The Canadian Salon | October 17 - 22, 2020

The Canadian Salon OCTOBER 17 — 2 2 , 2 02 0

The Canadian Salon O CTOB E R 17 — 2 2 , 2 02 0

bid online at onlineauctions.waddingtons.ca

director of fine arts Yvonne Monestier ym@waddingtons.ca

view lots online at www.waddingtons.ca

416-847-6176

canadian fine art manager Ellie Muir em@waddingtons.ca

important notice Private previews by appointment only. Please contact canadianart@waddingtons.ca to arrange an appointment.

416-847-6196

consignment coordinator Nicole Schembre ns@waddingtons.ca 416-967-6027

Lot 54 WILLIAM GEORGE RICHARDSON HIND LOUIS’ WIFE [DETAIL]

front inside

Lot 19 JOHN WYCLIFFE LOWES FORSTER THE HARVEST

back inside Lot 33 ATTRIBUTED TO THÉOPHILE HAMEL PORTRAIT DE J.M. TESSIER

back cover Lot 46

275 King Street East, 2 Floor Toronto, Ontario M5A 1K2 nd

MAJOR HENRY SAMUEL DAVIS HORSESHOE FALLS FROM GOAT ISLAND, AUGUST, 1846

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents © 2020 Waddington McLean & Company Ltd.

front cover

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

1 HERBERT SIDNEY PALMER, O.S.A., R.C.A. (1881 - 1970) UNDER THE MAPLE

oil on canvas signed; also signed and titled to the stretcher 20 ins x 25 ins; 50.8 cms x 63.5 cms PROVENANCE:

Private Collection, Ontario $3,500 — 4,500

2 ALEXANDER FRANCOIS LOEMANS (1816 - 1898) MOUNTAIN LANDSCAPE WITH FIGURES ON A CLIFF’S EDGE

oil on board signed 18.75 ins x 12.75 ins; 47.6 cms x 32.4 cms PROVENANCE:

Private Collection, Ontario $500 — 700

3 GEORGINA MARTHA DE L’AUBINIERE (1848-1930), BRITISH/CANADIAN SPRING WOODLAND

oil on paper mounted on board; signed “L”Aubiniere” lower right 14 ins x 10 ins; 35.6 cms x 25.4 cms PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $300 — 400

4 FREDERICK HENRY BRIGDEN, O.S.A., R.C.A. (1871 - 1956) WATERFALL

watercolour 11.5 ins x 9 ins; 29.2 cms x 22.9 cms PROVENANCE:

Canadian Heritage Art Company, Kleinberg, Ontario $800 — 1,200

5 CHARLES JONES WAY (1834 - 1919), CANADIAN FIGURE AND CATTLE IN A MOUNTAINOUS LANDSCAPE, 1884

watercolour; signed and dated 12.5 ins x 17 ins; 31.8 cms x 43.2 cms PROVENANCE:

Private Collection, Toronto $250 — 300

6 ADOLPHUS GEORGE BROOMFIELD, O.S.A., R.C.A. (1906 - 1992) SUNSET; BIRCH TREES, 1929

oil on panel; double-sided signed and dated sight 8 ins x 10.5 ins; 20.3 cms x 26.7 cms PROVENANCE:

Private Collection, Ontario $700 — 900

7 WASHINGTON F. FRIEND (1820 - 1886) VIEW OF QUEBEC CITY SEEN FROM THE SOUTH SHORE OF THE ST. LAWRENCE RIVER, C.1850

watercolour signed; titled and dated to gallery label 13 ins x 22 ins; 33 cms x 55.9 cms PROVENANCE:

Galerie Valentin, Montreal Private Collection, Montreal $3,500 — 4,500

8 EDMUND AUBREY HUNT (1855-1922), AMERICAN/BRITISH SHIPS IN A CALM

oil on canvas; signed lower left 23 ins x 29.5 ins; 58.4 cms x 74.9 cms PROVENANCE:

Private Collection, Toronto $2,000 — 3,000

9 HENRY MARTIN (1837 - C.1902), BRITISH/CANADIAN BOATS IN A BAY, 1897

watercolour; signed and dated 97 lower left; unframed.

14 ins x 21.75 ins; 35.6 cms x 55.2 cms PROVENANCE:

Collection of Paul Duval, Toronto LITERATURE:

J. Russell Harper, “Early Painters and Engravers in Canada”, p. 216 places Martin’s birth at Painswick, Gloucestershire, England, circa 1832 with approximate death dates of “1904?”; while OSA records indicate his date of birth as 1837 and his death date as 1902. $600 — 800

10 CLARENCE ALPHONSE GAGNON, R.C.A. (1881 - 1942) ÉTUDE POUR LE GRAND SILENCE BLANC

gouache on paper with atelier stamp; certified and titled by Lucile Rodier Gagnon (No. 696) to label on the reverse 3.12 ins x 4.5 ins; 7.9 cms x 11.4 cms PROVENANCE:

Private Collection, Montreal $4,000 — 6,000

11 CLARENCE ALPHONSE GAGNON, R.C.A. (1881 - 1942) TRAPPER

gouache with the atelier stamp 5.5 ins x 4.5 ins; 14 cms x 11.4 cms PROVENANCE:

Walter Klinkhoff Gallery. Montreal The Morris Gallery, Toronto Private Collection, Ontario $5,000 — 7,000

12 CLARENCE ALPHONSE GAGNON, R.C.A. (1881 - 1942) CHASSEUR DE LIÈVRES, ÉTUDE POUR LE GRAND SILENCE BLANC, 1928

graphite titled with studio stamp; dated to gallery label on the reverse 6.5 ins x 9.5 ins; 16.5 cms x 24.1 cms PROVENANCE:

Walter Klinkhoff Gallery, Montreal Private Collection, Toronto $2,000 — 3,000

13 FRANÇOIS B. DE BLOIS (1829-1913), AMERICAN/CANADIAN FARM IN SNOW, ORLÉANS, 1900

oil on canvas; signed “B. de Blois” and dated 1900 at Orléans lower right 28 ins x 46 ins; 71.1 cms x 116.8 cms PROVENANCE:

Private Collection, Thornbury, Ontario LITERATURE:

Peter Falk, ‘Who Was Who in American Art 1564-1975’, questions De Blois’ birthplace being at Boston, p. 858 $1,500 — 2,000

14 FREDERICK S. BARNJUM (ACTIVE 1858 - 1887) A GENTLEMAN AND HIS LADY SLEIGHING, 1860

oil on canvas in a feigned oval signed and dated bottom centre; also faintly signed, titled, and inscribed “Montreal” to the stretcher as an oval 10 ins x 14 ins; 23.5 cms x 33 cms; 10 ins x 14 ins; 25.4 cms x 35.6 cms PROVENANCE:

Joyner, Toronto, 23 November, 1993, Lot 53; Sotheby’s, Toronto, 11 May, 1994, Lot 66; Private Collection, Toronto $6,000 — 8,000

15 MARGARET DOVASTON (1884-1955), BRITISH A WELCOME GUEST

oil on canvas; signed lower left, titled to gallery label verso 18 ins x 24 ins; 45.7 cms x 61 cms PROVENANCE:

Johnson Art Galleries, Montreal Inv. No. 2732 gallery label verso; Prominent Collection, Montreal $2,000 — 3,000

16 CIRCLE OF ROBERT REGINALD WHALE, O.S.A., R.C.A. (1805 - 1887) WALTER SORBY; MARY TALBOT SORBY AND SON, 1850

pair of oils on canvas each titled and dated “A.D. 1850”, each inscribed “Restored and relined by J. Loxton Rawbon, Toronto, Ont/ A.D. 1913” in black paint on the reverse each 34 ins x 27 ins; 86.4 cms x 68.6 cms PROVENANCE:

By descent through the Sorby family; The Estate of Charles Law, London, ON LITERATURE:

