greens and an irridescent interior. H.255mm. $30 - $50

W.415mm. H.720mm. $180 - $220 of long proportions set on six legs. L.1830mm. 0.510mm. H.360mm. $500. $700

$1,800 - $2,000

with grey fibreglass seats on a swivel tulip base. $400 - $600

with a copper colour spun aluminium base, chrome column and adjustable copper coloured aluminium shade. H.1400mm. $180 - $220 with four recessed drawers above four cupboards on a four point stretcher base.

cased in clear glass. H.210mm. $40 - $60 comprising of Coffee pot, six cups and saucers, sugar pot, milk and creamer. $70 . $90 with a cylindrical tapered glass body wrapped in trailed glass, red painted interior, brass base and ballooned red shade. H.800mm. $150 - $250 with a cylindrical tapered glass body wrapped in trailed glass, blue painted interior, brass base and ballooned white shade. Note: faults. H.800mm. $150 - $250 'I,

r,;ey Blue' Coffoe PQt by T G. G el'

0 l

$50 - $70 in a rocket shape with blue

Handles and moulding in darker wood. L.1520mm.D.460mm. H.845mm. $1 ,000 - $1 ,500

and white glaze. $100 - $120

double cased in ruby and amber coloured glass. H. 190mm. $50 - $70

- $180

$150

rQYtn ll/l9(1ern1st Te-'

with spiderweb vase. $40 - $60

one side cha,r and two armchairs with black vinyl upholstered seats. Note: Faults $300 - $400

with curved aluminium legs. L.1000mm. 0.500mm. H.430mm. $100 - $200

$250 - $350

with palm tree handle together

double cased in ruby and amber coloured glass. H.200mm. $50 - $70 in brown and

amber. H.155mm. $40 - $60 II

a sV,

clear cased. H.205mm.

c: d c

possibly English. Circa 1940s.

injection moulded grey seats with incorporated base. $250 $350

square top with curved aluminium legs. Sq.1000mm. H.430mm. $400 - $600 with two

$40 - $60

manufactured by Classicon circa 2000. Designed in 7908. Note: missing finial. H.1810mm $600 - $900

,,,

onal Ch

without

incorporated magazine racks. Note: condition issues and missing

copper pipes. $250 - $350 Fntz H

with a bank of four flush drawers, two cupboards and internal shelves on a four point base. L.1650mm. 0.430mm. H.730mm. $1 ,500 - $1 ,800

upholstered in butterfly pattern fabric, with matching beanbag. Note: Fault to armrest. $400 - $600 with curved aluminium

of ovoid form with pinched sides in amber, emerald and sapphire coloured glass. $30 - $50 Um Shaped

$30 - $50

legs. L.1000mm. 0.500mm. H.430mm. $100 - $200 one with clear and the other smoke glass. Circa 1980. $1 00 - $120 in beech finish and

double cased in ruby and amber coloured glass. $30 - $50

, in

$100 - $200

arms on a teak base. $500 - $800

~W'l Lyn

~

beech finish and chrome legs. $300 - $400

chrome legs. $400 - $600

MODERN DESIGN

95


DIRECTORY> CONTEMPORARY ART CATALOGUE

ANNA MILES GALLERY

ARTIS

www.annabibbygal lery.com annabibby@xtra.co.nz

www.annamilesga llery.com am@annamilesgallery.com

www.artisgallerb biz art is@artisgallery. iz

www.bathstreetga llery.com info@bathstreetgallery.com

226 Jervois Rd Herne Bay Tel: (09) 3o0 1151

47 High St Suite ~J Auckland Tel: (09) 377 4788 Mob: (021) 47 10 47

280 Parnel l Rd Parnell PO Box 37-673 Auckland Tel: 09 303-1090

43 Bath St Parnell Auckland Tel: (09) 3775171

DIRECTOR: Anna Bibby

NORTH ISLAND

BATH STREET GALLERY

ANNA BIBBY GALLERY

OPENING HOURS: Tuesday - Friday 11 am - 5pm Saturday 11 am - 4pm

DIRECTOR: Anna Miles OPENING HOURS: Wednesday - Friday 11am-6pm Saturdays 11 am - 4pm

OPENING HOURS: Monday - Friday 10 am - 5.30 ~~urdab 10 am -4pm Sunday y appointment Manager: Abby Sisam

