American & Modern Painting Online Auction | February 22 - 25, 2016

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1 HASSAN EL YASHMID (ALSO KNOWN AS VICTOR E. PICKUP) (LATE 19TH/EARLY 20TH CENTURY, FL. 19001930), EGYPTIAN PAIR OF NORTH AMERICAN NATIVE LANDSCAPES: HUNTER IN BIRCH BARK CANOE WITH RIFLE; HUNTER CLEANING SPEAR WITH BIRCH BARK CANOE ON SHORE Pair of oils on masonite board; each signed “Victor E. Pickup” lower right, each with paper labels inscribed: “Pickup/ 70.1 Pair” in pen and ink verso 18.0 ins x 24.0 ins; 45.7 cms x 61.0 cms Provenance Estate Collection, Toronto

6 LEON DELACHAUX (18501919), SWISS/AMERICAN AFFECTIONATE MOTHER Oil on canvas; signed and indistinctly dated 83? mid left, titled and given to Leon Delachaux in pen and ink to old label to the stretcher 18.0 ins x 15.2 ins; 45.7 cms x 38.7 cms Provenance Acquired by the Father-in-Law of the present Private Collection, circa 1930 Note: The artist was born into a family of clockmakers in the Neuchâtel valley of Switzerland. After training in his early years, he worked as an engraver at Tiffany, sailing for the United

2 AFTER CHARLES LOUIS LUCIEN MULLER (1815-1892) (IN COLLABORATION WITH ALFRED DE RICHEMONT (1857-1911), AMERICAN CHARLOTTE CORDAY IN PRISON Oil on “W. Schaus Artist Colourmen, New York” stamped American canvas; bears signature ”C.L. Muller” and inscribed with unknown indistinct script letters or numerals lower right.

3 ATTRIBUTED TO JOSEPH WRIGHT (1756-1793), AMERICAN/BRITISH PAIR OF FAMILY PORTRAITS OF YOUNG BOYS

4 ATTRIBUTED TO JAMES H. CAFFERTY (1819-1869), AMERICAN “DAY’S CATCH” (YOUNG AMERICAN IN STRAW HAT)

Pair of oils on panel; sculpted in the oval, each inscribed to partial labels verso, one dated 1781 verso, one indistinctly inscribed... “Wright” verso

Oil on canvas; bears signature “J. Cafferty” lower left, given to “J.H. Cafferty” and titled to the nameplate

11.0 ins x 9.0 ins; 27.9 cms x 22.9 cms

20.9 ins x 29.7 ins; 53.0 cms x 75.5 cms $1,500 — 2,500

42.5 ins x 34.0 ins; 108.0 cms x 86.4 cms Provenance Family Collection since circa the 1950’s; Ex. Coll. of the present Private Collection’s grandfather, Mati Vaher until 1982; By descent

8 LOUIS ASTON KNIGHT (18731948), AMERICAN TREES IN BLOSSOM (A SOUVENIR FROM NORMANDY), 1944 Oil on board; signed lower right, signed, inscribed: “To Mrs. Ed. Denham/A souvenir from Normandy” by the artist dated at New York 1944 verso 14.5 ins x 9.5 ins; 36.8 cms x 24.1 cms

Provenance The Collection of Donald McLeish and James Shakley Note: The artist was the first American-born student at the Royal Academy of Art, London, the first artist to sculpt a bust of George Washington, and the first to assume the position of

9 MARY HERRICK ROSS (18561935), AMERICAN BLUE FLOWERS ON A LEDGE, 1898

10 Y. SAYMS. (EARLY 20TH CENTURY), AMERICAN SCHOOL PORTRAIT OF A QUAKER ?

Oil on canvas; signed and dated ’98 lower left

Watercolour on paper laid down to board; signed lower left “Y. Sayms.”

7.0 ins x 12.2 ins; 17.8 cms x 31.1 cms

10.0 ins x 8.5 ins; 25.4 cms x 21.6 cms

Provenance J.H. Kennedy Fine Arts, San Francisco

$200 — 300

$1,000 — 1,500 Provenance Presented to Mrs. Ed. Denham direct from the artist with his inscription dated at New York, 1944 verso $500 — 700

States in 1872 at the age of twentytwo. The art galleries of

11 ALEXANDER FRANCOIS LOEMANS (CIRCA 1816-1898) , CANADIAN/AMERICAN ROCKY MOUNTAIN VISTA

12 ALEXANDER FRANCOIS LOEMANS (CIRCA 1816 - 1898), CANADIAN/AMERICAN MOONLIT ENCAMPMENT

Oil on canvas; possibly signed lower left

Oil on board; incised signature lower right

22.0 ins x 36.0 ins; 55.9 cms x 91.4 cms

7.0 ins x 11.0 ins; 17.8 cms x 27.9 cms

Note: Alexander Francois Loemans was born in the Netherlands and studied art in France. He emigrated from Europe to North America and moved between America and Canada during his career. He is known for his idyllic and romantic landscapes in Minnesota, New York, Manitoba, and Ontario. Some of his favorite locations were St. Anthony Falls in Minnesota and the Hudson River Valley in New York. His paintings

Provenance J.E. Chester’s Art Gallery, London

15 JOHN HENRY HINTERMEISTER (1869-1945), AMERICAN IN THE SMITHY

16 NORTH AMERICAN (EARLY 20TH CENTURY) WARRIOR SHOOTING A BOW AND ARROW

Oil on board; signed “J. Hy. Hintermeister” lower right

Oil on grey paper-backed canvasboard. Unsigned.

15.0 ins x 18.5 ins; 38.1 cms x 47.0 cms

24.0 ins x 12.5 ins; 61.0 cms x 31.8 cms

$800 — 1,200

Provenance Acquired by the consignor’s father, Wilfred Christopher Christopherson, Toronto, Canadian Air Force, prior to 1949; By descent

13 MANNER OF JOHN QUIDOR (1801-1881), AMERICAN TRAVELLERS IN THE WOODS Oil on canvas. Unsigned.

14 MAURITZ FREDERICK HENDRICK DE HAAS (18321895), DUTCH/AMERICAN BREAKING WAVES Oil on canvas; signed lower left

17.0 ins x 22.0 ins; 43.2 cms x 55.9 cms

10.5 ins x 24.5 ins; 26.7 cms x 62.2 cms

$400 — 600 Provenance William Doyle Galleries, New York; Private Collection, Canada

Note: Painted on the verso of a 19th Century lithographed advertisement for “The Accident Insurance Company of Canada”

$500 — 700

$600 — 900

$500 — 700

17 INITIALS J.E.T. (CIRCA 1940), POSSIBLY COL. JOHN E. TULLOCH (1880-1945), CANADIAN? PAIR OF NATIVE AMERICAN NAVAJO PORTRAITS: MAN WITH RED HEADSCARF; WOMAN LOOKING UPWARDS Pair of oils on canvasboard; each signed with initials “J.E.T.” lower right 9.0 ins x 7.5 ins; 22.9 cms x 19.1 cms Provenance Acquired by the consignor’s father, Wilfred Christopher Christopherson, Canadian Air Force, Toronto prior to 1949; By descent

18 JOHN CHRISTOPHER MILES (1837-1911), AMERICAN MAN CLEANING FISH Oil on canvas; signed lower right, signed verso 24.0 ins x 30.0 ins; 61.0 cms x 76.2 cms $800 — 1,200

Note:

19 CAROLINE HELENA ARMINGTON (1875-1939), AMERICAN/CANADIAN PAYSANNE HOLLANDAISE “DUTCH PEASANT” Oil on canvas mounted on board; signed and dated 1907 lower left, inscribed: “Paysanne Hollandaise Par Caroline Helena Armington”/ Rue de la Grande Chaumiere, Paris/ “Dutch Peasant” in ink and pencil verso 16.0 ins x 13.0 ins; 40.6 cms x 33.0 cms

20 EUSTACE PAUL ZIEGLER (1881-1969), AMERICAN MOUNTAIN STREAM IN THE ROCKIES, 1909 Watercolour on paper on support board; signed lower left, titled and dated “909” in pencil to the board verso 20.0 ins x 13.3 ins; 50.8 cms x 33.7 cms

21 ATTRIBUTED TO HUGH BOLTON JONES (H.J. BOLTON) (1848-1927), AMERICAN THE FALLS OF MONTMORENCY NEAR QUEBEC

22 19TH CENTURY AMERICAN SCHOOL STILL LIFE WITH LILACS, PEONIES AND ROSES

Oil on grey Academy board; bears signature “H.J. Bolton” and dated 1868 lower left

29.0 ins x 24.5 ins; 73.7 cms x 62.2 cms

Oil on canvas

$1,000 — 1,500 6.7 ins x 9.8 ins; 17.1 cms x 24.8 cms

$500 — 700 Provenance The Parker Gallery, London

Provenance Estate Collection, Detroit; With the family in Toronto

Note: Possibly the artist born in Baltimore, MD who exhibited landscape works at the National Academy for over 60 years beginning in 1867, one year before the execution of this scene.

Harper states H. Bolton (Belton)

Note: Inscribed “first salon canvas/ save this” in pencil verso

23 19TH CENTURY PRIMITIVE SCHOOL, NORTH AMERICAN ...CONESTOGA...THE OLD SCHOOL HOUSE...(SETTLERS IN FRONT OF A LOG CABIN), WATERLOO REGION, ONTARIO

23A PACH BROTHERS, NEW YORK, 1903, AMERICAN REPUBLICAN PRESIDENT THEODORE ROOSEVELT, EDITH KERMIT CAROW ROOSEVELT, CHILDREN AND FAMILY OUTSIDE, JULY, 1903

24 THOMAS LORRAINE HUNT (1882-1938), AMERICAN STORM APPROACHING ON THE COAST

25 FOLLOWER OF THOMAS MORAN (1837- 1926), AMERICAN SCHOOL GRAND CANAL VENICE

Watercolour and gouache on paper; signed and dated 1909 lower right

Oil on canvas

Oil on canvas; with lengthy indistinct handwritten inscription along the bottom under the paint

Colour chromolithograph on paper; signed “Copyright Pach Bros. 1903” in the plate lower left. Published: July 12, 1903

21.0 ins x 25.5 ins; 53.3 cms x 64.8 cms

13.0 ins x 17.0 ins; 33.0 cms x 43.2 cms Note: This charming folk art canvas depicts the log schoolhouse, one of the earliest extant urban buildings in the Waterloo Region of Ontario. It was built by the German Mennonite city founders on land that was donated

17.0 ins x 23.7 ins; 43.2 cms x 60.3 cms Note: Based on a black and white photograph by Pach Brothers photographic firm, New York in 1903 $200 — 300

$2,000 — 3,000

11.7 ins x 16.0 ins; 29.8 cms x 40.6 cms Provenance Private Estate Collection, Montreal $1,200 — 1,800

by Abraham Erb in 1820.

26 EDITH LUCILLE HOWARD (1885-1960), AMERICAN CYPRESSES OF CASIERA, TUSCANY

27 WALTER FRANKLIN LANSIL (1846-1933), AMERICAN FISHING BOATS IN CASCO BAY (GULF OF MAINE)

Oil on canvas; signed lower left, signed at “19 W. 8th Street, New York” and titled by the artist to label verso 30.2 ins x 25.5 ins; 76.8 cms x 64.8 cms Provenance With Henry M. Taws, Philadelphia

28 VAN DEARING PERRINE (18681955), AMERICAN WINDBLOWN LANDSCAPE

29 EDMUND DARCH LEWIS (18351910), AMERICAN SAILBOATS, SUNNY DAY

Oil on canvas; signed lower left, signed, titled and dated 1883 verso

Oil on canvasboard; signed at Palisades, Englewood, New Jersey. verso

Watercolour and gouache on heavy paper; signed and dated 1907 lower right, titled indistinctly “Island” in pencil verso

12.0 ins x 18.0 ins; 30.5 cms x 45.7 cms

11.0 ins x 13.7 ins; 27.9 cms x 34.9 cms

Provenance Garfield Galleries, Toronto

Provenance The Roberts Art Gallery, Toronto (29 Grenville Street, Toronto); Ex. Coll. Ethel Ely; By descent to the present Private Collection, Toronto

$2,000 — 3,000

$600 — 800

19.5 ins x 29.0 ins; 49.5 cms x 73.7 cms Provenance J. Frank Raw, Toronto $500 — 700

$700 — 1,000

30 EDMUND DARCH LEWIS (18351910), AMERICAN EAST HAMPTON; VERMONT?; SAILBOATS IN RIVER

31 FRANK MYERS BOGGS (18551926), AMERICAN PONT SUR LA SEINE

32 FRANK MYERS BOGGS (18551926), AMERICAN CLOCK TOWER

33 FRANK MYERS BOGGS (18551926), AMERICAN ETANG AVEC PEUPLIERS

Watercolour and charcoal on paper; signed at Paris lower left

Watercolour and charcoal on paper; signed lower left

Watercolour and charcoal on paper; signed at Bruges lower left

10.5 ins x 16.0 ins; 26.7 cms x 40.6 cms

17.2 ins x 12.2 ins; 43.8 cms x 31.1 cms

10.2 ins x 15.7 ins; 26.0 cms x 40.0 cms

$800 — 1,200

Provenance With The Thomas Company, Washington, D.C.

$500 — 700

22.0 ins x 34.0 ins; 55.9 cms x 86.4 cms $900 — 1,200

$500 — 700

Three watercolours and gouaches on heavy paper; each signed and dated 1907 or 1909 lower right, two titled verso, one indistinctly. Each unframed.

34 FRANK MYERS BOGGS (18551926), AMERICAN SACRE-COEUR-DEMONTMARTRE Watercolour and charcoal on paper; signed at Paris lower left 15.7 ins x 10.0 ins; 39.8 cms x 25.4 cms

35 NORMAN MILLS PRICE (18771951), CANADIAN/AMERICAN LADY WALKING A BORZOI Gouache and ink on Winsor & Newton, Ltd., London, England, Whatman’s Water Colour Sketching Board; signed lower right 14.5 ins x 13.5 ins; 36.8 cms x 34.3 cms

36 CHARLES GRANT DAVIDSON (1866-1945), AMERICAN SHEEP AND HAYSTACK BY A PATHWAY AT DAWN Oil on canvas; signed lower right 12.0 ins x 14.0 ins; 30.5 cms x 35.6 cms $500 — 700

37 J. M. KIDD (19TH/20TH CENTURY), CANADIAN/AMERICAN SCHOOL? FARMER IN A HAYFIELD Oil on canvas; signed “J.M. Kidd” and dated “19” lower right 22.2 ins x 27.0 ins; 56.5 cms x 68.6 cms

$500 — 700 Note: Among the literary works the artist illustrated were the novels of Robert W. Chambers and Rebecca West, and the stories of William Shakespeare.

His illustrations were also featured in magazines such as American Magazine, Cosmopolitan, Liberty, St. Nicholas, and Woman’s Home Companion.

Price was honorary president of the Society of Illustrators in New York

38 SAMUEL ROTHBORT (18821971), AMERICAN TWO BOYS SEATED IN WHITE SHIRTS WITH TIES

39 LOUIS FREDRICK GRELL (18871960), AMERICAN YOUNG BALLERINA ON STAGE

Oil on board; signed lower right

Oil on canvas laid on masonite board; signed lower right

20.0 ins x 27.0 ins; 50.8 cms x 68.6 cms

24.0 ins x 19.8 ins; 61.0 cms x 50.2 cms

$1,000 — 1,500 $300 — 500

$300 — 400

40 HENRIETTA SHORE (18801963), CANADIAN/AMERICAN FISH BOWL

41 NORMAN MILLS PRICE (18771951), AMERICAN A CONCERT AT SUNSET

Oil on canvas; signed lower left, titled to labels verso

Gouache on Winsor Newton illustration board; signed lower left

36.0 ins x 34.5 ins; 91.4 cms x 87.6 cms

15.0 ins x 13.0 ins; 38.1 cms x 33.0 cms

Provenance Acquired by the present Private Collection, Toronto from the Estate of Anthony Hollinrake, Toronto in 1994

$700 — 900

$6,000 — 8,000

42 HARRY B. LACHMAN (18861974), AMERICAN RAINY DAY, ST. MARTIN’S-INTHE-FIELDS, TRAFALGAR SQUARE

43 NOTA KOSLOWSKY (1906- ?), AMERICAN DESERT LANDSCAPE

44 DOUGLAS REID HANSEN (1900-), AMERICAN LAKEVIEW WITH PINES

46 AUBREY DALE GREER (19041998), AMERICAN MUMS

Oil on canvas; signed lower right

Watercolour on paper laid on board; signed and dated 1964 lower left

Oil on canvas; signed lower right, titled to the stretcher

20.0 ins x 30.2 ins; 50.8 cms x 76.8 cms

Oil on canvas; signed lower right, titled to gallery label affixed to the frame verso

24.0 ins x 18.0 ins; 61.0 cms x 45.7 cms

$500 — 700

20.0 ins x 26.0 ins; 50.8 cms x 66.0 cms Note: Douglas Reid Hansen was active/lived in Missouri, New Jersey.

$1,000 — 1,500

20.0 ins x 24.0 ins; 50.8 cms x 61.0 cms Provenance Austin Galleries, Austin, Texas, Inventory No. B664156

$400 — 600 $600 — 800

47 STUART KAUFMAN (1926-), AMERICAN GREY DAY- WESTHAMPTON BEACH; STILL LIFE ROSE Two oils, the former, an oil on canvasboard; signed lower left; signed and titled in pencil verso, the latter, an oil on panel; signed lower right, titled to gallery label verso Together with: ATTRIBUTED TO ADELHEID DIETRICH (1827-1891), GERMAN HYACINTH Oil on cradled panel; signed with monogram “AD” lower left 6.0 ins x 9.0 ins; 15.2 cms x 22.9 cms

48 HOWARD ROGERS (1932- ), AMERICAN LADY IN PINK

49 HYACINTHE KULLER-BARON (1936-), AMERICAN MOTHER AND CHILD

50 ANDRE GISSON (1928-2003), AMERICAN TWO NUDES IN A FIELD

Oil on canvas; signed and dated 1987 lower right

Oil on canvas; signed “Hyacinthe Kuller” lower left

Oil on canvas; signed lower left

48.3 ins x 38.0 ins; 122.6 cms x 96.5 cms

40.0 ins x 30.0 ins; 101.6 cms x 76.2 cms

Provenance With Du Mouchelles, Detroit, MI; Private Collection, Toronto

$300 — 400

$4,000 — 5,000

12.0 ins x 16.0 ins; 30.5 cms x 40.6 cms Provenance Private Estate Collection, Montreal $900 — 1,200

Provenance

51 ANDRE GISSON (1928-2003), AMERICAN SEATED NUDE Oil on canvas; signed upper left

52 ANDRE GISSON (1928-2003), AMERICAN STANDING NUDE IN ROBE AND BLUE HAT Oil on canvas; signed upper right

16.0 ins x 20.0 ins; 40.6 cms x 50.8 cms Provenance Private Estate Collection, Montreal

20.0 ins x 16.0 ins; 50.8 cms x 40.6 cms Provenance Private Estate Collection, Montreal

53 EDGAR LOUIS YAEGER (19041997), AMERICAN NUDE WOMAN Oil on canvas; signed and dated 1937 lower left, inscribed “Hymen Arthur Lewis 1641 A.D.” in black magic marker to the canvas verso 14.0 ins x 18.0 ins; 35.6 cms x 45.7 cms

54 ANDRE GISSON (1921-2003), AMERICAN TOURISTS AND CARRIAGES AT THE ARC DE TRIOMPHE, PARIS Oil on canvas; signed lower right 24.0 ins x 30.0 ins; 61.0 cms x 76.2 cms $2,000 — 3,000

$600 — 800

$1,200 — 1,800 $1,200 — 1,800

55 SAMUEL BOOKATZ (19102009), AMERICAN CITY SCAPE AT NIGHT

56 CHET HORMON LAMORE (1908-1980), AMERICAN MAENAD #11, 1964

57 CHET HORMON LAMORE (1908-1980), AMERICAN MAENAD #10, 1964

58 CHET HORMON LAMORE (1908-1980), AMERICAN MAENAD #3, 1964

Oil on masonite board; signed lower right

Bronze rods; signed, titled, numbered #11, inscribed and dated “#74 -1964 /Maenad #11/ La More” on the hand- written label in ink to the underside

Bronze rods; signed, titled, numbered #10, inscribed and dated “#75 -1964 /Maenad #10/ La More” on the hand- written label in ink to the underside

Bronze rods; signed, titled, numbered #3, inscribed and dated “#41 -1964 /Maenad #3/ La More” on the handwritten label in ink to the underside

13.4 ins 34.0 cms

12.2 ins 31.0 cms

Provenance Private Estate Collection Montreal; Estate Coll. Toronto

Provenance Private Estate Collection Montreal; Estate Coll. Toronto

$200 — 300

$200 — 300

15.0 ins x 20.0 ins; 38.1 cms x 50.8 cms

11.2 ins 28.5 cms Provenance Private Collection, Toronto purchased in 1963 in Washington, D.C. $400 — 600

Provenance Private Estate Collection Montreal; Estate Coll. Toronto $200 — 300

59 CYRUS CINCINNATI CUNEO (1879-1916), AMERICAN “NOW LOOK YOU” HE SAID “THIS IS NO JOKING MATTER” (AN ILLUSTRATION)

60 FRED G. JOHNSON (1892-1990), AMERICAN “CANADA'S TRADITIONAL FAVORITE CONKLIN SHOWS” CIRCUS BANNER, CIRCA 1950

Watercolour en grisaille on illustration board; signed lower left, titled in pencil verso

Painting on canvas; signed lower right.

Fiberglass and metal with grey painted finish mounted to a wood base; titled and dated 1984 to gallery label to the underside

94.0 ins x 117.0 ins; 238.8 cms x 297.2 cms

27.5 ins x 13.0 ins; 69.9 cms x 33.0 cms

Note: Fred G. Johnson born in Chicago was a prolific sideshow banner artist whose career spanned 65 years. His banner paintings were displayed at the Chicago World's Fair of 1933, called A Century Of Progress, and by circuses such as Ringling Brothers, Barnum & Bailey, and Clyde Beatty.

[2] He has been called the "Picasso" of circus art.

Provenance Galerie Dresdnere, Toronto; Corporate Collection, Canada

64 CHARLES BRAGG (1931-), AMERICAN “BACCHUS” (EXECUTIONER HOLDING A RED SKULL)

65 CHARLES BRAGG (1931-), AMERICAN “MAN PRAYING” (MAN CRUSHING A BLUE BIRD)

66 CHARLES BRAGG (1931-), AMERICAN SELF-PORTRAIT WITH FIRST PLACE MEDALLION

Oil on panel; signed lower right, titled and numbered “CB 624” in blue ink to label verso backing

Graphite heightened with watercolour on heavy wove paper; signed in pencil lower left, titled: “Man Praying” in pencil verso in an unknown hand

Oil on card; signed lower right, inscribed “CB630” in pencil verso

10.5 ins x 9.3 ins; 26.7 cms x 23.5 cms $200 — 300

63 MABEL ALVAREZ (1891-1985), AMERICAN AFTER JEAN LOUIS THEODORE GERICAULT (1791-1824), FRENCH THE CHARGING CHASSEUR OR (AN OFFICER OF THE IMPERIAL HORSE GUARDS CHARGING) Oil on canvas; signed by American artist Mabel Alvarez (1891-1985) lower right 58.0 ins x 42.0 ins; 147.3 cms x 106.7 cms Note: Mabel Alvarez, early California painter, was born on the Hawaiian island of Oahu in 1891. She attended William Cahill’s art academy in Los

9.0 ins x 6.5 ins; 22.9 cms x 16.5 cms Provenance Harcourts Gallery, San Francisco, CA, USA; Private Collection, Toronto, ON

61 DON BONHAM (1940-2014), AMERICAN/CANADIAN NOAH, 1984

62 ROBERT MELVIN DECKER (1847-1921), AMERICAN WINTER TRAIL THROUGH PINE TREES AT NIGHT Oil on canvas; signed lower left 10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms $700 — 900

Note: Sculptor and former Marine Don Bonham was a colourful individualist with a fantastical artistic vision. ...

He was the first American visual artist to be appointed to the Royal Canadian Academy.

6.0 ins x 6.5 ins; 15.2 cms x 16.5 cms Provenance Harcourts Gallery, San Francisco, CA, USA; Private Collection, Toronto, ON

$400 — 600 $300 — 500

12.0 ins x 9.5 ins; 30.5 cms x 24.1 cms $1,000 — 1,500

Angeles. In the 1920’s and 30’s, her works were heavily influenced by the

67 WILLIAM GROPPER (18971977), AMERICAN DON QUIXOTE Colour pastel on paper; signed and dated 45 lower left 19.3 ins x 25.0 ins; 48.9 cms x 63.5 cms

68 LOUIS GOLDFARB (1932- ), BELGIAN/AMERICAN BLUE NUDE

69 PHILIPPE ALFIERI (1921-2009), ITALIAN/AMERICAN THREE GIRLS

Oil on canvas; signed lower right

Oil on canvas; signed ”Alfieri” lower left

70 HENDRIK DIRK KRUSEMAN VAN ELTEN (1829-1904), DUTCH/AMERICAN NEW ENGLAND FARM BUILDINGS WITH FIGURES IN THE FIELD

24.0 ins x 42.0 ins; 61.0 cms x 106.7 cms

Watercolour and ink on heavy paper; signed lower right

$1,000 — 1,500

10.2 ins x 14.5 ins; 26.0 cms x 36.8 cms

26.0 ins x 21.3 ins; 66.0 cms x 54.0 cms $400 — 600

Provenance From the collection of the artist’s niece; From whom acquired by the present Collection, Canada from an estate in Florida

Note: Born in Holland, Hendrik Kruseman van Elten was a landscape painter who emigrated to the United States in 1865. He lived primarily in New York City where he was invited into the Tenth Street Studio Building by his countryman, and fellow artist, Mauritz F. H. de Haas (1832-1895) (also represented in this sale with a seascape, Lot 14). Kruseman painted

$2,000 — 3,000

71 JACQUES HNIZDOVSKY (19151985), UKRAINIAN/AMERICAN PIECE OF WOOD Oil on canvas; signed and dated 1963 lower right 16.0 ins x 20.7 ins; 40.6 cms x 52.7 cms Provenance Private Collection, Canada purchased in New York in the 1960’s $700 — 900

72 KOWHOO ISHII (ISHII AKIRA KAEDE) (1892-1975), JAPANESE/AMERICAN BOAT ARRIVING ON SHORE Watercolour; signed “Kowhoo” lower right 11.5 ins x 18.0 ins; 29.2 cms x 45.7 cms $200 — 300

73 HARUO MIYAUCHI (1943- ), JAPANESE/AMERICAN DISCOVERY

74 MICHAEL STEINER (1945-), AMERICAN AA-104, 1984

Oil and acrylic on canvas; signed and with artist’s device lower right, signed in pencil in Japanese script to the stretcher, numbered “M 10” to the stretcher, titled to gallery label verso.

Together with a paper back catalogue: “Haruo Miyauchi Marvels of Beauty

by Miyauchi” stamped ex-libris: Galerie Moos Inc., Montreal on cover

Mixed-media on heavy paper; signed verso, titled and dated 1987 to gallery label verso

13.0 ins x 21.0 ins; 33.0 cms x 53.3 cms Provenance Galerie Moos Inc., Montreal, QC; Private Collection, Canada $200 — 300

28.5 ins x 40.5 ins; 72.4 cms x 102.9 cms Provenance Waddington and Shiell Galleries Ltd., Toronto $500 — 700

75 MICHAEL STEINER (1945- ), AMERICAN ABSTRACT (RED AND GREEN)

76 GEORGE DEEM (1932-2008), AMERICAN MY GRÜNEWALD

77 CHAIM GROSS (1904-1991), AMERICAN SEATED NUDE FEMALE

Mixed-media on heavy paper

Mixed-media, pen and ink and watercolour on buff wove paper; signed and titled in pencil verso.

Unframed.

Charcoal drawing with brown chalk on paper board; signed lower right and inscribed “To Judy / from Chaim / 1944”

18.0 ins x 22.0 ins; 45.7 cms x 55.9 cms

17.0 ins x 10.7 ins; 43.2 cms x 27.3 cms

Provenance From the Collection of Erica Rutherford, P.E.I.

$300 — 500

28.5 ins x 40.0 ins; 72.4 cms x 101.6 cms $500 — 700

Three mixed-media watercolours and gouaches on board; each signed “Dyck” lower right 59.0 ins x 38.3 ins; 149.9 cms x 97.2 cms Note: Born in Leamington, Ontario, the artist and his wife, Judith, explored many art scenes over the years, living in Toronto, New York, Los Angeles and Winnipeg. Over his 45 year career, he did thousands of paintings and created hundreds of car and figure movement sculptures. His paintings are in many private and public collections across Canada and

Note: Best known for his appropriations of famous works, here Deem has manipulated a chalk drawing by Matthias Grünewald. Deem emulates the chalk highlights of Grünewald’s Crying Head (ca. 1520, Museum of Prints and Drawings, Berlin, Germany)

80 JEAN-JACQUES PLACET (20TH/21ST CENTURY), FRENCH?/AMERICAN FUSION

81 ANDRE MOORE (20TH/21ST CENTURY), EUROPEAN? LADY DRAWING IN A GARDEN

Oil on canvas; signed in blue ink to the stretcher and titled in black ink verso

Oil on panel; signed lower right

Oil on canvas; signed lower right “Frush”

11.7 ins x 15.5 ins; 29.8 cms x 39.4 cms

12.0 ins x 16.0 ins; 30.5 cms x 40.6 cms

$300 — 400

$150 — 250

10.2 ins x 12.0 ins; 26.0 cms x 30.5 cms

78 GEORGE GRAYDON DYCK (1946- 2011), CANADIAN/AMERICAN TRIPTYCH: NUDE IN A BATHROOM

82 FRUSH ? (20TH CENTURY), AMERICAN SCHOOL STREET SCENE

83 ROBERT DRISCOLL (20TH/21ST CENTURY), AMERICAN FISHING BOATS AT DAWN Oil on canvas on masonite; signed lower left 12.2 ins x 16.5 ins; 31.1 cms x 41.9 cms $100 — 200

$200 — 300

84 ATTRIBUTED BENITO QUINQUELA MARTIN (18901977), ARGENTINIAN BOAT YARD

85 LISANDRO LOPEZ BAYLON (1951- ), ARGENTINIAN/ MEXICAN AN ELDER AND CHILD

Oil on board; signed “QuinQuela Martin” lower right

Oil on canvas; signed lower left

8.5 ins x 11.0 ins; 21.6 cms x 27.9 cms $1,000 — 1,500

Together with: ROSA ROSENBERG (20th Century), MEXICAN Two Portraits: LUCILLE (youth); OLD MAN IN THOUGHT Two oils: the first, on masonite; signed with initials lower right, titled verso, the second, on canvas; signed and dated 1970 lower right

86 ALFRED BRANDMEIER (1940 ), AUSTRIAN THE STAMP COLLECTOR Oil on canvas; signed “Brandmeier” lower left 24.0 ins x 20.0 ins; 61.0 cms x 50.8 cms $400 — 600

87 ARCHIBALD F. CUTHBERTSON (1924-2000), AUSTRIAN EXCITED IMAGE Watercolour and ink on paper; signed lower right, titled to gallery label verso 25.0 ins x 17.8 ins; 63.5 cms x 45.1 cms Provenance Ex. Coll. of The Vincent Price Collection, Inventory No. NW 51032; Private Collection, Toronto

40.0 ins x 26.0 ins; 101.6 cms x 66.0 cms

$600 — 900

Provenance One with El Marco Moderno Chapultepec Morales label; Each purchased by the parents of the

88 SCOTTIE WILSON (1889-1972), SCOTTISH UNTITLED (GEOMETRIC FACE DESIGNS SURROUNDED

BY BIRDS, FISH, A BUTTERFLY AND FLOWER) Black ink and coloured pencil on “WN Fashion Plate Board”; signed lower right. Unframed.

15.0 ins x 10.5 ins; 38.1 cms x 26.7 cms Provenance Douglas M. Duncan Collection, Toronto; Collection of Norman J. Endicott, Toronto; By descent to his grandson, Toronto

89 SCOTTIE WILSON (1889-1972), SCOTTISH TREE OF LIFE, #5 Coloured pencil on black paper; signed lower right, titled and inscribed in pencil to the frame verso 14.5 ins x 19.5 ins; 36.8 cms x 49.5 cms Provenance Collection of Norman J. Endicott, Toronto, whom purchased in London, UK, circa 1968-9; Gifted to Giles Endicott; By descent to his son, Toronto

$800 — 1,000 Note: The following works by Scottie

90 SCOTTIE WILSON (1889-1972), SCOTTISH UNTITLED (GEOMETRIC FACE DESIGNS SURROUNDED

BY BIRDS AND FISH) Ink and coloured pencil on “WN Fashion Plate Board”; signed lower right. Unframed.

10.5 ins x 7.5 ins; 26.7 cms x 19.1 cms Provenance Collection of Norman J. Endicott, Toronto; By descent to his grandson, Toronto

$600 — 800

91 SCOTTIE WILSON (1889-1972), SCOTTISH UNTITLED (BIOMORPHIC COMPOSITION IN GREEN) Watercolour and black ink on paper, laid down to a support; signed lower right. Unframed 13.0 ins x 9.8 ins; 33.0 cms x 24.8 cms Provenance Collection of Norman J. Endicott, Toronto; By descent to his grandson, Toronto Note: Wilson’s art is dominated by reappearing motifs - birds, fish and clown-like faces (himself). The more sinister creatures were dubbed ‘Evils’

Wilson (Lots 88 to 93) from the Collection of Norman Endicott, the

or ‘Greedies’ (p. 27).

92 SCOTTIE WILSON (1889-1972), SCOTTISH UNTITLED (HOUSE FACADE WITH BIRDS, FISH, AND PLANTS)

93 SCOTTIE WILSON (1889-1972), SCOTTISH UNTITLED (DISCS, TWO PURPLE BIRDS, FLOWERS, AND BLUE BIRDS IN A TREE)

Watercolour on “Kent” faced artist’s board; signed in black ink lower right.

Unframed.

Watercolour on paper; signed in black ink lower right. Unframed.

21.5 ins x 14.0 ins; 54.6 cms x 35.6 cms Provenance Collection of Norman J. Endicott, Toronto; By descent to his grandson, Toronto

10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms Provenance Collection of Norman J. Endicott, Toronto; By descent to his grandson, Toronto

94 HERMON SHAPIRO (1933- ), BRITISH UNTITLED COMPOSITION Brown/Black toned watercolour and colour inks on paper; signed with initials “HS” lower right 22.0 ins x 30.0 ins; 55.9 cms x 76.2 cms Provenance Purchased in the United Kingdom; Private Collection, Canada

96 HERMON SHAPIRO (1933- ), BRITISH UNTITLED COMPOSITION (BLUE/PURPLE AND GOLD) Watercolour and colour inks on paper; signed with initials “HS” lower right 22.0 ins x 30.0 ins; 55.9 cms x 76.2 cms Provenance Purchased in the United Kingdom; Private Collection, Canada

$200 — 400 $200 — 400

$800 — 1,000 $800 — 1,000

97 JIM BIRD (1937-), BRITISH PORTFOLIO OF FOUR UNTITLED ABSTRACTS, 1987

98 ROBERT SYDNEY RENDLE WOOD (1895- ), BRITISH WOMAN AND PUPPET

99 NANCY SHEPPARD (18901980), BRITISH HILLSIDE CABINS

100 RICHARD MICHELMORE (1928 - ), BRITISH NUDE

Four oils on Arches France watermarked paper; each signed and dated 87 in pencil (one dated 67 in error) along the bottom edge, each signed, each dated 87 and further inscribed: 124876P (S5390); 12487.5P (S5389); 124873P (S5388); and 124877P (S5392), respectively in pencil verso.

Each unframed.

Watercolour; signed lower left

Watercolour; signed lower right

10.0 ins x 14.3 ins; 25.4 cms x 36.2 cms

9.0 ins x 13.3 ins; 22.9 cms x 33.7 cms

Charcoal and colour chalk drawing on paper; signed lower right, titled and numbered 124 to the typed Lauri Stewart label with number: “01-8837719” to label verso

Provenance Laurie Stewart Fine Art, The Church Lane Gallery, London; Private Collection, Canada

Provenance Laurie Stewart Fine Art, The Church Lane Gallery, London; Private Collection, Canada

$100 — 200

$100 — 200

29.1 ins x 21.3 ins; 74.0 cms x 54.0 cms

29.8 ins x 41.5 ins; 75.6 cms x 105.4 cms

Provenance Laurie Stewart Fine Art, The Church Lane Gallery, London; Private Collection, Canada

$600 — 900

$100 — 200

101 PABLO FRANCISCO TORRES RODRIGUEZ (20TH CENTURY), CUBAN A SOLAS

102 UNIDENTIFIED, (20TH/21ST CENTURY), SPANISH OR CUBAN ROWS OF NUDE FIGURES

Acrylic on paper; titled in ink in an unknown hand on affixed cardstock label verso.

Oil on lacquered wood panel, mounted on a linen-wrapped wood panel; signed and indistinctly dated “97” in black ink on the linen-wrapped panel lower right

24.3 ins x 31.5 ins; 61.6 cms x 80.0 cms Provenance Gallery Iris, Cambridge, Ontario $300 — 500

105 JAN JURRIEN MOOLHUIZEN (1900-1982), DUTCH SCHIEBINGER BEACH, HOLLAND Oil on canvas; signed and dated ‘46 lower left 17.2 ins x 30.2 ins; 43.8 cms x 76.8 cms $500 — 700

8.0 ins x 9.8 ins; 20.3 cms x 25.0 cms

103 UNIDENTIFIED, (20TH/21ST CENTURY), SPANISH OR CUBAN PROCESO Y TRANCE DE LA SERIE (PROCESS AND TRANCE? SERIES), 1997 Mixed-media on paper on thin board; indistinctly signed and dated ‘97? lower right, titled and inscribed in Spanish verso

$200 — 300

$300 — 500

106 MICHEL CIRY (1919- ), FRENCH A L’ECOUTE DE DIEU (HOMMAGE A BERNANOS)

107 MICHEL CIRY (1919-), FRENCH SOLITUDE MINERALE, 1965

Provenance Galerie Dresdnere, Toronto; Private Collection, Toronto

16.0 ins x 23.0 ins; 40.6 cms x 58.4 cms $1,200 — 1,800

Provenance With Onate Galleries, Miami, FL, USA for framing

45.0 ins x 35.0 ins; 114.3 cms x 88.9 cms

Mixed-media on paper; signed and dated “’87 - III” in ink lower right

23.5 ins x 19.5 ins; 59.7 cms x 49.5 cms

Provenance With Onate Galleries, Miami, FL, USA for framing; Private Collection, Toronto

Oil on canvas; signed upper right, signed and titled verso

104 LUCEBERT (1924-1994), DUTCH ABSTRACT COMPOSITION, 1987

Oil on canvas; signed and dated 65 lower left, signed, titled and dated 65 verso, titled “The Lonely Cliff” to gallery label verso 31.0 ins x 31.5 ins; 78.7 cms x 80.0 cms Provenance Galerie Dresdnere, No. 15646; Private Collection, Toronto

$2,000 — 4,000 $600 — 900

108 ANDRE MARCHAND (19071908), FRENCH LA BAIGNEUSE ASSISE (STES MARIES DE LA MER) Oil on canvas; signed lower right, signed and titled at “Stes Maries de la mer” verso 18.5 ins x 21.7 ins; 47.0 cms x 55.2 cms Provenance Galerie Dresdenere, Montreal, no 476; Private Collection, Toronto; By descent $2,000 — 3,000

111 KARINE GIRARD (1965-), FRENCH PARIS STREET SCENE Oil on canvas; signed lower left 18.0 ins x 21.5 ins; 45.7 cms x 54.6 cms

112 ANTOINE BLANCHARD (20TH CENTURY), FRENCH NOTRE DAME AND THE STREETS OF PARIS

114 GEORGES ROCHER (19271984), FRENCH 141 MONTMARTRE LE SACRE COEUR

Oil on canvas; signed lower right

Oil on canvas; signed lower right, titled verso

Oil on canvas; signed and dated 62 lower right, titled to gallery label verso

20.0 ins x 24.5 ins; 50.8 cms x 62.2 cms

30.0 ins x 24.0 ins; 76.2 cms x 61.0 cms

$500 — 700

Provenance The Waddington Galleries Inc., Montreal

20.0 ins x 24.0 ins; 50.8 cms x 61.0 cms

$700 — 1,000

115 COUNT REGIS DE BOUVIER DE CACHARD (1929-), FRENCH “STREET”

$1,000 — 2,000

$500 — 700

116 CHARLES LEVIER (1920-2003), FRENCH STILL LIFE WITH PITCHER AND BASKET OF FRUIT

117 FOLLOWER OF FERNAND LEGER (1881-1955), FRENCH CUBIST STILL LIFE, CIRCA 1919

Oil on board; signed at mid right, signed in pencil verso

Oil on canvas; bears initials lower right, bears signature “F. Leger” and an indistinct word “Tetat” ? in crayon verso, inscribed to nameplate recto “Etat - 1919”

14.8 ins x 29.5 ins; 37.5 cms x 74.9 cms $600 — 800

19.0 ins x 13.5 ins; 48.3 cms x 34.3 cms $1,000 — 2,000

118 DANIEL JAUGEY (1929-), FRENCH LA FAMILLE DU PECHEUR

119 MONIQUE JOURNOD (1935- ), FRENCH BOUQUET ROUGE

Oil on canvas; signed lower right, signed and titled verso

Oil on canvas; signed lower right, signed and titled verso

13.0 ins x 9.5 ins; 33.0 cms x 24.1 cms

11.8 ins x 11.8 ins; 30.0 cms x 30.0 cms

$300 — 400

$300 — 400

120 THEOPHILE ALEXANDRE STEINLEN (1859-1923), SWISS/FRENCH DINING ROOM SCENE WITH ELEGANTS Crayon drawing on paper; estate stamped initial signature lower right 12.8 ins x 19.5 ins; 32.4 cms x 49.5 cms

121 KARL FRED DAHMEN (19171981), GERMAN UNTITLED, 1962

122 HAITIAN SCHOOL (20TH CENTURY) I LOVE U ! TEE WITH LOVE

Mixed-media on paper; signed in ink lower right, signed at Ibiza and dated 62 verso. Unframed.

Acrylic on canvas; signed indistinctly and dated 2000 lower right, titled, inscribed with drawings of hearts and angels, X’s and O’s and dated “Sep 23rd 2000” in multi coloured paints verso. Unframed.

18.0 ins x 13.0 ins; 45.7 cms x 33.0 cms

Provenance Gallery Slatkin

Provenance From the Collection of Erica Rutherford, P.E.I.

$700 — 900

$1,500 — 2,500

16.0 ins x 20.0 ins; 40.6 cms x 50.8 cms Provenance Private Collection, Toronto; Acquired in Miami, Florida, USA in 2001

123 LAXMAN PAI (1926-), INDIAN VILLAGE GIRL Watercolour, pen and ink drawing on paper; signed in Devanagari and Roman lower right, titled by the gallery in crayon verso 18.7 ins x 13.0 ins; 47.6 cms x 33.0 cms Provenance Acquired directly from the artist in July 1962 in Delhi, India $600 — 800

Note: Little Haiti is a neighborhood in the city of Miami. $200 — 300

124 HESSAM ABRISHAMI (1951-), IRANIAN NEW FEELING Oil on canvas; signed lower left, titled verso 30.0 ins x 44.0 ins; 76.2 cms x 111.8 cms $600 — 800

125 MANNER OF YAACOV AGAM (1928- ), ISRAELI UNTITLED (MOVEABLE SCULPTURE)

126 JOSEPH KOSSONOGL (19081981), ISRAELI FIGURES IN A WOOD; MUSIC IN A FIELD

Colour polymorph: silkscreen on plastic and metal. Unsigned and unnumbered.

Pair of watercolours, each signed, the first also dated 1977 lower right

24.4 ins x 24.4 ins; 62.0 cms x 62.0 cms

13.7 ins x 9.5 ins; 34.9 cms x 24.1 cms

Oil on canvas; signed in Hebrew upper right 27.5 ins x 19.5 ins; 69.9 cms x 49.5 cms $300 — 500

$300 — 500 $100 — 200

127 ADOLPH (ED) ADLER (19171984), ISRAELI/ROMANIAN SHOEMAKER ON A CHAIR

128 WILLIAM WEINTRUB (20TH CENTURY), ISRAELI MORROCAN GIRL LEADING DONKEYS Oil on canvas; signed and dated ‘76 lower left 28.7 ins x 39.0 ins; 73.0 cms x 99.1 cms Provenance Private Collection, Montreal

129 HAIM ARCOW?/ARKOW? (20TH CENTURY), ISRAELI RED SEASCAPE

130 ATTRIBUTED TO MARCEL JANCO (1895-1984), ISRAELI SYMBOLIST GIRL

Oil on masonite; signed in Hebrew and dated 1967 lower right

Pastel on black paper; indistinctly signed in white chalk lower left.

20.0 ins x 24.5 ins; 50.8 cms x 62.2 cms

21.0 ins x 16.0 ins; 53.3 cms x 40.6 cms

Provenance Export labels in Hebrew verso; Ex. Coll. Proulx inscribed to export labels verso

$200 — 300

131 MISHA (MICHAEL) STEINBERG (1933-2010), ISRAELI JERUSALEM AT THE WESTERN WALL Oil on canvas 29.0 ins x 24.0 ins; 73.7 cms x 61.0 cms Provenance Direct from the artist in Israel; By descent to the Private Collection, Toronto

$500 — 700 $300 — 500

Note: The artist visited the family home and gave the painting to the present owner’s parents in Israel $500 — 700

132 GIOVANNI GRANDE (18871937), ITALIAN NIGHT CAFE, PARIS, 1910 Oil on canvas; signed “G.S. Grandi” and dated 1910 at Paris upper right, titled and given to “Giovanni Grande” to the nameplate 22.0 ins x 27.8 ins; 55.9 cms x 70.5 cms $800 — 1,000

133 LIDIA (SCAGNOLARI) ALQATTAN (20TH/21ST CENTURY), KUWAIT KUWAIT’S NATIONAL DAY (KUWAIT’S GOLDEN ERA), 1987 Oil and collage on canvas mounted on board; signed and dated “19...” lower right, signed, titled and dated 1987 in Roman verso and inscribed in Kuwait verso. With typed note about the event attached verso.

23.6 ins x 19.3 ins; 60.0 cms x 49.0 cms Note: Lidia is a living artist and performer in Kuwait. She was born in Italy as Lidia Guiseppe Scagnolari. She moved to Kuwait in 1960. In 1966, Al-Qattan

134 LIDIA (SCAGNOLARI) ALQATTAN (20TH/21ST CENTURY), KUWAIT LIFE ON PLANET EARTH, 1988

135 LIDIA (SCAGNOLARI) ALQATTAN (20TH/21ST CENTURY), KUWAIT MAN FROM KUWAIT IN ROBES

Oil and collage on canvas mounted on board; signed and dated 19... in Kuwait lower right, signed, titled and dated 1988 in Roman verso and inscribed and dated in Kuwait verso

Polychromed fabric sculpture; signed and dated 19.. in Kuwait to the base

19.7 ins x 27.6 ins; 50.0 cms x 70.0 cms Note: Lidia is a living artist and performer in Kuwait. She was born in Italy as Lidia Guiseppe Scagnolari. She moved to Kuwait in 1960. In 1966, Al-Qattan began to cover her entire house in broken mirror mosaics.

12.0 ins 30.5 cms Note: Lidia is a living artist and performer in Kuwait. She was born in Italy as Lidia Guiseppe Scagnolari. She moved to Kuwait in 1960. In 1966, Al-Qattan began to cover her entire house in broken mirror mosaics. $60 — 90

136 JOSÉ LUIS CUEVAS (1934-), MEXICAN AUTORRETRATO EN MADRID, 1977 Pastel and watercolour on paper; signed, titled and dated “18. V. 1977” in ink lower right 19.3 ins x 13.5 ins; 48.9 cms x 34.3 cms Provenance Tasende Gallery, Ja Jolla, California, USA, No. 131 as of July 27, 1979; Private Collection, Canada

began to cover her entire house in broken mirror mosaics.

$100 — 200

137 RAUL ANGUIANO (1915-2006), MEXICAN PORTRAIT OF A WOMAN

138 RAUL ANGUIANO (1915-2006), MEXICAN WOMAN IN A TURBAN

Colour crayon drawing on paper; signed and dated 74 upper right

Sanguine crayon drawing on paper; signed and dated 1960 lower right, signed with the artist’s initials dated 74 with presentation to Faye Kornblum in pencil along the bottom edge

36.0 ins x 23.0 ins; 91.4 cms x 58.4 cms Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent $1,000 — 1,500

$2,000 — 3,000

24.8 ins x 18.0 ins; 62.9 cms x 45.7 cms Provenance With presentation to Faye Kornblum from the artist in Mexico in 1974; Private Collection, Canada

139 RAUL ANGUIANO (1915-2006), MEXICAN WOMAN WITH POTS AT MARKET Colour crayon drawing on paper; signed and dated 75 lower right 26.0 ins x 20.0 ins; 66.0 cms x 50.8 cms Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent $800 — 1,200

$400 — 600

140 JORGE LEGUIZAMO (20TH CENTURY), MEXICAN SEATED WOMAN SLEEPING

141 LEONARDO NIERMAN (1932 - ), MEXICAN OLD WALLS

Colour crayon on paper; signed and dated 1981 lower right

Oil on masonite; signed lower right, titled verso

23.0 ins x 19.0 ins; 58.4 cms x 48.3 cms Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent $300 — 500

31.5 ins x 23.5 ins; 80.0 cms x 59.7 cms Provenance Private Collection, Montreal $500 — 700

142 JUAN CHAMIZO (1921- ), MEXICAN PAIR OF CHILD STUDIES: BOY WITH WATERMELON; GIRL WITH FLOWER, 1965 Pair of oils and charcoal on canvas; each signed and dated 65 lower right 39.5 ins x 23.5 ins; 100.3 cms x 59.7 cms Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent

143 JUAN CHAMIZO (1921- ), MEXICAN TWO WOMEN WATER CARRIERS, 1963 ?

Oil on canvas; signed and dated 63? lower right 35.5 ins x 19.8 ins; 90.2 cms x 50.2 cms Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent $400 — 600

$700 — 900

144 JUAN CHAMIZO (1921- ), MEXICAN SEATED WOMAN

145 M. ROJAS (20TH CENTURY), MEXICAN GIRL IN A HAT

146 M. ROJAS (20TH CENTURY), MEXICAN NUNS IN A ROW

147 ERIK GEORG GYLLENSVÄRD (1897-1991), NORWEGIAN UNTITLED, 1960

Oil on canvas; signed lower right

Oil on canvas; signed “M. Rojas” lower right

Oil on canvas; signed “M. Rojas” lower right

25.0 ins x 19.0 ins; 63.5 cms x 48.3 cms

17.5 ins x 29.5 ins; 44.5 cms x 74.9 cms

Mixed-media, ink, watercolour and paper collage on canvas; signed with initials and dated 60 in pencil lower right. Unframed.

Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent

Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent

$300 — 400

$300 — 400

$300 — 500

148 ANGEL BOTELLO (1913-1986), PUERTO RICAN PORTRAIT OF A GIRL

149 HENRY (HENRYK) MUSIALOWICZ (1914- ), POLISH COMPOSITION WITH BUST

Oil on canvas laid on board; signed lower right

Mixed-media with gold paint on paper; signed upper right and lower right

150 MORRIS KATZ (1932-2010), POLISH/AMERICAN TOWN SCENE WITH DOMED BUILDINGS AND CAMELS, 1979

151 STEPAN GORDEYEV (STEPAN VASILEVICH GORDEEV) (1949- ), RUSSIAN REMINISCENCES OF RUSSIA, 1992-1996

Oil on canvasboard; signed and dated 1979 lower right

Oil on canvas; signed with initials “S.G.” and dated 96 lower right, signed, titled and inscribed in cyrillics and dated 1995-1996 verso

39.5 ins x 23.7 ins; 100.3 cms x 60.3 cms Provenance Purchased by the parents of the present Private Collection, Toronto in Mexico; By descent

17.0 ins x 16.5 ins; 43.2 cms x 41.9 cms Provenance From the Collection of Erica Rutherford, P.E.I.

$500 — 700

11.8 ins x 10.2 ins; 30.0 cms x 25.8 cms Provenance Waddington’s Auctioneers & Appraisers, December 9, 1994, lot 1801; Private Collection, Ontario $3,000 — 5,000

21.0 ins x 15.0 ins; 53.3 cms x 38.1 cms

17.5 ins x 21.3 ins; 44.5 cms x 54.0 cms

$200 — 400 Note: Katz boasts two Guinness World Records as the world's fastest painter and the world's most prolific artist.

He has also been called the "King of Schlock Art" and the "King of Toilet Paper Art" because of a novel means of painting he developed using a palette knife and toilet tissue instead of a paintbrush. Katz calls his method

31.5 ins x 39.4 ins; 80.0 cms x 100.0 cms Provenance Private Collection, Canada $600 — 800

"Instant Art” as he completed entire paintings in as little as 30 seconds.

152 STEPAN GORDEYEV (STEPAN VASILEVICH GORDEEV) (1949- ), RUSSIAN BABYLON, KINGS HUNTING

153 MIKHAIL SERGEEVICH AGEEV (1918- ), RUSSIAN WINTER POND WITH FIGURE AND HORSE BY LOG CABIN

154 LUCAS SEAGE (1957-), SOUTH AFRICAN UNTITLED ABSTRACT WITH CALLIGRAPHY

Oil on canvas; signed with initials “SG” lower right, signed, titled and inscribed in cyrillics verso, dated 1990 - 1998 verso

Oil on canvas; signed in cyrillics lower right

Mixed-media on paper; signed and dated 1986 in pencil at the mid right edge

23.5 ins x 31.5 ins; 59.7 cms x 80.0 cms

23.7 ins x 29.5 ins; 60.3 cms x 74.9 cms

155 SPEELMAN MAKWA MAHLANGU (1958-2004), SOUTH AFRICAN ELDERLY VILLAGERS IN A MOONLIGHT LANDSCAPE Oil and mixed-media on masonite board; signed lower right

23.7 ins x 37.0 ins; 60.3 cms x 94.0 cms

18.0 ins x 25.5 ins; 45.7 cms x 64.8 cms

Provenance Acquired in South Africa; With Lawsons Timber Framers, Edinburgh

Provenance Purchased in South Africa by the sister of the Present Private Collection, Toronto

$500 — 700

Note: Mahlangu was born and raised in Thokoza, a black township situated in the South East of Central Johannesburg. He was recognized and respected by his fellow artists in Soweto as one of the leaders within

158 JOSÉ MANUEL CAPULETTI (1925-1978), SPANISH NU DE DOS

159 FRANCESC GALI (1922- ), SPANISH LA MORT DEL MINOTAURUS (DEATH OF MINOTAURO)

$600 — 900

Provenance Private Collection, Canada $400 — 600

156 (JOAQUIN RIBES) TATINO (1965-), SPANISH EL LOMO DEL DIABLO Mixed-media on canvas; signed “TATINO” and inscribed “882” to the canvas verso, signed “Tatimo” and inscribed to the stretcher, titled to the stretcher 86.7 ins x 76.5 ins; 220.3 cms x 194.3 cms Provenance Gallery Moos Ltd., Toronto

157 JOSE RAMON ZARAGOZA (1874-1949), SPANISH STREET PERFORMERS WITH ON LOOKERS Oil on canvas; signed and indistinctly dated “/01” ? lower left 17.0 ins x 21.0 ins; 43.2 cms x 53.3 cms

Pencil drawing on watermarked paper; signed and dated 1957 at Paris lower right, titled to gallery label verso.

25.0 ins x 19.5 ins; 63.5 cms x 49.5 cms

$800 — 1,200 Provenance Hammer Galleries, New York, N.Y., Registered No. 17579-31

$700 — 900 $500 — 700

Ink heightened with white watercolour wash on japon paper; signed and dated 44? lower left; titled in pencil verso 10.0 ins x 14.0 ins; 25.4 cms x 35.6 cms $100 — 200

160 ATTRIBUTED TO SIRI DECKERT (1888-1973), SWEDISH DANCING COUPLE Colour crayon drawing on smooth paper; signed with initials “S.D” lower right 19.0 ins x 13.3 ins; 48.3 cms x 33.7 cms $300 — 400

161 HENRY MUNYARADZI (19311998), ZIMBABWEAN HEAD Serpentine stone; signed “Henry” to the underside.

8.7 ins x 8.3 ins; 22.2 cms x 21.0 cms Provenance From the Collection of Dr. Andre Czegledy, a former Professor of Anthropology, University of the Witwatersrand, South Africa $1,000 — 1,500