Editions

OCTOBER 16 - 30, 2025

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Thursday, October 30 at 2 pm

ON VIEW

Sunday, October 26 from 12 pm to 4 pm

Monday, October 27 from 10 am to 5 pm

Tuesday, October 28 from 10 am to 5 pm

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FINE ART fineart@waddingtons.ca

DIRECTOR, INTERNATIONAL ART

Goulven Le Morvan glm@waddingtons.ca 438-528-8489

ASSOCIATE SPECIALIST, INTERNATIONAL ART

Alicia Bojkov amb@waddingtons.ca 416-847-6176

ASSOCIATE SPECIALIST, CANADIAN FINE ART

Kendra Popelas kp@waddingtons.ca 416-967-6027

ADMINISTRATOR

Holly Yake fineart@waddingtons.ca 416-504-9100

FRONT COVER

Lot 103

Andy Warhol

Mick Jagger, 1975 [F&S II.144]

FRONT INSIDE COVER

Lot 102

Alex Katz

Cecily, from Black Dress, 2015

BACK INSIDE COVER

Lot 90

Sybil Andrews

Anno Domini, 1970 [C. SA 69]

BACK COVER

Lot 149

Jean Paul Riopelle

Après-Midi Plate 4 from Le Sablier, 1979 [Yseult Riopelle 1979.01FEST.LI.ALB], 1979.01DEST.LI.ALB]

1

JAMES JACQUES JOSEPH TISSOT (1836-1902), FRENCH

LE PLUS JOLIE FEMME DE PARIS, FROM LA FEMME À PARIS, 1885 [W. 81]

etching and drypoint in black on wove paper; signed in plate lower left, from the edition of 500 plate 15.7 x 9.9 in — 40 x 25.2 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Wentworth 81.

$700 — 900

2

JAMES JACQUES JOSEPH TISSOT (1836-1902), FRENCH

LA MYSTÉRIEUSE, FROM LA FEMME À PARIS, 1885 [W. 80]

etching and drypoint in black on thin laid paper; signed in plate lower right 15.75 x 9.9 in — 40 x 25.1 cm

PROVENANCE:

Marianne Friedland Gallery, Toronto, ON Private Collection, Toronto, ON Cowley Abbott, Toronto, 19 Apr 2022 Private Collection, Toronto, ON

LITERATURE:

Wentworth 80.

$700 — 900

3

REMBRANDT VAN RIJN (1606-1669), DUTCH CHRIST CRUCIFIED BETWEEN TWO THIEVES: AN OVAL PLATE, CA. 1641 [B. 79; H. 173; N.H. 196]

etching and drypoint on laid paper; a later impression of New Hollstein’s second state (of three)

plate 5.2 x 3.9 in — 13.3 x 10 cm

PROVENANCE:

Private Collection, Winnipeg, MB

LITERATURE:

Bartsch, Hollstein 79. Hind 173. New Hollstein 196.

$300 — 400

4

EDUARD WIIRALT (1898-1954), ESTONIAN LAMAV AKT KOERA JA FÖÖNIKSIGA (NUDE LYING WITH DOG AND PHOENIX), 1926 woodcut in black on wove paper; signed, dated, and situated “Paris” 10 x 11.5 in — 25.4 x 29.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$800 — 1,200

DOEL REED (1895-1985), AMERICAN PICTOGRAPHS AND LANDSCAPE

aquatint in black on wove paper; signed and numbered 3/25 in pencil to lower margin

12.5 x 18 in — 31.8 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

DOEL REED (1895-1985), AMERICAN WEDDING PREPARATIONS

aquatint in black on wove paper; signed and numbered 16/30 in pencil to lower margin; titled to artist’s label verso plate 12 x 17.5 in — 30.5 x 44.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

7

JEAN-ÉMILE LABOUREUR (1877-1943), FRENCH

LA PROCESSION, 1899

woodcut in black on wove paper; signed and editioned “ép. d’artiste” in pencil to lower margin

image 9.4 x 11.8 in — 24 x 30 cm

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

8

BERTHE MORISOT (1841-1895), FRENCH JARDIN DE MÉZY / BORD DU LAC, CA. 1880-1885

etching in black on wove paper, with full margins; stamped with artist’s monogram and numbered 5/25 to lower margin; one of the artist’s early proofs

plate 6.1 x 4.5 in — 15.5 x 11.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 1,500

MAX KLINGER (1857-1920), GERMAN

DAS ZELT, OPXIV, TEIL I & II, 1916 two complete portfolios, with titles, lists of contents and 46 etchings in black on Chine appliqué, with full margins, each drystamped “56” to lower left margin, this exemplary is the 56 from the first edition of 100; published by Amsler & Ruthardt, Berlin, all contained in the two original gilted, beige cloth-covered portfolios

each 23.6 x 16.1 in — 60 x 41 cm

PROVENANCE:

Sotheby Parke Bernet, New York, 14 Jun 1980, lot 219

Private Collection, Toronto, ON

$3,500 — 4,500

MAX KLINGER (1857-1920), GERMAN

BÄR UND ELFE, PLATE I FROM INTERMEZZI, OPUS IV, 1880 [S. 52] etching and aquatint in black on cream wove paper; signed and dated in plate; published by Theodor Stroefer, Nuremberg 15.9 x 9.1 in — 40.3 x 23 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Singer 52.

$100 — 150

11

BENTON MURDOCH SPRUANCE (1904-1967), FRENCH SPINNER, 1930 [F. L. 75]

lithograph in black on wove paper; signed, titled, and numbered 6/30 to lower margin 12.75 x 15.87 in — 32.4 x 40.3 cm

PROVENANCE:

Newman Galleries, Philadelphia, PA Heffel, Toronto, 31 Jan 2019, lot 124 Private Collection, Toronto, ON

LITERATURE: Fine & Looney 75.

$800 — 1,200

12

KÄTHE KOLLWITZ (1867-1945), GERMAN BRUSTBILD EINER ARBEITERFRAU MIT BLAUEM TUCH, 1903 [K. 68]

lithograph in colours on wove paper sheet 19.8 x 15.4 in — 50.4 x 39 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Klipstein 68.

$1,000 — 1,500

KÄTHE KOLLWITZ (1867-1945), GERMAN SELBSTBILD, 1924 [K. 198B] transfer lithograph on wove paper; signed, titled, and dated in plate lower right 21.3 x 15 in — 38.2 x 30 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Klipstein 198b.

$200 — 300

KÄTHE KOLLWITZ (1867-1945), GERMAN

SELBSTBILDNIS, 1912 [K. 122] etching and aquatint in sepia on wove paper; signed in plate lower right; titled in pencil to lower left margin; from the edition of 30 published ca. 1920 by Emil Richter, Dresden plate 5.5 x 3.9 in — 14 x 9.9 cm; sheet 12.8 x 9.6 in — 32.5 x 24.5 cm

PROVENANCE:

Private Collection, Westmount, QC Waddington’s Auctioneers, Toronto, 11 Apr 2019, lot 175

Private Collection, Toronto, ON

LITERATURE:

Klipstein 122.

$600 — 800

15

KÄTHE KOLLWITZ (1867-1945), GERMAN AUFRUHR, 1899 [K. 46]

etching, drypoint, and aquatint on wove paper; from the seventh state of nine; printed in 1921 by Verlag Otto Felsing, Berlin, published by Emil Richter, Dresden plate 11.6 x 12.6 in — 29.5 x 32.1 cm

PROVENANCE:

Acquired ca. 1945 in Berlin, Germany

Private Collection, Toronto, ON Waddington’s Auctioneers, Toronto, 19 Mar 2017, lot 108

Private Collection, Toronto, ON

LITERATURE: Klipstein 46.

$200 — 300

16

KÄTHE KOLLWITZ (1867-1945), GERMAN BERATUNG, 1895 [K. 25]

etching and aquatint in black on wove paper; printed by Verlag Otto Felsing, Berlin, ca. 1948, published by Alexander von der Becke, Berlin-Halensee

11.7 x 7 in — 29.6 x 17.8 cm

PROVENANCE:

Private Collection, Calgary, AB Levis Auctions, Calgary, 9 Oct 2010, lot 752

Private Collection, Toronto, ON

LITERATURE: Klipstein 25.

$200 — 400

KÄTHE KOLLWITZ (1867-1945), GERMAN SELBSTBILDNIS AM TISCH, 1893 [K. 14] etching and aquatint in black on wove paper; printed by Alexander von der Becke, Munich in 1963/4, with blindstamp

5 x 7.1 in — 12.7 x 18 cm

PROVENANCE: La Parete Gallery, Toronto, ON Private Collection, Toronto, ON

LITERATURE: Klipstein 14.

$200 — 300

BLANCHE LAZZELL (1878-1956), AMERICAN HOUSE IN CASSIS, 1927 woodcut in colours on chine paper, with full margins; signed, titled, and dated; also signed, titled, dated “Dec 5, 1927”, numbered “207/3”, and situated at “Provincetown, Mass” in pencil verso

image 14 x 12.3 in — 35.6 x 31.3 cm; sheet 18 x 15.75 in — 45.7 x 40 cm

PROVENANCE: And, And, And, Toronto, ON Private Collection, Toronto, ON, purchased from the above in 1989

$15,000 — 20,000

19

JEAN DUBUFFET (1901-1985), FRENCH MATERNITÉ, FROM MATIÈRE ET MÉMOIRE, 1944

lithograph in black on Auvergne paper; inscribed “No. 366” in pencil lower right; a proof aside from the edition of 50 and the artist’s numbered proofs; printed and published by Mourlot, Paris plate 11.5 x 8.5 in — 29.2 x 21.5 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Webel 36.

$1,000 — 1,500

20

ZAO WOU-KI (1920-2013), CHINESE UNTITLED, 1963 [A. 88]

lithograph in colours on wove paper, with full margins; signed, dated “63”, and numbered 110/125; published by L’Oeuvre Gravée, Zurich, with blindstamp and label verso sheet 19.7 x 25.7 in — 50 x 65.2 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Ågerup 88.

$4,000 — 6,000

ZAO WOU-KI (1920-2013), CHINESE/FRENCH

COMPOSITION EN VERTE, 1964 [A. 156] lithograph in colours on Chine paper laid on handmade Auvergne Moulin Richard de

Bas “Vert Tabellion” paper, with full margins; signed, dated “64”, and numbered 11/20 in ink; also signed, titled, dated, and numbered to attached justification; printed by E. & J. Desjobert, Paris, published by Antarès, Paris 12 x 20.2 in — 30.5 x 51.3 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Agerup, 156.

$5,000 — 8,000

ATTRIBUTED TO JOAN MIRÓ (1893-1983), SPANISH

LA FILLE DU DELTA, CA. 1970 lithograph in colours on Arches paper, the full sheet; bears a signature and editioned “H.C.” in pencil to lower edge; likely a trial proof in yellow with the matrix from La Fille du Delta on a narrower paper 44.8 x 29 in — 113.9 x 73.6 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Mourlot 696.

$1,000 — 1,500

23

JOAN MIRÓ (1893-1983), SPANISH UNTITLED, PLATE 15 FROM HOMENATGE À JOAN PRATS, 1971 [M. 733; C. 153]

lithograph in colours on Guarro wove paper; signed and editioned “H.C. 10/15” in pencil lower left; titled in pencil verso; one of 15 hors-commerce, aside from the edition of 100 plus 10 artist’s proofs, there was also a book edition of 450; published and printed by Fundació Joan Miró and La Polígrafa, Barcelona sheet 25.6 x 33.3 in — 65 x 84.6 cm

PROVENANCE:

Yaneff Gallery, Toronto, ON La Parete Gallery, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Maeght 733. Cramer 153.

$2,000 — 4,000

24

JOAN MIRÓ (1893-1983), SPANISH POSTER FOR THE EXHIBITION OF THE BOOK LE LÉZARD AUX PLUMES D’OR, 1971 [M. 832]

lithograph in colours on Arches wove paper, the full sheet; signed and numbered 124/150 in pencil to lower edge; printing before the lettering and modified, published by Berggruen, Paris, printed by Mourlot, Paris 25.7 x 20.2 in — 65.4 x 51.3 cm

PROVENANCE:

Galerie Simon Blais, Montreal, QC Private Collection, Toronto, ON

LITERATURE: Maeght 832.

$4,000 — 6,000

JOAN MIRÓ (1893-1983), SPANISH

THE WOOD-SQUARER AT REST, 1968 [M. 584] lithograph in colours on BFK Rives paper, watermark, with full margins; signed and numbered 70/75 in pencil to lower edge; printed by Arte Adrien Maeght, published by Maeght

25.6 x 24.8 in — 65.1 x 63 cm

PROVENANCE:

Galerie Simon Blais, Montreal, QC

Private Collection, Toronto, ON

LITERATURE:

Mourlot 584.

$4,000 — 6,000

ANTONI TÀPIES (1923-2012), SPANISH A DAMUNT VERMELL 1, 1976 [G. 613] etching with flocking in colours on Guarro paper, the full sheet; signed and editioned “H.C”, aside from the edition of 75, there were also 15 artist proofs; published by La Polígrafa, Barcelona

22.2 x 29.8 in — 56.5 x 75.7 cm

PROVENANCE:

Waddington & Gorce, Inc., Montreal, QC

Private Collection, Toronto, ON

LITERATURE:

Galfetti 613.

$500 — 700

27

ANTONI TÀPIES (1923–2012), SPANISH PROFIL, 1982 [G. 867]

lithograph in colours on wove paper; signed and numbered 46/75 in pencil to lower margin; published by Galerie Lelong, Paris image 25.5 x 19.5 in — 64.8 x 49.5 cm; sheet 31.7 x 24 in — 80.5 x 61 cm

PROVENANCE: Private Collection, Montreal, QC

LITERATURE: Galfetti 867.

$600 — 800

28

ANTONI TÀPIES (1923–2012), SPANISH UNTITLED (OBSTRUCTED LINES), 1970 lithograph in colours on wove paper, with full margins; signed and numbered 16/50 in pencil to lower margin

18.5 x 14.25 in — 47 x 36.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 700

PAUL CADMUS (1904-1999), AMERICAN TWO BOYS ON A BEACH #1, 1938 [D. 42] etching in black on laid paper, with wide margins; signed; from the unnumbered edition of 75, aside from the numbered edition of 30 plate 5.25 x 7.25 in — 13.3 x 18.4 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Davenport 42.

$1,500 — 2,000 30

PAUL CADMUS (1904-1999), AMERICAN TWO BOYS ON A BEACH #2, 1939 etching on Van Gelder laid paper; signed in pencil to lower right margin; from the unnumbered edition of 151, published by the Albany Print Club, New York plate 6.1 x 9 in — 15.5 x 22.9 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Davenport 43.

$1,500 — 2,000

31

PAUL CADMUS (1904-1999), AMERICAN NUDO #3, 1984 [D. 58] etching in brown on wove paper; signed, titled, and numbered 44/100 to lower margin; also signed in plate; printed by Pelavin Printmaker, New York, with blindstamp, published by Midtown Galleries, New York plate 9 x 8 in — 22.9 x 20.3 cm

PROVENANCE:

Malbert Fine Arts, Chicago, IL Private Collection, Toronto, ON

LITERATURE:

Davenport 58.

$1,500 — 2,000

32

PAUL CADMUS (1904-1999), AMERICAN TEDDO, 1985 [D. 59] lithograph in black on wove paper; signed, titled, and numbered 36/200 in pencil to lower edge; printed by George C. Miller & Sons, New York, published by Midtown Galleries, New York image 6 x 7.5 in — 15.2 x 19.1 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Davenport 59.

$1,500 — 2,000

PAUL CADMUS (1904-1999), AMERICAN WAITING FOR REHEARSAL, 1984 [D. 56] etching in black on wove paper; signed, titled, dated, and numbered 33/175 to lower margin, there were also 4 Hors Commerce; printed by Pelavin, New York plate 11 x 8 in — 27.9 x 20.3 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Davenport 56.

$1,500 — 2,000

DAVID LLOYD BLACKWOOD, RCA (19412022), CANADIAN MARCH KITE, 1986

etching and aquatint in colours on wove paper; signed, titled, dated, editioned “artists proof 10/10”, and inscribed “Ed. 50.”, aside from the edition of 50 15 x 35 in — 38.1 x 88.9 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

William Gough, The Art of David Blackwood (Montreal: McGraw Hill Ryerson, 1988), repro. plate 5, unpaginated.

Katharine Lochnan, Black Ice: David Blackwood, Prints of Newfoundland (Toronto: Art Gallery of Ontario, 2011), repro. 44.

$3,000 — 5,000

35

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN MUMMER IN LANTERN LIGHT, 1993 etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 32/75

13.75 x 11 in — 35 x 27.5 cm

PROVENANCE: Private Collection, Quebec

LITERATURE:

William Gough, David Blackwood: Master Printmaker, (Richmond Hill: Firefly Books, 2001), repro. 98.

$1,500 — 2,000

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN HIS FATHERS DREAMS II: LABRADOR DAYS, 1988 etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 56/75 15 x 35.5 in — 38.1 x 90.2 cm

PROVENANCE:

La Parete Gallery, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

William Gough, David Blackwood: Master Printmaker (Richmond Hill: Firefly Books, 2001), repro. 110 and 111.

$3,000 — 5,000

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN NEWFOUNDLAND FOLK HERO, 1970

etching and aquatint in colours on wove paper ; signed, titled, dated, and numbered 4/20

50 x 19.75 in — 127 x 50.2 cm

PROVENANCE:

Gallery Pascal, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

William Gough, David Blackwood: Master Printmaker (Richmond Hill: Firefly Books, 2001), repro. 158.

$2,000 — 3,000

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN GRAM GLOVER HOME ON BRAGG’S ISLAND, 1976

etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 8/35 21.75 x 27.5 in — 55.2 x 69.9 cm

PROVENANCE:

Gallery Pascal, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

William Gough, David Blackwood: Master Printmaker (Montreal: McGraw Hill Ryerson, 1988), repro. Plate 7, unpaginated.

William Gough, David Blackwood: Master Printmaker (Richmond Hill: Firefly Books, 2001), repro. 60 and 61.

$2,000 — 3,000

39

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN EDWARD AND MOLLY, 1989 etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 2/75 20 x 32 in — 49.5 x 80.6 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

William Gough, David Blackwood: Master Printmaker (Richmond Hill: Firefly Books, 2001), repro. 20.

$2,000 — 3,000

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN STUDY FOR SAFE HARBOUR, 1980 etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 7/50, there were also 10 artists proofs sight 5.75 x 9 in — 14.6 x 22.9 cm

PROVENANCE:

The Gallery, Fine Art, Saint John’s, NL Private Collection, British Columbia

$1,200 — 2,500

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN EPHRAIM KELLOWAY’S DOOR, 1981

etching and aquatint in colours on wove paper; signed, titled, dated, and numbered 48/50

31 x 19.5 in — 78.7 x 49.5 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

William Gough, David Blackwood: Master Printmaker (Richmond Hill: Firefly Books, 2001), repro. 24.

$2,000 — 3,000

DAVID LLOYD BLACKWOOD, RCA (1941-2022), CANADIAN JANUARY VISIT HOME, 1975

etching and aquatint in colours on wove paper ; signed, titled, dated, and numbered 2/50 20 x 31.5 in — 50.8 x 80.6 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

William Gough, David Blackwood: Master Printmaker (Richmond Hill: Firefly Books, 2001), repro. 28 and 29.

$3,000 — 5,000

43

RUFINO TAMAYO (1899-1991), MEXICAN INTERIOR CON SANDÍA, FROM 15 AGUAFUERTES, 1975 [P. 180]

etching and carborundum in colours on Guarro paper, the full sheet; signed and numbered 66/75, there were also 10 artist’s proofs numbered in Roman; published by Ediciones Polígrafa, S.A., Barcelona

21.9 x 29.5 in — 55.5 x 75 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Juan Carlos Pereda 180.

$1,500 — 2,500

44

RUFINO TAMAYO (1899-1991), MEXICAN MUJER CON MALLAS ROSAS FROM LAS MUJERES, 1969 [P. 116] lithograph in colours on BFK Rives paper; signed, dated, and numbered 78/150, there was also an edition of 25 numbered in Roman and some hors commerce; printed by Atelier Desjobert, Paris, published by Touchstone Publishers, New York

27 x 20.5 in — 68.6 x 52.1 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Pereda 116.

$1,000 — 1,500

RUFINO TAMAYO (1899-1991), MEXICAN MUJER CON MALLAS NEGRAS FROM LAS MUJERES, 1969 [P. 111]

lithograph in colours on BFK Rives paper; signed, dated, and numbered 78/150, there was also an edition of 25 numbered in Roman and some hors commerce; printed by Desjobert, Paris, published by Touchstone Publishers, New York

27 x 20.5 in — 68.6 x 52.1 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Pereda 111.

$1,000 — 1,500

RUFINO TAMAYO (1899-1991), MEXICAN VENUS NEGRA FROM LAS MUJERES, 1969 [P. 110]

lithograph in colours on BFK Rives paper; signed, dated, and numbered 78/150, there was also an edition of 25 numbered in Roman and some hors commerce; printed by Atelier Desjobert, Paris, published by Touchstone Publishers, New York

27 x 20.5 in — 68.6 x 52.1 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Pereda 110.

$1,000 — 1,500

47

SAM FRANCIS (1923-1994), AMERICAN TOWARD DISAPPEARANCE, 1973 [L. S13] screenprint in colours on Arches 88 paper, the full sheet; signed and numbered 24/72; printed by Gary Reams, and published by Gemini G.E.L., Los Angeles, with blindstamp

37.3 x 31.3 in — 94.7 x 79.6 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Lembark S13.

$2,500 — 3,500

48

ROBERT MOTHERWELL (1915-1991), AMERICAN THE WAVE, 1978 [B. 413; E.&B. 229] soft-ground etching and chine collé on grey BFK Rives paper, with full margins; signed and numbered 9/60, there were also 10 artist’s proofs; published by the artist with his blindstamp, released by Brooke Alexander, Inc., New York

19.75 x 23 in — 50.2 x 58.4 cm

PROVENANCE: Galerie Dresdnere, Toronto, ON Private Collection, Toronto, ON

LITERATURE: Belknap 413. Engberg & Banach 229.

$1,000 — 1,500

JAMES ROSENQUIST (1933-2017), AMERICAN THE BOOK DISAPPEARS FOR THE FAST STUDENT, 1977 [G. 124]

etching and aquatint in colours on wove paper, with full margins; signed, titled, dated, and numbered 55/78; printed by Patrick Lindhardt, and published by Multiples, Inc., New York

sheet

22.6 x 39.8 in — 57.5 x 101 cm

PROVENANCE:

Waddington’s Auctioneers, Toronto, 11 Mar 2014, lot 6

Private Collection, Toronto, ON

LITERATURE: Glenn 124.

$700 — 900

JAMES ROSENQUIST (1922-2017), AMERICAN ONE MILLION TONS PER SQUARE INCH (2ND STATE), 1978

etching in black on wove paper; signed, dated, and numbered 63/78, there were also 10 artist’s proofs; printed by Aripeka, Ltd., Editions, Florida, with blindstamp, published by Multiples, Inc., New York

17.5 x 35.5 in — 44.5 x 90.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$700 — 900

51

JAMES ROSENQUIST (1933-2017), AMERICAN HORSE BLINDERS FLASH CARD, 1969 [G. 23] lithograph in colours on wove paper, with full margins; signed, titled, dated, and numbered 13/21, there were also 5 artists proofs, 1 printer’s proof, and 5 additional proofs; printed and published by Universal Limited Art Editions, West Islip

17.5 x 22.5 in — 44.5 x 57.2 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Glenn 23.

$700 — 900

52

HANS (JEAN) ARP (1886-1966), GERMAN/FRENCH DE LA FAMILLE DES ÉTOILES, 1965 [A. 359] lithograph in colours on Rives BFK paper, the full sheet; signed and editioned “épreuve d’artiste” in pencil, aside from the edition of 100, there was also an unsigned edition of 10 with the estate stamp verso; printed by Atelier Michel Cassé, Paris, published by L’Oeuvre Gravée, Paris-Zürich

28.5 x 20.5 in — 72.4 x 52.1 cm

PROVENANCE: Private Collection, Ontario Waddington’s Auctioneers, Toronto, 16 Oct 2008, lot 126 Private Collection, Toronto, ON

LITERATURE: Arntz 359.

$400 — 600

HIROSHI YOSHIDA (1876-1950), JAPANESE STUDY OF A NUDE (SHÛSAKU), 1927 [A. #094]

woodblock in colours with ink on wove paper; signed and titled in pencil to lower margin 14.6 x 9.8 in — 37.1 x 24.8 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Abe #094.

$700 — 900

BEN SHAHN (1898-1969), AMERICAN SKOWHEGAN, 1965

woodcut in black on wove paper; signed in plate lower right sheet 8.1 x 5.2 in — 20.5 x 13.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 120

55

GERALD LESLIE BROCKHURST (1890-1978), BRITISH CYPRIANO (A BASQUE), 1928 [F. 59] etching in black on wove paper; signed 6.5 x 3.75 in — 16.5 x 9.5 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Fletcher 59.

$800 — 1,000

56

GERALD LESLIE BROCKHURST (1890-1978), BRITISH CASPER, 1933 [F. 76] etching in black on wove paper laid on card, with full margins; signed; from the edition totalling 91 12.75 x 9.37 in — 32.4 x 23.8 cm

PROVENANCE: Private Collection, Ontario Waddington’s Auctioneers, Toronto, 22 Apr 2021, lot 30 Private Collection, Toronto, ON

LITERATURE: Fletcher 76 IV/IV.

$400 — 600

GERALD LESLIE BROCKHURST (1890-1978), BRITISH CHIQUITA, CA. 1923-24 [F. 44]

etching in black on wove paper, with full margins; signed; from the edition totalling 81

plate 6.3 x 5.1 in — 16 x 13 cm

PROVENANCE:

Waddington’s Auctioneers, Toronto, 9 Mar 2017, lot 95

Private Collection, Toronto, ON

LITERATURE: Fletcher 44.

$300 — 400

GERALD LESLIE BROCKHURST (1890-1978), BRITISH SEULE, 1923 [W. 36]

etching in black on wove paper, with full margins; signed and titled in pencil to lower margin

sheet 8 x 10 in — 20.4 x 25.4 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Wright 36 iv/iv. Fletcher 36 iv/iv.

$300 — 500

59

CHARLES FREDERICK TUNNICLIFFE (1901-1979), BRITISH

THE HARVESTERS, 1925; TO THE SLAUGHTER, 1925; A HARD WINTER, 1928 three etchings in black on wove paper, with full margins; each signed and numbered

8.5 x 11 in — 21.6 x 27.9 cm; 14.6 x 10 in — 37.2 x 25.3 cm; 10.6 x 12.7 in — 27 x 32.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 1,500

60

BYAM SHAW (1872-1919); JOHN SLOAN (1871-1951), BRITISH; AMERICAN TWO PRINTS

1) Untitled, from The Cloister and the Hearth, 1909 lithograph in black on wove paper signed in plate lower right

7.9 x 5.1 in. — 20 x 13 cm

2) Fifth Avenue Critics, from New York City Life, 1905 etching in black on wove paper

6.75 x 4.75 in. — 19 x 27.9 cm

7.9 x 5.1 in — 20 x 13 cm;

7.5 x 11 in — 19 x 27.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 700

PAUL LANDACRE (1893-1963), AMERICAN SULTRY DAY, 1937 [W. 170] woodcut in black on wove paper, with full margins; signed and dated in plate; titled lower left to original matting; from the approximate edition of 200-225; published by the American Artists Group, New York sheet 18 x 13 in — 45.8 x 33.1 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Wien 170.

Zeitlin & Ver Brugge 71.

