Waddington’s West | April 23 - 28, 2022

Waddington’s West A P R I L !"#!— !"%& !" '""

Waddington’s West A P R I L!"#!— !"%& !" '""

BID1AND1VIEW1ALL1LOTS1ONLINE1AT﹕ www.waddingtons.ca

NOTE﹕ This lot is located in Vancouver, BC. Please contact jd@waddingtons.ca to book a preview appointment.

Local pick up by special arrangement; shipment from Vancouver only.

SPECALIST

Jacqui Dixon jd@waddingtons.ca ,,---*,-+/--

COVER Lot $% JASON!HENRY!HUNT MULTIPLE&RAVEN&MASK'&%($)

INSIDE1COVER1 &

Lot * NORVAL!MORRISSEAU SELF&PORTRAIT

INSIDE1BACK1COVER

ON1VIEW﹕

Lot %* ABRAHAM!APAKARK!ANGHIK! EASTERN&SOJOURN

Saturday, April 23 2 to 5 pm PT

BACK1COVER1

Sunday, April 24 12 noon to 4 pm PT

Lot %+ JOSEPHIE!POOTOOGOOK WOMAN&SCRAPING&SKIN

Monday, April 25 12 noon to 7 pm PT

PREVIEW1HELD1AT﹕

343 Railway Street, Suite 101 Vancouver, BC, V6A 1A4

This catalogue and its contents © !"!!# Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All rights reserved.

!

NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE FISH!SPAWNING acrylic on canvas; object identification number in felt ink on stretcher: 33 16.1 x 20 in — 40.8 x 50.8 cm PROVENANCE"

Acquired from the Artist; Private Collection Nanaimo, BC #$%&&&'—')%&&&

$ NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE MEDICINE!MAN!WITH!BUTTERFLIES acrylic on canvas; signed lower le!, object identification number 6 on stretcher verso, KR 1413 on canvas verso 24 x 11.9 in — 61 x 30.2 cm PROVENANCE"

Acquired From the Artist.

Private Collection, Nanaimo, B.C. #*%&&&'—'+%&&&

* NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE SELF!PORTRAIT acrylic on canvas; signed lower le!, pencil sketch verso 35.8 x 24 in — 91 x 61 cm PROVENANCE"

Acquired from the Artist.

Private Collection, Nanaimo, B.C. View website for full catalogue detials #+%&&&'—',%&&&

) NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE TWO!SHAMAN acrylic on card backed with board; signed in syllabics, lower right 29.9 x 39.8 in — 76 x 101 cm PROVENANCE"

Acquired from the Artist.

Private Collection, Nanaimo, B.C. #+%&&&'—',%&&&

+ NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE TREE!WITH!BIRDS acrylic on canvas; signed 40 x 19.9 in — 101.5 x 50.6 cm PROVENANCE"

Acquired from the Artist.

Private Collection, Nanaimo, B.C. #)%&&&'—'-%&&&

NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE SHAMAN acrylic on canvas; pencil sketch verso 47.6 x 23.8 in — 121 x 60.5 cm PROVENANCE"

Aquired from the Artist Private Collection, Nanaimo, B.C. #-%&&&'—'.%&&&

, NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE SHAMAN acrylic on canvas; signed lower right 62.6 x 50 in — 159 x 127 cm PROVENANCE"

Acquired from the Artist.

Private Collection, Nanaimo, B.C. #/%&&&'—'!$%&&&

.

NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE BIRD!AND!FISH acrylic on masonite; signed lower right 23.8 x 23.8 in — 60.5 x 60.5 cm PROVENANCE"

Acquired from the Artist.

Private Collection, Nanaimo, B.C. #)%&&&'—'-%&&&

/ NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE TRANSFORMATION!FIGURE acrylic on masonite; signed 23.6 x 23.8 in — 60 x 60.5 cm PROVENANCE"

Acquired from the Artist.

Private Collection, Nanaimo, B.C. #)%&&&'—'-%&&&

!& NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE MAN!WITH!BIRDS acrylic on masonite; signed lower le!

23.6 x 24 in — 60 x 61 cm PROVENANCE"

Acquired from the Artist.

Private Collection, Nanaimo, B.C. #)%&&&'—'-%&&&

!!

NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE MAN!AND!WOMAN acrylic on canvas 61 x 60.8 in — 155 x 154.5 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC NOTE"

Likely painted later in life as the paint is very thin when he wasn’t custom mixing his own paints. #/%&&&'—'!$%&&&

!$ JASON!HENRY!HUNT!"B,#$)%*+!

KWAKWAKA’WAKW MULTIPLE!RAVEN!MASK"!#$%& cedar wood, cedar bark, acrylic paint overall 49 x 46 x 31 in — 109.2 x 101.6 x 27.9 cm PROVENANCE"

Private Collection, British Columbia View website for full catalogue details EXHIBITED"

“Reach for the Sky: Tradition + Inspiration” 2019, Sunnylands, CA. h"ps://sunnylands.org/on-view-reach-for-the-sky/ #.%&&&'—'!&%&&&

!* JASON!HENRY!HUNT!"B,#$)%*+!

KWAKWAKA’WAKW MOON!MASK!WITH!ORCA!DESIGN cedar wood, cedar bark, acrylic paint 32 x 32 x 18 in — 81.3 x 81.3 x 45.7 cm PROVENANCE"

Private Collection, British Columbia.

View website for full catalogue details EXHIBITED"

“Reach for the Sky: Tradition + Inspiration” 2019, Sunnylands, CA. h"ps://sunnylands.org/on-view-reach-for-the-sky/ #)%&&&'—'-%&&&

!)

ROSS!HENDERSON!"B,#$)(*+!

KWAKWAKA’WAKW HAMATSA!DANCER cedar, cedar bark, acrylic paint; signed, titled and dated 2008 20.5 x 26 x 25.5 in — 52.1 x 66 x 64.8 cm PROVENANCE"

Private Collection, Nanaimo, B.C. #$%&&&'—'*%&&&

!+ BEAU!DICK!"#$---'(#)* KINGFISHER!MASK red cedar, acrylic paint, cedar bark, abalone shell signed and dated 1998 11.5 ins x 10 ins x 27 ins; 29.2 cms x 25.4 cms x 68.6 cms PROVENANCE"

Eagle Spirit Gallery, Vancouver B.C. Private Collection, United States.

NOTE"

The kingfisher represents wealth and prosperity, a sign of future success. The kingfisher also represents increased mental and spiritual agility. #+%&&&'—',%&&&

!EUGENE!ALFRED!"B,#$)(*+!TLINGIT RAVEN!MASK birch wood, acrylic paint; signed and dated ‘20 6.25 x 7 x 2.75 in — 15.9 x 17.8 x 7 cm PROVENANCE"

Private Collection, British Columbia.

NOTE"

Eugene Alfred has trained with a number of prominent artists, including TahltanTlingit master carver Dempsey Bob and Ken Mowat. Alfred has also taught carving and tool-making courses at the K’san Native Art School in Hazelton, B.C., McBride Museum in Whitehorse, Yukon, and Yukon College Campus in Pelly Crossing. Alfred’s work has been exhibited widely since 1993 and can be found in a number of significant collections, including the Canada Council Art Bank in O"awa, Ontario. He has also worked on select commissions, designing album covers and producing large-scale carvings for the Yukon Tourism Branch based in Whitehorse. #-&&'—'/&&

!, HENRY!EVALUARDJUK!"#$'%-'(()*+!

IQALUIT!"FROBISHER!BAY* TRAVERSING!POLAR!BEAR stone; signed in Roman and syllabics 5.5 x 12 x 4 in — 14 x 30.5 x 10.2 cm PROVENANCE"

Private Collection, British Columbia.

NOTE"

This fine example of Henry’s work displays all the characteristic elements collectors are looking for in his bears, the elegant lines and the lustrous quality of the stone. #*%&&&'—')%&&&

!.

HENRY!EVALUARDJUK!"#$'%-'(()*+!

IQALUIT!"FROBISHER!BAY* POLAR!BEAR!ON!HIND!LEGS stone; c.1995, signed in Roman and syllabics 11 x 4.5 x 7 in — 27.9 x 11.4 x 17.8 cm PROVENANCE"

Private Collection, British Columbia. #*%&&&'—'+%&&&

!/ NUNA!PARR!"#$.$-*+!KINNGAIT! "CAPE!DORSET* SCENTING!POLAR!BEAR stone 11 x 18.5 x 10 in — 27.9 x 47 x 25.4 cm PROVENANCE"

Private Collection, British Columbia.

NOTE"

This large striking bear is a fine example of Parr’s work featuring smooth rounded minimalist lines. #*%&&&'—'+%&&&

$& DAVID!RUBEN!PIQTOUKUN!"B,#$-(*+!

PAULATUK GROWLING!BEAR stone; signed and dated 03/79 5 x 10 x 3 in — 12.7 x 25.4 x 7.6 cm PROVENANCE"

Private Collection, British Columbia NOTE"

Piqtoukun received the Governor General’s Award in Visual Arts in 2022.

This distinctive bear with teeth and swiping paw is an early rare work. #!%&&&'—'!%+&&

$!

HENRY!EVALUARDJUK!"#$'%-'(()*+!

IQALUIT!"FROBISHER!BAY* ARCTIC!FOX stone 5.25 x 2.75 x 12 in — 13.3 x 7 x 30.5 cm PROVENANCE"

Private Collection, British Columbia NOTE"

This large and exquisite depiction of an arctic fox possesses the elegance that is typical of Henry’s finest work. #$%&&&'—'*%&&&

$$ GREG!TAYLOR DANCING!BEAR stone; signed indistinctly “Greg Taylor” in Roman 5 x 2.5 x 1.5 in — 12.7 x 6.4 x 3.8 cm PROVENANCE"

Private Collection, British Columbia #!&&'—'$&&

$* ABRAHAM!APAKARK!ANGHIK!"B,#$-#*+!

PAULATUK EASTERN!SOJOURN stone, wood, bone 9 x 26 x 8 in — 22.9 x 66 x 20.3 cm NOTE"

Figures in boats, whether they be animals, human, spiritual or mythical feature prominently in Anghik’s work.

Family and kinship groups would periodically migrate to new places when survival issues occurred. Traveling in boats placed their fate in the hands of Sedna, the sea goddess who provided the sea animals to humans as food.

Traveling on water, migrators placed their trust In her protection as they moved to a new place of plenty.

The presence of spirit animals in the bow and stern of this boat suggests that the journey is not only physical, but spiritual as well. #*%+&&'—'+%&&&

$) JOSEPHIE!POOTOOGOOK!"#//)-#$-/*+!

KINNGAIT!"CAPE!DORSET* WOMAN!SCRAPING!SKIN stonecut; 1958, 30/50 9 x 12 in — 22.9 x 30.5 cm PROVENANCE"

Private Collection, British Columbia.

NOTE"

This work, printed by Iyola Kingwatsiak and Lukta Qiatsuk is a precursor to the larger format 1959 print Woman with Musical Instrument. The background of this experimental print was created with a section of whalebone. #*%&&&'—'+%&&&

$+ PITALOOSIE!SAILA!"#$.'-'('#* WOMAN!OF!OLD lithograph 1984, 48/50 25.75 ins x 18.5 ins; 65.4 cms x 47 cms PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

$PITSEOLAK!ASHOONA!"#$(.-#$/%* THE!SHAMAN’S!WIFE stonecut and stencil 1980, 23/50 21.5 ins x 15 ins; 54.6 cms x 38.1 cms PROVENANCE"

Private Collection, British Columbia #,&&'—'!%&&&

$, PITALOOSIE!SAILA!"#$.'-'('#*+!

KINNGAIT!"CAPE!DORSET* MY!FATHER’S!PIPE lithograph; unframed, 2005, 13/50 22.25 x 30.25 in — 56.5 x 76.8 cm PROVENANCE"

Private Collection, Washington State #+&&'—',&&

$.

ALLEN!SAPP!"#$'$-'(#-*+!CREE WARMING!UP!FROM!THE!COLD acrylic on canvas; signed lower right 18 x 14 in — 45.7 x 35.6 cm PROVENANCE"

Private Collection, British Columbia #!%$&&'—'!%+&&

$/ ROBERT!GENN!"#$%0-'(#.* HAIDA!MORNING"!%'(# acrylic on canvas signed lower right, signed, dated and titled verso 24 ins x 36 ins; 61 cms x 91.4 cms PROVENANCE"

Private Collection, British Columbia #*%&&&'—'+%&&&

*& NELL!MARY!BRADSHAW!"#$(.-#$))* HORIZONTAL!BEAVER oil on board signed and inscribed ‘Pole from Skedans and now in American Museum of Natural History, N.Y’ 9.6 ins x 11.7 ins; 24.3 cms x 29.8 cms PROVENANCE"

Private Collection, British Columbia #!%&&&'—'!%+&&

*!

NELL!MARY!BRADSHAW!"#$(.-#$))* RAVEN!CLAN!HAT!&!SPIRIT!OF!THE!RAVEN oil on board; signed lower right, signed and titled verso 20 x 24 in — 50.8 x 61 cm PROVENANCE"

Private Collection, British Columbia #$%&&&'—'*%&&&

*$ NELL!MARY!BRADSHAW!"#$(.-#$$)* MOUNTAIN!GOAT!MASK oil on board; signed lower right, signed and titled verso 24 x 20 in — 61 x 50.8 cm PROVENANCE"

Private Collection, British Columbia #$%&&&'—'*%&&&

** WALTER!JOSEPH!PHILLIPS!"#//.-#$0%* CLOUDS watercolour signed lower right sight 8.5 ins x 9 ins; 21.6 cms x 22.9 cms PROVENANCE"

Canadian Fine Arts, Toronto, ON; Winchester Gallery, Victoria, BC; Private Collection, British Columbia #+%&&&'—'-%&&&

*) VOJTECH!MATOUSEK UNTITLED!)BIRCHES* watercolour signed lower right sight 29.1 ins x 41.7 ins; 74 cms x 106 cms PROVENANCE"

Private Collection, British Columbia #!%&&&'—'!%+&&

*+ NORMAN!ANTHONY!"TONI*!ONLEY+! "#$'/-'((.* SHOWER"!SAVAGE!POINT"!B+C+"!%'(' watercolour signed lower right, signed, titled and dated “August 21,1973” lower centre sight 11 ins x 15 ins; 27.9 cms x 38.1 cms PROVENANCE"

Private Collection, British Columbia #!%&&&'—'!%+&&

*ROBERT!GENN!"#$%0-'(#.* CARIBOU!TAPESTRY oil on canvas signed lower right, signed, titled, dated and inscribed ‘Home for 2 Days’ 10 ins x 12 ins; 25.4 cms x 30.5 cms PROVENANCE"

Private Collection, British Columbia. #!%&&&'—'!%+&&

*, MAX!MAYNARD!"#$(%-#$/'* ADAM’S!POINT"!NEW!HAMPSHIRE"!%'('+ oil on paper signed 19.75 ins x 24 ins; 50.2 cms x 61 cms PROVENANCE"

Kyles Gallery, Victoria B.C. Morris and Helen Belkin Gallery, Vancouver B.C. #-&&'—'/&&

*.

CHRISTIAN!MORRISSEAU!"B,#$0$*+!

ANISHINAABE FLIGHT!OF!THE!RED!THUNDERBIRD! INTO!THE!ASTRAL!PLAIN acrylic on canvas; signed 59 x 56.5 in — 149.9 x 143.5 cm PROVENANCE"

Private Collection, British Columbia. #!%+&&'—'$%&&&

*/ ROD!CHARLESWORTH!"B,#$--* WEST!COAST!ECHOES oil on canvas; signed bo"om right 30 x 40 in — 76.2 x 101.6 cm PROVENANCE"

Private Collection, British Columbia. #$%&&&'—'*%&&&

)& ROD!CHARLESWORTH!"B,#$--* SLOW!FLOW"!FRASER!RIVER"!B+C+ oil on canvas signed lower right, signed and titled verso 18 ins x 36 ins; 45.7 cms x 91.4 cms PROVENANCE"

Private Collection, British Columbia. #.&&'—'!%$&&

)!

)$

DONALD!JARVIS!"B,#$'%*

DONALD!JARVIS!"B,#$'%*

GREEN"!%''( acrylic on paper 27 ins x 11 ins; 68.6 cms x 27.9 cms

FIRE"!%''' acrylic on paper signed and dated 99 lower right 27 ins x 11 ins; 68.6 cms x 27.9 cms

PROVENANCE"

Bau-Xi Gallery, Vancouver.

Morris and Helen Belkin Art Gallery, Vancouver #.&&'—'!%$&&

PROVENANCE"

Bau-Xi Gallery, Vancouver B.C. Morris and Helen Belkin Gallery, Vancouver B.C. #.&&'—'!%$&&

)* WILLIAM!"BILL*!RONALD!REID!! "#$'(-#$$/*!AND!VARIOUS!ARTISTS THE!SALMON!-!CANADA’S!PLEA!FOR!A! THREATENED!SPECIES limited edition portfolio of prints This limited edition portfolio was produced under the direction of Fisheries and Marine Service, Environment Canada, O"awa. It consists of the following sections and items: 1. The Legacy: including 5 original silkscreen prints by Bill Reid.

2. The Atlantic: including 6 reproductions of 19th century prints.

3. The Pacific: including 5 reproductions of gouache paintings by David Denbigh.

4: The Cycle: including 6 reproductions of watercolours by Rudi Kovach.

5. A book titled The Salmon wri"en by Roderick Haig-Brown, 1974, 79 pages including reproductions of colour photographs.

The portfolio is presented in its original wood and linen protective presentation box, with a bas-relief by Bill Reid.

22 ins x 17 ins; 55.9 cms x 43.2 cms PROVENANCE"

Private Collection, British Columbia. #!%&&&'—'!%+&&

)) UNIDENTIFIED!ARTIST BLUNDEN!HARBOUR!TOTEM!POLE! CIRCA!%'-$ wood, acrylic paint height 14 in — 35.6 cm PROVENANCE"

Private Collection, British Columbia NOTE"

Located on the mainland side of Queen Charlo"e Strait, Blunden Harbour was the location of a Kwakwaka’wakw village whose residents referred to themselves as the Nak’waxda’xw.

In 1964, the community was forced to relocate to Port Hardy a!er the Canadian Department of Indian and Northern Affairs threatened to cut off support for housing, education, and services if they remained in their isolated location. The village was burnt to the ground to ensure they would not return. #)&&`'—'-&&

)+ ALVER!TAIT!"B,#$.%* EAGLE!CHIEF!WITH!BEAVER!HAT! AND!BEAVER yellow cedar signed, titled and dated 4/82 verso 26.8 ins x 9.1 ins x 4.9 ins; 68 cms x 23 cms x 12.5 cms PROVENANCE"

Private Collection, British Columbia #-&&'—'/&&

)RON!SEBASTIAN!"B,#$.-*+!GITKSAN PORTRAIT!MASK wood, paint, abalone, cedar bark, leather; signed 9 x 9 x 4 in — 22.9 x 22.9 x 10.2 cm PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

), WILSON!GEORGE!“CHII-NIAHTT”!

"B,#$-/*+!NUU-CHAH-NULTH WILDMAN!MASK red cedar, cedar bark, twine, horsehair, acrylic paint; signed and dated 2018 including hair 27 x 14 x 7 in — 68.6 x 35.6 x 17.8 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

).

EUGENE!ISAAC!"B,#$-/*+!

KWAKWAKA’WAKW LONG!LIFE!GIVER red cedar, cedar bark, twine, acrylic paint; signed and dated 14/01 Overall dimensions 21 x 11.5 x 7.5 in — 53.3 x 29.2 x 19.1 cm PROVENANCE"

Private Collection, British Columbia NOTE"

Eugene Isaac studied under the master Kwakwaka’wakw carver Beau Dick, who taught art at the Alert Bay High School. Many years later, he took a carving course in 1994 taught by Wayne Alfred, another renowned artist from Alert Bay. Isaac worked on three exhibits for Expo ‘86 and on a 40-foot totem pole for Stanley Park.

Isaac draws inspiration and is influenced by Willie Seaweed, Charlie James, Mungo Martin, Bob Harris, Andy Beans, Doug Cranmer, Wayne Alfred, and Beau Dick. #-&&'—'/&&

)/ HEBER!REECE!"B,#$--*+!TSIMSHIAN EAGLE!CHIEF alder, cedar bark, acrylic paint; signed and dated ‘03 overall dimensions 20 x 16 x 9 in — 50.8 x 40.6 x 22.9 cm PROVENANCE"

Private Collection, British Columbia. #.&&'—'!%$&&

+& COREY!“NOKA!TSI”!

LAROCQUE!"B,#$/'*+!HAIDA WIND!MASK wood, fabric, feathers, acrylic paint; signed and dated 2016 including feathers 19 x 8.5 x 5 in — 48.3 x 21.6 x 12.7 cm PROVENANCE"

Private Collection, British Columbia.

NOTE"

Corey was mentored by celebrated artist Beau Dick and inspired by the works of Russell Smith, Wayne Alfred, and Marcus Alfred.

Corey received the named NokaTsi from chief Marcus Alfred, meaning “big heart”. #.&&'—'!%$&&

+!

ROGER!GRAY!"B,#$0$*+!TSIMSHIAN MARIONETTE!AND!STAND red cedar, paint, horse hair, |fish line, hooks; puppet measures 20 x 5 x 3 in including stand 58 x 11 x 5 in — 147.3 x 27.9 x 12.7 cm PROVENANCE"

Private Collection, British Columbia #-&&'—'/&&

+$ STAN!HUNT!"B,#$-.*!AND!VARIOUS! ARTISTS+!KWAKWAKA’WAKW FIVE!MINIATURE!MASKS cedar, cedar bark, acrylic paint; the Stan Hunt mask, pictured second from the right, is signed and dated 2000, one of the masks is carved with the initials TJH largest 2.5 x 2.15 x 1.5 in — 6.4 x 5.5 x 3.8 cm PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

+* GENE!BRABANT!"B,#$.0*+!CREE KWAGUILTH!CHIEF!RATTLE cedar, leather, twine, acrylic paint; signed and inscribed “I was inspired by a old style KWAG-UILTH (BELLA BELLA) welcoming figure” 13.25 x 5.5 x 5.5 in — 33.7 x 14 x 14 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

+) RAMSEY!LOUIS+!SALISH WOLF!MASK wood, wool, leather, linen, acrylic paint; signed and dated 1996 including hair 16 x 8 x 15 in — 38.1 x 20.3 x 38.1 cm PROVENANCE"

Private Collection, British Columbia #!+&'—'$+&

++ UNIDENTIFIED!ARTIST PORTRAIT!MASK wood, acrylic paint, horse hair; monogram T.G. overall 18 x 10.5 x 6 in — 45.7 x 26.7 x 15.2 cm PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

+UNIDENTIFIED!ARTIST+!ALASKA GRANDMOTHER"!GRANDFATHER!AND! GRANDDAUGHTER!SKIN!MASKS! ENCASED!IN!PLEXI!GLASS!CASE+ caribou hide, caribou hair includes plexi case 13 x 10 x 4.5 in — 33 x 25.4 x 11.4 cm PROVENANCE"

Private Collection, British Columbia #$&&'—'*&&

+, CHIEF!NORMAN!JOSEPH! "#$%#-#$$)*+!SALISH TOTEM cedar wood; signed height height 15.9 in — 40.5 cm PROVENANCE"

Private Collection, British Columbia #$&&'—'*&&

+.

UNIDENTIFIED!ARTIST GLOBULAR!RAVEN!FROG!RATTLE cedar, rawhide, woven fibre; unsigned, circa 1950s, includes display stand 12 x 5 x 4.5 in — 30.5 x 12.7 x 11.4 cm PROVENANCE"

Private Collection, Toronto, ON #$&&'—'*&&

+/ UNIDENTIFIED!ARTIST KILLER!WHALE!RATTLE cedar, leather; unsigned, circa 1950s, includes display stand 10 x 4 x 4.5 in — 25.4 x 10.2 x 11.4 cm PROVENANCE"

Private collection, Toronto, ON #$&&'—'*&&

-& UNIDENTIFIED!ARTIST BENTWOOD!BOX! C+!EARLY!#$TH!CENTURY red cedar 23 x 18 x 15.5 in — 58.4 x 45.7 x 39.4 cm PROVENANCE"

Private Collection, British Columbia. #!%&&&'—'!%+&&

-!

UNIDENTIFIED!ARTIST HAIDA!OR!KWAKWAKA’WAKW!EAGLE! CREST!BUTTON!BLANKET duffel, co"on thread, acrylic resin bu"ons; unsigned 51 x 51.5 in — 129.5 x 130.8 cm PROVENANCE"

Private collection, Toronto, ON #)&&'—'-&&

-$ BERNIE!WILLIAMS!"SKUNDAAL*+!HAIDA BUTTON!BLANKET!WITH!EAGLE!DESIGN melton wool, abalone, co"on thread 59 x 76.5 in — 149.9 x 194.3 cm PROVENANCE"

Private Collection, British Columbia. #)&&'—'-&&

-* UNIDENTIFIED!ARTIST NUU-CHAH-NULTH! )PREVIOUSLY!NOOTKA*!BASKETRY!HAT! WITH!WHALING!SCENE woven spruce root, aniline dyes 9 x 10 x 10 in — 22.8 x 25.4 x 25.4 cm #*&&'—')&&

-) UNIDENTIFIED!ARTISTS+!

NORTHWEST!COAST NUU-CHAH-NULTH!)FORMERLY!NOOTKA*!

BASKET!BOTTLE!AND!STONEWARE! CROCK!WITH!WHALING!SCENE cedar bark, bear grass, glass, stoneware 10 x 3.5 in — 25.4 x 8.9 cm; 6.25 x 5 in — 15.9 x 12.7 cm; 4.5 x 8 x 8 in — 11.4 x 20.3 x 20.3 cm #*&&'—')&&

-+ UNIDENTIFIED!ARTIST THOMPSON!RIVER!SALISH!BASKET cedar bark and root, bear grass, cherry root; c. 1890 12.5 x 25 x 12.5 in — 31.8 x 63.5 x 31.8 cm #!&&'—'$&&

-UNIDENTIFIED!ARTIST THOMPSON!RIVER!SALISH!BASKET c. 1890 with centrally placed star motif, imbricated in red, white and black with a smaller star inside a larger star, 14 x 18 x 14 in — 35.6 x 45.7 x 35.6 cm PROVENANCE"

Private Collection, British Columbia. #+&&'—',&&

-, UNIDENTIFIED!ARTIST A!LARGE!CIRCULAR!SALISH!BASKET! WITH!RATTLE!TOP!LID imbricated with two parallel zigzag chains composed of rectangles in red, white, black, arranged diagonally from base to rim, 13 x 10 x 10 in — 33 x 25.4 x 25.4 cm PROVENANCE"

Private Collection, British Columbia. #)&&'—'-&&

-.

UNIDENTIFIED!ARTIST TWO!SALISH!BASKETS!WITH!LIDS circular and hexagonal lidded baskets imbricated with motifs, 8 x 9 x 9 in — 20.3 x 22.9 x 22.9 cm; 6 x 8.5 x 8 in — 15.2 x 21.6 x 20.3 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

-/ UNIDENTIFIED!ARTIST TWO!SALISH!BASKETS one oval with an openwork effect and a circular basket with flaring walls., 6 x 13.5 x 8 in — 15.2 x 34.3 x 20.3 cm; 8 x 10 x 10 in — 20.3 x 25.4 x 25.4 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

,& UNIDENTIFIED!ARTIST TWO!SALISH!BASKETS circular basket decorated wtih a chain of rectangles imbricated in red, black and white, placed in a zig zag around the wall of the basket; rectangle basket decorated with diamond motifs, 5.5 x 9 x 9 in — 14 x 22.9 x 22.9 cm; 4.5 x 9.5 x 5 in — 11.4 x 24.1 x 12.7 cm PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

,!

A!SALISH!CIRCULAR!SERVING!TRAY diameter 16.75 in — 42.5 cm PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

,$ TWO!SALISH!SERVING!TRAYS one tray in the shape of a half diamond imbricated with red, white and black diamonds on the sides of the basket; the other rectancular with handles and imbricated with beading, 4 x 25 x 14 in — 10.2 x 63.5 x 35.6 cm; 2.5 x 22.5 x 13 in — 6.4 x 57.2 x 33 cm PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

,* UNIDENTIFIED!ARTIST TWO!PRIMITIVE!BASKETS 6.5 x 9.25 in — 16.5 x 23.5 cm; diameter 12.5 in — 31.8 cm #!&&'—'$&&

,) UNIDENTIFIED!ARTIST+!MI’KMAQ PORCUPINE!QUILL!BASKET bark, porcupine quills, dye 2.5 x 4.5 x 4.5 in — 6.4 x 11.4 x 11.4 cm PROVENANCE"

Private Collection, British Columbia #!+&'—'$+&

,+ EMMALINE!SINDBERT PORCUPINE!QUILL!BASKET! WITH!BEAR!DESIGN porcupine quills, cedar bark 3.5 x 5.25 x 5.25 in — 8.9 x 13.3 x 13.3 cm PROVENANCE"

Private Collection, British Columbia #!+&'—'$+&

,BUFFY!LYNCH+!SEEWEPEME THREE!PINE!NEEDLE! PONDEROSA!BASKETS pine needles, sinew, dye 3 x 4.25 x 4.25 in — 7.6 x 10.8 x 10.8 cm PROVENANCE"

Private Collection, British Columbia #!+&'—'$+&

,, UNIDENTIFIED!ARTIST A!PAIR!OF!SILVER!“COPPER”!CUFFLINKS"!

A!PENDANT!AND!A!SMALL! NUU-CHAH-NULTH!LIDDED!BASKET SILVER, CEDAR ROOT cufflinks initialed E.N. and dated 75, pendant initialed E.N, basket measures 2 ins x 2.25 ins x 2.25 ins; 5.1 cms x 5.7 cms x 5.7 cms PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

,.

FLOYD!"TYEE*!JOSEPH!"B,#$-%*+!SALISH SPIRIT!OF!THE!LOON silver; inscribed FJ TYEE, 85, spirit of the loon, Squamish nation PROVENANCE"

Private Collection, British Columbia #,&&'—'/&&

,/ ALVER!TAIT!"B,#$.%* CARVED!LADLE!WITH!EAGLE!DESIGN yellow cedar signed and dated 12/82 3 ins x 11.5 ins x 3 ins; 7.6 cms x 29.2 cms x 7.6 cms PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

.& REG!DAVIDSON!"B,#$-.*!AND! UNIDENTIFIED!ARTIST!SIGNED!W,P, TWO!NORTHWEST!COAST!WOODEN! CARVED!LADLE wood, paint, abalone alder spoon with eagle design with initials R.D. and dated 79, the other spoon with initials W.P. length width 16 ins; 40.6 cms; length width 15 ins; 38.1 cms PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

.!

CHARLIE!JOHNSON!"B,#$0.*+!

KWAKWAKA’WAKW EAGLE"!WHALE!AND!THUNDERBIRD!LADLE yellow cedar, acrylic paint; signed and one dated 94 each 2.5 x 17.5 x 3 in — 6.4 x 44.5 x 7.6 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

.$ CHRIS!SPARROW+!MUSQUEAM DEER"!EAGLE!AND!BEAR!WOOD!CARVING wood, acrylic paint, abalone; signed 32 x 18 x 3 in — 86.4 x 45.7 x 7.6 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

.* TOM!WHONNOCK!"B,#$--*+!

KWAKWAKA’WAKW CARVED!HALIBUT!BOWL yellow cedar, acrylic paint; signed 1.5 x 16 x 9 in — 3.8 x 40.6 x 22.9 cm PROVENANCE"

Private Collection, British Columbia #$&&'—'*&&

.)

VARIOUS!ARTISTS A!COLLECTION!OF!SIX!CARVINGS wood; signed Irvin Sparrow, Raymond Alexander, Ramsey Louis and Richard Campbell largest 6.5 x 33 in — 20.3 x 82.6 cm PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

.+ DOUG!HORNE!AND! UNIDENTIFIED!ARTIST NORTHWEST!COAST!MASK!AND!CARVING wood, feathers; carving signed 21.5 x 8.25 x 4 in — 54.6 x 21 x 10.2 cm; 16.6 x 4 x 3 in — 42.2 x 10.2 x 7.6 cm #)&&'—'-&&

.DANIEL!CAMPBELL+!EDDIE!APADAEM TWO!WOODEN!CARVINGS wood, acrylic paint, horsehair; signed and dated 15.7 x 8.9 in — 40 x 22.5 cm, diameter 25 in — 63.5 cm; 16 x 9 x 1 in — 40.6 x 22.9 x 2.5 cm; 10 x 6 x 2 in — 25.4 x 15.2 x 5.1 cm PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

., A!COLLECTION!OF!NORTHWEST! COAST!CONTAINERS!WITH!LIDS wood, pewter, bark, grass, acrylic paint largest 4.3 x 4.3 x 3.7 in — 11 x 11 x 9.5 cm PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

..

A!COLLECTION!OF! NORTHWEST!COAST!ITEMS ivory, pewter, resin scrimshaw measures height 4.7 in — 12 cm PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

./ A!COLLECTION!OF!NORTHWEST! COAST!CARVINGS wood, ivory, acrylic paint, stone; feather is signed by Chris Sparrow feather measures 4.25 x 4.25 x 3.75 in — 10.8 x 10.8 x 9.5 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

/& UNIDENTIFIED!ARTIST+!GEORGE!RIVER MOTHER!AND!CHILD antler, paint, hide, fur 7.9 x 8.7 x 5.5 in — 20 x 22 x 14 cm PROVENANCE"

Private Collection, Alberta #!&&'—'$&&

/!

UNIDENTIFIED!ARTIST FAMILY!AROUND!THE!IGLOO fur, hide, grass, thread 7 x 10.5 x 10.5 in — 17.8 x 26.7 x 26.7 cm PROVENANCE"

Private Collection, Alberta #!&&'—'$&&

/$ KARL!HARRIS+!COAST!SALISH EAGLE!VEST melton wool, acrylic, abalone; large size 25.5 x 22 in — 64.8 x 55.9 cm PROVENANCE"

Private Collection, British Columbia #!&&'—'!+&

/* JASON!MARLOW BOWL wood signed and dated ‘87 height height 5 ins; 12.7 cms, diameter 11.5 ins; 29.2 cms PROVENANCE"

Private Collection, British Columbia #!&&'—'$&&

/) GRAHAM!PETTMAN!"B,#$%/*+!CREE OLD!INDIAN!WOMAN stone 17 x 17 x 7 in — 43.2 x 43.2 x 17.8 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

/+ GRAHAM!PETTMAN!"B,#$%/*+!CREE THE!FAMILY stone; signed in Roman and dated ‘82 12 x 12 x 8 in — 30.5 x 30.5 x 20.3 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

/GRAHAM!PETTMAN!"B,#$%/*+!CREE WOLF!AND!CUBS stone 7 x 6.75 x 11.5 in — 17.8 x 17.1 x 29.2 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

/, DOUGLAS!MCINNES!"#$0(-#$$$*+!

INUVIK UNTITLED acrylic on canvas; signed lower right 36 x 24 in — 91.4 x 61 cm PROVENANCE"

Private Collection, British Columbia #-&&'—'/&&

/.

DOUGLAS!MCINNES!"#$0(-#$$$*+!

INUVIK UNTITLED acrylic on canvas; signed lower right 36 x 24 in — 91.4 x 61 cm PROVENANCE"

Private Collection, British Columbia #-&&'—'/&&

// KENOJUAK!ASHEVAK!"#$')-'(#%* OWLS!AND!FOLIAGE stonecut 1976, 15/50 22 ins x 27.75 ins; 55.9 cms x 70.5 cms PROVENANCE"

Private Collection, British Columbia #$%&&&'—'*%&&&

!&& PITSEOLAK!ASHOONA!"#$(.-#$/%* OPIRASAIT stonecut and stencil 1979, 21/50 16.5 ins x 18 ins; 41.9 cms x 45.7 cms PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!&!

ULAYU!PINGWARTOK!"#$(.-#$)/* WOMEN!DRYING!BOOTS!OVER!KUDLIK stonecut 1976, 33/50 14.5 ins x 21.5 ins; 36.8 cms x 54.6 cms PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

!&$ PITSEOLAK!ASHOONA!"#$(.-#$/%* ONE!CAPTIVE!BIRD stonecut and stencil 1983, 6/50 14 ins x 17.5 ins; 35.6 cms x 44.5 cms PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!&* KANANGINAK!POOTOOGOOK! "#$%--'(#(*+!KINNGAIT!"CAPE!DORSET* UNNUARSUIT!UPPIIK!)NIGHT!OWLS* stonecut and stencil; unframed, 2006, 8/50 30.1 x 24.4 in — 76.5 x 62 cm PROVENANCE"

Private Collection, Washington State #+&&'—',&&

!&) GORDON!APPELBE!SMITH!"#$#$-'('(* SHANNON!FALLS silkscreen unframed, 1990, 50/55, inscribed “For our long time special friend, Ken, from Marion and Gordon” 25.5 ins x 19.75 ins; 64.8 cms x 50.2 cms PROVENANCE"

Acquired directly from the Artist; Private Collection, British Columbia #.&&'—'!%$&&

!&+ GORDON!APPELBE!SMITH!"#$#$-'('(* BLUESCAPE silkscreen signed, titled and numbered 7/30 in the lower margin image 12.6 ins x 18.9 ins; 32 cms x 48 cms PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

!&BARBARA!"BARLEIGH*!LEIGHTON! "#$##-#$/0*+!CANADIAN FALL!IN!THE!FOOTHILLS woodcut; unframed, signed, titled and numbered 18/100 in pencil 11.4 ins x 14.2 ins; 29 cms x 36 cms PROVENANCE"

Private Collection, British Columbia #*&&'—')&&

!&, BARBARA!"BARLEIGH*!LEIGHTON! "#$##-#$/0*+!CANADIAN LAKE!LOUISE woodcut; unframed, signed, titled and numbered 4/100, 2nd ed.

Sight 10.7 ins x 13.6 ins; 27.3 cms x 34.5 cms PROVENANCE"

Private Collection, British Columbia #*&&'—')&&

!&.

DON!YEOMANS!"B,#$-/*+!HAIDA RAVEN!BRINGS!LIGHT!TO!THE!WORLD silkscreen; 46/125 including mat 17.5 x 17.5 in — 44.5 x 44.5 cm PROVENANCE"

Private Collection, British Columbia #!+&'—'$+&

!&/ DON!YEOMANS!"B,#$-0*+!HAIDA SALMON!EGG silkscreen; 1979, 212/215, sight 10 x 10 in — 25.4 x 25.4 cm PROVENANCE"

Private Collection, British Columbia #!&&'—'$&&

!!& BEN!HOUSTIE!"B,#$-/*+!HEILTSUK KILLER!WHALE acrylic on card; unframed, signed and dated 1983 14 x 10.5 in — 35.6 x 26.7 cm PROVENANCE"

Private Collection, British Columbia #.&'—'!&&

!!!

CLEMENCE!WESCOUPE!"B,#$-#*+!

OJIBWE LISTENING!FOR!SILENCE acrylic on board; signed lower right, sight 17.75 x 14.5 in — 45.1 x 36.8 cm PROVENANCE"

Private Collection, British Columbia #!&&'—'!$+

!!$ CLEMENCE!WESCOUPE+!OJIBWE THANK!YOU!SONG acrylic on board; signed lower right, sight 17.75 x 14.5 in — 45.1 x 36.8 cm PROVENANCE"

Private Collection, British Columbia #!&&'—'!$+

!!* REG!DAVIDSON!"B,#$-.*+!HAIDA BEAR!MOTHER silkscreen; unframed, 1980, 126/229 9.8 x 22 in — 25 x 56 cm PROVENANCE"

Private Collection, British Columbia #!&&'—'!+&

!!)

JOE!DAVID!"B,#$.0*+!NUU-CHAH-NULTH KA-KA-WIN-CHEALTH!II silkscreen; 1981, 116/125 18.75 x 18.75 in — 47.6 x 47.6 cm PROVENANCE"

Private Collection, British Columbia #!&&'—'$&&

!!+ SUSAN!A,!POINT!"B,#$-'*+!

COAST!SALISH ULKSEN silkscreen; 1992, 70/150, sight diameter 17 in — 43.2 cm PROVENANCE"

Private Collection, British Columbia #)&&'—'+&&

!!ROSALIE!DIPCSU+!COAST!SALISH INNER!KNOWLEDGE silkscreen; 72/150 PROVENANCE"

Private Collection, British Columbia #+&'—'!&&

!!, UNIDENTIFIED!ARTIST NARWHAL!TUSK!ON!CARVED! WHALEBONE!VERTABRAE ivory, bone; accompanied by Government of Canada marine mammal tag 80.5 x 21 x 9 in — 204.5 x 53.3 x 22.9 cm PROVENANCE"

Private Collection, British Columbia #)%&&&'—'-%&&&

!!.

UNIDENTIFIED!ARTIST CARIBOU ivory 4.25 x 2 x 4.5 in — 10.8 x 5.1 x 11.4 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!!/ SARAH!A,K,+!KUGAARUK!"PELLY!BAY* SLED!AND!DOG!TEAM ivory, antler, sinew 1.4 x 6.7 x 3.9 in — 3.5 x 17 x 10 cm PROVENANCE"

Private Collection, Alberta #$&&'—')&&'

!$& LATCHOLASSIE!AKESUK!"#$#$-'(((*+!

KINNGAIT!"CAPE!DORSET* BIRD stone 7.5 x 6.1 x 7.9 in — 19 x 15.5 x 20 cm PROVENANCE"

Marion Sco" Gallery, Vancouver #+&&'—',&&'

!$!

GEORGE!ARLUK!"B,#$.$*+!

QAMANI’TUAQ!"BAKER!LAKE* EMERGING!HEADS stone; signed in syllabics and dated 78 6 x 8.5 x 2.25 in — 15.2 x 21.6 x 5.7 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!$$ TYARA+!KINNGAIT!"CAPE!DORSET* RECLINING!WALRUS stone, antler 10.2 x 18.5 x 6.9 in — 26 x 47 x 17.5 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&'

!$* MANNUMI!SHAQU!"#$#)-'(((*+!

KINNGAIT!"CAPE!DORSET* MOTHER!AND!CHILD stone; signed in Roman 17 x 10 x 6 in — 40 x 24 x 15.2 cm PROVENANCE"

Private Collection, British Columbia #!%&&&'—'!%+&&

!$) SHARKY!NUNA!"#$#/-#$)$*+!

KINNGAIT!"CAPE!DORSET* SEAL stone 10 x 13 x 7 in — 25.4 x 33 x 17.8 cm PROVENANCE"

Private Collection, British Columbia #-&&'—'/&&

!$+ SEEMEEGA!AQPIK!"B,#$-/*+!

KIMMIRUT!"LAKE!HARBOUR* PAIR!OF!BIRDS stone; signed in Roman 5.5 x 4.5 x 8 in — 14 x 11.4 x 20.3 cm; 6 x 5 x 8.5 in — 15.2 x 12.7 x 21.6 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!$PIERRE!AUPILARDUK!"B,#$0-*+!

KANGIQLINIQ!"RANKIN!INLET* HUNTER!POT ceramic ; signed in Roman and syllabics, dated 94 8.5 x 7 x 5.5 in — 21.6 x 17.8 x 14 cm PROVENANCE"

Private Collection, British Columbia #,&&'—'!%&&&

!$, KAKEE FISHERMAN bone; signed in syllabics 23.5 x 18 x 8 in — 59.7 x 45.7 x 20.3 cm PROVENANCE"

Private Collection, British Columbia #.&&'—'!%$&&

!$.

GOOTA!ASHOONA!"B,#$0)*+!

KINNGAIT!"CAPE!DORSET* ARCTIC!MEMORIES whalebone; signed in Roman and dated 2006 12 x 11 x 5 in — 30.5 x 27.9 x 12.7 cm PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

!$/ NOOLIE!KIPANIK+!IQALUIT! "FROBISHER!BAY* FACE stone 5.1 x 3.3 x 3.1 in — 13 x 8.5 x 8 cm PROVENANCE"

Marion Sco" Gallery, Vancouver #$&&'—')&&

!*& GEORGE!TATANIQ!"#$#(-#$$#*+!

QAMANI’TUAQ!"BAKER!LAKE* BIRD stone; signed in syllabics 1.25 x 2 x 3.5 in — 3.2 x 5.1 x 8.9 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!*!

UNIDENTIFIED!ARTIST FIGURE!HAULING!TWO!WALRUSES stone 12 ins x 10.5 ins x 5 ins; 30.5 cms x 26.7 cms x 12.7 cms PROVENANCE"

Private Collection, WA #*&&'—'+&&

!*$ MOSES!ETTUK+!INUKJUAK! "PORT!HARRISON* HUNTER!OVER!SEAL!HOLE stone; signed in roman 7.1 x 4.3 x 3.9 in — 18 x 11 x 10 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!** JOHNNY!INUKPUK!"#$##-'(()*+!

INUKJUAK!"PORT!HARRISON* MOTHER"!CHILD!AND!HARE stone; signed in syllabics 8.3 x 5.5 x 3.9 in — 21 x 14 x 10 cm PROVENANCE"

Private Collection, British Columbia #.&&'—'!%$&&

!*) JOHNNY!INUKPUK!"#$##-'(()*+!

INUKJUAK!"PORT!HARRISON* WALRUS!AND!PUP stone; signed in syllabics 9.3 x 14 x 5.9 in — 23.5 x 35.5 x 15 cm PROVENANCE"

Private Collection, British Columbia #-&&'—'/&&

!*+ PAUL!TOOLOOKTOOK!"#$.)-'((%*+!

QAMANI’TUAQ!"BAKER!LAKE* WARRIOR!WITH!SHIELD stone; signed in syllabics 7.3 x 9.4 x 4.7 in — 18.5 x 24 x 12 cm PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&

!*MANASIE!MANIAPIK+!PANNIRTUQ! "PANGNIRTUNG* DRUM!DANCER stone, antler 13.8 x 9.1 x 92.5 in — 35 x 23 x 23l5 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

!*, MATTHEW!AKEEA+!QAMANI’TUAQ! "BAKER!LAKE* STANDING!MAN stone; signed in syllabics 12 x 6.5 x 5 in — 30.5 x 16.5 x 12.7 cm PROVENANCE"

Private Collection, British Columbia. #-&&'—'/&&

!*.

DAVIDEE!KAVIK!"B,#$#-*+!SANIKILUAQ! "BELCHER!ISLANDS* HUNTER stone; signed in syllabics 15.5 x 13 x 4 in — 39.4 x 33 x 10.2 cm PROVENANCE"

Private Collection, British Columbia #+&&'—',&&

!*/ UNIDENTIFIED!ARTIST OWL stone 7 x 12 x 6.5 in — 17.8 x 30.5 x 16.5 cm PROVENANCE"

Private Collection, British Columbia. #$&&'—')&&

!)& PAUL!KAVIK!"B,#$./*+!SANIKILUAQ! "BELCHER!ISLANDS* BIRD stone; signed in Roman 8 x 2.5 x 8 in — 20.3 x 6.4 x 20.3 cm PROVENANCE"

Private Collection, British Columbia. #$&&'—')&&

!)!

ISAAC!PANGINGAYAK!"B,#$-(*+!

TALOYOAK!"SPENCE!BAY* LOON!ON!NEST stone, antler; signed in Roman 5.5 x 3.75 x 10 in — 14 x 9.5 x 25.4 cm PROVENANCE"

Private Collection, British Columbia. #!&&'—'$&&

!)$ KANANGINAK!POOTOOGOOK! "#$%--'(#(* LSUNGA lithograph 1977, 15/50 14 ins x 18 ins; 35.6 cms x 45.7 cms PROVENANCE"

Private Collection, British Columbia. #*&&'—'+&&

!)* KINGMEATA!ETIDLOOIE!"#$#--#$/$* TOTEM!BIRD stonecut 1970, 16/50 16 ins x 14.5 ins; 40.6 cms x 36.8 cms PROVENANCE"

Private Collection, British Columbia. #*&&'—'+&&

!))

KINGMEATA!ETIDLOOIE!"#$#--#$/$* NIRLIK stonecut 1979, 19/50 23 ins x 30 ins; 58.4 cms x 76.2 cms PROVENANCE"

Private Collection, British Columbia. #*&&'—'+&&

!)+ PUDLO!PUDLAT!"#$#0-#$$'* AEROPLANE stonecut and stencil 1976, 30/50 22.5 ins x 29 ins; 57.2 cms x 73.7 cms PROVENANCE"

Private Collection, British Columbia. #!%&&&'—'!%+&&

!)PITSEOLAK!ASHOONA!"#$(.-#$/%* SNARING!A!SPRING!GOOSE stonecut and stencil 1982, 24/50 17 ins x 20 ins; 43.2 cms x 50.8 cms PROVENANCE"

Private Collection, British Columbia. #*&&'—'+&&'

!), PITSEOLAK!ASHOONA!"#$(.-#$/%* DOGS!CROSS!THE!RIVER!SLOWLY stonecut and stencil 1980, 18/50 16 ins x 25.5 ins; 40.6 cms x 64.8 cms PROVENANCE"

Private Collection, British Columbia. #$&&'—')&&

!).

PITSEOLAK!ASHOONA!"#$(.-#$/%* ARRIVAL!OF!THE!FISHERMAN stonecut and stencil 1983, 6/50 22 ins x 14 ins; 55.9 cms x 35.6 cms PROVENANCE"

Private Collection, British Columbia. #*&&'—'+&&'

!)/ PITSEOLAK!ASHOONA!"#$(.-#$/%* SUMMER!HOME stonecut 1972, 26/50 23 ins x 19 ins; 58.4 cms x 48.3 cms PROVENANCE"

Private Collection, British Columbia. #*&&'—')&&

!+& SOROSILUTO!ASHOONA!"B,#$.#* KALIVIKTATO!)SKIPPING* stonecut and stencil 1976, 11/50 16 ins x 24 ins; 40.6 cms x 61 cms PROVENANCE"

Private Collection, British Columbia #*&&'—'+&&'

!+!

PITSEOLAK!ASHOONA!"#$(.-#$/%* CARIBOU!CACHE lithograph 1975, 17/37 16.5 ins x 12 ins; 41.9 cms x 30.5 cms PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

!+$ JAMASIE!TEEVEE!"#$#(-#$/-* FACES lithograph 1983, 3/50 11.5 ins x 14 ins; 29.2 cms x 35.6 cms PROVENANCE"

Private Collection, British Columbia #$&&'—')&&

!+* NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE!"OJIBWE* THE!VISIONARY silkscreen; 1979, 57/62 40 x 26.5 in — 101.6 x 67.3 cm PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

!+) NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE!"OJIBWE* SELF!PORTRAIT silkscreen; 2005, 18/220 image 18.5 x 13 in — 47 x 33 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC #*&&'—'+&&'

!++ NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE!"OJIBWE* FAMILY silkscreen; 174/220 image 27.5 x 27.5 in — 69.9 x 69.9 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC #)&&'—'-&&

!+NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE BEAR!WALKING!SOCIETY silkscreen; 114/220 image 19.5 x 16 in — 49.5 x 40.6 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC #*&&'—'+&&

!+, NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE!"OJIBWE* AS!THE!ARTIST!SEES!HIMSELF silkscreen; A.P 3/25 image 21 x 16 in — 53.3 x 40.6 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC #)&&'—'-&&

!+.

NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE!"OJIBWE* GABE silkscreen; 54/220 sight 17 x 13 in — 43.2 x 33 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC #$+&'—'*&&

!+/ NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE!"OJIBWE* MOTHER!AND!CHILD silkscreen; 150/220 25.8 x 19.8 in — 65.5 x 50.3 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC #*&&'—'+&&

!-& NORVAL!MORRISSEAU!"#$%#-'(()*+!

ANISHINAABE!"OJIBWE* FIRST!MEETING silkscreen; A.P 15 x 22.25 in — 38.1 x 56.5 cm PROVENANCE"

Acquired from the Artist; Private Collection, Nanaimo, BC #$&&'—'*&&

!-!

DAPHNE!ODJIG!"#$#$-'(#0*+!

ODAWA-POTAWATOMI THE!EVIL!SPELL silksceeen; 1975, 13/60, sight sight 29 x 40 in — 73.7 x 101.6 cm PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

!-$ ALISTAIR!BELL!"#$#%-#$$)* LAST!YEAR’S!THISTLES ink on paper signed and dated 1967 sight 19.25 ins x 13.5 ins; 48.9 cms x 34.3 cms PROVENANCE"

Morris and Helen Belkin Gallery, Vancouver, BC #+&&'—'.&&

!-* GATHIE!FALK!"B,#$'/* BEAUTIFUL!TIGERS lithograph 23/50 sight 14.25 ins x 21.5 ins; 36.2 cms x 54.6 cms PROVENANCE"

Private Collection, British Columbia #)&&'—'-&&

!-) NORMAN!ANTHONY!"TONI*!ONLEY! "#$'/-'((.* LANDSCAPE silk screen A.P. Sheet 15 ins x 20 ins; 38.1 cms x 50.8 cms PROVENANCE"

Morris and Helen Belkin Art Gallery, Vancouver, BC #!&&'—'!$+

!-+ NORMAN!ANTHONY!"TONI*!ONLEY! "#$'/-'((.*+!CANADIAN HAUNTED!LANDSCAPE silkscreen; 2/15 image 20 ins x 25.5 ins; 50.8 cms x 64.8 cms PROVENANCE"

Bau-Xi Gallery, Vancouver, BC; Morris and Helen Belkin Art Gallery, Vancouver, BC. #!&&'—'!$+'

!-RICHARD!CALVER!"B,#$.0* COMING!HOME linocut 1998, 3/25 image 11.75 ins x 15 ins; 29.8 cms x 38.1 cms PROVENANCE"

Private Collection, British Columbia #-&&'—'.&&

!-, JACK!LEONARD!SHADBOLT! "#$($-#$$/* EMERGING!PRESENCE silkscreen 1977, 9/30 image 29.7 ins x 18.1 ins; 75.5 cms x 46 cms PROVENANCE"

Morris and Helen Belkin Gallery, Vancouver, BC #.&&'—'!%$&&

!-.

JACK!LEONARD!SHADBOLT! "#$($-#$$0* DECEMBER!BIRDS silkscreen 1983, 40/100 image 18 ins x 20.75 ins; 45.7 cms x 52.7 cms PROVENANCE"

Morris and Helen Belkin Gallery, Vancouver B.C. #-&&'—'/&&

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

CONDITION'OF'LOTS

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

BUYERS'PREMIUM

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

PAYMENT

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra", electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL'PRICES'IN'CANADIAN'FUNDS

Selling at Waddington’s BIDDING

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

SHIPPING

WADDINGTON’S'COMMISSION'RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

#$%-'($-)*('+/+#$%-'($-)*(%+/+',)--#.-*--% taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. ',)--##-..)( / ',)--##-#(%$ perry@safershipping.ca / www.safershipping.ca

REMOVAL'OF'PURCHASES

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

CITES

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item CANADIAN'ART'DEPARTMENT'COMMISSION''RATES Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

INSURANCE

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

AUCTION'ADVICE

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (',)-%$'-#,$$).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, se0ing forth terms and fees for our services.

Conditions of Sale ,1+All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

-1+ Each lot sold is subject to a 20% buyers premium as part of the purchase price. .1+ Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

)1 Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a0endance at the sale.

(1+ The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately a"er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, a"er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, a"er which storage charges may be incurred.

'1 The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

%1+ The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a wri0en opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a wri0en request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank dra", electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any a0ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s "DE King Street East, Second Floor Toronto, Ontario!MEA!FK"

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