Historical Atlas of the County of Wellington, Ontario. Toronto Historical Atlas Publishing Co., 1906 $3,000 — 4,000

17 ATTRIBUTED TO HENRY ROBERT MORLAND (1730-1797), BRITISH THE PIPE OF PEACE

oil on panel; signed indistinctly “Morand” lower right, titled and given to “Morland” to the nameplate 15 ins x 11.75 ins; 38.1 cms x 29.8 cms PROVENANCE:

Prominent Collection, Montreal $1,000 — 1,500

18 MARC-AURÈLE DE FOY SUZOR-COTÉ, R.C.A. (1869 - 1937) GENTLEMAN WITH CANE

charcoal on paper signed sight 13 ins x 12 ins; 33 cms x 30.5 cms PROVENANCE:

Private Collection, Toronto $1,500 — 2,500

19 JOHN WYCLIFFE LOWES FORSTER, O.S.A., R.C.A. (1850 - 1938) THE HARVEST

oil on canvas, laid down on board signed 10 ins x 13 ins; 25.4 cms x 33 cms PROVENANCE:

Joyner Waddington’s, Canadian Fine Art, 28-29 November 2006 Private Collection, Toronto $1,500 — 2,000

20 BERNARD DE HOOG (1867-1943), DUTCH FEEDING THE CHILD

oil on canvas; signed lower right, titled to gallery label verso 29.25 ins x 23.4 ins; 74.3 cms x 59.4 cms PROVENANCE:

French Galleries, London, F.G. label verso; Continental Galleries of Fine Art, Montreal label verso; Prominent Collection, Montreal $3,000 — 4,000

21 LAURA ADELINE MUNTZ LYALL, O.S.A., R.C.A. (1860 - 1930) THE BRETON SISTERS

pastel, double-sided signed; with a sketch of a child holding an infant on the reverse sheet 12 ins x 12 ins; 30.5 cms x 30.5 cms PROVENANCE:

Private Collection, British Columbia $2,000 — 3,000

22 WALTER JOSEPH PHILLIPS, R.C.A. (1884 - 1963) ROSIE, C.1924

woodcut, printed in colours, unframed signed with monogram to the plate; signed, titled and numbered 4/50 in pencil to lower margin 6.5 ins x 5.75 ins; 16.5 cms x 14.6 cms PROVENANCE:

Private Collection, Toronto $500 — 700

23 HORATIO WALKER, R.C.A. (1858 - 1938) PORTRAIT OF A WOMAN WITH A PURPLE SCARF

pastel sight 27.5 ins x 23 ins; 69.9 cms x 58.4 cms PROVENANCE:

Vincent Price Collection Private Collection, London, Ontario $5,000 — 7,000

24 AFTER CORNELIUS KRIEGHOFF (1815 - 1872) MAN WITH PIPE

oil on board 10 ins x 8 ins; 25.4 cms x 20.3 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

25 ATTRIBUTED TO CORNELIUS KRIEGHOFF (1815 - 1872) CAMP ON THE UPPER SAGUENAY

oil on panel unsigned; titled to label verso ‘Camp...

Upper Saguenay by Cornelius Krieghoff’ 12.5 ins x 20.5 ins; 31.8 cms x 52.1 cms PROVENANCE:

Private Collection, Ontario LITERATURE:

Dennis Reid, Krieghoff: Images of Canada, Douglas & McIntyre, Vancouver/Toronto, 1999, page 200 [plate 118] for Canadian Autumn, View on the Road to Lake St. John, 1862, and page 256 [plate 141] for Chippewa Indians at Lake Huron, 1864, both reproduced in colour. $8,000 — 10,000

26 ANDREW WILKIE KILGOUR (1860 - 1930) PASTURES NEAR SENNEVILLE, QUEBEC

oil on board signed; titled to gallery label on the reverse 10 ins x 14 ins; 25.4 cms x 35.6 cms PROVENANCE:

Continental Galleries of Fine Art, Montreal Private Collection, $1,000 — 1,500

27 HERBERT SIDNEY PALMER, O.S.A., R.C.A. (1881 - 1970) NOVEMBER IN THE SUGAR BUSH, ONTARIO, C.1924

oil on canvas signed; titled to exhibition label 20 ins x 25 ins; 50.8 cms x 63.5 cms PROVENANCE:

Waddington’s, 6 December 2000, lot 1124 Private Collection, Ontario EXHIBITED:

Ontario Society of Artists, Annual Exhibition, 1924 $3,000 — 4,000

28 HOMER RANSFORD WATSON, O.S.A., P.R.C.A. (1855 - 1936) A BEND IN THE RIVER, WINTER

oil on board signed 10 ins x 13.75 ins; 25.4 cms x 34.9 cms PROVENANCE:

Joyner Waddington’s, Canadian Art, 3-4 June 2003 Private Collection, Toronto $1,500 — 2,000

29 HERBERT SIDNEY PALMER, O.S.A., R.C.A. (1881 - 1970) SUMMER LANDSCAPE WITH CATTLE

oil on canvas signed 16 ins x 20 ins; 40.6 cms x 50.8 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

30 H. JUNGLING MONTREAL, U.C., 1847

watercolour signed; also signed with initials, titled and dated on the reverse diameter height 4 ins; 10.2 cms PROVENANCE:

Private Collection, Toronto $200 — 400

31 PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. (1882 - 1965) COSTUME CLASS STUDY, C. 1912-14

oil on canvas signed 7.75 ins x 6 ins; 19.7 cms x 15.2 cms PROVENANCE:

Private Collection, Ontario LITERATURE:

Tom Smart, Peter Clapham Sheppard: His Life and Work, Firefly Books, Richmond Hill 2018, pages 88-89 for similar works from the class. $400 — 500

32 ATTRIBUTED TO ROBERT FIELD (C.1769 - C.1819), BRITISH/AMERICAN/ CANADIAN A REGENCY COUPLE OF HIGH SOCIETY: AN NAVAL OFFICER OF THE ROYAL MARINES; A LADY IN HIGH NECK DRESS, CIRCA 1807- 1810

Pair of oils on canvas. Unsigned.

Each 30 ins x 24 ins; 76.2 cms x 61 cms PROVENANCE:

With W. Scott & Sons, Montreal gallery labels to the frames verso; Galerie Valentin, Montreal gallery labels verso; Estate of Jean-Pierre Valentin, Montreal LITERATURE:

Harry Piers, Robert Field - Portrait Painter in Oil, Miniatures, Water-Colours and Engraver, Frederick Fairchild Sherman, New York, 1927; J. Russell Harper, ‘Early Painters and Engravers in Canada’, University of Toronto Press, 1976, p. 111 $20,000 — 30,000

33 ATTRIBUTED TO THÉOPHILE HAMEL (1817 - 1870), CANADIAN PORTRAIT DE J.M. TESSIER

Oil on canvas laid down to masonite board; unsigned 11.7 ins x 8.6 ins; 29.8 cms x 21.8 cms PROVENANCE:

Collection of Marcel Hamel, as Attributed to Th.. Hamel; Galerie Jean-Pierre Valentin, Montreal; Estate of Jean-Pierre Valentin, Montreal LITERATURE:

Raymond Vézina, ‘Catalogue Des Oeuvres De Théophile Hamel’, Cat. No. 192 as “Attributed to Th. Hamel”, p. $10,000 — 15,000

34 MARC-AURÈLE DE FOY SUZOR-COTÉ, R.C.A. (1869 - 1937) PORTRAIT D’UNE JEUNE FEMME

oil on canvas signed 29 ins x 25.75 ins; 73.7 cms x 65.4 cms PROVENANCE:

Private Collection, British Columbia $8,000 — 10,000

35 CHARLES E. HANNAFORD (1863 - 1955), BRITISH WESTMINSTER FROM THE THAMES

watercolour; signed lower left Sight 8.5 ins x 22 ins; 21.6 cms x 55.9 cms PROVENANCE:

Private Collection, Toronto $300 — 400

36 MANNER OF JOHN BELL-SMITH (1810-1883), BRITISH/CANADIAN THE EIGHT CHILDREN OF QUEEN VICTORIA: DUKE OF CLARENCE; PRINCE LEOPOLD; DUKE OF EDINBURGH; PRINCESS ROYAL; PRINCESS BEATRICE; PRINCESS LOUISE; PRINCESS HELENA; PRINCESS ALICE

eight sepia watercolours on card; each titled in pencil along the bottom edge.

Each unframed.

Each 7.2 ins x 5.3 ins; 18.4 cms x 13.5 cms PROVENANCE:

Frank Crane, Hundred Antiques, Toronto; Private Collection, Toronto $800 — 1,200

37 ROBERT MCVITTIE (1935 - 2002) THE CAPE HORNER

oil on canvas signed; titled and further inscribed “Clipper Witchcraft” to the stretcher 24 ins x 60 ins; 61 cms x 152.4 cms PROVENANCE:

Harrison Galleries, Vancouver Private Collection, Vancouver $2,000 — 3,000

38 ENGLISH SCHOOL (19TH CENTURY), BRITISH SHIPS AFTER A BATTLE, 1884

watercolour; signed “JSM” and dated lower right Sheet 13 ins x 22.25 ins; 33 cms x 56.5 cms PROVENANCE:

Private Collection, Toronto $500 — 700

39 KATE TAYLOR CUMMING (1889 - 1971) JAPANESE STUDENT AT ORGAN, ALMA COLLEGE, ST. THOMAS, 1934

watercolour signed; dated to label on the reverse 19 ins x 14.2 ins; 48.3 cms x 36.1 cms PROVENANCE:

Private Collection, British Columbia $800 — 1,200

40 FREDERICK HORSMAN VARLEY, R.C.A. (1881 - 1969) KATHLEEN

pastel on paper signed; with Varley Inventory number 644 sight 13.75 ins x 12.25 ins; 34.9 cms x 31.1 cms PROVENANCE:

Kyle’s Gallery, Victoria, British Columbia Private Collection, Montreal $3,000 — 5,000

41 ALEXANDER FRANCOIS LOEMANS (1816 - 1898) UNTITLED (FAMILY OUTING)

oil on board 12 ins x 17.5 ins; 30.5 cms x 44.5 cms PROVENANCE:

Private Collection, British Columbia $800 — 1,200

42 FREDERICK ARTHUR VERNER, O.S.A., A.R.C.A. (1836 - 1928) LANDSCAPE WITH ROCKY SHORELINE, 1882

watercolour on paper laid down on card signed and dated 13 ins x 20 ins; 33 cms x 50.8 cms PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

43 ALEXANDER FRANCOIS LOEMANS (1816 - 1898) TWO FIGURES IN A LANDSCAPE WITH WATERFALLS

oil on canvas 24 ins x 34 ins; 61 cms x 86.4 cms PROVENANCE:

Prviate Collection, Ontario $1,500 — 2,000

44 ALEXANDER FRANCOIS LOEMANS (1816 - 1898) TWO HUNTERS IN A WINTER LANDSCAPE

oil on board signed 8.25 ins x 12.25 ins; 21 cms x 31.1 cms PROVENANCE:

Private Collection, Ontario $200 — 300

45 WILLIAM ARMSTRONG (1822 - 1914) PADDLE WHEELER ON THE NIAGARA RIVER, 1852

watercolour signed and dated “’52” 6 ins x 9.25 ins; 15.2 cms x 23.5 cms PROVENANCE:

Master’s Gallery, Calgary Private Collection, Ontario $2,000 — 3,000

46 MAJOR HENRY SAMUEL DAVIS (1809 - 1851) HORSESHOE FALLS FROM GOAT ISLAND, AUGUST, 1846

watercolour on paper, mounted to card signed with monogram initials; inscribed “Niagara Falls” and dated “Circa 1845” to the mount 9.5 ins x 13.5 ins; 24.1 cms x 34.3 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $3,000 — 5,000

47 WILLIAM HENRY EDWARD NAPIER (1829 - 1894) EVENING ENCAMPMENT BY A RIVER, 1857

watercolour Sheet 8 ins x 12.8 ins; 20.3 cms x 32.5 cms PROVENANCE:

Collection of the artist, in Canada since 1857 when this lot was executed. Thence the collection travelled to Edinburgh, Scotland when Napier left Canada in 1870, remaining in Edinburgh until his death in 1894.