$800 — 1,200

GEORGES ROUAULT (1871-1958), FRENCH

5 ETCHINGS AND AQUATINTS etchings and aquatints in black and colours on wove paper;

1) Femme au chapeau en profil, vers la gauche, from Réincarnations du Père Ubu, 1928 signed in pencil to lower right margin

11.6 x 7.1 in. — 29.5 x 18 cm

2) Nu from Réincarnations du Père Ubu, 1928 signed and dated in plate lower right

10.6 x 6.5 in. — 26.8 x 16.5 cm

3) Jongleur, from Cirque de l’étoile filante, 1934 initialled and dated in plate lower left

12.1 x 8.3 in. — 30.6 x 21.2 cm

4) Paysan, from Passion, 1935 initialled and dated in plate lower left

12 x 8.25 in. — 30.5 x 20.9 cm

5) Aide-Bourreau portant un des bois de la croix, vers la gauche, from Passion, 1936 initialled and dated in plate lower left

12.2 x 8.4 in. — 40 x 21.4 cm

11.6 x 7.1 in — 29.5 x 18 cm;

10.6 x 6.5 in — 26.8 x 16.5 cm;

12 x 8.3 in — 30.6 x 21.2 cm;

12 x 8.2 in — 30.5 x 20.9 cm;

15.7 x 8.4 in — 40 x 21.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

63

GEORGES ROUAULT (1871-1958), FRENCH VISAGES, 1969

ten procédé Jacomet in colours on wove Chiffon de Mandeure paper, with full margins; each numbered 67/450, there were also 50 Hors Commerce numbered in Roman, with the table of contents and colophon; published by Étoile Filante and Daniel Jacomet, Paris, in the original cream linen bound slipcase each 13.3 x 18 in — 33.7 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 700

64

GEORGES ROUAULT (1871-1958), FRENCH LES FLEURS DU MAL, 1966 [C. 214-27] complete portfolio of 14 etchings and aquatints in black on Arches paper with full margins, each numbered 272/425, printed by Jacquemin Paris in 1927; numbered 272 to colophon, with the complete text in French, published by Société d’Édition l’Étoile Filante, Paris in 1966; in original orange cloth-covered boards and slipcase 18.25 x 13.75 in — 46.4 x 34.9 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Chapon/Rouault 214-27

$800 — 1,200

67

RAPHAEL SOYER (1899-1987), AMERICAN PORTRAIT OF JOAN, 1967 lithograph in black on wove paper; signed and numbered 8/100

15 x 18 in — 38.1 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 250

68

MARC CHAGALL (1887-1985); VALENTINE PRAX (1897-1981); MARCEL GROMAIRE (1892-1971); JEAN LURÇAT (1892-1966); OSSIP ZADKINE (1888-1967) KUNST VAN HEDEN - ART CONTEMPORAIN, SALON 1926-27 complete portfolio of 5 etchings and drypoints in black on cream wove paper, with full margins; in the original marbled cover portfolio each sheet 19.7 x 12.6 in — 50 x 32.1 cm

PROVENANCE: Private Collection, Toronto, ON

$600 — 800

DAME LAURA KNIGHT (1877-1970), BRITISH

PANTOMIME, CA. 1925

soft-ground etching in black on wove paper, with full margins; signed; titled and dated to gallery label verso sheet 18.3 x 14.1 in — 46.5 x 35.8 cm

PROVENANCE:

Madeleine Fortunoff Fine Prints, Locust Valley, NY

Private Collection, Toronto, ON

$400 — 600

WALTER JOSEPH PHILLIPS, RCA (1884-1963), CANADIAN

HANGING ROCK ISLAND II, 1932

woodcut in black on Goyu paper; signed and titled, from an edition of 50 6.5 x 6 in — 13 x 16 cm

PROVENANCE: Private Collection, Ontario

$600 — 800

71

WALTER JOSEPH PHILLIPS, RCA (1884-1963), CANADIAN JOHN, 1928

woodcut in colours on wove paper ; signed and numbered “63”, from an edition of 300 6.9 x 8.4 in — 17.5 x 21.3 cm

PROVENANCE:

The Allen Gallery, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Roger Boulet, Walter J. Phillips: The Complete Graphic Works, (Markham: M.B. Loates Publishing, 1981), repro. 299.

Roger Boulet, The Tranquility and the Turbulence, (Markham: M.B. Loates Publishing, 1981), repro. 84.

$800 — 1,200

JOAN MIRÓ (1893-1983), SPANISH UMBRACLE , 1973 [M. 922]

lithograph in colours on Guarro paper, the full sheet; signed and numbered 19/50; printed by Puresa, Barcelona, published by Sala Gaspar, Barcelona, with watermark

29.25 x 22.2 in — 74.3 x 56.4 cm

PROVENANCE:

Exposition Galleries, Vancouver, BC Private Collection, British Columbia

LITERATURE: Maeght 922.

$2,000 — 3,000

JOAN MIRÓ (1893-1983), SPANISH

PER UN TEATRE A CATALUNYA, 1973 [M. 913]

lithograph in colours on Gaspar wove paper, the full sheet; signed and numbered 19/50 in pencil to lower margin

29.3 x 22.1 in — 74.5 x 56.2 cm

PROVENANCE:

Georgian Galleries Ltd., Vancouver, BC

Private Collection, British Columbia

LITERATURE:

Maeght 913.

$2,000 — 3,000

MARC CHAGALL (1887-1985), FRENCH LES PONTS DE LA SEINE, PARIS, 1953 [S. 80]

lithograph in black on Arches paper, with full margins; signed and numbered 16/75 in pencil lower right

15 x 11 in — 38 x 28 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Sorlier 80.

$600 — 800

75

AFTER HENRI MATISSE (1869-1954), FRENCH

LES MILLE ET UNE NUITS, 1950 lithograph in colours on wove paper; printed and published by Maeght, Paris 15.7 x 34.1 in — 40 x 86.5 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Maeght R.84

$300 — 500

76

SALVADOR DALÍ (1904-1989), SPANISH THE CURSE CONQUERED, FROM AFTER 50 YEARS OF SURREALISM> , 1974 [F. 74-8] etching with hand colouring on Arches paper; signed and editioned “E.A.”; from the edition totalling 460; published by Transworld Art, New York plate 15.2 x 12.4 in — 38.6 x 31.5 cm

PROVENANCE: Private Collection, British Columbia

$800 — 1,200

SALVADOR DALÍ (1904–1989), SPANISH VENUS DE LA CONSTELACIONES CON PICADOR , 1974 [F. 74-17B; M.&L. 79]

etching in black on Rives paper; signed and numbered 17/75, there were also 25 artists proofs; printed by Ateliers Rigal, Paris, published by Ediciones Poligrafa, Barcelona 25 x 17 in — 63.5 x 43.2 cm

PROVENANCE:

Private Collection, British Columbia

LITERATURE:

Field 74-17B.

Michler & Löpsinger 79.

$500 — 700

SALVADOR DALÍ (1904-1989), SPANISH LE TRIOMPHE, FROM TRIUMPH OF LOVE, 1977 [F. 78-4A; M.&S. 1539]

lithograph in colours on Arches paper, watermark, with full margins; signed and numbered 128/175 in pencil to lower margin; published by Levine and Levine for DALART, with blindstamp sheet 29.7 x 21.5 in — 75.5 x 54.5 cm

PROVENANCE:

Exposition Galleries, Vancouver, BC Private Collection, British Columbia

LITERATURE:

Field 78-4A.

Michel & Löpsinger 1539.

$700 — 900

KENNETH NOLAND (1924-2010), AMERICAN DIAGONAL STRIPES, SERIES VI-19, 1978 handmade paper with coloured pulp, the full sheet; signed and dated “78” in pencil lower right; titled to gallery label verso; published by Tyler Graphics Ltd., New York, with blindstamp

32 x 48 in — 81.3 x 121.9 cm

PROVENANCE:

Theo Waddington Galleries, Toronto, ON Private Collection, Toronto, ON, acquired from the above in 1979

EXHIBITED:

Kenneth Noland, Theo Waddington Galleries, Toronto, 24 Oct - 14 Nov 1979.

LITERATURE:

Judith Goldman, Kenneth Noland, Handmade papers, Tyler Graphics Limited, New York, 1968, reproduced

$5,000 — 7,000

ROBERT MOTHERWELL (1915-1991), AMERICAN ABYSS, 1978 [T. 197] monotype printed in ochre with collage on Buff Fabriano paper, with full margins; initialled and editioned “U/Y” in pencil upper right; from the edition of 25 (numbered A-Y), there were also 4 artist’s proofs; printed by Catherine Mosley, Greenwich, in the artist’s studio, with the artist’s blind stamp lower right, published by Brooke Alexander, Inc., New York.

24.1 x 29.6 in — 61.3 x 75.3 cm

PROVENANCE:

Sotheby’s, New York, 4-5 May 1983

Private Collection, Toronto, ON

LITERATURE: Terenzio 197.

$2,500 — 3,500

JOSEF ALBERS (1888-1976), GERMAN/AMERICAN HOMAGE TO THE SQUARE: DEDICATED, 1957

lithograph in colours on wove paper; from the publication produced for the exhibition Albright Art Gallery. Contemporary Art - Acquisitions 1954-1957 presenting the acquisitions of the Albright-Knox Art Gallery, Buffalo, New York, May 15-June 15, 1957, aside from the Josef Albers Paintings, Prints, Projects, edited at 1500 copies with two screenprints, with the exhbition catalogue 5.2 x 5.2 in — 13.2 x 13.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

JOSEF ALBERS (1888-1976), GERMAN/AMERICAN PROFUNDO FROM SOFT EDGE-HARD EDGE, 1965 [D. 165.7]

screenprint in colours on Mohawk Superfine Bristol paper, the full sheet; signed, titled, dated “’65”, and numbered 10/50 in pencil to margin, there were also 250 unsigned impressions; printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven image 11 x 11 in — 27.9 x 27.9 cm

PROVENANCE:

The Pollock Gallery Limited, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Danilowitz 165.7.

$3,000 — 5,000

JOSEF ALBERS (1888-1976), GERMAN/AMERICAN LATE FROM SOFT EDGE-HARD EDGE, 1965 [D. 165.1]

screenprint in colours on Mohawk Superfine Bristol paper, the full sheet; signed, titled, dated “’65”, and numbered 10/50 in pencil to margin; there were also 250 unsigned impressions; printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven image 11 x 11 in — 27.9 x 27.9 cm

PROVENANCE:

The Pollock Gallery Limited, Toronto, ON Private Collection, Toronto, ON

LITERATURE: Danilowitz 165.1.

$3,000 — 5,000

JACK HAMILTON BUSH, OSA, ARCA (1909-1977), CANADIAN LINCOLN CENTRE, 1974

screenprint in colours on paper, with full margins; signed, dated, and numbered 31/144, there were also 15 artists proofs numbered in Roman

61.5 x 36.5 in — 156.2 x 92.7 cm

PROVENANCE: Private Collection, Toronto, ON

$12,000 — 16,000

JACK HAMILTON BUSH, OSA, ARCA (1909-1977), CANADIAN ORANGE, PINK, BROWN, PLATE 2 FROM GRAPHICS: TORONTO 20, 1965 screenprint in colours on paper; signed, dated, numbered 68/100, and situated at “Toronto”; published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto, printed at University of Toronto Press, Toronto

26 x 20 in — 66 x 50.8 cm

PROVENANCE: Private Collection, Toronto, ON

$3,000 — 5,000

JACK HAMILTON BUSH, OSA, ARCA (1909-1977), CANADIAN GREENFIELD AND SUN, 1960 lithograph in colours on wove paper ; published with the Assistance of the Canada Council and Editions Markgraf

23.5 x 30 in — 59.7 x 76.2 cm

PROVENANCE: Private Collection, Poland

$1,000 — 1,500

87

HELEN FRANKENTHALER (1928-2011), AMERICAN EAST AND BEYOND WITH ORANGE, 1973-74 [H. 41]

woodcut in colours on Buff laminated Nepalese handmade paper, with full margins; signed, dated “-73-’74”, and editioned “trial proof with orange 2/2” in pencil to lower margin; aside from the edition of 12; published and printed by Universal Limited Art Editions, West Islip, with blindstamp 31.1 x 20.6 in — 79 x 52.4 cm

PROVENANCE:

La Parete Gallery, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Harrison 41.

$12,000 — 18,000

88

HELEN FRANKENTHALER (1928-2011), AMERICAN PLAZA REAL, 1987

etching and aquatint in colours on BFK Rives paper, with full margins; signed, dated, and numbered 7/60, there were also twelve artist’s proofs; printed and published by Ediçiones Poligrafa, Barcelona sheet 28.3 x 35 in — 72 x 89 cm

PROVENANCE:

Gallery One, Toronto, ON Private Collection, Toronto, ON

LITERATURE: Harrison 139.

$6,000 — 8,000

AFTER ROY LICHTENSTEIN (1923-1997), AMERICAN MODERN ART POSTER, MAILER, 1967 screenprint in colours on wove paper; published by Leo Castelli Gallery, New York sight 8 x 11 in — 20.3 x 27.9 cm

PROVENANCE: Private Collection, Toronto, ON

$1,000 — 1,500

SYBIL ANDREWS (1898-1992), BRITISH/CANADIAN

ANNO DOMINI, 1970 [C. SA 69] linocut in colours on tissue thin Japan paper, with full margins; signed, titled, and numbered 14/60 lower right 16 x 11 in — 40.6 x 27.9 cm

PROVENANCE:

Glenbow Museum, Calgary, AB Private Collection, Edmonton, AB

EXHIBITED:

Glenbow Museum, Calgary, AB, Sybil Andrews, 1982, same image, cat. #61.

LITERATURE:

Peter White, Sybil Andrews, Glenbow Museum, 1982, repro. 64. Stephen Coppel, Linocuts of the Machine Age, 1995, repro. 124, cat. #SA 69.

$10,000 — 15,000

SYBIL ANDREWS (1898-1992), CANADIAN MICHAELMAS, 1935 [C. SA 33] linocut in colours on tissue thin Japan paper, with full margins; signed, titled, and numbered 15/60 upper right image 12.1 x 8.9 in — 30.7 x 22.7 cm; sheet 13.7 x 10.6 in — 34.9 x 26.9 cm

PROVENANCE:

Glenbow Museum, Calgary, AB Private Collection, Edmonton, AB

EXHIBITED:

A similar proof was exhibited in the major travelling retrospective Sybil Andrews: Colour Linocuts, organized by the Glenbow Museum in 1982; Vancouver Art Gallery, Vancouver, BC, 16 Jan-28 Feb 1982; Mount St. Vincent University, Halifax, NS, 19 Mar-18 Apr 1982; Art Gallery of Ontario, Toronto ON, 28 May-25 Jul 1982; Edmonton Art Gallery, Edmonton, AB, 6 Aug-5 Sep 1982; Glenbow Museum, Calgary, AB, 14 Sep-22 Oct 1982; Norman MacKenzie Art Gallery, Regina, SK, 10 Nov-8 Dec 1982; Art Gallery of Victoria, Victoria, BC, 14 Jan-28 Feb 1983.

LITERATURE:

Peter White, Sybil Andrews, Glenbow Museum, 1982, repro. 41 and 58, cat. #33. Stephen Coppel, Linocuts of the Machine Age, 1995, repro. 115, cat #SA 33. Hana Leaper, Sybil Andrews Linocuts: A Complete Catalogue, 2015, repro. 80, and the c. 1935 line drawing Sketch for Michaelmas repro. 20, Fig. 8.

