Important Oceanic & African Art

IMPORTANT OCEANIC & AFRICAN ART

Catalogue 376 10 June 2014

Catalogue 376 10 June 2014 IMPORTANT OCEANIC & AFRICAN ART

Back Cover Lot 31

Front Cover Lot 78

IMPORTANT OCEANIC & AFRICAN ART Tuesday 10 June 2014, 6:00pm

LYONEL GRANT, "UNTITLED", 2013, 19TH CENTURY RIFLE STOCK WITH ETCHED KOWHAIWHAI, H370MM X W100MM X D36MM.

OBJECT SUPPORT

STEPHEN BROOKBANKS

|

021 594 655

|

STEPHEN@OBJECTSUPPORT.CO.NZ

WEBB’S

IMPORTANT OCEANIC & AFRICAN ART SALE 376

TUESDAY 10 JUNE 2014, 6.00PM

Preview Wed 4 ����������������������������������������������������������������������������������������������������5.30pm - 7.30pm

Viewing Thur 5 - Fri 6 June ������������������������������������������������������������������������������� 9.00am - 5.30pm Sat 7 - Sun 8 June ����������������������������������������������������������������������������� 10.00am - 3.00pm Mon 9 June ������������������������������������������������������������������������������������������ 9.00am - 5.30pm Tue 10 June ������������������������������������������������������������������������������������������9.00am - midday

Contents 4 - 5 ��������������������������������������������������������������������������������������������������� The Oceanic World 8 - 19 ����������������������������������������������������������������������������������������������������������������������� Africa 20 - 37 �����������������������������������������������������������Polynesian, Melanesia & Other Societies 38 - 73 ���������������������������������������������������������������������������������������������������������������� Aotearoa 74 - 78 �������������������������������������������������������������Upcoming Auction & Market Commentary 79 ���������������������������������������������������������������������� Webb’s Terms & Conditions for Buying

Webb’s Auction House. 18 Manukau Road, Newmarket, Auckland 1149, New Zealand Ph: 09 524 6804 E: auctions@webbs.co.nz W: www.webbs.co.nz

Buyers Premium. A buyer’s premium of 15% will be charged on all items in this sale. GST (15%) is payable on the buyer’s premium only.

Lots noted in the catalogue with a Y next to the lot number (eg, 45Y) are subject to the Protected Objects Act. PROTECTED OBJECTS ACT 1975: Please note that most Maori artefacts (taonga tuturu) in the catalogue have been registered under the terms and conditions of the Protected Objects Act 1975; this is referred to as Y Registration. Under this Act artefacts with Y registration may not be sold to non-New Zealand residents, and Y Registered items and other non-Maori items of significance to New Zealand’s cultural heritage may not leave the country without permission from the Ministry of Culture and Heritage. To purchase Y registered items the buyer must be a registered collector and must present their certificate or card of registration when collecting their goods. To register as a collector of taonga tuturu and to seek permission to export any protected New Zealand object you must apply to the Ministry of Culture and Heritage (www.mch.govt.nz <http://www.mch.govt.nz> ). Payment is due immediately, however Webb’s will hold goods for buyers whose registration as a collectors is pending.

NOTE: It is the buyer’s responsibility to satisfy export regulations out of New Zealand, and import regulations into their own country. International buyers must seek advice prior to bidding.

Items containing sensitive material including but not limited to animal bones, shells, feathers, ivory, tortoiseshell and human hair may be subject to import and export restrictions.

PHOTOGRAPHY: DANIEL KOENE

ART DIRECTION: CHARIS ROBINSON

IMPORTANT OCEANIC AND AFRICAN ART

3

IMPORTANT OCEANIC AND AFRICAN ART

THE OCEANIC WORLD. The Oceanic and African Art department presents another fine selection of tribal art and single-vendor collections from a diverse range of material cultures from across the globe.

With some extraordinary, unexpected and rare objects from Africa, Aotearoa, Australia, the Pacific Islands, Melanesia and Polynesia, this sale has highlights for tribal collectors and aficionados alike.

Noteworthy artefacts from Aotearoa include an extraordinarily rare, early Maori serpentine pendant (Lot 133) estimated by archaeologists to have been crafted between 1100 and 1300AD. Discovered in Marlborough’s Pelorus Sound and remaining within a private collection for more than 100 years (before being held on loan by a public museum), this stunning and unique adornment is offered for the first (and, likely, the last) time to the market. Other highlights include a world-class collection of woven textiles and fibre in addition to a broad selection of rare, early weapons and harvesting technologies.

The Polynesian materials presented are sourced primarily from two lifetime collections. They offer a broad range of subject matter and one of the highlights is, no doubt, the highly sought-after and very rare Mortlock Islands mask (Lot 78). Also offered is a superb Marquesan tiki figure (Lot 77) and a comprehensive collection of war clubs and adornments.

ABORIGINAL ART IN EUROPE THE MUSEUM OF CONTEMPORARY ABORIGINAL ART, THE NETHERLANDS The Museum of Contemporary Aboriginal Art (AAMU) in Utrecht, the Netherlands, is the only European museum dedicated exclusively to contemporary Australian Aboriginal visual art and its developments.

Recognised for its importance to cultural heritage by the Australian government, the AAMU provides multiple exhibitions per year to showcase leading artists and a wide range of themes.

High-quality African art sourced from established private collectors is presented also. With strong provenance, these artefacts are musts to view and include a collection of magnificent miniatures, a fine Each exhibition offers an Ituri mask, Dan masks and a stunning Kwere shrine overview of the different (Lots 4, 5–22, 29, 33).

directions and evolving trends of contemporary Aboriginal art utilising a vast network of local, European and Australian artists, curators, museums, galleries and private collectors.

The AAMU offers year-round exhibitions (Tuesday to Sunday) with public guided tours, workshops, presentations and a range of educational programmes for primary and secondary schools.

When Tuesday to Sunday, year round Where Utrecht, the Netherlands

The cultural importance and artistic significance of non-Western art forms cannot be underestimated; they have provided inspiration to modern artists and underscore the ongoing continuum of tribal art practice. They also tell stories of where our ancestors have come from, which enable the viewer to contextualise a sense of presence and place. It is this intrinsic value that we at Webb’s treasure most about this material. Please join us throughout the viewing to enjoy what is a beautiful selection of non-Western art practice.

If you are interested in consigning to our upcoming November sale, please do not hesitate to contact our Oceanic and African Art department directly to discuss the market, or for a no-cost, obligation-free and confidential valuation.

Jeff Hobbs Head of Tribal Art

Neil Campbell CEO

Photographer unknown- Aborigines before a Corroboree ceremonial pole

4

CATALOGUE 376

WEBB’S

EVOLUTION OF TRIBAL ARTS Offering an opportunity to gain an insight into the history and craftsmanship of earlier cultures, tribal artefacts and objects have been collected, historically, by archaeologists, anthropologists, private collectors and museums.

But now a younger, international clientele is beginning to grow the category; this group is attracted to an aesthetic that combines contemporary living with a renewed fascination for the art of our collective origins.

Examples of the increased attention and prominence paid to the category include the prestigious Parisian Parcours des Mondes.

Founded in 2002, the tribal art show continues to grow year on year, involves more than 60 galleries and draws more than 100,000 visitors and collectors from around the world.

Held from 12 to 18 May, the Tribal Art Week includes Bonham’s and Sotheby’s sales, exhibitions at The Metropolitan Museum of Art, a range of gallery auctions, events and showcases, and much more.

Tshibinda Ilunga figure, Wood with a beautiful black shiny patina, Tschokwe people, Angola. Provenance: Charles Ratton, Paris; Armand Charles, Paris (top). African tribal exhibition, Brussels Art Fair – Belgium (above)

Considered an international must-see for tribal art collectors, connoisseurs, curators and dealers, the prestigious Brussels Art Fair (known as BRAFA) is one of the longest-running fairs in the

Idoma mask, Nigeria

world and now attracts week-long attendance in excess of 45,000 people. Contemporary tribal art is making its presence felt increasingly in the UK with four London galleries now focusing on African art and the Tate Modern setting up an African acquisitions committee.

As the tribal art market expands, the range of shows continues to innovate with their approach to presenting artefacts. Exhibitors are providing concentrated, themed shows of extremely high-quality pieces that provide an opportunity for viewers both to broaden their collections more affordably and to develop their knowledge of our earliest civilisations.

EXTRAORDINARILY RARE SERPENTINE PENDANT Webb’s Oceanic and African Art department is proud to present for public sale an extraordinarily rare serpentine pendant piece (right), discovered in Marlborough’s Pelorus Sound which has remained in a private family collection until very recently.

notches on its lower end are soft and worn.

There are also two arcs of notching where the front meets the top. If a naturalistic interpretation was required, it might be suggested that the form is a moth hanging head-downward, the arcs of notching being the ends of the wings.

Estimated by archaeologists to date to early settlement, this very significant artefact is crafted in serpentine, a hard, dense, metamorphic stone not readily used in later Maori carving traditions.

“This early Maori pendant …is an object of great beauty and exceptional rarity. It is made from extremely dark green (near black) serpentine. It has a rounded top, segmental cross section, and chiselshaped lower end. Its sides are decorated with numerous small notches, while

As the object was a beach-find its exact source is unknown. However, the extensive use of notching suggests a date very early in New Zealand’s settlement history. Its closest affiliation is probably a pendant in whale ivory from the Coromandel and now in Auckland Museum.” Reg Nichol Picton Archaeologist.

Recently on loan to the Marlborough Museum, this very early Maori adornment comes to the market for the first time.

IMPORTANT OCEANIC AND AFRICAN ART

5

Consign Now Important Paintings and Contemporary Art July 2014

We are now inviting consignments for our next sale of Important Paintings & Contemporary Art which already includes a number of early entries that engage with key periods of New Zealandâ&#x20AC;&#x2122;s art history. We encourage you to enquire about a sales strategy that will see your cultural assets best leveraged in the current market.

CONTACT Head, Fine Arts Sophie Coupland scoupland@webbs.co.nz 09 529 5603 021 510 876 Senior Specialist, Fine Arts Charles Ninow cninow@webbs.co.nz 09 529 5601 029 770 4767

Colin McCahon Light Falling through a Dark Landscape charcoal on paper signed McCahon and dated November â&#x20AC;&#x2DC;71 in charcoal lower right; inscribed Light falling through a dark landscape in charcoal lower edge 448mm x 598mm $40,000 - $60,000

AFRICA

8

CATALOGUE 376

1 BARI FIGURE Ovoid head with raised forehead, circular ears, pierced eyes and open mouth, short arms resting to sides, slightly tapering legs with protruding rectangular feet. Tanzania.

Refer ‘The Tribal Arts of Africa’ by Jean-Baptiste Bacquart page 198.

PROVENANCE The collection of Herve Borally, Paris.

Tao Kerfefoff, Paris. Mark Eglinton Tribal Art, New York, U.S.A. H.430mm, W.80mm.

Estimate $3,000 - $5,000

IMPORTANT OCEANIC AND AFRICAN ART

9

3

2

2 SENUFO KPELIE MASK A fine mask combining humanistic and animal features, horns on the mask encircle a seated figure, the face with raised facial features and slit pierced eyes. Rich patina.

PROVENANCE Private collection New York, U.S.A. H.350mm, W.180mm.

Estimate $1,800- $3,800

3 GELEDE MASK Representing a human face with the coiffure and head adornment decorated with incised chevron and cross designs.

Finely carved facial features and a pierced rim for attachment. Wood with a polychrome patina of red, black and green. Nigeria.

PROVENANCE Egon Gunther collection, ‘G3143’ on reverse of head. Private collection, New York, U.S.A. L.200mm, W.190mm, Dia.300mm.

Estimate $2,500 - $3,500

10

CATALOGUE 376

4 ITURI MASK A fine and rare hollowed mask.

Pierced half moon shaped eyes, raised elongated nose and rectangular mouth.

Pierced rim for attached fibre surround.

Traces of white, black and red pigment.

Good early patina. Published in Marc L. Felix, ‘ITURI’ plate 26.

PROVENANCE The collection of Marc Felix. Mark Eglinton Tribal Art, New York, U.S.A. H.240mm, W.150mm. (Mask only) Estimate $5,000 - $7,000

4

IMPORTANT OCEANIC AND AFRICAN ART

11

5

8

5 LEGA MASK Fine lega mask with an elongated oval face offers raised, pierced eyes, framed by arched brows, leading to a long nose with a small mouth below. Attached fibre beard, fine light brown patina with kaolin surrounding eyes.

PROVENANCE Judith Baker, Virginia, U.S.A. Private collection, New York, U.S.A. L.235mm, W.80mm. (Including beard) Estimate $1,500 - $3,500 8 SONGYE FIGURE

12

6

7

9

6 BAKONGO FIGURE Finely carved, heavily bound standing figure with raised facial features wide open mouth bearing teeth, Arms outstretched holding a knife and vessel. Rich mid-brown patina with traces of kaolin. Democratic Republic of Congo.

PROVENANCE Private collection, Belgium.

L.140mm, W.70mm.

10

7 DOGON FIGURE Kneeling figure with slightly bent arms resting to side, broad shoulders with an ovoid head and encrusted black patina.

PROVENANCE Francis Maziere, Paris. Marceau Rivière, Paris. Mark Eglinton, New York U.S.A. L.140mm, W.30mm.

Estimate $2,500 - $4,500

Estimate $1,200 - $1,500

9 LUBA FIGURE

10 LUBA FIGURE

Fine wooden figure with arms resting to torso. Triangular shaped head with raised coffee bean shaped eyes, body adorned with fibre decoration.

PROVENANCE Gelbard collection U.S.A. Scott Rodolitz, New Hampshire U.S.A. Private collection, New York, U.S.A. L.135mm, W.45mm.

Carved wooden figure with arms resting to hollowed abdomen. The ovoid head with raised facial features and carved coiffure.

PROVENANCE Gelbard collection U.S.A. Scott Rodolitz, New Hampshire U.S.A. Private collection, New York, U.S.A. L.105mm, W.45mm.

Of classic form with arms resting to hollowed abdomen. The ovoid head with raised facial features and elaborate coiffure. Rich dark patina.

PROVENANCE Gelbard collection U.S.A. Scott Rodolitz, New Hampshire U.S.A. Private collection, New York, U.S.A. L.144mm, W.45mm.

Estimate $800 - $1,200

Estimate $750 - $1,000

Estimate $700 - $1,000

CATALOGUE 376

11

14

11 BAKONGO FIGURE Beautifully carved, depicting a standing figure with raised facial features and inset bone eyes. Arms outstretched holding a knife and vessel. Democratic Republic of Congo.

PROVENANCE Private collection New York, U.S.A. L.126mm, W.45mm.

Estimate $1,800 - $3,800

15

12 BAULE FIGURE A figure standing on a round base with slightly bent legs, hands resting upon the abdomen; the raised coiffure is finely worked; Rich dark encrusted patina.

PROVENANCE Tao Kerefoff, Paris. Ex Lucus Ratton, Paris. Private collection, New York, U.S.A. L.159mm, W.33mm.

Estimate $1,000 - $1,500

14 CHOKWE FIGURE Powerful figure with raised coiffure, head with well defined features, encased tightly in woven bundle, mid-brown patina.

PROVENANCE M. Conte, Kinshasa, Democratic Republic of Congo. Private collection, New York, U.S.A. L.105mm, W.65mm.

Estimate $1,200 - $1,500

13

12

15 BAKONGO STOPPER Standing on a hollowed base with raised arms tightly held to sides, scarification to stomach the ovoid head defined by a beard.

PROVENANCE Tao Kerefoff, Paris. Private collection, New York, U.S.A. L.108mm, W.50mm.

Estimate $750 - $1,000

16

13 METOKO FIGURE An elongated oval head offers a heart shaped facial plane, long nose flanked by two raised eyes. The ovoid body tapers gently to base.

PROVENANCE Gelbard collection U.S.A. Scott Rodolitz, New Hampshire U.S.A. Private collection, New York, U.S.A. L.160mm, W.40mm.

Estimate $600 - $900

16 HEMBA FIGURE ‘Kabeja’ a janus statue representing a male and female figure, hands resting on abdomens, the raised coiffure hollowed at the top, coffee bean shaped eyes under raised eyebrows.

Rich patina. Democratic Republic of Congo.

PROVENANCE Private collection New York, U.S.A. H.285mm, W.90mm.

Estimate $1,500 - $3,500

IMPORTANT OCEANIC AND AFRICAN ART

13

17

17 SONGYE FIGURE Standing on a rectangular base, with hands held to the abdomen, beneath a tubular body leading to a elongated ribbed neck, the angular head with bow-shaped mouth and square chin.

Rich brown patina.

PROVENANCE Joe Gerena, New York U.S.A. Private collection, New York, U.S.A. H.265mm, W.60mm.

Estimate $2,800 - $4,800

18

18 CHOKWE SNUFF CONTAINER Finely carved kneeling figure holding a staff and snuff container, Interior hollowed out to hold snuff.

The head and neck serve as a stopper.

Containers such as this one were emblems of high status and were used

by Chokwe rulers to serve snuff to important visitors or to make offerings of snuff on ceremonial occasions.

PROVENANCE Dr John Dintenfass, New York, U.S.A. Private collection, New York, U.S.A. L.195mm, W.45mm.

19

19 LUBA FIGURE Carved wooden figure with arms resting gently to the breasts.

The ovoid head with raised facial features and carved coiffure, base fragmented.

PROVENANCE Gelbard collection U.S.A. Scott Rodolitz, New Hampshire U.S.A. Private collection, New York, U.S.A. H.130mm, W.60mm.

Estimate $1,000 - $1,500

Estimate $1,200 - $1,500 20 SONGYE DIVINATION TOOL Head carved in the form of a classic songye mask which leads to a tapered handle with a pierced hole.

Reddish brown patina.

PROVENANCE Rodger Ashton, United Kingdom.

Private collection, New York, U.S.A. L.78mm, W.40mm, D.25mm.

Estimate $700 - $1,000

21 HEMBA FIGURE Superb abstract male figure standing on a circular base slightly bent legs and tubular torso, the ovoid head with finely carved features, squared coiffure to the back of head decorated with a cross motif. Dark rich brown patina.

PROVENANCE Fily Keita, California U.S.A. Jean Paul Agogee, France. Private collection, New York, U.S.A. H.380mm, W.100mm.

Estimate $2,200 - $2,500

14

CATALOGUE 376

22 ZARAMO FIGURE Highly stylised female torso with a crested head. Used by female initiates during seclusion and coming-out ceremonies. Rich brown patina.

Tanzania.

PROVENANCE James Stephenson African Art, New York, USA Mark Eglinton Tribal Art, New York, U.S.A. L.180mm, W.48mm.

Estimate $800 - $1,200

20

21

22

23

23 KUBA DIVINATION TOOL Cylindrical tapering head with slit carved eyes, rectangular body with incised design to side which rests on two robust feet. Reddish brown patina.

PROVENANCE Stewart Warkow collection New York U.S.A. Alfred Schienberg, New York, U.S.A. Private collection, New York, U.S.A. L.270mm, W.34mm, H.56mm.

Estimate $750 - 1,000 24 SHONA HEADREST A superb early example with symmetrical, geometric forms enriched by deeply carved surface motifs. Some damage evident.

Rich brown patina.

PROVENANCE Private collection, New Zealand.

Provenance: Collected by Dr G Whery (George) who was a doctor at Addenbrookeâ&#x20AC;&#x2122;s Hospital Cambridge England. Thought to have been collected in Africa, around 1860.

H.174mm, W.190mm.

24

Estimate $800 - $1,200

IMPORTANT OCEANIC AND AFRICAN ART

15

25

16

27

CATALOGUE 376

26

25 SENUFO FIGURE Legs bent leading to rounded hips, elongated torso with a protruding navel with pendant breasts framed by muscular shoulders and bent arms resting on the hips, the stylized face with well defined features and wearing a single-crested coiffure; aged and varied medium to dark surface with incised areas.

PROVENANCE Scott McCue, California U.S.A. Ex Mark Eglinton, New York U.S.A. H.500mm, W.130mm.

Estimate $3,500 - $5,500 26 CHOKWE FEMALE FIGURE Striking coiffure, heart shaped facial plane with raised features, elongated neck, arms and legs slightly bent.

Reddish brown patina.

PROVENANCE Private collection Los Angeles, U.S.A. Private collection New York, U.S.A. H.340mm, W.72mm.

Estimate $2,000 - $4,000 27 DAGARI FIGURE Standing figure with broad shoulders arms to the side ovoid head with raised facial features encrusted patina.

PROVENANCE Moses Asch New York, U.S.A. Private collection, New York, U.S.A. H.440mm, W.170mm.

Estimate $1,500 - $2,500 28 CHAMBA FIGURE A superbly carved seated figure of a man holding a container with a white chalk pigment inside an all over heavily encrusted patina, traces of various pigments. Hardwood.

Cameroon-Nigeria.

PROVENANCE Formally in the collection of Dr Charles Serman, Paris. Private Collection New York, U.S.A L.315mm, W.90mm.

Estimate $2,000 - $4,000 28

IMPORTANT OCEANIC AND AFRICAN ART

17

31

29

29 KWERE SHRINE Hollowed cylindrical form supported by three tapering legs. Square backboard with raised carved head to top. Rich well used patina. Tanzania. Published in Marc Leo Felix’s ‘Mwana Hiti’, fig 180. Exhibited in ‘African Art: The Collection of Jon Draud’, Tennessee State museum, Nashville, USA, 2012.

Published in exhibition catalogue ‘Transformations: The African Art of Change’ 2012.

PROVENANCE Private collection New York, U.S.A. H.290mm, W.172mm.

Estimate $3,000 - $5,000

18

CATALOGUE 376

30 ZULU KNOBKERRIE AND SPEAR Fine club in classic form together with a short spear.

PROVENANCE Private collection, New Zealand.

L.1135mm, W.40mm; L.855mm, W.60mm.

Estimate $400 - $600

31 PAIR OF IBEJI DOLLS Superbly carved male and female figures with fine, strongly carved bodies and ovoid heads offering strong facial features including large dome-like eyes and outward-pointing ears. Adorned with beads with an encrusted dry palm-oiled patina.

PROVENANCE Private collection, New Zealand.

L.280mm, W.100mm; L.270mm, W.80mm.

Estimate $1,000 - $2,000

32

34

32 BAMANA HEADDRESS ‘Chiawara.’ Rare example of an equestrian figure with rider dominating his mount. Raised facial features, with an elaborate coiffure, abstracted horns, rising from the back of the rider. Linear and triangular decoration overall. Rich brown patina.

PROVENANCE The collection of Sanford Griffith, New York, U.S.A. H.620mm, W.114mm.

33

Estimate $2,000 - $4,000 33 DAN FETISH MASK Of hollowed oval form the mouth with superbly carved lips surround inset copper teeth, well-defined cheekbones, arched eyes and broad flattened nose. A rich, dark patina with traces of kaolin.

PROVENANCE Moses Asch New York, U.S.A. Private collection, New York, U.S.A. L.200mm, W.110mm.

Estimate $1,000 - $1,500

34 BEDU MASK A plank-like mask of large proportions with a triangulated face with three pierced square holes in the middle a central column with two ears.

Leading to a pair of large circular horns. Encrusted surface with white red and black painting. Some area of loss. Ivory Coast.

PROVENANCE Private collection, New Zealand.

H.1810mm, W.825mm.

35 MINITURE CONGO KNIFES A superb set of three knifes, leaf shaped blades with copper and brass wrapped handles.

PROVENANCE Arts Du Monde, New York U.S.A. Marc Felix, Belgium. Private collection, New York, U.S.A. H.175mm, W.30mm; H.200mm, W.30mm; H.240mm, W.55mm.

Estimate $400 - $800

Estimate $2,500 - $4,500

IMPORTANT OCEANIC AND AFRICAN ART

19

POLYNESIA, MELANESIA & OTHER SOCIETIES

20

CATALOGUE 376

178 SUPERB FIJIAN WAR CLUB WAR CLUB 36 SUPERB A rareFIJIAN and important Fijian war club ‘Vunikau Bulibuli’ or ‘Dromu A rare and important Fijian war club Vonotabua’ finely carved handle with ‘Vunikau Bulibuli’ or ‘Dromu Vonotabua’ fourteen prestigious inlays of sperm finely carved handle with fourteen whale ivory and bone to head and prestigious inlays of sperm whale end. 18th - early 19th century. Rich ivory and bone to head and end. dark patina.

18th - early 19th century.

PROVENANCE Rich dark patina.

Private collection, New Zealand.

PROVENANCE L.1120mm, W.110mm.

Private collection, New Zealand.

L.1120mm, EstimateW.110mm. $15,000 - $25,000 Estimate $15,000 - $25,000

IMPORTANT OCEANIC AND AFRICAN ART

21

40

37

38

37 STONE HEADED CLUB Good early example with pierced stone disc attached. Papua New Guinea.

PROVENANCE Private collection, New Zealand.

L.790mm, W.122mm.

Estimate $500 - $700

40 SANTA CRUZ DANCE WAND Canoe-shaped and crafted of lightcoloured wood, decorated with geometric designs using black and red pigment. Santa Cruz Islands.

PROVENANCE Private collection, New Zealand.

L.826mm, W.42mm.

Estimate $400 - $600

39

38 EARLY NEW HEBRIDES CLUBS Two early clubs of a rare type rich dark brown Patina. Vanuatu.

PROVENANCE Private collection, New Zealand.

L.1020mm, W.36mm; L.1025mm, W.46mm.

Estimate $800 - $1,200

41 CHEIFLY FIJIAN WAR CLUB ‘Culacula’ superbly balanced with strongly carved decorative elements of geometric and zig zag carving throughout the blade, the head of the club is of a sophisticated design with the raised medial ridge tapering off to a thin striking edge. Rich light brown patina.

PROVENANCE Private collection, New Zealand.

L.1220mm, W.192mm.

Estimate $2,000 - $4,000

22

CATALOGUE 376

41

42

39 MASSIM CLUB Sword shaped club with a raised handle decoration and spiral designs to top of blade with traces of lime infill.

Black hardwood with rich patina.

PROVENANCE Private collection, New Zealand.

L.724mm, W.90mm.

Estimate $500 - $700 42 RENNAL ISLAND CLUB Rare form, inlayed with nine circular pearl shell disks inset into both sides of the head. Variated patina.

PROVENANCE Taylor Dale, Santa Fe, New Mexico.

Michael Auliso, California.

Private Collection, New Zealand..

L.890mm, W.144mm.

Estimate $1,000 - $2,000

47

43

43 NEW CALEDONIAN CLUB A great example in classic bird-head form with domed eyes, flared collar and slightly raised handle to end.

PROVENANCE Private collection, New Zealand.

H.685mm, W.330mm.

Estimate $750 - $1,000

46 VANUATU CLUB

44

45

44 RENNEL ISLAND STAFF Hardwood with mace type head, leading to open work carving and a tapering shaft. Fine incised decoration with lime infill.

PROVENANCE Private collection, New Zealand.

H.980mm, W.25mm.

46

48

45 FIJIAN WAR CLUB ‘Bowai’ early example with chip carved handle. Rich brown patina.

PROVENANCE Private collection, New Zealand.

L.1030mm, W.48mm.

Estimate $1,500 - $2,500

Estimate $600 - $900 47 FIJIAN CLUB

Paddle shaped head with raised decoration, finely woven hair binding wrapped to end. Pentecost Island, Vanuatu. Collected 1950.

PROVENANCE Private collection, New Zealand.

L.1230mm, W.90mm.

‘Kiakavo’ of well balanced proportion.

Orthodox rough incurve at top.

Superb light patina.

PROVENANCE Julius Carlebach Gallery, New York, 1955. Zanesville Museum of Art, U.S.A. L.900mm, W.240mm.

Estimate $300 - $500

Estimate $400 - $600

48 NEW BRITAIN STONE HEADED CLUB Fine club with attached stone head held with natural gum and inlaid with small shells.

PROVENANCE Private collection, New Zealand.

L.1240mm, W.80mm.

Estimate $750 - $1,000

IMPORTANT OCEANIC AND AFRICAN ART

23

49 EARLY FIJIAN WAR CLUB ‘Culacula’ good early example, the head of the club is of classic design with the raised medial ridges tapering off to a thin striking edge with sharp points to the edges of the blade.

Rich dark brown patina.

PROVENANCE Private collection, New Zealand.

L.1054mm, W.170mm.

50

Estimate $2,000 - $4,000 50 NEW CALEDONIAN CLUB

52 EARLY FIJIAN CLUB

Small and well carved hand club with binding to handle. Rich mid brown patina.

PROVENANCE Private collection, New Zealand.

L.350mm, W.140mm.

‘Kiakavo’ of well balanced proportion.

Orthodox rough incurve at top.

Superb rich dark patina.

PROVENANCE Private collection, New Zealand.

L.826mm, W.222mm.

Estimate $1,000 - $1,500

Estimate $800 - $1,200

‘Vunikau’ of good proportions made of traditional Vesi wood. Finely incised handle. Excellent dark rich patina reflects good age.

PROVENANCE Private collection, New Zealand.

L.1150mm, W.104mm.

’Alafolo’ finely carved at the top with a raised fin or nose, traces of lime infill to face. Tapering shaft.

Blackened patina.

PROVENANCE Private collection, New Zealand.

L.1000mm, W.55mm.

Estimate $1,000 - $1,500

Estimate $800 - $1,200

49

51

CATALOGUE 376

‘Bowai’ an early and large example with chip carved handle, circular marine ivory inlay to end. Rich brown patina, old collection labels attached.

PROVENANCE Private collection, New Zealand.

L.1150mm, W.50mm.

Estimate $1,000 - 1,500

54 SOLOMON ISLANDS CLUB

53 FIJIAN CLUB

24

51 FIJIAN CLUB

52

55 SOLOMON ISLAND ADORNMENT Small oval shaped pendant with intricate designs to top surface.

PROVENANCE Private collection, New Zealand.

H.65mm, W.53mm.

Estimate $100 - $200

53

54

56 55

56 SOLOMON ISLAND ADORNMENT Fine nose adornment in a figural form.

Santa Cruz. Solomon Islands.

PROVENANCE Private collection, New Zealand.

L.106mm, W.65mm.

Estimate $600 - $900

57

57 SOLOMON ISLAND ADORNMENT Hand cut shell disc beads necklace with teeth and clam shell decoration.

Leading to a large central disc with gum decoration to edge.

Malaita, Solomon Islands.

PROVENANCE Private collection, New Zealand.

L.1735mm, W.140mm.

58 SOLOMON ISLAND ADORNMENT A very fine example with a large disk of Tridacna shell with very intricate openwork turtle shell overlay.

PROVENANCE Private collection, New Zealand.

Dia.140mm.

Estimate $500 - $700

Estimate $600 - $900 58A SOLOMON ISLAND ADORNMENT A very fine example with a large disk of Tridacna shell with very intricate openwork turtle shell overlay.

PROVENANCE Private collection, New Zealand.

Dia.150mm.

59 MINITURE BARAVA Shell with pierced bird form decoration.

PROVENANCE Private collection, New Zealand.

L.100mm, W.20mm.

Estimate $100 - $200

Estimate $500 - $700

58

58A

59

60 GROUP OF WOVEN ADORNMENT (9) Finely woven sashâ&#x20AC;&#x2122;s with natural dye decoration. Collected 1950. Vanuatu.

PROVENANCE Private collection, New Zealand.

L.1130mm, W.95mm.

Estimate $100 - $300

60

IMPORTANT OCEANIC AND AFRICAN ART

25

61

63

61 SHELL ADORNMENT Fibre necklace with shell attachments and trade bead.

PROVENANCE Private collection, New Zealand.

H.200mm.

64

Estimate $200 - $400 62 GROUP OF ADORNMENTS

26

63 GROUP OF ADORNMENTS

Three items including a woven belt, armband and a Solomon Islands lime gourd with orchard fibre woven top.

PROVENANCE Private collection, New Zealand.

L.2600mm, W.32mm; Dia.80mm; H.130mm, W.120mm.

Five examples of adornment constructed of shell, seed, fibre and cloth.

PROVENANCE Private collection, New Zealand.

Dia.240mm; Dia.240; Dia.240; Dia.260mm; L.450mm.

Estimate $100 - $300

Estimate $400 - $800

CATALOGUE 376

64 SOLOMON ISLAND COMBS A pair of wooden combs with carved and painted decoration.

PROVENANCE Private collection, New Zealand.

H.220mm, W.75mm, H.240mm, W.115mm.

Estimate $100 - $300

67

69

68 66

65 CLAM SHELL ADZE Large adze with small loss to cutting edge.

PROVENANCE Private collection, New Zealand.

L.220mm, W.115mm.

Estimate $100 - $300

66 SOLOMON ISLANDS PADDLE Of classic form with relief carved abstract design to blade.

Santa Cruz, Solomon Islands.

Rich, mid-brown patina.

PROVENANCE Private collection, New Zealand.

L.1735mm, W.140mm.

Estimate $600 - $900

68 VANUATU CLUB Fine example In a wishbone formation with two deeply-carved stylized figures to the striker and handle.

Rich, dark patina with natural red, green and white pigments.

PROVENANCE Private collection, New Zealand.

L.550mm, W.390mm.

Estimate $800 - $1,200

69 VANUATU CARVED HEAD Carved volcanic stone face in the style of a traditional Rom mask.

Vanuatu. Collected 1950.

PROVENANCE Private collection, New Zealand.

H.90mm, W.50mm.

Estimate $100 - $300

70

67 VANUATU FLUTES Early examples of hollowed cylindrical form with geometric motif decoration.

Painted with natural red and black pigments.

PROVENANCE Private collection, New Zealand.

L.790mm, W.35mm, L.835mm, W.30mm.

Estimate $250 - $450 70 VANUATU CARVED HEAD Carved face with deep eyes, raised brow, checks, nose and mouth.

Carved from fossilised seabed.

Vanuatu. Collected 1950.

PROVENANCE Private collection, New Zealand.

L.100mm, W.90mm.

Estimate $200 - $400

IMPORTANT OCEANIC AND AFRICAN ART

27

71 RARE TIKOPIAN TUMERIC BOWL Hollowed form, finely carved with tapering ends one with pouring spout.

Traces or turmeric remain. Very dry light brown patina.

PROVENANCE Private collection, New Zealand.

H.60mm, L.650mm, D.190mm.

Estimate $1,000 - $1,500 72 CANOE BAILER

71

Hollowed cylindrical form with tapering handle, dry light patina.

Micronesia.

PROVENANCE Private collection, New Zealand.

L.30mm, W.20mm. (MAX size) Estimate $600 - $800 73 SOLOMON ISLAND COMB Split palm wood with finely woven orchid fibre binding.

PROVENANCE Private collection, New Zealand.

H.210mm, W.65mm.

Estimate $700 - $1,000

72

73

28

CATALOGUE 376

74

74 GROUP OF OCEANIC FISH HOOKS One large Marshall Island Lure, a rare large Tokalau hook, Hawaiian octopus lure, and a Small early Solomon Island lure.

PROVENANCE Private collection, New Zealand.

L.140mm, W.27mm; L.255mm, W.86mm; L.265mm W.60mm; L.70mm, W.12mm.

75 MINITURE TACKLE BOX Tackle box ‘taluma’, dark brown patina.

PROVENANCE Private collection, New Zealand.

H.40mm, L.48mm.

Estimate $100 - $200

76 FINE KETE Masterfully woven with black and white dyed decoration.

PROVENANCE Private collection, New Zealand.

L.290mm, W.165mm.

Estimate $200 - $400

Estimate $5,000 - $7,000

76

75

IMPORTANT OCEANIC AND AFRICAN ART

29

77 RARE MARQUESAN ISLANDS MALE ANCESTER FIGURE Flattened square base with strong cylindrical legs partly covered with a traditional costume over the torso and hands resting on the abdomen, the short neck leading to the domed head with incised mouth baring teeth and a tongue, a broad nose and large round eyes with a raised brow framed by pierced ears showing adornments.

Traditional tattoo designs cover the legs and arms; Dry weathered light brown patina. Early Marquesas Islands Wooden figures, tiki akau, where crafted in the first half of nineteenth century or earlier. Hooper (1997), citing Handy, explains that they represent tribal deified ancestors leaders and priests who were famous in their time and whose minds became the tutelary deities of the clan probably arranged behind a Marae.

PROVENANCE Private collection, Australia.

H.515mm, W.110mm.

Estimate $10,000 - $20,000

30

CATALOGUE 376

78 RARE GABLE MASK SATAWAN ATOLL, MORTLOCK ISLANDS Tapuanu, a beautifully crafted and rare mask of light dry breadfruit wood, the elongated facial plane with delicately drawn geometrically shaped eyebrows and mouth are framed by a blackened beard, and detailed head adornment, the beard area is finely painted with representations of insects. The mask has symmetry in its form which only comes to break the circular head adornment at the top. Masks are rare in Micronesia - traditionally they are only found in the Mortlock group of islands. This classic and rare example painted white using lime and detailed with black using soot. The mask has narrow eye-slits, and would have been secured to the wearerâ&#x20AC;&#x2122;s head with coconut fibre cord. Such masks represented an ancestor. They were used as ornaments in the ceremonial house and sometimes in boat houses.

The ceremonial house was the location of performances by members of a secret society, in which the god of wind was appeased to protect the breadfruit crops from hurricanes and storms. The ceremonies included dancing and feasting. This mask closely resembles one sold by Sothebys December 4th 2004 possibly the match for the opposing gable and crafted by the same master carver.

Reference: J. Mack (ed.), Masks: the art of expression (London, The British Museum Press, 1994). J. Feldman and D.H. Rubinstein, The art of Micronesia (Honolulu, The University of Hawaii Art Gallery, 1988. British Museum.

PROVENANCE Private collection New York, U.S.A. H.495mm, W.190mm, D.110mm.

Estimate $20,000 - $40,000

IMPORTANT OCEANIC AND AFRICAN ART

31

79

79 IMPORTANT TONGAN HEADREST Flattened rectangular slightly curved top with circular inlayed marine ivory to top and crescent shaped inlay to one end. The top rests on two legs attached to the base with sennit binding.

PROVENANCE Formerly in the collection of George Tupou I, King of Tonga (1845 â&#x20AC;&#x201C;1893). Passed to Lupe Kafalava to present owner by decent.

L.253mm, W.83mm.

Estimate $3,000 - $5,000

Of flattened form, the front face with raised decorative carving, traces of natural pigments remain.

Dry weathered patina.

West Papua, Indonesia.

PROVENANCE Private collection, New Zealand.

L.764mm, W.160mm.

Estimate $400 - $600

32

CATALOGUE 376

Paddle blade of leaf shaped form with a long cylindrical shaft. Intricately carved with low relief and an elaborate design of interlocking geometric patterns. Carving to the top of the handle reveals abstracted human figures with protruding faces. This form of Raâ&#x20AC;&#x2122;ivavaean paddle is thought to be symbolic rather than utilitarian; these objects are imbued with tribal authority, prestige, and rank of the owner. Old collection label attached.

Some losses to sides. Dry early patina.

PROVENANCE Private collection, New Zealand.

L.821mm, W.170mm.

Estimate $3,000 - $5,000

80

81 EARLY SHIELD

80 AUSTRAL ISLAND PADDLE

82 FLORES ISLAND SHIELD Woven shield with two attached handles. Flattened rectangular shape with flared base.

PROVENANCE Private collection, New Zealand.

H.1065mm, W.370mm.

Estimate $300 - $600

83 BASKET HOOK Standing figure, slightly bent legs, arms resting to sides. Face and hook are beautifully painted, with circular geometric motifs, eyes inlaid with shell.

PROVENANCE Private collection, New Zealand.

H.625mm, W.200mm.

Estimate $300 - $500

82

83

81

84 YAM MASK Finely woven mask with painted designs. Decorated with fibre and black, red and white pigments.

PROVENANCE Private collection, New Zealand.

H.260mm, W.230mm.

Estimate $200 - $400

85 YAM MASK Stone carved with ovoid head and carved raised features, leading to a bulbous tapering body, encrusted blackened patina.

PROVENANCE Private collection, New Zealand.

H.650mm, W.150mm.

Estimate $400 - $800

86 GOPE BOARD Classic form with carved designs to the face, red back, white pigments.

Dry patina.

PROVENANCE Private collection, New Zealand.

H.1075mm, W.200mm.

Estimate $200 - $400

84

85

86

IMPORTANT OCEANIC AND AFRICAN ART

33

88

89 87

87 LARGE VANUATU FERN POST

34

88 GARAMUT DRUM

Majestic black fern post, carved face to top with protruding cylindrical eyes, large nose and tusks covered in tightly woven fibre. Body with raised decoration, protruding belly button and phallus. Natural pigments overall. Collected 1950. Vanuatu.

PROVENANCE Private collection, New Zealand.

L.2020mm, W.420mm.

Carved wooden slit gong drum and beater, the cylindrical body decorated with relief carving on both sides with well executed figural handles.

Aged patina, with a red pigment overall. Lower Ramu River, Papua New Guinea.

PROVENANCE Private collection, New Zealand.

H.540mm, W.110mm.

Estimate $6,000 - $9,000

Estimate $1,000 - $2,000

CATALOGUE 376

89 VANUATU FOOD BOWL Good early example hollowed form with tapering handles to ends and carved design to edges.

PROVENANCE Private collection, New Zealand.

L.765mm, W.250mm.

Estimate $150 - $350

90 MELANESIAN ADZE

91 KUKUKUKU STONE POUNDERS (3)

Flattened ovoid form with sharp cutting edge, Dark green stone.

Early soft patina.

PROVENANCE The collection of J.M White New Zealand.

H.166mm, W.90mm.

Varying stone types and form.

With carved working to striking edge.

Papua New Guinea.

PROVENANCE Private collection, New Zealand.

L.280mm, W.25mm; L.210mm, W.60mm; L.260mm, W.45mm.

Estimate $100 - $200

Estimate $400 - $600

92 MASSIM SPATULA

93 BOARâ&#x20AC;&#x2122;S JAW

Traditional form with carved detail to base of handle.

PROVENANCE Private collection, New Zealand.

H.53mm, W.40mm.

Lower jaw with curved tusks.

Collected 1950. Vanuatu.

PROVENANCE Private collection, New Zealand.

L.240mm, W.140mm.

Estimate $200 - $400

Estimate $200 - $400

94 HAFTED ADZES Two working adzes, one Baleim Valley and one Asmat.

PROVENANCE Private collection, New Zealand.

H.590mm, W.380mm.

Estimate $100 - $300

96 CASSOWARY BONE DAGGER

95 WASHKUK YAM MASK Flattened tapering form with raised facial features, stone carved with a dry clay wash patina.

PROVENANCE Private collection, New Zealand.

H.540mm, W.110mm.

Estimate $100 - $300 97 GROUP OF ARROW POINTS

Fine enlarged dagger, decorated with a human figure, blackened patina.

PROVENANCE Private collection, New Zealand.

H.405mm, W.55mm.

American Indian, of various size and material.

PROVENANCE Private collection, New Zealand.

H.240mm, W.175mm.

Estimate $100 - $300

Estimate $100 - $200

95

IMPORTANT OCEANIC AND AFRICAN ART

35

99

98

98 FINE ABORIGINAL BOOMERANG

99 FINE ABORIGINAL BOOMERANG

Early and large example with traces of over painting. Rich dark patina.

PROVENANCE Private collection, New Zealand.

L.795mm, W.105mm.

Early and large example with traces of over painting. Rich dark patina.

PROVENANCE Private collection, New Zealand.

L.795mm, W.100mm.

Estimate $400 - $800

Estimate $400 - $800

101 ABORIGINAL CLUB

102 ABORIGINAL SPEAR THROWER Leaf-shaped flat springboard. The front entirely covered with linear grooved carving, using zig-zag and parallel motif. Stone tooled finish.

Rich brown patina.

PROVENANCE Formally in the collection of Merton Simpson, New York.

L.835mm, W.145mm.

Early example of a ‘Waddy’ or ‘Nulla Nulla’ Linear incisions follow the fluted form of this Club.

Rich varied patina.

PROVENANCE Private collection, New Zealand.

L.748mm, W.28mm.

Estimate $300 - $500

Estimate $750 - $1,000

102

100

36

CATALOGUE 376

100 ABORIGINAL ADORNMENT Carved shell with linear and dot designs coloured with natural red pigment. Some loss to bottom edge.

PROVENANCE Private collection, New Zealand.

H.165mm, W.130mm.

Estimate $200 - $400 103 EARLY ABORIGINAL CLUB Large and heavy in an elliptical shape with worked lineal designs to blade.

Rich dark brown patina.

PROVENANCE Private collection, New Zealand.

L.1030mm, W.56mm.

Estimate $800 -$1,200

104 ABORIGINAL CLUB

105 EARLY ABORIGINAL CLUB

Early and rare club of flattened form with painted decoration to top, fishtail design to the end. Natural yellow, red, white pigments and a rich patina.

PROVENANCE Private collection, New Zealand.

L.1162mm, W.84mm.

Estimate $1,500 - $2,500

101

103

Superb large example in an elliptical shape with worked lineal and circular designs to blade. Rich brown patina.

PROVENANCE Private collection, New Zealand.

L.1276mm, W.64mm.

Estimate $800 -$1,200

104

106 LARGE GROUP OF ABORIGINAL STONE ARTEFACTS (58) Large group comprising pounders, scrapers, flints, points and early churinga of varying types of stone.

PROVENANCE Private collection, New Zealand.

Estimate $500 - $800

105

IMPORTANT OCEANIC AND AFRICAN ART

37

AOTEAROA

38

CATALOGUE 376

107Y CHEIFLY HEI TIKI A large stunning example in orthodox stance with well defined facial features, body and limbs.

Large head tilting to the right.

Well worn, hourglass-shaped suspension hole. Nephrite with a variated colouration.

PROVENANCE Private collection New York, U.S.A. L.100mm, W.55mm.

Estimate $10,000 - $20,000

IMPORTANT OCEANIC AND AFRICAN ART

39

40

CATALOGUE 376

108Y PRESTIGIOUS WAKA HUIA In orthodox ovoid form the lid offers no less that six impressive raurau motifs in the rare double haehae style. Concise pakati throughout the lid surface underscores the superior craftsmanship of the carver. The base of the Waka huia offers another six

complete raurau forms framed by deeply geometric haehae. The body is guarded by two wide eyed manaia with extended tongues and lips adorned with finely carved moko. The internal surfaces are dry and have a well worn appearance.

The lid and base interlock precisely and

together offer a well scaled example of the prestigious Waka Huia form.

PROVENANCE Private collection, New Zealand.

L.573mm, W.237mm. H. 115mm.

Estimate $40,000 - $60,000

IMPORTANT OCEANIC AND AFRICAN ART

41

109Y EARLY MERE POUNAMU A highly valued and potent cultural symbol of mana (authority and prestige) as well as an effective weapon during the pre-musket era.

Mere of this early type are rarely seen. The well balanced blade tapers the a natural point with a hourglass pierced suspension hole. Dark green pounamu with signs of traditional working cuts to handle.

PROVENANCE Private collection, United Kingdom.

L.370mm, W.74mm.

Estimate $6,000 - $9,000 109

42

CATALOGUE 376

110Y SUPERB MERE POUNAMU Prestigious and large example in traditional form. Crafted from speckled kawakawa nephrite with the blade offering a beautiful translucent patina. The haft terminates with hand sawn ridges and soft worn hole.

Fine balance and form.

PROVENANCE The collection of J.M White New Zealand.

H.350mm, W.110mm.

Estimate $15,000 - $25,000

110

IMPORTANT OCEANIC AND AFRICAN ART

43

111Y HEAVILY SEWN GIANT POUNAMU SLAB Beautiful example with long working marks to sides. This example is uncompleted and represents phase three in the manufacture of a toki pou tangata. A polished finish with ends and sides showing oxidisation, flaking and traces of original surface.

PROVENANCE Recorded as being found by a Hunter in the Whirinaki Area, North Island, New Zealand. Private Collection, New Zealand.

Y17907 L.570mm, W.140mm.

Estimate $5,000 - $7,000

111

112Y TOKI POUNAMU

44

113Y TOKI POUNAMU

Rectangular form with bevelled cutting edge, overall smooth finish.

PROVENANCE Private collection, New Zealand.

L.130mm, W.55mm.

Flattened rectangular form, with a weathered patina.

PROVENANCE Private collection, New Zealand.

L.144mm, W.68mm.

Estimate $150 - $350

Estimate $150 - $350

CATALOGUE 376

114Y WORKED GREENSTONE Flattened rectangular form with tapered cutting edge, working marks evident to one side.

PROVENANCE Private collection, New Zealand.

L.116mm, W.18mm.

Estimate $100 - $200

112

113 114

116

117

115

118

115Y TOKI POUNAMU

120

Side showing worked grooves, well defined blade edge. Variations of light to dark green pounamu.

PROVENANCE Private collection, New Zealand.

L.175mm, W.80mm.

Estimate $500 - $800

117Y TOKI POUNAMU Small and good example the side shows worked groove, well defined blade edge. Inscription to top “puhau”.

PROVENANCE Private collection, New Zealand.

L.75mm, W.40mm.

Estimate $100 - $300 120Y TOKI POUNAMU Side and top shows worked grooves, well defined blade edge. Variated colour.

PROVENANCE Private collection, New Zealand.

L.136mm, W.66mm.

Estimate $200 - $400

118Y TOKI POUNAMU

119

116Y TOKI POUNAMU Flaked at top, midsection shows worked grooves to each side. Well defined blade edge, variating colour.

PROVENANCE Private collection, New Zealand.

Y16498 L.93mm, W.59mm.

Estimate $200 - $400 119Y TOKI POUNAMU

Worked grooves to one side, well defined blade edge.

PROVENANCE Private collection, New Zealand.

L.80mm, W.60mm.

Side shows worked grooves, well defined blade edge.

PROVENANCE Private collection, New Zealand.

L.90mm, W.38mm.

Estimate $150 - $350

Estimate $100 - $300

121Y WHAO POUNAMU Cylindrical shaft with fine blade, scarfing to one side. Dark green nephrite.

PROVENANCE Private collection, New Zealand.

Y14690 L.63mm, W.12mm.

Estimate $200 - $400

122Y WHAO POUNAMU Of small form with tapering point.

Hand cut workings to side.

PROVENANCE Private collection, New Zealand.

Y16489 L.30mm, W.9mm.

Estimate $80 - $120

IMPORTANT OCEANIC AND AFRICAN ART

45

124

123

123Y WHALEBONE PATU Fine and large example carved from whalebone. Traditional form with soft patina. Pierced round hole for attachment.

PROVENANCE Private collection, Australia.

L.390mm, W.108mm.

Estimate $4,000 - $6,000 126Y WHALEBONE KOTIATE Flattened traditional form, with pierced holes to body and handle.

Soft well used patina.

PROVENANCE The collection of J.M White New Zealand.

H.272mm, W.124mm.

Estimate $1,200 - $1,800

125

126

124Y WHALEBONE KOTIATE Classic form with carved decoration to handle and a pierced hole for attachment.

PROVENANCE Private collection, New Zealand.

L.265mm, W.115mm.

Estimate $400 - $800

127Y TAIAHA Of orthodox form. Short forehead, eyes and nose well defined. Tongue beautifully carved with elaborate triple haehae lines and pataki notching. Light brown patina.

PROVENANCE Private collection, New Zealand.

Y8190 L.1435mm, W50mm.

Estimate $1,200 - $1,800

46

CATALOGUE 376

125Y WHALEBONE KOTIATE Carved whalebone in a traditional form with a symmetrical blade, maniaia head with open mouth and protruding tongue to handle end.

PROVENANCE Private collection, New Zealand.

L.292mm, W.140mm.

Estimate $2,000 - $4,000 128Y TAIAHA Softly carved offering swept back forehead with raised eyes. Tongue is tightly executed and terminates into angular tip. The strike blade is finely balanced and completed with round form tip and a rich brown patina.

PROVENANCE Private collection, New Zealand.

Y8190 L.1620mm, W.65mm.

Estimate $1,200 - $1,800

130

129Y EARLY TEWHATEWHA Orthodox form with ‘axe’ type head, stone tooled with a deep rich patina, a pierced hole for attachment of feathers and the shaft decorated with softly carved abstracted mania design.

PROVENANCE Private collection, New Zealand.

Y9551 L.1260mm, W.165mm.

Estimate $1,800 - $2,800

130Y RARE TAO - SPEAR A rare type of early weapon. Elongated tubular form with pointed ends and three barbs to head. Fine, rich dark patina.

PROVENANCE Private collection, New Zealand.

Y4720 L.2180mm, W.25mm.

Estimate $2,000 - $4,000 127

128

129

IMPORTANT OCEANIC AND AFRICAN ART

47

131Y CHEIFLY PATU A prestigious club with a large a voluptuous rounded blade and finely carved designs. These designs feature, Koru forms Haehae and Pataki notching to both sides of the blade leading to a ridged flared handle end, Pierced round suspension hole for attachment. Early inscription written on the blade with paint or sealing wax: â&#x20AC;&#x2DC;Mere Takau or war club used only by Maori Chiefsâ&#x20AC;&#x2122;.

Old inventory numbers in white paint: 57.8.3. Rich dark brown patina.

PROVENANCE San Francisco De Young Museum U.S.A. Private collection, U.S.A. H.460mm, W.130mm.

Estimate $8,000 - $12,000

48

CATALOGUE 376

132Y SUPERB WAHAIKA In classic form, this superb club shows great age, with masterfully carved female figure to incurve, a beautifully carved head with open mouth bearing teeth. One hand clutching torso and other arching behind leg. The legs arching into upper shoulder of handle terminating into three digit clasp, leading to a finely defined maniaia head to handle end. Rich dark patina. East Coast, Gisborne New Zealand.

PROVENANCE Private collection, New Zealand.

L.360mm, W.110mm.

Estimate $40,000 - $60,000

IMPORTANT OCEANIC AND AFRICAN ART

49

50

CATALOGUE 376

133Y IMPORTANT MAU KAKÏ / NGA TOHU TAWHITO 1100 - 1300 When Maori ancestors first set foot on Aotearoa they wore keepsakes from their home islands. Adornments that signified rank, family lineage, cultural origins or simply the thoughts and protection of the loved ones they had left behind. The ‘Ancient’ (tawhito) ‘sign’ (tohu) which are early Maori adornments link our first settlers to the long history of discovery and settlement of the Pacific, and underscore the remarkable fact that Aotearoa was the last Pacific island group to be settled by humankind.

These early settlers were the heirs to many generations of experience in the Pacific which shaped (and continues to shape) a deeply unique material

culture. The first settlers continued to produce and wear east polynesian adornment for an unknown period of time – perhaps a century for some forms such as the rei puta, never the less over time the manufacturing techniques and the material of culture of the land developed new styles that became distinctly Maori.

With this some Nga Tohu Tawhito such as this one have no apparent successors but do leave traces of reference such as the notching that frames this particular piece. Such notching is a relatively common accent among the handful of Nga Tohu Tawhito that reside in public collection today. The distinct form of this ancient adornment is characterised by it beautifully balanced form and symmetry.

Reminiscent of the scared adze its triangular cross elevation represents a key element in ancient navigation – the triangulation between Aotearoa, Hawai´i and Rapanui. This motif is present from every perspective in the piece. The concave surface echoes the forms relationship with the adze and enables the piece to be worn with comfort against the wearers chest. The suspension hole shows sign of significant wear which indicates the piece once held an inter generational lineage.

PROVENANCE Originally collected in the Marlborough Sounds. Private collection, New Zealand.

Estimate $40,000 - $80,000

IMPORTANT OCEANIC AND AFRICAN ART

51

134Y IMPORTANT REI NIHO PARAOA WHALEBONE ADORNMENT Very rare chest adornment of flattened form, the outside edge with raised triangular cut outs, inside edge is serrated with rib form cut outs to the body. Two pierced holes for suspension, made from whalebone.

Dry weathered patina, of great age.

They were most likely carved some time before 1600, but very little is known of their origin. Holes in the top would have enabled them to be lashed together with its partner.

Only about 20 pieces have ever been found, including single pieces thought to belong to a pair; most have been found in the South Island of New Zealand, though four have come from North Island sites.

PROVENANCE Private collection, New Zealand.

L.420mm, W.80mm, H.70mm.

Estimate $30,000 - $60,000

52

CATALOGUE 376

135Y RARE POUNAMU ADORNMENT Very early archaic flattened tear drop form with evidence of two pierced suspension holes and linear notching to edges. This adornment would have signalled the mana and high rank of its creator and the owner. Its fine elongated form is without doubt the work of a master craftsman.

This rare pounamu may have been used in the ceremonial practice and sacred production of the finest muka (flax fibre). The adornment would be applied to making the most complex and finest of chiefly cloaks used to forge political alliances and communicate rank and status.

PROVENANCE Private collection, New Zealand.

Y16414 L.90mm, W.38mm.

Estimate $4,000 - $6,000

IMPORTANT OCEANIC AND AFRICAN ART

53

136

136Y KETE MUKA KIWI

137

137Y KETE MUKA KIWI

138Y KETE MUKA KIWI

Early woven Kete single twining with attached kiwi feathers attached on every second aho (weft). Some feather loss.

PROVENANCE Private collection, New Zealand.

H.190mm, W.240mm.

Extremely fine construction with double paired twining and kiwi feathers attached on every second aho (weft). Very good condition.

PROVENANCE Private collection, New Zealand.

H.210mm, W.250mm.

Estimate $300 - $500

Estimate $3,000 - $5,000

Early and finely made kiwi feather kete, double pair twining with kiwi feathers attached on every second aho (weft). The muka kaupapa is in good condition. Thought to have originated in the Raglan area.

PROVENANCE Private collection, New Zealand.

Y15461 L.170mm, W.225mm.

Estimate $1,800 - $3,800

138

54

CATALOGUE 376

139

139Y KETE MUKA KIWI Very good example of a finely made kiwi feather kete, double pair twining with kiwi feathers attached on every second aho (weft). The muka kaupapa is in good condition. Two decorative tassels to the front and one on the back.

PROVENANCE Formally in the collection of Thomas Ryan, 1864-1927. This item was present in his studio and highly likely used to adorn his subjects.

Private collection, New Zealand.

H.170mm, W.210mm.

140

Estimate $3,000 - $5,000 140Y KETE MUKA Two small muka bags, in very good condition.

PROVENANCE Private collection, New Zealand.

H.240mm, W.200mm; H125mm, L105mm.

Estimate $400 - $800 141Y FINE KETE A good example of a muka bag with single pair twining, with large fringe.

Very good condition.

PROVENANCE Private collection, New Zealand.

H.215mm, W.300mm.

Estimate $300 - $500 142Y KETE MUKA 141

A masterfully constructed muka bag with double pair twining, separated warps in a intertwined wave pattern, and a substantial fringe with tassels. Purple and blue dyed warp decoration, with a silk lining.

PROVENANCE Private collection, New Zealand.

H.350mm, W.470mm.

Estimate $600 - $900 143Y KETE MUKA

142

143

A large example of a woven constructed muka bag with double pair twining, separated warps in a raised wave pattern in a chequered design, and a substantial fringe.

PROVENANCE Private collection, New Zealand.

H.300mm, W.430mm.

Estimate $300 - $500

IMPORTANT OCEANIC AND AFRICAN ART

55

144

144Y SUPERB FEATHER CLOAK A rare and beautiful Maori kahu kiwi feather cloak from the 19th century.

The cloak is adorned with mature brown kiwi feathers, in orthodox style. The kiwi feathers are tightly compacted to form plump, luminous appearance. In good condition with only a small amount of loss to the top left corner, which is consistent with usage.

PROVENANCE Private collection, New Zealand.

Y17058 H.840mm, W.949mm.

Estimate $20,000 - $40,000

56

CATALOGUE 376

145Y RARE FEATHER ADORNMENT Decorative scarf, the body constructed of a woven muka band to pairs of tassels to both ends.

Body completely covered in plump Kiwi and Kaka feathers.

PROVENANCE Formally in the collection of Thomas Ryan, 1864-1927 commonly known as â&#x20AC;&#x2DC;Darbyâ&#x20AC;&#x2122; Ryan, was born in London, England, on 12 January, Ryan was one of the outstanding rugby footballers in New Zealand during the 1880s.

Ryan also had a distinguished career as an artist, working mainly in watercolours. He was well known for

his Maori portraits and for his landscapes and seascapes. He was a friend of Charles Goldie, accompanying him on sketching trips and easing his introduction into Maori society. This item was present in his studio and highly likely used to adorn his subjects. Private collection, New Zealand.

L.970mm, W.30mm.

Estimate $1,500 - $3,500

145

146Y RARE FEATHER ADORNMENT Decorative scarf or belt, the base is traditionally constructed using wool and muka with a silk backing.

Completely covered in plump Kiwi feathers. Leading to tapering ends with bands of Kaka, Tui and Kakariki feathers.

PROVENANCE Formally in the collection of Thomas Ryan, 1864-1927 commonly known as â&#x20AC;&#x2DC;Darbyâ&#x20AC;&#x2122; Ryan, was born in London, England, on 12 January, Ryan was one of the outstanding rugby footballers in New Zealand during the 1880s.

Ryan also had a distinguished

career as an artist, working mainly in watercolours. He was well known for his Maori portraits and for his landscapes and seascapes. He was a friend of Charles Goldie, accompanying him on sketching trips and easing his introduction into Maori society.

This item was present in his studio and highly likely used to adorn his subjects.

Private collection, New Zealand.

L.1260mm, W.100mm.

146

Estimate $2,000 - $4,000

IMPORTANT OCEANIC AND AFRICAN ART

57

147

147Y KOROWAI CLOAK Beautiful example the candlewick body, with double pair twine flax wefts with detailed pattern of wide and narrow stripes and triangles of feather from kiwi, kaka, kakariki, tui, pigeon, kingfisher; framed with a band of kiwi feathers.

PROVENANCE Private collection, New Zealand.

Y2722 L.1370mm, W.960mm.

Estimate $7,500 - $10,000

148Y PIUPIU Upper ends of the of the Piupiu tags are tightly plated with tassels to ends.

A thin woven waste band hold long multi coloured strands leading to split paired tags on the ends.

PROVENANCE Formally in the collection of Thomas Ryan, 1864-1927 commonly known as 'Darby' Ryan, was born in London, England, on 12 January, Ryan was one of the outstanding rugby footballers in New Zealand during the 1880s.

Ryan also had a distinguished career as an artist, working mainly in watercolours. He was well known for his Maori portraits and for his landscapes and seascapes. He was a friend of Charles Goldie, accompanying him on sketching trips and easing his introduction into Maori society. This item was present in his studio and highly likely used to adorn his subjects. Private collection, New Zealand.

H.630mm, W.800mm.

Estimate $500 - $700.

148

149

58

CATALOGUE 376

150

151 152

149Y PIUPIU Traditional adult flax skirt with multiple decorative tags.

PROVENANCE Private collection, New Zealand.

W.840mm, H.620mm.

Estimate $100 - $300

150Y CHILDS FEATHER CLOAK Early feather cloak with decorative dyed muka looping to the edges. The body with attached koekoea feathers.

Woollen yarn attached to tags.

PROVENANCE Private collection, New Zealand.

H.400mm, W.700mm.

Estimate $1,000 - $3,000

152Y FEATHER CLOAK A very beautiful cloak, kiwi feather rows flanked by vertical rows of interwoven red, yellow and black wool. Tag attached to the top right corner.

PROVENANCE Private collection, New Zealand.

Y16463 L.800mm, H57mm.

153Y AUREI - CLOAK PIN

151Y CHILDS WOVEN CLOAK Early muka woven cloak with decorative dyed tassels and looped chequered design. Two attached twisted cord tags at top for attachment.

PROVENANCE Private collection, New Zealand.

H.410mm, W.700mm.

Estimate $800 - $1,200 154Y AUREI - CLOAK PIN

Of orthodox form, fashioned from marine ivory, suspension hole worn away. Early, soft patina.

PROVENANCE Private collection, New Zealand.

Y2335 L.100mm, W.6mm.

Of curved traditional form. Loss to suspension-hole end. Dry, early patina.

PROVENANCE Private collection, New Zealand.

Y16334 L.100mm, W.6mm.

Estimate $200 - $400

Estimate $300 - $500

Estimate $1,000 - $3,000 155Y PATU MUKA Ovoid bulbous form, tapering to a rounded handle. Pecked finish.

PROVENANCE Private collection, New Zealand.

Y5850 L.230mm, W.80mm.

Estimate $300 - $600

156Y PATU MUKA Large stone pounder with circular cross section, bulbous body, extends to top notched handle. Surface is rough and pitted. Andesite.

PROVENANCE Private collection, New Zealand.

Y14880 L.295mm, W.90mm.

157Y PATU MUKA Long form with bulbous head, pecked surface patina.

PROVENANCE Private collection, New Zealand.

L.280mm, W.70mm.

Estimate $400 - $600

Estimate $300 - $600

IMPORTANT OCEANIC AND AFRICAN ART

59

158

158Y LARGE TOKI Very good example, pecked finish to end leading to a highly polished and refined body, with a sharp well defined cutting edge.

PROVENANCE Private collection, New Zealand.

L.250mm, W.65mm.

Estimate $300 - $500 159Y LARGE TOKI

160

159

160Y LARGE TOKI

Good large example in orthodox form with a pecked finish and smooth defined cutting edge.

PROVENANCE Private collection, New Zealand.

L.230mm, W.64mm.

Pecked finish to end leading to a highly polished and refined body, with a sharp well defined cutting edge.

PROVENANCE Private collection, New Zealand.

L.235mm, W.56mm.

Estimate $400 - $800

Estimate $250 - $450

162Y GROUP OF TOKI Four adzes of classic form.

PROVENANCE Private collection, New Zealand.

L.180mm, W.67mm; L.178mm, W.65mm; L.130mm, W.52mm; L.134mm, W.65mm.

Estimate $100 - $300

163Y GROUP OF TOKI Six adzes of classic form and of varying stone type.

PROVENANCE Private collection, New Zealand.

L.84mm, W.50mm; L.178mm, W.54mm; L.200mm, W.60mm; L.80mm, W.52mm; L.120mm, W.52mm; L.105mm, W.50mm.

Estimate $100 - $300

165Y TOKI Pecked finish with defined cutting edge.

PROVENANCE Private collection, New Zealand.

L.190mm, W.80mm.

Estimate $50 - $100

166Y GROUP OF TOKI Three adzes in classic form of varying stone types.

PROVENANCE Private collection, New Zealand.

L.165mm, W.60mm; L.114mm, W.40mm; L.75mm, W.30mm.

Estimate $80 - $120

161Y LARGE TOKI A good adze of early form with pecked butt leading to a sharp cutting edge.

Early soft patina.

PROVENANCE The collection of J.M White New Zealand.

H.252mm, W.94mm.

Estimate $600 - $900 164Y GROUP OF TOKI Large group of early Adzes.

PROVENANCE Private collection, New Zealand.

L.165mm, W.70mm; L.140mm, W.61mm; L.80mm, W.50mm; L.120mm, W.55mm; L.75mm, W.40mm.

Estimate $150 - $350

167Y GROUP OF TOKI Six adzes in classic form of varying stone types.

PROVENANCE Private collection, New Zealand.

L.170mm, W.52mm; L.120mm, W.60mm; L.150mm, W.60mm; L.140mm, W.45mm; L.130mm, W.47mm; L.80mm, W.50mm.

Estimate $150 - $350

168Y LARGE GROUP OF ARTEFACTS Including lure and pendant fragments, obsidian blades, Moa bone, musket flint. (60) collected around Tamaki Estuary.

PROVENANCE Private collection, New Zealand.

Estimate $400 - $800

60

CATALOGUE 376

169Y LARGE GROUP OF ARTEFACTS Various rough outs and tools.

Collected around Tamaki Estuary. (28) PROVENANCE Private collection, New Zealand.

Estimate $100 - $300

170Y MOA STONES Five examples of various types of worn stone.

PROVENANCE Private collection, New Zealand.

L.310mm, W.125mm.

Estimate $80 - $120

181

171Y GROUP OF TOKI Of various size and material. (6) PROVENANCE Private collection, New Zealand.

Estimate $50 - $150 172Y GROUP OF TOKI

173Y GROUP OF TOKI

Of various size and material. (5) PROVENANCE Private collection, New Zealand.

Of various size and material. (9) PROVENANCE Private collection, New Zealand.

Estimate $50 - $150

Estimate $100 - $300

174Y LARGE GROUP OF ARTEFACTS

175Y HAMMER STONES

Various rough outs and tools.

Collected around Tamaki Estuary. (86) PROVENANCE Private collection, New Zealand.

(5) ovoid forms with well used patina.

Collected around Tamaki Estuary.

PROVENANCE Private collection, New Zealand.

Estimate $400 - $600

Estimate $100 - $300

176Y LARGE GROUP OF ARTEFACTS

177Y HAMMER STONES

Various rough outs and tools.

Collected around Tamaki Estuary. (40) PROVENANCE Private collection, New Zealand.

Ovoid forms with well used patina. (4) collected around Tamaki Estuary.

PROVENANCE Private collection, New Zealand.

Estimate $200 - $500

Estimate $150 - $250

178Y LARGE TOKI Large, quadrangulated form tapering to fine flaked blade. Early weathered patina.

PROVENANCE Private collection, New Zealand.

Y16871 L.308mm, W.100mm.

Estimate $500 - $700 180Y HOE - PADDLE Of classic form with carved letter to back of blade “W” some damage evident. Mid - brown patina.

PROVENANCE Private collection, New Zealand.

Y13222 L.1420mm, W.105mm.

Estimate $500 - $700

179Y GROUP OF ARTIFACTS Large polishing stone together with two toki.

PROVENANCE Private collection, New Zealand.

L.206mm, W.55mm; L.105mm, W.45mm; L.117mm, W.54mm.

Estimate $80 - $120

181 MAORI CANOE - WAKA Traditional form with carved prows attached to the front and rear.

Humanistic mania and spiral forms, inlaid with paua shell. Light brown patina.

PROVENANCE Private collection, New Zealand.

L.890mm, W.70mm, H.320mm.

Estimate $400 - $600

180

IMPORTANT OCEANIC AND AFRICAN ART

61

183

182

185

186

184

182Y PA KAHAWAI - FISHING LURE Fine, trolling lure with wooden body; paua-shell flashing, inlay to in-curve; whale bone barb with muka binding and line.

PROVENANCE Private collection, New Zealand.

Y07890 L.100mm, W.17mm.

183Y PA KAHAWAI - FISHING LURE Trolling lure with wooden body; paua-shell flashing, inlay to in-curve; bone barb with muka binding and line.

PROVENANCE Private collection, New Zealand.

L.85mm, W.16mm.

Estimate $800 - $1,200

Estimate $800 - $1,200 185Y PA KAHAWAI - FISHING LURE Trolling lure with wooden body; paua-shell flashing, inlay to in-curve; bone barb with muka binding and line.

PROVENANCE Private collection, New Zealand.

L.112mm, W.22mm.

Estimate $800 - 1,200

62

CATALOGUE 376

186Y MATAU - FISH HOOK A superb example of classic form fashioned from whalebone.

Inscription to top “No 4 Kiakoura”.

PROVENANCE Private collection, New Zealand.

Y16947 L.71mm, W.55mm.

Estimate $2,800 - $4,800

184Y PA KAHAWAI - FISHING LURE Large and fine example with wooden body; paua-shell flashing, inlay to in-curve; bone barb with muka binding and line.

PROVENANCE Private collection, New Zealand.

L.116mm, W.18mm.

Estimate $1,000 - $2,000

187Y MAHE - SINKER Classic ovoid form with groove for attachment of line, pecked surface with a weathered patina.

PROVENANCE Private collection, New Zealand.

L.70mm, W.75mm.

Estimate $100 - $200

188Y MALE HUIA In superb condition with a male huia perched on a lichen covered wood base. The huia is one of New Zealandâ&#x20AC;&#x2122;s best known extinct birds because of its bill shape, its sheer beauty, and special place in Maori culture and oral tradition. The bird was regarded by Maori as tapu (sacred), and the wearing of its skin or feathers was reserved for individuals of high status. The huia was a bird of deep metallic, bluish-black plumage

with a greenish iridescence on the upper surface, especially around the head.

The tail feathers were unique among endemic birds. Huia were hunted to obtain their long, striking tail feathers for locally fashionable hat decorations.

The second major cause of extinction was the widespread deforestation of the lowlands of the North Island by settlers to create pasture for agriculture. Most of these forests were ancient, ecologically complex primary forests, and huia were not

able to survive in regenerating secondary forests. The last confirmed sighting of a huia was on 28 December 1907 in the Tararua Ranges. Further credible sightings near Wellington were reported until 1922 and in Te Urewera National Park in the early 1960s.

PROVENANCE Private collection, New Zealand.

H.350mm, W.330mm.

Estimate $12,000 - $18,000

IMPORTANT OCEANIC AND AFRICAN ART

63

189 The Glew collection of rare carte de visite/albumen prints by Elizabeth Pulman Auckland: Elizabeth Pulman, c1870s.

Carte de visite/albumen prints. Print sizes generally: 90 x 55mm. Three images have been cropped to ovals by the photographer. Mild fading and wear to prints. At the age of 19, George Glew departed Lincolnshire for New Zealand on the barque Katherine Stewart Forbes, arriving at Auckland on 9 March 1852. He farmed successfully in the parish of Waitemata and was awarded a silver cup by Seccombe and Sons for

64

CATALOGUE 376

cultivating the best barley in the province.

In 1867, George migrated back to England before returning to New Zealand with his new wife in 1873. The couple had two daughters, who attended Panmure School.

In 1882, they had a son who died at eight months old, prompting them to return to England. Before departing, George purchased the carte de visite as souvenirs of their time in New Zealand. The prints have remained in the family ever since. This exceptional collection features 22 Maori portraits, including several tribal leaders.

Among those identified are: Hati Wira Takahi, Tamati Waka Nene, Tawhiao, Ratene Hihitawa, Wiremu Tamihana, Parore Te Awha, Rewi Manga Maniapoto and Paora Tuhaere. This group also features six strong portraits of female Maori and two images depicting Fijian subjects.

This is a very scarce group. [24].

PROVENANCE Private collection, United Kingdom.

H.105mm, W.62mm.

Estimate $10,000 - $15,000

192

190Y HEI TIKI POUNAMU Small early example in orthodox form, The head with red wax inset to eyes and tilting to the left and Hands resting on thighs. Pierced hand drilled hole to top of head. Written label attached inscribed with “130”.

Old damage evident to right side.

PROVENANCE The collection of J.M White New Zealand.

H.100mm, W.62mm.

190

191

Estimate $400 - $800 191Y HEI TIKI POUNAMU

192Y KURU POUNAMU

Good large example in orthodox form with head tilting to the left, hands resting on thighs. Old written label attached inscribed with “1883/1”.

Old damage evident to right leg.

PROVENANCE The collection of J.M White New Zealand.

H.100mm, W.62mm.

193Y KURU POUNAMU

Cylindrical tapering form with an early suspension hole and attached chain.

PROVENANCE Private collection, New Zealand.

L.78mm, W.12mm. (Pendant only).

Large flattened ovoid form with a worn suspension hole. Translucent inunga type pounamu. Written label attached inscribed with “133”.

PROVENANCE The collection of J.M White New Zealand.

H.126mm, W.34mm.

Estimate $350 - $550

Estimate $400 -$600

Estimate $700 - $1,000 194Y KURU POUNAMU

194

195Y KURU POUNAMU

196Y POUNAMU ADORNMENT

Orthodox form with pierced suspension hole.

PROVENANCE Private collection, New Zealand.

L.95mm, W.11mm.

Flattened rectangular form with remains of an early suspension hole.

PROVENANCE Private collection, New Zealand.

L.75mm, W.18mm.

In the form of a miniature mere with pierced hole to top.

PROVENANCE Private collection, New Zealand.

H.150mm, W.34mm.

Estimate $150 - $350

Estimate $100 - $200

Estimate $80 - $120

193 195

IMPORTANT OCEANIC AND AFRICAN ART

65

198

197

197Y CARVED ARCHITECTURAL ELEMENT

198Y CARVED ARCHITECTURAL ELEMENT

Koruruâ&#x20AC;&#x2122; strong tiki figure with mouth open revealing a lizard with an inset shell eye, carved double haehae and dog tooth notching.

Dry red-wash patina.

PROVENANCE Believed to have been collected from Northern Hawkes Bay, New Zealand.

Private collection, New Zealand.

H.495mm, W.345mm.

Flattened rectangular board, deeply carved with a side facing manaia with a large open mouth bearing teeth, protruding tongue and hand resting to face, red-wash patina.

PROVENANCE Believed to have been collected from Northern Hawkes Bay, New Zealand.

Private collection, New Zealand.

H.644mm, W.340mm.

Flattened rectangular board, deeply carved with a side facing taniwha with a large open mouth bearing teeth, protruding tongue and hand resting to tail. Red-wash patina.

PROVENANCE Believed to have been collected from Northern Hawkes Bay, New Zealand.

Private collection, New Zealand.

H.900mm, W.285mm.

Estimate $1,500 - $3,500

Estimate $1,500 - $3,500

Estimate $1,000 - $2,000

199

66

CATALOGUE 376

199Y CARVED ARCHITECTURAL ELEMENT

200Y CARVED ARCHITECTURAL ELEMENT Large fragmented board, deeply carved with manaia forms, tiki faces; with a large open mouths showing teeth and tongue, hands resting to face. red-wash patina.

PROVENANCE Believed to have been collected from Northern Hawkes Bay, New Zealand.

Private collection, New Zealand.

L.1860mm, W.240mm.

201 202

Estimate $1,000 - $2,000 201Y CARVED ARCHITECTURAL ELEMENT Flattened square form, large mouth, carved in a figure eight design, slightly protruding tongue, large eyes (shell inlay missing). Highly decorated surface with varied triple and double haehae and fine notching.

Red-wash patina.

PROVENANCE Believed to have been collected from Northern Hawkes Bay, New Zealand.

Private collection, New Zealand.

H.380mm, W.360mm.

202Y CARVED ARCHITECTURAL ELEMENT

203Y CARVED ARCHITECTURAL ELEMENT

Superb standing tiki figure, heavily carved double haehae and dog tooth notching. Dry red washed patina.

PROVENANCE Believed to have been collected from Northern Hawkes Bay, New Zealand.

Private collection, New Zealand.

H.720mm, W.270mm.

Flattened rectangular board, deeply carved with a side facing taniwha with a large open mouth bearing teeth, protruding tongue and hand resting to tail. Red-wash patina.

PROVENANCE Believed to have been collected from Northern Hawkes Bay, New Zealand.

Private collection, New Zealand.

H.860mm, W.282mm.

Estimate $1,500 - $3,500

Estimate $1,000 - $2,000

Estimate $1,000 - $2,000

203

IMPORTANT OCEANIC AND AFRICAN ART

67

209

204

208

205 206

204 SOUTH ISLAND SPOTTED KIWI Set in foliage with original case.

PROVENANCE Private collection, New Zealand.

L.575mm, H.370mm, D.340mm.

(Case only) Estimate $2,000 - $4,000 207 CARVED ARCHITECTURAL ELEMENT Carved manaia with paua inset eye. Carved by a student of Dr Pakariki Harrison.

PROVENANCE Private collection, New Zealand.

H.380mm, W.192mm.

Estimate $200 - 400

68

CATALOGUE 376

205 EARLY TAXIDERMY KIWI

206Y EARLY TAXIDERMY KEA

Freestanding kiwi on a wood base.

PROVENANCE Private collection, New Zealand.

L.450mm, H.570mm.

Freestanding Kea on a wood base.

PROVENANCE Private collection, New Zealand.

L.500mm, H.570mm.

Estimate $2,000 - $4000

Estimate $1500 - $3500

208 LIDDED BOX

209Y LIDDED BOX

Carved box with manaia face to top with inset paua eye.

PROVENANCE Private collection, New Zealand.

L.155mm, W.104mm, D.77mm.

Carved box with tiki face to top with inset paua eyes.

PROVENANCE Private collection, New Zealand.

L.124mm, W.100mm, D.48mm.

Estimate $100 - $200

Estimate $100 - $200

211

210

212

214

213

210Y CARVED PIPE Finely carved example with three figures a strong male figure with raised arms supporting the bowl and mother and child to the front, both with inset paua eyes and decorated with haehae and pataki designs. Gold bands stamped a inscribed ‘Christeson’.

PROVENANCE Private collection, New Zealand.

L.140mm, H.40mm, W.35mm.

215

211Y PIPE HEAD MAORI Good early example with three carved heads to bowl decorated with haehae and pataki designs.

PROVENANCE Private collection, New Zealand.

Y15776 L.98mm, W.68mm.

Estimate $300 - $500

212Y CIGAR HOLDER Finely carved example with two carved heads with inset paua eyes to holder and decorated with haehae and pataki designs. Stamped a inscribed ‘Christeson’.

PROVENANCE Private collection, New Zealand.

L.75mm, W.20mm.

Estimate $500 - $800

Estimate $1,000 - $2,000 213Y KIWI BEAK BROOCH Early New Zealand colonial stamped 9ct yellow-gold mounted kiwi beak brooch. Three mounts engraved with fauna decoration.

PROVENANCE Private collection, New Zealand.

H.70mm, W.35mm.

Estimate $2,500 - $4,500

214Y FINE SILVER MOUNTED TOKI A traditional toki - Adze blade with a silver plate collar, marks and inscription ‘New Zealand Knife’.

PROVENANCE Private collection, United Kingdom.

H.95mm, W.58mm.

Estimate $300 - $600

215Y KOTIATE All over deep relief, haehae and pataki carving to blade. Two figures to the incurve. Pierced hole for attachment.

Mid brown patina.

PROVENANCE Private collection, New Zealand.

L.390mm, W.125mm.

Estimate $1,500 - $3,500

IMPORTANT OCEANIC AND AFRICAN ART

69

216 217

216 GREENSTONE BROACH With original box. Lilly Brothers, Dunedin.

PROVENANCE Private collection, New Zealand.

L.55mm, W.10mm.

Estimate $100 - $200

217Y RARE MAORI DOLL Standing figure with bent legs and arms resting to side, the face with lineal moko design wide eyes and mouth with protruding tongue.

PROVENANCE Private collection, New Zealand.

L.144mm, W.62mm.

Estimate $700 - $1,000

219 WOODEN PLAQUE Circular wooden plaque with pokerwork and painted designs with a portrait of king tawhiho to centre.

Inscribed on reverse “ The late king tawihao” “native flower, pohutakawa”.

PROVENANCE Private collection, New Zealand.

Dia.435mm.

Estimate $250 - $550 222Y GROUP OF TOKI Of various size and material. (13) PROVENANCE Private collection, New Zealand.

Estimate $100 - $300

225Y GROUP OF TOKI

70

220 HEI TIKI In orthodox form, The head tilting to the left one hand resting to chest the other on thigh. Pierced hole to top of head.

Soft worn patina.

PROVENANCE Private collection, New Zealand.

L.60mm, W.40mm.

218 PAIR OF WOVEN BOWLS Fine contemporary works by Valerie Parkes 1994. (2) PROVENANCE Private collection, New Zealand.

H.70mm, Dia.120; H.80mm, Dia.120mm.

Estimate $200 - $400

221 GROUP OF ARTEFACTS Including early ships nails and pipe heads.

PROVENANCE Private collection, New Zealand.

L.145mm. (Max) Estimate $100 - $200

Estimate $400 - $800

223Y LARGE GROUP OF ARTEFACTS Various rough outs and tools.

Collected around Tamaki Estuary.

PROVENANCE Private collection, New Zealand.

Estimate $200 - $500 226Y GROUP OF TOKI

224Y GROUP OF TOKI Of various size and material. (6) PROVENANCE Private collection, New Zealand.

Estimate $50 - $150

227Y GROUP OF TOKI

Of various size and material. (5) PROVENANCE Private collection, New Zealand.

Of various size and material. (5) PROVENANCE Private collection, New Zealand.

Of various size and material. (7) PROVENANCE Private collection, New Zealand.

Estimate $50 - $150

Estimate $50 - $150

Estimate $80 - $150

CATALOGUE 376

237

228Y GROUP OF TOKI Of various size and material. (5) PROVENANCE Private collection, New Zealand.

Estimate $50 - $150 229Y GROUP OF TOKI

230Y GROUP OF TOKI

231Y GROUP OF TOKI

Of various size and material. (9) PROVENANCE Private collection, New Zealand.

Of various size and material. (14) PROVENANCE Private collection, New Zealand.

Of various size and material. (6) PROVENANCE Private collection, New Zealand.

Estimate $100 - $300

Estimate $100 - $300

Estimate $50 - $150

232Y GROUP OF TOKI

233Y GROUP OF TOKI

Of various size and material. (6) PROVENANCE Private collection, New Zealand.

Of various size and material. (6) PROVENANCE Private collection, New Zealand.

Estimate $50 - $150

Estimate $50 - $150

234Y PATU HANDLE Whalebone handle end with detailed manaia figure carving to end.

PROVENANCE Private collection, New Zealand.

Y09229 L.346mm, W.18mm.

Estimate $300 - $500

235Y RARE STONE CLUB Early type, hand pecked of flattened circular formed head with tapering handle.

PROVENANCE Private collection, New Zealand.

L.255mm, W.130mm.

Estimate $4,000 - $8,000

236Y GROUP OF KO Good collection of early agricultural wooden digging sticks, weathered dry patina.

PROVENANCE Private collection, New Zealand.

Y8563, Y8562, Y8561 L.2800mm, W.50mm; L.2220mm, W.60mm; L.1540mm, W.50mm.

Estimate $600 - $900

237Y WAKA HUIA Beautifully carved overall, with triple haehae and finely graduating pakati notching, the cocoon-shaped vessel is guarded by two tiki figures, The lid of the waka huia with a raised handle.

Rich brown patina.

PROVENANCE Private collection, New Zealand.

Y17052 L.310mm, W.150mm, H96mm.

Estimate $2,000 - $4,000

IMPORTANT OCEANIC AND AFRICAN ART

71

238 238

238Y MODEL CANOE Hollowed tapering form, base completely carved with Pataki notching. Raised tiki face to one end, dark brown early Patina.

PROVENANCE Private collection, New Zealand.

L.1045mm, W.250mm.

Estimate $500 - $700

72

CATALOGUE 376

239Y EARLY PATU Weathered wooden patu in a flattened cylindrical form which tapers to the flared handle, Swamp aged patina.

PROVENANCE Private collection, New Zealand.

L.340mm, W.95mm.

Estimate $400 - $600

240Y CARVED BUST Carved bust of a chief wearing a cloak, raised features with face decorated with full moko. The base decorated with two tiki figures with inset paua eyes, haehae and pataki notching finish this strong work.

PROVENANCE Private collection, New Zealand.

H.320mm, W.120mm.

Estimate $300 - $600

240

IMPORTANT OCEANIC AND AFRICAN ART

73

IMPORTANT OCEANIC AND AFRICAN ART

ENTRIES NOW INVITED FOR NOV 2014 AUCTION

CONTACT JEFF HOBBS jhobbs@webbs.co.nz / 021 503 251

OCEANIC AND AFRICAN ART

Lot 34. BEDU MASK Estimate $2,500 - $4,500 74

CATALOGUE 376

WEBB’S

WEBB’S OCEANIC & AFRICAN ART MARKET HIGHLIGHTS

$46,900

Jeff Hobbs Webb’s Oceanic Art Specialist

“An appreciation for Oceanic & African Art drives our focus on quality and exquisite craftsmanship.

This focus and understanding has resulted in a positive increase in results achieved for Webb’s Oceanic & Tribal department.”

highest price achieved for a Nguru flute at auction

Mankind remains as captivated today as ever by the exquisite quality of Tribal art forms. Demand for fine quality and early examples remains firm with collectors focusing on the strongest material presented. 2013 marked another strong year for Webb’s Tribal Art Department with several highlights and records set across the fields of Maori, Pacific and African arts. Five years ago Webb’s joined forces with leading Oceanic specialist

Jeff Hobbs. With a remit to elevate Maori and Oceanic art as an investment class in its own right for the connoisseur collector, Jeff established a landmark campaign to repatriate Maori taonga and Oceanic artefacts to New Zealand. He has been successful in repatriating a number of pieces and collections of significant Maori taonga. Webb’s work within the field of Tribal & Oceanic artefacts also extends to institutional valuations with Webb’s

being Te Papa’s chosen valuer of Oceanic collectables. Entries are now invited for the November 2014 Oceanic & African Arts auction which will feature strong consignments of Polynesian weaponry, a superb collection of African art and important pieces of Taonga Maori.

High levels of demand are expected for exceptional pieces of pounamu workmanship and prestigious carving.

WEBB’S OCEANIC & AFRICAN ART SALES HIGHLIGHTS

1

3

2

4

5

10

6

01 – Rare Tongan Whalebone Chest Ornament. Achieved $23,400 02 – Important Nguru Flute. Achieved $46,900 03 – Tahitian Shark Hook. Achieved $16,400 04 – Pair Of Rare Cased Huia. Achieved $35,175 05 – Whalebone Rei Puta, The Ryman Collection. Achieved $140,300

7

8

9

06 – Early Poutokomanawa. Achieved $27,000 07 – Kotiate. Achieved $25,800 08 – Rare Fijian War Club. Achieved $32,700 09 – Historic Mere Pounamu. Achieved $146,600 10 – Ashanti Royal Lion. Achieved $22,300 IMPORTANT OCEANIC AND AFRICAN ART

75

IMPORTANT OCEANIC AND AFRICAN ART

ENTRIES NOW INVITED FOR JUN & AUG 2014 AUCTIONS

CONTACT SIMON WARD wine@webbs.co.nz / 09 524 6804

FINE & RARE WINE Webb’s Fine & Rare Wine department holds an established position as one of one of New Zealand’s leading sources of cellared quality vintage wines. Alongside New Zealand wines by the great makers such as Te Mata, Dry River and Felton Road, each sale offers a selection of boutique French wines from the

76

CATALOGUE 376

Burgundy, Champagne and Bordeaux regions. In particular, French Wine Vintages have demanded top prices on the markets of London, New York and Hong Kong and their availability at Webb’s offers local buyers the opportunity to purchase some of the world’s finest wines.

WEBB’S

CONTACT A WEBB’S SPECIALIST

REGIONAL SERVICES WEBB’S WELLINGTON Webb’s provides a comprehensive auction service for Wellington clients. A Webb’s presence in Wellington and streamlined services between the two centres enable ease of access to the Auckland market for those in the ‘arts and culture capital’.

Wellingtonians have long supported Webb’s both as collectors and consignors.

A five-day-a-week appraisal and valuation service and personally supervised, door-todoor freight and logistics extends beyond Wellington to the entire lower North and upper South Islands. Webb’s Wellington services are headed by Carey Young and Jeff Hobbs.

currant market appraisals, commentary on current market trends, valuations and consignment and acquisition advice.

A 20 year veteran expert in Oceanic, Tribal arts and antiquities, Jeff operated as a successful dealer and consultant in New York and the United Kingdom during the 1990s and subsequently owned and operated the well respected Sulu Gallery, Wellington. Although Jeff’s specialist interests lie in the fields of Tribal art and Eastern antiques, he will be working closely with Webb’s Auckland specialists to provide services across the spectrum of antiques and collectables.

CONTACT JEFF HOBBS jhobbs@webbs.co.nz / 021 503 251 CAREY YOUNG cyoung@webbs.co.nz / 021 368 348

Jeff Hobbs Webb’s Oceanic Art Specialist

Carey Young Head of Fine Art Services, Wellington

Fine art specialist and gallerist, Carey Young leads Webb’s art department services in Wellington and is available to undertake

WEBB’S SOUTH ISLAND Gillie Deans, our resident Christchurch and South Island specialist, has over 30 years’ experience within the visual arts community. Gillie Deans provides comprehensive fine art services including current market and insurance valuations, conservation and advice around the purchase and sale of artworks by auction or private treaty.

Working with those who are both new to collecting art and seasoned connoisseurs, Gillie Deans prides herself on providing accurate market based knowledge and working with discretion and honesty.

GILLIE DEANS gdeans@webbs.co.nz / 027 226 9785

Gillie Deans Resident South Island Specialist

“…Gillie Deans provides comprehensive fine art services including current market and insurance valuations.”

IMPORTANT OCEANIC AND AFRICAN ART

77

IMPORTANT OCEANIC AND AFRICAN ART

COMMISSIONS NOW INVITED WEBB’S VALUATIONS SERVICE

VALUATIONS Valuations are prepared for the purposes of: - Insurance - Post-loss Insurance - Family Estate Division - Financial Reporting - Relationship Property Division - Corporate Compliance

Webb’s valuers offer a proven ability to accurately undertake valuations for any items, from single pieces to complete collections, within set time frames and in a cost-effective manner.

Webb’s Valuation department is the most comprehensive of its kind in New Zealand. With over 35 years of experience and a team of 20 specialist staff members, we provide tailored services that set the industry standard.

Specialist fields of expertise include: - New Zealand and International Art - Photography - Ceramics - Antiques and Decorative Arts - Modern Design - Maori Artefacts and Oceanic Art - Books, Rare Documents, Maps and Manuscripts - Fine and Rare Wine - Vintage Motorcycles - Fashion and Textiles - Household Chattels

Significant recent valuations conducted by Webb’s cultural assets valuer Brian Wood include: • University of Otago art collection • Govett-Brewster Art Gallery • Len Lye Foundation • Auckland Art Gallery Toi o Tamaki • Auckland Council • Auckland War Memorial Museum • Te Papa Tongarewa • Wellington City Council • Numerous regional museums and galleries

Webb’s valuations are based on industry-standard methodology and are accepted by all of the leading insurance companies and brokers.

WEBB’S VALUATIONS RECENT COMISSIONS

1

2

3

4

01 - Te Papa Tongarewa 02 - Olveston Historic House, Dunedin 03 - Auckland Art Gallery, Toi O Tamaki 78

CATALOGUE 376

5

04 - MOTAT, Auckland 05 - Wellington CIty Council, Public Art Collection

WEBB’S

CONDITIONS OF SALE FOR BUYERS 1. Bidding. The highest bidder shall be the purchaser subject to the auctioneer having the right to refuse the bid of any person.

Should any dispute arise as to the bidding, the lot in dispute will be immediately put up for sale again at the preceding bid, or the auctioneer may declare the purchaser, which declaration shall be conclusive. No person shall advance less at a bid than the sum nominated by the auctioneer, and no bid may be retracted.

2. Reserves. All lots are sold subject to the right of the seller or her/ his agent to impose a reserve.

3. Registration. Purchasers shall complete a bidding card before the sale giving their own correct name, address and telephone number.

It is accepted by bidders that the supply of false information on a bidding card shall be interpreted as deliberate fraud.

4. Buyer’s Premium. The purchaser accepts that in addition to the hammer or selling price Webb’s will apply a buyer’s premium of 15% for the sale, (unless otherwise stated), together with GST on such premiums.

5. Payment. Payment for all items purchased is due on the day of sale immediately following completion of the sale.

If full payment cannot be made on the day of sale a deposit of 10% of the total sum due must be made on the day of sale and the balance must be paid within 5 working days.

Payment is by cash, bank cheque or Eftpos. Personal and private cheques will be accepted but must be cleared before goods will be released. Credit cards are not accepted.

6. Lots sold as Viewed. All lots are sold as viewed and with all errors in description, faults and imperfections whether visible or not. Neither Webb’s nor its vendor are responsible for errors in description or for the genuineness or authenticity of any lot or for any fault or defect in it. No warranty whatsoever is made. Buyers proceed upon their own judgement.

Buyers shall be deemed to have inspected the lots, or to have made enquiries to their complete satisfaction, prior to sale and by the act of bidding shall be deemed to be satisfied with the lots in all respects.

7. Webb’s Act as Agents. They have full discretion to conduct all aspects of the sale and to withdraw any lot from the sale without giving any reason.

8. Collection. Purchases are to be taken away at the buyer’s expense immediately after the sale except where a cheque remains uncleared. If this is not done Webb’s will not be responsible if the lot is lost, stolen, damaged or destroyed.

Any items not collected within seven days of the auction may be subject to a storage and insurance fee. A receipted invoice must be produced prior to removal of any lot.

9. Licences. Buyers who purchase an item which falls within the provisions of the Protected Objects Act 1975 or the Arms Act 1958 cannot take possession of that item until they have shown to Webb’s a license under the appropriate Act. 10. Failure to make Payment. If a purchaser fails either to pay for or take away any lot, Webb’s shall without further notice to the purchaser, at its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies: A. To issue proceeding against the purchaser for damages for breach of contract.

C. To resell the lot by public or private sale. Any deficiency resulting from such resale, after giving credit to the purchaser for any part payment, together with all costs incurred in connection with the lot shall be paid to Webb’s by the purchaser. Any surplus over the proceeds of sale shall belong to the seller and in this condition the expression ‘proceeds of sale’ shall have the same meaning in relation to a sale by private treaty as it has in relation to a sale by auction.

D. To store the lot whether at Webb’s own premises or elsewhere at the sole expense of the purchaser and to release the lot only after the purchase price has been paid in full plus the accrued cost of removal storage and all other costs connected to the lot.

E. To charge interest on the purchase price at a rate 2% above Webb’s bankers’ then current rate for commercial overdraft facilities, to the extent that the price or any part of it remains unpaid for more than seven days from the date of the sale.

F. To retain possession of that or any other lot purchased by the purchaser at that or any other auction and to release the same only after payment of money due.

G. To apply the proceeds of sale of any lot then or subsequently due to the purchaser towards settlement of money due to Webb’s or its vendor. Webb’s shall be entitled to a possessory lien on any property of the purchaser for any purpose while any monies remain unpaid under this contract.

H. To apply any payment made by the purchaser to Webb’s towards any money owing to Webb’s in respect of any thing whatsoever irrespective of any directive given in respect of, or restriction placed upon, such payment by the purchaser whether expressed or implied.

I. Title and right of disposal of the goods shall not pass to the purchaser until payment has been made in full by cleared funds.

Where any lot purchased is held by Webb’s pending i. clearance of funds by the purchaser or ii. completion of payment after receipt of a deposit, the lot will be held by Webb’s as bailee for the vendor, risk and title passing to the purchaser immediately upon notification of clearance of funds or upon completion of purchase. In the event that a lot is lost, stolen, damaged or destroyed before title is transferred to the purchaser, the purchaser shall be entitled to a refund of all monies paid to Webb’s in respect of that lot, but shall not be entitled to any compensation for any consequent losses howsoever arising.

11. Bidders deemed Principals. All bidders shall be held personally and solely liable for all obligations arising from any bid, including both ‘telephone’ and ‘absentee’ bids. Any person wishing to bid as agent for a third party must obtain written authority to do so from Webb’s prior to bidding.

12. ‘Subject Bids’. Where the highest bid is below the reserve and the auctioneer declares a sale to be ‘subject to vendor’s consent’ or words to that effect, the highest bid remains binding upon the bidder until the vendor accepts or rejects it. If the bid is accepted there is a contractual obligation upon the bidder to pay for the lot.

13. SALES POST AUCTION OR BY PRIVATE TREATY. The above conditions shall apply to all buyers of goods from Webb’s irrespective of the circumstances under which the sale is negotiated.

14. Condition of Items. Condition of items is not detailed in this catalogue. Buyers must satisfy themselves as to the condition of lots they bid on and should refer to clause six. Webb’s are pleased to provide intending buyers with condition reports on any lots.

B. To rescind the sale of that or any other lot sold to the purchaser at the same or any other auction.

IMPORTANT OCEANIC AND AFRICAN ART

79

TRIBAL ART the magazine for collectors Since 1994

SPECIAL OFFER Subscribe NOW and receive one EXTRA copy 90 € or 120 $ for a one year subscription Receive 5 issues instead of 4 a year and keep up to date with the Tribal Art market worldwide.

Offer valid until September 30th, 2014 Contact us by email: info@tribalartmagazine.com or subscribe directly on internet and type in “webbs2014” in the comments field to receive your free extra copy

Tribal Art magazine is a quarterly publication entirely dedicated to the Arts of Africa, Oceania, Asia and the Americas

w w w . t r i b a l a r t m a g a z i n e . c o m Primedia sprl - BP 18 - 7181 Arquennes - Belgium - T. : +32(0) 67 877 277 - F. : +32(0) 67 210 177

Back Cover Lot 31

Front Cover Lot 78

IMPORTANT OCEANIC & AFRICAN ART

Catalogue 376 10 June 2014

Catalogue 376 10 June 2014 IMPORTANT OCEANIC & AFRICAN ART