International Art | June 11 - 16, 2022

International Art J U NE 1 1 — 16, 2 022

International Art JUNE 11 — 16, 2022

bid and view all lots online at www.waddingtons.ca on view Sunday, June 12 from 12pm to 4pm Monday, June 13 from 1pm to 7pm

senior specialist Susan Robertson sr@waddingtons.ca 416-847-6179

administrator Mary McMaster mm@waddingtons.ca 416-504-9100 x6202

preview held at 275 King Street East, 2nd Floor Toronto, ON M5A 1K2

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Lot 49 MARK LOUIS BENJAMIN VAUTIER THE ELDER THE CROSSING, 1858

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Lot 41 HERMANN DAVID SALOMON CORRODI NINFA PRESSO IN CORSO D’ACQUA, ROMA

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Lot 61 HERMANUS KOEKKOEK THE ELDER ON THE SCHELDT

tel: 416-504-9100 toll free: 1-877-504-5700

back cover Lot 63 MONTAGUE DAWSON THE CHINA TEA CLIPPER, “SHUN LEE”

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

1 JULES RENÉ HERVÉ (1887–1981), FRENCH ART VENDORS, PARIS

Oil on canvas laid on board; signed lower left.

10.6 ins x 8.5 ins; 27 cms x 21.6 cms PROVENANCE:

Private Collection, Toronto $1,500 — 2,000

2 MARINO MARINI (1901-1980), ITALIAN STUDIO PER SCULTURA NO. 2, 1959

Ink drawing on tissue-thin paper; signed “Marino” and dated 1959 in pen and ink lower right, inscribed indistinctly in pencil to the backing paper on the frame to the upper right edge of the frame verso.

Sheet 27.6 ins x 23.6 ins; 70 cms x 60 cms PROVENANCE:

Galleria Levi Arte Contemporanea, Milan, Italy gallery label verso backing, inscribed number “408” to their circular gallery stamp verso; The Hanover Gallery, London, UK; Sig. David Colombo c/o Rogers inscribed in pen and ink to the Hanover Gallery label verso backing; Simon Dresdnere, Toronto inscribed to the frame verso; Private Collection, Toronto $10,000 — 15,000

3 ROMARE BEARDEN (1911-1988), AMERICAN IN THE GARDEN (FROM AMERICAN PORTFOLIO), 1979 [GELBURD/ ROSENBERG, 61]

Colour lithograph; signed and number “10/20 HC” in pencil to margin. Aside from the edition of 150. Printed by Joseph Kleinman Fine Arts Printing, New York and Fine Creations, Inc., New York. Published

by London Arts, Inc., Detroit in 1980.

Matted and unframed.

Image 23.5 ins x 16 ins; 59.7 cms x 40.6 cms; Sheet 28.6 ins x 21 ins; 72.7 cms x 53.4 cms PROVENANCE:

Private Collection, Toronto $2,000 — 3,000

4 BÉLA KÁDÁR (1877-1956), HUNGARIAN WOMAN WITH A COCKEREL

Gouache on board; signed “Kádár Béla” lower right.

22 ins x 18 ins; 55.9 cms x 45.7 cms PROVENANCE:

Britnell's Art Gallery, Toronto; From whom purchased by a Private Collection, Toronto, circa 1980; His Estate; By descent to the present Private Collection, Ontario $5,000 — 7,000

5 ANTONIUCCI VOLTI (1915-1989), FRENCH SOMMEIL (SLEEPING CROUCHING NUDE), 1989

Bronze with green patina; signed with incised signature “Volti” and numbered “5-6” (impressed 5/6) at the back of her left hip, titled “Sommeil” in pen and ink to paper label to the underside, also inscribed “Volti” / “A46835026,” stamped “Art Foundry / Toronto” to the underside.

12 ins x 9.5 ins x 10.5 ins; 30.5 cms x 22.9 cms x 26.7 cms PROVENANCE:

Private Collection, British Columbia $8,000 — 12,000

6 BÉLA KÁDÁR (1877-1956), HUNGARIAN FIVE HOODED LADIES IN THE VILLAGE

Gouache and ink on paper laid down to board; signed “Kádár Béla” lower right.

Sheet 23.25 ins x 31.4 ins; 59.1 cms x 79.8 cms PROVENANCE:

Britnell's Art Gallery, Toronto; From whom purchased by a Private Collection, Toronto, circa 1980; His Estate; By descent to the present Private Collection, Ontario $6,000 — 8,000

7 ROBERT (SCOTTIE) WILSON (1889–1972), SCOTTISH/CANADIAN CASTLE, TREE AND SWANS (GREEN GROUND); SWANS AND CASTLES (WHITE GROUND), CIRCA 1960

Two plates with hand-painted overglaze on English marked pottery; the first title, painted in colours on a plate of green ground, with “Carnival / Johnson Bros./ Made in England” stamp to the underside. The second title, painted in black with gold leaf trim on a plate of white ground, with “Johnson Bros / Made in England” stamp to the underside; each signed “Scottie” mid-right and lower right respectively.

Diameter 10 ins; 25.4 cms PROVENANCE:

Collection of Prof. Frank Watt, Toronto LITERATURE:

Henry Sandon, “Royal Worcester Porcelain” (third edition), 1978, pgs. 72, other designs illustrated, Nos. 212 and 213. $500 — 700

8 ROBERT (SCOTTIE) WILSON (1889–1972), SCOTTISH/CANADIAN OVAL PLATTER WITH TREE, SWANS, FISH AND CASTLE, CIRCA 1960S

Platter with hand-painted overglaze in colours on a plate of white ground with “Johnson Bros. / Made in England” stamp to the underside; signed “Scottie” lower right Oval 14 ins; 35.6 cms PROVENANCE:

Collection of Prof. Frank Watt, Toronto LITERATURE:

Henry Sandon, “Royal Worcester Porcelain” (third edition), 1978, pgs. 72, other designs illustrated, Nos. 212 and 213. $600 — 800

9 ROBERT (SCOTTIE) WILSON (1889–1972), SCOTTISH/CANADIAN TWO PLATES: SWANS, FISH AND FLOWERS; TREE WITH BIRDS, CIRCA 1960

Two plates with hand-painted overglaze in colours on “Holland” marked pottery with black grounds; each signed “Scottie” lower right.

Diameter 6.75 ins; 17.1 cms PROVENANCE:

Collection of Prof. Frank Watt, Toronto LITERATURE:

Henry Sandon, “Royal Worcester Porcelain” (third edition), 1978, pgs. 72, other designs illustrated, Nos. 212 and 213. $400 — 600

10 SUZANNE EISENDIECK (1908–1998), FRENCH DANSEUSE DU BALLET (LES CÉLERIS)

Oil on canvas; signed lower left, titled to the canvas verso and inscribed: “Ballet from ‘The Flying Trunk’ film directed by Christine Edzard” in black ink to the stretcher.

16 ins x 9.75 ins; 40.6 cms x 24.8 cms PROVENANCE:

Wally Findlay Galleries, USA gallery label verso backing, with their mark: “WF-Chic” and inventory no. “79183” in black ink to the stretcher; With Hotel Ritz, Montreal in October 1983 inscribed to label verso backing; Private Collection, Toronto $2,000 — 3,000

11 JAN ŠTURSA (1880-1925), CZECHOSLOVAKIAN THE WOUNDED (RANĚNÝ), CA.1920

Bronze with dark brown patina; signed with incised signature “J. Štursa” on the integral plinth base at the lower right. height 22 ins; 55.9 cms PROVENANCE:

Private Collection, Toronto LITERATURE:

For a discussion of this bronze and the sketches see Jirí Mašín, “Jan Štursa 18801925” where “The Wounded” is illustrated on several pages, a copy of the pages from the book accompanies this lot. $4,000 — 6,000

12 ANATOLY ZVEREV (1931-1986), RUSSIAN CAT SLEEPING WITH PLAYING CARDS

Oil on canvasboard; annotated “purchased from George Kostakis (Costakis), in 1957 while stationed in Moscow” in pen and ink verso. Unframed.

14.5 ins x 10.5 ins; 36.8 cms x 26.7 cms PROVENANCE:

Collection of Mary Ann Turner, acquired from George Costakis in 1957 in Moscow, USSR, during her husband’s posting to the embassy of Canada as military attaché (RCAF); By descent in the family, Toronto $2,000 — 3,000

13 ERNEST HOWARD SHEPARD (1879-1976), BRITISH HE AND I FELL TO THE FURNISHING OF MY WEE CLOSETT (ILLUSTRATION FOR BOSWELL’S “LONDON JOURNAL”)

Pen and ink drawing on Newman’s Artist Drawing Tablet, Whatman Hot Pressed, Special, London paperboard; signed “E.H. Shepard” lower left, titled with a caption in pencil to margin under the drawing.

Image 12.2 ins x 10.4 ins; 31 cms x 26.5 cms; Sheet 14.3 ins x 10.5 ins; 36.2 cms x 26.7 cms PROVENANCE:

Gifted from the artist to the present Private Collection, Ontario in the 1970s $1,000 — 1,500

14 FEDERICO CASTELLÓN (1914-1971), SPANISH/AMERICAN INTELLECT IN A LIMITLESS EXPANSE; DRAPED NUDES IN A LANDSCAPE, 1936

Two black ink drawings on paper; each signed and dated 1936 at New York bottom centre, the first, titled in pencil verso.

Sheets each 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto; The Estate of Jerry Greben, Toronto $4,000 — 6,000

15 FEDERICO CASTELLÓN (1914-1971), SPANISH/AMERICAN SIX SURREAL STUDIES AT PARIS, 1935

Pen and ink drawings with wash; each signed and dated ‘35 at Paris Each sheet 15.75 ins x 11.5 ins; 40 cms x 29.2 cms See website for full catalogue details.

PROVENANCE:

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto; The Estate of Jerry Greben, Toronto $6,000 — 10,000

17 MARIE MELA MUTER (1876-1967), POLISH/FRENCH PORT IN SAINT TROPEZ, 1920

Watercolour and ink on paper; signed “Muter” lower right, titled and dated 1920 to gallery label verso backing.

16.5 ins x 20.5 ins; 42 cms x 52 cms PROVENANCE:

Galerie Gmurzynska, Cologne, Germany gallery label verso backing; Private Collection, Toronto $10,000 — 15,000

18 ZORAN ANTONIO MUŠIČ (1909–2005), SLOVENIAN NUDE, 1946

Black ink drawing; signed “Music” and dated 1946 lower left.

Matted sheet sight 9.1 ins x 13.4 ins; 23 cms x 34 cms PROVENANCE:

Private Collection, Ontario $1,500 — 2,500

19 FRANCISCO ZÚÑIGA (1912-1998), MEXICAN MUJERES SENTADAS, 1961

Bronze with brown patina; signed “Zuniga,” dated 1961 and numbered III/V on the foot of the figure with the raised hand, titled “Mujeres Sentadas” and inscribed “Fecha / Marzo 9/1970” to the gallery label affixed to the underside of the wood base.

Including base: 10.75 ins x 12 ins x 10.5 ins; 27.3 cms x 30.5 cms x 26.7 cms PROVENANCE:

Galeria Tasende, Arte Contemporaneo, Acapulco, Mexico, Inventory “No.857” to gallery label to the underside; Private Collection, Toronto LITERATURE:

Ariel Zúñiga, “Francisco Zúñiga, Catalogue Raisonné, Volume I: Sculpture (1923–1993)”, Mexico City, 1999, Cat. No. 423. $8,000 — 12,000

20 ROMARE BEARDEN (1911-1988), AMERICAN UNTITLED (FIGURE ON A ROCK), CIRCA 1970S

Collage, oil and graphite on fiberboard; signed mid-left, titled and dated “c.1970s” to gallery label verso backing.

8 ins x 10 ins; 20.3 cms x 25.4 cms PROVENANCE:

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto; DC Moore Gallery, New York inventory No. “BEAR 0427” to gallery label verso; The Estate of Jerry Greben, Toronto $10,000 — 15,000

21 ROMARE BEARDEN (1911-1988), AMERICAN STOREYVILLE (SIC) - SIESTA #1, CIRCA 1975

Colour monotype on paper; signed in black ink lower left, titled “Storeyville Siesta I” in pencil lower right verso.

A unique work.

Sheet 29.5 ins x 41.25 ins; 74.9 cms x 104.8 cms PROVENANCE:

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto; The Estate of Jerry Greben, Toronto $10,000 — 15,000

22 MARIE LAURENCIN (1883-1956), FRENCH DEUX JEUNES FEMMES AVEC UN CHIEN

Oil on canvas; signed lower right, signed “Marie Laurencin” in pen and ink to an unknown label and stamped “105” verso.

10.75 ins x 18 ins; 27.3 cms x 45.7 cms PROVENANCE:

With Chenue S.A.R.L, Paris shipping label verso; Eaton’s (Canada) inscribed to the frame verso; Private Collection, Toronto $40,000 — 60,000

23 SUZANNE EISENDIECK (1908-1998), FRENCH MISS TOTO KOOPMAN, 1936

Oil on canvas; signed lower right, numbered “No.162” in black ink to the canvas verso.

29 ins x 24 ins; 73.7 cms x 61 cms PROVENANCE:

Gift of the Estate of Mrs. Howard W. Pillow to the Beaverbrook Art Gallery, Fredericton, NB, Accession No. 1969.01; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $3,000 — 4,000

25 GEOFFREY HOLDER (1930–2014), TRINIDADIAN/AMERICAN WALKING WOMAN AMONG TREES

Colour mixed-media heightened with white pastel on thick paper; signed in pencil lower left.

Together with the exhibition poster: “Geoffrey Holder Paintings / Graphis at the Bay,” Toronto, September 17 - October 7, 1980 Colour half-tone lithograph with letters; signed by the artist, annotated with presentation to Jerry Greben and dated 80 in pencil lower left.

Sheet (Mixed-media) 28.75 ins x 22.6 ins; 73 cms x 57.5 cms; Poster 35.5 ins x 22.25 ins; 90.2 cms x 56.5 cms PROVENANCE:

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto; The Estate of Jerry Greben, Toronto $1,000 — 1,500

26 STUDIO OF MARIO CARREÑO (1913-1999), CHILEAN TWO WOMEN ON A BEACH, CIRCA 1940

Oil on canvas; bears signature lower right.

24.75 ins x 36.75 ins; 62.9 cms x 93.3 cms PROVENANCE:

Waddington’s, Toronto, June 3, 2002 Lot 143; From whom purchased by the present Private Collection, Ontario $4,000 — 6,000

27 AUGUSTE RODIN (1840-1917), FRENCH BAIGNEUSE ACCROUPIE, ÉTUDE AVEC BRAS, CONCEIVED CIRCA 1885, CAST IN 1962

Bronze; signed with incised signature: “A. Rodin” and numbered “No.1” at the back of the bronze right, incised along the bottom edge of the bronze right: “© by Musée Rodin” and dated “1962,” incised with the foundry mark: “Georges (faintly) Rudier/Paris” to the bottom edge left, the underside with a small white and red bordered label marked in pen and ink: “B12” in a circle and “c.91,” also with a typed number “TR13545/82” to this label.

12.75 ins x 10.75 ins x 9.25 ins; 32.4 cms x 27.3 cms x 23.5 cms PROVENANCE:

Musée Rodin, Paris; Private Collection, Toronto probably acquired from Galerie Dresdnere, Toronto & Montreal; Private Collection, Toronto $40,000 — 60,000

28 MARK EVANS (B.1975), BRITISH SIR WINSTON CHURCHILL WITH TOMMY GUN

Hand-etched leatherwork made with a knife; signed with initials lower right.

69.6 ins x 55 ins; 176.8 cms x 139.7 cms PROVENANCE:

By descent to the present Private Collection, Vancouver, BC LITERATURE:

From the archives of Press Portrait Service, formerly Press Portrait Bureau, image ID: RXEGJB $7,000 — 9,000

29 ARMAN (1928–2005), FRENCH/AMERICAN UNTITLED, CIRCA 1979

Burnt violin embedded in polyester resin; signed with incised signature “Arman” to the bottom left side. Unique and original with custom resin stand.

Mounted on resin stand 24.3 ins x 11.73 ins x 3.27 ins; 61.7 cms x 29.8 cms x 8.3 cms PROVENANCE:

Private Collection, Toronto; Acquired from the above by the Present Collection, circa 1990 LITERATURE:

Arman Studio Archives of Denyse Durand-Ruel, New York, Cat. No. APA#8208.79.177. $7,500 — $10,000

30 LUI LIU (B.1857), CHINESE/CANADIAN MAGIC VS. MAGNETIC, 1996

Oil on canvas; signed “Lui Liu” and dated 96 lower right.

22 ins x 28 ins; 55.9 cms x 71.1 cms PROVENANCE:

Purchased directly from the artist in 1996 from his studio in Yorkville Village, Toronto; Private Collection, Vancouver NOTE:

As one of the earliest artists in China to move towards the Surrealist style, Liu Liu’s works incorporate “Liu-style” humour, which alludes to societal realities. Viewing the images as prophecies, he does not aim to create beauty per se, but intends his work to arouse the public’s ideological sensibilities. Under the influence of traditional Western classical art, Liu Liu’s painting style runs from the past through to the present. Chen Danqing once said that there are three characteristics of Liu Yi’s paintings: superbly realistic techniques, exaggerated dramatic effects, and difficult-to-decipher situations.

Liu successfully integrates Chinese oil paintings into the vocabulary of contemporary society, opening up a path that no one has ever traveled before. $20,000 — 40,000

31 VAL BERTOIA (B.1949), AMERICAN B-2412 (U.S. FLAG OF 50 BARS FOR SOUNDING OUT OF MASK), 2021

50 beryllium-copper rods silvered to base; with the artist’s inventory number “B-2412” etched on the edge of the base, titled and dated to the accompanying copy of the COA. The original Certificate of Authenticity from Bertoia Studio will be provided after sale.

42 ins x 11.25 ins x 7.25 ins; 106.7 cms x 28.6 cms x 18.4 cms PROVENANCE:

Private Collection, Toronto, acquired directly from the artist’s studio in Bally, PA, a friend of the artist $1,000 — 1,500

32 MIAO XIAOCHUN (B.1964), CHINESE MIRAGE, 2004

Eight panel digital C-print panorama digitally knit together on braced aluminum; signed in English and Chinese, dated 2004, titled in English and Chinese and numbered SS 4/8 to label verso, inscribed “Toronto Image #22607/ FP4” and annotated in black marker verso.

27.6 ins x 122 ins; 70 cms x 310 cms PROVENANCE:

Private Collection, Ontario, purchased at the exhibition: “The Constructed Image: Photographic Culture,” held at the Museum of Contemporary Canadian Art (Mocca), Toronto from May 3 - Jun 4, 2007. Accompanied by the exhibition catalogue. $10,000 — 15,000

33 SHI LE (20TH/21ST CENTURY), CHINESE THE EARLY SPRING (SOUTH-WEST OF CHINA), 1993

Acrylic on rice paper laid down on thin foam core; signed “Shi Le” and dated “Aug 1993” lower right, titled and inscribed: “The Early Spring/South-West of China” in pencil to the foam core verso. A watercolour en grisaille of a monkey(?) visible on the verso of the sheet upper right.

32 ins x 40 ins; 81.3 cms x 101.6 cms $2,500 — 3,500

34 FÉLIX ZIEM (1821–1911), FRENCH GONDOLE DEVANT SAN GIORGIO, VENISE

Oil on panel; signed “Ziem” lower right 21.7 ins x 28.75 ins; 55 cms x 73 cms PROVENANCE:

Frederick W. Thom Limited, Toronto label verso; Estate of W.A. Ross MacFadden, Toronto NOTE:

We are grateful to the Association Félix Ziem, represented by Mathias Ary Jan, David Pluskwa and Gérard Fabre, for confirming the authenticity of this work, which will be included in their forthcoming Félix Ziem catalogue raisonné. The present lot is accompanied by a certificate from the Association Félix Ziem. $20,000 — 25,000

35 MANÉ-KATZ (1894–1962), UKRAINIAN/FRENCH THE FLUTIST (LE JOUEUR DE FLUTE), 1936

Bronze with brown patina; signed “Mane Katz” with raised signature and numbered “6” to the lower left edge of the integral plinth and numbered “6” below, titled “Le Musicien” and dated 1936 to gallery label affixed to the underside of the granite base.

Bronze height 14.6 ins; 37 cms; Mounted height 15.7 ins; 39.8 cms PROVENANCE:

Paul Vallotton S.A. Tableau de Maitres, Lausanne, Switzerland as “le Musicien/ 1936/No. 74190” to label on the underside of the stone base; Waddington’s Auctioneers, Toronto, November 17, 2003, Lot 215; From whom purchased by the present Private Collection, Toronto $2,500 — 3,500

36 EDWARD SEAGO (1910-1974), BRITISH THE PINK HOUSE - CASCAIS

Oil on canvas; signed lower left, titled to the stretcher.

20 ins x 26 ins; 50.8 cms x 66 cms PROVENANCE:

Private Collection, Montreal, QC $10,000 — 15,000

37 THOMAS EDWIN MOSTYN (1864–1930), BRITISH ENCHANTED GARDEN

Oil on canvas; signed “Mostyn” lower left, signed and inscribed indistinctly to the top stretcher in pencil, titled to gallery label verso.

20 ins x 27 ins; 50.8 cms x 68.6 cms PROVENANCE:

Frost & Reed, London, UK, Registered No. 12876 gallery label to the stretcher; Private Collection, Montreal; The proceeds of the sale of this lot to benefit a Montreal charity $2,500 — 3,500

38 WALTER DENDY SADLER (1854-1923), BRITISH THE CARES OF THE CARDINAL, 1882

Oil on canvas; signed and dated 82 lower left, titled to the nameplate 30 ins x 20 ins; 76.2 cms x 50.8 cms PROVENANCE:

The Cooling Galleries Ltd., London gallery labels verso; Sotheby’s, London, November 30, 2000, Lot 467; Private Collection, Toronto $3,000 — 5,000

39 WILLIAM POWELL FRITH (1819–1909), BRITISH THE LOVE TOKEN

Oil on panel; signed lower left, titled to the remains of an old typed label verso.

18 ins x 13.75 ins; 45.7 cms x 34.9 cms PROVENANCE:

Ex. Coll. of a British collector: “David ...ice”; sold in 1892 for 99.15 British Pounds, remains of a typed label verso; The Cooling Galleries Ltd., London, UK, their gallery label inscribed “28/11/42” “ETH” (1942); Sotheby’s, London, UK November 30, 2000, Lot 368; Private Collection, Toronto $5,000 — 8,000

40 WALTER DENDY SADLER (1854-1923), BRITISH THE PRIOR, 1882

Oil on canvas; signed and dated “82” lower right, titled to the frame recto.

34.5 ins x 26.5 ins; 87.6 cms x 67.3 cms PROVENANCE:

The Cooling Galleries Ltd., London & Toronto gallery label verso; ByDealers, October 6, 2020, lot 40; From whom purchased by the present Private Collection, Toronto $5,000 — 7,000

41 HERMANN DAVID SALOMON CORRODI (1844-1905), ITALIAN NINFA PRESSO IN CORSO D’ACQUA, ROMA

Oil on canvas; signed at Roma lower right.

40 ins x 26 ins; 101.6 cms x 66 cms PROVENANCE:

S.W. Boone, 499 Pearl St. (?), New York inscribed to handwritten label verso; Sold Eurantico Casa d’Aste Vignanello, Italy on 09 Dec 2018, Lot 950; Estate Collection, Toronto $8,000 — 12,000

42 SIR JACOB EPSTEIN (1880-1959), AMERICAN/BRITISH SUNITA FRAGMENT, 1931

Bronze with green and brown patination; titled “Sunita Fragment” and certified by Lady Epstein on the accompanying copy of the original receipt.

Approximately 12.5 ins x 13.5 ins x 9 ins; 31.8 cms x 34.3 cms x 22.9 cms PROVENANCE:

Private Collection, Toronto, purchased directly from Lady (Kathleen) Epstein as “Sunita Fragment,” Chelsea, S.W.3 accompanied by a copy of the original handwritten receipt and certification dated June 24th, 1966 LITERATURE:

Evelyn Silber, “The Sculpture of Epstein with a Complete Catalogue”, Lewisburg, Pennsylvania, 1987, Cat. No. 206, p. 169, for the full length version of “Sunita Reclining” (Reclining Goddess), 1931 and with the record of the half-length version. $3,000 — 4,000

43 THOMAS FAED (1826-1900), SCOTTISH THE MORNING TOILET, 1874

Oil on canvas; signed “Thomas Faed” and dated 1874 lower right 32.5 ins x 22.7 ins; 82.6 cms x 57.7 cms PROVENANCE:

Waddington’s, Toronto, November 30, 2000, Lot 632; From whom purchased by Dr. Gerald Weisbrod of Weisbrod Antiques, Toronto; The Estate of Dr. Gerald Weisbrod, Toronto $12,000 — 18,000

44 BERNARDUS JOHANNES BLOMMERS (1845–1914), DUTCH THE LAUGHING JEW (MAN WITH RED BONNET)

Oil on panel; signed with initial “B” lower right, titled “The Laughing Jew” and certified on August 16, 1931 by the artist’s son, Nemeth Blommers, to a handwritten label adhered to the verso backing.

10.2 ins x 7.7 ins; 26 cms x 19.5 cms PROVENANCE:

By descent from the present Private Collection’s father $2,000 — 3,000

45 GASTON LA TOUCHE (1854-1913), FRENCH LA MODISTE SUR LE PONT DES SAINTPERES

Oil on canvas; signed “Gaston La Touche” on the steps lower left.

62.8 ins x 26.5 ins; 159.5 cms x 67.3 cms PROVENANCE:

First sold in Paris in 1975; Sold at Sotheby’s, New York, May 4, 1979, Lot 276; From whom it was presumably purchased

by Dr. Gerald Weisbrod of Weisbrod Antiques, Toronto; The Estate of Dr. Gerald Weisbrod, Toronto $25,000 — 35,000

46 EUGENE DE BLAAS (1843–1932), AUSTRIAN COQUETTE, 1891

Oil on panel; signed and dated 1891 in red paint lower left edge, titled to the nameplate.

13.5 ins x 10.6 ins; 34.3 cms x 27 cms PROVENANCE:

Parisienne Gallery, Toronto, stamped to the verso backing; The Estate of Laura Silver, Toronto $7,000 — 9,000

47 ADRIEN FERDINAND DE BRAEKELEER (1818-1904), BELGIAN THE POULTRY MARKET; VILLAGE POLITICS, 1861

Pair of oils on panel; the first signed on the bricks lower right, the second signed and dated 1861 lower left. Each signed, titled, dated and certified by the artist to his handwritten labels verso.