DIRECTOR: Georgina Ralston & Bridget McIntosh OPENING HOURS: Tuesday- Friday 10am - 5.30pm Saturday 11 am - 3pm

BLACK BARN

BOWEN GALLERIES

CITY ART ROOMS

FERNER GALLERIES

FHE GALLERIES

www.blackbarn.com/gallery bront@xtra.co .nz

www.bowengal leries.com jennyneligan@bowengalleries.

www.cityartrooms.co.nz

www.fernergalleries.co.nz

www.fhegalleries.com fhe_galleries@xtra.co.nz

Black Barn Vineyards Black Barn Rd RD 12 Havelock North Hawkes Ba Tel: (06) 87 7985

penneymoir@bowengalleries.

info@cityartrooms.co.nz

co.nz

1

co.nz 35 Ghuznee St WelI04)ton Tel: ( 3810351

DIRECTOR: Bron Thorp

DIRECTOR: Jenny Neligan & Penney Moir

OPENING HOURS: Wednesday - Saturday 12pm-4pm

OPENING HOURS: Monday - Friday 10.30am -5.30pm Saturday 10am - 3pm

GOW LANGSFORD GALLERY

HAMISH MCKAY GALLERY

www.gowlangsfor~a llery.co.nz info@gowlangsfor gallery.co.nz

www.ham ishmckaygallery.co.nz info@hamishmckaygallery.co.nz

Cnr Kitchener St

1st Floor 39 Ghuznee St WellMJton Tel: ( 472 6638

st t~~~~~Cesn\~'i Tel: (09) 303 4290 DIRECTORS: John Gow & Gary Langsford OPENING HOURS Monday - Friday 10am - 6pm Saturday 11 - 3pm

DIRECTOR: Hamish McKay OPENING HOURS: Wednesda Friday 11 am - 6pm Saturday 1 am - 4pm

1-

Level 1 28 Lorne St Auckland CBD Tel: (09) 308 9855 DIRECTOR: Kylie Sanderson OPENING HOURS Monday - Friday 10am - 6pm Saturday 11 am - 4pm

367 Parnell Rd Parnell, Auckland Tel: (09) 309 0107 Fax: (09) 309 1843

2 Kitchener St Auckland Tel: (09) 302 4109

DIRECTOR: Helene Phillips & Peter Jarvis

DIRECTOR: Kathlene Fogarty

OPENING HOURS: Monday - Fridd, 10am - 6pm Saturday - Sun ay 10am - 4pm

OPENING HOURS: Monday 10am - 4fcm Tuesday - Friday 0am - 5pm Saturday 11 am - 2pm or by appointment

IVAN ANTHONY

JANNE LAND GALLERY

JENSEN

www.ivananthony.com ivan@ivananthony.com

www@Janneland.co.nz info janneland.co.nz

www.jensengalle~.com andrew@jensenal ery.co.nz

312 KaraniahaJ)e Rd 1st Level, NZ Bank Auckland Tel: (09) 3771229

Unit 1, 13 Jessie St WellMJton Tel: ( 3842912

Cnr McCol l & Roxburgh Sts Newmarket Auckland Tel: (09) 5205880

DIRECTOR: Ivan Anthony OPENING HOURS: Tuesday- Friday 11am -5pm Saturday 11 am - 3pm

DIRECTOR: Janne Land OPENING HOURS: Tuesday- Friday 11am - 4.30pm Saturday 11 am - 2pm

DIRECTOR: Andrew Jensen Opening Hours: Tuesday- Friday 11am - 5pm Saturday 11 am - 2pm

JOHN LEECH GALLERY

JUDITH ANDERSON

LANE GALLERY

MARK HUTCHINS

MARY NEWTON

~ohnleechgallery.co.nz info johnleechgallery.co.nz

www.judith-anderson-gallery. com jagalleryhb@xtra.co.nz

www.lanegallery.co.nz lane.gallery@xtra.co.nz

www.mhia llery.co.nz mark@m gallery.co.nz

www.marynewtongallery.com mary-jane.duffy@marynewtongallery.

33 Victoria St East Auckland Tel: (09) 302 295

216 Willis St Wellin~ton Tel: (0 3851699

paula.newton@marynewtongallery.

Cnr Kitchener St & Khartoum Place Auckland Central Tel: (09) 303 9395

29 Hastings St Napier Tel: (06) 8355607

DIRECTORS: John Gow & Gary Langsford

DIRECTOR: Judith Anderson

OPENING HOURS: Monday - Friday 10am - 6pm Saturday 11 - 3pm

OPENING HOURS: Tuesday- Friday 11am - 5pm Saturday 11 am - 3pm

MCNAMARA GALLERY PHOTOGRAPHY www.mcnamara.co.nz

mcnamaraphotoga l@xtra.co.nz 190 Wicksteed St Wanoanui Tel: ( 6) 348 7320 Mob: 027 249 8059 DIRECTOR: Paul McNamara [aipad member] OPENING HOURS Tuesday - Saturday 11 am - 3pm

MICHAEL LETT www.michaellett.com contact@michaellett.com 478 Karangahape Rd Newton Auckland Tel: (09) 3034211 DIRECTOR: Michael Lett OPENING HOURS: Tuesday- Friday 11am -6pm Saturday 11 am - 3pm

co.nz

Cik

DIRECTOR: Linda Chalmers OPENING HOURS: Monday- Friday 10am - 6pm Saturday 10am - 4pm

MILFORD GALLERIES AUCKLAND www.milford~alleries.co.nz auckland@m, fordgalle ries.co.nz 26 Kitchener St Auckland Tel: (09) 3097448 GALLERY MANAGER: Julie Picot OPENING HOURS: Tuesday- Friday 10am - 5.30pm Saturday 10am - 4pm or by appointment.

DIRECTOR: Mark Hutchins OPENING HOURS: Tuesday - Friday 10.30am - 5.30pm Saturday 11 am - 3pm

PAGE BLACKIE GALLERY www.pageblackiega llery.co.nz info@pageblackie.co.nz 42 Victoria St WellMJton Tel: ( 471 2636 DIRECTORS: Marcia Page and James Blackie OPENING HOURS: Monday - Friday 9am - 5.30pm Saturday 10am - 4pm

co.nz

150 Vivian St WellMJton Tel: ( 3851699 DIRECTORS: Mary-Jane Duffy & Paula Newton OPENING HOURS: Tuesday - Friday 10am - 5pm Saturday 11 am - 4pm

OREXART OEDIPUS REX www.orexgallery.co.nz o rex@xtra.co.nz

1st Floor 32 Lorne St (entry at Kartoum Place, Kitchener Street) Auckland Tel (09) 379 0588 DIRECTORS: Rex Armstrong & Jennifer Buckley OPENING HOURS: Monday - Saturday11 am - 5pm


PETER MCLEAVEY

ga •~.com

mcleavey@brownings.co.nz

lga'e~coo, 147 Cuba Street St Welli"Jlton Tel: (0 3847356

on&B•dge·.

DIRECTOR: Peter Mcleavey OPENING HOURS Wednesda Saturday 11 am - 5pm and y appointment.

6-

IRS iylll,;m-i!!,,, 1-Jpm

:RIES

escom IX'oa.co.nz

STARKWHITE www.starkwhite.co.nz starkwhite@starkwhite.co.nz 510 Karangahape Rd Auckland Tel (09) 3070703

11/1

DIRECTORS: John McCormack & Dominic Feuchs

arty

~RS

;,;tm¥ TI-2pm

:ment

SANDERSON CONTEMPORARY ART

SEED GALLERY

SOCA GALLERY

SMYTH GALLERIES

www.see~/tllery.co.nz info@see gallery.co.nz

www.soca.co.nz soca@clear.net.nz

www.smythgalleries.co.nz info@smythgalleries.co.nz

23a Crowhurst St Newmarket Auckland Tel: (09) 522 5360

74 France St Newton Auckland Te I (09) 529 0533

41 Jervois Rd St Marys Bay Auckland Tel: (09) 3606044

DIRECTORS: Emma Pritchard & Kate Mullins

DIRECTORS: Charles Tongue &Ana lvanovicTongue

OPENING HOURS: Monday - Friday 10am - 6pm Saturday & Sunaay 11 am - 4pm

OPENING HOURS: Tuesday to Frid~ 10am - 5pm Saturday & Sun ay 11 am - 4pm

OPENING HOURS: Monday - Friday 10am - 6pm Saturday 11 am - 4pm

SUE CROCKFORD GALLERY

TIM MELVILLE GALLERY

TWO ROOMS

www.timmelville.com

www.tworooms.org.nz info@tworooms.org.nz

www.sanderson.co.nz info@sanderson.co.nz

251 Parnell Rd Parnell Auckland Tel: (09) 374 4476 DIRECTOR: Kylie Sanderson

www.suecrockford.com

suecrockfordgallery@xtra.co.nz Suite 2C Endeans Building 2 Oueen St Auckland Tel: (09) 3095127 DIRECTOR: Sue Crockford

OPENING HOURS: Monday- Friday 11am - ~m Saturday 11 am - 5pm an by appointment.

