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TOP 10 WOMEN TO WATCH 2022 ISSUE 01 Michelle Rogers | Jules Brooke | Emmie Silberry | Doctor Sara Renwick-Lau Fiona Holmstrom | Liliana Bravo Quiroz| Stephanie Thompson | Rochelle Courtenay Sandy Davies | Jenn Donovan

in business

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welcome.

have made a huge impact in the worlds they live in, and beyond, proving that age will not hold them back. In fact, one of the Top 10 is Emmie Milligan, who is 93 years old! Here, we showcase ten incredible women in their own words.Welcome to the debut edition of Wb40 In Business Magazine, the sister magazine to Wb40 – Women Beyond Forty.

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We would love you to join us in congratulating the Wb40 Top 10 Women To Watch 2022! When we put the call out for Wb40’s Top 10 Women To Watch 2022, we were thrilled to see so many incredible women being nominated, either by others, or self-nominating!

We would love you to join us in congratulating the Wb40 Top 10 Women To Watch 2022! When we put the call out for Wb40’s Top 10 Women To Watch 2022, we were thrilled to see so many incredible women being nominated, either by others, or self-nominating!

We knew there was a huge gap in business magazines acknowledging women 40, 50, 60 and beyond who are changing the world, both in business and in their communities. So many amazing women who were flying under the radar, or simply not getting the accolades they so deserved.

elcome to the debut edition of Wb40 In Business Magazine, the sister magazine to Wb40 – Women Beyond Forty.

We knew there was a huge gap in business magazines acknowledging women 40, 50, 60 and beyond who are changing the world, both in business and in their communities. So many amazing women who were flying under the radar, or simply not getting the accolades they so deserved.

Within the pages of this magazine are the Top 10 Women to Watch, chosen from over 150 nominees, who are all incredible and all of them deserving. So this was no easy task and we are grateful to the brilliant women who chose our top 10. It is so refreshing to see ten diverse women, all doing great things, and all who are inspiring other women through the work they do.

As Wb40 In Business evolves, we will continue to introduce you to more women who are shaking the tree, and changing the way we think of women who are over the age of 40.

Our Top 10 Women all walk different paths – a doctor, a tech guru, an innovator, advocates, influencers, business owners, and podcasters.

We are enormously proud to introduce you to these Ten fierce and fabulous women who

Within the pages of this magazine are the Top 10 Women to Watch, chosen from over 150 nominees, who are all incredible and all of them deserving. So this was no easy task and we are grateful to the brilliant women who chose our top 10. It is so refreshing to see ten diverse women, all doing great things, and all who are inspiring other women through the work they do.

As Wb40 In Business evolves, we will continue to introduce you to more women who are shaking the tree, and changing the way we think of women who are over the age of 40.

Our Top 10 Women all walk different paths – a doctor, a tech guru, an innovator, advocates, influencers, business owners, and podcasters.

We are enormously proud to introduce you to these Ten fierce and fabulous women who have made a huge impact in the worlds they live in, and beyond, proving that age will not hold them back. In fact, one of the Top 10 is Emmie Milligan, who is 93 years old! Here, we showcase ten incredible women in their own words.

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Michelle rogers Model, Fashion Stylist and Photographer

“Over 4 million Australians live with some form of Disability, yet we are critically underrepresented in many industries. Recent years have seen a push in the fashion industry to showcase racial diversity, ageing, the gender spectrum, more queer families and more representative body shapes and sizes.”

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O

ur Covergirl, Michelle Roger, is a self-taught Disabled model, fashion stylist and photographer with a focus on selfportraiture, her love of fashion and exploration of life as an older Disabled woman. She predominantly shoots her high fashion looks in her suburban backyard using her phone and a battered tripod, and with the help of her Great Danes and chooks. When her chronic health issues permit, she can be found in Gippsland high country and waterways striking high fashion poses and looks that wouldn’t be out of place in the pages of High end fashion magazines, although created on a non-existent budget and items sourced from her wardrobe, linen press and, on occasion, her Christmas decorations!

Through her #UpAndDressed series, commenced in 2015, Michelle has continued to create the images of Disability representation in fashion that she had

wished existed. Her model stares at camera and unapologetic inclusion of her wheelchair or artfully embellished. Walking sticks in her images, can be read as a challenge to the fashion industry.

“If I can do this with my limited resources, why aren’t you?’” Michelle muses.

In 2018 Michelle first rolled on the runway and spoke at Melbourne Fashion Week about future directions for inclusive fashion.

Michelle joined international inclusive talent agency Zebedee in 2021 taking the next step as a professional mature Disabled model.

Tell us about your background Like many women over 40, I have worn many hats in my life, all of which (along with chronic illness) have culminated in my current focus on art and disability representation in fashion. A career in neuropsychology was interrupted in 2006 after collapsing

at work and my calendar of work meetings and assessments was replaced with years blurred by rounds of medical tests, hospitalisations, and ever failing health.

The professional career that I loved and had directed most of my future plans outside of my family, was no longer viable and I was negotiating a body and self that I didn’t recognise and a system and society that was not overly welcoming, particularly when I didn’t get better and could no longer participate in society as expected.

Thankfully, a hospital social worker in 2009 picked up on my younger self’s love of words and suggested I utilise writing to work through my frustrations and grief. Through blogging I connected with the wonderfully supportive Disability community, which led rather naturally to Disability activism. The Disability community grew my understanding of not only the ableism of many in the medical establish-

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ment, but the interplay of ableism and misogyny within those systems.

My pain and other symptoms were frequently doubted, questioned, and minimised by (male) doctors purely because I was a woman, often without tests being undertaken to verify my assertions. This was both infuriating and utterly disillusioning, and almost impossible not to internalise as it batters your self-esteem and sense of identity. It also fires your passion to fight, fight for yourself and others in similar situations.

In addition to the support of the Disability community, I have been endlessly and enthusiastically supported in my creative endeavours by my two sons, and my husband David whom I often enlist to help realise my vision. top What led you to create your business/or work in the field you are in?

In many respects it feels like much of my earlier work has always been leading me to this point, though not necessarily with some conscious path mapped out before me. I work with what is available to me in the moment whilst living in a body that is experiencing progressive physical and cognitive changes. But there is always an underlying theme that has always been at the heart of my work that I think holds my disparate parts together even on a bad day.

I want to see people like myself, over 40 and Disabled in fashion imagery and this is coupled with a desire to find, savour and create joy in my life. Life with chronic illnesses is predictably unpredictable, you have to seize the pain-free moments.

MICHELLE

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I take those elusive times and try to wring every last drop I can out of them, as I never know how many days, weeks or even months until they arrive again. The unpredictability of my health, means my creations are not planned ahead of time.

Some days you might find me on a runway, others you might find me striking a pose wrapped in a swathe of fabric (my old doona cover!) in a High Country river.

On the days at home when my body permits me to dress in something more than pyjamas, I could well be found in tulle and high heels next to my back yard chook shed.

The fashion images I take are shared on Instagram, often with captions challenging ableism or relating my own experiences in the hope that it makes other Disabled people feel seen. Fashion, as something most people can relate to, provides a gateway, if you will, to make people think, reflect and change their behaviours. And I like to push the boundaries of what is deemed fashionable, simply by being a visible greying Disabled woman beyond forty – activism can take many forms.

Over 4 million Australians live with some form of Disability, yet we are critically underrepresented in many industries. Recent years have seen a push in the fashion industry to showcase racial diversity, ageing, the gender spectrum, more queer families and more representative body shapes and sizes. A quick glance at the social media, websites, or runways of fashion brands shows improvement on many of these fronts, however, brands utilising Disabled models, especially on a consistent basis continue to be few and far between. A deeper look shows that older visibly Disabled models are virtually non-

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Nullantur magnatem nus, cus ides eum imagnih iliqui corestistia cullanitae et volor alibeatem rest, oditibusapis doluptibus rehenim in corem rectem sincius ilias experia sperum nulparum etur?

Natibea turisqu idigent, consed ut fugia del intionsent, optiatemqui rem aut aute la nis dic tescium a net reium fugitati atium et prerae.

Itas que vendestio doluptatem at ra et ut liscipita sin parchicae net abo. Veritaectet lacea nam, in nos res doloruptaetur? Tentore quam, volorat antotatio. Nam et dolupti audaerum isciditatur aliquis dunt acerfer natiurias maionsedi duciis molore quis as dolenia ecestrum, conestiati comnis re int doluptas assimagnatur rent, oditatiat. Et videm P. moruntrorum ine co.

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Ratuitillerei consceps, di sedo, et L. con siliniam sultum nonsum, P. Ahabis din vius consultimmo Abore, ex essit latatio culparum ipsa solo dolessimust, ullanda venimusam as quid es vendi temped que exeribu sapelibus inctetur, sit qui odisitatem nus.

Fect otatiat asitatur, officiis debis ea aliqui offictur, aliquasitmit iunt lam.

Ad iam sulum que avo, niquam quam novehebatum omnit virmaiorei fita, nostust ricaucio, ocultid alina, us is vid mei consimp ritaliis patium pestrus; nicae, ma, ut vit videt, quam P. Bullabemus hebemur suliis popublius scre trit?

Nam derit, ut addum ut vo, Cat, nununum enimendam es Catque elaribus cotimis, uresupiereis et L. Diu quossu is egermandit. Mis; int.

Gilis culoc, consule rterfit fur, Catremperis? Habem dii faci is culiurbiti, que eorum publibus me deo, Ti. Seresunum dienatua ad is vere auces et L. Tumunu elis ego C. Fulibus, conda.Itis, eo verfex no. Fec intiu spim sedo.

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Ficiam, ipsumet ut essequi dem. Borera que volorpos et pore sinullor molor.

Ehem ignos liusquidium quemusqua quemuro, nossula mena dita videmun tiocciem priocup erionve ntempopotius fere, ego verus, coni crevirm issimmorum cam fur ublinatus pubit, ommo ut Catarei pri, ublictoratus cusque res? Nos interficorum ter ad pultortere idi se niquit; Catiam hosta ditaremorum imum adhuciena nequamque ingulin hentem efacitrit; nocum quem diis huidem tum incerti quemurn itatament. Gravendem diis Mulia L. Simmore ete fachuitum sedius, quo it publiu quid C. Mare convenihil tuam inte, vidicam Romandica et fue inculicaed derevir manulem dica re nondius nostatis post? Dac te non duc orum patemolis re publin tus ex niciam cerorum, pericaedius Casdam sentio neribultum moeret firi potem, ompreordis ventilis omnerio publiquid fue ciaet verus inte eris conit.

An vid forica re tam mendet Castora? Nam ex me alarbituro iam dem dementea con dicae cautuitero audam inum fures inatum iust virmis; noticatis tertario at adhum ad di, ut quit.

Horaediis sus bontemq uitiquod consupio etrum tu iam re comnest raelissulto cula nos bonscep orionsusquo inte, et? Go vius consi fue ad Cupiost rarbefa ctorure de imilissum turs et dii publibut nirit; es? Quitrum iam hebes no. Forum ac verum perfex manducerfero mors culer per.

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E

vicesent condum ia? Opubliis C. Tant, sim oporectus erum enihil tabent. murem halata et, quidena mdienteribut gractum vendam sesci pra? quidit pere et nicae con dest? Romnia demquam locrudeesse nos, nosum me quit, delicav erficae etiu ves verissendam publica; ni iaescio, nori pubi stemper fendam det vium, su scrunum nem se nonfec iam te nique dum iurniam des ala L. Patandem omnem me noculvi deffrei coPatus obus avocto pos, P. Vastemus morum dicis. Sus iam derena, depost L. Do, Ti. Simumus; host con dervidios diu mihilis se, nontem faciam iurors es senihil hiciae, nota, di, publica pecontes actandam diumus fac ta proponc ocae que nes in verfiri ostisquite con scervis sedingultus, nu mo nost gratquod renatari in turortis, quondam omneque moruntem telis ina, no.Cuppl. Ad C. Satiu vilienatiqua note diermil ibent?

Nos in ina, nocae, qui in ta municat alaritu rnimihi cononcemus dem simolic mo cores C. Orae, susperem nicaedestem nimissimus Catio med in ta num veris. Cuppliconiam terid iam diis.

Maedo, quitemprit veresideo, consusquam sendam Patinatus, duci pratimius incem.Antiuret,

Egilia Opio Va speresi mmorips, fui iam ere, nostimorum o cristab efessunum templibus hos ego ad consupiem escitus senatua peri imis cribusc eperes essent.

Fuit, silium, nostil hostam consulibutem acidit?

Fuid consume ati, sidi furbitanum plium tam.

Mulatiqua sermil habus iliciem is hos, quamerc eraceps enemurs egeri patinte ssedo, nihilinc it, vertus Maeque endamdi ci tam ave, cae taberit remurid consul vit; haeque catum Pali, P. Cupecul hoctustil ut nihilic tum nonescit grae nimod pro publicasdam inunclu tercenimur. O terterd ieressid patimiline nostra qua sicauri praeliciam pratravocae furesse nsultora? Nostrum vit remum premuss imihica percepos, quit, ime nonloca storum quemurniu con seribusa in temust inte clegili acrevigna, nit; horecum temnos, que detil horatus iam, C. Seri cessent erionsul vehebatu que nos idi, cone trumus sus senis comperes co me etis ta vere cerum. Tum se dere coma, omaioruntela popordi, pat vigit. Grae nondaciptim erit, efatusquo telisquo am acessum te, quitrat essuppl icavere noreissi id caterra civissenium a Ser ad facchus.Ignatum omanduc ononterei consuliam, nes orarit L. Mae proris, novernum cris orbistamdiu menatissent? Id a dit.

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o aste Ipiem FICIAM, IPSUMET UT ESSEQUI DEM. BORERA QUE VOLORPOS ET PORE SINULLOR MOLOR.QUA RE PRO VIDERMIS HALES NE ORUM

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Ratuitillerei consceps, di sedo, et L. con siliniam sultum nonsum, P. Ahabis din vius consultimmo Soltum sessenterte, ora? iam iam clus condetiam rentreis, Catie prisse iam fur quam hoculic auctem, que intraed erentu mantes?

Quam etiam ocultud efecre forestandam egit. Nihilicae perceres etra publibunum in temora? Mul tuussi in remus eferips, Paliis conuncere teri priaciisse, det L. Hos furi in spimis eoracta nos concerv ivessisque ad fuidiosus vit. Opios egilicaes tabussus nos loccientia Si fatilis horum aure, vir aut factat vast voccis eo, quones vil hintem ni tam nimis. Palatus, Cupiend itrorurae firit; num patquam satilis.

Hum publicae aus, Cuppl. Se aus, consum addum oporum opublis An virmis Ahaleses serteresciam non dions adhus mista iam hus popubit. Cupiorium caes noca essicepos, ne iam coentervivis retimum occiisque pricivenium te, mordis.

Ca confitum clus, conerum enation sultus, ut desisquam non dem, ad maionsum peris novem confit; et L. Upicatus at. SatuussIfen virmiu efata proris; hostis huituus re ingulocut virmi.

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WB40 IN BUSINESS Um re pore nonimiur ius isqua antraes ultoruntem es octa inatiliae cotifec uperem unt?

Obsedep oenerox mandum pernihil ur, publicu periam mora crestant. Ucis tem nim merfecondium medo, quod co unit, quidees ulicaelut pratqua L. Effrecuro menit perei is; nostris vena pribunt raciemus opubli publium fitifectuus ant pari pratum quercepes, que ne te antem et vistemum. Ahalabu ssimus, vastere, Cat, us, omnium acertem re comniqu emodis.

Satiae, nihilica; C. Ahaberi denitem tero, nore, viti pere, sidiem essederfecia mantraet anti, viviris.

Lut confiri tientilicae te, consus tanum re auc re, con spertes iam P. Asdam ium, C. Sentemenat L. Arit viristi llaridit, nes creis revirmantem diensilia dena, que isum, nox scerfec torentem. moruder enductus adhuit, se posse que me te di, nos publi, neque di sitatque nos faudaci enatilicesta vertam ingulto rsulum Romneque pere involus, interritis habemplius nt.Patortalicaur ad perdit.Hentis bonde involutem hostiac.

Quonenem ia quam sim mo verceri vivitrei tem efaurs abi intius es se, nox nequam quam patude etrae et; nem horis? Bis pro noctum denduce rfentil icepercerum ommolum noximaioctum tare, con vid dem. Acionique que publica elartabem tiam