Fine Prints and Photography Auction | March 11, 2014

Fine Prints and Photography Auction Tuesday 11 March 2014 at 7:00 pm

On View Saturday 8 March 2014 from 11:00 am - 5:00 pm Sunday 9 March 2014 from 11:00 am - 5:00 pm Monday 10 March 2014 from 10:00 am - 12 Noon Preview and Auction to be held at Waddington’s 275 King Street East, 2nd Floor Toronto Ontario Canada M5A 1K2 This auction is subject to the Conditions of Sale printed in the back of this catalogue.

All lots in the auction may be viewed online at InternationalArt.Waddingtons.ca

Waddingtons.ca

Front Cover Lot 124 (detail) Jack Bush (1909-1977), Canadian STRIPES TO THE RIGHT-1965 (NO. 5) (detail) Back Cover Lot 39 John Lennon (1940-1980), British BAG ONE (THE SET OF 13 LITHOGRAPHS), 1970 Title Page Lot 143 Sam Francis (1923-1994), American SPUN FOR JAMES KIRSCH, 1972 [LEMBARK, S3] (detail) Inside Front Cover Lot 5 Andy Warhol (1928-1987), American KAREN KAIN, 1980 [F. & S., II.236] (detail) Inside Back Cover Lot 84 Henri de Toulouse-Lautrec (1864-1901), French AUX AMBASSADEURS- CHANTEUSE AU CAFECONCERT, 1894 [DELTEIL, 68] (detail)

All lots in the auction may be viewed

online at InternationalArt.Waddingtons.ca This catalogue and its contents © 2014 Waddington McLean & Company Ltd. All rights reserved.

Photography by Waddington’s

Specialist Susan Robertson 416 847 6179 sr@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Absentee and Phone Bidding 416 504 0033 (Fax) bids@waddingtons.ca Online Bidding www.artfact.com

It is our great pleasure to present Waddington’s 2014 Fine Print and Photography Auction. Our annual Print and Photography Auctions provide a unique opportunity for both emerging and seasoned collectors to acquire original works by major artists at accessible prices. For this auction we have assembled a delightful selection of prints and photographs by important artists from over 20 countries, including Canada, the United States and across Europe.

Highlights of this auction include: Pablo Picasso’s “Nature Morte au Citron et un Pichet Rouge”, c. 1955 (lot 120); Henri de Toulouse-Lautrec’s rare colour lithograph, “Aux Ambassadeurs- Chanteuse au Cafe-Concert” 1894 (lot 84); and Georges Rouault’s choice colour aquatint: “Automne”, c. 1938, (lot 153).

For the Beatlemania collector, a complete portfolio of John Lennon’s iconic “Bag One” (lot 39).

Pop artist’s Andy Warhol’s portrait of Canadian Prima Ballerina Karen Kain (lot 5).

Works by international giants Marc Chagall, Joan Miro, Josef Albers, Alberto Giacometti, Henry Moore and David Hockney.

A rare and complete 1965 portfolio of five prints by Jack Bush (lot 124).

A complete portfolio of the Graphics of the Toronto 20 (lot 142).

Graphic works by Canadian aboriginal artists Bill Reid, Kenojuak Ashevak and Germaine Arnaktauyok.

Vintage photographs of Inuit life by Robert Flaherty and Richard Harrington.

Photographs by acclaimed International artists such as Jock Sturges, William Wegman, Arthur Leipzig and Julius Shulman.

By intention, the auction has no particular order – the countries, periods and media are combined proof that bold, colourful prints can co-exist in any collection and offer a rich diversity to one’s art collection.

— Susan Robertson Senior Specialist, International Art

Waddington’s

Leadership Team

Waddington’s is Canada’s most diverse and significant provider of fine art auction and appraisal services. Based on a rich legacy in the industry, Waddington’s actively seeks to redefine our business to ensure we remain fresh and reactive to what our clients are seeking. Through our appraisal, auction, private sale and downsizing expertise, we are pleased to provide a complete range of services.

Waddington’s leadership team brings together three of the industry’s best. The combination of their experience, knowledge of market trends and client networks builds on Waddington’s 160 year legacy of growth and dominance.

Waddington’s is Canada’s original auction house, with a history of conducting auctions since 1850.

We are also an international auction house, providing access to world markets.

Waddington’s is an innovative leader. We enjoy pushing the limits, exploring new territory and creating new partnerships. From the marathon auction of Maple Leaf Gardens, our partnership with the LCBO to auction fine wine, to the launch of Concrete Contemporary and our new Pop-Up Gallery series, we are driven to find what’s new, what’s exciting, and what you want to buy or sell.

Waddington’s by Department Asian Art Canadian Fine Art Contemporary Art Auctions and Projects Decorative Arts International Art Inuit Art Jewellery, Watches & Numismatics “Off the Wall” Art Transitions Philanthropy and Community

Duncan McLean, President, is Waddington’s corporate leader, responsible for strategic development and innovation realization. Under his direction Waddington’s strives to not only continuously evolve to meet the needs of our clients and address the demands of the market, but to push the boundaries, with integrity, creativity and passion.

Mr. McLean has been involved in the auction industry for 35 years, as art specialist, appraiser, auctioneer and corporate leader. His knowledge base spans the diversity of Waddington’s offerings, with internationally-recognized expertise in Inuit Art. As Vice President Business Development, Stephen Ranger is focused on identifying new markets, new clients and new ways to do business. For example, Mr. Ranger launched Waddington’s Contemporary Art venture, Concrete Contemporary, to reach an exciting new sector of art enthusiasts and artists.

Under Mr. Ranger’s guidance, new partnerships are also being created resulting in edgy new offerings like our Pop-Up Gallery series debuting in 2013.

Mr.Ranger brings over 25 years of diverse experience as an auctioneer, appraiser and consultant in the art auction industry with specific expertise in Canadian Fine Art. Linda Rodeck, Vice President Fine Art, is one of Canada’s most trusted and respected Canadian Art specialists. Her impressive career of 25+ years includes leadership roles in the country’s most distinguished auction houses. Ms. Rodeck’s keen understanding of the market and her extensive network are invaluable in her role of sourcing the best works and providing the best service to our clients.

As Vice President of Waddington’s Fine Art, Ms. Rodeck will play a critical role in developing new business leveraging her success in the Canadian art market.

International Art

Canadian Fine Art

Waddington’s International Art department presents auctions of fine art from around the world, offering original works from art centres across North America and Europe while continuing to expand our scope to bring our collectors works from Asia, South Asia, Russia and South America. A major element of Waddington’s legacy, our International art auctions draw on Canada’s cultural diversity. The combination of our expertise and our expansive global network ensures the highest standards of authentication and research.

Waddington’s has been a major force in the Canadian art sector for over five decades, beginning with our first auction of Canadian Fine Art held at the Queen Elizabeth Building at the CNE in 1967.

Since that historic event, Waddington’s has offered some of the most important Canadian works, set record prices, and has been an integral part of driving the Canadian art market.

Rare and important paintings, sculptures, prints and photographs are offered in our live and online auctions, attracting buyers worldwide.

Susan Robertson Senior Specialist, International Art

With the return of Linda Rodeck, one of Canada’s most respected art specialists, Waddington’s is proud to rename our Canadian Art division under the Waddington’s brand umbrella.

Linda Rodeck Senior Specialist, Canadian Art Vice President, Fine Art

Concrete Contemporary Auctions and Projects

Jewellery, Watches and Numismatics

Waddington’s launched its newest division, Concrete Contemporary Auctions and Projects (CCAP) in March 2012 with a vision and mandate to create a secondary market for contemporary Canadian art.

Waddington's has conducted auctions of Fine Jewellery and Numismatics for close to three decades. Highly respected expertise and in-depth knowledge of both domestic and international markets are the anchors of the ongoing success and popularity of our auctions.

Concrete Contemporary Auctions merges the worlds of traditional auction and the retail gallery, where our relationships with artists, art dealers, curators and collectors result in exciting new sources of contemporary works. The auctions are tightly focused on Canadian contemporary art since 1980 with an emphasis on mid- and latecareer artists with exhibition history in the private and public sphere.

An exciting initiative of CCAP is the launch of our Pop-Up Gallery series in 2013.

These short-duration, single artist shows offer works by some of Canada’s most accomplished working artists.

Led by one of Canada’s most plugged-in art experts, Stephen Ranger, CCAP is committed to exploring new ways to connect, expand and support the arts community.

Stephen Ranger Senior Specialist, Contemporary Art

Our auctions are composed of a wide spectrum of contemporary and period jewellery featuring examples by some of the most desired names in jewellery including Tiffany, Cartier, Fabergé, Jensen, Yurman and Van Cleef & Arpels. Also featured in our auctions are fine wrist and pocket watches, designer fashion jewellery and all forms of numismatics including coins, tokens, banknotes and ancients.

Donald McLean Senior Specialist, Jewellery, Watches and Numismatics

Decorative Arts

Inuit Art

Decorative Arts at Waddington’s encompasses a broad and diverse variety of objects and the department's client database is one of our largest. From ancient to modern, delicate to deadly, Waddington’s Decorative Arts department redefines the term, bringing much more than traditional silverware and porcelain figurines to market, and with remarkable success.

Waddington’s is internationally recognized as one of the leading authorities in marketing Inuit Art. No other auction house has been as intrinsically linked to the development of a market for this art form.

Inuit Art is a proud part of our DNA. From our first landmark auction in 1978 of the William Eccles Collection, Waddington’s has offered thousands of works, set record prices, and expanded the market well beyond Canada’s borders.

Waddington’s reputation for developing new markets is well represented by our Decorative Arts department, as is our ability to present large collections – notable recent sales have included Contemporary Studio Glass, Scientific Instruments and Militaria.

Our legacy of successful Inuit Art auctions, our ability to achieve continually increasing values and our creation of an international market have been key factors in validating Inuit art as a whole and establishing it as an integral part of the Canadian Art scene.

The department regularly offers auctions which include bronzes, items of Canadian Historical interest, ceramics, devotional works of art, glass, lighting, militaria, mirrors, objets de vertu, porcelain, scientific instruments, travel and exploration maps.

Duncan McLean Senior Specialist, Inuit Art

Bill Kime Senior Specialist, Decorative Arts Christa Ouimet Specialist, Inuit Art

Sean Quinn Specialist, Decorative Arts

Asian Art

“Off the Wall” Art

Waddington’s Asian Art department is Canada’s leader in serving the demands of the rapidly growing Asian market supported by our recognized and credible expertise. Our ability to achieve exceptional prices for works, including the Canadian record for the highest price for an Asian work of art, is based on our international reputation and network with the community.

Our “Off The Wall” Art online auctions are a unique opportunity to showcase accessible art. Drawing from our International Art and Canadian Art divisions, “Off The Wall” Art auctions feature paintings, prints and sculpture.

Specializing in jade, paintings, porcelain, religious works of art, textiles, woodblock and export wares, we present works from China, Japan, Korea, South East Asia, South Asia, Himalaya and others.

These monthly, online auctions are always an eclectic selection of affordable works – a great way to learn, enjoy art and start building a collection. Working closely with our other divisions, this auction has developed its own diverse and extensive network of clients.

Doug Payne Specialist, Fine Art Anthony Wu Specialist, Asian Art

Transitions

Philanthropy and Community

Transitions is Waddington’s downsizing and estate management service, created specifically for clients going through a transition who require knowledgeable, qualified and professional advice.

Waddington's is committed to working within the community by contributing our time to charity fundraising events and appraisal clinics. We are honoured to work with countless museums, galleries, art organizations and fund raising events and contribute our time to over 20 events each year raising over $2,000,000 annually for the community.

Successful downsizing and estate planning require an accurate appraisal of tangible assets. Drawing on Waddington’s 160 years of experience across our diverse areas of specialties, Transitions helps clients make informed decisions to keep, gift, sell or donate.

Our clients include fiduciaries, executors and beneficiaries responsible for settling estates, as well as private clients looking to downsize and turn their material encumbrances into a monetary resource.

Transitions is an end-to-end solution to help you sort, value, sell and move on to the next stage.

Marcia Kim Manager

Ellie Muir Coordinator

In addition, the Concrete Contemporary Acquisition Fund each year funds 50% of the purchase price for a work of contemporary Canadian art for a public institution.

In 2012/2013 we have supported the following organizations: Aids Committee of Toronto, SNAP Best Buddies Birdlife International Canadian Opera Company Casey House, Art with Heart Casey House, Snowball CAMH Unmasked Covenant House The Furniture Bank Integra Foundation Lake Ontario Waterkeepers OCAD University Metro Toronto Zoo Montreal Children’s Hospital Nyota School, Kenya Princess Margaret Hospital Robert McLaughlin Gallery Second Harvest, Toronto Taste Serve Canada St. Mary’s General Hospital, Kitchener St. Michaels Hospital, ARTGEMS The STOP Foodbank Toronto Symphony Orchestra The Varley Gallery Windsor Art Gallery Warchild Canada York University Fisher Fund

Fine Prints and Photography Auction Lots 1–209

InternationalArt.Waddingtons.ca

1 JOCK STURGES (1947- ), AMERICAN LIDWINE, ORLEANS, FRANCE, 1988 Gelatin silver print; signed, titled, numbered 4/40 and dated ‘88 in pencil verso 17.3” x 21.7” — 43.9 x 55.1 cm. $1,000/1,500 Literature: “Radiant Identities, Photographs by Jock Sturges”, Aperture, New York, 1994, pl.

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2 LOUISE BOURGEOIS (1911-2010), FRENCH/AMERICAN CHILDREN IN TUB (FROM AUTOBIOGRAPHICAL SERIES) 1994 Drypoint and aquatint signed with initials and numbered 24/35 in pencil to margin.

Published by Peter Blum Edition.

Plate 4.1” x 5.25” — 10.5 x 13.3 cm.

Provenance: Galerie Samuel Lallouz, Montreal Note: This image with the children’s legs showing through the tub is based on drawings Bourgeois drew in the 1940’s depicting the apartment she and her family lived in at 18th Street, New York in the 1940’s. $2,500/3,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

3 FRANCISCO ZUNIGA (1912-1998), MExICAN DOS JUCHITECAS SENTADAS, 1974 [BREWSTER 20] Colour lithograph; signed, dated 1974 and numbered “P. de impression II” in pencil.

Aside from the edition of 100.

Sheet 21.25” x 27” — 54 x 68.6 cm. $800/1,200

4 ALExANDER CALDER (18981976), AMERICAN THE PEAK OF PROGRESS, CIRCA 1970 Colour lithograph on Arches paper; signed and numbered 86/100 in pencil to the image Sheet 20.25” x 28.25” — 51.4 x 71.8 cm.

Provenance: Merill Chase Galleries with Certificate of Authenticity $1,200/1,800

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5 ANDy WARHOL (1928-1987), AMERICAN KAREN KAIN, 1980 [F. & S., II.236] Colour silkscreen with diamond dust; signed in black crayon by Andy Warhol and signed by Karen Kain in pencil, numbered 40/200 in pencil to bottom edge Sheet 40” x 31.8” — 101.6 x 80.8 cm. $10,000/15,000

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Note: Warhol’s hyper-colourful portraits of Canada’s former prima ballerina were based on a polaroid photo he took of the dancer in his studio in New York.

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

6 JAMES ROSENqUIST (1933- ), AMERICAN THE BOOK DISAPPEARS FOR THE FAST STUDENT, 1977 [GLENN, 124] Colour etching and aquatint; signed, titled, dated 1977 and numbered 55/78 in pencil to margin. Published by Multiples, printed by Patrick Lindhardt.

Plate 17.5” x 35.75” — 44.5 x 90.8 cm. $1,000/1,500

7 BILL RONALD REID (1920-1998), CANADIAN HAIDA SOCKEyE SALMON, 1991 Colour silkscreen on Stonehenge Paper; signed, titled and inscribed, dated ‘91 and numbered 84/199 in pencil. Published by Pacific Editions Limited, Victoria, B.C. in 1991 blind stamp to lower left corner, printed publisher’s text verso. From the edition of 240 including the artist’s proofs.

Sheet 22” x 30” — 55.9 x 76.2 cm. $800/1,200

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8 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH LE VERGER DE PHILETAS [M326] Colour lithograph; signed in black pen and ink and numbered 65/250 on the original publisher’s certification page affixed to the verso 16.5” x 25.3” — 41.9 x 64.3 cm. $6,000/8,000

9 ALBRECHT DURER (1471-1528), GERMAN CHRIST ON THE CROSS WITH THREE ANGELS, SECOND STATE Woodcut on laid paper with crowned coat of arms and fleur-de-lys watermark with countermark indistinct initials (G.X.?); Inscribed H. Fussli and Cie (publishers) in pencil and with their initial stamp verso. Centre fold.

23” x 16.5” — 58.4 x 41.9 cm.

Provenance: London Arts, Detroit, Michigan; Sears Vincent Price Collection; The Estate of Helene Mazelow, Toronto purchased frm the Price Collection in 1989 $1,200/1,800

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

10 REMBRANDT VAN RIJIN (1606-1669), DUTCH CHRIST HEALING THE SICK (THE HUNDRED GUILDER PRINT), CIRCA 1639, [B. 74], [H. 236 II/III] Etching, engraving and aquatint on laid paper with watermark of a Strasbourg Lily with countermark IHS surmounted by a cross, indistinct initials (ET (?) below. Unframed.

Plate 11.1” x 15.6” — 28.2 x 39.6 cm.

Provenance: Mayfair Fine Arts, Encino, California (Ira Gale consignment); Sears Vincent Price Collection Acquisition No. 71070672, on 6-30-71; With Frederick Baker Inc., Chicago, Illinois; The Estate of Helene Mazelow, Toronto, purchased from the Price collection in August, 1989 Note: Re-worked by Capt. Baillie in 1775. Impression from a re-worked plate with additions of pen and ink and wash at figures at left $6,000/8,000

11 PIERRE SOULAGES (1919- ), FRENCH EAU-FORTE xV1, 1961 [GATTO, 17] Colour etching and aquatint; signed and numbered 51/100 in pencil to margin. Published and printed by Lacourier.

Sheet 30” x 22.5” — 76.2 x 57.2 cm. $3,000/5,000

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12 BRIDGET RILEy (1931- ), BRITISH UNTITLED (BASED ON BLAZE), 1964 [SCHUBERT 4] Screenprint on smooth paper; signed, dated ‘64 and numbered 1/50 in pencil; 21” x 20.5” — 53.3 x 52.1 cm.

Provenance: The Isaac’s Gallery, Toronto Mr. D. Michel, Toronto $5,000/8,000

13 GEORGES BRAqUE (1882-1963), FRENCH L’ORDRE DES OISEAUx, PL. 7, 1962 [VALLIER, 182] Colour etching and aquatint; signed and numbered H.C. in pencil to margin Plate 13.6” x 18” — 34.5 x 45.8 cm. $2,000/3,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

14 KUMI SUGAI (1919-1996), JAPANESE HIVER NO 4, 1958 Colour lithograph; signed and numbered 43/75 in pencil to margin, titled verso.

Unframed.

Sheet 25.75” x 19.75” — 65.4 x 50.2 cm.

Provenance: The Fine Line Gallery, Toronto Purchased from Waddington’s 1 Dec. 1980 $700/900

15 STANLEy WILLIAM HAyTER (1901-1988), BRITISH CLAIRVOIE (1974) Colour etching and aquatint; signed, titled, dated ‘74 and numbered 52/75 in pencil to margin. Unframed.

Sheet 22” x 29.5” — 55.9 x 74.9 cm.

Provenance: The Fine Line Gallery, Toronto $500/700

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16 ANTONI CLAVE (1913-2005), SPANISH UNTITLED (BLUE BRUSHSTROKE) Colour lithograph; signed and numbered 84/90 in pencil to margin. Unframed.

Sheet 30” x 22” — 76.2 x 55.9 cm.

Provenance: The Fine Line Gallery, Toronto (19801985) $500/700

17 DAVID ALFARO SIqUEIROS (1896-1974), MExICAN CHRISTO AMPUTADO (1968) (FROM A PORTFOLIO OF 10 ORIGINAL LITHOGRAPHS) Colour lithograph on japon paper; signed and numbered III/XXV. Printed by Atelier Mourlot, Paris. Unframed.

Sheet 21” x 15.5” — 53.3 x 39.4 cm.

Provenance: The Fine Line Gallery, Toronto $500/700

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

18 MAx PAPART (1911-1994), FRENCH CORDOBA Embossed colour etching; signed and numbered 33/100 in pencil to the margin.

Unframed.

Sheet 30” x 22” — 76.2 x 55.9 cm.

Provenance: The Fine Line Gallery, Toronto $500/700

19 PABLO PALAZUELO (1916-2007), SPANISH THE HEART (FROM THE PORTFOLIO “LE COEUR” Colour lithograph; signed and numbered 23/75 in pencil to margin. Published by Maeght Foundation 1972 with a copy of the publisher’s literature. Unframed.

30” x 23.75” — 76.2 x 60.3 cm.

Provenance: The Fine Line Gallery, Toronto $500/700

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20 JOSEPH ALBERS (1888-1976), GERMAN CONCORD Colour screenprint; signed, titled, dated ‘65 and numbered 68/120 in pencil to margin. Unframed.

Sheet 12” x 12” — 30.5 x 30.5 cm.

Provenance: The Fine Line Gallery, Toronto Purchased from Waddington’s 1 Dec 1980. $800/1,200

21 JOSEPH ALBERS (1888-1976), GERMAN CHRySOPROSE Colour screenprint; signed, titled, numbered 68/120 and dated ‘65 in pencil to margin. Unframed.

Sheet 12” x 12” — 2032 x 3048 cm.

Provenance: The Fine Line Gallery, Toronto Purchased from Waddington’s 1 Dec. 1980 $800/1,200

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

22 RUTH ORKIN (1921-1985), AMERICAN WOMEN’S MINI-MARATHON UP CENTRAL PARK WEST, 3 JUNE, 1978 Type C colour photograph on Kodak paper; signed, titled and dated “Women’s mini-marathon 1978” in pen and ink verso. Matted and unframed.

Sheet 14.25” x 10” — 36.2 x 25.4 cm.

Provenance: The Fine Line Gallery, Toronto; Purchased at Witkin Gallery New York c. 1980 $1,500/2,500

23 WILLIAM WEGMAN (1943-), AMERICAN SHOE HEAD, 1994 Large scale polariod; signed, titled and dated in black ink lower margin.

Image 23.5” x 19” — 59.7 x 48.3 cm. $3,000/5,000

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24 LEE MILLER (1907-1977), AMERICAN PORTRAIT OF JOSEPH CORNELL, NEW yORK, 1933 Gelatin silver print; estate print with stamp authenticating this as from the Lee Miller Archives; printed c. 1975 Image 6.5” x 10” — 16.5 x 25.4 cm.

Provenance: Ancapa Books, Berkeley, California $800/1,200

25 BRUCE ONOBRAKPENA (1932- ), NIGERIAN THE THIRD FALL; NAILING TO THE CROSS (FROM STATIONS OF THE CROSS) Two colour linocut engravings on japon paper; each signed, dated ‘69, and numbered 30/50 in pencil, the first, titled in pencil Each image 9” x 23” — 22.9 x 58.4 cm. $500/700

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

26 JOAN MIRO (1893-1983), SPANISH POSTER FOR THE ExHIBITION “SOBRETEIxIMS”, 1973 [MOURLOT, 919] Colour lithograph; signed and numbered H.C. in pencil. Aside from the edition of 150. Published by Maeght, Paris.

33.5” x 23.1” — 85.1 x 58.7 cm. $2,000/3,000

27 WILLIAM KURELEK (1927-1977), UKRAINIAN/CANADIAN FOUR INUIT SCENES OF LIFE Four half-tone colour lithographs; each signed with initials and dated 75 in the plates, each signed and numbered 277/300 in pencil to margin Sheet sight 13.25” x 11” — 33.7 x 27.9 cm.

Literature: “William Kurelek, The Last of the Arctic”, Toronto, 1976, all four works reproduced in color $600/800

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28 JEAN PAUL RIOPELLE (19232002), CANADIAN ALBUM 67 (NO. 9), 1967 [ySEULT RIOPELLE, CAT. NO. 1967.29IEST.LI.ALB] Colour lithograph; signed and numbered 56/75 in white colour pencil Sheet 15.75” x 31.5” — 40 x 80 cm.

Provenance: The Pollock Gallery, Toronto Literature: “Jean Paul Riopelle Catalogue Raisonne des Etampes,” ed. Yseult Riopelle: 2005; illustrated in colour page 169 $1,500/2,000

29 ALFRED EISENSTAEDT (18981995), AMERICAN PORTRAIT OF GORDON PARKS Gelatin silver print; signed and titled in pencil, with credit stamp verso. Life Magazine archives stamp dated 1-14-63.

Matted and unframed.

13” x 9.75” — 33 x 24.8 cm. $800/1,200

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

30 ROBERT DOISNEAU (1912-1994), FRENCH LA DANCE (THE LAST WALTZ) 14 JULy 1949 Gelatin silver print; signed in red; limitation stamp verso. Titled and dated in pencil 14/7/1949 and with a later artist’s studio label verso. Unframed.

Image 7.25” x 6.5” — 18.4 x 16.5 cm. $1,500/2,500

31 JULIUS SHULMAN (1910-2009), AMERICAN MALIN (‘CHEMOSPHERE’ HOUSE) RESIDENCE, DESIGNED

By JOHN LAUTNER, LOS ANGELES, CALIFORNIA, 1961 Gelatin silver print; signed and dated in white ink lower right. Unframed.

24” x 30 “ — 61 x 76.2 cm.

Literature: Joseph Rosa, “A Constructed View: the Architectural Photography of Julius Shulman”; New York: 1994, ill. 11 p. 21; Julius Shulman, “Photographing Architecture and Interiors”; Los Angeles: 2000; ill. p. 58 $2,000/3,000

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32 FELIx EDOUARD VALLOTTON (1865-1925), SWISS PORTRAIT OF PUVIS DE CHAVANNES Woodcut; signed in the plate. Published

by The Studio and bearing their red stamped publishing symbol in the lower right corner.

Image 7” x 5” — 17.8 x 12.7 cm.

Provenance: The Art of the Print, ON, Canada $400/600

33 PIERRE ALECHINSKy (1927-), BELGIAN GENOU DANS LA ROBE, 1981 Colour lithograph; signed and numbered 72/150 in margin. Certificate of authenticity as per gallery label verso.

14” x 11” — 35.6 x 27.9 cm.

Provenance: Galerie d’art Jean Claude Bergeron, Ottawa, Canada $400/600

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

34 ANTONI CLAVE (1913-2005), SPANISH LE MASqUE BLANC Colour relief print; circa 1974; signed and numbered 19/75 in pencil to margin.

Certificate of authenticity as per gallery label verso.

30” x 22” — 76.2 x 55.9 cm.

Provenance: Galerie d’art Jean Claude Bergeron, Ottawa, ON $700/1,000

35 HANS HARTUNG (1904-1989), GERMAN COMPOSITION 1957 Lithograph; signed and numbered 28/75 in pencil. Published by St. Gallen-Erder Press.

Sheet 29.75” x 21.5” — 75.6 x 54.6 cm.

Provenance: The Fine Line Gallery, Toronto $500/700

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36 AFTER ANDy WARHOL (19281987), AMERICAN MAO SUITE (SUITE OF 5) Five colour silkscreens, each with stamps “published by Sunday B. Morning” and “fill in your own signature” in blue ink verso. Unframed.

33.5” x 29.5” — 85.1 x 74.9 cm. $1,500/2,000

37 AFTER ANDy WARHOL (19281987), AMERICAN CAMPBELL’S SOUP (PORTFOLIO OF 10) Ten colour silkscreens; each with stamps “published by Sunday B. Morning” and “fill in your own signature” in blue ink verso. Unframed .

Sheet 35” x 23” — 88.9 x 58.4 cm. $2,000/2,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

38 AFTER ANDy WARHOL (1928-1987), AMERICAN GOLDEN MARILyN (PORTFOLIO OF 10) Ten colour silkscreens; each with stamps “published by Sunday B. Morning” and “fill in your own signature” in blue ink verso. Unframed.

36” x 36” — 91.4 x 91.4 cm. $2,500/3,000

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39 JOHN LENNON (1940-1980), BRITISH BAG ONE (THE SET OF 13 LITHOGRAPHS), 1970 Thirteen lithographs and two forwarding pages; each signed and numbered 140/300 in pencil. Contained in a white vinyl carrying case, with zip fastening and handles, printed Bag One on one side, with a facsimile of John Lennon’s signature, with identity tag and key.

Published by Cinnamon Press, New York.

