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Symphony no 2 score excerpt

Page 1


SYMPHONY NO.2

To and From Dakini

for Full Orchestra

Duration: 15 min

1st Edition • 2013 FULL SCORE

Orchestra

Piccolo

2 Flutes

2 Oboes

English Horn in F, Oboe

2 Clarinets in B-flat

Bass Clarinet in B-flat, Clarinet in B-flat

2 Bassoons

Contrabassoon

4 Horns in F

3 Trumpets in C

2 Trombones

Bass-Trombone

Tuba

Timpani

3 Percussions:

I: Vibraphone, 5 Woodblocks, Bass Drum, and Tambourine; II: Xylophone, Slapstick, 2 Bongos, 2 Tomtoms, Kick Drum, and 1 Med Suspended Cymbal; III: Glockenspiel, Marimba, High Triangle, Snare Drum, and Crash Cymbals

Harp

Violin I

Violin II

Viola

Violoncello

Double Bass (Min 10,8,6,6,4 )

Duration: ca. 15 min

Score in C

Except that the Piccolo and the Xylophone sounds one octave higher, the Glockenspiel sounds two octaves higher, the Contrabassoon and Double Bass sounds one octave lower

Program Note

Imaging that girl: elusive, playful, courageous, dancing fiercely, never lacking in introspection and strength It is through her feminine force we encounter the infamous Brahms Lullaby once more

Why the Lullaby? This idea for Symphony No 2 is twofold First, it organically continues my Symphony No 1 No 2 begins with the same music that concluded No 1 Furthermore, the large onemovement form is spun out from one of the simplest musical elements: the rising or falling of two notes of various intervals The two-note melodic contour at the beginning of the Brahms Lullaby most naturally fit my compositional design As you know, the Lullaby doesn’t stop there, and that’s where No. 2 enters into uncharted terrain.

Second, feminine forces compelled me. One such force was Elaine Lebonbom and the generous grant she established as one female artist commissioning other female artists Another force was my mother who sang lullabies so my infant self would stop driving the neighbors crazy There was a third female force, too, providing a dreamy influence just beyond my consciousness

I blinked my eye and the first draft of the symphony was finished When I read it over, the broad range of character transformation bewildered me At times, the feminine force sings with utmost tenderness But other times, she can’t stop dancing, as if gravity ceased to exist and all terrestrial boundaries disappeared This dreamy female becomes a nurturer of calming introspection But in an instant, she reveals herself to be a tempestuous dancing goddess!

I immediately googled “dancing goddess” and again blinked my eye: there she was – living amongst powerful ancient Gods on the wall of Rongbuk Monastery, the highest monastery in the world (16,340 ft above sea level) at the base of North Mount Everest The Tibetan Buddhists call her "Dakini" and know her to be elusive, playful, the female embodiment of enlightenment and an accomplished teacher of realities that cannot be grasped intellectually. (much like the musical reality, isn’t it?) At the core of their teaching, a Dakini defies narrow intellectual concepts with a sharp, brilliant wisdom that is uncompromising, honest and tinged with wrath

So I invite you to meet her, the nurturer, the girl, the dancer and the teacher (Careful not to blink your eye and miss her swift changes!) I hope that her spirit delights and transforms you the way composing Symphony No 2 has taught me If so, I’m happy to say that I’ve done my job

To order this edition & rent parts :

Please email your order to: wangjie@wangjiemusic com or Call in your order to: 212 380 1483

Wang Jie Music, ASCAP

209 West 109th Street, #5E, New York, NY 10025 New York, NY 10025

Date of printing: Dec 2013

Contact Wang Jie: 212 380 1483 www wangjiemusic com

-Wang Jie

I, II

Oboe I, II

English Horn

Clarinet I, II in Bb

Bass Clarinet in Bb

Bassoon I, II

Contrabassoon

Flute
Trumpet
Trombone

B.

Cbsn.

Hn.

Cl.
Bsn.
Cbsn.
Hn.
Hn.
C
C
Tbn.
B.

• Serenade in Isolation 12’ Violin Solo

• Dance for Two 15’ Percussion Solo

• Game for Two 13’ Two Pianos

• Faded Colors 10’ Piano Trio

• Waiting for the Beginning 15’ Fl, Cl, Vln, Vc, Pno&Toy Pno

• The Animal Carnival 15’ Soprano and String Quartet

• In Wind They Cleave 15’ Soprano, Baritone, Piano, Percussion, Violin, Cello

• Music for the Joy of Sextet 5’ Fl, Cl, Vln, Vla, Vc, Perc

• Concerto for Harpsichord and String Instruments 12’ Harpsichord, 2 Vla, Vc

• The Stranger 2 12’ Fl, Cl, Vln, Vc, Pno

• Five Phases of Spring 15' Fl, Cl, Tpt, Perc, & String Quartet

• I Died for Beauty 11’ Baritone, Vibraphone and Piano

• Three Miniature Etudes for the Joy of Organ Playing 5’ Organ Solo

• From the Other Sky 17’ 111, 1111, 3perc, pno, hpsc & cel, singers, str

• Symphony No 1 15’ 3333, 4331, timp, 3perc, pno&cel, hp, str

• Swamp’s Shore 7’ Sopr, 2222,4231, timp, 3perc, pno, hp, sopr, str.

• Five Faces of Joy 7’ String Orchestra & Celesta

• Death of Socrates 8’ 3333, 4331, timp, 3perc, pno&cel, hp, str

To Order Music for Purchase & Rent Orchestral Music:

• Email your order to: wangjie@wangjiemusic com or

• Call in your order to: 212-380-1483

To Learn More about Wang Jie's Rental Library

• Please visit: www wangjieonline com

Wang Jie Music

209 West 109th St #5E

New York, NY 10025

www wangjiemusic com

212 380 1483

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