OPENING HOURS: Tuesday - Friday 11am - 5pm Saturday 11-3pm

WARWICK HENDERSON

WHITESPACE

we~com

www.warwickhenderson.co.nz info@warwickhenderson.co.nz

www.whitespace.co.nz

\Roxburgh\,

32 Bath St Parnell Auckland Tel: (09) 3097513 Mob: 0274 401 665

r~~~~~~

;eria~e~.cor.z

DIRECTOR: Warwick Henderson

sen

JUO

1day 1'as-v am-2pm

:WTON

iew1onga e('I :~"' 1

Ju~ma,re·::·; on@maryrewtO'~:-

St

5161'1

sDuffy&PaJa\,, -

OPENING HOURS: Monday - Fridd, 10am - 5.30pm Saturday - Sun ay 10am - 4pm

BACKSPACE www.backspaceart.com simon@backspaceart.com 134 Victoria St, Christchurch Tel: (09) 37 79918 DIRECTORS: Simon & Michael Fisher OPENING HOURS: Monday - Friday 9am - 5pm Saturday 1Dam - 4pm Sunday 11 am - 4pm

tim@timmelville.com 2 Kitchener St Auckland CBD Tel: (09) 302 4110 Mob: 021 300 893 DIRECTOR: Tim Melville OPENING HOURS: Tuesday- Friday 11am - 6pm Saturday 11 am - 3pm

DIRECTOR: Jenny Todd

DIRECTOR: Antoinette Godkin

OPENING HOURS: Tuesday - Friday 11 am - 6pm Saturday 11 am - 3pm

OPENING HOURS: Tuesday - Friday 10.30am - 5pm Saturday 10.30am - 2pm

CONTEMPORARY ART CATALOGUE SOUTH ISLAND

BRETT MCDOWELL GALLERY

BROOKE GIFFORD GALLERY

brettmcdowell§alleJl.com brett@brettmc owe lga llery.com

www.brookegiffor~/tllery.co.nz info@brookegiffor gallery.co.nz

5 DowlinJ St, Dunedin Tel: (03) 75260

First Floor 112 Manchester St Christchurch Tel: (03) 366 5288 Mob: 0274 898 656

DIRECTOR: Brett McDowell OPENING HOURS: Monday - Friday 10.30am - 5.30pm Saturday 11 am - 1pm

HOJRS fndaylllam·OOC

DIRECTOR: Judith Gifford OPENING HOURS: Tuesday - Friday 11 am - 5pm Saturday 11 am - 2pm

www.vavasourgodkingallery.co.nz 09 3099665 Level 2, 35 High St, Auckland

dwhite@wh1tespace.co.nz

Tel (09) 3616331 Mob: 021 639 789 DIRECTOR: Deborah White OPENING HOURS: Tuesday- Friday 11am - 6pm Saturday 11 am - 4pm

VAVASOUR GODKIN GALLERY

16 Putiki Street Newton Auckland Tel: (09) 360 5900

DIRECTORY>

12 Crummer Rd

DIRECTOR: Keiran Smyth OPENING HOURS: Tuesday - Sunday 10am - 5pm

antart@xtra.co.nz

64ZERO3 www.64zero3.com gallery@64zero3.com 117 Manchester St Christchurch Tel: (03) 3778284 DIRECTORS: Julia Morison & Helen Calder OPENING HOURS: Tuesday - Friday 11 am - 5pm Saturday 11 am - 3pm

DOBSON BASHFORD

JONATHAN SMART

www.dobsonbashford.co.nz info@dobsonbashford.co.nz

www.jonathansmartgallery.co.nz jsmart@caverock.net.nz

112 Peterborough St Christchurch Tel: (03) 3772327 DIRECTORS: Phillipa Dobson & Susie Bashford

1st Floor, 160 High St Christchurch Tel: (03) 3657070

OPENING HOURS: Tuesday - Friday 11 am - 5pm Saturday 11 am - 1pm

DIRECTOR: Jonathan Smart OPENING HOURS: Wednesday - Friday 10.30am -5.30pm Saturday and Sunday11 am - 3pm or by appointment.

1am-4pm

RT

ISREX

galle~.coN i.co.nz

);rtoumPlace -Streeti

~79()588

MILFORD GALLERIES DUNEDIN

NADENE MILNE GALLERY

www.milfor~alleries.co.nz info@milfor ouse.co.nz

www.nadenemilnegallery.com nadene@nadenem,lnegallery. com

18 Dowling St Dunedin Tel: (03) 477 7727

16 Buckintam St (behind P armacy) Arrowtown

DIRECTORS: Stephen Higginson & Niki Stewart OPENING HOURS Monday - Friday 830am - 5:30pm, Saturi:lay: 10:OOam 4:00pm and by appointment.

Tel: (03) 442 04 67 Mob 027 4 401 665 DIRECTOR: Nadene Milne OPENING HOURS: Wednesday - Sunday 11am-5pm or by appointment

GALLERY GUIDE

97


CONDITIONS OF SALE FOR BUYERS 1. BI DDING: The highest bidder shall be the purchaser subject to the auctioneer having the right to refuse the bid of any person . Should any dispute arise as to the bidding the lot in dispute will be immediately put up for sale again at the preceding bid or the auctioneer may declare the purchaser which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted. 2. RESERVES. All lots are sold subject to the right of the seller or his agent to impose a reserve. 3. REGISTRATION . Purchasers shall complete a bidding card before the sale giving their own correct name address and telephone number. It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud . 4. BUYERS' PREMIUM. The purchaser accepts that in addition to the hammer or selling price Webb's will apply a buyer's premium of 12.5% of t he hammer price for works in the Contemporary Art sale and 15% on items in the Beatles memorabilia & Modern Design sections of the sale, together with GST on such premium, which combined sum shall be the total purchase price. 5. PAYMENT. Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of t he tota l sum due must be made on the day of sa le and the balance must be paid within 5 working days. Payment is by cash, bank (cashiers) cheque or Eftpos. Personal and private bank cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. 6. LOTS SOLD AS VIEWED. All lots are sold as viewed and with all errors to description faults and imperfections whether visible or not. Neither Webb's nor its vendor are responsible for errors of description or for the genuineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever. Buyers proceed upon their own judgement. Buyers shall be deemed to have inspected the lots or to have made enquiries to their complete satisfaction prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in all respects. 7. WEBB'S ACT AS AG ENTS. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason. 8. COLLECTION. Purchases are to be taken away at the buyer's expense immediately after the sale except where a cheque remains uncleared. If this is not done Webb's will not be responsible if the lot is lost stolen damaged or destroyed . Any items not collected within seven days of the auction may be subject to a storage and insurance fee. A receipted invoice must be produced prior to delivery of any lot. 9. LICENCES. Buyers who purchase an item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 cannot take possession of that item until they have shown to Webb's a license under the appropriate Act . 10. FAILURE TO MAKE PAYMENT. If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to the purchaser at its absolute discretion and without prejudice to any other rights 98

Webbs

or remedies it may have be entitled to exercise one or more of the following rights or remedies: a. To issue proceeding against the purchaser for damages for breach of contract. b. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction. c. To resell the lot by public or private sale. Any deficiency resulting from such resale after giving credit to the purchaser for any part payment together with all costs incurred in connection with the lot shall be paid to Webb's by the purchaser. Any surplus over the proceeds of sale shall belong to the seller and in this condition the expression "proceeds of sale" shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction . d. To store the lot whether at Webb's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal storage and all other costs connected to the lot. e. To charge interest on the purchase price at a rate 2% above Webb's bankers' then current rate for commercial overdraft facilities to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale. f. To retain possession ofthat or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due. g. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb's or it's vendor. Webb's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under this contract. h. To apply any payment made by the purchaser to Webb's towards any money owing to Webb's in respect of any thing whatsoever irrespective of any directive given in respect of or restriction placed upon such payment by the purchaser whether expressed or implied. i. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in full by cleared funds. Where any lot purchased in held by Webb's pending i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit the lot wil l be he ld by Webb's as ba ilee for the vendor risk and title passing to the purchaser immediately upon notification of clearance of funds or upon completion of purchase. In the event that a lot is lost stolen damaged or destroyed before title is transferred to the purchaser the purchaser shall be entitled to a refund of all monies paid to Webb's in respect of that lot but shall not be entitled to any compensation for any consequent losses howsoever arising. 11. BIDDERS DEEMED PR INCIPALS. All bidders shall be held personally and solely liable for all obligations arising from any bid including both telephone"and absentee bids". Any person wishing to bid as agent for a third party must obtain written authority to do so from Webb's prior to bidding . 12."SUBJECT BIDS" Where the highest bid is below the reserve and the auctioneer declares a sale to be "subject to vendor's consent" or words to that effect the highest bid remains binding upon the bidder until the vendor accepts or rejects it. If the bid is accepted there is a contractual obligation upon the bidder to pay for the lot. 13. SALES POST AUCTION OR BY PRIVATE TREATY The above conditions shall apply to all buyers of goods from Webb's irrespective of the circumstances under wheich the sale is negotiated .

1,)0IB~

:-,:etn~youhave .1otor~t1youha :,~,~th~abuyer ;;:1oya buye~ ,,,,•eolthia ;"~,gupyourbUj :;B,b~rromyoua • ·Jbido<1thew ;;::ic.,beadjUli( ::s:-~h~hestand :·-0,9oliligatio<1tOf

:~~1.01ect10Ve ·e-e~rbd:sthe ~,myoutobethi :ise~da1binding :::orviy.lthev ::~1 iortne 101. ~ ::gr.o<1hmlevery v,ebb1unti1anagr :oreiend«untily

,:.:~·:eeBid1 ,eoosi.endeavour ~ceptnoresponsibiln ·,«•ab~asisallowec ··1,1-00-.~ease ··:~s~cessfvlatyo iliD~jOUr 1irnnfir~

ra,besent~fax' ··,rorr•er<eMent

~ANKAC ·~ant:Faxthis : tRNAME: IAlfNUMBER:

iANKACCOUNTD ACCOONT NUMBE

(·o.nttran~erred

IA~ 1RANSFERREI


A GUIDE FOR BUYERS or more of the

Webb's have set out the following information for the benefit of first time buyers and those who are unfamiliar with auction procedures. Important note: Please refer to full conditions of sale for buyers printed in the reverse of this catalogue and displayed in the saleroom.

\ages for breadi purchaseratthe

1

1cyresu1tingfrom iny part payment i lot shall be paid :eedsofsalesli.i ;ion 'proceeds of i by private treaty

'S or elsewhere ~

iloton~a!terthe ,d cost of rerooval

2%above Webb's 1ft facilnies to the 1aid for moretran

edbythepurchaser only after paymellt

r subseouent~ ilw 1e to W ebb's ~ ns 1onanypropertyol mainsunpaidund€!

Webb'stowards anr 1tsoeverirrespectie , placed uponslKI iplied. 1as1 to the purchase' unds. Whereanylol ,ce of funds br !ti iipt of adeposn ire riskand tnle pa~~ ,fclearanceoffuoos at alot islo~~or tothepurchaserL"1 ies paid to We!Ji 1' compensation f~ ¥,1

BUYING AT AUCTION 1. Floor Bidders Ensure that you have registered and obtained a buyer number before bidding on the lot or lots you have chosen Be aware that a buyer's premium of 12.5%+GST on the premium or 15%+GST is payable by all buyers in addition to the hammer price. Please make sure that you are aware of the amount of the buyer's premium. Make your bids clear preferably by holding up your buyer number card. If you make a mistake e.g. the auctioneer takes a bid from you at a higher level than you had intended or you realise that you had bid on the wrong lot call out to the auctioneer immediately so that the bidding can be adjusted . Waiting until after the hammer falls is too late. If your bid is the highest and the lot is knocked down to you then you have entered a binding obligation to pay for that lot. 2. Sales Subject to Vendor's Consent Where your bid is the highest but still below the reserve the Auctioneer may declare you to be the "buyer subject to Vendor's consent". This means that your bid is held as binding and will be communicated to the Vendor at the earliest opportunity. If the vendor accepts then there is a contractual obligation for you to pay for the lot. If the vendor does not accept you are released from any obligation however you will have first right to negotiate with the vendor through Webb's until an agreement is reached and Webb's will not present other offers to the vendor until your negotiations are ended . 3. Absentee Bids Webb's will endeavour to ensure that your bidding instructions are executed but accept no responsibility or liability for failure to do so. Lots will be bought as favourably as is allowed by bidding in the sale room and any reserve imposed by the vendor. Please note that Webb's cannot guarantee that another bidder will not be successful at your limit if in the course of competitive bidding someone else bids your limit first. Absentee bids are accepted by written instruction which can be sent by fax (e-mailed absentee bids are not accepted) up to I hour before the commencement of the sale. Absentee bids will be executed on the following basis: If your bid limit is equal to or above a reserve the Auctioneer may open the bidding at reserve on your behalf and will bid thereafter only in response to competition for the lot.If your bid limit is below a reserve the Auctioneer may open the bidding at your limit and if there are no further bids in the room may sell to you "subject to vendor's consent". In the absence of a reserve the Auctioneer

Telephone Bids The same conditions as above apply to telephone bidders. Webb's will telephone the number you have given several minutes before the lot you have request comes up for sale. If your phone is engaged or we are unable to make contact the auction will proceed without your bidding. Our staff will ask you to hold when we have made contact. They will then tell you that your lot is about to come up. The bids will be relayed to you and you can enter the bidding at any time by making your call. Please note that the bidding at many auctions can be fast and furious. The auctioneer will not favour a phone bidder over and above buyers who are attending the auction by giving them more time to bid. You will need to establish your limit and make sure that you bid clearly and promptly. Telephone bids are only accepted for catalogued sales and on items with estimates over 500. Pre-Sale Estimates Estimates printed in the catalogue or given verbally are intended as a guide only and can be subject to revision nearer to the time of a sale. Webb's staff are available during pre-sale viewing times and by appointment to assist prospective bidders with estimates and any aspect of the auction procedure. Condition Reports Webb's staff will provide condition reports for out of Auckland buyers. However please note that no 6 in the Conditions of Sale for Buyers will still apply despite the obtaining of a condition report . Payment Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted . Packing and Freight Webb's do not pack goods in house. However we will arrange for your items to be packed insured and shipped by a professional agent. All costs associated with packing and freight are payable by the purchaser. Valuation Service Webb's provide free market appraisals on Monday mornings from 9am-1 pm or at other times by appointment. Webb's appraisers will come to your home to view and appraise larger items. Webb's will provide valuations for insurance matrimonial division family division etc. Please enquire at reception for charges. Valuation charges are refundable on occasion when goods are subsequently offered for sale within a reasonable period.

BANK ACCOUNT DETAILS PAYMENT BY DEPOSIT Important: Fax this form to Webb's: +64 9 524 7048 so payment can be confirmed and purchases released.

hall be held "rSOl'i 1 iny bid includi~ tir ing to bid asag~t''., , so from Webbs'•

=).TY

Registration: All intending buyers must complete a bidding form available from the reception desk

may exercise your bid in advance of any opening bid or may open the bidding on your behalf at the Auctioneers estimate at the Auctioneer's sole discretion.

BUYER NAME: ......................... ,................................. BUYER NUMBER: ............................................................... . SALE NUMBER: .......................................................... Balance owing for purchase/s: NZ * Pl ease include a sa le number and buyer number as reference for on direct credits to e nable us to dispatch your items efficiently.

BANK ACCOUNT DETAILS: BANK: WESTPAC 79 QUEEN ST AUCKLAND NAME: PETER WEBB GALLERIES LTD ACCOUNT NUMBER: 03-0104-0448184-03 FOR INTERNATIONAL DEPOSITS SWIFT CODE: WPACNZ2W Amount transferred (including freight if applicable): NZ DATE TRANSFERRED : ............................................... SIGNED: ~et(;

of goodsfrom·, • egol,,~ thesale1sn

CONFIDENTIALITY: The information contained in this facsimile is legally privileged and/or confidential. If you are not the addressee listed below you are notified that except as authorised agent to the addressee any use disclosure copying or distribution of any of the contents of this facsimile by you is prohibited. Recipients other than the addressee listed below are asked to notify us immediately and return the original facsimile to us.

CATALOGUE INFORMATION

99


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BIDDING SLIP FOR ABSENTEE BIDDERS ON LOTS IN SALE 294 CONTEMPORARY ART & MODERN DESIGN: 13 -14 MAY Please bid on my behalf at the above sale for the following lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids or reserves if any. * I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successful bid on items in the Contemporary Art sale a buyer's premium of twelve and a half percent (12.S%) will be added to the hammer price and that G.S.T is charged on the premium. I understand that in the case of a successful bid on items in the Beatles memorabilia and Modern Design sales, a buyer's premium of fifteen percent (15%) will be added to the hammer price and that GST is charged on the premium . On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb 's carry out at no charge. LOT NO.

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Asubscription t dorrned regari ~blisn eignt ca ~esinNewZ ~low and retu

1~1GHTWEB ~odem,Contem W.iques,[Jecorati

Nc'II ZE.AlJ.ND UNITED KINGD l.(;lUDE FINE Wit

• ing pc~age.1

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Nc'II ZEAIAND

~/AS~ /E~ MR/MRS/MS

HOME PHONE

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~coreosor ARRANGEMENTS FOR PAYMENT: I agree to pay immediately on receipt of notice from Webb 's of my successful bid. Payment will be by cash cheque or bank transfer. I will arrange for collection of my purchases or I agree to pay for packing and freight costs incurred by Webb 's in having any purchases forwarded to me. In order to avoid delay in clearing purchases Buyers who are unknown to us are advised to make arrangements for payment before the sale or for references to be supplied. If such arrangements are not made cheques will be cleared before purchases are delivered.

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llrcuiofc ue PAYMENT BY Cl

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* Webb's will do its upmost to carry out bidding instructions for absentee bidders. It will not be responsible however if circumstances prevent it doing so.

Ved Jord ~lease ,·ix/~sa Ma~

WdNurn~

-,...,.....,__

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~[)Jfe

SIGNED &

DATED

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100

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13-14MAY

ted as cheaplja1 s 1der~and ti~ in~, dded to tie lai•• 1orabiliaandMooe~ premium. On maj~

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101


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CATALOGUE INFORMATION

103


INDEX OF ARTISTS I AUBURN CAT

85 95

BAMBURY STEPHEN

15

BRAUNIAS MARK

88

HATAM SAMAR

94

HIRST DAMIAN

22

HUGHES SARA

27

HURRELL JOHN

54

INGRAM SIMON

40

INTRA GIOVANNI

5 28 29

NISHIDA RYUZQ

44

O ' ROURKE PADDY 76

PAREKOWHAI MICHAEL 8 14 BROOKBANKS GLENYS 91 BUCHANAN BEN

47

BURTON GREGORY

82

PATERSON REUBEN

26 98

PEARLESS JESSICA

71

PAUL JOHNS AND DAN ARPS COOPER RICHARD COTTON SHANE

DASHPER JULIAN

JIMINEZ CRUZ

62

JOHNS PAUL

59

PICK SERAPHINE

10 39 56

RAE JUDE J7 REYNOLDS JQ HN

3 17 20 70

REYNOLDS PATR ICK

42

ROBINSON PETER

23 41

SHELTON ANN

81

69 73

DE LAUTOUR TONY

35 52

DRIVER DON

51

DYNE JULIEN

60 99

ET AL

87 92 89

36

DAWSON NEIL

EDGAR JOHN

JACKMAN ADRIAN JENKINS GERALD

64

KAAN SIMON

6 65

KARL JILLIAN

74

KENNEDY JILL

96

KEOGH SONIA

61

STEVENSON MICHAEL 9 30

KILLEEN RICHARD

84

STRAKA HEATHER

KOONS JEFF

21

67

80

13 19 TEKELA SMITH SOFIA 2

FRI ZZELL DICK FRIZZELL OTIS

GATFIELD GILL GEORGE DARREN

55

THOMAS DAVID

LEEK SASKIA

57

THOMPSON RICHARD 50

LEONG OWEN

97

7 46

77 LEWER RICHARD

18

VAN DER PLOEG JAN 53

LYNN VIVIAN

68

VAN HOUT RONNIE

MADDEN PETER

16

WALTERS RACHEL

1 4 31

MATCHITT PARA

63

WESTON MIKE

77 90

MATIL HOWARD

72

WOODS KAIE

11 58

MILLAR JUDY

38

79 32 33 34

66

GIMBLETT MAX

48

GREIG JASQN

83

HAN YOUNG SUN

LAW A IDAN 45

25 86

HANDLEY WILL

93

HARTIGAN PAUL

75 78

HARTNETT SAM

12

MISERY

24

MUNRO CATHERINE

43

49


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