By descent to the artist’s grandson, Alexander Napier Chinnery-Haldane of “Gleneagles”, Perthshire, Scotland Sotheby & Co., Canada Ltd., 21 - 22 October, 1974, “The Napier Collection” The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $3,000 — 5,000

48 WILLIAM HENRY EDWARD NAPIER (1829 - 1894) PORTAGING THEIR CANOES, 1857

watercolour inscribed “From W.H.E. Napier Collection” on the reverse Sheet 6.5 ins x 10 ins; 16.5 cms x 25.4 cms PROVENANCE:

Collection of the artist, in Canada since 1857 when this lot was executed. Thence the collection travelled to Edinburgh, Scotland when Napier left Canada in 1870, remaining in Edinburgh until his death in 1894.

By descent to the artist’s grandson, Alexander Napier Chinnery-Haldane of “Gleneagles”, Perthshire, Scotland Sotheby & Co., Canada Ltd., 21 - 22 October, 1974, “The Napier Collection” The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $3,000 — 5,000

49 UNIDENTIFIED (POSSIBLY M** S** BLAGSON) CAP TRINITÉ, SAGUENAY RIVER, C.1850

watercolour initialed “M.S.B.”, titled on the reverse Sheet 7 ins x 10.25 ins; 17.8 cms x 26 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $500 — 700

50 CANADIAN SCHOOL (19TH CENTURY) VIEW OF QUEBEC CITY

watercolour on paper laid down to cardboard Sheet 8.25 ins x 12.75 ins; 21 cms x 32.4 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $800 — 1,200

51 CANADIAN SCHOOL (19TH CENTURY) ICE CUTTING ON THE ST. LAWRENCE

watercolour on paper laid down to cardboard Sheet 8.25 ins x 13 ins; 21 cms x 33 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $800 — 1,200

52 WILLIAM GEORGE RICHARDSON HIND (1833 - 1889) SEAL HUNTING ON THE MOISIE

watercolour titled to the mount 5.25 ins x 8.75 ins; 13.3 cms x 22.2 cms PROVENANCE:

Estate of Robert W. Reford, Esq., of Montreal, Sotheby’s, Toronto, 1967 The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto LITERATURE:

Henry Youle Hind, Explorations in the Interior of the Labrador Peninsula : the country of the Montagnais and Nasquapee Indians (Volume I, Chapter II, p22), London, 1863, described $6,000 — 8,000

53 WILLIAM GEORGE RICHARDSON HIND (1833 - 1889) SEAL HUNTING ON THE MOISIE

watercolour titled to the mount 6.5 ins x 8.25 ins; 16.5 cms x 21 cms PROVENANCE:

Estate of Robert W. Reford, Esq., of Montreal, Sotheby’s, Toronto, 1967 The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto LITERATURE:

Henry Youle Hind, Explorations in the Interior of the Labrador Peninsula : the country of the Montagnais and Nasquapee Indians (Volume I, Chapter II, p21), London, 1863. A picture combining parts of both compositions is reproduced in a wood cut. $6,000 — 8,000

54 WILLIAM GEORGE RICHARDSON HIND (1833 - 1889) LOUIS’ WIFE

watercolor and gouache, sculpted oval, mounted to card titled to the mount 6.25 ins x 5.25 ins; 15.9 cms x 13.3 cms PROVENANCE:

Estate of Robert W. Reford, Esq., of Montreal, Sotheby’s, Toronto, 1967 The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto LITERATURE:

Henry Youle Hind, Explorations in the Interior of the Labrador Peninsula : the country of the Montagnais and Nasquapee Indians (Volume I, Chapter II, page 22), London, 1863, described $6,000 — 8,000

55 ALFRED WORSLEY HOLDSTOCK (1820 - 1901) BONNECHERE RIVER, WITH TWO FIGURES HOLDING FISHING NETS AT THE FOOT OF THE RAPIDS

colour pastel and charcoal on paper 14 ins x 19.5 ins; 35.6 cms x 49.5 cms PROVENANCE:

La Galerie Cartier Inc., Montreal The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $1,500 — 2,500

56 WILLIAM HENRY EDWARD NAPIER (1829 - 1894) NAMAKAN, STURGEON RIVER, 1857

watercolour titled and dated Sheet 8 ins x 12 ins; 20.3 cms x 30.5 cms PROVENANCE:

Collection of the artist, in Canada since 1857 when this lot was executed. Thence the collection travelled to Edinburgh, Scotland when Napier left Canada in 1870, remaining in Edinburgh until his death in 1894.

By descent to the artist’s grandson, Alexander Napier Chinnery-Haldane of “Gleneagles”, Perthshire, Scotland Sotheby & Co., Canada Ltd., 21 - 22 October, 1974, “The Napier Collection” The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $3,000 — 5,000

57 JOHN HERBERT CADDY (1801 - 1883) BLIND RIVER, C.1842

watercolour, laid down on card indistinctly inscribed and dated 1842?

Sheet 6.75 ins x 10.25 ins; 17.1 cms x 26 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $1,000 — 1,500

58 WILLIAM ARMSTRONG (1822 - 1914) SLEEPING GIANT, FORT WILLIAM, 1901

watercolour, laid down on board signed and dated ‘01; signed, titled, and dated on the reverse sight 7.5 ins x 12.25 ins; 19.1 cms x 31.1 cms PROVENANCE:

“A.L. Kenny Collection” inscribed verso; The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $4,000 — 6,000

59 WILLIAM ARMSTRONG (1822 - 1914) LUMBER CAMP NEAR RAT PORTAGE, KENORA, 1901

watercolour, laid down on card signed and dated; titled on the reverse Sight 8.5 ins x 12 ins; 21.6 cms x 30.5 cms PROVENANCE:

A.A. Allen, inscribed verso; Blair Laing Gallery, Toronto The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto LITERATURE:

William Armstrong, 1822-1914 : Watercolour Drawings of New Ontario - from Georgian Bay to Rat Portage Paperback – 1996 $4,000 — 6,000

60 EDWARD SCROPE SHRAPNEL, R.C.A. (1847 - 1920) MAN FISHING

watercolour signed 6.5 ins x 8.25 ins; 16.5 cms x 21 cms PROVENANCE:

The Estate of John M. Rogers, Toronto, By descent to the grandsons of John M. Rogers, Toronto $800 — 1,200

61 EDWARD SCROPE SHRAPNEL, R.C.A. (1847 - 1920) SETTLER IN BOAT RETURNING TO LOG CABIN WITH PROVISIONS

watercolour signed 5.75 ins x 8.5 ins; 14.6 cms x 21.6 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $500 — 700

62 EDWARD SCROPE SHRAPNEL, R.C.A. (1847 - 1920) SETTLER HAULING LOGS

watercolour signed 5.75 ins x 8.5 ins; 14.6 cms x 21.6 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $500 — 700

63 EDWARD SCROPE SHRAPNEL, R.C.A. (1847 - 1920) COUNTY BOYS

watercolour signed at “Orillia”; partially titled to the mat sight 5.5 ins x 9 ins; 14 cms x 22.9 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $500 — 700

64 REVEREND VINCENT CLEMENTI (1812 - 1899) TRAPPER AND GUIDE AT CAMP, C.1858

watercolour with pen an ink 8.25 ins x 10.25 ins; 21 cms x 26 cms PROVENANCE:

The Estate of John M. Rogers, Toronto By descent to the grandsons of John M. Rogers, Toronto $600 — 800

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca