Decorative Arts and International Fine Art Auction Tuesday 9 December 2014 at 7:00 pm Wednesday 10 December 2014 at 7:00 pm
On View Saturday 6 December from 11:00 am to 5:00 pm Sunday 7 December from 11:00 am to 5:00 pm Monday 8 December from 10:00 am to 12 Noon Preview and Auction to be held at Waddington’s 275 King Street East, 2nd Floor Toronto Ontario Canada M5A 1K2 This auction is subject to the Conditions of Sale printed in the back of this catalogue. All lots in the auction may be viewed online at DecorativeArts.Waddingtons.ca
Waddingtons.ca
Front Cover Lot 214 BOW COFFEE POT, C.1755
Specialists Bill Kime 416 847 6189 bk@waddingtons.ca
Back Cover Lot 474 BERNARDUS JOHANNES BLOMMERS (1845-1914), DUTCH BUILDING SANDCASTLES (“BEGRJE MAKEN”)
Sean Quinn 416 847 6187 sq@waddingtons.ca
Title Page Lot 111 RARE SET OF TWELVE RUSSIAN IMPERIAL PORCELAIN DINNER PLATES, FROM THE RAPHAEL SERVICE, PERIODS OF ALEXANDER III AND NICHOLAS II, 1884-1903 Inside Front Cover Lot 502 FREDERIC SOULACROIX (1858-1933), FRENCH/ITALIAN AU REVOIR Inside Back Cover Lot 534 SHIRVAN RUG
Susan Robertson 416 847 6179 sr@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Absentee and Phone Bidding 416 504 0033 (Fax) bids@waddingtons.ca Online Bidding www.invaluable.com Communications Tess McLean 416 504 9100 tm@waddingtons.ca
All lots in the auction may be viewed
online at DecorativeArts.Waddingtons.ca This catalogue and its contents © 2014 Waddington McLean & Company Ltd. All rights reserved. Photography by Waddington’s
After years of shared previews, the symbiotic relationship between our Decorative Arts and International Art departments is officially cemented in this catalogue. Our first session on December 9th is dedicated to Decorative Arts, but our second session December 10th presents both disciplines. You will truly enjoy how beautifully it all comes together. We knew we had a stellar Decorative Arts sale when the set of Russian Imperial Porcelain plates from the Raphael Service arrived. In their original box, bearing the royal cyphers of both Alexander III and Nicholas II, these plates are extremely rare and extraordinary in that they have remained together - and in such good condition. The first session also features silver of first-rate craftsmanship, including work by Paul Storr and Robert Garrard. We are very pleased as well to be offering the Connolly Collection from Montreal, which along with good early Meissen and Picasso ceramics, includes some of the best English blue and white porcelain we have ever had. The second session includes a mix of French art glass, ivory chess sets, models of the Napoleon monument from Place Vendôme, replicas in marble of Roman ruins, clocks, lighting, selected furniture, arresting bronzes and classical figures in marble, including a white marble nude attributed to P.C. Emilio Fiaschi entrusted to us by the Art Gallery of Ontario. A selection of paintings also from the AGO is an exciting highlight of our International Art offerings, featuring works by 19th Century European masters such as Bernardus Johannes Blommers’ “Building Sandcastles”. Highlights of the sculpture category include “Hanako” a remarkable bust by Auguste Rodin, and Sir Jacob Epstein’s massive bronze, “Deirdre in a Slip”. A collection of Native North American portrait studies, related to McKenney and Hall’s monumental project “Indian Tribes of North America” are of interest for their historical importance and highly skilled rendering of their subjects. Internationally renowned artists Alex Katz and Henri Hayden are amongst the stellar examples of modern and contemporary works. Waddington’s Decorative Arts and International Art departments look forward to seeing you at our preview and auctions! — Bill Kime Senior Specialist, Decorative Arts
Waddington’s
Leadership Team
Waddington’s is Canada’s most diverse and significant provider of fine art auction and appraisal services. Based on a rich legacy in the industry, Waddington’s actively seeks to redefine our business to ensure we remain fresh and reactive to what our clients are seeking. Through our appraisal, auction, private sale and downsizing expertise, we are pleased to provide a complete range of services.
Waddington’s leadership team brings together three of the industry’s best. The combination of their experience, knowledge of market trends and client networks builds on Waddington’s 160 year legacy of growth and dominance.
Waddington’s is Canada’s original auction house, with a history of conducting auctions since 1850. We are also an international auction house, providing access to world markets. Waddington’s is an innovative leader. We enjoy pushing the limits, exploring new territory and creating new partnerships. From the marathon auction of Maple Leaf Gardens, our partnership with the LCBO to auction fine wine, to the launch of Concrete Contemporary and our new Pop-Up Gallery series, we are driven to find what’s new, what’s exciting, and what you want to buy or sell.
Waddington’s by Department Asian Art Canadian Fine Art Contemporary Art Auctions and Projects Decorative Arts International Art Inuit Art Jewellery, Watches & Numismatics “Off the Wall” Art Philanthropy and Community
Duncan McLean, President, is Waddington’s corporate leader, responsible for strategic development and innovation realization. Under his direction Waddington’s strives to not only continuously evolve to meet the needs of our clients and address the demands of the market, but to push the boundaries, with integrity, creativity and passion. Mr. McLean has been involved in the auction industry for over 35 years, as art specialist, appraiser, auctioneer and corporate leader. His knowledge base spans the diversity of Waddington’s offerings, with internationally-recognized expertise in Inuit Art. As Vice President Business Development, Stephen Ranger is focused on identifying new markets, new clients and new ways to do business. For example, Mr. Ranger launched Waddington’s Contemporary Art venture, Concrete Contemporary, to reach an exciting new sector of art enthusiasts and artists. Under Mr. Ranger’s guidance, new partnerships are also being created resulting in edgy new offerings like our Pop-Up Gallery series debuting in 2013. Mr. Ranger brings over 25 years of diverse experience as an auctioneer, appraiser and consultant in the art and fine wine auction industry with specific expertise in Canadian Fine Art. Linda Rodeck, Vice President Fine Art, is one of Canada’s most trusted and respected Canadian Art specialists. Her impressive career of 25+ years includes leadership roles in the country’s most distinguished auction houses. Ms. Rodeck’s keen understanding of the market and her extensive network are invaluable in her role of sourcing the best works and providing the best service to our clients. As Vice President of Waddington’s Fine Art, Ms. Rodeck plays a critical role in developing new business leveraging her success in the Canadian art market.
Decorative Arts
International Art
Decorative Arts at Waddington’s encompasses a broad and diverse variety of objects and the department's client database is one of our largest. From ancient to modern, delicate to deadly, Waddington’s Decorative Arts department redefines the term, bringing much more than traditional silverware and porcelain figurines to market, and with remarkable success.
Waddington’s International Art department presents auctions of fine art from around the world, offering original works from art centres across North America and Europe while continuing to expand our scope to bring our collectors works from Asia, South Asia, Russia and South America. A major element of Waddington’s legacy, our International art auctions draw on Canada’s cultural diversity. The combination of our expertise and our expansive global network ensures the highest standards of authentication and research.
Waddington’s reputation for developing new markets is well represented by our Decorative Arts department, as is our ability to present large collections – notable recent sales have included Contemporary Studio Glass, Scientific Instruments and Militaria.
Rare and important paintings, sculptures, prints and photographs are offered in our live and online auctions, attracting buyers worldwide.
The department regularly offers auctions which include bronzes, items of Canadian historical interest, ceramics, devotional works of art, glass, lighting, militaria, mirrors, objets de vertu, porcelain, silver, scientific instruments, travel and exploration maps. Susan Robertson Senior Specialist, International Art
Bill Kime Senior Specialist, Decorative Arts
Sean Quinn Specialist, Decorative Arts
Canadian Fine Art
Asian Art
Waddington’s has been a major force in the Canadian art sector for over five decades, beginning with our first auction of Canadian Fine Art held at the Queen Elizabeth Building at the CNE in 1967. Since that historic event, Waddington’s has offered some of the most important Canadian works, set record prices, and has been an integral part of driving the Canadian art market.
Waddington’s Asian Art department is Canada’s leader in serving the demands of the rapidly growing Asian market supported by our recognized and credible expertise. Our ability to achieve exceptional prices for works is based on our international reputation and network with the community. Specializing in jade, paintings, porcelain, religious works of art, textiles, woodblock and export wares, we present works from China, Japan, Korea, South East Asia, South Asia, Himalaya and others.
Linda Rodeck Senior Specialist, Canadian Art Vice President, Fine Art Anthony Wu Specialist, Asian Art
Jewellery, Watches and Numismatics
Concrete Contemporary Auctions and Projects
Waddington's has conducted auctions of Fine Jewellery and Numismatics for close to three decades. Highly respected expertise and in-depth knowledge of both domestic and international markets are the anchors of the ongoing success and popularity of our auctions.
Waddington’s launched its newest division, Concrete Contemporary Auctions and Projects in March 2012 with a vision and mandate to create a secondary market for contemporary Canadian art.
Our auctions are composed of a wide spectrum of contemporary and period jewellery featuring examples by some of the most desired names in jewellery including Tiffany, Cartier, Fabergé, Jensen, Yurman and Van Cleef & Arpels. Also featured in our auctions are fine wrist and pocket watches, designer fashion jewellery and all forms of numismatics including coins, tokens, banknotes and ancients.
Donald McLean Senior Specialist, Jewellery, Watches and Numismatics
Concrete Contemporary Auctions merges the worlds of traditional auction and the retail gallery, where our relationships with artists, art dealers, curators and collectors result in exciting new sources of contemporary works. The auctions are tightly focused on Canadian contemporary art since 1980 with an emphasis on midand late-career artists with exhibition history in the private and public sphere. An exciting initiative is the introduction of our Pop-Up Gallery series. These shortduration single artist exhibitions offer works by some of Canada’s most accomplished and influential working artists. As well, the groundbreaking Concrete Contemporary Acquisition Fund assists museums and public galleries in the acquisition of works by artists included in the auction. Led by one of Canada’s most plugged-in arts experts, Stephen Ranger, we are committed to exploring new ways to connect, expand and support the contemporary art community.
Stephen Ranger Senior Specialist, Contemporary Art
Inuit Art
“Off the Wall” Art
Waddington’s is internationally recognized as one of the leading authorities in marketing Inuit Art. No other auction house has been as intrinsically linked to the development of a market for this art form. Inuit Art is a proud part of our DNA. From our first landmark auction in 1978 of the William Eccles Collection, Waddington’s has offered thousands of works, set record prices, and expanded the market well beyond Canada’s borders.
Our “Off The Wall” Art online auctions are a unique opportunity to showcase accessible art. Drawing from our International Art, Canadian Art and Inuit Art divisions, “Off The Wall” Art auctions feature paintings, prints and sculpture.
Our legacy of successful Inuit Art auctions, our ability to achieve continually increasing values and our creation of an international market have been key factors in validating Inuit art as a whole and establishing it as an integral part of the Canadian Art scene.
These monthly, online auctions are always an eclectic selection of affordable works – a great way to learn, enjoy art and start building a collection. Working closely with our other divisions, this auction has developed its own diverse and extensive network of clients.
Doug Payne Specialist, Fine Art
Duncan McLean Senior Specialist, Inuit Art
Christa Ouimet Specialist, Inuit Art
Philanthropy and Community
Waddington's is committed to working within the community by contributing our time to charity fundraising events and appraisal clinics. We are honoured to work with countless museums, galleries, art organizations and fund raising events and contribute our time to over 20 events each year raising over $2,000,000 annually for the community. In addition, the Concrete Contemporary Acquisition Fund each year funds 50% of the purchase price for a work of contemporary Canadian art for a public institution. Organizations we support include: Aids Committee of Toronto, SNAP Best Buddies Birdlife International Canadian Opera Company Casey House, Art with Heart Casey House, Snowball CAMH Unmasked Covenant House Design Hope The Furniture Bank Integra Foundation Lake Ontario Waterkeepers OCAD University Metro Toronto Zoo Montreal Children’s Hospital Nyota School, Kenya Princess Margaret Hospital Robert McLaughlin Gallery Second Harvest, Toronto Taste Serve Canada St. Mary’s General Hospital, Kitchener St. Michaels Hospital, ARTGEMS The STOP Foodbank Toronto Symphony Orchestra The Varley Gallery Windsor Art Gallery Warchild Canada York University Fisher Fund
Decorative Arts and International Fine Art Auction Session 1 Tuesday 9 December 2014 Lots 1–240
DecorativeArts.Waddingtons.ca
1 VICTORIAN SILVER VINAIGRETTE, GEORGE UNITE, BIRMINGHAM, 1896 cartouche shaped with gilt interior, all engraved with scrolling leaves, length 2.1” — 5.4 cm., 0.9 oz. — 28 grams $100—200
2 VICTORIAN SILVER ‘CASTLE TOP’ CARD CASE, NATHANIEL MILLS, BIRMINGHAM, 1844 of scroll-edged rectangular shape, chased in high relief with a view of the Scott Monument, Edinburgh on one side, scrolling leaves on the reverse; with suspension chain, 3.5” x 2.5” — 8.8 x 6.4 cm., 1.9 oz. — 60 grams Note: Construction of the Scott Monument, which took nearly four years, was completed in the autumn of 1844 $500—700
3 GEORGE III SILVER BARREL SHAPED NUTMEG GRATER, THOMAS MERITON, LONDON, 1800 with reeded bands, the screw-on cover enclosing a steel grater, height 1.8” — 4.6 cm., 1 oz. — 31 grams $400—600
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
4 FRENCH NIELLOED SILVERGILT RECTANGULAR SNUFF BOX, PARIS, 1819-38 decorated with a pair of greyhounds on the cover, a fox with a hen in its mouth on the underside, length 2.9” — 7.4 cm., 2.3 oz. — 71 grams, maker’s mark AM $250—350
5 RUSSIAN NIELLOED SILVER RECTANGULAR SNUFF BOX, MOSCOW, 1836 the cover with the equestrian monument to Peter the Great at St. Petersburg, lattice panels on the sides and a wharf scene on the underside, length 3.4” — 8.7 cm., 3.2 oz. — 99 grams $250—350
6 GEORGE III SILVER MUSICAL SNUFF BOX, JOHN SHAW, BIRMINGHAM, 1819 of rectangular shape, engraved on all sides with engine-turned panels, the flushhinged cover with scroll thumbpiece, 1.1” x 3.5” x 2.1” — 2.7 x 8.9 x 5.4 cm., Swiss movement no. 2627 signed Ai.Bd.M $600—800
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7 GEORGE II ROCOCO SILVER MOUNTED COWRIE SHELL SNUFF BOX, C.1750 the hinged cover chased with a bird, tree, shells, flowers and scrolling leaves around a scroll cartouche, length 2.8” — 7.2 cm. $600—800
8 VICTORIAN SCOTTISH SILVERMOUNTED RAM’S HORN SNUFF MULL, C.1842 the hinged cover repoussé and engraved with thistles surrounding a pale rose cairngorm, length 4.8” — 12.2 cm. $200—300
9 GEORGE III SCOTTISH SILVER MOUNTED RAM’S HORN SNUFF MULL, C.1800 with hinged cover, length 3.3” — 8.5 cm. $150—250
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
10 SCOTTISH SILVER-GILT KEY TO THE ASHLUDIE SANATORIUM, JAMES FORREST, GLASGOW, 1913 the handle moulded with thistles and scrolling leaves enclosing a shield shaped cartouche, in fitted case, length 5.8” — 14.7 cm., 4.1 oz. — 129 grams Note: Inscribed ‘ASHLUDIE SANATORIUM / - opened by - / Mrs. William Don, / ARDARROCH / “DUNDEE” / 9th FEB 1916’; $100—200
Ashludie Sanatorium, Montifieth
11 GEORGE III SILVER TABLE BELL, THOMAS PHIPPS & EDWARD ROBINSON, LONDON, 1785 with moulded bead borders and turned wood handle, height 5” — 12.6 cm., 4.7 oz. — 145 grams $300—400
12 SET OF SIX GEORGE III SILVERGILT ALMOND DISHES, ROBERT & DAVID HENNELL, LONDON, 1800 of circular form with reeded rims, diameter 4.1” — 10.5 cm., 12.7 oz. — 396 grams $300—400
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13 GEORGE III SILVER WAX-JACK, JOHN ROBINS, LONDON, 1800 formed as a library globe with floral garlands pendant from shells below the beaded horizon ring, the revolving circular base engraved as a perpetual calendar, height 5” — 12.8 cm., 7.6 oz. — 236 grams Literature: A similar inkstand by Robins, of the same date, is illustrated by Arthur Grimwade in The Queen’s Silver, p. 90, pl. 34 $1,000—1,500
14 CHARLES II SILVER DRAM CUP, C.1680 of shallow circular form with twin scroll handles, the centre repoussé with a single tulip, the sides with leaves between punched bead borders, width 5.1” — 13 cm., 1.9 oz. — 59 grams $350—500
15 GEORGE III SCOTTISH SILVER TWO-HANDLED CUP, PATRICK ROBERTSON, EDINBURGH, 1767 chased with curved flutes, scrolls, shells and flowering foliage, the double scroll handles capped with leaves, height 4.3” — 11 cm., 12.1 oz. — 375 grams $350—500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
16 PAIR OF GEORGE II SILVER SAUCE BOATS, ELIZABETH GODFREY, LONDON, 1752 of oval bellied form with leaf-capped scroll handles on three shell feet, the rims moulded with gadroon and shell borders, height 4.6” — 11.7 cm., 37.9 oz. — 1179 grams $1,000—1,500
17 GEORGE II SILVER COFFEE POT, JOHN BARBE, LONDON, 1737 of tapering cylinder form with urn finial, moulded scroll spout and wooden handle, engraved on one side with armorials, height 9.4” — 24 cm., 27.7 oz. — 861 grams Provenance: Jean and Joseph Connolly Collection, Montréal $1,200—1,600
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18 GEORGE II SILVER CIRCULAR SALVER, WILLIAM PEASTON, LONDON, 1746 engraved on the centre with armorials, the shaped rim moulded with scrolls and shells, on three hoof feet, diameter 14” — 35.6 cm., 37.5 oz. — 1165 grams Provenance: Jean and Joseph Connolly Collection, Montréal $800—1,200
19 PAIR OF GEORGE III SILVER TABLE CANDLESTICKS, S.C. YOUNGE & CO., SHEFFIELD, 1813 with inverted baluster stems and shaped circular bases, all moulded with scrolls and leaf-tips, height 10.9” — 27.6 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
20 GEORGE IV SILVER LARGE CIRCULAR SALVER, PAUL STORR, LONDON, 1829 chased with a band of matted-ground scrolling leaves and flowering foliage interspersed with diaper panels, shells and bold scrolls, the shaped rim moulded with shells, flowers and scrolling leaves on four foliate scroll feet, diameter 25.5” — 64.8 cm., 202.1 oz. — 6286 grams Provenance: Jean and Joseph Connolly Collection, Montréal $6,000—8,000
21 WILLIAM IV SILVER KETTLE ON LAMPSTAND, PAUL STORR, LONDON, 1835 of plain melon-fluted form, the scroll spout and handle moulded with fruiting vines, raised on a foliate scroll stand with spirit burner on four shell feet, height 15” — 38 cm., 101 oz. — 3143 grams Provenance: Jean and Joseph Connolly Collection, Montréal $4,000—6,000
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22 PAIR OF VICTORIAN SILVER COMPORTS, ROBERT GARRARD, 1839 of circular shape, engraved on the centres with armorials, the fluted rims and pedestal bases engraved with leaves, scrolls and shells, height 4.4” — 11.2 cm., diameter 10.3” — 26.2 cm., 48.5 oz. — 1509 grams Provenance: Jean and Joseph Connolly Collection, Montréal $1,200—1,600
23 VICTORIAN SILVER FOOTED BOWL, WALTER & JOHN BARNARD, LONDON, 1888 with wrythen fluted lower body and moulded, pierced and shaped rim engraved with armorials, on a plain stepped circular foot, height 2” — 5 cm., diameter 8.3” — 21 cm., 16.7 oz. — 519 grams Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
24 PAIR OF VICTORIAN SILVER FOUR-LIGHT CANDELABRA, HAWKSWORTH, EYRE & CO., SHEFFIELD, 1890 the branch sections each with three reeded scroll arms and a central extension, all terminating in moulded sockets with bead bordered wax-pans and removable nozzles, the square candlestick-form bases conforming, height 19.5” — 49.6 cm., 90.7 oz. — 2820 grams $1,200—1,800
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
25 PAIR OF VICTORIAN SILVER-GILT PIERCED OVAL FOOTED COMPORTS, ROBERT HARPER, LONDON, 1876 repoussé with curved flutes between pierced panels, the shaped rims moulded with flowers and leaves at intervals, length 12.4” — 31.5 cm., 43.5 oz. — 1354 grams $700—1,000
26 VICTORIAN SILVER MIRROR PLATEAU, ELKINGTON & CO., BIRMINGHAM, 1872 of trefoil shape, applied with anthemions and scrolling leaves below a moulded foliate border and raised on three circular feet, width 13.5” — 34.3 cm.