Each 18.25 ins x 14.5 ins; 46.4 cms x 36.8 cms PROVENANCE:

Ex. Coll., Hugette Valin, Quebec City; From whom the pair were purchased by the Dominion Gallery, Montreal in March 1972, Inventory Nos. F4734 and E4734 respectively to the gallery labels verso; Sold to a collector in Belleville, ON in September 1972; Estate Collection, Ontario $4,000 — 6,000

48 NARCISSE VIRGILE DIAZ DE LA PEÑA (1808–1876), FRENCH FAMILLE ORIENTALE

Oil on board, the verso covered with canvas; signed “N.Diaz” lower left.

16.5 ins x 11.75 ins; 41.9 cms x 29.8 cms PROVENANCE:

Sotheby’s, lot 505, September, 1979 labels verso; Gros & Delettrez, December 17, 2012, Lot 186; Private Collection, Toronto $4,000 — 6,000

49 MARK LOUIS BENJAMIN VAUTIER THE ELDER (1829-1898), SWISS THE CROSSING, 1858

Oil on canvas; signed “B. Vautier” and dated /58 lower left.

25.8 ins x 37.5 ins; 65.5 cms x 95.3 cms PROVENANCE:

Gift of Miss J. Hardy to the Beaverbrook Art Gallery, Fredericton, NB, Accession No.1961.33; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $8,000 — 12,000

50 CHARLES II VAN DEN EYCHEN (1859-1923), BELGIAN AT THE GROOMER’S

Oil on canvas; signed lower left.

31.5 ins x 24 ins; 81.3 cms x 61 cms PROVENANCE:

David Bendann’s Fine Art Rooms, Baltimore, US label verso; Frederick W. Thom Limited, Toronto label verso; Estate Collection, Ontario $10,000 — 15,000

51 CHARLES COOPER HENDERSON (1803-1877), BRITISH THE NIGHT COACH; WELLS-LYNN TO LONDON ROYAL MAIL

Pair of oils on canvas; each titled to the nameplate.

Each 13 ins x 24 ins; 33 cms x 61 cms PROVENANCE:

Townshend’s Fine Art Galleries, Norwich, UK gallery labels to the frames verso; With Pickfords Ltd., UK labels to the frames; Estate of W.A. Ross MacFadden, Toronto, ON $6,000 — 8,000

52 THOMAS ROWLANDSON (1756-1827), BRITISH MAN SAMPLING GOODS IN A GENERAL STORE

Watercolour and ink on paper; signed “Rowlandson” lower left.

Sheet 7.75 ins x 8 ins; 19.7 cms x 20.3 cms PROVENANCE:

Private Collection, Toronto $1,500 — 2,500

53 THOMAS ROWLANDSON (1756-1827), BRITISH MAN IN A BOAT ATTACKED BY A CROCODILE

Watercolour and ink on laid paper; signed “Rowlandson” lower right.

Sheet 7.25 ins x 9.25 ins; 18.4 cms x 23.5 cms PROVENANCE:

Private Collection, Toronto $800 — 1,200

54 THOMAS ROWLANDSON (1756-1827), BRITISH CATCHING BUTTERFLIES

Watercolour and ink drawing on laid paper with watermark of a shield; signed “Rowlandson” lower left.

Sheet 9.1 ins x 7.2 ins; 23.2 cms x 18.4 cms PROVENANCE:

Private Collection, Toronto $1,500 — 2,500

55 JOHN FREDERICK HERRING JR. (1815-1907), BRITISH A BARNYARD, 1848

Oil on canvas, feigned tondo on a square canvas and stretcher; signed “J.F. Herring” and dated 1848 lower left, titled to the namplate.

Diameter 15.5 ins x 15.5 ins; 39.4 cms x 39.4 cms; Overall 16 ins x 16 ins; 40.6 cms x 40.6 cms PROVENANCE:

J.A. Cooling & Sons, London, UK gallery label verso; From whom purchased by F.T. Burgess, March 14, 1934; Sotheby’s, London, November 30, 2000, Lot 505; Private Collection, Toronto $3,000 — 5,000

56 SOPHIE RYDER (B.1963), BRITISH HUGGING, SMALL, 2016 (B/16/09)

Bronze with brown patina; signed with incised signature “Ryder” and numbered 10/75 to the underside.

5.9 ins x 2.6 ins x 2.3 ins; 15 cms x 6.5 cms x 5.8 cms PROVENANCE:

Private Collection, Montreal $2,000 — 3,000

57 WILLEM DE ZWART (1862-1931), DUTCH MEN WORKING ON A BEACHED BOAT

Watercolour on board; signed in ink lower right.

Sheet 11.8 ins x 17 ins; 30 cms x 43.2 cms PROVENANCE:

With Mackenzie & Co., Toronto gallery label to the frame verso; Sir Edmund Walker, Toronto; By descent through the family $1,200 — 1,800

58 ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH THE ROAD TO PEN-Y-GWRYD, N. WALES

Oil on canvas; signed lower right, signed and titled in black ink verso.

20 ins x 30 ins; 50.8 cms x 76.2 cms PROVENANCE:

Private Collection, Winnipeg $2,000 — 4,000

59 ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH BETWEEN THE SHOWERS, LLYN IDWAL, N. WALES

Oil on canvas; signed lower right, signed and titled in black ink verso.

24 ins x 36 ins; 61 cms x 91.4 cms PROVENANCE:

The Fine Art Galleries, The T. Eaton Co., Limited, Canada, Stock no. 2408 to gallery label verso; The Estate of Martin Breslin, Maple, ON $2,000 — 3,000

60 MAURICE CANNING WILKS (1911-1984), IRISH MIDDLE LAKE, KILLARNEY

Oil on canvas; signed lower right, titled to gallery label verso.

24 ins x 28 ins; 61 cms x 71.1 cms PROVENANCE:

Frost & Reed, London, UK Registered No. 7887 to gallery label verso; Private Collection, Quebec $3,000 — 4,000

61 HERMANUS KOEKKOEK THE ELDER (1815–1882), DUTCH ON THE SCHELDT

Oil on canvas; signed “H. Koekkoek” lower left, titled to the nameplate.

14.4 ins x 22.8 ins; 36.5 cms x 58 cms PROVENANCE:

Private Collection, Montreal $20,000 — 30,000

62 WILLIAM GAY YORKE (1817-1892), BRITISH/CANADIAN BARK MOKANNA IN A GALE, 1866

Oil on canvas; signed “Wm York” lower right, titled, dated and inscribed: “Bark Mokanna in a gale / in Lat. 42 (degrees): 26 (degrees) N Long: 56 (degrees) 24 (degrees) W/ Oct: 14. 1860 John. G. Turner Commander.”

21 ins x 31.6 ins; 53.3 cms x 80.3 cms PROVENANCE:

Collection of the Beaverbrook Art Gallery, Fredericton, NB, purchased with funds from Mrs. A. Murray Vaughan, Accession No.1975.12; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery $2,000 — 3,000

63 MONTAGUE DAWSON (1895-1973), BRITISH THE CHINA TEA CLIPPER, “SHUN LEE”

Oil on canvas, signed lower left, titled to gallery label to the stretcher, inscribed to the nameplate: “The ‘Shun Lee’ was built on the Thames, in 1866, 674 tons 158 feet in length, for the China tea and Australian wool trade. Burned at Rio de Janeiro 1891.

Three crew members were charged with arson.”

24 ins x 34 ins; 61 cms x 86.4 cms PROVENANCE:

Frost & Reed Gallery, London, UK, Registered No. 50168 to gallery label to the stretcher; Private Collection, Toronto purchased from an art dealer in the 1980s $40,000 — 60,000

64 JOHAN HENDRIK (ALSO CALLED JAN HENDRIK) WEISSENBRUCH (1824-1903), DUTCH BEACH SCENE WITH FIGURES WORKING

Oil on panel; signed with an initial “W” lower left.

10 ins x 15.6 ins; 25.4 cms x 39.7 cms PROVENANCE:

Private Collection of a Gentleman, Toronto, who inherited this work from a friend; Collection of Floris van Wassenaer, Toronto; By descent to present Private Collection, Toronto $3,000 — 4,000

65 JOHAN HENDRIK (ALSO CALLED JAN HENDRIK) WEISSENBRUCH (1824-1903), DUTCH BOATS MOORED ON A DUTCH COUNTRY CANAL

Oil on panel; signed lower right.

8.75 ins x 10.25 ins; 22.2 cms x 26 cms PROVENANCE:

Private Collection of a Gentleman, Toronto, who inherited this work from a friend; Collection of Floris van Wassenaer, Toronto, ON; By descent to the present Private Collection, Toronto, ON $3,000 — 4,000

66 WALTER WILLIAMS OF PLYMOUTH (1808-1895), BRITISH DISTANT VIEW OF PLYMOUTH FROM MT. EDGECOMBE (WITH DRAKE’S ISLAND), 1847

Oil on canvas; signed “W. Williams” and dated 1847 at Plymouth bottom centre.

23.8 ins x 35.9 ins; 60.5 cms x 91.2 cms PROVENANCE:

Gifted by a Prominent Private Estate Collection, Toronto to the present Private Collection, Ontario $1,500 — 2,500

67 ALEXANDER FRANÇOIS LOEMANS (CIRCA 1816-1898), AMERICAN/CANADIAN MAJESTIC MOUNTAIN VIEW OF CHIMBORAZO, QUEEN OF THE ANDES

Oil on canvas; signed lower right.

22 ins x 36.5 ins; 55.9 cms x 92.7 cms PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

68 ATTRIBUTED TO GEORGE BAXTER (1804-1867), BRITISH BACCHANAL IN AN IDYLLIC LANDSCAPE WITH CLASSICAL ARCHITECTURE

Oil on canvas; signed indistinctly with script signature in green paint lower left.

18.5 ins x 25 ins; 47 cms x 63.5 cms PROVENANCE:

Estate of W.A. Ross MacFadden, Toronto, ON $3,000 — 5,000

69 EDWARD SEAGO (1910-1974), BRITISH COTTAGES NEAR BECCLES, 1969

Oil on masonite; signed lower left, titled verso and dated to the remains of an inscribed pen and ink label with partial title.

16 ins x 24 ins; 40.6 cms x 61 cms PROVENANCE:

Reportedly acquired at Laing Galleries, Toronto; From whom purchased by a Private Collection, Toronto; By descent to the present Private Collection, Ontario $8,000 — 12,000

70 ALOIS ARNEGGER (1876-1967), AUSTRIAN ALPINE WINTER

Oil on canvas; signed lower right, titled to the stretcher.

24 ins x 36 ins; 61 cms x 91.4 cms PROVENANCE:

Private Collection, Montreal $2,000 — 3,000

71 ANDREW NICHOLL (1804-1886), IRISH BANK OF WILDFLOWERS WITH A VIEW OF CATTLE ON A MOUNTAINOUS COAST WITH SHIPPING

Watercolour on paper; signed “A. Nichol.

R.H.A.” lower right.

Sheet sight 12.5 ins x 20 ins; 31.8 cms x 50.8 cms PROVENANCE:

Private Collection, Winnipeg LITERATURE:

Sheehy, Jeanne. “Rediscovery of Ireland’s Past: The Celtic Revival, 1830-1930,” 1980. $4,000 — 6,000

72 MEMO VAGAGGINI (1892–1955), ITALIAN TREES ON THE COAST

Oil on canvas; signed “Vagaggini” lower right, remains of artist’s studio label with the title field missing from his label verso.

18.25 ins x 23.75 ins; 45.7 cms x 60.3 cms PROVENANCE:

Private Collection, Ontario $3,000 — 5,000

73 ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH THE DEVIL’S PUNCHBOWL, HINDHEAD, SURREY

Oil on canvas; signed “A de Breanski” lower left, signed and titled “Hindhead” in black ink verso.

20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:

Private Collection, Ontario $1,500 — 2,500

74 JAN WEISSENBRUCH (1822-1880), DUTCH A SUNLIT VIEW OF A DUTCH TOWN

Oil on panel; signed “Jan Weissenbruch f (fecit)” lower right.

10.5 ins x 13.5 ins; 26.7 cms x 34.3 cms PROVENANCE:

Sir Edmund Walker, Toronto; By descent through the family EXHIBITED:

The Art Museum of Toronto (Art Gallery of Ontario, Toronto) in “The Loan Exhibition of Works of British and Foreign Painters,” Nov. 24th to Dec. 16th, 1909, Cat. No.174 label verso $6,000 — 9,000

75 JACOB HENRICUS MARIS (1837-1899), DUTCH SHADY BACKYARD WITH FARM HOUSE AND THATCHED HUT

Oil on canvas; signed with initials “JM” lower left, signed “J. Maris” in black ink to the stretcher.

18.25 ins x 28 ins; 46.4 cms x 71.1 cms PROVENANCE:

Probably W. Scott & Sons, Montreal, remains of a gallery label to the frame, with them in 1911, No.29 as inscribed to the partial label verso; Private Collection, Montreal, QC $5,000 — 7,000

76 JOSEPH PRESSMANE (1904-1967), UKRAINIAN LA MAIRIE DE SAINT DENIS, 1954

Oil on canvas; signed and dated /54 lower right, signed and inscribed at Paris verso, titled to the stretcher and to the gallery label verso.

29 ins x 36.25 ins; 73.7 cms x 92.1 cms PROVENANCE:

Galerie Dresdnere, Montreal, Inventory No. 788 gallery label verso; Private Collection, Toronto $3,500 — 4,500

Index A

M-N

ARMAN, 29

MANÉ-KATZ, 35

ARNEGGER, ALOIS 70

MARINI, MARINO 2 MARIS, JACOB HENRICUS 75

B

MOSTYN, THOMAS EDWIN 37

BAXTER, ATTRIBUTED TO GEORGE 68

MUŠIČ, ZORAN ANTONIO 18

BEARDEN, ROMARE 3, 20, 21

MUTER, MARIE MELA 17

BERTOIA, VAL 31

NICHOLL, ANDREW 71

BLAAS, EUGENE DE 46 BLOMMERS, BERNARDUS JOHANNES 44

P

BRAEKELEER, ADRIEN FERDINAND DE 47

PEÑA, NARCISSE VIRGILE DIAZ DE LA 48

BREANSKI, ALFRED FONTVILLE DE JR 58, 59, 73

PRESSMANE, JOSEPH 76

C-D

R

CARREÑO, STUDIO OF MARIO 26

RODIN, AUGUSTE 27

CASTELLÓN, FEDERICO 14, 15

ROWLANDSON, THOMAS 52, 53, 54

CORRODI, HERMANN DAVID SALOMON 41

RYDER, SOPHIE 56

DAWSON, MONTAGUE 63

E EISENDIECK, SUZANNE 10, 23 EPSTEIN, SIR JACOB 42 EVANS, MARK 28 EYCHEN, CHARLES II VAN DEN 50

F FAED, THOMAS 43 FRITH, WILLIAM POWELL 39

H HENDERSON, CHARLES COOPER 51 HERVÉ, JULES RENÉ 1 HERRING, JOHN FREDERICK JR 55 HOLDER, GEOFFREY 25

K KÁDÁR, BÉLA 4, 6 KOEKKOEK, HERMANUS THE ELDER 61

L LAURENCIN, MARIE 22 LA TOUCHE, GASTON 45 LE, SHI 33 LIU, LUI 30 LOEMANS, ALEXANDER FRANÇOIS 67

S SADLER, WALTER DENDY 38, 40 SEAGO, EDWARD 36, 69 SHEPARD, ERNEST HOWARD 13 ŠTURSA, JAN 11

V VAGAGGINI, MEMO 72 VAUTIER, MARK LOUIS BENJAMIN THE ELDER 49 VOLTI, ANTONIUCCI 5

W WEISSENBRUCH, JAN 74 WEISSENBRUCH, JOHAN HENDRIK (ALSO CALLED JAN HENDRIK) 64, 65 WILKS, MAURICE CANNING 60 WILLIAMS, WALTER OF PLYMOUTH 66 WILSON, ROBERT (SCOTTIE) 7, 8, 9

X-Y XIAOCHUN, MIAO 32 YORKE, WILLIAM GAY 62

Z ZIEM, FÉLIX 34 ZÚÑIGA, FRANCISCO 19 ZVEREV, ANATOLY 12 ZWART, WILLEM DE 57

Notes:

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve.

The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca