Photographs | September 25 - October 9, 2025

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Photographs

SEPTEMBER 25 - OCTOBER 9, 2025

Photographs

SEPTEMBER 25 - OCTOBER 9, 2025

BID AND VIEW ALL LOTS ONLINE bid.waddingtons.ca

AUCTION STARTS TO CLOSE Thursday, October 9 at 2 pm

ON VIEW

Monday, October 6 from 10 am to 5 pm

Tuesday, October 7 from 10 am to 5 pm

Or by appointment.

PREVIEW HELD AT

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This catalogue and its contents © 2025 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale found on our website.

Photography & design by Waddington’s All Rights reserved.

FINE ART

fineart@waddingtons.ca

DIRECTOR, INTERNATIONAL FINE ART

Goulven Le Morvan glm@waddingtons.ca 438-528-8489

ASSOCIATE SPECIALIST, INTERNATIONAL FINE ART

Alicia Bojkov ab@waddingtons.ca 416-847-6176

FINE ARTS ADMINISTRATOR

Holly Yake hy@waddingtons.ca 416-504-9100

FRONT COVER

Lot 21

Edward Weston Pepper #30, 1930

FRONT INSIDE COVER Lot 16

Inge Morath

Olmec Head From San Lorenzo at Seagram Plaza, New York City, 1965

BACK INSIDE COVER Lot 27

Edward Burtynsky North of Roanoke, Virginia, 1982

BACK COVER Lot 24

Edward Burtynsky Carrara Marble Quarries #4, Carrara, Italy, 1993

1

GEORGE SEELEY (1880-1955), AMERICAN NO. 347, FROM CAMERA WORK 29, 1910 photogravure

5.5 x 6.9 in — 14 x 17.5 cm

PROVENANCE:

Tatar Cooke Fine Art Photography, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Alfred Stieglitz et al., Camera Work: The Complete Photographs 1903-1917, Taschen, 2015, 346.

$200 — 300

2

GERTRUDE KÄSEBIER (1852-1934), AMERICAN THE MANGER, FROM CAMERA WORK 1, 1903 photogravure

8.3 x 5.7 in — 21 x 14.5 cm

PROVENANCE:

Tatar Cooke Fine Art Photography, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Alfred Stieglitz et al., Camera Work: The Complete Photographs 1903-1917, Taschen, 2015, 37.

$400 — 600

3

FRANK EUGENE (1865-1936), AMERICAN SIR HENRY IRVING, FROM CAMERA WORK 30, 1910 photogravure; signed in plate upper left 6.7 x 4.7 in — 17 x 12 cm

PROVENANCE:

Tatar Cooke Fine Art Photography, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Alfred Stieglitz et al., Camera Work: The Complete Photographs 1903-1917, Taschen, 2015, 352.

$200 — 300

4

EDWARD STEICHEN (1879-1973), AMERICAN PORTRAIT - LADY H., FROM CAMERA WORK 23, 1908 four-colour halftone print 7.8 x 5.7 in — 19.7 x 14.6 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Alfred Stieglitz et al., Camera Work: The Complete Photographs 1903-1917, Taschen, 2015, 280.

$500 — 700

ROSE CLARK (1852-1942); ELIZABETH FLINT WADE (1849-1915), AMERICAN

MISS M. OF WASHINGTON, 1901 photogravure

7 x 3.25 in — 17.8 x 8.3 cm

PROVENANCE:

Jane Corkin Gallery, Toronto, ON Private Collection, Toronto, ON

$400 — 600

6

JACQUES HENRI LARTIGUE (1894-1986), FRENCH

MY NANNY, DUDU, 1904

gelatin silver print; initialled lower left; printed later

image 9.1 x 6.5 in — 23.2 x 16.5 cm

PROVENANCE:

Collection of Miljenko Horvat, Montreal, QC Private Collection, Montreal, QC

$600 — 800

7

EADWEARD MUYBRIDGE (1830-1904), BRITISH PLATE 602 FROM ANIMAL LOCOMOTION, 1887 electro-photographic print

7.5 x 14.6 in — 19 x 37 cm

PROVENANCE:

Jane Corkin Gallery, Toronto, ON Private Collection, Toronto, ON

$800 — 1,200

8

EADWEARD MUYBRIDGE (1830-1904), BRITISH PLATE 349 FROM ANIMAL LOCOMOTION, 1887 electro-photographic print; titled to gallery label verso

7 x 16.5 in — 17.8 x 41.9 cm

PROVENANCE:

Jane Corkin Gallery, Toronto, ON Private Collection, Toronto, ON

$800 — 1,200

HAROLD EUGENE EDGERTON (1903-1990), AMERICAN FIGHTING FINCHES, 1936

gelatin silver print; signed in pencil verso; printed later

18 x 14 in — 45.7 x 35.6 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 700

10

LUIS BUÑUEL (1900-1983); SALVADOR DALÍ (1904-1989), SPANISH

STILL FRAME FROM UN CHIEN ANDALOU, 1929

gelatin silver print; Le Minotaure, Paris stamp verso

9.5 x 7 in — 24.1 x 17.8 cm

PROVENANCE:

Le Minotaure, Paris, France

Private Collection, Montreal, QC

$200 — 300

11

THURSTON HOPKINS (1913-2014), BRITISH URBAN COWBOYS, LONDON, 1954

gelatin silver print; signed, dated, stamped, and situated at “East End of London” verso 15.1 x 11.9 in — 38.3 x 30.3 cm

PROVENANCE:

Collection of Miljenko Horvat, Montreal, QC Private Collection, Montreal, QC

$600 — 800

12

RALPH EUGENE MEATYARD (1925-1972), AMERICAN UNTITLED (BOY HIDING FACE NEXT TO DRAINPIPE)

silver bromide print; estate stamp verso “One of two prints made from original negatives. Printed in December of 1977 for Madelyn Meatyard by John Deeks and James Baker Hall.”

image 9.95 x 9.95 in — 25.3 x 25.3 cm

PROVENANCE:

Lee Hansley Gallery, Raleigh, NC

Vernon Pratt Collection, Durham, NC

Duke University Museum of Art, Durham, NC Private Collection, Montreal, QC

$600 — 800

INGE MORATH (1923-2002), AUSTRIAN FILMING OF THE MISFITS, MARILYN MONROE, 1961

gelatin silver print; signed, titled, and inscribed “60-16-11/18” in pencil verso; printed ca. 1985

11 x 14 in — 27.9 x 35.6 cm

PROVENANCE: Private Collection, Toronto, ON

$3,000 — 5,000

14

INGE MORATH (1923-2002), AUSTRIAN FILMING OF THE MISFITS, MARILYN MONROE AND ELI WALLACH, 1960

gelatin silver print; signed, titled, and inscribed “60-16-61/9” in pencil verso; printed ca. 1985

14 x 11 in — 35.6 x 27.9 cm

PROVENANCE: Private Collection, Toronto, ON

$2,000 — 4,000

15

INGE MORATH (1923-2002), AUSTRIAN BOOKSTORE ON 5TH AVENUE, NEW YORK CITY, 1958

gelatin silver print; signed, titled, and inscribed “58-23-1793/37A” in pencil verso; printed ca. 1985

14 x 11 in — 35.6 x 27.9 cm

PROVENANCE: Private Collection, Toronto, ON

$2,000 — 4,000

16

INGE MORATH (1923-2002), AUSTRIAN OLMEC HEAD FROM SAN LORENZO AT SEAGRAM PLAZA, NEW YORK CITY, 1965

gelatin silver print; titled and inscribed “65-11-1-11A” with artist’s and Magnum Photos stamps verso

9.25 x 13.75 in — 23.5 x 34.9 cm

PROVENANCE: Private Collection, Toronto, ON

$3,000 — 5,000

17

ANDRÉ KERTÉSZ (1894-1985), HUNGARIAN/AMERICAN CHEZ MONDRIAN, 1926

gelatin silver print; signed, dated, and situated at “Paris” in pencil verso

10 x 8 in — 25.3 x 20.4 cm

PROVENANCE:

Deja Vue Gallery, Toronto, ON Private Collection, Toronto, ON

$2,500 — 3,500

18

ELIZABETH WILLMOTT (B. 1928); CHARLES JAY (CJ) ELFONT (1939-2019), CANADIAN; AMERICAN PRAIRIE LATTICE, 1981; SCOTT FALLS, 1980

two gelatin silver prints; each signed, titled, and dated verso

10.5 x 13.4 in — 26.6 x 34.1 cm; 7.5 x 9.4 in — 19 x 24 cm

PROVENANCE:

Deja Vue Gallery, Toronto, ON Private Collection, Toronto, ON

$200 — 400

19

EDWARD STEICHEN (1879-1973), AMERICAN LAUGHING BOXES: WEST 86TH STREET, NEW YORK, C. 1922

gelatin silver print; signed by Joanna T. Steichen and George Tice in ink, titled, and dated to label verso; printed ca. 1981-82 by George Tice with the approval of Joanna T. Steichen

9.5 x 7.5 in — 24.1 x 19.1 cm

PROVENANCE:

Private Collection, Toronto, ON

$700 — 900

20

EDWARD STEICHEN (1879-1973), AMERICAN THREE APPLES, FRANCE, CA. 1921

gelatin silver print; signed by Joanna T. Steichen and George Tice in ink, titled, and dated to label verso; printed ca. 1981-82 by George Tice with the approval of Joanna T. Steichen

10.4 x 13 in — 26.5 x 33 cm

PROVENANCE:

Private Collection, Toronto, ON

$700 — 900

21

EDWARD WESTON (1886-1958), AMERICAN PEPPER #30, 1930

gelatin silver print; Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed “30P” by Cole Weston in pencil to mount verso

9.1 x 7.5 in — 23 x 19 cm

PROVENANCE:

Private Collection, Toronto, ON

$2,500 — 3,500

22

EDWARD WESTON (1886-1958), AMERICAN WILLOW, SANTA CRUZ, 1933

gelatin silver print; Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed “63T” by Cole Weston in pencil to mount verso

7.5 x 9.3 in — 19.1 x 23.7 cm

PROVENANCE: Private Collection, Toronto, ON

$2,000 — 3,000

23

EDWARD WESTON (1886-1958), AMERICAN OCEANO, 1936

gelatin silver print; Edward Weston credit stamp, printed and signed by Cole Weston to the credit stamp verso; titled, dated, and inscribed “4750” by Cole Weston in pencil to mount verso image 15 x 13 in — 38.1 x 33 cm

PROVENANCE:

Deja Vue Gallery, Toronto, ON

$1,000 — 2,000

24

EDWARD BURTYNSKY, RCA (B. 1955) CARRARA MARBLE QUARRIES #4, CARRARA, ITALY, 1993 chromogenic print signed, titled, dated, and numbered 8/10 to artist’s label verso; printed 1999 27 x 34 in — 68.6 x 86.4 cm

PROVENANCE:

Mira Godard Gallery, Toronto, ON Private Collection, Toronto, ON

$4,000 — 6,000

EDWARD BURTYNSKY, RCA (B. 1955) OIL FIELDS #22, COLD LAKE PRODUCTION PROJECT, COLD LAKE, ALBERTA, 2001

chromogenic print

signed, titled, dated, and numbered 1/10 to artist and gallery labels verso image 27 x 34 in — 68.6 x 86.4 cm

PROVENANCE:

Acquired directly from the artist Mira Godard Gallery, Toronto, ON Private Collection, Toronto, ON

$4,000 — 6,000 26

EDWARD BURTYNSKY, RCA (B. 1955) COAL SLAG HILLS, PENNSYLVANIA, 1982

chromogenic print

signed, titled, dated, and numbered 2/25 in pencil to mat; also signed, titled, dated, and numbered 2/25 in ink verso; printed 1985 12.75 x 20.5 in — 32.4 x 52.1 cm

PROVENANCE:

Acquired directly from the artist Private Collection, Toronto, ON

$3,000 — 5,000

27

EDWARD BURTYNSKY, RCA (B. 1955) NORTH OF ROANOKE, VIRGINIA, 1982 chromogenic print

signed, titled, dated, and numbered 2/25 in pencil to mat; also signed, titled, dated, and numbered 2/25 in ink verso; printed April 1984

16.75 x 20.5 in — 42.5 x 52.1 cm

PROVENANCE:

Acquired directly from the artist Private Collection, Toronto, ON

$3,000 — 5,000

28

EDWARD BURTYNSKY, RCA (B. 1955) BRYCE CANYON, UTAH, 1983 chromogenic print signed, titled, dated, and numbered 4/25 in pencil to mat; also signed, titled, dated, and numbered 4/25 in ink verso; printed 1985 17.5 x 21.5 in — 44.5 x 54.6 cm

PROVENANCE:

Acquired directly from the artist Private Collection, Toronto, ON

$3,000 — 5,000

EDWARD BURTYNSKY, RCA (B. 1955) CIRCLE - WEST VIRGINIA, 1983

chromogenic print

signed, titled, dated, and numbered 2/25 in ink verso

16.5 x 20.5 in — 41.9 x 52.1 cm

PROVENANCE:

Acquired directly from the artist Private Collection, Toronto, ON

$3,000 — 5,000

30

MELVILLE MCLEAN (B. 1952) MOUNTAINS, TREES, RIVERS, AND CLOUDS, 2008

Fuji Crystal Archive chromogenic print titled, dated, and numbered 1/9 to gallery label verso

40 x 50 in — 101.6 x 127 cm

PROVENANCE:

Acquired directly from the artist Mira Godard Gallery, Toronto, ON Private Collection, Toronto, ON

$2,000 — 3,000

31

RAY VAN DUSEN (B. 1949)

NORTH SUPERIOR, FROM WEST WINDOWS SERIES, 1980

chromogenic prints

signed, titled, dated “’80”, and numbered “#11” in pencil to lower edge

5.5 x 16.9 in — 14 x 43 cm

PROVENANCE:

Jane Corkin Gallery, Toronto, ON Private Collection, Toronto, ON

$250 — 450

32

FRANCO FONTANA (B. 1933), ITALIAN THREE PHOTOGRAPHS

chromogenic prints;

1) Untitled (Two Clouds), 1979 signed, dated “’79”, and numbered 17/100 14.5 x 9.5 in — 36.8 x 24.1 cm

2) Untitled (Cloud), 1972 signed, dated “’72”, and numbered 73/100 to margin 14.5 x 9.5 in — 36.8 x 24.1 cm

3) Untitled (Landscape), 1976 signed, dated “’76”, and numbered 34/100

9.5 x 14.5 in — 24.1 x 36.8 cm

PROVENANCE:

Jane Corkin Gallery, Toronto, ON Private Collection, Toronto, ON

$1,500 — 2,500

ROBERT BOURDEAU, CM, RCA (B. 1931)

UNTITLED II (LE GRAND PALAIS, PARIS), 2001 chromogenic print

signed, dated, and numbered 1/15 to margin; printed 2005

20 x 24 in — 50.8 x 61 cm

PROVENANCE:

Corkin Shopland Gallery, Toronto, ON Private Collection, Toronto, ON

$1,500 — 2,500

34

ROBERT BOURDEAU, CM, RCA (B. 1931)

UNTITLED (LE GRAND PALAIS, PARIS), 2001 chromogenic print

signed, dated, and numbered 1/15 to margin; printed 2005

20 x 24 in — 50.8 x 61 cm

PROVENANCE:

Corkin Shopland Gallery, Toronto, ON Private Collection, Toronto, ON

$1,500 — 2,500

35

FAY GODWIN (1931-2005), BRITISH RIDGEWAY: AVEBURY, MOONLIGHT

gelatin silver print; signed lower right; signed, titled, and inscribed “1672-2-319” verso 12 x 15 in — 30.5 x 38.1 cm

PROVENANCE: Deja Vue Gallery, Toronto, ON Private Collection, Toronto, ON

$300 — 500

36

EDWARD P. MCMURTRY (1883-1969), AMERICAN UNTITLED (SNOWY DAY)

gelatin silver print; signed to mount 4.3 x 6.3 in — 11 x 16 cm

PROVENANCE: Private Collection, Toronto, ON

$300 — 400

EDWARD J. SPITERI (1939-2021), CANADIAN

FIVE PHOTOGRAPHS

gelatin silver prints laid on card; each signed, titled, and dated to lower margin

1) Alberta, 1974

7.6 x 7.6 in. – 19.3 x 19.3 cm

2) British Columbia, 1976

7.5 x 10.4 in. – 19 x 26.5 cm

3) Alberta, 1976

6.5 x 9.3 in. – 16.4 x 23.5 cm

4) New Brunswick, 1977

6.8 x 9.3 in. – 17.2 x 23.7 cm

5) Nevada, 1972

6.2 x 8.3 in. – 15.7 x 21.2 cm

PROVENANCE:

Deja Vue Gallery, Toronto, ON

$400 — 600

38

HARRY E. PALMER (1930-2020)

FOUR PHOTOGRAPHS, CA. 1980

gelatin silver prints laid on card each signed and titled to mount; signed and titled to artist’s stamp verso

1) Forgotten Swing

7.5 x 9.25 – 19.1 x 23.5 cm

2) Slivers

7.5 x 9.4 in. – 19.1 x 24 cm

3) Wet Fungus

9.25 x 7.5 in. – 23.5 x 19 cm

4) Hoodoos #3

7.5 x 9.4 in. – 19.1 x 24 cm

PROVENANCE:

Deja Vue Gallery, Toronto, ON

$400 — 600

39

BARBARA COLE (B. 1953)

WOMAN WITH VIOLIN, 1985 hand-coloured gelatin silver print signed, titled, dated, and numbered “#3” to lower margin

image 11.6 x 8.9 in — 29.5 x 22.5 cm

PROVENANCE:

Jane Corkin Gallery, Toronto, ON Private Collection, Toronto, ON

$800 — 1,200

40

MARCUS LEATHERDALE (1952-2022), CANADIAN LEIGH BOWREY FROM HIDDEN IDENTITIES, 1990

inkjet print on Archival Epson Matte paper; signed and numbered 8/50 to label verso; printed (later) and published by La Petite Mort Gallery, Ottawa 17 x 17 in — 43.2 x 43.2 cm

PROVENANCE:

La Petite Mort Gallery, Ottawa, ON Private Collection, Gatineau, QC

$600 — 800

MARCUS LEATHERDALE (1952-2022), CANADIAN

KEITH HARING AS SANTA CLAUS (IN NIKES) FROM HIDDEN IDENTITIES, 1987 inkjet print on Archival Epson Matte paper; signed and numbered 6/50 to label verso; printed (later) and published by La Petite Mort Gallery, Ottawa 17 x 17 in — 43.2 x 43.2 cm

PROVENANCE:

La Petite Mort Gallery, Ottawa, ON Private Collection, Gatineau, QC

$400 — 600

42

WILLIAM WEGMAN (B. 1943), AMERICAN GUEST, 2002 photolithograph on Arches paper; signed, titled, dated, and numbered 4/20 in pencil to lower margin 15 x 19 in — 38.1 x 48.3 cm

PROVENANCE: Private Collection, Montreal, QC

$300 — 500

43

BOB ADELMAN (1931-2016), AMERICAN ROY LICHTENSTEIN AT THE OPENING OF HIS PRINT RETROSPECTIVE AT THE NATIONAL GALLERY WEARING CASSANDRA LOZANO’S SWISS CHEESE VEST

chromogenic print on Fujicolor Crystal Archive paper; signed, titled, and stamped verso 15 x 10 in — 38.1 x 25.4 cm

PROVENANCE: Private Collection, Montreal, QC

$400 — 600

44

ARNOLD NEWMAN (1918-2006), AMERICAN MAN RAY, PARIS, 1960

gelatin silver print; signed, titled, and dated in pencil to margin; artist’s stamp verso; printed later

13.9 x 14.8 in — 35.3 x 37.6 cm

PROVENANCE: Jane Corkin Gallery, Toronto, ON Private Collection, Toronto, ON

$1,200 — 1,800

PHILIPPE HALSMAN (1906-1979), LATVIAN/AMERICAN DALI EXPLODING, 1953

gelatin silver print; titled, dated, and stamped verso sheet 13.75 x 11 in — 34.9 x 27.9 cm

PROVENANCE:

Deja Vue Gallery, Toronto, ON

$300 — 500

46

PHILIPPE HALSMAN (1906-1979), LATVIAN/AMERICAN MATISSE, 1952

gelatin silver print; signed, titled, dated, and stamped verso sheet 14 x 11 in — 35.6 x 27.9 cm

PROVENANCE:

Deja Vue Gallery, Toronto, ON

$600 — 800

47

JOHN ROWLANDS (B. 1947)

THE BEATLES AT THE HOT STOVE LOUNGE, MAPLE LEAF GARDENS, 1965 gelatin silver print laid on cardboard signed and numbered 2/250 lower right

20 x 24 in — 51 x 61 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

48

JOHN ROWLANDS (B. 1947)

THE ROLLING STONES, TOUR OF THE AMERICAS, MAPLE LEAF GARDENS, 1975 chromogenic prints

20 x 16 in — 50.8 x 40.6 cm; 16 x 20 in — 40.6 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON

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