27 PAIR OF GEORGE IV SILVER OVAL BELLIED SAUCE BOATS, WILLIAM BARRETT II, LONDON, 1825 with moulded gadroon borders and leaf-capped flying scroll handles on three shell feet, length 7.3” — 18.5 cm., 26.2 oz. — 816 grams
$500—700 $700—1,000
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28 GEORGE IV SILVER-GILT TWO-HANDLED VASE AND COVER, REBECCA EMES & EDWARD BARNARD, LONDON, 1826 the scroll handles capped with grape clusters issuing further fruiting vines around the neck, repoussé with panels of acanthus leaves and pendant fruit and flowers, the cover conforming above a circular pedestal foot with formal borders, height 14” — 35.5 cm., 67.2 oz. — 2091 grams Note: Inscribed on the base “THE ORPEN MEMORIAL CHALLENGE TROPHY / PRESENTED TO THE / LONG BRANCH JOCKEY CLUB / BY FRED S. ORPEN / 1938” $2,000—3,000
29 GEORGE IV SILVER BOTTLE COASTER, SAMUEL DUTTON, LONDON, 1824
30 GEORGE II SILVER CREAM JUG, GEORGE HINDMARSH, LONDON, 1733
the sides pierced and repoussé with fruiting vines, the rim moulded with shells and scrolling leaves, the turned wood base with silver boss, diameter 6.1” — 15.5 cm.
of plain baluster form with shaped rim and scroll handle on three scroll feet, height 3.3” — 8.5 cm., 3.4 oz. — 107 grams $350—500
$250—350
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
31 PAIR GEORGE III IRISH SILVER TWO-HANDLED CUPS, CHARLES TOWNSEND, DUBLIN, C.1770-75 with wrythen fluted lower bodies, chased with flowering foliage and applied with leaf-capped scroll handles, height 6.4” — 16.3 cm., 28.2 oz. — 876 grams $1,500—2,000
32 GEORGE I SILVER SMALL COFFEE POT, WILLIAM DARKER, LONDON, 1724
33 PAIR OF GEORGE II SILVER TABLE CANDLESTICKS, WILLIAM GOULD, LONDON, 1750
of plain tapering cylinder form on a stepped foot, with hexagonal scroll spout, domed cover with baluster finial and wooden scroll handle, engraved with armorials, height 7.5” — 19 cm., 14.1 oz. — 439 grams
with knopped stems and cotton-reel sockets with removable nozzles on shaped square bases, all moulded with shells at the corners, height 8.3” — 21 cm., 34.8 oz. — 1083 grams $2,000—3,000
$1,000—1,500
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34 SET OF THREE GEORGE III SILVER SALVERS, LONDON, 1781 the centres engraved with armorials, the rims with moulded bead borders on three claw and ball feet, diameter 7.1” — 18 cm., 28.2 oz. — 876 grams, maker’s marks WC Note: The arms are those of Patteson with Dossie in pretense, for John Patteson of Norwich, b. 19 Nov. 1755, who married Elizabeth Dossie, 14 June, 1781 $1,500—2,000
35 GEORGE III SILVER TEA CADDY, RICHARD MORTON & CO., SHEFFIELD, 1786 of straight-sided shaped oval form, engraved with armorials within a ribbontied scroll cartouche between moulded bead borders, height 5.3” — 13.5 cm., 12.1 oz. — 376 grams Note: Contains material which may be subject to import/export regulation $500—700
36 GEORGE III SILVER BOWL, WALTER BRIND, LONDON, 1776 of plain circular form with moulded bead rim, diameter 5.8” — 14.7 cm., 9.7 oz. — 303 grams $300—400
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
37 GEORGE III SILVER COFFEE POT, JOHN LANGLANDS I & JOHN ROBERTSON I, NEWCASTLE, 1780 plain baluster shape with domed cover, urn finial, and moulded bead borders, height 12.8” — 32.5 cm., 30.9 oz. — 960 grams $1,500—1,800
38 PAIR OF GEORGE III SILVER SAUCE TUREENS, HENRY GREENWAY, LONDON, 1782 of oval shape with moulded bead borders and reeded handles, the domed covers conforming below bud finials, width 9.1” — 23.2 cm., 36.4 oz. — 1131 grams $1,800—2,400
39 PAIR OF GEORGE III SILVER CANDLESTICKS, JOHN PARSONS & CO., SHEFFIELD, 1784 of circular shape with engraved floral garlands and moulded bead borders, height 6.5” — 16.6 cm. $700—1,000
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40 SET OF FOUR GEORGE III SILVER WINE COASTERS, ROBERT HENNELL I, LONDON, 1781 with turned wood bases, the sides pierced and engraved with roundels and foliate borders below bead rims, diameter 4.9” — 12.4 cm. Note: The crest is that of Pattison, Sco. $2,000—2,500
41 PAIR OF GEORGE III IRISH SILVER GOBLETS, JOSEPH JACKSON, DUBLIN, 1784 engraved with floral garlands and narrow bright-cut borders, the bases with moulded bead borders, height 6.7” — 16.9 cm., 14.1 oz. — 439 grams $500—700
42 GEORGE III SILVER GRAVY BOAT, JOHN WAKELIN & WILLIAM TAYLOR, LONDON, 1783 of oval shape with moulded bead borders and reeded scroll handle, length 8” — 20.2 cm., 13 oz. — 404 grams $300—500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
43 GEORGE II SILVER COFFEE POT, ELIZABETH GODFREY, LONDON, 1747 of plain tapering cylinder form with wooden scroll handle, engraved on one side with armorials, height 8” — 20.2 cm., 19.7 oz. — 614 grams $1,000—1,500
44 GEORGE III SILVER OVAL SALVER, WILLIAM TURNTON, LONDON, 1788 engraved on the centre with armorials, the rim with a moulded bead border on four conforming panel feet, length 18.8” — 47.7 cm., 38.2 oz. — 1189 grams $800—1,200
45 GEORGE II SILVER COFFEE POT, THOMAS WHIPHAM, LONDON, 1749 of plain tapering form with moulded bird’s head spout and wooden scroll handle, the domed cover with bud finial, height 10.4” — 26.4 cm., 27.3 oz. — 848 grams $1,000—1,500
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46 GEORGE II SILVER MUG, THOMAS COOKE II & RICHARD GURNEY, LONDON, 1750 of plain baluster shape with leaf-capped scroll handle on a stepped circular foot, engraved on the front with armorials, height 4.8” — 12.2 cm., 14.2 oz. — 442 grams Note: The arms are those of Bell impaling Robinson $600—800
47 SET OF FOUR GEORGE III SILVER TABLE CANDLESTICKS, SHEFFIELD, 1795/98 with bands of flutes and reeded borders, height 11.4” — 29 cm., maker’s marks RS(?) $2,500—3,500
48 VICTORIAN SILVER KETTLE ON LAMPSTAND, GEORGE ANGELL, LONDON, 1857 chased with diaper and scale panels, flowering foliage, and scroll cartouches, raised on three scroll and shell feet, height 16.5” — 42 cm., 70.6 oz. — 2195 grams Note: Contains material which may be subject to import/export regulation $1,200—1,800
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
49 PAIR OF GEORGE IV SILVER TABLE CANDLESTICKS, WATERHOUSE, HODSON & CO., SHEFFIELD, 1823 the inverted baluster stems, vase shaped sockets with removable nozzles and shaped circular bases all moulded with shells, flowering foliage and scrollwork, height 7.2” — 18.2 cm. $1,000—1,500
50 PAIR OF VICTORIAN SILVER OVAL ENTRÉE DISHES WITH COVERS, ROBERT GARRARD II, LONDON, 1856 with detachable handles, plain with moulded bead borders, length 10.7” — 27.2 cm., 87.6 oz. — 2725 grams $1,500—2,000
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51 PAIR OF VICTORIAN SILVER THREE-LIGHT WALL SCONCES, ROBERT GARRARD, LONDON, 1866 the shield shaped backplates with moulded borders issuing three foliate scroll arms terminating in floriform wax-pans and sockets with removable nozzles, mounted to wood brackets, height 15.4” — 39 cm., 169.5 oz. — 5272 grams $6,000—8,000
52 WILLIAM IV SILVER QUEENS PATTERN FLATWARE SERVICE, WILLIAM EATON, LONDON, 1831 comprising eighty-three pieces: 18 table forks 18 luncheon forks 18 dessert spoons 9 tea spoons (seven Kings pattern) 4 table spoons with later matching: 8 dinner knives 8 luncheon knives , 154.6 oz. — 4810 grams $2,500—3,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
53 SIX ENGLISH SILVER DINNER PLATES AND A DESSERT PLATE, ROBERTS & BELK, SHEFFIELD, 1966 the shaped and moulded rims set with shells at intervals, diameter 10.1” — 25.6 cm.; 8.7” — 22.1 cm., 169 oz. — 5256 grams $2,500—3,500
54 ENGLISH SILVER PUNCH BOWL, JOSIAH WILLIAMS & CO., LONDON, 1939 of hemispherical form on a circular pedestal foot, repoussé and engraved with curved flutes and panels of flowering foliage alternately, height 7” — 17.9 cm., diameter 10.8” — 27.5 cm., 37.6 oz. — 1169 grams $700—1,000
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55 EDWARDIAN SILVER CIRCULAR SALVER, BARKER BROS., CHESTER, 1907 with shaped gadroon rim on four hoof feet, diameter 12.3” — 31.3 cm., 28.8 oz. — 897 grams $350—500
56 PAIR OF ENGLISH SILVER BUTTER OR PÂTÉ DISHES, OMAR RAMSDEN, LONDON, 1936 with knives and green pale glass liners, of plain shallow circular form with crenelated rims and scroll handles, contained in their original fitted case, minor chip, width 5.7” — 14.5 cm., 9.7 oz. — 303 grams, engraved OMAR RAMSDEN ME FECIT under the rims $1,000—1,500
57 ENGLISH SILVER HANOVERIAN PATTERN FLATWARE SERVICE, CRICHTON BROS., LONDON, 1951/52 comprising one hundred and forty pieces: 12 table knives 12 tea spoons 12 table forks 12 coffee spoons 12 table spoons 2 serving spoons 12 luncheon knives 2 serving forks 12 luncheon forks 2 sauce ladles 12 fish knives pie server 12 fish forks cold meat fork 12 tea knives 12 dessert spoons 180.6 oz. — 5617 grams $3,000—4,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
58 INDIAN COLONIAL SILVER FIDDLE PATTERN FISH SLICE, HAMILTON & CO., CALCUTTA, C.1825 with shaped and pierced blade, length 13” — 33 cm., 7 oz. — 218 grams $250—350
59 DANISH SILVER ‘ACORN’ PATTERN FLATWARE SERVICE, JOHAN ROHDE FOR GEORG JENSEN, COPENHAGEN, 20TH CENTURY comprising one hundred and thirteen pieces: 12 dinner knives 2 large serving 12 dinner forks spoons 12 butter spreaders 2 serving forks 12 seafood forks 2 berry spoons 12 salad/dessert forks 2 cheese knives 12 dessert spoons cheese slice 12 tea spoons sugar spoon 12 parfait spoons sugar tongs 135.4 oz. — 4211 grams
pie server gravy ladle can opener bottle opener corkscrew bar spoon
$3,500—5,000
60 DANISH SILVER ‘BLOSSOM’ PATTERN TEA AND COFFEE SERVICE WITH TRAY, #2D AND #2E, GEORG JENSEN, COPENHAGEN, 20TH CENTURY comprising four pieces, with carved ivory handles and blossom finials, each on three stylized paw feet, the oval tray with conforming handles at the ends, tray length 22.1” — 56.2 cm., 122.5 oz. — 3811 grams Note: Contains material which may be subject to import/export regulation $5,000—7,000
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61 DANISH SILVER BEAKER, COPENHAGEN, 1673 repoussé with scale-ground flowers, leaves and bold scrolls, on three ball feet, height 6” — 15.2 cm., 14.3 oz. — 444 grams $700—1,000
62 SWEDISH SILVER PARCEL-GILT BEAKER, JOHAN LINDBLOM, VISBY, 1784 of flaring form on a stepped and fluted foot, engraved below the rim with scroll and shell cartouches and foliage, height 8.5” — 21.5 cm., 16.1 oz. — 500 grams $600—800
63 PAIR OF RUSSIAN SILVER VASES AND COVERS, ROBERT KOKHUN FOR NIKOLS & PLINKE, ST. PETERSBURG, LATE 19TH CENTURY the cylinder form bodies chased with flutes between moulded borders, raised on three scroll supports with floral garlands on triform bases cast with husks and acanthus leaves, the domed covers with matted ground formalized scrolling and flowering foliage and crowned scroll cartouches below bud finials, with gilt interiors, height 7.5” — 19 cm., 51.4 oz. — 1600 grams $3,500—5,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
64 RUSSIAN SILVER MULTIPLE PORTRAIT FRAME, PAVEL OVCHINNIKOV, MOSCOW, 1877 the central oval aperture with foliate scrollwork brackets surrounded by a ribbon border and six smaller apertures within a geometric border; mounted over red velvet with moulded square bosses at the corners, overall 11.8” x 14.2” — 30 x 36 cm., assaymaster Viktor Savinkov $1,000—1,500
65 GERMAN SILVER TEA URN, GEORG CHRISTIAN FRIEDRICH TEMMLER, AUGSBURG, 1820 of plain spherical form, on three slender scroll supports headed by lion masks with ring handles and terminating in paw feet on a stepped triform base with moulded fruiting vine border, the octagonal spigot issuing from the mouth of a large lion’s mask, height 14.1” — 35.8 cm., 93.8 oz. — 2919 grams $1,200—1,800
66 GERMAN SILVER KETTLE ON LAMPSTAND, SCHOTT, FRANKFURT, C.1810 of plain globular shape with bird’s head spout on a tripod stand with turned wood feet, height 15.7” — 40 cm., 56.6 oz. — 1762 grams $1,200—1,800
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67 GERMAN SILVER FLAGON, J.D. SCHLEISSNER & SÖHNE, HANAU, LATE 19TH CENTURY of near-cylindrical form with elaborate figural scroll handle and domed cover with warrior finial on a stepped foot, repoussé with an encircling battlefield scene, height 16.9” — 43 cm., 47.7 oz. — 1484 grams $1,500—2,000
68 ITALIAN SILVER COVERED TUREEN AND STAND, 20TH CENTURY of plain oval form and hammered, with shaped rims and fruit cluster handles, length 17” — 43.2 cm., 114.1 oz. — 3548 grams $1,500—2,000
69 ITALIAN SILVER EWER AND STAND, FOR HENRY BIRKS, C.1960 the horn shaped vessel with flying scroll handle moulded with flutes and scrollwork, mounted with scrolling leaves and supported by a twin-tailed mermaid on a shaped oval stand, height 17.1” — 43.4 cm., 99 oz. — 3080 grams $1,500—2,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
70 CANADIAN SILVER TEA AND COFFEE SERVICE, HENRY BIRKS & SONS, MONTREAL, QUE., 1941/42 of melon form with scroll handles and flowerhead knops, comprising five pieces, height 8.7” — 22 cm., 119.2 oz. — 3706 grams Note: Contains material which may be subject to import/export regulation $1,600—2,400
71 PAIR OF CANADIAN SILVER COMPORTS, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY with scalloped bowls and flying scroll handles terminating in blossoms, on foliate stems and conforming circular pedestal bases, height 8.3” — 21 cm., 36.6 oz. — 1139 grams $1,800—2,400
72 AMERICAN SILVER LEAF BOWL, ALFREDO SCIARROTTA, NEWPORT, R.I., 1950S of hemispherical form with shaped rim on three capped feet, diameter 9.8” — 25 cm., 19.7 oz. — 614 grams $350—500
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73 AMERICAN SILVER PITCHER, JONES, SHREVE, BROWN & CO., BOSTON, MASS., 1857 with moulded scroll and shell rim and leaf-capped scroll handle, engraved with scrolling leaves and an inscription, height 13” — 33 cm., 40.7 oz. — 1266 grams Note: Inscription reads: Dr. Charles M. Windship / in token of the friendship and gratitude of / Geo Read: / From his Children. / Jany. 1st. 1857. Charles May Windship M.D., was born to Charles Williams Windship M.D. and Catherine May of Boston, March 23rd, 1809; died at Roxbury in 1865 $700—1,000
74 AMERICAN SILVER FOOTED BOWL, ADAM LYNN, ALEXANDRIA, VIRGINIA, C.1800 of plain hemispherical form with reeded rim on a stepped circular foot, height 3.7” — 9.3 cm., diameter 5.4” — 13.8 cm., 8.4 oz. — 262 grams $250—350
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
75 AMERICAN SILVER TEA URN, GERARDUS BOYCE, NEW YORK, N.Y., C.1825 with double scroll handles, fluted body, domed cover with flower finial and pedestal foot, the spigot moulded with a bird, flowers and leaves, height 16.5” — 42 cm., 80.4 oz. — 2501 grams Note: Contains material which may be subject to import/export regulation $1,500—2,000
76 AMERICAN SILVER LARGE PUNCH BOWL, MANCHESTER SILVER CO., PROVIDENCE, RI., 20TH CENTURY repoussé with flowers and scrolling foliate cartouches, height 9.1” — 23 cm., diameter 15.4” — 39 cm., 87.5 oz. — 2720 grams $1,200—1,600
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76a WILLIAM IV IRISH SILVER OVAL SOUP TUREEN, WILLIAM NOLAN, DUBLIN, 1831 with lion’s heads issuing reeded handles capped with leaves and shells at the ends, the domed cover with a fluted border and finial handle conforming, the moulded gadroon rim set with leaves, shells and palmettes at intervals, all on four massive paw feet headed by shells and scrolling leaves; engraved on the cover and sides with dragon crests, armorials and motto METUENDA COROLLA DRACONIS, length 18.1” — 46 cm., 146.7 oz. — 4563 grams Provenance: Lucy and Allan Bronfman Collection $3,000—4,000
76b SCOTTISH SILVER MOUNTED RAM’S HORN TABLE SNUFF MULL, EDINBURGH, 1928 the hinged cover repoussé with thistles, dragons and Celtic ornament around a central cairngorm, the terminal with thistle finial, raised on three ball feet, 7.9” x 11.5” — 20 x 29.3 cm., maker’s marks J.S.S Provenance: Lucy and Allan Bronfman Collection $700—1,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
76c MEXICAN SILVER TEA AND COFFEE SERVICE, PLATERIA ALAMEDA, JUAREZ, MID-20TH CENTURY of plain melon-fluted design with scroll handles and moulded scroll feet, comprising seven pieces: teapot slop bowl coffee pot kettle on stand cream jug oval serving tray covered sugar basin lacks burner, tray length 32.3” — 82 cm., 351.2 oz. — 10925 grams, maker’s marks M.L Provenance: Lucy and Allan Bronfman Collection Note: Contains material which may be subject to import/export regulation. $3,500—5,000
76d ORMOLU MOUNTED ‘SÈVRES’ LARGE VASE, C.1900 for the Middle Eastern market, painted in colours with panels of Venus and cupids and a disconsolate young woman with attendants, portrait panels between, the slender neck with two further cupids, reserved on a ground of colourful chrysanthemums and leaves heightened with raised gilding and borders of pale blue, green and pink scrollwork, height 38.3” — 97.3 cm., signed Lucot, painted interlaced Ls enclosing A over S... in blue and FRANCE in red, mounts moulded AA $3,500—5,000
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77 PAIR OF ORMOLU MOUNTED ‘SÈVRES’ VASES AND COVERS, H. POITEVIN, C.1900 each painted in colours on one side with a panel of courting figures reserved within a pink and gilt scroll surround, a landscape panel on the reverse, one cover repaired, height 20.7” — 52.5 cm., painted signatures H. Poitevin in puce, interlaced Ls marks enclosing BB over S. in blue $1,000—1,500
78 ORMOLU MOUNTED ‘SÈVRES’ LARGE VASE, C.1900 painted in colours on one side with Venus and Cupid with attendants, a landscape view on the reverse, the blue-ground neck and pedestal base with flowers and scrolling leaves in gilt, cover missing, height 40.8” — 103.7 cm., signed Lucot $1,500—2,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
79 ORMOLU MOUNTED ‘SÈVRES’ YELLOW GROUND LARGE VASE, LATE 19TH CENTURY painted in colours on one side with a panel of courting figures on a terrace within a gilt surround, a landscape view with buildings painted on the reverse, cover missing, height 40.6” — 103 cm., painted interlaced Ls mark enclosing A and S... in black $700—1,000
80 ORMOLU MOUNTED ‘SÈVRES’ POTPOURRI VASE AND COVER, C.1900 the domed cover painted with panels of lovers and a landscape view within gilt scroll surrounds on a blue ground, height 6.8” — 17.2 cm., incised and printed marks in red, green and blue $350—500
81 PAIR OF SÈVRES PLATES, 18TH CENTURY painted on the centres with a colourful bird on the ground by a tree or perched on a branch, the moulded bleu celeste ground rims with three floral panels within gilt surrounds, painted interlaced Ls marks in grey and blue, one enclosing u for 1773, and other devices Provenance: R. Murray Bell Collection, Toronto $1,000—1,500
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82 SÈVRES COFFEE CAN AND SAUCER, 18TH CENTURY painted in colours with panels of loose flower sprays reserved within gilt surrounds on a bleu celeste ground, diameter 5.7” — 14.6 cm., painted interlaced Ls enclosing A marks for 1753 and painter’s marks for Vincent Taillandier in blue Provenance: R. Spencer Copeland Collection, 1996 R. Murray Bell Collection, Toronto $250—350
83 SÈVRES COFFEE CAN AND A SAUCER, 18TH CENTURY painted in colours with loose flower sprays within gilt surrounds on bleu celeste grounds, diameter 6” — 15.3 cm., painted interlaced Ls enclosing A mark for 1753 on the cup and painter’s mark for Rosset in blue Provenance: R. Murray Bell Collection, Toronto $250—350
84 SÈVRES COFFEE CAN AND SAUCER, 18TH CENTURY painted with panels of colourful exotic birds reserved within gilt surrounds on a bleu celeste ground, minor chips, diameter 5.9” — 15 cm., incised numerals 6 and 36 on the cup, painted interlaced Ls marks in blue Provenance: R. Murray Bell Collection, Toronto $250—350
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
85 SÈVRES COFFEE CAN AND SAUCER, 18TH CENTURY painted with arrangements of colourful fruit and flowers reserved within gilt surrounds on a bleu celeste ground, diameter 6” — 15.3 cm., incised numerals 6 and 43 on the cup and 38 on the saucer, painted interlaced Ls marks in blue Provenance: R. Murray Bell Collection, Toronto $250—350
86 SÈVRES SUCRIER AND COVER, 18TH CENTURY of circular shape with domed cover and flower knop, painted in colours with panels of loose flower sprays reserved within gilt surrounds on a bleu celeste ground, minor chip, height 3.1” — 8 cm., incised numeral 4, painted interlaced Ls enclosing A mark for 1753 and painter’s mark for Vincent Taillandier in blue Provenance: R. Murray Bell Collection, Toronto $250—350
87 SÈVRES RECTANGULAR BLEU CELESTE GROUND DIVIDED BOX, 18TH CENTURY an oval panel on each side painted in colours with a loose flower spray reserved within a gilt surround, crack, length 4.3” — 11 cm., incised C, painted interlaced Ls enclosing C mark for 1755 and painter’s mark for Antoine-Toussant Cornaille in blue Provenance: Hector Binney Collection, 1989 R. Murray Bell Collection, Toronto $150—250
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88 THREE DARTE FRÈRES, PARIS CONCHOLOGICAL PLATES, C.1830 painted in colours on the centres with seashells and insects nestled in seaweed, the rims with deep blue and gilt harlequin borders, two repaired, diameter 9.1” — 23.2 cm., incised marks, stenciled DARTE / Palais Royal / No. 21 in red, painter’s ‘fish’ marks in black Provenance: Lily and Edmond Safra Collection $500—700
89 PAIR OF PARIS PORCELAIN PLATES, DARTE FRÈRES, C.1825 each centre painted with a view of buildings, ‘Vue de Venise’ and ‘Vue Près Paris’, the blue-banded rims embellished with gilding, diameter 8.6” — 21.8 cm., D.F. mark in red $300—400
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
90 SET OF TWELVE PARIS PORCELAIN SERVICE PLATES, C.1900 painted with colourful floral centres, the rims bordered in gilt, diameter 12.2” — 31 cm., painted marks Robert à Paris in red script $400—600
91 MEISSEN FIGURE EMBLEMATIC OF ‘WINTER’, FRIEDRICH ELIAS MEYER, C.1760 the bearded male figure wearing a furlined cloak painted with flowers as he stands, warming his hands over a fire, beside a pedestal encrusted with ice on a moulded and gilt base, height 9.4” — 23.8 cm., painted crossed swords mark in underglaze blue $1,500—2,000
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92 MEISSEN FIGURE EMBLEMATIC OF ‘AUTUMN’, FRIEDRICH ELIAS MEYER, C.1760
93 MEISSEN FIGURE EMBLEMATIC OF ‘SUMMER’, FRIEDRICH ELIAS MEYER, C.1760
the male figure wearing a flower-painted cloak and holding a goblet and grapes, a rabbit hung at his waist as he stands beside an urn applied with fruiting vines on a moulded and gilt base, small losses and repair, height 9.3” — 23.5 cm., painted crossed swords mark in underglaze blue
the female figure wearing a flower-painted cloak and holding a sheaf of wheat as she stands beside an urn on a moulded and gilt base, small losses, height 8.7” — 22 cm., painted crossed swords mark in underglaze blue $1,500—2,000
$1,500—2,000
94 MEISSEN ‘CRIS DE ST. PETERSBURG’ FIGURE OF A LEMONADE SELLER, C.1750 the bearded figure wearing a white coat with striped belt, blue breeches and black hat and shoes, standing with a jug in his left hand and his right hand supporting a tray of beakers on his head, on a mound base applied with leaves, small chip to leaf, height 6.2” — 15.7 cm., painted crossed swords mark in underglaze blue Provenance: Winifred Williams, Eastbourne, 1959 Jean and Joseph Connolly Collection, Montréal $2,500—3,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
95 MEISSEN VASE, C.1750 of ovoid form with flaring neck, painted in natural colours with a bouquet of flowers, three smaller sprays and various insects, the rim and base with gilt line borders, height 8.1” — 20.5 cm., painted crossed swords mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $800—1,200
96 MEISSEN CHINOISERIE BOWL, C.1725 painted in colours on the interior and exterior with quatrefoil panels of figures in garden settings within red and gilt scroll surrounds, between branches of indianische Blumen, the flared rim with a border of gilt scrollwork and florets, diameter 6.9” — 17.5 cm., painted 72. in gilt Provenance: Winifred Williams, Eastbourne, 1961 Jean and Joseph Connolly Collection, Montréal $2,500—3,500
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97 PAIR OF MEISSEN KAKIEMON SHELL DISHES, C.1740 each painted with a blue-toed roaring tiger beside a banded hedge with blossoming prunus and bamboo, the rims with brown line borders, minor glaze chip, width 9.3” — 23.5 cm., painted crossed swords marks in underglaze blue, impressed numerals 27 and 44 Provenance: The Antique Porcelain Co, Ltd., London, 1956 Jean and Joseph Connolly Collection, Montréal $3,500—5,000
98 MEISSEN KAKIEMON ‘FLYING FOX’ TWO-HANDLED DOUBLELIPPED SAUCE BOAT, C.1740 of oval shape with moulded mask spouts and scroll handles on four scroll feet, all detailed with gilding, painted on each side with a red fox with bushy tail and a squirrel eating grapes on a banded hedge, two repaired chips, length 10.1” — 25.7 cm., painted crossed swords mark in underglaze blue Provenance: The Antique Porcelain Co, Ltd., London, 1952 Jean and Joseph Connolly Collection, Montréal $1,500—2,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
99 MEISSEN CHOCOLATE POT, C.1750-60 of cylinder shape with moulded scroll spout set at right-angles to the turned wood handle, painted on the sides with sprays of flowers in natural colours, the shoulder and cover with smaller sprigs below a flowering branch finial, with gilt metal hole cover, retainer and handle mounts, minor chip, height 6.5” — 16.5 cm., painted crossed swords mark in blue $1,000—1,500
100 MEISSEN YELLOW GROUND TRIO, C.1740-50 painted with puce camaïeu panels of figures and buildings in landscape settings, the rims with gilt line borders, diameter 5.2” — 13.2 cm., impressed numeral 3 on the coffee cup, painted crossed swords marks in underglaze blue $250—350
101 TWO MEISSEN LEAF SHAPED BUTTER BOATS, LATE 18TH CENTURY with stalk handles on moulded leaf feet, painted in underglaze blue with panels of stylized flowers and foliage, tiny glaze chip, length 3.7” — 9.4 cm.; 3.9” — 9.8 cm., painted crossed swords marks and devices in blue $250—350
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102 THREE MEISSEN OVAL PLATTERS, 19TH CENTURY in graduated sizes, painted on the centres in coloured enamels with a diving bird over a hollow rock and flowering shrubs, the scalloped rims with flower sprigs bordered in gilt, largest length 20.3” — 51.5 cm., impressed numerals, painted crossed swords marks in underglaze blue $400—600
103 MEISSEN FLOWER-ENCRUSTED POT-POURRI VASE WITH COVER AND STAND, LATE 19TH CENTURY painted with colourful floral bouquets and applied with putto and cherub figures and floral garlands, the pierced and rocaillemoulded cover with large bouquet finial, all on a conforming square base, minor losses, height 19.1” — 48.5 cm., impressed numerals, incised 2707 (vase) and D.196 (base), painted crossed swords marks in underglaze blue $1,000—1,500
104 MEISSEN LARGE NODDING PAGODA FIGURE, 19TH CENTURY with moving hands, head and tongue, the seated Chinese man wearing a colourful flower-painted robe and green slippers, restored, height 12.5” — 31.8 cm., painted crossed swords mark in underglaze blue and 10 in red, incised 2883 $1,500—2,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
105 MEISSEN BLUE ONION PATTERN SERVICE, LATE 19TH CENTURY comprising one-hundred and forty-six pieces: 20 plates, dia. 10.8” — 27.5 cm leaf dish 24 plates, dia. 10” — 25.5 cm square dish 25 soup plates, dia. 9.4” — 24 cm cheese tray 33 plates, dia. 8” — 20.2 cm pair of gravy boats 15 cups teapot 9 saucers 2 milk jugs 4 oval platters, length 11.6” — 29.5 cm 3 cream jugs pedestal-footed comport 2 rectangular serving trays, minor chips pedestal-footed small bowl pierced pedestal-footed comport $1,000—2,000
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106 SET OF TWELVE NYMPHENBURG POMOLOGICAL DESSERT PLATES, C.1900 painted in colours on the centres with arrangements of fruit, the rims with harlequin borders in gilt, diameter 8.5” — 21.5 cm., impressed, printed and painted marks $500—700
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
107 ‘VIENNA’ CABINET VASE, C.1900
108 VIENNA RECTANGULAR TEA CANISTER, MID18TH CENTURY
of ovoid form with waisted neck, painted in colours with an oval portrait of Marie Antoinette reserved on a richly gilt and turquoise ‘jeweled’ blue ground, the neck with a band of colourful roses and raised gilding, height 5.4” — 13.6 cm., signed Wagner, titled in black script, painted nuberals in red and shield mark in underglaze blue
painted in colours on each side with rustic figures at various pursuits within gilt line borders, the shoulder and cover with flower sprigs, height 5.6” — 14.2 cm., impressed shield mark
$250—350
Exhibited: Tea, Trade and Tea Canisters, Stockspring Antiques, London, 2002 (No.14) $600—800
109 VENICE (COZZI) CHINOISERIE TEA BOWL AND SAUCER, C.1770
110 ROYAL COPENHAGEN ‘FLORA DANICA’ PICKLE DISH, 20TH CENTURY
painted with Chinese figures amongst foliate scrollwork, flowers, birds and insects in blue, puce and red, the rims edged in gilt, diameter 4.8” — 12.2 cm., incised cross or line marks, painted anchor marks in red
with angular scroll handle and serrated gilt rim, painted in colours with ‘Antennaria carpathica Bl. & Fgh.’, length 8.4” — 21.3 cm., titled in black script, incised, printed and painted marks in blue and green, including 20/3544
$350—500
$350—500
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111 RARE SET OF TWELVE RUSSIAN IMPERIAL PORCELAIN DINNER PLATES, FROM THE RAPHAEL SERVICE, PERIODS OF ALEXANDER III AND NICHOLAS II, 1884-1903 with central red ground hexagonal panels painted en grisaille with classical subjects, the cavettos with gilt Greek key and cream ground borders painted with winged animals, the rims with three interjections, six grey ground panels of grotesqueries and three red ground medallions with figures, all within gilt surrounds on a foliate bordered celadon green ground, the edges and basal rims all gilt, contained in their original brassbound mahogany case, diameter 9.5” — 24.2 cm., painted crowned ciphers and dated in red and gilt $120,000—150,000
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Provenance: Wartski, Llandudno, North Wales, 1947 Private collection, Llandudno, North Wales By descent to the present owner Note: Heralded as one of the greatest achievements of the Imperial Porcelain Factory, the Raphael Service was commissioned for the Alexander Palace in Tsarskoye Selo in 1883. The design for the service was developed under the supervision of Leonard Schaufelberger, head of the Imperial Art Workshops, with Emperor Alexander III personally overseeing the process. Production took twenty years to complete and would culminate in the most expensive porcelain service ever produced by the factory. In 1904, the service for fifty persons was completed and delivered to the court of Alexander’s wife, the Dowager Empress Maria Fedorovna. For the design of the service, the Imperial factory translated the splendid frescoes found in the Raphael Loggia in the Hermitage. These murals were themselves reproductions. In the 1780s, Empress Catherine II (Catherine the Great) ordered the construction of an extension for the Great Hermitage. Its walls and vaults were adorned with copies of the Raphael frescoes of the Vatican loggia, painted by Cristopher Unterberger and his workshop. The rich decorations and basic configurations of the compositions of the Vatican and Saint Petersburg loggias are retained on the service, completely elegant in their simplified imagery.