$8,000 — 12,000

92

PABLO PICASSO (1881-1973) & PAUL ÉLUARD (1895-1952), SPANISH; FRENCH

À PABLO PICASSO, 1945 in-4 (298x195 mm) deluxe edition of Éluard’s tribute to Picasso, pub. Trois Collines, Genève and Paris, 1945, first published in 1944; printed on Marais vellum paper, numbered “Exemplaire no 72” and signed in ink by the author, from the edition of 90; complete with an etching in black by Pablo Picasso on Van Gelder laid paper (202x162mm), signed in pencil by the artist, printed by Lacourière, Paris, loose as issued; and 99 reproduction plates (as per the table; Goeppert mistakenly mentions 101), paperback printed folded cover 13 x 9.8 in — 33 x 25 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Goeppert-Cramer 43.

$4,000 — 6,000

PABLO PICASSO (1881-1973) & PIERRE ANDRÉ BENOIT (1921-1993), SPANISH/FRENCH

PIERRES, CA. 1958 [B. 864; C. 93] in-4 (850 x 800 mm), maquette of the book of the same title, published in 1958, handwritten and illustrated in blue ink by Pierre André Benoit on heavy Auvergne paper; accompanied by Pablo Picasso’s drypoint etching in black on heavy Auverge paper signed in black pencil, with full margins, created prior to the edition of 45 plus 6 proofs with wide margins book 3.3 x 3.1 in — 8.5 x 8 cm; etching 4.3 x 4.3 in — 11 x 11 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Bloch 864. Cramer 93.

$1,000 — 1,500

AFTER PABLO PICASSO (1881-1973), SPANISH

LA FLÛTE DOUBLE, 1967

complete portfolio, with 15 offset lithographs in black and in colours on various papers, the full sheets, loose as issued, one folded as issued, numbered 210 to the colophon, from the edition of 500; with text by Hélène Parmelin; published by Au Vent D’Arles, SaintPaul-de-Vence, all contained in the original beige cloth-covered portfolio box largest sheet (unfolded) 22.8 x 17.3 in — 58 x 44 cm; remaining sheets 42.6 x 16.1 in — 108.3 x 40.8 cm; portfolio 16.5 x 20.9 in — 42 x 53 cm

PROVENANCE:

Private Collection, Toronto, ON

$4,000 — 6,000

95

PABLO PICASSO (1881-1973), SPANISH PROFIL DE JACQUELINE, 1962 [A.R. 457] terracotta plate, partially engraved, with coloured engobe and glaze; numbered 51/100, stamped “EDITION PICASSO” and “MADOURA PLEIN FEU” verso diameter 14.6 in — 37.2 cm;

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Alain Ramié 457.

$6,000 — 8,000

96

PABLO PICASSO (1881-1973), SPANISH TÊTES, 1956 [A.R. 367]

white earthenware ceramic with black oxide and white glaze; from the edition of 500; inscribed “EDITION PICASSO” and stamped with the “MADOURA PLEIN FEU” and “EDITION PICASSO” on the bottom 6.1 x 4.75 in — 15.5 x 12.1 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Alain Ramié 367.

$2,500 — 3,500

JULES OLITSKI (1922-2007), AMERICAN BEAUTY OF ANGELS, 1989 aquatint and dremel on wove paper, with full margins; signed, titled, dated, and numbered 32/50 in pencil to lower margin

21.3 x 28 in — 54 x 71 cm

PROVENANCE:

Gallery One, Toronto, ON Private Collection, Toronto, ON

$1,000 — 2,000

KENNETH NOLAND (1924-2010), AMERICAN RAINS 85-08, 1985 painted monotype on handmade paper, the full sheet

52 x 95 in — 132.1 x 241.3 cm

PROVENANCE:

Gallery One, Toronto, ON Private Collection, Toronto, ON

$8,000 — 10,000

99

ALEXANDER CALDER (1898-1976), AMERICAN HOMAGE TO EUCLID, PLATE 9, FROM LA MÉMOIRE ÉLÉMENTAIRE, 1976

lithograph in colours on Arches paper, the full sheet; signed and numbered 56/100; published by Éditions de la Différence, Paris

20.5 x 28.25 in — 52.1 x 71.8 cm

PROVENANCE:

Gallery One, Toronto, ON Private Collection, Toronto, ON

$5,000 — 7,000

100

JOAN MITCHELL (1925-1992), AMERICAN SIDES OF A RIVER II FROM FROM BEDFORD SERIES, 1981 [T. 367]

lithograph in colours on Arches 88 mouldmade paper, with full margins; signed and numbered 9/70, there were 16 artist’s proofs; published by Tyler Graphics, Ltd., Bedford, New York, with blindstamp

42.5 x 32.5 in — 108 x 82.6 cm

PROVENANCE:

Sotheby’s, New York, 30 Mar 2023, lot 61 Private Collection, Vancouver, BC

LITERATURE: Tyler 367.

$15,000 — 25,000

101

ALEX KATZ (B. 1927), AMERICAN CHRISTY, FROM BLACK DRESS, 2015 screenprint in colours on Saunders Waterford 425gsm paper, the full sheet; signed and numbered 34/35; published by Lococo Fine Art, St. Louis, Missouri

79.87 x 30 in — 202.9 x 76.2 cm

PROVENANCE:

Private Collection, Montreal, QC

$20,000 — 25,000

102

ALEX KATZ (B. 1927), AMERICAN CECILY, FROM BLACK DRESS, 2015 screenprint in colours on Saunders Waterford 425gsm paper, the full sheet; signed and numbered 34/35; published by Lococo Fine Art, St. Louis, Missouri 79.87 x 30 in — 202.9 x 76.2 cm

PROVENANCE:

Private Collection, Montreal, QC

$20,000 — 25,000

103

ANDY WARHOL (1928-1987), AMERICAN MICK JAGGER, 1975 [F&S II.144]

screenprint in colours on Arches Aquarelle (Rough) paper, the full sheet; signed in pencil lower right, aside from the edition of 250 and the 50 artist’s proofs; printed by Alexander Heinrici, New York, published by Seabird Editions, London

43.4 x 28.9 in — 110.2 x 73.3 cm

PROVENANCE:

Sotheby’s, New York, 5 May 1983, lot 643 Private Collection, Toronto, ON

LITERATURE:

Feldman & Schellmann, II.144

$80,000 — 100,000

104

ANDY WARHOL (1928-1987), AMERICAN FLOWERS (HAND-COLORED), 1974 [F. S. II.110-II.119]

complete portfolio of 10 screenprints handcoloured with Dr. Martin aniline watercolour dyes on J. Green paper, with full margins; each print is unique, each initialled lower right; signed, dated “74”, and numbered 13/250 in pencil verso, there were also 50 artists proofs; printed by Alexander Heinrici, New York, published by Peter M. Brant, Castelli Graphics, New York and Multiples, Inc., New York

each 41 x 47 in — 104.1 x 119.4 cm

PROVENANCE:

Contemporary Royale, Vancouver, BC Private Collection, British Columbia

LITERATURE:

Feldman Schellmann II.110-II.119.

$140,000 — 180,000

105

BARBARA KRUGER (B. 1945), AMERICAN NOT, FROM UNTITLED (WE WILL NO LONGER BE SEEN AND NOT HEARD), 1985 offset lithograph and screenprint with lithograph on Arches 88 paper, the full sheet; signed, dated, and numbered 50/50, from the edition of 50; printed by Derriere L’Etoile Studios, New York, published by Peter Blum Edition, New York

20.5 x 20.5 in — 52.1 x 52.1 cm

PROVENANCE:

Collection of a Fortune 500 Company, Texas Heritage Auctions, Dallas, 27 Oct 2010, lot 72120 Private Collection, Toronto, ON

EXHIBITED:

Darkness + Light: Twentieth-Century Works from Texas Collections, University of Houston, Blaffer Gallery, Houston, 22 Jan - 28 Mar 1993.

$4,000 — 6,000

106

SAM FRANCIS (1923-1994), AMERICAN UNTITLED (SF-274), CA. 1977-78 [L. 229; G. 821]

lithograph in black on Arches 88 paper, the full sheet; signed and numbered 4/25 in pencil to lower edge; published by Gemini G.E.L., Los Angeles, with blindstamp 51.2 x 51.2 in — 130 x 130 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Lembark L229. Gemini 821.

$3,000 — 4,000

107

JIM DINE (B. 1935), AMERICAN SWAYING IN THE FLORIDA NIGHT, 1983 [D. & F. 143]

etching, drypoint, aquatint, and electric tools on rolled Arches, with full margins; signed, dated, and numbered 63/65; printed by R. E. Townsend, Inc., Boston, published by Pace Editions, New York sheet 46.9 x 70.1 in — 119 x 178 cm

PROVENANCE:

Private Collection, British Columbia

LITERATURE:

D’Oench & Fineberg 143.

$4,000 — 5,000

108

ELLSWORTH KELLY (1923-2015), AMERICAN BLUE AND ORANGE AND GREEN, (BLEU ET ORANGE ET VERT), PLATE 13 FROM THE SUITE OF TWENTY-SEVEN COLOR LITHOGRAPHS, 1964-1965 [A. 16] lithograph in colours on BFK Rives paper, with full margins; signed and numbered 30/75; titled in pencil verso; printed and published by Maeght, Paris 35.25 x 23.75 in — 89.5 x 60.3 cm

PROVENANCE:

Gallery Moos Ltd., Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Axsom 16.

$8,000 — 12,000

109

LEE BONTECOU (1931-2022), AMERICAN FOURTH STONE, 1963

lithograph in black on BFK Rives paper, with full margins; signed, dated, and editioned “artist’s proof”; aside from the edition of 19; published and printed by Universal Limited Art Editions, West Islip, with blindstamp

40.1 x 29.6 in — 101.8 x 75.3 cm

PROVENANCE:

Private Collection, Toronto, ON

$7,000 — 10,000

110

ALEX KATZ (B.1927), AMERICAN LATE JULY II, 1971 [S. 39]

lithograph in colours on wove paper, the full sheet; signed and numbered 14/120; printed by The Bank Street Atelier, Ltd., New York and published by Brooke Alexander, Inc., New York

22 x 28.3 in — 56 x 72 cm

PROVENANCE:

Marlborough-Godard Gallery, Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Schröder 39.

$3,500 — 4,500

111

BEN NICHOLSON (1894-1982), BRITISH TWO TURKISH FORMS, FROM GREEK AND TURKISH FORMS, 1967 etching in black on wove paper, with full margins; signed, dated “67”, and numbered 45/50 in pencil to lower margin; printed by Lafranca, Locarno, with blindstamp 15 x 11 in — 38.1 x 27.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 700

112

JACKSON POLLOCK (1912-1956), AMERICAN EXHIBITION ANNOUNCEMENT, BETTY PARSONS GALLERY, NOV. 26 - DEC. 15, 1951 offset lithograph in black on cream wove paper, with full margins; signed in plate lower left, with the vertical fold as issued; printed by Acme Press, New York 17.1 x 22 in — 43.5 x 55.8 cm

PROVENANCE: Rebecca Gallery Ltd., Toronto, ON Private Collection, Toronto, ON

$1,500 — 2,500

AFTER CY TWOMBLY (1928-2011), AMERICAN NINE DISCOURSES ON COMMODUS BY CY TWOMBLY AT LEO CASTELLI, 1964

offset lithograph in colours on poster paper; published by Leo Castelli, New York

27.75 x 19.25 in — 70.5 x 48.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 1,500

114

ROY LICHTENSTEIN (1923-1997), AMERICAN COVER FOR POLEMIC MAGAZINE, 1959

[C. III.2]

woodcut in red and black on heavy white wove wraparound paper cover, the full sheet; with the vertical fold as issued; printed by Press of the Times, Oberlin, published by The Polemic Society of Western Reserve University, Cleveland, and the Adelbert College Student Council

9.9 x 6.8 in — 25.2 x 17.2 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Corlett III.2, cover.

Polemic vol. 4, no. 1 (Spring 1959).

$800 — 1,200

115

ROBERT RAUSCHENBERG (1925-2008), AMERICAN FEATURES #77, FROM CURRENTS, 1970 [F. 148]

screenprint in colours on Aqua B 844 paper, with full margins; signed, dated “70”, and numbered 9/50; printed by Styria Studios, Glendale, co-published by Dayton’s Gallery 12, Minneapolis, and Castelli Graphics, New York 40 x 40 in — 101.6 x 101.6 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Foster 148.

$800 — 1,200

116

JOSEPH BEUYS (1921-1986), GERMAN TAFEL III (BLACKBOARD III), 1980 [S. 260C] screenprint in black on card, with full margins; signed, from the edition of approximately 1,200; published by Griffelkunst-Vereinigung, Hamburg sheet 31.1 x 24 in — 79 x 61 cm

PROVENANCE: Private Collection, Montreal, QC

LITERATURE: Schellmann 260c.

$200 — 300

117

LEONARD BASKIN (1922-2000), AMERICAN

LEONARD BASKIN AT 51, 1973

woodcut in colours on Japon paper, with full margins; signed and editioned “A.P.” for artist’s proof, aside from the edition of 100 38 x 28.5 in — 96.5 x 72.4 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Fern/O’Sullivan 618.

$200 — 300

118

LEONARD BASKIN (1922-2000), AMERICAN MAN OF PEACE, 1952

woodcut in black on Japon paper, with full margins; signed and titled in pencil to lower margin

71.5 x 31.5 in — 181.6 x 80 cm

PROVENANCE:

Fitch-Febvrel Gallery, New York, New York Private Collection, Toronto, ON

$400 — 600

119

HAROLD BARLING TOWN, OSA, RCA (1924-1994), CANADIAN ANT KING AND GARDEN PLANTS, 1956 monoprint in colours on wove paper; signed and dated “56” in ink; titled to label verso image 19 x 16 in — 48.3 x 40.6 cm

PROVENANCE:

A.P.A. Studio, Toronto, ON Private Collection, Toronto, ON

$1,200 — 1,600

120

HAROLD BARLING TOWN, OSA, RCA (1924-1994), CANADIAN UNTITLED, 1955 monoprint in colours on paper laid on cardboard ; signed and dated “55” sight 20 x 15.75 in — 50.8 x 40 cm

PROVENANCE: Private Collection, Toronto, ON

$1,000 — 1,500

121

HAROLD BARLING TOWN, OSA, RCA (1924-1994), CANADIAN UNTITLED, 1955

monotype in colours on wove paper; signed, dated “55”, and indistinctly inscribed lower left

19.5 x 15.6 in — 49.5 x 39.6 cm

PROVENANCE:

Waddington’s Auctioneers, Toronto, 23 Oct 2004, lot 238

Private Collection, Toronto, ON

$1,200 — 1,600

122

HAROLD BARLING TOWN, OSA, RCA (1924-1994), CANADIAN VALE VARIATION, 1976

acrylic fibre woven tapestry; signed, dated “76”, and numbered 15/25 in the pattern, signed and numbered in ink to bolduc verso; published by Art Investment Corp, Toronto 77 x 99 in — 195.6 x 251.5 cm

PROVENANCE: Private Collection, Toronto, ON

$2,000 — 3,000

123

JACK LEONARD SHADBOLT, RCA (19091998), CANADIAN UNTITLED, 1976

woven wool tapestry; signed and numbered 4/25 in the pattern, signed in ink and numbered to bolduc verso; published by Art Investment Corp, Toronto

77 x 98 in — 195.6 x 248.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$2,000 — 3,000

124

JOHNNY FRIEDLAENDER (1912-1992), GERMAN/FRENCH

WOMAN RESTING (FEMME AU REPOS), 1956 etching in black on wove paper; signed and numbered 43/50 in pencil to lower margin

25.8 x 19.5 in — 65.5 x 49.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

ALFRED PELLAN, RCA (1906-1988), CANADIAN FAÇONNAGE, 1973

screenprint in colours on wove paper, with full margins; signed, titled, dated, and numbered 27/100; published by The Graphic Guild, Montreal, QC, with blindstamp 22 x 19 in — 55.9 x 48.3 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 2,000

126

JEAN PAUL LEMIEUX (1904-1990), CANADIAN

JEAN PAUL LEMIEUX RETROUVE MARIA CHAPDELAINE, 1981

complete portfolio, with the text by Louis Hémon, and 10 photolithographs on laid paper, with full margins, each signed and numbered 68/125, also stamped-numbered in gold to colophon; published by Les Éditions Stanké, Montréal, with blindstamp 22.5 x 18.3 in — 57.2 x 46.5 cm

PROVENANCE:

Private Collection, Montreal, QC

$1,500 — 2,000

127

OSKAR KOKOSCHKA (1886-1980), AUSTRIAN

PENELOPE’S DREAM FROM THE ODYSSEY, 1965

lithograph in black on wove paper, with full margins; signed and numbered 33/50 in pencil to lower margin

22.6 x 15.4 in — 57.4 x 39.2 cm

PROVENANCE:

Albert White Galleries, Toronto, ON Private Collection, Toronto, ON

$300 — 400

128

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH

AVEUGLE ENLEVÉ SUR LES CORNES D’UN TAUREAU (DIOS SE LO PAGUE A USTED), 1867 [H.25]

etching, aquatint, and drypoint in black ink on strong laid paper, with full margins; from the first edition, titled to plate lower centre; printed by Delâtre, Paris and published in the Gazette des Beaux-Arts, Paris, 1867 Vol. XXII, p. 388.

plate 6.9 x 8 in — 17.5 x 20.2 cm; sheet 8.3 x 11.8 in — 21 x 30 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Harris 25.

$800 — 1,200

129

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH

QUE SACRIFICIO! (WHAT A SACRIFICE!), PLATE 14 FROM LOS CAPRICHOS, 1799 [H.49]

etching, burnished aquatint, and drypoint in pale ink on heavy absorbent laid paper, with full margins; signed in plate lower left, titled lower centre, and numbered in the plate upper right corner; likely from the 1st edition with the binding holes to left edge, edition of approximately 300; made for Goya and first offered for sale in 1799

plate 7.8 x 5.9 in — 19.7 x 14.9 cm;

sheet 31.9 x 22 in — 81 x 55.9 cm

PROVENANCE:

Private Collection, Ontario

LITERATURE:

Harris 49.

$400 — 500

130

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH LAS RINDE EL SUEÑO (SLEEP OVERCOMES THEM), PLATE 34 FROM LOS CAPRICHOS:, 1799 [H.69]

etching and burnish aquatint in sepia ink on heavy absorbent laid paper, with full margins; titled lower centre and numbered in plate upper right corner; likely from the 1st edition with the binding holes to left edge, edition of approximately 300; made for Goya and first offered for sale in 1799

plate 8.5 x 5.9 in — 21.5 x 15.1 cm;

sheet 12.6 x 8.7 in — 32 x 22 cm

PROVENANCE:

Private Collection, Ontario

LITERATURE:

Harris 69.

$400 — 500

131

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH

LAS MUGERES DAN VALOR (THE WOMEN GIVE COURAGE), PLATE 4 FROM LOS DESASTRES DE LA GUERRA, 1810-15 [H. 124]

etching, brunished aquatint, lavis drypoint and brunisher on wove paper, watermark, with full margins; likely from the 1st edition of approximately 500, titled lower centre and numbered in the plate upper left; made in the workshop of Laurenciano Potenciano for the Real Academia de Nobles Artes de San Fernando, Madrid in 1863

plate 6.1 x 8.1 in — 15.6 x 20.5 cm;

sheet 9.2 x 12.6 in — 23.3 x 32.1 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Harris 124.

$2,000 — 3,000

132

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH

TAMBIEN ESTO (THIS TOO), PLATE 43 FROM LOS DESASTRES DE LA GUERRA, 1810-15 [H. 163]

etching, burnished aquatint and burnisher on wove paper; titled lower centre and numbered in the plate upper left corner; likely from the 4th edition of approximately 275, with binding holes to left margin; published by the Calcografía for the Real Academia de Nobles Artes de San Fernando, Madrid in 1906 plate 6 x 8.1 in — 15.3 x 20.5 cm; sheet 25 x 34 in — 63.5 x 86.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 1,500

133

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (1746-1828), SPANISH SE DEFIENDE BIEN (HE DEFENDS HIMSELF WELL), PLATE 78 FROM LOS DESASTRES DE LA GUERRA, 1810-15

etching, drypoint, burin, and burnishing on wove paper; titled lower centre and numbered in the plate upper left corner; likely from the 4th edition of approximately 275, with binding holes to left margin; published by the Calcografía for the Real Academia de Nobles Artes de San Fernando, Madrid in 1906 plate 6.7 x 8.4 in — 17.1 x 21.4 cm; sheet 23 x 33.6 in — 58.4 x 85.3 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 1,500

134

WASSILY KANDINSKY (1866-1944), RUSSIAN

XYLOGRAPHIES, 1909 [R. 54-71]

in-folio, (325 x 325 mm) in sheets, 5 woodcuts in black without text and 1 woodcut in black for the index, 2 woodcuts in black on the cover, from the edition of 1,000, loose as issued; published by Edition des Tendances Nouvelles, Paris each sheet 12.6 x 12.6 in — 32 x 32 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Roethel 54-71.

$800 — 1,200

135

BERTHE MORISOT (1841-1895), FRENCH LA FILLETTE AU CHAT (JULIE MANET), CA. 1889 etching and drypoint on wove paper plate 5.8 x 4.6 in — 14.7 x 11.8 cm

PROVENANCE: The Issacs Gallery, Toronto, ON Private Collection, Toronto, ON

LITERATURE: Bailly-Herzberg VI.

$300 — 500

136

ÉDOUARD MANET (1832–1883), FRENCH PORTRAIT OF BERTHE MORISOT, 1872 [G. 59] etching in black on wove paper; a later impression ca. 1905 4.7 x 3.1 in — 11.9 x 7.9 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Guerin 59. Harris 75.

$800 — 1,200

137

ÉDOUARD MANET (1832–1883), FRENCH

LA PARISIENNE, 1874 [H. 77]

woodcut in black on cream wove paper; signed in plate lower right; published by Theodore Duret in Manet and the French Impressionists in 1910 3.9 x 5.9 in — 10 x 15 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Harris 77.

$800 — 1,200

138

PIERRE BONNARD (1867-1947), FRENCH

LA TOILETTE ASSISE, FROM PIERRE BONNARD, PEINTRE ET LITHOGRAPHE, 1925 [B. 96-3]

lithograph in black on cream wove paper; signed lower right; from the unnumbered edition of 25, there was also a numbered edition of 100; published by Edmond Frapier, Galerie des Peintres-Graveurs, Paris sight 15.9 x 10.5 in — 40.4 x 26.6 cm;

PROVENANCE:

Sobot Gallery Ltd., Toronto, ON Private Collection, Toronto, ON

LITERATURE:

Bouvet 96-3.

$600 — 800

139

RUFINO TAMAYO (1899-1991), MEXICAN LA MANDOLINA, 1930 [P. 12] woodcut on wove paper; signed in pencil lower right; from an unnumbered edition 9.1 x 7.6 in — 23.2 x 19.2 cm

PROVENANCE: Private Collection, Quebec

LITERATURE:

Pereda 12.

$800 — 1,200

140

CAMILLE PISSARRO (1830-1903), FRENCH FANEUSES D’ÉRAGNY, 1897 etching and drypoint on cream wove paper sheet 12.4 x 9.2 in — 31.6 x 23.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

ALBERT MARQUET (1875-1947), FRENCH

PARIS LE PONT NEUF, CA. 1938 etching in black on wove paper; numbered 72/300

13 x 10 in — 33 x 25.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

142

DORIS SHADBOLT (1918-2003), CANADIAN

THE ART OF EMILY CARR book with complete suite of six photolithographs on Stonehenge paper, with full margins, signed by Doris Shadbolt and numbered 112/250, including Port Renfrew, Untitled (totemic faces in the forest), Untitled (eyes in the forest), Untitled (fish eye lens view of island), Untitled (soft lower branches of cedar), Untitled (sky over tree tops)<, each numbered 112/250 and contained in a wooden box with an argillite-carved portrait of Emily Carr on cover, with certificate of ownership; published by Clarke Irwin/Douglas & McIntyre, Toronto and Vancouver, 1980 sheet 15.75 x 14 in — 40 x 35.6 cm; overall 17 x 15 x 3.5 in — 43.2 x 38.1 x 8.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 1,500

HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH

ADIEU AND OCEANO NOX, CA. 1895; LES PAPILLIONS, 1935 FROM MÉLODIES DE DÉSIRÉ DIHAU [W. 124, 132, 128] three lithographs in black on thin wove paper, with full margins; Adieu and Oceano Nox each sheet 13.8 x 10.6 in — 35 x 27 cm from the ca. 1895 edition of an unknown number, with the address of depositories abroad; printed by Crevel Frères, Paris and published by C. Joubert Les Papillons

13.8 x 10.9 in — 35 x 27.7 cm from the 1935 edition of 140 copies; published by H. Lefèbvre, Librairie, Paris

13.8 x 10.6 in — 35 x 27 cm; 13.8 x 10.9 in — 35 x 27.7 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Wittrock 124, 132, 128.

$200 — 300

146

LAURENCE STEPHEN LOWRY (1887-1976), BRITISH

MRS. SWINDELL’S PICTURE, 1967 offset lithograph in colours on wove paper; signed in pencil lower right; from the unnumbered edition of 850; printed by Chorley and Pickersgill Ltd., Leeds, published by Adam Collection Ltd. image 15.8 x 11.9 in — 40.1 x 30.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 600

147

DAVID BROWN MILNE (1882-1953), CANADIAN

PAINTING PLACE, 1930-31

drypoint in colours on Fabriano wove paper ; signed, from the edition of 3000; published by Pynson Printers, New York

4.8 x 6.8 in — 12.2 x 17.3 cm

PROVENANCE:

Private Collection, Ontario

$800 — 1,200

148

JEAN PAUL RIOPELLE, RCA (1923-2002), CANADIAN

L’AUBE PLATE 1 FROM LE SABLIER, 1979 [YSEULT RIOPELLE 1979.01FEST.LI.ALB] lithograph in colours on wove paper, the full sheet; signed and numbered 50/90 and additionally numbered “1”; printed by Arte Adrien Maeght, Paris and published by Maeght, Paris

22 x 25.5 in — 56 x 65 cm

PROVENANCE:

Private Collection, Ontario

LITERATURE:

Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 252, no. 1979.01aEST.LI.ALB.

$1,500 — 2,500

149

JEAN PAUL RIOPELLE, RCA (1923-2002), CANADIAN APRÈS-MIDI PLATE 4 FROM LE SABLIER, 1979 [YSEULT RIOPELLE 1979.01FEST. LI.ALB], 1979.01DEST.LI.ALB]

lithograph in colours on wove paper, the full sheet; signed, numbered 35/90, and additionally numbered “4”; printed by Arte Adrien Maeght, Paris and edited by Maeght, Paris

22 x 25.5 in — 55.9 x 64.8 cm

PROVENANCE:

Galerie d’art Graphica, Edmonton, AB Private Collection, Edmonton, AB

LITERATURE:

Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 254, no. 1979.01DEST.LI.ALB.

$2,500 — 3,500

150

JEAN PAUL RIOPELLE, RCA (1923-2002), CANADIAN LE CRÉPUSCULE PLATE 6 FROM LE SABLIER, 1979 [YSEULT RIOPELLE 1979.01FEST.LI.ALB]

lithograph in colours on wove paper, the full sheet; signed, numbered 49/90, and additionally numbered “6”; printed by Arte Adrien Maeght, Paris and edited by Maeght, Paris

22 x 25.6 in — 56 x 65 cm

PROVENANCE:

Private Collection, Ontario

LITERATURE:

Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 255, no. 1979.01fEST.LI.ALB.

$1,000 — 1,500

151

ELISABETH FRINK (1930-1993), BRITISH GOSHAWK; LONG-EARED OWL, FROM BIRDS OF PREY, 1974

two etchings with aquatint on wove paper, with full margins; each signed and numbered 34/50; printed by White Ink Studio, London, published by Leslie Waddington Prints Ltd., London

36 x 25.7 in — 91.5 x 65.3 cm

PROVENANCE:

Waddington Galleries, Montreal, QC Private Collection, Ontario

$1,200 — 1,800

152

ELISABETH FRINK (1930-1993), BRITISH SMALL HORSE AND RIDER, 1970 [W. 40] lithograph in colours on wove paper, with full margins; signed and numbered 12/60 in pencil sheet 15.4 x 23.2 in — 39 x 59 cm

PROVENANCE:

Pollock Gallery, Toronto, ON Private Collection, Ontario

LITERATURE: Wiseman 40, col.ill. p.111.

$800 — 1,200

153

RONALD WILLIAM BOLT (B. 1938), CANADIAN

LAND’S EDGE, 1983

screenprint in colours on wove paper, with full margins; signed, titled, dated “/83’”, and numbered 21/100

22.25 x 17.5 in — 56.5 x 44.5 cm

PROVENANCE: Private Collection, Montreal, QC

$200 — 300

154

WILLIAM KURELEK, RCA (1927-1977), CANADIAN

FISHING FROM THE SPORTS, 1977 lithograph in colours on wove paper, with full margins; signed “W. Kurelek (J.K.)” by the wife of the artist and numbered 209/225 12 x 9.75 in — 30.5 x 24.8 cm

PROVENANCE: Whitten Gallery, King City, ON Private Collection, Toronto, ON

$500 — 700

155

CHARLES PACHTER (B. 1942), CANADIAN SIX FRIENDS IN A LANDSCAPE, 1978 screenprint in colours on wove paper, with full margins ; signed, titled, and numbered 232/250; printed by Christopher Ondaatje 22 x 30 in — 55.9 x 76.2 cm

PROVENANCE:

Private Collection, Montreal, QC

$300 — 400

156

CHARLES PACHTER (B. 1942), CANADIAN STREETCAR RAINBOW, 1976; UNTITLED (CLOUDS ON LAKE SIMCOE) giclée print in colours on archival matte paper, with full margins; signed, titled, dated “76”, and numbered 7/10; from an edition of 10, printed in 2014; accompanied by an original untitled pigment inkjet print, signed by the artist. sheet 18 x 12 in — 45.7 x 30.5 cm

PROVENANCE:

Private Collection, Montreal, QC

$150 — 200

157

CHARLES PACHTER (B. 1942), CANADIAN ROOFTOPS (BEHIND HONEST ED’S) lithograph in colours on wove paper, the full sheet; signed and editioned “A/P” for artist’s proof in blue pencil

14.5 x 21.5 in — 36.8 x 54.6 cm

PROVENANCE:

Private Collection, Montreal, QC

$200 — 250

158

CHARLES PACHTER (B. 1942), CANADIAN PACHTER, 1992

in-folio (292 x 241 mm), Bogomila WelshOvcharov, McClelland & Stewart, pub., 1992, signed by the publishers and the artist, and numbered 125/150 to colophon, from an edition totalling 175, complete with the screenprint in colours on cotton and linen handmade paper, signed, dated “92”, and numbered 125/150, in the original and separated beige linen covered slipcase, all under the original beige linen covered slipcase stamped with the title

11.5 x 9.5 in — 29.2 x 24.1 cm

PROVENANCE:

Private Collection, Montreal, QC

$400 — 600

159

CHARLES PACHTER (B. 1942), CANADIAN I SAID GOOD MORNING TO THE ROOSTER, 1965

lithograph in colours on wove paper, the full sheet; signed, titled, and editioned “a/p” for artist’s proof, aside from the numbered edition of 25 24.5 x 18 in — 62.2 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON $200 — 300

160

CHARLES PACHTER (B. 1942), CANADIAN GALAXY, 1970

lithograph in black on wove paper, with full margins; signed, titled, dated “70”, and editioned “AP” for artist’s proof, from an edition of unknown number sheet 27 x 37 in — 68.6 x 94 cm

PROVENANCE: Private Collection, Toronto, ON

$200 — 300

161

CHARLES PACHTER (B. 1942), CANADIAN DAVENPORT AND BAY, 1984 screenprint in colours on wove paper, the full sheet; signed, titled, dated “84”, numbered 137/150, and dedicated “For Sandy at Christmas”

24 x 16 in — 61 x 40.6 cm

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

162

TAKASHI MURAKAMI (B. 1962), JAPANESE OPEN YOUR HANDS WIDE, EMBRACE HAPPINESS!, 2010

offset lithograph in colours and high gloss varnish, on wove paper, the full sheet; signed and numbered 20/300 in silver felt-tip pen; published by the artist and Kaikai Kiki Co. Ltd., Tokyo and New York

26.8 x 26.8 in — 68 x 68 cm

PROVENANCE:

Waddington’s Auctioneers, Toronto, 11 May 2014, lot 9

Private Collection, Toronto, ON

$1,000 — 1,500

163

YOSHITOMO NARA (B. 1959), JAPANESE SLIGHT FEVER; JOLIE THE LITTLE THINKER; HAZY HUMID DAY

three offset lithographs in colours on wove paper, the full sheets; Slight Fever printed “© Yoshimoto Nara” lower right

43.3 x 47.2 in — 110 x 119.9 cm

Jolie the Little Thinker copyright printed “Yuz Museum” upper left corner; “printed “Yoshimoto Nara, Jolie The Little Thinker, 2011; Collection of Yuz Foundation

“© Yoshimoto Nara” lower right

28.7 x 20.3 in — 72.9 x 51.6 cm

Hazy Humid Day

“© Yoshimoto Nara” lower right

28.7 x 20.3 in — 72.9 x 51.6 cm

43.3 x 47.2 in — 110 x 119.9 cm;

28.7 x 20.3 in — 72.9 x 51.6 cm

PROVENANCE:

Private Collection, Colorado, USA

$1,200 — 1,800

164

STANLEY WILLIAM HAYTER (1901-1988), BRITISH

PARACHUTE, 1976 [B.&M. 383] engraving and softground etching in colours on wove paper; signed, titled, dated “76”, and numbered 3/75, there were also 5 artist’s proofs plate 25.4 x 19.3 in — 64.5 x 48.9 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Black and Moorhead 383.

$400 — 600

165

FRIEDENSREICH HUNDERTWASSER (19282000), AUSTRIAN OLYMPISCHE SPIELE MÜNCHEN, 1972

screenprint in colours with metal embossing on heavy tarred brown paper, the full sheet; numbered 3892/3999; printed by Dietz Offizin, in cooperation with Günter Dietz, Bavaria 44.1 x 28.3 in — 112 x 72 cm

PROVENANCE:

Private Collection, Toronto, ON

$600 — 800

166

ÁNGEL BOTELLO (1913-1986), SPANISH/ PUERTO RICAN

UNTITLED (GIRL AND A BIRD) linocut in colours on wove paper; signed, editioned “A.P.” for artist’s proof, and inscribed “MII” in pencil 14.6 x 12.6 in — 37 x 32 cm

PROVENANCE:

Private Collection, Toronto, ON

$1,000 — 2,000

167

FERNANDO DE SZYSZLO (1925-2017), PERUVIAN

UNTITLED (PURPLE ABSTRACT FORMS), 1978

etching, aquatint, and embossing on Guarro paper; signed and numbered 15/99 in white pencil; published by Polígrafa, Barcelona

21.9 x 29.9 in — 55.5 x 76 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

168

FERNANDO DE SZYSZLO (1925-2017), PERUVIAN

UNTITLED (TWO FORMS), 1978 mixografía on wove paper; signed and numbered 15/99 in white pencil; published by Polígrafa, Barcelona

29.9 x 21.9 in — 76 x 55.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

171

ALEKOS FASSIANOS (1935-2022), GREEK UNTITLED (LE PETIT POISSON), CA. 1970 linocut in colours on Japon paper, with full margins; signed and numbered VI/XX in pencil to margin

image 31.7 x 21.5 in — 80.5 x 54.6 cm

PROVENANCE:

Private Collection, Sutton, QC Waddington’s Auctioneers, Toronto, 9 Mar 2017, lot 29

Private Collection, Toronto, ON

$500 — 700

172

JUNE WAYNE (1918-2011), AMERICAN SHE IS ALL STATES, AND ALL PRINCES I (STATE II), FROM JOHN DONNE, 1957 lithograph in black on BFK Rives paper, with full margins; signed, titled, dated, and numbered 3/24 in pencil to lower margin image 25.2 x 18.1 in — 64 x 46 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 400

173

MAURICIO LASANSKY (1914-2012), ARGENTINE/AMERICAN STUDY OF JIMENA, 1961 etching in colours on wove paper; signed, titled, and numbered 15/50 to lower margin image 17.9 x 16 in — 45.5 x 40.6 cm

PROVENANCE:

Private Collection, Toronto, ON

$600 — 800

174

JOHN PIPER (1903-1992), BRITISH HAUTBOIS CHURCH, NORFOLK, 1983 [L. 363] screenprint in colours on wove paper; signed and numbered 2/70, there were also 15 artist’s proofs; printed by Kelpra Studio, published by Marlborough Fine Art, London sight 18.5 x 25.5 in — 47 x 64.8 cm

PROVENANCE: Private Collection, British Columbia

LITERATURE: Levinson 363.

$500 — 600

175

PHILIP GUSTON (1913–1980), AMERICAN AUGUST 1965, FROM FOUR ON PLEXIGLAS, 1965

screenprint in colours on plexiglas; from the unnumbered edition of 125; printed by Knickerbocker Machine & Foundry Inc., New York, published by Multiples, Inc., New York in 1966

29.5 x 40 in — 76 x 101.3 cm

PROVENANCE:

Auctionata, New York, 29 Mar 2016, lot 103 Private Collection, Montreal, QC

$1,500 — 2,500

176

GENEVIÈVE CLAISSE (1935-2018), FRENCH

ROCTATEUR ROUGE, 1968-72

acrylic on wood, encased in plexiglass; titled and numbered 27/50 to gallery label verso 15.6 x 155.5 in — 39.5 x 39.5 cm

PROVENANCE:

Editions Denise René, Paris, France Lantern Gallery, Ann Arbor, MI Private Collection, Ontario

$600 — 800

177

VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH PROCION

screenprint in colours on wove paper; signed and numbered 85/294; published by Edition Domberger Stuttgart

sight 24 x 24 in — 61 x 61 cm

PROVENANCE:

Private Collection, British Columbia

$400 — 500

178

RITA LETENDRE, RCA (1928-2021), CANADIAN

SHARAS, 1973

screenprint in colours on wove paper, the full sheet; signed, titled, dated “73”, and numbered 72/80

27.25 x 37.75 in — 69.2 x 95.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$900 — 1,200

179

EDUARDO CHILLIDA (1924-2002), SPANISH

EZURDUN, FROM PANTHEON ON EDUARDO CHILLIDA, 1974

woodcut in black on Japon paper, with full margins; signed and numbered 27/100; published by Studio Bruckmann, Verlag 12.7 x 9.1 in — 32.2 x 23.1 cm

PROVENANCE:

Private Collection, Montreal, QC

$800 — 1,200

180

KIM DORLAND (B. 1974), CANADIAN REFLECTION, 2021

screenprint in colours on 290 gsm Coventry Rag with archival phosphorescent and flocking embellishment; signed, dated, and editioned “AP 3/3” for artist’s proof, there was also an edition of 50 and 2 printer’s proofs

22 x 18 in — 55.9 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON Proceeds from the sale of this lot will benefit the Montreal Museum of Fine Arts, Montreal, QC

$400 — 600

ENRICO BAJ (1924-2003), ITALIAN ARISTOCRATICO CON LA GIDUGLIA, 1972 lithograph in colours and mixed media on wove paper; signed and editioned 55/250 to lower margin

39.4 x 27.2 in — 100 x 69.1 cm

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

182

HENRY MOORE (1898-1986), BRITISH TWO HEADS, FROM LA POÉSIE, 1973 [C. 318] lithograph in colours on Arches paper, with full margins; initialled and numbered 109/110; published by Art et Poésie, Paris sheet 18.4 x 15 in — 46.7 x 38 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE: Cramer 318.

$300 — 400

183

ALEXANDER CALDER (1898-1976), AMERICAN HOMMAGE À MAN RAY, 1974

lithograph in colours on wove paper; signed and numbered 65/100 in pencil; published by Alba Editions, New York, with blindstamp

19.6 x 14.8 in — 49.9 x 37.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$800 — 1,200

184

WILLIAM MCCARROLL (B. 1937), CANADIAN PLATE 78, 120, AND 135 FROM GOLF LESSONS CA. 1985

three screenprints hand coloured with oil pastel on wove paper; each signed and numbered respectively 12/20, 6/20, and 18/20

31 x 23 in — 78.7 x 58.4 cm; 32 x 25 in — 81.3 x 63.5 cm; 32 x 22 in — 81.3 x 55.9 cm

PROVENANCE:

Jennifer Kostuik Gallery, Vancouver, BC Private Collection, British Columbia

$800 — 1,200

LAWRENCE PAUL YUXWELUPTUN (B. 1957), COWICHAN/SYILX FIRST NATION NIGHT WALKER, 2021

etching and aquatint in black on wove paper, with full margins; signed, titled, dated, and numbered 39/100; published by New Leaf Editions, Vancouver, with blindstamp 10 x 6.75 in — 25.4 x 17.1 cm

PROVENANCE:

Private Collection, Toronto, ON

$250 — 350

186

LAWRENCE PAUL YUXWELUPTUN (B. 1957), COWICHAN/SYILX FIRST NATION THE TREE, 2021

etching and aquatint in black on wove paper, with full margins; signed, titled, dated, and numbered 39/100 to margin; published by New Leaf Editions, Vancouver, with blindstamp 11 x 7.25 in — 27.9 x 18.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$250 — 350

187

FRIEDEL DZUBAS (1915-1994), AMERICAN AFTERTHOUGHT, 1984; NIGHTSTAR, 1984; ABC, 1984

three screenprints in colours on Arches 88 paper, with full margins; AFTERTHOUGHT, 1984

signed, titled, dated, and editioned “Bon à tirer”; from an unreleased edition; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp NIGHTSTAR, 1984

signed, titled, and numbered 81/90; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp ABC, 1984

signed, titled, dated, and editioned “Bon à tirer”; from an unreleased edition; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp each 22.3 x 29.13 in — 56.6 x 74 cm

PROVENANCE:

The Art Printer, Toronto, ON

$1,500 — 2,000

188

FRIEDEL DZUBAS (1915-1994); KATHLEEN MARGARET GRAHAM (1913-2008), AMERICAN; CANADIAN FUGUE; FOR JACK FROM HOMAGE TO JACK BUSH, 1984

two screenprints in colours on wove paper, with full margins; Friedel Dzubas Fugue, 1984

signed, titled, dated, and editioned “Bon a Tirer” Kathleen Margaret Graham For Jack, 1983

signed, titled, dated, and editioned “Printer’s Proof 2/2”

2 proofs aside from the suite of 8 printed by Jerry Shiner, The Art Printer, Toronto, published by Merriot Editions Ltd., Toronto 29.25 x 22.25 in — 74.3 x 56.5 cm; 22.25 x 29 in — 56.5 x 73.7 cm

PROVENANCE:

The Art Printer, Toronto, ON

$600 — 800

189

WILLIAM PEREHUDOFF, RCA (1918-2013), CANADIAN TANAGRA #4, 1984

screenprint in colours on Arches 88 paper, the full sheet; editioned “Bon a tirer” and inscribed by the artist “change red”, aside from the edition of 30; printed by Jerry Shiner at The Art Printer, Toronto

22.5 x 32.3 in — 57.2 x 82 cm

PROVENANCE:

The Art Printer, Toronto, ON

$300 — 500

190

DENNIS EUGENE NORMAN BURTON (1933-2013), CANADIAN HORNY BUSINESS, 1982

screenprint in colours on Arches 88 paper, with full margins; signed, titled, dated “28.9.1982”, and editioned “Printer’s Proof 1/2”; printed by Jerry Shiner, The Art Printer, Toronto, with blindstamp

29.5 x 23 in — 74.9 x 58.4 cm

PROVENANCE:

The Art Printer, Toronto, ON

$200 — 400

191

FRITZ GLARNER (1899-1972), SWISS/AMERICAN COLOR DRAWING FOR RELATIONAL PAINTING, 1963

lithograph in colours on wove paper, with full margins; signed, dated, and numbered 25/35; published by Universal Limited Art Editions, West Islip, with blindstamp sheet 31.9 x 22.4 in — 81 x 57 cm

PROVENANCE:

Private Collection, Toronto, ON

$600 — 800

192

SALVADOR DALÍ (1904-1989), SPANISH REMBRANDT - PORTRAIT DU PEINTRE PAR LUI-MÊME, FROM THE CHANGES IN GREAT MASTERPIECES PORTFOLIO, 1974 [F. 74-2]

lithograph in colours on BFK Rives paper; signed and numbered 216; published by Phyllis Lucas Gallery, New York sight 29.1 x 18.7 in — 74 x 47.5 cm

PROVENANCE: Private Collection, Winnipeg, MB

LITERATURE: Field 74-2. Michler/Löpsinger 1474.

$300 — 400

PABLO PICASSO (1881-1973), SPANISH LA DANSE DES FAUNES, 1957 [B. 830; M. 291] lithograph in black on Arches paper, with full margins; stamped signed; from the unnumbered edition of 1,000, aside from the numbered edition of 200; published by Le Patriote, Nice 19 x 25.6 in — 48.3 x 65 cm

PROVENANCE: Private Collection, Ontario

LITERATURE: Bloch 830. Mourlot 291.

$1,000 — 1,500

194

JOAN MIRÓ (1893-1983), SPANISH POSTER FOR THE EXHIBITION PEINTURES SUR PAPIER, DESSINS, GALERIE MAEGHT, 1971 [M. 736] lithograph in colours on Arches wove paper, with full margins; before lettering, signed and numbered 39/50; published by Maeght, Paris, printed by Arte Adrien Maeght, Paris 63 x 45.7 in — 160 x 116 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Maeght 736.

$6,000 — 8,000

195

JOAN MIRÓ (1893-1983), SPANISH BLUE STAR (BLACK STATE) PLATE 9, FROM HOMAGE TO JOAN PRATS, 1971 [M. 722; C. BOOKS 153]

lithograph in black on Guarro paper, with full margins; signed and numbered XXV/XXV; published and printed by Poligrafa, Barcelona 29.5 x 39.1 in — 75 x 99.2 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE: Mourlot 722. Cramer Books 153.

$2,000 — 3,000

196

MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN

COVER OF LITHOGRAPHIES DE L’ATELIER MOURLOT, 1965

lithograph in colours on wove paper 10 x 7.5 in — 25.3 x 19 cm

PROVENANCE: Galerie Moos, Montreal, QC Private Collection, Montreal, QC

$100 — 150

JOAN MIRÓ (1893-1983), SPANISH

POSTER FOR EXHIBITION L’OISEAU SOLAIRE, L’OISEAU LUNAIRE, ETINCELLES

offset lithograph, laid on card; from the 1983 edition; printed by Beatrice D’este, Paris

38.6 x 26.8 in — 98 x 68 cm

PROVENANCE:

Private Collection, Montreal, QC

$400 — 600

198

ATTRIBUTED TO JOAN MIRÓ (1893-1983), SPANISH

LE CHAT ENCHANTE, 1975

lithograph in colours on wove paper, with full margins; signed and numbered 36/75 in pencil 15 x 18 in — 38.1 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$800 — 1,200

199

LEONOR FINI (1907-1996), ARGENTINE THREE FEMALE NUDES lithograph in colours on Japon paper; signed and numbered 35/100 in pencil to lower edge 13 x 16.5 in — 33 x 42 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

200

NANCY SPERO (1926-2009), AMERICAN WE ARE PRO-CHOICE, 1992 screenprint in colours on pink laid paper, the full sheet; signed, dated “92” and editioned “PP 4/5”, for printer’s proof; aside from the edition of 75; published by Brand X Editions, New York

16.5 x 26.25 in — 64.8 x 41.9 cm

PROVENANCE:

Private Collection, Montreal, QC

$800 — 1,200

201

SHARY BOYLE (B. 1972), CANADIAN UNTITLED, 2005

lithograph in black on wove paper, with full margins; signed, dated “11.2005”, and numbered 3/3; published by Open Studio, Toronto, with blindstamp 20 x 20 in — 50.8 x 50.8 cm

PROVENANCE:

Acquired directly from the artist by the present Private Collection, Winnipeg, MB

$600 — 800

202

AFTER DAVID HOCKNEY (B. 1937), BRITISH

HOCKNEY PAINTS THE STAGE, ART GALLERY OF ONTARIO, 1984

offset lithograph; signed in pencil 29.9 x 24 in — 76 x 61 cm

PROVENANCE:

Private Collection, Quebec

$500 — 700

203

AFTER PABLO PICASSO (1881-1973), SPANISH PICASSO - 85 GRAVURES, 1966 lithograph in colours on wove paper; from the unnumbered edition of 2000; printed by Mourlot, Paris

29.9 x 20.1 in — 76 x 51 cm

PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

204

PIERRE ALECHINSKY (B. 1927) & LUC DE HEUSCH (1927-2010), BELGIAN LES MÉTIERS, 9 EAUX-FORTES ET LEURS TEXTES BRUXELLES, 1948 complete set of 9 etchings and aquatints on wove paper, with full margins, each signed, titled, dated, and numbered 18/99, there were also 20 artist’s proofs numbered in Roman and 15 Hors Commerce; with the cover and the text from Luc de Heusch, signed in red pencil; printed by Imprimerie Arte – Adrien Maeght, Paris, in 1979

17.5 x 12.2 in — 44.5 x 31.1 cm

PROVENANCE:

Ritchie’s, Toronto, 10 Jun 2009, lot 2228

Private Collection, Toronto, ON

$600 — 800

205

GORDON APPELBE SMITH, RCA (1919-1920), CANADIAN SEA EDGE screenprint in colours on wove paper, with full margins; signed, titled, and numbered 17/50, there were also a few artist’s proofs sheet 20.5 x 24.5 in — 52.1 x 62.2 cm

PROVENANCE: Private Collection, British Columbia

$500 — 700

206

WILLIAM KURELEK, OSA, RCA (1927-1977), CANADIAN

MAP OF METROPOLITAN TORONTO, 1976 lithograph in colours on wove paper, with full margins; signed and numbered 23/850; published by Pagurian Press Limited, Toronto 18.5 x 24 in — 72 x 51.1 cm

PROVENANCE: Private Collection, Ontario

$200 — 400

207

JAKE CHAPMAN (B. 1966), BRITISH TO LIVE AND THINK PIGS, 2022 watercolour on digital print on Colorplan White Frost 350gsm paper; signed and numbered 43/50

7.2 x 9.5 in — 18.3 x 24.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 700

208

GENERAL IDEA (ACT. 1968-1994), CANADIAN

TORONTO STOCK EXCHANGE, STUDY FOR URSA MAJOR AND TAURUS: PAVILION FRAGMENTS FROM THE STARRY VAULT, 1983 lithograph in colours with gold foil and embossing on paper; signed, titled, dated “Jan 1983”, and dedicated “for Sandy with love and kisses”, from an unnumbered edition of 1,000 sight 27.75 x 35 in — 70.5 x 88.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

209

GENERAL IDEA (ACT. 1968-1994), CANADIAN

URSA MAJOR & TAURUS: PAVILLION FRAGMENTS FROM THE STARRY VAULT, 1983 [F.8306]

embossing and gold foil on analine dyes wove paper, the full sheet; signed, dated, titled, and editioned “A/P” for artists proof, aside from the edition of 100 23 x 31 in — 58.4 x 78.7 cm

PROVENANCE:

Private Collection, Toronto, ON

LITERATURE:

Barbara Fischer, ed. General idea: Editions 1967-1995, (Mississauga: Blackwood Gallery University of Toronto at Mississauga, 2003), repro. 151.

$500 — 700

210

GENERAL IDEA (ACT. 1968-1994), CANADIAN

MAGIC PALETTE, 1980 [F.8011]

6 aluminum drinking glasses with magnetic bottoms, on chromed-metal palette; from the edition of 48, there were also some artist’s proofs; without the soft cover book and plastic box with the edition number 2.5 x 6.5 x 5.75 in — 6.4 x 16.5 x 14.6 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 200

211

GENERAL IDEA (ACT. 1968-1994), CANADIAN

MANIPULATING THE SELF, 1973 offset photolithograph in colours on wove paper; stamped-signed, titled, editioned, “Artist’s Proof”, and dedicated “For Sandy”, from the edition of 65; accompanied by the signed and dedicated copy of the poster, P is for Poodle, 1983/89, offset lithograph on paper, from the edition of 500; published by Music Galleryand, Carmen Lamanna Gallery, Toronto

8.5 x 11 in — 21.6 x 27.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$600 — 800

212

GENERAL IDEA (ACT. 1968-1994), CANADIAN

UNTITLED (MONEY BAGS), 1985 lithograph in colours on paper, with full margins; signed, dated “85”, and editioned “OS Proof” for Open Studio Proof, aside from the edition of 11; published by Open Studio, Toronto, with blindstamp

19.5 x 13.75 in — 49.5 x 34.9 cm

PROVENANCE:

Open Studio Print Archive, Toronto, ON

NOTE:

Untitled (Money Bags), is one of four prints produced by General Idea and published by Open Studio when they were Guest Artists at the studio in 1985.

The edition for sale is signed as a ‘Presentation Proof’ and was originally retained for the Open Studio print archive. The numbered edition of this print was an edition of 11 + 1 AP.

-Open Studio

$1,500 — 2,500

ERICA RUTHERFORD (1923-2008), CANADIAN TRELLIS, 1980

screenprint in colours on wove paper, with full margins; signed, titled, dated “80”, and numbered 61/100; published by Open Studio, Toronto, blindstamp

22 x 30 in — 55.9 x 76.2 cm

PROVENANCE:

Open Studio Print Archive, Toronto, ON

NOTE:

This Erica Rutherford screenprint, Trellis, was published by Open Studio in 1980. Rutherford made a number of prints as an artist active at Open Studio in the late 1970s and 1980s, when the studio was based on King Street. Trellis is typical of Rutherford’s prints from this era, which feature a bold, graphic style and vibrant use of colour to depict still life scenes and landscapes.

- Open Studio

$300 — 400

214

SPRING HURLBUT (B. 1952), CANADIAN

DON’T GIVE ME ANY OF YOUR LIP, 2015 lithograph and screenprint in colours on wove paper, the full sheet; signed, titled, dated, and numbered 3/5; published by Open Studio, Toronto, with blindstamp

22 x 30 in — 55.9 x 76.2 cm

PROVENANCE:

Open Studio Print Archive, Toronto, ON

NOTE:

Don’t give me any of your lip is one of a series of three prints collectively entitled ‘La Bouche’ that Open Studio published with Spring Hurlbut in 2015.

For this publishing project, Hurlbut responded to Joyce Wieland prints held in Open Studio’s print archive that were produced at the studio in the 1970s, in which Wieland mouthed words directly onto the lithographic stone using lipstick as the grease medium to create the printing matrix. For ‘La Bouche’, Hurlbut recreated Wieland’s act of kissing the lithographic stone, producing prints that visualise the mouthing of three phrases connected to the mouth and lips, while also thematically tying into her 2010 series “Shut Up”.

-Open Studio

$2,500 — 3,500

217

ANTONI CLAVÉ (1913-2005), SPANISH LE CIRQUE, 1949

lithograph in colours on wove paper; signed and numbered 90/200; published by La Guilde de la Gravure, Paris & Geneva

15 x 22 in — 38 x 56 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 400

218

ANTONI CLAVÉ (1913-2005), SPANISH UNTITLED, 1986

etching with aquatint and carborundum on Arches wove paper, the full sheet; signed and numbered 57/80

29.9 x 22.2 in — 76 x 56.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

219

BERNARD BUFFET (1928-1999), FRENCH LE JONGLEUR, 1968

lithograph in colours on Arches paper, with full margins; signed in ink and numbered 120/120 in pencil to lower margin; published by Mourlot, Paris

28.33 x 20.12 in — 47 x 61 cm

PROVENANCE:

Private Collection, Ontario

$600 — 800

220

ABIE JANGALA (1919-2002), AUSTRALIAN INDIGENOUS

WATER - NGAPA, STATE II

screenprint in colours on black paper, with full margins; signed and numbered 31/45 in white sheet 44 x 30 in — 111.8 x 76.2 cm

PROVENANCE:

Private Collection, British Columbia

$600 — 900

221

BERYL COOK (1926-2008), BRITISH LADIES NIGHT, 1981

screenprint in colours on wove paper; signed, titled, and numbered 103/300 in pencil to lower margin; printed by Chelsea Art Press, London, published by Flanagan Graphics Inc. in 1991

26.4 x 28.1 in — 67.1 x 71.4 cm

PROVENANCE:

Circle Gallery, Toronto, ON Private Collection, Toronto, ON

$600 — 800

222

MARYON KANTAROFF (1933-2019), CANADIAN

UNTITLED, 1933

screenprint in colours on wove paper; signed and numbered “44/50T”

19.5 x 25.5 in — 49.5 x 64.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

223

KEN DANBY (1940-2007), CANADIAN BOBSLED, 1971

screenprint in colours on wove paper; signed, dated “’71”, and numbered 25/100, there were also 10 artists proofs numbered in Roman sight 16 x 22 in — 40.6 x 55.9 cm

PROVENANCE:

Gallery Moos, Toronto, ON A.G.O. Rental Service, Toronto, ON Private Collection, Toronto, ON

$300 — 500

224

KEN DANBY (1940-2007), CANADIAN MILL WHEEL, 1971

screenprint in colours on wove paper; signed, dated “’71”, and numbered 25/100, there were also 10 artists proofs numbered in Roman sight 13 x 18 in — 33 x 45.7 cm

PROVENANCE:

Gallery Moos, Toronto, ON A.G.O. Rental Service, Toronto, ON Private Collection, Toronto, ON

$300 — 500

225

AFTER SIR ALFRED MUNNINGS (1878-1959), BRITISH

THE KILKENNY HOUNDS

lithograph in colours on wove paper; bears a signature to lower left margin; titled to lower right margin; published by Frost & Reed, London image 16.2 x 24.2 in — 41.2 x 61.5 cm

PROVENANCE:

Private Collection, Ontario

$200 — 400

226

ANNE MEREDITH BARRY (1932-2003), CANADIAN

A PUFFIN FOR THE TOURISTS, 1994 lithograph in colours on wove paper; signed, titled, dated “94”, and numbered 13/22 sight 17 x 21.25 in — 33 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

227

KEN LUM (B. 1956), CANADIAN I CAN’T BELIEVE I’M IN PARIS, 2011 archival inkjet print on Arches watercolour paper, with full margins; signed and numbered 94/100; published by the artist and the Vancouver Gallery, Vancouver, BC 18 x 24 in — 45.7 x 61 cm

PROVENANCE:

Private Collection, British Columbia

$1,000 — 1,500

228

HENRI DE TOULOUSE LAUTREC (1864-1901), FRENCH

REINE DE JOIE PAR VICTOR JOZE CHEZ TOUS LES LIBRAIRES, 1892 [DELTEIL, 342; ADHÉMAR, 5; ADRIANI, 5]

lithograph in colours on thin paper laid on linen; signed in plate; printed by Edw. Ancourt & Cie, Paris

sheet 53.9 x 36.5 in — 136.8 x 92.6 cm

PROVENANCE:

Estate of Grover Burgis

Private Collection, Toronto, ON Private Collection, Israel

$3,000 — 5,000

229

JUN’ICHIRO SEKINO (1914-1985), JAPANESE

A BOY AND HIS DOG, 1957 woodblock print in colours on wove paper; signed, dated, and numbered 31/100, with artist seal lower right sight 24.5 x 18 in — 62.2 x 45.7 cm

PROVENANCE: Private Collection, Winnipeg, MB

$300 — 400

230

DIETER ROTH (1930-1998), GERMAN

UNTITLED FROM SIX PICADILLIES, 1970 photolithograph and screenprint in colours on woodpulp board, the full sheets (doublesided); signed, dated “70”, and numbered 73/150 in pencil to lower margin; printed by Staib+Mayer, Stuttgart and H.P. Hass, Korntal, published by Petersburg Press, London and New York

19.7 x 27.6 in — 50 x 70 cm

PROVENANCE: The Pollock Gallery, Toronto, ON Private Collection, Toronto, ON

$1,200 — 1,600

231

JOHN (JACK) RICHARD CHAMBERS, RCA (1931-1978), CANADIAN SATURDAY MORNING, 1973

photolithograph on wove paper; signed, dated “73”, and editioned “artist proof” to lower margin image 20 x 20 in — 50.8 x 50.8 cm

PROVENANCE:

Nancy Poole Studio, Toronto, ON Private Collection, Toronto, ON

$1,200 — 1,800

232

JOHN (JACK) RICHARD CHAMBERS, RCA (1931-1978), CANADIAN DIEGO SLEEPING, 1972

photolithograph on wove paper; signed, dated “72”, and numbered 18/150 image 14.25 x 19.75 in — 36.2 x 50.2 cm

PROVENANCE:

Nancy Poole Studio, Toronto, ON Private Collection, Toronto, ON

$600 — 800

233

GRAHAM COUGHTRY (1931-1999), CANADIAN UNTITLED, PLATE 3 FROM GRAPHICS: TORONTO 20, 1965-68

lithograph in colours on wove paper, with full margins; signed, dated “65”, and numbered 68/100; published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto, printed at University of Toronto Press, Toronto

26 x 20 in — 66 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

234

ROBERT MARKLE (1936-1990), CANADIAN UNTITLED, PLATE 11 FROM GRAPHICS: TORONTO 20, 1965

lithograph in black on wove paper, with full margins; signed, dated “65”, and numbered 68/100; published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto, printed at University of Toronto Press, Toronto

25.5 x 20 in — 64.8 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 400

235

JOHN MEREDITH (1933-2000), CANADIAN

UNTITLED, PLATE 13 FROM GRAPHICS: TORONTO 20, 1965

lithograph in colours on wove paper, with full margins; signed, dated “/65”, and numbered 68/100; published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto, printed at University of Toronto Press, Toronto

26 x 20 in — 66 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

236

DENIS BURTON (1933-2013), CANADIAN UNTITLED, PLATE 1 FROMGRAPHICS: TORONTO 20, 1965-68

lithograph in colours on wove paper, the full sheet; signed, dated “9.28.65”, and additionally dated “68”; published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto, printed at University of Toronto Press, Toronto

20 x 15.5 in — 50.8 x 39.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

237

GORDON RAYNER (1935-2010), CANADIAN UNTITLED, PLATE 15 FROM GRAPHICS: TORONTO 20, 1965-68

lithograph in black on wove paper, with full margins; signed, dated “’65”, and numbered 68/100; published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto, printed at University of Toronto Press, Toronto

26 x 20 in — 66 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

238

RICHARD LACROIX (B. 1939), CANADIAN FUGUE IIII, CA. 1985

etching and aquatint in colours on paper ; signed, titled, and numbered 70/75

25.5 x 24.5 in — 64.8 x 62.2 cm

PROVENANCE:

Private Collection, Ontario

$200 — 300

239

JEAN CARZOU (1907-2000), FRENCH/ARMENIAN LA FEMME, 1965

lithograph in colours on wove paper; signed and dated “65” in plate

19 x 15 in — 48.3 x 38.1 cm

PROVENANCE: Private Collection, Winnipeg, MB

$200 — 300

240

JOHN PIPER (1903-1992), BRITISH FOUNTAINS ABBEY, YORKSHIRE, 1983

screenprint in colours on Arches paper; signed and numbered 33/150 in pencil to lower margin; published by Christie’s Contemporary Art, London, and The National Trust, London image 17.8 x 24.5 in — 45.1 x 62.3 cm

PROVENANCE: Private Collection, Winnipeg, MB

$300 — 400

241

MAURICE DE VLAMINCK (1876-1958), FRENCH

RUE DE LA GLACIÈRE, 1937 [W. 146]

etching in black on wove paper; signed in plate lower right

plate 13.1 x 10.2 in — 33.4 x 25.8 cm

PROVENANCE:

Carmel Art Gallery, Ottawa, ON Private Collection, Toronto, ON

LITERATURE:

Walterskirchen 146.

$200 — 300

242

PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH

SUR LA PLAGE, À BERNEVAL, CA. 1892 [D.5; S.5]

etching and drypoint in black on laid paper; signed in plate; numbered “IVII/C” to lower left margin, a later impression

plate 5.3 x 3.7 in — 13.5 x 9.3 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Delteil 5.

Stella 5.

$300 — 400

243

JEAN-BAPTISTE-CAMILLE COROT (1796-1875), FRENCH

LE DÔME FLORENTIN, CA. 1869-70

etching in black on laid paper; signed and titled in plate; Melot’s second state, with letters in lower centre, from the edition of 350, printed by Leblanc, Paris plate 9.3 x 6.3 in — 23.7 x 16.1 cm

PROVENANCE: Private Collection, Toronto, ON

LITERATURE:

Delteil 13. Melot 13.

$500 — 600

244

AFTER ALFRED SISLEY (1839-1899), FRENCH

BORDS DU LOING, PRÈS MORET, CA. 1906 etching in sepia on cream laid paper; signed in plate; printed by Pierre-Marcel Roy for the limited edition portfolio Histoire des peintres impressionnistes by Théodore Duret plate 2.1 x 2.7 in — 5.4 x 6.9 cm

PROVENANCE:

Minotaur Galleries, Las Vegas, NV Private Collection, Toronto, ON

$200 — 300

LEROY NEIMAN (1921-2012), AMERICAN INTO THE OPEN, 1980 etching in black on wove paper; signed, dated “80”, and numbered 225/250 16.5 x 21 in — 41.9 x 53.3 cm

PROVENANCE:

Carmel Art Gallery, Ottawa, ON Private Collection, Toronto, ON

$200 — 300

246

ADOLF ARTHUR DEHN (1895-1968), AMERICAN SKIERS, 1931 lithograph in black on wove paper; signed, titled, dated, and numberd 9/20 13.4 x 18.1 in — 34.1 x 46 cm

PROVENANCE: Private Collection, Toronto, ON

$200 — 400

247

GEORGE SEGAL (1924-2000), AMERICAN TELEPHONE BOOTH, PLATE 15 FROM THE INTERNATIONAL AVANT-GARDE, VOL. V; AMERICA DISCOVERED, 1962 etching in black on wove paper, with full margins; signed, dated “62,” and numbered 24/60; printed by Atelier Georges Leblanc, Paris, and published by Galleria Schwarz, Milan 10 x 7.5 in — 25.4 x 19.1 cm

PROVENANCE: Private Collection, Toronto, ON

$400 — 600

248

RAOUL DUFY (1877-1953), FRENCH DEUX ANTILLAISES, CA. 1930 [J. 35] etching in black on Ambroise Vollard laid paper, with full margins 13.2 x 19.3 in — 33.5 x 49 cm

PROVENANCE: Private Collection, British Columbia

LITERATURE: Johnson 35.

$500 — 700

OSCAR RABIN (1928-2018), RUSSIAN HOUSE; BIBLE, 1969 two linocuts in black on wove paper; each signed in Cyrillic and dated “’69” to margin each 8 x 10.5 in — 20.3 x 26.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

250

IRA MOSKOWITZ (1921-2001); ISAAC BASHEVIS SINGER (1902-1991), POLISH/AMERICAN REACHES OF HEAVEN, 1980 complete portfolio with the original drawing on paper and 24 etchings in sepia on Arches paper, with full margins; each etching signed and numbered XVI/25, signed by the artist and novelist in ink and numbered XVI in pencil to colophon, from the edition of 275; published by Landmark Press, New York, the etchings printed by Sorini Studios, New York 18.75 x 13.3 in — 47.6 x 33.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$600 — 800

251

HAROLD BARLING TOWN, OSA, RCA (1924-1994) & ROBERT FULFORD (1932-2024), CANADIAN

HAROLD TOWN DRAWINGS, 1969

in-IV, (279 x 254 mm), complete with 195 plates of drawings including some in colours, chronology, index of titles, signed by the artist and the author and numbered “76” to colophon, from the edition of 141; complete with original lithograph also signed, dated “69”, and numbered 76/141 in pencil; published by McClelland and Stewart Limited, Toronto, 1969, with the original paperback jacket and white linen cover

11 x 10 in — 27.9 x 25.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 400

252

ALEX COLVILLE (1920-2013) & HELEN J. DOW, CANADIAN

THE ART OF ALEX COLVILLE, 1972 in-IV, (305 x 254 mm), pub. Toronto McGraw-Hill Ryerson, 1972, illustrated with works by the artist, signed by the author and the artist to title page and numbered 96 in ink, from an edition of 200; in the original maroon slipcase with mounted illustration and beige linen cloth cover

12 x 10 in — 30.5 x 25.4 cm

PROVENANCE:

Private Collection, British Columbia

$500 — 700

ALFRED JOSEPH CASSON, PRCA, OSA, CSPWC (1898-1992) & PAUL DUVAL (B. 1922), CANADIAN

20 SKETCHES OF ELORA AND SALEM, 1979 in-4, (520 x 502 mm), pub. M.B. Loates, 1979, folio complete with 20 lithographs in colours on wove paper after watercolours by the artist, each signed and numbered 8/50 by the artist, complete with the two prints The Mill and Crows/Elora also signed and numbered 8/50 by the artist, loose as issued; additionally signed and numbered to loose sheet by the artist; signed by the publisher to colophon, with all the signature of the contributors to last page; in original leather bound folio and original beige linen covered slipcase sheet 19.75 x 18.5 in — 52 x 50 cm; image 9.25 x 11 in — 23.5 x 27.9 cm

PROVENANCE:

Private Collection, British Columbia

$800 — 1,200

254

WILLIAM BLAKE (1757-1827), BRITISH JERUSALEM, THE EMANATION OF THE GIANT ALBION, 1974

In-four (375 x 267 mm), pub. Trianon Press, Paris, 1974, illustrated with 25 colour plates, 8 proofs, commentary, eight colour facsimile trial proofs, complete with twelve pages of text plus an extra suite of fourteen states of plate B, collotype proofs, and a matching guide-sheet and stencil, numbered 70 to colophon, from the edition totalling 500, bound in Morrocon brown leather with marbled cover, all under marbled slipcover 14.75 x 10.5 in — 37.5 x 26.7 cm

PROVENANCE:

Private Collection, British Columbia

$300 — 400

255

BERTHE MORISOT (1841-1895), FRENCH JARDIN DE MEZY, BORD DU LAC, CA. 1880-1885

drypoint in black on wove paper; one of the artist’s early proofs

6.2 x 4.7 in — 15.8 x 12 cm

PROVENANCE:

Private Collection, Toronto, ON

$800 — 1,200

256

RYOHEI TANAKA (1933-2019), JAPANESE WOODEN VERANDA NO. 3, 1978

etching and aquatint in colours on wove paper; signed and editioned “AP 4/10”, for artist’s proof, in pencil to lower margin; aside from the edition of 100

12 x 23.5 in — 30.5 x 59.7 cm

PROVENANCE: Private Collection, Toronto, ON

$200 — 300

SHO KIDOKORO (1934-1988), JAPANESE STILL LIFE, 1987

woodblock in colours on wove paper; signed, titled, dated “-87”, and numbered 1/75 image 12.5 x 16.2 in — 31.8 x 41.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

258

DAVID BOLDUC (1945-2010); CLAUDE BREEZE (B. 1938); GRAHAM COUGHTRY (1931-1999); HAROLD KLUNDER (B. 1943); PAUL SLOGGETT (B. 1950), AND JAN WINTON (B. CA. 1950)

TORONTO: CITY SEEN PORTFOLIO (SUITE OF 6), 1984

screenprints in colours on white Arches 88 paper, with full margins; each signed and editioned “Bon à tirer,” aside from the edition of 30; includes signed cover page with introduction and original poem by bpNichol (1944-1988); printed by Jerry Shiner at The Art Printer, Toronto each sheet 29.13 x 22.5 in — 74 x 57.2 cm

PROVENANCE: The Art Printer, Toronto, ON

NOTE:

A suite of 6 screenprints celebrating Toronto’s Sesquicentennial.

$600 — 800

TIM WHITEN (B. 1941), AMERICAN/CANADIAN CONVERSATIONS WITH A PERPENDICULAR A & B, 1980 screenprint on Arches paper; signed, titled, dated, and numbered 20/20 sheet 30.3 x 21.3 in — 77 x 54 cm

PROVENANCE:

The Art Printer, Toronto, ON $200 — 300