International Art Auction | June 18, 2013

International Art Auction Tuesday 18 June 2013 at 1pm View Saturday 15 June from 11am - 5pm Sunday 16 June from 11am - 5pm Monday 17 June from 10am - 12 Noon Specialist Susan Robertson 416 847 6179 sr@waddingtons.ca Department Administrator Nastazja Pedersen 416 847 6182 np@waddingtons.ca Corporate Receptionist Kate Godin 416 504 9100 kg@waddingtons.ca

Smart Phone and Tablet Version of this Catalogue Available at: www.waddingtons.ca/internationalart-spring-2013

Absentee and Phone Bidding 416 504 0033 (Fax) bids@waddingtons.ca Accounts Manager Karen Sander 416 847 6173 ks@waddingtons.ca

Waddingtons.ca 275 King Street East. Second Floor Toronto, Ontario, Canada M5A 1K2 Telephone: 416 504 9100 Facsimile: 416 504 0033 Toll Free: 1 877 504 5700 Email: info@waddingtons.ca www.waddingtons.ca

Place your bids online at: www.artfact.com

Online Catalogue available at internationalart.waddingtons.ca This auction is subject to the Conditions of Sale printed at the back of this catalogue.

No audio or video recording devices, including cameras, are permitted in the auction hall Front Cover Illustration: Lot 52 Page 3&4 Illustration: Lot 183 Insider Back Cover Illustration: Lot 78 Back Cover Illustration: Lot 184 This catalogue and its contents Š 2013 Waddington McLean & Company Ltd. All rights reserved. Photography by Waddingtons.ca.

Buying at Waddingtons.ca

Buyers Premium

Condition: All lots will be offered and sold subject to this Condition of Sale as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer), and the consignor (seller) of the lot.

Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

A buyer’s premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by buyer as part of the total purchase price.

Condition of Lots: All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Absentee Bidders: All absentee bidders are required to contact our offices at 416-504-9100 to confirm whether they have been successful.

Shipping: The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: Pak Mail 905.470.6874 905.470.6875 416.293.8225 taurus@pakmailmarkham.ca www.pakmailmarkham.ca

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Artfact Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Permits may be required for international shipments due to export restrictions. For further information, please see 'Information For Buyers' located at the back of the catalogue.

ALL PRICES IN CANADIAN FUNDS

Notice for our International Clients Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species).

The export and importation of items made of or containing whalebone, ivory, tortoise shell, seal skin, rhinoceros horn and other animal parts is strictly controlled or forbidden by most countries. Please review your country’s laws before shipping or purchasing pieces made of or containing these restricted items. Obtaining the appropriate permits is the responsibility of the client.

For more information please visit: www.cites.org

American

4 Emile Albert Gruppe (1896-1978), American BEECHNUT TREES LAMOILLE RIVER, VERMONT; Oil on canvas; signed lower right, titled to the stretcher 20” x 24” — 50.8 x 61 cm.

1 Western American School (Circa 1939-1966), North American APACHE INDIANS AMBUSING COWBOYS IN A FORD CITY STAGECOACH; Oil on canvas; indistinctly signed “Kirtz”? lower right 35 3/4” x 69 3/4” — 90.8 x 177.1 cm.

Est. $3,000/5,000

Est. $2,000/3,000 Provenance: De-accessioned from Deerhurst Inn, Huntsville, Ontario Note: Possible illustration for the remake of John Ford’s 1939 motion picture “Stagecoach”, 1966 directed by Gordon Douglas. Norman Rockwell’s painting was released by 20th Century Fox as the poster design for the film.

2 William Lees Judson (1842-1928), American CASCO BAY, MAINE; Oil on canvas; signed lower right, titled to the label to the stretcher 20” x 30.5” — 50.8 x 77.5 cm.

Est. $1,500/2,000 Provenance: O.B. Grave’s Parlour Picture Store

3 William Trost Richards (1833-1905), American LANCASHIRE SANDS; FISHERFOLK ON THE BEACH; BEACHED BOAT; Three oils on board; the first title on Reeves & Sons Manufacturers, London board; signed “W.T. Richards”; titled in pencil verso; the second on London stamped board; the second and third; signed with initials W.T.R. and inscribed: “To my Dear Dolly with sincere love” in pencil verso. Contained in matching Canadian frames.

11” x 19.75” — 27.9 x 50.2 cm.; 9.5” x 12” — 24.1 x 30.5 cm.

Est. $2,000/3,000 Provenance: With The Roberts Art Gallery, Toronto circa 1920-1940

5 Robert Loftin Newman (1827-1912), American BROTHER AND SISTER; Oil on canvas; inscribed “Newman” in pencil to the stretcher 8” x 6” — 20.3 x 15.2 cm.

Est. $1,000/1,500 Provenance: Cottier & Co., New York stamps to the stretcher; Recorded in the Van Horne family documents as with the Art Association of Montreal, 1944; Ex. Coll. of Sir William Cornelius Van Horne, Montreal, inventory number V.H. 283; By descent through the family to the present Private Collection, Toronto

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6 George W. Chambers (1857-1897), American MISTRESS CORNELIA (THE ARTIST’S FIRST WIFE); Oil on canvas; signed and dated 1885 at Kirkwood (Missouri) lower right, signed and titled to artist’s label from “St. L. School of Fine Arts, St. Louis, Missouri” accompanying this lot

39.5” x 23.5” — 100.3 x 59.7 cm.

This painting and the next lot (lot 7) were acquired by the parents of the present Private Collection when the Malpeque residence was sold Literature: The Spectator, St. Louis, Vol. 6, Oct. 3, 1885, p.72, there is mention of a painting by Chambers with the title of “Mistress Cornelia”; H. Barbara Weinberg, The American Pupils of Jean-Leon Gerome, p.104, Chambers listed;

Est. $5,000/7,000 Provenance: Collection of the artist and his wife, Cornelia, Malpeque, Prince Edward Island; Dr. James Keir, Malpeque, Prince Edward Island; By descent to their granddaughter, Mary Margaret Elizabeth Auld, Malpeque, PEI; By descent to the present owner’s mother’s brother, Malpeque, PEI; By descent to the present owner’s parents who recovered the two paintings from the house of Dr. Keir where they had been held in the family residence in Malpeque, PEI since their execution; By descent to the present, Private Collection, Orillia

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The following literature references to Chambers was provided by The Missouri History Museum, St. Louis, MO: “Missouri Historical Society Bulletin”, Vol. XXIV and Vol. XXVII (by M. Patricia Holmes); “Gateway Heritage”, Vol. 8, Number 1, Summer 1987, “Chambers Watercolour Presented to Art Collections”; “Pen and Sunlight Sketches of Saint Louis” Phoenix Publishing Company, Chicago, p.127; “St. Louis Up to Date”, 1895, p.228; Walter B. Stevens Scrapbook 46, p. 65 * See the note on the website

7 George W. Chambers (1857-1897), American GIRL WITH FLOWER: BILO KEIR, THE ARTIST’S WIFE; Oil on canvas; signed lower right, dated indistinctly 1893 at Kirkwood, MI lower left 44” x 28” — 111.8 x 71.1 cm.

Est. $5,000/7,000 Provenance: Collection of the sitter, Bilo Keir; Dr. James Keir, Malpeque, Prince Edward Island, said to have been the husband of Bilo Keir, formerly married to the artist, George W. Chambers; By descent to their granddaughter, Mary Margaret Elizabeth Auld, Malpeque, PEI; By descent to the present owner’s mother’s brother, Malpeque, PEI; By descent to the present owner’s parents who recovered the two paintings from the house where they had been held in Malpeque, PEI; By descent to the present, Private Collection, Orillia * See the note on the website

Australian

8 Robert Daughters (1929- ), American THE ALGARVE; Oil on canvas; signed upper left 16” x 20” — 40.6 x 50.8 cm.

Est. $3,000/5,000

9 Mykola Nedilko (1902-1979), Ukrainian/American BOAT IN HARBOUR; Oil on canvas; signed lower right 21” x 29” — 53.3 x 73.7 cm.

11 Guy Martin Boyd (1923-1988), Australian DANCER WITH OUTSTRETCHED ARMS; Bronze with brown patina; signed in the cast, un-numbered and raised on a 1 1/2” marble base height 38.5” — 97.8 cm.

12 Guy Martin Boyd (1923-1988), Australian NU (DANCER WITH ARM RAISED); Bronze with brown patina; signed and numbered 7/12 in the cast to the top of the base and to the underside of the base. height 9.25” — 23.5 cm.

Est. $15,000/20,000 Est. $3,000/4,000

Est. $1,500/2,000

Austrian

Note: In 1961 Nedilko moved to New York where solo exhibitions took place in New York (1962, 1965, 1966, 1980), Paris (1965), Philadelphia (1966), Edmonton and Toronto (1988).

10 Tom Wesslemann (19312004), American TINY SHOE AND TULIP; Liquitex on ragboard in plexiglass box; signed 5.1” x 6.5” x 3.4” — 13 x 16.5 x 8.6 cm.

Est. $12,000/18,000 Provenance: Gallery Esperanza, Montreal

13 Attributed to Ignaz Joseph Raab (1715-1787), Austrian THE HOLY FAMILY; Oil on canvas; inscribed “J.Raab” with date 1787 on the relined canvas verso 28.75” x 44” — 73 x 111.8 cm.

Est. $3,000/4,000 Provenance: Hubertas Gallery, Montreal, from whom purchased by Josef Hlavka, Montreal in the 1950’s; By descent to the present Private Collection, Toronto

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18 Alphons Leopold Mielich (1863-1929), Austrian FIELDWORKERS WASHING CROPS ON THE RIVER BANK; Pastel on paper mounted on canvas; signed lower right Sight 19.75” x 30” — 50.2 x 76.2 cm.

Est. $3,000/4,000 14 Vincenz Kreuzer (1809-1888), Austrian SCHLOSHOF VON HOHENFREIBERG IN BEIERN; Oil on canvas; signed lower left, titled verso 30.5” x 24” — 77.5 x 61 cm.

Est. $3,000/4,000

16 Josef Engelhart (1864-1941), Austrian DEF PULCHER; Oil sketch on board; signed and dated 1894 lower left. Unframed.

12” x 8” — 30.5 x 20.3 cm.

Est. $1,200/1,800 Note: The artist was the son of the butcher Josef Anton Engelhart (1838-1900). In 1888 the artist had executed a larger 47 3/4” x 27 1/2” tempera on paper of this work 19 Alois Arnegger (1879-1967), Austrian ALPINE WINTER WITH CABINS AGLOW; Oil on canvas; signed lower left 24” x 36” — 61 x 91.4 cm.

Est. $1,500/2,500

15 Franz Xavier Wolf (1896-1990), Austrian WOMAN READING A LETTER IN A VERMEER INSPIRED INTERIOR; Oil on hard board laid down on plywood panel; signed upper right 14” x 12.75” — 35.6 x 32.4 cm.

Est. $1,500/2,500

17 Oswald Roux (1880-1960), Austrian TOWNSFOLK AT AN AGRICULTURAL FAIR; Oil on braced panel; signed lower left 34.75” x 59” — 88.3 x 149.9 cm.

Est. $2,000/3,000 Provenance: The Gunther Wagner Pelikan Art Collection, Hannover, Germany and later partially located on the family estate in Northern Germany (Gut Auermühle); By descent to the present Private Collection, Canada from the consignor’s parents, Germany

20 Alois Arnegger (1879-1967), Austrian ALPINE SUNSET; Oil on canvas; signed lower right 24” x 36” — 61 x 91.4 cm.

Est. $1,500/2,500

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23 Hendrick Cassiers (1858-1944), Belgian ZIERIKZEE; Oil on paper laid on board; signed lower right, titled to gallery label verso 16.75” x 20” — 42.5 x 50.8 cm.

Est. $1,500/2,000 21 Alois Arnegger (1879-1967), Austrian SORENTO; Oil on canvas; signed lower right 20” x 26.25” — 50.8 x 66.7 cm.

Est. $3,000/4,000

Provenance: The Gunther Wagner Pelikan Art Collection, Hannover, Germany and later partially located on the family estate in Northern Germany (Gut Auermühle); Dietrich & Cie, Librairie d’Art, Bruxelles; By descent to the present Private Collection, Canada from the consignor’s parents, Germany

Belgian

22 Eugene Verboeckhoven (1799-1881), Belgian SHEEP, EWES AND LAMBS IN A PASTURE BY A SEA; Oil on panel; signed and dated 1867 lower center, certified and dated 1867 at “Bruxcelles” to artist’s label verso 26.5” x 40” — 67.3 x 101.6 cm.

24 Diana Coomans (1861-1952), Belgian MY LITTLE HORSE (PORTRAIT OF THE ARTIST’S GRANDDAUGHTER; Oil on board; signed lower left 9” x 7” — 22.9 x 17.8 cm.

Est. $10,000/15,000

Est. $2,500/3,500

Provenance: Estate of Edward Albert Manning (1903-1978), Ontario; Purchased from Frederick Thom Gallery, Toronto

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British

25 Frantz Charlet (1862-1928), Belgian LITTLE SALESMAN AT BISKRA, ALGERIA; Oil on panel; signed at Biskra lower left 12.5” x 16” — 31.8 x 40.6 cm.

Est. $3,000/4,000

26 Emmanuel Vierin (1869-1954), Belgian MOROCCO (GATHERING IN A COURTYARD); Oil on canvas; signed lower right 12” x 15.75” — 30.5 x 40 cm.

Est. $2,500/3,500

28 Attributed to Sir Thomas Lawrence (1769-1830), British PORTRAIT OF LADY GEORGINA NORTH, BARONESS DOVER; Oil on paper over pencil sketching lines laid on panel 9” x 7.75” — 22.9 x 19.7 cm.

Est. $1,500/2,500 Provenance: Ex. Coll. of Sir William Cornelius Van Horne, Montreal, inventory number V.H. 31; By descent through the family to the present Private Collection, Toronto

27 Fernand Verhaegen (1883-1975), Belgian CIRCUS PERFORMERS IN THE SNOW (AN OIL SKETCH OF A STILL LIFE OF SUNFLOWERS AND GOURDS VERSO); Oil on canvas; signed lower right 29.75” x 33” — 75.6 x 83.8 cm.

Est. $5,000/7,000

29 Attributed to Francis Wheatley (1747-1801), British THE MILKMAID; Oil on canvas; titled and inscribed to the stretcher 23” x 17” — 58.4 x 43.2 cm.

Est. $2,000/3,000 Provenance: Mr. and Mrs. Jeremiah Gibbs, Toronto; Private Collection, Toronto

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30 William Etty (1787-1849), British NUDE (BATHER); Oil on panel; partial title on an old typed label from an unknown auction to the frame 8” x 4” — 20.3 x 10.2 cm.

Est. $1,500/2,000 Provenance: Unknown sale, From the B...?

Collection partial typed label verso; Bennett’s Art Store, Montreal; Nichols? Collection inscribed indistinctly to a label verso

31 George Wallis (1811-1891), British IMPUDENCE - BLACK IT STOOD AS NIGHT (A SKETCH FOR A PICTURE); Oil on panel; titled to label verso, also signed twice with initials and dated 1890 on the artist’s handwritten note accompanying the lot verso 6” x 8” — 15.2 x 20.3 cm.

Est. $2,000/3,000

Exhibited: Sketch for a picture, “Impudence” exhibited at the Society of Arts, Birmingham in 1839 or 1840 Note: On the artist’s note verso signed with initials and dated Sep. 4th 1890, Wallis writes: It was designed to meet the challenge of a friend to illustrate “The step from the sublime to the Ridiculous” and was described in the catalogue: “Impudence.” with quotation.

“Black it stood as Night” Milton.

Miss Twamley, a well know authoress, who, subsequently married a Mr. Meredith and went to Australia, and whose death has been recently (Septr. 1890) announced in the Birmingham newspapers, wrote and published some versified criticisms upon the pictures with the title “Shots in the Round Room”. This is still the central room of the Society of Artists Exhibition Rooms Birmingham.

On the picture above named she wrote: “Impudence indeed! to take a line of grand Milton (ic) verse and make A dirty pun upon it!

To paint a sweep Who sitting on a stile doth grinning keep.

To decked out damsels from their path and write In illustration “Black it stood as Night.”‘

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32 Joseph Severn (1793-1872), British THE VINTAGE (ALSO KNOWN AS THE VINTAGE AT GENSANO IN ITALY), 1824-1825; Oil on canvas; titled “An Italian Vintage” with the Duke of Bedford inventory No. “424” to the nameplate 49” x 40” — 124.5 x 101.6 cm.

Est. $10,000/15,000 Provenance: The Duke of Bedford, Woburn Abbey, No. 424; Sold at Christie’s, London on 19 January 1951, lot 203; Purchased by Vladimir and Johanna Vanjecek, Bosch en Duin, the Netherlands in an antique shop in London, England, circa 1974-75; By descent through the family to the present Private Collection, Canada Exhibited: The Royal Academy as “The Vintage at Gensano in Italy” in 1827, No. 273 Literature: Edited by Grant F. Scott, “Joseph Severn: Letters and Memoirs”, 2005, Cornwall, pages 18,19, 67, 68 and 273; “The Vintage” is recorded at Woburn Abbey by George Scharf in his “Catalogue of the Collection of Pictures at Woburn Abbey”, 1877 Note: In Scott’s “Joseph Severn Letters and Memoirs”, it is stated that Severn was

34 George Adolphus Storey (1834-1919), British THE NEWLY BETROTHED; Oil on canvas; signed and dated 1882 lower right 36” x 28” — 91.4 x 71.1 cm.

Est. $1,500/2,500 commissioned by the Duke of Bedford to paint this work in 1825, however in 1824, Severn mentions sketches for “The Vintage”, a painting that took a year to complete. The work was purchased in 1827 by Lord William Russell, the brother of the Duke of Bedford. * See website for additional notes After its sale at Christie’s in 1951, it’s whereabouts were unknown, until now.

33 After John Constable (1776-1837), British HAMSTEAD HEATH, BRANCH HILL; Oil on canvas 25” x 30” — 63.5 x 76.2 cm.

Est. $2,000/3,000 Provenance: American Art Association, The Thomas E. Waggaman sale, June 27th, 1905, New York from who purchased by Sir William Cornelius Van Horne, Montreal, inventory No. V.H. 15; By descent through the family to the present Private Collection, Toronto Literature: This work is cited and illustrated in Charles Wassermann’s article, “Fourteen Famous Paintings from the Van Hone Collection” published in “Mayfair” magazine, October 1952 when the painting was formerly fully attributed to “John Constable”. An excerpt from the text remarks: “In a Montreal home, Mrs. William Van Horne continues to maintain paintings, ceramics, armor and other

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35 Edwin Thomas Roberts (1840-1917), British BLOWING BUBBLES; Oil on canvas; signed lower right, signed and titled verso Sight 14” x 12” — 35.6 x 30.5 cm. treasures collected by empire-builder Sir William Van Horne, K.C.M.G. - from Rembrandt and El Greco to a cat from the tomb of a Pharaoh. For the first time in any magazine ... are selected reproductions from Canada’s Finest Art Collection”

Est. $1,500/2,000 Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada

36 William A. Breakspeare (1855-1914), British AT THE SPINET; Oil on panel; signed lower right, titled to gallery label verso 8” x 7” — 20.3 x 17.8 cm.

Est. $1,200/1,800 Provenance: Dowdeswell & Dowdeswells Limited, London; Johnson Art Galleries, Montreal, Inventory No. 2855

40 William Shayer the Elder (1787-1879), British FISHERFOLK ON THE BEACH; Oil on canvas; signed and dated 1839 lower right, titled to gallery label verso 30” x 40” — 76.2 x 101.6 cm.

Est. $10,000/15,000 Provenance: W. Bakker & Co., Alexandra Gallery, Harrogate; John Britnell Art Galleries, Toronto; An unidentified gallery label from Toronto (Cooling Galleries?)

37 George Augustus Williams (1814-1901), British NEAR SONNING ON THE THAMES; Oil on canvas; signed with initials lower right, signed and titled to artist’s label verso 24” x 36.5” — 61 x 92.7 cm.

Est. $2,000/3,000

39 James Edwin Meadows (1828-1888), British GYPSY ENCAMPMENT; Oil on canvas; signed and dated 1874 lower left 20” x 30” — 50.8 x 76.2 cm.

Est. $2,000/3,000 38 Jose Weiss (1859-1919), British SUNLIT COUNTRY FIELDS AND RAIL FENCE; Oil on canvas; signed lower left 24.5” x 36” — 62.2 x 91.4 cm.

41 William Shayer the Elder (1787-1879), British AT THE WATERING POOL WITH FARMER LEADING SHEEP; Oil on canvas; signed lower right 20” x 24” — 50.8 x 61 cm.

Est. $1,500/2,500

Est. $1,500/2,000 Provenance: Cooling Galleries Ltd., London and Toronto International Art Auction - Tuesday 18 June 2013 at 1 pm

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42 James Webb (1825-1895), British FISHING BOATS IN A CHANNEL PORT; Oil on canvas; signed and dated 1882 lower right 30” x 48” — 76.2 x 121.9 cm.

44 Charles Hannaford (1863-1955), British SHIPPING ON THE THAMES WITH LONDON BRIDGE AND WESTMINSTER; Watercolour; signed lower left Sight 17.5” x 27” — 44.5 x 68.6 cm.

Est. $6,000/8,000 Est. $1,500/2,000 Provenance: Dr. F.R. Bennetto, Hamilton, Ontario; Gifted to his son, Thomas Bennetto as a wedding present; By descent to his daughter, the present Private Collection, Guelph, Ontario

47 Charles Baxter (1809-1879), British A GIRL WITH A BASKET OF EGGS; Oil on canvas; signed and dated 1863 lower left, titled and dated 1863 to gallery label verso 30” x 25” — 76.2 x 63.5 cm.

Est. $3,000/4,000

45 Thomas Bush Hardy (1842-1897), British PORTSMOUTH HARBOUR; Watercolour; signed, titled and dated 1890 lower left Sight 16.75” x 27” — 42.5 x 68.6 cm.

Provenance: Frost & Reed, London, registration number 27530; The Fine Art Galleries, The T. Eaton Company Ltd., Canada; By descent through the family, Toronto to the present Private Collection

Est. $1,500/2,000

43 Alfred Pollentine (1836-1890), British VENICE WITH THE DUCAL PALACE AND THE CAMPANILE TOWER; GRAND CANAL WITH CAMPANILLE TOWER AND SPECTATORS; Pair of oils on canvas; each signed lower left 12” x 19.5” — 30.5 x 49.5 cm.

Est. $2,000/3,000

46 Thomas Bush Hardy (1842-1897), British LOADING FISH - ETAPLES; Watercolour; signed, titled at “Etaples” and dated 1890 lower left Sight 17” x 27” — 43.2 x 68.6 cm.

Est. $1,500/1,800 48 Robert Cleminson (Act. 1865-Circa 1903), British RESTING AFTER THE HUNT; Oil on canvas; signed and dated 1889 lower left 36” x 28” — 91.4 x 71.1 cm.

Est. $2,000/3,000

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49 John James Wilson (1818-1875), British THE WATERING PLACE; Oil on canvas laid down on masonite; signed with initials lower right 30.5” x 26” — 77.5 x 66 cm.

Est. $1,500/2,000 Exhibited: Royal Academy of Arts, London, 1839, Cat. No. 561

51 Frederick William Jackson (1859-1918), British THE SPINNER; Oil on canvas; signed and dated 1915 lower right 39” x 54” — 99.1 x 137.2 cm.

Est. $6,000/8,000 Provenance: Lionel Clarke Galleries and Print Room, Markham, Ontario

50 Walter Wallor Caffyn (1845-1898), British CATTLE ON A PATH; Oil on canvas; signed and dated 1897 lower left 20” x 30” — 50.8 x 76.2 cm.

Est. $1,500/2,000 Provenance: The Cooling Galleries, London and Toronto

52 Philip Hermogenes Calderon (1833-1898), British NIGHT. “EMPRESS OF SILENCE AND THE QUEEN OF SLEEP”; Oil on canvas placed on masonite; signed “P.H. Calderon Esq. R.A. at 16 Grove End Rd.” on the Charles Roberson & Co., London artist supplies manufacturer’s label to the stretcher 69” x 47” — 175.3 x 119.4 cm.

Est. $80,000/100,000 Provenance: John Aird, Hyde Park TerraceLondon; The Fine family of Toronto where the painting hung at Julie’s Mansion, Toronto in the 1960’s to 1970’s; By descent to the present, Private Collection, Toronto Exhibited: Royal Academy, 1884, Cat. No. 340 Literature: Henry Blackburn ed., “Academy Notes with one hundred and forthy three illustrations, facsimile of Sketches by the Artists, 1883” London: Chatto and Windus, Piccadilly; lllustrated on p. 31, No. 340 “The Royal Academy”, The Building News and Engineering Journal, Vol 46, May 18, 1884, p. 741 “Philip Hermogenes Calderon. Morning”. R.E.W. Art, 2012 Note: According to Calderon’s studio records,

this work was one of eight paintings he executed for the residence of Civil Engineer, Sir John Aird (1833-1911) of Hyde Park Terrace, London in 1891. * See website for additional notes

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57 Alfred Fontville de Breanski (1877-1955), British NEAR BEN NEVIS; Oil on canvas; signed lower left, signed with initials to the “Copyright reserved” inscription and titled verso 16” x 24” — 40.6 x 61 cm.

53 Edgar Bundy (1862-1922), British THE DISCUSSION; Oil on canvas; signed lower right 21.75” x 31.5” — 55.2 x 80 cm.

Est. $3,000/4,000

Est. $2,000/3,000 Provenance: The Cooling Galleries Ltd., London from whom purchased by the grandfather of the present owner prior to his death in 1964; By descent through the family to the present Private Collection, Canada in 1996

55 Edgar Bundy (1862-1922), British CAVALIER IN AN INTERIOR; Oil on canvas; signed lower left 18” x 14” — 45.7 x 35.6 cm.

Est. $1,500/2,500

58 Henry H. Parker (1858-1930), British THE CHURCH POOL BETWSY-Y-COWED, NORTH WALES; Oil on canvas; signed lower right, signed and titled verso 20” x 30” — 50.8 x 76.2 cm.

Est. $2,000/3,000 Provenance: Wm. F. Arnold, Newcastle-on-Tyne 54 Edgar Bundy (1862-1922), British THE MESSENGER; Oil on canvas; signed lower right 20” x 30” — 50.8 x 76.2 cm.

Est. $3,000/4,000 Provenance: The Cooling Galleries Ltd., London from whom purchased by the grandfather of the present owner prior to his death in 1964; By descent through the family to the present Private Collection, Canada in 1996

55a George Sheridan Knowles (1863-1931), British AN OFT TOLD TALE; Oil on canvas; signed lower left 20” x 26” — 50.8 x 66 cm.

Est. $2,000/3,000

59 Samuel John Lamona Birch (1869-1955), British RIVER VALLEY FROM ABOVE; Oil on canvas; signed lower left 25” x 30” — 63.5 x 76.2 cm.

56 Alfred Fontville de Breanski (1877-1955), British LLYN OGWEN, N. WALES; Oil on canvas; signed lower right, titled verso 14” x 24” — 35.6 x 61 cm.

Est. $2,000/3,000

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Est. $3,000/4,000

60 Henry Moore (1898-1986), British THE ARTIST’S LEFT HAND; Mixed-media with charcoal, watercolour, heightened with white gouache; signed lower left, titled and dated 1981 to gallery label verso Sheet 10” x 12.25” — 25.4 x 31.1 cm.

Est. $7,000/10,000 Provenance: Dominion Gallery, Montreal, inventory no. A8022 from whom purchased by the present Private Collection, Toronto

61 Henry Moore (1898-1986), British NUDE STUDY 3; Brush and India ink over graphite with wash on paperboard; signed and dated 34 lower right Sight 21” x 13” — 53.3 x 33 cm.

Est. $20,000/30,000 Provenance: A. Zwemmer, 76 Charing Cross Road W.C.2.; Purchased by George Gilmour, Toronto(?) in 1985; By descent Exhibited: British Council Fine Arts Department in “Contemporary British Art”; Riksforbundet for bildande Konst, 1934 Literature: See “Sculptures & Drawings”, edited

by David Sylvester. Vol. I, pg. 194, Illustrated.

Note:George W. Gilmour, former Maclean’s magazine publisher, was president of the Art Gallery of Ontario from 1980 to 1982.

International Art Auction - Tuesday 18 June 2013 at 1 pm

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62 Eileen Agar (19041991), British ABSTRACT (MAN AND WOMAN); Oil with ink sketching lines on canvas; signed lower right, titled “Abstract” to the stretcher Together with: UNTITLED (BLUE AND RED ABSTRACT); Mixed-media on paper; signed lower right 16” x 20” — 40.6 x 50.8 cm.; 19” x 14.5” — 48.3 x 36.8 cm.

65 Roy Turner Durrant (1925-1998), British FIVE ABSTRACTS INCLUDING: UNTITLED ABSTRACT, 14-296; Gouache and mixed-media on stiff paper; signed upper right, signed, dated 66 and numbered 14-296 lower left

Est. $2,500/3,000 Provenance: Lauri Stewart - Fine Art, The Church Lane Gallery, London gallery label to the second title

Together with: UNTITLED ABSTRACT, CR14/256; Ink and watercolour on paper; signed upper right, signed and numbered CR14/256 lower left.

63 Roy Turner Durrant (19251998), British UNTITLED ABSTRACT, CR6.419; Watercolour, crayon and gouache on stiff paper; signed upper right, signed, dated 58 and numbered CR6.419 lower right Together with: UNTITLED ABSTRACT, CR13.148; Watercolour and gouache on stiff paper; signed and numbered CR13.148 lower right Each matted and unframed.

Sheet 15.75” x 22” — 40 x 55.9 cm.; 7.5” x 7.75” — 19.1 x 19.7 cm.

Together with: UNTITLED ABSTRACT, 14/48; Ink and watercolour on paper; signed lower left, signed, dated 1966 and numbered 14/48 lower right, signed, titled, dated ‘66 and inscribed “JG” in pencil verso

64 Roy Turner Durrant (1925-1998), British WOMAN WITH BIRD; Gouache and mixedmedia on paper laid on paper support; signed and dated 88 lower left, numbered 36.39 upper left, titled and dated June 88 at Lausanne, numbered 36-39, Ref. No. 36-39 (1’18), Catalogue No. 51 to verso backboard Together with: AT WALBERSWICK, 3 CR.412 (55); Oil and mixed-media on panel; numbered 3 CR412 lower right, titled and numbered 3 CR.412 (55) verso backing

Est. $1,500/2,500 Together with: INTERTWINED GEOMETRICS IN BROWN, BLUE AND BLACK; Waterolour and ink on paper.

Two framed, one matted and unframed.

11.5” x 8” — 29.2 x 20.3 cm.; 13.5” x 7.25” — 34.3 x 18.4 cm.; 9.5” x 13.75” — 24.1 x 34.9 cm.

Est. $2,500/3,500

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Together with: UNTITLED ABSTRACT, 13/8; Ink and watercolour on paper; signed lower right, signed, dated 65 and numbered 13/8 mid left Together with: UNTITLED ABSTRACT, 4CR 367; Ink and watercolour on paper; signed, dated 51 and numbered 4CR 367 lower right.

Two framed, three matted and unframed.

12” x 15.75” — 30.5 x 40 cm.; 11.5” x 20” — 29.2 x 50.8 cm.; 13.5” x 19.75” — 34.3 x 50.2 cm.; 6.5” x 9.25” — 16.5 x 23.5 cm.

Est. $2,000/3,000 Provenance: James Giraytys Twentieth Century British Fine Art, Winchester, VA gallery label to the first title

67 David Hockney (1937- ), British UNTITLED (FROM PICASSOID PICASSO’S SERIES OF DRAWINGS); Pen and ink heightened with red crayon on paper; signed with initials and dated at Paris 1973 lower right.

Unframed.

Sheet 14” x 17” — 35.6 x 43.2 cm.

Est. $8,000/12,000

Scottish 66 Roy Turner Durrant (1925-1998), British HEAD SCAPE, CR10-531; Ink and watercolour wash on paper; signed and dated 1962 lower right, numbered 10-531 lower left, signed, titled, numbered CR10-531 and dated 1962 verso backing.

Together with: HEAD, 1966; Ink and watercolour on paper; signed and dated 15 1966 upper right, signed, titled and numbered 14/187 lower right, signed, dated and numbered 14/187 in pencil support verso Together with: UNTITLED ABSTRACT, 14CR 32; Ink and watercolour wash; signed twice bottom edge, dated 66 and numbered 14CR 32 lower left Together with: UNTITLED ABSTRACT, 14/31; Ink, gouache with wash and mixed-media on paper; signed upper right, signed, dated 66 and numbered 14/31 lower right

68 William Gear (1915-1997), Scottish LANDSCAPE; Oil on canvas; signed and dated 47 upper right, signed, titled and dated “Nov 47” at Paris verso 15” x 21.5” — 38.1 x 54.6 cm.

Est. $10,000/12,000

Together with: HEAD PORTRAIT; Ink and ink wash on stiff paper; signed and numbered 14-195 upper right, signed, dated 1966 and numbered 14-195 lower right. One framed, four matted and unframed.

7.75” x 10” — 19.7 x 25.4 cm.; 15” x 11” — 38.1 x 27.9 cm.; 13” x 9.5” — 33 x 24.1 cm.; 13.25” x 9.5” — 33.7 x 24.1 cm.; 11.8” x 6.1” — 30 x 15.5 cm.

Est. $2,000/2,500

International Art Auction - Tuesday 18 June 2013 at 1 pm

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69 William Gear (19151997), Scottish COMPOSITION INTERIOR; Oil on canvas; signed, titled and dated June 48 at “London” verso 19.5” x 29.5” — 49.5 x 74.9 cm.

Est. $12,000/15,000 Exhibited: Gimpel Fils Gallery, July 1948, Cat. No. 3, London label verso

72 William Gear (1915-1997), Scottish ABSTRACT (BLUE, BLACK AND RED VERTICALS); Oil on paper; signed and dated ‘77 lower right 29” x 20.5” — 73.7 x 52.1 cm.

Est. $2,000/3,000

70 William Gear (19151997), Scottish PAYSAGE; Oil on canvas; signed and dated 48 lower left, signed, titled and dated June ‘48 verso 18” x 23.5” — 45.7 x 59.7 cm.

Est. $8,000/12,000

73 William Johnstone (1897-1981), Scottish UNTITLED ABSTRACT; Oil on canvas; signed and dated 1938 to the stretcher 18” x 20” — 45.7 x 50.8 cm.

Est. $1,500/2,000 71 William Gear (1915-1997), Scottish PAYSAGE, 1949; Gouache and mixed-media on paper; signed and dated “Jan 49” lower right Sight 18.5” x 25.5” — 47 x 64.8 cm.

Est. $5,000/7,000

74 Sir David Young Cameron (1865-1945), Scottish A CASTLE NEAR MORVERN; Oil on canvas; signed with initials lower left, titled to gallery label verso 14.5” x 18.75” — 36.8 x 47.6 cm.

Est. $4,000/6,000 Provenance: The French Gallery, London, F.G. No. 28627

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75 Sir David Young Cameron (1865-1945), Scottish BADENOCH; Oil on canvas; signed lower right 13” x 16.25” — 33 x 41.3 cm.

Est. $3,000/4,000

78 William Marshall Brown (1863-1936), Scottish YOUNG GIRLS PLAYING IN A GARDEN; Oil on canvas; signed and dated 1907 lower left 36” x 48” — 91.4 x 121.9 cm.

Est. $30,000/50,000 Provenance: Aitken Dott & Son, Edinburgh 76 Sir David Young Cameron (1865-1945), Scottish ROCKS OF SKYE; Oil on canvas; signed lower left 10.25” x 14” — 26 x 35.6 cm.

Irish

Est. $3,000/4,000 Provenance: Barbizon House, London

77 Joseph Denovan Adam (1842-1896), Scottish TWIXT THE GLOAMIN AND THE MIRK; Oil on canvas; signed lower right, titled to the nameplate 48” x 72” — 121.9 x 182.9 cm.

Est. $3,000/4,000

79 Maurice Canning Wilks (1911-1984), Irish PAT’S POOL GLANDUN, CO. ANTRIM; Oil on canvas; signed lower right, titled to the stretcher 18” x 22” — 45.7 x 55.9 cm.

Est. $1,500/2,000 Provenance: Watson Art Galleries, Montreal; By descent to the granddaughter of the Watson firm, Toronto

80 Maurice Canning Wilks (1911-1984), Irish ON THE NORTH DONEGAL COAST (MALIN HD); Oil on canvas; signed lower left, titled to the stretcher 20” x 24” — 50.8 x 61 cm.

Est. $2,000/3,000 Provenance: Watson Art Galleries, Montreal; By descent to the granddaughter of the Watson firm, Toronto

International Art Auction - Tuesday 18 June 2013 at 1 pm

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Czechoslovakian

81 Daniel O’Neill (1920-1974), Irish EVENING; Oil on masonite; signed lower left, titled verso, also titled “Landscape....” to remains of gallery label to the frame verso 14” x 18” — 35.6 x 45.7 cm.

Est. $3,000/5,000 Provenance: The Waddington Galleries Inc., Montreal partial label

84 Ivan Sutton (1944- ), Irish LAUNCHING CURRACHS, ACHILL, CO. MAYO, IRELAND; Oil on canvasboard; signed lower right, signed and titled verso 19.5” x 27.5” — 49.5 x 69.9 cm.

Est. $2,000/3,000 Provenance: Direct from the artist, Ireland Note: Sutton’s studio is in Kilmore Quay, Ireland 85 Alois Spulak (1812-1886), Czechoslovakian FAMILY PORTRAIT IN AN INTERIOR WITH TILE FLOOR; Oil on canvas; signed and dated 84 lower right 32.5” x 25.5” — 82.6 x 64.8 cm.

Est. $4,000/6,000 Provenance: August Winter K.K. Slaabsarzl

82 Jack Butler Yeats (1871-1957), Irish NEAR BALLYCASTLE, C. 1900; Watercolour; signed lower right, titled to gallery label verso 3.5” x 5” — 8.9 x 12.7 cm.

Est. $3,000/5,000 Provenance: Waddington, Montreal

83 Jack Butler Yeats (1871-1957), Irish WHERRY; Watercolour and sepia crayon on a paper leaf from a sketching pad (with two punch holes along the top); signed with monogram lower right, titled and indistinctly dated “Aug19?9” upper left, annotated mid right Sight 5” x 3.5” — 12.7 x 8.9 cm.

Est. $1,500/2,000 * See the note on the website

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86 Franz Lefler (18311898), Czechoslovakian A BORING TOAST; TAKING TEA; Pair of oils on canvas; each signed lower right, each inscribed to the stretcher 20” x 48” — 50.8 x 121.9 cm.

Est. $4,000/6,000

87 Anton Chittussi (1847-1891), Czechoslovakian WINDMILL ON SHORE, FRANCE; Oil on canvas laid on board; signed lower right.

Unframed.

4” x 7.25” — 10.2 x 18.4 cm.

Est. $1,200/1,800 Provenance: Josef Hlavka, Montreal, purchased in Prague; By descent to the present Private Collection, Canada

91 Josef Istler (1919-2000), Czechoslovakian OBRAZ, 1958; Mixed-media on stiff paper; signed and dated 58 lower right Sheet 24.8” x 16.5” — 63 x 42 cm.

89 Ladislav Guderna (1921-1999), Czechoslovakian/Canadian ABSTRACT FORM IN A MOONLIT LANDSCAPE; Tempera on board, signed and dated 1969 lower right 22.5” x 15.25” — 57.2 x 38.7 cm.

Est. $2,000/3,000

88 Ladislav Guderna (1921-1999), Czechoslovakian/Canadian MELANCHOLIA; Tempera on board; signed and dated 69 bottom center, signed, titled and dated 1969 verso 24” x 20” — 61 x 50.8 cm.

90 Ladislav Guderna (1921-1999), Czechoslovakian/Canadian STILL LIFE WITH A SHELL; Tempera on board, signed and dated 69 lower left, signed, titled and dated 1969 verso backing 18.5” x 22.5” — 47 x 57.2 cm.

Est. $3,000/5,000

Est. $1,500/2,500

Provenance: Mr. Pick, n.p. inscribed to the verso

Provenance: Mr. Reed n.p. inscribed to the backboard

Est. $2,000/3,000 Provenance: Acquired directly from the artist by the present Private Collection, Canada Exhibited: Retrospective Exhibition, National Gallery, Prague, 1994, exhibition #25 Note: This work was purchased at the above exhibition, the artist’s last comprehensive exhibition prior to his death. An important exhibition, showing work from Istler’s best period, that attracted over 280,000 visitors from around the globe.

92 Josef Istler (1919-2000), Czechoslovakian OBJEKT, 1965; Mixed-media on stiff paper; signed and dated 65 lower right, inscribed “Mariance - deda 1986” lower left Sheet 22.25” x 17.25” — 56.5 x 43.8 cm.

Est. $2,000/3,000 Provenance: With dedication to the artist’s granddaughter, Mary, 1986; Acquired directly from the artist by the present Private Collection, Canada Exhibited: Retrospective Exhibition, National Gallery, Prague, 1994, exhibition #34

International Art Auction - Tuesday 18 June 2013 at 1 pm

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Flemish/Dutch

93 Lucas van Uden (1595 - Died Circa 1673), Flemish EX LUCUM SISSIMIS DELINEATIONIBUS (?)

(ROAD THROUGH THE GROVE OF TREES); Black pen and ink and brown watercolour wash on wove paper; signed lower right, and indistinctly inscribed in Latin script with the title and provenance translated as deciphered in pen and ink verso Sheet 24.5” x 18.5” — 62.2 x 47 cm.

95 Follower of Frans Francken the Younger (1581-1642), Flemish ECCE HOMO; Oil on copper; signed with monogram lower left 10” x 7.75” — 25.4 x 19.7 cm.

Est. $1,500/2,500

96 Circle of Hendrik van Balen the Elder (1575-1632) After Sir Peter Paul Rubens (1577-1640), Flemish THE DAUGHTERS OF CRECROPS FINDING OF ERICHTHONIUS; Oil on panel. Unframed.

30.25” x 26.5” — 76.8 x 67.3 cm.

Est. $3,000/5,000 Note: The present painting is a copy after a lost original by Sir Peter Paul Rubens; a fragment of which remains in the Allen Memorial Art Museum, Oberlin College, Ohio.

Est. $3,000/4,000 Provenance: Ex-Collection Philippo Schoyt (b.

1629- ?), senator, Antwerp; Domicelli Augusti Schoyt (b.1850- ?) Architect, Antwerp; The Gunther Wagner Pelikan Art Collection, Hannover, Germany and later partially located on the family estate in Northern Germany (Gut Auermühle); By descent to the present Private Collection, Canada from the consignor’s parents, Germany

94 Johannes Lingelbach (1622-1674), Dutch PEASANTS AT THE MARKET; Graphite drawing on laid paper with indistinct watermark showing the triangle finial of a cut-off medallion; signed with initials lower left Sheet 6.25” x 4.75” — 15.9 x 12.1 cm.

Est. $800/1,200

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97 Attributed to Hendrik van Balen the Elder (1575-1632), Flemish HOLY FAMILY WITH ST. ELIZABETH AND JOHN THE BAPTIST; Oil on canvas; bears signature and date 1625 lower left 21.5” x 26” — 54.6 x 66 cm.

Est. $8,000/12,000 Provenance: H.H. Webster; By descent to the present Private Collection, Ottawa

98 Cornelis Dusart (1660-1704), Dutch PEASANTS IN A FARM-YARD; Oil on canvas; signed lower right 26” x 32.5” — 66 x 82.6 cm.

Est. $15,000/25,000 Provenance: Dominion Gallery, Montreal, inventory no. C32; Purchased by the present owner’s maternal grandfather in the early 1960’s; By descent

99 Circle of Peeter Neeffs the Younger (1620-1675), Flemish INTERIOR OF A GOTHIC CHURCH WITH ELDERS INSTRUCTING LAITY; Oil on panel 9.5” x 12.75” — 24.1 x 32.4 cm.

Est. $3,000/4,000

100 Follower of Gonzales Coques (1614-1684), Flemish SEATED WOMAN SURROUNDED BY FAMILY AND FRIENDS IN AN INTERIOR; Oil on canvas; bears signature “Gonzales Coques” lower right 18” x 20” — 45.7 x 50.8 cm.

Est. $1,500/2,000 Provenance: Eric Turquin, Paris

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101 Attributed to Jan Pauwel Gillemans the Elder (1618-1675), Flemish NATURE MORTE; Oil on canvas; signed “J.P. Gillemans” lower left 14.25” x 19” — 36.2 x 48.3 cm.

Est. $3,000/5,000 Provenance: Prince Charles d’Arenberg, Germany Literature: “Dukes of Arenberg”, Arenberg Foundation Note: As noted in the provenance this painting was once owned by Prince Charles d’Arenberg. The final Prince d’Arenberg, before it was made a dukedom by the Holy Roman Emperor, Ferdinand III in 1644, was Prince Philippe-Charles (1587-1640); the only living Prince d’Arenberg during Gillemans’s time.

103 Johannes Beeldemaker (1630-after 1710), Dutch HUNTING SCENE IN THE FOREST (BOARS HUNT); Oil on canvas.

Accompanied by a photo certificate from W. Vogelsang of the Kunsthistorisch Instituut der Rijks Universiteit, Utrecht dated 6 Jan. 1929.

22” x 15” — 55.9 x 38.1 cm.

Est. $3,000/5,000 Provenance: John Britnell Galleries, Toronto; Private Collection, formerly of Toronto

102 Job Adriansz Berckheyde (1630-1693), Dutch ITALIANATE PASTORAL WITH SHEPHERD FAMILY HERDING FARM ANIMALS; Oil on panel; signed lower left 17.5” x 21.5” — 44.5 x 54.6 cm.

Est. $6,000/8,000

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104 Herman Frederick Carel ten Kate (1822-1891), Dutch CAVALIERS IN DISCUSSION; Watercolour; signed lower right Sight 8.5” x 13.5” — 21.6 x 34.3 cm.

Est. $1,500/2,000

107 Hermanus Koekkoek the Elder (1815-1882), Dutch CANAL WITH DISTANT SHIPPING AND BARGE WITH FISHERMEN GATHERED ON THE BANK; Oil on canvas laid down on masonite; signed and dated 1862 lower left 13.5” x 20” — 34.3 x 50.8 cm.

Est. $5,000/7,000

Provenance: Gemst Bros., Montreal; Private Collection, Montreal

105 Johannnes Bosboom (1817-1891), Dutch MEETING IN THE CATHEDRAL; Ink and watercolour on paper; signed and signed with initials lower right 16.5” x 22.5” — 41.9 x 57.2 cm.

Est. $3,000/4,000 Provenance: Private Collection, Montreal 106 Jan Weissenbruch (1822-1880), Dutch OUDE STADSPOORT (OLD CITY GATE); Oil on panel; signed lower left, titled to an unidentified gallery label verso 8” x 6.75” — 20.3 x 17.1 cm.

Est. $3,000/4,000

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108 Gerhard Arij Ludwig Morgenstjerne Munthe (1875-1927), Dutch BOMSCHUIT AND FISHERMEN ON THE BEACH; Oil on canvas; signed and dated 24 lower left 20” x 16” — 50.8 x 40.6 cm.

110 Evert Pieters (1856-1932), Dutch GATHERING OF THE FAGGOTS; Watercolour; signed lower right Sight 27” x 18” — 68.6 x 45.7 cm.

Est. $1,500/2,000

Est. $4,000/6,000 Provenance: Galerie Bernard Desroches, Montreal

109 Johan Frederik Cornelis Scherrewitz (1868-1951), Dutch GATHERING CLAMS ON THE BEACH; Oil on panel; signed lower right 11” x 9.75” — 27.9 x 24.8 cm.

111 Albert Neuhuys (1844-1914), Dutch LADY BEFORE A MIRROR (ARTIST’S WIFE); Watercolour on paperboard; signed lower left 26.25” x 18.5” — 66.7 x 47 cm.

Est. $4,000/6,000

Est. $3,000/5,000 Provenance: According to correspondence in the family, (inventory number V.H. 429); this work was possibly purchased from the artist by Sir William Cornelius Van Horne as he visited Neuhuys’ studio in 1909, By descent through the family to the present Private Collection, Toronto

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112 Bernard de Hoog (1867-1943), Dutch AMUSING THE BABY; Oil on canvas; signed lower left 20” x 16” — 50.8 x 40.6 cm.

Est. $2,500/3,500

115 Willem George Frederik Jansen (1871-1949), Dutch HOMEWARD; Oil on canvas; signed lower right, titled to gallery label verso 12.25” x 20” — 30.5 x 49.5 cm.

Est. $2,000/3,000 Provenance: Johnson Art Galleries, Montreal,inventory no. 2426; Private Collection, Montreal

113 Bernard de Hoog (1867-1943), Dutch MOTHER FEEDING HER CHILDREN IN A KITCHEN INTERIOR; Oil on canvas; signed lower right 41.25” x 48” — 104.8 x 121.9 cm.

Est. $7,000/9,000

116 Willem George Frederik Jansen (1871-1949), Dutch HERDING COWS ALONG A WATER CHANNEL; Oil on canvas; signed lower right 20” x 26” — 50.8 x 66 cm.

Est. $1,800/2,500

114 Bernard Pothast (1882-1966), Dutch BLOWING BUBBLES; Oil on canvas; signed lower right 12.75” x 15.75” — 32.4 x 40 cm.

Est. $5,000/7,000 International Art Auction - Tuesday 18 June 2013 at 1 pm

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French

119 Follower of Nicolas Poussin (1594-1665), French/Italian FIGURE FLEEING IN A LANDSCAPE; Conte and ink wash drawing heightened with white on paper Together with: 17th Century Italian School ANNUNCIATION; Pen and ink and pencil drawing on laid paper Sight 10.5” x 12.5” — 26.7 x 31.8 cm.; 6.75” x 5” — 17.1 x 12.7 cm.

Est. $1,500/2,000 117 15th/16th Century French THE 100 YEAR WAR PEACE TREATY; Oil on braced panel 42” x 29” — 106.7 x 73.7 cm.

Est. $4,000/6,000 Provenance: With James Bourlet & Sons Ltd., London

120 Follower of Nicolas Poussin (1594-1665), French THE BACCHANAL OF THE ANDRIANS; Oil on canvas 14.5” x 18” — 36.8 x 45.7 cm.

Est. $1,500/2,000

121 Circle of Nicolas Lancret (1690-1743), French GARDEN IDYLL; Oil on canvas 16.75” x 24.75” — 42.5 x 62.9 cm.

Est. $1,500/2,000 118 17th/18th Century French School VENUS AND ADONIS IN LANDSCAPE; Oil on canvas. Unframed.

22” x 26” — 55.9 x 66 cm.

Est. $1,000/2,000

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Provenance: John Britnell, Toronto

122 Theodore Rousseau (1812-1867), French MOUNT CERVIN ZERMATT, SWISS ALPS, CIRCA 1834; Oil on thick paper on board; signed and titled verso, dated “about 1834” verso.

Unframed.

7” x 11.25” — 17.8 x 28.6 cm.

123 Narcisse Virgile Diaz de la Pena (1808-1876), French STUDY OF ROCKS, FONTAINEBLEAU; Oil on panel; signed lower left. Unframed.

8.5” x 12.5” — 21.6 x 31.8 cm.

Est. $3,000/5,000

Est. $2,000/3,000

Provenance: R.J. Wickenden from whom purchased by Sir William Cornelius Van Horne, Montreal, in 1905, inventory number V.H. 163 By descent through the family to the present Private Collection, Toronto

Provenance: Wallis & Son, London from whom purchased by Sir William Cornelius Van Horne, Montreal, inventory number V.H. 87 inscribed in pencil verso; By descent through the family to the present Private Collection, Toronto Literature: Janet Brooke, “Discerning Tastes”, lists Sir William Van Horne as having three works by Diaz, however, he had six as listed in the Wickenden inventory

* See the note on the website

125 After Narcisse Virgile Diaz de la Pena (18081876), French DIANE CHASSERESSE; Oil on canvas; signed and dated 49 lower left, titled and dated ‘49 to gallery label verso 21” x 13” — 53.3 x 33 cm.

Est. $2,000/3,000 Provenance: G.M. Lotinga Ltd. Fine Art Galleries, London, with them in April 1960; Private Collection, Montreal

124 Narcisse Virgile Diaz de la Pena (1808-1876), French FETCHING WATER FROM A POOL, 1864; Oil on canvas; signed and dated lower left, titled and dated 1864 to gallery label and to another gallery label certifying the work verso 20” x 27” — 50.8 x 68.6 cm.

Est. $7,000/10,000 Provenance: “Rothschild Collection”, inscribed to the nameplate to the frame; Sold “Sotheby Parke-Bernet, New York, 10/30/1980, sale #960”; M. Harris & Sons, London inscribed with the above Sotheby Parke Bernet sale; La Galerie des Maitres Anciens, Montreal; Collection, Montreal

126 Maurice Levis (1860-1940), French PUNT NEARING SHORE; Oil on panel; signed lower right 17” x 13” — 43.2 x 33 cm.

Est. $3,000/4,000 Provenance: Antoine’s Art Gallery, Montreal

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129 Leon Victor Dupre (1816-1879), French CATTLE BY A BRIDGE; Oil on panel; signed and dated 1853 lower right 6” x 9.5” — 15.2 x 24.1 cm.

Est. $3,000/4,000

131 Jean Jacques Henner (1829-1905), French THE SPRING; Oil on braced board; signed lower right, titled and numbered F.G. No. 28343 to label verso 16” x 24.5” — 40.6 x 62.2 cm.

Est. $3,000/4,000 Provenance: The French Gallery, London, Edinburgh, Montreal and New York, Inventory No. F.G. 28343; Private Collection, Montreal

127 Charles Emile Jacque (1813-1894), French SHEEP AND POULTRY IN A STABLE; Oil on canvas; signed lower left 18.25” x 15” — 46.4 x 38.1 cm.

Est. $2,000/3,000 Provenance: Private Collection, Montreal

130 Constantin Meunier (1831-1905), French WAITING BY THE SEA; Oil on canvas; signed lower right 19.75” x 27.5” — 50.2 x 69.9 cm.

Est. $2,000/3,000 Provenance: The Gunther Wagner Pelikan Art Collection, Hannover, Germany and later partially located on the family estate in Northern Germany (Gut Auermühle); With Vanden Broeck Miroitier, Bruxelles, framing company; Karl Werne (?), Koln stamp to the frame; By descent to the present Private Collection, Canada from the consignor’s parents, Germany

128 Jules Dupre (1811-1889), French PAYSAGE ANIME; Oil on panel; signed lower left, titled to label verso 12” x 8.5” — 30.5 x 21.6 cm.

Est. $3,000/4,000

132 Antoine Bouvard (19th/20th Century), French VENICE; Oil on canvas; signed lower right 19.75” x 25.5” — 50.2 x 64.8 cm.

Est. $6,000/8,000 Provenance: By descent to the present Private Collection, Canada

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133 Adolphe Joseph Thomas Monticelli (1824-1866), French RETURNING FROM THE CHASE (RETOUR DE CHASSE); Oil on panel; signed lower right, titled to inventory label verso 17” x 27” — 43.2 x 68.6 cm.

Est. $10,000/15,000 Provenance: Auguste Perquia Encadrements Artistiques, Marseille; Ex. Coll. of Sir William Cornelius Van Horne, Montreal, inventory number V.H. 251 to label verso; By descent through the family to the present Private Collection, Toronto 134 Adolphe Joseph Thomas Monticelli (1824-1886), French ELEGANT LADIES AT A WOODLAND BATHING POOL; Oil on cradled panel; signed lower right 15.5” x 23.5” — 39.4 x 59.7 cm.

Est. $4,000/6,000

135 Adolphe Joseph Thomas Monticelli (18241866), French THE KITCHEN; Oil on canvas, sculpted tondo; signed lower left, titled to label verso diameter width 8.75” — 22.2 cm.

Est. $2,000/3,000 Provenance: A partial Scottish gallery label (131 Princes street, Edinburgh) to the stretcher; Ex. Coll. of Sir William Cornelius Van Horne, Montreal, inventory number V.H. 244 verso; By descent through the family to the present Private Collection, Toronto Note: Contained in a House of Heydenryk, New York frame

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136 Pierre Emile Bonnard (1867-1947), French IL Y A DES BONNETS EN DENTELLE PLUS HAUTS ET EN TOILE BLANCHE PLUS BAS; Conte crayon drawing on paper; signed lower right, annotated Together with: Constantine Guys (1802-1892), French ELEGANT LADY AT A BALL; Pen and ink and watercolour wash on stiff paper 9.5” x 6” — 24.1 x 15.2 cm.; 8.25” x 7.25” — 21 x 18.4 cm.

138 Pauline Elise Leonide Bourges (1838-1900), French FIELDWORKERS TENDING BABY; Oil on canvas; signed lower left 17” x 25” — 43.2 x 63.5 cm.

Est. $2,000/3,000 Provenance: Haynes Art Gallery, Toronto, with them in 1901

140 Theophile Emmanuel Duverger (1821-1886), French THE PUPPET SHOW (PLAYMATES); Oil on panel; signed lower left, signed and titled “Playmates” verso 16.25” x 12.75” — 41.3 x 32.4 cm.

Est. $1,500/2,500 Est. $4,000/6,000 Provenance: Frederick W. Thom Limited, Toronto

139 Francois Lafon (1846 - 1890), French BATHERS AT A FOUNTAIN POOL; Oil on board 10.5” x 13.75” — 26.7 x 34.9 cm.

Est. $1,500/2,000

137 Attributed to Thomas Couture (1815-1879), French LA GUITARISTE (A PORTRAIT OF GEORGE SAND); Oil on canvas 36.5” x 29” — 92.7 x 73.7 cm.

Note: There is an old handwritten biography of the artist on the verso

141 Henriette (Sophie) Boutellier Browne (18291901), French THE SICK CHILD; Oil on canvas; signed lower left, titled to exhibition labels verso 14.5” x 11” — 36.8 x 27.9 cm.

Est. $3,000/5,000

Est. $3,000/4,000 Provenance: Ex. Private Collection Daniel Cottier, New York artist and patron of Barbizon artists, with him for 40 years; D. Cottier & Co., New York, from whom purchased by Sir William Van Horne, Montreal on November 26, 1889 as “Constant Troyon” * See the note on the website

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Provenance: With Colnaghi, registration number “N.S.S. Colnaghi 1901” inscribed in pen and ink to a label to the frame; Agnews, Manchester inscribed to an old label to the frame; Ms. C.E. Lees, Werneth Park, Oldham; Private Collection, Canada Exhibited: Loan Exhibition Guildhall, in “Coronation of London”, 1898; Preston Guild Art Exhibition, 1902; An unidentified, partial exhibition label “... of French Pictures”, n.d., while with Ms. C.E. Lees

142 Leon Emile Caille (1836-1907), French THE MORNING MEAL; Oil on panel; signed lower left 9.5” x 7” — 24.1 x 17.8 cm.

Est. $1,500/2,000

143 Louis Victor Felix Mettling (1847-1904), French PORTRAIT OF THE ARTIST’S DAUGHTER; Oil on cradled panel; signed and dated ‘84 lower left, titled to gallery label on the frame verso 12.5” x 9” — 31.8 x 22.9 cm.

Est. $1,500/2,500 Provenance: The French Gallery, London, Edinburgh, Montreal and New York, Inventory No. 24554; Ex. Coll. of Sir William Cornelius Van Horne, Montreal, inventory number V.H. 261 verso; By descent through the family to the present Private Collection, Toronto Exhibited: Art Association of Montreal, 1933, No. 158 while owned by Sir William Van Horne Note: This painting is readily visible in many of the photographs taken of the drawing room at the Van Horne residence on Sherbrooke Street, Montreal

144 Felix Ziem (1821-1911), French VUE DE CONSTANTINOPLE; Oil on canvas; titled in the Pierre Miguel catalogue raisonne, No. 514 15.75" x 25.5" — 40 x 64.8 cm.

Est. $15,000/20,000 Literature: Pierre Miguel, Felix Ziem 1821-1911, Editions de la Martinelle, Maurs-la-Jolie, 1978, Bd. VIII, S 103, Cat. No. 514, Illustrated, v. 1962, 15 juin, No. 164

144a Vincent Manago (1880-1936), French PRIERE DU SOIR, MAROC; Oil on panel; signed lower right 18” x 30.5” — 45.7 x 77.5 cm.

Est. $2,000/3,000

145 Georges Manzana-Pissarro (1871-1961), French VOILIERS DANS LE PORT D’HONFLEUR; Oil on canvas on masonite board; signed lower right. Accompanied by a photo-certificate from Andre Pacitti dated “Paris, le 17 fevrier 1988” 14” x 19.5” — 35.6 x 49.5 cm.

Est. $4,000/6,000

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146 Lucien Adrion (1889-1953), French BACKYARDS AND CITY GARDENS AT PARIS; Oil on canvas; signed lower left 24.5” x 31.5” — 62.2 x 80 cm.

Est. $2,000/3,000

147 Lucien Adrion (1889-1953), French AREA AROUND SEVRES; Oil on canvas; signed lower right, titled to gallery label verso 26” x 36” — 66 x 91.4 cm.

Est. $2,000/3,000 Provenance: Galleries Maurice Sternberg, Chicago

149 Elisee Maclet (1881-1962), French RUE DE NEIGE; Oil on board; signed lower left 18.25” x 21.75” — 46.4 x 55.2 cm.

Est. $2,000/3,000

150 Constantin Kluge (1912-2003), French LA PORTE ST. DENIS; Oil on canvas; signed lower right, titled and inscribed “WF N.Y.” to the stretcher 29” x 46” — 73.7 x 116.8 cm.

152 Hughes Claude Pissarro (1935- ), French LE CHEMIN DE PLACY AU PRINTEMPS; Oil on canvas; signed lower left, titled verso 20” x 24” — 50.8 x 61 cm.

Est. $6,000/8,000

153 Raoul Dufy (1877-1953), French HORSE AND FIGURE STUDIES; Pen and Ink on smooth paper; signed lower right 15” x 20” — 38.1 x 50.8 cm.

Est. $4,000/6,000 Est. $5,000/7,000 Provenance: Wally Findlay Galleries, New York, inventory number #74899

151 Antoine Blanchard (19101988), French NOTRE DAME, QUAI ST. MICHEL; Oil on canvas; signed lower left, signed at Paris verso. Together with with a certificate from Rehs Galleries, Inc. New York 18” x 21.5” — 45.7 x 54.6 cm.

Est. $4,000/6,000 148 Henry Malfroy (1895-1944), French VIEW OF NOTRE DAME, PARIS; Oil on canvas; signed lower left, titled to the liner of the frame verso 13” x 18.5” — 33 x 47 cm.

Est. $1,500/2,000

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Provenance: Universal Art Studio, Montreal Note: This work was examined, via photograph,

by Rehs Galleries Inc., and has been included in the online catalogue: Antoine Blanchard Virtual Checklist (www.antoineblanchard.org ),#NDQSM1821.001

154 Richard Guino (1890-1973), French KNEELING NUDE BATHER; Brown patinated bronze; signed and numbered 1/8 and inscribed in the cast: “Susse Freres perdu” and stamped with the foundry seal in the cast height 10” — 25.4 cm.

156 Victor Vasarely (1906-1997), Hungarian/French OPTIC CUBE; Silkscreen on plexiglass 8.5” x 8.5” x 8.5” — 21.6 x 21.6 x 21.6 cm.

158 Victor Vasarely (1906-1997), Hungarian/French UNTITLED (BLACK GROUND); Paper collage on pvc; signed lower right 39.25” x 27.5” — 99.7 x 69.9 cm.

Est. $1,500/1,800

Est. $1,500/2,000

Est. $6,000/9,000 Provenance: Medgyanszky, Budapest, from whom purchased by the present Private Collection, Canada in the mid 1990’s

155 Georges Mathieu (1921-2012), French MAUVES; Oil on canvas; signed and dated 69 lower right, titled to the stretcher 36” x 28.75” — 91.4 x 73 cm.

Est. $30,000/40,000 Provenance: Dominion Gallery Montreal, inventory no. D4834

157 Victor Vasarely (1906-1997), Hungarian/French UNTITLED (BLUE GROUND); Paper collage on pvc; signed lower right. Unframed.

23.25” x 15.75” — 59.1 x 40 cm.

Est. $3,000/5,000 Provenance: Medgyanszky, Budapest, from whom purchased by the present Private Collection, Canada in the mid 1990’s

159 Victor Vasarely (1906-1997), Hungarian/French UNTITLED; Paper collage on pvc; signed lower right 39.25” x 27.5” — 99.7 x 69.9 cm.

Est. $6,000/9,000 Provenance: Medgyanszky, Budapest, from whom purchased by the present Private Collection, Canada in the mid 1990’s International Art Auction - Tuesday 18 June 2013 at 1 pm

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160 Victor Vasarely (1906-1997), Hungarian/French UNTITLED (GLOBE); Gilt paper collage on pvc; signed lower right 19.75” x 19.75” — 50.2 x 50.2 cm.

162 Alexander Frenz (1861-1941), German THE LEGEND OF ODYSSEUS AND THE MERMAID; Oil on canvas; signed and dated 1904 lower right 27.5” x 71” — 69.9 x 180.3 cm.

Est. $4,000/6,000

Est. $6,000/9,000 Provenance: Medgyanszky, Budapest, from whom purchased by the present Private Collection, Canada in the mid 1990’s

German 163 Conrad Kiesel (1846-1921), German BEAUTY WITH LONG FLOWING HAIR; Oil on canvas; signed upper left 22.25” x 18” — 56.5 x 45.7 cm.

Est. $3,000/4,000

161 Carl Henrich Hoff the Elder (1838-1890), German SALON IM KONIGLICHEN SCHLOSS IN SCHLEISSHEIM IN MUNICH (SALON IN THE ROYAL CASTLE IN SCHLEISSHEIM IN MUNICH); Oil on canvas; signed at “Munchen” lower right, signed, titled in German and dated 1870 to artist label verso 29.75” x 36.5” — 75.6 x 92.7 cm.

Est. $7,000/10,000

164 Anton Ebert (1845-1896), German WEDDING TOAST TO THE NEW SUITOR; Oil on canvas; signed lower right 46” x 37” — 116.8 x 94 cm.

Est. $6,000/8,000

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165 Carl Kayser-Eichberg (1873-1964), German HOMECOMING OF THE SHEPHERD; Oil on canvas; signed lower left 37.5” x 47.75” — 95.3 x 121.3 cm.

Est. $1,500/2,500 Provenance: By descent to the present Private Collection, Canada from the consignor’s parents, Germany

168 Ferdinand Staeger (1880-1977), German VORBEHALTS GUT MEINER FRAU (SELF PORTRAIT CONDUCTING THE DANCER IN MEMORY OF HIS WIFE); Oil on a printed advertising board; signed lower left, signed and titled in German to artist’s label verso, another indistinct paper label inscribed in pencil: Chalzter Palace? in German lower right verso

166 Georg Macco (1863-1933), German GLAUBIGE AM JORDAN; Oil on board; signed lower left, signed at Dusseldorf and titled verso 11.5” x 16” — 29.2 x 40.6 cm.

Est. $1,500/2,000

169 Andreas Weishaupt (1957- ), German DER SCHIRM (THE UMBRELLA); Tempera on canvas; signed, titled and dated 1985 verso, numbered “AW9” to gallery label to the stretcher 63” x 51.2” — 160 x 130 cm.

Est. $1,500/2,000 Provenance: Sander Gallery, New York

Greek

Together with: SELBSTBILDNIS (A SELF-PORTRAIT); Etching and aquatint; signed, titled and inscribed “Orig. Rad” in pencil to margin 19.75” x 23” — 50.2 x 58.4 cm.; 8” x 12.5” — 20.3 x 31.8 cm.

Est. $2,000/3,000 Literature: Selbstbildnis is illustrated on the front cover of R.A. Giesecke’s, “Die Schonheit Ferdinand Staeger” Heft 3 23. Jahrgang, Verlag der Schonheit Dresden, Leipzig, Berlin, München, Wien, 1927

170 Epaminondas Thomopoulos (1878-1974), Greek GONDOLAS IN A VENETIAN BACKWATER; Oil on panel; signed lower right; inscribed in Greek verso 7.5” x 11.5” — 19.1 x 29.2 cm.

Est. $1,500/2,000

167 Ferdinand Staeger (1880-1977), German PLUCKING GEESE; Oil on canvas; signed lower right 21.5” x 28” — 54.6 x 71.1 cm.

Est. $1,500/2,000

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Hungarian

171 Oszkar Glatz (1872-1958), Hungarian JATSZO GYERMEKEK SZOCSKEK (CHILDREN PLAYING WITH GRASSHOPPERS); Oil on canvas; signed lower right 26.25” x 32.25” — 66.7 x 81.9 cm.

173 Istvan Boldizsar (1897-1984), Hungarian HARBOUR AT BALATON; Oil on canvas; signed and dated 1963 lower right 27.5” x 35.5” — 69.9 x 90.2 cm.

175 Pal Fried (1893-1976), Hungarian/American MARGOT; Oil on canvas; signed lower right, titled verso 24” x 30” — 61 x 76.2 cm.

Est. $2,000/3,000 Est. $1,500/2,000 Provenance: Arnot Gallery/Herbert Arnot Inc., N.Y. purchased directly from the artist on 6/8/1959; Sold to Robert Simpson Company, Canada on 9/21/1959

Est. $4,000/6,000

172 Laszlo Mattyasovszky Zsolnay (1885-1935), Hungarian AKT KENDOVEL, BUDAPEST, 1934; Oil on canvas.

174 Gyula Marosan (1915-2003), Hungarian/Canadian ABSTRACT; Oil on silk canvas; signed lower left 36” x 48” — 91.4 x 121.9 cm.

176 Pal Fried (1893-1976), Hungarian/American JAMAICAN GIRL (IN RED); Oil on canvas; signed lower left, titled verso 30.25” x 24” — 76.8 x 61 cm.

Together with: A copy of the book “Mattyasovszky-Zsolnay Laszlo 1885-1935”.

39.75” x 25” — 101 x 63.5 cm.

Est. $1,500/1,800

Est. $1,500/2,000

Est. $2,000/3,000 Provenance: Collection of the artist, Budapest, Hungary; By descent to his nephew, a Private Collection, Canada Literature: Petrovics Elek, “MattyasovszkyZsolnay Laszlo 1885-1935”, Budapest, 1936, illustrated fig. 88

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Provenance: Arnot Gallery/Herbert Arnot Inc., N.Y. purchased directly from the artist on 12/26/1962; Sold to Cooling Galleries, Toronto on 4/8/1963; Cooling Galleries, (Ontario) Limited from whom purchased by Mrs. Pearl Dover, Toronto on January 5, 1965, accompanied by the original receipt; By descent to the present Private Collection, Toronto

Italian

177 Pal Fried (1893-1976), Hungarian/American SANDRA; Oil on canvas; signed lower left, titled verso 30” x 24” — 76.2 x 61 cm.

Est. $1,500/2,000 Provenance: Arnot Gallery/Herbert Arnot Inc., N.Y. purchased directly from the artist on 9/8/1964

178 Pal Fried (1893-1976), Hungarian/American FANDANGO; Oil on canvas; signed lower left, titled verso and to the selvage 30” x 24” — 76.2 x 61 cm.

Est. $1,500/2,500 Provenance: Arnot Gallery/Herbert Arnot Inc., N.Y. purchased directly from the artist on 12/19/1966; Sold to Galerie Ville Marie, Montreal on 03/20/1967; Private Collection, P.Q.

179 After a 16th Century Venetian Master, Circle of Bartolomeo Veneto (1502-1555), Italian M. LAVRA (LAURA DE NOVES); Oil on canvas; titled at the top center. Unframed.

27.5” x 21” — 69.9 x 53.3 cm.

180 Achille Leonardi (1800-1870), Italian SYBIL WRITING; Oil on canvas; signed at 17.4.

Fontane, Roma lower right 24.5” x 19.5” — 62.2 x 49.5 cm.

Est. $1,500/2,000 Provenance: N. Rheaume & Frere, Montreal; Town Art Centre

Est. $2,000/3,000 Provenance: The Gunther Wagner Pelikan Art Collection, Hannover, Germany and later partially located on the family estate in Northern Germany (Gut Auermühle); By descent to the present Private Collection, Canada from the consignor’s parents, Germany Literature: “Laura” Brittanica Encyclopedia, Brittanica.com; “Laura de Noves”, Famous People of Provence, Avignon-et-Provence.com; “Francesco Pertrarch’s Laura de Noves” University of California, shakespeare.berkeley.edu Note: The existence and identity of the humanist poet Francesco Petrarch’s beloved Laura de Noves has long been speculated. Laura de Noves is in fact Laura de Sade of Avignon. Laura was born in Avignon in 1310, and on April 6, 1327 Petrarch first saw Laura at Easter Mass at the St. Claire Church. Struck with desire, Petrarch left his vocation as a priest and began to write sonnets and poems about Laura.

Enticed by the unattainability of Laura, she was married to Hugh de Sade two years prior to their meeting, Petrarch pursued Laura for twenty one years, until her death in 1348.

181 16th Century Florentine School, Italian SEATED SAINT LOOKING UP; PRAYING SAINT; Two conte drawings, the former in sepia crayon on laid paper with watermark of a nude; the latter, black conte drawing on wove paper Sheet 9.25” x 5” — 23.5 x 12.7 cm.; 11” x 6.75” — 27.9 x 17.1 cm.

Est. $1,500/2,000

After her death it was confirmed that Laura de Sade was Laura de Noves, a title Petrarch had given her after the community of Noves near Avignon. In 1532, Maurice Sceve, like Petrarch a humanist and poet, had discovered Laura’s tombstone and uncovered a medal of a woman tearing our her heart and a sonnet which was attributed to Petrarch. It was these sonnets about his love for Laura which inspired many poets after Pertrarch, such as William Shakespeare.

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182 Consalvo Carelli (1818-1900), Italian VIEW OF NAPOLI WITH MOUNT VESUVIUS; PISCATORI OFF THE COAST; Pair of oils on canvas; each inscribed C. Carelli and dated 1880 verso 20” x 31” — 50.8 x 78.7 cm.

184 Rubens Santoro (1859-1942), Italian VENETIAN CANAL; Oil on canvas; signed lower right 16.25” x 13.25” — 41.3 x 33.7 cm.

Est. $7,000/9,000

Est. $80,000/120,000 Provenance: W. Scott & Sons, Montreal; Private Collection, Montreal

183 Cesare Felix Georges dell’Acqua (1821-1904), Italian SAINT CATHERINE OF SIENA LEADING POPE GREGORY XI BACK TO ROME; Oil on canvas; signed and dated 1863 lower left 49” x 72” — 124.5 x 182.9 cm.

Est. $10,000/15,000

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185 Raffaele Mainella (1858-1907), Italian VENICE; Watercolour; signed at “Venise” lower left Sight 6.5” x 12” — 16.5 x 30.5 cm.

190 Memo Vagaggini (1892-1955), Italian MONTE BIANCO; Oil on panel; signed lower left, artist’s studio stamp verso, titled verso 15.5” x 19.5” — 39.4 x 49.5 cm.

Est. $1,500/2,000

Est. $1,500/2,500 188 Michele Cortegiani (1857-1919), Italian BEAUTY IN SATIN AND PEARLS; Colour pastel on paper; signed and dated 95 lower right Sight 28.25” x 22” — 71.8 x 55.9 cm.

Est. $1,500/2,000 186 R** Domba (19th/20th Century), Italian GONDALIERS AT VENICE; Oil on canvas; signed lower right 18” x 32” — 45.7 x 81.3 cm.

Est. $1,500/2,000 191 Memo Vagaggini (1892-1955), Italian VAL FERRET; Oil on canvas; signed lower left, artist’s studio stamp verso, titled to the stretcher 16” x 19.75” — 40.6 x 50.2 cm.

Provenance: John Britnell Art Galleries Limited, Toronto

Est. $1,500/2,500 189 Ulvi Liegi (Luigi Levi) (1858-1939), Italian BUSY STREET SCENE; Oil on canvas; signed in pen and ink to remains of an unknown gallery label verso. Unframed.

13” x 16” — 33 x 40.6 cm.

187 Luigi Cavalieri (19th Century), Italian IN THE MUSIC ROOM; Oil on canvas laid down on masonite; signed lower left 16.25” x 23” — 41.3 x 58.4 cm.

Est. $3,000/5,000 Provenance: Private Collection, London, England reportedly purchased directly from the artist

Est. $2,000/3,000 192 Memo Vagaggini (1892-1955), Italian QUERCIANELLA; Oil on canvasboard; signed lower right, titled to artist’s label verso 15.75” x 19.75” — 40 x 50.2 cm.

Est. $1,500/2,500

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193 Memo Vagaggini (1892-1955), Italian VILLAGE HOUSES BY THE SEA; Oil on canvas; signed lower left 18.5” x 24” — 47 x 61 cm.

Est. $1,500/2,500

198 Leonardo Nierman (1932- ), Mexican NOCTURNO COSMICO (COSMIC NOCTURN); Oil on masonite; signed lower left, titled verso 40” x 59” — 101.6 x 149.9 cm.

196 Mario Schifano (1934-1998), Italian UNTITLED; Enamel on two sheets of stiff paper, layered on top of each other; signed bottom edge 27.5” x 27.5” — 69.9 x 69.9 cm.

Est. $2,000/3,000

Est. $3,000/4,000

Mexican

194 Jean Calogero (1922-2001), Italian CLOWN AND BOUQUET; Oil on canvas; signed lower left 22” x 18” — 55.9 x 45.7 cm.

Est. $1,200/1,800 Provenance: Arnot Gallery/Herbert Arnot Inc., New York, purchased in 11/57; Sold to The Cooling Gallery Ltd., 01/14/1958

197 Leonardo Nierman (1932- ), Mexican SAIL BOAT; Oil on masonite; signed lower right, titled verso 48” x 36” — 121.9 x 91.4 cm.

199 Attributed to Miguel Cabrera (1695-1768), Mexican CHRIST WITH THE CROWN OF THORNS ON A SHROUD; Oil on canvas; inscribed “Cabrera Fec 9 1732” to the original canvas verso 22” x 16.5” — 55.9 x 41.9 cm.

Est. $1,500/2,000 Est. $1,200/1,800

195 Umberto Boccioni (1882-1916), Italian MAN ON A BICYCLE; Pen and ink and watercolour on paper; signed lower right Sight 6” x 8.5” — 15.2 x 21.6 cm.

Est. $2,000/3,000

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Pakistani

204 Constantin Terechkovitch (1902-1978), Russian STILL LIFE WITH BOWLS OF FRUIT; Oil on paper laid on canvas; signed lower right 17.75” x 27.25” — 45.1 x 69.2 cm.

Est. $4,000/6,000 Provenance: Dominion Gallery, Montreal, inventory no. D7424 200 Muhammed Abdur Rahman Chughtai (18941975), Pakistani PIECE OF CORN (FACE STUDY SERIES); Watercolour; titled and dated circa 1950 at Lahore, certified by the artist’s son, Arif Rahman Chughtai on 2nd Oct. 2012, and stamped by the Chughtai Museum Trust, Lahore, Pakistan verso 12.25” x 11” — 31.1 x 27.9 cm.

202 Henry Musialowicz (1914- ), Polish COMPOSITION WITH BUST; Mixed-media with gold paint on paper; signed upper right and lower right Sheet 21” x 15” — 53.3 x 38.1 cm.

Est. $8,000/12,000

Est. $1,500/2,000

Note: The artist’s son notes that this study is part of a series of about 50 profiles of people executed by his father during the 1950’s.

Russian Polish

201 Wiktor Korecki (1890-1980), Polish WINTER IN THE VILLAGE; Oil on canvas; signed lower left 24” x 36” — 61 x 91.4 cm.

Est. $1,500/2,000

203 Lev Chistovsky (1902-1969), Russian RECLINING NUDE; Watercolour with traces of pencil; signed and dated 1936 at “Paris”upper left 14” x 19.25” — 35.6 x 48.9 cm.; 15” x 20.5” — 38.1 x 52.1 cm.

205 Nikolai (Nicolai) Seleschuk (Seliachouk) (19471996), Russian TO THE PARTY; Mixed-media on canvas; signed and dated 91 in cyrillics lower right, signed, titled, dated 1991 and inscribed in cyrillics verso 31.5” x 39.5” — 80 x 100.3 cm.

Est. $12,000/18,000

Est. $1,500/2,000

Provenance: Collection of the Late Murray Abron, Toronto, acquired in the early 1940’s; By descent to the present owner

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206 Anatoly Zverev (1931-1986), Russian FIGURE; watercolour and ink, signed with cyrillic initials and dated 57 lower right, number 6 on reverse lower right corner Sight 22.5” x 16.5” — 53.3 x 40 cm.

208 Igor Pavlovich Obrosov (1930-2010), Russian MOSCOW DURING THE WAR TIME; Tempera on canvas; signed in cyrillics lower left, signed, titled and dated 1989-90 verso 59.1” x 70.9” — 150 x 180 cm.

Est. $1,500/2,000 Est. $7,000/10,000 Provenance: Private Collection, Canada acquired from George Costakis, Moscow in 1993

Literature: I. Obrosov (Mastera sovetskogo iskusstva) (Russian Edition) [A. A Dekhtiar], pg. 138-139, the triptych illustrated Note: In 1983, the artist painted a triptych which now hangs in Moscow.

This work is a variant of the center panel of the triptych.

209 Natalia (Natta) Konysheva (Konisheva) (1935- ), Russian FAMILY AROUND THE PIANO; Oil on canvas; signed and titled in cyrillics and dated 86 verso.

Together with a photograph with export stamp verso 20” x 26” — 50.8 x 66 cm.

207 Kirill Zdanevich (1892-1969), Russian CUBIST NUDE; CUBIST STILL LIFE WITH GUITAR; Two pencil drawings with watercolour on paper; each signed with initials lower right Sheet each 12.5” x 9.25” — 31.8 x 23.5 cm.

Est. $2,000/3,000

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Est. $2,000/3,000 Provenance: Gifted to the present Private Collection, Canada from George Costakis in Moscow, circa 1967

British/South African

210 John Henry Amshewitz (1882-1955), British/South African DESDEMONA; Oil on board; signed lower right, signed and titled verso 20” x 24.75” — 50.8 x 62.9 cm.

Est. $1,500/2,000 Provenance: With Elizabeth Gordon Gallery, Durban, South Africa

212 Antonio Grediaga Kieff (1936- ), Spanish/Canadian UNTITLED; Bronze; signed and numbered no. 1 in the cast, signed to the black marble base Overall height 26.25” — 66.7 cm.

214 Alexis Gritchenko (1883-1977), Ukrainian ON THE COAST OF FRANCE; Oil on panel; signed lower left 25.75” x 20.5” — 65.4 x 52.1 cm.

Est. $4,000/6,000

Est. $1,500/2,000

Spanish

Ukrainian

211 Maximino Pena Munoz (1863-1940), Spanish SIESTA; Oil on canvas; signed and dated 1893 lower right 19.75” x 27.75” — 50.2 x 70.5 cm.

Est. $3,000/4,000

213 Fedor Panteleimonovich Fedorov-Kerchensky (19th/20th Century), Ukrainian CRASHING WAVES, BLACK SEA; Oil on board; signed in cyrillics lower left, numbered “No. 8” verso 4” x 5.5” — 10.2 x 14 cm.

215 Boris Ivanovitsch Pastoukhoff (1894-1974), Ukrainian STILL LIFE; Oil on canvas; signed lower left, signed and titled by the artist to the backing paper verso 20” x 16” — 50.8 x 40.6 cm.

Est. $3,000/4,000

Est. $2,000/3,000

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INFORMATION FOR BUYERS All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ or Joyner™ Waddington’s, and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

Payment Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.

A premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by the buyer as part of the total purchase price.

Removal of Purchases The purchaser will be responsible for shipping and insurance expenses. The Auctioneer will, upon request, provide names of professional packers and shippers but will not be responsible or have any liability for providing this information.

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15).

Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to whalebone, tortoiseshell & ivory. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials. Please contact the appropriate Waddington's department for assistance.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Frames on artwork are not included as part of purchase or condition.

Bidding To bid in person at the auction, you must register for a bidding number by showing identification acceptable to the Auctioneer upon entering the salesroom. Your number will identify you if you are the successful bidder. You will be responsible for all lots purchased on your bidding number. Banking information may be requested by Waddington’s™ or Joyner™ Waddington’s.

You may submit an Absentee Bid Form if you are unable to attend the sale. Bidding by telephone, in limited circumstances, can be arranged prior to the sale. While we are pleased to offer absentee and telephone bidding as a service to our clients, and take great care in their commission, the Auctioneer will not be responsible for technical difficulties, errors or failure to execute bids.

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

INFORMATION FOR SELLERS Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors.

For further information, or to arrange an appointment, please contact our Toronto office.

Property normally arrives at Waddington’s™ or Joyner™ Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

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Restrictions exist regarding the export of species protected under CITES (Convention on International Trade in Endangered Species). All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington's.

Commission Rates Items selling for $7,501 or more Items selling for $2,501 to $7,500 Items selling for $251 to $2,500 Items selling for $250 or less *There is a minimum handling charge of $20 per item

10% 15% 20% 25%

Insurance A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

CONDITIONS OF SALE 1 All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject 11 Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements

2 3

4 5

6

to variation to be posted or announced verbally in the auction room prior to the time of sale. While satisfactory to the auctioneer for the inspection of such lot by a fully qualified person the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be taken to ensure the correct cataloguing of each item, such descriptions are purely statements of carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days opinion and are not intended to constitute a representation to the prospective purchasers and no following the sale a written opinion of such person is presented to the auctioneer to the effect warranty of the correctness of such description is made. An opportunity for inspection of each that the lot is not genuine or authentic, accompanied by a written request by the buyer for article is offered prior to the time of sale. No sale will be set aside on account of lack of rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to correspondence of the article with its description or its reproduction, if any, whether colour or black the buyer. & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such 12 Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic a reference does not imply that a lot is free from defects nor does any reference to certain defects transfer (fee applies), and VISA or Mastercard (up to $25,000). As Waddington's requires imply the absence of others. Frames on artwork are not included as part of purchase or condition. written authorization for all credit card purchases, credit cards must be presented in person It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which by the cardholder and therefore cannot be accepted over the telephone. However, fax they wish to bid, relying upon their own advisers, and to bid accordingly. authorization arrangements can be made.

Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price. 13 In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase responsible to the auctioneer and the consignor for: price including the buyer’s premium. For international buyers, taxes are not applicable when (a) any deficiency in price between the re-sale amount and the purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay amount to have been paid by the original buyer; taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). (b) any reasonable charge by the auctioneer for the storage of such The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to articles until payment and removal by the subsequent buyer; and combine any two or more lots at his sole discretion, all without notice. (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion.

The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any 14 It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents bid which is not commensurate with the value of the article offered, or which is merely a nominal or contractors, in packing or removal shall be rendered as a courtesy and without any liability or fractional advance over the previous bid may not be recognized. to them.

Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, 15 The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and the buyer understands that any item bought may be affected by the provisions of the Cultural submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant Property Export Act (Canada). to the instructions of prospective purchasers not in attendance at the sale.

7 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall 16 The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

or all bids from any particular person or persons at any auction.

8 Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9 The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred.

10 Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

THIRD PARTY LIABILITY Any person on Waddington’s™ Auctioneers & Appraisers premises, before, during or after the sale, shall deem to be there at his/her own risk and he/she shall have no claim against Waddington’s™ or Joyner™ Waddington’s in respect of any injury he/she may sustain or any accident which may occur.

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Index A. Adam, Joseph Denovan Adrion, Lucien Agar, Eileen American School, Western Amshewitz, John Henry Arnegger, Alois

77 146, 147 62 1 210 19,20, 21

B. Balen the Elder, Hendrik van, Attributed to Balen the Elder, Hendrik van, Circle of Baxter, Charles Beeldemaker, Johannes Berckheyde, Job Adriansz Birch, Samuel John Lamona Blanchard, Antoine Boccioni, Umberto Boldizsar, Istavan Bonnard, Pierre Emile Bosboom, Johannes Bourges, Pauline Elise Leonide Bouvard, Antoine Boyd, Guy Martin Breakspeare, William A. Breanski, Alfred Fontville De Brown, William Marshall Browne, Henriette (Sophie) Boutellier Bundy, Edgar

97 96 47 103 102 59 151 195 173 136 105 138 132 11, 12 36 56, 57 78 141 53, 54, 55

C. Cabrera, Miguel, Attributed to Caffyn, Walter Wallor Caille, Leon Emile Calderon, Philip Hermogenes Calogero, Jean Cameron, Sir David Young Carelli, Consalvo Cassiers, Hendrick Cavalieri, Luigi Chambers, George W. Charlet, Frantz Chistovsky, Lev Chittussi, Anton Chughtai, Muhammed Abdur Rahman Cleminson, Robert Constable, John, After Coomans, Diana Coques, Gonzales, Follower of Cortegiani, Michele Couture, Thomas, Attributed to D. Daughters, Robert Dell’Acqua, Cesare Felix Georges Domba, R*** Dufy, Raoul Dupre, Jules Dupre, Leon Victor Durrant, Roy Turner Dusart, Cornelis Duverger, Theophile Emmanuel E. Ebert, Anton Engelhart, Josef Etty, William

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F. Fedorov-Kerchensky, Fedor Panteleimonovich Florentine, 16th century Francken the Younger, Frans, Follower of French, 15th/16th century French School, 17th/18th century Frenz, Alexander Fried, Pal

G. Gear, William Gillemans, Jan Pauwel, Attributed to Glatz, Oszkar Gritchenko, Alexis Gruppe, Emile Albert Guderna, Ladislav Guino Richard Guys, Constantine

213 181 95 117 118 162 175, 176, 177, 178

68, 69, 70, 71, 72 101 171 214 4 88, 89, 90 154 136

H. Hannaford, Charles Hardy, Thomas Bush Henner, Jean Jacques Hockney, David Hoff the Elder, Carl Henrich Hoog, Bernard de

44 45, 46 131 67 161 112, 113

199 50 142 52 194 74, 75, 76 182 23 187 6, 7 25 203 87 200 48 33 24 100 188 137

I. Istler, Josef

91, 92

J. Jackson, Frederick William Jacque, Charles Emile Jansen, Willem George Frederik Jenkins, Paul Johnstone, William Judson, William Lees

51 127 115, 116 9a 73 2

K. Kate, Herman Frederick Carel ten Kayser-Eichberg, Carl Kieff, Antonio Grediaga Kiesel, Conrad Kluge, Constantin Knowles, George Sheridan Koekkoek the Elder, Hermanus Konysheva (Konisheva), Natalia (Natta) Korecki, Wiktor Kreuzer, Vincenz

104 165 212 163 150 55a 107 209 201 14

8 183 186 153 128 129 63, 64, 65, 66 98 140

L. Lafon, Francois Lancret, Nicolas, Circle of Lawrence, Sir Thomas, Attributed to Lefler, Franz Leonardi, Achille Levis, Maurice Liegi, Ulvi (Luigi Levi) Lingelbach, Johannes

139 121 28 86 180 126 189 94

M. Macco, Georg Maclet, Elisee Mainella, Raffaele Malfroy, Henry Manago, Vincent

166 149 185 148 144a

164 16 30

Manzana-Pissarro, Georges Marosan, Gyula Martens, Willy Mathieu, Georges Meadows, James Edwin Mettling, Louis Victor Felix Meunier, Constantin Mielich, Alphons Leopold Monticelli, Adolphe Joseph Thomas Moore, Henry Munoz, Maximino Pena Munthe, Gerhard Arij Ludwig Morgenstjerne Musialowicz, Henry

145 174 113a 155 39 143 130 18 133, 134, 135 60, 61 211 108 202

N. Nediliko, Mykola Neeffs the Younger, Peeter, Circle of Neuhuys, Albert Nierman, Leonardo Newman, Robert Loftin

9 99 111 197, 198 5

O. O’Neill, Daniel Obrosov, Igor Pavlovich

81 208

P. Parker, Henry H. Pastoukhoff, Boris Ivanovitsch Pena, Narcisse Virgile Diaz de la Pena, Narcisse Virgile Diaz de la, After Pieters, Evert Pissarro, Hughes Claude Pollentine, Alfred Pothast, Bernard Poussin, Nicolas, Follower of

58 215 123, 124 125 110 152 43 114 119, 120

R. Raab, Ignaz Joseph, Attributed to Richards, William Trost Roberts, Edwin Thomas Rousseau, Theodore, Roux, Oswald Rubens, Sir Peter Paul, Circle of

13 3 35 122 17 96

S. Santoro, Rubens Scherrewitz, Johan Frederik Cornelis Schifano, Mario Seleschuk (Seliachouk), Nikolai (Nicolai) Severn, Joseph Shayer the Elder, William Spulak, Alois Staeger, Ferdinand Storey, George Adolphus Sutton, Ivan

184 109,109a 196 205 32 40, 41 85 167, 168 34 84

V. Vagaggini, Memo Vasarely, Victor Veneto, Bartolomeo, Circle of Verboeckhoven, Eugene Verhaegen, Fernand Vierin, Emmanuel

190, 191, 192, 193 156, 157, 158, 159, 160 179 22 27 26

W. Wallis, George Webb, James Weishaupt, Andreas Weiss, Jose Weissenbruch, Jan Wesslemann, Tom Wheatley, Francis, Attributed to Wilks, Maurice Canning Williams, George Augustus Wilson, John James Wolf, Franz Xavier

31 42 169 38 106 10 29 79, 80 37 49 15

Y. Yeats, Jack Butler

82, 83

Z. Zdanevich, Kirill Ziem, Felix Zsolney, Laszlo Mattyasovszky Zverev, Anatoly

207 144 172 206

T. Terechkovitch, Constantin Thomopoulos, Epaminondas

204 170

U. Uden, Lucas van

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Waddingtons.ca SPECIALIST DEPARTMENTS

Waddingtons.ca/Cobourg

Asian Art

Jewellery, Watches & Numismatics

Anthony Wu 416 847 6185 aw@waddingtons.ca

Don P. McLean 416 847 6170 dpm@waddingtons.ca

9 Elgin Street East, Cobourg ON K9A 0A1

Monthly Fine Art

General Manager

Doug Payne 416 847 6180 dp@waddingtons.ca

Paul Needham 905 373 0501 pn@waddingtons.ca

Silver, Glass & Ceramics

Absentee and Phone Bidding

Bill Kime 416 847 6189 bk@waddingtons.ca

905 373 1467 (Fax)

Canadian Fine Art Geoffrey Joyner Robert Cowley Lydia Abbott Kristin Vance 416 504 5100 joyner@waddingtons.ca

Canadian Contemporary Art Stephen Ranger 416 847 6194 skr@waddingtons.ca

International Art Susan Robertson 416 847 6179 sr@waddingtons.ca Nastazja Pedersen (Client Services Administrator) 416 847 6182 np@waddingtons.ca

Sculpture, Decorations, Clocks & Lighting Sean Quinn 416 847 6187 sq@waddingtons.ca

Transitions Marcia Kim 416 847 6196 mk@waddingtons.ca

Inuit Art Christa Ouimet 416 847 6184 co@waddingtons.ca

Waddingtons.ca/Collingwood P. O. Box 554, Collingwood ON L9Y 4B2 Valerie Brown 705 445 8811 vb@waddingtons.ca

OPERATIONAL STAFF President

Accounts Manager

Duncan McLean 416 847 6183 adm@waddingtons.ca

Karen Sander 416 847 6173 ks@waddingtons.ca

C.F.O. / C.O.O.

Corporate Receptionist

Bonnie Herman 416 847 6171 bfh@waddingtons.ca

Kate Godin 416 504 9100 kg@waddingtons.ca

General Manager

Appraisal Co-ordinator

Duane Smith 416 847 6172 das@waddingtons.ca

Ellie Muir 416 847 6196 em@waddingtons.ca

Vice President Business Development

Client Services

Stephen Ranger 416 847 6194 skr@waddingtons.ca

Steve Sheppard 416 847 6186 ss@waddingtons.ca

Creative & Technical Manager

Andrew Brandt 416 504 9100 ext 6200 ab@waddingtons.ca

Jamie Long 416 847 6188 jl@waddingtons.ca

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International Art Auction - Tuesday 18 June 2013 at 1 pm

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