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
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112 PHILIPPE MOMBAERS, BRUSSELS FAIENCE CABBAGE TUREEN AND COVER, 18TH CENTURY moulded as a cabbage and naturalistically painted in two shades of green, applied and painted with colourful insects, minor chips, width 12.2” — 31 cm. $1,500—2,000
113 ‘HIBOU MAT’, PABLO PICASSO (1881-1973) CERAMIC DISH, 126/200, C.1955 15.1” x 12.2” — 38.3 x 30.9 cm., impressed MADOURA / PLEIN FEU, EDITION / PICASSO, inscribed J114, EDITION / PICASSO / MADOURA, J114 / 126/200 in black Provenance: French Pavilion, Expo 67 World Fair, Montréal, 1967 Jean and Joseph Connolly Collection, Montréal Note: Variant from an edition of 400, conceived in 1955 (A.R. 284) $7,000—10,000
114 ‘VISAGE EN GROS RELIEF’, PABLO PICASSO CERAMIC (1881-1973) CHARGER, 81/100, C.1959 diameter 16.7” — 42.5 cm., impressed MADOURA / PLEIN / FEU, EMPREINTE / ORIGINALE DE / PICASSO, numbered 81/100 in black Provenance: French Pavilion, Expo 67 World Fair, Montréal, 1967 Jean and Joseph Connolly Collection, Montréal Note: From an edition of 100, conceived in 1959 (A.R. 408) $5,000—7,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
115 ‘PLAT ESPAGNOL AU TOROS’, PABLO PICASSO (1881-1973) CERAMIC DISH, 82/100, C.1957 diameter 17” — 43.2 cm., impressed MADOURA / PLEIN / FEU, EDITION / PICASSO, incised EDITION / PICASSO / MADOURA and numbered 82/100 Provenance: French Pavilion, Expo 67 World Fair, Montréal, 1967 Jean and Joseph Connolly Collection, Montréal Note: From an edition of 100, conceived in 1957 (A.R. 403) $3,500—5,000
116 ‘LAMPE FEMME’, PABLO PICASSO (1881-1973) CERAMIC VASE, C.1955 small glaze crack, height 14.5” — 36.8 cm., impressed MADOURA / PLEIN FEU, D’APRES / PICASSO, inscribed EDITION PICASSO in black Note: From an edition of 100, conceived in 1955 (A.R. 294) $7,000—10,000
117 BROOKLIN POTTERY SOAP DISH, THEO AND SUSAN HARLANDER, C.1975 formed as a seated woman, incised and painted with fish, height 6.5” — 16.5 cm., moulded oval studio mark, incised T. + S. / HARLANDER / BROOKLIN / ONT. $350—500
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118 BROOKLIN POTTERY VASE, THEO AND SUSAN HARLANDER, C.1960
119 BROOKLIN POTTERY WALL CLOCK, THEO AND SUSAN HARLANDER, C.1975
of ovoid shape, incised with an abstract linear design and coloured in tones of blue, green and grey, tiny glaze chips, height 15.1” — 38.3 cm., moulded oval studio mark, incised T. + S. HARLANDER. BROOKLIN. ONTARIO
incised and painted with ochre and brown flowers and leaves radiating from the centre, diameter 11.8” — 30 cm., moulded oval studio mark, incised T. + S. / HARLANDER / BROOKLIN / ONTARIO
$350—500
$200—300
120 BROOKLIN POTTERY VASE AND COVER, THEO AND SUSAN HARLANDER, C.1980
121 BROOKLIN POTTERY FIGURE GROUP OF A MOTHER AND CHILD, SUSAN HARLANDER, 1963
of ovoid shape, incised and painted with stylized flowers and leaves, height 11.2” — 28.5 cm., moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONT .
standing on an oblong base, height 22.6” — 57.5 cm., incised SUS. / HAR / LAN / DER / S.H. / 1963
$600—800
$1,000—1,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
122 BROOKLIN POTTERY LARGE JUG, THEO AND SUSAN HARLANDER, C.1975 Incised and painted in black, cream and brown with stylized birds and geometric motifs, a human figure on the handle, height 14.2” — 36 cm., diameter 17” — 43.1 cm., moulded oval studio monogram, incised T. + S. HARLANDER . BROOKLIN . ONT . CANADA $2,500—3,500
123 BROOKLIN POTTERY VASE, THEO AND SUSAN HARLANDER, 1960S of compressed ovoid form, decorated with angular flutes coloured in tones of yellow, brown and blue-grey, height 8.3” — 21 cm., moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONT . CANADA $250—350
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124 DEICHMANN STONEWARE ‘GOOFUS’ DISH, KJELD & ERICA DEICHMANN, C.1950 of irregular shape, painted in blue with a fantastic cat-like animal on a pale blue ground, length 10.4” — 26.5 cm., incised Deichmann, monogram and NB $300—400
125 DEICHMANN STONEWARE ‘GOOFUS’ BOWL, KJELD & ERICA DEICHMANN, C.1950 the interior painted in blue with a fantastic animal surrounded by green and cream stylized foliage, diameter 6.2” — 15.8 cm., incised Deichmann, monogram and NB $250—350
126 NEWCOMB COLLEGE VASE, ANNA FRANCES SIMPSON, 1912 the slender vessel relief-carved and incised with ferns and tall pine trees trailing moss, all painted in shades of blue and green, height 11.1” — 28.3 cm., impressed marks NC / JM / B, painted FO 10, incised and painted AFS in blue $2,500—3,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
127 NEWCOMB COLLEGE VASE, ANNA FRANCES SIMPSON, 1909 the shouldered body relief-carved and incised with tall pine trees painted in tones of blue, height 8.5” — 21.6 cm., impressed marks NC / JM / Q, painted CW.96, incised and painted AFS in blue $2,000—3,000
128 MOORCROFT ‘EVENTIDE’ SMALL VASE, C.1925 of baluster shape, painted with an encircling landscape of rolling hills and trees, height 3.3” — 8.3 cm., impressed marks, rectangular paper label $500—700
129 MOORCROFT FLAMBÉ ORCHIDS VASE, 1930S the ovoid body painted with brightly coloured flowers and leaves, height 8.3” — 21 cm., impressed marks including facsimile signature and Royal Warrant, painted signature in blue $350—500
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130 BURMANTOFTS FAIENCE LARGE JARDINIERE AND STAND, C.1900
131 GEORGE JONES LARGE TWO-HANDLED VASE WITH COVER AND STAND, LATE 19TH CENTURY
incised and painted with brightly coloured peacocks in an orchard, the stand with stylized flowering shrubs and foliate borders, minor condition noted, overall height 39” — 99 cm., impressed marks BURMANTOFTS / FAIENCE / 2188 / ENGLAND, painted Col. No. 108. / 2., stand impressed BF monogram, ENGLAND and 2189
painted in gilt with kingfishers amongst lilies and bulrushes on a deep blue ground, the handles and base all moulded with tendrils, flowers and leaves, restored, overall height 30” — 76.2 cm., impressed numerals, GJ monogram and crescent marks
$800—1,200
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$400—600
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
132 PAIR OF PEARLWARE FIGURES OF FAITH AND HOPE, C.1800 on square bases moulded with leaves, painted in green, browns and blue, minor chips, height 8.6” — 21.8 cm. $250—350
133 SET OF FOUR STAFFORDSHIRE PEARLWARE FIGURES OF EVANGELISTS, C.1820 Matthew, Mark, Luke and John, each with traditional attributes, before a flowering bocage on an oval base with title in black, some condition noted, height 7.5” — 19 cm. Provenance: Label with Oliver-Sutton Antiques $400—600
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134 ENGLISH PEARLWARE ORNITHOLOGICAL LARGE TWO-HANDLED VASE AND COVER, C.1805 of ovoid form with domed cover, painted with panels of colourful birds and flowers reserved on a black dotted grey ground with foliage and stiff leaf borders, restored, height 21.3” — 54 cm. Provenance: Joyce Mountain Collection, Bonhams, London, 2005 $1,000—1,500
135 PAIR OF ENGLISH PEARLWARE DEMI-LUNE SHAPED BOUGH POTS, C.1810 moulded with three lion’s heads on the covers, the rims with masks and fruiting oak, the sides printed in brown with panels of birds and landscape views, raised on three half-bun feet, some condition noted, length 7.6” — 19.3 cm. $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
136 PAIR OF ENGLISH PEARLWARE ‘DOLLAR’ PATTERN SOUP TUREENS WITH COVERS, C.1820 of octagonal shape, printed and painted with panels of entwining branches, roots and seed pods in red, brown and underglaze blue, with shell handles, and scroll finial, some condition noted, length 13.8” — 35 cm. Provenance: Label with Koger Collection (B46) $500—700
137 ENGLISH PEARLWARE BOTANICAL PLATTER, C.1830 octagonal with a scalloped edge, painted with colourful flowers and leaves, length 14.6” — 37.2 cm. $250—350
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138 ASHWORTHS ‘REAL IRONSTONE CHINA’ ARMORIAL SERVICE, 19TH CENTURY each piece printed and painted with Japan-style flowering shrubs, the rim with a crest and armorials, comprising forty pieces: 10 plates, diameter 10.2” — 26 cm. 10 plates, diameter 9.1” — 23 cm. 9 soup plates, diameter 10.5” — 26.6 cm. 5 plates, diameter 6.8” — 17.2 cm. 2 covered vegetable dishes 2 stands oval platter pedestal comport minor condition noted, diameter 6.8” — 17.2 cm., impressed and printed marks, painted pattern numbers 3065 in red $600—800
139 MINTON PINK GROUND PÂTESUR-PÂTE DESSERT SERVICE, DÉSIRÉ LEROY, C.1880 the plates finely decorated with birds and insects amongst flowering shrubs within pierced gilt Greek key borders, comprising eighteen pieces: 16 plates pedestal comport low comport some minor condition noted, plates diameter 9.6” — 24.4 cm., five signed Leroy, impressed marks, painted pattern numbers G2660/7 and printed marks in puce including retailers’ marks for T. Goode & Co., London $1,200—1,800
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
140 PAIR OF MINTON RETICULATED CABINET PLATES, PROBABLY PAINTED BY HENRY MITCHELL, 1872 AND 1876 painted in colours on the centres with a Gordon Setter or a terrier with a rat, banded with textured pink enamel between gilt borders, the pierced lattice rims lined with gilt, diameter 9.8" — 25 cm., impressed and printed marks in puce, painted pattern numbers G3449 in red $600—800
141 PAIR OF OVAL COALPORT JAPAN PLATTERS, C.1820 painted with alternating panels of stylized flowers and foliage in colours and gilt, length 19.9” — 50.5 cm., impressed numeral 2 or 7 $350—500
142 PAIR OF COALPORT ARMORIAL PLATES, C.1805-10 painted in orange, black and gilt with panels of Etruscan figures and trophies, the centres with a goat crest, diameter 9.5” — 24.2 cm. Literature: A plate from the same service is illustrated by Michael Messenger, Coalport 1795-1926, p.124, pl.73; another in this pattern, from the ‘Star of the Garter’ service at Buckingham Palace, is illustrated by Geoffrey Godden in Coalport and Coalbrookdale Porcelains, pl.31 $500—700
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143 GARNITURE OF THREE SPODE ‘CHURCH GRESLEY’ CACHEPOTS AND STANDS, C.1820 painted with shaped panels of colourful roses, cornflowers and other motifs, the moulded ring handles and rims all gilt, cracks, largest height 6.7” — 17 cm., painted pattern numbers 284 in gilt $700—1,000
144 GARNITURE OF THREE SPODE VASES, C.1820 of flaring form on pedestal bases with bead borders, painted with green ground colourful bouquets of garden flowers, the rims with gilt line borders, largest height 5.6” — 14.3 cm. $500—700
145 PAIR OF ENGLISH PORCELAIN ARMORIAL PLATES, C.1825 painted in colours on the centres with armorials and motto IN TERRA PAS IN HOMINES BENEVOLENTIA, the cavettos moulded and gilt with circlet borders, the green ground rims moulded with white flowers and leaves, diameter 8.9” — 22.5 cm. Provenance: Budd Sugarmann Collection, Toronto $200—300
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
146 ENGLISH PORCELAIN ‘DOLLAR’ PATTERN OVAL PLATTER, PROBABLY SPODE, C.1805-10
147 PAIR OF DERBY DEMI-LUNE BOTANICAL BOUGH POTS, C.1800
painted with panels of stylized foliage, flowering vines and entwined branches in iron red, cobalt blue, turquoise, green, pink, and gilt, length 14.2” — 36 cm., painted pattern number 283 in red
each painted with a botanical specimen in colours, between gilt line borders, the moulded ram’s head handles detailed in gilt, minor condition noted, length 9.8” — 24.5 cm., painted decorator’s marks in puce
Provenance: Budd Sugarman Collection, Toronto
$500—700
$200—300
148 PAIR OF DERBY YELLOW GROUND PLATES, C.1795-1800
149 DERBY ‘DOUBLE YELLOW ROSE’ BOTANICAL SHELL DISH, C.1815
painted by William Cooper on the centres with colourful bouquets of flowers, the fluted rims banded in yellow between gilt borders, diameter 9.4” — 24 cm., painted crowned crossed batons, dots and D marks, pattern numbers 134 and painter’s numeral 3 in puce
painted in colours with a single full bloom and a bud on a thorny stem, the rim and handle bordered and detailed in gilt, width 10.1” — 25.7 cm., painted crowned crossed batons, dots, and D mark and titled in red script $250—350
Provenance: Labels with L.B. Knouff Collection (no.47); Stoner & Evans, London; The Edward James Collection, Christie’s 1986; Jonny’s Antiques, Shakespeare; and others $700—1,000
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150 PAIR OF DERBY BLUE GROUND POTPOURRI MANTEL URNS AND COVERS, C.1825 of circular shape with domed covers on triform bases, painted on the bodies each with three colourful landscape panels reserved on a blue and gilt ground, the rims with moulded gilt ram’s heads, the pierced domed covers elaborately gilt below bud finials, some condition noted, height 11.8” — 30 cm., painted crowned crossed batons, dots, and D marks and 89(?) in red $1,200—1,800
151 DERBY OVAL DESSERT DISH, C.1815-20 the centre painted with a colourful hunting scene within a gilt surround, the shaped rim with a border of anthemions and foliage in gilt, length 11.3” — 28.8 cm., crowned crossed batons, dots and D and painter’s marks in iron red Note: Probably painted by William Cotton $400—600
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
152 PAIR OF CHELSEA DERBY OVAL DESSERT DISHES, C.1770 painted in colours with fruit, insects and flower sprigs, the scalloped rims with gilt dentil borders, minor chip, length 13” — 33 cm., painted anchor marks in gilt Provenance: T. Leonard Crow, Tewkesbury, 1951 Jean and Joseph Connolly Collection, Montréal $400—600
153 CHELSEA OVAL DISH, C.1755 with shaped rim, moulded and painted in colours with fruiting vines, tendrils and leaf sprigs, the centre painted with a flower spray, length 9.6” — 24.5 cm., painted anchor mark in red Provenance: Jean and Joseph Connolly Collection, Montréal $250—350
154 CHELSEA LEAF SHAPED DISH, C.1755 with small loop handle. moulded with puce veins and painted in colours with a floral bouquet, the underside with veins and a tendril issuing flowers and leaves, minor rim chips, length 8.9” — 22.7 cm., painted red anchor mark Provenance: Jean and Joseph Connolly Collection, Montréal $400—600
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155 LONGTON HALL LEAF SHAPED DISH, C.1755 with fluted sides and entwined green stalk handle, painted in with a colourful bouquet of flowers and leaves and scattered smaller sprigs, the rim with a brown line border, minor glaze chips, width 9.1” — 23 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $700—1,000
156 LONGTON HALL LEAF DISH, C.1755 with stalk handle, moulded and painted with green and yellow edges and veins detailed in puce. the exterior further painted with brown-veined green leaves at the end, length 9.3” — 23.7 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $300—400
157 BOW KAKIEMON ‘TWO QUAIL’ PATTERN LEAF DISH, C.1760 painted with red and blue birds, flowering shrubs and flying insects, the rim with foliate border in red and gilt, length 11.5” — 29.2 cm. Provenance: Mr. and Mrs. Gordon T. Southam Collection, Vancouver, Christie’s, 2009 $600—800
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
158 CHRISTIANS, LIVERPOOL TEAPOT, C.1775 the ovoid body with palm-column moulding, painted with panels of Chinese figures and flower sprays in coloured enamels above a band of puce and green leaves, crack, height 7.8” — 19.8 cm. $300—400
159 ROYAL WORCESTER EQUESTRIAN MODEL OF NAPOLEON BONAPARTE, BERNARD WINSKILL, AFTER DELACROIX, 736/750, C.1969 with brass mounted rectangular plinth and certificate, overall height 15.6” — 39.5 cm., printed marks in black $600—800
160 FLIGHT, BARR & BARR WORCESTER JAPAN PATTERN OVAL DISH, C.1810 painted in colours and gilt with a pierced rock, fence, and flowering shrubs in a garden, the scalloped rim with a paneled border and moulded shell handles at the ends, length 13.8” — 35 cm., impressed crowned B.F.B mark, printed BARR FLIGHT & BARR / Royal Porcelain Works / WORCESTER / London-House / No.1 Coventry Street in puce $350—500
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161 CHAMBERLAIN’S WORCESTER COVERED INKWELL, C.1825 of urn form with three gilt dolphin supports above a triform base, painted on both sides with a colourful exotic bird in a landscape reserved on a green ground, minor chip, height 4.3” — 11 cm., printed wreath and crown mark in black Provenance: Jean and Joseph Connolly Collection, Montréal $250—350
162 CHAMBERLAINS WORCESTER BOUGH POT MANTEL GARNITURE, C.1800-10 the D-shaped bough pot on four bun feet with floriform finial, the flanking pots of tapering cylindrical shape with bud knops, all painted in red, black and gilt with wide lozenge-patterned borders, height 8” — 20.4 cm., painted marks Chamberlains Worcester and No.211 in gilt and puce script Provenance: Margaret Cadman Collection Literature: Geoffrey A. Godden illustrates the present garniture in Chamberlain-Worcester Porcelain 1788-1852, p. 270 pl. 343 $1,500—2,000
163 CHAMBERLAIN’S WORCESTER TOPOGRAPHICAL MUG, C.1820 painted en grisaille with a view of the bridge at Worcester over the Severn, reserved on a light blue ground, with scroll handle and gilt borders, small repair, height 3.4” — 8.7 cm., printed crowned script mark Chamberlains / Worcester / & 155 / New Bond Street / London in red $200—300
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
164 CHAMBERLAIN’S WORCESTER BOTANICAL OVAL PLATTER, C. 1815 painted on the centre with a yellow and purple iris and green leaves, the rim with a broad band of vermiculated gilding, length 16.1” — 41 cm., painted Chamberlain’s / Worcester in red script $200—300
165 CHAMBERLAINS WORCESTER ARMORIAL OVAL PLATTER, C.1816-20 the centre with armorials and motto ‘NIL DESPERANDUM’ painted in colours and gilt, the apricot banded rim with foliate gilding, reserved white flowerheads with red centres, length 12.7” — 32.2 cm., printed mark in black Provenance: Budd Sugarman Collection Literature: The arms and crest are those of Hodges; several pieces from same service are illustrated by Geoffrey Godden, ChamberlainWorcester Porcelain, 1788-1852, p.131, pl.157 $250—350
166 CHAMBERLAIN’S WORCESTER ‘DRAGONS IN COMPARTMENTS’ OVAL PLATTER, C.1800-10 painted in colours and gilt with alternating panels of beasts and vases with flowers on low tables around a central medallion, the rim with a paneled border, restored crack, length 15.9” — 40.5 cm., painted Chamberlains Worcester / No75 in puce script $300—400
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167 WORCESTER CHINESE FIGURES TEAPOT, C.1770 painted in colours and gilt with Chinese figures in a garden, the cover with a leaf and flowerhead finial, minor restoration, height 6.3” — 16 cm. $250—350
168 PAIR OF WORCESTER PHOENIX AND WHEATSHEAF KAKIEMON PLATES C.1770 painted in colours with birds, insects, chrysanthemums and sheaves of wheat, the petal fluted rims with flower sprigs and paneled red and gilt borders, minor restorations, diameter 8.3” — 21 cm. $300—400
169 WORCESTER JAPAN CUP AND A SAUCER, C.1770 painted in colours and gilt with alternating panels of prunus and chrysanthemums interspersed with blue ground foliage and flowerhead medallions, diameter 5.5” — 14 cm., painted square fret and crescent marks in underglaze blue $150—250
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
170 WORCESTER ‘OLD JAPAN FAN’ PATTERN FLUTED JUNKET DISH, C.1770 the centre painted in colours and gilt with a chrysanthemum medallion, the rim with four fan panels interspersed with mons, minor chips, diameter 10.2” — 26 cm., painted pseudo-Chinese marks in underglaze blue $250—350
171 WORCESTER ‘KYLIN’ PATTERN TEA CANISTER C. 1770 of fluted ovoid form, painted in colours and gilt with panels of beasts alternating with bouquets in vases on low tables, the lid applied with a flowerhead finial, minor chips, diameter 6.5” — 16.5 cm. $400—600
172 WORCESTER BLUE SCALE GROUND TEA CANISTER AND COVER, C.1770 painted with gilt bordered cartouches containing flower sprays and garlands, the cover conforming below a pink and yellow flower finial, cover restored, height 6.5” — 16.4 cm., painted script W mark in underglaze blue $350—500
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173 WORCESTER BLUE SCALE TWOHANDLED CUP AND SAUCER, C.1775 painted with colourful exotic birds and insects reserved within mirror and vase shaped gilt scroll surrounds, tiny chip, diameter 5.8” — 14.7 cm., painted square fret mark in underglaze blue $200—300
174 WORCESTER ‘MAGICIAN’ PATTERN LEAF DISH, C.1760 painted in coloured enamels with a butterfly and Chinese figures by a table, the rim with a red and gilt border, restored, length 10.2” — 26 cm. Provenance: Alixe W. McCart Collection (no. 71) $300—400
175 FOUR WORCESTER SCALE BLUE GROUND PLATES, C.1770 painted in colours with mirror and vase shaped panels of flowers within gilt scroll borders, one or two tiny chips, diameter 8.9” — 22.7 cm., painted square fret marks in underglaze blue $500—700
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
176 WORCESTER BLUE SCALE GROUND SHELL DISH, C.1770-75 reserved gilt scroll bordered floral panels painted in colours, width 7.6” — 19.3 cm., painted crescent mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $250—350
177 WORCESTER GLOBULAR TEAPOT, C.1770 with scroll handle and spout, the cover with flowerhead knop, painted with colourful scattered flower sprigs, the rims with borders in red and gilt, height 5.3” — 13.4 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $400—600
178 WORCESTER ‘L’AMOUR’ DIAMOND SHAPED TRAY AND A TRIO, C.1760 each piece printed in black with lovers in a garden setting, tray length 5.2” — 13.3 cm., tray and saucer signed RH (for Robert Hancock), anchor rebus (for Richard Holdship) / Worcester Provenance: The Antique Porcelain Co. Ltd., London, 1952 Jean and Joseph Connolly Collection, Montréal $300—400
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179 PAIR OF WORCESTER LEAF SHAPED DISHES, C.1760 moulded with overlapping leaves edged in green and printed in black with birds in landcape settings, one repaired, length 7.7” — 19.5 cm., faintly painted X mark in green Provenance: Labels with Jas. A. Lewis & Son, Inc., New York, 1955 Jean and Joseph Connolly Collection, Montréal $400—600
180 WORCESTER ‘TWO PEONY ROCK BIRD’ SHELL TRAY, C.1754-60 painted in blue with a bird perched on a rock amongst flowering foliage, cracks, width 6.2" — 15.7 cm., painted workman’s mark in underglaze blue Provenance: T. Leonard Crow, Tewkesbury, 1952 Jean and Joseph Connolly Collection, Montréal $200—300
181 WORCESTER ‘PRUNUS ROOT’ SMALL BOWL, C.1755 painted in blue with gnarled roots and flowering branches, diameter 4.1" — 10.4 cm., painted workman’s mark in underglaze blue Provenance: Jas. A. Lewis & Son, Inc., New York, 1951 Jean and Joseph Connolly Collection, Montréal $250—350
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
182 PAIR OF WORCESTER ‘TWOHANDLED SAUCEBOAT LANDSCAPE’ PATTERN LARGE SAUCE BOATS, C.1755-60 of double-lipped oval form, the scroll handles with monkey’s head finials, painted in blue on the interiors with figures in boats and island pagodas, the exteriors each with four vignettes and moulded leaves, shells and scrollwork, minor chip, length 8.5” — 21.5 cm., painted workmens’ marks in underglaze blue Provenance: Jas. A. Lewis & Son, Inc., New York, 1953 Jean and Joseph Connolly Collection, Montréal $1,800—2,400
183 WORCESTER ‘FISHERMAN ON A TOWERING ROCK’ SAUCE BOAT, C.1755 of silver shape, moulded with scroll cartouches, shells, birds, flowers and leaves, painted in blue with Chinese figures fishing on rocky islands with trees and pagodas, length 9.2” — 23.3 cm., painted workman’s mark in underglaze blue (at base of handle) Provenance: Winifred Williams, Eastbourne, 1960 Jean and Joseph Connolly Collection, Montréal $400—600
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184 RARE WORCESTER ‘SIX-PIERED BRIDGE’ TWO-HANDLED OVAL BASKET-BOWL, C.1755 with moulded basketweave sides and handles applied with florets and leaves, painted in blue on the interior with a scene of island pagodas, boating figures and a fisherman on a bridge, the scalloped rim with trailing flower sprays and a scroll border enclosing latticework and panels of flower sprigs and birds perched amongst scrolling leaves, small loss to one leaf, length 14.5” — 36.8 cm., painted workman’s mark in underglaze blue Provenance: Label with Jas. A. Lewis & Son, Inc., New York, 1956 Jean and Joseph Connolly Collection, Montréal Literature: Branyan, French and Sandon, Worcester Blue and White Porcelain, 1751-1790, p. 131 $2,000—3,000
185 WORCESTER ‘TWO-HANDLED SAUCEBOAT LANDSCAPE’ PATTERN SAUCE BOAT, C.175560 of double-lipped oval form with scroll handles, painted in blue on the interior with figures in boats and island pagodas, the moulded exterior with four vignettes, tiny chip, length 6.6” — 16.8 cm., painted workman’s mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $400—600
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
186 WORCESTER ‘CABBAGE LEAF FLORAL’ JUG, C.1755-60 of Dutch type with leaf-capped scroll handle, painted in blue with insects and flowering vines, height 8” — 20.4 cm., painted workman’s mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $400—600
187 WORCESTER ‘FISHERMAN AND WILLOW PAVILION’ TEA BOWL AND SAUCER, C.1755-60 moulded with fluting and scroll cartouches, painted with vignettes in blue, diameter 4.7” — 11.9 cm., painted workmens’ marks in underglaze blue Provenance: Mary Fox Linton, London, 1959 Jean and Joseph Connolly Collection, Montréal $300—400
188 WORCESTER ‘CABBAGE LEAF FLORAL’ JUG, C.1755-60 Dutch shape with leaf-capped scroll handle, painted in blue with insects and flowers on trailing vines, height 8.1” — 20.5 cm., painted workman’s mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $400—600
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189 WORCESTER ‘PICKLE LEAF DAISY’ BUTTER BOAT, C.1758-65 with stalk handle, moulded on the underside with leaves, the interior painted in blue with flowers and leaves, tiny chips, length 3.3” — 8.4 cm., painted workman’s mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $250—350
190 RARE WORCESTER ‘TRANSPARENT ROCK’ BUTTER BOAT, C.1758 leaf shaped with angular stalk handle on three moulded trefoil feet, painted in blue with a treed rocky landscape, the rim with a lattice panel and trailing flower spray, tiny glaze chip, length 3.3” — 8.5 cm., workman’s mark in underglaze blue Literature: Branyan, French and Sandon, Worcester Blue and White Porcelain, 1751-1790, p. 190 $1,000—1,500
191 WORCESTER ‘PICKLE LEAF DAISY’ BUTTER BOAT, C.1758-65 moulded with overlapping leaves and stalk handle, painted with flowers and insects in blue, minor restoration, length 3.3” — 8.3 cm., painted workman’s mark in underglaze blue $250—350
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192 WORCESTER ‘PRUNUS ROOT’ PATTY PAN, C.1760 painted in blue on the interior with flowering shrubs, diameter 4.9” — 12.5 cm., painted workman’s mark in underglaze blue Provenance: Label with Newman & Newman, Ltd., London Jean and Joseph Connolly Collection, Montréal $250—350
193 PAIR OF WORCESTER ‘CORNUCOPIA PRUNUS’ WALL POCKETS, C.1760 each with moulded spiral fluting below a border of flowers and leaves, painted in underglaze blue with insects and flowering branches, height 8.7” — 22 cm., painted workmens’ marks in blue Provenance: Label with Jas. A. Lewis & Son, Inc., New York, 1954 Jean and Joseph Connolly Collection, Montréal $700—1,000
194 WORCESTER ‘DRAGON’ SPOON TRAY, C.1760 of lozenge shape, painted in underglaze blue, length 5.8” — 14.8 cm., workman’s mark in blue Provenance: Jean and Joseph Connolly Collection, Montréal $500—700
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195 WORCESTER ‘THRUSH’ SMALL TEAPOT, C. 1760 of ovoid shape with faceted spout, scroll handle and flower knop, painted in blue with three birds perched in a tree on one side, a flower spray on the reverse and smaller sprigs on the handle, spout and cover, tiny chip, height 4.2” — 10.6 cm., painted workman’s mark in underglaze blue Provenance: Mary Fox Linton., London, 1959 Jean and Joseph Connolly Collection, Montréal $1,000—1,500
196 WORCESTER POWDER BLUE GROUND SAUCER DISH, C.1760 painted in blue with fan shaped landscape panels and flower sprig medallions, diameter 7.2” — 18.2 cm., painted crescent and square fret marks in underglaze blue Provenance: Jas. A. Lewis & Son, Inc., New York, 1951 Jean and Joseph Connolly Collection, Montréal $250—350
197 WORCESTER ‘BLOWN TULIP’ LEAF SHAPED TRAY, C.1760-65 moulded and painted in blue with a single flower and scattered sprigs, crack, length 6” — 15.2 cm., painted workman’s mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
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198 WORCESTER ‘BLOWN TULIP’ BUTTER BOAT, C.1760-65 leaf shaped with twig handle on three moulded leaf feet, painted in blue on the centre with a single tulip flower and three border sprigs, tiny chip, length 3.5” — 8.9 cm., painted workman’s mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $500—700
199 WORCESTER ‘HONEYSUCKLE, NARCISSUS AND ANEMONE SPRAY’ BASKET, C.1760-65 of circular shape with steep pierced sides applied with florets at the intersections, leaf and flower sprigs painted in blue on the interior, the centre with a large spray, height 3.4” — 8.7 cm., diameter 8.1” — 20.5 cm., painted crescent mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $700—1,000
200 WORCESTER ‘BIRD IN A RING’ TEA BOWL AND SAUCER, C.176070 painted in underglaze blue with the perch by a table in a garden of rocks and flowering shrubs, diameter 4.8” — 12.2 cm., painted crescent mark Provenance: Jean and Joseph Connolly Collection, Montréal $300—400
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201 WORCESTER ‘CRACKED ICE GROUND’ MUG, C.1765-70 of cylinder shape with scroll handle, painted with a panel on each side of a Chinese woman seated or standing in a garden, height 4.8” — 12.2 cm., painted crescent mark in underglaze blue Provenance: Jas. A. Lewis & Son, Inc., New York, 1951 Jean and Joseph Connolly Collection, Montréal $400—600
202 WORCESTER ‘LEAF DISH FLORAL SPRAYS’ LEAF DISH, C.1765-70 formed as overlapping vine leaves moulded with veins and tendrils and applied with a stalk handle, painted in blue with a flower spray and smaller sprigs, length 9.3” — 23.5 cm., painted crescent mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
203 PAIR OF WORCESTER ‘JUNKET DISH FLORALS’ JUNKET DISHES, C.1760-75 with shaped rims, moulded with shells and scrolling leaves around a central medallion and painted in blue with flower sprays and cell borders, the exteriors with flowers and leaves below a line border, approx. diameter 9.8” — 25 cm., painted crescent marks in underglaze blue Provenance: Labels with The Antique Porcelain Company, London, 1955 Jean and Joseph Connolly Collection, Montréal $500—700
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204 WORCESTER ‘WILLOW BRIDGE FISHERMAN’ BOTTLE VASE, C.1760-75 the pear shaped body with bulbous rim painted in blue with Chinese figures fishing and boating in river settings of treed rocky islands with buildings and a bridge, base flaw, height 9.8” — 24.8 cm., painted crescent mark in underglaze blue Provenance: Jas. A. Lewis & Son, Inc., New York, 1951 Jean and Joseph Connolly Collection, Montréal $700—1,000
205 WORCESTER ‘WAITING CHINAMAN’ COFFEE CUP AND SAUCER, C.1770-75 painted in blue with a solitary figure standing in a garden and scattered flower sprigs, diameter 4.8” — 12.2 cm., painted W and crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $300—400
206 WORCESTER ‘K’ANG HSI LOTUS’ PLATE, C.1770-75 with scalloped rim, painted in blue with a central medallion and lappet shaped floral panels on a cracked ice ground, diameter 7.7” — 19.5 cm., painted precious object mark in underglaze blue Provenance: Label with Jas. A. Lewis & Son, Inc., New York, 1956 Jean and Joseph Connolly Collection, Montréal $250—350
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207 PAIR OF WORCESTER ‘HUNDRED ANTIQUES’ HEART SHAPED DISHES, C.1770-80 painted in underglaze blue, width 11.1” — 28.3 cm., painted cartouche and sevencharacter marks in underglaze blue Provenance: Jas. A. Lewis & Son, Inc., New York, 1953 Jean and Joseph Connolly Collection, Montréal $500—700
208 WORCESTER ‘RUBBER TREE PLANT’ OVAL DISH, C.1775 with scalloped rim, painted with insects and fruit on leafy vines in underglaze blue, length 9.7” — 24.6 cm., painted fourcharacter mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
209 WORCESTER ‘RUBBER TREE PLANT’ SQUARE DISH, C.1775 with shaped rim, painted in blue with insects and fruit on leafy vines, painted four character mark in underglaze blue, width 9.4” — 23.8 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
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210 BOW LEAF DISH, C.1765 moulded and painted in blue with vine leaves, insects, and grape clusters, minor chips, length 10.2” — 25.8 cm., painted four and five character marks in underglaze blue Provenance: The Margaret Cadman Collection $175—250
211 PAIR OF BOW POWDER BLUE GROUND SHAPED OVAL DISHES, C.1765 each painted in blue on the centre with a boating figure and rocky islands with buildings and trees, the rims with four fan shaped panels of island scenes and four floral medallions, length 10.4” — 26.4 cm., painted five character marks in underglaze blue Provenance: T. Leonard Crow, Tewkesbury, 1952 Jean and Joseph Connolly Collection, Montréal $800—1,200
212 PAIR OF BOW LEAF DISHES, C.1765 moulded and painted in blue with vine leaves and grape clusters, minor chips, length 10.6” — 26.9 cm., painted four and five character marks in underglaze blue Provenance: Label with Jas. A. Lewis & Son, Inc., New York Jean and Joseph Connolly Collection, Montréal $350—500
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213 PAIR OF BOW LEAF SHAPED DISHES, C.1765 moulded and painted with vine leaves, grapes and insects in underglaze blue, length 8” — 20.4 cm., glaze chips Provenance: Jean and Joseph Connolly Collection, Montréal $300—400
214 BOW COFFEE POT, C.1755 with bird’s head spout set at right-angles to the scroll handle, painted in blue with pagodas and pine trees on rocky islands and a fisherman in a boat, the rims with paneled lattice borders, height 8.2" — 20.8 cm., painted numerals 20 in underglaze blue Provenance: Ainslie Collection, No. A521 (with label) Winifred Williams, Eastbourne, 1960 Jean and Joseph Connolly Collection, Montréal Note: Bernard Watney illustrates the present example, formerly in the Ainslie Collection, in English Blue & White Porcelain of the 18th Century, plate 11B
$1,500—2,000
215 BOW BALUSTER MUG, C.1760-70 with scroll handle, painted in underglaze blue with flowering shrubs below a lattice border, height 5.7” — 14.6 cm. Provenance: Label with Jas. A. Lewis & Son, Inc., New York, 1956 Jean and Joseph Connolly Collection, Montréal $400—600
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
216 BOW SHELL PICKLE STAND, C.1765 the coral stem with small shells and aquatic life supporting a small shell dish, three larger shells around the base, all painted on the interiors with insects, grapes and leaves in underglaze blue, repairs, height 4.9” — 12.4 cm. Provenance: Mary Fox Linton., London, 1959 Jean and Joseph Connolly Collection, Montréal $250—350
217 BOW SHELL PICKLE STAND, C.1765 a shell shaped dish raised on coral stem applied with small shells, three larger shells arranged around the base, all painted on the interiors with dragons in underglaze blue, repairs, height 5” — 12.6 cm. Provenance: Mary Fox Linton, London, 1959 Jean and Joseph Connolly Collection, Montréal $300—400
218 DERBY SHELL PICKLE STAND, C.1760 with three scallop form dishes each decorated with flower sprays, a further raised column supporting a fourth shell containing a gherkin, all elaborately applied with seaweed and shells, minor condition noted, height 8.6” — 21.8 cm., patch marks Provenance: Label with Roderick Jellicoe, London Exhibited: ‘Delightful Derby’, Ceramics and Glass Circle of Australia, Bendigo Art Gallery, 1995 $1,200—1,800
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219 DERBY SHELL PICKLE STAND, C.1760-65 elaborately formed as coral, shells and weeds, supporting three scallop shells around the base and another above a central extension, all painted on the interiors in underglaze blue with scenes of Chinese boating figures and island pagodas within cell borders, the uppermost applied with a small gherkin, some restoration, height 8.6” — 21.8 cm., patch marks Provenance: Winifred Williams, Eastbourne, 1961 Jean and Joseph Connolly Collection, Montréal $700—1,000
220 DERBY COFFEE POT, C.1756 with scroll handle and leaf-moulded spout, painted in blue on each side of the body and on the cover with a spray of chrysanthemums and prunus, the rims with cell borders, height 8.7” — 22 cm., patch marks Provenance: Winifred Williams, Eastbourne, 1964 Jean and Joseph Connolly Collection, Montréal Literature: F. Brayshaw Gilhespy illustrates a coffee pot with similar moulded leaf decoration in Derby Porcelain, plate 51 $700—1,000
221 LOWESTOFT BOWL, C.1765 painted in blue on the centre with a panel of a boating figure by an island dwelling, surrounded by flower sprays and insects between narrow borders, the exterior with two exotic birds and flowering foliage, minor chips, height 3.2” — 8.2 cm., diameter 8.7” — 22 cm. Provenance: Mary Fox Linton, London, 1959 Jean and Joseph Connolly Collection, Montréal $700—1,000
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222 LOWESTOFT MASK JUG, C.1765 moulded and painted in underglaze blue with Chinese river scenes of rocky islands with pagodas and trees, boats, a fisherman and a figure crossing a bridge, height 8.5” — 21.5 cm. Provenance: Mary Fox Linton, London, 1959 Jean and Joseph Connolly Collection, Montréal $1,000—1,500
223 LOWESTOFT EYEBATH, C.1770 of oval shape, moulded with scrolls and flutes on a square baluster stem and fluted oval foot, painted in blue with a floral panel on each side and a scalloped border at the rim, the interior and base with flower sprigs and a line border, height 1.9” — 4.9 cm. Provenance: Mary Fox Linton, London, 1959 Jean and Joseph Connolly Collection, Montréal Literature: Sheenah Smith, Lowestoft Porcelain in the Norwich Castle Museum, p.12 (plates), fig. 181 $1,000—1,500
224 LOWESTOFT CREAM BOAT, C.1770 of fluted oval form with angular handle, painted in blue on each side with a house amongst trees, the interior with a flower sprig below a paneled border, length 4.2” — 10.7 cm., painted X workman’s mark in underglaze blue Provenance: Mary Fox Linton, London, 1959 Jean and Joseph Connolly Collection, Montréal $350—500
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225 LOWESTOFT ‘ROBERT BROWNE’ PATTERN TEA BOWL AND SAUCER, C.1780 painted with wavy scale-blue panels and flower sprigs, tiny chip, diameter 4.3” — 10.9 cm., painted crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $200—300
226 WEST PANS ‘LITTLER’S BLUE’ GROUND COFFEE POT, C.1770 of lobed form with scroll handle and spout, the domed cover with fruit and flowerhead finial, moulded and reserved plain white panels, with traces of gilding, spout restored, height 8.1” — 20.5 cm. Provenance: Jean and Joseph Connolly Collection, Montréal Note: A matching covered sugar bowl, formerly in the Margaret Cadman Collection, was sold at Christie’s, London, October 11, 2002, lot 81 $350—500
227 BLUE AND WHITE PORCELAIN CUP AND SAUCER, PROBABLY ENGLISH, C.1760 painted in blue with canopied planters, a bridge and trees, tiny chip, diameter 5.2” — 13.3 cm. Provenance: Mary Fox Linton, London, 1959 Jean and Joseph Connolly Collection, Montréal $300—400
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228 CHAFFERS, LIVERPOOL ‘JUMPING BOY’ PATTERN OCTAGONAL TEA BOWL AND SAUCER, C.1760 each piece painted in blue with a seated woman holding a posy, a boy with outstretched arms beside her, diameter 5.1” — 12.9 cm., painted three and fourcharacter marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $700—1,000
229 PENNINGTONS, LIVERPOOL ‘SHIP’ BOWL, C.1780-85 printed on the centre in underglaze blue with a three-masted sailing vessel below a cell border, the exterior with insects, flower sprays and scattered sprigs, minor chips, height 3.2” — 8.1 cm., diameter 8.8” — 22.4 cm. Provenance: Winifred Williams, Eastbourne, 1960 Jean and Joseph Connolly Collection, Montréal $350—500
230 CAUGHLEY ‘CONVERSATION’ CABBAGE LEAF AND MASK JUG, C.1780 moulded and printed in underglaze blue, height 9.1” — 23 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $300—400
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231 TWO WORCESTER ‘WISPY CHRYSANTHEMUM SPRAYS’ LEAF SHAPED DISHES, C.1770 printed in blue with naturalistic flower sprays and butterflies, minor chip, length 10.3” — 26.2 cm.; 10.4” — 26.5 cm., printed crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
232 WORCESTER ‘ROSE-CENTRED SPRAY’ OVAL BUTTER TUB WITH COVER AND STAND, C.1770 printed in underglaze blue, length 7.4” — 18.7 cm., crescent marks in underglaze blue Provenance: Antique Porcelain Co. Ltd., London, 1955 Jean and Joseph Connolly Collection, Montréal $300—400
233 WORCESTER ‘BOUQUETS’ CABBAGE LEAF AND MASK JUG, C.1770-75 moulded and printed in underglaze blue, height 8” — 20.3 cm., printed crescent enclosing numeral 1 mark in blue Provenance: Jean and Joseph Connolly Collection, Montréal $300—400
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
234 EIGHTEEN WORCESTER ‘PINE CONE’ PATTERN PLATES, C.177085 with shaped rims, printed in blue on the centres with an arrangement of pine cones, fruit, flowers and leaves, the rims with smaller sprays, one or two minor chips, approx. diameter 9.8” — 25 cm., printed shaded crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $800—1,200
235 EIGHTEEN WORCESTER ‘PINE CONE’ PATTERN PLATES, C.177085 printed in blue on the centres with pine cones, fruit, flowers and leaves, the rims with flower sprays, one or two minor chips, approx. diameter 9.4” — 24 cm., printed shaded crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $800—1,200
236 TWELVE WORCESTER ‘PINE CONE’ PATTERN SOUP PLATES, C.1770-85 printed in blue on the centres with pine cones, fruit, flowers and leaves, the rims with flower sprays, approx. diameter 9.8” — 25 cm., printed shaded crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $600—800
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237 SIX WORCESTER ‘PINE CONE’ PATTERN PLATES, C.1770-85 printed in blue on the centres with pine cones, fruit, flowers and leaves, the rims with lattice paneled borders, approx. diameter 8.9” — 22.5 cm., printed shaded crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $250—350
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
238 TWELVE WORCESTER ‘PINE CONE’ PATTERN OCTAGONAL PLATTERS, C.1770-85 in graduated sizes, printed in blue with butterflies, pine cones, fruit, flowers and foliage, the rims with smaller flower sprays, one or two minor chips, approx. length 16.9” — 43 cm.; 15” — 38 cm.; 13.7” — 34.8 cm.; 13.2” — 33.5 cm.; 11.6” — 29.5 cm.; 10” — 25.4 cm., printed shaded crescent marks in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $1,000—1,500
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239 WORCESTER ‘PINE CONE’ COVERED TUREEN AND STAND, C.1770-85 of oval shape with gadroon rims, the tureen and cover with fruiting oak branch handles, the stand with shell handles at the ends, printed in blue with insects and various arrangements of flowers and leaves, minor loss, stand length 13.3” — 33.8 cm., printed shaded crescent mark in underglaze blue Provenance: The Antique Porcelain Co. Ltd., London, 1955 Jean and Joseph Connolly Collection, Montréal $400—600
240 WORCESTER ‘PINE CONE’ LARGE BASIN, C.1770-85 with shaped everted rim, printed in blue with insects and various arrangements of fruit, flowers and leaves, diameter 15.4” — 39 cm., printed shaded crescent mark in underglaze blue Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
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Decorative Arts and International Fine Art Auction Session 2 Wednesday 10 December 2014 Lots 301–553
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301 ‘POISSONS’, LALIQUE MOULDED GLASS BOWL, C.1930 with fish spiraling around a bubbled centre, diameter 9.4” — 24 cm., etched marks R.LALIQUE / FRANCE $250—350
302 GALLÉ LANDSCAPE CAMEO GLASS VASE, C.1900 the tapering oval vessel of grey glass shading to pink at the rim, overlaid with green and brown and etched with an encircling river scene, rim reduced, height 18.5” — 47 cm., cameo mark Gallé $1,200—1,800
303 GALLÉ SILVER-GILT MOUNTED AND ENAMELED GLASS PERFUME BOTTLE, C.1895 with stopper, the squared ovoid body of opaque grey, yellow and red glass with foil inclusions, etched and painted with flowers and leaves, height 5” — 12.7 cm., etched Gallé Nancy / Depose 95 $700—1,000
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304 GALLÉ WISTERIA CAMEO GLASS VASE, C.1900 of grey and amber glass overlaid with brown and etched with flowering vines, height 7.4” — 18.7 cm., cameo mark Gallé $350—500
305 GALLÉ CAMEO GLASS VASE, C.1900 of slender cylindrical shape with bulbous base, mottled green overlaid with brown and etched with ferns, height 11.5” — 29.1 cm., cameo mark Gallé $250—350
306 GALLÉ LANDSCAPE CAMEO GLASS VASE, C.1900 of tapering form with girdled neck and everted rim, overlaid with brown and etched with trees by a river, mountains in the distance, height 6.1” — 15.5 cm., cameo mark Gallé $700—1,000
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307 GALLÉ CAMEO GLASS VASE, C.1900 the shouldered vessel of grey glass shading yellow, overlaid with amethyst and etched with wisteria, height 6.4” — 16.2 cm., cameo mark Gallé $400—600
308 GALLÉ CAMEO GLASS VASE, C.1900 overlaid and etched with blue and purplish brown flowering vines on a yellow ground, height 5” — 12.7 cm., diameter 6.3” — 16 cm., cameo signature Gallé $700—1,000
309 SILVER MOUNTED DAUM CAMEO GLASS VASE, C.1900 the shaded green glass body etched and gilt with poppies against a starry sky, the silver foot chased with strawberries and leaves, height 4.8” — 12.1 cm., painted marks marks in gilt Daum / ‡ / Nancy $400—600
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310 DAUM CAMEO GLASS BOWL, C.1900 of mottled purple, yellow and green glass, overlaid with brown and etched with branches of autumn leaves, height 5.5” — 14 cm., diameter 9.9” — 25.2 cm., cameo marks DAUM / NANCY / ‡ $800—1,200
311 DAUM ACID-ETCHED GLASS VASE, C.1930 the flaring vessel deeply etched with flutes below a band of stylized poppies and leaves, height 12.2” — 31 cm., engraved DAUM ‡ NANCY FRANCE $250—350
312 LE VERRE FRANÇAIS CAMEO GLASS VASE of trumpet form, the mottled grey glass overlaid with orange, red and green and etched with stylized flowers and foliage, height 15.7” — 40 cm., cameo signature Charder, engraved Le Verre Français $500—700
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313 LE VERRE FRANÇAIS CAMEO GLASS VASE, C.1925 of mottled orange and yellow glass overlaid with amethyst and brown, etched with swans on water beneath willow boughs, height 10.4” — 26.3 cm., cameo signature Charder, engraved Le Verre Français $250—350
314 D’ARGENTAL LANDSCAPE CAMEO GLASS VASE, C.1910 of grey glass shaded with orange, overlaid with amethyst and etched with a lake, trees and distant mountains, height 13.6” — 34.5 cm., cameo marks D’ARGENTAL / StL $350—500
315 FRENCH CAMEO GLASS VASE, PROBABLY PAUL NICHOLAS, C.1910 the ovoid vessel of yellow glass overlaid with red and brown and etched with a bird in a flowering vine, height 19.3” — 49 cm. $600—800
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
316 LEGRAS ENAMELED CAMEO GLASS VASE, 1920S the mottled pink and green pear shaped vessel etched and painted with geometric motifs in red, height 15” — 38.2 cm., cameo mark Legras $250—350
317 DEGUE CAMEO GLASS VASE, C.1925 mottled and overlaid with orange and dark brown, etched with stylized flowers and leaves, height 14” — 35.5 cm., cameo mark Degue $250—350
318 AMALRIC WALTER PÂTE DE VERRE VIDE-POCHE, 1920S of mottled green glass, moulded with pheasants, ferns and clusters of yellow fruit, length 7.8” — 19.7 cm., moulded mark AWALTER . NANCY $2,000—3,000
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319 AMALRIC WALTER PÂTE DE VERRE GRASSHOPPER ASHTRAY, 1920S of rectangular shape, the rim with a grasshopper moulded in full relief, length 4.7” — 11.9 cm., moulded marks AWALTER / NANCY $800—1,200
320 LOETZ ‘PAPILLON’ IRIDESCENT GLASS VASE, EARLY 20TH CENTURY the U-shaped vessel of mottled blue glass applied with gold paddle handles, height 6.5” — 16.5 cm. $700—1,000
321 AUSTRIAN IRIDESCENT RED GLASS VASE, PROBABLY LOETZ, C.1910 of compressed circular form with dimpled shoulder and trefoil rim, the mottled red glass striated with opaque white and covered with iridescence, height 8.3” — 21 cm., diameter 15.7” — 40 cm. $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
322 AUSTRIAN ZWISCHENGOLDGLAS PORTRAIT BEAKER, JOHANN JOSEPH MILDNER, GUTENBRUNN, DATED 1796 of slightly flaring cylinder form, inset with an oval painted profile portrait medallion of a woman wearing a lace bonnet within a gilt surround and cut oval bead border, inscribed verso ‘Verfertiget / zu Gutenbrunn / im Fürnbergischen grossen / Weinsperwald / 1796 / Von Mildner’, the opposite side engraved and gilt with armorials, the base inset with a circular gilt medallion showing St. Aloysius Gonzaga holding a crucifix and lily on the inside and Cupid with an apple held in each hand underneath, the applied rim with a gilt border of flowers and leaves, further inscribed on the interior, above an engraved swag border, the base cut with short flutes interspersed with engraved flowers, tiny chip, height 4.7” — 12 cm. $1,500—2,000
323 BOHEMIAN ZWISCHENGOLDGLAS BEAKER, JOHANN POHL, C.1900 decorated with a Nordic warrior scene on panel-cut double walls between foliate and dentil borders, the base with a helmet, horn and wreath of oak on a red ground, height 3.7” — 9.5 cm., signed J.M. Pohl Haida $250—350
324 PAIR OF ENGLISH RED GLASS VASES, C.1860 of baluster form on stepped bases with everted wavy rims, decorated with gilt vines, leaves and berries, height 11.9” — 30.3 cm. $200—300
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325 ANGLO-IRISH CUT GLASS PEDESTAL FOOTED BOWL, C.1800 of oval shape with serrated rim above a knopped stem and square lemon squeezer base, minor chips, height 10.1” — 25.7 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $400—600
326 ANGLO-IRISH CUT GLASS PEDESTAL FOOTED CIRCULAR BOWL, C.1800 with roll-over rim, ribbed stem and square lemon squeezer base, minor chip, height 8.4” — 21.4 cm., diameter 9.8” — 25 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
327 ANGLO-IRISH CUT GLASS PEDESTAL FOOTED OVAL BOWL, C.1800 with roll-over rim, ribbed stem and square lemon squeezer base, height 8.3” — 21 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $350—500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
328 PAIR OF ANGLO-IRISH CUT GLASS CANDLESTICK LUSTRES, 19TH CENTURY hung with buttons and prisms, height 5.7” — 14.5 cm. Provenance: Jean and Joseph Connolly Collection, Montréal $200—300
329 FOUR ARABIC ISLAMIC OR ‘MUSLIM’ BONE AND IVORY CHESS PIECES, 11TH CENTURY each with ring turned decoration, one with incised floret medallion to top, tallest height 1.75” — 4.4 cm. Note: Contains material which may be subject to import/export regulation. $2,000—3,000
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330 ANGLO-INDIAN MINIATURE IVORY AND HORN GAME TABLE AND CHESS SET, VIZAGAPATAM, C.1840 with white and red pieces on an octagonal veneered sandalwood top board on turned support on quadripartite base raised on paw feet, 9.25” x 10” — 23.5 x 25.4 cm. Note: Contains material which may be subject to import/export regulation. $800—1,200
331 ANGLO-INDIAN IVORY AND HORN INLAID SANDALWOOD BOOK FORM GAME BOARD, VIZAGAPATAM, MID 19TH CENTURY opening to ebony and ivory inlaid sandalwood backgammon board interior, with working lock and key, closed 4” x 18.3” x 10.5” — 10.2 x 46.5 x 26.7 cm. Note: Contains material which may be subject to import/export regulation. $3,000—5,000
332 ANGLO-INDIAN TURNED AND CARVED IVORY CHESS SET, KASHMIR, EARLY/MID 19TH CENTURY one side stained red, each piece elaborately detailed, kings with pierced galleries, kings and bishops under pierce crested miters, queens with plumes, half horses as knights, turrets with cannons as rooks, and pawns with undercut imperial crowns, king height 4.5” — 11.5 cm. Note: Contains material which may be subject to import/export regulation. $2,000—3,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
333 ANGLO-INDIAN TURNED AND CARVED IVORY CHESS SET, KASHMIR, EARLY 19TH CENTURY one side stained green, each piece finely carved all over with foliate decoration, the kings and queen pierce carved with turreted waists, bishops with pierced miters, knights with horse heads, rooks as turrets with flags, height 4.75” — 12.1 cm., contains material which may be subject to import/export regulation Note: Contains material which may be subject to import/export regulation. $1,500—2,500
334 ANGLO-INDIAN TURNED AND CARVED BONE CHESS SET, 19TH CENTURY bases of one side stained black, each piece of tall slender proportions with conventionalized figures, height 3.9” — 10 cm. $400—600
335 FRENCH NAPOLEONIC BONE AND BOXWOOD ‘PRISONER OF WAR’ DIEPPE STYLE CHESS SET, LATE 18TH/EARLY 19TH CENTURY with Roman-Mediaeval theme, each side a mixture of European and Moorish half length and bust figures,, king height 3" — 7.6 cm. Provenance: Ex collection Louis Cheno, Brussels, 1980 $2,000—3,000
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336 FRENCH CARVED AND POLYCHROMED BONE FIGURAL CHESS SET, DIEPPE, C.1770 with European monarchs as kings and queens, admirals with leather and silk bicorn hats as bishops, sea horses as knights, and turrets as rooks, king height 3" — 7.6 cm. $3,000—5,000
338 FRENCH TURNED AND CARVED IVORY EUROPE VS. MOORS BUST FORM CHESS SET, 19TH CENTURY with Ferdinand and Isabella as white monarchs, farmers as bishops, horses as knights, turrets as rooks and soldiers as pawns, each raised on column form pedestal base, monarchs with mark: Méricant à Toulouse, king height 4.1” — 10.4 cm. Provenance: Ex collection Louis Cheno, Brussels, 1980 Note: Contains material which may be subject to import/export regulation. $8,000—12,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
339 FRENCH TURNED AND CARVED EUROPE VS. MOORS IVORY BUST FORM CHESS SET, 19TH CENTURY the white army with Napoleon and Maire Louise as monarchs, Tyrolleans as bishops, and grenadiers as pawns, the red army with Chiefs as monarchs, jesters as bishops, and infantry as pawns, both sides with horses as knights and turrets as rooks, all on baluster bases, king height 3.7” — 9.5 cm. Note: Contains material which may be subject to import/export regulation. $5,000—7,000
340 FRENCH TURNED AND CARVED IVORY REVOLUTIONARY BUST FORM CHESS SET, DIEPPE, EARLY 19TH CENTURY with Republic vs. Monarchy theme, with Napoleon and Josephine wearing tricolour cockades, revolutionaries as bishops, horse heads knights, flagged turret rooks and infantrymen in shakos as pawns opposing Monarchs as king and queen, clergymen as bishops, horse head knights, Cathedral rooks and infantrymen in bicorn hats as pawns, rook height 4.5” — 11.4 cm. Provenance: Sotheby Parke-Bernet, N.Y., Sale 4442Y, lot 673, Oct. 22-24, 1980 Note: Contains material which may be subject to import/export regulation. $8,000—12,000
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341 FRENCH CARVED IVORY BATTLE OF ALGIERS CHESS SET, DIEPPE, 1ST HALF, 19TH CENTURY finely detailed with Louis-Philippe and Maria Amalia de Bourbon as white King and Queen, Abdelkader El Djezairi as red King, fous as bishops, Napoleon’s columns and Obelisks as rooks and infantrymen as pawns, Rook height 5.1” — 13 cm. $8,000—12,000
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Provenance: Ex collection Louis Cheno, Brussels, 1980 Note: Contains material which may be subject to import/export regulation.
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
342 ENGLISH TURNED AND CARVED BONE ‘BARLEYCORN’ PATTERN CHESS SET, MID 19TH CENTURY one side stained red, kings with plumed crowns, queens with orbs, height 5.25” — 13.3 cm. $500—700
343 ENGLISH TURNED AND CARVED IVORY ‘MALTESE’ CHESS SET, MID 19TH CENTURY one side stained red, each side with similar conventionalized pieces, kings with St. Edward’s crown, queens with plumed orbs, all on robustly spooled stands, and turrets with articulated cannons as rooks, height 4.6” — 11.7 cm. Note: Contains material which may be subject to import/export regulation. $2,000—3,000
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344 GERMAN TURNED AND CARVED IVORY ‘SELENUS’ PATTERN CHESS SET, EARLY/MID 19TH CENTURY one side stained dark brown, kings, queens and bishops with faces over galleried bodies and horses as knights, all on baluster bases, and turrets as rooks,, height 4.5” — 11.4 cm. Note: Contains material which may be subject to import/export regulation. $800—1,200
345 CHINESE CARVED IVORY PUZZLE BALL CHESS SET, CANTON, EARLY 20TH CENTURY with kings and queens as emperors and empresses, sages as bishops, mounted warriors as knights, as caparisoned elephants as rooks, each raised on puzzle ball base, kings height 7.25” — 18.4 cm., contains material which may be subject to import/export regulation Note: Contains material which may be subject to import/export regulation. $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
346 SCOTTISH SILVER MOUNTED YEW WOOD SNUFF BOX, EARLY 19TH CENTURY the inner lid with gold plaque inscribed: ‘This Box is made from the Crookston Yew, so fam’d in History as the favourite retreat of Mary Queen of Scots and Earl Darnley, from the Cabinet of Wm. Cunningham Graham of Gartmore, Sterlingshire’, 0.9” x 2.8” x 1.9” — 2.3 x 7.1 x 4.8 cm. $300—400
(detail)
347 REGENCY IVORY BANDED TORTOISESHELL TEA CADDY, C.1820 with silvered brass ball feet and finial, opening to relined double interior, 6.5” x 6.72” x 4” — 16.5 x 17.1 x 10.2 cm. Provenance: Receipt: Edward A. Nowell Antiques, Wells, Sommerset, 1971 Note: Contains material which may be subject to import/export regulation. $800—1,200
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348 PAIR OF GEORGE III TORTOISESHELL BANDED REEDED IVORY TEA CADDIES, 18TH CENTURY each of tent top octagonal form with silver ring handle, height 5.75” — 14.6 cm. Provenance: Jean and Joseph Connolly Collection, Montréal Note: Contains material which may be subject to import/export regulation. $600—800
349 DUTCH COPPER INSET BRASS TOBACCO BOX, MID 18TH CENTURY with scroll shaped ends and engraved with outdoor genre scenes including courting couple over romantic motto flanked by further figures, length 5.3” — 13.5 cm. $300—400
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
350 DUTCH OVAL BRASS TOBACCO BOX, MID 18TH CENTURY the top and bottom decorated with engraved scenes of the resurrection and ascension of Christ, respectively, the inner lid with applied monogram medallion, length 5” — 12.7 cm. $200—300
351 FRENCH SILVER BOUND IVORY CIGARETTE BOX, EARLY 20TH CENTURY the top with relief cut monogram, 2.75” x 5.2” x 3.5” — 7 x 13.2 x 9 cm. Note: Contains material which may be subject to import/export regulation. $200—300
352 THREE EDWARDIAN SHAGREEN CIGARETTE BOXES, EARLY 20TH CENTURY each with ivory stringing and hinged lid, longest length 5.1” — 13 cm. Note: Contains material which may be subject to import/export regulation. $300—400
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353 CARVED IVORY CANE HANDLE IN THE FORM OF THE HEAD OF ARTHUR WELLESLEY, 1ST DUKE OF WELLINGTON, EARLY/MID 19TH CENTURY height 3.1” — 8 cm. Note: Contains material which may be subject to import/export regulation. $200—300
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354 GEORGE III DERBYSHIRE SPAR ‘BLUE JOHN’ URN, EARLY 19TH CENTURY the covered ovoid form on square plinth with black slate foot, height 9.4” — 24 cm. $1,000—1,500
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
355 GEORGE III DERBYSHIRE SPAR ‘BLUE JOHN’ COLUMN, EARLY 19TH CENTURY with turned gild bronze capital and on black slate base, height 16.25” — 41.3 cm. $2,000—3,000
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356 FRENCH PATINATED BRONZE MANTEL URN, 19TH CENTURY flanked by putti over fluted ovoid bowl with floral swag, height 7.5” — 19.1 cm. $300—400
357 PAIR OF FRENCH GOTHIC REVIVAL GILT AND PATINATED BRONZE MANTLE URNS, C.1840 height 10.25” — 26 cm. $800—1,200
358 FRENCH GOTHIC REVIVAL PORCELAIN MOUNTED GILT AND PATINATED BRONZE DESK BOX, C.1840 the lid with plaque painted with pastoral river scene, opening to interior fitted with four porcelain ink pots, three quill receivers and pen tray, 3.5” x 10.8” x 5.75” — 8.9 x 27.4 x 14.6 cm. $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
359 VIENNESE ENAMELLED OVAL SNUFF OR PILL BOX, 19TH CENTURY the interior and exterior decorated with classical mythological figures in landscape settings, height 1.5” — 3.8 cm. $200—300
360 SOUTH STAFFORDSHIRE GILT METAL MOUNTED ENAMEL ÈTUI CASE, C.1770 decorated with cartouches of figures in landscape settings on pink ground with raised white rocaille work opening interior fitted with full complement of implements including scissors, penknife, etc., height 3.9” — 10 cm. $400—600
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361 GEORGE II SILVER MOUNTED BOOK OF COMMON PRAYER, AND ADMINISTRATION OF THE SACRAMENTS, AND OTHER RITES AND CEREMONIES OF THE CHURCH, ACCORDING TO THE USE OF THE CHURCH OF ENGLAND; TOGETHER WITH THE PSALTER OR PSALMS OF DAVID, POINTED AS THEY ARE TO BE SUNG OR SAID IN CHURCHES, LONDON, 1759 8vo., printed by Joseph Bentham, red ruled throughout, with 55 engravings,frontispiece portrait of King George II, in English Moroccan tooled black leather binding with tooled gilt edges and monogrammed plaque: M.P. to M.C. $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
362 PAIR OF REGENCY TOLEWARE CHESTNUT URNS, C.1815 each with painted floral decoration on oxblood ground with gilt lion mask handles, height 12.5” — 31.8 cm. $1,000—1,500
363 THREE PIECE REGENCY TOLEWARE SUITE, PAIR OF CHESTNUT URNS AND TEA URN ON STAND, C.1820 each with painted floral and peacock decoration, tea urn height 17” — 43.2 cm. $1,000—1,500
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364 PAIR OF IRISH BRASS BOUND MAHOGANY PEAT AND PLATE BUCKETS, LATE 18TH CENTURY each of typical form with swing handle, handle down height 17” — 43.2 cm. Provenance: Ex Collection of the Marquess of Ely $3,000—5,000
365 DUNHILL ‘AQUARIUM’ LIGHTER, C.1950 the acrylic body with continuous intaglio scene of tropical fish swimming amongst plants and reef formations, condition noted, 3.1” x 3.75” — 7.90 x 9.5 cm. $2,000—3,000
366 NEAR PAIR OF HAGENAUER PATINATED BRONZE AND PORTER MARBLE DOG FORM BOOKENDS, MID 20TH CENTURY each signed on the base with maker’s mark encircled WHW, 4.75” x 8.35” — 12.1 x 21.2 cm. $300—500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
367 ITALIAN RELIEF CARVED HORN PATCH BOX, 17TH/18TH CENTURY decorated scenes from the life of with St. Severinus of Noricum, diameter 3” — 7.5 cm. $2,000—3,000
368 TWO ANCIENT GREEK BRONZE SITULA SPOUTS, CLASSIC PERIOD, 4TH CENTURY B.C. each in the form of a lion’s head, now mounted on ebonized base, each about diameter 1.2” — 3 cm. $200—300
369 ROMAN CARVED MARBLE MASK OF ALEXANDER THE GREAT, 2ND CENTURY on acrylic mount, mask height 2.5” — 6.4 cm. $300—400
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370 SAMPSON TOWGOOD ROCH (BRITISH, 1759-1847) PORTRAIT MINIATURE OF KING GEORGE IV, 1823 enamel on oval copper panel , titled Georgius IV Rex, signed Roch and dated, verso, in ornate gilt bronze frame with angel and crown crest, cherubs and masks, panel 3” x 2.5” — 7.6 x 6.3 cm. $2,000—3,000
371 FRENCH SCHOOL PORTRAIT MINIATURE OF A YOUNG RESTAURATION VOLTIGEUR OFFICER, 1816 gouache on ivory panel, signed Rebin, and dated, and quill inscription verso ‘Né le 30 mai 1789’, depicted wearing Legion of Honor and another Fleur de Lis decoration, 4.75” x 4.25” — 12.1 x 10.8 cm. Note: Contains material which may be subject to import/export regulation. $300—400
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
372 FRENCH SCHOOL PORTRAIT MINIATURE ON IVORY OF A YOUNG WOMAN, 1799 gouache on ivory panel, signed Zender (fl.1797-1821), and dated, 3.25” x 2.8” — 8.3 x 7.1 cm. Note: Contains material which may be subject to import/export regulation. $200—300
373 FRENCH BAS RELIEF CARVED IVORY PORTRAIT OF EMPRESS JOSEPHINE, MID 19TH CENTURY bust right, in black lacquered case frame with gilt slip, 7.25” x 6.7” — 18.4 x 17 cm. Note: Contains material which may be subject to import/export regulation. $300—500
374 CONTINENTAL SCHOOL PORTRAIT MINIATURE OF QUEEN LOUISE AUGUSTE WILHELMINE AMALIE OF PRUSSIA, 19TH CENTURY enamel on oval porcelain plaque, titled, in gilt bronze easel frame, 7.1” x 5.3” — 18 x 13.5 cm. $200—300
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375 CARLOTTA NOWLAN (BRITISH, FL. 1885-1911) THE BLUE RIBBON gouache on ivory panel in gilt copper frame, signed, label verso: The Art Gallery of Toronto, No. 194, sight 4.25” x 2.4” — 10.8 x 6 cm. Provenance: The Art Gallery of Ontario, deaccessioned to benefit art purchases at the AGO. Note: Contains material which may be subject to import/export regulation. $300—400
376 EARLY GRENFELL LABRADOR INDUSTRIES HOOKED MAT, 1ST QUARTER, 20TH CENTURY depicting a barque at sea against night sky, cotton label verso: ‘Made in Labrador’, 26.25” x 38” — 66.7 x 96.5 cm. $1,000—1,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
377 GRENFELL LABRADOR INDUSTRIES HOOKED MAT, C.1930 depicting woman drying cod on dock, label verso, 12” x 15.5” — 30.5 x 39.4 cm. $500—700
378 GRENFELL LABRADOR INDUSTRIES HOOKED MAT, C.1930 depicting a trapper, label verso, 12" x 15.5" — 30.5 x 39.4 cm. $500—700
379 CANADIAN GOVERNOR GENERAL’S AWARD SILVER MEDAL, 1893 recto with heads profile of Sir John Campbell Hamilton Gordon and Ishbel Hamilton Gordon, Earl and Countess of Aberdeen, verso with coat of arms of the Marquess of Aberdeen and Temair, cased, diameter 2” — 5.1 cm. $200—300
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380 CANADIAN GOVERNOR GENERAL’S AWARD SILVER MEDAL TO W. S. GOULDING, 1935 named on the edge, recto with heads profile of Captain Vere Brabazon Ponsonby, 9th Earl of Bessborough and Lady Bessborough, verso with coat of arms, Mappin & Webb case monogrammed ‘B’, diameter 2” — 5.1 cm. $100—200
381 HAMILTON THOMAS CARLTON PLANTAGENET MACCARTHY (1846-1939) BUST OF TECUMSEH, 1896 terra cotta, signed, dated, height 15.25” — 38.7 cm. $1,000—1,500
382 SAILOR’S VALENTINE, MID 19TH CENTURY the hinged octagonal double glazed mahogany case with crab, shellwork heart, and motto ‘Think of Me’, open width 19.25” — 48.9 cm. $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
383 SWISS/GERMAN BLACK FOREST CARVED PINE DESK STAND, EARLY 20TH CENTURY modelled as a bird over nest over pen tray flanked by nest form ink pot holders, 10.25” x 17” — 26 x 43.2 cm. $300—400
384 TURNED TORTOISESHELL AND GILT COPPER SNUFF BOX OF CAROLINE OF BRUNSWICK, C.1820 the round lid with pressed profile of Caroline, Queen of England, head right, signed D. Renkin, diameter 3.1” — 8 cm. $200—300
385 FRENCH TORTOISESHELL AND GILT COPPER SNUFF BOX OF NAPOLEONIC INTEREST, MID 19TH CENTURY the round lid with pressed profile of Napoleon, Emperor, and Marie Louse, heads left, signed Gayrard, under convex lens, diameter 1.1” — 2.75 cm. $200—300
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386 FRENCH TURNED BURL WOOD AND GILT COPPER SNUFF BOX OF NAPOLEONIC INTEREST, MID 19TH CENTURY the round lid with pressed profile of Napoleon, Emperor, bust left, signed Lienard, under convex lens, diameter 3.5” — 8.9 cm. $200—300
387 FRENCH PRESSED BURL WOOD SNUFF BOX OF NAPOLEONIC INTEREST, MID 19TH CENTURY the round lid with profile of Napoleon as Caesar, head left, diameter 2.6” — 6.6 cm. $200—300
388 FRENCH LACQUER SNUFF BOX OF NAPOLEONIC INTEREST, EARLY 19TH CENTURY the lid decorated with scene of the Bivouac of Napoleon on the Battlefield of Wagram, after Adolph Roehn, 1” x 3.3” x 1.8” — 2.5 x 8.5 x 4.6 cm. $75—150
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
389 FRENCH GILT COPPER MOUNTED PAPIER MACHÉ PATCH BOX OF NAPOLEONIC INTEREST, 1ST HALF, 19TH CENTURY the round banded faux tortoiseshell case with wax relief profile portrait of Napoleon, 1st consul, bust left, under convex lens, diameter 3.25” — 8.3 cm. $200—300
390 CHINESE EXPORT SILVER MOUNTED CARVED IVORY LANCET CASE OF NAPOLEONIC INTEREST, 1ST HALF, 19TH CENTURY with scenes of Napoleon’s House and Tomb on St. Helene recto and verso, opening to fitted interior containing two tortoiseshell handled steel blades, 3.26” x 1.7” — 8.3 x 4.2 cm. Note: Contains material which may be subject to import/export regulation. $200—300
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391 SET OF TWELVE NAPOLEONIC CLICHÉS, BERTRAND ANDRIEU (1761-1822) C.1820 each silvered lead uniface medallion signed and depicting significant events in the emperor’s life including, Josephine, marriage to Marie Louise, baptism of Napoleon II, Battle of Austerlitz, siege of the Bastille, etc., in period laurel leaf and berry gesso frame with tooled leather matte $500—700
392 FRENCH PATINATED BRONZE GROUP OF NAPOLEON ON A CAMEL BY ALFRED JACQUEMART (1824-1896), 19TH CENTURY with incised signature and foundry mark F. Barbedienne Fondeur, Paris, height 10.25” — 26 cm. $800—1,200
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
393 PAIR OF FRENCH PATINATED BRONZE FIGURES OF CLASSICAL MUSES, 19TH CENTURY each modelled standing with implements against a column on later marble base, height 14.5” — 36.8 cm. $500—700
394 FRENCH SCHOOL BRONZE FIGURE OF A WATER BEARER, 19TH CENTURY modelled as a bare footed young woman carrying two large pots, signed Xamroff(?) and with impressed foundry marks, height 24” — 61 cm. $1,500—2,000
395 ANDOR RUFF (HUNGARIAN, 1885-1951) MEDIAEVAL HUNTING GROUP 19th century patinated bronze group of hunter with bow, horn and hounds, signed, on marble base, height 12.25” — 31.1 cm. $400—600
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396 GEORGES OMER (FL.19TH/20TH CENTURY) QUARRY WORKER gilt bronze, signed base verso G. Omer, height 8” — 20.3 cm. $200—300
397 AUGUSTE JOSEPH PEIFFER (FRENCH, 1832-1886) PUTTO WITH HOUND 19th century, patinated bronze group, signed, on later marble base, height 12” — 30.5 cm. $500—700
398 PROSPER LECOURTIER (FRENCH, 1832-1927) AND HYPPOLYTE MOREAU (FRENCH, 1855-1924) LE PIQUEUX SONNANT DE LA TROMPE 19th century patinated bronze group of huntsman with horn and hounds, signed in the mould and with Societé des Bronzes de Paris foundry mark, height 20.75” — 52.7 cm. $1,000—1,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
399 ANTOINE PIERRE AUBERT (FRENCH, 1853-1912) DANTE AND OVID pair of 19th century patinated bronze figures, signed, on rouge griotte marble bases, now mounted as table lamps, figural height 22.5” — 57.2 cm. $2,000—3,000
400 ANTOINE PIERRE AUBERT (FRENCH, 1853-1912) PATINATED BRONZE OF A YOUNG GIRL WITH A BIRD signed in the mould, on marble base, height 11” — 27.9 cm. $400—600
401 ALBERT ERNEST CARRIERBELLEUSE (FRENCH, 1824-1887) MÉLODIE patinated bronze, with title plaque, signed in the mould A. Carrier Belleuse, height 31.5” — 80 cm. $2,000—3,000
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402 GUSTAVE FRÉDÉRIC MICHEL (FRENCH, 1851-1924) LA PENSÉE patinated bronze bust of a young woman, signed, with Medaille d’honneur, Susse Freres foundry mark and presentation plaque verso dated 1906, height 19.25” — 48.9 cm. $500—700
403 JULIEN CAUSSÉ (FRENCH, 18691914) BEATRIX patinated bronze bust of a young woman, signed verso, on rouge griotte marble fluted socle with title plaque, height 22” — 55.9 cm. $1,000—1,500
404 EUGENE MARIOTON BELLUAIRE (THE LION TAMER) patinated bronze, height 33” — 83.8 cm. $1,000—1,500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
405 FRENCH PATINATED BRONZE GROUP OF BACCHANALIAN MUSICAL FAMILY, 19TH CENTURY on pierce cast ‘C’ scroll base, height 17.5” — 44.5 cm. $500—700
406 JOHANN PHILIPP FERDINAND PREISS (GERMAN, 1882-1943) DREAMING carved ivory figure modelled as a young nude with head resting on one knee on naturalistic base raised on trapezoid onyx socle, height 6.9” — 17.5 cm. Note: Contains material which may be subject to import/export regulation. $5,000—7,000
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407 ATTRIBUTED TO P. C. EMILIO FIASCHI (ITALIAN, 1858-1941) SEATED NUDE marble, bronze, height 18.25” — 46.4 cm. Provenance: The Art Gallery of Ontario, deaccessioned to benefit art purchases at the AGO. $3,000—4,000
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
408 MARK MATVEEVICH ANTOKOLSKY (RUSSIAN, 1843-1902) BUST OF MEPHISTOPHELES
409 JOHANNES GOTZ (GERMAN, 1865-1934) BOY BALANCING ON A BALL
bronze with green brown patination, incised signature, height 10” — 25.4 cm.
gilt and patinated bronze figure, signed and with Gladenbeck foundry mark, on verde antico marble socle, height 24” — 61 cm.
$5,000—7,000
$2,000—3,000
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410 WILHELM ANDREAS (GERMAN, 1882-1951) SPRINTER AT THE START circa 1921, signed, stamped M. I. Germany, marble base, height 9.6” — 24.4 cm. $500—700
411 SMALL FRENCH BRONZE AND IVORY BUST OF A YOUNG GIRL, G. DE THOUIN, 19TH CENTURY on green onyx socle, incised signature, height 8.5” — 21.6 cm. Note: Contains material which may be subject to import/export regulation. $200—300
412 FRENCH PATINATED AND GILT BRONZE BUST OF A ROMAN EMPEROR OR SENATOR, MID 19TH CENTURY on turned rouge griotte marble base, height 14.5” — 36.8 cm. $600—800
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413 PAIR OF LATE VICTORIAN WHITE MARBLE BUSTS, 19TH CENTURY each of a bearded gentleman in Renaissance attire, and on turned verde antico marble socle, each height 16” — 40.6 cm. $2,000—3,000
414 ITALIAN CARVED MARBLE FIGURE OF A YOUNG CHILD AT SEASIDE WITH CRAB AND LIFE BUOY, C.1900 incised Carv. Prof. E. Montony, Made in Italy, 243, 11.75” x 13” — 29.8 x 33 cm. $600—800
415 FRENCH PATINATED BRONZE FIGURE OF THE SLEEPING ARIADNE, AFTER THE ANTIQUE, 19TH CENTURY modelled reclining in chiton, breasts exposed, with serpent bracelet coiled around her arm, 9” x 15” — 22.9 x 38.1 cm. Note: Often mistaken to be a model of Cleopatra and the asp by which she died. $500—700
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416 ITALIAN ‘GRAND TOUR’ WHITE MARBLE MODEL OF THE DYING GAUL, AFTER THE ANTIQUE, 19TH CENTURY 6.25” x 11.6” — 15.9 x 29.5 cm. $200—300
417 SMALL ITALIAN ‘GRAND TOUR’ BRONZE MODEL OF THE DYING GAUL, AFTER THE ANTIQUE, MID 19TH CENTURY 3.5” x 6.5” — 8.9 x 16.5 cm. $200—300
418 ITALIAN ‘GRAND TOUR’ PATINATED BRONZE MODEL OF SEATED HERMES, AFTER THE ANTIQUE, MID 19TH CENTURY height 11.5” — 29.2 cm. $600—800
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419 ITALIAN ‘GRAND TOUR’ PATINATED BRONZE FIGURE OF THE PRAYING BOY, AFTER THE ANTIQUE, MID 19TH CENTURY
420 NEAPOLITAN ‘GRAND TOUR’ PATINATED BRONZE FIGURE OF NARCISSUS, AFTER THE ANTIQUE, MID 19TH CENTURY
modelled standing with upraised arms, height 12.25” — 31.1 cm.
probably by Chiurazzi foundry, height 10.25” — 26 cm.
Note: The original for this model is in the Altes Museum, Berlin.
$300—500
421 ITALIAN ‘GRAND TOUR’ PATINATED BRONZE MODEL OF THE CAPITOLINE ANTINOUS BY GIACOMO ZOFFOLI (17311785), 18TH CENTURY base with impressed G. ZOFFOLI . F, height 13.4" — 34 cm. $3,000—5,000
$300—500
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422 FRENCH ‘GRAND TOUR’ PATINATED BRONZE MODEL OF THE APOLLO BELVEDERE, MID 19TH CENTURY with incised title to base with Musée du Louvre and impressed foundry mark AV, height 11.5” — 29.2 cm. $500—700
423 ITALIAN ‘GRAND TOUR’ BRONZE PATINATED METAL AMPHORA, AFTER THE ANTIQUE, C.1880 with figural relief decoration and scrolling volute handles, on Sienna marble base, height 21” — 53.3 cm. $700—900
424 PATINATED AND GILT BRONZE DESK THERMOMETER, MID 19TH CENTURY modelled as a column on elephant’s back, surmounted by figure of Napoleon, height 9.75” — 24.8 cm. $200—300
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427 FRENCH ‘GRAND TOUR’ PATINATED BRONZE MODEL OF THE PLACE DE LA CONCORDE OBELISK OF LUXOR, MID 19TH CENTURY
425 FRENCH ‘GRAND TOUR’ PATINATED BRONZE MODEL OF THE PLACE VENDÔME COLUMN, MID 19TH CENTURY
426 FRENCH ‘GRAND TOUR’ GILT BRONZE MODEL OF THE PLACE VENDÔME COLUMN, MID 19TH CENTURY
surmounted by figure of Napoleon, on fenced black slate base, height 10.8” — 27.4 cm.
surmounted by figure of Napoleon, on fenced black slate base, height 12.75” — 32.4 cm.
on fenced black slate base, height 12” — 30.5 cm.
$800—1,200
$1,000—1,500
$1,000—1,500
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428 FRENCH GILT BRONZE MODEL OF NAPOLEON’S ‘RETOUR DES CENDRES’ SARCOPHAGUS, C.1840 the elaborately modelled casket under crowned funeral pall, with named lid over inner lid with further engraved dates, etc. opening to reveal silk lined interior with fully realized body, 7.25” x 12.75” x 8” — 18.4 x 32.4 x 20.3 cm. $3,000—5,000
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429 ITALIAN ‘GRAND TOUR’ ALABASTER MODEL OF THE TEMPLE OF VESPASIAN, MID 19TH CENTURY on titled limestone base, height 10.8” — 27.4 cm. $800—1,200
430 PAIR OF ITALIAN ‘GRAND TOUR’ SIENNA MARBLE MODELS OF THE TEMPLES OF CASTOR AND POLLUX AND OF VESPASIAN, MID 19TH CENTURY each on black slate base, height 13.75” — 34.9 cm. $3,000—4,000
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431 ITALIAN ‘GRAND TOUR’ SIENNA MARBLE MODEL OF THE COLUMN OF PHOCAS, AFTER THE ANTIQUE, MID 19TH CENTURY raised on stepped plinth on black slate base, height 20.5” — 52.1 cm. $2,500—3,500
432 LARGE ITALIAN BRONZE MORTAR, 16TH CENTURY ringed, with armorial shields, foliate decoration and down turned peg handles, height 8.25” — 21 cm. Provenance: Private Collection, Philadelphia; by descent $500—700
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433 ITALIAN RENAISSANCE FIGURAL BRONZE DOOR KNOCKER, VENICE, 16TH CENTURY of lyre form, modelled in the manner of Tiziano Aspetti (1557/9-1607) with dolphins flanking putto standing above a shell form grip, height 11.5” — 29.2 cm. Provenance: Private Collection, Philadelphia; by descent $1,500—2,500
434 PAIR OF ITALIAN PATINATED BRONZE FIGURES OF MERCURY AND FORTUNA, AFTER GIAMBOLOGNA AND FULCONIS, 19TH CENTURY on turned black slate socles with bronze relief bands with frolicking putti, height 34” — 86.4 cm. $3,000—4,000
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435 FRENCH EMPIRE STYLE PATINATED BRONZE BUST OF NAPOLEON ‘EN HERMÈS’, 1858 after the model by Antoine-Denis Chaudet (1763-1810), interior with ‘Fonder M. Carlo Chessi, 1858’, height 11” — 27.9 cm. $500—700
436 LARGE FRENCH WHITE MARBLE BUST OF NAPOLEON I, EMPEROR, 19TH CENTURY modelled as Caesar crowned with laurel wreath, height 31” — 78.7 cm. $3,000—4,000
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437 ITALIAN SPECIMEN MARBLE AND BRONZE BUST OF AN EMPEROR, CIRCLE OF BENEDETTO BOSCHETTI, C.1850 cast patinated head and neck set into toga clad shoulders of rosso verona marble on variegated white marble socle, height 27.5” — 69.9 cm., grams $4,000—6,000
438 FRENCH GILT BRONZE FIGURE OF A CLASSICAL GREEK MAIDEN, MID 19TH CENTURY modelled standing on ormolu mounted marble column form base, height 26” — 66 cm. $500—700
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439 LARGE AUSTRIAN COLD PAINTED BRONZE MODEL OF A PHEASANT, EARLY 20TH CENTURY modelled in the manner of Franz Bergman, unsigned, length 38.25” — 97.2 cm. $800—1,200
440 PAIR OF TURKISH CARVED AND POLYCHROMED AUTOMATON FIGURES, MID 19TH CENTURY each modelled as a servant with articulated left hand as if pouring tea, height 31” — 78.7 cm. $2,000—3,000
441 PAIR OF ITALIAN ORMOLU MOUNTED RED MARBLE ROMAN TUB FORM PLANTERS, EARLY 20TH CENTURY each with lion mask ring handles and raised on paw feet, each 11” x 16” x 6” — 27.9 x 40.6 x 15.2 cm. $1,000—1,500
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442 PAIR OF FRENCH EMPIRE STYLE ORMOLU MOUNTED RED PORPHYRY OBELISKS, MID 20TH CENTURY
443 PAIR OF FAUX MALACHITE AND ORMOLU OBELISKS, MID 20TH CENTURY each base with griffin form supports, height 28.25” — 71.8 cm.
height 34” — 86.4 cm. $700—900 $1,000—1,500
444 PAIR OF FRENCH PLASTER RELIEF PANELS, 19TH CENTURY each in the Louis XVI manner with blindfolded amorini cavorting on ribbon suspended garland within acanthus moulded surround, each 28” x 37” — 71.1 x 94 cm. Provenance: Whytock & Reid, Edinburgh, sold Christie’s Sale on the Premises, 16 May 1994, lot 381 $1,000—1,500
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445 LARGE RUSSIAN ICON OF ST. NICHOLAS THE MIRACLE WORKER, 19TH CENTURY tempera on panel, the three quarter length figure depicted with one hand raised in blessing, the other holding bible, flanked by full figures of Christ with the Gospels and Mary offering the Episcopal stole, the composition finely rendered in bright colours against a blue ground within oxblood surround with gilt ‘slip’ and further decorative elements, height 27.5” — 20 cm. $800—1,200
446 PAIR OF FRENCH EMPIRE PATINATED AND GILT BRONZE AND SIENA MARBLE FOUR LIGHT CANDELABRA, C.1820 modelled with Egyptian influences, each tripartite base with paw feet supporting tapering column riser to lotus capital, the central urn form candle cup with flame finial, height 18” — 45.7 cm. $1,000—1,500
447 PAIR OF FRENCH EMPIRE GILT BRONZE CANDELABRA TABLE LAMPS, EARLY 20TH CENTURY overall height 36.5” — 92.7 cm. $800—1,200
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448 LOUIS XVI STYLE ORMOLU MOUNTED WHITE MARBLE THREE LIGHT MANTLE CANDELABRA, MID 20TH CENTURY each urn form vase issuing foliated branches to floral candle cups, height 18” — 45.7 cm. $500—700
449 PAIR OF FRENCH GILT BRONZE FIGURAL FIVE LIGHT CANDELABRA, C.1880 each Cherubic figure modelled standing on black marble fluted column form socle, holding aloft bouquet form candle branches, now electrified, height 30.5” — 77.5 cm. $400—600
450 PAIR OF GILT AND PATINATED BRONZE CARYATID FORM FIGURAL TABLE LAMPS, EARLY 20TH CENTURY each modelled standing on giltwood base, crown height 26.1” — 66.3 cm. $1,000—1,500
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451 PAIR OF ART DECO GLASS, ONYX AND MARBLE TABLE LAMPS BY MARIUS ERNEST SABINO (FRENCH, 1878-1961) C.1925 each cascading fountain form frosted glass shade signed ‘Sabino 4649 Paris’ on circular base having fluted feet, height 11" — 27.9 cm. $1,500—2,500
452 FRENCH CUT GLASS AND GILT BRONZE 12-LIGHT CHANDELIER, 19TH CENTURY the cage form with electric interior illumination and six external candles, height 40” — 101.6 cm., diameter 21” — 53.3 cm. $800—1,200
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453 FRENCH ROCK CRYSTAL AND GILT BRONZE 10-LIGHT CHANDELIER, 19TH CENTURY the cage form with interior illuminated mirrored bowl $2,000—3,000
454 JAEGER LE COULTRE ATMOS CLOCK, SWISS, C.1980 caliber 540, serial 614494, case with rectangular glass panelled gilt metal frame with square white chapter ring dial having gilt Arabic quarters and indices in between, height 9” — 22.9 cm. $400—600
455 FRENCH EMPIRE ORMOLU MOUNTED FLAME MAHOGANY PORTICO CLOCK, 1ST HALF, 19TH CENTURY with two train countwheel movement striking bell, height 18” — 45.7 cm. $500—700
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456 FRENCH FIGURAL MYSTERY CLOCK, ANDRE ROMAIN GUILMET, PARIS, C.1870 the 4.25 inch parcel gilt dial fronting movement signed GLT and numbered 812 striking bell in a black slate case surmounted by patinated metal figure of a classical maiden holding pendulum, height 28.5” — 72.4 cm. $2,000—3,000
457 LARGE NAPOLEON III PATINATED BRONZE AND MARBLE FIGURAL MANTEL CLOCK, CHARPENTIER ET CIE., C.1870 signed on the dial and movement, surmounted by Bacchanalian cherub after Clodion, height 21.5” — 54.6 cm. $1,000—1,500
458 LARGE VICTORIAN GEORGE III STYLE QUARTER CHIMING BRACKET CLOCK, LATE 19TH CENTURY the gilt brass dial with silvered chapter ring and strike/silent, regulator and Westminster-Cambridge rings in the arch fronting a heavy three train movement chiming on a nest of eight bells and striking gong in ormolu mounted mahogany case surmounted by pineapple finials and raised on pad feet (condition noted), height 26” — 66 cm. $2,000—3,000
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459 GEORGE III MAHOGANY MONTH GOING REGULATOR, JOHN BILLINGS, LONDON, C.1775 the 10 inch signed silvered dial with subsidiary seconds ring and outside minute track fronting a five pillar, 30 day time only movement with anchor escapement in a figured case with broken pediment and panelled base on ogee bracket feet, height 77” — 195.6 cm. Provenance: Norman Adams Antiques, London (label) $5,000—7,000
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461 WILLIAM IV MAHOGANY WHEEL BAROMETER, F. W. MORGAN, MANCHESTER, C.1835
462 CONTINENTAL COLUMN FORM GREEN GRANITE PEDESTAL, LATE 19TH CENTURY
the 8 inch signed dial in case with shell inlay and alcohol thermometer, height 38” — 96.5 cm.
the 10 inch signed, silvered dial in flame grained case with indicator hand adjustment knob and alcohol thermometer, height 39.25” — 99.7 cm.
the petal and leaf moulded tapering octagonal riser with mask decoration to rotating table, height 43.75” — 111.1 cm.
$200—300
$200—300
460 GEORGE III WELSH MAHOGANY WHEEL BAROMETER, A. GIANETTONE, MERTHER TIDVIL, EARLY 19TH CENTURY
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463 ITALIAN WHITE ALABASTER COLUMN FORM PEDESTAL, 19TH/EARLY 20TH CENTURY
464 EMPIRE STYLE ORMOLU MOUNTED VERDE ANTICO MARBLE PEDESTAL, LATE 19TH CENTURY
the 11.5 inch rotating top over Doric capital on stop-fluted riser, height 38.5” — 97.8 cm.
the rotating 10.25 inch square table above caryatid column with anthemion mount on stepped base, height 43.75” — 111.1 cm.
$300—500
465 PAIR OF PARCEL SILVER GILT SOLOMONIC COLUMN FROM TORCHIERES, EARLY 20TH CENTURY each barley twist riser entwined with carved grapevine to Corinthian capital supporting foliate scroll and shell relief carved bowl with three lights, height 76.75” — 194.9 cm. $3,000—4,000
$400—600
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466 SET OF SIX DUTCH MARQUETRY INLAID WALNUT DINING CHAIRS, EARLY 19TH CENTURY each with curved rail with mask inlay over secondary rail, and drop-in upholstered seat, all raised on sabre legs, with trailing vine and acanthus inlay overall, height 35” — 88.9 cm. $800—1,200
467 DUTCH WALNUT MARQUETRY FOLDING GAMES TABLE, EARLY 19TH CENTURY on tapering square legs and inlaid over all with trailing floral designs, the top including central urn and birds and opening to baize lined surface bordered by further inlay including playing cards dice and dominos, 30.75” x 33.25” x 16.1” — 78.1 x 84.5 x 41 cm. $1,000—1,500
468 PAIR OF ITALIAN SPECIMEN MARBLE TOP DEMILUNE CONSOLE TABLES, 18TH/EARLY 19TH CENTURY each geometric patterned top on paint decorated base with square tapering legs to broad moulded pad feet, 31.5” x 33.5” x 17” — 80 x 85.1 x 43.2 cm. $3,000—4,000
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469 ITALIAN PARCEL GILT EBONY AND EBONIZED PIETRA DURA AND ORMOLU MOUNTED CABINET ON STAND, 19TH CENTURY modelled in the 18th century manner, the ripple moulded breakfront chest with gallery and ten drawers surrounding central door opening to two further drawers, on a Florentine carved, parcel gilt and ebonized stand with scrolling supports and masks, 62” x 31” x 14” — 157.5 x 78.7 x 35.6 cm. $5,000—7,000
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470 FLEMISH PHEASANT HUNTING GAME PARK TAPESTRY, SECOND HALF, 16TH CENTURY with figures on horseback with attendants, dogs, hawks and pheasants in landscape setting with village in background, 109” x 140” — 276.9 x 355.6 cm. $6,000—8,000
470A PRINCESS HELENA VICTORIA OF SCHLESWIG-HOLSTEIN LOUIS VUITTON STEAMER TRUNK, 19TH CENTURY serial no. 108549, of grey painted canvas construction with wooden ribs, interior label and ribbon cross tufted lid, with applied, titled and named oval brass plaque, 22” x 40” x 21.5” — 55.9 x 101.6 x 54.6 cm. $2,000—3,000
(detail)
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THE ART GALLERY OF ONTARIO COLLECTION Lots 471 – 476 This auction includes a number of works consigned to us by the Art of Gallery of Ontario (AGO) as part of the Gallery’s strategy to refine and improve the public, community and art historical value of its collection. A carefully guided process, the deaccessioning of these works underwent a rigorous and thorough review conducted by the AGO’s curatorial staff, executive team and board members, in consultation with donors or their legal representatives. The AGO recognizes that deaccessioning is an important aspect of a collection’s care. As museums and public galleries carry out their missions, they seek to refine and elevate the quality and relevance of their collections.
In addition, because the AGO cares for its collections according to the highest standards, its resources should therefore only be devoted to works of art that serve its mission. This occasionally demands that works leave the collections. The Art Gallery of Ontario’s 2013 Deaccessioning Policy follows those guidelines agreed upon by the Association of Art Museum Directors (AAMD), as well as the standards of the Canadian Museums Association, the American Association of Museums and the Association of Art Museum Curators. Waddington’s is pleased to assist the AGO in benefit of future art purchases.
471 WILLIAM MOUAT LOUDAN (18681925), BRITISH RESTING Oil on canvas; signed lower left, titled to gallery label verso 63” x 50.5” — 160 x 128.3 cm. Provenance: The Art Gallery of Ontario, Toronto, since at least 1930, deaccessioned to benefit art purchases at the AGO Note: With handwritten inscriptions to the stretcher: “April 26-26” / “13” in white chalk with a black stencil number “325EF” to the top stretcher indicate this work was last exposed to the art market nearly 90 years ago $5,000—7,000
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472 THEODOR ALEXANDER WEBER (1838-1907), GERMAN HARBOUR SCENE WITH FISHING BOATS Oil on canvas; signed lower left, titled to gallery label verso 13” x 21.5” — 33 x 54.6 cm. Provenance: Bequest of the Late J.P. Bickell, Toronto to the Art Gallery of Ontario, Toronto on 13 Feb, 1952, Accession No. 51/32; Deaccessioned to benefit art purchases at the AGO $2,000—3,000 Note: The late J.P. Bickell served as President, Chairman and member of the Board of Directors of Maple Leaf Gardens from its inauguration in 1931 until 1951. A businessman and hockey executive, the “J.P. Bickell Memorial Award” was named in his honour. Over the years, the award was presented to a member of the Toronto Maple Leafs who performed with a very high standard of excellence as a player or within the executive office. The Bickell was last awarded in 1999 to Mats Sundin and Curtis Joseph.
473 WILLEM MARIS (1844-1910), DUTCH LUXURIOUS SUMMER Oil on canvas; signed lower right, titled to gallery label verso 13” x 18” — 33 x 45.7 cm. Provenance: Robert Scott & Sons; Bequest of Lily M. Cowan to the Art Gallery of Ontario, Toronto in 1961, Accession No. 63/45; Deaccessioned to benefit art purchases at the AGO $3,000—5,000
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474 BERNARDUS JOHANNES BLOMMERS (1845-1914), DUTCH BUILDING SANDCASTLES (“BEGRJE MAKEN”) Oil on canvas; signed lower right, titled “The Kelp Gatherers” to gallery label verso 21.7” x 27” — 55.2 x 68.5 cm. Provenance: Ex. Coll. F.W.G. Fitzgerald Esq., Toronto; The Art Gallery of Ontario, Toronto, Accession No. 49/2 in 1949; Deaccessioned to benefit art purchases at the AGO Exhibited: Art Gallery of Ontario, “The Hague School: Collecting in Canada at the turn of the century”, 7 May- 26 June, 1983, Cat. No. 1 as “The Kelp Gatherers” $30,000—50,000
Note: Blommers executed a larger oil on canvas of children on the beach making sandcastles measuring 36.5” x 45.9” (92.8 cm. x 116.7 cm.) entitled “Begrje maken”. The present lot may be a study for the larger work of this subject sold at Christie’s, Amsterdam on 29 April, 1997, lot 160 for $97,633 US. F.W.G. Fitzgerald Esq. lent several paintings from his collection to exhibitions held at the Art Gallery of Ontario. His collection included another Blommers entitled “Interior” that was exhibited in the “Sixth Loan Exhibition of British and Foreign Paintings”, 6 Jan. -8 Feb., 1920. The exhibition included a work by A.J. Marius Bauer, Cat. No. 4 as well as other 19th and 20th Century Dutch paintings including: M. Bauer, Cat. No. 3; J.S. Kever, Cat. No. 58; Willem Maris, Cat. No. 82; G. Poggenbeek, Cat. No. 106; a Modern Dutch School example, Cat. No. 131 as well as French and British paintings by Ignace Fantin-Latour, Cat. No. 34 and Sir John Lavery, Cat. No. 70. In another exhibition at the AGO: “Catalogue of an Exhibition of Paintings by French Artists”, 6 Jan. - 5 Feb., 1922, Fitzgerald lent an Alexandre Gabriel Decamps, “The End of Day”, Cat. No. 26; an Ignace Fantin-Latour, Cat. No. 35; an Adolphe Monticelli, Cat. No. 68 and two Camille Pissarro’s, Cat. Nos. 73 and 74. F. W. G. Fitzgerald Esq. of Toronto was one of the editors of Toronto’s first Catholic newspaper, “The Mirror”, which was published from 1837 until 1893, when the paper was merged into the “Catholic Register”.
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475 JULES DUPRE (1811-1889), FRENCH WOODLAND SCENERY Oil on cradled panel; certified by Arnold et Tripp verso, titled to gallery labels verso 9.5” x 12.5” — 24.1 x 31.8 cm. Provenance: Presented to the Art Gallery of Ontario, Toronto by Mr. & Mrs. H.C. Cox in 1926, Accession No. 805; Deaccessioned to benefit art purchases at the AGO Exhibited: The Art Gallery of Toronto (Art Gallery of Ontario) Extension Loans in: “19th Century Canadian Landscapes & Its Sources”, Cat. No. VI, 1 $2,000—3,000 *Additional information available on our website.
476 ALEXANDRE GABRIEL DECAMPS (1803-1860), FRENCH HORSE AND DONKEY Oil on canvas 9.5” x 12.5” — 24.1 x 31.8 cm. Provenance: Bequest to the Art Gallery of Ontario, Toronto from F.W.G. Fitzgerald on 17 October 1949, accession No. 49/5; Deaccessioned to benefit art purchases at the AGO Exhibited: Art Gallery of Ontario loan to Haus Der Kunst, Munich, Germany for the exhibition: “School of Barbizon”, 02 February, 1996 to 21 April, 1996 $800—1,200 *Additional information available on our website.
477 NARCISSE VIRGILE DIAZ DE LA PENA (1808-1876), FRENCH FORET DE SAINT-CLOUD Oil on canvas; signed lower left 12.2” x 16.2” — 31 x 41.1 cm. Provenance: Robert Macindoe, Glasgow partial gallery label $4,000—6,000
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478 AFTER ALEXANDER CABANEL (1823 1889), FRENCH MICHAELANGELO IN HIS STUDIO, VISITED BY POPE JULIUS II Oil on canvas; bears initial “C” lower left. A late 19th Century copy. 31” x 52.5” — 78.7 x 133.4 cm. Provenance: Purchased from a Collection, London, United Kingdom in 1962 as recorded on the typed label verso; Robert Deveau Galleries, (Deveau Auctioneers, Toronto); From whom purchased by the late father of the present Private Collection, Toronto in the 1980s. Exhibited: The original painting, now untraced, was exhibited in the Salon, 1857, as “Michelangelo in His Studio Visited by Pope Julius II”
Note: Two sales of paintings of this title by Cabanel were sold at auction: one at Sotheby & Co., London, 29 April, 1931, lot 60 (being smaller 23” x 38”) and another canvas sold at Hotel Drouot, Paris, Sale No. 10, on 10 November, 1943, lot 65 measuring 29 x 48 cm. with both sales differing in size. It is likely that this copy was executed from the much smaller print, handcoloured with gouache and gum arabic executed by Pierre Castan, now in the Musee Goupil in Bordeaux, measuring 17” x 29 3/8” and published by Adolphe Goupil, the art dealer and publisher that commissioned the original lost canvas. Cabanel turned from religious subjects to literary and historical themes in the late 1850s. In 1857, he exhibited three works in the Salon including the original canvas of this work. The art dealer and publisher Adolphe Goupil commissioned the original painting with the goal of publishing a series of prints devoted to the lives of the great masters. Cabanel paid tribute to Michelangelo, whose work so moved him in Rome and whom he called “my sublime master.” Cabanel represented Michelangelo seated in thought, mallet and chisel in hand, contemplating his unfinished sculpture of Moses. Around him are other sculptures in various states of finish and an imaginary painted grisaille study for a group of angels in The Last Judgment. The Pope and several cardinals, greeted by a bowing servant, are approaching through a door on the right.
Literature: The two sales of other paintings with this title are cited in E. Benezit, “Dictionnaire Des Peintres, Sculpteurs; Dessinateurs et Graveurs”, Vol. 2, p. 433, 1976 edition as “Michel-Ange dans son atelier“ $4,000—6,000
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479 AUGUSTE RODIN (1840-1917), FRENCH HANAKO Bronze with dark brown patina; with incised signature “A. Rodin” (to the left side of her neck) also inscribed and dated with copyright “by Musee Rodin, 1964” and further inscribed with the foundry mark “. Georges Rudier. .Fondeur. Paris” and numbered “No. 9”. Titled “Hanako” to the gallery label to the underside. Raised on a black marble pedestal with “turntable” (base). Certified by Max Stern, titled “Hanako” and numbered 9 from a limited edition of 12 “only” to the accompanying copy of the original gallery receipt 12” x 8” x 9.5” — 30.5 x 20.3 x 24.1 cm.; 17” — 43.2 cm. Provenance: Musee Rodin, Paris; Dominion Gallery, Montreal, inventory number H3736; From whom purchased by the consignor’s father, Montreal on November 23, 1963 with “the turntable no. 23” base together with a copy of the original gallery receipt; By descent $15,000—20,000
480 OSSIP ZADKINE (1890-1967), RUSSIAN/FRENCH VIEILLE PAYSANNE Bronze with gold patina; inscribed with the artist’s initials “O.Z.”, numbered 3/10 and stamped with the foundry mark “Susse Fondeur Paris” to the base height 10.5” — 25.9 cm. Provenance: Dominion Gallery, Montreal, inventory no. B4602 label to the underside $6,000—8,000
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481 SIR JACOB EPSTEIN (1880-1959), BRITISH DEIDRE IN A SLIP, CIRCA 1945 Bronze with green patination; raised on an ebonized wood base. Second casting. Together with a copy of the original gallery receipt, a copy of the photo certificate from Lady Kathleen Epstein dated 23 January, 1961 certifying the bust as a genuine Sir Jacob Epstein about 1945, as “a second casting” and with three copies of typed letters from the Continental Gallery to Kathleen Epstein dated 11 December, 1959; 22 February, 1960 and 18 May, 1960. 21.5” x 16.5” — 54.6 x 41.9 cm. Provenance: The artist’s estate; Lady Kathleen Epstein, London, his sole beneficiary; Continental Galleries of Fine Art, Montreal, inventory number CO240 received from Lady Epstein circa 11 December, 1959; From whom purchased by J.S. Connolly, Esq., Ottawa on 25 April, 1960 $15,000—20,000 *Additional information available on our website.
482 CECCO BONANOTTE (1942- ), ITALIAN FUNAMBOLI (ROPE-WALKERS) Brown/gold patinated bronze; signed twice. In 3 joined pieces. A unique bronze. 1984 or 1985, recorded as 1985 53.1” x 78” x 8.7” — 135 x 198 x 22 cm. Provenance: Galerie Esperanza, Montreal from whom acquired by the present Private Collection, Montreal Exhibited: In 1983, it is recorded in the book cited below that Bonanotte participated in the inauguration of the Italian Institute of Culture in Toronto with a oneman show. He later travelled to Montreal (1984) for a one-man show at the Galerie Esperanza and later visits Ottawa for a one-man show at the Galerie Montcalm-Hull.
Literature: “Cecco Bonanotte 1984-1988”, pg. 17, illustrated in colour, fig. 1, as “Funamboli Rope- Walkers, 1985, recorded with dimensions: 198 x 135 x 22 cm. Note: Cecco Bonanotte cast his bronzes from the lost wax method. Each sculptural work is a unique, single casting he sketched and made wax models of in his studio in Rome. The President of Italy, Giorgio Napolitano, and the President of France, Francois Mitterand, inaugurated the new bronze portal created by Bonanotte for the Musée du Luxembourg in Paris, France. In 2000, Pope John Paul XXIII inaugurated Cecco’s new entrance portal to the Vatican Museum. A major millennium project, the Vatican Museum portal is 8 metres high and 4 metres wide.
$3,000—5,000
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483 JACQUES LIPCHITZ (1891-1973), FRENCH SAMSON FIGHTING THE LION Bronze with green/brown patina; signed with artist’s initials and finger print and numbered 78/210 to the column. Raised on a wood base. 6” x 2.8” x 2” — 15.2 x 7.1 x 5.1 cm. $1,200—1,800
484 RALPH ALBERT BLAKELOCK (1847-1919), AMERICAN SUNSET ON A WOODLAND POOL Oil on panel; signed lower right, signed with initials RAB in arrowhead verso 16” x 11.75” — 40.6 x 29.8 cm. $6,000—8,000
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485 EDWARD JOHN RUSSELL (18321906), BRITISH BORN/CANADIAN/AMERICAN BARQUE NORTHERN EMPIRE (OF WINDSOR, N.S.), WOODEN, CLASS 3.3.1.1., 949 TONS, NO GUNS Watercolour on J. Whatman watermarked paper dated 1883; signed “E.I. Russell” and dated ‘83 at New York lower left $5,000—7,000
(Journal)
Together with: Capt. Thompson Dinsmore’s “Log Book/ Voyages of the Northern Empire Commanded by Captain Dinsmore”, Simpson & Shaw, Ship Stores and Chandlery, New York publishers, with handwritten, dated entries from Wed. 4th January, 1882 to Wed. 28th Feb., 1883. Marbled boards with calf spine. Together with a thick paper envelope with typeset lettering: “L. Westergaard & Co., Ship Agents and Ship Brokers” containing Captain Dinsmore’s numerous and variously dated “Papers of the ‘Bk Northern Empire’” Sheet 26” x 39” — 66 x 99.1 cm. Provenance: Private Collection, Toronto purchased in Yarmouth, N.S. in 1966
(Envelope and documents)
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486 GUY CARLETON WIGGINS (18831962), AMERICAN THE LIBRARY, WINTER, 1931 Oil on canvas; signed lower left; signed, titled and dated 1931 verso. Together with a copy of a letter of authenticity from the artist’s son, Guy A. Wiggins. 12” x 16” — 30.5 x 40.6 cm. $25,000—35,000
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Provenance: With C. Allen Correll, New York; Salmagundi Club, “Auction sale”, n.d.; Sotheby’s, New York, 28 Sept. 2011, lot 32; From whom purchased by the present Private Collection, Canada Exhibited: Wiggins was a member of the Salmagundi Club, the oldest art club in the US where he frequently exhibited Note: Together with a copy of a letter of authenticity from Guy A. Wiggins, the artist’s son, dated 3 Mar ‘11 where he describes the subject: “the lions of the NY Public Library and pedestrians in falling snow”
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
487 EMILE ALBERT GRUPPE (18761978), AMERICAN MORNING LIGHT Oil on canvas; signed lower right; titled and dated 1971 to the stretcher 24” x 28” — 61 x 71.1 cm. $4,000—6,000
488 STUART KAUFMAN (1926-), AMERICAN GREY DAY- WESTHAMPTON BEACH; STILL LIFE ROSE Two oils, the former, an oil on canvasboard; signed lower left; signed and titled in pencil verso, the latter, an oil on panel; signed lower right, titled to gallery label verso Together with: ATTRIBUTED TO ADELHEID DIETRICH (1827-1891), GERMAN
HYACINTH Oil on cradled panel; signed with monogram “AD” lower left 6” x 9” — 15.2 x 22.9 cm.; 3.5” x 6.75” — 8.9 x 17.1 cm.; 6.2” x 3” — 15.7 x 7.6 cm. Provenance: Each with Davis Galleries, New York labels verso; “Still Life Rose” inscribed: “John C. Herndon, lent to Catherine C. Treat” label verso $2,000—3,000
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COLLECTION OF FIVE NORTH AMERICAN INDIAN PORTRAITS Lots 489 – 493
489 SCHOOL OF CHARLES BALTHAZAR JULIEN FEVRET DE SAINT-MEMIN (1770-1852), FRENCH/AMERICAN AN OSAGE WARRIOR (COPY AFTER THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL’S BOOK PROJECT: “THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA”) Watercolour and ink on “J. Whatman” watermarked paper; sculpted oval, the sheet, cut as an oval with 1/4” margin, inscribed in pencil: “Alice Warwick” verso. Image 8.75” x 6.75” — 22.2 x 17.1 cm.; 9.75” x 7.75” — 24.8 x 19.7 cm. Provenance: “Alice Warwick” inscribed in pencil verso, one of a collection of five watercolours in this sale: lots 489 to 493, of which this lot 489 and three following lots: lots 491, 492 and 493, are similarly inscribed: “Alice Warwick” in pencil verso; Private Collection, Toronto $5,000—7,000 *Additional information available on our website.
490 SCHOOL OF CHARLES BIRD KING (1785-1862), AMERICAN HAYNE HUDIJIHINI (THE EAGLE OF DELIGHT) (COPY AFTER THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL’S BOOK PROJECT: “THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA”) Watercolour and ink on “J Whatman” watermarked paper dated “1819”; sculpted oval Image 4.5” x 3.75” — 11.4 x 9.5 cm.; 5” x 4.2” — 12.7 x 10.7 cm.; 8.25” x 7.75” — 21 x 19.7 cm. Provenance: “Alice Warwick”, same as previous lot: From the collection of five watercolours relating to McKenney & Hall’s book, lots 489 to 493 in this sale, with four lots: lots 489, 491, 492 and 493 similarly inscribed: “Alice Warwick” in pencil verso; Private Collection, Toronto Literature: Andrew J. Cosentino, “The Paintings of Charles Bird King (1785-1862)”, Smithsonian Institution Press, 1977, Cat. Nos. 333, 332 and 335, the oils on wood by various hands in recorded collections $4,000—6,000 *Additional information available on our website.
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491 SCHOOL OF CHARLES BALTHAZAR JULIEN FEVRET DE SAINTMEMIN (1770-1852), AMERICAN LE SOLDAT DU CHENE (THE SOLDIER OF THE OAK- AN OSAGE CHIEF), (COPY IN REVERSE RELATING TO THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL’S BOOK PROJECT: “THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA”) Watercolour and ink on “J Whatman” watermarked paper; sculpted oval, inscribed “Alice Warwick” in pencil verso Image 9” x 7” — 22.9 x 17.8 cm.; 9.75” x 8.25” — 24.8 x 21 cm. $5,000—7,000 *Additional information available on our website.
492 SCHOOL OF CHARLES BIRD KING (1785-1862), AMERICAN CHON-MAN-I- CASE (PRAIRIE WOLF) (AN OTOE HALF CHIEF), (COPY AFTER THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL’S BOOK PROJECT: “THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA”) Watercolour and ink on unwatermarked paper; sculpted oval, inscribed: ‘Alice Warwick” in pencil verso Image 4.5” x 3.75” — 11.4 x 9.5 cm.; 5” x 4.1” — 12.7 x 10.5 cm.; 8.25” x 7.7” — 21 x 19.5 cm. $4,000—6,000 *Additional information available on our website.
493 SCHOOL OF CHARLES BALTHAZAR JULIEN FEVRET DE SAINTMEMIN (1770-1852), AMERICAN SHAHAKA (COPY AFTER THE PORTRAIT STUDY FOR THOMAS MCKENNEY AND JOHN HALL’S BOOK PROJECT: “THE HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA”) Watercolour and ink on paper, with lower case “b” (a partial watermark to the bottom of the sheet) and with a partial watermark of a stylized “wing and leg” at the top of the sheet, inscribed “Alice Warwick” in pencil verso. Matted feigned oval. Image feigned oval 5.3” x 5” — 13.5 x 12.7 cm.; 7.9” x 6.7” — 20 x 17 cm. Provenance: “Alice Warwick” inscribed in pencil verso, one of a collection of five watercolours in this sale: lots 489 to 493 of which this lot 493 and three previous lots: lot 490, 492 and 491, are similarly inscribed: “Alice Warwick” in pencil verso; Private Collection, Toronto $4,000—6,000 *Additional information available on our website.
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494 ALEX KATZ (1927- ), AMERICAN FLAGS, 1967 Oil on masonite; signed lower left, titled and dated 1967 to gallery labels verso 12” x 16” — 30.5 x 40.6 cm. Provenance: Robert Miller Gallery, Inc., New York; Marlborough-Godard, Toronto, stock number T0T5959; The Estate of Ethel Myers, Toronto $20,000—30,000
495 HENRI HAYDEN (1883-1970), FRENCH LA FERME, 1968 Oil on canvas; signed and dated 68 lower left, titled to the stretcher 19.75” x 25.5” — 50.2 x 64.8 cm. Provenance: The Waddington Galleries Ltd., London and Montreal, W.A.G. No. 3055 inscribed to the stretcher $7,000—10,000
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496 OTTO PANKOK (1893-1966), GERMAN STILL LIFE WITH FLOWERS, CIRCA 1940 Charcoal drawing on paper; signed with initials upper right Together with Rainer Zimmermann’s hard cover book: “Otto Pankok”, Rembrandt Verlag Berlin, 1964 Sheet 38.5” x 44.75” — 97.8 x 113.7 cm. Provenance: Purchased by Mr. Ludwig Leitz, Germany, circa 1945; Gifted to his cousin, Enya Keylwerth in 1957 who had immigrated to Midland, Canada; By descent to her daughter, Toronto in 1962 $7,000—9,000 Literature:
For further reading about the historic Leitz family see Knut Kuhn-Leitz’s book: “Ernst Leitz Wegbereiter Der Leica” Note: Otto Pankok was a German painter, printmaker and sculptor born in Mulheim on the Ruhr who began his formal art training in 1912 at the Art Academies in Dusseldorf and Weimar. From 1914-1917, he was a soldier in France in WWI. Returning to Düsseldorf in 1919, he was a founder of the “Junge Rheinland” (Young Rhineland) group with Otto Dix, Gert Heinrich Wollheim, Adolf Uzarski, and others. When Hitler came to power in 1933, Pankok was declared a degenerate artist. Subsequently, 56 of his pictures were seized from museums, some of which were included in the infamous exhibition Entartete Kunst (Degenerate Art), mounted by the Nazis in Munich in 1937. Ernst Leitz II, the son of Ludwig Leitz, was a Protestant patriarch who headed the closely held firm Leitz, later known as Leica Camera, Germany. As the Holocaust loomed across Europe, he acted in such a way as to earn the title “the photography industry’s Schindler”. To help his Jewish workers and colleagues, Leitz quietly established what has become known among historians of the Holocaust as “the Leica Freedom Train” a covert means of allowing Jews to leave Germany in the guise of Leitz employees being assigned overseas. It is now the subject of a book, “The Greatest Invention of the Leitz family: The Leica Freedom Train” (pub. American Photographic Historical Society, 2002).
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497 LYNN CHADWICK (1914-2003), BRITISH FIGURE, 1961 Pen and ink, ink wash and watercolour on paper; signed and dated ‘61 lower right; signed and annotated by the artist: “To Jane with Affection” lower left, titled to gallery label verso Sheet 17” x 13.9” — 43.2 x 35.3 cm. Provenance: Niveau Gallery, New York; Sotheby’s, New York, 14 March 2012, lot 79; Private Collection, Canada $7,000—9,000
498 RUDOLF BONNET (1895-1978), DUTCH BALINESE FIELD WORKER; SKETCH OF A SEATED NUDE (A DOUBLE-SIDED DRAWING) Colour pastel, charcoal and watercolour on heavy paper; the recto, signed and dated 1954 at “Bali” upper left, the charcoal drawing sketch verso crossed out 18.5” x 15” — 47 x 38.1 cm. Provenance: Acquired by Arnold Warren and Violet Milstead Warren, C.M., Colborne, Ontario direct from the artist in Bali in 1954; Their Estate Note: Arnold Warren and Violet Milstead Warren were sent to Jacarta in 1953 by the Canadian government where Arnold Warren was paid to teach the Indonesian Army to fly. Violet was also a licenced pilot but was not permitted to teach as she was a woman. In 1954, the couple took a holiday in Bali where they purchased this drawing directly from the artist and brought it back to Canada in 1955. Violet Milstead Warren would later go on to win numerous accolades for her achievements in aviation including the Amelia Earhart Award, the Order of Canada (2004) and was inducted into the Canadian Aviation Hall of Fame in 2014. $5,000—7,000
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499 MOHAN SINGH (1972- ), INDIAN UNTITLED (HEAD) Acrylic on canvas; signed and dated 2012 lower right 36” x 28” — 91.4 x 71.1 cm. $2,000—3,000 *Additional information available on our website.
500 SWAPAN KUMAR PALLEY (1953-), INDIAN UNTITLED Acrylic on canvas; signed and dated ‘09 lower right edge, signed and dated 09 verso 22” x 22” — 55.9 x 55.9 cm. $1,000—1,500 *Additional information available on our website.
501 VINITA KARIM (1962- ), INDIAN BLACK Acrylic, oil and gold leaf on canvas; signed and dated 2012 lower right, signed, titled and dated 2012 verso 62” x 36” — 157.5 x 91.4 cm. Provenance: Gallery Art & Soul, Mumbai Note: Karim uses various materials incorporating oil, acrylic paint, gold leaf, and print patterns from kalamkari wooden blocks creating compositions that interconnect her Indian heritage, her Swedish nationality and her life experiences in various cities around the world: Stockholm, Berne, Nuremberg, Khartoum, Kuwait, New Delhi, Islamabad, Dhaka, Cairo and now Manila. $2,000—3,000
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502 FREDERIC SOULACROIX (1858-1933), FRENCH/ITALIAN AU REVOIR
503 CHARLES SILLEM LIDDERDALE (1831-1895), BRITISH LOVERS BY A FENCE
Oil on canvas; signed at Florence lower right
Oil on canvas; signed with monogram and dated indistinctly 1893 lower left
32” x 21.5” — 81.3 x 54.6 cm. 27” x 17.25” — 68.6 x 43.8 cm. Provenance: Marshall Field & Company, Chicago; The Cooling Galleries Ltd., London and Toronto; The Estate of Audrey McQuaig, Toronto $20,000—30,000
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$7,000—9,000
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
504 JOHN ATKINSON GRIMSHAW (1836-1893), BRITISH BRUNETTA
Provenance: The Estate of Alan Hubbs, Alberta. *This fine example of Grimshaw’s work is being offered in its original, unrestored condition.
Oil on canvas; signed “Atkinson Grimshaw” and dated “1882+” lower right, signed, titled and dated 1882+ verso 24.5” x 19” — 62.2 x 48.3 cm. $15,000—25,000
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505 GUSTAVE LEONHARD DE JONGHE (1829-1893), BELGIAN PLAYTIME Oil on panel; signed and dated 1862? lower right 18” x 21.75” — 45.7 x 55.2 cm. Provenance: With Frederick Thom Gallery, Toronto; The Estate of Richard Clark, Toronto $8,000—12,000
506 ALFRED DE BREANSKI SR. (18521928), BRITISH “BALA” N WALES Oil on canvas; signed lower left, signed and titled verso 24” x 36” — 61 x 91.4 cm. $5,000—7,000
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507 ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH SUMMER EVENING ON A HIGHLAND LOCH Oil on canvas; signed lower right; signed and titled verso 20.5” x 30” — 52.1 x 76.2 cm. Provenance: The Fine Art Galleries, The T. Eaton Co., Limited, Canada; From whom purchased by Dr. F. Martin, Toronto on 23 December, 1944 accompanied by the original receipt; By descent $3,000—5,000
508 ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH SUMMER MORNING ON THE WEST HIGHLAND RIVER Oil on canvas; signed lower right, signed and titled verso 24” x 36” — 61 x 91.4 cm. Provenance: The Fine Art Galleries, The T. Eaton Co., Canada $4,000—6,000
509 ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISH A SUMMER MORNING, DEVONSHIRE Oil on canvas; signed lower left, signed and titled verso 20” x 30” — 50.8 x 76.2 cm. $4,000—6,000
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510 MONTAGUE DAWSON (18901973), BRITISH BLOWING HARD Oil on canvas; signed lower left, titled to gallery label verso 20” x 30” — 50.8 x 76.2 cm. $40,000—60,000
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Provenance: Frost & Reed, London, Reg. No. 8110
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
511 GERTRUDE MARY COVENTRY (MRS. ED. ROBERTSON) (18851964), SCOTTISH A FIFESHIRE COAST (FISHING BOATS PITTENWEEM HARBOUR. FIFE) Oil on canvas; signed lower right, titled to two artist labels, one dated 1938 verso 28” x 36” — 71.1 x 91.4 cm. Provenance: Private Collection of the artist’s grandson, Canada Note: Gertrude Mary Coventry was the daughter of Robert McGown Coventry (1855-1942), whose painting is also represented in this sale, lot 512. She often painted with her father in Holland, Belgium and at Pittenweem where this scene was painted. $3,000—5,000
512 ROBERT MCGOWN COVENTRY (1855-1942), SCOTTISH THE RETURN OF THE LOBSTER FISHERS Oil on canvas; signed lower left 40” x 50” — 101.6 x 127 cm. Provenance: With John Gibson, Glasgow; Presented to the present Private Collection, Toronto as a gift from several judicial officers of the Ontario Courts, circa 1997 $10,000—15,000
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513 WILLIAM LEE HANKEY (18691952), BRITISH AN OUTDOOR MARKET Oil on canvas; signed lower right 28” x 34.5” — 71.1 x 87.6 cm. $6,000—9,000
514 WILLIAM SHAYER SNR. (17871879), BRITISH “SHORE SCENE” / “MENDING NETS” Oil on canvas; signed lower right, titled to gallery label verso 30” x 25” — 76.2 x 63.5 cm. Provenance: Frost & Reed, London $8,000—12,000
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515 HEYWOOD HARDY (1842-1933), BRITISH SETTING OUT Oil on canvas; signed lower right 20.25” x 30.25” — 51.4 x 76.8 cm. $15,000—20,000
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516 EDOUARD LEON CORTES (18821969), FRENCH METRO GEORGE V, CHAMPSELYSEES, CIRCA 1955 Oil on canvas; signed lower right. Titled and dated circa 1955 on the accompanying Klein Art Gallery, California certificate of authenticity. 13” x 18” — 33 x 45.7 cm. $20,000—30,000
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Provenance: David Klein, Klein Art Gallery, California; Baridoff Galleries, Portland, Maine; From whom purchased by the present Private Collection, Canada on 5 August 2011, lot 25 Note: David Klein owned and managed the Klein Art Gallery in Los Angeles for 35 years. Throughout this time, Edouard Cortes whom Mr. Klein had met and befriended in 1958, was the featured artist among those exhibited in his gallery. For many years, when Mr. Klein visited Cortes in France, he would take paintings to him to verify their authenticity. Mr. Klein was the West Coast agent for Edouard Leon Cortes for twelve years prior to the artist’s death in 1969.
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
517 ANTOINE BLANCHARD (19101988), FRENCH RUE ROYALE, MADELEINE Oil on canvas; signed lower right, titled verso 13” x 18” — 33 x 45.7 cm. Provenance: Poulsen Galleries, Pasadena; Private Collection, California Note: The present work is listed in the Rehs Galleries Inc., Antoine Blanchard Virtual Checklist (AntoineBlanchard.org) no. MDRR1318.0010. The authentication letter accompanies this work. $6,000—8,000
518 EUGENE GALIEN-LALOUE (18541941), FRENCH MARCHE AUX FLEURS A LA MADELEINE Gouache on thin card; signed lower left, titled: “La Madeleine” and numbered “No. 23” in pen and ink to an old handwritten label verso, titled to the Noe Willer certificate accompanying this lot 8.5” x 13.25” — 21.6 x 33.7 cm. Provenance: Jules Hautecoeur, Paris; Hirschl & Adler Galleries Inc., New York, inventory number HA8541.005; Waterhouse and Dodd, New York from whom purchased by the present Private Collection, Winnipeg $10,000—15,000
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519 LEON AUGUSTIN L’HERMITTE (1844-1925), FRENCH WASHERWOMAN IN A SUNLIT YARD Colour pastel on paper on canvas; signed lower right 11.75” x 13.5” — 29.8 x 34.3 cm. Provenance: W. Scott & Sons, Montreal $10,000—15,000
520 NARCISSE BERCHERE (18191891), FRENCH BORDS DU NIL Oil on canvas; signed lower right, title inscribed in pen and ink to an unidentified partial label numbered “No. 642;” the stretcher inscribed “D.R.N.Y. 642” with the remains of another gallery label with typeset letters: “New-York” verso 16” x 26” — 40.6 x 66 cm. Provenance: With partial gallery labels, one with lettering “New York; another partial label with the title remaining, the stretcher inscribed “D.R.N.Y. 642” $10,000—15,000
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521 ANTOINE BOUVARD (1870-1955) , FRENCH THE GLORY OF VENICE Oil on canvas; signed “Bouvard” lower right 15.25” x 22” — 38.7 x 55.9 cm. $6,000—9,000
522 ANTOINE BOUVARD (19TH/20TH CENTURY), FRENCH GONDALIER WAITING IN A SHADED BACKWATER, VENICE Oil on canvas; signed “Bouvard” lower right 19.75” x 25.5” — 50.2 x 64.8 cm. Provenance: Continental Galleries of Fine Art, Montreal $7,000—9,000
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523 CHARLES CLEMENT CALDERON (1870-1906), FRENCH GRAND CANAL VENICE Oil on canvas; signed lower right, titled to gallery label verso, with the artist’s studio stamp, stamped “Venise” to the canvas verso 22” x 32” — 55.9 x 81.3 cm. Provenance: The Fine Art Galleries, The T. Eaton Co., Limited, Canada $6,000—9,000
524 FOLLOWER OF FRANCESCO GUARDI (1712-1793), ITALIAN BACINO SAN MARCO (PAIR OF VENETIAN VIEWS) Pair of oils on canvas 18.5” x 25” — 47 x 63.5 cm. Provenance: Dominici Giuseppe, Venise; Purchased in the 1960’s by the father of the present Private Collection, Toronto reportedly from the William Pallman antique shop New York Note: Dominici Giuseppe, Venise was a renown Grand Tour destination for collectors of antiques and antiquities owned by Ada Morandi and Romano Padoan $12,000—18,000
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525 PEREPEDIL RUG
526 TURKOMAN ENSI
5’5” X 4’1” – 1.7 X 1.2 m
5’6” X 4’4” – 1.7 X 1.3 m
$1,000—1,500
$1,500—2,000
527 SEWAN KAZAK RUG
528 KAZAK RUG
4’6” X 6’0” – 1.4 X 1.8 m
7’2” X 5’6” – 2.2 X 1.7 m
$2,500—3,000
$3,000—4,000
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529 TABRIZ RUG
530 SEWAN KAZAK RUG
7’6” X 4’6” – 2.3 X 1.4 m
6’11” X 4’9” – 2.1 X 1.4 m
$1,000—1,500
$1,000—1,500
531 HERIZ RUG
532 SHAHSAVAN KELIM
5’10” X 4’7” – 1.8 X 1.4 m
10’10” X 4’10” – 3.3 X 1.5 m
$900—1,200
$1,500—2,000
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533 JOSHAGAN RUG
534 SHIRVAN RUG
6’7” X 4’3” – 2 X 1.3 m
5’10” X 3’7” – 1.8 X 1.1 m
$600—900
$1,500—2,000
535 YOMUD CHUVAL
536 YOMUD CHUVAL
2’6” X 3’10” – 0.8 X 1.2 m
2’7” X 3’11” – 0.8 X 1.2 m
$400—600
$400—600
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537 TURKOMAN ASMALYK
538 TURKOMAN ASMALYK
2’8” X 4’0” – 0.8 X 1.2 m
2’7” X 4’1” – 0.8 X 1.2 m
$400—600
$400—600
539 TURKOMAN RUNNER
540 TURKOMAN FLATWOVEN YOMUD CHUVAL
12’9” X 2’9” – 3.9 X 0.8 m
2’10” X 3’7” – 0.9 X 1.1 m
$500—700
$300—500
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
541 INDO KASHAN RUG
542 KHIRGIZ CARPET
7’0” X 5’1” – 2.1 X 1.5 m
8’9” X 5’4” – 2.7 X 1.6 m
$900—1,200
$800—1,200
543 MANCHESTER KASHAN PRAYER RUG
544 ANATOLIAN PRAYER RUG
7’4” X 4’10” – 2.2 X 1.5 m
6’7” X 3’9” – 2 X 1.1 m
$2,000—3,000
$200—300
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545 BIDJAR AREA LONG RUG
546 QUCHAN KURD RUG
9’6” X 3’10” – 2.9 X 1.2 m
5’7” X 4’1” – 1.7 X 1.2 m
$600—900
$200—300
547 SHIRVAN RUG
548 LILIHAN RUG
5’8” X 4’1” – 1.7 X 1.2 m
6’6” X 5’2” – 2 X 1.6 m
$500—900
$300—600
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
549 SAROUK RUG
550 SILK QUM RUG
6’6” X 4’4” – 2 X 1.3 m
6’10” X 4’7” – 2.1 X 1.4 m
$600—900
$1,000—1,500
551 KERMAN CARPET, C.1930
552 INDO-SAROUK CARPET
553 MALAYER RUG
18’0” X 11’11” – 5.5 X 3.6 m
15’3” X 10’1” – 4.6 X 3.1 m
6'5" X 4'1" – 2 X 1.2 m
$3,000—4,000
$1,500—2,000
$500—700
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International Art Index
B
H
Shayer, William Snr....514
Blanchard, Antoine...517
Hankey, William Lee...513
Singh, Mohan...499
Berchere, Narcisse...520
Hardy, Heywood...515
Soulacroix, Frederic...502
Blakelock, Ralph Albert...484
Hayden, Henri...495 W
Blommers, Bernardus Johannes...474
J
Weber, Theodor
Bonanotte, Cecco...482
de Jonghe, Gustave
Alexander...472
Bonnet, Rudolf...498
Leonhard...505
Wiggins, Guy Carleton...480
de Breanski, Alfred
K
Z
Fontville...507, 508, 509
Karim, Vinita...501
Zadkine, Ossip...480
de Breanski, Alfred,
Katz, Alex...494
Bouvard, Antoine...521, 522
Snr....506
Kaufman, Stuart...488 King, Charles Bird, School
C
of...490, 492
Cabanel, Alexander, After...478
L
Calderon, Charles
Lhermitte, Leon
Clement...523
Augustin...519
Chadwick, Lynn...497
Lidderdale, Charles
Cortes, Edouard Leon...516
Sillem...503
Coventry, Gertrude
Lipchitz, Jacques...483
Mary...511
Loudan, William Mouat...471
Coventry, Robert McGowan...512
M Maris, Willem...473
D Dawson, Montague...510
P
Decamps, Alexandre
Palley, Swapan Kumar...500
Gabriel...476
Pankok, Otto...496
Dupre, Jules...475
Pena, Narcisse Virgile de la...477
E Epstein, Sir Jacob...481
R Rodin, Auguste...479
G
Russell, Edward John
Galien-Laloue, Eugene...518
...485
Grimshaw, John Atkinson...504
S
Gruppe, Emile Albert...487
Saint-Memin, Charles
Guardi, Francesco, Follower
Balthazar Julien Fevret de,
of...524
School of...489, 491, 493
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Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
Conditions Of Sale
1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price.
sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.
3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
4. The auctioneer reserves the right to withdraw any lot from
9. The buyer shall pay for all lots within 48 hours from the date of
the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.
affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles
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Buying at Waddington’s
All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.
Condition of Lots All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to
Artfact Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.
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Frames on artwork are not included as part of purchase or condition. Buyers Premium A premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by the buyer as part of the total purchase price.
A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
Bidding To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids. The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
Payment Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made. ALL PRICES IN CANADIAN FUNDS
Decorative Arts and International Fine Art Auction – Tuesday 9 December 2014 at 7:00 pm and Wednesday 10 December 2014 at 7:00 pm
Selling at Waddington’s
Shipping: The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 taurus@pakmailmarkham.ca www.pakmailmarkham.ca Envoy 416.299.3367 416.299.9750 ph@envoy.ca www.envoypackandship.com Removal of Purchases Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item. Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office.
Notice for our International Clients
Commission Rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item Insurance A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species). The export and importation of items made of or containing whalebone, ivory, tortoise shell, seal skin, rhinoceros horn and other animal parts is strictly controlled or forbidden by most countries. Please review your country’s laws before shipping or purchasing pieces made of or containing these restricted items. Obtaining the appropriate permits is the responsibility of the client. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington's. For more information please visit: www.cites.org
Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
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Operational Sta
Specialist Departments
Asian Art Anthony Wu 416 847 6185 aw@waddingtons.ca Yvonne Li 416 847 6195 yl@waddingtons.ca
Jewellery, Watches & Numismatics Don P. McLean 416 847 6170 dpm@waddingtons.ca Lynda Macpherson Jewellery Administrator 416 847 6190 lm@waddingtons.ca
Canadian Fine Art Monthly Fine Art Linda Rodeck 416 847 6176 lr@waddingtons.ca Eileen Reilly Condition Reports 416 847 6191 etr@waddingtons.ca Erin Rutherford Fine Art Administrator 416 504 5100 er@waddingtons.ca Contemporary Art Stephen Ranger 416 847 6194 skr@waddingtons.ca Kristin Vance Fine Art Administrator 416 504 9100 ext 6178 kv@waddingtons.ca International Art Susan Robertson 416 847 6179 sr@waddingtons.ca Emma Frank Assistant ef@waddingtons.ca Inuit Art Christa Ouimet 416 847 6184 co@waddingtons.ca Nadine Di Monte Assistant nd@waddingtons.ca
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Doug Payne 416 847 6180 dp@waddingtons.ca Decorative Arts Bill Kime Silver, Glass & Ceramics 416 847 6189 bk@waddingtons.ca Sean Quinn Sculpture, Decorations, Clocks & Lighting 416 847 6187 sq@waddingtons.ca Ellie Muir Decorative Arts Assistant 416 847 6196 em@waddingtons.ca
President Duncan McLean 416 847 6183 adm@waddingtons.ca
Building Manager Steve Sheppard 416 847 6186 ss@waddingtons.ca
Vice President Business Development Stephen Ranger 416 847 6194 skr@waddingtons.ca
Client Services Andrew Brandt 416 504 9100 ext 6200 ab@waddingtons.ca
Vice President Fine Art Linda Rodeck 416 847 6176 lr@waddingtons.ca General Manager Duane Smith 416 847 6172 das@waddingtons.ca Creative & Technical Manager Jamie Long 416 847 6188 jl@waddingtons.ca Queeny Xu Assistant qx@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Elda Pappada 416 504 9100 x6213 ep@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca Ali Nasir 416 847 6181 an@waddingtons.ca Appraisal Co-ordinator Ellie Muir 416 847 6196 em@waddingtons.ca Communications Tess McLean 416 504 9100 tm@waddingtons.ca
Waddingtons.ca/Cobourg 9 Elgin Street East, Cobourg ON K9A 0A1 General Manager Paul Needham 905 373 0501 pn@waddingtons.ca Absentee and Phone Bidding 905 373 1467 (Fax)
Waddingtons.ca/Collingwood P. O. Box 554, Collingwood ON L9Y 4B2 Valerie Brown 705 445 8811 vb@waddingtons.ca
Decorative Arts and International Fine Art Auction Waddingtons.ca
275 King Street East, Second Floor Toronto Ontario Canada M5A 1K2
Telephone: 416.504.9100 Fax: 416.504.0033 Toll Free: 1.877.504.5700