Issuu

'Webb's catalogues set the benchmark for quality of research and standard of reproductions. They provide an invaluable resource for anyone interested in the Fine Arts market in New Zealand' Professor Michael Dunn Elam School of Fine Art, University of Auckland SEE PAGE 168 FOR CATALOGUE SUBSCRIPTION DETAILS

A Three Day Sale of

IMPORTANT PAINTINGS JEWELLERY & DECORATIVE ARTS

ncnmarK

tndarooi

a: SALE NO. 266

7 DECEMBER - 9 DECEMBER 2004

Ill

·ovide an ntere~teo

PAGE

1 6" 9 5

Zealano'

FINE PAINTINGS

m: Ill

DllY ONE TUESDAY 7 DECEMBER 2004 6.30pm 6.30pm: Fine New Zea land and Foreign Paintings,

Michar/Ou

Prints & Sculpture

itvotM/1 PAGE 96 • 125

Tim mTAlll

FINE JEWELLERY &WATCHES DllY TWO WEDNESDAY 8 DECEMBER 2004 2pm & 6pm 2pm : Affordable, Antique, Estate & Modern Jewellery 6pm : Wrist & Pocket Watches, Co in s & Coin Jewe ll ery, Accoutrements, Loose Stones, Magnificent Jewels & Fine Jewell ery

PAGE 126 • 164

DECORATIVE ARTS DllY THREE THURSDAY 9 DECEMBER 2004 5pm 5pm: An exceptiona l se lection of Silver, good Georgian furniture, decorator's items and co ll ectab les.

VIEWING TIMES Thursday

2 December

Friday

3 December

Saturday

4 December

Sunday

5 December

Monday

6 December

Tuesday

7 December

9.00am 9.00am 11.00am 11.00am 9.00am 9.00am 9.00am 9.00am

Wednesday 8 December Thursday

9 December

5.30pm 5.30pm 3.00pm 3.00pm 5.30pm 5.30pm 5.30pm 12.00pm

Viewing until 12 noon only on days of sales

BUYER'S PREMIUM Buyers sha ll pay to Webb's a buyer's premium of 10% of the hammer price plus g.s.t on the premium. The sa le is subj ect to the Conditions of Business printed elsewhere in this cata logue. Please note: Commencing in 2005 Webb's buyer's premium wi ll increase to 12.5%.

Webb's

Illustrated front cover:

Peter Webb Galleries Ltd © 18 Manukau Rd, Newmarket PO Box 99251. Auckland , New Zealand ph 09 524 6804 fax 09 524 7048 auctions@wobbs.co.nz www.webbs.co.nz

EVELYN PAGE No. 2 Figure in Shade

LOT 48

j:I

Webb's IN FOCUS

orhl on Paper Th,:, edition l?f In Focu,, deliberately ,,ic)e,,tep,, the nfllal 'major work,,' infm our ,?f ch.tcuJ,,in.q Jome work,, that, we belie11e, con,ltitute ,,ign{/tL'ant e.i.::ample,, by ,fOme ,?(New Zealand:, bec1t known arti.,t,,, yet whLL'h by ,,irtue of their media, are priced L,,~qn{/tL'antly lower than the c,Mt ,?fpainfl.npc1. 1

LOT

~lAX

It seems somewhat anoma lous that the art market has

Ralph Hotere is a restlessly creative and inventive man:

always emp loyed a type of hierarchical va lu e system

someone who creates out of necessity.

based predominantly on medium and sca le. This grand

who has produced large amounts of works on paper and

He is an artist

scheme is as painlessly simp le as it is inherently myopic.

is someone who requires the immediacy and transience

It reads, in ord er of market importance: paintings on

wh ich pen and paper can prov ide.

canvas and boa rd, watercolours and works on paper,

assured nature of the major Black Painting (lot 51) is in

prints and multiples.

ma rked contrast to the in k Nude draw ing (lot 100) which

Such a va lue system takes little

am lie )~0 x; SJOOO

The absolute and

the b hardtransl

consideration of a wide variety of artisti c vicissitudes

shows a spontaneity and freedom of touch almost worthy

such as quality, deta il (the pencil is, by nature, more

of Surrealist automatism. Taken together they do much to

John signil

ornate than the brush), freshness, and intimacy.

reveal the greatness and diversity inherent in this man's

origi

Webb's there is a belief that wo rks on paper are

overarching project. Sim il arly, the Song Cycle work on

undervalued in this country, th is is reinforced by the news

paper (lot 38) can in no instance be den igrated be low a

pain! Obs1

that a Jasper Johns' work on paper recently fetched over

painting merely by virtu e of its medium. It does much to

\ati,

ten million at Sotheby's in New York. For this edition of

encapsu late the creative scope of the medium. Featuring

repri oi d Pule catal

In Focus we have deliberate ly sidestepped the usual

dense layer ings of acrylic paint, watercolor and ink

'major works' in favour of discussing some works that,

alongside many of the sty li stic variations which the artist

we be li eve, constitute significant examp les by some of

has wrest led w ith throughout his entire career such as the

New Zealand's best known artists, yet wh ich by virtue of

interrelations between music, poetry and painting, and

their media, are priced significantly lower than the cost

the juxtapositioning of text with abstraction. Song Cycle

of paintings .

encapsu lates many aspects of this artist's finest works.

Max Gimb lett is an artist who has had a long assoc iation

Robin White is an arti st with wide-rang ing humanistic

w ith a diverse array of materials.

Like an alchem ist he

and env iron menta l concerns. She regularly employs the

conjures up all manner of we ird and wonderfu l aesthetic

more democratic screenprint medium as a means of

re lations through the utilization of the non-conventional .

getting her message across to the widest possible

He is simi larly an artist w ith a close and long-standing

audience.

re lationsh ip to paper, and more espec iall y to its organ ic

sa les, but far scarcer are her original paintings and

properties . The two Untitled (Black on Black) (lots 25 and

waterco lours.

26) works in this sa le do much to reveal both the artist's

convey the artist's ch ief concerns through its depiction of

deep metaphysica l aspirations and his pursuit of a

a c lean and green rura l New Zealand uninflected by

rigorous and sp iri tua l Modernism.

technological development and Modernity.

Webb's regularly features such works in its

Harbour Cone 1 (lot 49) does much to

It captures

soug

eacf affor

Wor ente irac1 the1 and thol sho,

\Vor

fran natl

LOT 49

ROBIN WHITE Harbo11r CoHl' J watercolour 650 x 375 mm

$35,000-45,000

r '

I ftl.'/111 ftl

1edw LOT 25

1n1enti1e man Hers an art11 son paper ar and transence 1e ab\llute a" in; lot il ' I lot 100 11r ' :h almost 1rnrthe1 domuc!' ent in thr; II''" ,o c1c/e11orbn oigrated belo11 a , It doesmucr' idium. feat, • ,ercolor arl ' s 11 hich the art: :areer such a, ·ie nd paintini ar 1ion. Song [ire sfinest 1101,s.

LOT 100

MAX GIMBLETT

RALPH HOTERE

Black on Blat k acrylic on paper 570 x760mm

1,.:,ulc ink on paper 280 x 200mm $9000-15,000

$3000-5000

the beauty and austerity of Otago Harbour through a hard-edged treatment of form that loses nothing in translation from her usual print medium to waterco lour. John Pule is an artist who has justifiably garnished a significant following over recent years through his wholly literature, biographical narrative-based A Native's paintings, print-making and drawings. Observation - I Woke Up One Night. .. (lot 27), and A

origina l,

Native's Observation - While Resting ... (lot 28), both represent quality mixed media examp les of the co llu sions of drawing, poetry and graphic mark-making. With Pule's High and Low fetching $60,000 in Webb's June

LOT 38

RALPH HOTERE S011,f! Cycle mixed media on p ape r 7070 x 680mm

$40,000-50,000

catalogue, these two works on paper should be eagerly sought-after and with bottom estimates of $6500 they each constitute a sign ifi cant work by this art ist, at an affordab le leve l. Works on paper offer discerning buyers the chance to

. ghuman1!: ngin

Jlarh emplo" n as a mear< 11idest Po''

such ,101,, ' . ,al paintint' a 49 does mu, its depicto' ed 0 1g h d uninflect :rnitv It capwre·

enter the market w ith a substantial original work at a fraction of the cost of a fully-realized painting. Moreover, they can reveal a whol ly new aspect of an artist's practice and manifest a freer spontaneous attitude in which thoughts flow from mind to paper unhindered. Buyer's should be reminded of the importance of protecting works on paper and prints and shouldn't skimp on framing w ith UV protectant glass, a prerequisite given the nature of New Zealand's harsh and unforgiving light.

J LOT 27

JOHN PULE A 1'-'atil'e S Oi,scr11atio11

mix e d m e dia on paper 760 x 570mm

$6500-9000

INFOCUS

Magnificent Jewell d Fine Jewellery Day two of this catalogue, Wednesday December 8th , features the best selection of antique & estate jewellery to have been presented to the market in some years, together with magnificent art deco and modern jewellery. Featured in the sale are several outstanding diamond sol itaires including coloured diamonds up to 4.01 et that are highly fashionable and sought after internationally. Illustrated is a selection of the pieces from the catalogue including the magnificent emerald and diamond ring that is one of the highlights of the sa le.

In Late September jeweLLery conJtdtant Chrutopher Derereatt.,t trareL!eJ to Europe on hu reguLar biennwL trip to reriew current trend.1 d fa.1hiond . Hu itinerary took him to MoJcow, Zurich d Gene1,1a: Moscow has become a vibrant, sophisticated and highly

For watches, mechanical movements with varying

fashion

utterly

degrees of complication (moon, calendar, tourbillon,

captivating against a rich historical and deeply cultural

repeat, power reserve etc) are the height of fashion. Even

conscious city.

It is exciting and

context. It seems incredible that it has made such

relatively minor manufacturers are now producing pieces

advances in such a short time, with its population

that were once the undisputed province of only the top

embracing

unbridled

houses such as Patek Philippe, Breguet & Audemars

enthusiasm. Designer labels and top jewellery houses

Pi guet. Rolex stands alone in restrictin g its general range

modern

consumerism

with

abound, appearing hardly able to keep pace with the

to robust timepieces w ith minor complications such as

voracious appetite of buyers. The once drab GUM

chronometric functions.

department store on Red Square now displays Louis Vuitton on its prime corner site .... paradoxically right

The Patek Philippe Museum In Geneva.

opposite Lenin's tomb! And not far away Graff, Cartier,

building of understated opulence houses a simply

Bvulgari,

Harry Winston

and

Van

Cleef are

An elegant

all

breathtaking collection of watches & horological history

represented. An extraordinary collection of cut and

over four floors. One whole floor is devoted to

natural octahedral diamonds on display at the Kremlin

timepieces other than those by Patek Philippe, a dazzling

armoury was certainly a highlight.

display

hundred s

watches

exquisite

craftsmanship. Another floor displays pieces only by

Zurich & Geneva as always provide a broad spectrum of

Patek Philippe and includes "ca libre 89", the most

the very latest watch & jewellery fashions. At the upper

intricate watch ever made, with no less than 33

end, traditional styles are popular with every leading

complications and 1728 separate parts, that took 9 years

house making exciting use of coloured diamonds.

to develop and produce .

Extravagant pieces using mixtures of other coloured stones with diamonds (in the Cartier 11Tuti Fruiti v manner)

One is left with the indelible impression of a veritable sea

appear to be in high demand as do elegant pendant

of "once-in-a-I ifetime" timepieces; cases that are richly

earrings and large golden pearls (sometimes enhanced

set with jewels, fabulous enamel work, intriguin g

with white & yellow diamonds). Atthe mid range, chunky

automata, feats of hand crafted micro-engineering that

neck laces of large natural gemstone crystals are " in"; and

defied the technology available at the time, spann ing

at the more modestly priced end .. . BLING's the thing,

over five centuries, and which in every case are a tr ibute

again with eye-catching used of multi coloured stones .

to fertile imagination coup led with incomparable skills.

Illustration: Patek Phil/ipe Museum1 Geneva

Few have heard of us. leo"ie5dal" nlque&t;'i'e

ie 'llarket,

that's how National Bank's Private

Banking works - privately. If you are looking for a name to drop - ours probably isn't it. However, for expertise in portfolio management

tri11·clltd o&

Hi1 iti111r11rv

and an understanding of investing, may we suggest that ours is a name you should keep. Our investment philosophy is built around capital preservation, and careful risk management. We prepare a detailed, personalised strategy for managing yo ur portfolio and we structure your investments to meet your individual needs. Because we only work wi th a select group of 1500 customers we can offer a high standard of service. If you have investable assets of $400,000 or more, perhaps we can be of service to you.

j 11all'

For more information you can contact us on 0800 110 125; by writing to Private Banking, The National Bank, P O Box 3478, Wellington; or emailing private.banking@nbnz.co.nz

~ private banking AUCKLAND • HAMILTON • TAURANGA • HASTINGS • WELLINGTON NELSON • INVERCARGILL • QUEENSTOWN • CHRISTCHURCH • DUNEDIN

INVESTMENT STATEMENTS FOR INVESTMENTS, INCLUDING NATIONAL BANK INVESTMENTS, CAN BE OBTAINED FROM NATIONAL BANK PRIVATE BANKING AT THE ABOVE ADDRESS. THE NATIONAL BANK OF NEW ZEALAND, PART OF ANZ NATIONAL BANK LIMITED.

Tw• sets of Beatles autographs from their stay at Hotel St GeorQe, WelUngton, June 1964, $6000-8000

Osualdo Borsani, Uintage Techno Chair, 1954 Est $7000-10,000

A Len Castle Discovery pot, westmere clays, impressed with figurative motif stamps; Three ovoid sectioned sgraffito decorated, slab walled vessels by Jim Greig; A square form bottle vase in the Japanese manner by Castle.

Four pieces of salt-glazed stoneware by Mirek Smisek including a deep welled bowl, an early large ovoid vase with ring mouth, two later smaller pieces and a tea bowl and ovoid vase.

A TREAT FOR PINOT NOIR LOVERS Simon Mickleson, Webb's wine consultant has a treat to offer this Christmas for the increasing number of those who have acquired a taste for the burgeoning New Zealand wine, Pi not Noir. When Robert Brooks, Chairman of Bonham's visited Auckland in October, he sampled two different pinots over dinner. As a Burgundy drinker, - very well informed by the two Masters of Wine his company employs, - he expressed his total admiration for the New Zealand pinots and he asked if Webb's would arrange for two cases to be sent to him in London. The Pinot Noir Simon is offering is from a top Martinborough vineyard and is only available because it had been specially labeled to meet the individual requirements of a European buyer. When the order was halved, there was an oversupply of specially labeled bottles. With a new vintage about to be bottled and marketed, the winery decided to send the earlier vintage to Webb's. The European labels have been removed, making the wine a 'clean skin', but Simon can divulge that this winery was selected to supply its Pi not Noir for the Christmas hampers of one of Britain's great food retailers. To commend the wine, it says enough that seventy cases have been sold to staff at Webb's, all very discriminating imbibers, some of whom are shown here during an in-house tasting. A further endorsement comes from cricketing great, Martin Crowe, who is cellaring twenty-five dozen - of which 299 bottles equalling his top test cricket score - will be specially labeled for functions planned for next year. With only three hundred odd cases remaining to offer, Webb's is giving a one week advantage to its catalogue subscribers. Order promptly to be sure of receiving your wine in time for Christmas. Cellar door price, $32. Special 'clean skin' price, $15.50. Add $13 .00 per case for freight within the North island and $16.00 per case for freight to the South island. To order, phone Simon Mickleson on 027 277 8777 or email, wine@webbs.co.nz

:wmeir'

11orks tc

lesser 1

interven

11orks h

oi\VonI Webb's realizin

each,tt relation

Compa

earlv'

inexpeI in Cha growin

\e11 Z

work 1 finally

18,00(

ltisint shows

canno

benve

auctio

Waite

Willia

currer exhib

Fine Painting.1

certai

isa 'n

Amo!

Sold in September

14,iO

200]

in 19•

The S Excellent prices and high demand for the best works in

Colin McCahon 's North Otago Landscape (1967) [e] ,

younI

the September ca talogue, demonstrated that demand

was simi larl y an examp le of this artist's best work from

thea1

remains strong for quality works by our leading artists .

that particular series. The simpli city and strength of th e

for I

This is part of a consistent trend towards th e market

compos ition together wi th the clear co lour and painterly

excel

becoming better informed and more highly discerned.

app lication attracted competition from severa l buyers,

Frase

pushing the price to $190,000, aga inst its pre-sale

Kaan

Don Binney's Under the Hill of the Homestead (1967) ["] , illustrated on the catalogue cover, was exceptiona l in

estimate of $100,000-$ 150,000.

that

both its size and quality. It's a sem inal work in the artist's oeuvre and one of very few large format, early period

Two exceptional Brent Wong works [c] from the early

'B ird Paintings' remaining in private hands.

l 970's so ld fo r record prices when they achieved

attracted

considerab le

interest

finally

Thus, it

se llin g

for

$170,000, against a pre-sale estimate of $100,000$160,000.

$70,000

eac h.

Wong's

large,

ea rl y

landscapes

in corporat in g indu stria l, arch itectura l structures are se ldom seen on the market. These were the first such

126,

curre

oi K, frus11

Kaar

beyc

works to appear on the open market since 2000 when a lesser work realized $44,000 at Webb's. Over the intervening four years the market for ou r best l 970's works has increased enormous ly but, due to the scarcity of Wong 's works, it remained untested in this area. Whilst Webb's felt their sca rcity and quality might w itness them realizing figures in the vic inity of $90,000-$120,000 each, the prices achieved represented exce ll ent results in relation to previous sa les nonetheless. Compared to the Australian and internationa l markets ea rl y New Zea land Modernism still remains relatively inexpensive and underva lued in this country. Th e interest in Charl es Tole's Road to the Quarry [o] , represents a grow in g awareness of the importance of this period in New Zea land 's art hi story. Many co ll ectors admired the work during the viewi ng and after sp irited bidding it fin all y so ld for $18,000 against a pre-sa le estimate of $8,000-$ 14,000 . It is interesting to consider the impact in stitutional ga ll ery shows might have on the secondary market. Whilst one ca nnot say for certa in that there is a direct correlation between pub li c ga ll ery programs and prices paid at auction, the excel lent price achieved for the Gordon Walters screenprint Amoka [E] , may be due in part to the William McAloon curated exh ibiti on of Walters prints, currently showing at Auck land Art Gallery. This fine and its accompa nyi ng pub li ca ti on has

exhib iti on

certain ly raised awareness of Walters' pr inted works and is a 'must see' for all those interested in Walters' practice . Amoka achieved $9,500 agai nst a pre-sale estimate of

$4,500-$6,500. A print from this edition was last so ld in 2003 when it achieved $6,650, prior to this it was offered in 1991 when it so ld for $650. The September sale catalogue included severa l works by young, emerging and mid-career artists rarely offered to

taio [andscart

.th, art<-1:6'

mpl'c1h al'l1-'- · eclearcolour ett'ln irom ~' 10 000 aga ,: •

(JOO.

1g11orl) ['I

• hertlie rices 11 large. earh rchiteciur ,· t These 11ere

·111

the auction market. Webb's is keen to support th e market for newly emerg in g contempora ry art and it was exce ll ent to see the inclusion of works by Jacqueline Fraser [r] , Leon van den Eij kel, Chri s Heaphy and Simon Kaan [c] . A ll so ld very we ll but it was the Simon Kaan that was the big surprise of the night when it ach ieved $26,500 against a pre-sale estimate, sli ghtl y under current reta il leve l, of $6,000-$9,000. This fine examp le of Kaan's work caught the eye of severa l co ll ectors who, frustrated w ith being unable to readily purchase works by Kaan through retail avenues, persisted in the bidding we ll beyond the published estimate.

IMPORTA NT NEW ZEALAND AND FOREIGN PAINTING S, PHOTOGR APHY AND SCULPTU RE D11.Y ONE TUESDAY 7 DECEMBER 2004 6.30PM

6.30PM Lots

1 - 117

Lots

118 - 121

Fo reign Paintings and Prints

Lots

122 - 144

Further New Zea land Paintings and Prints

New Zea land Paintings, Sculpture, Prints & Ph otography

VIEWING TIMES Thursday

2 December

Friday

3 December

Saturday

4 December

Sunday

5 December

Monday

6 December

Tuesday

7 December

9.00am 9.00am 11.00am 11.00am 9.00am 9.00a m

5.30pm 5.30pm 3.00pm 3.00pm 5.30pm 12 noo n

Viewing until 12 noon only on day of sale

Illustrated left:

Lot 39 A. Lois White (detail )

DllY ONE TUESDAY 29 JUNE 2004 6.30PM

NEW ZEALAND PAINTINGS, PHOTOGRAPHY, PRINTS & SCULPTURE 1

RICHARD KILLEEN Insects acry I ic on paper sig ned and dated 8. 11.79 and inscribed with cata logue number 2403 395 x 285rnrn $3500-4500 see illustration upper left

DICK FRIZZELL Fishman mixed media on paper title in sc ribed, signed and dated 10/1/84 265 x 197mm $1200-1800 see illustration lower left 3

TOSS WOOLLASTON Portrait of a Boy ink on paper signed and dated 1961 360 x 265mm $1800-2500 see illustration lower right

DICK F SaeenTe;

enamel or titleinscri' 240xl0C \2000-30 ;eei/lustr,

TOSS~ Harbour

11atercolc 11gnedar )I)\ X)9

12000-3' seeillu1t

TONY

,\1onum1 oilonCi titleinsc dated !I J50x 4 $2000-: seeillu!

PAT I

The Kit, screenr titlein1 inscribe 650 xI $3000seei/lL

IMI\GS. I\TS &

;c~

DICK FRIZZELL Screen Test enamel on board title inscribed, signed and dated Sept 1975 240 x 300mm $2000-3000 see illustration upper right

TOSS WOOLLASTON

Harbour Scene waterco lour signed and dated 1989 204 x 290m m $2000-3500 see illustration middle right

TONY de LAUTOUR Monument oil on ca nvas title in sc ribed, signed and dated 2002; dated 2002 verso 35 0 x 450mm $2000-3000 see illustration lower right

5 N

-~ ~

"i) '"s:::,

PAT HANLY The Kite screenpri nt 1/5 title inscribed, signed and elated 1971 and in scr ibed Eel. 4 - To Richard & Marie 650 x 615mm $3000-4000 see illustration lower left

SIMON

MICHAEL SHEPHERD

Unlitledoilon bo, signed an

Huntly oil on boa rd title inscribed and dated 87 580 x 790mm Provenance: From the CohnNernon Collection $6000-9000 see illustration upper left

il0xjll 14000-6[

,rei/lus/1

BILLY APPLE

MICH! Sti/1 liie

Numbered and Signed sil kscreen pr int 20/25 title inscribed, signed and dated 1980 573 x 765mm $1500-2500 see illustration lower left

oilonca inscribec

IJ4x2: Pr01enar IJi00-i

,reillus, 10

DICK FRIZZELL 14

Cow, Dam and Trimmed Pines oi l on canvas title inscribed, signed and dated 10/12/2002 800 x 1040mm $5000-8000 see illustration lower left

RICH, federal oil one

1i1lerns1 dated I' -90xl Si000-, seeillu

EILEEN MAYO White Cat and Poppies si lkscree n 24/50 title inscribed and signed 440 x 295mm $1000-1500 see illustration below

NUMBERED AND SIGNED The Given as an Art-Political Statement

PAT I Da11n,

screen1

titleim

illx Sli00 seeil/i

SIMON KAAN llll6'

Untitled - Composition with Waka

G-

oi l on board signed and dated 2004 510x510mm $4000-6000

/en

see illustration upper right

MICHAEL SHEPHERD Still Life oi I on canvas board inscribed 80 134x221mm Provenance: From the Cohn/Vernon Co ll ection $3500-5000

see illustration middle right

:LL ~

RICHARD McWHANNELL Federal Street, Night oi l on canvas on board tit le inscribed, signed and dated 1978 - 1980 790 x 1085mm $5000-8000

see illustration lower right ~

11 \

PAT HANLY Dawn, Mt Eden screenprint 18/ 25 titl e in scribed, signed and dated 1974 531 x 526mm $2500-3500

see illustration below

--S

~-:::

..:;

RALPH HOTERE Easter Window lithograph w ith appli ed hand co lour title inscr ibed, signed and dated 1996; inscribed Li/ho/Drawing 765 x 565mm

$10,000-1 5,000 see illustration upper left 17

GORDON WALTERS Tawa scree nprint from the Barry Lett Ga ll ery Multiples series 760 x 560mm

$15 00-2000 see illustration lower left 18

LAURENCE ABERHART Amberley Memorial ' To Thine Own Self Be True ', Amberley, October, 1987 si lver gelatin print 200 x 245mm

TERR)

$1500-2500

Katherrll{ caslbrll!l

see illustration below

s1gralla1

. lix2! 16000-81 seeillu~

LAURENCEABERHART Interior, Naseby, Central Otago, 1980 si lver gelatin print 220 x 275mm

$1500-2 500 see illustration below 17

Gallei, \lu1Up16 .

iRT o '9&

TERRY STRINGER

Katherine Mansfield - Face in a Mirror cast bronze 5/5 signed and dated 1980 285 x 225 x 100mm $6000-8000 see illustration above

Portrait Study cast bronze, 3/3 signed and dated 1979 285 x 1 70 x 100mm $5000-7000 see illustration above

DON BINNEY

JAQUELINE FRASER

Pacific Frigate Bird screenpr int from the Barry Lett Ga ll ery Multiples series 760 x 560mm $1800-2500 see illustration above

A Portrait of that Dotted Boy Prancing Along Again mixed media on brocade fabr ic support title in scribed and dated 9/ 11 / 2002; in scribed The Presence of Land Mines Erodes the Level of Trust ... A hand signed certifi cate of authentic ity accompan ies this work 1000 x 650mm $4000-6000 see illustration above

MAX GIMBLETT Winged Joy gesso, black bole clay, 23 3/4 Swiss kt gold on 25"quatrefoil shaped wooden panel title inscribed, signed and dated 1997 verso 625 x 625mm $ 11,000-16,000 see illustration right

MAX GIMBLETT Black on Black acryli c on paper signed and dated 1982/86 570 x 760mm paper size 380 x 375mm im age size Provenance: Purchased directly from the artist in New York, 1986 $3000-5000

see illustration lower left

MAX GIMBLETT Black on Black ac ryli c on paper signed and dated 1982/86 570 x 760mm paper size 380 x 375mm im age size Provenance: Purchased d irect ly from the artist in New York, 1986 $3000-5000

JOHN

1 lati1e

see illustration lower right

,ikand

llle,n. label a -6( X5i

$6500-9 seei/lus

JOHN

COL

l rghlf

card titleins lOOx 1

siooo.

leei/fL

t[J -

"'(,_

"l,

,,..,

-~'

JOHN PULE A Native's Observation - "I Woke Up One Night ... " ink and crayon on paper title inscribed, signed and dated 1999; Gow Langsford Ga ll ery labe l affixed verso 760 x 570mm $6500-9000

see illustration upper left

JOHN PULE A Native's Observation - "While I was Resting" ink and crayon on paper title inscribed, signed and dated 1999; Gow Langsford Gall ery labe l affixed verso 760 x 570mm $6500-9000

see illustration upper right

COLIN McCAHON Night Fishing, French Bay cardboard relief print, ed. 7 title insc ribed and signed 200 x 125mm $3000-4500

see illustration right

31 COLIJ,

,erop/a, cha,coal titleinsc

220x 2' s22,ooo

see ii/us 30

RALPH HOTERE

Avignon

cou

watercolour and ink on paper title inscribed, signed and dated August 1978 460 x 321 mm

$15,000-25,000 see illustration above

\orth C screenp,

56(x -1

12000.2 lee ii/us

COLIN McCAHON Aeroplane Over Muriwai charcoal on paper title inscribed, signed and elated Easter 1973 220 x 290mm $2 2,000-3 0,000

see illustration above

If 32

COLIN McCAHON North Otago Landscape screenprint from the Barry Lett Ga ll ery Multip les series 560 x 760mm $2000-3000

see illustration right

ALLEN MADDOX Batman oil on two sheets of card mounted on board titl e in scribed, signed w ith initials and dated 4/ 79 11 00 x 1450mm

$10,000-15,000 see illustration above

DICK

lhealnG oil on be litlemsc anisi'sg,

1)50 x I

Pr01ena1 and hun thattillll

s20,ooo seei/lus

,j.

ALLEN MADDOX

llALPI

Single Cross oi l on paper 510 x 525mm

Red on 1 SCreenpr -~ X51

$2500-3500 see illustration left

11200.1 5eeillus

DICK FRIZZELL Theatrically Lit oil on board tit le inscribed, signed and elated 22/6/83; artist's ga ll ery labe l affixed verso 1 250 x 1 200mm Provenance: Commissioned by the Mercury Theatre and hung al the theatre ti ll its closure. Pu rchased at that time by the present owner. $2 0,000- 30,000

see illustration above

RALPH HOTERE Red on Black screenprint from the Barry Lett Gallery Multiples series 760 x 560mm $ 1200-1800

see illustration right

37 SYDNEY LOUGH THOMPSON Behind the Market, Concarneau, Brittany oil on canvas signed; title in scribed and signed verso 598 x 440mm $20,000-30,000

see illustration above

Ralph Hotere's Song Cycle series constitutes the artist's most exp li cit

statement

about

the

interrelationships between art forms.

relationships

and

Conceived of as

'Gezampkunstwerk', or the total work of art, a number of large vertica l canvases were designed to be part of a Stage Design for a production at the Sound Movement Theatre in Dunedin in 1975. These works incorporate the poetry of Bill Manhire, New Zea land poet and long held friend of the artist. Nineteen of these 'ban ners' were exh ibited as a seri es at the Bosshard Galleries in 1976. Writing in Art New Zea land 2, Rodney Wilson sums up the effect of the show: " It's as if Hotere has telescoped in on instances, ideas and tactile experiences present in Manhire's work. Words like 'touch', ' rain ' and ' ice', all highly charged with association, draw upon the viewer's experi ence, awakening in him dormant memories and creat ing in his mind a rich private associationa l imagery."

RALPH HOTERE Song Cycle mixed media on paper title in scribed, signed and dated 1976 inscribed A wind goes out I Over the fields I A shadow grows I Where I touch you I

What is this distance I Whose hand is quietly I Waving? The wind II Manhire

Hotere has often employed words in his paintings, so as each rema in both independent and interdependent, and so that they can work together granti ng greater meaning to each other and operating on levels which neither can alone. Similarly, his works have always been about process as much as the end result - here, the building up of surface through endless layering of paint. Like the large canvas banners, this work on paper simi larly features an exposed area at the

1010 x 680mm $40,000-50,000

bottom wh ich emphasizes the materiality of the work as does

see illustration opposite page

BEN PLUMBLY

the thinly inscribed, barely-perceptible liminal ci rcle.

eslliet',

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A. LOIS WHITE Floral Design varn ished watercolour on paper, c. 1945 or igi nal labe l from artist's retrospective By the Waters of Babylon, Auck land Art Gal lery, affixed verso 360 x 280mm Provenance: From the CohnNernon co ll ection $ 10,000- 15,000 see illustration upper left and detail page 16

A. LOIS WHITE Hunter Resting - Cat Asleep varn ished waterco lour on paper, 1949 origin al labe l from artist's retrospective By the Waters of Babylon, Auckland Art Gal lery, affixed verso 293 x 337mm Provenance: From the CohnNernon col lection $10,000-1 5,000 see illustration lower left

CHARLES FREDERICK GOLDIE Harata Rewiri Tarapata conte crayon on paper signed and dated 3/5/06 and in scribed Haere Ra, Kia Ora 218 x 175mm Harata Rewiri Tarapata is a prepatory drawing for his 1906 painting entitl ed Suspicion. Harata was painted at least nine times by Goldie, exc lu sively from life. Harata was descended from two noted Maori chi efs and was famous for her beauty. She died in 1911 at an advanced age. Provenance: Formerly in the co ll ection of Mr Ralph Trimmer of the North land Harbour Board who purchased the drawing in the 1940s. $12,000-18,000 see illustration opposite page

LOUIS JOHN STEELE Wife of Rauparaha, Waihi oil on board title inscribed and signed; label affixed verso reads: The painting of the wife ofTe Rauparaha by the late L.J Steele, was painted according to Mr C.F Goldie, at the artist's best period. The subject of the picture was one of the Albino type of Maori. 285 x 227mm Provenance: Formerly in the collection of the Dr Neville Hogg. Sold by Webb's in August 2003, lot 51. $30,000-40,000 see illustration opposite page

According to a label on the back of the paintin g, Goldie,

states that she was the wife of Rauparaha, presumably the

who was a friend and occasional collaborator with Steele,

famous warr ior ch ief Te Rauparaha of the Waikato, though

regarded this as an example of his friend's best work. Steele

this is not certain. Conservation staff have checked the

(1843-1917) first exh ibited a Maori subject in 1888 and was

inscription which appears to be genuine and under the layers

subsequently to produce many Maori historical and narrative

of varnish.

works of which Spoils to the Victor of 1908, in the Auckland Art Gallery is the best known. He also collaborated with

Steele studied painting at the Ecole des Beaux Arts in Paris

Goldie in 1898 on the famous painting Arrival of the Maori

where he acquired a refined academ ic technique, as seen in

in New Zea land, now in the Auck land Art Gallery. Unlike

this work, with dark areas painted thinly and the highlights

Goldie, he is less noted for his portraits of Maori, though , as

on the eyes, nose and tiki touched in with impasto. It appears

this fine example shows Steele was we ll ab le to work in this

unlikely that Steele worked from a photograph in making the

field. It is an accomplished but unpretentious likeness of a

portrait since it has a freshness of observation and sense of

young Maori woman who has a chin moko, a greenstone tiki

individual character. The work is undated but wou ld

suspended from a necklace, a greenstone ear pendant and

probably have been executed after 1890; it is signed and

huia feathers in her hair; she also wears a fine cloak. All

shows Steele's ability at work ing on a small scale with a high

these items suggest a person of high rank and importance

degree of detail.

and an inscription added to the background of the painting

MICHAEL DUNN

TONY F

/n\lemory hodiedl oil on cam ;ignedand J61)x1i0r sio,000-,1 seeillustra 11

Whoever become depicted I dramatica fletcher character. and reprE fomison I andphilo Art and ic to note t rormed a Artists L personali ambi1ale1 critique t John the I Omai,thr are exam

Perhaps support gender b confront Zealand \orrnan rn 1964

equali~. us, 'Alth, Douglas

TONY FOMISON In Memory of Equality Bill Campaigner, Stewart Fletcher, who died 8th October 1915 oil on canvas on board signed and dated July 1981; title inscribed verso 360 x 250mm $40,000-50,000 see illustration opposite page

Whoever the dedicatee of this painting actua ll y was he has

discriminatory provisions enacted the following year in the

become an exemp lary Fomisonesque type. Distinctively

Property Law Amendment Act." Like Fomison, Douglas also "took a keen interest in ethnic minorities, particulary Pacific

depicted in the manner of a romantic painter who sought the dramatically theatrical and the internally reflective, Stewart Fletcher has been idea li zed as a quietly inspirational character. Identifying Fletcher as a campaigner for equa lity

Islanders with in his Auck land Centra l electorate." Such progressive socia l stirrings in New Zealand at this time ch imed w ith the much better known American Civil Rights

and representing him in a meditative state indicates that

Act of the same year. Certa inl y Fomison wo uld have been

Fomison be li eved the interior world of visionary imaginings and philosoph ica l musings has import in the world of action.

more closely ali gned w ith the socia l idea ls championed by the likes of Norman Douglas than the Rogernomics that were

Art and ideas can move things in the 'real world'. Important

developed by his son. Fomison was a product of the utopi an

to note here that in 1974 Fom ison and Philip Cla irmont

1960s rather than the 1980s and its privatization of power.

formed a club for like-m inded artists ca ll ed the Militant Artists Union. He often painted actual and imaginary personalities that occupied the margins of society or some

Fomison's portra it is concisely and economi ca ll y constructed. It plays a series of illuminated sections of face,

amb ivalent social space, but who offered a form of prophetic John the Baptist, Bill Ratana, Te Whiti, St. Anthony, King Lear,

hand and cand le against an envelop ing darkness. The clarity and eerie sti llness of ca ndl elight recalls the metaphysical luminosity of Georges de Latour's 17 th century cand le-lit

Omai, the clown in different guises, Van Gogh and Clairmont

studies of meditative or penitential figures. De Latour often

are examp les.

incl uded actua l skull s to point up the memento mori conte nt of his work; with Fomison the pure but slowly vanish ing

Perhaps Stewart Fletcher's politica l conscience led him to

candle on its own acts as an icon of transience and the

support left-wing movements to legislate for racial and gender based equa li ty in this country - issues wh ich still

melancholy passage of time. The closed eyes of the subject deepen this very archaic image of the interior life and its

confront us as central to establish ing contemporary New Zealand identity. Perhaps he supported activists such as Norman Douglas, trade unionist and labour politician who

correlate world of projections and shadows. Though Francis

in 1964 introduced a Contracts Bill addressing racial equality. As the Dictionary of New Zealand Biography te lls

light and specu lation in a dark wor ld, for Fomison on ly the cand le cou ld make the link between Plato's cave and the

crit ique through their outsider status: the suffering Christ,

Bacon, Ca ll an, and sometimes McCahon and Clairmont may have used light bulbs as contempo rary symbo ls of partial

us, "Although the government ensu red that the bill lapsed,

artist's own smoky wor ld of moonlight and mirrors.

Douglas had the satisfaction of seeing many of its anti-

A LLA N SM ITH

RALPH HOTERE Pipiwharauroa enamel on board signed and dated 1977 inscribed Kotahi manu i tau kite tahuna /Tau atu tau atu kua tau mai inscribed verso

P,f.-'1 Wt

pl .

Pipiwharauroa I Pipiwharauroa I He Mane Rere I Rere Runga /Tere Raro 790 x 590mm $90,000-120,000 see illustration opposite page and reverse right

~{ ::1.-·1

Trans lation of Inscription verso Shining Cuckoo/ Shining Cuckoo I Fly Bird/ Fly to the South/ Quickly from the North

This painting takes its title from a poem composed by the

To tentatively continue along such a dangerous personal line,

artist's father, Tangirau Hotere, entitled Te Tangi O Te

it is further possible to extrapolate biographical elements

Pipiwharauroa or Song of the Shining Cuckoo. Despite the

through the manner in which the Shining Cuckoo appears as

fact that Ralph Hotere has repeatedly distanced his art from

a metaphor for the artist himself. A Cuckoo is a bird that

his Maori heritage - instead seeking to ground it in its more

lives, and thrives, in the nests of others yet manages to

fitting universal aspirations - this is one of several works

maintain a stable sense of personal identity. Like the

featuring Maori poetry. For many, Hotere's art has always

migratory bird Hotere is a Maori living in a Pakeha-

been about reconciling - perhaps even, mining the fertile

dominated New Zealand society. Moreover, like the Cuckoo

gap between -

polarities such as darkness and light,

he himself has migrated south. The Shining Cuckoo migrates

abstraction and representation, form and space, art and life,

to New Zealand from the Solomon Islands some 2000

the eye and the mind, depth and flatness, even the high and

kilometres away every September or October, whereby

the low (Ralph Hotere, Pop Artist? An entire thesis beckons

Maori celebrate its arrival as a welcome portent of Spring.

the wi l ling student).

Maori believe that the Shining Cuckoo came from the

However, in this instance it seems

especia lly about the relat ionship between poetry and the visua l arts.

spiritual home land of Hawaii.