Overall 26” x 33” — 66 x 83.8 cm. $20,000/30,000

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Provenance: Private Collection, Toronto Literature: Herzogenrath, Wulf & Hansen, “John Lennon , Drawings Performances Films”, London, pp. 139-154 (illus)

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

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40 BEN SHAHN (1898-1968), AMERICAN SHERIFF’S DEPUTy, MORGANTOWN, W. VA., 1935 Gelatin silver print; printed c. 1978 under the supervision of Arthur Rothstein from a portfolio of 51 Farm Security Administration photographs by Shahn, including view from Arkansas, West Virginia, Ohio and New Orleans.

Published by The Photographic Historical Society of New York Inc. Unframed.

Sheet 9.75” x 8” — 24.8 x 20.3 cm. $800/1,200

41 JOAN MIRO (1893-1983), SPANISH DOROTHEA TANNING, 1974 [MOURLOT 929] Colour lithograph; signed and numbered HC in pencil, aside from the edition of 60. Published by XXe Siecle, Paris.

12.5” x 15.5” — 31.8 x 39.4 cm.

Provenance: Private Collection, Toronto, purchased in a gallery in Palm Springs, California in the late 1980’s $1,800/2,200

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

42 HENRy MOORE (1898-1986), BRITISH BLACK SEATED FIGURE ON ORANGE GROUND (COLOUR VARIATION) (FROM SHELTER SKETCHBOOK),1966 [CRAMER, 80] Colour lithograph on chine-colle paper mounted on an un-watermarked paper support sheet; signed and dated “Moore 66” in pencil at the bottom of the sheet lower right. An un-numbered Artist’s Proof aside from the edition of 180.

Published by Marlborough Fine Art, London.

Print sheet 6.75” x 6.5” — 17.1 x 16.5 cm.; 11.4” x 9.4” — 29 x 24 cm. $1,000/1,500

43 JOAN MIRO (1893-1983), SPANISH qUERELLE D’AMOUREUx II (PL. 10 FROM ALLEGRO VIVACE), 1981 [MOURLOT, 1234] Colour lithograph; signed and numbered 23/100 in pencil to margin. Published by Daniel Lelong.

26” x 17.4” — 66 x 44.2 cm. $4,000/6,000

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44 ARTHUR LEIPZIG (1918- ), AMERICAN STICKBALL, NEW yORK, 1950 Gelatin silver print; artist stamp verso. A later imrpession.

11” x 14” — 27.9 x 35.6 cm.

Provenance: Gallery 292, New York $3,000/5,000

45 ARTHUR LEIPZIG (1918- ), AMERICAN IDEAL LAUNDRy, 1946 Gelatin silver print; signed in pencil, stamped verso. A later impression.

11” x 14” — 27.9 x 35.6 cm.

Provenance: Gallery 292, New York $3,000/5,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

46 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH VERS L’AUTRE CLARTE (TOWARDS ANOTHER LIGHT) , 1985 [MOURLOT 1050] Colour lithograph; stamped signature, numbered “Epreuve d’artiste” in pencil to margin, “Atelier Marc Chagall” blindstamp lower left margin. Aside from the edition of 1000.

Image 16.5” x 13” — 41.9 x 33 cm. $1,000/1,500

47 AFTER GILBERT STUART (1755-1928), AMERICAN GEO. WASHINGTON ESq.R., LATE PRESIDENT OF THE UNITED STATES Stipple engraving by William Nutter (1754-1802). Published

by R. Cribb Holburn, London on January 15, 1798.

Note: This memorial edition print was issued in England on the occasion of Washington’s death — the same image was used earlier for a portrait edition prior to the President’s demise.

The engraving was done from a Gilbert Stuart portrait of Washington done from life and is considered one of the better “second generation” renderings of the President. $700/900

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48 GERALD LESLIE BROCKHURST (1890-1978), BRITISH DORETTE, (SEPT) 1932 Etching on Whatman watermarked paper dated “England 1926”; signed and dated “Sept” in the plate, titled and inscribed “W. 72” “A56470” in pencil to the bottom margin, inscribed “Dorette.

W.72” and inscribed “(Published state III proofs)” in pencil to a strip of paper affixed to the back Plate 9.1” x 7.4” — 23.1 x 18.8 cm.; 14” x 10” — 35.6 x 25.4 cm. $800/1,200

49 ALFRED CHENEy JOHNSTON (1884-1971), AMERICAN ZIEGFELD PERFORMER Gelatin silver print; stamped “Photograph

by Alfred Cheney Johnston” verso.

Unframed.

Sheet 13” x 10” — 33 x 25.4 cm. $800/1,200

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

50 ALFRED CHENEy JOHNSTON (1884-1971), AMERICAN STEHENDER FRAUENAKT MIT TUCH Gelatin silver print; stamped “Photograph

by Alfred Cheny Johnston” verso.

Unframed.

Sheet 13.9” x 10.9” — 35.3 x 27.7 cm. $800/1,200

51 JOAN MIRO (1893-1983), SPANISH ESCLADE DE LA BUTTE, 1976 [DUPIN 932] Colour etching and aquatint; signed and numbered 45/50 in pencil to margin Plate 18.9” x 16.9” — 48 x 42.9 cm. $2,500/3,500

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52 VICTOR VASARELy (1906-1997), HUNGARIAN/FRENCH (FROM JALONS), 1986 Colour silkscreen; signed and numbered 78/250 in pencil to margin. Printed at Atelier Arcay, Paris. Accompanied by a Certificate of Authenticity.

Image 25.75” x 24.25” — 65.4 x 61.6 cm.

Provenance: Park West Gallery, Michigan $800/1,000

53 VICTOR VASARELy (1906- 1997), HUNGARIAN DIORRE (FROM JALONS), 1986 Colour silkscreen; signed and numbered 21/250 in pencil to margin. Published by Galerie Lahumiere. Printed by Atelier Arcay, Paris.

Image 25.4” x 25.2” — 64.5 x 64 cm.

Provenance: Probably Park West Gallery, Michigan, same as previous lot $1,000/1,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

54 VICTOR VASARELy (1906-1997), HUNGARIAN/FRENCH HyRAM (FROM JALONS), 1986 Colour silkscreen; signed and numbered 23/250 in pencil to margin, titled to label verso. Printed by Atelier Arcay, Paris.

Image 28” x 25.25” — 71.1 x 64.1 cm.

Provenance: Probably Park West Gallery, Michigan, same as previous lot $800/1,200

55 KEITH HARING (1958-1990), AMERICAN THE PARIS REVIEW, 1989 [LITTMAN, 114] Colour silkscreen; signed, dated 89 and numbered 158/200 in pencil to margin.

Published by Paris Review. Unframed.

24” x 32” — 61 x 81.3 cm. $3,000/4,000

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56 JOHN REEVES (1938- ), CANADIAN ERNEST LINDNER SASKATOON, 1984 Selenium toned print; signed, titled, dated 1985 and numbered 1/100 in black felt tip pen to margin, signed, titled, dated and numbered “2-4” in pencil verso, with red stamped date: “Dec 6 1984” verso.

Unframed.

Image 14.25” x 17.75” — 36.2 x 45.1 cm. $100/200

57 DAVID HOCKNEy (1937- ), BRITISH PARADE (FOR THE METROPOLITAN OPERA, NEW yORK), 1981 [BAGOTT, 94] Colour silkscreen from the edition of unknown size. Published by Petersburg Press, New York and London.

Sheet 80” x 39.75” — 203.2 x 101 cm.

Note: Created for the benefit of the Metropolitan Opera at Lincoln Center, 1981-1982 $1,500/2,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

58 ATTILA RICHARD LUKACS (1962- ), CANADIAN BOy WITH GREEN ARMS, 1999 Colour silkscreen with oil and tar; signed, dated ‘99 and numbered 31/40 in pencil Sheet 75.25” x 60” — 191.1 x 152.4 cm. $3,000/4,000

59 BEN SHAHN (1898-1969), AMERICAN OHIO SIDESHOW, 1938 Gelatin silver print; inscribed in pencil on verso; stamped from the Library of Congress collection; printed 1970s after the original printed in 1938. Unframed.

8” x 10” — 20.3 x 25.4 cm. $400/600

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60 ALFRED CHENEy JOHNSTON, AMERICAN ZIEGFELD GIRL (LA PETITE MELANCOLIE) C. 1920 Gelatin silver print; stamped “Photograph

by Alfred Cheney Johnston” verso.

Unframed.

Sheet 13.25” x 10..5” — 33.7 x 26.7 cm. $1,000/1,500

61 ALFRED CHENEy JOHNSTON (1884-1971), AMERICAN ZIEGFELD NUDE WITH BOA Gelatin silver print; stamped “Photograph

by Alfred Cheney Johnston” verso.

Unframed.

Sheet 13” x 10.25” — 33 x 26 cm. $800/1,200

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

62 CASE AND DRAPER STUDIO, AMERICAN STENE-TU AND KAW-CLAA, 1906 (TWO THLINGET WOMEN IN CHILKAT-BLANKETS) Sepia-toned silver print; signed and titled in the photo “copyright 1906 by Case and Draper”‘. Unframed.

9.5” x 6.5” — 24.1 x 16.5 cm. $1,000/1,500

63 JULES CHERET (1836-1932), FRENCH HALLE AUx CHAPEAUx Colour lithograph poster; linen backed; matted and unframed Sheet 20” x 15.5” — 50.8 x 39.4 cm.

Provenance: Hugh W. Little Vintage Prints and Fine Art $800/1,200

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64 PABLO PICASSO (1881-1873), SPANISH CARNET DE LA CALIFORNIE (FROM THE BOOK By GEORGES BOUDAILLE), 1959 [BLOCH, 900] Lithograph; dated “Le 3.11.59” in the plate; signed and numbered 53/100 in pencil. Published by Editions Cercle d’Art. Image 15.5” x 11.5” — 39.4 x 29.2 cm. $2,500/3,500

65 HENRy MOORE (1898-1986), BRITISH THREE HEADS, 1977 [CRAMER, 376] Lithograph with colour on paper; signed and numbered 47/75 in pencil to margin.

Printed by Curwen Prints Ltd., Chilford.

Published by Ediciones Poligrafa, Barcelona.

Image 4” x 6” — 10.2 x 15.2 cm.; 19.5” x 15.75” — 49.5 x 40 cm. $600/800

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

66 FRANCESCO SCAVALLO (19212004), AMERICAN ARNOLD (SCHWARZENEGGER), 1977 Hand-toned silver gelatin archival print; signed and dated ‘76 in pencil verso; limited edition “Artist Proof (AP)” stamp verso 18.5” x 15” — 47 x 38.1 cm.

Provenance: ART+ Fine Art Gallery at Merrick Park, from whom purchased by the present Private Collection, Toronto on June 9/2004 Note: In 1977, Arnold wrote the best seller book: “Arnold Schwarzenegger: The Education of a Body Builder”. In the same year, he posed nude for Cosmopolitan Magazine. $2,000/3,000

67 GEORGE RODRIGUE (1944- 2013), AMERICAN FOUR DOGS Colour silkscreen; signed in gold ink and numbered 82/90 in pencil to the image Image 23” x 32” — 58.4 x 81.3 cm.

Provenance: Gallery 133, Toronto $1,200/1,800

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68 ASGER JORN (1914-1973), DANISH COMPOSITION Colour lithograph; signed, dated 70 and numbered 35/70 in pencil, titled to gallery label verso Image 31” x 22” — 78.7 x 55.9 cm.

Provenance: Han Art Contemporain, Montreal Note: The image was used for the poster with letters “Jorn” $1,000/1,500

69 JOAN MIRO (1893-1983), SPANISH UNTITLED (FROM JOAN MIRO LITHOGRAPHIE III), 1977 [M1118] Colour lithograph; signed and numbered XX/LXXX in pencil Sheet 17.75” x 14.5” — 45.1 x 36.8 cm. $3,000/5,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

70 JOAN MIRO (1893-1983), SPANISH UNTITILED (FROM JOAN MIRO LITHOGRAPHIE I), 1972 [M857] Colour lithograph; signed and numbered “e.a.” in pencil 17.75” x 14.50” — 45.1 x 36.8 cm. $1,500/2,500

71 ROBERT MOTHERWELL (19151991), AMERICAN SPANISH ELEGy (FROM “OCTAVIO PAZ” SUITE), 19871988, [BELKNAP, 376] Lithograph; signed with initials and numbered 39/50 in pencil to margin.

Published by Limited Editions Club.

Printed by Trestle Editions.

Plate 10.5” x 13.75” — 26.7 x 34.9 cm. $1,500/1,800

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72 BERNARD BUFFET (1928-1999), FRENCH LA NAINE, 1968 Colour lithograph; signed and numbered 61/120 in pencil to margin Sheet 28” x 20” — 71.1 x 50.8 cm.

Provenance: Sobot Fine Art, Toronto $800/1,200

73 HANS ARP (1886-1966), GERMAN/FRENCH GRIS-NOIR, 1966 [ARNTZ, 361] Colour lithograph; signed and numbered 24/100 in pencil to margin Image 27.5” x 19.5” — 69.9 x 49.5 cm.

Provenance: Galerie Samuel Lallouz, Montreal; Sobot Fine Art, Toronto, received from the above on September 8, 1990 $1,500/1,800

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

74 ALExANDER CALDER (18981976), AMERICAN TRIANGLES ROUGES Colour lithograph; signed and numbered 53/90 in pencil Sheet sight 16.3” x 24” — 41.4 x 61 cm. $1,000/1,500

75 yAACOV AGAM (1928- ), ISREALI THE BLESSING Colour silkscreen; signed and numbered 78/180 in pencil to margin Sheet sight 26.6” x 33” — 67.6 x 83.8 cm.

Provenance: Sobot Fine Art, Toronto $700/1,000

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76 FRANCIS BACON (1909-1992), IRISH TRIPTyCH AUGUST (RIGHT PANEL), 1972, [TACOU,24] Colour lithograph; signed and numbered 58/180 in pencil to margin, titled to gallery label verso Image 25.5” x 19” — 64.8 x 48.3 cm. $5,000/7,000

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Provenance: Serge Sorokko Gallery, California; Private Collection, Toronto

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

77 VICTOR VASARELy (1906-1997), HUNGARIAN/FRENCH (FROM CTA 102) NO. 4, 1966 Colour silkscreen on cardboard; signed and numbered 108/150 in pencil.

Published by Galerie Der Spiegel. Printed

by Domberger Bonlanden.

Image sight 27.5” x 27” — 69.9 x 68.6 cm. $500/800

78 OSKAR KOKOSCHKA (1886-1980), AUSTRIAN BERGSTRASSE VON OURZAZATE, PL. 17 (FROM MARRAKESCH), 1965-1966 [WINGLER/WELZ, 355] Lithograph on japon paper; signed and numbered 6/60 in pencil Image 10” x 14.5” — 25.4 x 36.8 cm.; 15” x 22” — 38.1 x 55.9 cm. $500/700

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79 THADDEUS HOLOWNIA (1949), CANADIAN MExICO, 2002; WALDEN POND, REVISITED, 2001 (TWO PHOTOGRAPHIC ALBUMS) Film based colour photographs in two albums with handmade paper covers, the first ; “Mexico” includes 24 colour photographs tipped to the pages of a handmade album, the back page signed and dated May 2002 with annotation: “For Betsy with love” in pencil. The second album: “Walden Pond” includes 17 black and white photographs tipped to pages of the album; printed at Walden Pond, Concord Massachusetts in the summer and fall of 2001, handset and printed by Thaddeus Holownia in an edition of 25, this being signed and numbered 19 in pencil by the artist with his annotation: “for Sean and Betsy kindred spirits in the creative world” dated 2001. Published by The Anchorage Press, 2001.

Each booklet 8.25” x 7.5” — 21 x 19.1 cm.; 13.25” x 10” — 33.7 x 25.4 cm.

Provenance: Both albums presented to the artist’s friend, Betsy $700/1,000

*view the full albums on our website

80 AFTER PABLO PICASSO (1881-1973), SPANISH FLEURS (PAZ ESTOCOLMO), 1958 Colour lithograph; bears signature and numbered in an edition of 200 in pencil 22” x 15.4” — 55.9 x 39.1 cm. $2,000/3,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

81 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH qUAI DE BERCy, 1954 [MOURLOT, 93] Colour lithograph; signed and numbered “epreuve d’artiste” in pencil. Aside from the edition of 75. Published by Galerie Maeght Sheet 15” x 18.25” — 38.1 x 46.4 cm. $7,000/9,000

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82 VICTOR VASARELy (1906-1997), HUNGARIAN/ FRENCH IZ-ZO (FROM BACH), 1971 Colour silkscreen; signed, titled and numbered 63/200 in pencil 29.5” x 24” — 74.9 x 61 cm.

Provenance: Albert White Gallery, Toronto $600/800

83 GEORGES BRAqUE (1882-1963), FRENCH PERSEPHONE, 1948 [VALLIER, 38] Colour woodcut; signed and numbered 6/50 in black crayon to margin Image 13.7” x 9.4” — 34.7 x 24 cm.

Provenance: Waddington Galleries, Montreal, stock number 5867M $2,500/3,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

84 HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH AUx AMBASSADEURSCHANTEUSE AU CAFECONCERT, 1894 [DELTEIL, 68]

Provenance: Far Gallery, New York

Colour lithograph; signed in pencil to margin. Published in an edition of 100 by A. Marty.

Image 12” x 9.5” — 30.5 x 24.1 cm.; 19.3” x 16.3” — 49 x 41.5 cm. $12,000/18,000

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85 GEORGES BRAqUE (1882-1963), FRENCH PHAETON (CHAR1) 1945 [VALLIER, 26] Colour lithograph; signed and numbered 20/75 in black pencil to margin. Published

by Mourlot Imp., Paris. Printed by DanielHenry Kahnweiler, Paris.

Image 12” x 17” — 30.5 x 43.2 cm. $2,000/3,000

86 GEORGES BRAqUE (1882-1963), FRENCH FROM AOUT (1958), PLATE V [VALLIER, 135] Colour aquatint; signed and numbered 40/70 in pencil to margin. Published by Louis Broder. Printed by Crommelynck and Dutrou.

Image 4.1” x 5.2” — 10.4 x 13.2 cm. $2,000/3,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

87 AFTER JACqUES GASTON DUCHAMP VILLON (1875-1963), FRENCH FEMME A LA CRUCHE (AFTER FERNAND LEGER) 1928 Colour chalcograph; inscribed and dated 1928 in the plate: “Grave par Jacques Villon 1928” lower left. Musee Louvre Chalcographie blind stamp bottom center margin.

Plate 18.5” x 12.25” — 47 x 31.1 cm. $600/800

88 ALFRED CHENEy JOHNSTON (1885-1971), AMERICAN MONA MOREy Gelatin silver print; titled in pencil verso.

Unframed.

Image 9” x 12.5” — 22.9 x 31.8 cm. $500/700

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89 GEOFFREy JAMES (1942-), WELSH VIA APPIA ANTICA, 1989 (PHOTOGRAPH AND A BOOK “LA CAMPAGNA ROMANA”) Gelatin silver print; title inscribed: “2 Via Appia Antica” verso backing. Together with an autographed copy of the artist’s soft cover book: “La Campagna Romana”, signed by Geoffrey James in black ink on the collophon. Published by Editions Galerie Rene Blouin, 1990 in a limited edition of 1026, 26 of which were signed by the artist such as this lot.

Image of photo 3.5” x 9.75” — 8.9 x 24.8 cm.

Literature: A print from this edition is illustrated in the accompanying book by Geoffrey James: “La Campagna Romana”, pl. 2 $400/600

90 PIERRE ALECHINSKy (1927- ), BELGIAN COMMENCEMENTS LAPONS, 1985 Colour etching and aquatint; signed, titled, dated 1985, inscribed and numbered 45/60 in pencil to margin Plate 7.5” x 5.5” — 19.1 x 14 cm. $500/700

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

91 JOAN MIRO (1893-1983), SPANISH ROCA, 1978 [MAEGHT,1178] Colour lithograph on Roca watermarked paper; signed and numbered EA in pencil Image 14.5” x 23.25” — 36.8 x 59.1 cm.

Provenance: Private Collection by descent from her father Note: The present Private Collection received this print from her father who worked for ‘Roca’ in Spain $1,500/2,500

92 PATRICK HERON (1920-1999), BRITISH SIx IN VERMILLION WITH GREEN IN yELLOW, 1970 Colour silkscreen; signed, dated 70 and numbered 36/100 in pencil to margin.

Published by Waddington Graphics.

Image 23” x 30.5” — 58.4 x 77.5 cm. $1,800/2,500

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93 WILLIAM SCOTT (1913-1989), BRITISH PAN AND BOWL, BLUES ON GREEN, 1970 [ARCHEUS, 26] Colour silkscreen; signed, dated 70 and numbered 18/100 in pencil to margin.

Printed at Kelpra Studio, London.

Published by Waddington Press, London.

Image 23.4” x 30.3” — 59.5 x 77 cm. $3,000/5,000

94 ZAO WOU-KI (1921-2003), Chinese/French LES POISONS, 1953 [AGERUP, 79] Colour lithograph; signed in Chinese characters, dated 53 and numbered 32?/55 in pencil to margin Image 17” x 22.5” — 43.2 x 57.2 cm. $3,000/5,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

95 JAMES ROSENqUIST (1933- ), AMERICAN STAR PROCTOR, 1978, 2ND STATE,[GLENN, 130] Etching and aquatint with embossing; signed, titled, dated 1978 and numbered “41/78 2 state” in pencil to margin Plate 17.5” x 35.6” — 44.5 x 90.3 cm. $800/1,000

96 SANDRO CHIA (1949- ), ITALIAN OPERA DESCRIVIBLE, 1974 Colour lithograph; signed, dated ‘74 and numbered 4/100 in pencil, titled to gallery label verso 22.5” x 19” — 57.2 x 48.3 cm.

Provenance: La Salita-Arte Contemporanea, Rome $500/700

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97 JOAN MIRO (1893-`983), SPANISH MURAL, 1961 [MOURLOT 229] Colour lithograph printed to the edges; signed and numbered 87/90 in pencil, inscribed “avant lettre” in pencil verso.

Published by Maeght, Paris.

Sheet 17.25” x 22.75” — 43.8 x 57.8 cm. $1,500/2,000

98 JOAN MIRO (1893-1983), SPANISH DOROTHEA TANNING, 1974 [MOURLOT, 929] Colour lithograph; signed and numbered E.A. in pencil. Published by XXe Siecle.

Image 12.5” x 15.5” — 31.8 x 39.4 cm. $2,000/3,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

99 KAIKO MOTI (1921-2989), INDIAN JAPANESE BRANCH Colour etching and aquatint; signed and numbered 115/120 in pencil to margin, titled to gallery label verso Plate 23.75” x 18” — 60.3 x 45.7 cm.

Provenance: Ashley and Crippen Gallery, Toronto $300/500

100 HENRy MOORE (1898-1986), BRITISH MOTHER AND CHILD, 1976 [CRAMER, 431] Lithograph; signed and numbered 9/50 in pencil to margin. Published by The Art Gallery of Ontario, Toronto in 1976.

Printed by Curwen Prints Ltd., London.

Image 11.5” x 10.4” — 29.2 x 26.4 cm. $1,000/1,500

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101 DAVID HOCKNEy (1937- ), BRITISH HENRy GELDZAHLER WITH HAT, 1976 [SCOTTISH ARTS COUNCIL, 180] Lithograph; signed, dated 76 and numbered “R.T.P” in pencil to margin.

Aside from the edition of 96. Published

by Gemini G.E.L. Sheet 14.2” x 12.6” — 36 x 32 cm.

Provenance: Waddington & Gorce Inc., Montreal $1,500/2,500

102 AFTER ANTONIO DA CORREGGIO (1494-1534), ITALIAN (CUPID SHARPENING HIS ARROWS) COREGE LESAMEURS DANS LA DANCE Tinted photograph; titled to gallery label verso Sight 2.5” x 2.5” — 6.4 x 6.4 cm.

Provenance: Jane Corkin Gallery, Toronto $300/500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

103 ROBERT JOSEPH FLAHERTy (1884-1951), AMERICAN NANOOK OF THE NORTH (PORTFOLIO OF 6 WORKS): NyLA AND CHILD: ETEEVEEMUIT ESKIMO OF CAPE DUFFERIN NORTHWESTERN UNGAVA; ALLEGOO (SHINING WATER): SIKOSLINGMUIT ESKIMO WOMAN SOUTHERN BAFFIN LAND; TOOKTOO (THE DEER): CHIEF OF SIKOSLINGMUIT ESKIMOS SOUTHERN BAFFIN LAND; SUMMER (AUGUST): ESKIMO KAyAK IN NORTHEASTERN HUDSON BAy; THE HUSKIE (THE WOLF DOG OF THE ESKIMOS); THE HUNTER (ESKIMO IN THE ROUGH ICE-FIELDS AT SEA) Six copperplate engravings, each with printed titled attached. With paper folder containing publisher’s page.

Each sheet 19.5” x 13” — 49.5 x 33 cm. $1,000/1,500

104 EDWARD WESTON (1886-1958), AMERICAN NUDES ON DUNES (MAUDELLE WESTON, OCEANS) (ALSO KNOWN AS “SPRING 1943”) Gelatin silver print mounted on support, the support signed in pencil “Cole Weston” and stamped “Negative by Edward Weston Print By” verso, titled and dated 1943 with archive number “N39-M17” in pencil to the support verso.

7.25” x 9” — 18.4 x 22.9 cm.

Provenance: Deja Vu Gallery, Toronto from whom acquired by the present, Private Collection, Toronto $2,000/3,000

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105 EDWARD WESTON (1886-1958), AMERICAN NUDE BEHIND SCREEN, 1943 Gelatin silver print mounted on support; the support signed in pencil “Cole by Weston” and stamped “Negative by Edward Weston Print By” verso, titled and dated 1943 with archive number “N43CH-1” in pencil to the support verso.

7.25” x 9” — 18.4 x 22.9 cm.

Provenance: Deja Vu Gallery, Toronto from whom acquired by the present, Private Collection, Toronto Note: Cole Weston (Edward’s son) printed the image in the 1970s $2,000/3,000

106 RICHARD HARRINGTON (19112005), GERMAN/CANADIAN ESKIMO CHILD WITH PUPPy, 1949 Gelatin silver print; signed, titled and dated 1949 in ink to margin. Printed circa 1985.

Image 17.75” x 11.75” — 45.1 x 29.8 cm.; 19.75” x 16” — 50.2 x 40.6 cm.

Provenance: Private Collection, Toronto Literature: See Richard Harrington’s “The Inuit Life As It Was”, p. 35, illustrated Note: Harrington’s Arctic photographs provide a historical record of a vanishing way of life in the Canadian Arctic as the Inuit people were soon to abandon their nomadic lifestyle to settle permanently into various camps.

The Inuit called Harrington “Adderioli” (the man with a box). He travelled to Padlei on hi fourth trip to the Arctic $1,500/2,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

107 RICHARD HARRINGTON (19112005), GERMAN/CANADIAN PADLEI, NWT, 1950 (“ONE MAN HAD FASHIONED A VIOLIN FROM A BACON TIN AND SINEWS, AND WAS PLAyING IT FOR HIS FAMILy” ) Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985.

Image 11.75” x 17.5” — 29.8 x 44.5 cm.

Provenance: Private Collection, Toronto Literature: See Richard Harrington’s “The Inuit Life As It Was”, p. 120, illustrated p. 24 for the descriptive quote to this scene $1,500/2,000

108 RICHARD HARRINGTON (19112005), GERMAN/CANADIAN PADLEI, NWT., 1950 (INUIT PULLING A SLED) Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985.

Image 11.75” x 17.5” — 29.8 x 44.5 cm.

Provenance: Private Collection, Toronto $1,000/1,500

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109 RICHARD HARRINGTON (19112005), GERMAN/CANADIAN PADLEI, NWT, 1950 (MOTHER AND CHILD RUBBING NOSES) Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985.

Image 11.75” x 17.5” — 29.8 x 44.5 cm.; 15.75” x 19.75” — 40 x 50.2 cm.

Provenance: Private Collection, Toronto Literature: See Richard Harrington’s “The Inuit Life As It Was”, p. 3, illustrated $1,500/2,000

110 KAIKO MOTI (1921-1989), INDIAN LANDSCAPE AT DAWN Colour etching and aquatint; signed and numbered E.A. in pencil to margin, titled to gallery label verso Plate 25” x 20.25” — 63.5 x 51.4 cm.

Provenance: Ashley and Crippen Gallery, Toronto $300/500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

111 BRAM VAN VELDE (1895-1981), DUTCH UNTITLED Colour lithograph; signed and numbered 206/300 in pencil to margin Image 25” x 18” — 63.5 x 45.7 cm. $400/600

112 JOAN MIRO (1893-1983), SPANISH CERAMIqUES (FROM CERAMIqUES DE MIRO ET ARTIGAS), 1974 [MOURLOT 928] Colour lithograph on Arches watermarked paper; stamped signature lower right, from an edition of unknown size. Published by Maeght Editeur, Paris.

Image 16.5” x 24.4” — 41.9 x 62 cm. $600/800

113 JOAN MIRO (1893-1983, SPANISH ROCA, 1978 [MAEGHT,1178] Colour lithograph on “Roca” watermarked paper; signed and numbered EA in pencil Image 14.5” x 23.25” — 36.8 x 59.1 cm.; 21.25” x 28.75” — 54 x 73 cm.

Provenance: Private Collection by descent from her father Note: The present Private Collection received this print from her father who worked for ‘Roca’ in Spain $1,500/2,500

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114 CONRAD MARCA-RELLI (19132000), AMERICAN F (FROM THE AUTUMN SUITE) Lithograph with paper and jute collage; signed, dated /70 and numbered 26/50 in pencil. Published by Marlborough Graphics, New York.

Sheet 19” x 25” — 48.3 x 63.5 cm. $1,000/1,500 Provenance: Marlborough Godard, Toronto

115 ANDRE KERTESZ (1894-1985), HUNGARIAN/AMERICAN KITCHEN INTERIOR, A RESIDENCE, 1949 Gelatin silver print; with photographer’s studio stamp verso; “Photo Andre Kertesz/31 Union Sq., N.Y.C.” with GR number: “GR. 3-2564” verso. Conde Nast Publications, Inc. copyright stamp verso.

Matted and unframed.

Image 13” x 10.6” — 33 x 26.9 cm. $400/600

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

116 HENRI CARTIER-BRESSON (1908-2004), FRENCH SUNDAy ON THE BANKS OF THE RIVER MARNE, JURISy, FRANCE, 1938 Gelatin silver print; signed in pen and ink to margin, stamped signature photo credit verso. Later impression, printed circa 1950’s?. Unframed.

5.75” x 8.75” — 14.6 x 22.2 cm. $2,500/3,500

117 HENRI CARTIER-BRESSON (1908-2004), FRENCH STEVEDOR LOADING FLOUR BAGS, CATHOLIC RELIEF TO INCHOW, KOREA, CIRCA 1955 Gelatin silver print; signed in pen and ink lower right margin; stamped signature verso. Unframed.

Image 8.6” x 5.7” — 21.8 x 14.5 cm. $800/1,000

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118 EUGENE GRASSET (1841-1917), FRENCH LES MOIS DOUZE COMPOSITIONS (CALENDAR LA BELLE JARDINIERE, 1896, FOLIO OF 12) Twelve chromotype 1/2 tone reproductions from wood engravings; each signed with initial mongrames in the stone, “Janvier” also signed BOILEAU. Contained in a grey paper folio. Printed in Paris.

Folio overall 12.6” x 9.4” — 32 x 24 cm. $800/1,000

119 RAPHAEL SOyER (1899-1987), AMERICAN FOUR SCENES OF JEWISH LIFE Colour lithograph; signed and numbered A.P. in pencil to margin. Full margins with colour registration marks.

Sheet 26.25” x 21” — 66.7 x 53.3 cm. $400/600

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

120 AFTER PABLO PICASSO (18811973), SPANISH NATURE MORTE AU CITRON ET UN PICHET ROUGE, CIRCA 1955

Provenance: Private Collection, Montreal

Colour aquatint; signed and numbered 39/300 in pencil to margin. Published and printed by Atelier Crommelynck.

Plate 13.75” x 16” — 34.9 x 40.6 cm. $6,000/9,000

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121 SALVADOR DALI (1904-1989), SPANISH THE BULLFIGHTER (THE GOLDEN CALF) [FIELD, 80-1] Colour lithograph from an original gouache on japon paper; signed and numbered A.P. 65/75 in pencil to margin; “authenticated by Salvador Dali Archives 21 Jan 2010” inscribed in pencil verso.

With Certificate of Authenticity verso.

Image 22.3” x 17” — 56.6 x 43.2 cm.

Literature: “The Official Catalog of the Graphic Works of Salvador Dali”, Albert Field: The Salvador Dali Archives: NY: 1996; illustrated p. 132 no. 80-1 $2,000/3,000

122 VICTOR VASARELy (1906-1997), HUNGARIAN/FRENCH TOPAZ (FROM ALBUM LAPIDAIRE), 1966 Colour silkscreen; signed and numbered 13/150 in pencil to margin Image 27.2” x 25.4” — 69 x 64.5 cm. $700/900

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

*view all six prints on our website

123 KAREL APPEL (1921-2006), DUTCH BEDIZED PUDDING, CANADIAN SUITE, 1979 (FOLIO OF SIx) Six mixed-media embossed prints; each signed and numbered 81/130 in pencil to margin. Published by Editions Canada.

Includes original blue storage box.

Sheet 30.5” x 22” — 77.5 x 55.9 cm. $3,500/4,000

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124 JACK BUSH (1909-1977), CANADIAN JACK BUSH - FIVE COLOUR PRINTS (THE COMPLETE SET), 1965; RED SASH-NEW yORK, 1962 (NO. 1); RED STRIPES-NEW yORK, 1962 (NO. 2); RED ORANGE GREEN -1963 (NO. 3); NICE PINK-1965 (NO. 4); STRIPES TO THE RIGHT-1965 (NO. 5); Five colour silkscreens; each signed, dated ‘65 and numbered 9/100 in pencil; each titled and numbered 1-5 in the series to publisher’s printed labels affixed to the versos. Published by David Mirvish, Toronto.

Sheet 26.1” x 20.5” — 66.3 x 52.1 cm. $10,000/15,000

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Note: Two prints from this suite of Jack Bush’s silkscreens: “Red Sash” and “Stripes to the Right” were featured in the first allCanadian exhibition: “Fifteen Canadian Artists” shown at The Museum of Modern Art, New York that circulated throughout the US from 1963 to 1965

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

125 BRIDGET RILEy (1931- ), BRITISH NINETEEN GREyS (FROM THE SET OF FOUR), 1968 [SCHUBERT, 8]

Provenance: Gallery West, Buffalo, New York

Colour silkscreen; signed, titled, dated ‘68 and numbered “Artists Proof” in pencil, titled and numbered “19 Greys #2” to gallery label verso. Aside from the edition of 75.

Sheet sight 29.2" x 29" — 74.2 x 73.7 cm. $5,000/8,000

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126 PUDLO PUDLAT (1916-1992), E7899, CAPE DORSET METIq ON MALLIK Colour stonecut, 1983, 15/50, Unframed, 25” x 34” — 63.5 x 86.4 cm. $500/700

127 GERMAINE ARNAKTAUyOK (1946-), E5-472, IGLOOLIK qAyAK Etching, AP 6/8, Unframed, 20.75” x 16.75” — 52.7 x 42.5 cm.

Est. $600/900

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128 SALVADOR DALI (1904-1989), SPANISH BULLFIGHT NR. 3 (FROM TAUROMACHIE DE DALI), 1966 [FIELD 66-1-3] Colour lithograph from an original painting; signed and numbered 112/300 in pencil; “copyright sidney. 2. lucas” stamp in black ink lower left margin Sheet 21.34” x 29.5” — 54.2 x 74.9 cm.

Provenance: By descent to the present Private Collection, Toronto Literature: “The Official Catalog of the Graphic Works of Salvador Dali” by Albert Field; pub. The Salvador Dali Archives: NY: 1996; illus. p. 149, image 66-1-3 $600/800

129 HENRy MOORE (1898-1986), BRITISH SCULPTURAL OBJECTS, 1949 [CRAMER, 7] Colour lithograph; signed and dated 49 in the plate lower right. Published by School Prints Ltd. Printed by W.S. Cowell Ltd., Great Britain.

Image 19” x 29.5” — 48.3 x 74.9 cm. $700/900

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130 SALVADOR DALI (1904-1989), SPANISH HEAVEN CANTO 30 (FROM THE DIVINE COMEDy) Colour woodcut; signed and numbered 6/150 in blue coloured pencil Plate 9.5” x 6.75” — 24.1 x 17.1 cm.; 13” x 10.25” — 33 x 26 cm.

Provenance: From the Vincent Price Collection, inventory number GB61824 to the Vincent Price typed label verso Literature: “The Official Catalog of the Graphic Works of Salvador Dali”

by Albert Field; pub. by The Salvador Dali Archives: NY: 1996; illustrated p. 200 Note: From the French editions of the Divine Comedy, published by Joseph Foret which included L’Enfer (Hell) in red, La Purgatoire (Purgatory) in purple, and Le Paradis (Paradise) in blue, hence Dali’s signature in blue pencil. $500/700

131 SOREL ETROG (1933-), CANADIAN UNTITLED (LINKS) Colour lithograph; signed and numbered 34/40 in pencil to margin Image 18.25” x 13.25” — 46.4 x 33.7 cm.

Provenance: By descent to the present Private Collection, Toronto Note: Etrog is most recognized for his cast-bronze sculptures, however, his oeuvre includes many works on paper including illustrations and print making that were later realized in large scale sculptural forms executed in wood or metal, several of which stand in public places in Toronto.

The image of the ‘link’ first appears in his work in 1964. In 1965, Etrog made his first graphics. “The Link created a tension at the points where they joined, where they pulled together or pulled apart,” Etrog said in 2001.

Etrog was elected a member of the Order of Canada in 1994 and two years later became a Chevalier of Ordre des Arts et des Lettres in France.

The Art Gallery of Ontario, Toronto held a major retrospective of his work in 2013. $200/300

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132 NEIL WELLIVER (1929-2005), AMERICAN BRIGG’S MEADOW, 1973 (FROM LANDSCAPES) [WELLIVER, 27] Colour silkscreen; signed and numbered 53/144 in pencil to margin, titled to gallery label verso. Published by HKL/Ltd. Image 36” x 35.5” — 91.4 x 90.2 cm.

Provenance: Harcus Krakow Rosen Sonnabend Gallery, Boston; By descent to the present Private Collection, Toronto $1,500/2,000

133 ROBERT MOTHERWELL (19151991), AMERICAN TOBACCO ROTH-HANDLE, 1975 [BELKNAP, 140] Colour lithograph and screenprint on textured paper; signed and numbered 8/45 in pencil; Robert Motherwell Copyright blindstamp lower right Sheet 40.5” x 30.5” — 102.9 x 77.5 cm.

Provenance: Harcus Krakow Rosen Sonnabend Gallery, Boston, inv. # 5700; By descent to the present Private Collection, Toronto $2,000/3,000

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134 ALBERTO GIACOMETTI (19011966), SWISS LE COUPLE [LUST, 3], 1951 Lithograph; signed and numbered 10/50 in pencil. Published by Edouard Loeb.

Sheet 12.75” x 9.75” — 32.4 x 24.8 cm. $5,000/7,000

135 JAMES JACqUES JOSEPH TISSOT (1836-1902), FRENCH BERTHE, 1883 [WENTWORTH 74] Etching with drypoint; signed and dated 1883 in the plate lower right Plate 14” x 11.75” — 35.6 x 29.8 cm.

Provenance: Merrill Chase Galleries, inventory number 358606 MTB $800/1,200

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

136 DAVID HOCKNEy (1937—), BRITISH PETER, 1969 [SCOTTISH ARTS COUNCIL, 110] Etching and aquatint; signed, dated 1969 and numbered 74/75 in pencil to margin. Published by Petersburg Press. Printed by Maurice Payne.

Plate 26.5” x 21” — 67.3 x 53.3 cm.

Provenance: The Pollock Gallery Limited, Toronto $3,000/4,000

137 JOSEF ALBERS (1888-1976), GERMAN “HOMAGE TO A SqUARE” 4 COLOUR SILKSCREENS (FROM FORMULATION ARTICULATION FOLIO) Four Colour silkscreens from portfolio 184/1000, published by Harry N. Abrams Inc., NY, 1972. In 2 frames.

Sheet 15” x 20” — 38.1 x 50.8 cm.

Provenance: Purchased at Waddington’s Dec. 1 1980 The Fine Line Gallery, Toronto Note: “Formulation Articulation” folio was signed and numbered in black ink on the title page; a copy of the title page accompanies the lot; “Formulation Articulation” was a 2-box set that originally contained a suite of 127 coloured screenprints $1,200/1,800

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138 ANTONI CLAVE (1913-2005), SPANISH MADEMOISELLE MARGUERITE Embossed etching (engraving); signed and numbered 61/75 pencil to margin.

Editions Sonet, Sweden.

Sheet 30” x 22” — 76.2 x 55.9 cm.

Provenance: The Fine Line Gallery, Toronto; purchased from the publisher $500/700

139 ANDy WARHOL (1928-1987), AMERICAN COW, 1971 [FELDMAN & SCHELLMANN, II.11A] Colour silkscreen; with letters: “Andy Warhol/ Whitney Museum/May 1- June 13, 1971” to the left margin, with letters “Factory Additions, 1971” to the right margin, from the edition of unknown size, published for a Warhol exhibition at the Whitney Museum of American Art, New York. Printed by Bill Miller’s Wallpaper Studio, Inc., New York. Published by Factory Additions, New York, on wallpaper.

Sheet 45.75” x 29.5” — 116.2 x 74.9 cm. $4,000/6,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

140 ROy LICHTENSTEIN (1923-1997), AMERICAN AS I OPEN FIRE (TRyPTCH) Three colour offset lithographs, stamped verso with copyright R. Lichtenstein, 1964 verso. Unframed.

25.2” x 20.5” — 64 x 52.1 cm. $500/700

141 DONALD BAECHLER (1958-), AMERICAN RED CORAL, 2004 Colour aquatint with open-bite etching; signed, dated ‘04 and numbered 5/34 in pencil to margin. Published by BaronBoisante.

Image 43.5” x 33.5” — 110.5 x 85.1 cm.; 53.5” x 42” — 135.9 x 106.7 cm.

Provenance: Private Collection, Toronto $2,000/3,000

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142 GRAPHICS: TORONTO 20, 1965 (PORTFOLIO), CANADIAN “A NUMBERED AND SIGNED PORTFOLIO”, ARTISTS INCLUDING: 1. BURTON; 2. BUSH; 3. COUGHTRy; 4.

CURNOE; 5. ETROG 6. GLADSTONE; 7. GORMAN; 8.

HEDRICK; 9. KURELEK; 10. LEVINE; 11. MARKLE; 12.

MARKGRAF; 13. MEREDITH; 14. NAKAMURA; 15. RAyNER; 16. RONALD; 17. SNOW; 18. TEITELBAUM; 19. URqUHART; 20.

WIELAND; Twenty original prints; each signed, numbered 72/100 and dated 65 in pencil. A limited edition portfolio published by Art Publications in cooperation with The Art Gallery of Ontario, Toronto in an edition of 100, this being edition 72 on the publisher’s publication page. Printed at University Press, Toronto. Contained in a grey hard cover portfolio case complete with opening pages of text, with tissue guards between each print.

Overall 27” x 21” — 68.6 x 53.3 cm. $7,000/9,000

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Note: This portfolio is the first attempt to put together a collection of graphics by some of the leading artists of ‘The School of Toronto’

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

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143 SAM FRANCIS (1923-1994), AMERICAN SPUN FOR JAMES KIRSCH, 1972 [LEMBARK, S3] Colour silkscreen; signed and numbered AP/V111 in pencil to margin. Aside from the edition of 100.

Sheet 29.75” x 22.25” — 75.6 x 56.5 cm.

Provenance: John C. Stoller and Co., Minneapolis, Minnesota; Private Collection, Toronto $2,000/3,000

144 FRANCIS BACON (1909-1992), IRISH THE HUMAN BODy (STUDy FOR THE METROPOLITAN MUSEUM OF ART), 1975 Colour lithograph before letters; signed in felt-tip pen (faded) lower left margin, numbered 16/200 in pencil lower right margin.

44.75” x 34” — 113.7 x 86.4 cm.

Provenance: Purchased at the Metropolitan Museum of Art, New York, in the 1970s $2,000/3,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

145 EADWEARD MUyBRIDGE (18301904), AMERICAN/BRITISH ANIMAL LOCOMOTION, PL. 402 Collotype, titled, numbered Plate 402 with copyright date, 1887, to the typeset printed label shown in the matboard cutout, inventory number K190 to gallery label verso Image 7.2” x 15.75” — 18.3 x 40 cm.

Provenance: With the Art Gallery of Ontario Art Rental Service; Yarlow/Salzman Gallery, Toronto $500/700

146 ALBERT ARTHUR ALLEN (18861962), AMERICAN FEMALE NUDES (SERIES C ALTA TECHNICAL STUDIES, PORTFOLIO OF 10 SHEETS, ALTA STUDIOS, INC., SAN FRANCISCO) Ten gelatin silver sepia prints; each sheet with letters: “Alta Technical Studies” in the plate lower left, each numbered in the plate lower right: “Plate 21 - Plate 30”.

Contained in a grey paper folio labeled “Alta Technical Studies Series C” Alta Studios, Inc. 111 Golden Gate Ave., San Francisco” to the front cover.

Each sheet 7” x 11” — 17.8 x 27.9 cm. $800/1,200

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147 MAN RAy (1890-1976), AMERICAN IN CIMA AL MONDO (CONqUER THE WORLD), 1972 [ANSELMINO, 35] Colour lithograph on Arches paper; signed with initial monogram and numbered 34/110 in pencil to margin.

Image 19” x 16” — 48.3 x 40.6 cm.

Provenance: Walter Engel Gallery, Toronto $600/900

148 MAN RAy (1890-1976), AMERICAN UNE CATHEDRALE, 1968 (FROM ELECTRO-MAGIE) [ANSELMINO, 40] Colour etching and aquatint; signed and numbered 123/150 in pencil to margin, dated 1968 to gallery label verso.

Published by G. Visat.

Plate 7” x 5” — 17.8 x 12.7 cm.

Provenance: Walter Engel Gallery, Toronto $600/900

149 PAUL WUNDERLICH (1927-2010), GERMAN DANIELA MIT DEM DANSCHUH, 1973 Colour lithograph; signed and numbered 641/1000 in pencil to margin Image 21” x 16” — 53.3 x 40.6 cm.

Provenance: Walter Engel Gallery, Toronto $200/300

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

150 KENOJUAK ASHEVAK (19272013), E7-1035, CAPE DORSET OWL OF THE SEA Stonecut, 1977, 131/200. Unframed.

22.25” x 28.5” — 56.5 x 72.4 cm.

Note: One of six prints from a specially commissioned work and part of the 1977 Art of the Eskimos, a co-operative project between the West Baffin Eskimo Cooperative and the International World Wildlife Fund. $1,500/2,000

151 BARBARA HEPWORTH (19031975), BRITISH SEA FORMS, 1969 Colour lithograph with embossing; signed and numbered 13/60 in pencil. Published

by Curwen Studio.

Sheet 23” x 32” — 58.4 x 81.3 cm.

Provenance: Essex County Section, National Council of Jewish Women, “Focus on Art” label verso; Private Collection, Toronto

$1,500/2,500

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152 RONALD yORK WILSON (1907-1984), CANADIAN “yORK WILSON - CITIES” (PORTFOLIO OF 7 COLOUR SILKSCREENS) Seven colour silkscreens; each signed, titled and numbered 23/60 in pencil to margin: Cairo; Kuala Lumpur; Isfahan; Kuching; Marrakesh; Jaipur; Srinagar. Contained in a black jute covered folio.

Image 14.5” x 20” — 36.8 x 50.8 cm.; 24.5” x 30” — 62.2 x 76.2 cm. $1,000/1,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

153 GEORGES ROUAULT (1871-1958), FRENCH AUTOMNE, CIRCA 1938 [CHAPON/ I. ROUAULT, 288C] Colour aquatint; signed in pen and ink and numbered 58/175 in pencil to margin Plate 20.1” x 25.6” — 51 x 65 cm. $10,000/15,000

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154 JOAN MIRO (1893-1983), SPANISH SERIE II: BLEU ET ROUGE, 1961 [MOURLOT, 225] Colour lithograph; signed and numbered 22/30 in pencil Sheet 17.75” x 23.25” — 45.1 x 60.3 cm. $1,500/2,000

155 FERNAND LEGER (1881-1955), FRENCH CHEVREUSE AOUT, 1951 [SAPHIRE E8] Colour silkscreen on Arches paper; signed with initials, titled and dated 31 in the plate lower right, signed in blue pen and ink and numbered 121/200 in pencil to margin. Published by Jean Bruller.

Unframed.

Sheet 22” x 15” — 55.9 x 38.1 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $700/1,000

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

156 HENRI MATISSE (1869-1954), FRENCH ODALISqUE COUCHEE, 1923 [DUTHUIT-GARNAUD, 86] Etching; signed in the plate lower right, one of several trial proofs aside from the six signed proofs (the edition was not published). A. Vollard, editeur. Unframed.

Plate 7.9” x 11.8” — 20.1 x 30 cm.; 17” x 22.25” — 43.2 x 56.5 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $3,000/5,000

157 ARISTIDE MAILLOL (1861-1944), FRENCH NUDE, 1935 [FROM L’ART D’AIMER D’OVIDE], [GUERIN, 318] Lithograph; signed with monogram in the plate Image sight 14.5” x 10” — 36.8 x 25.4 cm.

Provenance: Marcel Guiot, Paris; Private Collection, Toronto $500/700

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158 PABLO PICASSO (1881-1943), SPANISH POUR ROBy (FROM L’AGE DE SOLEIL By ROBERT J. GADET), 1950 [BLOCH 680] Etching on BFK Rives paper; signed and titled in the plate. Unframed.

Sheet 13” x 10” — 33 x 25.4 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $600/900

159 PETER HENRy EMERSON (18561936), BRITISH BRICKFIELD ON THE RIVER BURE, NORFOLK, 1888 (PL. 10 FROM PICTURES OF EAST ANGLIAN LIFE) Photogravure. Printed in an edition of 275.

Image 5.2” x 11” — 13.2 x 27.9 cm.

Provenance: Yarlow/Salzman Gallery, Toronto $500/700

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

160 HEINRICH KUEHN (KUHN) (1866-1944), AUSTRIAN STUDy (MISS MARy WARNER), (FROM CAMERA WORK, #33) Mezzotint photogravure from a gum print, titled and dated January 1911 to gallery label verso Sheet 7.5” x 5.5” — 19.1 x 14 cm.

Provenance: Yarlow/Salzman Gallery , Toronto Literature: Camera Work #33 January 1911 Note: Mary was the nurse of the photographer’s child. $500/700

161 KyU-BAIK HWANG (1932-), KOREAN FOUR STILL LIFES: SERPENT HOUR; FOUR GATES; CURTAINE2; MATCHES, 1981 Four colour etchings; each signed, titled, dated and numbered variously in editions of 100 in pencil to margin. Two unframed.

Image 13.75” x 14.5” — 34.9 x 36.8 cm.; 12” x 12.5” — 30.5 x 31.8 cm.; 12” x 13.75” — 30.5 x 34.9 cm.; 13.6” x 11.8” — 34.5 x 30 cm. $600/800

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162 JOSE ORTEGA (1921-1991), SPANISH HARVESTERS, 1966 Colour etching; signed and numbered 20/100 in pencil to margin, titled and dated 1966 to gallery label verso Plate 25.25” x 19” — 64.1 x 48.3 cm.

Provenance: Walter Engel Gallery, Toronto $300/500

163 JOSE ORTEGA (1921-1991), SPANISH AUx CHAMPS (IN THE FIELDS) Colour etching; signed in pencil lower right, numbered 38/95 in white pencil to margin, titled “(Aux Champs) (In The Fields)” to gallery label verso Sheet sight 29.5” x 22” — 74.9 x 55.9 cm.

Provenance: Walter Engel Gallery, Toronto $300/500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

164 ANDRE MASSON (1896-1987), FRENCH LES TRAVAUx DU HASARD, (WORKS OF CHANCE), 1960 Colour lithograph; signed and numbered E.A. in pencil to margin, titled to gallery label verso. Aside from the edition of 150.

Image 30.25” x 23” — 76.8 x 58.4 cm.

Provenance: Walter Engel Gallery, Toronto $300/400

165 KAREL APPEL (1921-2006), DUTCH FAUNE NOCTURNE, SPRING/SUMMER, 1960 Colour lithograph; signed, dated 66 and numbered 82/125 in pencil to margin, titled and dated 1960 to the publisher’s label verso, the blindstamp of L’Oeuvre Gravee lower left margin Image 19” x 25” — 48.3 x 63.5 cm.

Provenance: Editions d’Art L’Oeuvre Gravee, Zurich (Paris), Cat. No. 281, publisher’s label verso $600/800

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166 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH DER ADLER UND DER KAFER; ISAIE GUERRIER Two etchings; each signed in the plate, lower right and upper right respectively, the latter, titled in pencil to margin. Each unframed.

Plate 11.5” x 9.25” — 29.2 x 23.5 cm.; 11.5” x 9” — 29.2 x 22.9 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $600/700

167 PIERRE BONNARD (1867-1947), FRENCH BAIGNEUSE Etching on japon paper; signed with initials in the plate lower left. Unframed.

Together with:

Paul Signac (1863-1935), French PARIS: LE PONT DES ARTS AVEC REMORqUES, 1927 Etching and aquatint; signed in the plate lower left. Unframed.

Plate sizes 8.5” x 6.2” — 21.5 x 15.7 cm.; 4.8” x 7.5” — 12.2 x 19.1 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $700/900

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

168 NICKOLAS MURAy (1892-1965), HUNGARIAN/AMERICAN UNTITLED (NUDE), 1925 Gelatin silver print; “Nickolas Muray, New York” blindstamp to the image lower right, signed and dated 1925 in pencil to the mat Image 9.5” x 7” — 24.1 x 17.8 cm. $1,000/1,500

169 PIERRE BONNARD (1867-1947), FRENCH LE CHAT ET L’OISEAU (IL GATTO E IL MERLO) Drypoint etching on laid paper. Unframed.

Plate 11” x 8.3” — 27.9 x 21.1 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $400/600

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170 GEORGES ROUAULT (1871-1958), FRENCH LE POISSON VOLANT (FROM REINCARNATIONS DU PERE UBU), 1928 [CHAPON ET ROUAULT, 23] Etching; signed with initials and dated 1928 in the plate bottom centre.

Unframed.

8.5” x 12.2” — 21.6 x 31 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $500/700

171 MAx ERNST (1891-1976), GERMAN RHyTHMES, 1950 [SPIES AND LEPPIEN, 48] Colour lithograph; signed, and numbered “epreuvre d’artist serie anglaise”‘ in pencil to margin. Aside from the edition of 200.

Guilde de la Gravure blindstamp top right margin. Unframed.

Sheet 22.5” x 15” — 57.2 x 38.1 cm.

Provenance: The Estate of Canadian artist, Albert Dumouchel (1916-1971), Montreal; By descent $1,500/2,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

172 AFTER PAUL SIGNAC (1863-1935), FRENCH LE PORT DE LA ROCHELLE (By JACqUES VILLON) [GINESTET/POUILLON, 644 (VILLON)] Colour chalcographic print; signed ‘P Signac’ and dated 1924 in the plate lower right. Stamped publication: “Chalcographie du Louvre” centre plate margin Plate 17.75” x 23.6” — 45.1 x 60 cm. $600/900

173 PIERRE-AUGUSTE RENOIR (18411919), FRENCH SEATED FEMALE NUDE Colour lithograph; signed in the plate lower right Image sight 7.5” x 6.5” — 19.1 x 16.5 cm.; 10.5” x 8.5” — 26.7 x 21.6 cm.

Provenance: Galerie Venetienne, Paris $1,000/1,500

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174 IAIN BAxTER& (1936- ), CANADIAN RETIRING LANDSCAPE, 1998 Mixed-media colour monoprint; signed, titled and dated 98 in felt-tip pen bottom centre. Unframed.

Sheet 21.25” x 30” — 54 x 76.2 cm. $600/800

175 IAIN BAxTER& (1936- ), CANADIAN MEANDERING LANDSCAPE, 1998 Mixed-media colour monoprint; signed, titled and dated 98 in black felt-tip pen bottom centre. Unframed.

Sheet 21.25” x 30” — 54 x 76.2 cm. $600/800

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

176 IAIN BAxTER& (1936- ), CANADIAN SHIFTING LANDSCAPE, 1998 Mixed-media colour monoprint; signed, titled and dated 98 in felt-tip pen bottom centre. Unframed.

Sheet 21.25” x 30” — 54 x 76.2 cm. $600/800

177 IAIN BAxTER& (1936- ), CANADIAN ALLOCATING LANDSCAPE, 1998 MIxed-media colour monoprint; signed, titled and dated 98 in felt-tip pen bottom centre. Unframed.

Sheet 21.25” x 30” — 54 x 76.2 cm. $600/800

178 IAIN BAxTER& (1936- ), CANADIAN IMPORTING LANDSCAPE, 1998 Mixed-media colour monoprint; signed, titled and dated 98 in felt-tip pen bottom centre. Unframed.

Sheet 21.25” x 30” — 54 x 76.2 cm. $600/800

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179 yVES GAUCHER (1934-2000), CANADIAN SA Colour embossed etching on laminated papers; signed, titled, dated ‘62 and numbered 1/25 in pencil Sheet 41.5” x 28.7” — 105.4 x 72.9 cm. $8,000/10,000

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Note: “Laminated papers” refers to a process whereby the artist has amalgamated a number of layers of hand-made paper to achieve a very thick single sheet of paper

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

180 FREDERICK JAMES BROWN (1945-2012), AMERICAN DExTER GORDON; SARAH VAUGHAN; JOHN COLTRANE; JOHNNIE HODGES; OSCAR PETERSON; LOUIS ARMSTRONG (FROM PORTRAITS OF ExCELLENCE)

Provenance: Funds generated from the sale of the prints will benefit Ducks Unlimited, Canada in this their 75th anniversary year

Six colour silkscreens; each signed, dated 2005, the first five numbered HC 4/5 in pencil, the last title, numbered “API”. Each unframed.

Sheets 38.25” x 30” — 97.2 x 76.2 cm.; 30” x 43” — 76.2 x 109.2 cm. $1,200/1,800

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181 FREDERICK JAMES BROWN (1945-2012), AMERICAN MIKIE; JOEy; JULES; MAx (CLOWN PORTFOLIO) Four colour silkscreens; each signed, titled, dated 1990 and numbered 95/160 in white pencil. Unframed.

Sheets 58.75” x 45.25” — 149.2 x 114.9 cm. $600/1,000

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Provenance: Funds generated from the sale of the prints will benefit Ducks Unlimited, Canada in this their 75th anniversary year

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

182 ROy DE FOREST (1930-2007), AMERICAN FIVE COLOUR LITHOGRAPHS THE CAMPFIRE, signed and numbered T/P in pencil; THE PAINTER; signed, dated 94 and numbered AP 8/12 in pencil; CAVEMEN AND FLYING BIRDS, signed and numbered T.P. in pencil; PRIMEVIL TIMES; signed, dated 94 and numbered A/P in pencil;BIRDLAND, signed, dated 94 and numbered A/P in pencil. Unframed.

32” x 37.5” — 81.3 x 95.3 cm.

Provenance: Funds generated from the sale of the prints will benefit Ducks Unlimited, Canada in this their 75th anniversary year $1,000/1,500

183 PHILIP PEARLSTEIN (1924- ), AMERICAN MODEL WITH CHINESE KITE Colour lithograph; signed, titled, dated 05 and numbered 6/175 in pencil. Unframed.

Sheet 26.75” x 40” — 67.9 x 101.6 cm.

Provenance: Funds generated from the sale of the prints will benefit Ducks Unlimited, Canada in this their 75th anniversary year $300/500

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184 MALCOLM MORLEy (1931- ), BRITISH BATTLE OF BRITAIN; qUARTET Two colour silkscreens; each signed and numbered 173/175 and 4/175 respectively, the second title dated 05. Each unframed.

Image 27.75” x 36” — 70.5 x 91.4 cm.; 30” x 30” — 76.2 x 76.2 cm.

Provenance: Funds generated from the sale of the prints will benefit Ducks Unlimited, Canada in this their 75th anniversary year Note: Malcolm created “Battle of Britain” in remembrance of the 70th anniversary of history’s “Battle of Britain”, the WWII air campaign waged by the German Air Force against the United Kingdom during the summer and autumn of 1940. $400/600

185 JACK yOUNGERMAN (1926- ), AMERICAN JAUNE I Colour silkscreen; signed with initials, dated 66 and numbered 89/90 in pencil, titled to gallery label verso Image approximately 31.75” x 23” — 80.6 x 58.4 cm.

Provenance: The Pollock Gallery, Toronto $600/800

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

186 ANDy WARHOL (1928-1987), AMERICAN LIZ TAyLOR, 1965 (THE MAILED AND POSTMARKED INVITATION TO THE MORRIS INTERNATIONAL ExHIBITION, TORONTO, “ANDy WARHOL”, HELD MARCH 15TH THROUGH APRIL 3RD, 1965 Colour offset lithograph on eight pieced sheets; the verso reportedly with typeset lettering: “Andy Warhol March 15- April 3rd, 1965, Preview March 18th, 1965, Toronto” Sheet 21.6” x 21.6” — 54.9 x 54.9 cm.

Provenance: Isaacs Gallery, Toronto label verso $300/500

187 RICHARD AVEDON (1923-2004), AMERICAN THE BEATLES (THE SET OF FOUR PSyCHEDELIC POSTERS), 1968 Four photographic posters; Printed by Waterlow & Sons Ltd., England. Limited first edition and copyright by NEMS Enterprises Ltd. Unframed.

Sheets 26.7” x 18.5” — 67.8 x 47 cm.

Note: Photographed by American fashion and portrait photographer Richard Avedon in 1967 at the height of the Beatles’ fame, these psychedelic portraits were first published in the American magazine “Look” in January 1968 and in the UK’s “Daily Express” in February 1968 $1,500/1,800

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188 JEAN-MICHEL BASqUIAT (19601988), AMERICAN BEAT BOP. TEST PRESSING, VERSION ONE, VOLUME ONE, 1983 Vinyl record with screenprint on the double-sided record jacket and label.

Tartown Record Co., New York, NY. Overall 12.4” x 12.4” — 31.5 x 31.5 cm. $500/700

189 ANDy WARHOL (1928-1987), AMERICAN ICONIC COLLECTION SKATE DECKS (SET OF 3) Screenprint on skateboard; signed with printed manufacturer’s mark to front of deck: [Iconic Collection Andy Warhol TM The Andy Warhol Foundation For The Visual Arts Inc.].Alien Workshop USA, 2011.

Each 31.5" x 7.75" x 2" — 80 x 19.7 x 5.1 cm. $1,200/1,500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

190 BANKSy (BORN CIRCA 1974- ), BRITISH WE LOVE yOU... SO LOVE US (RECORD SLEEVE CONTAINING THE VINyL ALBUM, 2000) Colour screenprint on double-sided record sleeve. Wall of Sound recordings, this copy with printed text: “This compilation (p) and (o) 2000. We Love You” on the verso lower left. With plastic wrap.

Overall 12.4” x 12.5” — 31.4 x 31.8 cm.

Note: Banksy’s work was made up of the Bristol underground scene which involved collaborations between artists and musicians.

This album design is one of Banksy’s early commissions and considered rare. The jacket features one of the elusive artist’s best known images. $500/700

191 SHEPARD FAIREy (1970-), AMERICAN OBEy GIANT (FACE) Colour silkscreen; signed in pencil lower right. Unnumbered edition. Unframed.

38" x 25" — 96.5 x 63.5 cm.

Note: Fairey’s street art gained popularity from his Andre the Giant “Obey” images and later designing symbolic Presidential campaign posters for Obama. $300/500 192 as may appear

193 yOSHITOMO NARA (1959- ), JAPANESE FUCKIN’ POLITICS! 2003 Colour screenprint. Unframed.

Sheet 20” x 27.5” — 50.8 x 69.9 cm. $300/500

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194 HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH LINGER, LONGER, LOO, (PLATE IV FROM yVETTE GUILBERT, 1898) [DELTEIL, 255] Lithograph in black with a beige tint stone; plate signed on the stone with initial monogram lower right, titled “Yvette Guilbert, A Menilmontant” de Bruant to gallery label verso Image 11.5” x 9.4” — 29.2 x 23.8 cm.

Provenance: M. Knoedler & Co., Inc., New York; John C. Herndon loaned to Catherine C. Treat inscribed to label verso $1,000/1,500

195 PIERRE-AUGUSTE RENOIR (18411919), FRENCH DANCE AT CHATOU, 1883 Lithograph; signed in the plate lower left Sheet 9” x 4.5” — 22.9 x 11.4 cm.

Provenance: Framed by Knoedler & Co., New York $300/500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

196 JOHN GRUEN (1926- ), AMERICAN PITCHER, PUMP, 1977 Silver print (toned); titled and dated to gallery label verso 14.6” x 13.4” — 37 x 34 cm.

Provenance: Jane Corkin Gallery, Toronto $3,000/5,000

197 STEFAN JASIENSKI (1899-1990), SWISS MAN ON A BICyLCLE, 1956 Gelatin silver print, mounted; signed and dated 1956 in pencil to the mount lower right Sheet 11.5” x 15.5” — 29.2 x 39.4 cm. $500/700

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198 CHARLES PACHTER (1942- ), CANADIAN STREETCAR CIRCUS Colour lithograph; signed and numbered a/p in pencil Sheet 28.5” x 19.25” — 72.4 x 48.9 cm.

Provenance: James Polk and his wife Ellen Seligman, both prominent members of the Arts and Literature Society, gifted from his longtime friend, the artist as a house warming gift over 20 years ago; Acquired by the present Private Collection, from the above $400/500

199 DAVID RUBEN PIqTOUKUN (1950-), W3-119, TORONTO, PAULATUK/CANADIAN INUIT “SyMBOLS OF SURVIVAL” FOLIO OF THREE PRINTS FORMING A TRIPTyCH: (A) AS THE SUN SETS; (B) A BOUNTIFUL SUPPLy; AND (C) THE SHAMAN’S DREAM, 1987 Three colour silkscreens; each signed at Pitqtoukun, titled, and numbered 125/200 in pencil Sheets 31” x 20.5” — 78.7 x 52.1 cm.

Literature: Sandra Buhai Barz, “Inuit Artists Print Workbook,” Volume III, Book 2, p. 442 Note: According to Sandra Barz, this was a special folio made up of three prints, each signed and numbered by the artist.

Piqtoukun has also written of the legends and mythology of his people which are reflected in the imagery $800/1,200

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

200 DAVID LLOyD BLACKWOOD (1941- ), CANADIAN MAN WARNING TWO BOyS, 1983 Colour etching and aquatint; signed,titled, dated 1983 and numbered 11/30 in pencil to margin Plate 19.75” x 31.75” — 50.2 x 80.6 cm. $3,000/4,000

201 SAyED HAIDER RAZA (1922- ), INDIAN BINDU AND EARTH Colour silkscreen; signed, titled, dated ‘08 and numbered 67/100 in pencil Image 34” x 17” — 86.4 x 43.2 cm. $1,200/1,800

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202 SAyED HAIDER RAZA (1922- ), INDIAN SATPURA Colour silkscreen; signed, titled, dated ‘08 and numbered A/P in pencil to margin Image 24” x 48” — 61 x 121.9 cm. $1,700/2,000

203 SAyED HAIDER RAZA (1922- ), INDIAN RASA Colour silkscreen; signed, titled, dated ‘06 and numbered 12/100 in pencil to margin Image 13” x 12” — 33 x 30.5 cm. $700/900

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

204 PARESH MAITy (1965- ), INDIAN PHILOSOPHER Etching; signed, dated ‘07 and numbered 21/60 in pencil to margin Plate 19” x 14” — 48.3 x 35.6 cm.

Provenance: Gallery Art & Soul, Mumbai $300/500

205 LALU PRASAD SHAW, INDIAN UNTITLED (STILL LIFE) Colour etching; signed, dated ‘09 and numbered 12/50 in pencil to margin Plate 19.25" x 14" — 48.9 x 35.6 cm.

Provenance: Gallery Art & Soul, Mumbai $300/500

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206 SHUVAPRASANNA (1947- ), INDIAN ABODE Colour etching; signed, titled, dated ‘06 and numbered 21/60 in pencil to margin Plate 14" x 13" — 35.6 x 33 cm.

Provenance: Gallery Art & Soul, Mumbai $300/500

207 LALITHA LAJMI (1932- ), INDIAN PERFORMERS & MASKS Etching with tone; signed, titled, dated 2009 and numbered 12/50 in pencil to margin Plate 19.5" x 15.25" — 49.5 x 38.7 cm.

Provenance: Gallery Art & Soul, Mumbai $300/500

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

208 MADHAVI PAREKH (1942- ), INDIAN UNTITLED (PORTRAIT) Etching with tone; signed, dated ‘07 and numbered 21/60 in pencil to margin Plate 19" x 14" — 48.3 x 35.6 cm.

Provenance: Gallery Art & Soul, Mumbai $300/500

209 SANAT KAR (1935- ), INDIAN UNTITLED Colour etching; signed, dated 2008 and numbered 21/60 in pencil to margin Plate 20" x 18" — 50.8 x 45.7 cm.

Provenance: Gallery Art & Soul, Mumbai $300/500

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Prints Index CANADA

Soulages, Pierre (1919-) 12

BRITAIN

Arnaktauyok, Germaine (1946-) 127

135

Banksy, (born c. 1974) 190

Ashevak, Kenojuak (1927-2013) 150

Toulouse-Lautrec, Henri de (1864-1901)

Brockhurst, Gerald Leslie (1890-1978) 48

Baxter&, Iain (1936-) 174, 175, 176, 177, 178

84, 194

Hayter, Stanley-William (1901-1988) 15

Tissot, James Jacques Joseph (1836-1902)

Blackwood, David Lloyd (1941-) 200

Vasarely, Victor (1906-1997) 52, 53, 54, 77,

Heron, Patrick (1920-1999) 92

Bush, Jack (1909-1977) 124

82, 122

Hockney, David (1937-) 57, 101, 136

Etrog, Sorel (1933-) 131

Villon, Jacques Gaston Duchamp, After

Hepworth, Barbara (1903-1975) 151

Kurelek, William (1927-1977) 27

(1875-1963) 87

Lennon, John (1940-1980) 39

Yves Gaucher (1934-2000) 179

Wou-Ki, Zao (1921-2003) 94

Moore, Henry (1898-1986) 42, 65, 100,

Lukacs, Atilla Richard (1962-) 58 Pachter, Charles (1942-) 198

129 UNITED STATES

Piqtoukun, David Ruben (1950-) 199

Morley, Malcolm (1931-) 184 Riley, Bridget (1931-) 11, 125

Pudlat, Pudlo (1916-1992) 126

Avedon, Richard (1923-2004) 187

Reeves, John (1938-) 56

Baechler, Donald (1958-) 141

Reid, Bill Ronald (1920-1998) 7

Basquiat, Jean-Michel (1960-1988) 188

Riopelle, Jean Paul (1923-2002) 28

Calder, Alexander (1898-1976) 4, 74

Scott, William (1913- 1989) 93

SPAIN

Toronto 20, (1965) 142

Brown, James Frederick (1945-2012) 180,

Clave, Antoni (1913-2005) 16, 34, 138

Wilson, Ronald York (1907-1984) 152

181

Dali, Salvador (1904-1989) 121, 128, 130

De Forest, Roy (1930-2007) 182

Miro, Joan (1893-1983) 26, 34, 41, 43, 51,

FRANCE

Francis, Sam (1923-1994) 143

69, 70, 91, 97, 98, 112, 113, 154

Haring, Keith (1958-1990) 55

Orgeta, Jose (1921-1991) 162, 163

Lichtenstein, Roy (1923-1997) 140

Palazuelo, Pablo (1916-2007) 19

Bonnard, Pierre (1867-1947) 167, 169

Miller, Lee (1907-1977) 24

Picasso, Pablo (1881-1873) 64, 158

Bourgeois, Louise (1911-2010) 2

Motherwell, Robert (1915-1991) 71, 123, 133

Picasso, Pablo, After (1881-1873) 80, 120

Arp, Hans (1886-1966) 73

Braque, Georges (1882-1963) 13, 83, 85, 86

Marca-Relli, Conrad (1913-2000) 114

Buffet, Bernard (1928-1999) 72

Pearlstein, Philip (1924-) 183

INDIA

Chagall, Marc (1887-1985) 8, 46, 81, 166

Ray, Man (1890-1976) 147, 148

Cheret, Jules (1836-1932) 63

Rodrigue, George (1944-2013) 67

Kar, Sanat (1935-) 209

Grasset, Eugene (1841-1917) 118

Rosenquist, James (1933-) 6, 95

Lajmi, Jalitha (1932-) 207

Leger, Fernand (1881-1955) 155

Soyer, Raphael (1899-1987) 119

Maity, Paresh (1965-) 204

Maillol, Aristide (1861-1944) 157

Stuart, Gilbert, After (1755-1928) 47

Moti, Kaiko (1921-1989) 99,110

Masson, Andre (1896-1987) 164

Warhol, Andy (1928-1987) 5, 139, 186, 189

Parekh, Madhavi (1942-) 208

Matisse, Henri (1869-1954) 156

Warhol, Andy, After (1928-1987) 36, 37, 38

Raza, Sayed Haider (1922-) 201, 202, 203

Papart, Max (1911-1994) 18

Welliver, Neil (1929-2005) 132

Shaw, Lalu Prasad 205

Renoir, Pierre-August (1841-1919) 173, 195

Youngerman, Jack (1926-) 185

Shuvaprsanna (1947-) 206

Rouault, Georges (1871-1958) 153, 170 Signac, Paul; Signac, Paul, After (1863-1935) 167, 172

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Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

Photography Index AUSTRIA

KOREA

Kuehn (Kuhn), Heinrich (1866-1944) 160

Hwang, Kyu-Baik (1932-) 161

Allen, Albert Arthur (1886-1962) 146 Cartier-Bresson, Henri (1908-2004) 116,

Kokoschka, Oskar (1886-1980) 78

Case and Draper Studio 62 MEXICO

BELGIUM

Alechinsky, Pierre (1927-) 33, 90

117

Doisneau, Robert (1912-1994) 30 Eisenstaedt, Alfred (1898-1995) 29

Siqueiros, David Alfaro (1896-1974) 17

Emerson, Peter Henry (1856-1936) 159

Zuniga, Francisco (1912-1998) 3

Flaherty, Robert Joseph (1884-1951) 103 Gruen, John (1926-) 196

DENMARK

NETHERLANDS

Harrington, Richard (1911-2005) 106, 107, 108, 109

Jorn, Asger (1914-1973) 68

GERMANY

Appel, Karel (1921-2006) 123, 165

Holownia, Thaddeus (1949-) 79

Van Rijin, Rembrandt (1606-1669) 10

James, Geoffrey (1942-) 89

Van Velde, Bram (1895-1981) 111

Jasienski, Stefan (1899-1990) 197 Johnston, Alfred Cheney (1884-1971) 49,

Albers, Josef (1888-1976) 20, 21, 137

NIGERIA

Durer, Albrecht (1471-1528) 9 Ernst, Max (1891-1976) 171

Kertesz, Andre (1894-1985) 115 Onobrakpena, Bruce (1932-) 25

Hartung, Hans (1904-1989) 35 Wunderlich, Paul (1927-2010)

50, 60, 61, 88

Leipzig, Arthur (1918-) 44, 45 Muray, Nickolas (1892-1965) 168

SWITZERLAND

Muybridge, Eadweard (1830-1904) 145 Orkin, Ruth (1921-1985) 22

IRELAND

Bacon, Francis (1909-1992) 76, 144

Giacometti, Alberto (1901-1966) 134

Shulman, Julius (1910-2009) 31

Jasienski, Stefan (1899-1990) 197

Scavallo, Francesco (1921-2004) 66

Vallotton, Felix Edouard (1865-1925) 32

Shahn, Ben (1898-1968) 40, 59 Sturges, Jock (1947-) 1

ISRAEL

Wegman, William (1943-) 23 Weston, Edward (1886-1958) 104, 105

Agam, Yaacov (1928-) 75

ITALY

Chia, Sandro (1949-) 96 Da Correggio, Antonio, After (1494-1534) 102

JAPAN

Nara, Yoshitomo (1959-) 193 Sugai, Kumi (1919-1996) 14

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InternationalArt.Waddingtons.ca

Glossary of Printmaking Terms

A.P. (Artist’s proof): Prints made outside of a regular edition for an artist’s own use and excluded from the numbering of a printed edition. Also called epreuve d’artiste (E.A.).

Aquatint: An intaglio method for creating uniform tones on a matrix.

B.A.T. (Bon a tirer): “Good to pull” or “good to be printed.” A printer’s working proof, which serves as the standard of quality by which other prints will be judged as they are being printed.

Chalcography (defined by http://dictionary.reference.com/b rowse/chalcographic): The art of engraving on copper or brass.

Chromotypograph (defined by Bamber Gascoigne): Colours printed from variously textured metal blocks, with or without other colours from woodengraved blocks; an intermediate stage between a manual and process print.

Embossing: A printing technique which raises all or part of an image from the paper.

Engraving: An intaglio printmaking method in which a pointed tool is employed to incise the lines of an image into a matrix.

Copper engraving (defined by Bamber Gascoigne): A line engraving on copper, in practice all line engravings before 1820 and a minority thereafter.

Stipple engraving (defined by Bamber Gascoigne): The important parts achieved by means of stipple, whether etched or engraved, regardless of whether etched or engraved lines are also used to reinforce the image.

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Etching: An intaglio printmaking process in which images are scratched with a sharp tool onto a metal plate covered with an acid-resistant waxy material, the ground. Acid is then applied to “bite” the scratched image areas into the plate.

Etching with drypoint (defined by Bamber Gascoigne): An etching, but with drypoint lines included from which the burr has not been removed, giving the characteristic rich furry look to parts of the image.

Open-bite etching (defined by http://www.magicalsecrets.com/studio/glossary): Also called flat biting, means means biting areas of a plate without inserting tooth or texture. Tooth may be provided by aquatint, or in soft ground etching by paper grain or other material pressed into the wax ground, or in hard ground etching by closely spaced lines not drawn so close that the ground separating them erodes in the acid. Wide flat depressions without tooth, even if deeply bitten, will be wiped out as the printer clears the surface ink from the plate in preparation for printing. Ink accumulates at the edges of an image that is flat bitten, but in its center only the ink held in the grain of the metal remains after the plate is wiped.

The image prints as an irregular gray with dark edges.

H.C. (Hors de commerce): A designation often made on a number of prints which are not intended for sale.

Intaglio: A term used to describe printing methods in which images are incised or “bitten” into the matrix with tools or acid.

Japon paper: A high quality, acid-

free art paper made from mulberry fibers. Also called Japan paper.

Linocut: A relief printing method in which the image is cut into a sheet of linoleum. The design to be inked and printed is formed by cutting away areas on both sides of the image lines, leaving the outline intact on the surface of the linoleum block. Also called linoleum cut.

Lithograph (defined by Bamber Gascoigne): Printed from a stone or metal surface on the principle of antipathy between grease and water, therefore including Zincograph: if wishing to distinguish more precisely between different types of lithograph (the difference relating in each case to how the image was achieved on stone), the likely categories are pen-and-ink, chalk, mezzotint style, lithotint, spatter and stone engraving.

Offset lithograph (defined by http://www.donaldheald.com/glo ssary/glossary_01.php): Lithographs printed by transferring an image from a stone or plate to an intermediate surface and then to the print paper.

Mezzotint: An intaglio process in which the entire surface of metal plate is textured with a special tool called a rocker. The plate would print solid black if inked at this stage. The artist makes his drawing by scraping away certain areas to produce white and gray tones in the image.

Monoprint: An image made using a printmaking medium and materials but only one print is produced. Also called monotype.

Photogravure: A high-quality photographic reproduction made

from a copper printing plate.

Also called gravure.

Relief Printing: Any printing method where the non-image areas are gouged out of the surface of the matrix leaving the raised portions to form the image.

Screenless offset lithograph (defined by Bamber Gascoigne): halftone achieved by gaining of the lithographic plate rather than by a cross-line screen.

Screenprint (defined by Bamber Gascoigne): Any print made exclusively by the screenprinting method, whether originated by hand or photographically.

Silkscreen: A stencil print created by forcing ink or paint through a cut stencil or the open mesh of a screen onto sheets of paper. Also called Serigraph.

Stonecut (defined by Inuit Artists Print Workbook Volume 3, Book 2: Print Documentation) : A negative image of the design is traced on to the stone so that when the stone is inked and a print is pulled, it is right-reading and appears exactly as the drawing.

Woodcut: A relief printing method in which an image is incised into the side of a block of wood.

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

Conditions Of Sale

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price.

sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid.

Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor.

The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

4. The auctioneer reserves the right to withdraw any lot from

9. The buyer shall pay for all lots within 48 hours from the date of

the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale.

The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone.

However, fax authorization arrangements can be made.

affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles

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Buying at Waddington’s

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot.

Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

inquire as to the condition of a lot before bidding.

Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Condition of Lots All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age.

If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding.

Sizes are approximate. It is the sole responsibility of the bidder to

Artfact Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

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Frames on artwork are not included as part of purchase or condition.

Buyers Premium A premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by the buyer as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Bidding To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’s™. You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale.

While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids. The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

Absentee Bidders All absentee and phone bidders are required to contact our offices at 416504-9100 to confirm whether they have been successful.

Payment Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.

ALL PRICES IN CANADIAN FUNDS

Fine Prints and Photography Auction – Tuesday 11 March 2014 at 7 p.m.

Selling at Waddington’s

Shipping: The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 taurus@pakmailmarkham.ca www.pakmailmarkham.ca Removal of Purchases Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures.

Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office.

Notice for our International Clients

Commission Rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item Insurance A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species).

The export and importation of items made of or containing whalebone, ivory, tortoise shell, seal skin, rhinoceros horn and other animal parts is strictly controlled or forbidden by most countries. Please review your country’s laws before shipping or purchasing pieces made of or containing these restricted items. Obtaining the appropriate permits is the responsibility of the client.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington's.

For more information please visit: www.cites.org

Property normally arrives at Waddington’s™ at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items.

Consignors will receive a contract to sign, setting forth terms and fees for our services.

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Operational Sta

Specialist Departments

Asian Art Anthony Wu 416 847 6185 aw@waddingtons.ca

Jewellery, Watches & Numismatics Don P. McLean 416 847 6170 dpm@waddingtons.ca

Yvonne Li 416 847 6195 yl@waddingtons.ca

Monthly Fine Art

Janfer Chung 416 847 2852 jf@waddingtons.ca

Doug Payne 416 847 6180 dp@waddingtons.ca

Canadian Fine Art

Silver, Glass & Ceramics

Linda Rodeck 416 847 6176 lr@waddingtons.ca

Bill Kime 416 847 6189 bk@waddingtons.ca

Kristin Vance 416 504 5100 kv@waddingtons.ca

Shasha Liu Assistant sl@waddingtons.ca

Contemporary Art

Sculpture, Decorations, Clocks & Lighting

Stephen Ranger 416 847 6194 skr@waddingtons.ca International Art Susan Robertson 416 847 6179 sr@waddingtons.ca Emma Frank Assistant ef@waddingtons.ca

Sean Quinn 416 847 6187 sq@waddingtons.ca

President Duncan McLean 416 847 6183 adm@waddingtons.ca Vice President Business Development Stephen Ranger 416 847 6194 skr@waddingtons.ca Vice President Fine Art Linda Rodeck 416 847 6176 lr@waddingtons.ca General Manager Duane Smith 416 847 6172 das@waddingtons.ca Creative & Technical Manager Jamie Long 416 847 6188 jl@waddingtons.ca Queeny Xu Assistant qx@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca Elda Pappada 416 504 9100 x6213 ep@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca

Inuit Art Christa Ouimet 416 847 6184 co@waddingtons.ca Nadine DiMonte Assistant nd@waddingtons.ca

Lynda Macpherson 416 847 6190 lm@waddingtons.ca Appraisal Co-ordinator Ellie Muir 416 847 6196 em@waddingtons.ca Building Manager Steve Sheppard 416 847 6186 ss@waddingtons.ca Client Services Andrew Brandt 416 504 9100 ext 6200 ab@waddingtons.ca

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Waddingtons.ca/Cobourg 9 Elgin Street East, Cobourg ON K9A 0A1 General Manager Paul Needham 905 373 0501 pn@waddingtons.ca Absentee and Phone Bidding 905 373 1467 (Fax) Waddingtons.ca/Collingwood P. O. Box 554, Collingwood ON L9Y 4B2 Valerie Brown 705 445 8811 vb@waddingtons.ca Transitions.Waddingtons.ca Marcia Kim 416 847 6196 mk@waddingtons.ca

Fine Prints and Photography Waddingtons.ca

275 King Street East, Second Floor Toronto Ontario Canada M5A 1K2

Telephone: 416.504.9100 Fax: 416.504.0033 Toll Free: 1.877.504.5700