Hotere has often integrated the poetry of his

friends into his art - Hone Tuwhare, Bil l Manhire, Cil ia McQueen, Ian Wedde -

but this poem, by his father,

introduces a personal element, one that the artist has often sought to negate, primarily through a style of painting that reca l ls the American Post Painterly Abstraction movement and its eschewa l of the autobiographical brushstroke (the

Poetry has often appeared in Hotere's work, yet it appears less frequently in Maori. The most notable example is perhaps the Codwit/Kuaka mural (1977), designed for the Auckland Airport. In Pipiwharauroa the juxtaposition of the finely-stippled abstract patternation inscribed

with

the thinly

perfect circle and the Maori

incantation

Black Monk of American Modernism and oft-cited Hotere

inscribed along the exposed base of the work, is both rich

influence Ad Reinhardt dogmatical ly prophesized in Art as

and nebulous. Similarly, the hastily scrawled verse from

Art 'Painterly pa inting is ugly'). Perhaps it is only the Sangro

'Song of the Shining Cuckoo' on the verso again represents

works in Hotere's oeuvre which bespeak such deep ly fe lt

a ferti le contrast to the front surface and recalls Hotere's

persona l and familial concerns.

contemporary McCahon, who also utilized the poem in his monumental work Song of the Shining Cuckoo (1974). BEN PLUMBLY

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MILAN MRKUSICH Chromatic Suite, II mixed media on paper title inscribed, signed and dated 1968 verso 325 x 390mm $10,000-15,000 see illustration above

f1enas1

circle ar

Mrkusich

A11ardat

MILAN MRKUSICH

Japan, th1

Untitled acry lic and crayon on paper signed and dated 1977 420 x 335mm Provenance: Purchased from Artis Gallery, c. 1980 $10,000-15,000 see illustration left

Irom196 Dunn co

The iorm

been ass

psycholo terms as "al11ays

MILAN MRKUSICH Passive Element #7 acry lic on jute canvas title in scribed, signed and dated 1969 verso 710x7 10mm Provenance: From the Co hnNernon Collection

$30,000-40,000 see illustration opposite page

ultimate

Whileth

intheE

oeuvre , implicit

there is,

surface i

~euni~

Even as early as 1969 the geometri c elements of a sq uare, circ le and line we re fami li ar in th e oeuvre of Milan Mrkusich . Painted in the same year that he rece ived a Merit Award at the Internationa l Young Art ist's Exhibition in Tokyo, Japan, this painting is from th e 'e lement' series that extended from 1965 to 1970, a series wh ich Peta r Vul etic and Michael D unn considered "a classic series in Mrkusich's painting".

The forma l elements of Passive Element #1 have in the past been associated w ith the ideas propounded by the Swiss psychologist Carl Jung, the squared circle known in these terms as a mandala, a symbol ic figure that Jung c laimed, "a lways points to the single most vital aspect of life - its ultimate wholeness" . While the association of w ho leness to Jung is made exp li cit in the elements of this pa inting, in terms of Mrkusich's oeuvre of painting the idea of who leness is always an impli cit feature, a constant resonating force. In all painting there is a tension created by the breaking up of the painted surface into sepa rate areas, a divisive quality that threatens the unity of that surface. Yet without exception in Mrkusich's

oeuvre, this threat is countered with forces that co nstantly stri ve to maintain a sense of wholeness. In the case of Passive Element #1, the clea rl y defined shape and vib rancy of th e ye llow circle strains to be seen sepa rately from the surroundin g squared co lour, a separation th at is emphasised by the recessive and projective qualities of the two co lours. Yet th e co mplex ity of Mrkusich's sty le of painting is such that the subtle techniques he employs co unter this divisive tension and maintain the sense of its unity. The strongest strategy for unity appears in the com pl ex co lo ur structure of the ci rcul ar form, as the darker surrounding co lour extends across its surface like a mist, the eye see ing the vibrant ye llow as lying secure within it, as if caug ht in its cohesive mesh-like haze. Thi s continuity of colo ur across the canvas perceptually neutralises the di visive reactivi ti es of the co lours, while the thin blue li ne that crosses the circle further binds the soft atmosphere together. CHRISSIE CRA IG

EVELYN PAGE No. 2 Figure in Shade oil on board signed Provenance: Purchased directly from the artist by the present owner in January 1973 for $500 575 x 435mm $75,000-95,000 see illustration opposite page and front cover

Few local painters have achieved the sense of joyfulness and

reflect ion and oblivious to the gaze of the viewer. It is easy

celebration of life that we find in the works of Evelyn Page.

to pick up references to we ll -known precedents for the

Not for her the austere palette found so often in the art of her

image in Gauguin especially, and Renoir; the monumental

contemporaries. Instead her paintings are full of colour and

form of the figure and its simplification recall Gauguin's

sunshine and depict obviously attractive subjects such as

Tahitian women while the brushwork and interest in the play

spring landscapes w ith flowering fruit trees, luscious sti ll li fe

of light and shadow look more to Renoir.

paintings replete with the bounty of the earth, and young women, many nude, displayed for pleasure not for political

Page's figure is lightly clad and relates to other paintings of

and moralising reasons. Page is in many ways an exceptional

hers, like Recumbent Nude (1972), in its sensua l mood and

painter who followed her own path without worrying too

in the paral lels she draws between the beauty of the young

much about modernism and abstraction. Her artistic roots

woman and her lush backdrop of sunlit foliage. Paintings of

are found in French Impressionism and the works of Sydney

this kind are rare in New Zealand art where a puritanical

Lough Thompson who once said she was his best pupil. Like

streak often leads artists to fear and question such subjects .

Thompson's, the mood of her art is consistent ly bright and

Evelyn Page had no such inhibitions as we see in this fine

optimistic, and it shares his lush handling of paint and his

example of her work. She also enjoyed painting the figure

decorative concerns. Both enjoyed happy and sociable lives

and showing women between the interior space of the home

However, whereas Thompson was an

and the exterior world of the garden . Frances Hodgkins had

expatriate who lived in France, Page evolved her art in

exp lored such ideas and the relationship between the themes

Christchurch and Wel lington remote from the European

and approaches in some of Page's works suggests a bond,

origin s of her style.

though she apparently never met her famous predecessor.

Figure in Shade was painted when Page was seventy-four and

trees so that the pattern of light and shade could provide an

is a remarkable work for someone of that age in its

added pictorial interest and subtlety to the imagery.

and

it shows.

Hodgkins, too, liked to show female figures in the shade of

exuberance and sensua li ty. Set outdoors against a backdrop of sun-dappled trees, her sitter is wearing a Polynesian dress

Evelyn Page had a close circle of friends who valued and

decorated w ith bright flower motifs. Her shoulders and arms

collected her paintings and sometimes she introduced them

are bare and have a dusky colouration that identifies her too

as subjects into her works, as may be the case here.

as Polynesian, as do her features that are broadly touched in with little detail. The sitter appears to be lost in a moment of

MICHAEL DUNN

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49 49

ROBIN WHITE Harbour Cone I watercolour on paper title inscribed, signed and dated 1975 650 x 375mm $35,000-45,000

see illustration opposite page

Robin White spent eleven years from 1971

living in

White's respective pa intings converge through there shared

Portobello, a sma l l town at the head of the Otago peninsula,

propens ities for a straightforward and simple presentation,

memorialised by the artist herself in the iconic painting of

cr isp outl ines, modell ing and the manner in which both

Sam Hunt outs ide the loca l pub, entitled Sam Hunt at the

artists choose to represent the land as dry and harsh with the

Portobe/lo Pub (1978). White's tutor at art school was Col in

hil ls ris ing extremely out of the sea.

McCahon and he, alongside Don Binney and Rita Angus, are oft-cited and obvious influences.

Harbour Cone 7 (1973)

captures the austere beauty of the region in a manner that reca l ls her tutor's images of the same environs such as the North Otago series, but particularly McCahon's own paintings of the Otago Harbour such as the magnificentlyscu lptu ral Otago Peninsula (1946-1949), which hangs in the foyer of the Dunedin Pub lic Library.

Otago Peninsula,

formerly in the col lection of Rodney Kennedy, makes for a worthy compar ison not so lely through the subject matter but also through the treatment of form: both McCahon's and

Wh ite has spent much time painting and making prints of the Otago environs, all of which are most noticeable for their ostensible focus on the unusua lly conica l and aptly named Harbour Cone, known as Hereweka to Ngai-Tahu Maori. Although the artist is primarily known for her emp loyment of the more democratic si lkscreen medium, it is testament to her strength as an artist that the crisp outlines and simplified styl ised forms lose nothing when transmogrified into the softer medium of watercolour. BEN PLUMBLY

so COLIN McCAHON A Poem of Kaipara Flats 16 watercolour, acrylic and pastel on Steinbach paper title inscribed, signed and dated 1971 1015 x 660mm $85,000-125,000 see illustration opposite page

In 1970 McCahon resigned from his teaching position at

glowing and energetic surface. The v ivid yellow of the sea

Elam and moved his studio to Muriwai beach, north west of

gives the impression of the burning surface of the sun, the

Auckland. Here the land and sea gave McCahon fresh

blue at the horizon recedes and the red-ochre tones in the

stimu lu s and in 1971 he produced a large body of work

sky advance creati ng depth and expanse.

which describe the view from his cl iff-top studio, entitled the Kaipara Flat series. All are on large format Steinbach paper

and al l are vertical in format.

McCahon found Muriwai not only beautiful but also spiritual ly significant: " I do not recommend this landscape as a tourist. It is wi ld and beautiful, empty and utterl y beautiful.

In the Kaipara Flat series McCahon repeatedly depicts the same

view

recording

the

effects

that

weather and

This is after all, the coast the Maori soul s pass over on their way from li fe to death..

the light and sunsets here are

atmosphere had on his perception of the scene. The

appropriately

magnificent."

inscription locates thi s work as the sixteenth in the series.

McCahon: Artist, Reed, 1984, p. 109) .

(Gordon

Brown,

Colin

McCahon's deliberate repetition bears obvious comparison to the approach emp loyed by the Impressionists, repeatedly painting the same subject in order to record different lights at different times of the day. In the way that Monet painted his haystacks at Giverny or the fa<;:ade of the Rouen Cathedra l, McCahon's Kaipara Flat works observe the same view from the top of the cliff but depict it in a var iety of d ifferent lights and atmospheres.

this

time

McCahon

was

concerned

envi ronmenta l changes affecting the

beach

with

the

and

the

increasing pollution of the area. Furthermore, a local quarry's excavations and the behavior of day visitors to the beach were also damaging the landscape. McCahon said : " I am not painting protest pictures. I am painting about what is still there and what I can see before the sky turns to black with soot and the sea becomes a heaving rubbish tip. (McCahon's

The rich and v ibrant use of co lour in the Kaipara Flat series

Necessary Protection, Gavett Brewster Art Gallery, 1977, p. 6).

is rarely seen in McCahon's oeuvre as he typically confines

The Kaipara Flat series anticipates the thematic features of

himself to a limi ted palette. A Poem of Kaipara Flat 76

the Necessary Protection series, produced in 1971 and 1972,

consists of a richly coloured field, charged with movement

in which McCahon further vo iced environmental concerns.

and energy. The composition is a simp lifi ed representation of

Whilst A Poem of Kaipara Flat 16 creates a feeling of joyful

sea and sky with the work's power coming from the strong

energy, it is typical of McCahon's wo rk in that it embraces

use of co lour and ca lligraphic brushwork . Pa inted quickly, in

deeper ecologica l and spiritua l sentiments.

water based paint and pastel, the gestural marks create a

)II~

pae, ,pro:iJC

cell

RALPH HOTERE Port Chalmers Painting No. 13 acrylic on canvas title inscribed, signed and dated 1972 verso 1185 x 1190mm $160,000-2 00,000 see illustration opposite page

If you drive out from Dunedin towards Aramoana you pass

of someth ing immutable. What this immutab ility and logic

through the smal l town of Port Chalmers. In the 1970s and

offers the viewer is a sense of completeness and si lence.

'80s, Ralph H otere had a studio here on Observation Point.

These are objects of meditation.

A lthough tragica l ly the headland no longer exists, you could

quoted artist's statement from a 1966 exhibition of the Zero

In a very rare and often

at the time look out from the studio down the length of the

series, but which can be applied equally to the Port Chalmers

Much of

paintings, Hotere wrote 'The series Zero may be called an

Hotere's painting has focused on the importance of place

object of visual meditation, the essence of meditation being

harbour towards the entrance at Aramoana.

The

a personal d iscovery in a seeming void. I have provided for

landscape around Port Cha lmers has formed a fundamental

the spectator a starting point, which, upon contemplation

part of this perspective.

may become a nucleus revea l ing scores of new possibi l ities'.

and how we live in and with the environment.

There are many aspects of this

environment that have been absorbed into the paintings: the beautiful, mottled lichen- l ike surfaces of the Aramoana series and the works associated with the Codwit/Kuaka mural; the reflect ion of harbour l ights on the water at night which found their way into many of the paintings in the form of finely inscribed vert ical lines. Even in the seemingly most abstract of works, the landscape is present. In Port Chalmers Painting

No. 13 it can be seen in the delicate bleeding of paint across the lower section of the canvas forming the faint light of a horizon l ine.

The interplay between si lence and language (in the form of text) has always played an important role in Hotere's work. The matt black of the Port Chalmers paintings and the mathematical logic of the square and circle motifs proffer only silence and sti llness. Un like the highly pol ished blacklacquer paintings, there are no reflective surfaces so that as the viewer passes in front of the work their movement is not registered in the pa inting.

Any externa l sound is also

absorbed and muted by the subtly textured black of the canvas. These black tones however are not weighted with a

The Port Chalmers paintings relate to the Zero series of 1966-

portentous silence but instead they are resolute and deeply

67 and the Black Paintings of 1968-69 and while there are

restfu l.

elements w ithin the Port Chalmers paintings, which reflect the environment, like these earlier series, they are also very logical, ordered works. The fee l ing which emerges from the

Port Chalmers paintings is of a perfectly judged balance and an abid ing sense of sti llness.

There are 16 sequentially

numbered paintings in the series, each measuring about 1180 x 1180 mm.

A l l of the works are painted

predom inantly in matt black acryl ic and feature motifs of circles or squares. These motifs are rendered in a variety of forms - fine lines, delicate co lour shifts, or subtle changes in texture. The squares echo perfectly the logic of the frame while the c ircles convey the concept of eterna l cycles or in art historical terms the notion of artistic perfection.

Each

work is precise, finely balanced and carries with it the notion

Silence is often a refusal of language where language is not necessary. Hotere, himself famous for his silence, was once quoted for having said 'There is nothing I could say that would be better than the painting'. A lthough silence is not often thought of in painting as much as in the pauses and divisions of poetry or the intervals in music, it can, as it does in the Port Chalmers paintings, manifest itself as a tangible element in the material qua l ities of the work. Where words in paintings provoke thought and a flow of language in the mind, the forms, pa lette, and textures of the Port Chalmers works stop that language. They allow the mind to rest and to find ca lmness within the logic of the work, its composition and the al l-absorbing silence of the black. KR ISELLE BAKER

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MICHAEL SMITHER Kawaroa Paddling Pool oil alkyd on board signed with initials and dated 1998 1200 x 1780mm $80,000-120,000 see illustration opposite page

With his paintings of the Kawaroa Paddling Pool made in the

including the present work; also, there are two paintings of

late 1990s Smither returned to one of his earliest sources of

details of the pool. Though shal low, the pool conta ins water

inspiration, the coast near New Plymouth. There in 1964 he

and life that contrast with the surround ing rocks that are

found the subjects for some of his best-known works

barren and inhospitable. In the pool there is a reflection of

featuring the stones and rock pools of the foreshore at

the sky that appears al111ost surreal with its pink and pale

Kawaroa Reef. He has noted: 'The reef runs along the coast

blue colou ring. In talking about the se ri es Smither has made

skirting what was then New Plymouth's backyard. The town

the assoc iation between the form of the concrete pool and

turned its back on it. Now it is a swept-up foreshore

the kerbing that used to surround graves in old cemeteries.

'development' complete with Len Lye wind wand.' The early

This points to underlying layers of personal meaning and

paintings depict each stone w ith a close-up sharp focus that

symbolism in the subject, including a meditation on

makes them appear memorable and significant. Painted in a

111ortality. The rectangle of the paddling pool transforms the

restricted palette of deep blues and green they we re at the

way we see the beach and stones compared w ith the early

time innovatory in terms of New Zealand landscape

Kawaroa paintings of the 1960s. In the present work

painting; tod ay they have acquired new significance as

Sm ither's is more demanding of the viewe r than before

ownership of the seabed and foreshore has become

because

contentious. In his poem entitled Stones Smither writes:

dimensions that were absent from the first Kawaroa se ri es.

Each stone/begins to find/ its own character/its own specific shape/beyond/ the original formu la.

introduces

perceptual

and

interpretative

Kawaroa Paddling Pool shows Michael Smither's uncanny

ability to make a commonplace, seemingly trivial subject appear meaningful and memorable. In his art realism is

He returned to Kawaroa often in the 1990s while visiting his elderly and frail mother at New Plymouth. Childhood memories of the paddling pool where she had taken hi111 to play ca111e flooding back to him and led to a series of works depicting the rectangular structure with its concrete frame.

never illustrative or trivial; rather he transcends hi s subject matter by the intensity of his v ision and the personal history he brings to it. While not an easy painting it is nevertheless a powerful one that shows Smither at his most mature and individual.

H e made two sma ll vers ions of the pool and two large ones, MICHAEL DUNN

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DON BINNEY Pacific Frigate Bird 560 x 460mm

ROBERT ELLIS Motorways 560 x 460mm

PAT HANLY Inside the Carden

430x 510mm

RALPH HOTERE Red on Black 560 x 460mm

MICHAEL ILLINGWORTH Tawera 440 x 460mm

COLIN MCCAHON North Otago Landscape 560 x 460mm

MILAN MRKUSICH Passive Element 560 x 33 0mm

ROSS RITCHIE Three 430m m dia meter

MICHAEL SMITHER Wave Invading Rock Pool 560 x 460mm

GORDON WALTERS Tawa 535 x 650mm

MT WOOLLASTON Patrick Lucas 460 x 560mm

$8000-12,000 see illustrations this page

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COLIN McCAHON Drawing for Stained Class Window in Roman Catholic Convent Chapel, Remuera, Auckland penci l on paper signed and elated Jul y 1970

445 x 405mm Note: A photograph of the completed window is affixed verso $15,000-20,000

see illustration above

TONY FOMISON Smile You Bastard graphite on paper Provenance: From the estate of the late Tony Fomison. Gow Langsford Gallery labe l affixed verso 431 x 278mm $8000-14,000

see illustration right

59 LUISE F( Unt•led 57

JEFFREY HARRIS Male Figure in Interior pastel on paper signed and dated 1985 1215x805mm

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$7000-10,000 see illustration upper left

JEFFREY HARRIS Night colou r lithograph, 16/20 title in scribed, signed and dated 1987; inscribed verso

Only coloured litho, printed in Melbourne 1220 x 805mm

$4000-6000 see illustration left

PHILLIP CLAIRMONT

Still Life with Objects

WILLIA

woodcut 2/1 5 signed and dated 1980 within the print; title inscribed and signed Provenance: From the CohnNernon col lect ion 970 x 770mm

TheMirac DraughtF,

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16 x·10 17000-10

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CHRISTOPHE R PERKINS

Untitled

View from 7 Dalton Streel, Napier

acryli c on two panels, diptych title inscribed, signed and elated December 1994 verso 1200 x 800mm overall $6000-9000

oil on board signed w ith artist's monogram; titl e in sc ribed and signed on label affixed verso 442 x 542mm $6000-9000

see illustration above

see illustration above 61

WILLIAM REED The Mira culous Draught Fishes oil on board signed; title inscribed and signed verso 463 x 710mm $7000-10,000

see illustration right

TONY LANE Book oi I and gold leaf on gesso panel title inscribed, signed and elated 1997 verso 810 x 1350mm including frame $11,000-16,000 see illustration above

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PAT HANLY Hope screenprint 14/35 signed and dated 1984 515 x 652mm $3500-4500 see illustration lower left

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JAQUELINE FAHEY The Dinner Party oil on board signed and dated 1983; title inscribed, signed and elated verso 1215 x 580mm $1500-2500

see illustration upper left 66

TONY de LAUTOUR Badlands unique sc reenprint on canvas w ith pencil and acylic hanclcolouring title inscribed, signed and elated 2001

960 X 940111111 $7000-9000

see illustration upper right

NIGEL BROWN When Various Sorrows oil on board signed and dated September 1977; title insc ribed, signed and elated Titirangi 1977 585 x 685mm $6000-8000

see illustration lower right

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BILL HAMMOND Skin Room oil on canvas title inscribed, signed and dated 1997 690 x 535mm $65,000-85,000

see illustration opposite page

A sumptuous and iridescent painting that packs as powerful

orchestrated by Hammond's artfull y languid Master of

a punch as many of Hammond's much larger works. Skin

Ceremonies w ith a sh immering emera ld epidermis, fo lded

Room

emotiona ll y

comp lex

and

visually

rich,

wings borne like the backpack of a tramper from sp irit

concentrating severa l of the key themes and motifs from his

regions, and a microphone. He, or she - the Hammond birds

major period of Buller Birds imagery. Painted in oils with

seem potentially either multi or a-sexua l - orchestrates the

varnish or medium that makes them run and shine like

woodland proceedings like a cross between a Masonic

enamels, there is a glossy treacle like consistency to some of

grandmaster and a jazz lounge crooner, a fallen angel and a

the paint, intensified by the work's wide creamy-white

regular at Friday night karaoke. The encamped bird people

border.

all seem to rest in a dreamy suspense; walk ing, sitting, leaning or hanging. The hanging bird recalls the assonance

The title Skin Room immediately recalls the use Hammond has made of the taxidermy theme, kicking off from the exp loits of ornithologist and plume trader, Walter Lawry Buller. But as the artist has immersed himself in this theme, which naturally unites viol ence with beauty, conno isseurship with death, the idea of the skin as a decorative layer w ith multiple lives and associations, has grown exponential ly. Two key works in Hammond's establ ishment of this theme are Buller's Tablecloth, with long birds elegant in death stretched across a white tablecloth awaiting the taxidermist's knife, like 'patients etherised on a table'; and Shag Pile, in which rows, heaps, arrays and a finished specimen cata logue the crim es of aestheticised greed. The Web assures me of further ramifications that the term skin room might have, bringing together elite club rooms with exotic anima l furs on its wa ll s, w ith the steamy atmosphere of gay saunas, and the industrialized

savagery

the

modern

meatworks.

Hammond's persistent return to the theme of inscribed and decorated sk in s would suggest he is also aware of Titian's metaphor in his Flaying of Marsyas, of painting itself as a type of suffering, painted body or skin. In these terms any painting exh ibiti on is a type of skin room.

Hammond has occas ional ly drawn between the whimsical, suspended, jungle-gym figure and the crucified or tortured bird. Interpretation of the hanging bird is also enhanced by Hammond's psychology of the long running drip. Drips, stains,

slui c in gs and

trickles are not mere material

confirmat ion of the painterly process in Hammond's art. In this work, the hanging bird's vita lity is threatened as its li fe force drains out in a long si lvery grey drip running down into the bottom of the painting. In some series Hammond has allowed the runs and drips to create an almost torrential force of painterly downpour. Yet, as w ith this sma ll suspended figure and its companions, the strange tranquil ity of Hammond's ink and pigment bleeding birds, gains a nervous quickening through

apparent habituation to

transformative flows and discharges of energy. The thicker drips and stains that creep and pool along the bottom edge of Skin Room, diluting the metallic verdigris of several birds, creates a real sense of instability in this scene of sylvan opu lence. The gold haze that floats across the dark ground of the painting, the ornate japonisme of the gilded pine braches, the bird's trelliswork tattoos, and the rhetorical indolence of the birds' poses all contribute to a scene of we ird and arcane festivity, a scenario of impeccably

This skin theme, which absorbs and feeds off the discourse of ornament and decoration, off the idea of pattern as

managed desperation, whose real intents and purposes remain opaque to the cas ual outsider.

transformational energy as much as designed contrivance, is ALLAN SM ITH

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PHILIP CLAIRMONT Rachel Seated acrylic on jute canvas signed with initials and dated 1981 verso 1620 x 900mm $35,000-45,000

see illustration opposite page

Philip Clairmont together with Philip Trusttum, Tony Fomison

Zea land magazine: "One of my ambitions as a painter is

and Allen Maddox studied in Christchurch under Rudolf

eventual ly to come to terms with the figure -

Gopas during the 1960s and 1970s. Taken together this

someth ing sign ificant w ith it." Rachael Seated is a highly

group of artists represents New Zealand's Expressionist or

charged figure study that sees this asp iration realised.

Neo-Expressionist movement. Certain ly Clairmont was

Depicted from behind, we take on a sense of the voyeur

to do

aware of artists in Europe and America who were working in

looking on. Whilst there is a powerful air of sexua lity about

Neo-Expressionist styles and the influence of Dutch Post-

this portrait, it is less erotic than problematic as it is unclear

Impressionist painter Vincent Van Gogh is evident in

just what you are looking at. Clairmont's interest in

Clairmont's use of rich and vibrant colour and his interest in

Psychedelic Art of the 1970's is evident here in his creation

the express ive qualities of paint. German artist Max

of a hallucinatory atmosphere. The cha ir seems to be both in

Beckmann is also believed to have influenced Clairmont's

front of, and behind the figure and at points seems to pierce

use of intense emotive imagery, while British artist Francis

through the form of the nude. Despite th is, however, the

Bacon may have stimulated Clairmont's preoccupation with

overal l composit ion is carefu ll y balanced around the central

'dark' subject matter. Despite absorbing such influences,

motif.

Clairmont's developed a unique and highly individual approach to painting.

Martin Edmond, author of The Resurrection of Philip

Clairmont (Auckland University Press, 1999), discusses As Clairmont died in 1984, at the untimely age of 35, any

Cla irmont's tendency to depict his figures without faces .

discussion of a mature style is impractical but undoubtedly

Edmond discusses a theory that Clairmont's intention was to

Rachael Seated, painted in 1981, is a typical 'late period'

present a gener ic portrait of Woman. This theory is

work. Its intense discordant co lours, distorted perspective

subsequentl y dismissed due to the personal nature of the

and energetic appl ication of paint are characteristic of

works and the precise relationship between Clairmont and

Clairmont's most well resolved works from the early 1980s.

his models.

Part of a group of works where Clairmont depicted his partner, Rachael Power, sitting naked on a bentwood chair, this work is likely to have been exhib ited w ith other works from this series at the Janne Land Gallery, in Wellington.

As Clairmont was inclined to use materials that were inexpensive, many of his works were painted on unstable supports. Rachael Seated is however, painted on good quality jute and is in an exce ll ent stab le condition. These late

Clairmont is quoted a saying in an interview for Art New

images of women are seldom seen or made available to the market as most remain with the arti st's family.

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PAT HANLY New Order 4/7 Part 2 oil on canvas on board title in scribed, signed and dated 1963 715 x 602mm $50,000-60,000 see illustration opposite page

Auckland Art Gal lery. In both paintings the comb ination of

Han ly began the New Order series after his return to New Zealand in 1962. Painted at Windmill Road, Mt Eden, the

coba lt and ultramarine blues evokes the Pacific, its vast

present example belongs to the later stages of the series,

oceans and extensive skies, a world where land and people

which he ca ll ed part two, and was comp leted ea rl y in 1963.

are comparative ly insignificant. Hanly sa id of such works

The series is important for showing Hanl y's response to his

with their suggestions of sea, cloud s and islands that he

homeland after having been in Europe for severa l years . It

wanted to catch 'a great deal of Pacific drama and space'.

marks both a turning point and a beginning . Compared with the works he painted in London the new paintings are more abstract and painted with a great deal of gesture and spontaneity. Significantly he eliminated figures because he was more impressed by the natural environment and was later to acknowledge the impact of the land and its untamed beauty, reca lling:

His brushwork and approach in the New Order series have been correctly linked to Abstract Expressionism, a movement that became very fashionable in Europe in the late 1950s and ea rly 1960s. By al lowing intuition to direct the painting process he was able to allude to his own responses to the South Pacific as a unique and distinctive place. He wa nted to break away from past formulas for picture making and arrive

I wanted to get some of the ruggedness, rawness, and

at a contemporary form of express ion ; in doing so he joined

that black and white and dark green and blue stuff

with McCahon and others in forging a new direction in local

into some of these New Order works. The very title of the series New Order is designed to suggest the need for a fresh start and a new look at what he was go ing to paint and how he was goi ng to paint it. Looking at the present exampl e it is easy to detect a pronounced landscape feeling even though the painting is highly abstract. Hanly used a lot of blue in this image as he did in a later wo rk in the series New Order 29, cal led Pacifico, now in the

painting. Today his painting still has a fresh, li vely aspect, helped by the blue and white palette enl ivened by touches of ve rmili on dashed across the surface. At the upper right is a textured area that gives physicality to the image. With works like this Hanly breathed a feeling of vitality and exc itement into Auckland painting that was contag ious and taught new patrons to appreciate and want to own original artworks that ce lebrated their city and environment. MICHAEL DUNN

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Landscape Synthesis VII oil on canvas signed and elated 1980 820 x 1730mm Exhibited: WA Sutton, A Retrospective, Christchurch Art Gallery, 2003. Reference: WA Sutton, Painter, Pat Unger, Hazard Press, 1994, p.80, WA Sutton, A Retrospective, edited by Christchurch Arl Ga llery, 2003, p.48, cal.no.70. Illustrated: ibid. $40,000-60,000 see illustration above

Bill Sutton's later vision of the Canterbury landscape can be

Synthesis paintings al a new way of arranging and presenting his imagery that is at once more generalised and more abstract. This

allowed and indeed encouraged new juxtapositions and groupings of the elements of sky, cloud,

plain and hills. Freed from descriptive requirements and the need for a single coherent space, Sutton could create compos ite landscape paintings that cross the boundaries of space and time to arrive at a distillation of his lifetime of experiences. Conceived broadly, the great bands and swathes of co lour are composed in relation to one another as visua l sensations that suggest the experience of traversing the landscape with tremendous freedom, as if flying along in a hot air balloon.

described as a synthesis of elements that he had stud ied and explored more descriptively in earlier years. It was

We appear to be above the land but not beyond the clouds

impossible for him to ignore the vast changes that took place

that chart our flight path as they recede into the distance.

in New Zealand and international painting during the 1960s and 1970s, when his earlier work came to be regarded as

There is a sense of exh il aration and release about these

somewhat old fashioned and out of touch with contemporary

works that is not found in the earl ier paintings, fine though they are . In formal terms, the new paintings allowed Sutton

72 •' R]TA:i~Gll

developments like abstraction . His ambitious Landscape Synthesis series of 1980 can be seen as a response to his

to show his power as a colourist working with his favoured ochre, blue and white combinations. Much of the detail and

critics but also as a sign that he wanted to move his painting forward.

description of the earlier paintings is now taken as read, and we can revel in the technical mastery of Sutton concentrating

sgooo.1J (i)I

Without dispensing with the recognisable elements that had

on the formal elements of painting with new flair and energy. The current work is an excell ent example of this important

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MICHAEL DUNN

RALPH HOTERE and MARY McFARLANE

SERAPHINE PICK

Untitled

Did you Hear Something?

gold fo il and lacquer on mirrored glass tit le inscribed, signed and elated Port Chalmers 31 December 1999; origina l ga ll ery label affixed verso 500 x 960mm $18,000-28,000

oi l on canvas signed and dated 1999 1590 x 2000mm Exhibited: Harnish Mckay Gal lery, 1999 $30,000-40,000

see illustralion above

see illustration opposite page

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I have worked this way, using many layers of drawing and painting, to evoke a dreamlike quality and a thinking process - as memories are never quite clear or real. Seraphine Pick

Did You Hear Something (1999) is a major work completed by Seraphine Pick during the course of her residency as France Hodgkins fellow in Dunedin.

It could be deemed

'major' by virtue of its large and imposing scale. Similarly, the date marks it as a mature work, but perhaps most

rich ly discursive and open to all manner of narrative (re)construction by the wi lling viewer or participant.

Unti l

recent times Pick's art was deeply personal, autobiographica l and fundamentally narrative-based, now however, the more recent portraits seem like a concerted and deliberate turn away from the patently confessional earlier work .

Pick 's

distinctively personal and captivating iconography has been reinforced by all manner of personal anecdotes -

the

inveterate bed bespoke of an injury prone childhood, the recurring dress of a near-tragic drowning.

importantly it deserves the 'major' moniker by virtue of the manner in which it synoptically encapsulates many of those

Did You Hear Something speaks of that wor ld which is

features we associate with this particular artist's best works.

uniquely hers, but also ours: A wo rl d to wh ich we can all trave l, but only alone - an illusory space of dreams, darkness

Justin Paton, in full metaphorical flight, once remarked: "You don 't gaze at Seraphine Pick 's paintings so much as listen in on them, as you might to whispered secrets in a nearby room ". Manifested in Did You Hear Something is exactly that furtive glimpse and murmured uttering heard through that slightly ajar door of your older sister's bedroom.

and the penumbra. ethereal background.

Hers is a capricious and idiosyncratic

world containing loose but carefully organised rich signifiers; an other-world in which gravity, scale and perspective are denigrated in favour of subconscious fears and memories .

It is a world that is intensely personal and uniquely the property of its maker; yet simultaneously, and paradoxically,

Pick imposes her dreamworld without

conscious order on an opaque, almost-monochromatic,

BEN PLUMBLY

ROSALIE GASCOIGNE Close Owly three colour screenprint XII/XLV signed and dated 1990; origina l Roslyn Oxley9 Ga ll ery label affixed verso 1000 x 700mm $15,000-20,000

see illustration above

TONY FOMISON The Smile oil on canvasboard title inscribed, signed and dated started 18.8.86, finished 29. 9.86, at Driving reek, Coromandel 125 x 275mm $18,000-28,000 see illustration above

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RALPH HOTERE Te Taepaepatanga o te Rangi: The place where the sky hangs down to the horizon ink and ac rylic on paper title inscribed, signed and dated 1972; John Leech Gallery label affixed verso

575 x 380mm $25,000-35,000 see illustration above

EVUvx p i\1£ PO

BRENT WONG Peninsula Clouds acrylic on board signed and elated 1987; title inscribed, signed and elated 1987 verso 386 x 494mm $12, 000-18,000

see illustration above

EVELYN PAGE (NEE POLSON) Landscape with Trees and Park Benches oil on board signed; origina l ga ll ery label and conservator's label attached verso 253 x 368mm $8000-1 2, 000

see illustration right

SERAPHINE PICK ;r

Figures in Yellow oil on canvas signed and dated 1998 1060 x 760mm $7500-10,000 see illustration left

GEORGE BALOGHY K' Road Street Scene, Auckland oil on canvas signed with initials and dated 1984; original ga ll ery label affixed verso 545 x 845mm Provenance: From the CohnNernon co ll ection $3500-5000 see illustration lower left

TREVOR MOFFITT Felled by a Stroke oil on board signed and dated 1980; title inscribed verso 590 x 700mm $5000-7000 see illustration opposite page, upper left

TREVOR MOFFITT Do You Really Have To Co To Work? oil on board signed and dated 1973; title inscribed verso 600 x 595mm $5000-7000 see illustration opposite page, upper right

PETER SIDDELL 7 7 Ryle Street, Freemans Bay acrylic on board signed and dated 1979; title inscribed verso 384 x 490mm Provenance : From the CohnNernon co ll ection $14,000-18,000 see illustration opposite page lower right

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NIGEL BROWN Let Time Be Still

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oil on board title in scribed, signed and dated December 1978 and inscribed Words by J K Baxter; title inscribed, signed and dated 1978 verso 1785x1185mm $20,000-30,000

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SYDNEY LOUGH THOMPSON Almond Tree in Bloom oil on canvas signed 490 x 595mm

$25,000- 35,000 see illustration above

SYDNEY LOUGH T HOMPSON Lake and Mountain Scene oil on board signed 2.5.3 x 332mm

$3000-4000 see illustration lmver right

SYDNEY LOUGH THOMPSON French Riviera Scene oil on canvas signed 365 x 445mm $15,000-20,000 see illustration left

S\'D\'EY L TH0\IPSO

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MARGARET STODDART

TOM ESPLIN

A Christchurch Park in Autumn waterco lour signed with initials and dated 1894; origina l gallery label affixed verso 500 x 317mm

$12,000-18,000 see illustration left

Marine Port Cola, Italy No. 7 oil on board signed; title inscribed and signed on label affixed verso 290 x 490mm $8,000-12,000 see illustration above

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SANDY ADSETT Nga Tau E Wha (Four Seasons) ename l on board title in scr ibed, signed and dated 1980 955 x 955mm

$8500-14,000 see illustration right

96 GR.A

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Ora•, Conte

'le,

94 CHARLES FREDERICK GOLDIE After Prudhon - Justice and Divine Vengeance Pursuing Crime, 1908 oil on canvas title inscribed, signed and dated 1897 31Sx400mm

da'ed 6Bix

SIO,~ ill'

$10,000-15,000 see illustration above

ROBERT PROCTOR

RAL

Venetian Harbour oil on canvas signed 345 x 295mm $1500-2500 see illustration left

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GRAHAME SYDNEY St. Bathan 's Pond - Working Drawing 7 conte crayon on paper title inscribed, signed and dated 1995 680 x 965mm $10,000-15,000

see illustration above

RALPH HOTERE Carey's Bay oi l sti ck on paper title inscribed, signed and dated 13.11 .91 360 x 258mm $12,000-18,000

see illustration right

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JOHN BARR CLARKE HOYTE Mitre Peak waterco lour signed 620 x 410mm $12,000-18,000 see illustration left

FRANCES HODGKINS Mediterranean Landscape ink on paper John Leech Gallery label affixed verso 225 x 285mm Provenance: From the co llection of John Piper and Myfanwy Evans, authors of Frances Hodgkins, Penguin Modern Painters, Penguin, 1948, edited by Sir Kenneth Clark $15,000-25,000 see illustration below

10!

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100

RALPH HOTERE Nude ink drawing on paper signed; gallery labe l affixed verso 280 x 200mm $9000-1 5, 000 see illustration upper righ t

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101

RALPH HOT ERE

Les Saintes Maries de la Mer Black Rainbow lithograph NP, ed. 20 title inscribed, signed and dated 1988; inscribed NP (not for sa le - artist's copy) - edition of 20 745 x 530mm $8000-12,000 see illustration lower right

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102

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RALPH HOTERE Mungo Station 5 pastel on pape r tit le inscribed, signed and da ted IV 1982, NSW; inscribed For Jeffrey who is 6, April 22-82 440 x 440mm $6000-9000 see illustration lower left

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101

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104

j!fFREY HM

103

PETER SIDDELL A Holiday in the Friedrich Range acrylic on board signed and dated 1980; title in scribed verso 495 x 770mm

$7000-10,000 see illustration above

Dorru Iha

101

lW\tO~'D I '-f/lJ ro

104

107

JEFFREY HARRIS Two Crosses

paste l on paper titl e inscribed, signed and dated 2001 302 x 402mm $2800-3800

see illustration opposite page, middle left

105

JEFFERY HARRIS Cross No. 4

oil pastel on paper signed; gallery label affixed verso 300 x 400mm $2500-3500 see illustration opposite page, lower left

106

MALCOLM HARRISON Collecta Domum Portat

stitched fabric quilt 1720x 1610mm $4000-6000 see illustration opposite page, lower right

Ma lco lm Harri son is one of New Zea land's leading texti le arti sts. Earlier thi s year he was awa rd ed a Crea tive New Zealand inaugural $65,000 crafts fellowship. Hi s major public works are two immense wall hangings commissioned in 1994 by the Parl iamenta ry Service Commission to hang in the new ga ll eri a at Parliament Bui ldings, the Beeh ive, in W ellington. Th e mak ing of thi s work involved the art ist worki ng w ith some 700 embroiders and weavers. He lives on Waiheke island.

108

He first began 111aking quilts around 1980 and has his first solo exhi bition at th e Denis Cohn Ga ll ery in 1982 . Collecta Domwn Portat was purchased by th e present

owner from that show. The titl e translates as "What I co ll ect I carry Home" and is in the tradition of fab ri c

objects bearing improving or moral sayings, although this, on a bed quilt might seem 111ore than a li ttle a111b iguou s. Harri so n, in New Zea land , pioneered the

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111aking of such mundane fabric items into serious, co111pe lling and beautiful works of art. Harrison has works in public co ll ect io ns in New Zeala nd , Australia and the United States. As we ll as th e Beehive co111mi ssion he also has works in the BNZ Tower Auck land and the Ford Co ll ection New York

107

108

RAYMOND CHING

RITA COOK

Flying Fox - Fruit Bat

Two Sketches -A Man and a Woman

oil on board signed; ga llery label and cert ifica te of authenticity verso 435 x 325mm $12,000-18,000

pencil on paper signed 132 x 225mm overall

see illustration upper right

$3500-4500 see illustrations above

ill

111

JOH\ G 109

110

JOHN WEEKS

PETER McINTYRE

Cubist Villa, Morocco

Evening on the Rangitikei

oil on board sign cl; description of the work affixed verso 284 x 395mm $10,000-15,000

o il on board signed; label affixed verso inscribed w ith title 793 x 503mm $12,000-18,000

see illustration above

see illustration below

112

111

112

111

112

JOHN GULLY

LAURANCE WILLIAM WILSON

Hill OvC'rlooking Ne lson waterco lour signed and elated 1874 362 x 615mm $1 5,000-25,000 see illustr,1 /ion a/Jove

W es t Coast Road, Ca nterbury oi l on canvas tit le inscribed and signed 503 x 752mm $10,000-15,000 sec illustration below

Iii

RIHA.,Gt:S

113

114

PETER McINTYRE Fishing Nets, Tahiti oi I on canvas signed; title inscribed and signed verso and original purchase receipt affixed verso 600 x 745mm $ 12,000-18,000 see illustration above

114

BILL HAMMOND Singer Songwriter II screenprint ed. 100 title in sc ribed, signed and dated 200 1 690 x 840mm $3500-4500 see illustration right

Ill

115

116

115

RITA ANGUS

116

The Cherry Tree ink and watercolour on paper signed and dated 1949 330 x 240mm $5000-7000 see illustration above

MICHAEL SMITHER Rock Pools acryli c on paper John Leech Gallery labe l affixed verso Provenance: Private co ll ection, New Plymouth. Purchased directly from the artist. 900 x 573mm $4000-6000 see illustration above

117

OLIVIA SPENCER BOWER Poggo, Cuerado, Florence waterco lour signed; title inscribed verso 263 x 333mm $2500-3500 see illustration left

FOREIGN PAINTINGS & PRINTS 118

118

CHARLES DIXON

tl!

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The Port, New York waterco lour title inscribed and signed 265 x 535m m $3000-5000 see illustration upper left

,_,eel

119

PATRICK CAULFIELD

Fruit Bowl and Pears sc reen print signed and edit ioned 88/100 Waddington Galleries Ltd. London label affixed verso 825 x 595mm $2500-3500 see illustration middle left

11FREYHARR

120

DAVID HOCKNEY

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Tree lithograp h 11/95 signed and dated 1968 545 x 455mm $1200-1800 see illustration lower left

Olri \lcCAHI

121

MYLES BIRKETT-FOS TER Attributed

l!S

Afll[l\ TO\Ul

Nude Study penc il and conte on paper original John Leech Gallery label affixed verso 445 x 335mm $2000-3000 see illustration lower right

Iii

FURTHER FINE NEW ZEALAND WORKS 122

122

LEON VAN DEN EIJKEL Hidden Square C-0 74 acry li c on ca nvas title inscribed, signed and dated 2002 verso 557 x 710mm

$3000-4000 see illustration upper right

123

coI :lo co IC co Cl

JEFFREY HARRIS This Girl is a Woman Now, She's Learnt How to Love pastel and acry li c on paper signed and dated 20.8.8 1 570 x 760mm

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$3500-5000 see illustration middle right

124

COLIN McCAHON Moby Dick is Sighted off Muriwai Beach lithograph 161/200 title in scr ibed, signed and dated 1972 525 x 705mm $3000-4000 see illustration lower right

125

RIDUAN TOMKINS Designing Woman oi l on canvas signed and dated 1989 verso 1215x1215mm $2000-3000 see illustration lower left

125

123

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126

GRETCHEN ALBRECHT Winter Light acrylic on two shaped canvas stretchers title inscribed, signed and dated 1996 verso SOO X 1000111111 $10,000-15,000 see illustration above

127

PETER JAMES SMITH Marks of the Navigator (Cook at Pickersgill Harbour) oi l and oi lstick on two canvas pane ls signed; title inscribed, signed and dated 1999 verso each panel measures 1670 x 605mm Illustrated: ' Beyond the Known World: The Paintings of Peter James Smith', Art New Zealand 97, p.82 $12,000-18,000 see illustration lower left

128

GRETCHEN ALBRECHT Winter Fountain (1986) acrylic on two shaped canvas stretchers signed and dated 1986 1 530 x 3040mm $10,000-18,000 see illustration opposite page, top

129

DICK FRIZZELL Pulling Up the Catch oil on paper title inscribed, signed and dated 5/4/85 1020 x 760mm $10,000-15,000 see illustration opposite page, lower right

1)0

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ALBRECHT

il:d ned aiil

ES S\UTH

130

JOHN TOLE Nuns before a Church and Harbour Landscape o il on board signed 375 x 480mm $4000-6000

see illustration below

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ALBRECHT 11986

apedcani~'

ji986

itel)Jr.l

130

129

135

131

CHARLES BLOMFIELD

jA\E

ook and Mt Tasman from the Tasman Valley

oil on board signed and daIed 1891; liilc inscribed verso 245 x 197mm $4000-6000 .ll'l' illu,tr,1/ion uppl'1 ldr

136

ERIC 132

ERNEST .BUCKMASTER V,11/c•y I ancl-c d/Jl' oil 011 board ~ig,wd 7 l5 x I 0701lllll $3000-5 000 we• il/11sfr,1fio11 111iclclll' IC'lr

137

132

JOH. 133

JAN SCOTT /?,111gitik('i /~1vc1 I ooking No,rh, 11(',11 Ohi11g,1iri

,H rylic 011 ho,ml ,igm•cl ,111cl d,1i(•d <J<J 2000; liil(• ins(, ib(•cl, ,ig,wd ,111d cl,1i(•cl CJ() 2000 V('l"',0 <)00 X 1210111111 $4000-6000 W<' illmt1,llio11 /011<'1 ll'lr

lOCMI<

134

HENRYK SZYDLOWSKI l?u1,1/ / ,111( /'>C.1/U' o ,I Oil (,lllV,1'> ,ig,wcl ,1ncl cl,1i(•cl 1')111 1125 X CJ 15111111 $2500-]5 00 s<'<' illt1'/r.1t1011 /mn•, 1ight

133 138

134

;IELD

135

JANE EVANS

135

Still Life with Teapot gouache and waterco lou r signed and dated 1989 590 x 768mm $2500-35 00 see illustration upper right

136

ERIC LEE-JOHNSON

STER

WSKI

138

RICHARD McWHANNELL Portrait of Jan Johnson watercolour signed; title inscribed and dated c. 1976 verso; original ga ll ery label affixed verso 360 x 255mm $1200-1800 see illustration lower left

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137

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North/and Coastal Landscape watercolour and ink on paper signed and dated 1973 435 x 595mm $2000-3000 see illustration middle right

Algier pastel on paper tit le inscribed; Certificate of Authenticity affixed verso 305 x 382mm $3000-4000 see illustration lower right

136

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139

NIGEL BROWN Names Painting - Miinch oi l on board title inscribed, signed and dated 1985 verso 1180 x 730mm $5 000-7000 see illustration upper left

140

NIGEL BROWN Irish Town Road Painting No. 2 oil on boa rd title inscribed, signed and dated 1982 and inscribed Oil Thames verso 615x530mm $4000-6000 see illustration lower left

141 TOM MUTCH Controlling Force oil on board signed and dated 2003 445 x 350mm $1500-25 00 see illustration below

14!

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14)

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141

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142

198i1aio

142

143

GEOFF WILLIAMS Still Life with Mackintosh's Toffee Tin acrylic on board signed and elated 1992 415 x 835mm $3500-5000 see illustration above

143

JANE EVANS Two Figures gouache and waterco lour signed and elated 1989 590 x 768mm $2500-3500 see illustration middle right

144

GAVIN CHILCOTT Bowls - Stars and Islands: Pacifica Series acry lic on paper signed and elated 1992; title inscribed, signed and elated Auck land 1992 565 x 760mm $3000-4000 see illustration lower right

144

MAGNIFICENT JEWELS, FINE ANTIQUE & MODERN JEWELLERY,WA TCHES, COINS & ACCOUTREME NTS DAY TWO WEDNESDAY 8 DECEMBER 2004 IN TWO SESSIONS 2PM & 6PM

2PM (note starting time) Lots 1000 - 1200

Affordab le, Antique, Estate & Modern Jewel lery (o n separate li st availabl e at viewin g)

6PM Lots 200 - 229

Wrist & Pocket Watches

Lots 230 - 236

Coins & Coin Jewellery

Lots 237 - 245

Accoutrements

Lots 246 - 250

Loose Stones

lots25 1 -442

Magnificent Jewe ls & Fine Jewe ll ery

VIEWING T IMES Thursday

2 D ecember

Friday

3 D ecember

Sa turday

4 December

Sunday

5 D ecember

M onday

6 D ecember

Tu esday

7 D ecember

W edn esday 8 D ecember

9.00am 9.00am 11 .00am 11.00am 9.00am 9.00am 9.00am

5.15pm 5.15pm 3.00pm 3.00pm 5.15pm 5.15pm I .00pm sharp

Illustrated left:

LOT 356 LOT 355 LOT 370

LOT 361 LOT 306 LOT 309

4cc Yellow Diamond Ring Diamond Bracelet 3cc Emerald-Cut Diamond Ring

LOT 329

-tct Diamond Pendant Strawberry Brooch Ruby & Diamond Ring

LOT 363

LOT 340

LOT 380

LOT 362

LOT 359

3.2cc Diamond Ring 1.2ct Pink & White Diamond Ring 2.5cc Heart Shape Diamond Ring 9.9ct Emerald & Diamond Ring Emerald & Diamond Bracelet Diamond Cross

DAY TWO: 2.00PM

AFFORDABLE, ANTIQUE, ESTATE & MODERN JEWELLERY LOTS 1000 - 1200

An interesting and va ri ed se lec tion. Separate li st ava il ab le free of charge at view ings.

DAY TWO: 6.00PM

WRIST & POCKETWATCHES Important Cond itions of Sale for Watches. Please note: as many of the timepieces are old, or their history is unknown, Webb's offers no guarantee as to mechanical cond ition or condition of seals etc. A timepiece described as 'fine' or 'as new' is an opinion as to appearance only.

All watches are sold as viewed. It shall be assumed that all buyers have inspected the lots and that they are hc1ppy with them in all respects. Watches cannot be returned on the grounds that repairs or service have been carried out, or parts (including straps or bracelets) have been supplied, by anyone other than the named maker. Notwithstanding the foregoing condition, named wristwatches are sold on the basis that the movement (or movement and case where both would normally have been manufactured by the named maker) were manufactured by the named maker. It is recommended that buyers have watches serviced promptly to ensure that damage does not arise from faulty seals or any other aspect of mechanical condition

200

PIERRE BALMAIN, A Unisex Dress Wristwatch. Circular outline case of roll ed gold , white face with Roman num erals and subs idi ary seconds. Quartz movement. Dark brown leather strap. With original box. As new. $150-250

201 TAG HEUER, A "Professional" Diver's Watch.

203

Gentleman's

Rolled

ROLEX, A Gentleman's 18ct Gold And Stainless Oyster Perpetual Datejust Wristwatch. Model 16233 s/n U 826470. Champagne face with polished baton s, sweep seco nd and date window. Matching jubil ee strap. With sea l and original guarantee dated Ap ril 2000. Current valuat ion availab le on request. $5000-6000 see colour illustration page 99

Cased

Cush ion out lin e case of ye ll ow gold with white gold bezel. Silver face with Roman quarters. Manual mechanical movement. Heavy mesh bracelet of rose and yel low gold. 73g. (includin g movement). $1400-1800

LONGINES, Wristwatch.

Hexagonal outline case, wh ite face with Roman numerals. Black leather strap. $500-700 205

Model WT 1213. Stainl ess case and strap. Quartz movement. Midnight blu e face with Arabic Quarters, sweep seco nd and date window. Water res ista nt 200m. As new. With box, spa re li nks and papers (8/9/2000). $575-775

202 OMEGA, A Gentleman's 14ct Gold Wristwatch With An 18ct Gold Bracelet.

204 LONGINES, A Gentleman's 9ct Yellow Gold Cased Wristwatch.

Gold

Ref L4.720.2.11.2, circu lar outlin e case, white face with Roman numerals, sweep second and date window. Quartz movement. Black leather strap. With ori gina l box and guarantee dated Jul y '02. As new. $275-375

206 CARTIER, A Gentleman's Automatic Two Colour 18ct Gold Santos Wristwatch. 18ct w hite and yel low gold w ith matching bracelet. Rectangular out line white face with Roman numerals, sweep second and date w indow. Sapphire end-sto ne to crown. Automati c movement. Excellent appea rance, with original box. $8000-9000 see colour illustration page 99

19ctYellowG<ll 11ithRollll,"

Set Gold Ani I•

AutomaricTlroC

:h.

!!I

207

213

UNIVERSAL, A Gentleman's Stainless And Gold Saddam Hussein Presentation Wristwatch.

ROLEX, A Mid Size 18ct Yellow Gold Oyster Perpetual Datejust Wristwatch.

An interesting and collectable piece from Iraq. The champagne face bearing a portrait of the now deposed dictator, together with a propaganda in scription that roughly translates to inform that the watch was "made from guns captured or used in the Iraq / Iran conflict"! With original box bearing Iraqi presidential insignia. Quartz movement. $600-1000 see colour illustration page 99

Model 68278 s/n E 481039 (cl 991 ). Cobalt blue face wi th diamond indexes, sweep second and date window. Matching President bracelet. With box. $6500-7500 see colour illustration page 99

!l"i-lli

214

{a1cb.

208

ROLEX, A Gentleman's 18ct Yellow Gold Day / Date Oyster Perpetual Wristwatch With Diamond Indexes. Model 18038 s/n R 792275 (c l 987), gold face w ith sweep second, day and date windows, diamond set hours. President 18ct gold bracelet. $10,000-12,000 see colour illustration page 99

209

A Stylish Retro Bracelet / Watch Of 14ct Yellow Gold. Articulated panel li nks enhanced with engraving and bordered by mesh. Floral spray motif panel to clasp enhanced w ith round cut diamonds and sapphires. Tassel fringe finial with pineapple motif cupo la. Overhang may be lihed to reveal in set watch: Geneva 17 jewe l mechanical movement, rectangu lar ou tline with mother of pearl face. 93g. $2400- 2800 see colour illustration page 123

210

ROLEX, A Gentleman's 18ct Yellow Gold Oyster Perpetual Day Date Wristwatch. Model 1803, s/n 368076 1 (c l 972). Blue face with sweep second, day and date windows. President 18ct yellow gold bracelet. Signed by original retailer Asprey on case back. $8500-9500 see colour illustration page 99

211

TAG HEUER, A Watch.

Lady's "Professional" Divers

Model WK1321 sta inl ess and gold. Quartz movement. Gold face with luminou s batons, sweep seco nd and date window. Water resistant 200m. With box, spa re links and papers. As new. $550-650

212

OMEGA, A Lady's 18ct Yellow Gold Cased De Ville Wristwatch. Circu lar outline case, white face with Roman numerals. Quartz movement. Brown crocodi le strap. With original box. $800-1000

i\LTMII,AR {aKh,

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. 1lain!X)li1f

m P\[GA, ARo!

JAEGER-Le COULTRE, An Reverso Wristwatch.

18ct Yellow

Gold

,,M•hite , lunoo1~st

All 18ct ye llow gold case and gatelink bracelet. Ref 6.250. 1.11 No. 1688812. Rectangular outline reverso case, cream face with recessed central seconds dial and date w indow. Arabic numerals in gold. Manual mechanical movement. $9000- 10,000 see colour illustration page 99

215

1!00-400

BAUME & MERCIER, A Lady's Wristwatch Set With Diamonds.

.\ /in Yellow Ge "',•signed !.~Call!

Ova l outline case and integrated mesh bracelet of 18ct yellow go ld . Textured gold face with polished batons. Manual mechanical movement, blue end-stone to crown. Bezel set w ith a continuous lin e of brilliant cut diamonds. Unblemished. $3000-3500 see colour illustration page 99

\nl&tYellow(

216

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LORD ELGIN, A Gentleman's Vintage Rolled Gold Wristwatch.

Alim Cased f

, <'e1e1er. r·meral.

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1.u1etteals

W,;:;

Rectangular outline convex case, w hite face with Arabic numerals and subsidiary seconds . Expanding metal and rolled gold strap. Manual mechanical movement. $250-350

217

ROLEX, A Gentleman's Vintage 18ct Yellow Gold Bubble Back Cased Oyster Perpetual Wristwatch. Ref 2940 s/n 600006 (c l 948). Cream face with Arabic quarters and polished batons. Super Precision. Brown crocodile strap. $3000-3500 see colour illustration page 99

rlustra/10

\ Good 18ctYe/

fa1ch,

• iU11plat1

111tedlo1 218

A Diamond Bezel Ring Suitable For A Gentleman's Rolex Wristwatch. 18ct white gold set with a cont inuous lin e of channe l set round modern brilliant cut diamonds. Non Ro/ex facto ry. $1000-1200

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~, ~r.g1 219

LONGINES, A Gentleman's Rolled Gold Dress Wristwatch. Ref L4. 709.2.11 .8. Circular case and gatelink bracelet. White face with Roman numerals. Quartz movement. With original box, spa re links and guarantee dated 9.7.02. As new. $550-650

1ec~alerh111

Yellow Gold Cob.it date~

220 WALTHAM , A Rolled Gold Hunting Cased Pocket Watch.

227 HAMPDEN, A Rolled Gold Hunting Cased Fob Watch .

Keyless lever, white face w ith Arabic numera ls and subsidiary seconds. Plain pol ished case.

Keyless lever, w hite face with Arab ic numerals and su bsid iary seconds. Handset lever in band. The case decorated w ith engravi ng.

$175-22 5

$175-225

l8c1 Yello~ G braceet ~ flOCa~

221 OMEGA, A Rolled Gold Hunting Cased Pocket Watch. Key less lever, w hite face with A rab ic numera ls and subsidiary seconds. Sunburst style engine turned decoration to case.

$175 -275

wind~,. ¾a

222 A 15ct Yellow Gold Hunting Cased Fob Watch.

Key less lever, signed Omega. Decorative gold face w ith Roman numerals. The case decorated wi th fl oral and fo liate eng rav ing.

228

A Good 18ct Yellow Gold Hunting Cased Pocket Watch. Key less ? lever. White face w ith Roman numerals and subs idiary seconds. Hand set button in ba nd . Signed Andrew Bower, London. Inner cover w ith engraved date 1895. Pl ai n case w ith monogram to fro nt cover. $700-900

229

$300-400

ELGIN, A Rolled Gold Hunting Cased Pocket Watch.

223 An 18ct Yellow Gold Hunting Cased Fob Watch.

Key less lever, w hite face w ith Arabic numera ls and subsid iary seco nd s. The case enha nced w ith engine turni ng. $1 75-225

dy's iri11',11ti

Keyless ? p late lever. Decorative 'te lephone d ial' style gold face with Arabic numerals. H and set button in band. Plain case with engraved monogram lo front cover. Signed Kil pa trick & Co Lo ndon. Cuvette also 18ct.

C OINS & C OIN JEW ELLERY

$475-575

VintageRol~1 11h·1e1'. ndingl'l!I

111enl.

ge t8ct Yell(ll(" :petu~ Wri1~ 1ace11'!ik' Bro11nc11X

224 A Silver Cased French Verge Pocket Watch. Keywound fusee with key aperture on face at 2 o'clock. White enamel face with Arabic numera ls. Movement, face and cuvette all signed Laurent A La HAYE-DE-PU ITS. Unusua l hinged and sprung cuvette. "Chimera" case mark for import d case c 1838, case back repaired. $5 00-600 see colour ii/us/ration page 99

225 A Good 18ct Yellow Gold Cased Open Fac e Poc ket Watch .

M int, in presentation box. 1980. $80-120

231

A Q.E. II Half Sovereign . Mint, in presentat ion box. 1980. $80-120

232

Keywou nd fu ll plate lever. Decorative go ld face with Roman numera ls, dated London 1911. The case rich ly decorated with engraving. $500-600 see colour ii/us/ration page 99

Mint, in presentation box. 1979. $1 50-180

226 An 18ct Yellow Gold Cased Open Face Fob Watch.

A Franz Joseph 4 Ducat Gold Coin Pendant On Chain.

Key less cy linder, gold face with Roman numera ls. beze l decorated with engraving. $300-400

The coi n dated 1915 in a free mount suspended by a m iniatu re trombone link cha in, 18ct. $450-650

A Q .E. II Sovereign.

233

le for AGentle

lineotchan~" ,ole11ac'.III

230

A Q.E. II Half Sovereign.

Case and

234

Rolled GoM Dr.

An Indian Head Half Eagle US $5 Gold Coin, dated 1909 in a free mount gold pendant. $375-425

..' . 0

0 0

235 An Indian Head Quarter Eagle US $2.50 Gold Coin dated 1908 in a free mount gold pendant. $175-225

236

An Indian Head Quarter Eagle US $2.50 Gold Coin dated 1911 in a free mount gold pendant. $175-225

Overgilded 9ct gold on metal core, ri chl y decorated with engrav in g, vacant bloodstone sea l. W ith ori gin al fitted case . Supplied by Adair of Dunedin. A particu larl y fin e exa mpl e. $400-600

see colour illustration page 71 0

244 A Pair Of Cuffiinks Set With Diamonds And Sapphires. Oval outline in l 8c t w hite gold pave set with brilliant cut di amond s to rectangul ar ce ntral pane ls set w ith ca libre cut blue sapp hires. Toggle keepers. Gemologist's report and va lu ation ava il ab le on req uest. $1800-2200 see colour illustration page 107

ACCOUTREMENTS

237 A 9ct Yellow Gold Vesta Match Container. Rectangular outline 24.8g. $300-400

238 A Large Double Photograph Locket Of 9ct Yellow Gold. Circular outline 57 mm diameter. 1920. $300-350

243

A Gold Seal Topped Retractable Propelling Pencil.

Hallmarks for Birmingham

239 A Pair Of Cuffiinks Set With Diamonds. Toggle design in l 8ct wh ite gold, the oval plate set with round modern brilliant cut diamonds to the border and as a centra l c lu ster. $1350-1650

245 A Belt Of Imperial Period Russian Silver. Rectangular box section inter lock in g panels threaded onto a belt of leather w ith a hook clasp. Th e panels enh anced with floral and fo li ate motifs and niello. Maker S.K and 84 zo lotri c mark for 1908-19 17. $500-600

LOOSE STONES

Please note: where gemological reports are available these should be read together with the catalogue description. Should there be, through error, omission

or introduction of better evidence, any significant difference between the catalogued description and that provided in the gemologist's report, it shall be assumed that the buyer has im,pected the report and is buving in acceptance oi it. Unless otherwise stated, all stones have been assessed for weight, colour or

clarity mounted and the descriptions given in the catalogue or report are therefore based on estimates which are limited in accuracy. Where an actual

240

weight is given the stone will have been weighed loose, however while the

A Sovereign Case Of 9ct Yellow Gold.

grading of a stone loose will min imise error margins it shall be accepted by the

Ci rcular outline, hallm arks for Birmingham 1864. $650-750 see colour illustration page 99

241

A Coin Purse Of 18ct Yellow Gold Mesh. The frame enhanced w ith floral and foliate motifs, sent iment inscribed on inner frame dated 1845. 52.Sg. $1000-1200 see colour illustration page 7 7O

242

A Rolled Gold Sovereign Case. Circular outline with restrain ed engraved decoration. $225-275

buyer that all reports and descriptions remain opinions and not matters of fac t.

246 A Loose Emerald Of 2.18ct. Emerald-cut, creme-de-menthe co lour wit h few vis ibl e inclusions. Gemo log ist's report and va lu ati on ava il ab le on request. $1500-2000

247 A Pair Of Loose Emeralds Of 2.42ct and 2.27ct. Emerald cut, creme-de-menthe co lour, one with Gemologist's report and va lu ation ava il ab le on req uest. $1500-2000 (pair)

248 A Loose Emerald Of 1.52ct. Ova l cut, good co lour and exceptiona ll y lively appearance. $1000-1200

lib Diamoo&

lour 11 '1 ' ,alualillfl i

249

255

A Pair Of Loose Emeralds Of 0. 70ct and 0. 73ct.

An Exquisite Peridot And Seed Pearl Necklace.

Emerald cut, creme-de-menthe co lour. $500-800 (pair)

250 A Loose Diamond Of 1.53ct. The round modern brilliant cut diamond assessed as I VS1. Gemologist's report and valuation availab le on request. $10,000-11,000 see colour illustration page 7 75

MAGNIFICENT JEWELS AND FINE JEWELLERY Please refer to note on gemological reports on previous page

A Good Silver And Vari-Colour Gold 19th Century Locket And Chain. The "mayora l" style cha in suspending an oval locket w ith a central floral motif and border enhanced with vari-colour gold. $650-850 see colour illustration page 707

252

An Impressive Harlequin Necklace Of 15 - 17 mm South Seas Cultured Pearls. Fashionable mixed blend from silver green to peacock black, the double sprung clasp concealed in one of the pearls, round to semi and off round. 490 mm. Gemologist's report and va lu ation available on request. $8000-10,000 see colour illustration page 7 75

253

A Necklace Of Black South Seas Cultured Pearls. The round 12 - 10 mm pearls, mildly graduated from the centre, secured by a ball clasp of 18ct white gold shot set with round modern brilliant cut diamonds. Gemologist's report and valuation availab le on request. $2200-2800

254 A Necklace And Earring Suite Set With Over 12ct Of Diamonds. Fringed co ll ar design in 18ct yellow and white finished gold suspended by a bi-co lour mesh chain. The fringe of sinuous bars set w ith lines of brilliant cut diamonds, each terminating with a baguette cut diamond. With matching earrings. Gemologist's report and valuation available on request. $12,000-16,000 see colour illustration page 707

AGood Vic101 ;eclion

-., c

The fine cha in of 18ct wh ite and ye ll ow go ld links enhanced with pearls at intervals suspends at mid section a triangular cut peridot bordered by pearls with a simi larly set pendeloque peridot drop. With origina l fitted box. $1200-1600 see colour illustration page 7 79

. "'1)€(1bl ac

256 A Bangle Set With Diamonds.

.\nEdwardiar

The 18ct yell ow gold bangle scatter set with some 50 round modern bri lli ant cut diamonds having a TOW 1.26ct. Gemologist's report and valuation availab le on request. $1500-1800

257

An Edwardian Twin Heart Motif Bangle Set With Seed Pearls. 251

!62

1Sct rose and yellow gold hinged design, the upper section with an entwined heart motif set with half-pearls (one deficient) . With box from Peter Dick of Dunedin. $375-475

258 A Two Stone Diamond Ring. The round modern br illi ant cut diamonds of simi lar size, estimated at 0.41 et each, are set in a rin g of 18ct white and ye ll ow gold. Gemologist's report and valuation available on request. $1500-1800

•.-iii. giadu, rejlOlll;e

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!64

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,.,e n~oilf h1urquo1 _ ;o;et1 ·;iar:1en'1

1:00-900

265

.\nEdwardia Hear ean knot llOOtOII

266

259

A Ring Set With Baguette Cut Diamonds. The band of 18ct yell ow gold close channe l set with a lin e of tapered baguette cut diamonds graduated from the centre. Gemologist's report and valuation available on request. $750-850

260

A Ring Set With Five Princess Cut Diamonds. The band of 18ct ye llow gold supporting a white gold panel channe l set with the diamonds of stated quality 0 .56ct G V S. With original sales certificate. $650-850

261 A Superb Victorian Gold Locket And Chain. Articulated lozenge shape links with beaded joining links to a large oval photograph locket, the front cover set with an old cut diamond. Satin finished and pol ished yellow gold, tests approximately 12ct, overgilded. 75g. With original fitted box. $3000-4000 see colour illustration page 723

.\l1ctorian I ' ied011I o '111(1f,and acdpe

IJ:;4;; 267

ABracelet S Pearh. ·;,,1e1~1g

Jt/~:tar ~BOO 268

.\n Attracti .\nd Seed p ~} ~\.\~

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262 A Good Victorian Necklace Of Amethysts. The mid section of five oval cut and two pendeloque cu t amethysts, graduated from the centre, set in open scrol l and rococo repousse articulated pane ls of yellow gold (tests 15ct), is suspended by a curb link neck chain. $1700-2200 see colour illustration page 703

Th e open work bow of platinum and 18ct ye llow gold set with lines of senai ll e cut diamonds, centred by an oval cut blue sapphire. With box. $750-1000

263

270 A Good Hardstone Cameo Bangle.

An Edwardian Bangle Set with Seed Pearls. Hinged design in 15ct ye ll ow gold washed with gold of a higher carat, the upper section of open floral and foliate design set with lines of seed pear ls. W ith orig inal fitted box. $600-800

264

lotif Ban~el!t es1gn !he

!-pearl$

A Victorian Bracelet Enhanced With Turquoise. Snake links of yellow gold (tests approximate ly 15ct), the finials set w ith turquoise beads, secu red by a hea rt-shaped padlock clasp also set w ith turquoise recto and having a glazed locket compartment verso. With original fitted box. $700-900

265

An Edwardian Bangle Set With Seed Pearls. na and

Heraclean knot design in 9ct yel low go ld set w ith seed pearls (one deficient). $400-600 see colour illustration page 103

266

A Victorian Brooch Set With Almandine Garnets.

:ut Diamond!

tcha·~ •

gradutl'll

Shaped oval outline in ye ll ow gold (tests 15ct) enhanced with wirework and centred by domed floral repousse set with ova l, round and pendeloque cut garnets. $375-475

,iilableo ' 267 A Bracelet Set With A Green Tourmaline And Seed Pearls.

:ss Cut Diam,

iportin, ~

statedqua

cket And Chain·

15ct ye llow gold outlined with seed pearls about three intense colour round cut amethysts and suspe nd in g a further amethyst drop. $475-575 see colour illustration page 119

272 A Collar Style Necklace Of 18ct Yellow Gold. The 14 mm w id e fl exib le links of polished and satin finish go ld 425 111111 70g. $1500-1800

Fine

Carved

Shell

Cameo

The exqu isitely carved 56 x 46 mm cameo of a group of angels with horses is set in a brooch of 18ct yellow gold en hanced w ith rope work and Greek key motif to the border. Minor interna l cracks that do not appear to break the surface. With ori gin al fitted box from Hardy Bros and interestin g note th at the brooch was once a gift from the Peacock family of Christchurch (dono rs of the Peacock Fountain) . $1250-1500 see colour illustration page 115

274 A Starburst Pendant Brooch Set With Garnets And Seed Pearls.

268

Designed as a six rayed star in 9ct ye llow gold set w ith seed pearls, the centra l sect ion also set w ith round cut red garnets. $250-350

An Attractive Bar Brooch Set With An Amethyst And Seed Pearls.

ont(OI~<'

~1:;Jied I

$175-275

g.1\'h •

II)

271 An Edwardian Amethyst And Seed Pearl Brooch.

273 An Exceptionally Brooch.

. ."' 0

Hinged design in 9ct yel low gold centred by a finely carved 32 x 23 mm corneli an onyx cameo of a classical woman in profile. $900-1200 see colour illustration page 119

15ct ye ll ow gold curb and knot lin ks enha nced with pearls to a centra l ova l panel set with an ova l cut green tourmaline wi thin a border of pearls. $600-800

The hexagona l cut amethyst set in 15ct ye llow gold, the doubl e ba r enhanced w ith two rings of pear ls.

lh~adeil '·

269 An Art Deco Bow Brooch Set With A Sapphire And Diamonds.

275 A Vine Motif Brooch. 18ct yell ow gold repousse, 17.8g. A very fine examp le. $450-650 see colour illustration page 115

276

283

A Dainty Foliate Garland Bar Brooch .

A Good Carve d Pink Coral Came o Ring.

1Sct ye ll ow and wh ite go ld doublet set w ith sena ill e cul diamonds and pearls about a ce ntra l ova l cul aquama rine co loured stone. $150-200

The 21 x 16 mm cameo of a young lady w ith a flora l garland set in a ri ng of 14ct ye ll ow go ld en hanced with fl oral motifs and engrav ing. $450-65 0 see colour illustration page 115

277

A Late Vi ctorian Opal And Diamond Brooch.

284

Sil ver/ gold doublet set with senai ll e and o ld cut diamonds to a central trefoil motif set w ith three oval crystal opa l cabochons showing good co lour play. With or iginal fitted box. $550-6 50 see colour illustration page 115

A Good 19th Century Brooch And Drop Earring Suite.

278

Repousse scroll, fo liate and flora l motifs, each piece et with an emera ld-cut emerald and suspending a tasse l fringe finial. Ye ll ow gold, tests approximate ly 1Sct. With box. $1 500-2000 see colour illustration page 103

A Bracelet Set With Carved Pink Shell Cameos. 9ct gold, overgi lded, the six ova l panels each set with a carved pink shell portrait cameo. Maker W.A. Brown. $5 50-750

279

285

A Pair Of Italian Gold And Lapis Lazuli Earrings. Pende loque out li ne in 18ct yel low gold, each set w ith a pe ndeloque po lished lap is lazu li cabochon. $300-400

A Double Albertina Chain Of 9ct Rose Gold. Ova l li nks with overlock wires, two slides enhanced with engraving and suspending two drops with tasse l fringe finia ls. 320 mm 34.Sg. $600-700

280

A Double Albert Chain Of 9c t Ro se Suspending A Citrine Coloured Swivel Seal.

Gold

Plain ova l li nks 410 mm+ 3.5 mm drop. $450-650

The 50 x 40 mm ova l hand painted mi niatu re portrait in oils of a Regency lady set in a pendant brooch of ye ll ow gold (tests approximate ly 12ct) within a shaped tubular border pierced to expose inset plaited hair. Verso a closed back. Fo lding ba le. $700-1000 see colour illustration page 115

287

A Pair Of 18ct Yellow Gold And Pearl Earclips.

281

A Rin g Set With A Approximately 1.22ct.

286

A Miniature Portrait Set In A Pendant / Brooch Of Gold .

Solitaire

Diamond

The roun d modern bri lliant cu t diamond assessed as L/N 11 set in 14ct white and yel low gold. Gemolog ist's report and va luation ava il able on request. $175 0-225 0

282

A Victorian Locket Brooch Set With Turquoise And Black Enam el, Seed Pearls And A Ruby. Oval outline (tests approximately 1Sct) ye ll ow gold, domed centre. Fitted with a glazed compartment verso. $400-500

Entwined circlet design in 18ct yellow gold, each set with a round 11 mm Mabe pearl. 21.Sg. $35 0-55 0

288

A Neck.lac e And Earring Suite Set With Diamond s. The neck lace of 14ct yel low gold flexib le snake links to a crossover mid section capturing a graduated curved line of 10 round modern bri lli ant cut diamonds. The earrings of matching design each set with three diamonds. With fitted presentat ion box. Gemologist's report and va luation available on request. $1750-225 0

289

A Ring Set With A Approximately 1.15ct.

Solitaire

Diamond

The round modern br il liant cut diamond assessed as J/K SI1-2 is set in a ring of l 4ct white and yellow gold. Gemologist's report and valuation avai lable on request. $3 250-42 50 see colour illustralion page 103

ICameoRing. I 11h, gam11 1anced11ti

och And Drop

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•

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290

297

A Celtic Brooch.

An Aquamarine And Diamond Ring.

Circu lar outlin e with quarter triangles about a St Andrew's cross and pearl set crown. The who le enhan ced w ith engraving and green ena mel (so me deficient). 1Sct yellow gold. $200-300

Th e oval cut 10 x 8 mm aq uam ar ine set in 18ct ye llow gold with four small br illi ant cut sho ulder diamond s. $700-800

291

A Wedding Or Eternity Ring Set With Fine Quality Princess Cut Diamonds.

l04

\ Dre11 Ring mamondl,

n1hapedP

-,ids'hinS(

•~nds. G

298

A Ring Set With A Large Amethyst. Th e 20 x 16 mm ova l cut amethyst set in an 18ct ye ll ow gold ring of retro design. $400-600

292

The band of platinum with a c lose chan nel set li ne of 8 Princess cut diamonds of reported TOW 1.27ct and assessed quality H+, VS. Designed as a companion to the previous lot. Gemologist's report and va lu ation ava il ab le on request. $2750-3250

JOI

l Striking Rio Cui Diamonds.

band(

A Very Fine Carved Shell Cameo Brooch. The superbly ca rved 43 x 34 mm ova l ca meo of a classica l wo man in profi le set in a brooch of ye ll ow go ld (tests approximately 1Sct) en hanced with ropewo rk and beading; verso a glazed locket compartment. With original fitted box. $750-1000 see colour illustration page 123

299

A Ruby And Diamond Cluster Ring. Rectangular out lin e in 18ct wh ite gold centred by an ova l cut ruby of very good co lour with in a border of brilliant cut diamonds. $1800-2200 see colour illustration page 11 9

293

A Double Albert Chain Of Fancy Links.

300

9ct rose gold washed wi th gold of a higher carat, with T bar and two clips. 425 mm 31g. $400-600

A Diamond, Ruby And Pearl Estate Ring.

294

A Superb Guard Chain Of 18ct Yellow Gold. Flat polished fancy links wi th rococo repousse slide and repousse fini al to termin al dog clip. Swiss hal lmark. 1260 mm, 38.9g. $1200-1400 see colour illustration page 103

295

A Pair Of Diamond Earrings. Flowerh ead des ign in 18ct ye ll ow gold edged w ith a lin e of diamonds, the polished concave petals forming a refl ect ing surface for the pave diamond ce ntres. TOW app roximately 1.23ct. Gemologist's report and valuation avai lab le on requ est. $1500- 1800 see colour illustration page 107

296

A Pair Of Diamond Earrings. The rectangu lar concave pane ls of 18ct white fini shed gold pave set with brilliant cut diamonds about a central squa re of four Princess cut diamond s. Gemologist's report and va luation ava il able on req uest. $2000-2500

Spira l cluster des ign in 18ct ye llow gold and platinum, the ce ntral button pear l ajoure w ithin a bord er of ca libre cut synthet ic rubi es to the spiral border of o ld cut di amo nd s. Gemologist's report and va lu atio n ava il ab le on request. $ 1800-2400 see colour illustration page 11 7

)06

\Striking Stra . , ~,o s ~ ··e;:~ s;e:

1;;00-;;oo

wr"lustra )07

\Daincy·Tenru .Ind Diamond

301

o'l&t11

A Ring Set With A Mexican Fire Opal. The ova l fire opa l cabochon set in a knot motif ring of 18ct ye ll ow gold acce nted w ith 9 brilliant cut diamonds. Gemolog ist's report and va lu ation ava il ab le on request. $1000-1 500 see colour illustration page 123

302

:;t;repcj

.'.~bi

~o l08

ATennis l ½proximate~

A Ruby And Diamond Cluster Ring . Oval outline in 18ct wh ite gold set w ith panels of brilliant cut di amond s separated by 4 baguette cu t d iamonds forming a cross that is ce ntred by an ova l cu t ruby. The ruby 0.57ct, the di amonds TOW 1 .4Sct. Gemologist's report and va luation availab le on request. $1800-2200

303

An Elegant Blue Topaz And Diamond Ring. The large convex pane l of polished blue topaz set in 18ct wh ite finished gold with overl ay lines of bril liant cut diamonds, and fu rther lines of d iamo nds at the sho ulders. Gemologist's report and va lu ation ava il ab le on request. $2850-3250

see colour illustration page 103

lO!

.\n hceptioo ffing.

Ring.

304

lin",

A Dre ss Ring Set With Diamonds .

tWiihFine~

nel;et 1, anda;;e;!61 xeii ~s

est.

· Ring. Cefl'ro border

310

Pink

Sapphires And

A Necklace Of Diamonds With Sapphire And Ruby Drops.

A cushion shaped pane l pave set with br il liant cut pink sapphires is centred within sp lit shank supports out lined with brilliant cut white diamonds. Gemologist's report and valuation available on request . $175 0-2000 see colour illustration page 711

Designed as a line of art icu lated circu lar links in 18ct wh ite finished gold, the lower half of which are each set with a round modern bri ll iant cut diamond to drops of unequal length, o ne terminating in a pendeloque po lished ruby and the other with a simi lar sapph ire. Gemologist's repo rt and valuat ion avai lab le on req uest. $2750-3250 see colour illustration

305

A Striking Ring Set With B aguette And Brilliant C ut Diamonds. The broad band of 14ct yellow gold set with three lines of channel set baguette cut diamonds and four lines of rou nd modern brilliant cut diamonds. Gemologist's report and valuation available on request . $325 0-3 75 0 see colour illustration page 123

311

A Contemporary Style Ring Set With Lines Of Princess Cut Diamonds. 18ct white gold, the central convex panel set w ith five lines of diamonds with a TOW 1.25ct. Gemologist's report and valuat ion avai !ab le on request. $2200-2400 see colour illustration page 103

306

Estate Ring.

gold and a border er .. lableo0

A Striking Strawberry Motif Brooch.

312

Designed as two strawberries in 18ct yellow gold set with ova l cut rubies, the stems set with lines of square cut rubies and the leaves set with bri lli ant cut diamonds. A charm ing piece. Gemologist's report and va luation ava il able on request. $55 00- 75 00 see colour illustration title page

A Pair Of Contemporary Style Earrings Set With Princess Cut Diamonds.

307

A Dainty Tennis Style Line Bracelet Set With Rubi es And Diamonds.

;ire Opal. a,;.n{)•'f'f

b111 iant r.: iilableonre<!-"

!! Ring.

withpane1' ' rtdiafll)lii,·

0\. 1hi"

ist;re[i)t

DiamondRin!

,1uetopal" brilliant c,: ulde~Gin"

Designed as companions to the previous lot in 18ct white gold. TOW 2.30ct. Gemolog ist's report and va luation ava il ab le on request. $3000-3500 see colour illustration page 103

The line of 18ct ye ll ow go ld articulated links set alternate ly with an ova l cut ruby or a round modern bri lli ant cut diamond. $65 0-850 see colour illustration page 119

308

A Tennis Style Lin e Bracelet Approximately 5.36ct Of Diam o nds .

313

A Late Victorian Marquise Outline Ring Set With Rubies And Diamonds. The central line of five ova l cut rubies bordered by a continuous line of senaille cut diamonds. $450-650

314

Set

With

The line of articulated 18ct white gold chenier links each set with a round modern brilliant cut diamond, slightly graduated from the centre. Gemologist's report and va luation availab le on request. $3 000-4000 see colour illustration page 107

309

An Exceptional Ruby And Two Diamond Estate Ring. The oval cut ruby of rare colour and clarity, estimated to weigh 3.90ct is set in a ring of 18ct ye ll ow gold with two o ld mine cut diamonds of fine quality and estimated TOW 1.41 et and nine smal l accent d iamonds(one missing but hard to detect). Gemologist's report and valuation availab le on request. $15,000-18,000 see colour illustration title page

A Ring Set With A Line Of Five Princess Cut Diamonds. The diamonds assessed as G/J, SI with an approximate TOW 1.04ct are set in an elegant band of platinum. Gemologist's report and va luation avai lab le on request. $1750-2250

315

A Blue Topaz And Diamond Ring . The oval cut blue topaz of unusua ll y lustrous appearance set in a mount of 18ct white fin ished gold enc rusted with pave set round modern br ill iant cut diamonds. $1400-1800

316

322

A Ruby And Diamond Cluster Ring.

A Single Row Necklace Of Good Quality Cultured Pearls.

The heart shaped ruby set in a ri ng of l 8ct wh ite finished gold wi thi n a con tinuous bo rder of rou nd modern brilli ant cut d iamond s. Gemolog ist's report and va luati on ava il ab le on req uest. $1850-2450

8 - 8.5 mm ro und, uniform size, good blend and orient. 18ct ye ll ow gold clasp. Gemologist's report and va luation avai lab le on request. $1 750-2 750

323

A Jade And Diamond Cluster Ring .

An Exquisite Diamond, Black Enamel And Gold Memoriam Brooch.

318

An Art Deco Ruby And Diamond Ring. The diamo nd shaped beze l set with circlets of ca libre cut rubies about o ld cut diamonds in a quatrefoil design. 18ct wh ite and ye ll ow gold. $700-1000 see colour illustration page 111

Ova l outli ne in 18ct ye llow gold high Victorian rococo repousse, ce ntred by a domed black ename l panel decorated w ith a floral motif outli ned with d iamonds to a large cush ion cut stone at the ce ntre of the fl ower head. Verso a glazed compartment con taini ng fea th ered ha ir on a blue background, enclosed by an engraved sentiment celebrating the li fe of Anne Bray 1770 185 1. $2 750-3250 see colour illustration page 107

324

A Ring Set With A Solitaire Diamond Of 0.435ct.

319

The round modern bril liant cut d iamo nd assessed as F/ H 511 is set in 18ct white and ye ll ow gold. $1000-1200

A Triple Row Ring Set With Diamonds, Rubies And Emeralds.

325

Unusua l hinged design in 18ct ye ll ow gold. Gemologist's report and va lu ation ava il ab le on request. $800-900

320

A Ring Of Striking Contemporary Design. The convex pane l set with lines of round cut pink sapphires, pave diamonds and a pe ndeloque blue topaz cabochon. 18ct white fi nished gold. Gemologist's report and valuation ava il able on request. $1850-2250 see colour illustration page 103

321

A Lattice Motif Ring Set With Blue Topaz And Diamonds. The large convex pane l set with a chequer board of round blue topaz cabochons and pa irs of bril li ant cut diamonds. l 8ct white finished gold. Gemologist's report and va luation ava il able on request. $3000-3500 see colour illustra tion page 103

\ Tennis Sryle ~rihlres And [ 1;anartic ,~111ith

1nts. ~liOO

;'rat~

317 The ova l jadeite cabochon of good co lour set in a ring of 14ct w hi te go ld within an undu lating bo rder of baguette cut d iamo nds, having an estimated TOW 1 .87ct. Gemo log ist's repo rt and va luati on ava il ab le on req uest. $2600-2800 see colour illustra tion page 115

119

.\Ring SeiWitl ~amondOf I..

\Fashionable I ,

GS n

·,\al ,o

, rthrE

A Ring Pave Set With Fancy Yellow And White Diamonds. The w ide band of l 8ct white and ye ll ow gold centred by a cross motif pave set with intense fancy ye llow round modern bri lliant cut diamonds, the shoulders pave set with white diamonds. Gemologist's report and valuation available on request. $2000-2500 see colour illustration page 119

,su,pe( ateil 4 •requ ii"i%;;o

131

\ BeDe Epoq1 1iltching Cias

326

A Stylish Ring Set With Three Kris Cut Diamonds On A Pave Diamond Band. The heavy domed ba nd of plat inum pave set with 1 .53ct of good quali ty bri lli ant cut diamonds about three rub-over set fine white kris cut diamonds of similar size and reported TOW 0.97ct. Gemologist's report and valuation avai lab le on request. $6000-7000 see colour illustration page 110

~ :llXl,pair,

327

\RingSetWi

A Pendant Set With A Ceylonese Blue Sapphire Of Approximately 4.45ct. The ova l cut sapp hire of good co lour set in 18ct ye ll ow gold with three brill iant cut accent d iamo nds. Gemologist's report and va luation avai lab le on request. $2500-3000 see colour illustration page 123

f~ •

,,/!

lll

lli)]err

• ke11 iauati.

\lro).2;00

dQua!i~c

328

333

blend and~

A Tennis Style Line Bracelet Set With Yellow Sapphires And Diamonds.

A Ring Pave Set With Fancy Pink And White Diamonds.

Designed as an arti cu lated lin e of 7 8c t wh ite fini shed gold links alternate ly set w ith an ova l cut ye ll ow sapphire or pave set with diamond brilliants. Gemolog ist's report and va lu ation availab le on request. $3000-3500 see colour illustration page 123

Domed design in 18ct white and rose gold, the centre pave set with round modern brilliant fancy pink diamonds, the shou lders with simil ar white diamonds. Gemo log ist's report and va lu at ion ava il ab le on request. $4750-5750 see colour illustration page 111

and VH

Enamel And w

ctOfanr

deco·a:ro cu,h c·, a glazeil c grounde!K

eoi \i

1111ondOW::

°KlM\1\!117

Yellow And

~ goldcer 1,roundl!llle

329

334

A Ring Set With An Exceptionally Rare Fancy Pink Diamond Of 1.21ct.

A Ring Set With A Cognac Coloured Diamond Of 2.67ct.

Th e radiant cu t diamond of rare c larity and distinct co lou r is set in a bridge of 1Bct wh ite and ye ll ow gold w ith two w hite emera ld-cu t shou lder diamonds of TOW 0.99ct. Diamonds of this hue, size and clarity are extreme ly rare, refer to article on pages 1O and 11 of the cata logue for sa le 256, September 2003. Gemologist's report and valuat ion availab le on request. $34,000-38,000 see colour illustration title page

The round modern brilliant cut diamond set in 18ct w hite and ye ll ow gold, the should ers and chen ier pave set w ith a further 1.12ct of white diamonds. Gemologist's report and va lu ation avai lab le on request. $10,000-12,000 see colour illustration page 123

330

A Fashionable Diamond Fringe Necklace. Designed as an art icu lated fringe sect ion of bar lin ks in 18ct white finished gold of altern at in g short and longer lengths set with two or three round modern bri lli ant cu l diamonds respectively, suspe nded by a fl at snake link terminal chain. TOW approximately 4.7ct. Gemologist's report and va lu ation availab le on request. $5750-6750 see colour illustration page 107

335

A Belle Epoque Necklace.

Period

Pearl And

Diamond

The 9 mm x 540 111111 woven necklace of seed pearls suspending an ova l panel w ith a tassel fringe of further pearls. The panel of approxima tely 14ct ye ll ow gold enha nced w ith w hite enamel about an old cut diamond of aroun d 0.52ct cen tred w ithin a laure l motif also set with diamonds. From the esta te of a prom inent Viennese family. Gemologist's report and va lu at ion avai lab le on request. $3000-4000 see colour illustration page 110

~ 11 th " ,

331

336

ablecs~~

A Belle Epoque Period Diamond Set Panel And Matching Clasp.

A Pair Of Pink Tourmaline And Diamond Drop Earrings.

The panel of ova l outline in approximate ly 14 / 18ct white and ye ll ow gold enhanced w ith floral openwork and white ename l, set with 9 major o ld cut d iamonds (0.49ct to 0.1 3ct) together w ith fu rth er o ld cut, senail le and pende loque diamonds. Th e matching c lasp simi lar ly set and centred by an o ld cut dia111ond of around 0 .52ct. TOW arou nd 4ct. From the estate of a prom inent Viennese family. $6000-7000 (pa ir) see colour illustration page 110

7 8ct wh ite fini shed gold, the fl owerhead motif stud s set with diamonds suspe nd by two diamond set links rectangular panels, each set w ith a rectangu lar deep pink tourm aline bordered by diamonds. Gemologist's report and va luation avai lab le on request. $2600-3000 see colour illustration page 115

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332

A Ring Set With A Solitaire Diamond Of 0.602ct. The round 111odern brilliant cut diamond of stated quality G, S12, exce ll ent 111ake is set in a ring of 18ct white gold. Gemologist's report and valuation ava il ab le on request. $2000-2500

337

A Pair Of Solitaire Diamond Earstuds Of 1.0lct Each. The round modern brilliant cut d iamo nds assessed as light champagne co lour S11 , set in 18ct ye ll ow gold . Gemologist's report and valuat ion ava il ab le on request. $5000-6000 see colour illustration page 110

338

344

An Attractive Ring Set With Diamonds.

A Crescent Brooch Set With Diamonds.

The broad tapered band of 18ct ye llow go ld w ith white go ld inset of pave set brilliant cut diamonds to a ce ntral pair of diamonds in an oblique channel sett in g. Gemologist's report and va lu ation avai lable on request. $1750-2250 see colour illustration page 110

18ct go ld / silver doublet set with a line of 17 old cut diamonds graduated from the centre. $500-800

339

A Ring Set With A Fine White Solitaire Diamond Of Approximately 1.5ct. The round modern br illi ant cut diamond assessed as 1.51 et, F-G, 511 is rub-over set in platinum on a band of yel low gold enhanced with four brilliant cut shou ld er diamonds. Gemologist's report and va lu at ion avai lab le on request. $11,500-14,500 see colour illustration page 170

Set

With

The necklace of flexible 18ct yellow gold snake links to a curved sp iral twi st mid section set with round modern brilliant cut di amo nd s and diamond baguettes. Th e Creo le style earrings of simil ar design. Gemologist's report and va lu atio n ava il ab le on request. $12,500-15,000 not received in time for illustration

346

A Necklace Set With Diamonds.

340

A Ring Set With A Approximately 3.27ct.

345

A Necklace And Earring Suite Approximately 11.Sct Of Diamonds.

Solitaire

Diamond

The round brilliant cut diamond assessed as M, SI2 set in a co ronet mount of 18ct wh ite gold. Gemologist's report and va lu ation avai lable on request. $14,500-16,500 see colour illustration title page

341

An Impressive Emerald And Diamond Cocktail Ring. Double circlet fan design in 14ct yel low gold enhanced with 26 chen ier set diamonds about a round cut emera ld of unusually bright appearance and estim ated weight 8.Sct. Gemologist's report and va lu ation ava il able on request . $2000-3000

342

A Ring Set With A Fine White Solitaire Diamond Of let. The round modern brilliant cut diamond assessed as F/G, SI2 is set in 18ct white and ye llow gold. Coster Diamond Cert ifi cate and Gemologist's report and valuation avai lab le on request. $7500-8500 see colour illustration page 7 79

Designed as a graduated line of arti cu lated loops in 18ct ye llow and whi te gold. The central sectio n of wh ite gold encrusted with lines and clusters of round modern brilliant cut diamonds . Gemologist's report and valuation available on requ est. $4500-5500 see colour illustration page 119

347

A Pair Of Solitaire Diamond Approximately TDW 1.65ct.

Earstuds

The round modern brilliant cut diamonds assessed as 1/K, 11 , set in 14ct wh ite gold. Gemologist's report and valuation available on request. $2750-3750 see colour illustration page 7 79

348

A Pair Of Aquamarine And Earrings.

Diamond Drop

18ct white finished gold, each designed as an open tea rdrop outline enhanced w ith a cont inuou s line of round modern brilliant cut diamonds, enclos ing a pendeloque cut aquamar ine, and suspended by a line of four diamonds to the stud. Gemologist's report and va luation availab le on req uest. $2400-2800 see colour illustration page 7 70

343

349

A Good Five Stone Diamond Ring Of Approximate TDW 1.75ct.

A Cocktail Ring Set With Champagne Coloured And White Diamonds.

The round modern brilliant cut diamonds of matched size (approx imately 0.3Sct each) and assessed quality G/H VS2/5I1 are channe l set in a band of 18ct white gold. Gemologist's report and valuation available on request. $4750-5750 not received in time for illustration

Th e band of 18ct white finished gold pave set with white brilliant cut diamonds beneath a spira l twist of black finished gold pave set with champagne diamond brilliants. Gemologist's report and va lu at ion availab le on request. $2500-2800 see colour illustration page 723

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350

356

A Ring Set With A Solitaire Pear Shaped Diamond Of Approximately 2.S0ct.

A Magnificent Ring Set With A Fancy Yellow Diamond Of 4.0lct.

The brilliant pendeloque cu t diamond assessed as H/I; 512/11, of very good make, is rub-over set in a sty li sh ring of 18ct white finished gold. Gemologist's report and va lu ation availab le on request.

The superb octagonal step cut diamond set in a sty li sh ring of platinum and 18ct ye ll ow gold within a border of white baguette cut diamonds. TOW 6.11 et. Gemologist's report and valuation available on request.

$12,000-14,000 see colour illustration page 107

$55,000-65,000 see colour illustration title page

351

357

A Ring Set With A Diamond Of Around 1.6ct.

A Particularly Good Diamond And Pearl Estate Necklace.

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The early modern brilliant cut diamond set in a crossover style ring of 14ct white gold with further diamonds. Gemologist's report and va lu ation availab le on request.

$5750-6750 see colour illustration page 107

352

A Four Stone Diamond Ring. The round modern brilliant cut diamonds of matched size and approx im ate ly TOW 1.0ct are set in a low profile bridge of 18ct wh ite gold. Gemologist's report and valuation ava il able on request.

$2000-2500 see colour illustration page 119

353

A Ring Set With A Solitaire Diamond Of 1.00ct. The round modern brilliant cut diamond assessed loose as I, Sil is set in a partial rub-over mount of l 4ct white and ye ll ow gold. Gemologist's report and va lu ation availab le on request .

$6000-7000

Late 19th / early 20th century si lver - 1Sct gold doublet, the mid section of loop and foliate design enhanced with diamonds suspend in g a central ear ly European cut diamond of approximately 1 .70ct and two knife-edge drops of unequal length each terminating in scallop backed blister pearls. From the estate of an Eastern European family. Gemologist's report and valuation avai lab le on request.

$6000-8000 see co/our illustration page 111

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A Pair Of Diamond And Large Baroque South Seas Pearl Drop Earrings. Each 18ct white gold stud set with an 0.25ct round modern brilliant cut diamond of good quality, has a detachable drop comprising a cupola enhanced with diamonds set w ith a 151Bmrn si lver white baroque cu ltured South Seas pearl. Gemologist's report and valuation ava il able on request .

$6000-7000 see colour illustration page 115

359

A Peridot And Diamond Cluster Ring. The 9 mm round cut peridot set in l 8ct white and ye ll ow gold with in a two ties border of sing le cut diamonds. Gemologist's repo rt and va luat ion avai lab le on request.

The Latin cross of l 4ct white gold set with 16 transitional early modern brilliant cut diamonds having an estimated TOW 4.32ct. From the estate of an Eastern European fam il y. Gemologist's report and valuation ava il ab le on request.

355

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An Exceptionally Fine Cross Set With Diamonds.

An Exceptional Bracelet Set With Approximately 18.00ct Of Diamonds.

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358

354

$750-850 see colour illustration page 119

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$10,000-12,000 see colour illustration title page

360

A Fine Single Row Necklace Of Cultured Black South Seas Pearls.

Th e line of 14ct wh ite and ye ll ow gold slightly tapered hinged links set w ith three lines of round ear ly European cut diamonds, graduated from the centre. From the estate of a prominent Viennese fam il y. Gemologist's report and va lu ation avai lable on request.

The round 12 - 13.6 mm pearls of even size and exce ll ent blend, very good orient and with none to sli ght blemishes secured by a fi li gree ball clasp of 18ct white gold. 440 mm. Gemologist's report and valuation available on request.

$22,000-26,000 see colour illustration title page

$12,000-14,000 see colour illustration page 111

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361

367

An Estate Pendant Set With An O val Champagne Diamond Of Around 4ct.

A Dainty Pair Of Diamond Cluster Earstuds .

The claw set d iamond suspended by an articu lated li ne of six diamonds and a fine trace neck chain. Gemologist's report and valuation available on request. $20,000-25,000 see colour illustration title page

362

And Pearl

A Magnificent Emerald And Diamond Ring. The emerald-cut-emerald of very good co lour, actual weight 9.92ct, is set in a ring of 18ct white and ye ll ow gold within a co ntinuous border of 22 diamonds of good quality and TOW 2.20ct. Gemo logist's repo rt and va luation avai lab le on request. $2 5,000-28,000 see colour illustration title page

A Splendid Emerald And Diamond Bracelet.

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Th e slightly tapered li ne of 18ct whi te gold hinged lin ks set with two li nes of square cut emera lds about a central li ne of round ear ly European cut diamonds graduated from the centre with an estimated TOW approximate ly 8.60ct. From the estate of a prominent Viennese fam il y.Gemolog ist's report and va luation availab le on request. $18,500-22,500 see colour illustration title page

364

1bleo'r€1i

A Diamond And Black Onyx Pendant In The "Cartier Wishknot" Manner.

1\lithDiair

Tapered Ch inoiserie geometric motif in 18ct w hite finished gold, outli ned w ith round modern brilliant cut diamonds, w ith black knotted silk cord suspending two black onyx finial beads, and itself suspended by a black sil k cord secured with an 18ct white gold clasp. Gemologist's report and va luation ava il able on request. $2750-3000 see colour illustration page 103

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nesti111a'eii' •an 1,111'11

365

A Pair Of Black Onyx And Diamond Earrings In The "Cartier Wishknot" Manner.

ofCultuiro Bc-1 sizeaooe-t

Designed as compa ni ons to the previous lot. Gemo log ist's report and valuation ava il able on request. $3 000-3500 see colour illustration page 103

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366

~I.

A Pair Of Solitaire Di amond Approximately 1.52ct Total.

Earstuds

368

A Fashionable Wide Band Ring Pave Set With Diamonds. The broad band of 18ct wh ite gold pave set with some 3.3ct of round modern bril liant cut d iamonds that are also used to accent the edges. Gemologist's report and va luation avai lable on request. Note: vendor wi ll resize if requ ired at no add itional cost. $2000-2400 see colour illustra tion page 115

369

A Ring Se t With A Diamond Baguette Approximately 0. 70ct And Other Diamonds.

363

Baroque So,

18ct wh ite go ld, each set w ith 7 rou nd modern brilli ant cut diamonds. $500-600

The round modern bri ll iant cut diamonds assessed as K/M 11 set in 14ct wh ite gold. Gemologist's report and va luation ava il able on request. $2000-2500 see colour illustration page 123

The baguette cut diamond assessed as K/M SI1 set in 18ct w hite gold with four round modern brill iant cut shou lder di amon ds. TOW approx imately 1.12ct. Gemologist's report and va lu ation avai lable on request. $1500-2000

370

An Elegant Ring Set With An Diamond Of Approximately 3ct.

Emerald-Cut

The diamond assessed as K/M 11, very good make, set in platinum-iridium with two tril li ant cut shoul der diamonds of approximately 1.0ct TOW. Gemologist's report and va lu ati on ava il ab le on request. $11,000-13,000 see colour illustration title page

371

An Impressive Marquise Outline Ring Set With Old Cut Diamonds. The open design in 18ct wh ite gold set w ith a co ntinuous lin e of 18 o ld mine cut diamonds of very good qua li ty and TOW in the vici ni ty of 2ct. Gemologist's report and va luation ava il able on request. $3000-3500 see colour illustration page 119

372

A Traditional Three Stone Diamond Ring. The round modern brill iant cut d iamon ds centred by the largest stone of around 0.60ct, w ith side stones aroun d 0.30ct each set in 18ct wh ite and ye ll ow gold. Gemo logist's report and va luation avai lab le on request. $3500-4500

373

379

A Good Nine Diamond Cluster Estate Ring.

A Ruby And Diamond Cocktail Ring.

Th e ea rl y modern brilliant cul diamonds set in a flowerhead cluster, centred by the largest stone, in 1Bcl white and ye ll ow gold. TDW around 1 .80ct. Gemologist's report and valuation available on request. $4000-4500 see colour illustration page 119

18ct white gold, the sli ghtly tapered upper panel pave set with approximately 1.52ct of brilliant cut diamonds forms an overlay above a lower panel pave set with approx imately 0.69ct of round cut rubies. Gemologist's report and valuat ion available on request. $1800-2200 see colour illustration page 707

374

A Pair Of Diamond And Turquoise Drop Earrings In The "Cartier Wishknot" Manner. Chinoiserie geometric design in 18ct white fini shed gold outlined with round modern brilliant cut diamonds, with black knotted si lk cord suspend in g turquoise bead finials. Gemologist's report and valuation availab le on request. $3000-3500 see colour illustration page 111

380

A Ring Set With A Solitaire Heart Shaped Diamond Of 2.52ct. The diamond, graded loose as J, VVS1, very good make, is set in an elegant ly simp le mount of 18ct white go ld. Gemologist's report and va lu ation avai lable on request. $24,000-26,000 see colour illustration title page

375

381

A Pendant Set With A Vivid Yellow Diamond Of Approximately 2.09ct.

A Ring Set With Three Champagne Coloured Diamonds.

The round modern brilliant cut diamond assessed as treated (colour enhanced), V52, Good make is set in a pendant of 18ct yel low gold suspended by an 1Bct yellow gold snake neckchain. Gemologist's report and valuation available on request. $9000-10,000 see colour illustration page 123

Traditional design bridge in 14ct yell ow gold set with three round modern brilliant cut diamonds graduated from the centre with an estimated TDW of 1.38ct. Gemologist's report and valuation avai lable on request. $1600-1800 see colour illustration page 107

376

A Necklace Diamonds.

382

Set With Approximately 9.Sct Of

Designed as a line of 'v' shaped links in 18ct white gold, each set with a round modern brilliant cut diamond to a central panel set with further diamonds. The diamonds, 81 in all assessed as K/M 511 /2 have a reported TDW 9.53ct. Gemologist's report and valuation available on request. $7500-8500 see colour illustration page 115

377

A Pair Of Diamond Earstuds. Quatrefoil design in 18ct yellow gold, each set with four round modern brilliant cut diamonds. $650-750

A Pearl And Diamond Estate Ring. The 12.5 mm round blister pearl set in 14ct white gold within a border of 16 ear ly modern brilliant cut diamonds having an est im ated TDW 1 .40ct. From the estate of an Eastern European family. Gemologist's report and valuation avai lable on request. $2750-3250 see colour illustration page 171

383

A Traditional Three Stone Diamond Ring Approximately 1.6ct Total.

The round modern brilliant cut diamonds assessed as central: 0.75ct 1/J V52 with sides: 0.87(pr) H, VS set in a bridge of 18ct white and ye ll ow gold. Gemologist's report and valuation available on request. $6000-7000

378

A Pair Of Diamond Earstuds.

384

Square outline in 18ct white gold, each invisibly set w ith nine Princess cut diamonds. TDW approx im ate ly 0 .57ct. $750-1000 see colour illustration page 110

A Marquise Outline Diamond Cluster Estate Ring. The ring of 18ct ye llow gold encrusted with 23 old cut diamonds, centred by the largest stone. Gemologist's report and valuation availab le on request. $1250-1750 see colour illustration page 170

Ring.

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385

391

A Striking Amethyst, Diamond And Pearl Necklace.

An Emerald And Diamond Line Bracelet.

Th e kite shaped fantasy cut amethyst of around 20ct set in an 18ct ye ll ow gold pendant, with in a border of 28 round modern brilliant and marquise cut diamonds, suspended by a ten strand necklace of fresh-water cu ltured pearls. Gemologist's report and valuation availab le on request. $3500-4000 see colour illustration page 7 19

18ct whit finished gold art icu lated links alternate ly set with an oval cut emera ld or four smal l brilliant cut diamonds in a quatrefoil. Gemologist's report and valuation availab le on request. $3500-4000 see colour illustration page 115

386

An Exceptional Black Opal And Diamond Ring.

ill

\Ring SetWil

392

A Victorian Locket Brooch Enhanced With Enamel And Seed Pearls. Oval outline in ye llow gold (tests approximate ly 1 Sct), the raised arced and crescen t mid section outli ned with midnight blue ename l and lin es of seed pearls, the brooch suspending by festoon chain a tassel fringe drop. Verso a glazed compartment. $650-850 see colour illustration page 703

The 14 x 11 mm ova l black opa l showing a strong green / blue / violet mosaic colour play is set in a very heavy mount of yel low gold (at least 20ct) within a border of fine white (F/ G VS) round modern brilliant cut diamonds of approximate ly TOW 2.80ct. Gemologist's report and valuation avai lable on request. $10,000-14,000 see colour illustration page 723

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393

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387

A Necklace Of Diamonds And Emeralds.

\PairOfEarso

A Pearl And Diamond Ring.

Designed as a line of 18ct white finished gold articu lated box links, each set with a lin e of four brilliant cut diamonds to a mid section of an arced line of 11 ova l cut emera lds separated by further panels of diamonds and an upper line of diamond set box links. Gemologist's report and va lu ation available on request. $6000-7000 see colour illustration page 115

The 12 mm semi round silver wh ite cu ltured pearl set in a ring of 18ct white gold with two baguette cut shoulder diamonds. $450-650

388

A Ring Set With A Good Quality Solitaire EmeraldCut Diamond Of Approximately 1. 70ct. The diamonds assessed as G-H, 511 -2 set in a ring of 18ct yellow gold and platinum. Gemologist's report and va lu ation availab le on request. $7500-9500 see colour illustration page 107

389

A Ring Set With A Solitaire Diamond Of 1.6ct. The round modern brilliant cut diamond assessed as K/L. Sil is set in an attractive mount of ye ll ow and white finished go ld, the shou ld ers enhanced with six channel set baguette cut diamonds. Gemologist's report and va lu ation avai lable on request. $8000-9000 see colour illustration page 707

100

394

\Pair Of Opal

A Particularly Good 19th Century Amethyst And Diamond Brooch. Oval out line in ye llow gold (tests 18ct) set with three oval cut amethysts together with very good quality old cut diamonds w ithin pierced scro ll motifs; suspending a large (25 x 22 mm) pendeloque cut amethyst drop. $2000-2500 see colour illustration page 123

395

A Funky Spiral Motif Ring Set With Diamonds. 18ct white gold set with lines of round modern brilliant cut diamonds of TOW 0.26ct. $600-700

390

A Pendant Set With An Emerald And Diamonds.

396

The pendeloque cut emerald of approximately 3.60ct set in 18ct yel low gold be low an articulated link set with three round modern brilliant cut diamonds to the bale, also enhanced with diamonds. Gemologist's report and valuat ion availab le on request. $2500-3000

A Three Stone Diamond Ring Of Good Quality. The round modern brilliant cut diamonds of similar size and TOW approximately 1 .34ct, assessed as H, VS2 are set in a traditional bridge of 18ct white and yellow gold. Gemologist's report and va lu at ion available on request. $5000-6000 see colour illustration page 107

IOJ

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racelet. ,'er Cutd

397

404

A Ring Set With A Fine Quality Diamond Of 1.Slct.

A Black Opal And Diamond Cluster Estate Ring.

The round modern brilliant cut diamond with G. IA Cert ificate #7014820 stating it to be G, VVS1, good make is set in a ring of 18ct shoulder diamonds. Gemologist's report and valuation avai lab le on request. $16,000-18,000 see colour illustration page 7 7 I

Diamond Ritt

398

A Late 19th Century Amethyst And Pearl Necklace. The mid section of three oval cut amethysts framed in ye ll ow gold (tests 15ct), separated by seed pearl links, suspends a large pendeloque cut amethyst drop, and is in turn suspended by an ova l link neck chain. $1000-1500 see colour illustration page 110

399

meralds.

A Pair Of Earstuds Set With Diamonds. Woven loop design in 18ct wh ite gold pave set with around 1 .6ct brilliant cut diamonds. Gemologist's report and va lu ation availab le on request. $1000-1400 see colour illustration page 110

400

A Pair Of Opal And Diamond Cluster Earstuds.

ury Ametl)il.\l; ;et

Oval outline in 9ct yellow gold, each centred by an oval milk opal cabochon with active colour play w ithin a continuous border of round modern brilliant cut diamonds. Each fitted with an extended butterfly for addi ti ona l support. $800-1000

alaNe: ·· 401

A Pinky Ring Set With Diamonds. 18ct yell ow gold domed band scatte r set with 7 round modern brilliant cut diamonds. TDW around 0.30ct. $450-550

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rt.

405

A Blue Topaz And Diamond Cluster Ring. The cushion cut blue topaz set in a ring of 18ct wh ite and ye llow gold within a border of brilliant cut diamonds. Gemologist's report and va lu at ion ava il ab le on req uest.

$750-1000

406

A Ring Set With A Blue Sapphire And Diamonds. The 11 x 7 mm oval cut sapphire tranverse set in a band of 18ct wh ite finished gold pave set with round mod ern brilliant cut diamonds. Gemologist's report and valuation ava ilabl e on request. $2250-2750

407

A Black Opal And Diamond Cluster Ring, The Opal Displaying Rare "Chinese Writing". The 16 x 14 mm oval black opal cabochon displays the rare and sought after "C hinese Writing" within a blue, green and gold co lour play, and is set with in a continuo us border of 30 brilliant cut diamonds of est im ated TDW 0.97ct in a handmade ring of 18ct w hite and ye llow go ld by Peter Minturn. Gemologist's report and va lu ation ava ilable on requ est. $2750-3750 see colour illustration page 17 9

408

A Ring Of Contemporary Design Set With A Solitaire Princess Cut Diamond Of 0.62ct. The diamond assessed as H V52 set in a band of 18ct ye ll ow and frosted w hite gold. Gemologist's report and va lu ation availab le on request. $3000-3500

402

A Ceylonese Sapphire And Two Diamond Ring.

409

The 2.3ct ova l cut Cey lo nese Blue sapphire of v ibrant appearance set in 18ct yellow gold and platinum with two fine white round modern brilliant cut diamonds of TDW 0.46ct. Made by Jack Garrett. Gemo logist's report an d va lu ation ava il ab le on request. $2000-3000

A Diamond Cocktail Ring. Serpentin e outline with ajou re centre, pave set w ith some 1.1 9ct of round modern brilliant cu t diamond s.

$1250-1500

410

as H\\. 1011 gold

The circular opal cabocho n set in 18ct yellow go ld within a border of eight old cut diamonds. $500-800 see colour illustration page 1 70

403

A Ring Pave Set With Diamonds. The curved upper rectangular secti on set with some 0.79ct of round modern brilliant cut diamonds.

$850-1000

A Jewelled Butterfly Brooch. Handm ade in 18ct w hite and ye llow gold set with a variety of round rub-over set cu t gemstones. Gemologist's repo rt and va lu ati on avai lable on request. $1500-2000 see colour illustration page 111

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411

A Line Bracelet Set With Diamonds. Designed as an alternating li ne of whi te and ye ll ow gold links, each yel low gold link channel set w ith four round modern brilliant cut diamonds. Gemologist's report and valuat ion availab le on request. $850-1 250

412 A Tennis Style Line Bracelet Set With Diamonds. Designed as an articulated line of 18ct wh ite gold heart-shaped links, each set with a round modern brilliant cut diamond. Gemologist's report and valuation available on request. $1850-2250

413 A Striking Ring Of Invisibly Set Rubies And Diamonds. The broad band of 18ct ye ll ow gold with a shaped three row panel of invisibly set Princess cut rubies within borders of pave set diamonds. Total ruby weight approximate ly 4.3ct, TOW approximate ly 1.57ct. Gemo logist's report and va lu at ion avai lable on request. $2500-4500 see colour illustration page 7 79

414 A Pendant Set With A Fancy Yellow Diamond Of 1.04ct. The round modern brilli ant cut diamond set in 18ct ye ll ow and w hite gold with in a pave white diamond border, suspended by a snake li nk wh ite go ld neck cha in. Gemologist's report and valuation ava il able on request. $8000-9000 see colour illustration page 723

415

A Pair Of Diamond Earrings. Creo le hoops of 9ct Yellow go ld each suspendi ng a free-moving drop set with a round modern bri lli ant cut diamond. TOW 0.28ct. $600-800

416 A Pair Of Earrings Set With Princess And Brilliant Cut Diamonds. The convex pane ls of 18ct white gold each set with a centra l li ne of six princess cut diamonds, the shoulders pave set with diamond bri lli ants. Gemologist's report and valuation avai lab le on request. $1800-2200 see colour illustration page 7 70

417 A Ring Of Contemporary Diamonds.

Design

Set With

The serpent in e rectangular beze l pave set with round modern brilliant cut diamonds about two off-set pane ls: one a raised arc of channel set baguette cut diamonds, the other a square of Princess cut diamonds. Gemologist's report and valuation availab le on request. $1850-2250

418 An Estate Ring Set With A Solitaire Diamond Of Approximately 0.80ct. The round brilliant cut diamond set in 18ct ye ll ow and white gold with 12 sma ll sin gle cut accent diamonds. Gemologist's report and valuat ion available on request. $3000-3500 see colour illustration page 707

419 A Diamond Pinky Ring. The domed band of 18ct white and yellow gold set with a pave panel of diamonds and an upper panel of two diamonds. TOW around 0.30ct. $450-650

420 A Dainty Ring Of Art Deco Design. 18ct white gold set with round cut d iamonds and triangular French cut sapphires in a geometric pattern. $650-850 see colour illustration page 707

421 A Rubelite Tourmaline And Diamond Dress Ring. The rectangular cut tourmaline set in 18ct white finished gold, the bow motif shoulders and split shank set with lines of round modern brilliant cut diamonds. Gemologist's repo rt and va lu ation avai lab le on request. $2500-3000

422 An Emerald And Two Diamond Ring. The emerald-cut emera ld of approximate ly 1.45ct rub over set in a bridge of 18ct ye ll ow gold w ith two simi lar ly set round modern brilliant cut diamonds of TOW 1.30ct. Gemologist's report and valuation available on request. $4000-4500

423 A Fashionable Cocktail Ring Set With Diamonds And Sapphires. 18ct white gold open fold-over design, the upper level pave set with brilliant cut diamonds, the lower leve l pave set with round cut blue sapphires. Gemologist's report and valuation avai lable on request. $1750-2250

esign Set i

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Ring.

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424

432

A Ring Set With A Solitaire Oval Cut Diamond Of Approximately 0.S0ct.

A Three Colour Gold Bracelet.

The oval cut diamond assessed as G/H, 512, good make; set in a sty lish rub-over mount of platinum. Gemologist's report and valuation avai lable on request. $1500-2000

A Very Stylish Black Onyx And Diamond Dress Ring In The Manner Of"Cartier Chine". The cushion out line black onyx cabochon enclosed by geometric motifs in spired by Chinese ideograms in 18ct white gold outlined with round modern brilliant cut diamonds. Gemologist's report and va luation available on request. $2750-3250 see colour illustration page 103

A Necklace Of Pearls With A Diamond And Sapphire Clasp. The sing le row of graduated round 7-4 mm pearls (appear to be mostly natural) is secured by a box clasp set with a baguette cut diamond of around 0.60ct together with further brilliant cut diamonds and squa re cut sapph ires. With ori gina l box from The Goldsmiths & Sil versmiths Company, Regent St, London; and the origina l sa le receipt dated December 1950. $4000-5000 see colour illustration page 111

426

A Useful Interchangeable Set Of Three 9ct Yellow Gold Chains. Comprising two necklaces of long and short lengths together w ith a bracelet, all in matching cable links, ab le to be combined to form longer necklaces, up to muff length . 65g. $650-850

427

A Chunky Convertible Necklace of Plaited 14ct Yellow And White Gold. Cable links with two ring clasps to al low use as a shorter necklace and bracelet. 600 mm 60g. $1000-1200

428

A Double Albert Chain Of 9ct Rose Gold And Greenstone. The tubul ar polished bars of bowenite greenstone capped w ith go ld and joined by ova l gold li nks; with T bar and clip. 460 mm . $500-600

Vine leaf motif with hinged cover to locket compartment recto. Signed HISLOP (John Hislop Dunedin 1900-1906). With origina l fitted box. $550-850 see colour illustration page 111

Designed as a lin e of six ova l pane ls graduated from the centre, joined by cross-over and ba ll links, each set with an oval po li shed potch-backed seam opal. $500-700

436

A Bracelet Of 9ct Yellow Gold. Chunky textured hollow curb links. 22.8g. $250-350

Rope link design in polished and textured gold. 35g. $550-650

430

438

A Heavy Bracelet of 18ct Yellow Gold.

A Gatelink Bracelet Set With Emeralds And Diamonds.

Ribbon bow design 1 8.4g. $300-400

1i<)uth Seas P jltn,

~ 1K

1'iJ)l800

ff!

ICamd Shell I

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;ochoi~

A Bracelet Set With Opals.

A Greenstone And Gold Bracelet

A Pair Of 18ct Yellow And Rose Gold Earstuds.

ill

435

437

431

!cteold ~

434

An Early New Zealand 18ct Yellow Gold Brooch Signed HISLOP.

An Italian Bracelet Of 14ct Yellow Gold.

Flat curb links. 63g. $1000-1200

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429 matching the previous lot. $250-300

\~rilot And S1

Th e 25 mm wide brace let of articu lated panels of 14ct white, ye ll ow and rose gold enh anced with floral and foliate engraving. 60g. $1000-1200

433 425

119

14ct yel low gold gatelinks w ith lozenge shaped pane ls, the central 5 set with three diamonds and two emeralds. $550-750

t\DOF

J\l~I and101e

A Diamond

llow Gold Br

439 A Peridot And Seed Pearl Pendant. Open scro ll design in 9ct ye ll ow go ld set w ith ha lf-pear ls about a central oval cut peridot and suspending a sim il ar peridot drop. With fine l 4ct gold neckchain. $35 0-450

440 A South Seas Pearl And Diamond Pendant On Chain. The 15 x 13 mm pendeloque li ght golden pearl of fine quality set as a free-moving drop within a rope-twist frame of l Bct yellow gold enhanced with bril liant cut diamonds, suspended by a ropeli nk neckcha in also of l Bct yellow gold. Gemolog ist's report and va lua tion avai lable on r quest. $1500-1800

441 A Chunky Necklace Of 18ctYellow Gold. Fial holl ow cu rb links graduated from the centre. 460 mm. 70g. $1500-1800

442 A Carved Shell Double Portrait Cameo Brooch. The 54 x 46 mm oval cameo of a classical Bacchanalian coup le set in a brooch of gold lined with meta l. M inor interna l cracks to cameo. $375-575

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E N D O F DAY T W O

DECORATIVE ARTS & FURNITURE Including a Treasury of Silver DAY THREE THURSDAY 9 DECEMBER 2004 5.00PM

w w

I I

.. I'< CII

5.00PM

.' =a

Lots

451 - 493

English Porcelain & Pottery

Lots

494 -514

Moorcroft Pottery

Lots

515 - 533

Further Fine Ceram ics

Lots

534 - 555

Glass

CII

..:::::

Lots

556 - 576A Pewter

Lots

577 - 835

A Collection of Silver from a Private Vendor Silver Plate

Lots

836 - 857

Lots

858 - 864

Boxes

Lots

865 - 886

Bronzes, Sculptures & Miscellany

Lots

887 - 894

In struments & Clocks

Lots

895 - 929

Furniture

Lots

930 - 943

Items of Maritime & Aeronautical Interest

944 - 949

Artefacts

Lots

950 - 957

Miscellany

Lots

958 - 977

A Co ll ection of Arabic Artefacts

Lots

978 to End A Co ll ection of Rugs & Carpets [Uncata logued]

VIEWING TIMES 9.00am 9.00am I 1.00am 11.00am 9.00am 9.00am 9.00am 9.00am

5.30pm 5.30pm 3.00pm 3.00pm 5.30pm 5.30pm 5.30pm 5.00pm

Illustrated left:

An Ivory Chess & Backgammon Set LOT 861

'-§"' i:::

Lots

Thursday 2 DECEMBER Friday 3 DECEMBER 4 DECEMBER Saturday Sunday 5 DECEMBER Monday 6 DECEMBER 7 DECEMBER Tuesday Wednesday 8 DECEMBER Thursday 9 DECEMBER

"D .,.. i

ENGLISH PORCELAIN & POTTERY

460 A Small Creamware Teapot.

451 An 18th Century Porcelain Teapot.

Sq uat sp her ica l; naturalistic branch modelled handl e and spout. Rep laced lid an d cracked.

Spheri ca l. Painted w ith an underg laze blu e fl ora l pattern ; overpai nted w ith an alternate floral pattern in lm ari red w ith gi lt hi gh li ghts. $400-500 see illustration page 145

$100-150

452

An 18th Century Creamware Coffee Pot. Decorated w ith polychrome floral s and borders; ba luster shaped. Small spout chip. $300-400

453 A Worcester Teapot. Spherica l. Polychrome decorated in panels with flowers and blossom. Blue cross hatch ma rk. Floral finial restored. $375-525 see illustration page 145

454

An 18th Century English Porcelain Teapot.

461 An 18th Century Creamware Teapot. Spherical; cross strap handl ed, floral painted. AF

$100-150

462 A Pair of Caughley Dishes. Lozenge shaped; sca ll oped, serpent in e rimmed. Decorated with the Fisherman pattern blue print. W .270mm

$200-400 see illustration page 145

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Jiili Century il,100

lfili Centur)

463 A Pinxton Porcelain Sucrier. Oval shape w ith swa n neck handl es. Gilt frieze at the mouth. W .1 95mm

Ill

$100-200

In IMh Centu~

Painted w ith Chi noi ser ie pattern of figures in a landscape. Finial broken off and re-g lued. $250-350 see illustration page 145

464 A New Hall Tea Pot.

455

$75-100

.\l1onewareTo ,,,,ia'r

465 A Queen's Ware Teapot.

lli

Strawberry moulded body. Cracked.

.\l1oneware To

A Leeds Pottery Creamware Teapot. Spherica l with crossed strap handle. Painted in green brown and ye ll ow w ith floral decoration. Leaf moulded al the handle and spout, flower finial. Impressed marks. D.110mm $225-325

Ch in o ise ri e print pattern 'Man at Window'. Cracked and ri v ited.

115

$75-100

An 18th Century English Porcelain Teapot.

466 A Wedgewood Creamware Teapot.

Painted in polychrome w ith fl owers and butterflies. Bud finial. H airline at rim. $100-200

Spherical; with c rossed strap hand le and moulded spout. Decorated w ith a bat print of a tea party and rural idy ll. Lid fa ul ted.

457 A Worcester Quuen Charlotte Pattern Teapot.

see illustration page 745

Cracked and restored. $100-200 see illustration page 145

467 A Leeds Style Earthenware Coffee Pot.

.\J~Centu !IJi.100

458 A Worcester Blue Floral Patterned Teapot.

Blue Willow pattern print decorated. Restored lid and spout. H. 260mm

$200-400

ll9

Cracked body; rep laced lid. Blue cresce nt mark. $100-150 see illustration page 145

468 An 18th Century Creamware Teapot.

456

459

.\Se1 of Four I

$150-200

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Cy lindri cal, floral painted. Faulted.

•

$50· 100

l'l1-16Q

469 An 18th Century Earthenware Coffee Pot.

liO

An 18th Century English Porcelain Teapot. Blue painted design; merman finial. Faulted. $100-150

Painted wi th puce summe r fl ower groups. Faulted.

$75-125

\\.

111~

.\Doccia Por

led handle

470

481

An 18th Century Porcelain Teapot.

A Pair of Staffordshire Pottery Cow Spill Vases.

Spherical with po lychrome chinoiserie floral pain ting. Naturalistic branch modell ed handl e and spo ut. Small crack. $125-225

Modelled as opposing groups of cows and feeding ca lves. Standing by streams. Some fau lts. H.290mm $250-350 see illustration page 156

471

i.Af

A Lowestoft Blue and White Tea Bowl. Repaired. $30-50

472

Tied Dem·

Jmm

An 18th Century Saltglazed Earthenware Teapot.

482

Two Staffordshire Pottery Models of Hounds. One a pen stand, blu e glazed based with seated hound, the other an ornamental model of an attentive standing bitch. $160-200 see illustration page 145

Faulted .

483

$50-100

Two Staffordshire Pottery Models of Hounds.

473

An 18th Century Salt Glaze Earthenware Teapot. Faulted. $50-75

One a pen stand, blue glazed based w ith seated hound, the other an ornamental model of an attentive stand ing bitch. $160-200

484

A Staffordshire Model. 474

An 18th Century Creamware Coffee Pot.

Garrett in the Shakesperean character of Richard Ill. $100- 150

Faulted. $50-75

485

Two Staffordshire Pottery King Charles Spaniels. . Cracked '

475

A Stoneware Toby Jug. 19th Century, repaired handle. H. 245111111 $70-120

A Pair of Staffordshire Spaniel Ornaments.

A Stoneware Toby Jug.

White with gilt highlights. H.330mm $200-300

Two Staffordshire Spaniels.

A Set of Four Pot Lids.

One a spi ll vase; the other an unusually eyed mantel ornament. Some faults. $190-260

'The Vil lage Wedding' ; 'Embarking For The East'; 'War' and 'Peace'. Each in oak circular frame. 0.145mm $250-350

A 19th Century Paste Pot with Decorative Lid.

~idanil·

'The Listener' . $60-100

479

Four Dutch Tiles. Two blue and white painted w ith canel side buildings, another with windmill within a manganese border and anoth er with a man in a landscape similar ly bordred. Some faults. All framed. $180-260

480

A Doccia Porcelain Figure Group.

pot.

aul1ed.

487

477

478

,t.

486

476 H.245mm $90-130

moulded;p:,i drural i h

Modell ed holding baskets of flowers in their mouths. H. 200mm $160-200 see illustration page 145

Hera accompanied by a putto sits between a terrestrial and a ce lestia l globe. Blue 'crowned N' mark. H.160mm $300-500

488

Three Staffordshire Spaniel Ornaments. A pair and one similar. $240-360

489

A Pair of Staffordshire Equestrian Figures. In confront in g stance, the Scottish huntsmen sit in the sadd le with game slun g across the pommels. $200-300

490

A Staffordshire Equestrian Figure. as above. $100-150

491

Four Various Staffordshire Pottery Figures. $200-300

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492

500

A Pair of Mason's Patent Ironstone China Plates.

A William Moorcroft Trumpet Necked Vase.

Decorated with a japona is design of flowers and exotic bird. 0.230mm $200-2 75

Pomegranate patterened to the swo ll en body and with a frieze of leaves and berr ies to the tall neck on a mottled blue ground. Impressed factory marks, painted green ini tials and paper label , c. 1918. H.260mm $1500-2000 see illustration page 748

493 An Italian Polychrome Tin Glazed Figure. A man in rena issance costume; a sheathed dagger at his waist. H .305mm $200-350

MOORCROFT POTTERY

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501

A William Moorcroft Ovoid Vase, decorated with the Pomegranate design. Facotyr marks and green painted signature, c.1920. Chips to foot. H.210mm $450-750

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502 494

A William Moorcroft Inverse Baluster Shaped Vase,

A William Moorcroft Shouldered Vase,

Pomegranate design; impressed marks and blue painted initials, c. 1920. H.165mm $600- 1000 see illustration page 748

decorated in the Moonlit Blu e pattern; with five trees in a hilly landscape encircling the vase. Impressed factory marks and green painted signature, c.1922-29. H.210mm $3000-3750 see illustration page 148

495

A William Moorcoft Shouldered Vase, decorated in the Moonlit Blue pattern, with four trees in a hilly landscape. Impressed factory marks and green painted initials, c. 1922-29. H.1 30mm $1500-2000 see illustration page 748

496

A William Moorcroft Ovoid Vase, decorated with the Pansy pattern; eight flowerheads and leaves encircle the body on a pale ground at the should er and dark blue at the base. Impressed marks and green pa inted signature, c.1913-16. H. 210mm $1900-2500 see illustration page 748

A William Moorcroft Baluster Shaped Vase, Pomegranate design. Impressed marks and green painted initials, c.1920. H.125mm $350-650 see illustration page 748

504 A William Moorcroft Miniature Shouldered Vase. Pomegranate design. Impressed marks, c.1920. H.95mm $200-325 see illustration page 748

505

Pomegranate design. Im pressed marks, c. 1920. H.90mm $100-150

507

A William Moorcroft Bowl. decorated to the interior w ith Pomegranates and Berries; to the exter ior with a frieze of berries and leaves. Impressed mark, painted green initi als and paper label, c.1918. 0.175mm $375-625

508

A William Moorcroft Ovoid Vase with Ring Neck. 499

A William Moorcroft Squat Circular Vase, Plums and Leaf pattern; impressed marks and green painted initials, c.1918-29. 0.145mm $675-925 see illustration page 748

1ietofSLx Roy l!Jcm,

Pomegranate design; impressed marks, c.1920 . H .1 00mm $225 -350 see illustration page 148

A William Moorcroft Small Circular Dish,

with inverted rim; Pansy design to we ll and exterior; marks and signature c.191 6. AF D.110mm $100-150

,RTHERFI

A William Moorcroft Miniature Inverse Baluster Shaped Vase.

506

A William Moorcroft Small Circular Dish,

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A William Moorcroft Miniature Shouldered Vase.

498

ill

503

497 decorated with Pansy design; marks, initials and paper label c.1918. AF 0.110mm $100-150

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Pomegranate design. Impressed marks and painted initi alss, c.1 920. H.155mm $525-900 see illustration page 748

509

A Massive Walter Moorcroft Vase. Ovoid; Spring Flowers pattern. Impressed factory marks and facsimilie signature, painted initials and date 1953. Restored at rim. H.325mm $2800-3200

il6

\Royai Worcest ·. (

.ed\'ase, arxh 1

510 A William Moorcroft Bowl.

>tiled"'

520 An Art Nouveau Vase.

Moonlit Blue pattern. Hairl ine crack at rim. 0. 157mm $2200-2400

Probab ly Amphora. Ovo id ra ised on a pedesta l foot. Modell ed w ith irises issuing from the base and moul ded over the body; the vase mouth as the petals of slipper orchids and resti ng on the shoulder a lightly clad woman who flutte rs a spider's web below her to release two dragon fl ies. Unmarked. H.445mm $500-700

lsand~

511

A Walter Moorcroft Vase. Ovoid; Leaf and Berry Patterned. Impressed facsimi lie signature and Royal warrent marks with painted initials. Circa 1940. H.240mm $2600-3000

512 A William Moorcroft Vase .

ir Shaped V~e. luep,n'

522 A Royal Doulton Pied Piper of Hamlin Jug.

513 A William Moorc roft Bottle Vase.

Li mited Ed ition #527/600. Impressed signature of H. Fento n to the side and with cert ificate signed by Char les Noke. H .260mm $900-1200

514 A Small William Moorcroft Vase.

1enp,

Inverse baluster shape, decorated with Pansies pattern. paper labelled. H.l0Omm $100-200

ulderedVase. CH .

FU RTHER FINE CERAMI CS 515 A Set of Six Royal Worcester Demi-Tasse Cups and Saucers.

nverse B~umr H.'

ulderedl'ase. H.~

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Painted with high land cattle by Harry Stinton. Each piece signed. The cups with gil t washed interiors. Puce marked; 1922. In gil t tooled blue leather case with ivory velvet and satin lin ing. Fitted with accompanying set of six silver gilt coffee spoons. $1 0000-1 2000 see illustration page 148

516 A Royal Worcester Vase Painted by J. Reed. Shape G42. Cylindrical, raised on four gi lded scro ll ing feet; pierced at the neck. Painted with peaches and cherries on a mossy ground. Signed. H.220mm $25 00-3000 see illustration page 148

517 A Fram ed Royal Worcester Plate. Painted with highland cattle in a misty landscape with loch, signed J. Stinton. Bordered by a gilt broad border of a fruiting vine. Mounted in a square ve lvet and gilt frame. 0 .2 40mm $1200-1 500

518 A Royal Worc ester Potpourri Painted by Roberts. Shape H291; fluted ba luster decorated with peaches and cherries. Mou lded to the rim; pierced cover with cupola fin ial. Black mark. H.140mm $ 1000-1300

519 jactO~

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Printed backstamps. 0.220mm $1500-2000

Ovoid; Pansies pattern. Impressed Burslem mark and painted signature. Circa 1915. H .185mm $1500-2000

Pomegranate patterned. Impressed marks and painted signature. Circa 1930. H.255mm $1600-2000

id Vase,

521 A Royal Doulton Pansy Pattern Jardiniere.

A Royal Worcester Dr Wall Bicentenary Mask Jug. 1976. $5 0- 75

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523 A Superb Doulton Sung Flambe Vase. Ovoid shape; pai nted w ith a design of sil houetted datura tru mpet flowers and trai li ng ivy on a purp le, reel and go lden huecl ground remin iscent of a fiery sky. A ll overlaid at the shoulder and runn ing in three tra il s down the wa ll s w ith a petro l- like glaze inspi red from Chinese hare's foot glazes. Painted backstamp; impressed number 7168, brushpo int numbered 2651 initia ll ed E. and signed Noke and ent itled 'Sung'. H .325mm $12500-1 5000 see illustration page 148

524 A Copeland Parian Ware Bust of Queen Victoria. Scu lpted by J. Sherwood Westmacott. Signed Verso. H .285mm $1000-1200

525 An Early Carltonware Model of a Heron, standing on one leg. W il tshaw & Rob inson marks. H.210mm $400-500

526 A Clarice Cliff Spill Vase. My Garden pattern. Celadon glaze with polychrome ename ll ing to the mou lded flowers at the base. H.230mm $500-700 see illustration page 148

527 A Cigarette Box Inset with a Royal Worcester Plaque. The machine engraved hinged li d set with an oval plaque signed by J. Sti nton; pa inted with a scene of five highland catt le watering. The box ha ll marked Birmingham 1928. W.88mm $2400-2 700

528 A Meiji Period Satsuma Sa ucer Dish. signed Kinkozan. Deco ration with reserve pane ls featur ing children playing, set in a mi ll efiore backgrou nd. 0 .1 50mm $600- 700

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529 A Satsuma Vase.

538

A Georgian Wine Glass,

Ovoid; painted in two pane ls reserved on a background painted w ith co lourful butterfli es behind a gi ld ed netting. Th e ova l panels united by a centra l frieze of gilt brocade; one pai nted w ith a peacock perched in a mapl e tree on a nashiji c loudy ground, the other with swal lows in flight beneath wister ia, in a ri ver landscape. Signed. H .190mm $750-950

A Pair of 18th Porcelain Plates.

Century

Chinese Exportware

Painted with a temp le roofed building and anc ient trees in a landscape. 0.225mm $180-240

531 A Pair of 18th Century Shallow Dishes.

)~nngin

w ith petal moulded bell bowl raised on simp le knopped ste111 c. 1770. $100-125

, ,ich er

•·!iaef

539

Two Georgian Wine Glasses, plain bowls, raised on plain stems from domed feet c. 1780.

530

ill •.\rt Deco GI :als

$110-150

iii 1irolp1uralCI')'

540

A Conical Bowled Jelly Glass $80-120

541

Chinese Exportware

Painted in underglaze blue with a building in a treed landscape. Some rim frits. 0.230mm $120-180

A Conical Bowled Jelly Glass, domed foot, everted rimmed.

iii Pair of Con

$90-130

542 532

A 'Double Phoenix' Underglaze Blue and White Plate. Circa 1608; recovered from a shipwreak off the coast of Bin Thu an, Vietnam in 200 1. So ld and authenticated by Christ ies Austra li a 2004. Painted with con fronti ng standing ph oen ixes, flanked by leafy trees, framed by a scale and floral cartouche border. 0.270111m $700-900

A Regency Square Foot Wine Glass, $60-90

543

iil

\Gh11 Tankard. '.)ed

A Georgian Ale Flute, wrythen petal moulded. Knopped stem, domed foot, c. 1 790 .

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$110-160

533

A Pale Celadon Glaze Circular Box and Cover. Circa 1608; recovered as above lot. With authentication .

w ith facetted con ical bow l (chi p)

544

A Pair ofVictorian Moulded Wine Glasses

0. 11 5mm $200-400

$60-90

GLASS

A Georgian Port Glass.

1 .\nDeco Set

545

534

A Hemispherical Bowled Wine Glass, and a deep bow led liquer, both with slice cutting. $50-90

Plain bowled, annul ar knopped stem , c. 1 780.

$60-90

546

A Late Georgian Jelly Glass,

535

petal moulded, c.1800.

Two Georgian Port Glasses,

$60-90

raised on double co ll ared short stems. $120-180

547

536

A Glass.

A Conical Bowled Wine Glass,

Possibly an apprent ice's work, from the late 1 700's.

w ith frieze of sli ce cuts, on an octagona l knopped stem along w ith a port glass w ith sli ce cut bowl. $50-90

$50-75

537 A Georgian Port Glass, petal mou lded conical bowl raised on annular knopped ste111, c.1 780 $75-100

548

A Jacobite Port Glass, bel l bowled, single knopped stem, raised from a domed foot. Engraved w ith an enc ircl in g oak branch with acorns, c. l 770.

$250-325

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\Cut Crystal A 'IJ.ii-0

549

557

An Art Deco Glass Vase.

An English Pewter Candlestick,

Flaring cyc lindri ca l shape; red co loured w ith a black overlay at the base rising in tendrils to divide the upper section into six panels, each enc los ing a repeat tulip design in the manner of Michael Powlony. H.225mm

bu ll et shaped nozzle w ith flaring rim ra ised on three tall supports w ith medial ribs from a circul ar foot decorated w ith a trefoil design in low relief. Impressed marks and numbered 0223. H.225mm $300-450

$350-500 see illustration page 748

558 550

An English Pewter Oval Bowl,

A Sculptural Crystal Model of a Heron by Zanetti.

with enamel led well, (AF) and pierced sty li zed foliate designs to the sides. Impressed marks and numbered 0535. W.255mm $200-300

For Vetri Murano. Signed and labelled. The clear crystal body glisten in g w ith a myriad of captured bubbles. (cf. another example of Zanetti's work sold at Webb's Sale 218 December 1988). H.500mm $900-1200 see illustration page 748

551

A Pair of Commemorativ e Wedgwood Crystal Goblets.

lass.

For the occasion of the Royal Si lver Wedd in g 1972. Each applied with app li ed jasperware portrait cameos of the Queen and the Duke of Edinburgh. Limited edition #21/60 for New Zealand. $100-200

552

A Glass Tankard. The pewter hinged lidd ed top set with a circular porcelain plaque painted with three young women. $200-300

553

ne Gla,m

1te

559

A Tudric Pewter Vase, with tapering cylind ri cal hammer finished neck on a squat circular body divided by flutings into six lobes decorated with applied heart motifs. Impressed marks and numbered 01431. H .190mm $300-450

560

An English Pewter Vase, tulip shaped swo ll en shouldered, decorated w ith a frieze of heart shaped leaves on a fresnel ground. Impressed marks and numbered 0251. H.1 90mm $250-400

561

A Tudor Pewter Three Piece Tea Set, cane handle to pot; impressed marks. $150-250

An Art Deco Scent Bottle.

562

Th e body wit h scalloped sides; the wa ll s decorated w ith black enamelled and frosted designs. The large stopper head etched with lily-of-the-valley. Slight fau lts. $150-200

An English Pewter Inkwell,

554

An Art Deco Glass Backed Hand Mirror and Matching Hair Brush. Decoratively black enamelled and cut with designs to the backs. $300-375

555

A Cut Crystal Art Deco Scent Bottle $100-1 50

PEWTER 556

A Pair of English Pewter Candlesticks Designed by Archibald Knox, w ith bullet shaped stems and flat flaring nozzles supported with three buttress legs from circu lar domed bases decorated with wh ipl ash stemmed flowers. Impressed marks and nubmered 0221. Circa 1905. H .145mm $400-600

circu lar with domed hinged cover, decorated with ename ll ed flowerheads on whiplash stems. Impressed marks and numbered 0162. D.125mm $125-225

563

A Tudric Pewter Tazza, circu lar, hammer finish; raised on three support siwht medial ribs from a conform in g foot further decorated w ith a trefoil clover leaf. Impressed marks including Dawsons Limited, Dunedin (retai lers) and numbered 01161. H .270mm $450-700

564

A Tudric Pewter Tazza, circu lar, hammer fi ni sh, raised on a tapering stem from a conforming domed foot. Impressed mark BCM/Tudric and numbered 01 388. D.225mm $200-300

565

An English Pewter Circular Dish and Domed Cover, the hammer finished cover with a handle terminating at one end w ith a decorative lin ea l design; the base w ith two fl attened flanged handles. Im pressed marks and numbered 0292. W.290mm $300-400

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566

576

An English Pewter Large Lidded Flagon,

A Tudric Pewter Oval Two Handled Tray,

hammer finish ed, cy lindri ca l necked; squat circu lar bodied; strap hand led and with a trefoil leaved thumbpiece. Impressed marks and numbered 032. Circa 1902. H.2 60mm $375-525

with styli zed lily-of-the-val ley design to th e rim . Impressed marks and numbered 0311 . W.360mm $200-300

567

An English Pewter Lidded Biscuit Barrel, with sw ing handle; ch rome plated mostly worn off. Circu lar shaped, decorated in low reli ef with whip las h stemmed lil y pads. Impressed marks, and numbered 0 11 68. D.155mm $125-225

568

An Archibald Knox Designed Tri Handled Tray. "The Bo ll elin " circa 1902; some surface degradation. Impressed marks English Pewter and numbered 044. D.265mm $40-80

569 A Tudric Pewter Jug , decorated with wh iplash stem med plants. Impressed marks, numbered 0280. No li d. $60-80

570

A Tudric Pewter Ju g, flaring, hammer finsihed; badly bent marked, numbered 028. $20-40

571

An English Pewter Lidded Jug, ename l boss absent and ca ne to handle loose. Numbered 0281. $80-120

572

A Tudric Pewter Dish, with two handles and pierced rim decorated with clover leaves. Impressed marks, numbered 0287. W.285mm $175-200

573

A Tudric Pewter Mug, with strap handl e desce nding from a ring encircling the neck, and embossed with three floral motifs to the walls. H.1 30mm $125-225

574

A Pewter Silver Plated Jug, AF. $40-70

575

A Tudric Pewter Candlestick, with flanged nozz le and co nforming circular foot, decorated as the stem w ith a styl ized leaf pattern. Marked and numbered 0218. D.130 $125-225

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576A An English Pewter Vase, octagonal, raised on a stem and four paw feet. Decorated with a frieze of oval bosses. Impressed marks and numbered 01004. H. 210mm $150-250

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A COLLECTION OF SILVER FROM A PRIVATE VENDOR 577 An Elegant Victorian Barnard,

Claret Jug

Messers

baluster shape on a c ircu lar sp reading foot; the sil ver gilt handle modell ed natura li st ica ll y as a v ine stem which issues into fru iting and leafy tendrils wh ich sp iral around the jug's body. Engraved with a coat of arms; ch ief dexter quarter banded azure-gu les, 2,3,4 quarters argent with a leopard's head at the nombril ; crested by a leopa rd 's head. London 1887, makers mark wBJ, weight 999gms. H .365mm $5000-7000 see illustration page 749

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578 A Victorian Scottish Claret Jug, probably by John McKay; ovoid shaped raised on a circu lar domed foot, the waisted neck finished w ith a serpentine mouth with co nforming hinged cover, sc rolling hand le. The shou ld er chased and engraved w ith festoons on a matted ground whose tendrils trail and frame a vacant ca rtou che at the front. Edinburgh 1859, maker's mark ]Mc; weight 957gms. H.360mm $3750-4 75 0 see illustration page 149

579 A George IV Neo-Classical Style Coffe Urn by Robert Rennell, octagonal urn sha pe, on co nforming pedestal base w ith ball feet, with fluted swan neck handles; pagoda cover surmounted by urn finial; ivory handled tap. Engraved with an encircling frieze of drapery swags and festoons between lineal and guilloche bands. Crested w ith an epau lette above a horizonta l caducens and monogrammed J.'F.O., London 1828, maker's mark R·H., we ight 1255gms. H. 350mm $3000-5000 see illustration page 149

580 A Pair of Refined Adams Neo-Classical Style Sauce Tureens, boat shaped raised on pedestal bases; gadrooned rimmed, fluted, squre top side hand les, branch ring handles to the domed covers. Each bearing four crests of a negress' head and shoulders (fo r the Amo family) . Londo n 1802, maker's mark A·P - probably Araham Peterson. We ight 1082gms W.220mm $4000-6000 see illustration page 149

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581

587

A George I Brandy Pan by George Greenhill Jones,

A George III Punch Strainer by Samuel Welles,

squat circular shaped w ith sparrow beak spout, sid e handled, with turned boxwood. Maker's mark Crown over GI (Grirnwa des 834), London 1 726. Weight 139grns. W.200rnrn $750-1250 see illustration page 752

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582

A George II Tea Caddy and Sugar Box by Samuel Taylor, the caddy, swo ll en ovoid vase shape raised on a circular domed foot, the cylindrical lid surmounted by a bud finial. The box of co nforming shape w ith domed cover. Both pieces attract ive ly chased and engraved w ith encircling florals. Crested with a stork, wings outstretched, holding in beak an o live branch. Coat of arm s in corporates storks, li ons rampant and Tudor roses. Maker's mark ST (Grirnwades 2645). London 1750. Weight 636grns. H.145rnrn $2500-3500 see illustration page 749

583

An Attractive Small Taper Chamberstick by Charles Fox II, the leaf shaped pan rising to a central stern w ith confo rmin g rernoveable nozzle; a conform in g snuffer attached and affixed by chain. An open scro ll handle modelled as a natural branch. All the su rfaces matted, the pan with additional floral emboss in g. Maker's mark CF. London 1833 . Weight 90gms. H.60rnrn $700-1000 see illustration page 752

584

A Queen Ann-George I Period Coffee Pot by Joseph Ward,

Cotfe (rn \,;

conical body w ith domed cover (period sty le finial probably covering an original rnolinet stirrer hole), spout w ith hinged flap cover; scrolling thurnbpiece; boxwood scro ll handle. Strapwork and floral engraved. Crested w ith a dragon's head erased beneath the motto: Deo Duce, Ferro Cornitante (God for Guide, Industry for Companion), London. Undated, circa 1697-1718, Brittania sta nd ard hallmarks, maker's mark an anchor between Wand A. Weight 660grns. H.235rnrn $8000-10000 see illustration page 749

deep cup shape with half lobed body and rope frieze framing a floral framed vacant cartouche Maker's mark WP:,:RP. London 1764. Weight 11 3grns. H. 75rnm $800-1200 see illustration page 752

589

A Victorian Cream Pail by W. Mann, blue glass lined; conica l shape with serpentine rope twist rim, foot and handle. The wa ll s pierced as a trellis spilling with crysanthemums. Maker's mark W. M. London 1856. Weight 195grns. H.105rnrn $1000-1250 see illustration page 752

590

A George III Cream Jug probably by John Beldon, squat circu lar shape raised on a confo rming foot. Acanthus capped scroll handled; embossed arou nd the ce ntre w ith a frieze of flowers on a matted ground. Crested: a demi-eagle displayed w ith cinquefoi l to breast: alon g with an alli ed coat of arms. Maker's mark I.B, London 1798. Weight 255gms. H.11 5rnrn $900-1100 see illustration page 752

59 1

A George III Cream Pail by William Plummer, tapering cy lindri ca l sect ion, the outer walls with encircling raised plain banding, the rim w ith fine serpentine edge. Fitted with a swing handle of twin plaited form. (Two repairs to this). Maker's mark W.P., London 1762. Weight 87gms. H.60rnm $600-750 see illustration page 752

592

A George III Sugar Castor by Robert Peaston,

A Good Victorian Standish by Elkington & Co.,

urn shape raised from a circu lar foot; tall fretted and pierced cover with urn finial. Maker's mark RP fl ankin g a fleur de li s. London 1763. Weight 216gms. H. l 95mrn $650-950 see illustration page 752

see illustration page 75

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588

A George III Porringer by William and Robert Peaston,

585 w ith two cut crystal inkwe ll s with ster li gn lid s flanking a cen tral open topped canister, raised from a dished, lozenge shaped tray with serpent ine rim heavily moulded with a strapwork scro ll and husk rim; raised on con formin g feet. Birmingham 1856, maker's marks '.E&'Co., weight 1698grns. W.380rnrn $2200-3200

l!Cill ,

c ircul ar dish shape pierced with pinhole strainer pattern of a flowerhead, with two fretted handles to the side. London 1758, maker's mark S.W. (cf. Grirnwades 2667) Weight 119grns. W.220rnrn $1000-1500 see illustration page 752

586

A George III Egg Cruet by William Elliot, the oblong open gadrooned frame embe lli shed w ith husk and acanthus mouldings on the lower tier; raised on four paw feet. The upper tier supports six rings to hold matched egg cups; the frame with loops to accornodate egg spoo ns. Crested with a portcullis. London 1818, maker's mark W·E, weight 955grns. W.190rnrn $1250-2000 see illustration page 749

593

A Victorian Claret Jug by Charles Reily and George Storer, tall ovoid shape with vertica l ribb in g dividing six ova l raised panels, each engraved with summer flowers. Raised on a circul ar domed foot with serpe ntine outline; the slender neck terminates in a mouth rimmed with scrol ls and husks. The acanthus capped C-scro ll handle fixes to the neck w ith a lion mask mount. The domed cover is su rmounted by a tulip finial. Maker's mark .London 1851. Weight. 953gms. H .355mm $3000-4000 see illustration page 749

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594

600

An Elegant Pair of Geo rge III Dec anter Coasters by Robert Hennell.

A George III Mug by John Denziloe,

Dark wood; possib ly lingnum vitae insets w ith ronde l turni ng, set in cy l indri ca l wa ll s embossed w ith flowe rheads and two cartouches, one on each crested with a demi-eagle with esca ll op she ll in beak, purp. Maker's mark R·H. London 1793. D. l 40mm $3 500-4500 see illustration page 752

595

A George III Sugar B asket by Thomas Streetin, boat shaped ra ised on spreading ova l foot; swing hand led. The interior gilt washed; the exterior rim w ith an engraved frieze of etoi les and four flowers. The fr ieze's wigg lework engraved borders are repea ted as out li ne to the sca l loped vacant ca rtouches to either side and reconfigured as a border on the foot. Maker's ma rk TS Londo n 1801. We ight 269gms. H . l 20mm $700-1000 see illustration page 752

596

An Outstanding Vic torian Scottish Eight Piece Tea and Coffee Service, probably by Char les Robb & Son. Compr ising: spirit kettle on stand; hot water pot; coffee pot; tea pot; cake basket; cream pot and saucer; sugar basin and milk jug. The kettle with presentation inscription: " ... to Captain Macduff As a token of Esteem and Friendsh ip on leving Athole w here he res ided as Factor for upwards of Twenty Years. Blair Athole. 1859." Each piece either circular or baluster united by various decorative elements of engraving or form. Each monogrammed McD. Maker's mark CR & S. Edinburgh 1858. We ight 791 0gms. MacDuff's position 'Factor' was manager of the estate of 140,000 acres associated with Blair Castle the home of the Duke of Atholl. $1 5000-20000 see illustration page 6 and 7

597

An Unusual George III Small Tankard by John Eames, ba rre l shaped w ith square topped hand le; ba nded and engraved w ith two friezes. Ova l engraved cartouche with monogram. TLW maker's mark J.E. London 1804. Weight 76gms. H.65mm $500- 700 see illustration page 152

598

A William III Mug by Issac Dighton, Brittania standard assay. Tapering cylindrical shape; oak leaf and lunate bordered banded frieze and wrythen fluted decoration to the lower third. Maker's mark D I between an ange ls head and leaves. (Grimwades 476), additionally on the handle. Weight 265gms. H. l 00mm $2000- 3000 see illustration page 149

599

A Charles II Mug probably by John Sutton, tapering cylindrical shape with fine engraved lines at the rim. Sscroll handle with a heart shaped termina l, prick engraved on it's broad section with IS(H) and TM(P). Maker's mark I S monogram in a circle of dots (noted in Jackson 1674, 1683, 1684). London 1674. Weight 404gms. H.120mm $2500- 3500 see illustration page 749

iPairoi George MBl

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ba luster shape on circular foot, acanthus capped scro ll hand led. Maker's mark J'D. Weight 396gms. H .1 30mm $1 500-2000 see illustration page 749

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601

An Attractive Vic torian Desk Standish ,

Gtorge Il Cam

;eneo•

the scalloped oval tray with filigree border and beaded rim stands on four sp layed feet and supports two crystal inkwell s with silver lids which flank a slender taperstick. Maker's mark JB (possibly J. Barnard) London 1881. Weight 684gms. W.225mm $1500-2250 see illustration page 149

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602

A Substantial Two Handled Robinson , Edkins & A ston,

Banquet Tray

oblong with a serpentine rim moulded with scro ll s, acanthus leaves, husks and flowerheads along with conforming moulded handles. Engraved to the centre with sty lized tu lips and fo liage fram ing a crest: an otter's head erased. Birmingham 1839, maker's mark R.E.A., weight 5237gms. W.770mm $7000-10000

603

A Pair of Vi ctorian Scottish Bon Bon Dishes by George Edward & Son., swo ll en lozenge shape with serpent ine rim; chased and engraved with flowering tendrils and vacant cartouches on a husk framed matted ground; ra ised on four feet. Gi lt washed interiors. Maker's mark G lasgow 1865. We ight 255gms. W.135mm $1000-1250 see illustration page 149

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604

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A Victorian Waiter by Jam es and Edward Barnard , hexagona l lobed shape framed by a serpentine rim with ra ised floral bosses and intercine engraved leafy tendr il s. The centre w ith a reversed out engraved fo liate patte rn . Ra ised on sp layi ng, p ierced feet. Maker's mark London 1867. Weight 353gms. D.220mm $800-1200

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605

An Edwardian Creamer by Nathan & H ayes, Georg ian helmet shape with flora l embossed and wrythen fluted body, gadrooned rimmed, scro l l hand led. Maker's mark GNoverRH, Birmingham 1907. Weight l 68gms. H.140mm $600-700 see illustration page 152

606

A George III O val Bowl, with crimped rim, ropework fr ieze and lobed fluted lower body. Maker's mark S.H. (obscured, poss ib ly Solomon Hougham [Grimwades 25361) London 1801. Weight 274mm W.220mm $700-900 see illustration page 152

113

.l1llJofGeor 1 hulkner.

607

615

A Pair of George III Candle Snuffers,

An Art Nouveau Epergne Centrepiece by Atkin Bros. ,

attributed to John Buckett. Scissor form with split anthemion motif to the handlestem, bead edging to the handle rings and other edges. Maker's mark l :B (Grimwades 3620) London 1781. Weight 100gms $75 0-900

608

w ith three dishes with pierced serpent ine rims raised on sinuous supports or arms from a domed centre plinth raised on four sp lay legs. Maker's mark HA. Sheffield 1914. Weight 1075gms. H.275mm $2000- 25 00

A Ge orge II Candle Snuffer Tray by Thomas Parr,

see illlustration page 153

ob long with serpentine out line embe llished with four husk motifs to the piecrust rim. Open scroll thumbpiece to one side. Raised on four scro ll feet. Maker's mark 'TP. London 1749. Weight 307gms. W. 180mm $75 0-900

609

quet Tray b,-

A George III Cream Jug by H ester B ateman , helmet shape with beaded punched rim, domed circular foot w ith rope edge. S-scroll handle. Maker's mark '}{'J3_ London 1783. Weight 88gms. H.11 Smm $900-1 200 see illustration page 152

610

A George III B asket, ob long, gadrooned rimmed, sw ing handled, flar ing footed. Embossed in wrythen panels to the interior wal ls with fruiting boughs and vines. A floral framed cartouche to the centre erased by overlaid pane l. Marker's mark RC (obsc ure, poss ibly Richa rd Crossley) London 1789. Weight 976gm. W.330mm $2 000-25 00 see illustration page 149 611

A George III Gravy Boat, ova l, gadrooned rimmed, ra ised on three pad feet, with acanthus capped flying C-scro ll handle. Maker's mark script JA (indistinct) London 1772. Weight 230gms. W.165mm $900-1200 see illustration page 152

616

An Edwardian Fruit Dish by Walker and Hall, ob long shape, heavil y embossed and pierced to the we ll and wa ll s. Maker's mark W&H Sheffield 1900. Weight 298gms. W.255mm $600-900

612 squat circular shape with foliate farling rim, raised on sprading circu lar foot. Floral embossed . Maker's mark SW (poss ibly Samuel Whitford) London 1816. We ight 344gms. 0. 145mm $450-65 0

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617

ob long shape w ith gadrooned rim and moulded with husks and acanthus leaves at the corners. The everted wa lls pierced w ith a balustrade-like design; the handle bifurcated with three captured ba lls between. Ra ised on bun feet. Maker's mark W.A. Birmingham. Weight 579gms. W.270mm $5 00-900

618

A Victorian Claret Jug with Silver Mounts by Atkin Bros. , ova l bodied, cut with starburst ro ndels to either side reserved on a hobnail ground, the facetted neck with a plain silver collar with hinged lid and conjoined handle. Sheffield 1890, maker's mark HA. H.200mm $1000-1 500 see illustration page 149

619 ma ll et bodied, with strawberry cut panels, the silver co ll ar w ith sca ll oped edge, engraved with panels of fo li ate design on a matted ground; two left vacant to accept crests, the spout, cover and scro ll ing hand le with conforming decoration. Londo n 1883, maker's mark T.W. in serrated outlined punch. H.260mm $2500-3500 see illustration page 149

613

A Pair of Georgian Style Candle sticks by Fordham & Faulkner,

An Edwardian Sugar Castor by Mappin & Webb,

the urn shaped nozzles with fluting raised on taperi ng stems from flaring ova l bases with conforming flutes . Maker's mark~~ Sheffield 1907. H.285mm $1500-2000 see illustration page 149

octago nal urn shape raised on conformi ng foot, tal l cover with 'comma' piercing. Maker's mark M~&W 8. London 1908. Weight 11 0gm. H. 160mm $600-700 see illustration page 152

620

614

621

A Pair of Edwardian Candlesticks by Walker & Hall,

A Victorian Stemmed Cup by Hirons, Plante & Co. ,

Rococco inspired floral embossed squar form bases support knopped stems and conformi ng removeab le nozz les. Maker's mark W&H. Sheffield 1905. H.225mm $1250-2000 see illustration page 149

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An Edwardian Swing Handled Basket by William Adams Ltd,

A Vic torian Crystal Claret Jug with Silver Mounts, A Ge orge III Sugar Bowl,

w w a:

the be ll shaped bow l embossed and engraved w ith flora l festoons on ribbon swags, raised on an an nular ringed stem from a domed circu lar foot. Birm ingham 1868. We ight 479gms. H .230mm $1000-1 500

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622

628

A Circular Dish with High Domed Cover by Adie Bros. Ltd.,

A George IV Three Piece Tea Edmonston,

the dish with broad rim , edged with a reeded lip; the plain dome cover su rmounted by an ivory mushroom finial. Birmingham 1934, maker's mark A Bros Ltd; retailers stamp J. Stern Ppty Ltd., Weight 611 gms. H .140mm $800-1000

sq uat inverse baluster shape, chased and engraved on the shou lders with floral motifs and pairs of vacant cartouches, raised on conforming circular bases and with simila rl y decorated handles. Sugar bowl and milk jug with gilt washed interiors. Maker's mark AE. Edinburgh 1825. Weight 1640gms. H.175mm $2500-3500

623

see illustration page 153

An Unusual Shaving Mug by Walker & Hall, hammer finished overal l, with hinged cover to the soap receptacle, a st irrup to the side to accept a brush, plain scroll handled. Birmingham 1900, maker's mark WR.&H½.Weight 244gms. H .11 0mm $650-850

Set by Alex

629 plain swoll en oval shape; ebonite handled. Gadrooned rimmed. Maker's mark OF (not found). London 1867. Weight l000gms. $1000-1250

624

squat circular shape with a flaring rim of embossed flwoerheaclws and acanthus leaves repeated at the ~)out, fin ial and on the footring. Ebony handle; Makers mark Weight 451gms. H.125mm $750-1000 see illustration page 152

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625

A Victorian Teapot by George Unite, bowl shaped with dished rim with serpentine outline. The walls floral embossed as is the li d. Raised on three paw feet; ebony handle and finial. Maker's mark GU. Birmingham 1898. Weight 381gm. H.135mm $350-450

ToreePiece C1

630

A Three Piece Victorian Tea Set by Joseph and Albert Savory, squa t circu lar shape with encircl in g reeding al the centre, 5scro ll handled. The pot w ith a domed lid su rmounted by a greyhound finial. Maker's mark lis- London 1853. Weight 111 6gm. H.1 35mm $1500-2250 see illustration page 153

-ne French S

631

A Victorian Cream Jug, baluster shape, floral embossed, wrythen fluted, raised on three paw feel. 5-scro ll handle. Maker's mark W.H. London 1876. Weight 115gms. H.120mm $400-500 see illustration page 152

626

632

A Victorian Four Piece Tea and Coffee Service by Atkin Bros.,

A Good Edwardian Cream Jug by Charles Stuart Harris & Son,

neo-classical influenced shapes, of lozenge s ction with fluted chamfer cl corners, engraved on the shou lders with foliate friezes above festoons lower on the body. Squar cl ebonite hancll s to the pots and conform in g finials. Maker's mark H.A. Sheffield 1893. Weight 1593gms. H.250mm (coffee pot) $2000-2500 see illustration page 152

sil ver gilt; squat circu lar rai ed on four legs. Chased and engraved in relief panels with a chi ld ; birds including peacocks and kingfishers; squirrels and a stone briclg all amongs t a profusion of flowers and leafy scr ll s. Raised on four scroll feet. Maker's mark CSH&S. London 1914. Weight 258gms. D.100mm $400-600

627

A Victorian Sugar Caster of Large Size,

A Victorian Four Piece Tea and Coffee Set by J. Dixon & Sons.,

inverse baluster shaped raised on circular sprecling foot topped by a tulip cover. The body and over decorativlcy chased w ith a ribbon frie7e and hop swags above linen fluting . Red-brown leatherette cased; reel velvet and satin lin cl. Maker's mark: C.E . (probab ly harles El y). London 1886. Weight 255gms. H.225mm $800-1000

633

baluster shapes, each piece embelli shed with acanthus capped handles and using the same foliage as framing scroll s to the bodies and as detail to the four splayed feel. The pots w ith hinged lid s surmounted by poppy finials, the sugar and milk with gilt washed interiors. Maker's mark D & 5. Sheffield 1880. Weight 2120gms. H.285mm (Coffee Pot) $2250-3250 see illustration page 152

11 ! Ions.,

A Victorian Three Piece Tea Set,

see illustration page 153

A William IV Teapot by Samuel RobertsJnr, George Cadman & Co.,

J!I \ictorian

634

Two Silver Gilt Lidded Glass Boxes and Matching Inkwell, the boxes ob long, the longer 190mm, the smaller 100111111 both with foliate pierced lid s in corporating a rest: a wyvern rampant holding a broken lance w ithin a garter inscrib d Audaces Fortuna Juval. The inkwe ll with screw clown lid simila rl y crested. Maker's mark I.R, London 1825. $200-300

ilO

635

642

A Late Victorian Three Piece Condiment Set by Lister & Sons.,

A George III Tablespoon with Marrow Scoop Handle,

blue glass held in silver frames; the mustard and salt oval, the pepper cy lindri ca l. The frames modelled as coumns united by ribbon swags, standing on a base of bound reeds. Maker's mark L & S, Birmingham 1899. $450-600

London 1762. Maker's mark: W.':r'. possibly William Tant (Grimwades 3905) . Monogrammed "L''. L.240mm $400-600 see illustration page 145

636

A Set ofThree Meat Skewers by Atkin Bros.,

A Three Piece Condiment Set by Mappin & Webb, oval shape with husk embellished gadrooned rims, each raised on four pad feet. Maker's mark M~&W 8., Birmingham 1951. $300-400

637

A Three Piece Condiment Set by Suckling Ltd, oval blue gla ss lined mustard and salt, cy lindri ca l pepper pot. The walls pierced wi th a repeat leaf motif. Maker's mark S Ld. , Birmingham 1950. $300-400

638

A Fine French Silver Jewellery Casket, rectangular with hinged lock in g lid. The lid and walls finely engraved w ith foliate scrol ls and flowers, the walls additiona ll y with applied fleur de li s in high relief; the corners 'strengthened' with rivited corner pieces; raised on bun feet. The interio r gilt washed. Maker's mark CFs. flanking an angels head. French export mark 1840-1879. (Tardy p.204) W.160mm $2000-2500 see illustration page 153

643 graduated size 255; 205; 155mm. Flat tapering blades with ring ends. Maker's mark HA. Sheffield 1904. Weight 1 27gms. $500-600

644

A Twelve Place Setting - 84 Piece Cutlery Canteen by George Angel, comprising; table spoons, table forks, dessert spoons, luncheon forks, dinner knives, lun cheon knives, teaspoons. King's pattern. All pieces by George Angel, various ly dated: mid to third quarter 19th Century, except the knives which are modern with stain less steel blades. $6500-9000

645

A Set of Twelve Table Forks, King's pattern, double struck. Crested: a demi lion rampant with lance. Maker's mark CB (not found), London 189 2. Weight 11 77gm total. $1200-1400

646

Two Table Forks by Jas. Deaking & Sons, 639

An Edwardian Butter Shell,

Charle; ltulll

Size,

maker's mark GJDF (not found), London 1905. Weight 63gms. W.130mm $150-200

640

A Victorian Sugar Bowl and Sifter Spoon by Richard Hennell, red-brown leather cased, w ith gilt tooling, purple velvet and sati n lin ed. Th e bowl-circular with raised beaded detail to the serpentine rim embossed and engraved to the gilt washed well with floral specimens. Raised on three scrol l feet with mask head mounts. The spoon with conforming beading, fretted gi lded bowl, twist stem terminating in figured finial. Maker's marks RH. London 1881. Weight l 53gms. D. l 20mm $500-700

641

A George III Toddy Ladle, oval bowled with wigg lework border decoration fitted to a twisted horn handle with a si lver pommel by a flattened ferrule engraved w ith ah op raceme. Maker's mark l ·H. (possib ly John Hill s) . Scratch engraved w ith initi als "F R." London 1 795. L.330mm $400-500 see illustration page 145

King's pattern. Maker's mark $150-200

,)90 Sheffield 1923. Weight 169gms.

647

A Six Place Set of Fruit Knives and Forks by A. Hadfield, King's pattern; Crested: a goshawk. Maker's mark A.H. Sheffield 1844-45. $400-500

648

A Pair of Sauce Ladles by William Eley and William Fearn, King's pattern; monogrammed C. Maker's mark 1823. Weight 157gms. $300-500

'X~- London

649

A Victorian Butter Knife by Jos and Albert Savory, King's pattern. Maker's mark )._5 London 1838. Weight 68gms. 5 $80-120

650

A Victorian Butter Knife, King's pattern; Maker's mark indistinct, London 1883. Weight 61gms. $80-1 20

. .

M I

Cl)

ii!

651

660

A Victorian Dessert Spoon by George Angel,

A George III Silver Dessert Fork by Paul Storr,

Kin g's pattern , doubl e stru ck. M aker's mark GA, London 1843 . Weight 65gms. $80-120

King's pattern , doubl e stru ck, w ith hop racemes to th e stern. M aker's mark PS, London 1814. Crested: out of a du ca l covo net a uni co rn 's head. Weight 64grn s. $200-300

\Pair of"tl 1ha"ier. J,1n, ,hep

,;;fiO

652

A George IV Sifter Spoon by Robert Peppin,

661

King's pattern , doubl e stru ck. Crested w ith a coron et set w ith seven pearl s. Th e c ircul ar bow l cru c iform and fret pi erced. M aker's mark R.P. London 1820 . Weight 61 gms. $200-300

A Pair of Fish Servers by George Unite, King's pattern fi ll ed handl es. Engraved and pi erced bl ades, monog rammed C. M aker's mark GU. Birmingham 1850. $500-700 see illustration page 145

i10

\Pair offish the

,~<ell 1;00-:;o ,J'fi/)JI

653

A Victorian Pie Spoon,

662

Kin g's pattern , double stru ck. Maker's mark JB (probabl y Jose ph Josiah Burtt), London 1843 . Crested: out of a du ca l coronet a stag's head. Weight 194gms. $350-500

A William IV Serving Spoon, King's patte rn , doubl e stru ck. M aker's mark indi stin ct, Lond on 1834 . Weight 200gms. $325-475 see illustratio n page 145

ill

\George III P

'J,ltlf

' i'{.

iill-lOO

654

A George III Silver Gilt Pie Spoon by Willam Eley & William Fearn, Kin g's pattern ; doubl e stru ck. Maker's mark Weight 207gms. $350-500 see illustration page 145

London 1781.

663

A Pair of Irish William IV Sauce Ladles by Thomas Meade,

m .\GiorgeIIIS :, \h Jdfl

Kin g's pattern , sin gle stru ck. M aker's mark TM, Dubli n 1833. Crested: an arm in armour enbowed, ppr, ho lding in hand a dart. Weight 36gm each. $350-500

655

'net\• ~ PC

iJOO.iOO q,tionpa

A Pair of George IV Pie Spoons,

664

Kin g's pattern, double stru ck. En graved with (regimental) number as crest " 59 " . Maker's mark J (poss ibly Jas Hobbs), London 182 8. Weight 194gms. $700-900

A Victorian Condiment Spoon by George Angel, Kin g's pattern ; M aker's mark GA, Lo ndon 1844. Weight 27gs m. $80-120

l l°ictorian S Higgins,

665 656

Two Victorian Scottish Berry Spoons,

A George IV Pie Spoon by William Chawner,

Kin g's patten; gilded, sca ll oped, fruit embossed bow ls, Edinburgh 1849 M aker's mark: crow ned W M (poss ibl y Wm M arshall), and Edinburgh 1860. Maker's mark J.Mc (probabl y J. M c Kay) . Weight 79grn s. $300-400

King's pattern , doubl e stru ck, crested: a demi wyvern between raised wings. Maker's mark WC. London 1829 . Weight 209gms. $350-450

657

A William IV Pie Spoon by William Chawner,

666

King's pattern , doubl e stru ck. Monogrammed MIA. Maker's mark WC. London 1832. Weight 184gms. $350-500 see illustra tion page 145

A Pair of Victorian Berry Spoons by Elizabeth Eaton,

658

Kin g's pattern ; gild ed, fruit embossed, sca ll oped bow led. M aker's mark EE. Lo ndon 1854. Weight 97gms. $400-500

lttE

114

.\George Ill I ,·,; ,at

lO'IOOr

i!i~JiO 67!

.\ Set of Six Reid,

A George IV Pie Spoon by Charles Eley,

667

Kin g's pattern , doubl e stru ck. Monogrammed as above MI A . M aker's mark CE London 1827. Weight 202gms. $350-500

A Victorian Pickle Spoon by Hyam Hyams, Kin g's pattern, obl o ng bow led. Lond on 1863 . $100-12 5

or tte·

od \\,,,

l!il-JiO

659

668

A William IV Ladle by Mary Chawner,

676

A Pair of Dessert Spoons and Forks by Jas Deakin & Sons.,

,\George III

King's pattern . M aker's mark $240-320

13 •~1m lli~lOO

Kin g's pattern , doubl e stru ck. Pl ain bow led . Crsted w ith a pa rrot's head co uped. M aker's mark M . Lo nd on 1836 . Weight 290g rns. $600-800 see illustratio n page 745

J9O Sheffi eld 1923. We ight 242grn s.

1 ltt

ill

.\George III II~

IIJo.170

ul Storr,

669

678

A Pair of William IV Salad Servers by Mary Chawner,

A George III Sifter Spoon,

double struck King's pattern. Crested: out of a ducal coronet a wyvern's head proper. Maker's mark MC. London 1837. $550-750

Old English, simp ly pierced, London 1808. $130-170

679

A George III Sifter Spoon, 670

A Pair of Fish Servers by Martin Hall, King's pattern, the knife with blade of fretwork tendrils. Leather cased (distressed). Maker's mark ~~ . Sheffield 1864. $500-750 see illustration page 745

O ld English, simp ly pierced, London 1806 by Wm. Eley & Fearn. $130-170

680

A George III Sifter Spoon, Old English, simpl y pierced, London 1802 by John Eames. $130-170

671

A George III Pie Spon by Thomas Chawner, Old English pattern with bright cutt ing, monogrammed 'E:. Maker's mark T·C. London 1777. Weight 102gms. $500-600

see illustration page 145

es byThom,1

672

A George III Sifter Spoon by Paul Callard, O ld English pattern; the circular bowl with anthemion and flower head fretwork pattern. Crested: a nag's head erased. Maker's mark PC between stars and trefoil (Grimwade 2150). Weight 70gms. $300-500 see illustration page 745

eorge Ang,!.

d_\\ • _-_

673

682

A Georgian IV Sifter Spoon, Old English; London 1829 by Wm. Eley. Monogrammed. $120-170

683

A George III Sauce Ladle by Richard Crossley, Old English pattern. Crested w ith a lion rampant foreleg on a fleur de li s. Gilded circu lar bowl. Maker's mark R.C. London 1 798. Weight 34gms. $125-200

684

Old English pattern handle, crested: an eag le displayed, ppr;

A Victorian Sauce Ladle,

Maker's mark • . London 1891. Weight 191 gms.

see illustration page 145 674

A George III Pie Spoon Converted to Serving Fork, Old English pattern. Maker's mark RC (probably Richard Cross ley), London 1789. Weight 162gms.

1Hyantl,

Old English; simp ly pierced. London 1792 by Wm. Sutton. Crested: a stag beneath a tree. $130-170

A Victorian Shell Bowled Soup Ladle by Francis Higgins,

$700-900

s b1 Elizabiih

681

A George III Sifter Spoon,

$250-350

675

A Set of Six George III Teaspoons by Christian Reid, Old English patteni' bright cut to the stems with ca rtouches at the finia ls initialled AE· Maker's mark CR. Newcastle, c.1785, undated. Weight 78gms. $250-350

O ld English; ova l bowled, engraved handle. Maker's mark T.S. Exeter 1870. $100-150

685

A William IV Pie Spoon by John James Whiting, Queen's pattern, doub le stru ck. Maker's mark: :J.W. Mongrammed "F". London 1837. Weight 224gms. $350-500 see illustration page 745

686

A George IV Serving Fork, Queen's pattern, double stru ck. Engraved w ith number "34" within a ga rter as monogram (34th Regt.) Maker's mark H ? (ind ist in ct). Weight .163gm $300-400

687

A George IV Scottish Sauce Ladle, 676

A George III Sifter Spoon by George Collins, O ld English pattern; cru ciform, diamond and comma pierced bowl. Maker's mark G.C. London 1801. Weight 2Sgms.

$150-200

677

A George III Sifter Spoon, O ld English, simp ly pierced. London 1796 by George Sm ith.

$130-170

Queens' pattern, sin gle struck. Circular bowled. Maker's mark JM (poss ibl y John Mitchell), Glasgow 1824. Weight 35gms. $150-225

688

A George IV Strainer Spoon by Clement Cheese, Queen's pattern, double struck. Th e bowl bisected by a slo tted stra in er. Maker's mark CC. Londo n 1828. Weight 300gms. $650-850 see illustration page 745

."'. ."' I

;tl f\Jloi George

689

698

Two Salt Spoons,

A Victorian Berry Spoon by Levi & Salaman,

or,~

One Queen's, one King's pattern. London 1825 and 1836. Crested or monogrammed. $120-180

floral embossed sca lloped bow l and handle worked with a mask and she ll motif. Maker's mark L & S, Birmingham 189 7. Weight 59gms. $200-250 see illustration page 145

,vie\

690

A Pair of German .800 Silver Fish Servers, the knife engraved with a fish and the fork with a scallop. The handles beautifully modelled as stylized dolphins with scale ground grips, their tails forming the ferru les. $800-1200 see illustration page 145

691

the arms fretwork pierced, the tips worked as sca ll op shells . Maker's mark CH. Circa 1769. Weight 39gms. $125-150

the plain blade fitted to the handle by a fluted ferrule, the swelling teardrop handle with co nforming fluting. Maker's mark EH (not found) London 1889. $350-500 see illustration page 145

A Pair of George II Sugar Tongs by William H arrison,

Hanovarian pattern, engraved decoratively to the bowl and stem. Maker's mark TP & S (possib ly Thomas Prime & Sons of Birmingham), London 1801. Weight 57gms. $125-200

693

A Continental Silver Child's Spoon, with asymmetrically affixed bowl, fiddle shaped stem decorated with a rabbit seated amongst grasses. Unknown and indistinct marks. $150-200

694

A Victorian Serving Slice, Albert pattern varient. Maker's mark SH(over)D? (not found), London 1840. The blade finely fret cut with a row of anthemion motifs flanked by lunate designs. Weight .180gms. $275-425

695

A Pair ofVictorian Fish Servers by George Angel,

· as fT'a '· ))1

\Pair ofGeorgi

the arms as plaited twigs terminating in tips modelled as acorns . Maker's mark W.H. Circa 1758. Weight 36gms. $125-1 50

701

A Pair ofWilliam IV Sugar Tongs by William Elliot, fiddle thread and shell pattern. Monogrammed J.A.S. Maker's mark WE. London 1830. Weight 56gms. $100-150

702

A Pair of George II Sugar Tongs by Thomas Wallis, filigree fretworked arms terminating in shell tips. Maker's mark TW. Circa 1758. Weight 40gms. $125 -1 50

Ill

.\George IV B1

703

A Pair of George III Sugar Tongs, bright cut stems w ith foliate racemesto either sid e and leaves engraved lo the tips. Maker's mark W.S. (possib ly William Stephenson), circa 1775. Weight 32gms. $100-125

704

A Pair of George III Sugar Tongs by Peter, Anne & William Bateman,

Neo-classical shield and gadrooned moulded handles; pierced and engraved blades. Monogrammed VT.LV. Maker's mark GA, London 1868. Weight 357gms. $600-900 see illustration page 145

line engraved and wigg leworked to the stems and tips. Maker's mark ~~ , London 1800. Weight 31 gms. WB $100-125

696

A Pair of Georgian Sugar Tongs,

A Victorian Butter Knife by Elizabeth Eaton,

with bright cut stems terminating in acorn tips. Maker's mark IC (not found). Weight 33gms. $100-1 25

Fidd le thread pattern; engraved to the b lade with an exotic bird and bug amongst foliate scro ll s and to the stem with a crest: a lion rampant. Maker's mark EE. London 184 7. Weight 66gms. $100-1 50

i,fvf IUBer

699

700

692

A Pair of George III Sugar Tongs by Charles Hougham,

A Victorian Cheese Scoop with Ivory Handle,

A George III Serving Spoon,

.:.JiO

lll

lfilliam IV S l'lJ.ro

705

'em g, '9818 ll)).J8i)

•

706

A Pair of George III Sugar Tongs, 697

A George III Berry Spoon by Hester Bateman, fruit embossed; scalloped bowl, engraved handle. Maker's mark HB, London 1779. Weight 74gms. $200-250

with bright cut stems and wigglework engraved tips. Maker's mark RF (possibly Richard Foster), circa 1 795. Weight 33gms. $100-125

ern

• 18 l'l'J.100 .

man.

18Q" ii.

707

716

A Pair of George III Sugar Tongs,

A Pair of Edwardian Jam Spoons by Mappin & Webb,

with fili gree fretworked arms and shell shaped tips. Maker's mark CH (possib ly Cha rl es Hougham). Circa 1 770. Weight 41gms. $125-150

708

by Charle1

w ith decoratively worked bow ls and stems. Monogrammed. Sheffield 1909. Weight 80gms. $100-1 50

A George III Berry Spoon,

717

gilt washed, fruit embossed, sca ll oped bow led. Flora l engraved hand les. Maker's mark RT (poss ibly Robert Twyford), London 1818. Weight 54gms. $200-300

A George IV Sauce Ladle, Fiddle pattern, ova l bowled, bright cut hand le. Maker's mark W.H. Exeter 1823. $100-150

w w a:

.,. :i: .., ,e>"" M I

by 'filliarn

709

718

A Pair of George III Irish Berry Spoons,

A Victorian Condiment Spoon by George Angel,

Fidd le pattern. Gil t washed, fruit embossed, sca ll oped bowled. Stems engraved with single flower. Maker's mark W.W (probab ly by Wi lli am Ward), Dublin 1776. We ight 100gms. $400-600

Crested with a bee disp layed, ppr. Maker's mark GA. London 1876. $80-120

710

Two Victorian Jam Spoons by Hyam Hyams,

A George III Berry Spoon possibly by Thomas Wallis,

ovo id bow led, decorative cast stems with Roman warr ior bust finia ls. Gi lt washed; Maker's mark HH. London 187 1-72. $100-200

1omas\\alfu.

gi lt washed; fruit embossed, sca ll oped bow led, floral engraved hand le. Maker's mark TW. Londo n 1 80 1. Weight 54gms. $200-300 see illustration page 745

711

A George IV Berry Spoon by Joseph Hicks, Fidd le pattern w ith gil t was hed, fru it embossed, sca ll oped bow l; the hand le with a leafy and flowering stem. Maker's mark JB. Exeter 1825. We ight 71 gms. $200-300

720

A Victorian Condiment Spoon by David Reid, Fidd le pattern. Maker's mark: crowned DR. Newca tle 1853. Weight 25gms. $80-120

721

A Pair of Coffee Spoons by Suckling Ltd, Teard rop bow ls on tapering stems. Birm ingham 1961. $120-160 722

A Victorian Sauce Ladle,

H anovar ian pattern; gilted sca ll oped, floral embossed bow ls, London 1739 by Saml. Roby and London 1788 by W il liam Sutton. Weight 108gms. $400-600

Albert pattern, London 1843. Weight 36gms. $120-160

713

A Pair of Egg Spoons,

A William IV Sifter Spoon,

acanthus fin ials, Sheffie ld 1919. $60-90

723

Fidd le pattern; simp ly pierced. London 1833 by Francis Higgins. $120-170

724

Three Small Berry Spoons,

A Set of Edwardian Teaspoons, Sugar Sifter SPoon and Tongs by William Davenport,

Fidd le pattern, gilded, flora l embossed bowls, engraved stems, London 1798, 1822, 1825. $120-180

sca ll oped, gi lded bow led, twist stemmed w ith apostle fi nia ls. Makers mark W.D. Birmingham 1902. Cased. $120-200

714

715

Three Small Berry Spoons, various pattern, all w ith gi lded, sca lloped, flora l embossed bow ls. Dublin 1825, Glasgow 1829, London 1829. $120-180

725

A Set of Six George III Teaspoons by Peter and Ann Bateman, bright cut, monogrammed D. Maker's mark $180-260

-,.::

~ l,>

:::: ~

712

Two Georgian Berry Spoons,

"r-

719

'tlliamElliot

~i- London 1793.

726

735

A Pair ofVictorian Knife Rests by Hands & Sons,

A Victorian Pepperette by I. Foligno,

ball finial led X ends on tapering ste111s. Maker's 111ark 1868. Weight 75grns. $120-180

baluster vase shaped on circu lar do111ed foot, fretted top. Engraved foliate decorated. Crested with a stag's head erased. Maker's rnakr I.F. London 1868. Weight 65g111s. H.90111111

g~ London

$125 -200

727

A Butter Shell and Knife,

736

Bir111ingha111 1905 and Sheffield 1900. Cased. $80-120

An Edwardian Milk Jug and Sugar Bowl by George Unite,

728

floral embossed to the shou ld ers of the c ircu lar shapes and ha111mer finished below. Maker's mark GU. Birmingha111 1909. Weight 191gms. H.75mm

A Pair of Art Nouveau Glove Stretchers by W. Vale & Sons.,

$350-450

the handles worked with e111bossed designs of roses. Maker's 111ark WV&S. Bir111ingha111 1912. $60-90

A Biggin Form Chocolate Pot,

729

Chester 1938. Maker's mark JRA Co. Ltd. Weight 413grns. $350-400

A Pair of Glove Stretchers by William Comyns & Sons, e111bossed to the handles with scro llin g designs and a lute playing figure to either side. L.200111111 $100-200

730

An Edwardian Letter Opener - Paper Knife by H.C. Davis, 111odelled as a double sided straight edged dagger with double fullers to eith er sid e, with reduced grip and cross bar guard with cur li cue ends. Maker's 111ark H. C.D. Birmingham 1910. L.225111111 $300-400

731

737

738

A Georgian Style Cream Bowl by A and F Parsons, sha ll ow c ircu lar shape raised on three paw feet from lion's 111ask mounts. Embossed and decoratively engraved with a rural landscape buildings and animals including a fox chas in g a goose. Maker's marks ~~ London 1911. Weight 216grn. 0.125mm $300-400 see illustration page 752

739

A Pair of Edwardian Button Hook and Shoe Horn by Walker & Hall, ornate embossed handles, stee l bladed. Cased Sheffield 1904. $110-200

A Set of Manicure Implements by Levi & Salaman, red leather cased w ith blue velvet and satin lining. Co111pr ising polish pot, buffer, sc issors, brush, cutic le knife and file. Maker's mark L&S. Birmingham 1897. $200-300

732

740

A Pair of Bon Bon Dishes, oval, embossed and pierced to the walls with flowers and trellis. Birmingham 1972; maker's mark HIE. Weight 175gms. W.155mm $200-300

A Shoe Horn and Button Hook, with scro ll embossed handles. Chester 1911. Green leath erette cased. $100-200

741

An Italian . 925 Cast Silver Model of a Ballerina, modelled en pointe. Weight 554gms. H.200111111 $200-300

733

A Victorian Mother-of-Pearl Handled Spoon, with fluted oval bowl worked with fruit, fixed by a sil ver stern to th e pearl she ll handle, terminating in a fluted pommel. Birmingham and Sheffield 111arks, 1895. Cased. $150-250

742

An Egyptian Silver Dish, circ ul ar with serpentin e rim with foliate and husk embe lli shed border. Weight 842grns. 0.290mm $325-475

734

743

A Victorian Butter Knife,

Four Various Caddy Spoons,

fiddle thread pattern. Maker's mark C.B. London 1879. Weight 58g111s. $80-120

Fiddle, Newcastle 1817, Fiddl e shell, London 1824, Shell bowl, she ll fiddle, Sheffield 1918, O.E. London 1787 $480-540

~ lfeiied •~

sheadera!€0

H.90ms

Iby George

d Shoe Hom

iBallerina,

744

Four Various Caddy Spoons,

751 Four Various Caddy Spoons,

Wi gglewo rked, London 1795, Fidd le, London 1827, Shell bow l, London 1803, O.E. London 1799 . $480-540

Fiddl e, shove l bow l, Newcastl e 1850, Fiddl e shell , Newcastl e 1856, Sea l top, Chester 1909, Shell bow l, bright cut, London 1775 . $500-560

745 Four Various Caddy Spoons,

752 Four Various Caddy Spoons,

Fiddl e, Lo nd on 18 18, Shell bowl, bri ght cut, London 1786, W igglewo rk, Lo ndon 1797, O .E. , Lond on 18 12. $480-540

746 Four Various Caddy Spoons, Fiddl e, London 1808, Fiddl e, shell bow l, Lond on 1819, Wi ggleworked, Birmingham 182 1, O .E., Londo n 1831. $480-540

Fiddl e, Londo n 18 25, Feath er bow l, bright cut, Sheffield c. 1 780, Engraved bow l, fo li ate co lumn . Birmin gham 1859 . Shell bow l O. E., Birm ingham 1792. $500-560

--:e1 Decan1er 1

,~ 're

· d1em I

urql

iii

Ii!

Three Decanter'

753

~ LOil

Four Various Caddy Spoons, Feather bow l, O. E. Sheffield 1901, Fluted, fiddl e, Birmi ngham 1814, Fidd le, Lo ndon 1825, Fiddl e, Birmingham 1841 . $500-560

' ill liJ

Three Decanter

754 747

Four Various Caddy Spoons,

M .O. P. handl e, gilt shove l bowl, Bi rm ingham 1813, Fidd le, Exeter 1844, Shell bow l, Chester 19 13, Shell bow l, Albert, Lo ndon 1903. $500-560

O .E., Lo nd on 1802, crested, Fidd le, Lo ndon 1806 crested, Fiddl e, she ll bow l, Exeter 1852, Ovo id bow l, Ho ll and 1954. $480-540 see illustration page 153

748

Four Various Caddy Spoons, King's, Birmingham 1817, O.E., London 1816, Shell bow l, bri ght cu t, London 1800, En graved bow l, Birmingham 185 1. $480-540

749

' ill

me DecanterT

755

Three Decanter Tickets: Hollands, Whisky, Brandy,

16!

sc ro ll and shell embossed . M ake r's mark GM-! (poss ibl y George M cH attie), Edin burgh c. 1821. $400-4 75

.\ Decanter Ti \ndim-y and 0

756

Three Decanter Tickets: Port, Claret, Madeira, Demi -lune, thread outlin ed. Peter and An n Ba teman, Londo n 1794 and 1798. $390-450 see illustra tion page 153

Iii

111l! Decant

Four Various Caddy Spoons, Shell bow l, thread, London 1801, Shell bow l, bright cut, Lo nd on 1787, Fiddl e, London 1839, O .E., Lo ndon 1802 . $500-560

750 Four Various Caddy Spoons, Fi ddl e, Lon don 1799, crested, Rat- tail, Londo n 1890, Shell bow l, bri ght cut, London 1835, Q uee n's, fl uted bow l, Bi rmingham 1868. $500-560 see illustra tion page 153

757

Two Decanter Tickets: Port and Madeira, modell d as naturali sti c vine leaves. (Port) Londo n 1842 by Reil ey and Storer; (Made ira) Birm in gham 1859 by George Uni te. $260-300

758

Two Decanter Tickets: Port and Madeira. M odell ed as naturali sti c vine leaves. (Port) Birm ingham 1845; (M adeira) Birmingham 1849 both by Yapp & Woodwa rd. $260-300

759 Four Decanter Tickets: Bucellas, Lisbon, Sherry, Madeira. Lozenge w ith threa d outlin e, Lo ndon 1821-22 by Charl es Raw lins. $525 -575

lllllRF~ 161 .\ Good Victo

l1l

Madeira,

eira.

jsbon, Sherfl•

760

768

Three Decanter Tickets: Port, Sherry, Madeira.

An Interesting Victorian Inkwell by Charles & George Fox,

Lozenge shape, thread outlined; (Port) Birmingham 1845 by Geo. Uni te; (Sherry) Bi rmingham 1846 by Geo Unite; (Made ira) London 1804 by Urquhart & Hart. $390-450

761

modell ed as a thistle flower issu ing from a base of speading leaves . Maker's mark CTF(over)GF. London 1850. Weight 507gms. W.1 70mm $400-600

Three Decanter Tickets: Brandy, Madeira, Sherry.

769

Lozenge shape, thread outlined; (Brandy) Birmingham 1812 by Joseph Wi ll more; (Madeira) London 1831 poss. Wm. Kn ight; (Sherry) London 181 7 by Chas Raw lings. $390-450

An Edwardian Salver by Martin Hall,

762

Three Decanter Tickets: Brandy, Whisky, Madeira. Lozenge shape, thread out lin ed; (B randy) London 1801 by Simon Harris; (Whisky) London 1792 by Phipps & Robinson; (Madeira) Birmingham 1829 by Joseph W ill more. $390-450

763

Three Decanter Tickets: Madeira, Sherry, Port, var ious outlin es: (Madeira) London 1816 prob. Joh n Robins; (Sherry) Lo ndon 1828 by Rawlins & Sumner; (Port) Lond on 1820 by Geo Knight. $390-450

764

Five Decanter Tickets: Three Madeira; Port, Wine, various out lines 1808-1827 and (w ine) modern. $600-650

765

A Decanter Ticket: Raisin and Two Cruite Tickets: Anchovy and Chilli, various shaped, thread out lin e; (Ra isin) London 1818 by Geo. Knight; (A nchovy) London 1813; (C hilli) Birmingham 1850 by Yapp & Woodward. $330-400

circular, piecrust rimmed with husk and fl oral scro ll border. Monogrammed GCT and engraved "From Hi s Friends of the We ll es ley Club, Apr il 19th 191O." Maker's mark ~~ , Sheffield 1909. We ight 1340gms. 0 .385mm $1500-2000

770

A Twelve Place - 68 Piece Cutlery Canteen, Rat-tail pattern; compr isin g: table spoons, table forks, dessert spoo ns, luncheo n forks, 10 teaspoons, 5 coffee spoo ns, 2 sauce lad les, 1 soup lad le, 1 pie spoo n, 1 suga r tongs. Additionall y ivory hand led luncheon and dinner knives. Maker's mark JR (poss ibly John Round & Son.), Sheffield 1909. Weight 4079gms. $2500-3000

771

An Edwardian Two Handled Banquet Tray by Elkington & Co., ob long w ith aca nthu s scro ll and husks at the corne rs. Maker's mark E&Co., Birmingham 1908. Weight 4260gms. W.670mm $3000-3500

772

An Art Nouveau Austrian Bowl, squat circular shape with integral holl ow ring side handles; the wa ll s w ith undu lating linear repetative pattern fo ll ow ing the serpentine rim and reflecting the handles balance. Pierced in the intercine areas. Maker's mark H & M (not found) Weight 734gms 0.235mm $800-1200

773 766

A Set of Four Name Place Holders,

Three Decanter Tickets: Harvey, Reading, Optional,

Modell ed with ow l's heads with glass bead eyes. Maker's marks SM&Co. Chester 1908. Blue leatherette cased, lined with blue ve lvet and ivory sat in. $400-500

Lozenge shaped; (Optiona l) cut out centre to accept a paper label, no marks; (Reading) & (Harvey) both London 1845 by Rawlin's & Sum ner. $360-400

SILVER FROM OTHER VENDORS 767

A Good Victorian Banquet Tray by Wiliam K. Reid, ob long; two handled, piecrust rimmed with rococo inspired scro ll and husk border. The centre fo li ate engraved and crest: issu ing from a crescent or an eag le's head erased holding in it's beak a wheat ear. Add iti onally a coat of arms and the motto: Perservere. Weight 5450gms. W.810mm $7000-10000

774

An Elegant Victorian Tea and Coffee Service, In fitted oak case, Sheffield 1889. Presentation engraved (to the tray) to " ... to JF Light Esq., by Sh ipowners, Underwriters and Adjusters as a token of esteem on his retirement from the posit ion of Secretary and Ch ief Surveyor to the Liverpool Branch Lloyd's Registry. Liverpool 1st October 1889." Compri sing: a lozenge shape, ga ll er ied wa ll ed tray, a four piece tea and coffee set and a biscuit barrel. The tray and barrel by Jas Burbury the tea and coffee set by Harrison Bros. and Howson. The patterns an assemblage but comp limentary w ith elements of restrained aesthet icism. All monogrammed J'FL. $11000-13000

.' t'<

<I' IO

<I'

775

784

A Pair of Berry Spoons.

A Victorian Pierced Spoon,

Gilded bowls embossed with berries and fruits, London 1899. Cased, velvet Ii nee!. $575-650

the handle cast with vine motifs, the gil ded bowl of leaf shape with leaf and stern shaped piercings. London 1839. L.178rnrn $625-700

776

785

A Cased Set of Four Dutch Silver Gilt Apostle Spoons.

A William IV Irish Strainer Spoon.

iii

Cast handles with peacock and flower decoration below barley twist sterns; terminating in the Apostle finials. Hallmarked, c.1900; fitted satin and ve lvet case. $550-650

Fiddle pattern. The bowl with a central vertica l strainer fixed along the long axis . Maker's mark CT IW. Dublin 1834. L.294mrn $600-700

l!6

786

\PairofSmall

A William IV Ladle,

777

A Pair of George III Silver and Cut Glass Salts by George Ashworth & Co, Rectangular in form , with the cut glass ce ll ars held aloft, supported in a crad le above a gilded rectangular tray with a sma ll er well, the borders gadrooned. Sheffield 1806. W.75rnm H.68rnm L.lOOrnrn $600-750

fiddle patterned. London 1832. No maker's marks. L.165rnrn

1 IW

$175-200 191

787

A George IV Period Ladle,

\Pairol11c10

fiddl e patterned, decorated w ith horses head crest. London 1824, maker's mark GP. L.160rnrn $150-180

778

Iii

A Victorian Creamer,

788

Plain pear shape raised on three shell and paw feet, gi ll washed interior. London 1892. Maker's mark C. B. H.100mm $225 -2 75

A George III Salver by John Langlands and John Robertson,

779

A George III Cream Jug by Henry Chawner, Helmet shaped with neo-classica l engraved decoration and arrnorials, raised on an ova l pedestal, supported on shaped plinth. London 1791. H .1SSrnrn $1200- 1400

780

A George III, Scottish Howden,

iRc,;ianSilw

Coffee Pot by

Fraser

reeded border rim; the plain we ll centra ll y displaying a diamond crest between a pair of wings . Raised on three reeded feel. Newcastle 1792. H.20rnm D.171rnrn $1100-1350

789

A George III Period Table Spoon, London 181 O; makers Richard Crossly and Geo. Smith. L.216rnrn $110-140

100

AGeorge IV

Urn form, engraved w ith encircling flat-chased frieze, C-scroll hand led, raised on a shaped circu lar pedestal base. Maker's mark F.H. Edinburgh 1799. Engraved with presentation inscription. H.280mrn. $3250-4000

781 A George III Tablespoon Bateman,

\\ictori.an \l1

790

A Set of Four Victorian Serving Spoons, hourglass hand les, double-struck. Hal lmarks for London 1843 and London 1881. L.230rnm $400-500

IOI

.\Dutch Cre

791

by Peter and Anne

Bright cut decorated handle, initialled V. Maker's mark Lonclon 1794. L.21 Srnrn $140-170

~i-

A George III Toddy Ladle, shaped bowl with engraved fo li ate initials beneath; London 1810. Split in bowl well. L.330rnm $375-425

792 782

A Mustard Pot with Blue Glass Liner,

A George III Berry Spoon,

oval form with reeded borders; hinged lid of conform in g shape, liner has rim chips. Birmingham 1894; makers EJH, NH. W.45rnrn H.65rnrn L.85rnrn $325-375

Edinburgh, 1811 hallmarked plain fiddle-pattern hand le, the bowl embossed with berries, grapes and vine leaves, traces of gilding. Maker's marks J.P. L.225rnrn $150-180

783

A Good George II Sterling Silver Berry Spoon, the handle and bowl decorated w ith embossed foliate pattern, with lines indented graduated dots. London 1738, makers marks, S.T. L.200rnrn $120-1 50

793

An Edwardian Cigar Box by Williams Ltd, rectangular, mahogany li ned. Initialled H.E.T. elated 13.11.1907. Maker's mark WB Lei. Birmingham 1905. W.230rnrn $400-500

801

lDu1ch Cre

le,1 ,~

t.n-~

794

805

An Edwardian Scottish Bowl by Smith & Rait,

An Art Deco Candlestick by Walker & Hall,

c ircu lar; serpentin e, lobed, raised on four splay feet. Maker's mark. S & R, G lasgow 1902. Weight 453gms. D.225mm $350-450

Octago nal nozzle raised on a conforming octagona l domed base. Bi rmingham 1938. H.11 Smm $100-150

795

806

A Russian Silver Spoon, Worked to the back of the bowl w ith a view of a cupo la roofed church towers . Marked 84 zo lotniks. Maker's mark K.B. $300-350

796

A George III Irish Milk Jug,

circu lar with brqad rims, London 1957. D.8 1 mm $90-140

Ob long shape engraved w ith a fl ora l frieze; serpentin e rimmed with gadrooned edge, ball footed. Dublin 1810. H.11 0mrn $500-575

797

A Pair ofVictorian Salts, Hemispherical; raised on pedestal bases, decorated w ith a field of d iamond fl owerhead panels. Sheffield 1871. $150-200

798

reededrret

the bow l worked w ith a landscape w ith w indm ill , coronet finia l to handle. $60-90

807

A Pair of Small Dishes,

and John

A Dutch Cream Spoon,

A Victorian Mustart Pot by Nathan & Hayes, swo ll en ovoid shape, gad rooned rimmed, raised on bun feet, hinged cover with hell thumb piece. Maker's mark ~~ Birmingham 1894. $450-500

808

A Dutch Cream Spoon, The bow l worked with a scene of cowherd and cattle. Engli sh import hallmarks for London 1890. $60-90

809

An Edwardian Gravy Boat, Georgian sty le; ova l raised on three paw feet; flying scro ll aca nthu s capped handl e, serpentin e rimm ed. Birmingham 1907. $150-200

799

A Dutch Cream Spoon,

810

the bow l wo rked w ith a man in a land scape w ith building. Eagle finia l. Dated 1889. $60-90

A Trophy Cup,

800

A George IV Mustard Spoon,

811

Old English, London 1824. $40-70

An Edwardian Salver,

A Dutch Cream Spoon,

With later presentation inscription and engraved w ith facs imili e signatures. Gadrooned rim with husk embelli shrn ents. Marks rubbed. D.325mm $400-475

the bow l worked with a bird in a fruit ing bough. Eagle fini al. Circa 1949. $60-90

A Trophy Cup,

801

a'h l

Hem ispheri ca l bowl with two sc ro ll handles; ra ised on pedesta l from a square plinth base. London 1871. H.1 90mm $400-475

802

A Dutch Cream Spoon, the bowl worked w ith a land scape with w indrnill , co ronet finial to the handle. $60-90

803

A Hip Flask by Jas. Dixon & Sons, Ob long with rounded shou ld ers, captured Monogrammed and initi alled. Sheffield 1898. $300-350

twist

cover.

812 Engraved: Paddling Cha ll enge Cup 1931. Birmingham 1930. H.160mm $200-275

813

A Waiter by S. Blanckensee & Son, Circula r; piecrust edge wit h bound reeded rim . Trophy presentation engraved for the Tezpur Gymkhana Clu b Polo Tou rn ament 1912. Birmingham 1913. D.1 SSmm $200-275

814

804

A TrumpetVase by Chas Green & Co.,

Led,

A Dutch Cream Spoon,

1€0 I I

the bowl worked with an equestri an figu re in a landscape. A ngel head fi ni al to the handl e. Dated 1826 . $60-90

Birmingham 1910. H .180m m $100-150

.. Ill

815

826

A Spill Vase,

A Set of Six American Silver Dessert Spoons,

Birmingham 1920. H.1 50m m $100-150

With deco rative hu sk finials. $200-240

816

827

A Christening Mug,

A Silver Topped Crystal Jar,

Embossed w ith stiff leav s and flower stalks; Mon ogram med. Marks rubbed. $150-200

Embossed lid, Birmingham 1905. $100-130

828 817

A Pair of American Silver Dishes, Lobed c ircular, embossed w ith ros s Gorham & Co .. 925. 0.160mm $200-275

A Pair of Bon Bon Dishes, Circul ar; foliate embossed. Sheffield 190 1. 0.1 20 mm $200-250

poss ibly low grade sil ve r. M arked lnclustria Argintina and Alpaca. $100-150

An Unusual Vinaigrette,

819

830

A Pair of Indian Miniature Portraits in .925 Silver Fra1nes,

820

An Art Nouveau American Silver Bon Bon Dish, Embossed with peo ni es an d whip las h sw irl s. W.1 20 mm $100-150

821

A Small New Zealand Silver Dish, Circular; bead rimm ed, embossed w ith co nce ntri c c ircl es. 0.85mm $100-150

822

A Cigarette Box by Spooner Clowes & Co., Lineal machine engraved lid, monogramm ed. Birmingham 1916. $150-200

823

Two Small Dutch Silver Dishes, Square shape w ith mould ed pi ecru st rims. W. 85 mm $100-140

824

oval; of a wo man w ith henn a co lour cl fingers an d a man w ith a letter. The frames individually decorat ively worked. H.1 22mm $450-550

.\\ilrer Plated

lril li 131

.\lilier Plated

-,eo

liOO-~

.\lilm Plate lhll&Co.,

cast and built. M aker's mark TK&S Birmin gham 1952. L. 75mm $125-200

832

A Commenorative Spoon by Toye, Kenning & Spencer, The finial model led as a Queen's Beast. Th e Black Bull of Clarence wh ich holds an enamell ed shi eld of the Hou se of Wind so r. Birmingham 1977.

1!1

\lil1lr Plate1 ptlened Base

$100-175

833

A Crystal Eau de Toilette Bottle with Silver Collar, Bell shaped with flarin g co ll ar hallm arked London 1867. H. 200mm $150-200

834

A Crystal Perfume Bottle with Silver Collar,

With machine engraved lid, monogramm ed Birmingham 1923. $100-150

1m1100

831

Plain; monogrammed lid. Birmingham 192 2. $150-200

825

Qi\'

A Model of the Coronation Coach by Toye, Kenning & Spencer,

A Cigarette Box by Chas Green & Co.,

A Cigarette Box,

\\ilrer Plated

mod ell ed as a hunting horn in ebony w ith sil ve r (un marked) mounts. $200-275

An American Silver Bon Bon Dish, Oval; w ith floral embossed rim. Gorham .9 25. W.16 5m m $100-150

A South American Mate Gourd and Drinking Straw,

829 818

itllR PL.\

Square section ; the bottle cut, the co llar abso lutely plain, marked 'sterlin g sil ver'. Spherical stopper. H.1 30m m $100-200

835

An Ebony and Silver Crucifix, unmarked, leath er cased, reel velvet and satin lin ed. H.86mm $200-250

l!l

llikerP\ate illton& !oni 11("

ons,

SILVER PLATE

843

A Silve r Plated T hree Bottle Decanter Stand , 836

A Silver Plated Four Piece Te a Se t by Jo hn Turton, Sheffield c.1895. Maked: Hand Chased EPBM. Circular shaped, decorated with flowers and acanthus leaves, the pot lids and sugar bow l cover surmoun ted by eag le finia ls. $900-1100

837

Drinking

9l5Silrer

A Silve r Plated Bac on Tureen , ova l, the top as a fo ld-over lid with an ivory bun hand le. Embossed with a flowerhead and anthemion lunate sca le frieze below a linen fo ld embossed cap. Raised on four fluted legs term inating in paw fee. W.300mm $3 75-425

845

A Four Piece Silver Plated Tea and Coffee Service,

with screw affixed handle with beaded deta il ing repeated around the edge. maker: Mappin Bros ., Regent Street and LondonBr idge. Crested with a li on's gamb or bear's paw. Raised hold ing a fleur de lis. $500-900

ovo id; w ith ha lf lobed bod ies, ebonite hand les. $450-650

along with an associated two hand led ova l tray. The cover with reeded hand le issuing from naturalistic branches; framed by a gadrooned cap, the gadrooning repeated at the lower edge. Decorative ly engraved w ith a floral fr ieze, sim il ar elements are repeated at the lower edge. Decorative ly engraved w ith a floral fr ieze, simi lar elements are repated on the tray. The cover crested: From a mura l coronet or, an eagle rising regardant, holding in beak a cross cross let filched. In a band above the motto: "Aspiro" (I Aspire) $600-1000

enning & 840 House

,er Collar,

A Silve r Plated Dome Turkey Cover and Hot Water Jacketted Base by Elkington & Co. , the cover with reeded hand le issuing from natural listic branches, framed by a beaded cap; the beading repeated as borders to both dome and base. The dome crested with a trefoi l slipped, purp, between two wi ngs erect. (Frost of Norfo lk). The two hand led base raised on sp layed scro lli ng feet. $1000-1 25 0

841

Jar,

Ova l; with fo ld-over cover, ra ised on four sp lay legs. Two hand les at the sides. A long w ith a si lver plated Old English pattern ladle. $300-400

838

A Silver Plated Domed Turkey Cover by Martin Hall & Co.,

ac,Bu

844

A Silver Plate Bacon Turee n by James Dixon & Sons .,

A Silver Plated Domed Turkey Cove r,

839

i,Kenning

of trefo il shape, raised on sp laying feet, the wa ll s pierced w ith sinuous fo liate pattern, between two borders of Greek key pattern . Monogrammed and dated on a reversed cartouche JED 1862. A stemmed handle issues from the centre terminating in a fo liate accomodates three ma ll et bod ied decanters; two stoppers repa ired. $35 0-55 0

846

A Pair of Old Sheffield Plate Decanter Coasters, lobed wal led, gadrooned rimmed, wood inset bases, w ith si lver bosses. D.1 50mm $275-325

847

A Silver Plated Biggin Coffee Pot, Ba luster shape on domed ci rcular foot, ebony handled. $200-300

848

A Large Ornamental Tankard by WMF, (Wurttembergische Meta llwarenfabrik) Ba luster shape raised on a spreadi ng base w ith four v ine feet. The body decorated in bas relief w ith three lightly clad women entranced by the music of a pan-pipe playing satyr and Eros who accompanies them in their dance. The domed hinged li d surmounted by a baachic cherub. The hand le formed as bound vines. H.430mm $700-1200

849

A Pair of Christofle French Silver Plated Vases, Ovoid; ra ised on c ircu lar spreadi ng bases with bound reed edges. The shoulders modell ed with three classical ram's heads above hop and ribbon swags looping about the body. H .140mm $600- 700

A Sheffield Plate Decanter Coaster,

850

the sca lloped flaring rim edged by a mou lded fruiting vine . Fruitwood inset base w ith a central si lver boss. D.190mm

Two Oval Silver Plated Trays . $100-1 50

$350-450

lain m~ed

851 842

A Silver Plate Framed Twin Decanter Tantalus by J. Dixon & Sons. , the squa re section, cut crysta l decanters with facetted spherica l stoppers, captured in an open frame with side lock ing ti lting top surmounted by an arched carry ing hand le. $1250-1 75 0 see illustration page 153

An Oval Silver Plated Tray, with engraved ferns and flowers to the centre, gadrooned rimmed. $100-150

852

Two Silver Plated Circular Lidded Dishes $80-120

. .,.. . u, u,

853

,1SiJmPla1e ,+:<flfl I

W)-100

851

lilwr~ate

855

.\nEPB\! So

856

.\Silm Pla11 r.illl

n ~no Ill

.\SilmP~11 llllO

BOXES Iii

.\ 19th Cenro

llfl)J.JiOO

8i9

AFine Early

lll

'J{\[n'

llllliiO !i! ,\'.'a;.

860

.\Georgian

!i!

' "lllJ

853

861

A Silver Plated Circular Tray,

A Vizagapatnum Ivory Chess and Backgammon Set,

and a plated framed bread board. $60-100

854

Silver Plate on Copper Entree Dish, marked Old English Reproduction. Ob long shape wit h two separate ly lidded dishes. $60-90

855

The case unfolding to form chess and backgammon boards, the interior of sanda lwood. Decoratively bordered with stained etched ivory friezes depicting Portuguese figures at various pursuits along with an imal s and birds and buildings. The case accepts three further boxes, each decorated simi larly, which hold games men and dice cups. Some losses. W.450mm $3500-5000 see illustration page 756

An EPBM Sugar Scuttle,

862

with shove l spoon.

A Georgian Mahogany Sarcophagus Tea Caddy,

$50-75

with turned ring side handles, brass circu lar escutcheon, raised on bun feet. The interior fitted with two removeable canisters with hinged flap lid s. Mixing bowl absent. $1000-1 250

856

A Silver Plated Egg Coddler by Walker & Hall, ovoid; raised on a base with a spirit lamp; along with a tea strainer in stand.

863

$80-120

A Regency Rosewood Caddy,

857

with barrel vau lt pediment, bun footed, m.o.p. escutcheon. Interi or w ith twin division with loose lid s. $300-400

A Silver Plated Epergne Vase, with four trumpets raised on a domed plinth. $90-130

BOXES 858

Small Sarcophagus Tea

864

A Regency Birdseye Maple Veneered Tea Caddy, Sarcophagus shape, boxwood c la shed, ivory escutcheon, giltmetal side handles and paw feet. $300-500

diamond

A 19th Century Rosewood Tea Caddy, sarcophagus shaped; raised on squat bun feet. Cruciform mother of pearl escutcheon. The interior with two removeable canisters with hinged flap lids flanking a cut glass mixing bowl. W.310mm $1000-1500 see illustration page 156

859

A Fine Early 19th Century Rosewood Work Box, sarcophagus shaped, gadrooned edged, inlaid with cut brass foliate motifs, ring handles to the side, raised on fluted squat bun feet. The interior w ith ruched ye ll ow silk panel to the lid framed by gilt tooled red lea th er. This comb in ation of materials continues to the divided fitted tray below. W.280mm $2250-2750 see illustration page 756

BRONZES, SCULPTURES & MISCELLANY - - - 865

A Bronze Sculpture by Francisque Joseph Duret, (French 1804-1865) ' lmprovisatore'. Otherwise known as The Grape Picker Improvising or Baachic Improviser. Signed; circa 1850. With original worn cold work gomme lacque patina. Originally exhibited in the Salon in 1839 and the Universa l Exhibition 1855. H.430mm $3000-3500 see illustration page 148

866

A Bronze Bust Portrait after Germain Pilon, 860

A Georgian Mahogany Table Top Work Box, octagonal shape, the top segmented by inlaid boxwood, a Tunbridge inlaid frieze details the bottom edge of th e box, raised on on four ball and c law brass feet. The interior divided into ten compartments. D.230mm $500-1 000 see illustration page 756

959

(French c. 1400's - 1567). 'Bust of Diane de Poitiers cl' A net'. A 19th Century casting depicting the renowned mistres of Henry II, King of France. H.490mm $1250-1750 see illustration page 148

867

A Bronze Sculpture by Eugene Marioton, (French 1854 - 1925). 'Le Couvre-Feu' (Th e Curfew); red-brown and brown patination. Signed and marked Vrai Bronze (True Bronze). H.580mm $1600-2000 see illustration page 148

868

877

A Pair of Wrestlers After Antonio Canova (17571822),

A Carved Wood and Painted Gesso Figure.

The Italian boxers Creucante and Damusseno. Foundry marked: "Nelli -Roma". Modelled in th e antique manner, with cold painted bl ack patina. Each stand on black and red marble plinths. H.645mm $2250-3000

A saint, standing on hemi sp heri ca l base with painted and gild ed robes . Distressed finish. H.11 80mm $1500-2000

.\Geor~an ( nl

)~J!OO A Carved Wood Religious Statuette.

869

A sa int standing with bible. H.400mm $400-500

A Meiji Period Japanese Bronze,

Ill

878

see illustration page 156

of Aji-Suki-Taka-Hi-Kone, the Japanese god of thunder. Standing, wearing a ragwort leaf apron over his patterned robes, hi s raised right arm supporting a bowl shaped gong. A yari absent from hi s left hand. $4000-5000

Religious

879

A Carved Wood Religious Statuette. A saint w ith fl oral patterned su rpli ce . H.460mm $400-500

II!

.\large Stam

880 l&l)-til)J

870

A Carved Wood Religious Statuette.

A Bronze Sculpture of a Partisan Fighter,

A saint readi ng from the bible. H.500mm $400-500

1!0

881

tngine.

signed Fulborn. Raised on hardstone squa re plinth . H.240mm $400-500

871

.\ Scale ~10!

A Butcher's Shop Sign of a Bull's Head.

$60-120

Modelled three dimensionally and painted naturalistically. Mounted on woode n shi eld. H. 700mm $1100-1500

872

882

Three Bronze Scultures of Crabs

A 19th Century Italian Easal Photograph Frame, of colourful champleve enamel worked bronze, the glazed opening for the photograph co ncea l led by a hin ged door set w ith a micromosaic plaque depicting the Piazza San Pietro. Marked in sid e the door on a sat in lining: C. Rocchegg iani, Roma. H.240mm $800-1200

see illustration page 156 873

!'i00-1(00 !!I

.\CarriageC

A Scale Model Biplane. Petrol glow plug motor driven. Unknown type. Labe ll ed 'Experim enta l' to the sides of the double cockpit. $500-600

883

A Pair of Lead Wall Planters. Modelled as mask portraits of women w ith flowers and leafs in their hair, the planter open in gs edged with ech inus moulding. $1200-1400

m .\French Car

A Carrara White Marble Bust of a Child, 19th Century. Marked to th e back of the soc le base; Shakespere Wood, Rom a 1864. H.5 75 mm $2000-2500

874

A Carved Wood Catholic Religious Figure of Mary. Distressed painted finish. Standing on plinth base. H.9 70mm $1500-2000

884

A Case ofVarious Butterflies, including spec im ens from Afri ca, Asia and Europe; many Pi erid s including Antholocharis ca rdimin es and a number of Co lotis spp. The balance made up of Hesperids, Satyrid s and Lycaenids such as Myrina silensis. Th ere are also two staturnid moths. $700-800

885

875

A Case of Assorted Small Worldwide Butterflies,

A Carved Wood and Gesso Moulded Religious Figure of Christ.

comprisi ng mostly Lycaenids along w ith some Hesperids and Nymphalids . Including spec ies such as Lampides boeticus, Deud or ix diocles, Axiocerces bambana, Libythea labdaea, Tajuria spp along w ith many other. $750-850

Di stressed finish; floor standing. Flaming hea rt motif to chest. H.930mm $1000-1500

/Ii

i9J

.\l!agni6ceni Penod liante

886 876

A Carved Wood and Painted Gesso Religious Figure. Distressed condition and finish. H.940mm $1000-1500

A Cased Late 19th Century Ornathological Specimens,

Collection

Including a qua il ; bird of Paradise and Regent Bower-bird. W.845mm $200-300

.' ·oo

leli~ou; ndgildl'II

irastca1

rterflies, 1esper1,' i1esooe· •• hea abdaea

Jecrion of

INSTRUMEN TS & CLO CKS 887

A Georgian Octant. Ebony frame inlaid with ivory scale, brass arm with rococo inspired fo liate engrav ing. Ebonized pine stepped faced cased. $3200-3800

see illustration page 148 888

A Brass Six Draw Telescope on Stand. The scope late 19th Century; the stand marked NZ made 1943. $650-750

889

A Large Standing Beam Balance, with cast meta l base; brass co lumn beam, pans and weights. $800-1000

890

A Scale Model of a Single Piston Driven Mill Engine . With 12" diameter flywheel. Mounted on oak box plinth. Eith er compressed air or steam driven. W.720mm $1500-2000

891

A Carriage Clock by Charles Frodsham, London, Brass corniche cased. White enamel dia l, Roman numera ls pierced Breguet style hands, face and movement marked with maker and additiona ll y lo the movement Eleven (11) Jewel ls. Striking on a be ll. H. 190mm $650-1000 see illustration page 756

892

A French Carriage Clock. Brass corniche cased, white ename l dia l, Roman numerals; Breguel sty le hands . Left hand side glass pane l cracked. H.170mm $6 75 -1000 see illustration page 756

893

A Magnificent Monumental French Late Louis XIV Period Mantel Clock in the 'Grand Style'. The arched top carries a large pediment figu re, three further figures ornamentally front the vis ible pend ulum, bear ing rope in an al legorica l attemp t to captu re Time. The face set with blue Roman numerals on white enamel hour plaques on an engraved gilt dia l plate. The case veneered w ith reel tortoiseshe ll and cut brass with applied gill ornament including baachic masks, caryatid heads and a shield showing a youth and a mature man. Requ ires restoration. H. 11 S0mm $15000-20000

FURNITURE-

-- - - - - - - - - - -

895

An 18th Century Oak Flat Front Chest of Drawers, five drawers; w ith escutcheons supported on bun feet. W.940mm 0.560mm $2000-2 500

896

A Good Georgian Oak Plate Rack Dresser. The base with three drawers to the fr ieze, raised on taperi ng square legs, each crossba nclecl. The superstructure w ith open shelves flanked by cupboa rds w ith conforming crossba ncli ng and in laid decorative motifs to each above smal l drawers. $12000-14000

897

A George III Mahogany Corner Cabinet. Floor standing; double doored base with bracket feet, single she lved interior. Astraga l glazed upper sect ion w ith three serpentine fronted shelves . W.960mm H .2080mm $1200-2000

see illustration right

898

894

A George II Silver Table.

A Gree n Onyx Cased Victorian Mantel Clock. French movement, gong str iking. Gilt face marked C Eastabrook, Dunedin. W.290mm $400-500

Wa lnut, ob long with mou lded rim, fretwork shaped ap ron, ra ised on replaced cabrio le legs. 740 x 480mm $750-1250

899

A Continental Mahogany Cabinet on Chest. Surmounted by an arch itectural pediment centred by an oak leaf wreathed urn. Th e upper section w ith double doors with fie ld ed panels carved with oak leaf swags in relief. The ri ght hand door with a carved laurel leaf edge piece. The lower section with three graduated drawers with giltmeta l handl es and escutcheons. Some mouldings absen t. $4000-6000

900

A Georgian Six Drawer Chest on Bracket Feet,

ij(fOO

chinoiseri e decoration on dark gree n ground with bra ss drop handl e and escutcheons. W.1 025mm H.1000mm 0.555mm $7000-8000

!IJ .\nOak 18th

901

WiO-liOO

,a ,i:

A Verde Alpe Marble Topped Table. Rectangular top raised on a cast bronze base w ith fl ora l festoons draping from the frieze and entw ined wreathes about the fluted legs, united by a stretcher base w ith urn pediment centre. 1430 x 780mm $6000-7000 1.;00-JiOO

902

An Italianate Centre Table,

915

Th e circular porphory marble top raised on a cast bronze base mod ell ed as four putti issuin g from acanthus scroll ed legs termin at ing in paw feet; united by a ce ntral urn. H .870mm 0.8 50mm $4000-5000

.\nlitl Ce JJI

lliOO-lliO

!16

903

.\ 19th Cen

A Verde Alpe Marble Column. Gun barrel shape w ith circu lar top, raised from an octagonal plinth base. $350-450

904

A Regency Rosewood Work Box. Oblong top with cham f reel co rn ers, raised on a balu ster turned pedestal with broad lea f ca rved knop, from a quatrefoil base w ith sc ro lling feet and sma ll brass castors. Some losses to mouldings. Fitted int erior distressed. $400-600

907

117

A 19th Century Oak Seven Drawer Cabinet,

.\ Good Pia

with drop front on later turn ed base. Bra ss drop handl es 10 interior with ca rved ca rtou che to front. W.900111111 11.900 mm 0.430mm $1600-2000

908

A 19th Century Mahogany Framed Pole Screen, 905

A George III Oak Linen Press, shaped field cl; pan li ed doors above a base w ith three fa lse drawers. $3600-4000

906

A Good George II Walnut Chest on Chest. Th e upper section w ith plain cavetto pediment above a frieze of three drawers over three graduated drawers of full wi dth, all w ith cockbeadecl edges, feathered crossband ing and fl ame veneers, ori ginal brass plate back bail handles. Oak ca rcase, oak lin ed. The lower sect ion confo rmin g; of three drawers raised on tall bracket feet. W.1030mm H.1730rnrn $20000-25000

see illustration right

The squarish gla7ed sc reen w ith a gros po int woo l woek floral tapestry; raise don a tripod pedestal base. H .11 lOrnrn $200-300

909

A Pair of Good Sheraton Style Demi-Lune Card Tables. Walnut; w ith sa tin wood crossba nded borders edged w ith ebony and boxwood stringing. Raised on tapering squa re sec ti on legs w ith boxwood stringing. 0.820mm $3000-4000

~1100 918

.\Sheraton. ll:iiJ.JOCM]

919

A11th Cen11 id

11~1200 9lO

·1I~1Cen11

910

A Quaint Small Proportioned Oak Gate Leg Table, of 18th Ce ntury timbers and probably later top. Ova l; with squa red and turned supports. H.630rnrn 840 x 690mm (open). $500-750

Ill AGeo1 ·

~an,

'•

liOO-·ilJ

911

922

A Georgian Wine Table.

An Early Pine Stic k B ack Country Chair,

Oval elm top fixed to a ma hogany tripod base w ith vase turned stem. 600 x 460mm $35 0-600

912

A Regency Period Japanned Teapoy. Lozenge shaped raised on fluted co lumn from four splay feet terminating in brass claw foot castors. The sides inlaid with mother of pear l flora l sprays. Brass bat shaped escutcheon. D istressed. H .650mm 290 x 390mm $5 00- 700

w ith bow back rail; painted finish. $180-250

923

An Early Elm and Beech Stick Bac k Chair, with arms; some back structs rep laced w ith unfinished branches. $2 00-300

924

A T ibetan Cabinet.

An Oak 18th C e ntury Coffer.

The fasc ia of four doors is painted with a manda la design in dark green and red on a dark green ground. Unpa inted sides and top. $1000-1500

The fascia decorated w ith twin d iamond carved panels. $1750-2 500

925

913

A Tibetan Cabinet. 914

A French Provincial Chestnut Plank Top Dining Table, with a sing le drawer in the side frieze; raised on tapering square section legs. $2500-35 00

With two doors with brass moon lock plate. Painted black grou nd decorated w ith paintings of baskets of flowers. H. 1850mm $1000-1 200

926

A Chinese Cupboard,

An 18th C entury O a k Coffer.

with two drawers above two cupboard doors flanked by fretwork panels in zelkova wood. $5 00-800

The fasc ia of three panels carved with a flowerhead design beneath a luneate frieze. $1500-2 250

A Tibetan Cabinet,

915

916

A 19th Century Wa shstand. The top with a fretwork upstand back, w ith two drawers in the frieze; raised on slender ring turned taper ing legs. $1250-2000

927 with two doors w ith brass moon lock plate. Pa inted red ground with gilt decoration of blossoms and landscapes is reserved panels surrounded by floral sprays scattered flowerheads fruit and butterflies. $1200-1500

928

et. handle''' H. •

917

A Large Chinese Jar.

A Good Plaster Gilt Framed Mirror,

Painted with a group of scholars around a call igraphers table and to the opposite side in underglaze blue with a goddess and attendent riding a ky lin. Fau lted and fitted with electric lamp ing. $120-200

the deep frame moulded w ith laurel leaves and berries, sty lised acanthus; smal I beaded and tw isted ribbon borders. 990 x 1200mm $800-1000

929 918

,creen. 11ve~

A Sheraton Style D emi-Lune Hall Table . Walnut fold-over top; raised on tapering legs. W.820mm $125 0-2 000

919

A 19th Century O ak Coffer,

,une Card

with linen-fold, carved fascia panel. $1000-1 200

A Pair of 19th Century Crysole um Paintings, Reverse painted in enamels on convex oval glass panels . gilt framed. Dep icting continential landscapes, highl ighted with sheet pearl shell. 500 x 580mm $800-1000

ITEMS OF MARIT IME & AER O N AU T ICAL INTEREST

920

930

A 19th Century Gilt Moulded Fram e.

A Kauri Framed Glazed Cased Half Model of a WWII D estroyer,

Decorated with acanthus and bead mould ings. 790 x 600mm $300-400

921

Signed KC Bing 27.5 .53. Tota lly handbu il t. W.610mm $5 00-700

Leg Table.

A Georg ian Mahog any Flap Top Tea Table,

931

'°''' 11 'h

with square sect ion legs. W.700mm $5 00-700

of a square rigged three masted vessel.

J11Ji1

A Half Model Ship Diorama, $700-900

.. =.a:w .c = IO

·J

~ o,..,

-;3 ~

-t :::: ~

c:;"

932

943

A Cased Naieve Ship Model,

A Large Format Photograh Rail yards.

hand bui lt, three masted ship moored before a quay set w ith qua int wooden block bui ldings. Reel pa in ted glazed case. Glass cracked. $1000-1500

933

A Pair of Naieve Ship Paintings, A four masted, square rigged, under sa il before a prominatory lighthouse. The other of a steam ship; under British ensign. Initia ll ed AP $900-1300

934

A Watercolour by Walter Godden,

!45

of th e

Frankton

A Shunting locomotive with coa l tender to the centre; sta ti on bui ldings to the left. 380 x 470mm $200-300

ARTEFACTS

.\ 1nunga K1

Ji\enitl 111.-

lli~liO

!4i

.\n:lborigir .,1 1

[ eSill 944

A Fine Mere Pounamu. Of broad spatu la shape with reduced grip swelling to a ridged butt knob. Pierced with a countersunk rimmed thong hole and w ith the origi ns of another hole alongside. $6000· 10000

A shi p under steam and sa il . NZ Shipping Co. fl agged and Union Jack. Signed and elated 25.7.87. Oak framed. $800-1200

ed \!(1)-400

!47

AnAbori~1 'l\udll/

• •apprOl 1100-400

935

!48

A Watercolour by J. Mowat.

.\nAbori~1

The S.S. Tofua, pictured with steam up, flanked by the Mecantile aval ensign and the USSCo. flag

liHOO

arti

$350-600

m .\n:lfrican

936

A WWI Photograph of 92 Squadron .

~arn 11a

Fou r members and a mascot terrier stand befo re a Scout Experimenta l SE5a bip lane. 220 x 300mm $350-450

937

A Photograph of92 Squ adron Pilot H addyn-Smith. Sitting in the cockpit of an SE5a. 305 x 220mm $400-500

938

A Photogra ph of Four 92 Squadron Member s. Standing before a hangerecl Sopworth bip lane. 180 x 235mm $200- 300

~00-400 This mere has a reputed provenance as fo ll ows. Once the property of the vendor's great-grandfather, who was an imm igrant to New Zea land aboard the Caduceus into We llington in 1859, later becoming a Customs Officer at Wairoa Port, Napier. Family oral histry has it that this mere was aquirecl as the result of a skirmish at Petone (Wellington) in which the owner, a chief, had died. The vendor later discovered the record of an 1866 skirmish at Petane (near Napier) and although his greatgrandfather apparently had moved at this time, his connections in Hawkes Bay may have seen him aquire this piece as spoils of war from that batt le.

939

A Photograph of 92 Squadron Members. Three standing before and one in the cockpit of a Sopworth Pup. 165 x 235mm $200-300

940

A Photograph of 92 Squ adron Members. Seven officers sit in a garden bar a tab le before them set with eight glasses of beer, the extra one obviously for the photograp her. 175 x 235mm $150-200

941

A Photograph of Pilot Officer Haddyn-Smith . (92 Squadron) standing on a restaurant terrace (possibly France). 240 x 170mm $100-1 50

942

A Photograph of Five 92 Squadron Members. Standing before the nave of a cathedral ruins. 245 x 180mm $100-1 50

Al tern at ive ly, he may have been present at the Petane batt le (Cf. Cowan's 'The New Zealand Wars' ppl 39-14 1), on 12th October 1866 wh ich was between a mil itary contingent reinforced by some armed local settlers and Maori. In this battle "Old Te Rangihiroa died, along with eleven others ..." from a party of 25 Hauhau, intercepted from their attack on Napier. Possibly this mere belonged to one of their party. For some reason the mere passed out of the family's pocession and was later offered for sale by a Hastings man at an auction in Wellington in 1971. The current owner was advised of the imminent sa le and bought the mere back . The auctioneer organised the Hastings vendor and the purchaser meet, unfortunately communication was difficu lt and soon afterwards the vendor died without confirmat ion of the circumstances of his pocession of the mere.

!50

.\n LDUlU~

l:i-lli

!51

.\Papie1 ~ a<mg

,and ~ llli-1:;

!52

.\\!iniaturE Tomb.

!53

A\licromo1

<ha~ 1

IJ00.4oo

The vaguries of the P tone story and the recorded account of the Petane story do not confirm the provenance, however they do acid so additional colour to an outstanding examp le of a contact period mere pounamu.

!51

.\\liniature 'a 1100.lio

rankton

~- stati

945

955

A Inunga Kuru Pendant,

A Pair of French Perfume Bottles,

and a bowenite kuru pendant along with a sil ver Maltese cross dated 1887. $150-250

square glass bottles set in gi lt metal frames and su rmounted by giltmeta l collars and hinged tops set with cameo portraits. H.125mm $600-700

946

An Aboriginal Painting on Bark,

956

by George Milparru. Co ll ected c.1960's. 'The Lizards, the Frogs, the Edib le Snakes'; painted on euca lyptus bark panel. Bowed and cracked. H.800mm $200-400

An Unusually Turquoise Coloured Glass Based Kerosine Lamp.

947

An Aboriginal Painting on Bark, by B. Murdrugg, Madia Group. 'Cooked Goanna'. 1090 x 430mm approx . $200-400

The moulded glass body raised on a brass moulded spreadi ng pedesta l from a stepped black glazed ceramic base. The lamp shaded by a spherical globe with etched pattern. $1000-1 200

957

A Miniature Portrait of Jesus on Porcelain Plaque. Arched shape. Impressed maker's mark verso . H.75mm $400-475

948

An Aboriginal Painting on Bark. Unknown art ist; Kangaroo with digeridoo. $50-100

949

958

An African Millet/Maize Morter (Ntondo),

An Arabian Jambiya Dagger.

co ll ected from Chichewa tribal group, Malawi/Zimbabwe area. Mahogany; waisted vase shape. H.470mm $300-400

Si lver and brass studded wooden handled, silver and gold mounts and scabbard; complete w ith belt worked with silver w ire. $200-300 see illustration page 756

MISCELLANY

(' ' 1/'t

J 1\a~ an

lellin~on

950

'arna Port

An Unusual Victorian Mahogany Wall Shelf.

red,, ,e ,ner

{ord ~ ,,·,greal-

The sconce support formed by a natural rootwood rose burl. H.380mm $75-125

nr,ec1 ~i

951

SS!XJi

A Papier Mache Victorian Standish.

;,~batte I coningent nthisbaie a

,poce;son auctJO'

A COLLECTION OF ARABIC ARTEFACTS

Set with a si ngle inkwell to the ova l stand decorated w ith floral painting and gilding. $125 -1 75

952

A Miniature Gilt Bronze Souvenir of Napoleon's Tomb. Raised on porphory plinth, the lid opens to reveal a miniature death mask pendant elated 1821. H.85mm $200-400

959

An Old Arabian Jambiya Dagger. Silver mounted wooden grip and si lver wire worked leather scabbard. $100-200 see illustration page 756

960

An Old Arabian Jambiya Dagger. Five sil ver wire wo rked and studded scabba rd ; studded dark stained wooden hilt. $100-200

961

An Arab Jambiya Dagger. The scabbard with sheathed si lver work the wooden hilt with applied silver decoration. $100-200

962

;ed ',

953

A J ambiya Dagger.

, aud10!1('€!

A Micromosaic Miniature Easel Picture Frame.

The hilt set w ith co in s; leather scabbarded. $70-100

a,nie;~''

Shei ld shaped set with mosaic of blue flowers on a w hite ground. H.85mm $300-400

ccoun·o1 "e

A Miniature Purse with lvorine Panels,

e,er-.,

Set with silver. Kid lined. $100-150

,aser meiarter11a'

,01 col"'

963

A Selection of Arab Silver Beaded Necklaces 954

$100-200

964

A Selection of Arabic Silver Accoutrements, including pipe, pouches, etc. $100-200

965

973

A Selection of Arabian Silver Necklaces

A Selection of Arabian Silver Bangles

$100-200

$50-100

966

974

A Selection of Arabian Silver Necklaces .

A Selection of Arabian Silver Bangles

$100-200

$50-100

967

975

A Selection of Arabian Silver Bangles

$50-100

968

976

A Selection of Arabian Silver Bangles

A Selection of Miscellaneous Arab Jewellery Items

$50-100

$40-80

969

977

A Selection of Arabian Silver Bangles

$50-100

970

A Selection of Arabian Silver Bangles $50-100

971

A Selection of Arabian Silver Bangles $50-100

972

A Selection of Arabian Silver Bangles $50-100

RUGS The auction will conclude with a selection of uncatalogued hand knotted carpets collected by the vendor of the previous lots of Arabic artefacts while living in the Middle East in the 1980s.

CATAl

CATALOGUE INFORMATION

..,. en

IO I

Items

ction or 1d by the ctswhile

Page 166 Page 167

Gu ide (or Buyers oncl itio ns (or Sa le

Page 168

Ca talogue Subscripti on Form

Page 169

Bidding Form

Page 170

Bank Account Details and Freight Disclaimer

Page 171

Departments and Staff Li st

Page 172-174

Prices Realised

Page 175

Index or Artists' Dates

Page 176

Ind x o( Artists featured in this ca talogue

(ONO

A GUIDE FOR BUYERS Webb's have set out the following information for the benefit of first time buyers and those who are unfamil iar with auction procedures. Important note: Please refe r to full co nditions of sa le fo r buye rs printed in the reve rse of thi s catalogue and displayed in the saleroom .

Registration All intend ing buyers must complete a bidding form available from the reception desk

Buying at Auction 1. Fl oor Bidders

Ensure that you have registered and obtained a buyer number before bidding on the lot or lots you have chosen Be aware that a buyer's premium of 10%+GST on the premium, a total of 11.25%, is payable by all buyers in addition to the hammer price. At some sa les the amount of the buyers' premium may be more or less than 10%. Please make sure that you are aware of the amount of the buyer's premium. Make you r bids clear, preferab ly by holding up your buyer number card. If you make a mistake e.g. the auctioneer takes a bid from you at a higher level than you had intended, or you realise that you had bid on the wrong lot, call out to the auctioneer immediately so that the bidding can be adjusted. Waiting unti l after the hammer fa lls is too late. If your bid is the highest and the lot is knocked down to you then you have entered a binding obligation to pay for that lot.

may sell to you "subject to vendor's consent". In the absence of a reserve the Auctioneer may exe rcise your bid in advance of any opening bid or may open th e bidding on your behalf at the Auctioneers estimate, at th e Auctioneer's sole discretion.

Telephone Bids The same conditions as above apply to te lephone bidders. Webb's will te lephone the number you have given several minutes before the lot you have request co mes up for sale. If your phone is engaged or we are unable to make contact the auction w ill proceed w ithout your bidding. Our staff wi ll ask you to hold when we have made contact. They will then te ll you that your lot is about to come up. The bids wi ll be relayed to you and you can enter the bidding at any time by making your call. Please note that the bidding at many auct ions can be fast and furious. The auctioneer w ill not favour a phone bidder over and above buyers who are attending the auction by giving them more time to bid. You wi ll need to establish your lim it and make sure that you bid clear ly and promptly. Telephone bids are only accepted for cata logued sales and on items with est imates over $500.

).ie;e~5 \

, •• 1101~

l !~~ration.

,~,

u~e~• Prem

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Pre-Sale Estimates Estimates pr inted in the catalogue or given verbally are intended as a guide only and can be subject to rev ision nearer to the time of a sale. Webb's staff are available during pre-sale view ing times and by appo intment to ass ist prospective bidders w ith estimates and any aspect of the auct ion procedure.

Condition Reports 2. Sales Subj ect to Vendor's Consent

Where your bid is the highest, but stil l below the reserve, the Auctioneer may dec lare you to be the " buyer subject to Vendor's consent". This means that your bid is held as binding and will be communicated to the Vendor at the earliest opportun ity. If the vendor accepts then there is a contractual obligation for you to pay for the lot. If the vendor does not accept, you are released from any obl igation, however you wi ll have first right to negotiate with the vendor through Webb's until an agreement is reached, and Webb's wi ll not present other offers to the vendor until your negotiations are ended. 3. Absentee Bids

Webb's w il l endeavour to ensure that your bidding instructions are executed, but accept no respons ibility or liabil ity for fa ilure to do so. Lots will be boug ht as favourab ly as is allowed by bidding in the sale room and any reserve imposed by the vendor. Please note that Webb's cannot guarantee that another bidder wil l not be successful at your limit if, in the course of competitive bidding, someone else bids your limit first. Absentee bids are accepted by written instruction which can be sent by fax (e- mailed absentee bids are not accepted) up to I hour before the commencement of the sale. Absentee bids will be executed on the fo ll owing basis: If your bid lim it is equal to or above a reserve, the Auctioneer may open the bidding at reserve on your behalf and will bid thereafter on ly in response to competition for the lot. If your bid limit is be low a reserve, the Auct ioneer may open the bidding at your lim it and if there are no further bids in the room

Webb's staff will provide condition reports for out of Auckland buyers. However, please note that no 6 in the Conditions of Sale for Buyers will still app ly despite the obtaining of a condition report.

Uo~solias\

'de;cr \f•~\\E

Payment Payment for all items purchased is due on the day of sale immediately follow ing completion of the sa le. If ful l payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the ba lance must be pa id within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods w ill be given. Credit cards are not accepted.

Packing and Freight Webb's do not pack goods in house. However, we will arrange for your items to be packed, insured and shipped by a profess ional agent. All costs assoc iated with pack ing and freight are payable by the purchaser.

·.\\~'sAct~ ''il!t<J'lhe

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!,Collection.I

Valuation Service Webb's provide free market appraisa ls on Monday mornings from 9am-1 pm or at other times by appointment. Webb's appraisers w ill come to your home to view and appraise larger items. Webb's w ill provide va luations for insurance, matrimonial division, family division etc. Please enquire at reception for charges. Valuation charges are refundable on occasion when goods are subsequently offered for sa le within a reasonable period.

l.lic111c~.Bt

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10.failureio r :aie

CONDITIONS OF SALE FOR BUYERS 1. Bidding. The highest bidder shall be the purchaser, subject to the auctioneer having the right to refuse the bid of any person. Should any dispute arise as to the bidding the lot in dispute will be immediately put up for sale again at the preceding bid, or the auctioneer may declare the purchaser, which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer and no bid may be retracted.

e.·, 1lUr

auction ct. lh11

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2. Reserves. All lots are sold subject to the right of the seller or his agent to impose a reserve. 3. Registration. Purchasers shall complete a bidding card before the sale giving their own correct name, address and telephone number. It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud. 4. Buyers' Premium. The purchaser accepts that in addition to the purchase price Webb's will apply a buyer's premium of 10% of the hammer price (unless otherwise stated) together with GST on such premium. 5. Payment. Payment for all items purchased is due on the day of sale immediately following completion of the sale. If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days. Payment is by cash, bank cheque or Eftpos. Cheques will be accepted but must be cleared before delivery of goods will be given. Credit cards are not accepted. 6. Lots sold as Viewed. All lots are sold as viewed and with all errors to description, faults and imperfections whether visible or not. Neither Webb's nor its vendor are responsible for errors of description or for the gen uineness or authenticity of any lot or for any fault or defect in it and make no warranty whatever. Buyers proceed upon their own judgement. Buyers shall be deemed to have inspected the lots, or to have made enquiries to their complete satisfaction, prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in all respects.

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i(iireighl

-ning;iron'

!Praiser; ems.

nial >n ror

7. Webb's Act as Agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason . 8. Coll ection. Purchases are to be taken away at the buyer's expense immediately after the sale except where a cheque remains uncleared. If this is not done Webb's will not be responsible if the lot is lost, stolen, damaged or destroyed. Any items not collected within seven days of the auction may be subject to a storage and insurance fee. A receipted invoice must be produced prior to delivery of any lot. 9. Licences. Buyers who purchase an item which falls within the provisions of the Antiquities Act 1975 or the Arms Act 1958 cannot take possession of that item until they have shown to Webb's a license under the appropriate Act. 10. Failure to make Payment. If a purchaser fails either to pay for or take away any lot Webb's shall without further notice to

the purchaser, at its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies: a. To issue proceeding against the purchaser for damages for breach of contract. b. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction . c. To resell the lot by public or private sale. Any deficiency resulting from such resale, after giving credit to the purchaser for any part payment, together with all costs incurred in connection with the lot shall be paid to Webb's by the purchaser. Any surplus over the proceeds of sale sha ll belong to the seller and in this condition the expression "proceeds of sale" shall have the same meaning in re lation to a sale by private treaty as it has in relation to a sale by auction. d. To store the lot whether at Webb's own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal, storage, and all other costs connected to the lot. e. To charge interest on the purchase price at a rate 2% above Webb's bankers' then current rate for commercial overdraft facilities, to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale. f. To retain possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due. g. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb's or it's vendor. Webb's shall be entitled to a possessory lien on any property of the purchaser for any purpose while any money remains unpaid under th is contract. h. To apply any payment made by the purchaser to Webb's towards any money owing to Webb's in respect of any thing whatsoever irrespective of any directive given in respect of, or restriction placed upon, such payment by the purchaser whether expressed or implied . i. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in fu ll by cleared funds. Where any lot purchased in held by Webb's pend ing i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit, the lot will be held by Webb's as bailee for the vendor, risk and title passing to the purchaser immediately upon notification of clearance of funds or upon complet ion of purchase . In the event that a lot is lost, stolen damaged or destroyed before title is transferred to the purchaser, the purchaser shall be entitled to a refund of all monies paid to Webb's in respect of that lot, but sha ll not be entitled to any compensation for any consequent losses howsoever arising. 11. Bidders deemed Prin ci pals. Al I bidders shal I be held personally and solely liab le for all obligations arising from any bid, including both "telephone" and "absentee bids". Any person wishing to bid as agent for a third party must obtain written authority to do so from Webb's prior to bidding. 12."Subject Bids" Where the highest bid is below the rese rve and the auctioneer dec lares a sale to be "subject to vendor's consent" or words to that effect, the highest bid remains binding upon the bidder until the vendor accepts or rejects it. If the bid is accepted there is a contractual obligation upon the bidder to pay for the lot.

. r-

IO IO

B!DDI

CATALOGUE SUBSCRIPTION FORM A subsc ription to our com prehensive art and antique ca talog ue will keep you in tou ch with th e market and fully informed regarding current prices. All ca talogues have estimates and prices rea li sed for previous sa les. There are eight catalogues per year conta inin g Jewe llery, Decorative Art and Fine Art. Th e price of $120 for eight catalogues including GST and postage w ithin New Zea land represents a substa nti al sav in g on cou nter prices. Many of th e finest co ll ectors' pieces in New Zealand are found in these cata logues. If you w ish to take out a subscription please comp lete the form below and return with your payment. We hope you w ill enjoy receiving our cata logues.

AUCTION CATALOGUES

TICIC BOX

Within New Zea land Ei ght catalogues which includ e Art, Jewe ll ery and Deco rati ve Arts Include wine cata logue at no extra cost YES/ NO please circl e opt ion

□

$120 includin g postage

Australia and the Pacific Eight cata logues which include Art, Jewe ll ery and Decorative Arts

□ □

$200 includin g postage

UK/USA/Asia/Other Eight cata logues wh ich include Art, Jewe ll ery and Decorative Arts

$320 including postage

BETHUNES CATALOGUES Three catalogues annuall y

W ithin New Zea land

$30 including postage

Australia and the Pacific

$39 in c ludin g postage

UK/USA/As ia/Other

$42 includin g postage

□ □ □

w w

= pi

;:,

OVERSEAS POSTAGE IS BY FIRST CLASS AIR.MA IL. FOR A DOOR-TO-DOOR CO URIER SERV ICE, WHICH W ILL GUARANTEE ARRIVAL BEFORE THE SALE, PLEASE ENQU IRE BY EMA IL TO AUCTIONS@WEBBS.CO.NZ. NAME ADDRESS

PHONE

FAX

E-MAIL

Cheque enclosed

Credit Card: Amex/Visa/Bankca rd/ M aste rca rd/Di ners

Card Number

Ex ir

Date

11!:eetl SIGNED

18 Manukau Rei, Newmarket PO Box 9925 1, Auck land, New Zea land ph 09 524 6804 fax 09 524 7048 auct ion s@webbs.co.nz www.webbs .co. nz

GST Reg

o 28-578-903

nox

,_j

BIDDING SLIP FOR ABSENTEE BIDDERS ON LOTS IN WEBB'S SALE NO. 266 TUESDAY 7 -THURSDAY 9 DECEMBER 2004

BUYER NO.

Please bid on my behalf at the above sale for the following lots up to prices recorded below. These bids are to be executed as cheaply as is permitted by other bids, or reserves if any.

* I agree to comply with the Conditions of Sale as printed in the catalogue. I understand that in the case of a successfu l bid a buyers premium

.' a, IO

of ten percent will be added to the hammer price and that G.S.T is charged on the premium. (eg If I made a successful bid of $1000 on an item a ten percent buyers premium equal ling $100 would be payable and G.S.T on the premium making a total of $1112 .50.)

Cl0

On major lots customers may prefer to bid by telephone. Please enquire regarding this service which Webb's carry out at no charge.

Lot No.

Catalogue Description

Lot No.

Bid*

Catalogue Description -

Bid*

:._J

ARRANGEMENTS FOR PAYMENT . I agree to pay immediately on receipt of notice from Webb's of my successful bid. Payment wil l be by cash, cheque or bank transfer. I w ill arrange for collect ion of my purchases or I agree to pay for packing and freight costs incurred by Webb's in having any purchases forwarded to me. In order to avoid delay in clearing purchases Buyers who are unknown to us are advised to make arrangements for payment before the sale or for references to be suppl ied. If such arrangements are not made cheques wi ll be cleared b fore purchases are delivered.

Mr/Mrs/Ms

Home Ph.

Surname/Company

Initials

Bus.Pb.

Facsimile

Mobile

Email address

I Postal Address:

- - ---

Street Address:

Contact Name:

Webb' will do its upmost to carry out bidding instructions for absentee bidders. It wi ll not be responsible however, if circumstances prevent it doing so.

18 Manukau Rd, Newmarket PO Box 99251, Auckland, New Zea land ph 09 524 6804 fax 09 524 7048 au tions@webbs.co.n7 www.webbs.co.n1

SIGNED

OEPAR

BANK ACCOUNT DETAILS - PAYMENT BY DEPOSIT Important: Fax this form to Webb's at +64 9 524 7048 so that payment can be confirmed and your purchases released. Sale: 266 December 7th - December 9th 2004

Buyer Number: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Buyer Name: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Balance owing for purchase/s: NZ$

\lmini~rati~

WEBB'S BANK ACCOUNT FOR A DEPOSIT:

•er''01111a

Bank:

WESTPAC, 79 QUEEN ST, AUCKLAND

,alla

Bank & Branch Number:

03 0104

Account Number:

0448184 00

Accoun t Name:

PETER WEBB GALLER IES LIMITED

··" ·•-\uz;

lineMli

'Depa

For internat ional deposits, Swift Code: WPAC Z2W Amount transferred: NZ$ _ _ _ _ _ _ _ _ _ __

"" ·\la

Date transferred: _ _ _ _ _ _ _ _ _ _ _ __

(incl uding freight if applicab le)

',e's

Signed: CONFIDENTIALITY: The information contained in this facsimile is legally privileged and/ or confidential. If you are not the addressee listed below you are notified that except as authorised agent to the addressee any use, disclosure, copying or distribution of any of the contents of this facsimile by you is prohibited. Recipients other than the addressee listed below are asked to notify us immediately and return the original facsimile to us.

DecoralneAr

, ~ Depa

FREIGHT DISCLAIMER Please sign and return by fax or post with payment. Once received, your goods will be dispatched to you as arranged with th e relevant department. Name Address

\line

Th e following goods are to be despatched to me from Webb's.

Catalogue Description Lot No.

Lot No.

Catalogue Description

fstite(lea

laluations& I understand and accept that Webb's has no respons ibility for these goods wh il st they are in transit and they are not covered by Webb's insurance once they leave Webb's premises. I have made my own arrangements regarding insurance for these goods. I do not hold Webb's or its staff li ab le for any loss or damage that may occur in transit. signed _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ Note: Webb's suggest that you do not sign for received packages without first opening the package in front of the deliverer and establishing that the contents are in good condition. Failure to do so may result in problems should you need to make a claim from your insurers.

1 8 Manukau Rd, Newmarket PO Box 9925 1, Auck land, New Zealand ph 09 524 6804 fax 09 524 7048 auctions@webbs.co.nz www.webbs .co.nz

fira11!lnera

DEPARTMENTS DDI

MOBILE

E-MAIL

Managing Directors: Peter Webb

529 5602

021 867 263

pwebb@webbs.co .nz

Ann Webb

529 5603

021 522 366

awebb@webbs .co .nz

Administration

Reception Manager : Caro le Statham

524 6804

cstatha111@webbs .co.nz

Financial Manager: Trish Shann

524 6804

tshann@webbs.co.nz

Assistant: Suzanne Stevenson

524 6804

sstevenson@webbs.co. nz

.. l't I

. 0 l't

·] Fine Arts

Head of Department: Sop hi e Coup land

529 5605

0274 867 264

scoup land@webbs.co.nz

Assistant Manager: Ben Plumbly

529 5601

021 867 264

bp lumbly@webbs .co .nz

529 5609

jpearless@webbs .co.nz

524 6804

ivogels@webbs .co.nz

Ree •i

Decorative Arts

Head of Department: Ross Millar

529 5607

Administrative Manager: Annabelle Stringer

529 5608

025 867 262

r111illar@webbs.co.nz astri nger@webbs.co.nz

iththe Jewellery

Consu ltant: Christopher Devereaux

529 5606

0274 764 186

cdevereaux@webbs .co.nz

529 5600

027 277 8777

wine@webbs.co.nz

0274 867 261

jhogan@webbs .co.nz

0274 867 265

jparkinson@webbs.co.nz

Wine

Co nsultant: Simon Mickleson

Estate Clearances & Collectibles

Manager: James Hogan Floor Manager: Steve Ga lpin

:---

~ebbs

idllebbs

~1,b ;h"-

urer;.

ln eka Vogels Consu ltant: Peter Webb

!----'

Ass istants: Jess ica Pearless

~ " ~

Valuations & Commercial

Head of Department: James Parkinson Assistant: Erika Chambe rl ain

echamber lain@webbs.co .nz

Bethunes@Webb's

Head of Depart111ent: Ross Millar

529 5607

Manager: Miriam Shaw

524 6804

025 867 262

For all general enquiries please phone (09) 524 6804 or e-mail auctions@webbs.co.nz

rmillar@webbs.co.nz bethunes@webbs .co.nz

PRICES

PRICES REALISED

fi\EARl]E'

FINE ART,JEWELLERY & DECORATIVE ART SALES 265 NOVEMBER 2ND - 4TH 2004 Lot

2 3

4 5 6 7 8

9 10 11 12 13 14 15 16 18 23 24 25 26 27 28 31 32 35 36 37 38 39 40 41 42 43 44 45 46 47 48 51 53 54 56 57 58 59 60 61 62 63 65 66 67 72 73 74 75 76 77 78 79 80 81 82 83 84

Lot

650 450 3,400 1,100 650 200 1,200 700 850 700 1,800 450 1,100 1,900 500 500 500 2,150 1,800 600 900 700 1,300 600 1,200 700 1,700 350 1,100 400 200 300 500 300 575 1,900 2,200 600 2,200 1,300 1,450 3,000 450 600 100 550 250 400 300 350 3,500 4,000 800 100 1,300 800 350 1,050 500 700 150 175 1,200 1,900 1,500 3,800

85 86 87 88 89 90 91 92 93 94 95

850 900 500 700 1,000 800 2,000 1,800 900 200 600 450 450 400 900 800 600 450 450 350 2,100 1,700 675 70 100 500 140 300 35 550 900 90 590 400 575 360 650 600 400 160 280 1,350 1,050 180 950 325 150 400 180 220 450 3,800 800 2,950 1,250 2,600 420 1,350 2,900 550 850 300 120

97 98 99 100 101 102 103 104 105 106 107 109 110 111 112 113 114 115 118 119 119A 119B 119C 119D 119E 119F 119G

119H 1191 119K 119 L

119M 119N 1190 119P 121 122 123 124 125 127 128 129 130 131 132 134 137 138 139 140 141 142 143

400

300 240

Lot

144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 162 163 164 165 168 170 171 172 173 174 175 176 178 180 181 182 183 185 187 188 189 190 191 192

600 601 602 603 604 605 606 608 609 610 611 612 613 614 618 619 620 621 622 623 625 626 627

200 770 200 400 60 1,400 3,200 1,300 1,000 350 450 1,250 525 550 550 150 475 800 2,400 2,100 680 625 500 350 850 400 200 600 140 2,600 1,500 850 200 400 450 1,100 575 875 575 320 400

250 260 200 60 400 100 80

100 150 60 700 575 800 550 52 200 230 100 110 550 410 425 70

Lot

628 629 630 631 632 637 638 639 640 641 645 647 658 660 661 662 663 664 667 670 672 676 680 681 682 683 685 686 687 688 689 691 694 698 699 700 701 703 704 706 708 712 713 718 722 725 726 729 730

731 732 734 735 737 742 743 744 745 746 748 749 750 75 1 754 756 757

50 60 150 80 20 800 320 450 275 425 220 100 60 160 200 2,100 3,500 350 120 300 140 280 60 200 100 110 150 150 120 90 100 175 100 90 190 420 150 500 400 175 100 1,000 1,000 55 100 160 75 130 90 210 110 175 50 300 75 90 400 200 190 240 100 200 100 2,200 600 70

Lot

765 769 770 771 774 775 776 779 781 784 785 786 788 790 793 799 801 803 804 807 810 815 816 817 818 819 821 822 823 825 827 830 832 839 840 842 843 844 847 849 851 854 857 859 860 861 862 864 865 866 871 875 879 881 887 889 890 892 893 895 899 900 902 904 907 912

100 80 550 900 380 310 250 300 30 60 80 200 60 120 100 250 640 900 900 200 150 175 290 40 50 40 100 60 135 360 100 50 50 100 140 110 80

70 40 50 80

225 95 175 75 200 150 250 60 100 500 120 50 40

125 180 70

50 60 80 20 90 60 120 180 20

Lot

913 915 917 918 919 922 924 925 928 930 931 932 934 935 936 937 938 944 948 950 960 964 967 968

970 971 972 973 974 976 978A 979 980 981 982 984 984A 985 986 987 991 992 992A 994 995 999 1000 1001 1002 1003 1004 1007 1008 1009 1010 1011 1015 1016 1017 1018 1019 1020 1022 1023 1024 1025

10 50 55 200 500 400 250 275 175 80 80 50 50 225 250 60 50 40 90 80 80 160 90 70 80 40

100 60 40

40 50 800 55 75 60 100 140 20 20 25 160 300 50 230 50 100 120 200 100 30 40 20 140 40 40 180 40 175 80

900 330 300 300 460 200 300

Loi 100 28

100

200

'J 11](

,iq

liX 26 \.;~

·,

il ljJ

·;s 1161 1116. 'JI,'

11\1 ' .Jl!J 08i 1086 lill8 1089 091 i"JIJ4

111%

1098 1099 1100 1101 1 102 IIIJJ 1104 110; 1111(, 1107 1100

1110 1111 111 2 lliJ 1114 111; l,16

PRICES REALISED FINE ART,JEWELLER..Y & DECORATIVE ART SALES 265 NOVEMBER 2ND - 4TH 2004 Lot

80 HI)

61)

i0 10 qo & ii(;

61)

40 10 i0

8C' ))

-; 61)

100 14!

,·_, 160 JOO

i0 ~30 100 1!

!00 100

HO ~'}

180

,-; ~

900 3)0 JOO JOO

160 !(j}

JOO

1026 1027 1028 1029 1030 1031 1032 1033 1034 1037 1038 1039 1040 1042 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1057 1058 1061 1062 1067 1070 1072 1074 1077 1078 1079 1080 1081 1082 1083 1084 1085 1086 1088 1089 1091 1094 1096 1098 1099 1100 1101 1102 1103 1104 1105 1106 1107 1108 1110 1111 1112 1113 1114 1115 1116

300 300 100 200 640 70 50 30 70 110 130 300 100 260 50 270 150 70 140 80 35 200 80 140 20 180 140 90 90 140 450 40 160 280 80 70 100 30 320 120 50 50 100 110 700 80 250 150 25 90 75 60 825 70 80 60 260 475 250 200 210 125 100 20 60 50

Lot

1117 1118 1119 11 20 11 21 11 22 11 23 11 24 11 25 1126 11 27 11 28 11 29 1130 1131 11 32 1133 11 34 11 35 11 36 1154 11 63 11 64 11 68 11 70 11 72 11 74 11 75 1176 1177 1179 1180 1183 1187 1188 1189 1190 1191 1192 1193 1195 1198 1199 1201 1205 1206 1207 1208 1209 1210 1210A 1210B 1210( 1211 12 12 1213 1214 1215 1216 1217 1223 1224 1226 1228 1229 1230

75 900 200 575 260 850 950 140 175 75 40 75 200 525 75 400 100 85 60 60 10 190 500 90 175 60 20 140 220 130 100 50 50 70 10 150 235 75 300 100 725 100 120 100 150 230 200 100 70 70 10 10 27 20 12 20 300 250 50 40 100 50 45 100 50 310

Lot

1230A 1231 1232 1233 1234 1235 1236 1237 1238 1239 1240 1241 1242 1243 1250 125 1 1252 1255 1256 1259 1260 1263 1265 1275 1276 1278 1279 1282 1284 1286 1291 1292 1294 1295 1296 1298 1299 1300 1302 1304 1305 1306 1307 1308 1309 1318 1322 1324 1325 1326 1327 1328 1329 1331 1333 1334 1335 1336 1339 1340 1341 1346 1348 1349 1351 1352

100 190 140 325 140 140 220 110 200 50 380 80 100 100 100 85 80 60 80 50 100 120 95 60 50 80 150 80 60 1,750 3,100 325 335 100 50 30 70 70 1,400 300 80 850 75 300 300 130 30 40 1,100 150 30 125 450 190 200 30 20 35 1,000 300 220 3,750 400 360 150 75

Lot

1353 1357 1358 1359 1360 1361 1362 1363 1364 1365 1366 1367 1368 1369 1370 1372 1373 1375 1376 1377 1378 1380 1382 1383 1384 1385 1386 1387 1388 1389 1391 1392 1395 1396 1398 1401 1402 1406 1407 1413 1414 1415 1416 1417 1422 1425 14 26 1430 1439 1440 1444 1445 1447 1448 1449

200 100 10 190 50 55 40 75 80 70 155 67 27 35 85 65 175 80 150 200 125 60 120 140 155 55 10 700 775 250 1,250 400 3,000 450 350 100 750 500 30 90 160 130 30 60 50 350 350 1,400 650 2,000 1,100 280 230 190 160

200 202 203 205 206 207 208 212

70 100 50 150 250 50 100 250

Lot

213 214 215 216 217 218

219 221 222 224 225 226 227 228 229 230 23 1 234 235 237 238 239 240 24 1 244 245 246 247 248 249 250 252 253 254 255 256 257 259 260 261 262 265 266 267 270 271 272 273 274 275 277 279 280 281 282 283 284 286 287 288 290 291 292 293 294 295

1,300 200 200 150 220 200 350 50 400 100 300 155 125 50 30 40 100 450 350 250 120 400 180 130 140 11 0 90 150 130 130 11 0 130 11 0 100 110 55 80 190 160 80 41 80 210 80 40 80 100 200 180 325 120 80 100 250 350 80 250 40 200 50 140 100 100 300 200 2,300

Lot

298 299 300 302 303 304 305 306 308 310 311 312 316 317 318 319 325 327 330 332 333 334 335 338 339 340 341 344 347 349 350 351 354 355 356 357 358 359 362 364 365 367 368 370 375 378 379 380 381 385 386 392 395 403

406 408 409 411

350 80 900 350 500 400 400 900 725 3,300 400 450 3,000 450 1,000 800 500 175 800 150 850 150 400 1,500 1,600 1,500 425 600 275 140 110 140 1,900 900 400 650 600 500 2,200 2,000 1,100 225 3,250 450 350 250 500 1,100 500 650 325 275 800 1,200 700 425 500 400

r.. I

. N

r..

INDEX (

PRICES REALISED FINE ART SALE 264 SEPTEMBER 21ST 2004

\hellart,l,-rtnce Lot

Lot

000 1 0002 0003 0004 0005 0006 0008 0009 0010 0011 0013 0015 0016 0017 0018

3,600 6,000 4, 100 5,000 9,200 3,200 2,500 4,600 12,000 1,850 1,200 18,000 7,000 26,500 7,000

0019 0020 002 1 0024 0025 0028 0029 003 1 0032 0033 0034 0036 0037 0038 0039

3,000 6,000 10,000 30,000 8,000 3,500 12,000 4,700 7,900 4,600 4,100 9,000 20,000 170,000 70,000

0040 0041 0042 0046 0049 0050 005 1 0052 0054 0055 0056 0057 0058 0060 0062

70,000 70,000 15,500 4,450 3,200 5,400 2,850 9,500 4,500 8,500 14 ,000 600 3 1,500 190,000 20,000

0063 0067 0068 0069 0076 0078 008 1 0082 0083 0085 0086 0087 0088 0089 009 1

7,000 38,000 5,500 13,000 14,000 80,000 16,000 11 ,000 9,500 5,500 5,500 5,500 6,200 8,500 1,000

0092 0093 0094 0099 0 100 0 102 0 103 0 104 0 106 0 108 0114 0 11 5 0 116 0 11 7 01 18

57,000 18,000 4,500 900 1,800 27,000 4,000 23,000 2,700 3,000 5,500 3,200 6,000 25,000 15,000

0 11 9 0 120 0 121 0 124 0127 0132 0 133 0134 0135 0 136 0 138 0 139 0 140 0 143

16,000 2,400 700 5,000 3,500 5,000 5, 00 3,650 6,200 2,500 3,600 6, 100 2,000 1,500

1d~tt. ia \lired,l,u'etchi ~•~lh, ~

\#, ' ~1,Jl'Ofl!e

!iii~. !i~ett foster, 111 e !l001"eld,Ch1rle, !ro~n,\,

~~utour,·ITT1 Oi1on, 1e;

fihei,

fooil-OII,

fooi,, ,e frail!,

fruzell.Dck

Cisroiine,Ro,, e, C'"lble~ \lax Cold~,( es fr "uh,

liarris,Jel!r liarrison,11hae Ho<1ne1, Qa1 d

r e Hod~:ns 5", lio!e~, l\i,1e,

INDEX OF ARTISTS DATES 16 ~; "))

ilXII ,ii)!

Aberhart, Laurence

1949

(NZ)

Adsett, Sandy

1939

(NZ)

Albrecht, Gretchen

Angus, Rita Apple, Bill y

6i 62'll 2i00 l.600 6,100 . '.XX) 15(,

1908- 1994

(NZ)

1943

(NZ)

Maddox, Al len

1948-2000

(NZ)

1908-1970

(NZ)

Mayo, Eileen

1906-1994

(NZ)

1935

(NZ)

McCahon, Colin

1919-1987

(NZ)

1960

(NZ)

illll j'

Lee-Johnson, Eric

Mcfarlane, Mary

Baloghy, George

1950

(NZ)

McIntyre, Peter

1910-1995

(NZ)

Binney, Don

1940

(NZ)

McWhannell, Richard

1952

(NZ)

1825-1899

(GB)

Moffitt, Trevor

1936

(NZ)

1848-1926

(NZ)

Mrkusich, Milan

1925

(NZ)

1949

(NZ)

Mutch, Tom

1951

(NZ)

1897-1968

(NZ)

Birkett Foster, Myles Blomfield, Charles Brown, N igel

Buckmaster, Ernest

Page, Evelyn (nee Polson) 1899-1988

(N Z)

Perkins, Christopher

(NZ)

1936

(GB)

Chilcott, Gavin

1950

(NZ)

Pick, Seraphine

Ching, Raymond

1939

(NZ)

Proctor, Robert Field

1949-1984

(NZ)

Pule, John Reed, William

de Lautour, Tony

Dixon, Charles

1965

(NZ)

1872- 1934

(G B)

189 1-1968

b. b.

1964

(NZ)

1879-193 1

(NZ)

1962

(NZ)

1908-1996

(NZ) (NZ)

Scott, Ian

1945

Esplin, Tom

1915

(NZ)

Shepherd, Michael

1950

(NZ)

Evans, Jane

1946

(NZ)

Siddell, Peter

1935

(NZ)

Smith, Peter James

1954

(NZ)

Fahey, Jacqueline

1929

(NZ)

Smither, Michae l

1939

(NZ)

1939- 1990

(NZ)

Spencer-Bower, 0 1ivia

1905-1982

(NZ) (NZ)

Fomison, Tony Fong, Luise

1964

(NZ)

Steele, Louis John

1843-1918

Fraser, Jacq ueli ne

1956

(NZ)

Stoddart, Margaret

1865-1934

(NZ)

Frizzell, Dick

1943

(NZ)

Stringer, Terry

1946

(NZ)

1917-2000

(NZ)

1917-1999

(NZ)

Sydney, Grahame

1948

(NZ)

1935

(NZ)

Szylowsky, Henryk

1950

(NZ)

Thompson, Sydney Lough

1877- 1973

(NZ)

Tole, John

1890- 1967

(NZ)

Sutton, Wi lli am Gascoigne, Rosalie Gimblett, Max

Goldie, Charles Frederick 1870-1947

(NZ)

Gully, John

(NZ)

Hammond, Bill

1819-1888

Hanly, Pat

1947

(NZ)

1932-2004

(NZ)

Tompkins, Riduan

1941

(NZ)

van den Eijkel, Leon

1940

(NZ)

Harris, Jeffrey

1949

(NZ)

Harrison, Michael

196 1

(NZ)

Hockney, David

1937

(GB)

Walters, Gordon

191 9- 1995

(NZ)

1869-1947

(NZ)

Weeks, John

1888-1965

(NZ)

193 1

(NZ)

White, Anna Lo is

1903- 1984

(NZ)

1835-1913

(NZ)

White, Robin

Hodgkins, Frances Hotere, Ralph

Hoyte, John Barr Clarke

IO N

Ill r,,

.""

r,,

IC Ill

-~ ~

:::

Caulfied, Patrick

Clairmont, Philip

.' w""

1946

(NZ)

Wilson, Laurence William

1850/52-19 12

(NZ)

1945

(NZ)

1910-1998

(NZ)

Kaan, Simon

1971

(NZ)

Wong, Brent

Killeen, Richard

1946

(NZ)

Woollaston, Toss

Lane, Tony

1949

(NZ)

~·

~ ~ -::

-2:

INDEX OF ARTISTS Aberhart, Laurence Adsett, Sandy Albrecht, Gretchen Angus, Rita Apple, Billy

18-19 93

Lane, Tony

Lee-Johnson, Eric

136

Maddox, A llen

33-34

126,128 71-72, 108,115 9

Mayo, Eileen McCahon, Co lin

Baloghy, George

Mcfarlane, Mary

11 29,3 1-32,50,54, 124 75 11 0,114,

Binney, Don

McIntyre, Peter

Birkett-Foster attributed, Myles

121

McWhannell, Richard

14,138

Blomfield, Charles

131

Moffitt, Trevor

83-84

Mrkusich, Milan

45-47

Brown, Nigel

67,86, 139-140

Buckmaster, Ernest

132

Caulfield, Patrick

11 9

Chilcott, Gavin

144

Ching, Raymond

107

Clairmont, Phillip

58,69

De Lautour, Tony

6,66

Dixon, Charles

118

Esplin, Tom

Evans, Jane

135,143

Mutch, Tom

141

Page, Evelyn

48,80

Perkins, Chri stopher

74,8 1

Proctor, Robert

95 27-28

Pule, John Reed, William Scott, Ian Shepherd, Michael Siddell , Peter Smith, Peter James

Fahey, Jaqueline Fomison, Tony Fong, Lui se Fraser, Jaqueline Frizzell, Dick Gascoigne, Rosalie

65 43,55,77 59 23 2,4, 10,35, 129

Gimblett, Max

76 24-26

Goldie, Charles Frederick

41,94

Gully, John

111

Smither, Michael Spencer-Bower, Olivia

Hanly, Pat Harris, Jeffrey

68,115 7, 15,64,70 56-57, 104-105, 123

Harrison, Michael

106

Hockney, David

120

Hodgkins, Frances Hotere, Ralph Hoyte, John Barr Clarke Kaan, Simon Killeen, Richard

61 133 8,13 85,103 127 52, 11 6 11 7

Steele, Louis John

Stoddart, Margaret

90 20-2 1

Stringer, Terry Sutton, Bill

Sydney, Grahame

Szylowsky, Henryk

134

Thompson, Sydney Lough Tole, Jo hn

Hammond, Bill

Pick, Seraphine

37,87-89,92

Tomkins, Riduan

130 125

Van den Eijkel, Leon

122

Walters, Gordon

99 16,30,36,38,44,51,63,

Weeks, John

109,137

White, A . Lois

39-40

75,78,97, 100-102

White, Robin

Williams, Geoff

142

Wilson, Laurence William

112

Wong, Brent

Woollaston, Toss

3,5

~ince ior bu

aocun manai oetter

62 36

Since 1877 Bethunes has been first port of call

·34

for buyers and sellers of rare books, maps,

documents and manuscripts. Now under the

124

management of Webb's, Bethunes offers an even

14,

138 -84

better quality of service to its customers.

.47

FOR DETAILS OF CATALOGUE SUBSCRIPTIONS AND THE SERVICES BETHUNES @WEBB'S OFFERS VISIT THE WEBSITE,

141

www.bethunes@webbs.co.nz

1,80 60

1,81 95

'-18 61 Ill

8,13

,103 117 ,116

1r 41 90

0-21 -3

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r 9,lli

39.10 49 141 111

3.i

You don't need 4 wheel drive to get 4 wheel grip. ►

You've no doubt experienced the feeling.

engine power to restore traction, or apply

in every Mercedes-Benz passenger car.)

The car slides. You panic. You attempt to

the brakes (one wheel at a time if need be)

►

regain control using an old technique known

to restore balance to the car, and control to

pants to the state of the art, call 0800 320 230

as 'Driving by the seat of the pants.'

the driver.

for the location of your nearest Mercedes-Benz

►

showroom.

Unfortunately, the seat of the pants can't

This is why Mercedes-Benz engineers

If you would like to compare the seat of the

measure the constantly varying grip of each

developed the Electronic Stability Programme

►

individual wheel - let alone do it hundreds of

known as ESP.

on all our cars, please visit

times every second. Nor can it cut back on

►

www.mercedes-benz.co.n z

ESP is standard in the new E-Class. (And

Or, for further details

Mercedes-Benz